{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1977\u0026page=18\u0026view=compact","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1977\u0026page=17\u0026view=compact","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1977\u0026page=19\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1977\u0026page=5449\u0026view=compact"},"meta":{"pages":{"current_page":18,"next_page":19,"prev_page":17,"total_pages":5449,"limit_value":10,"offset_value":170,"total_count":54489,"first_page?":false,"last_page?":false}},"data":[{"id":"wvmturhc_repositories_2_resources_3918_c08_c09","type":"File","attributes":{"title":"1998 Winter Alumni Magazine","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3918_c08_c09#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_3918_c08_c09","ref_ssm":["wvmturhc_repositories_2_resources_3918_c08_c09"],"id":"wvmturhc_repositories_2_resources_3918_c08_c09","ead_ssi":"wvmturhc_repositories_2_resources_3918","_root_":"wvmturhc_repositories_2_resources_3918","_nest_parent_":"wvmturhc_repositories_2_resources_3918_c08","parent_ssi":"wvmturhc_repositories_2_resources_3918_c08","parent_ssim":["wvmturhc_repositories_2_resources_3918","wvmturhc_repositories_2_resources_3918_c08"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_3918","wvmturhc_repositories_2_resources_3918_c08"],"parent_unittitles_ssm":["West Virginia University, News Service, Photographs","Series 8. Special Project Files [boxes 118-120]"],"parent_unittitles_tesim":["West Virginia University, News Service, Photographs","Series 8. Special Project Files [boxes 118-120]"],"text":["West Virginia University, News Service, Photographs","Series 8. Special Project Files [boxes 118-120]","1998 Winter Alumni Magazine","Box 119","Folder 1"],"title_filing_ssi":"1998 Winter Alumni Magazine","title_ssm":["1998 Winter Alumni Magazine"],"title_tesim":["1998 Winter Alumni Magazine"],"unitdate_inclusive_ssm":["ca. 1965-2001"],"normalized_date_ssm":["1965/2001"],"normalized_title_ssm":["1998 Winter Alumni Magazine"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["West Virginia University, News Service, Photographs"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1668,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"containers_ssim":["Box 119","Folder 1"],"_nest_path_":"/components#7/components#8","timestamp":"2026-05-21T00:56:00.432Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3918","ead_ssi":"wvmturhc_repositories_2_resources_3918","_root_":"wvmturhc_repositories_2_resources_3918","_nest_parent_":"wvmturhc_repositories_2_resources_3918","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3918.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/197715","title_ssm":["West Virginia University, News Service, Photographs"],"title_tesim":["West Virginia University, News Service, Photographs"],"unitdate_ssm":["ca. 1890-2007","1950-2007"],"unitdate_bulk_ssim":["1950-2007"],"unitdate_inclusive_ssm":["ca. 1890-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 5188","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3918"],"text":["A\u0026M 5188","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3918","West Virginia University, News Service, Photographs","Morgantown (W. Va.)","West Virginia University - buildings.","West Virginia University  -- Students","No special access restriction applies.","Coliseum, Proposed Drawing; 2 negatives","5188, 5212, 5213, 5038","Photographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files.","This collection includes 15 series: \nSeries 1. Project Files; ca. 1964-2007; boxes 1-89. \nSeries 2. Index to Project Files; ca. 1964-1987; boxes 90-101b. \nSeries 3. Aerial Prints; ca. 1961-1984; box 102. \nSeries 4. \"Bicentennial Collection\"; ca. 1890-1925; boxes 103-104. \nSeries 5. Slides; ca. 1980-1992; boxes 105-111. \nSeries 6. Digital Photographs; ca. 2000-2005; boxes 112-114. \nSeries 7. Proof Sheets; ca. 1965-1999; boxes 115-117. \nSeries 8. Special Project Files; ca. 1965-2001; boxes 118-120. \nSeries 9. Slides in Boxes; ca. 1990-1998; box 121. \nSeries 10. Slides in Sleeves; 1980-1998; boxes 122-134. \nSeries 11. Subjects; ca. 1950-1992; boxes 135-138. \nSeries 12. Transparencies 8 x 10; undated; box 139. \nSeries 13. Transparencies File; ca. 1970-1985; boxes 140-143. \nSeries 14. WVU Faculty Portrait Prints; 1960-1969; box 144. \nSeries 15. Miscellaneous Material; undated; box 145.","This series includes prints, proofs with negatives, and digital files on discs. Each set of images is identified with a project number.  Projects are divided into two subseries.  Project numbers range from 2 to 10182 in the first subseries and 1-B to 24,549-B/C/DC in the second subseries. Discs start appearing in box 87, project number 21513-DC (2001/07/31). Types of photograph include candid shots, portraits of individuals, group portraits, and facilities.  Subjects include WVU athletics, campus scenes, classrooms, construction, faculty, staff, special events, and more.  See Series 2 description for additional subjects. Series 2 contains an index to the content of boxes 1 through 35 or 36 (ca. 1964-1987).  See Contents List for range of project numbers in each box; please note that not all project numbers are present in the corresponding box.","Kick-Off Banquet, Greater University Drive; Governor Smith; President Paul A. Miller; Governor Smith with sword; 31 negatives","Archery, Physical Education; 9 negatives","5 negatives; professor English (Clyde) portrait; Division of Music; English Department; 5 negatives","Terra-Alta, Biological Study; John L.; 4 negatives","Physical Education, Student Instructors; Pat Tork; 4 negatives","Thomas Manley, \"National Teacher of the Year\"; Bill Criswell; 1 negative","Keith Glancy; B. Criswell; catalogue made; 1 copy negative","Joe Hutchinson; 6 negatives","Physical Education, Laundry Room; Pat Tork; 2 negatives","Mr. Wagner; Education; Dr. Jarecke; 3 negatives","President's House, light fixtures; Jim Reed; 3 negatives","Glenlock Hall, Housing; Shaffer; 3 negatives","Physical Education, Rifle Practice; Pat Tork; 7 negatives","Nelson Smith, Portraits; 4 negatives","Kathy Omari [?], Portrait","Industrial Engineering Conference; Ray Shaffer; 14 negatives","Dan Boggs, Portrait; 2 negatives","Dan Bond, Portrait; 1 negative","Neil E. Bolyard, Portrait; 2 negatives","Gordon R. Thorn, Assistant Director of Student Education Services; Portrait; 2 negatives","Conference on Poverty; George Kirk; 33 negatives","Safety Education; Dr. Yost; 3 negatives","Student Affairs, Student Body; 8 negatives","Jim Watkins; 1 negative","Governor Hulett C. Smith; Democrat; 1965-1969; 3 negatives","Parking Lot; Criswell; 3 negatives","Criswell; Copy; 1 negative","Student Affairs, Staff Meeting; 3 negatives","Camp Dawson; 18 negatives","Athletic Publication- Football, Cheerleaders; 18 negatives","Martha Harris; 4 negatives","Physical Education, Auto Presentation; Dr. Yost; 4 negatives","Student Union, Bid Opening; Criswell; 8 negatives","Education Workshop; Groupe; 2 negatives","Drama Production of \"The Women\"; Boyd; 10 negatives","West Virginia Collection, Library; Shetler; 17 negatives","Cobalt Vault, Engineering; Mr. Boyle; 2 negatives","Mrs. Bachman, Board of Governors; Portrait; 1 negative","Frank (Francisco) Herrera, Professor of Spanish; Foreign Languages; 1 negative","Western Electric Fund Scholarship, Presented to Brian Lautramus; Neil Bolyard; 4 negatives","Conference on Poverty; Kirk; 56 negatives","Betty Boyd, Dean of Women; Potrait; 2 negatives","Computer Center; Drake; 8 negatives","Computer Center, Doctor Drake; 2 negatives","Computer Center, Doctor Drake; 4 negatives","Physical Education, Fencing; Photo by Mrs. Pearse","Athletic Department, Baseball; 4 negatives","Dr. Walter H. Jarecke, Professor of Education, Director of Guidance; 1 negative","Engineering, Slides; Dr. Wren; 23 negatives","Dr. John F. Golay, Provost Professor of History, Dean of Graduate Studies; Passport Photos; 4 negatives","Commencement; 7 negatives","Roy B. Clarkson, Botany, Plant, Biology; Criswell; 1 negative","Snow Scenes of E. Moore Hall, the President's Home, Woodburn Circle; 6 negatives","Department of Inter-Collegiate Athletics, Golf, Tennis; Dave Young; 7 negatives","University High School, Project; 7 negatives","WVU Band, Richmond Game; Music-Udell; 9 negatives","Band Brothers; Criswell; 3 negatives","Social Work, Mrs. Blackburn; 8 negatives","Frank Borkowski, Concert Orchestra Rehearsal; 17 negatives","Professor Perley Isaac Reed, Mountainlair; 12 negatives","Commencement; Don Bond; 13 negatives","Publications; Unknown; 2 negatives","Dave Jacobs, Phillipine Visitors; 4 negatives","Dr. Sarkesian; 8 negatives","WVU Library, Reading Room; 6 negatives","WVU vs. Pittsburgh Game, Football, Band; Pittsburgh- 48 WVU-63; 8 negatives","WVU Band, Homecoming Game; Virginia Tech; 7 negatives","WVU Band, G.W. Game; Music- Udell; Last Game; 3 negatives","Bob Conners; 4 negatives","Dr. James Henning, Chairman of the Department of Speech; 4 negatives","Dr. William H. Mernyk, Economics; Criswell; 1 negative","Red Brown Heart Fund Award; Barrett; 6 negatives","Scholarship, Bolyard; 27 negatives","Health Center; 10 negatives","Physical Lab Display; 2 negatives","Ed Sprague; 4 negatives","Production of \"American Dream\", Drama; Mr. Boyd; 2 negatives","Unknown Subject, Criswell; 7 negatives","Drama Production; Mr. Nels; 6 negatives","Chemistry Building, Annex Plan Drawings; 4 negatives","Biology Department, Photos of Birds; Professor Birch; 8 negatives","Mechanical and Aerospace Engineering; 12 negatives","WVU slides, Television Workshop, Department of Speech; 4 negatives","Red Brown, Athletic Director; 3 negatives","High School Drama Workshop; Sam Boyd; 4 negatives","Social Work Building; 4 negatives","Interior of Arnold Hall; Women studying; 6 negatives","Mary Jane Schuster, Assistant Dean of Women; 2 negatives","Dave Jacobs, Portrait; 1 negative","Dean Ray Duncan; 4 negatives","Drama, Unknown Play; Dr. Burrows; 8 negatives","Drawing of Waitman Barbe by Louise Hennen; English Department; Newspaper Editor; 2 negatives","The Belcastro Trio, Joyce Breach, Music Practice; 24 negatives","Unknown Subject, Dr. Diener; 1 negative","Joyce Breach; 5 negatives","Wrestling, 1965 Winners; 2 negatives","The Belcastro Trio; 4 negatives","Bill Criswell; two negatives","Polywood Charts, Engineering Department; Jim Kent; 12 negatives","Music Practice, Mrs. Lorrence [?]; 11 negatives","Nuclear Reactor, Physics Building; 9 negatives","Dr. Golay, Vice President; 5 negatives","Twin Towers, West Virginia State Seal; 1 negative","Concert Orchestra, Music Department; Borkowski; 4 negatives","Opera Production; 24 negatives","Nuclear Reactor, Physics Building; 5 negatives","Commerce Scholarship; Neil Bolyard; 4 negatives","Scouting Award, President Paul Miller; 4 negatives","Creative Arts Building Model; 3 negatives","Music Department, Woodwinds; Small Group; Frank Borkowski; 5 negatives","Miss Keener, Portrait; 4 negatives","Charles Wise, Board of Governors; 2 negatives","Department of Engineering Slides, Dr. Wen; 20 negatives","Physical Education, Wrestling, Pat Tork; 11 negatives","Music Meeting, Dean Duncan; 40 negatives","Evansdale Campus Residence Hall, Twin Towers; 2 negatives","American Arts Trio, Ruth Landes Drucker, Arno P. Drucker, Assistant Professor of Music; 8 negatives","Dr. Lambert, College of Engineering; 5 negatives","Science Writing; 18 negatives","Dean Richard Duncan, First Dean of the Creative Arts Center; 1 negative","Industrial Engineering, Subject Unknown; 2 negatives","Music Production of the \"Devil and Daniel Webster; 20 negatives","Kappa Delta, Sorority House; 5 negatives","Eisland Hall, Views from in front of music building; 8 negatives","State 4-H camp, Jackson Mills; Dave Johnson Display; Glen Snyder; 9 negatives","Library, Criswell; 3 negatives","Junior Achievement; Jim Watkins; 7 negatives","Robert B. Smawley, Provost Office; 4 negatives","Industrial Engineering; Ray Schaffer; 17 negatives","Dr. Festivus P. Summers; Criswell; 1negative","Criswell; Copies; 2 negatives","Twin Towers, Evansdale; 2 negatives","WVU Band at Camp Dawson, Udell; 11 negatives","Science Writing; 4 negatives","Military First Solo Flight,Cherokee 140; Cullen; 1 negative","Charles Weakley, Chemistry Department; Portrait; 2 negatives","Engineering, Chemical; Mr. Boyle; 9 negatives","Scholarship, Neil Bolyard; 22 negatives","Sam Boyd, Drama department; 8 negatives","Radio and TV slides; Van Camp; 2 negatives","Drama production of \"Don Juan\"; Sam Boyd; 4 negatives","Humanities Conference, Dr. Ikenberry; 9 negatives","Physical Education, Fencing; Mrs. Pearse; 13 negatives","Industrial Engineering, Mr Shaffer; 3 negatives","Foreign Offices, Criswell; 4 negatives","Student Affairs Group; Jim Watkins; St. Committee; 2 negatives","News-Info, Criswell; Copies; 2 negatives","Engineering, Weirton Steel Display; 5 negatives","Ray Shaffer; 3 negatives","Neil Bolyard, Scholarship; 2 negatives","Dr. Kennedy; Reading C; 2 negatives","Main Campus Scene; Old Picture; 2 negatives","Main Campus Air View, Old Picture; Fairchild Aerial surveys, Inc. NYC; 2 negatives","ir View Main Campus, May 6 1960; L.O. Myers; 2 negatives","Students walking around Woodburn Circle; 6 negatives","Industrial Engineering, Shaffer; 3 negatives","Mountainlair; 4 negatives","Intramural Soccer; 2 negatives","The Daily Athenaeum Newsroom; 4 negatives","Medical Center Dental Lab; 4 negatives","Recreation; 2 negatives","Biology Lab; 3 negatives","Agricultural School, Research; 2 negatives","Greek Charity Project, Downtown; 8 negatives","Engineering Building, Air View; 2 negatives","History Department Classroom; 2 negatives","Ogleby Hall; 2 negatives","Evansdale Campus, Air Views; 2 negatives","Professor Harold Cather, Chair of Mechanical Engineering; Portraits; 4 negatives","Civil Engineering Conference; Dr. Schaub; 8 negatives","Telephone Operators, Helen Criss; 3 negatives","Military Ceremony, Major Wade; 11 negatives","President Charles Wise Jr., Board of Governors; Criswell; 2 negatives","Professor Robert Slonneger, Mechanical Engineering; 2 negatives","Margaret Lorince, Professor of Music; 6 negatives","Julian Martin, Groupe; 4 negatives","Aerospace Symposium; Mr. Walters; 7 negatives","Main Campus, Aerial View; 4 negatives","Medical Center, Aerial View; 2 negatives","Forestry Building; 8 negatives","The Women; 4 negatives","Groups-The Women; 9 negatives","Chemistry slides; Tony Winston; 6 negatives","Book slides; Dr. Manning; 3 negatives","Slide copies- Pygmies; 3 negatives","Student Government, Homecoming-Girls; 63 negatives","University Choir, Music Department; 6 negatives","President Miller and Senator Randolph; Pen Presentation; 8 negatives","Engineering Building; Shaffer; 2 negatives","Dr. Hess; 6 negatives","Bill Criswell; 2 negatives","Chemical Engineering, Mr. Bogle; 6 negatives","Chemical Engineering, Mr. Bogle; Udell; 7 negatives","Pep Rally for the WVU vs. Penn State Game, WVU band; Udell; Thuse; 10 negatives","WVU Band; William and Mary Game; Udell; 5 negatives","WVU Band, Citadel Game; Bud Udell; 7 negatives","WVU Band, Pre-season; Bud Udell; 7 negatives","WVU Band, Syracuse Game; Bud Udell; 7 negatives","Welfare Department, Group photo; 17 negatives","James M. Mullendore Senior; 6 negatives","Robert Iden-Nels; University photo; 9 negatives","Evansdale Campus views; Morgantown Ordinance; 8 negatives","Engineering Department, charts and slides; M. Patterson; 13 negatives","Biology Department; slides; 4 negatives","Health Center, Moving; 7 negatives","WVU High School Speech Institution, group photo; 3 negatives","WVU Summer Art Institute, group photo; 4 negatives","American Arts Trio, Pianist Arno Drucker, Violinist Donald Portnoy, Cellist John Engbert; 15 negatives","Joe Moss; 8 negatives","Governor Hulett C. Smith; 11 negatives","Engineering Conference on Appalachia; 25 negatives","Engineering Conference on Appalachia; 14 negatives","International Night, Field House; 12 negatives","Engineering Conference; 4 negatives","Civil Engineering, Professor Fowler; 44 negatives","Civil Engineering, Carter Tork; 12 negatives","Music Concert, Mr. Borkowski; 14 negatives","WVU Band Day, Music Department; Bud Udell; 3 negatives","Operetta, Joe Goltz; 17 negatives","Student Government, Executive Committee; 4 negatives","Dr. Lambert, lab and office; Criswell; 12 negatives","Children's Theater; 12 negatives","Miss Morgantown \"1965\"; 9 negatives","D. Brewer; 9 negatives","WVU Drama Production; Thieves Cornwal; 10 negatives","Dr. Thomas Canning, Music Department; Criswell; 4 negatives","First students at Evansdale Twin Towers; 12 negatives","Musical Group-Brass, R. Sherman; 7 negatives","Glenn Snyder, Group photo; 4 negatives","Frank Carlomagno; Assistant Director of the WVU Foundation; 4 negatives","Engineering Conference, Group photo; 3 negatives","WVU Fine Arts Camp; Group Photo; 6 negatives","Lynn Duncan; 8 negatives","Iden Family photos; 10 negatives","Drama Department, Phillips; 6 negatives","Orchesis \"65\"; 27 negatives","Dr. Patterson; 3 negatives","Morgantown High School, Wrestling team, 1 negative","John Cook; 4 negatives","WV State Wrestling, 7 negatives","Drama Production, \"Lady Precious Stream\"; 10 negatives","Bill Criswell, woodworking; 12 negatives","Student Committee; Legislature; 9 negatives","Engineering, Dr. Carter; 3 negatives","WVU Library, Hess; 15 negatives","WVU Band; 10 negatives","Dr. Stewart, Math Department; 7 negatives","Dr. Yost, Physical Education; 4 negatives","Locusts; 4 negatives","Thomas Luther and Mrs. T.L. Harris, Order of Vandalia, Commencement; Honorary degree; HA Stansbury on right; 6 negatives","News and Info; 5 negatives","WVU Showcase display, \"Student Life on Campus\"; 18 negatives","Development Office, Neil Bolyard; 6 negatives","Mr. Humphry, Chemistry Department, Presidential Award; 5 negatives","AWS; 2 negatives","WVU extension, Forum teachers; 6 negatives","Old Woodburn Hall, before 1900; 3 negatives","Belcastro Trio, State Department; Criswell; 46 negatives","Dr. Kent, portraits; 6 negatives","Julian Martin; 10 negatives","Criswell, Speaker; 1 negative","Old Mechanical Hall II; 2 negatives","Peter Bonays; Criswell; 2 negatives","Forestry Sciences Building; Baker; 4 negatives","Dave Tork, GUD; 4 negatives","Gordon Craig, Speaker; Criswell; 2 negatives","Neil Bolyard, Check presentation; 5 negatives","Development Office, Frank Carlomheno; 5 negatives","Betty Boyd, Dean of Women; 2 negatives","WVU Choir; 4 negatives","WVU Drama production; Burrows; 14 negatives","Music- Summer camp; f. Borkowski; 2 negatives","Art Department, Joe Moss; 25 negatives","Dr. A. Reed; 2 negatives","Economic Education Workshop; Maron Lee; 64 negatives","Woman's Hall, Stalnaker; 15 negatives","Miss McClure, Campus Cover Girl; 6 negatives","Mrs. Roger Sherman, dancing; 8 negatives","Mrs. Roger Sherman, dancing; 24 negatives","Cheerleaders, Physical Education; Bill Criswell; 7 negatives","Cobalt Vault, Forestry building; 9 negatives","Development Office, 99th Anniversary Dinner; 34 negatives","Scholarship Winners 1966, Neil Bolyard; 37 negatives","WVU Drama Production, \"Dark of the Moon\"; Dr. Burrows; 19 negatives","United Fund; 20 negatives","Regional Wrestling Winners; 6 negatives","Portnoy, Music department; 12 negatives","Big Ten Wrestling; 6 negatives","Chamber of Commerce; 3 negatives","Morgantown High School Wrestling, Robert De Antonisser 1964-1988; 12 negatives","Coach Carlin, News Conference; 6 negatives","Oglebay Hall, exteriors; 5 negatives","Office of Physical Planning, copies of master plan; C. Wagner; 2 negatives","Dr. C.C. Patterson, Engineering; 9 negatives","Classroom; 4 negatives","Chi-Omega Sorority; Criswell; 10 negatives","Road signs and radar, Civil Engineering; 24 negatives","Chas Tomas, Physics; 12 negatives","Slides of old photos of Morgantown; Shetler; 32 negatives","Forestry Building entrance; 3 negatives","Criswell, Speaker; 2 negatives","Jerry Andrick; 4 negatives","Criswell, Speaker, Chemistry; 2 negatives","Physical Education group photo; 4 negatives","WVU golfing; 7 negatives","Gary Zinn; 1 negatives","News and Information, St. Patrick's Day; 6 negatives","Orchesis; 39 negatives","Orchesis; 11 negatives","WVU bookstore, Award winners; 3 negatives","Music Preparatory, M. Lorince; 15 negatives","Forestry classroom, Dr. Roch; 2 negatives","Pete Yost; \"All-State\"; 7 negatives","Play Day, Tork; 20 negatives","American Women Surgeons, group photo; 8 negatives","State Future Farmers of America; 85 negatives","La Traviata, WVU Opera production; 21 negatives","Physical Education, group photo; Larry Castle; 6 negatives","WVU Women's Club; 31 negatives","WVU computer music; 4 negatives","Eugene Quarrick; Behavioral Medicine and Psychiatry; 5 negatives","Armand Singer, Professor of Romance Languages; 12 negatives","Miss Sinkford; 15 negatives","Department of Physics; 22 negatives","WVU Women; 34 negatives","Jerry Parmer, Engineering Department; 12 negatives","WVU Band Day, Udell; 2 negatives","Textbook of Wood Technology, book photo; Chemical Engineering; 2 negatives","WVU Library, interior views; 8 negatives","WVU President Paul Ausborn Miller; 7 negatives","Emory Bacon; 10 negatives","Freshman Registration; 24 negatives","Drawings for the Parkersburg Branch; perspective sketch looking toward southwest; 1 negative","Cultural Center; 5 negatives","News and Information; 2 negatives","WVU Centennial Seal, 1867-1967; 1 negative","Slides- men working at the river; Criswell; 4 negatives","Dr. Neisus, in his office reading the Appalachian Review; 2 negatives","Scholarship Presentation, Neil Bolyard; 4 negatives","Athletic Department, Cross Country; 23 negatives","WVU Fine Arts Camp, group photo; 2 negatives","Board of Public Works; 3 negatives","Criswell; 1 negative","Burger Chef; 4 negatives","Charley Hockenberry; 5 negatives","Slides by Professor Linsky; 6 negatives","WVU President Miller, Reception; 8 negatives","Labor Conference, Fred Teller; 11 negatives","Labor Studies, J. MacKensie; 50 negatives","Dean R. S. Dunbar JR.; 2 negatives","Conference on Manpower in Appalachia; Fred Teller; 57 negatives","Slides by Jim Kent; 2 negatives","News and Information, speaker copies; 2 negatives","Pat Tork, passport photos; 2 negatives","Dr. Igor Sarkissian; 12 negatives","Civil Engineering slides, Dr. Schaub; 10 negatives","Jamison, AWS; 4 negatives","WVU Band Day, William and Mary game; Udell; 4 negatives","Ray Shaffer; 4 negatives","Foreign Officers Visit; 5 negatives","Driver Training class, Physical Education; 4 negatives","Dave Tork, portraits; 5 negatives","WVU Band Day, William and Mary game; 3 negatives","Engineering Scholarship; Parmer; 6 negatives","State Future Farmers of America Contest; 86 negatives","\"A Professor Emerges in West Virginia, author Kermit A. Cook; 4 negatives","Dean Campbell; 2 negatives","Greg Myers, WVU Soccer coach; 4 negatives","Foreign Student Committee; 4 negatives","A. Larson; 3 negatives","WVU Cross Country, group photos; 6 negatives","WVU vs. Citadel game; 7 negatives","State High School Cross Country; 7 negatives","WVU musical production of \"Bye Bye Birdie\", Creative Arts Center; 15 negatives","Dr. Robert F. Munn, Provost and Director of Libraries; 2 negatives","Theodora Schubert, first girl student in Forestry; 12 negatives","Engineering slides- Radiation Intensity, Jim Kent; 6 negatives","Bill Criswell; 2 negatives","E. Moore Hall, exterior shot; 1 negative","WVU Law Building, exterior shot; 1 negative","Scholarship Awards for music, Mrs. Inberg; 4 negatives","Orchesis; 14 negatives","Joe Gluck, in his office; 6 negatives","Music Programs, Arno Druker; 9 negatives","William H. McMillion, passport photo; 5 negatives","Student Organization charts, J. Watkins; 15 negatives","Centennial Film copies; 6 negatives","Copies of speakers, Bill Criswell; 2 negatives","Chester A. Arents, Dean of the School of Engineering; 2 negatives","Quint Wilson, Dean of Journalism; 2 negatives","Dr. Ernest Nesius, Dean of the College of Agriculture, Forestry, and Home Economics; 6 negatives","Jerry R. Luh, 1965 All-American Rifle Team portrait; 1 negative","Thomas C. Campbell, Dean of College of Commerce; 4 negatives","WVU Physical Plant Custodial Award presentation; Carol Hose; 7 negatives","WVU Fine Arts Camp, Don Portnoy; 159 negatives","Fine Arts Camp, music camp; 53 negatives","WVU Music Camp; 12 negatives","Captain Cullen, Military Commission; 10 negatives","Greater West Virginia Weekend; 24 negatives","WVU Choir; Dr. Barton; 4 negatives","Evansdale Towers Lounge ; 10 negatives","WVU Band Day, WVU vs. Penn State game; 8 negatives","WVU band at Kentucky game; 8 negatives","WVU President Don Bond, portraits; 3 negatives","Board of Education Grant for drama and cultural education; 132 negatives","Future Farmers of America, University High School chapter; 9 negatives","Dr. Arya; 2 negatives","WVU Link Day; 8 negatives","Mr. Jones, WVU President's assistant; 2 negatives","Julian Martin; 6 negatives","slides, Dr. Moh, 2 negatives","Raphael Bachman, Dean of Pharmacy; 2 negatives","York Junior College students; 6 negatives","copy for news service; 2 negatives","News Service, Dickerson; 2 negatives","Guy Harry Stewart, Professor of Journalism; 13 negatives","Kenneth V. Randolph, Dean of School of Dentistry; 1958-1968; 4 negatives","Snow scenes at WVU; pylons 2; 25 negatives","Ray Duncan, Dean of Physical Education; portraits; 7 negatives","Leo Horacek, Professor Emeritus of Music; 4 negatives","Officers of the A.W.S.; 16 negatives","Roy W. Bahl, Professor of Economics; 4 negatives","WVU Choir; 5 negatives","Richard E. Duncan, Dean of the Creative Arts Center; 6 negatives","Dr. Jay Barton, Chairman of the Biology Department; 6 negatives","George Kirk, Vice President of Finance; 4 negatives","Charles E. Hockenberry, WVU coach; head football coach at WVU Institute of Technology 1947-1948; head baseball coach at WVU 1947; inducted into the WVU Sports Hall of Fame 2005; 1 negative","Joseph Goltz, Director of the WVU Opera Group; First director; 4 negatives","Ben Linsky, Professor of Sanitary Engineering; Department of Civil Engineering; air pollution studies; 5 negatives","Ada Lease, portraits; 5 negatives","Carolyn Reyer, Native American advocate; helped to develop the Native American History and Culture studies program 1991; singer- mezzo-soprano; established the Monongalia Riding for the Handicapped 1986; 8 negatives","Dr. Harry Heflin and Neil Bolyard, presentation of Texaco Scholarship; 5 negatives","Dr. James G. Harlow (right) and Mr. Norton (left) in ROTC office; 3 negatives","Social work group photo; 8 negatives","Dr. Howard Perry Simons; Chemical Engineering; 26 negatives","James A. Kent, Nuclear Engineering; Polywood; 45 negatives","Stanley O. Ikenberry, dean of the College of Human Resources and Education; 9 negatives","Labor Institute at Mont Chateau; 6 negatives","Evansdale Twin Towers, exterior views; 5 negatives","Evansdale Towers, interior view- lobby; 2 negatives","Evansdale Towers, Bennett Tower and Lyon Tower, exterior views; 4 negatives","Evansdale Towers, Dining hall, dorm room; 10 negatives","Evansdale Towers, interior views of the lounge; 8 negatives","Evansdale Towers, exterior shots; 2 negatives","WVU Swimming, Coach Kevin Gilson; publicity shots; 35 negatives","WVU Choir, Joe Golz; 6 negatives","Vice President Hubert Humphrey, visit to WVU; 12 negatives","WVU Physical Education group photo; Quentin Barnette- professor in the WVU School of Physical Education; 4 negatives","WV Collection Story; photo 1- Fairmont ordinance, ad, and invoice; photo 2- Flood April 1, 1913; 4 negatives","WV Collection- Military Story; photo 1- Woodburn Circle; photo 2- cannons between Woodburn Circle and Mountainlair; 4 negatives","Protestors at the WVU Commencement; 12 negatives","WVU Baseball, publicity shots; 57 negatives","WVU Tennis and Golf; 23 negatives","WVa Collection Story, librarians at work; 7 negatives","Mr. Preston Harper; 4 negatives","Ralph Bean in a meeting; 1 negative","Mr. Bray, Board of Governors; 1 negative","Wrestling- Southern Conference Tournament; 2 negatives","Track and Field photos, Stan Romanoski- WVU coach of the men's track and field and cross country teams; 30 negatives","WVU College of Law, exterior shots; 7 negatives","Chemical Engineering Award Presentation; news service; 8 negatives","Civil Engineering, road and billboard signs; 21 negatives","Physical Education- Driver's Education cars; Dr. yost; 11 negatives","Nuclear Facility, Forestry Building; Boyles; 12 negatives","Thomas Gary Kenamondo, news and Information; 2 negatives","Radio and Television productions; 16 negatives","Mr. Graber, WVU Drama Department; portraits; 4 negatives","Engineering slides; joint mechanism of ultrasonic welding; 5 negatives","nature slides, News Service; 6 negatives","Mr. Bates, News-Service; 2 negatives","Super Wood; WVU engineering; experiment; 4 negatives","Engineering and Bio-physics; TAM; 6 negatives","Leo Fishman, Professor of Economics and Finance; 3 negatives","Driver's Education Class; WVU Physical Education; 3 negatives","Union Carbide presentation, Engineering Department; 4 negatives","New York Bond Company; 6 negatives","College of Commerce, Bankers Scholarship presentation; 7 negatives","Bud Udell, WVU Director of Bands at University High School; 7th band director 1963-1969; 7 negatives","Construction of the Creative Arts Center slides; 2 negatives","Ruel Foster, WVU English Department Chair; Benedum Distinguished Professor of American Literature; author of Appalachian literature; tennis coach; Order of Vandalia; 9 negatives","slides of the Annals New York Academy of Sciences; 9 negatives","WVU Engineering slides; 25 negatives","Dr. Dozo and Dr. Olson, visiting vets; 5 negatives","Wes Coppock; News-Service; 1 negative","Margaret Lorince, WVU Director of Preparatory Music; assiatant Chair of Music; Assistant Dean of the CAC; Professor Emerita; 20 negatives","Joe Moss, Kinetic Sculpture; West Virginia Moon; National Endowment for the Arts; 12 negatives","School of Speech Communications, Leonard Davis; 21 negatives","Weirton Story, News-Information; 6 negatives","WVU Nursery School on Campus Drive; children playing; 6 negatives","Engineering slides, Blackshaw; 15 negatives","Mr. Brown, Commerce; 2 negatives","Alumni Giving Incentive Award, Dave Tork; 3 negatives","photos of books by Earl L. Core, cover picture; 2 negatives","WVU Computer Center; 12 negatives","USS West Virginia Mast Plaque; 10 negatives","John Luchak; 2 negatives","WVU Commencement; 27 negatives","WVU Nursery School; 20 negatives","Ernie Jones in his office; 7 negatives","Herman Godes, Pianist; 4 negatives","Dr. Clyde English, Head of Organ Department 1945-1980; 4 negatives","Presbysterian Church Cross; 3 negatives","Mountainlair construction; 10 negatives","Dr. Harry Heflin, Vice President of Finance and Administration; 6 negatives","Parmer, Aero-Space; 5 negatives","WVU Athletic Department picnic; 20 negatives","James Thompson in his lab; 4 negatives","WVU Medical Center, night view; 3 negatives","WVU Medical Center, front closeup; pylons; 2 negatives","WVU Medical Center view from Evansdale Towers; 2 negatives","WVU Varsity Wrestlers; 11 negatives","WVU Varsity Wrestling Team; group photo; 3 negatives","Physical Education Conference, Pete Yost; group photo; 4 negatives","5th Annual WV AFL-CIO Summer Institute at Mont Chateau; group photo; 4 negatives","Julian Martin at WVU graduation; 23 negatives","Percival Hall- Forestry Center, night views; 5 negatives","Mr. Sledge, Student Affairs; 5 negatives","WVU production of \"Carousel\"; Rodgers and Hammerstein; Boyd; 12 negatives","portraits of Honoraries at 1966 WVU Commencement; 6 negatives","WVU Band publicity shots; 12 negatives","Reverend Paine, Episcopalian; Clergy, Church; 7 negatives","Twin Towers complex, drawing; 3 negatives","Colonel Jansen Retirement; 10 negatives","Festival of Ideas, Humphrey, Etc.; 103 negatives","Registration at Field House; 9 negatives","Fine Arts Group; 3 negatives","Frank Carlehemeno; 4 negatives","Sherlocker, Physical Education; 5 negatives","Canning, Music Group; 4 negatives","Milan; 32 negatives","Social Work, Portraits","Drama, \"Kiss Me Kate\"; 11 negatives","Angel Street; 14 negatives","Representative of Ghana; 5 negatives, prints","Danville, Portrait; 4 negatives","Dean Frasure, College of Arts and Sciences, Portrait; 6 negatives","Dr. Thomas Canning with Carolyn Reyer; 2 negatives","Computer Center; 4 negatives","HUD Meeting at Mt. Chateau; Transportation; 12 negatives","Thomas Canning, Portrait; 4 negatives","Dr. William Miernyk, Economics Research, Portrait; 5 negatives","Drama, Merchant of Venice; 9 negatives","Donald Portnoy, Music, at Piano with Violin; 12 negatives","Tennis Action Shots; 8 negatives","Professor Jones, Chair, Electrical Engineering; 12 negatives","Chemistry Award; 2 negatives","Drama; 12 negatives","Creative Arts; 12 negatives","Lorensen, Law School, Portrait; 4 negatives","Dr. Kelly, Vice President, Portrait; 6 negatives","Dr. Halter, Portrait; 5 negatives","Vergil Clark, Head of Physical Plant, Portrait; 6 negatives","President's Home; 12 negatives","Biology, Dr. Chen, Culture Room; 8 negatives","Chemistry, Tony Winston, Labs; 55 negatives","Electrical Engineering; 10 negatives","General Biology, Trees; 7 negatives","Coopers Rock, Gorge Overlook; 17 negatives","Hunter with Dog; Ag-Forestry Bulletin, Roy Thomas, Magazine; 12 negatives","Orchesis, Dance Group; 24 negatives","\"Esso Story\"; President Harlow with Two Other Men; 6 negatives","Canning and Brown, \"Composers\"; 2 negatives","Safety Education Story; 11 negatives","Engineering Project; 12 negatives","Agronotty Awards; 6 negatives","Chemical Engineering, Coal Research; 9 negatives","Men's Swim Team; 23 negatives","Comedy, Lysistrata; 9 negatives","National Merit Scholarship, President Harlow Speaking; 35 negatives","Recreation Department, Senior Citizens; 8 negatives","New Band Uniforms; 3 negatives","Fine Arts Camp; 48 negatives","Opera, The Marriage of Figaro; 23 negatives","Opera, Susannah by Carlisle Floyd; 27 negatives","State Bankers Scholarship; 5 negatives","Airplanes, Cessna Foundation; 24 negatives","Gulf Oil Presentation; 3 negatives","Bruce D. McComas, Portrait; 2 negatives","Dick Bell, Portrait; 4 negatives","Rifle Team; 6 negatives","Music, Phil Faini, Portrait; 2 negatives","00624; Dr. Harlow, Du Pont Presentation; 10 negatives","Soccer Action; 9 negatives","George Weaver, Portrait; 4 negatives","Biology, Cancer Research; 4 negatives","Ernie Jones, Portrait, Earnest L. Jones, Director of Computing Center; 4 negatives","Peggy Staggers, Portrait; 8 negatives","Army, ROTC; 50 negatives","Coach Harrick, Portrait, Baseball, 300 Victory, 11 negatives","Library View; Building, 2 negatives","Colonel Reynolds, Student Affairs, Portrait; 4 negatives","John Luckoks and Majorettes; 9 negatives","Sports, Basketball Group, Athletic Publication; 6 negatives","Clark Wagner, Portrait; 4 negatives","Steering Committee, Homecoming; 4 negatives","Sports, Soccer Squad, Mountaineer Field; 1 negative","Blithe Spirit, Drama, Play; 11 negatives","Dolls House, Drama, Play, Creative Arts Center; 12 negatives","Caesar and Cleopatra, Drama, Play, Bob Silberstein; 20 negatives","The Boys from Syracuse, Drama, Play, Creative Arts Center, Becky Stewart; 10 negatives","YWCA Officers, Cabinet, Becky Stewart; 7 negatives","Board of Governors, Portraits; 12 negatives","Dr. Harry Heflin, V.P. of Finance and Administration, Portrait, served as 18th President in 1981; 8 negatives","Jim Watkins, Assistant Dean of Student Educational Services, Portrait; 4 negatives","Alumni Day at Law School; 8 negatives","Dr. Chas Norman, Lab, Biology; 12 negatives","Jim Watkins in Office; 12 negatives","Sara Ruth Meek, Portrait; 6 negatives","Freshman Orientation; 19 negatives","Freshman Orientation; 20 negatives","Freshman Orientation; 10 negatives","Freshman Orientation; 24 negatives","High School Speech Institute; 22 negatives","Helicopter in Mont Chateau; 14 negatives","Board of Governors; 3 negatives","Forestry Display, Laskin; 14 negatives","Student Affairs; 10 negatives","African Statues from Twin Towers, Betty Bogel; 16 negatives","Science Camp; 12 negatives","Leonard Davis, Slides from Old Pictures of Weston Hospital for Insane; 13 negatives","AWS Officers, Portraits; 21 negatives","Oak Tree; 4 negatives","Carol Watson; 7 negatives","Small Maple Tree; 4 negatives","Slides for Mechanical Engineering, Entropy; 25 negatives","Fine Arts Camp. Group; 1 negative","High School Journalism; 32 negatives","Safety Education Class; 3 negatives","Transportaion; 22 negatives","Medical Center, Heating Plant; 6 negatives","Freshman Guides; 17 negatives","John Brisbow, Assistant Director of Admissions; 12 negatives","Civil Engineering Conference; 26 negatives","Dr. Emory L. Kemp, Chair of Civil Engineering, Portrait, Emeritus Director of the Institute for the History of Technology \u0026 Industrial Archaelogy in the WVU Eberly College of Arts and Sciences, Recognized for both Researching and preserving historical industrial sites around the county and overseas; 4 negatives","Cross Country, Coach and Captain in Action, Sports; 12 negative","Girl with Rifle; 2 negatives","Merchant of Venice, Drama, Publicity; 7 negatives","Urban Mass Transit, Vestibule; 18 negatives","Satellite Copies; 2 negatives","WVU Parkersburg Branch, Drawing; 1 negative","Credit Union, Group; 3 negatives","Housing and Urban Development; 7 negativs","John R. Mackenzi, Director of Education, Portrait; 4 negatives","James H. Schaub, Professor of Civil Engineering, Portrait;4 negatives","Harold J. Shamberger, Assistant to President, Portrait; 6 negatives","00688; Judy Shoup, Miss WVU, Portrait, 1969 Miss WV as Kappa Kappa Gamma, Wheeling Symphony Member; 2 negatives","Wrestling Athletes and Dan Killen, Director of Social Service Med.Center, Brown, Jim Stevens ; 17 negatives","Cross Country Team, Group; 2 negatives","Agricultural Farm Grass, grass shots for Jung; 17 negatives","Grass, grass shots; 12 negatives","Agricultural Farm Grass, grass shots for Dr. Jung; 12 negatives","Grass, grass shots for Dr. Jung, 5 negatives","Agricultural Farm Grass, grass shots for Dr. Jung; 7 negatives","Bug Shots for C. K. Dorsey, Insects; 8 negatives","New Engineering Building; 4 negatives","Conference; 12 negatives","Robert L. Iden, Manager of Printing Services, Portrait; 3 negatives","Red Brown, Steve Harrick, Presentation; 7 negatives","Mullenax, Interview, New Zealand; 9 negatives","John Goodwin, Commerce, Portrait; 5 negatives","Gymnastics; 22 negatives","Gymnastics; 16 negatives","Clifford W. Brown, Portrait, 1912-1988, Portrait, Marching Band Director in 1942, Retired in 1974 as Assistant Dean of Creative Arts Center, His daughter, Susan, is the wife of former WVU President, David Hardesty; 6 negatives","John Clarkson, Art; 9 negatives","Seigle Wayne Cox, Vocational Agriculture, Hundred High School, Portrait; 4 negatives","Dick Detombe, Assistant Track Coach, Portrait; 4 negatives","Dr. Stacy Barton, ETV; 12 negatives","Jerome Fanucci, Chairman of Department of Aerospace Engineering, Portrait; 4 negatives","Dr. Hefflin, 18th President; 20 negatives","Dr. James G. Harlow, Portrait; 10 negatives","Paul W. Hamelman, Professor of Management, College of Commerce, Portrait; 10 negatives","Information Booth, Structure; 6 negatives","University Singers, Group; 3 negatives","Strings Band Practice, Music Department; 22 negatives","Music Scholarship Award; 4 negatives","Scenes from John Gay's \"The Begger's Opera\", Creative Arts Center, Division of Music, 25 negatives","Lecture by Harold B. Bachman, Director of Bands, Emeritus, University of Florida; 6 negatives","Morgantown Woman's Music Club Scholarship, Group; 5 negatives","James Mullendore, Student Body President, 1968-1969, Portrait; 4 negatives","William H. Miernyk, Director of Regional Research Institute, Order of Vandalia, Claude Worthington Benedum Professor of Economics, Professor Emeritus, Director Emeritus of the RRI, Author; 21 negatives","William H. Miernyk; 12 negatives","George Nocito, Professor of Art, Chair of Art Department, Portrait; 6 negatives","News and Info; 2 negatives","News and Info, Group; 2 negatives","News and Info; 6 negatives","News and Info, Richard Bernard, Arthur Hofstetler with Glasses, Portrait; 3 negatives","Paul Selby, Dean of College of Law; 6 negatives","Dr. Roman J. Verhaalen, Dean of Kanawha Valley Graduate Center, Portrait","Rabbi Herbert J. Wilner, Hillel Foundation, Portrait; 6 negatives","Rabbi Herbert J. Wilner, Hillel Foundation;","Budd Udell with Band; 11 negatives","Dale Evans, Athletic Publicity, Quarterback Signing, Football; 10 negatives","Band Photos, French Horn; 12 negatives","Marching Band Formations; 25 negatives","Band Day; 5 negatives","Scott Stringham Conducting; 12 negatives","Percussion Ensemble, School of Music; 1 negative","Homcoming Queen, Sally Sotak of Beckley, Shelley Pointexter of Nitro, Jeannie Erwin of Dunbar, Mary Kay Staggers of Keyser; 2 negatives","Homecoming Queen Candidates with Centennial Seal, Sally Sotak, Shelley Pointexter of Nitro, Mary Kay Staggers of Keyser, Jeanne Erwin of Dunbar; 4 negatives","Homecoming Queen Candidate at the Health Sciences Center Pylons; 3 negatives","Homecoming Queen Candidate in front of Elizabeth Moore Hall; 3 negatives","00748; Homecoming Queen Candidate with Oglebay Hall in the background Hall; 2 negatives","Homecoming Princess, Headshots; 8 negatives","Gold Diggers, Weekend Candidates, Portrait; 23 negatives","Bill Bonsall, Gymnastics Coach, led WVU to 3 southern conference championships, ranked at 5th place in 1963, represented U.S. in 1948 Olympics in London, the gymnastics team was elevated to varsity team in 1952 under him; 4 negatives","Kevin Gilson, Men's and Women's Swimming Coach, Anatomy and Physiology, Portrait; 4 negatives","Coach SFC Joe Gravens, Jr.; 4 negatives","Pat Hamilton, Board of Governors; 6 negatives","D. Hercules, Headshot; 1 negative","Dr. William Morris, Portrait","George Nedeff, Wresting Coach, 1996 WVU Presidential Safety Award, National Wresting Hall of Fame, Father G.N. of SOLT with \"Outstanding American\" Award, Class of 2008; 3 negatives","George Smyth, Planning Architect, Portrait; 4 negatives","John Stewart, Soccer Coach, Portrait; 4 negatives","Greg Van Camp, Director, General Manager of WWVU-TV, Professor or Radio and TV, Portrait; 4 negatives","Radio-TV Control Room; 5 negatives","Historical Buidings, Woodburn Female Seminary established in1815, Monongalia Academy established in November 1814; 2 negatives","News and Info, Sewage Treatment; 11 negatives","News and Info, Child Plays-Story for John Reach at Med Center; 8 negatives","Office of Publications; 6 negatives","Office of Publications, John Luchor; 16 negatives","Mountainlair Information Desk and Lounge; 7 negatives","Radio Drama by Dylan Thomas \"Under Milk Wood\" by  at Med Center Auditorium; 8 negatives","Kappa Kappa Psi, Music Honorary, Group; 2 negatives","Freshman Football Team in front of Martin Hall, Group, Historical Building; 4 negatives","Thermomister Temperature Measuring Device; 2 negatives","Seintillation Device; 7 negatives","Drama \"The Entertainers\"; 19 negatives","Mountainlair Interior; 23 negatives","Mountainlair Interior; 4 negatives","Bell from USS West Virginia; 7 negatives","President's Summer Home; 2 negatives","Drama \"The Merchant of Venice\"; 12 negatives","Light Art; 9 negatives","Snow Around Campus, Historic Buildings; 34 negatives","New Buildings around Campus; 14 negatives","Theater; 1 negative","Theater Interior, Creative Arts; 1 negative","R.O.T.C.; 39 negatives","Homecoming Queen, Sally Sotak, Portrait","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Band Day; 24 negatives","Heart Valve Story, Engineering; 15 negatives","Heart Story, Med Center; 6 negatives","Colonel Charles G. Ives, Chairman of Military Science, Portrait; 5 negatives","Engineering Scholarship, Union Carbide; 4 negatives","Bird Story; 1 negative","Woodburn Circle, Traffic Pattern; 8 negatives","Freshmen Basket Ball Team, Sports, Group; 4 negatives","Art Department; 6 negatives","Orchesis, Student Dance Group; 9 negatives","University Choir, Group; 7 negatives","Civil Engineering Students; 40 negatives","Creative Arts Center, Building; 1 negative","Creative Arts Center, Building; 8 negatives","Amrerican Arts Trio, Music, Group; 12 negatives","Baroque Ensemble, Music, Group; 2 negatives","Fine and Lively Arts Committee, Group; 7 negatives","Dr. Harry Bruce Heflin in Formal Group, Group, 18th President; 4 negatives","Baker and Coombs Windows; 13 negatives","Dr. Maurice Brokks, Biology and Forestry Professor, Wildlife Management, Natural History, Ornithologist, West Virginian of the Year, Conservationist; 18 negatives","Theater Interiors, Creative Arts Story; 11 negatives","WVU Library; 14 negatives","WVU Library; 5 negatives","View of Med Center from Pierpont Hall; 2 negatives","Armstrong Hall, Building; 4 negatives","Med Center, Pylons; 19 negatives","Student Union Building, Mountainlair; 4 negatives","Mountainlair Construction; 4 negatives","Mountainlair Construction; 4 negatives","Mountainlair Construction; 3 negatives","Oglebay Hall, Historic Building; 7 negatives","Summit Hall, Building; 4 negatives","IBM Computer Installation, Publication Office; 2 negatives","IBM Typesetting in Printing Composing Room;","Transatlantic Debators; 7 negatives","Professor Moody E. Prior, Portrait, born 1901 in Fatsa Turkey, died Oct. 25 1996, Prof. Emeritus of English at Northwestern U., authority on Shakespeare, awarded Northweatern University Alumni Medal - highest honor given to Northwestern graduates; 1 negative","Mr. Harry Ernst, Director of University Relations, Portrait; 2 negatives","WVU TV Tower Site; 6 negatives","Joe Leonard, Director of Coal Research Bureau at WVU, Portrait; 4 negatives","Engineering - Super Wood; 9 negatives","Highschool Wrestling Tournament; 10 negatives","Variety Show at Towers; 22 negatives","Variety Show at Towers; 17 negatives","Physical Education, Archery Class; 9 negatives","Engineering - Space Craft Diagrams; 6 negatives","Commencement Honoraries, Portrait; 12 negatives","State Science Fair; 12 negatives","International Night; 5 negatives","Ash Brick Pilot Plant; 4 negatives","Norm Parsons, Intramural Director; 4 negatives","WVU Choir Album Cover \"Songs of West Virginia\"; 2 negatives","16 mm Movie Camera used on copy work, Radio and TV; 9 negatives","Drama Publicity Photos; 3 negatives","Tom Gulli Ford, Swimming, Portrait; 4 negatives","Bill Martin, Dance; 5 negatives","Engineering Slides for Dr. Moore; 14 negatives","Civil Engineering Asphalt Research; 25 negatives","Widebusch Family, Group; 7 negatives","Orchesis, Student Dance Group;  12 negatives","Don Knotts, Group; 1 negative","National Science Foundation Grants; 11 negatives","W. Va. Collection, Library, Homecoming; 32 negatives","Budd Udell Conducting, WVU Marching Band Director, 7th Director 1965-69, d.o.d. Feb. 4 2006, Group; 12 negatives","Orchesis, WVU Student Dance Group; 35 negatives","Bob Iden, Managerof Printing Services; 12 negatives","Oglebay Hall with Mast, Historic Building; 5 negatives","Elizabeth Moore Hall, Historic Building; 8 negatives","Jeff Warren; Portrait; 4 negatives","Charles Peter Yost; Dean of Physical Education, Portrait; 3 negatives","Computer Center; 27 negatives","Aerial Photos of Med Center and Mountainlair; 8 negatives","Aerial Photos of Towers, Pierpont Hall and Mountainlair; 5 negatives","Med Center; 3 negatives","Creative Arts Center; 6 negatives","Stewart Hall, Historic Building; 2 negatives","Agricultural Science Buiding; 4 negatives","Coliseum; 2 negatives","Evansdale Campus, Towers, Med Center; 7 negatives","Mont Chateau Lodge, opened June 7 1958, WVU Geological and Economic Survey; 4 negatives","Mountainlair Night View; 3 negatives","Library Walk; 4 negatives","Library Exterior View; 8 negatives","View of Woodburn Circle from Oblebay Plaza; 3 negatives","Woodburn Circle; 2 negatives","Jazz Band; 4 negatives","WVU Band, Group; 16 negatives","Dave Shamberger, Portrait; 8 negatives","Agriculture, Dr. O.J. Burger (standing), Martin Piriber (speaker); 9 negatives","Hubert H. Humphrey Speaking at WVU Centennial Celebration, Vice President, 100th Anniversary Event; 3 negatives","Jeff Davis, Portrait; 6 negatives","Commencement; 2 negatives","Commencement, Senator Jennings Randolph, Senator Robert C. Byrd, Acting WVU President Harry B. Heflin, Irvin Stewart, the Order of Vandalia; 37 negatives","Scenes from \"West Side Story\", Theater Production; 23 negatives","Scenes from \"West Side Story\", Theater Production; 16 negatives","\"The Maids and Deathwatch\", Theater Production; 9 negatives","Med Center, News and Info;","Engineering Department, Professor Jones, Group; 2 negatives","Mountaineer Spirit, Female Portrait; 6 negatives","Ash Brick Pilot Plant; 4 negatives","Future Farmers of America; 93 negatives","Louise Keener, Portrait","Fine Arts Camp, Music; 4 negatives","Chemical Engineering Slides, Dr. Jones; 6 negatives","International Program, Group; 8 negatives","Legislative Committee, Interim, Group; 11 negatives","Views from Oglebay Plaza, Traffic Study, Main Campus; 11 negatives","Woodburn Hall Clock Tower in Snow, Historic Building; 3 negatives","Coal Research, Insulation Samples, C. McFadden; 16 negatives","Coal Research, Insulation Samples, C. McFadden; 4 negatives","Jack Porter, Portrait, Development Office; 2 negatives","Frank Carlonheno, Portrait; 4 negatives","Bill Haden, Higher Education Administration, Portrait, Educational Fundraising, founding member of WV Promise Schoarship Programs Board of Control, he held positions in Development/Alumni Relations and Public Affairs, 17th President of WV Wesleyan College in 1995; 2 negatives","Senator Robert C. Byrd Visit - Flyash Based Brick, Harry Heflin; 18 negatives","Theater Production, \"Who's Afraid of Virginia Woolf\"; 22 negatives","Drama to Forensic Festival; 15 negatives","Southern Conference Awards, Athletic Publicity, Group; 4 negatives","Centennial Celebration Seal; 2 negatives","Mad Women, Portrait; 20 negatives","Harold Neely, Portrat; 6 negatives","First Brick Story; 10 negatives","\"The Mad Woman of Chaillot\", Theater Production; 10 negatives","Harry Ernst, Director of University Relations, Portrait; 5 negatives","Dan Bond, WVU 100th Anniversary, Group; 4 negatives","Coliseum Architectural Model; 6 negatives","Dr. Harlow, Portrait; 4 negatives","Paul W. DeVore,Professor of Industrial Arts, Portrait, Influential in the establishment of nation's first Department of Technology","Richard Gardner, Controllers Office, Portrait; 4 negatives","Mountainlair Art Gallery; 4 negatives","Students playing at Mountainlair Game Center; 12 negatives","Athletic publicity, Carlen's family; Jim Carlen - head coach, 1966-1969, record 25-13-3 (.658). Governor Joe Manchin was a quarter back on his first team. Son: James Carlen, Jr., stepdaughters: Caty, Carol","WVU Athletic Council Award; Senior Athletic of the Year 1967-1968","Formerly state park lodge","Phy. Ed.; 1994 Inducted into the Professional Hall of Fame in the School of Physical Education","Wardensville field day; Hardy Co.; Reymann Memorial Farms","Dean Arents' Office; Dean Chester A. Arents, School of Engineering; group of 3 on left; large group - Arents sitting on right","Stan Romanoski, coach","Engineering; climatologists","First trumpet - with WVU Orchestra; Trumpet professor and assistant chairman of the school of music at WVU; authored The Trumpeter's Handbook; attended the preparatory department of the Eastman School of Music and graduated with honors.","Dept. of Psychology; Charles D. Corman; Oglebay Hall","Shanbeyer, Luchack, Rhodayal, etc.","Daniel O'Sullivan; plus campus views","Dr. Porter; Charley","Engineering Department; Asten","Mary Filler Wiley","Electrical Engineering?","Theoretical and applied mechanics; mechanics engineering","Jim Hawkins with girl","Morgantown Farm","Pharmacy Meeting at Towers","Mrs. Adalene \"Bobbie\" Rae Harlow; elementary teacher; 1912-2004; James G. Harlow (1912-1978)","Engineering school; Dean Arents - left","Edmundo Elmore; Pan America Health Union","Gamma Sigma Delta","Lazor; Engineering Department","Dean Arents 2nd from right; PHS, Cincinnati Solid Waste Program","For Nick","American radio reporter, best known for his dramatic report of the Hindenburg Disaster","Livestock Farm","W.Va. Department of Mental Health; Pub. at Towers","Dave Tork","Athletic Department; Richard Poland","Engineering - Smith; Dean Chester A. Arents - center","Proofs straight to Poland","L - Darrell V. McGraw, Jr.; M - Walter Beach - Assistant Director of the American Plitical Science Assn. in Washington; R. Dr. David G. Temple - WVU Assistant Professor of Political Science and Project Assistant","Taught folklore; dulcimer player; collected ballads; Monticola advisor","Collegium Musicum","Oliveria visit; Engineering Department","Warren G. Tennant - Groundskeeper; Chinquapin (yellow) oak","History Symposium: Jesse H. Stuart (aug. 8, 1907 - Feb. 17, 1984) - flat top hair, author, writer, Appalachia; unknown - bald guy; Dr. Lewis Hanke (born 1905), Columbia U., historian colonial, Latin America studies","Comedy Manners; Left: Bod Merriam \"Lord Peter Teazle\"; Right: Evy Andrews \"Lady Teazle\"","Roll 6","Preston Co, WV; Garrett Co, MD; few remaining Boreal Bogs","With Lloyd M. Jones; refund of sales tax from State Tax Commissioner for refund of sales tax inadvertently paid to state of WV on room/meals for athletes in dorms paid from athletic fund","Benedum Professor of Education, 68-86","Steel Students Classroom","Professor, Dr., Chair, Animal Veterinary Science; AI-VS; B - April 3, 1917, D - August 23, 2001; retired in 1979","Bob Crawford","Poster for Executive Conference","Boyle","Back row - far right; Stan Romanoski, Carl Hatfield","Sports Info Director","Red Brown","Professor of Agriculture","Agronomist, agriculture, professor of plant soil science","Chair, doctor, professor, horticulture, marigolds, roses","Plant, physiology, science","Doctor, plant, science, physiology, agriculture","Doctor, chair, agriculture","Physiology, reproductive, professor, doctor, animal, nutritional, science, Davis College","Doctor, plant, agriculture, science","Doctor, plant, science, agriculture","Doctor, professor, animal, carcass, beef, agriculture","Agriculture, soil, chemistry","Professor, extension, plant, pathologist, entomologist, golden delicious apple","Woodburn, freshmen, football, field, bleachers, athletics, team","Professor, patent examiner, law","Health Science lab","Display set up in Mountainlair","Group and individual","J. Fannucci","Faculty Dean, Business and Economics; Died Feb. 16, 1998","With Donald C. Portnoy, conductor","Drama, theater, comedy, commedia, masked","Duncan","Diving, swimming, coaching; Coached for 30 years, record 290-159-2","Chitwood Hall, Stewart Hall, Martin Hall","Benjamin Linsky - Professor of Sanitary Engineering (air pollution) and Director of Graduate Air Pollution Control Engineering Training Program.","Contemporary, classical, musical, choir, choral, singer, chamber, instrumental, soloist","Professor, art, chair","Collection, free-form, poem, fictional, town, spoon, river","Davis College; Professor, reproductive, physiology, agriculture, faculty","Musicians, trombone, trombonists, musical, drum, chamber","P. County; L-R Larry Kelly, Harold Taylor, Rex Taylor, Richard Glass, voc. teacher, Allen Colebant","Henry Clay Furnace; Iron Furnace - Cooper's Rock State Forest. Built between 1834 and 1836","College of Commerce","Not Bob Brown?","Music, chamber, musicians; Philip Faini - faculty, Dean-Emeritus, College of Creative Arts","Dick Smith","TV tower; motion picture staging","U.S. Representative from Indiana, Nov. 21, 1894 - Dec. 5, 1984, women's rights","Developmental psychologist, professor, chair, author, editor","Founded World Music Center, worked in radio, television and with symphony orchestras; dean, educator, administrator, jazz, theory, African, music, percussion, ensemble","For engineering brochure","Eng. Elect.; Nelson Smith","Dave Zirz","News and Info; Ernst","Left, sitting; Doctor, professor, chair, mathematics","Music; Washington Trip","Chemistry building architecture; Clark Hall, Annex","Bookstore, WVU plate","Coach - Stan Romanoski","Doctor, music professor","Mike Sherwood, football, QB 1968-1970; Robert N. \"Red\" Brown, athletic director","Dick Smith, Dr. Moore","Professor of history; Order of Vandalia - June 1, 1964; Chitwood Hall (Science Hall) renamed 1972 in honor of Dr. Chitwood","Chemical engineering, fossil energy research, coal technology, professor; Inductted 4-25-1986 into the Academy of Chemical Engineers","Ruth E. Robinson - bookstore manager, Dr. Harry Heflin - V.P. of Finance, President","Intimate relationships, human sexuality, social work","With crutch - Jerry Stewart, other male?; catalog made","Basketball coach","1925-1981; Writer, professor, novelist, magazine founder, poet, editor, critic, teacher","Professor of Industrial Engineering","Professor of biology, chairman","FAlconer, bird, red tailed hawk, prey, dog, bull terrier","Author, children's books","Dean, professor of education, college of human resources and education, chair of secondary education","Chair, sociology","Foreign student coordinator, professor of military science","Fashion design lecturer","Born 1913, Died 4-27-2008; soprano, opera, voice professor","1928- Chemical Engineering, fossil energy research, coal technology, professor; inducted 4-25-1986 into the academy of chemical engineers","Doctor, director of admissions, record; B. Feb. 17, 1916, D. Jan. 2, 2001","Professor, agriculture, biochemistry, nutrition","1867-1875 first president, Methodist minister, educator, pastor, professor, greek; Designed WVU's seal; B. Jan. 24, 1822, D. Dec. 16, 1895","Professor, forestry, wildlife management","Dr. Franklin Parker, Betty J. - Forum Festival","Louis F. Tanner Distinguished Professor of Public Accounting; professor, director, accounting, CPA","Doctor, director, student, health, service, physician","Doctor, professor, emeritus, music, horn, theory, viola","Author, social work","Faculty, English","Health Science, physiology, meat animal, USDA","Faculty, professor, English","Appalachian Center Area Program Chairman, Parkersburg","Doctor, researcher, chairman, biology; Oct. 8, 1932-March 18, 2010","Faculty, professor, doctor, plant physiology, ecology, conservationist","Monticola advisor, professor, journalism","B. Mar. 12, 1922, D. Oct. 29, 1989; Professor Emeritus, animal and veterinary sciences, College of Agriculture and Forestry, consumer sciences","Victorian Age specialist, English Department","Doctor, psychology, professor, chair, author","This series contains an index to the first part of Series 1, boxes 1 to 35 or 36. The index is arranged in alphabetical order by subject and spans from ca. 1964-1987. This listing reproduces the tabs in the index in full; subheadings are represented by a sampling within parentheses.","This series includes aerial photographs and accompanying transparencies and negatives of West Virginia University Hospital, Monongalia General Hospital, Morgantown and WVU (Downtown and Evansdale Campuses, the Coliseum, Mountaineer Field), and more. Subjects also include Agriculture Science Building, Allen Hall, Appalachian Center, Bureau of Mines, Coliseum, Construction \u0026 Excavation of New Law Center, Creative Arts Center, Downtown Campus, Downtown Morgantown with River, Evansdale Campus, Field House, Forestry Building, I-79 Uffington Interchange, Interstate including Westover Exchange, Law School, Livestock Farm, Medical Center, Mountaineer Field, Mountainlair, Mt. Chateau, New Dairy Facility, Physical Plant, Prospective Stadium Site, PRT, Stadium, Towers, and more.","This series of proofs from glass plate negatives were created for an unspecified Bicentennial Celebration project (possibly celebrating the National Bicentennial in 1976). There is an original numbered list of the historic prints (see box 103, folder 1). Subjects include people in safety gear, Mechanical Hall, Students in lab, Commencement Hall, Library Reading Room, Library Administration, Greenhouse construction, Horticulture grounds \u0026 building, Woodburn Circle, WVU Campus shots, Agricultural Station, Martin Hall, Oglebay Hall, Science Hall, Stewart Hall, Entomology Room, Dr. J. A. Myers, Students (Elmer Leach, Edith Ice, etc.), Episcopal Hall, Reynolds Hall, Football, E. Moore Hall, Chemistry lab, Presidents House, Falling Run, Armory, Faculty Club House, Astronomy class, Views of Campus from varying vantage points, Drama, Clubs, President John Rhey Thompson, President Thomas E. Hodges, President Frank Butter Trotter, President J. L. Goodknight, Andrew D. Hopkins, A. J. Dadisman, Various faculty (James Stewart, R. A. Armtstong, George T. Brooks, Sam Brown, P. B. Reynolds, Thomas Hodges, etc.), WVU Military Unit, Monongahela River \u0026 Seneca Station, and South Park.","This series documents WVU campus life and activities. The slides were originally bound in large three ring binders; all slides have the copyright symbol and the word Mellott printed on them. Subjects in this series include agriculture, basketball, Clark Hall, classrooms, convocation, Creative Arts Center, Football, Graduation, Law School, Library, and Woodburn Hall, among other topics.","This series includes digital photographs copied to a server from discs (these discs are currently in boxes 113-114); prints of a limited number of the digital photos are available in box 112. Subjects in this series include campus scenes, football, sports, nature, miscellaneous, and duplicate prints.","This series consists of proof sheets of images taken between ca. 1965-1999 by the News Service that depict daily life and scenes from both the Downtown WVU Campus and the Evansdale Campus. Subjects include athletics, candid shots, classrooms, construction, group portraits, Morgantown, scenes and views, and WVU. See Contents List for range of project numbers. These project numbers also correspond to the project numbers in Series 1 and 2.","This series consists of prints, negatives, slides, transparencies, and correspondence from special projects; many of the images were used in the Alumni Magazine. Subjects found in this series include Baroque Ensemble, Bicentennial House, CAC, Campus Prints, Hillary Clinton, Jay Rockefeller, Shell Building, Transparencies, WVU Extension Services, and more.","This series consists of a collection of slides and negatives in 62 small plastic boxes, many of which are unidentified. Subjects include students on campus, special events like races, campus buildings, the Mountaineer mascot, students in science labs, and more.","This series consists of slides in sleeves. Many sleeves include project information such as invoice number and photographer. Subjects in this series include athletics, campus life, candid and group shots, construction, Morgantown, and more. See Contents List for a more detailed list of subjects.","This series includes prints and negatives on subjects related to WVU history. Subjects in this series include agriculture, boats, Buck Harless, historic Morgantown, historic WVU, Institutional Advancement Flood Relief, Kearneysville Farm, Reymann Farm, Stewart Hall, and more.","This series includes 8 x 10 transparencies and prints pertaining to WVU. Subjects include White Hall, WVU Rifle Team, Medical Center pylons, Learned Ladies Play, New River white water rafting, football, WVU campus, and more.","This series consists of transparencies arranged alphabetically by subject. Subjects in this series include agriculture, campus buildings, athletics, portraits, and more.","This series consists of prints and negatives of WVU faculty portraits and other material.","This series consists of miscellaneous negatives and prints and a key to an old filing cabinet.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Photographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files. See Scope and Content note for more information.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia University","West Virginia University--Faculty.","English"],"unitid_tesim":["A\u0026M 5188","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3918"],"normalized_title_ssm":["West Virginia University, News Service, Photographs"],"collection_title_tesim":["West Virginia University, News Service, Photographs"],"collection_ssim":["West Virginia University, News Service, Photographs"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Morgantown (W. Va.)"],"geogname_ssim":["Morgantown (W. Va.)"],"places_ssim":["Morgantown (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["West Virginia University - buildings.","West Virginia University  -- Students"],"access_subjects_ssm":["West Virginia University - buildings.","West Virginia University  -- Students"],"has_online_content_ssim":["false"],"extent_ssm":["152.7 Linear Feet Summary: 152 ft. 8 in. (111 record cartons, 15 in. each); (16 note card boxes, 3 in. each); (1 note card boxes, 4 in.); (4 document cases, 2 1/2 in. each); (21 document cases, 5 in. each)"],"extent_tesim":["152.7 Linear Feet Summary: 152 ft. 8 in. (111 record cartons, 15 in. each); (16 note card boxes, 3 in. each); (1 note card boxes, 4 in.); (4 document cases, 2 1/2 in. each); (21 document cases, 5 in. each)"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e","\u003cp\u003eColiseum, Proposed Drawing; 2 negatives\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Coliseum, Proposed Drawing; 2 negatives"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], West Virginia University, News Service, Photographs, A\u0026amp;M 5188, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], West Virginia University, News Service, Photographs, A\u0026M 5188, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e5188, 5212, 5213, 5038\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["5188, 5212, 5213, 5038"],"scopecontent_html_tesm":["\u003cp\u003ePhotographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files.\u003c/p\u003e\n","\u003cp\u003eThis collection includes 15 series:\u003clb\u003e\u003c/lb\u003e\nSeries 1. Project Files; ca. 1964-2007; boxes 1-89.\u003clb\u003e\u003c/lb\u003e\nSeries 2. Index to Project Files; ca. 1964-1987; boxes 90-101b.\u003clb\u003e\u003c/lb\u003e\nSeries 3. Aerial Prints; ca. 1961-1984; box 102.\u003clb\u003e\u003c/lb\u003e\nSeries 4. \"Bicentennial Collection\"; ca. 1890-1925; boxes 103-104.\u003clb\u003e\u003c/lb\u003e\nSeries 5. Slides; ca. 1980-1992; boxes 105-111.\u003clb\u003e\u003c/lb\u003e\nSeries 6. Digital Photographs; ca. 2000-2005; boxes 112-114.\u003clb\u003e\u003c/lb\u003e\nSeries 7. Proof Sheets; ca. 1965-1999; boxes 115-117.\u003clb\u003e\u003c/lb\u003e\nSeries 8. Special Project Files; ca. 1965-2001; boxes 118-120.\u003clb\u003e\u003c/lb\u003e\nSeries 9. Slides in Boxes; ca. 1990-1998; box 121.\u003clb\u003e\u003c/lb\u003e\nSeries 10. Slides in Sleeves; 1980-1998; boxes 122-134.\u003clb\u003e\u003c/lb\u003e\nSeries 11. Subjects; ca. 1950-1992; boxes 135-138.\u003clb\u003e\u003c/lb\u003e\nSeries 12. Transparencies 8 x 10; undated; box 139.\u003clb\u003e\u003c/lb\u003e\nSeries 13. Transparencies File; ca. 1970-1985; boxes 140-143.\u003clb\u003e\u003c/lb\u003e\nSeries 14. WVU Faculty Portrait Prints; 1960-1969; box 144.\u003clb\u003e\u003c/lb\u003e\nSeries 15. Miscellaneous Material; undated; box 145.\u003c/p\u003e","\u003cp\u003eThis series includes prints, proofs with negatives, and digital files on discs. Each set of images is identified with a project number.  Projects are divided into two subseries.  Project numbers range from 2 to 10182 in the first subseries and 1-B to 24,549-B/C/DC in the second subseries. Discs start appearing in box 87, project number 21513-DC (2001/07/31). Types of photograph include candid shots, portraits of individuals, group portraits, and facilities.  Subjects include WVU athletics, campus scenes, classrooms, construction, faculty, staff, special events, and more.  See Series 2 description for additional subjects. Series 2 contains an index to the content of boxes 1 through 35 or 36 (ca. 1964-1987).  See Contents List for range of project numbers in each box; please note that not all project numbers are present in the corresponding box.\u003c/p\u003e","\u003cp\u003eKick-Off Banquet, Greater University Drive; Governor Smith; President Paul A. Miller; Governor Smith with sword; 31 negatives\u003c/p\u003e","\u003cp\u003eArchery, Physical Education; 9 negatives\u003c/p\u003e","\u003cp\u003e5 negatives; professor English (Clyde) portrait; Division of Music; English Department; 5 negatives\u003c/p\u003e","\u003cp\u003eTerra-Alta, Biological Study; John L.; 4 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Student Instructors; Pat Tork; 4 negatives\u003c/p\u003e","\u003cp\u003eThomas Manley, \"National Teacher of the Year\"; Bill Criswell; 1 negative\u003c/p\u003e","\u003cp\u003eKeith Glancy; B. Criswell; catalogue made; 1 copy negative\u003c/p\u003e","\u003cp\u003eJoe Hutchinson; 6 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Laundry Room; Pat Tork; 2 negatives\u003c/p\u003e","\u003cp\u003eMr. Wagner; Education; Dr. Jarecke; 3 negatives\u003c/p\u003e","\u003cp\u003ePresident's House, light fixtures; Jim Reed; 3 negatives\u003c/p\u003e","\u003cp\u003eGlenlock Hall, Housing; Shaffer; 3 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Rifle Practice; Pat Tork; 7 negatives\u003c/p\u003e","\u003cp\u003eNelson Smith, Portraits; 4 negatives\u003c/p\u003e","\u003cp\u003eKathy Omari [?], Portrait\u003c/p\u003e","\u003cp\u003eIndustrial Engineering Conference; Ray Shaffer; 14 negatives\u003c/p\u003e","\u003cp\u003eDan Boggs, Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eDan Bond, Portrait; 1 negative\u003c/p\u003e","\u003cp\u003eNeil E. Bolyard, Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eGordon R. Thorn, Assistant Director of Student Education Services; Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eConference on Poverty; George Kirk; 33 negatives\u003c/p\u003e","\u003cp\u003eSafety Education; Dr. Yost; 3 negatives\u003c/p\u003e","\u003cp\u003eStudent Affairs, Student Body; 8 negatives\u003c/p\u003e","\u003cp\u003eJim Watkins; 1 negative\u003c/p\u003e","\u003cp\u003eGovernor Hulett C. Smith; Democrat; 1965-1969; 3 negatives\u003c/p\u003e","\u003cp\u003eParking Lot; Criswell; 3 negatives\u003c/p\u003e","\u003cp\u003eCriswell; Copy; 1 negative\u003c/p\u003e","\u003cp\u003eStudent Affairs, Staff Meeting; 3 negatives\u003c/p\u003e","\u003cp\u003eCamp Dawson; 18 negatives\u003c/p\u003e","\u003cp\u003eAthletic Publication- Football, Cheerleaders; 18 negatives\u003c/p\u003e","\u003cp\u003eMartha Harris; 4 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Auto Presentation; Dr. Yost; 4 negatives\u003c/p\u003e","\u003cp\u003eStudent Union, Bid Opening; Criswell; 8 negatives\u003c/p\u003e","\u003cp\u003eEducation Workshop; Groupe; 2 negatives\u003c/p\u003e","\u003cp\u003eDrama Production of \"The Women\"; Boyd; 10 negatives\u003c/p\u003e","\u003cp\u003eWest Virginia Collection, Library; Shetler; 17 negatives\u003c/p\u003e","\u003cp\u003eCobalt Vault, Engineering; Mr. Boyle; 2 negatives\u003c/p\u003e","\u003cp\u003eMrs. Bachman, Board of Governors; Portrait; 1 negative\u003c/p\u003e","\u003cp\u003eFrank (Francisco) Herrera, Professor of Spanish; Foreign Languages; 1 negative\u003c/p\u003e","\u003cp\u003eWestern Electric Fund Scholarship, Presented to Brian Lautramus; Neil Bolyard; 4 negatives\u003c/p\u003e","\u003cp\u003eConference on Poverty; Kirk; 56 negatives\u003c/p\u003e","\u003cp\u003eBetty Boyd, Dean of Women; Potrait; 2 negatives\u003c/p\u003e","\u003cp\u003eComputer Center; Drake; 8 negatives\u003c/p\u003e","\u003cp\u003eComputer Center, Doctor Drake; 2 negatives\u003c/p\u003e","\u003cp\u003eComputer Center, Doctor Drake; 4 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Fencing; Photo by Mrs. Pearse\u003c/p\u003e","\u003cp\u003eAthletic Department, Baseball; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Walter H. Jarecke, Professor of Education, Director of Guidance; 1 negative\u003c/p\u003e","\u003cp\u003eEngineering, Slides; Dr. Wren; 23 negatives\u003c/p\u003e","\u003cp\u003eDr. John F. Golay, Provost Professor of History, Dean of Graduate Studies; Passport Photos; 4 negatives\u003c/p\u003e","\u003cp\u003eCommencement; 7 negatives\u003c/p\u003e","\u003cp\u003eRoy B. Clarkson, Botany, Plant, Biology; Criswell; 1 negative\u003c/p\u003e","\u003cp\u003eSnow Scenes of E. Moore Hall, the President's Home, Woodburn Circle; 6 negatives\u003c/p\u003e","\u003cp\u003eDepartment of Inter-Collegiate Athletics, Golf, Tennis; Dave Young; 7 negatives\u003c/p\u003e","\u003cp\u003eUniversity High School, Project; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Richmond Game; Music-Udell; 9 negatives\u003c/p\u003e","\u003cp\u003eBand Brothers; Criswell; 3 negatives\u003c/p\u003e","\u003cp\u003eSocial Work, Mrs. Blackburn; 8 negatives\u003c/p\u003e","\u003cp\u003eFrank Borkowski, Concert Orchestra Rehearsal; 17 negatives\u003c/p\u003e","\u003cp\u003eProfessor Perley Isaac Reed, Mountainlair; 12 negatives\u003c/p\u003e","\u003cp\u003eCommencement; Don Bond; 13 negatives\u003c/p\u003e","\u003cp\u003ePublications; Unknown; 2 negatives\u003c/p\u003e","\u003cp\u003eDave Jacobs, Phillipine Visitors; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Sarkesian; 8 negatives\u003c/p\u003e","\u003cp\u003eWVU Library, Reading Room; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU vs. Pittsburgh Game, Football, Band; Pittsburgh- 48 WVU-63; 8 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Homecoming Game; Virginia Tech; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, G.W. Game; Music- Udell; Last Game; 3 negatives\u003c/p\u003e","\u003cp\u003eBob Conners; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. James Henning, Chairman of the Department of Speech; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. William H. Mernyk, Economics; Criswell; 1 negative\u003c/p\u003e","\u003cp\u003eRed Brown Heart Fund Award; Barrett; 6 negatives\u003c/p\u003e","\u003cp\u003eScholarship, Bolyard; 27 negatives\u003c/p\u003e","\u003cp\u003eHealth Center; 10 negatives\u003c/p\u003e","\u003cp\u003ePhysical Lab Display; 2 negatives\u003c/p\u003e","\u003cp\u003eEd Sprague; 4 negatives\u003c/p\u003e","\u003cp\u003eProduction of \"American Dream\", Drama; Mr. Boyd; 2 negatives\u003c/p\u003e","\u003cp\u003eUnknown Subject, Criswell; 7 negatives\u003c/p\u003e","\u003cp\u003eDrama Production; Mr. Nels; 6 negatives\u003c/p\u003e","\u003cp\u003eChemistry Building, Annex Plan Drawings; 4 negatives\u003c/p\u003e","\u003cp\u003eBiology Department, Photos of Birds; Professor Birch; 8 negatives\u003c/p\u003e","\u003cp\u003eMechanical and Aerospace Engineering; 12 negatives\u003c/p\u003e","\u003cp\u003eWVU slides, Television Workshop, Department of Speech; 4 negatives\u003c/p\u003e","\u003cp\u003eRed Brown, Athletic Director; 3 negatives\u003c/p\u003e","\u003cp\u003eHigh School Drama Workshop; Sam Boyd; 4 negatives\u003c/p\u003e","\u003cp\u003eSocial Work Building; 4 negatives\u003c/p\u003e","\u003cp\u003eInterior of Arnold Hall; Women studying; 6 negatives\u003c/p\u003e","\u003cp\u003eMary Jane Schuster, Assistant Dean of Women; 2 negatives\u003c/p\u003e","\u003cp\u003eDave Jacobs, Portrait; 1 negative\u003c/p\u003e","\u003cp\u003eDean Ray Duncan; 4 negatives\u003c/p\u003e","\u003cp\u003eDrama, Unknown Play; Dr. Burrows; 8 negatives\u003c/p\u003e","\u003cp\u003eDrawing of Waitman Barbe by Louise Hennen; English Department; Newspaper Editor; 2 negatives\u003c/p\u003e","\u003cp\u003eThe Belcastro Trio, Joyce Breach, Music Practice; 24 negatives\u003c/p\u003e","\u003cp\u003eUnknown Subject, Dr. Diener; 1 negative\u003c/p\u003e","\u003cp\u003eJoyce Breach; 5 negatives\u003c/p\u003e","\u003cp\u003eWrestling, 1965 Winners; 2 negatives\u003c/p\u003e","\u003cp\u003eThe Belcastro Trio; 4 negatives\u003c/p\u003e","\u003cp\u003eBill Criswell; two negatives\u003c/p\u003e","\u003cp\u003ePolywood Charts, Engineering Department; Jim Kent; 12 negatives\u003c/p\u003e","\u003cp\u003eMusic Practice, Mrs. Lorrence [?]; 11 negatives\u003c/p\u003e","\u003cp\u003eNuclear Reactor, Physics Building; 9 negatives\u003c/p\u003e","\u003cp\u003eDr. Golay, Vice President; 5 negatives\u003c/p\u003e","\u003cp\u003eTwin Towers, West Virginia State Seal; 1 negative\u003c/p\u003e","\u003cp\u003eConcert Orchestra, Music Department; Borkowski; 4 negatives\u003c/p\u003e","\u003cp\u003eOpera Production; 24 negatives\u003c/p\u003e","\u003cp\u003eNuclear Reactor, Physics Building; 5 negatives\u003c/p\u003e","\u003cp\u003eCommerce Scholarship; Neil Bolyard; 4 negatives\u003c/p\u003e","\u003cp\u003eScouting Award, President Paul Miller; 4 negatives\u003c/p\u003e","\u003cp\u003eCreative Arts Building Model; 3 negatives\u003c/p\u003e","\u003cp\u003eMusic Department, Woodwinds; Small Group; Frank Borkowski; 5 negatives\u003c/p\u003e","\u003cp\u003eMiss Keener, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eCharles Wise, Board of Governors; 2 negatives\u003c/p\u003e","\u003cp\u003eDepartment of Engineering Slides, Dr. Wen; 20 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Wrestling, Pat Tork; 11 negatives\u003c/p\u003e","\u003cp\u003eMusic Meeting, Dean Duncan; 40 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Campus Residence Hall, Twin Towers; 2 negatives\u003c/p\u003e","\u003cp\u003eAmerican Arts Trio, Ruth Landes Drucker, Arno P. Drucker, Assistant Professor of Music; 8 negatives\u003c/p\u003e","\u003cp\u003eDr. Lambert, College of Engineering; 5 negatives\u003c/p\u003e","\u003cp\u003eScience Writing; 18 negatives\u003c/p\u003e","\u003cp\u003eDean Richard Duncan, First Dean of the Creative Arts Center; 1 negative\u003c/p\u003e","\u003cp\u003eIndustrial Engineering, Subject Unknown; 2 negatives\u003c/p\u003e","\u003cp\u003eMusic Production of the \"Devil and Daniel Webster; 20 negatives\u003c/p\u003e","\u003cp\u003eKappa Delta, Sorority House; 5 negatives\u003c/p\u003e","\u003cp\u003eEisland Hall, Views from in front of music building; 8 negatives\u003c/p\u003e","\u003cp\u003eState 4-H camp, Jackson Mills; Dave Johnson Display; Glen Snyder; 9 negatives\u003c/p\u003e","\u003cp\u003eLibrary, Criswell; 3 negatives\u003c/p\u003e","\u003cp\u003eJunior Achievement; Jim Watkins; 7 negatives\u003c/p\u003e","\u003cp\u003eRobert B. Smawley, Provost Office; 4 negatives\u003c/p\u003e","\u003cp\u003eIndustrial Engineering; Ray Schaffer; 17 negatives\u003c/p\u003e","\u003cp\u003eDr. Festivus P. Summers; Criswell; 1negative\u003c/p\u003e","\u003cp\u003eCriswell; Copies; 2 negatives\u003c/p\u003e","\u003cp\u003eTwin Towers, Evansdale; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Band at Camp Dawson, Udell; 11 negatives\u003c/p\u003e","\u003cp\u003eScience Writing; 4 negatives\u003c/p\u003e","\u003cp\u003eMilitary First Solo Flight,Cherokee 140; Cullen; 1 negative\u003c/p\u003e","\u003cp\u003eCharles Weakley, Chemistry Department; Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eEngineering, Chemical; Mr. Boyle; 9 negatives\u003c/p\u003e","\u003cp\u003eScholarship, Neil Bolyard; 22 negatives\u003c/p\u003e","\u003cp\u003eSam Boyd, Drama department; 8 negatives\u003c/p\u003e","\u003cp\u003eRadio and TV slides; Van Camp; 2 negatives\u003c/p\u003e","\u003cp\u003eDrama production of \"Don Juan\"; Sam Boyd; 4 negatives\u003c/p\u003e","\u003cp\u003eHumanities Conference, Dr. Ikenberry; 9 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Fencing; Mrs. Pearse; 13 negatives\u003c/p\u003e","\u003cp\u003eIndustrial Engineering, Mr Shaffer; 3 negatives\u003c/p\u003e","\u003cp\u003eForeign Offices, Criswell; 4 negatives\u003c/p\u003e","\u003cp\u003eStudent Affairs Group; Jim Watkins; St. Committee; 2 negatives\u003c/p\u003e","\u003cp\u003eNews-Info, Criswell; Copies; 2 negatives\u003c/p\u003e","\u003cp\u003eEngineering, Weirton Steel Display; 5 negatives\u003c/p\u003e","\u003cp\u003eRay Shaffer; 3 negatives\u003c/p\u003e","\u003cp\u003eNeil Bolyard, Scholarship; 2 negatives\u003c/p\u003e","\u003cp\u003eDr. Kennedy; Reading C; 2 negatives\u003c/p\u003e","\u003cp\u003eMain Campus Scene; Old Picture; 2 negatives\u003c/p\u003e","\u003cp\u003eMain Campus Air View, Old Picture; Fairchild Aerial surveys, Inc. NYC; 2 negatives\u003c/p\u003e","\u003cp\u003eir View Main Campus, May 6 1960; L.O. Myers; 2 negatives\u003c/p\u003e","\u003cp\u003eStudents walking around Woodburn Circle; 6 negatives\u003c/p\u003e","\u003cp\u003eIndustrial Engineering, Shaffer; 3 negatives\u003c/p\u003e","\u003cp\u003eMountainlair; 4 negatives\u003c/p\u003e","\u003cp\u003eIntramural Soccer; 2 negatives\u003c/p\u003e","\u003cp\u003eThe Daily Athenaeum Newsroom; 4 negatives\u003c/p\u003e","\u003cp\u003eMedical Center Dental Lab; 4 negatives\u003c/p\u003e","\u003cp\u003eRecreation; 2 negatives\u003c/p\u003e","\u003cp\u003eBiology Lab; 3 negatives\u003c/p\u003e","\u003cp\u003eAgricultural School, Research; 2 negatives\u003c/p\u003e","\u003cp\u003eGreek Charity Project, Downtown; 8 negatives\u003c/p\u003e","\u003cp\u003eEngineering Building, Air View; 2 negatives\u003c/p\u003e","\u003cp\u003eHistory Department Classroom; 2 negatives\u003c/p\u003e","\u003cp\u003eOgleby Hall; 2 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Campus, Air Views; 2 negatives\u003c/p\u003e","\u003cp\u003eProfessor Harold Cather, Chair of Mechanical Engineering; Portraits; 4 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering Conference; Dr. Schaub; 8 negatives\u003c/p\u003e","\u003cp\u003eTelephone Operators, Helen Criss; 3 negatives\u003c/p\u003e","\u003cp\u003eMilitary Ceremony, Major Wade; 11 negatives\u003c/p\u003e","\u003cp\u003ePresident Charles Wise Jr., Board of Governors; Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eProfessor Robert Slonneger, Mechanical Engineering; 2 negatives\u003c/p\u003e","\u003cp\u003eMargaret Lorince, Professor of Music; 6 negatives\u003c/p\u003e","\u003cp\u003eJulian Martin, Groupe; 4 negatives\u003c/p\u003e","\u003cp\u003eAerospace Symposium; Mr. Walters; 7 negatives\u003c/p\u003e","\u003cp\u003eMain Campus, Aerial View; 4 negatives\u003c/p\u003e","\u003cp\u003eMedical Center, Aerial View; 2 negatives\u003c/p\u003e","\u003cp\u003eForestry Building; 8 negatives\u003c/p\u003e","\u003cp\u003eThe Women; 4 negatives\u003c/p\u003e","\u003cp\u003eGroups-The Women; 9 negatives\u003c/p\u003e","\u003cp\u003eChemistry slides; Tony Winston; 6 negatives\u003c/p\u003e","\u003cp\u003eBook slides; Dr. Manning; 3 negatives\u003c/p\u003e","\u003cp\u003eSlide copies- Pygmies; 3 negatives\u003c/p\u003e","\u003cp\u003eStudent Government, Homecoming-Girls; 63 negatives\u003c/p\u003e","\u003cp\u003eUniversity Choir, Music Department; 6 negatives\u003c/p\u003e","\u003cp\u003ePresident Miller and Senator Randolph; Pen Presentation; 8 negatives\u003c/p\u003e","\u003cp\u003eEngineering Building; Shaffer; 2 negatives\u003c/p\u003e","\u003cp\u003eDr. Hess; 6 negatives\u003c/p\u003e","\u003cp\u003eBill Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eChemical Engineering, Mr. Bogle; 6 negatives\u003c/p\u003e","\u003cp\u003eChemical Engineering, Mr. Bogle; Udell; 7 negatives\u003c/p\u003e","\u003cp\u003ePep Rally for the WVU vs. Penn State Game, WVU band; Udell; Thuse; 10 negatives\u003c/p\u003e","\u003cp\u003eWVU Band; William and Mary Game; Udell; 5 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Citadel Game; Bud Udell; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Pre-season; Bud Udell; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Syracuse Game; Bud Udell; 7 negatives\u003c/p\u003e","\u003cp\u003eWelfare Department, Group photo; 17 negatives\u003c/p\u003e","\u003cp\u003eJames M. Mullendore Senior; 6 negatives\u003c/p\u003e","\u003cp\u003eRobert Iden-Nels; University photo; 9 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Campus views; Morgantown Ordinance; 8 negatives\u003c/p\u003e","\u003cp\u003eEngineering Department, charts and slides; M. Patterson; 13 negatives\u003c/p\u003e","\u003cp\u003eBiology Department; slides; 4 negatives\u003c/p\u003e","\u003cp\u003eHealth Center, Moving; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU High School Speech Institution, group photo; 3 negatives\u003c/p\u003e","\u003cp\u003eWVU Summer Art Institute, group photo; 4 negatives\u003c/p\u003e","\u003cp\u003eAmerican Arts Trio, Pianist Arno Drucker, Violinist Donald Portnoy, Cellist John Engbert; 15 negatives\u003c/p\u003e","\u003cp\u003eJoe Moss; 8 negatives\u003c/p\u003e","\u003cp\u003eGovernor Hulett C. Smith; 11 negatives\u003c/p\u003e","\u003cp\u003eEngineering Conference on Appalachia; 25 negatives\u003c/p\u003e","\u003cp\u003eEngineering Conference on Appalachia; 14 negatives\u003c/p\u003e","\u003cp\u003eInternational Night, Field House; 12 negatives\u003c/p\u003e","\u003cp\u003eEngineering Conference; 4 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering, Professor Fowler; 44 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering, Carter Tork; 12 negatives\u003c/p\u003e","\u003cp\u003eMusic Concert, Mr. Borkowski; 14 negatives\u003c/p\u003e","\u003cp\u003eWVU Band Day, Music Department; Bud Udell; 3 negatives\u003c/p\u003e","\u003cp\u003eOperetta, Joe Goltz; 17 negatives\u003c/p\u003e","\u003cp\u003eStudent Government, Executive Committee; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Lambert, lab and office; Criswell; 12 negatives\u003c/p\u003e","\u003cp\u003eChildren's Theater; 12 negatives\u003c/p\u003e","\u003cp\u003eMiss Morgantown \"1965\"; 9 negatives\u003c/p\u003e","\u003cp\u003eD. Brewer; 9 negatives\u003c/p\u003e","\u003cp\u003eWVU Drama Production; Thieves Cornwal; 10 negatives\u003c/p\u003e","\u003cp\u003eDr. Thomas Canning, Music Department; Criswell; 4 negatives\u003c/p\u003e","\u003cp\u003eFirst students at Evansdale Twin Towers; 12 negatives\u003c/p\u003e","\u003cp\u003eMusical Group-Brass, R. Sherman; 7 negatives\u003c/p\u003e","\u003cp\u003eGlenn Snyder, Group photo; 4 negatives\u003c/p\u003e","\u003cp\u003eFrank Carlomagno; Assistant Director of the WVU Foundation; 4 negatives\u003c/p\u003e","\u003cp\u003eEngineering Conference, Group photo; 3 negatives\u003c/p\u003e","\u003cp\u003eWVU Fine Arts Camp; Group Photo; 6 negatives\u003c/p\u003e","\u003cp\u003eLynn Duncan; 8 negatives\u003c/p\u003e","\u003cp\u003eIden Family photos; 10 negatives\u003c/p\u003e","\u003cp\u003eDrama Department, Phillips; 6 negatives\u003c/p\u003e","\u003cp\u003eOrchesis \"65\"; 27 negatives\u003c/p\u003e","\u003cp\u003eDr. Patterson; 3 negatives\u003c/p\u003e","\u003cp\u003eMorgantown High School, Wrestling team, 1 negative\u003c/p\u003e","\u003cp\u003eJohn Cook; 4 negatives\u003c/p\u003e","\u003cp\u003eWV State Wrestling, 7 negatives\u003c/p\u003e","\u003cp\u003eDrama Production, \"Lady Precious Stream\"; 10 negatives\u003c/p\u003e","\u003cp\u003eBill Criswell, woodworking; 12 negatives\u003c/p\u003e","\u003cp\u003eStudent Committee; Legislature; 9 negatives\u003c/p\u003e","\u003cp\u003eEngineering, Dr. Carter; 3 negatives\u003c/p\u003e","\u003cp\u003eWVU Library, Hess; 15 negatives\u003c/p\u003e","\u003cp\u003eWVU Band; 10 negatives\u003c/p\u003e","\u003cp\u003eDr. Stewart, Math Department; 7 negatives\u003c/p\u003e","\u003cp\u003eDr. Yost, Physical Education; 4 negatives\u003c/p\u003e","\u003cp\u003eLocusts; 4 negatives\u003c/p\u003e","\u003cp\u003eThomas Luther and Mrs. T.L. Harris, Order of Vandalia, Commencement; Honorary degree; HA Stansbury on right; 6 negatives\u003c/p\u003e","\u003cp\u003eNews and Info; 5 negatives\u003c/p\u003e","\u003cp\u003eWVU Showcase display, \"Student Life on Campus\"; 18 negatives\u003c/p\u003e","\u003cp\u003eDevelopment Office, Neil Bolyard; 6 negatives\u003c/p\u003e","\u003cp\u003eMr. Humphry, Chemistry Department, Presidential Award; 5 negatives\u003c/p\u003e","\u003cp\u003eAWS; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU extension, Forum teachers; 6 negatives\u003c/p\u003e","\u003cp\u003eOld Woodburn Hall, before 1900; 3 negatives\u003c/p\u003e","\u003cp\u003eBelcastro Trio, State Department; Criswell; 46 negatives\u003c/p\u003e","\u003cp\u003eDr. Kent, portraits; 6 negatives\u003c/p\u003e","\u003cp\u003eJulian Martin; 10 negatives\u003c/p\u003e","\u003cp\u003eCriswell, Speaker; 1 negative\u003c/p\u003e","\u003cp\u003eOld Mechanical Hall II; 2 negatives\u003c/p\u003e","\u003cp\u003ePeter Bonays; Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eForestry Sciences Building; Baker; 4 negatives\u003c/p\u003e","\u003cp\u003eDave Tork, GUD; 4 negatives\u003c/p\u003e","\u003cp\u003eGordon Craig, Speaker; Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eNeil Bolyard, Check presentation; 5 negatives\u003c/p\u003e","\u003cp\u003eDevelopment Office, Frank Carlomheno; 5 negatives\u003c/p\u003e","\u003cp\u003eBetty Boyd, Dean of Women; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Choir; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Drama production; Burrows; 14 negatives\u003c/p\u003e","\u003cp\u003eMusic- Summer camp; f. Borkowski; 2 negatives\u003c/p\u003e","\u003cp\u003eArt Department, Joe Moss; 25 negatives\u003c/p\u003e","\u003cp\u003eDr. A. Reed; 2 negatives\u003c/p\u003e","\u003cp\u003eEconomic Education Workshop; Maron Lee; 64 negatives\u003c/p\u003e","\u003cp\u003eWoman's Hall, Stalnaker; 15 negatives\u003c/p\u003e","\u003cp\u003eMiss McClure, Campus Cover Girl; 6 negatives\u003c/p\u003e","\u003cp\u003eMrs. Roger Sherman, dancing; 8 negatives\u003c/p\u003e","\u003cp\u003eMrs. Roger Sherman, dancing; 24 negatives\u003c/p\u003e","\u003cp\u003eCheerleaders, Physical Education; Bill Criswell; 7 negatives\u003c/p\u003e","\u003cp\u003eCobalt Vault, Forestry building; 9 negatives\u003c/p\u003e","\u003cp\u003eDevelopment Office, 99th Anniversary Dinner; 34 negatives\u003c/p\u003e","\u003cp\u003eScholarship Winners 1966, Neil Bolyard; 37 negatives\u003c/p\u003e","\u003cp\u003eWVU Drama Production, \"Dark of the Moon\"; Dr. Burrows; 19 negatives\u003c/p\u003e","\u003cp\u003eUnited Fund; 20 negatives\u003c/p\u003e","\u003cp\u003eRegional Wrestling Winners; 6 negatives\u003c/p\u003e","\u003cp\u003ePortnoy, Music department; 12 negatives\u003c/p\u003e","\u003cp\u003eBig Ten Wrestling; 6 negatives\u003c/p\u003e","\u003cp\u003eChamber of Commerce; 3 negatives\u003c/p\u003e","\u003cp\u003eMorgantown High School Wrestling, Robert De Antonisser 1964-1988; 12 negatives\u003c/p\u003e","\u003cp\u003eCoach Carlin, News Conference; 6 negatives\u003c/p\u003e","\u003cp\u003eOglebay Hall, exteriors; 5 negatives\u003c/p\u003e","\u003cp\u003eOffice of Physical Planning, copies of master plan; C. Wagner; 2 negatives\u003c/p\u003e","\u003cp\u003eDr. C.C. Patterson, Engineering; 9 negatives\u003c/p\u003e","\u003cp\u003eClassroom; 4 negatives\u003c/p\u003e","\u003cp\u003eChi-Omega Sorority; Criswell; 10 negatives\u003c/p\u003e","\u003cp\u003eRoad signs and radar, Civil Engineering; 24 negatives\u003c/p\u003e","\u003cp\u003eChas Tomas, Physics; 12 negatives\u003c/p\u003e","\u003cp\u003eSlides of old photos of Morgantown; Shetler; 32 negatives\u003c/p\u003e","\u003cp\u003eForestry Building entrance; 3 negatives\u003c/p\u003e","\u003cp\u003eCriswell, Speaker; 2 negatives\u003c/p\u003e","\u003cp\u003eJerry Andrick; 4 negatives\u003c/p\u003e","\u003cp\u003eCriswell, Speaker, Chemistry; 2 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education group photo; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU golfing; 7 negatives\u003c/p\u003e","\u003cp\u003eGary Zinn; 1 negatives\u003c/p\u003e","\u003cp\u003eNews and Information, St. Patrick's Day; 6 negatives\u003c/p\u003e","\u003cp\u003eOrchesis; 39 negatives\u003c/p\u003e","\u003cp\u003eOrchesis; 11 negatives\u003c/p\u003e","\u003cp\u003eWVU bookstore, Award winners; 3 negatives\u003c/p\u003e","\u003cp\u003eMusic Preparatory, M. Lorince; 15 negatives\u003c/p\u003e","\u003cp\u003eForestry classroom, Dr. Roch; 2 negatives\u003c/p\u003e","\u003cp\u003ePete Yost; \"All-State\"; 7 negatives\u003c/p\u003e","\u003cp\u003ePlay Day, Tork; 20 negatives\u003c/p\u003e","\u003cp\u003eAmerican Women Surgeons, group photo; 8 negatives\u003c/p\u003e","\u003cp\u003eState Future Farmers of America; 85 negatives\u003c/p\u003e","\u003cp\u003eLa Traviata, WVU Opera production; 21 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, group photo; Larry Castle; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU Women's Club; 31 negatives\u003c/p\u003e","\u003cp\u003eWVU computer music; 4 negatives\u003c/p\u003e","\u003cp\u003eEugene Quarrick; Behavioral Medicine and Psychiatry; 5 negatives\u003c/p\u003e","\u003cp\u003eArmand Singer, Professor of Romance Languages; 12 negatives\u003c/p\u003e","\u003cp\u003eMiss Sinkford; 15 negatives\u003c/p\u003e","\u003cp\u003eDepartment of Physics; 22 negatives\u003c/p\u003e","\u003cp\u003eWVU Women; 34 negatives\u003c/p\u003e","\u003cp\u003eJerry Parmer, Engineering Department; 12 negatives\u003c/p\u003e","\u003cp\u003eWVU Band Day, Udell; 2 negatives\u003c/p\u003e","\u003cp\u003eTextbook of Wood Technology, book photo; Chemical Engineering; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Library, interior views; 8 negatives\u003c/p\u003e","\u003cp\u003eWVU President Paul Ausborn Miller; 7 negatives\u003c/p\u003e","\u003cp\u003eEmory Bacon; 10 negatives\u003c/p\u003e","\u003cp\u003eFreshman Registration; 24 negatives\u003c/p\u003e","\u003cp\u003eDrawings for the Parkersburg Branch; perspective sketch looking toward southwest; 1 negative\u003c/p\u003e","\u003cp\u003eCultural Center; 5 negatives\u003c/p\u003e","\u003cp\u003eNews and Information; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Centennial Seal, 1867-1967; 1 negative\u003c/p\u003e","\u003cp\u003eSlides- men working at the river; Criswell; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Neisus, in his office reading the Appalachian Review; 2 negatives\u003c/p\u003e","\u003cp\u003eScholarship Presentation, Neil Bolyard; 4 negatives\u003c/p\u003e","\u003cp\u003eAthletic Department, Cross Country; 23 negatives\u003c/p\u003e","\u003cp\u003eWVU Fine Arts Camp, group photo; 2 negatives\u003c/p\u003e","\u003cp\u003eBoard of Public Works; 3 negatives\u003c/p\u003e","\u003cp\u003eCriswell; 1 negative\u003c/p\u003e","\u003cp\u003eBurger Chef; 4 negatives\u003c/p\u003e","\u003cp\u003eCharley Hockenberry; 5 negatives\u003c/p\u003e","\u003cp\u003eSlides by Professor Linsky; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU President Miller, Reception; 8 negatives\u003c/p\u003e","\u003cp\u003eLabor Conference, Fred Teller; 11 negatives\u003c/p\u003e","\u003cp\u003eLabor Studies, J. MacKensie; 50 negatives\u003c/p\u003e","\u003cp\u003eDean R. S. Dunbar JR.; 2 negatives\u003c/p\u003e","\u003cp\u003eConference on Manpower in Appalachia; Fred Teller; 57 negatives\u003c/p\u003e","\u003cp\u003eSlides by Jim Kent; 2 negatives\u003c/p\u003e","\u003cp\u003eNews and Information, speaker copies; 2 negatives\u003c/p\u003e","\u003cp\u003ePat Tork, passport photos; 2 negatives\u003c/p\u003e","\u003cp\u003eDr. Igor Sarkissian; 12 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering slides, Dr. Schaub; 10 negatives\u003c/p\u003e","\u003cp\u003eJamison, AWS; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Band Day, William and Mary game; Udell; 4 negatives\u003c/p\u003e","\u003cp\u003eRay Shaffer; 4 negatives\u003c/p\u003e","\u003cp\u003eForeign Officers Visit; 5 negatives\u003c/p\u003e","\u003cp\u003eDriver Training class, Physical Education; 4 negatives\u003c/p\u003e","\u003cp\u003eDave Tork, portraits; 5 negatives\u003c/p\u003e","\u003cp\u003eWVU Band Day, William and Mary game; 3 negatives\u003c/p\u003e","\u003cp\u003eEngineering Scholarship; Parmer; 6 negatives\u003c/p\u003e","\u003cp\u003eState Future Farmers of America Contest; 86 negatives\u003c/p\u003e","\u003cp\u003e\"A Professor Emerges in West Virginia, author Kermit A. Cook; 4 negatives\u003c/p\u003e","\u003cp\u003eDean Campbell; 2 negatives\u003c/p\u003e","\u003cp\u003eGreg Myers, WVU Soccer coach; 4 negatives\u003c/p\u003e","\u003cp\u003eForeign Student Committee; 4 negatives\u003c/p\u003e","\u003cp\u003eA. Larson; 3 negatives\u003c/p\u003e","\u003cp\u003eWVU Cross Country, group photos; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU vs. Citadel game; 7 negatives\u003c/p\u003e","\u003cp\u003eState High School Cross Country; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU musical production of \"Bye Bye Birdie\", Creative Arts Center; 15 negatives\u003c/p\u003e","\u003cp\u003eDr. Robert F. Munn, Provost and Director of Libraries; 2 negatives\u003c/p\u003e","\u003cp\u003eTheodora Schubert, first girl student in Forestry; 12 negatives\u003c/p\u003e","\u003cp\u003eEngineering slides- Radiation Intensity, Jim Kent; 6 negatives\u003c/p\u003e","\u003cp\u003eBill Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eE. Moore Hall, exterior shot; 1 negative\u003c/p\u003e","\u003cp\u003eWVU Law Building, exterior shot; 1 negative\u003c/p\u003e","\u003cp\u003eScholarship Awards for music, Mrs. Inberg; 4 negatives\u003c/p\u003e","\u003cp\u003eOrchesis; 14 negatives\u003c/p\u003e","\u003cp\u003eJoe Gluck, in his office; 6 negatives\u003c/p\u003e","\u003cp\u003eMusic Programs, Arno Druker; 9 negatives\u003c/p\u003e","\u003cp\u003eWilliam H. McMillion, passport photo; 5 negatives\u003c/p\u003e","\u003cp\u003eStudent Organization charts, J. Watkins; 15 negatives\u003c/p\u003e","\u003cp\u003eCentennial Film copies; 6 negatives\u003c/p\u003e","\u003cp\u003eCopies of speakers, Bill Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eChester A. Arents, Dean of the School of Engineering; 2 negatives\u003c/p\u003e","\u003cp\u003eQuint Wilson, Dean of Journalism; 2 negatives\u003c/p\u003e","\u003cp\u003eDr. Ernest Nesius, Dean of the College of Agriculture, Forestry, and Home Economics; 6 negatives\u003c/p\u003e","\u003cp\u003eJerry R. Luh, 1965 All-American Rifle Team portrait; 1 negative\u003c/p\u003e","\u003cp\u003eThomas C. Campbell, Dean of College of Commerce; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Physical Plant Custodial Award presentation; Carol Hose; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU Fine Arts Camp, Don Portnoy; 159 negatives\u003c/p\u003e","\u003cp\u003eFine Arts Camp, music camp; 53 negatives\u003c/p\u003e","\u003cp\u003eWVU Music Camp; 12 negatives\u003c/p\u003e","\u003cp\u003eCaptain Cullen, Military Commission; 10 negatives\u003c/p\u003e","\u003cp\u003eGreater West Virginia Weekend; 24 negatives\u003c/p\u003e","\u003cp\u003eWVU Choir; Dr. Barton; 4 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers Lounge ; 10 negatives\u003c/p\u003e","\u003cp\u003eWVU Band Day, WVU vs. Penn State game; 8 negatives\u003c/p\u003e","\u003cp\u003eWVU band at Kentucky game; 8 negatives\u003c/p\u003e","\u003cp\u003eWVU President Don Bond, portraits; 3 negatives\u003c/p\u003e","\u003cp\u003eBoard of Education Grant for drama and cultural education; 132 negatives\u003c/p\u003e","\u003cp\u003eFuture Farmers of America, University High School chapter; 9 negatives\u003c/p\u003e","\u003cp\u003eDr. Arya; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Link Day; 8 negatives\u003c/p\u003e","\u003cp\u003eMr. Jones, WVU President's assistant; 2 negatives\u003c/p\u003e","\u003cp\u003eJulian Martin; 6 negatives\u003c/p\u003e","\u003cp\u003eslides, Dr. Moh, 2 negatives\u003c/p\u003e","\u003cp\u003eRaphael Bachman, Dean of Pharmacy; 2 negatives\u003c/p\u003e","\u003cp\u003eYork Junior College students; 6 negatives\u003c/p\u003e","\u003cp\u003ecopy for news service; 2 negatives\u003c/p\u003e","\u003cp\u003eNews Service, Dickerson; 2 negatives\u003c/p\u003e","\u003cp\u003eGuy Harry Stewart, Professor of Journalism; 13 negatives\u003c/p\u003e","\u003cp\u003eKenneth V. Randolph, Dean of School of Dentistry; 1958-1968; 4 negatives\u003c/p\u003e","\u003cp\u003eSnow scenes at WVU; pylons 2; 25 negatives\u003c/p\u003e","\u003cp\u003eRay Duncan, Dean of Physical Education; portraits; 7 negatives\u003c/p\u003e","\u003cp\u003eLeo Horacek, Professor Emeritus of Music; 4 negatives\u003c/p\u003e","\u003cp\u003eOfficers of the A.W.S.; 16 negatives\u003c/p\u003e","\u003cp\u003eRoy W. Bahl, Professor of Economics; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Choir; 5 negatives\u003c/p\u003e","\u003cp\u003eRichard E. Duncan, Dean of the Creative Arts Center; 6 negatives\u003c/p\u003e","\u003cp\u003eDr. Jay Barton, Chairman of the Biology Department; 6 negatives\u003c/p\u003e","\u003cp\u003eGeorge Kirk, Vice President of Finance; 4 negatives\u003c/p\u003e","\u003cp\u003eCharles E. Hockenberry, WVU coach; head football coach at WVU Institute of Technology 1947-1948; head baseball coach at WVU 1947; inducted into the WVU Sports Hall of Fame 2005; 1 negative\u003c/p\u003e","\u003cp\u003eJoseph Goltz, Director of the WVU Opera Group; First director; 4 negatives\u003c/p\u003e","\u003cp\u003eBen Linsky, Professor of Sanitary Engineering; Department of Civil Engineering; air pollution studies; 5 negatives\u003c/p\u003e","\u003cp\u003eAda Lease, portraits; 5 negatives\u003c/p\u003e","\u003cp\u003eCarolyn Reyer, Native American advocate; helped to develop the Native American History and Culture studies program 1991; singer- mezzo-soprano; established the Monongalia Riding for the Handicapped 1986; 8 negatives\u003c/p\u003e","\u003cp\u003eDr. Harry Heflin and Neil Bolyard, presentation of Texaco Scholarship; 5 negatives\u003c/p\u003e","\u003cp\u003eDr. James G. Harlow (right) and Mr. Norton (left) in ROTC office; 3 negatives\u003c/p\u003e","\u003cp\u003eSocial work group photo; 8 negatives\u003c/p\u003e","\u003cp\u003eDr. Howard Perry Simons; Chemical Engineering; 26 negatives\u003c/p\u003e","\u003cp\u003eJames A. Kent, Nuclear Engineering; Polywood; 45 negatives\u003c/p\u003e","\u003cp\u003eStanley O. Ikenberry, dean of the College of Human Resources and Education; 9 negatives\u003c/p\u003e","\u003cp\u003eLabor Institute at Mont Chateau; 6 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Twin Towers, exterior views; 5 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers, interior view- lobby; 2 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers, Bennett Tower and Lyon Tower, exterior views; 4 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers, Dining hall, dorm room; 10 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers, interior views of the lounge; 8 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers, exterior shots; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Swimming, Coach Kevin Gilson; publicity shots; 35 negatives\u003c/p\u003e","\u003cp\u003eWVU Choir, Joe Golz; 6 negatives\u003c/p\u003e","\u003cp\u003eVice President Hubert Humphrey, visit to WVU; 12 negatives\u003c/p\u003e","\u003cp\u003eWVU Physical Education group photo; Quentin Barnette- professor in the WVU School of Physical Education; 4 negatives\u003c/p\u003e","\u003cp\u003eWV Collection Story; photo 1- Fairmont ordinance, ad, and invoice; photo 2- Flood April 1, 1913; 4 negatives\u003c/p\u003e","\u003cp\u003eWV Collection- Military Story; photo 1- Woodburn Circle; photo 2- cannons between Woodburn Circle and Mountainlair; 4 negatives\u003c/p\u003e","\u003cp\u003eProtestors at the WVU Commencement; 12 negatives\u003c/p\u003e","\u003cp\u003eWVU Baseball, publicity shots; 57 negatives\u003c/p\u003e","\u003cp\u003eWVU Tennis and Golf; 23 negatives\u003c/p\u003e","\u003cp\u003eWVa Collection Story, librarians at work; 7 negatives\u003c/p\u003e","\u003cp\u003eMr. Preston Harper; 4 negatives\u003c/p\u003e","\u003cp\u003eRalph Bean in a meeting; 1 negative\u003c/p\u003e","\u003cp\u003eMr. Bray, Board of Governors; 1 negative\u003c/p\u003e","\u003cp\u003eWrestling- Southern Conference Tournament; 2 negatives\u003c/p\u003e","\u003cp\u003eTrack and Field photos, Stan Romanoski- WVU coach of the men's track and field and cross country teams; 30 negatives\u003c/p\u003e","\u003cp\u003eWVU College of Law, exterior shots; 7 negatives\u003c/p\u003e","\u003cp\u003eChemical Engineering Award Presentation; news service; 8 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering, road and billboard signs; 21 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education- Driver's Education cars; Dr. yost; 11 negatives\u003c/p\u003e","\u003cp\u003eNuclear Facility, Forestry Building; Boyles; 12 negatives\u003c/p\u003e","\u003cp\u003eThomas Gary Kenamondo, news and Information; 2 negatives\u003c/p\u003e","\u003cp\u003eRadio and Television productions; 16 negatives\u003c/p\u003e","\u003cp\u003eMr. Graber, WVU Drama Department; portraits; 4 negatives\u003c/p\u003e","\u003cp\u003eEngineering slides; joint mechanism of ultrasonic welding; 5 negatives\u003c/p\u003e","\u003cp\u003enature slides, News Service; 6 negatives\u003c/p\u003e","\u003cp\u003eMr. Bates, News-Service; 2 negatives\u003c/p\u003e","\u003cp\u003eSuper Wood; WVU engineering; experiment; 4 negatives\u003c/p\u003e","\u003cp\u003eEngineering and Bio-physics; TAM; 6 negatives\u003c/p\u003e","\u003cp\u003eLeo Fishman, Professor of Economics and Finance; 3 negatives\u003c/p\u003e","\u003cp\u003eDriver's Education Class; WVU Physical Education; 3 negatives\u003c/p\u003e","\u003cp\u003eUnion Carbide presentation, Engineering Department; 4 negatives\u003c/p\u003e","\u003cp\u003eNew York Bond Company; 6 negatives\u003c/p\u003e","\u003cp\u003eCollege of Commerce, Bankers Scholarship presentation; 7 negatives\u003c/p\u003e","\u003cp\u003eBud Udell, WVU Director of Bands at University High School; 7th band director 1963-1969; 7 negatives\u003c/p\u003e","\u003cp\u003eConstruction of the Creative Arts Center slides; 2 negatives\u003c/p\u003e","\u003cp\u003eRuel Foster, WVU English Department Chair; Benedum Distinguished Professor of American Literature; author of Appalachian literature; tennis coach; Order of Vandalia; 9 negatives\u003c/p\u003e","\u003cp\u003eslides of the Annals New York Academy of Sciences; 9 negatives\u003c/p\u003e","\u003cp\u003eWVU Engineering slides; 25 negatives\u003c/p\u003e","\u003cp\u003eDr. Dozo and Dr. Olson, visiting vets; 5 negatives\u003c/p\u003e","\u003cp\u003eWes Coppock; News-Service; 1 negative\u003c/p\u003e","\u003cp\u003eMargaret Lorince, WVU Director of Preparatory Music; assiatant Chair of Music; Assistant Dean of the CAC; Professor Emerita; 20 negatives\u003c/p\u003e","\u003cp\u003eJoe Moss, Kinetic Sculpture; West Virginia Moon; National Endowment for the Arts; 12 negatives\u003c/p\u003e","\u003cp\u003eSchool of Speech Communications, Leonard Davis; 21 negatives\u003c/p\u003e","\u003cp\u003eWeirton Story, News-Information; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU Nursery School on Campus Drive; children playing; 6 negatives\u003c/p\u003e","\u003cp\u003eEngineering slides, Blackshaw; 15 negatives\u003c/p\u003e","\u003cp\u003eMr. Brown, Commerce; 2 negatives\u003c/p\u003e","\u003cp\u003eAlumni Giving Incentive Award, Dave Tork; 3 negatives\u003c/p\u003e","\u003cp\u003ephotos of books by Earl L. Core, cover picture; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Computer Center; 12 negatives\u003c/p\u003e","\u003cp\u003eUSS West Virginia Mast Plaque; 10 negatives\u003c/p\u003e","\u003cp\u003eJohn Luchak; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Commencement; 27 negatives\u003c/p\u003e","\u003cp\u003eWVU Nursery School; 20 negatives\u003c/p\u003e","\u003cp\u003eErnie Jones in his office; 7 negatives\u003c/p\u003e","\u003cp\u003eHerman Godes, Pianist; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Clyde English, Head of Organ Department 1945-1980; 4 negatives\u003c/p\u003e","\u003cp\u003ePresbysterian Church Cross; 3 negatives\u003c/p\u003e","\u003cp\u003eMountainlair construction; 10 negatives\u003c/p\u003e","\u003cp\u003eDr. Harry Heflin, Vice President of Finance and Administration; 6 negatives\u003c/p\u003e","\u003cp\u003eParmer, Aero-Space; 5 negatives\u003c/p\u003e","\u003cp\u003eWVU Athletic Department picnic; 20 negatives\u003c/p\u003e","\u003cp\u003eJames Thompson in his lab; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Medical Center, night view; 3 negatives\u003c/p\u003e","\u003cp\u003eWVU Medical Center, front closeup; pylons; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Medical Center view from Evansdale Towers; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Varsity Wrestlers; 11 negatives\u003c/p\u003e","\u003cp\u003eWVU Varsity Wrestling Team; group photo; 3 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education Conference, Pete Yost; group photo; 4 negatives\u003c/p\u003e","\u003cp\u003e5th Annual WV AFL-CIO Summer Institute at Mont Chateau; group photo; 4 negatives\u003c/p\u003e","\u003cp\u003eJulian Martin at WVU graduation; 23 negatives\u003c/p\u003e","\u003cp\u003ePercival Hall- Forestry Center, night views; 5 negatives\u003c/p\u003e","\u003cp\u003eMr. Sledge, Student Affairs; 5 negatives\u003c/p\u003e","\u003cp\u003eWVU production of \"Carousel\"; Rodgers and Hammerstein; Boyd; 12 negatives\u003c/p\u003e","\u003cp\u003eportraits of Honoraries at 1966 WVU Commencement; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU Band publicity shots; 12 negatives\u003c/p\u003e","\u003cp\u003eReverend Paine, Episcopalian; Clergy, Church; 7 negatives\u003c/p\u003e","\u003cp\u003eTwin Towers complex, drawing; 3 negatives\u003c/p\u003e","\u003cp\u003eColonel Jansen Retirement; 10 negatives\u003c/p\u003e","\u003cp\u003eFestival of Ideas, Humphrey, Etc.; 103 negatives\u003c/p\u003e","\u003cp\u003eRegistration at Field House; 9 negatives\u003c/p\u003e","\u003cp\u003eFine Arts Group; 3 negatives\u003c/p\u003e","\u003cp\u003eFrank Carlehemeno; 4 negatives\u003c/p\u003e","\u003cp\u003eSherlocker, Physical Education; 5 negatives\u003c/p\u003e","\u003cp\u003eCanning, Music Group; 4 negatives\u003c/p\u003e","\u003cp\u003eMilan; 32 negatives\u003c/p\u003e","\u003cp\u003eSocial Work, Portraits\u003c/p\u003e","\u003cp\u003eDrama, \"Kiss Me Kate\"; 11 negatives\u003c/p\u003e","\u003cp\u003eAngel Street; 14 negatives\u003c/p\u003e","\u003cp\u003eRepresentative of Ghana; 5 negatives, prints\u003c/p\u003e","\u003cp\u003eDanville, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDean Frasure, College of Arts and Sciences, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eDr. Thomas Canning with Carolyn Reyer; 2 negatives\u003c/p\u003e","\u003cp\u003eComputer Center; 4 negatives\u003c/p\u003e","\u003cp\u003eHUD Meeting at Mt. Chateau; Transportation; 12 negatives\u003c/p\u003e","\u003cp\u003eThomas Canning, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. William Miernyk, Economics Research, Portrait; 5 negatives\u003c/p\u003e","\u003cp\u003eDrama, Merchant of Venice; 9 negatives\u003c/p\u003e","\u003cp\u003eDonald Portnoy, Music, at Piano with Violin; 12 negatives\u003c/p\u003e","\u003cp\u003eTennis Action Shots; 8 negatives\u003c/p\u003e","\u003cp\u003eProfessor Jones, Chair, Electrical Engineering; 12 negatives\u003c/p\u003e","\u003cp\u003eChemistry Award; 2 negatives\u003c/p\u003e","\u003cp\u003eDrama; 12 negatives\u003c/p\u003e","\u003cp\u003eCreative Arts; 12 negatives\u003c/p\u003e","\u003cp\u003eLorensen, Law School, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Kelly, Vice President, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eDr. Halter, Portrait; 5 negatives\u003c/p\u003e","\u003cp\u003eVergil Clark, Head of Physical Plant, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003ePresident's Home; 12 negatives\u003c/p\u003e","\u003cp\u003eBiology, Dr. Chen, Culture Room; 8 negatives\u003c/p\u003e","\u003cp\u003eChemistry, Tony Winston, Labs; 55 negatives\u003c/p\u003e","\u003cp\u003eElectrical Engineering; 10 negatives\u003c/p\u003e","\u003cp\u003eGeneral Biology, Trees; 7 negatives\u003c/p\u003e","\u003cp\u003eCoopers Rock, Gorge Overlook; 17 negatives\u003c/p\u003e","\u003cp\u003eHunter with Dog; Ag-Forestry Bulletin, Roy Thomas, Magazine; 12 negatives\u003c/p\u003e","\u003cp\u003eOrchesis, Dance Group; 24 negatives\u003c/p\u003e","\u003cp\u003e\"Esso Story\"; President Harlow with Two Other Men; 6 negatives\u003c/p\u003e","\u003cp\u003eCanning and Brown, \"Composers\"; 2 negatives\u003c/p\u003e","\u003cp\u003eSafety Education Story; 11 negatives\u003c/p\u003e","\u003cp\u003eEngineering Project; 12 negatives\u003c/p\u003e","\u003cp\u003eAgronotty Awards; 6 negatives\u003c/p\u003e","\u003cp\u003eChemical Engineering, Coal Research; 9 negatives\u003c/p\u003e","\u003cp\u003eMen's Swim Team; 23 negatives\u003c/p\u003e","\u003cp\u003eComedy, Lysistrata; 9 negatives\u003c/p\u003e","\u003cp\u003eNational Merit Scholarship, President Harlow Speaking; 35 negatives\u003c/p\u003e","\u003cp\u003eRecreation Department, Senior Citizens; 8 negatives\u003c/p\u003e","\u003cp\u003eNew Band Uniforms; 3 negatives\u003c/p\u003e","\u003cp\u003eFine Arts Camp; 48 negatives\u003c/p\u003e","\u003cp\u003eOpera, The Marriage of Figaro; 23 negatives\u003c/p\u003e","\u003cp\u003eOpera, Susannah by Carlisle Floyd; 27 negatives\u003c/p\u003e","\u003cp\u003eState Bankers Scholarship; 5 negatives\u003c/p\u003e","\u003cp\u003eAirplanes, Cessna Foundation; 24 negatives\u003c/p\u003e","\u003cp\u003eGulf Oil Presentation; 3 negatives\u003c/p\u003e","\u003cp\u003eBruce D. McComas, Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eDick Bell, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eRifle Team; 6 negatives\u003c/p\u003e","\u003cp\u003eMusic, Phil Faini, Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003e00624; Dr. Harlow, Du Pont Presentation; 10 negatives\u003c/p\u003e","\u003cp\u003eSoccer Action; 9 negatives\u003c/p\u003e","\u003cp\u003eGeorge Weaver, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eBiology, Cancer Research; 4 negatives\u003c/p\u003e","\u003cp\u003eErnie Jones, Portrait, Earnest L. Jones, Director of Computing Center; 4 negatives\u003c/p\u003e","\u003cp\u003ePeggy Staggers, Portrait; 8 negatives\u003c/p\u003e","\u003cp\u003eArmy, ROTC; 50 negatives\u003c/p\u003e","\u003cp\u003eCoach Harrick, Portrait, Baseball, 300 Victory, 11 negatives\u003c/p\u003e","\u003cp\u003eLibrary View; Building, 2 negatives\u003c/p\u003e","\u003cp\u003eColonel Reynolds, Student Affairs, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eJohn Luckoks and Majorettes; 9 negatives\u003c/p\u003e","\u003cp\u003eSports, Basketball Group, Athletic Publication; 6 negatives\u003c/p\u003e","\u003cp\u003eClark Wagner, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eSteering Committee, Homecoming; 4 negatives\u003c/p\u003e","\u003cp\u003eSports, Soccer Squad, Mountaineer Field; 1 negative\u003c/p\u003e","\u003cp\u003eBlithe Spirit, Drama, Play; 11 negatives\u003c/p\u003e","\u003cp\u003eDolls House, Drama, Play, Creative Arts Center; 12 negatives\u003c/p\u003e","\u003cp\u003eCaesar and Cleopatra, Drama, Play, Bob Silberstein; 20 negatives\u003c/p\u003e","\u003cp\u003eThe Boys from Syracuse, Drama, Play, Creative Arts Center, Becky Stewart; 10 negatives\u003c/p\u003e","\u003cp\u003eYWCA Officers, Cabinet, Becky Stewart; 7 negatives\u003c/p\u003e","\u003cp\u003eBoard of Governors, Portraits; 12 negatives\u003c/p\u003e","\u003cp\u003eDr. Harry Heflin, V.P. of Finance and Administration, Portrait, served as 18th President in 1981; 8 negatives\u003c/p\u003e","\u003cp\u003eJim Watkins, Assistant Dean of Student Educational Services, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eAlumni Day at Law School; 8 negatives\u003c/p\u003e","\u003cp\u003eDr. Chas Norman, Lab, Biology; 12 negatives\u003c/p\u003e","\u003cp\u003eJim Watkins in Office; 12 negatives\u003c/p\u003e","\u003cp\u003eSara Ruth Meek, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eFreshman Orientation; 19 negatives\u003c/p\u003e","\u003cp\u003eFreshman Orientation; 20 negatives\u003c/p\u003e","\u003cp\u003eFreshman Orientation; 10 negatives\u003c/p\u003e","\u003cp\u003eFreshman Orientation; 24 negatives\u003c/p\u003e","\u003cp\u003eHigh School Speech Institute; 22 negatives\u003c/p\u003e","\u003cp\u003eHelicopter in Mont Chateau; 14 negatives\u003c/p\u003e","\u003cp\u003eBoard of Governors; 3 negatives\u003c/p\u003e","\u003cp\u003eForestry Display, Laskin; 14 negatives\u003c/p\u003e","\u003cp\u003eStudent Affairs; 10 negatives\u003c/p\u003e","\u003cp\u003eAfrican Statues from Twin Towers, Betty Bogel; 16 negatives\u003c/p\u003e","\u003cp\u003eScience Camp; 12 negatives\u003c/p\u003e","\u003cp\u003eLeonard Davis, Slides from Old Pictures of Weston Hospital for Insane; 13 negatives\u003c/p\u003e","\u003cp\u003eAWS Officers, Portraits; 21 negatives\u003c/p\u003e","\u003cp\u003eOak Tree; 4 negatives\u003c/p\u003e","\u003cp\u003eCarol Watson; 7 negatives\u003c/p\u003e","\u003cp\u003eSmall Maple Tree; 4 negatives\u003c/p\u003e","\u003cp\u003eSlides for Mechanical Engineering, Entropy; 25 negatives\u003c/p\u003e","\u003cp\u003eFine Arts Camp. Group; 1 negative\u003c/p\u003e","\u003cp\u003eHigh School Journalism; 32 negatives\u003c/p\u003e","\u003cp\u003eSafety Education Class; 3 negatives\u003c/p\u003e","\u003cp\u003eTransportaion; 22 negatives\u003c/p\u003e","\u003cp\u003eMedical Center, Heating Plant; 6 negatives\u003c/p\u003e","\u003cp\u003eFreshman Guides; 17 negatives\u003c/p\u003e","\u003cp\u003eJohn Brisbow, Assistant Director of Admissions; 12 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering Conference; 26 negatives\u003c/p\u003e","\u003cp\u003eDr. Emory L. Kemp, Chair of Civil Engineering, Portrait, Emeritus Director of the Institute for the History of Technology \u0026amp; Industrial Archaelogy in the WVU Eberly College of Arts and Sciences, Recognized for both Researching and preserving historical industrial sites around the county and overseas; 4 negatives\u003c/p\u003e","\u003cp\u003eCross Country, Coach and Captain in Action, Sports; 12 negative\u003c/p\u003e","\u003cp\u003eGirl with Rifle; 2 negatives\u003c/p\u003e","\u003cp\u003eMerchant of Venice, Drama, Publicity; 7 negatives\u003c/p\u003e","\u003cp\u003eUrban Mass Transit, Vestibule; 18 negatives\u003c/p\u003e","\u003cp\u003eSatellite Copies; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Parkersburg Branch, Drawing; 1 negative\u003c/p\u003e","\u003cp\u003eCredit Union, Group; 3 negatives\u003c/p\u003e","\u003cp\u003eHousing and Urban Development; 7 negativs\u003c/p\u003e","\u003cp\u003eJohn R. Mackenzi, Director of Education, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eJames H. Schaub, Professor of Civil Engineering, Portrait;4 negatives\u003c/p\u003e","\u003cp\u003eHarold J. Shamberger, Assistant to President, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003e00688; Judy Shoup, Miss WVU, Portrait, 1969 Miss WV as Kappa Kappa Gamma, Wheeling Symphony Member; 2 negatives\u003c/p\u003e","\u003cp\u003eWrestling Athletes and Dan Killen, Director of Social Service Med.Center, Brown, Jim Stevens ; 17 negatives\u003c/p\u003e","\u003cp\u003eCross Country Team, Group; 2 negatives\u003c/p\u003e","\u003cp\u003eAgricultural Farm Grass, grass shots for Jung; 17 negatives\u003c/p\u003e","\u003cp\u003eGrass, grass shots; 12 negatives\u003c/p\u003e","\u003cp\u003eAgricultural Farm Grass, grass shots for Dr. Jung; 12 negatives\u003c/p\u003e","\u003cp\u003eGrass, grass shots for Dr. Jung, 5 negatives\u003c/p\u003e","\u003cp\u003eAgricultural Farm Grass, grass shots for Dr. Jung; 7 negatives\u003c/p\u003e","\u003cp\u003eBug Shots for C. K. Dorsey, Insects; 8 negatives\u003c/p\u003e","\u003cp\u003eNew Engineering Building; 4 negatives\u003c/p\u003e","\u003cp\u003eConference; 12 negatives\u003c/p\u003e","\u003cp\u003eRobert L. Iden, Manager of Printing Services, Portrait; 3 negatives\u003c/p\u003e","\u003cp\u003eRed Brown, Steve Harrick, Presentation; 7 negatives\u003c/p\u003e","\u003cp\u003eMullenax, Interview, New Zealand; 9 negatives\u003c/p\u003e","\u003cp\u003eJohn Goodwin, Commerce, Portrait; 5 negatives\u003c/p\u003e","\u003cp\u003eGymnastics; 22 negatives\u003c/p\u003e","\u003cp\u003eGymnastics; 16 negatives\u003c/p\u003e","\u003cp\u003eClifford W. Brown, Portrait, 1912-1988, Portrait, Marching Band Director in 1942, Retired in 1974 as Assistant Dean of Creative Arts Center, His daughter, Susan, is the wife of former WVU President, David Hardesty; 6 negatives\u003c/p\u003e","\u003cp\u003eJohn Clarkson, Art; 9 negatives\u003c/p\u003e","\u003cp\u003eSeigle Wayne Cox, Vocational Agriculture, Hundred High School, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDick Detombe, Assistant Track Coach, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Stacy Barton, ETV; 12 negatives\u003c/p\u003e","\u003cp\u003eJerome Fanucci, Chairman of Department of Aerospace Engineering, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Hefflin, 18th President; 20 negatives\u003c/p\u003e","\u003cp\u003eDr. James G. Harlow, Portrait; 10 negatives\u003c/p\u003e","\u003cp\u003ePaul W. Hamelman, Professor of Management, College of Commerce, Portrait; 10 negatives\u003c/p\u003e","\u003cp\u003eInformation Booth, Structure; 6 negatives\u003c/p\u003e","\u003cp\u003eUniversity Singers, Group; 3 negatives\u003c/p\u003e","\u003cp\u003eStrings Band Practice, Music Department; 22 negatives\u003c/p\u003e","\u003cp\u003eMusic Scholarship Award; 4 negatives\u003c/p\u003e","\u003cp\u003eScenes from John Gay's \"The Begger's Opera\", Creative Arts Center, Division of Music, 25 negatives\u003c/p\u003e","\u003cp\u003eLecture by Harold B. Bachman, Director of Bands, Emeritus, University of Florida; 6 negatives\u003c/p\u003e","\u003cp\u003eMorgantown Woman's Music Club Scholarship, Group; 5 negatives\u003c/p\u003e","\u003cp\u003eJames Mullendore, Student Body President, 1968-1969, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eWilliam H. Miernyk, Director of Regional Research Institute, Order of Vandalia, Claude Worthington Benedum Professor of Economics, Professor Emeritus, Director Emeritus of the RRI, Author; 21 negatives\u003c/p\u003e","\u003cp\u003eWilliam H. Miernyk; 12 negatives\u003c/p\u003e","\u003cp\u003eGeorge Nocito, Professor of Art, Chair of Art Department, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eNews and Info; 2 negatives\u003c/p\u003e","\u003cp\u003eNews and Info, Group; 2 negatives\u003c/p\u003e","\u003cp\u003eNews and Info; 6 negatives\u003c/p\u003e","\u003cp\u003eNews and Info, Richard Bernard, Arthur Hofstetler with Glasses, Portrait; 3 negatives\u003c/p\u003e","\u003cp\u003ePaul Selby, Dean of College of Law; 6 negatives\u003c/p\u003e","\u003cp\u003eDr. Roman J. Verhaalen, Dean of Kanawha Valley Graduate Center, Portrait\u003c/p\u003e","\u003cp\u003eRabbi Herbert J. Wilner, Hillel Foundation, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eRabbi Herbert J. Wilner, Hillel Foundation;\u003c/p\u003e","\u003cp\u003eBudd Udell with Band; 11 negatives\u003c/p\u003e","\u003cp\u003eDale Evans, Athletic Publicity, Quarterback Signing, Football; 10 negatives\u003c/p\u003e","\u003cp\u003eBand Photos, French Horn; 12 negatives\u003c/p\u003e","\u003cp\u003eMarching Band Formations; 25 negatives\u003c/p\u003e","\u003cp\u003eBand Day; 5 negatives\u003c/p\u003e","\u003cp\u003eScott Stringham Conducting; 12 negatives\u003c/p\u003e","\u003cp\u003ePercussion Ensemble, School of Music; 1 negative\u003c/p\u003e","\u003cp\u003eHomcoming Queen, Sally Sotak of Beckley, Shelley Pointexter of Nitro, Jeannie Erwin of Dunbar, Mary Kay Staggers of Keyser; 2 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidates with Centennial Seal, Sally Sotak, Shelley Pointexter of Nitro, Mary Kay Staggers of Keyser, Jeanne Erwin of Dunbar; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate at the Health Sciences Center Pylons; 3 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate in front of Elizabeth Moore Hall; 3 negatives\u003c/p\u003e","\u003cp\u003e00748; Homecoming Queen Candidate with Oglebay Hall in the background Hall; 2 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Princess, Headshots; 8 negatives\u003c/p\u003e","\u003cp\u003eGold Diggers, Weekend Candidates, Portrait; 23 negatives\u003c/p\u003e","\u003cp\u003eBill Bonsall, Gymnastics Coach, led WVU to 3 southern conference championships, ranked at 5th place in 1963, represented U.S. in 1948 Olympics in London, the gymnastics team was elevated to varsity team in 1952 under him; 4 negatives\u003c/p\u003e","\u003cp\u003eKevin Gilson, Men's and Women's Swimming Coach, Anatomy and Physiology, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eCoach SFC Joe Gravens, Jr.; 4 negatives\u003c/p\u003e","\u003cp\u003ePat Hamilton, Board of Governors; 6 negatives\u003c/p\u003e","\u003cp\u003eD. Hercules, Headshot; 1 negative\u003c/p\u003e","\u003cp\u003eDr. William Morris, Portrait\u003c/p\u003e","\u003cp\u003eGeorge Nedeff, Wresting Coach, 1996 WVU Presidential Safety Award, National Wresting Hall of Fame, Father G.N. of SOLT with \"Outstanding American\" Award, Class of 2008; 3 negatives\u003c/p\u003e","\u003cp\u003eGeorge Smyth, Planning Architect, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eJohn Stewart, Soccer Coach, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eGreg Van Camp, Director, General Manager of WWVU-TV, Professor or Radio and TV, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eRadio-TV Control Room; 5 negatives\u003c/p\u003e","\u003cp\u003eHistorical Buidings, Woodburn Female Seminary established in1815, Monongalia Academy established in November 1814; 2 negatives\u003c/p\u003e","\u003cp\u003eNews and Info, Sewage Treatment; 11 negatives\u003c/p\u003e","\u003cp\u003eNews and Info, Child Plays-Story for John Reach at Med Center; 8 negatives\u003c/p\u003e","\u003cp\u003eOffice of Publications; 6 negatives\u003c/p\u003e","\u003cp\u003eOffice of Publications, John Luchor; 16 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Information Desk and Lounge; 7 negatives\u003c/p\u003e","\u003cp\u003eRadio Drama by Dylan Thomas \"Under Milk Wood\" by  at Med Center Auditorium; 8 negatives\u003c/p\u003e","\u003cp\u003eKappa Kappa Psi, Music Honorary, Group; 2 negatives\u003c/p\u003e","\u003cp\u003eFreshman Football Team in front of Martin Hall, Group, Historical Building; 4 negatives\u003c/p\u003e","\u003cp\u003eThermomister Temperature Measuring Device; 2 negatives\u003c/p\u003e","\u003cp\u003eSeintillation Device; 7 negatives\u003c/p\u003e","\u003cp\u003eDrama \"The Entertainers\"; 19 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Interior; 23 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Interior; 4 negatives\u003c/p\u003e","\u003cp\u003eBell from USS West Virginia; 7 negatives\u003c/p\u003e","\u003cp\u003ePresident's Summer Home; 2 negatives\u003c/p\u003e","\u003cp\u003eDrama \"The Merchant of Venice\"; 12 negatives\u003c/p\u003e","\u003cp\u003eLight Art; 9 negatives\u003c/p\u003e","\u003cp\u003eSnow Around Campus, Historic Buildings; 34 negatives\u003c/p\u003e","\u003cp\u003eNew Buildings around Campus; 14 negatives\u003c/p\u003e","\u003cp\u003eTheater; 1 negative\u003c/p\u003e","\u003cp\u003eTheater Interior, Creative Arts; 1 negative\u003c/p\u003e","\u003cp\u003eR.O.T.C.; 39 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen, Sally Sotak, Portrait\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 6 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 6 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 6 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eBand Day; 24 negatives\u003c/p\u003e","\u003cp\u003eHeart Valve Story, Engineering; 15 negatives\u003c/p\u003e","\u003cp\u003eHeart Story, Med Center; 6 negatives\u003c/p\u003e","\u003cp\u003eColonel Charles G. Ives, Chairman of Military Science, Portrait; 5 negatives\u003c/p\u003e","\u003cp\u003eEngineering Scholarship, Union Carbide; 4 negatives\u003c/p\u003e","\u003cp\u003eBird Story; 1 negative\u003c/p\u003e","\u003cp\u003eWoodburn Circle, Traffic Pattern; 8 negatives\u003c/p\u003e","\u003cp\u003eFreshmen Basket Ball Team, Sports, Group; 4 negatives\u003c/p\u003e","\u003cp\u003eArt Department; 6 negatives\u003c/p\u003e","\u003cp\u003eOrchesis, Student Dance Group; 9 negatives\u003c/p\u003e","\u003cp\u003eUniversity Choir, Group; 7 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering Students; 40 negatives\u003c/p\u003e","\u003cp\u003eCreative Arts Center, Building; 1 negative\u003c/p\u003e","\u003cp\u003eCreative Arts Center, Building; 8 negatives\u003c/p\u003e","\u003cp\u003eAmrerican Arts Trio, Music, Group; 12 negatives\u003c/p\u003e","\u003cp\u003eBaroque Ensemble, Music, Group; 2 negatives\u003c/p\u003e","\u003cp\u003eFine and Lively Arts Committee, Group; 7 negatives\u003c/p\u003e","\u003cp\u003eDr. Harry Bruce Heflin in Formal Group, Group, 18th President; 4 negatives\u003c/p\u003e","\u003cp\u003eBaker and Coombs Windows; 13 negatives\u003c/p\u003e","\u003cp\u003eDr. Maurice Brokks, Biology and Forestry Professor, Wildlife Management, Natural History, Ornithologist, West Virginian of the Year, Conservationist; 18 negatives\u003c/p\u003e","\u003cp\u003eTheater Interiors, Creative Arts Story; 11 negatives\u003c/p\u003e","\u003cp\u003eWVU Library; 14 negatives\u003c/p\u003e","\u003cp\u003eWVU Library; 5 negatives\u003c/p\u003e","\u003cp\u003eView of Med Center from Pierpont Hall; 2 negatives\u003c/p\u003e","\u003cp\u003eArmstrong Hall, Building; 4 negatives\u003c/p\u003e","\u003cp\u003eMed Center, Pylons; 19 negatives\u003c/p\u003e","\u003cp\u003eStudent Union Building, Mountainlair; 4 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Construction; 4 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Construction; 4 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Construction; 3 negatives\u003c/p\u003e","\u003cp\u003eOglebay Hall, Historic Building; 7 negatives\u003c/p\u003e","\u003cp\u003eSummit Hall, Building; 4 negatives\u003c/p\u003e","\u003cp\u003eIBM Computer Installation, Publication Office; 2 negatives\u003c/p\u003e","\u003cp\u003eIBM Typesetting in Printing Composing Room;\u003c/p\u003e","\u003cp\u003eTransatlantic Debators; 7 negatives\u003c/p\u003e","\u003cp\u003eProfessor Moody E. Prior, Portrait, born 1901 in Fatsa Turkey, died Oct. 25 1996, Prof. Emeritus of English at Northwestern U., authority on Shakespeare, awarded Northweatern University Alumni Medal - highest honor given to Northwestern graduates; 1 negative\u003c/p\u003e","\u003cp\u003eMr. Harry Ernst, Director of University Relations, Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU TV Tower Site; 6 negatives\u003c/p\u003e","\u003cp\u003eJoe Leonard, Director of Coal Research Bureau at WVU, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eEngineering - Super Wood; 9 negatives\u003c/p\u003e","\u003cp\u003eHighschool Wrestling Tournament; 10 negatives\u003c/p\u003e","\u003cp\u003eVariety Show at Towers; 22 negatives\u003c/p\u003e","\u003cp\u003eVariety Show at Towers; 17 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Archery Class; 9 negatives\u003c/p\u003e","\u003cp\u003eEngineering - Space Craft Diagrams; 6 negatives\u003c/p\u003e","\u003cp\u003eCommencement Honoraries, Portrait; 12 negatives\u003c/p\u003e","\u003cp\u003eState Science Fair; 12 negatives\u003c/p\u003e","\u003cp\u003eInternational Night; 5 negatives\u003c/p\u003e","\u003cp\u003eAsh Brick Pilot Plant; 4 negatives\u003c/p\u003e","\u003cp\u003eNorm Parsons, Intramural Director; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Choir Album Cover \"Songs of West Virginia\"; 2 negatives\u003c/p\u003e","\u003cp\u003e16 mm Movie Camera used on copy work, Radio and TV; 9 negatives\u003c/p\u003e","\u003cp\u003eDrama Publicity Photos; 3 negatives\u003c/p\u003e","\u003cp\u003eTom Gulli Ford, Swimming, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eBill Martin, Dance; 5 negatives\u003c/p\u003e","\u003cp\u003eEngineering Slides for Dr. Moore; 14 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering Asphalt Research; 25 negatives\u003c/p\u003e","\u003cp\u003eWidebusch Family, Group; 7 negatives\u003c/p\u003e","\u003cp\u003eOrchesis, Student Dance Group;  12 negatives\u003c/p\u003e","\u003cp\u003eDon Knotts, Group; 1 negative\u003c/p\u003e","\u003cp\u003eNational Science Foundation Grants; 11 negatives\u003c/p\u003e","\u003cp\u003eW. Va. Collection, Library, Homecoming; 32 negatives\u003c/p\u003e","\u003cp\u003eBudd Udell Conducting, WVU Marching Band Director, 7th Director 1965-69, d.o.d. Feb. 4 2006, Group; 12 negatives\u003c/p\u003e","\u003cp\u003eOrchesis, WVU Student Dance Group; 35 negatives\u003c/p\u003e","\u003cp\u003eBob Iden, Managerof Printing Services; 12 negatives\u003c/p\u003e","\u003cp\u003eOglebay Hall with Mast, Historic Building; 5 negatives\u003c/p\u003e","\u003cp\u003eElizabeth Moore Hall, Historic Building; 8 negatives\u003c/p\u003e","\u003cp\u003eJeff Warren; Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eCharles Peter Yost; Dean of Physical Education, Portrait; 3 negatives\u003c/p\u003e","\u003cp\u003eComputer Center; 27 negatives\u003c/p\u003e","\u003cp\u003eAerial Photos of Med Center and Mountainlair; 8 negatives\u003c/p\u003e","\u003cp\u003eAerial Photos of Towers, Pierpont Hall and Mountainlair; 5 negatives\u003c/p\u003e","\u003cp\u003eMed Center; 3 negatives\u003c/p\u003e","\u003cp\u003eCreative Arts Center; 6 negatives\u003c/p\u003e","\u003cp\u003eStewart Hall, Historic Building; 2 negatives\u003c/p\u003e","\u003cp\u003eAgricultural Science Buiding; 4 negatives\u003c/p\u003e","\u003cp\u003eColiseum; 2 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Campus, Towers, Med Center; 7 negatives\u003c/p\u003e","\u003cp\u003eMont Chateau Lodge, opened June 7 1958, WVU Geological and Economic Survey; 4 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Night View; 3 negatives\u003c/p\u003e","\u003cp\u003eLibrary Walk; 4 negatives\u003c/p\u003e","\u003cp\u003eLibrary Exterior View; 8 negatives\u003c/p\u003e","\u003cp\u003eView of Woodburn Circle from Oblebay Plaza; 3 negatives\u003c/p\u003e","\u003cp\u003eWoodburn Circle; 2 negatives\u003c/p\u003e","\u003cp\u003eJazz Band; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Group; 16 negatives\u003c/p\u003e","\u003cp\u003eDave Shamberger, Portrait; 8 negatives\u003c/p\u003e","\u003cp\u003eAgriculture, Dr. O.J. Burger (standing), Martin Piriber (speaker); 9 negatives\u003c/p\u003e","\u003cp\u003eHubert H. Humphrey Speaking at WVU Centennial Celebration, Vice President, 100th Anniversary Event; 3 negatives\u003c/p\u003e","\u003cp\u003eJeff Davis, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eCommencement; 2 negatives\u003c/p\u003e","\u003cp\u003eCommencement, Senator Jennings Randolph, Senator Robert C. Byrd, Acting WVU President Harry B. Heflin, Irvin Stewart, the Order of Vandalia; 37 negatives\u003c/p\u003e","\u003cp\u003eScenes from \"West Side Story\", Theater Production; 23 negatives\u003c/p\u003e","\u003cp\u003eScenes from \"West Side Story\", Theater Production; 16 negatives\u003c/p\u003e","\u003cp\u003e\"The Maids and Deathwatch\", Theater Production; 9 negatives\u003c/p\u003e","\u003cp\u003eMed Center, News and Info;\u003c/p\u003e","\u003cp\u003eEngineering Department, Professor Jones, Group; 2 negatives\u003c/p\u003e","\u003cp\u003eMountaineer Spirit, Female Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eAsh Brick Pilot Plant; 4 negatives\u003c/p\u003e","\u003cp\u003eFuture Farmers of America; 93 negatives\u003c/p\u003e","\u003cp\u003eLouise Keener, Portrait\u003c/p\u003e","\u003cp\u003eFine Arts Camp, Music; 4 negatives\u003c/p\u003e","\u003cp\u003eChemical Engineering Slides, Dr. Jones; 6 negatives\u003c/p\u003e","\u003cp\u003eInternational Program, Group; 8 negatives\u003c/p\u003e","\u003cp\u003eLegislative Committee, Interim, Group; 11 negatives\u003c/p\u003e","\u003cp\u003eViews from Oglebay Plaza, Traffic Study, Main Campus; 11 negatives\u003c/p\u003e","\u003cp\u003eWoodburn Hall Clock Tower in Snow, Historic Building; 3 negatives\u003c/p\u003e","\u003cp\u003eCoal Research, Insulation Samples, C. McFadden; 16 negatives\u003c/p\u003e","\u003cp\u003eCoal Research, Insulation Samples, C. McFadden; 4 negatives\u003c/p\u003e","\u003cp\u003eJack Porter, Portrait, Development Office; 2 negatives\u003c/p\u003e","\u003cp\u003eFrank Carlonheno, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eBill Haden, Higher Education Administration, Portrait, Educational Fundraising, founding member of WV Promise Schoarship Programs Board of Control, he held positions in Development/Alumni Relations and Public Affairs, 17th President of WV Wesleyan College in 1995; 2 negatives\u003c/p\u003e","\u003cp\u003eSenator Robert C. Byrd Visit - Flyash Based Brick, Harry Heflin; 18 negatives\u003c/p\u003e","\u003cp\u003eTheater Production, \"Who's Afraid of Virginia Woolf\"; 22 negatives\u003c/p\u003e","\u003cp\u003eDrama to Forensic Festival; 15 negatives\u003c/p\u003e","\u003cp\u003eSouthern Conference Awards, Athletic Publicity, Group; 4 negatives\u003c/p\u003e","\u003cp\u003eCentennial Celebration Seal; 2 negatives\u003c/p\u003e","\u003cp\u003eMad Women, Portrait; 20 negatives\u003c/p\u003e","\u003cp\u003eHarold Neely, Portrat; 6 negatives\u003c/p\u003e","\u003cp\u003eFirst Brick Story; 10 negatives\u003c/p\u003e","\u003cp\u003e\"The Mad Woman of Chaillot\", Theater Production; 10 negatives\u003c/p\u003e","\u003cp\u003eHarry Ernst, Director of University Relations, Portrait; 5 negatives\u003c/p\u003e","\u003cp\u003eDan Bond, WVU 100th Anniversary, Group; 4 negatives\u003c/p\u003e","\u003cp\u003eColiseum Architectural Model; 6 negatives\u003c/p\u003e","\u003cp\u003eDr. Harlow, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003ePaul W. DeVore,Professor of Industrial Arts, Portrait, Influential in the establishment of nation's first Department of Technology\u003c/p\u003e","\u003cp\u003eRichard Gardner, Controllers Office, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Art Gallery; 4 negatives\u003c/p\u003e","\u003cp\u003eStudents playing at Mountainlair Game Center; 12 negatives\u003c/p\u003e","\u003cp\u003eAthletic publicity, Carlen's family; Jim Carlen - head coach, 1966-1969, record 25-13-3 (.658). Governor Joe Manchin was a quarter back on his first team. Son: James Carlen, Jr., stepdaughters: Caty, Carol\u003c/p\u003e","\u003cp\u003eWVU Athletic Council Award; Senior Athletic of the Year 1967-1968\u003c/p\u003e","\u003cp\u003eFormerly state park lodge\u003c/p\u003e","\u003cp\u003ePhy. Ed.; 1994 Inducted into the Professional Hall of Fame in the School of Physical Education\u003c/p\u003e","\u003cp\u003eWardensville field day; Hardy Co.; Reymann Memorial Farms\u003c/p\u003e","\u003cp\u003eDean Arents' Office; Dean Chester A. Arents, School of Engineering; group of 3 on left; large group - Arents sitting on right\u003c/p\u003e","\u003cp\u003eStan Romanoski, coach\u003c/p\u003e","\u003cp\u003eEngineering; climatologists\u003c/p\u003e","\u003cp\u003eFirst trumpet - with WVU Orchestra; Trumpet professor and assistant chairman of the school of music at WVU; authored The Trumpeter's Handbook; attended the preparatory department of the Eastman School of Music and graduated with honors.\u003c/p\u003e","\u003cp\u003eDept. of Psychology; Charles D. Corman; Oglebay Hall\u003c/p\u003e","\u003cp\u003eShanbeyer, Luchack, Rhodayal, etc.\u003c/p\u003e","\u003cp\u003eDaniel O'Sullivan; plus campus views\u003c/p\u003e","\u003cp\u003eDr. Porter; Charley\u003c/p\u003e","\u003cp\u003eEngineering Department; Asten\u003c/p\u003e","\u003cp\u003eMary Filler Wiley\u003c/p\u003e","\u003cp\u003eElectrical Engineering?\u003c/p\u003e","\u003cp\u003eTheoretical and applied mechanics; mechanics engineering\u003c/p\u003e","\u003cp\u003eJim Hawkins with girl\u003c/p\u003e","\u003cp\u003eMorgantown Farm\u003c/p\u003e","\u003cp\u003ePharmacy Meeting at Towers\u003c/p\u003e","\u003cp\u003eMrs. Adalene \"Bobbie\" Rae Harlow; elementary teacher; 1912-2004; James G. Harlow (1912-1978)\u003c/p\u003e","\u003cp\u003eEngineering school; Dean Arents - left\u003c/p\u003e","\u003cp\u003eEdmundo Elmore; Pan America Health Union\u003c/p\u003e","\u003cp\u003eGamma Sigma Delta\u003c/p\u003e","\u003cp\u003eLazor; Engineering Department\u003c/p\u003e","\u003cp\u003eDean Arents 2nd from right; PHS, Cincinnati Solid Waste Program\u003c/p\u003e","\u003cp\u003eFor Nick\u003c/p\u003e","\u003cp\u003eAmerican radio reporter, best known for his dramatic report of the Hindenburg Disaster\u003c/p\u003e","\u003cp\u003eLivestock Farm\u003c/p\u003e","\u003cp\u003eW.Va. Department of Mental Health; Pub. at Towers\u003c/p\u003e","\u003cp\u003eDave Tork\u003c/p\u003e","\u003cp\u003eAthletic Department; Richard Poland\u003c/p\u003e","\u003cp\u003eEngineering - Smith; Dean Chester A. Arents - center\u003c/p\u003e","\u003cp\u003eProofs straight to Poland\u003c/p\u003e","\u003cp\u003eL - Darrell V. McGraw, Jr.; M - Walter Beach - Assistant Director of the American Plitical Science Assn. in Washington; R. Dr. David G. Temple - WVU Assistant Professor of Political Science and Project Assistant\u003c/p\u003e","\u003cp\u003eTaught folklore; dulcimer player; collected ballads; Monticola advisor\u003c/p\u003e","\u003cp\u003eCollegium Musicum\u003c/p\u003e","\u003cp\u003eOliveria visit; Engineering Department\u003c/p\u003e","\u003cp\u003eWarren G. Tennant - Groundskeeper; Chinquapin (yellow) oak\u003c/p\u003e","\u003cp\u003eHistory Symposium: Jesse H. Stuart (aug. 8, 1907 - Feb. 17, 1984) - flat top hair, author, writer, Appalachia; unknown - bald guy; Dr. Lewis Hanke (born 1905), Columbia U., historian colonial, Latin America studies\u003c/p\u003e","\u003cp\u003eComedy Manners; Left: Bod Merriam \"Lord Peter Teazle\"; Right: Evy Andrews \"Lady Teazle\"\u003c/p\u003e","\u003cp\u003eRoll 6\u003c/p\u003e","\u003cp\u003ePreston Co, WV; Garrett Co, MD; few remaining Boreal Bogs\u003c/p\u003e","\u003cp\u003eWith Lloyd M. Jones; refund of sales tax from State Tax Commissioner for refund of sales tax inadvertently paid to state of WV on room/meals for athletes in dorms paid from athletic fund\u003c/p\u003e","\u003cp\u003eBenedum Professor of Education, 68-86\u003c/p\u003e","\u003cp\u003eSteel Students Classroom\u003c/p\u003e","\u003cp\u003eProfessor, Dr., Chair, Animal Veterinary Science; AI-VS; B - April 3, 1917, D - August 23, 2001; retired in 1979\u003c/p\u003e","\u003cp\u003eBob Crawford\u003c/p\u003e","\u003cp\u003ePoster for Executive Conference\u003c/p\u003e","\u003cp\u003eBoyle\u003c/p\u003e","\u003cp\u003eBack row - far right; Stan Romanoski, Carl Hatfield\u003c/p\u003e","\u003cp\u003eSports Info Director\u003c/p\u003e","\u003cp\u003eRed Brown\u003c/p\u003e","\u003cp\u003eProfessor of Agriculture\u003c/p\u003e","\u003cp\u003eAgronomist, agriculture, professor of plant soil science\u003c/p\u003e","\u003cp\u003eChair, doctor, professor, horticulture, marigolds, roses\u003c/p\u003e","\u003cp\u003ePlant, physiology, science\u003c/p\u003e","\u003cp\u003eDoctor, plant, science, physiology, agriculture\u003c/p\u003e","\u003cp\u003eDoctor, chair, agriculture\u003c/p\u003e","\u003cp\u003ePhysiology, reproductive, professor, doctor, animal, nutritional, science, Davis College\u003c/p\u003e","\u003cp\u003eDoctor, plant, agriculture, science\u003c/p\u003e","\u003cp\u003eDoctor, plant, science, agriculture\u003c/p\u003e","\u003cp\u003eDoctor, professor, animal, carcass, beef, agriculture\u003c/p\u003e","\u003cp\u003eAgriculture, soil, chemistry\u003c/p\u003e","\u003cp\u003eProfessor, extension, plant, pathologist, entomologist, golden delicious apple\u003c/p\u003e","\u003cp\u003eWoodburn, freshmen, football, field, bleachers, athletics, team\u003c/p\u003e","\u003cp\u003eProfessor, patent examiner, law\u003c/p\u003e","\u003cp\u003eHealth Science lab\u003c/p\u003e","\u003cp\u003eDisplay set up in Mountainlair\u003c/p\u003e","\u003cp\u003eGroup and individual\u003c/p\u003e","\u003cp\u003eJ. Fannucci\u003c/p\u003e","\u003cp\u003eFaculty Dean, Business and Economics; Died Feb. 16, 1998\u003c/p\u003e","\u003cp\u003eWith Donald C. Portnoy, conductor\u003c/p\u003e","\u003cp\u003eDrama, theater, comedy, commedia, masked\u003c/p\u003e","\u003cp\u003eDuncan\u003c/p\u003e","\u003cp\u003eDiving, swimming, coaching; Coached for 30 years, record 290-159-2\u003c/p\u003e","\u003cp\u003eChitwood Hall, Stewart Hall, Martin Hall\u003c/p\u003e","\u003cp\u003eBenjamin Linsky - Professor of Sanitary Engineering (air pollution) and Director of Graduate Air Pollution Control Engineering Training Program.\u003c/p\u003e","\u003cp\u003eContemporary, classical, musical, choir, choral, singer, chamber, instrumental, soloist\u003c/p\u003e","\u003cp\u003eProfessor, art, chair\u003c/p\u003e","\u003cp\u003eCollection, free-form, poem, fictional, town, spoon, river\u003c/p\u003e","\u003cp\u003eDavis College; Professor, reproductive, physiology, agriculture, faculty\u003c/p\u003e","\u003cp\u003eMusicians, trombone, trombonists, musical, drum, chamber\u003c/p\u003e","\u003cp\u003eP. County; L-R Larry Kelly, Harold Taylor, Rex Taylor, Richard Glass, voc. teacher, Allen Colebant\u003c/p\u003e","\u003cp\u003eHenry Clay Furnace; Iron Furnace - Cooper's Rock State Forest. Built between 1834 and 1836\u003c/p\u003e","\u003cp\u003eCollege of Commerce\u003c/p\u003e","\u003cp\u003eNot Bob Brown?\u003c/p\u003e","\u003cp\u003eMusic, chamber, musicians; Philip Faini - faculty, Dean-Emeritus, College of Creative Arts\u003c/p\u003e","\u003cp\u003eDick Smith\u003c/p\u003e","\u003cp\u003eTV tower; motion picture staging\u003c/p\u003e","\u003cp\u003eU.S. Representative from Indiana, Nov. 21, 1894 - Dec. 5, 1984, women's rights\u003c/p\u003e","\u003cp\u003eDevelopmental psychologist, professor, chair, author, editor\u003c/p\u003e","\u003cp\u003eFounded World Music Center, worked in radio, television and with symphony orchestras; dean, educator, administrator, jazz, theory, African, music, percussion, ensemble\u003c/p\u003e","\u003cp\u003eFor engineering brochure\u003c/p\u003e","\u003cp\u003eEng. Elect.; Nelson Smith\u003c/p\u003e","\u003cp\u003eDave Zirz\u003c/p\u003e","\u003cp\u003eNews and Info; Ernst\u003c/p\u003e","\u003cp\u003eLeft, sitting; Doctor, professor, chair, mathematics\u003c/p\u003e","\u003cp\u003eMusic; Washington Trip\u003c/p\u003e","\u003cp\u003eChemistry building architecture; Clark Hall, Annex\u003c/p\u003e","\u003cp\u003eBookstore, WVU plate\u003c/p\u003e","\u003cp\u003eCoach - Stan Romanoski\u003c/p\u003e","\u003cp\u003eDoctor, music professor\u003c/p\u003e","\u003cp\u003eMike Sherwood, football, QB 1968-1970; Robert N. \"Red\" Brown, athletic director\u003c/p\u003e","\u003cp\u003eDick Smith, Dr. Moore\u003c/p\u003e","\u003cp\u003eProfessor of history; Order of Vandalia - June 1, 1964; Chitwood Hall (Science Hall) renamed 1972 in honor of Dr. Chitwood\u003c/p\u003e","\u003cp\u003eChemical engineering, fossil energy research, coal technology, professor; Inductted 4-25-1986 into the Academy of Chemical Engineers\u003c/p\u003e","\u003cp\u003eRuth E. Robinson - bookstore manager, Dr. Harry Heflin - V.P. of Finance, President\u003c/p\u003e","\u003cp\u003eIntimate relationships, human sexuality, social work\u003c/p\u003e","\u003cp\u003eWith crutch - Jerry Stewart, other male?; catalog made\u003c/p\u003e","\u003cp\u003eBasketball coach\u003c/p\u003e","\u003cp\u003e1925-1981; Writer, professor, novelist, magazine founder, poet, editor, critic, teacher\u003c/p\u003e","\u003cp\u003eProfessor of Industrial Engineering\u003c/p\u003e","\u003cp\u003eProfessor of biology, chairman\u003c/p\u003e","\u003cp\u003eFAlconer, bird, red tailed hawk, prey, dog, bull terrier\u003c/p\u003e","\u003cp\u003eAuthor, children's books\u003c/p\u003e","\u003cp\u003eDean, professor of education, college of human resources and education, chair of secondary education\u003c/p\u003e","\u003cp\u003eChair, sociology\u003c/p\u003e","\u003cp\u003eForeign student coordinator, professor of military science\u003c/p\u003e","\u003cp\u003eFashion design lecturer\u003c/p\u003e","\u003cp\u003eBorn 1913, Died 4-27-2008; soprano, opera, voice professor\u003c/p\u003e","\u003cp\u003e1928- Chemical Engineering, fossil energy research, coal technology, professor; inducted 4-25-1986 into the academy of chemical engineers\u003c/p\u003e","\u003cp\u003eDoctor, director of admissions, record; B. Feb. 17, 1916, D. Jan. 2, 2001\u003c/p\u003e","\u003cp\u003eProfessor, agriculture, biochemistry, nutrition\u003c/p\u003e","\u003cp\u003e1867-1875 first president, Methodist minister, educator, pastor, professor, greek; Designed WVU's seal; B. Jan. 24, 1822, D. Dec. 16, 1895\u003c/p\u003e","\u003cp\u003eProfessor, forestry, wildlife management\u003c/p\u003e","\u003cp\u003eDr. Franklin Parker, Betty J. - Forum Festival\u003c/p\u003e","\u003cp\u003eLouis F. Tanner Distinguished Professor of Public Accounting; professor, director, accounting, CPA\u003c/p\u003e","\u003cp\u003eDoctor, director, student, health, service, physician\u003c/p\u003e","\u003cp\u003eDoctor, professor, emeritus, music, horn, theory, viola\u003c/p\u003e","\u003cp\u003eAuthor, social work\u003c/p\u003e","\u003cp\u003eFaculty, English\u003c/p\u003e","\u003cp\u003eHealth Science, physiology, meat animal, USDA\u003c/p\u003e","\u003cp\u003eFaculty, professor, English\u003c/p\u003e","\u003cp\u003eAppalachian Center Area Program Chairman, Parkersburg\u003c/p\u003e","\u003cp\u003eDoctor, researcher, chairman, biology; Oct. 8, 1932-March 18, 2010\u003c/p\u003e","\u003cp\u003eFaculty, professor, doctor, plant physiology, ecology, conservationist\u003c/p\u003e","\u003cp\u003eMonticola advisor, professor, journalism\u003c/p\u003e","\u003cp\u003eB. Mar. 12, 1922, D. Oct. 29, 1989; Professor Emeritus, animal and veterinary sciences, College of Agriculture and Forestry, consumer sciences\u003c/p\u003e","\u003cp\u003eVictorian Age specialist, English Department\u003c/p\u003e","\u003cp\u003eDoctor, psychology, professor, chair, author\u003c/p\u003e","\u003cp\u003eThis series contains an index to the first part of Series 1, boxes 1 to 35 or 36. The index is arranged in alphabetical order by subject and spans from ca. 1964-1987. This listing reproduces the tabs in the index in full; subheadings are represented by a sampling within parentheses.\u003c/p\u003e","\u003cp\u003eThis series includes aerial photographs and accompanying transparencies and negatives of West Virginia University Hospital, Monongalia General Hospital, Morgantown and WVU (Downtown and Evansdale Campuses, the Coliseum, Mountaineer Field), and more. Subjects also include Agriculture Science Building, Allen Hall, Appalachian Center, Bureau of Mines, Coliseum, Construction \u0026amp; Excavation of New Law Center, Creative Arts Center, Downtown Campus, Downtown Morgantown with River, Evansdale Campus, Field House, Forestry Building, I-79 Uffington Interchange, Interstate including Westover Exchange, Law School, Livestock Farm, Medical Center, Mountaineer Field, Mountainlair, Mt. Chateau, New Dairy Facility, Physical Plant, Prospective Stadium Site, PRT, Stadium, Towers, and more.\u003c/p\u003e","\u003cp\u003eThis series of proofs from glass plate negatives were created for an unspecified Bicentennial Celebration project (possibly celebrating the National Bicentennial in 1976). There is an original numbered list of the historic prints (see box 103, folder 1). Subjects include people in safety gear, Mechanical Hall, Students in lab, Commencement Hall, Library Reading Room, Library Administration, Greenhouse construction, Horticulture grounds \u0026amp; building, Woodburn Circle, WVU Campus shots, Agricultural Station, Martin Hall, Oglebay Hall, Science Hall, Stewart Hall, Entomology Room, Dr. J. A. Myers, Students (Elmer Leach, Edith Ice, etc.), Episcopal Hall, Reynolds Hall, Football, E. Moore Hall, Chemistry lab, Presidents House, Falling Run, Armory, Faculty Club House, Astronomy class, Views of Campus from varying vantage points, Drama, Clubs, President John Rhey Thompson, President Thomas E. Hodges, President Frank Butter Trotter, President J. L. Goodknight, Andrew D. Hopkins, A. J. Dadisman, Various faculty (James Stewart, R. A. Armtstong, George T. Brooks, Sam Brown, P. B. Reynolds, Thomas Hodges, etc.), WVU Military Unit, Monongahela River \u0026amp; Seneca Station, and South Park.\u003c/p\u003e","\u003cp\u003eThis series documents WVU campus life and activities. The slides were originally bound in large three ring binders; all slides have the copyright symbol and the word Mellott printed on them. Subjects in this series include agriculture, basketball, Clark Hall, classrooms, convocation, Creative Arts Center, Football, Graduation, Law School, Library, and Woodburn Hall, among other topics.\u003c/p\u003e","\u003cp\u003eThis series includes digital photographs copied to a server from discs (these discs are currently in boxes 113-114); prints of a limited number of the digital photos are available in box 112. Subjects in this series include campus scenes, football, sports, nature, miscellaneous, and duplicate prints.\u003c/p\u003e","\u003cp\u003eThis series consists of proof sheets of images taken between ca. 1965-1999 by the News Service that depict daily life and scenes from both the Downtown WVU Campus and the Evansdale Campus. Subjects include athletics, candid shots, classrooms, construction, group portraits, Morgantown, scenes and views, and WVU. See Contents List for range of project numbers. These project numbers also correspond to the project numbers in Series 1 and 2.\u003c/p\u003e","\u003cp\u003eThis series consists of prints, negatives, slides, transparencies, and correspondence from special projects; many of the images were used in the Alumni Magazine. Subjects found in this series include Baroque Ensemble, Bicentennial House, CAC, Campus Prints, Hillary Clinton, Jay Rockefeller, Shell Building, Transparencies, WVU Extension Services, and more.\u003c/p\u003e","\u003cp\u003eThis series consists of a collection of slides and negatives in 62 small plastic boxes, many of which are unidentified. Subjects include students on campus, special events like races, campus buildings, the Mountaineer mascot, students in science labs, and more.\u003c/p\u003e","\u003cp\u003eThis series consists of slides in sleeves. Many sleeves include project information such as invoice number and photographer. Subjects in this series include athletics, campus life, candid and group shots, construction, Morgantown, and more. See Contents List for a more detailed list of subjects.\u003c/p\u003e","\u003cp\u003eThis series includes prints and negatives on subjects related to WVU history. Subjects in this series include agriculture, boats, Buck Harless, historic Morgantown, historic WVU, Institutional Advancement Flood Relief, Kearneysville Farm, Reymann Farm, Stewart Hall, and more.\u003c/p\u003e","\u003cp\u003eThis series includes 8 x 10 transparencies and prints pertaining to WVU. Subjects include White Hall, WVU Rifle Team, Medical Center pylons, Learned Ladies Play, New River white water rafting, football, WVU campus, and more.\u003c/p\u003e","\u003cp\u003eThis series consists of transparencies arranged alphabetically by subject. Subjects in this series include agriculture, campus buildings, athletics, portraits, and more.\u003c/p\u003e","\u003cp\u003eThis series consists of prints and negatives of WVU faculty portraits and other material.\u003c/p\u003e","\u003cp\u003eThis series consists of miscellaneous negatives and prints and a key to an old filing cabinet.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope 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Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files.","This collection includes 15 series: \nSeries 1. Project Files; ca. 1964-2007; boxes 1-89. \nSeries 2. Index to Project Files; ca. 1964-1987; boxes 90-101b. \nSeries 3. Aerial Prints; ca. 1961-1984; box 102. \nSeries 4. \"Bicentennial Collection\"; ca. 1890-1925; boxes 103-104. \nSeries 5. Slides; ca. 1980-1992; boxes 105-111. \nSeries 6. Digital Photographs; ca. 2000-2005; boxes 112-114. \nSeries 7. Proof Sheets; ca. 1965-1999; boxes 115-117. \nSeries 8. Special Project Files; ca. 1965-2001; boxes 118-120. \nSeries 9. Slides in Boxes; ca. 1990-1998; box 121. \nSeries 10. Slides in Sleeves; 1980-1998; boxes 122-134. \nSeries 11. Subjects; ca. 1950-1992; boxes 135-138. \nSeries 12. Transparencies 8 x 10; undated; box 139. \nSeries 13. Transparencies File; ca. 1970-1985; boxes 140-143. \nSeries 14. WVU Faculty Portrait Prints; 1960-1969; box 144. \nSeries 15. Miscellaneous Material; undated; box 145.","This series includes prints, proofs with negatives, and digital files on discs. Each set of images is identified with a project number.  Projects are divided into two subseries.  Project numbers range from 2 to 10182 in the first subseries and 1-B to 24,549-B/C/DC in the second subseries. Discs start appearing in box 87, project number 21513-DC (2001/07/31). Types of photograph include candid shots, portraits of individuals, group portraits, and facilities.  Subjects include WVU athletics, campus scenes, classrooms, construction, faculty, staff, special events, and more.  See Series 2 description for additional subjects. Series 2 contains an index to the content of boxes 1 through 35 or 36 (ca. 1964-1987).  See Contents List for range of project numbers in each box; please note that not all project numbers are present in the corresponding box.","Kick-Off Banquet, Greater University Drive; Governor Smith; President Paul A. Miller; Governor Smith with sword; 31 negatives","Archery, Physical Education; 9 negatives","5 negatives; professor English (Clyde) portrait; Division of Music; English Department; 5 negatives","Terra-Alta, Biological Study; John L.; 4 negatives","Physical Education, Student Instructors; Pat Tork; 4 negatives","Thomas Manley, \"National Teacher of the Year\"; Bill Criswell; 1 negative","Keith Glancy; B. Criswell; catalogue made; 1 copy negative","Joe Hutchinson; 6 negatives","Physical Education, Laundry Room; Pat Tork; 2 negatives","Mr. Wagner; Education; Dr. Jarecke; 3 negatives","President's House, light fixtures; Jim Reed; 3 negatives","Glenlock Hall, Housing; Shaffer; 3 negatives","Physical Education, Rifle Practice; Pat Tork; 7 negatives","Nelson Smith, Portraits; 4 negatives","Kathy Omari [?], Portrait","Industrial Engineering Conference; Ray Shaffer; 14 negatives","Dan Boggs, Portrait; 2 negatives","Dan Bond, Portrait; 1 negative","Neil E. Bolyard, Portrait; 2 negatives","Gordon R. Thorn, Assistant Director of Student Education Services; Portrait; 2 negatives","Conference on Poverty; George Kirk; 33 negatives","Safety Education; Dr. Yost; 3 negatives","Student Affairs, Student Body; 8 negatives","Jim Watkins; 1 negative","Governor Hulett C. Smith; Democrat; 1965-1969; 3 negatives","Parking Lot; Criswell; 3 negatives","Criswell; Copy; 1 negative","Student Affairs, Staff Meeting; 3 negatives","Camp Dawson; 18 negatives","Athletic Publication- Football, Cheerleaders; 18 negatives","Martha Harris; 4 negatives","Physical Education, Auto Presentation; Dr. Yost; 4 negatives","Student Union, Bid Opening; Criswell; 8 negatives","Education Workshop; Groupe; 2 negatives","Drama Production of \"The Women\"; Boyd; 10 negatives","West Virginia Collection, Library; Shetler; 17 negatives","Cobalt Vault, Engineering; Mr. Boyle; 2 negatives","Mrs. Bachman, Board of Governors; Portrait; 1 negative","Frank (Francisco) Herrera, Professor of Spanish; Foreign Languages; 1 negative","Western Electric Fund Scholarship, Presented to Brian Lautramus; Neil Bolyard; 4 negatives","Conference on Poverty; Kirk; 56 negatives","Betty Boyd, Dean of Women; Potrait; 2 negatives","Computer Center; Drake; 8 negatives","Computer Center, Doctor Drake; 2 negatives","Computer Center, Doctor Drake; 4 negatives","Physical Education, Fencing; Photo by Mrs. Pearse","Athletic Department, Baseball; 4 negatives","Dr. Walter H. Jarecke, Professor of Education, Director of Guidance; 1 negative","Engineering, Slides; Dr. Wren; 23 negatives","Dr. John F. Golay, Provost Professor of History, Dean of Graduate Studies; Passport Photos; 4 negatives","Commencement; 7 negatives","Roy B. Clarkson, Botany, Plant, Biology; Criswell; 1 negative","Snow Scenes of E. Moore Hall, the President's Home, Woodburn Circle; 6 negatives","Department of Inter-Collegiate Athletics, Golf, Tennis; Dave Young; 7 negatives","University High School, Project; 7 negatives","WVU Band, Richmond Game; Music-Udell; 9 negatives","Band Brothers; Criswell; 3 negatives","Social Work, Mrs. Blackburn; 8 negatives","Frank Borkowski, Concert Orchestra Rehearsal; 17 negatives","Professor Perley Isaac Reed, Mountainlair; 12 negatives","Commencement; Don Bond; 13 negatives","Publications; Unknown; 2 negatives","Dave Jacobs, Phillipine Visitors; 4 negatives","Dr. Sarkesian; 8 negatives","WVU Library, Reading Room; 6 negatives","WVU vs. Pittsburgh Game, Football, Band; Pittsburgh- 48 WVU-63; 8 negatives","WVU Band, Homecoming Game; Virginia Tech; 7 negatives","WVU Band, G.W. Game; Music- Udell; Last Game; 3 negatives","Bob Conners; 4 negatives","Dr. James Henning, Chairman of the Department of Speech; 4 negatives","Dr. William H. Mernyk, Economics; Criswell; 1 negative","Red Brown Heart Fund Award; Barrett; 6 negatives","Scholarship, Bolyard; 27 negatives","Health Center; 10 negatives","Physical Lab Display; 2 negatives","Ed Sprague; 4 negatives","Production of \"American Dream\", Drama; Mr. Boyd; 2 negatives","Unknown Subject, Criswell; 7 negatives","Drama Production; Mr. Nels; 6 negatives","Chemistry Building, Annex Plan Drawings; 4 negatives","Biology Department, Photos of Birds; Professor Birch; 8 negatives","Mechanical and Aerospace Engineering; 12 negatives","WVU slides, Television Workshop, Department of Speech; 4 negatives","Red Brown, Athletic Director; 3 negatives","High School Drama Workshop; Sam Boyd; 4 negatives","Social Work Building; 4 negatives","Interior of Arnold Hall; Women studying; 6 negatives","Mary Jane Schuster, Assistant Dean of Women; 2 negatives","Dave Jacobs, Portrait; 1 negative","Dean Ray Duncan; 4 negatives","Drama, Unknown Play; Dr. Burrows; 8 negatives","Drawing of Waitman Barbe by Louise Hennen; English Department; Newspaper Editor; 2 negatives","The Belcastro Trio, Joyce Breach, Music Practice; 24 negatives","Unknown Subject, Dr. Diener; 1 negative","Joyce Breach; 5 negatives","Wrestling, 1965 Winners; 2 negatives","The Belcastro Trio; 4 negatives","Bill Criswell; two negatives","Polywood Charts, Engineering Department; Jim Kent; 12 negatives","Music Practice, Mrs. Lorrence [?]; 11 negatives","Nuclear Reactor, Physics Building; 9 negatives","Dr. Golay, Vice President; 5 negatives","Twin Towers, West Virginia State Seal; 1 negative","Concert Orchestra, Music Department; Borkowski; 4 negatives","Opera Production; 24 negatives","Nuclear Reactor, Physics Building; 5 negatives","Commerce Scholarship; Neil Bolyard; 4 negatives","Scouting Award, President Paul Miller; 4 negatives","Creative Arts Building Model; 3 negatives","Music Department, Woodwinds; Small Group; Frank Borkowski; 5 negatives","Miss Keener, Portrait; 4 negatives","Charles Wise, Board of Governors; 2 negatives","Department of Engineering Slides, Dr. Wen; 20 negatives","Physical Education, Wrestling, Pat Tork; 11 negatives","Music Meeting, Dean Duncan; 40 negatives","Evansdale Campus Residence Hall, Twin Towers; 2 negatives","American Arts Trio, Ruth Landes Drucker, Arno P. Drucker, Assistant Professor of Music; 8 negatives","Dr. Lambert, College of Engineering; 5 negatives","Science Writing; 18 negatives","Dean Richard Duncan, First Dean of the Creative Arts Center; 1 negative","Industrial Engineering, Subject Unknown; 2 negatives","Music Production of the \"Devil and Daniel Webster; 20 negatives","Kappa Delta, Sorority House; 5 negatives","Eisland Hall, Views from in front of music building; 8 negatives","State 4-H camp, Jackson Mills; Dave Johnson Display; Glen Snyder; 9 negatives","Library, Criswell; 3 negatives","Junior Achievement; Jim Watkins; 7 negatives","Robert B. Smawley, Provost Office; 4 negatives","Industrial Engineering; Ray Schaffer; 17 negatives","Dr. Festivus P. Summers; Criswell; 1negative","Criswell; Copies; 2 negatives","Twin Towers, Evansdale; 2 negatives","WVU Band at Camp Dawson, Udell; 11 negatives","Science Writing; 4 negatives","Military First Solo Flight,Cherokee 140; Cullen; 1 negative","Charles Weakley, Chemistry Department; Portrait; 2 negatives","Engineering, Chemical; Mr. Boyle; 9 negatives","Scholarship, Neil Bolyard; 22 negatives","Sam Boyd, Drama department; 8 negatives","Radio and TV slides; Van Camp; 2 negatives","Drama production of \"Don Juan\"; Sam Boyd; 4 negatives","Humanities Conference, Dr. Ikenberry; 9 negatives","Physical Education, Fencing; Mrs. Pearse; 13 negatives","Industrial Engineering, Mr Shaffer; 3 negatives","Foreign Offices, Criswell; 4 negatives","Student Affairs Group; Jim Watkins; St. Committee; 2 negatives","News-Info, Criswell; Copies; 2 negatives","Engineering, Weirton Steel Display; 5 negatives","Ray Shaffer; 3 negatives","Neil Bolyard, Scholarship; 2 negatives","Dr. Kennedy; Reading C; 2 negatives","Main Campus Scene; Old Picture; 2 negatives","Main Campus Air View, Old Picture; Fairchild Aerial surveys, Inc. NYC; 2 negatives","ir View Main Campus, May 6 1960; L.O. Myers; 2 negatives","Students walking around Woodburn Circle; 6 negatives","Industrial Engineering, Shaffer; 3 negatives","Mountainlair; 4 negatives","Intramural Soccer; 2 negatives","The Daily Athenaeum Newsroom; 4 negatives","Medical Center Dental Lab; 4 negatives","Recreation; 2 negatives","Biology Lab; 3 negatives","Agricultural School, Research; 2 negatives","Greek Charity Project, Downtown; 8 negatives","Engineering Building, Air View; 2 negatives","History Department Classroom; 2 negatives","Ogleby Hall; 2 negatives","Evansdale Campus, Air Views; 2 negatives","Professor Harold Cather, Chair of Mechanical Engineering; Portraits; 4 negatives","Civil Engineering Conference; Dr. Schaub; 8 negatives","Telephone Operators, Helen Criss; 3 negatives","Military Ceremony, Major Wade; 11 negatives","President Charles Wise Jr., Board of Governors; Criswell; 2 negatives","Professor Robert Slonneger, Mechanical Engineering; 2 negatives","Margaret Lorince, Professor of Music; 6 negatives","Julian Martin, Groupe; 4 negatives","Aerospace Symposium; Mr. Walters; 7 negatives","Main Campus, Aerial View; 4 negatives","Medical Center, Aerial View; 2 negatives","Forestry Building; 8 negatives","The Women; 4 negatives","Groups-The Women; 9 negatives","Chemistry slides; Tony Winston; 6 negatives","Book slides; Dr. Manning; 3 negatives","Slide copies- Pygmies; 3 negatives","Student Government, Homecoming-Girls; 63 negatives","University Choir, Music Department; 6 negatives","President Miller and Senator Randolph; Pen Presentation; 8 negatives","Engineering Building; Shaffer; 2 negatives","Dr. Hess; 6 negatives","Bill Criswell; 2 negatives","Chemical Engineering, Mr. Bogle; 6 negatives","Chemical Engineering, Mr. Bogle; Udell; 7 negatives","Pep Rally for the WVU vs. Penn State Game, WVU band; Udell; Thuse; 10 negatives","WVU Band; William and Mary Game; Udell; 5 negatives","WVU Band, Citadel Game; Bud Udell; 7 negatives","WVU Band, Pre-season; Bud Udell; 7 negatives","WVU Band, Syracuse Game; Bud Udell; 7 negatives","Welfare Department, Group photo; 17 negatives","James M. Mullendore Senior; 6 negatives","Robert Iden-Nels; University photo; 9 negatives","Evansdale Campus views; Morgantown Ordinance; 8 negatives","Engineering Department, charts and slides; M. Patterson; 13 negatives","Biology Department; slides; 4 negatives","Health Center, Moving; 7 negatives","WVU High School Speech Institution, group photo; 3 negatives","WVU Summer Art Institute, group photo; 4 negatives","American Arts Trio, Pianist Arno Drucker, Violinist Donald Portnoy, Cellist John Engbert; 15 negatives","Joe Moss; 8 negatives","Governor Hulett C. Smith; 11 negatives","Engineering Conference on Appalachia; 25 negatives","Engineering Conference on Appalachia; 14 negatives","International Night, Field House; 12 negatives","Engineering Conference; 4 negatives","Civil Engineering, Professor Fowler; 44 negatives","Civil Engineering, Carter Tork; 12 negatives","Music Concert, Mr. Borkowski; 14 negatives","WVU Band Day, Music Department; Bud Udell; 3 negatives","Operetta, Joe Goltz; 17 negatives","Student Government, Executive Committee; 4 negatives","Dr. Lambert, lab and office; Criswell; 12 negatives","Children's Theater; 12 negatives","Miss Morgantown \"1965\"; 9 negatives","D. Brewer; 9 negatives","WVU Drama Production; Thieves Cornwal; 10 negatives","Dr. Thomas Canning, Music Department; Criswell; 4 negatives","First students at Evansdale Twin Towers; 12 negatives","Musical Group-Brass, R. Sherman; 7 negatives","Glenn Snyder, Group photo; 4 negatives","Frank Carlomagno; Assistant Director of the WVU Foundation; 4 negatives","Engineering Conference, Group photo; 3 negatives","WVU Fine Arts Camp; Group Photo; 6 negatives","Lynn Duncan; 8 negatives","Iden Family photos; 10 negatives","Drama Department, Phillips; 6 negatives","Orchesis \"65\"; 27 negatives","Dr. Patterson; 3 negatives","Morgantown High School, Wrestling team, 1 negative","John Cook; 4 negatives","WV State Wrestling, 7 negatives","Drama Production, \"Lady Precious Stream\"; 10 negatives","Bill Criswell, woodworking; 12 negatives","Student Committee; Legislature; 9 negatives","Engineering, Dr. Carter; 3 negatives","WVU Library, Hess; 15 negatives","WVU Band; 10 negatives","Dr. Stewart, Math Department; 7 negatives","Dr. Yost, Physical Education; 4 negatives","Locusts; 4 negatives","Thomas Luther and Mrs. T.L. Harris, Order of Vandalia, Commencement; Honorary degree; HA Stansbury on right; 6 negatives","News and Info; 5 negatives","WVU Showcase display, \"Student Life on Campus\"; 18 negatives","Development Office, Neil Bolyard; 6 negatives","Mr. Humphry, Chemistry Department, Presidential Award; 5 negatives","AWS; 2 negatives","WVU extension, Forum teachers; 6 negatives","Old Woodburn Hall, before 1900; 3 negatives","Belcastro Trio, State Department; Criswell; 46 negatives","Dr. Kent, portraits; 6 negatives","Julian Martin; 10 negatives","Criswell, Speaker; 1 negative","Old Mechanical Hall II; 2 negatives","Peter Bonays; Criswell; 2 negatives","Forestry Sciences Building; Baker; 4 negatives","Dave Tork, GUD; 4 negatives","Gordon Craig, Speaker; Criswell; 2 negatives","Neil Bolyard, Check presentation; 5 negatives","Development Office, Frank Carlomheno; 5 negatives","Betty Boyd, Dean of Women; 2 negatives","WVU Choir; 4 negatives","WVU Drama production; Burrows; 14 negatives","Music- Summer camp; f. Borkowski; 2 negatives","Art Department, Joe Moss; 25 negatives","Dr. A. Reed; 2 negatives","Economic Education Workshop; Maron Lee; 64 negatives","Woman's Hall, Stalnaker; 15 negatives","Miss McClure, Campus Cover Girl; 6 negatives","Mrs. Roger Sherman, dancing; 8 negatives","Mrs. Roger Sherman, dancing; 24 negatives","Cheerleaders, Physical Education; Bill Criswell; 7 negatives","Cobalt Vault, Forestry building; 9 negatives","Development Office, 99th Anniversary Dinner; 34 negatives","Scholarship Winners 1966, Neil Bolyard; 37 negatives","WVU Drama Production, \"Dark of the Moon\"; Dr. Burrows; 19 negatives","United Fund; 20 negatives","Regional Wrestling Winners; 6 negatives","Portnoy, Music department; 12 negatives","Big Ten Wrestling; 6 negatives","Chamber of Commerce; 3 negatives","Morgantown High School Wrestling, Robert De Antonisser 1964-1988; 12 negatives","Coach Carlin, News Conference; 6 negatives","Oglebay Hall, exteriors; 5 negatives","Office of Physical Planning, copies of master plan; C. Wagner; 2 negatives","Dr. C.C. Patterson, Engineering; 9 negatives","Classroom; 4 negatives","Chi-Omega Sorority; Criswell; 10 negatives","Road signs and radar, Civil Engineering; 24 negatives","Chas Tomas, Physics; 12 negatives","Slides of old photos of Morgantown; Shetler; 32 negatives","Forestry Building entrance; 3 negatives","Criswell, Speaker; 2 negatives","Jerry Andrick; 4 negatives","Criswell, Speaker, Chemistry; 2 negatives","Physical Education group photo; 4 negatives","WVU golfing; 7 negatives","Gary Zinn; 1 negatives","News and Information, St. Patrick's Day; 6 negatives","Orchesis; 39 negatives","Orchesis; 11 negatives","WVU bookstore, Award winners; 3 negatives","Music Preparatory, M. Lorince; 15 negatives","Forestry classroom, Dr. Roch; 2 negatives","Pete Yost; \"All-State\"; 7 negatives","Play Day, Tork; 20 negatives","American Women Surgeons, group photo; 8 negatives","State Future Farmers of America; 85 negatives","La Traviata, WVU Opera production; 21 negatives","Physical Education, group photo; Larry Castle; 6 negatives","WVU Women's Club; 31 negatives","WVU computer music; 4 negatives","Eugene Quarrick; Behavioral Medicine and Psychiatry; 5 negatives","Armand Singer, Professor of Romance Languages; 12 negatives","Miss Sinkford; 15 negatives","Department of Physics; 22 negatives","WVU Women; 34 negatives","Jerry Parmer, Engineering Department; 12 negatives","WVU Band Day, Udell; 2 negatives","Textbook of Wood Technology, book photo; Chemical Engineering; 2 negatives","WVU Library, interior views; 8 negatives","WVU President Paul Ausborn Miller; 7 negatives","Emory Bacon; 10 negatives","Freshman Registration; 24 negatives","Drawings for the Parkersburg Branch; perspective sketch looking toward southwest; 1 negative","Cultural Center; 5 negatives","News and Information; 2 negatives","WVU Centennial Seal, 1867-1967; 1 negative","Slides- men working at the river; Criswell; 4 negatives","Dr. Neisus, in his office reading the Appalachian Review; 2 negatives","Scholarship Presentation, Neil Bolyard; 4 negatives","Athletic Department, Cross Country; 23 negatives","WVU Fine Arts Camp, group photo; 2 negatives","Board of Public Works; 3 negatives","Criswell; 1 negative","Burger Chef; 4 negatives","Charley Hockenberry; 5 negatives","Slides by Professor Linsky; 6 negatives","WVU President Miller, Reception; 8 negatives","Labor Conference, Fred Teller; 11 negatives","Labor Studies, J. MacKensie; 50 negatives","Dean R. S. Dunbar JR.; 2 negatives","Conference on Manpower in Appalachia; Fred Teller; 57 negatives","Slides by Jim Kent; 2 negatives","News and Information, speaker copies; 2 negatives","Pat Tork, passport photos; 2 negatives","Dr. Igor Sarkissian; 12 negatives","Civil Engineering slides, Dr. Schaub; 10 negatives","Jamison, AWS; 4 negatives","WVU Band Day, William and Mary game; Udell; 4 negatives","Ray Shaffer; 4 negatives","Foreign Officers Visit; 5 negatives","Driver Training class, Physical Education; 4 negatives","Dave Tork, portraits; 5 negatives","WVU Band Day, William and Mary game; 3 negatives","Engineering Scholarship; Parmer; 6 negatives","State Future Farmers of America Contest; 86 negatives","\"A Professor Emerges in West Virginia, author Kermit A. Cook; 4 negatives","Dean Campbell; 2 negatives","Greg Myers, WVU Soccer coach; 4 negatives","Foreign Student Committee; 4 negatives","A. Larson; 3 negatives","WVU Cross Country, group photos; 6 negatives","WVU vs. Citadel game; 7 negatives","State High School Cross Country; 7 negatives","WVU musical production of \"Bye Bye Birdie\", Creative Arts Center; 15 negatives","Dr. Robert F. Munn, Provost and Director of Libraries; 2 negatives","Theodora Schubert, first girl student in Forestry; 12 negatives","Engineering slides- Radiation Intensity, Jim Kent; 6 negatives","Bill Criswell; 2 negatives","E. Moore Hall, exterior shot; 1 negative","WVU Law Building, exterior shot; 1 negative","Scholarship Awards for music, Mrs. Inberg; 4 negatives","Orchesis; 14 negatives","Joe Gluck, in his office; 6 negatives","Music Programs, Arno Druker; 9 negatives","William H. McMillion, passport photo; 5 negatives","Student Organization charts, J. Watkins; 15 negatives","Centennial Film copies; 6 negatives","Copies of speakers, Bill Criswell; 2 negatives","Chester A. Arents, Dean of the School of Engineering; 2 negatives","Quint Wilson, Dean of Journalism; 2 negatives","Dr. Ernest Nesius, Dean of the College of Agriculture, Forestry, and Home Economics; 6 negatives","Jerry R. Luh, 1965 All-American Rifle Team portrait; 1 negative","Thomas C. Campbell, Dean of College of Commerce; 4 negatives","WVU Physical Plant Custodial Award presentation; Carol Hose; 7 negatives","WVU Fine Arts Camp, Don Portnoy; 159 negatives","Fine Arts Camp, music camp; 53 negatives","WVU Music Camp; 12 negatives","Captain Cullen, Military Commission; 10 negatives","Greater West Virginia Weekend; 24 negatives","WVU Choir; Dr. Barton; 4 negatives","Evansdale Towers Lounge ; 10 negatives","WVU Band Day, WVU vs. Penn State game; 8 negatives","WVU band at Kentucky game; 8 negatives","WVU President Don Bond, portraits; 3 negatives","Board of Education Grant for drama and cultural education; 132 negatives","Future Farmers of America, University High School chapter; 9 negatives","Dr. Arya; 2 negatives","WVU Link Day; 8 negatives","Mr. Jones, WVU President's assistant; 2 negatives","Julian Martin; 6 negatives","slides, Dr. Moh, 2 negatives","Raphael Bachman, Dean of Pharmacy; 2 negatives","York Junior College students; 6 negatives","copy for news service; 2 negatives","News Service, Dickerson; 2 negatives","Guy Harry Stewart, Professor of Journalism; 13 negatives","Kenneth V. Randolph, Dean of School of Dentistry; 1958-1968; 4 negatives","Snow scenes at WVU; pylons 2; 25 negatives","Ray Duncan, Dean of Physical Education; portraits; 7 negatives","Leo Horacek, Professor Emeritus of Music; 4 negatives","Officers of the A.W.S.; 16 negatives","Roy W. Bahl, Professor of Economics; 4 negatives","WVU Choir; 5 negatives","Richard E. Duncan, Dean of the Creative Arts Center; 6 negatives","Dr. Jay Barton, Chairman of the Biology Department; 6 negatives","George Kirk, Vice President of Finance; 4 negatives","Charles E. Hockenberry, WVU coach; head football coach at WVU Institute of Technology 1947-1948; head baseball coach at WVU 1947; inducted into the WVU Sports Hall of Fame 2005; 1 negative","Joseph Goltz, Director of the WVU Opera Group; First director; 4 negatives","Ben Linsky, Professor of Sanitary Engineering; Department of Civil Engineering; air pollution studies; 5 negatives","Ada Lease, portraits; 5 negatives","Carolyn Reyer, Native American advocate; helped to develop the Native American History and Culture studies program 1991; singer- mezzo-soprano; established the Monongalia Riding for the Handicapped 1986; 8 negatives","Dr. Harry Heflin and Neil Bolyard, presentation of Texaco Scholarship; 5 negatives","Dr. James G. Harlow (right) and Mr. Norton (left) in ROTC office; 3 negatives","Social work group photo; 8 negatives","Dr. Howard Perry Simons; Chemical Engineering; 26 negatives","James A. Kent, Nuclear Engineering; Polywood; 45 negatives","Stanley O. Ikenberry, dean of the College of Human Resources and Education; 9 negatives","Labor Institute at Mont Chateau; 6 negatives","Evansdale Twin Towers, exterior views; 5 negatives","Evansdale Towers, interior view- lobby; 2 negatives","Evansdale Towers, Bennett Tower and Lyon Tower, exterior views; 4 negatives","Evansdale Towers, Dining hall, dorm room; 10 negatives","Evansdale Towers, interior views of the lounge; 8 negatives","Evansdale Towers, exterior shots; 2 negatives","WVU Swimming, Coach Kevin Gilson; publicity shots; 35 negatives","WVU Choir, Joe Golz; 6 negatives","Vice President Hubert Humphrey, visit to WVU; 12 negatives","WVU Physical Education group photo; Quentin Barnette- professor in the WVU School of Physical Education; 4 negatives","WV Collection Story; photo 1- Fairmont ordinance, ad, and invoice; photo 2- Flood April 1, 1913; 4 negatives","WV Collection- Military Story; photo 1- Woodburn Circle; photo 2- cannons between Woodburn Circle and Mountainlair; 4 negatives","Protestors at the WVU Commencement; 12 negatives","WVU Baseball, publicity shots; 57 negatives","WVU Tennis and Golf; 23 negatives","WVa Collection Story, librarians at work; 7 negatives","Mr. Preston Harper; 4 negatives","Ralph Bean in a meeting; 1 negative","Mr. Bray, Board of Governors; 1 negative","Wrestling- Southern Conference Tournament; 2 negatives","Track and Field photos, Stan Romanoski- WVU coach of the men's track and field and cross country teams; 30 negatives","WVU College of Law, exterior shots; 7 negatives","Chemical Engineering Award Presentation; news service; 8 negatives","Civil Engineering, road and billboard signs; 21 negatives","Physical Education- Driver's Education cars; Dr. yost; 11 negatives","Nuclear Facility, Forestry Building; Boyles; 12 negatives","Thomas Gary Kenamondo, news and Information; 2 negatives","Radio and Television productions; 16 negatives","Mr. Graber, WVU Drama Department; portraits; 4 negatives","Engineering slides; joint mechanism of ultrasonic welding; 5 negatives","nature slides, News Service; 6 negatives","Mr. Bates, News-Service; 2 negatives","Super Wood; WVU engineering; experiment; 4 negatives","Engineering and Bio-physics; TAM; 6 negatives","Leo Fishman, Professor of Economics and Finance; 3 negatives","Driver's Education Class; WVU Physical Education; 3 negatives","Union Carbide presentation, Engineering Department; 4 negatives","New York Bond Company; 6 negatives","College of Commerce, Bankers Scholarship presentation; 7 negatives","Bud Udell, WVU Director of Bands at University High School; 7th band director 1963-1969; 7 negatives","Construction of the Creative Arts Center slides; 2 negatives","Ruel Foster, WVU English Department Chair; Benedum Distinguished Professor of American Literature; author of Appalachian literature; tennis coach; Order of Vandalia; 9 negatives","slides of the Annals New York Academy of Sciences; 9 negatives","WVU Engineering slides; 25 negatives","Dr. Dozo and Dr. Olson, visiting vets; 5 negatives","Wes Coppock; News-Service; 1 negative","Margaret Lorince, WVU Director of Preparatory Music; assiatant Chair of Music; Assistant Dean of the CAC; Professor Emerita; 20 negatives","Joe Moss, Kinetic Sculpture; West Virginia Moon; National Endowment for the Arts; 12 negatives","School of Speech Communications, Leonard Davis; 21 negatives","Weirton Story, News-Information; 6 negatives","WVU Nursery School on Campus Drive; children playing; 6 negatives","Engineering slides, Blackshaw; 15 negatives","Mr. Brown, Commerce; 2 negatives","Alumni Giving Incentive Award, Dave Tork; 3 negatives","photos of books by Earl L. Core, cover picture; 2 negatives","WVU Computer Center; 12 negatives","USS West Virginia Mast Plaque; 10 negatives","John Luchak; 2 negatives","WVU Commencement; 27 negatives","WVU Nursery School; 20 negatives","Ernie Jones in his office; 7 negatives","Herman Godes, Pianist; 4 negatives","Dr. Clyde English, Head of Organ Department 1945-1980; 4 negatives","Presbysterian Church Cross; 3 negatives","Mountainlair construction; 10 negatives","Dr. Harry Heflin, Vice President of Finance and Administration; 6 negatives","Parmer, Aero-Space; 5 negatives","WVU Athletic Department picnic; 20 negatives","James Thompson in his lab; 4 negatives","WVU Medical Center, night view; 3 negatives","WVU Medical Center, front closeup; pylons; 2 negatives","WVU Medical Center view from Evansdale Towers; 2 negatives","WVU Varsity Wrestlers; 11 negatives","WVU Varsity Wrestling Team; group photo; 3 negatives","Physical Education Conference, Pete Yost; group photo; 4 negatives","5th Annual WV AFL-CIO Summer Institute at Mont Chateau; group photo; 4 negatives","Julian Martin at WVU graduation; 23 negatives","Percival Hall- Forestry Center, night views; 5 negatives","Mr. Sledge, Student Affairs; 5 negatives","WVU production of \"Carousel\"; Rodgers and Hammerstein; Boyd; 12 negatives","portraits of Honoraries at 1966 WVU Commencement; 6 negatives","WVU Band publicity shots; 12 negatives","Reverend Paine, Episcopalian; Clergy, Church; 7 negatives","Twin Towers complex, drawing; 3 negatives","Colonel Jansen Retirement; 10 negatives","Festival of Ideas, Humphrey, Etc.; 103 negatives","Registration at Field House; 9 negatives","Fine Arts Group; 3 negatives","Frank Carlehemeno; 4 negatives","Sherlocker, Physical Education; 5 negatives","Canning, Music Group; 4 negatives","Milan; 32 negatives","Social Work, Portraits","Drama, \"Kiss Me Kate\"; 11 negatives","Angel Street; 14 negatives","Representative of Ghana; 5 negatives, prints","Danville, Portrait; 4 negatives","Dean Frasure, College of Arts and Sciences, Portrait; 6 negatives","Dr. Thomas Canning with Carolyn Reyer; 2 negatives","Computer Center; 4 negatives","HUD Meeting at Mt. Chateau; Transportation; 12 negatives","Thomas Canning, Portrait; 4 negatives","Dr. William Miernyk, Economics Research, Portrait; 5 negatives","Drama, Merchant of Venice; 9 negatives","Donald Portnoy, Music, at Piano with Violin; 12 negatives","Tennis Action Shots; 8 negatives","Professor Jones, Chair, Electrical Engineering; 12 negatives","Chemistry Award; 2 negatives","Drama; 12 negatives","Creative Arts; 12 negatives","Lorensen, Law School, Portrait; 4 negatives","Dr. Kelly, Vice President, Portrait; 6 negatives","Dr. Halter, Portrait; 5 negatives","Vergil Clark, Head of Physical Plant, Portrait; 6 negatives","President's Home; 12 negatives","Biology, Dr. Chen, Culture Room; 8 negatives","Chemistry, Tony Winston, Labs; 55 negatives","Electrical Engineering; 10 negatives","General Biology, Trees; 7 negatives","Coopers Rock, Gorge Overlook; 17 negatives","Hunter with Dog; Ag-Forestry Bulletin, Roy Thomas, Magazine; 12 negatives","Orchesis, Dance Group; 24 negatives","\"Esso Story\"; President Harlow with Two Other Men; 6 negatives","Canning and Brown, \"Composers\"; 2 negatives","Safety Education Story; 11 negatives","Engineering Project; 12 negatives","Agronotty Awards; 6 negatives","Chemical Engineering, Coal Research; 9 negatives","Men's Swim Team; 23 negatives","Comedy, Lysistrata; 9 negatives","National Merit Scholarship, President Harlow Speaking; 35 negatives","Recreation Department, Senior Citizens; 8 negatives","New Band Uniforms; 3 negatives","Fine Arts Camp; 48 negatives","Opera, The Marriage of Figaro; 23 negatives","Opera, Susannah by Carlisle Floyd; 27 negatives","State Bankers Scholarship; 5 negatives","Airplanes, Cessna Foundation; 24 negatives","Gulf Oil Presentation; 3 negatives","Bruce D. McComas, Portrait; 2 negatives","Dick Bell, Portrait; 4 negatives","Rifle Team; 6 negatives","Music, Phil Faini, Portrait; 2 negatives","00624; Dr. Harlow, Du Pont Presentation; 10 negatives","Soccer Action; 9 negatives","George Weaver, Portrait; 4 negatives","Biology, Cancer Research; 4 negatives","Ernie Jones, Portrait, Earnest L. Jones, Director of Computing Center; 4 negatives","Peggy Staggers, Portrait; 8 negatives","Army, ROTC; 50 negatives","Coach Harrick, Portrait, Baseball, 300 Victory, 11 negatives","Library View; Building, 2 negatives","Colonel Reynolds, Student Affairs, Portrait; 4 negatives","John Luckoks and Majorettes; 9 negatives","Sports, Basketball Group, Athletic Publication; 6 negatives","Clark Wagner, Portrait; 4 negatives","Steering Committee, Homecoming; 4 negatives","Sports, Soccer Squad, Mountaineer Field; 1 negative","Blithe Spirit, Drama, Play; 11 negatives","Dolls House, Drama, Play, Creative Arts Center; 12 negatives","Caesar and Cleopatra, Drama, Play, Bob Silberstein; 20 negatives","The Boys from Syracuse, Drama, Play, Creative Arts Center, Becky Stewart; 10 negatives","YWCA Officers, Cabinet, Becky Stewart; 7 negatives","Board of Governors, Portraits; 12 negatives","Dr. Harry Heflin, V.P. of Finance and Administration, Portrait, served as 18th President in 1981; 8 negatives","Jim Watkins, Assistant Dean of Student Educational Services, Portrait; 4 negatives","Alumni Day at Law School; 8 negatives","Dr. Chas Norman, Lab, Biology; 12 negatives","Jim Watkins in Office; 12 negatives","Sara Ruth Meek, Portrait; 6 negatives","Freshman Orientation; 19 negatives","Freshman Orientation; 20 negatives","Freshman Orientation; 10 negatives","Freshman Orientation; 24 negatives","High School Speech Institute; 22 negatives","Helicopter in Mont Chateau; 14 negatives","Board of Governors; 3 negatives","Forestry Display, Laskin; 14 negatives","Student Affairs; 10 negatives","African Statues from Twin Towers, Betty Bogel; 16 negatives","Science Camp; 12 negatives","Leonard Davis, Slides from Old Pictures of Weston Hospital for Insane; 13 negatives","AWS Officers, Portraits; 21 negatives","Oak Tree; 4 negatives","Carol Watson; 7 negatives","Small Maple Tree; 4 negatives","Slides for Mechanical Engineering, Entropy; 25 negatives","Fine Arts Camp. Group; 1 negative","High School Journalism; 32 negatives","Safety Education Class; 3 negatives","Transportaion; 22 negatives","Medical Center, Heating Plant; 6 negatives","Freshman Guides; 17 negatives","John Brisbow, Assistant Director of Admissions; 12 negatives","Civil Engineering Conference; 26 negatives","Dr. Emory L. Kemp, Chair of Civil Engineering, Portrait, Emeritus Director of the Institute for the History of Technology \u0026 Industrial Archaelogy in the WVU Eberly College of Arts and Sciences, Recognized for both Researching and preserving historical industrial sites around the county and overseas; 4 negatives","Cross Country, Coach and Captain in Action, Sports; 12 negative","Girl with Rifle; 2 negatives","Merchant of Venice, Drama, Publicity; 7 negatives","Urban Mass Transit, Vestibule; 18 negatives","Satellite Copies; 2 negatives","WVU Parkersburg Branch, Drawing; 1 negative","Credit Union, Group; 3 negatives","Housing and Urban Development; 7 negativs","John R. Mackenzi, Director of Education, Portrait; 4 negatives","James H. Schaub, Professor of Civil Engineering, Portrait;4 negatives","Harold J. Shamberger, Assistant to President, Portrait; 6 negatives","00688; Judy Shoup, Miss WVU, Portrait, 1969 Miss WV as Kappa Kappa Gamma, Wheeling Symphony Member; 2 negatives","Wrestling Athletes and Dan Killen, Director of Social Service Med.Center, Brown, Jim Stevens ; 17 negatives","Cross Country Team, Group; 2 negatives","Agricultural Farm Grass, grass shots for Jung; 17 negatives","Grass, grass shots; 12 negatives","Agricultural Farm Grass, grass shots for Dr. Jung; 12 negatives","Grass, grass shots for Dr. Jung, 5 negatives","Agricultural Farm Grass, grass shots for Dr. Jung; 7 negatives","Bug Shots for C. K. Dorsey, Insects; 8 negatives","New Engineering Building; 4 negatives","Conference; 12 negatives","Robert L. Iden, Manager of Printing Services, Portrait; 3 negatives","Red Brown, Steve Harrick, Presentation; 7 negatives","Mullenax, Interview, New Zealand; 9 negatives","John Goodwin, Commerce, Portrait; 5 negatives","Gymnastics; 22 negatives","Gymnastics; 16 negatives","Clifford W. Brown, Portrait, 1912-1988, Portrait, Marching Band Director in 1942, Retired in 1974 as Assistant Dean of Creative Arts Center, His daughter, Susan, is the wife of former WVU President, David Hardesty; 6 negatives","John Clarkson, Art; 9 negatives","Seigle Wayne Cox, Vocational Agriculture, Hundred High School, Portrait; 4 negatives","Dick Detombe, Assistant Track Coach, Portrait; 4 negatives","Dr. Stacy Barton, ETV; 12 negatives","Jerome Fanucci, Chairman of Department of Aerospace Engineering, Portrait; 4 negatives","Dr. Hefflin, 18th President; 20 negatives","Dr. James G. Harlow, Portrait; 10 negatives","Paul W. Hamelman, Professor of Management, College of Commerce, Portrait; 10 negatives","Information Booth, Structure; 6 negatives","University Singers, Group; 3 negatives","Strings Band Practice, Music Department; 22 negatives","Music Scholarship Award; 4 negatives","Scenes from John Gay's \"The Begger's Opera\", Creative Arts Center, Division of Music, 25 negatives","Lecture by Harold B. Bachman, Director of Bands, Emeritus, University of Florida; 6 negatives","Morgantown Woman's Music Club Scholarship, Group; 5 negatives","James Mullendore, Student Body President, 1968-1969, Portrait; 4 negatives","William H. Miernyk, Director of Regional Research Institute, Order of Vandalia, Claude Worthington Benedum Professor of Economics, Professor Emeritus, Director Emeritus of the RRI, Author; 21 negatives","William H. Miernyk; 12 negatives","George Nocito, Professor of Art, Chair of Art Department, Portrait; 6 negatives","News and Info; 2 negatives","News and Info, Group; 2 negatives","News and Info; 6 negatives","News and Info, Richard Bernard, Arthur Hofstetler with Glasses, Portrait; 3 negatives","Paul Selby, Dean of College of Law; 6 negatives","Dr. Roman J. Verhaalen, Dean of Kanawha Valley Graduate Center, Portrait","Rabbi Herbert J. Wilner, Hillel Foundation, Portrait; 6 negatives","Rabbi Herbert J. Wilner, Hillel Foundation;","Budd Udell with Band; 11 negatives","Dale Evans, Athletic Publicity, Quarterback Signing, Football; 10 negatives","Band Photos, French Horn; 12 negatives","Marching Band Formations; 25 negatives","Band Day; 5 negatives","Scott Stringham Conducting; 12 negatives","Percussion Ensemble, School of Music; 1 negative","Homcoming Queen, Sally Sotak of Beckley, Shelley Pointexter of Nitro, Jeannie Erwin of Dunbar, Mary Kay Staggers of Keyser; 2 negatives","Homecoming Queen Candidates with Centennial Seal, Sally Sotak, Shelley Pointexter of Nitro, Mary Kay Staggers of Keyser, Jeanne Erwin of Dunbar; 4 negatives","Homecoming Queen Candidate at the Health Sciences Center Pylons; 3 negatives","Homecoming Queen Candidate in front of Elizabeth Moore Hall; 3 negatives","00748; Homecoming Queen Candidate with Oglebay Hall in the background Hall; 2 negatives","Homecoming Princess, Headshots; 8 negatives","Gold Diggers, Weekend Candidates, Portrait; 23 negatives","Bill Bonsall, Gymnastics Coach, led WVU to 3 southern conference championships, ranked at 5th place in 1963, represented U.S. in 1948 Olympics in London, the gymnastics team was elevated to varsity team in 1952 under him; 4 negatives","Kevin Gilson, Men's and Women's Swimming Coach, Anatomy and Physiology, Portrait; 4 negatives","Coach SFC Joe Gravens, Jr.; 4 negatives","Pat Hamilton, Board of Governors; 6 negatives","D. Hercules, Headshot; 1 negative","Dr. William Morris, Portrait","George Nedeff, Wresting Coach, 1996 WVU Presidential Safety Award, National Wresting Hall of Fame, Father G.N. of SOLT with \"Outstanding American\" Award, Class of 2008; 3 negatives","George Smyth, Planning Architect, Portrait; 4 negatives","John Stewart, Soccer Coach, Portrait; 4 negatives","Greg Van Camp, Director, General Manager of WWVU-TV, Professor or Radio and TV, Portrait; 4 negatives","Radio-TV Control Room; 5 negatives","Historical Buidings, Woodburn Female Seminary established in1815, Monongalia Academy established in November 1814; 2 negatives","News and Info, Sewage Treatment; 11 negatives","News and Info, Child Plays-Story for John Reach at Med Center; 8 negatives","Office of Publications; 6 negatives","Office of Publications, John Luchor; 16 negatives","Mountainlair Information Desk and Lounge; 7 negatives","Radio Drama by Dylan Thomas \"Under Milk Wood\" by  at Med Center Auditorium; 8 negatives","Kappa Kappa Psi, Music Honorary, Group; 2 negatives","Freshman Football Team in front of Martin Hall, Group, Historical Building; 4 negatives","Thermomister Temperature Measuring Device; 2 negatives","Seintillation Device; 7 negatives","Drama \"The Entertainers\"; 19 negatives","Mountainlair Interior; 23 negatives","Mountainlair Interior; 4 negatives","Bell from USS West Virginia; 7 negatives","President's Summer Home; 2 negatives","Drama \"The Merchant of Venice\"; 12 negatives","Light Art; 9 negatives","Snow Around Campus, Historic Buildings; 34 negatives","New Buildings around Campus; 14 negatives","Theater; 1 negative","Theater Interior, Creative Arts; 1 negative","R.O.T.C.; 39 negatives","Homecoming Queen, Sally Sotak, Portrait","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Band Day; 24 negatives","Heart Valve Story, Engineering; 15 negatives","Heart Story, Med Center; 6 negatives","Colonel Charles G. Ives, Chairman of Military Science, Portrait; 5 negatives","Engineering Scholarship, Union Carbide; 4 negatives","Bird Story; 1 negative","Woodburn Circle, Traffic Pattern; 8 negatives","Freshmen Basket Ball Team, Sports, Group; 4 negatives","Art Department; 6 negatives","Orchesis, Student Dance Group; 9 negatives","University Choir, Group; 7 negatives","Civil Engineering Students; 40 negatives","Creative Arts Center, Building; 1 negative","Creative Arts Center, Building; 8 negatives","Amrerican Arts Trio, Music, Group; 12 negatives","Baroque Ensemble, Music, Group; 2 negatives","Fine and Lively Arts Committee, Group; 7 negatives","Dr. Harry Bruce Heflin in Formal Group, Group, 18th President; 4 negatives","Baker and Coombs Windows; 13 negatives","Dr. Maurice Brokks, Biology and Forestry Professor, Wildlife Management, Natural History, Ornithologist, West Virginian of the Year, Conservationist; 18 negatives","Theater Interiors, Creative Arts Story; 11 negatives","WVU Library; 14 negatives","WVU Library; 5 negatives","View of Med Center from Pierpont Hall; 2 negatives","Armstrong Hall, Building; 4 negatives","Med Center, Pylons; 19 negatives","Student Union Building, Mountainlair; 4 negatives","Mountainlair Construction; 4 negatives","Mountainlair Construction; 4 negatives","Mountainlair Construction; 3 negatives","Oglebay Hall, Historic Building; 7 negatives","Summit Hall, Building; 4 negatives","IBM Computer Installation, Publication Office; 2 negatives","IBM Typesetting in Printing Composing Room;","Transatlantic Debators; 7 negatives","Professor Moody E. Prior, Portrait, born 1901 in Fatsa Turkey, died Oct. 25 1996, Prof. Emeritus of English at Northwestern U., authority on Shakespeare, awarded Northweatern University Alumni Medal - highest honor given to Northwestern graduates; 1 negative","Mr. Harry Ernst, Director of University Relations, Portrait; 2 negatives","WVU TV Tower Site; 6 negatives","Joe Leonard, Director of Coal Research Bureau at WVU, Portrait; 4 negatives","Engineering - Super Wood; 9 negatives","Highschool Wrestling Tournament; 10 negatives","Variety Show at Towers; 22 negatives","Variety Show at Towers; 17 negatives","Physical Education, Archery Class; 9 negatives","Engineering - Space Craft Diagrams; 6 negatives","Commencement Honoraries, Portrait; 12 negatives","State Science Fair; 12 negatives","International Night; 5 negatives","Ash Brick Pilot Plant; 4 negatives","Norm Parsons, Intramural Director; 4 negatives","WVU Choir Album Cover \"Songs of West Virginia\"; 2 negatives","16 mm Movie Camera used on copy work, Radio and TV; 9 negatives","Drama Publicity Photos; 3 negatives","Tom Gulli Ford, Swimming, Portrait; 4 negatives","Bill Martin, Dance; 5 negatives","Engineering Slides for Dr. Moore; 14 negatives","Civil Engineering Asphalt Research; 25 negatives","Widebusch Family, Group; 7 negatives","Orchesis, Student Dance Group;  12 negatives","Don Knotts, Group; 1 negative","National Science Foundation Grants; 11 negatives","W. Va. Collection, Library, Homecoming; 32 negatives","Budd Udell Conducting, WVU Marching Band Director, 7th Director 1965-69, d.o.d. Feb. 4 2006, Group; 12 negatives","Orchesis, WVU Student Dance Group; 35 negatives","Bob Iden, Managerof Printing Services; 12 negatives","Oglebay Hall with Mast, Historic Building; 5 negatives","Elizabeth Moore Hall, Historic Building; 8 negatives","Jeff Warren; Portrait; 4 negatives","Charles Peter Yost; Dean of Physical Education, Portrait; 3 negatives","Computer Center; 27 negatives","Aerial Photos of Med Center and Mountainlair; 8 negatives","Aerial Photos of Towers, Pierpont Hall and Mountainlair; 5 negatives","Med Center; 3 negatives","Creative Arts Center; 6 negatives","Stewart Hall, Historic Building; 2 negatives","Agricultural Science Buiding; 4 negatives","Coliseum; 2 negatives","Evansdale Campus, Towers, Med Center; 7 negatives","Mont Chateau Lodge, opened June 7 1958, WVU Geological and Economic Survey; 4 negatives","Mountainlair Night View; 3 negatives","Library Walk; 4 negatives","Library Exterior View; 8 negatives","View of Woodburn Circle from Oblebay Plaza; 3 negatives","Woodburn Circle; 2 negatives","Jazz Band; 4 negatives","WVU Band, Group; 16 negatives","Dave Shamberger, Portrait; 8 negatives","Agriculture, Dr. O.J. Burger (standing), Martin Piriber (speaker); 9 negatives","Hubert H. Humphrey Speaking at WVU Centennial Celebration, Vice President, 100th Anniversary Event; 3 negatives","Jeff Davis, Portrait; 6 negatives","Commencement; 2 negatives","Commencement, Senator Jennings Randolph, Senator Robert C. Byrd, Acting WVU President Harry B. Heflin, Irvin Stewart, the Order of Vandalia; 37 negatives","Scenes from \"West Side Story\", Theater Production; 23 negatives","Scenes from \"West Side Story\", Theater Production; 16 negatives","\"The Maids and Deathwatch\", Theater Production; 9 negatives","Med Center, News and Info;","Engineering Department, Professor Jones, Group; 2 negatives","Mountaineer Spirit, Female Portrait; 6 negatives","Ash Brick Pilot Plant; 4 negatives","Future Farmers of America; 93 negatives","Louise Keener, Portrait","Fine Arts Camp, Music; 4 negatives","Chemical Engineering Slides, Dr. Jones; 6 negatives","International Program, Group; 8 negatives","Legislative Committee, Interim, Group; 11 negatives","Views from Oglebay Plaza, Traffic Study, Main Campus; 11 negatives","Woodburn Hall Clock Tower in Snow, Historic Building; 3 negatives","Coal Research, Insulation Samples, C. McFadden; 16 negatives","Coal Research, Insulation Samples, C. McFadden; 4 negatives","Jack Porter, Portrait, Development Office; 2 negatives","Frank Carlonheno, Portrait; 4 negatives","Bill Haden, Higher Education Administration, Portrait, Educational Fundraising, founding member of WV Promise Schoarship Programs Board of Control, he held positions in Development/Alumni Relations and Public Affairs, 17th President of WV Wesleyan College in 1995; 2 negatives","Senator Robert C. Byrd Visit - Flyash Based Brick, Harry Heflin; 18 negatives","Theater Production, \"Who's Afraid of Virginia Woolf\"; 22 negatives","Drama to Forensic Festival; 15 negatives","Southern Conference Awards, Athletic Publicity, Group; 4 negatives","Centennial Celebration Seal; 2 negatives","Mad Women, Portrait; 20 negatives","Harold Neely, Portrat; 6 negatives","First Brick Story; 10 negatives","\"The Mad Woman of Chaillot\", Theater Production; 10 negatives","Harry Ernst, Director of University Relations, Portrait; 5 negatives","Dan Bond, WVU 100th Anniversary, Group; 4 negatives","Coliseum Architectural Model; 6 negatives","Dr. Harlow, Portrait; 4 negatives","Paul W. DeVore,Professor of Industrial Arts, Portrait, Influential in the establishment of nation's first Department of Technology","Richard Gardner, Controllers Office, Portrait; 4 negatives","Mountainlair Art Gallery; 4 negatives","Students playing at Mountainlair Game Center; 12 negatives","Athletic publicity, Carlen's family; Jim Carlen - head coach, 1966-1969, record 25-13-3 (.658). Governor Joe Manchin was a quarter back on his first team. Son: James Carlen, Jr., stepdaughters: Caty, Carol","WVU Athletic Council Award; Senior Athletic of the Year 1967-1968","Formerly state park lodge","Phy. Ed.; 1994 Inducted into the Professional Hall of Fame in the School of Physical Education","Wardensville field day; Hardy Co.; Reymann Memorial Farms","Dean Arents' Office; Dean Chester A. Arents, School of Engineering; group of 3 on left; large group - Arents sitting on right","Stan Romanoski, coach","Engineering; climatologists","First trumpet - with WVU Orchestra; Trumpet professor and assistant chairman of the school of music at WVU; authored The Trumpeter's Handbook; attended the preparatory department of the Eastman School of Music and graduated with honors.","Dept. of Psychology; Charles D. Corman; Oglebay Hall","Shanbeyer, Luchack, Rhodayal, etc.","Daniel O'Sullivan; plus campus views","Dr. Porter; Charley","Engineering Department; Asten","Mary Filler Wiley","Electrical Engineering?","Theoretical and applied mechanics; mechanics engineering","Jim Hawkins with girl","Morgantown Farm","Pharmacy Meeting at Towers","Mrs. Adalene \"Bobbie\" Rae Harlow; elementary teacher; 1912-2004; James G. Harlow (1912-1978)","Engineering school; Dean Arents - left","Edmundo Elmore; Pan America Health Union","Gamma Sigma Delta","Lazor; Engineering Department","Dean Arents 2nd from right; PHS, Cincinnati Solid Waste Program","For Nick","American radio reporter, best known for his dramatic report of the Hindenburg Disaster","Livestock Farm","W.Va. Department of Mental Health; Pub. at Towers","Dave Tork","Athletic Department; Richard Poland","Engineering - Smith; Dean Chester A. Arents - center","Proofs straight to Poland","L - Darrell V. McGraw, Jr.; M - Walter Beach - Assistant Director of the American Plitical Science Assn. in Washington; R. Dr. David G. Temple - WVU Assistant Professor of Political Science and Project Assistant","Taught folklore; dulcimer player; collected ballads; Monticola advisor","Collegium Musicum","Oliveria visit; Engineering Department","Warren G. Tennant - Groundskeeper; Chinquapin (yellow) oak","History Symposium: Jesse H. Stuart (aug. 8, 1907 - Feb. 17, 1984) - flat top hair, author, writer, Appalachia; unknown - bald guy; Dr. Lewis Hanke (born 1905), Columbia U., historian colonial, Latin America studies","Comedy Manners; Left: Bod Merriam \"Lord Peter Teazle\"; Right: Evy Andrews \"Lady Teazle\"","Roll 6","Preston Co, WV; Garrett Co, MD; few remaining Boreal Bogs","With Lloyd M. Jones; refund of sales tax from State Tax Commissioner for refund of sales tax inadvertently paid to state of WV on room/meals for athletes in dorms paid from athletic fund","Benedum Professor of Education, 68-86","Steel Students Classroom","Professor, Dr., Chair, Animal Veterinary Science; AI-VS; B - April 3, 1917, D - August 23, 2001; retired in 1979","Bob Crawford","Poster for Executive Conference","Boyle","Back row - far right; Stan Romanoski, Carl Hatfield","Sports Info Director","Red Brown","Professor of Agriculture","Agronomist, agriculture, professor of plant soil science","Chair, doctor, professor, horticulture, marigolds, roses","Plant, physiology, science","Doctor, plant, science, physiology, agriculture","Doctor, chair, agriculture","Physiology, reproductive, professor, doctor, animal, nutritional, science, Davis College","Doctor, plant, agriculture, science","Doctor, plant, science, agriculture","Doctor, professor, animal, carcass, beef, agriculture","Agriculture, soil, chemistry","Professor, extension, plant, pathologist, entomologist, golden delicious apple","Woodburn, freshmen, football, field, bleachers, athletics, team","Professor, patent examiner, law","Health Science lab","Display set up in Mountainlair","Group and individual","J. Fannucci","Faculty Dean, Business and Economics; Died Feb. 16, 1998","With Donald C. Portnoy, conductor","Drama, theater, comedy, commedia, masked","Duncan","Diving, swimming, coaching; Coached for 30 years, record 290-159-2","Chitwood Hall, Stewart Hall, Martin Hall","Benjamin Linsky - Professor of Sanitary Engineering (air pollution) and Director of Graduate Air Pollution Control Engineering Training Program.","Contemporary, classical, musical, choir, choral, singer, chamber, instrumental, soloist","Professor, art, chair","Collection, free-form, poem, fictional, town, spoon, river","Davis College; Professor, reproductive, physiology, agriculture, faculty","Musicians, trombone, trombonists, musical, drum, chamber","P. County; L-R Larry Kelly, Harold Taylor, Rex Taylor, Richard Glass, voc. teacher, Allen Colebant","Henry Clay Furnace; Iron Furnace - Cooper's Rock State Forest. Built between 1834 and 1836","College of Commerce","Not Bob Brown?","Music, chamber, musicians; Philip Faini - faculty, Dean-Emeritus, College of Creative Arts","Dick Smith","TV tower; motion picture staging","U.S. Representative from Indiana, Nov. 21, 1894 - Dec. 5, 1984, women's rights","Developmental psychologist, professor, chair, author, editor","Founded World Music Center, worked in radio, television and with symphony orchestras; dean, educator, administrator, jazz, theory, African, music, percussion, ensemble","For engineering brochure","Eng. Elect.; Nelson Smith","Dave Zirz","News and Info; Ernst","Left, sitting; Doctor, professor, chair, mathematics","Music; Washington Trip","Chemistry building architecture; Clark Hall, Annex","Bookstore, WVU plate","Coach - Stan Romanoski","Doctor, music professor","Mike Sherwood, football, QB 1968-1970; Robert N. \"Red\" Brown, athletic director","Dick Smith, Dr. Moore","Professor of history; Order of Vandalia - June 1, 1964; Chitwood Hall (Science Hall) renamed 1972 in honor of Dr. Chitwood","Chemical engineering, fossil energy research, coal technology, professor; Inductted 4-25-1986 into the Academy of Chemical Engineers","Ruth E. Robinson - bookstore manager, Dr. Harry Heflin - V.P. of Finance, President","Intimate relationships, human sexuality, social work","With crutch - Jerry Stewart, other male?; catalog made","Basketball coach","1925-1981; Writer, professor, novelist, magazine founder, poet, editor, critic, teacher","Professor of Industrial Engineering","Professor of biology, chairman","FAlconer, bird, red tailed hawk, prey, dog, bull terrier","Author, children's books","Dean, professor of education, college of human resources and education, chair of secondary education","Chair, sociology","Foreign student coordinator, professor of military science","Fashion design lecturer","Born 1913, Died 4-27-2008; soprano, opera, voice professor","1928- Chemical Engineering, fossil energy research, coal technology, professor; inducted 4-25-1986 into the academy of chemical engineers","Doctor, director of admissions, record; B. Feb. 17, 1916, D. Jan. 2, 2001","Professor, agriculture, biochemistry, nutrition","1867-1875 first president, Methodist minister, educator, pastor, professor, greek; Designed WVU's seal; B. Jan. 24, 1822, D. Dec. 16, 1895","Professor, forestry, wildlife management","Dr. Franklin Parker, Betty J. - Forum Festival","Louis F. Tanner Distinguished Professor of Public Accounting; professor, director, accounting, CPA","Doctor, director, student, health, service, physician","Doctor, professor, emeritus, music, horn, theory, viola","Author, social work","Faculty, English","Health Science, physiology, meat animal, USDA","Faculty, professor, English","Appalachian Center Area Program Chairman, Parkersburg","Doctor, researcher, chairman, biology; Oct. 8, 1932-March 18, 2010","Faculty, professor, doctor, plant physiology, ecology, conservationist","Monticola advisor, professor, journalism","B. Mar. 12, 1922, D. Oct. 29, 1989; Professor Emeritus, animal and veterinary sciences, College of Agriculture and Forestry, consumer sciences","Victorian Age specialist, English Department","Doctor, psychology, professor, chair, author","This series contains an index to the first part of Series 1, boxes 1 to 35 or 36. The index is arranged in alphabetical order by subject and spans from ca. 1964-1987. This listing reproduces the tabs in the index in full; subheadings are represented by a sampling within parentheses.","This series includes aerial photographs and accompanying transparencies and negatives of West Virginia University Hospital, Monongalia General Hospital, Morgantown and WVU (Downtown and Evansdale Campuses, the Coliseum, Mountaineer Field), and more. Subjects also include Agriculture Science Building, Allen Hall, Appalachian Center, Bureau of Mines, Coliseum, Construction \u0026 Excavation of New Law Center, Creative Arts Center, Downtown Campus, Downtown Morgantown with River, Evansdale Campus, Field House, Forestry Building, I-79 Uffington Interchange, Interstate including Westover Exchange, Law School, Livestock Farm, Medical Center, Mountaineer Field, Mountainlair, Mt. Chateau, New Dairy Facility, Physical Plant, Prospective Stadium Site, PRT, Stadium, Towers, and more.","This series of proofs from glass plate negatives were created for an unspecified Bicentennial Celebration project (possibly celebrating the National Bicentennial in 1976). There is an original numbered list of the historic prints (see box 103, folder 1). Subjects include people in safety gear, Mechanical Hall, Students in lab, Commencement Hall, Library Reading Room, Library Administration, Greenhouse construction, Horticulture grounds \u0026 building, Woodburn Circle, WVU Campus shots, Agricultural Station, Martin Hall, Oglebay Hall, Science Hall, Stewart Hall, Entomology Room, Dr. J. A. Myers, Students (Elmer Leach, Edith Ice, etc.), Episcopal Hall, Reynolds Hall, Football, E. Moore Hall, Chemistry lab, Presidents House, Falling Run, Armory, Faculty Club House, Astronomy class, Views of Campus from varying vantage points, Drama, Clubs, President John Rhey Thompson, President Thomas E. Hodges, President Frank Butter Trotter, President J. L. Goodknight, Andrew D. Hopkins, A. J. Dadisman, Various faculty (James Stewart, R. A. Armtstong, George T. Brooks, Sam Brown, P. B. Reynolds, Thomas Hodges, etc.), WVU Military Unit, Monongahela River \u0026 Seneca Station, and South Park.","This series documents WVU campus life and activities. The slides were originally bound in large three ring binders; all slides have the copyright symbol and the word Mellott printed on them. Subjects in this series include agriculture, basketball, Clark Hall, classrooms, convocation, Creative Arts Center, Football, Graduation, Law School, Library, and Woodburn Hall, among other topics.","This series includes digital photographs copied to a server from discs (these discs are currently in boxes 113-114); prints of a limited number of the digital photos are available in box 112. Subjects in this series include campus scenes, football, sports, nature, miscellaneous, and duplicate prints.","This series consists of proof sheets of images taken between ca. 1965-1999 by the News Service that depict daily life and scenes from both the Downtown WVU Campus and the Evansdale Campus. Subjects include athletics, candid shots, classrooms, construction, group portraits, Morgantown, scenes and views, and WVU. See Contents List for range of project numbers. These project numbers also correspond to the project numbers in Series 1 and 2.","This series consists of prints, negatives, slides, transparencies, and correspondence from special projects; many of the images were used in the Alumni Magazine. Subjects found in this series include Baroque Ensemble, Bicentennial House, CAC, Campus Prints, Hillary Clinton, Jay Rockefeller, Shell Building, Transparencies, WVU Extension Services, and more.","This series consists of a collection of slides and negatives in 62 small plastic boxes, many of which are unidentified. Subjects include students on campus, special events like races, campus buildings, the Mountaineer mascot, students in science labs, and more.","This series consists of slides in sleeves. Many sleeves include project information such as invoice number and photographer. Subjects in this series include athletics, campus life, candid and group shots, construction, Morgantown, and more. See Contents List for a more detailed list of subjects.","This series includes prints and negatives on subjects related to WVU history. Subjects in this series include agriculture, boats, Buck Harless, historic Morgantown, historic WVU, Institutional Advancement Flood Relief, Kearneysville Farm, Reymann Farm, Stewart Hall, and more.","This series includes 8 x 10 transparencies and prints pertaining to WVU. Subjects include White Hall, WVU Rifle Team, Medical Center pylons, Learned Ladies Play, New River white water rafting, football, WVU campus, and more.","This series consists of transparencies arranged alphabetically by subject. Subjects in this series include agriculture, campus buildings, athletics, portraits, and more.","This series consists of prints and negatives of WVU faculty portraits and other material.","This series consists of miscellaneous negatives and prints and a key to an old filing cabinet."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4c205e75f30f8dced54f886847d78102\"\u003ePhotographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files. See Scope and Content note for more information.\u003c/abstract\u003e"],"abstract_tesim":["Photographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files. See Scope and Content note for more information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_30f75846d7e5acc21eafe687d4c0ed84\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["West Virginia University","West Virginia University--Faculty."],"names_ssim":["West Virginia and Regional History Center","West Virginia University","West Virginia University--Faculty."],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University","West Virginia University--Faculty."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1776,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:56:00.432Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3918_c08_c09"}},{"id":"wvmturhc_repositories_2_resources_3918_c08_c10","type":"File","attributes":{"title":"1999 Spring Alumni Magazine","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3918_c08_c10#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_3918_c08_c10","ref_ssm":["wvmturhc_repositories_2_resources_3918_c08_c10"],"id":"wvmturhc_repositories_2_resources_3918_c08_c10","ead_ssi":"wvmturhc_repositories_2_resources_3918","_root_":"wvmturhc_repositories_2_resources_3918","_nest_parent_":"wvmturhc_repositories_2_resources_3918_c08","parent_ssi":"wvmturhc_repositories_2_resources_3918_c08","parent_ssim":["wvmturhc_repositories_2_resources_3918","wvmturhc_repositories_2_resources_3918_c08"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_3918","wvmturhc_repositories_2_resources_3918_c08"],"parent_unittitles_ssm":["West Virginia University, News Service, Photographs","Series 8. Special Project Files [boxes 118-120]"],"parent_unittitles_tesim":["West Virginia University, News Service, Photographs","Series 8. Special Project Files [boxes 118-120]"],"text":["West Virginia University, News Service, Photographs","Series 8. Special Project Files [boxes 118-120]","1999 Spring Alumni Magazine","Box 119","Folder 2"],"title_filing_ssi":"1999 Spring Alumni Magazine","title_ssm":["1999 Spring Alumni Magazine"],"title_tesim":["1999 Spring Alumni Magazine"],"unitdate_inclusive_ssm":["ca. 1965-2001"],"normalized_date_ssm":["1965/2001"],"normalized_title_ssm":["1999 Spring Alumni Magazine"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["West Virginia University, News Service, Photographs"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1669,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"containers_ssim":["Box 119","Folder 2"],"_nest_path_":"/components#7/components#9","timestamp":"2026-05-21T00:56:00.432Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3918","ead_ssi":"wvmturhc_repositories_2_resources_3918","_root_":"wvmturhc_repositories_2_resources_3918","_nest_parent_":"wvmturhc_repositories_2_resources_3918","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3918.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/197715","title_ssm":["West Virginia University, News Service, Photographs"],"title_tesim":["West Virginia University, News Service, Photographs"],"unitdate_ssm":["ca. 1890-2007","1950-2007"],"unitdate_bulk_ssim":["1950-2007"],"unitdate_inclusive_ssm":["ca. 1890-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 5188","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3918"],"text":["A\u0026M 5188","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3918","West Virginia University, News Service, Photographs","Morgantown (W. Va.)","West Virginia University - buildings.","West Virginia University  -- Students","No special access restriction applies.","Coliseum, Proposed Drawing; 2 negatives","5188, 5212, 5213, 5038","Photographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files.","This collection includes 15 series: \nSeries 1. Project Files; ca. 1964-2007; boxes 1-89. \nSeries 2. Index to Project Files; ca. 1964-1987; boxes 90-101b. \nSeries 3. Aerial Prints; ca. 1961-1984; box 102. \nSeries 4. \"Bicentennial Collection\"; ca. 1890-1925; boxes 103-104. \nSeries 5. Slides; ca. 1980-1992; boxes 105-111. \nSeries 6. Digital Photographs; ca. 2000-2005; boxes 112-114. \nSeries 7. Proof Sheets; ca. 1965-1999; boxes 115-117. \nSeries 8. Special Project Files; ca. 1965-2001; boxes 118-120. \nSeries 9. Slides in Boxes; ca. 1990-1998; box 121. \nSeries 10. Slides in Sleeves; 1980-1998; boxes 122-134. \nSeries 11. Subjects; ca. 1950-1992; boxes 135-138. \nSeries 12. Transparencies 8 x 10; undated; box 139. \nSeries 13. Transparencies File; ca. 1970-1985; boxes 140-143. \nSeries 14. WVU Faculty Portrait Prints; 1960-1969; box 144. \nSeries 15. Miscellaneous Material; undated; box 145.","This series includes prints, proofs with negatives, and digital files on discs. Each set of images is identified with a project number.  Projects are divided into two subseries.  Project numbers range from 2 to 10182 in the first subseries and 1-B to 24,549-B/C/DC in the second subseries. Discs start appearing in box 87, project number 21513-DC (2001/07/31). Types of photograph include candid shots, portraits of individuals, group portraits, and facilities.  Subjects include WVU athletics, campus scenes, classrooms, construction, faculty, staff, special events, and more.  See Series 2 description for additional subjects. Series 2 contains an index to the content of boxes 1 through 35 or 36 (ca. 1964-1987).  See Contents List for range of project numbers in each box; please note that not all project numbers are present in the corresponding box.","Kick-Off Banquet, Greater University Drive; Governor Smith; President Paul A. Miller; Governor Smith with sword; 31 negatives","Archery, Physical Education; 9 negatives","5 negatives; professor English (Clyde) portrait; Division of Music; English Department; 5 negatives","Terra-Alta, Biological Study; John L.; 4 negatives","Physical Education, Student Instructors; Pat Tork; 4 negatives","Thomas Manley, \"National Teacher of the Year\"; Bill Criswell; 1 negative","Keith Glancy; B. Criswell; catalogue made; 1 copy negative","Joe Hutchinson; 6 negatives","Physical Education, Laundry Room; Pat Tork; 2 negatives","Mr. Wagner; Education; Dr. Jarecke; 3 negatives","President's House, light fixtures; Jim Reed; 3 negatives","Glenlock Hall, Housing; Shaffer; 3 negatives","Physical Education, Rifle Practice; Pat Tork; 7 negatives","Nelson Smith, Portraits; 4 negatives","Kathy Omari [?], Portrait","Industrial Engineering Conference; Ray Shaffer; 14 negatives","Dan Boggs, Portrait; 2 negatives","Dan Bond, Portrait; 1 negative","Neil E. Bolyard, Portrait; 2 negatives","Gordon R. Thorn, Assistant Director of Student Education Services; Portrait; 2 negatives","Conference on Poverty; George Kirk; 33 negatives","Safety Education; Dr. Yost; 3 negatives","Student Affairs, Student Body; 8 negatives","Jim Watkins; 1 negative","Governor Hulett C. Smith; Democrat; 1965-1969; 3 negatives","Parking Lot; Criswell; 3 negatives","Criswell; Copy; 1 negative","Student Affairs, Staff Meeting; 3 negatives","Camp Dawson; 18 negatives","Athletic Publication- Football, Cheerleaders; 18 negatives","Martha Harris; 4 negatives","Physical Education, Auto Presentation; Dr. Yost; 4 negatives","Student Union, Bid Opening; Criswell; 8 negatives","Education Workshop; Groupe; 2 negatives","Drama Production of \"The Women\"; Boyd; 10 negatives","West Virginia Collection, Library; Shetler; 17 negatives","Cobalt Vault, Engineering; Mr. Boyle; 2 negatives","Mrs. Bachman, Board of Governors; Portrait; 1 negative","Frank (Francisco) Herrera, Professor of Spanish; Foreign Languages; 1 negative","Western Electric Fund Scholarship, Presented to Brian Lautramus; Neil Bolyard; 4 negatives","Conference on Poverty; Kirk; 56 negatives","Betty Boyd, Dean of Women; Potrait; 2 negatives","Computer Center; Drake; 8 negatives","Computer Center, Doctor Drake; 2 negatives","Computer Center, Doctor Drake; 4 negatives","Physical Education, Fencing; Photo by Mrs. Pearse","Athletic Department, Baseball; 4 negatives","Dr. Walter H. Jarecke, Professor of Education, Director of Guidance; 1 negative","Engineering, Slides; Dr. Wren; 23 negatives","Dr. John F. Golay, Provost Professor of History, Dean of Graduate Studies; Passport Photos; 4 negatives","Commencement; 7 negatives","Roy B. Clarkson, Botany, Plant, Biology; Criswell; 1 negative","Snow Scenes of E. Moore Hall, the President's Home, Woodburn Circle; 6 negatives","Department of Inter-Collegiate Athletics, Golf, Tennis; Dave Young; 7 negatives","University High School, Project; 7 negatives","WVU Band, Richmond Game; Music-Udell; 9 negatives","Band Brothers; Criswell; 3 negatives","Social Work, Mrs. Blackburn; 8 negatives","Frank Borkowski, Concert Orchestra Rehearsal; 17 negatives","Professor Perley Isaac Reed, Mountainlair; 12 negatives","Commencement; Don Bond; 13 negatives","Publications; Unknown; 2 negatives","Dave Jacobs, Phillipine Visitors; 4 negatives","Dr. Sarkesian; 8 negatives","WVU Library, Reading Room; 6 negatives","WVU vs. Pittsburgh Game, Football, Band; Pittsburgh- 48 WVU-63; 8 negatives","WVU Band, Homecoming Game; Virginia Tech; 7 negatives","WVU Band, G.W. Game; Music- Udell; Last Game; 3 negatives","Bob Conners; 4 negatives","Dr. James Henning, Chairman of the Department of Speech; 4 negatives","Dr. William H. Mernyk, Economics; Criswell; 1 negative","Red Brown Heart Fund Award; Barrett; 6 negatives","Scholarship, Bolyard; 27 negatives","Health Center; 10 negatives","Physical Lab Display; 2 negatives","Ed Sprague; 4 negatives","Production of \"American Dream\", Drama; Mr. Boyd; 2 negatives","Unknown Subject, Criswell; 7 negatives","Drama Production; Mr. Nels; 6 negatives","Chemistry Building, Annex Plan Drawings; 4 negatives","Biology Department, Photos of Birds; Professor Birch; 8 negatives","Mechanical and Aerospace Engineering; 12 negatives","WVU slides, Television Workshop, Department of Speech; 4 negatives","Red Brown, Athletic Director; 3 negatives","High School Drama Workshop; Sam Boyd; 4 negatives","Social Work Building; 4 negatives","Interior of Arnold Hall; Women studying; 6 negatives","Mary Jane Schuster, Assistant Dean of Women; 2 negatives","Dave Jacobs, Portrait; 1 negative","Dean Ray Duncan; 4 negatives","Drama, Unknown Play; Dr. Burrows; 8 negatives","Drawing of Waitman Barbe by Louise Hennen; English Department; Newspaper Editor; 2 negatives","The Belcastro Trio, Joyce Breach, Music Practice; 24 negatives","Unknown Subject, Dr. Diener; 1 negative","Joyce Breach; 5 negatives","Wrestling, 1965 Winners; 2 negatives","The Belcastro Trio; 4 negatives","Bill Criswell; two negatives","Polywood Charts, Engineering Department; Jim Kent; 12 negatives","Music Practice, Mrs. Lorrence [?]; 11 negatives","Nuclear Reactor, Physics Building; 9 negatives","Dr. Golay, Vice President; 5 negatives","Twin Towers, West Virginia State Seal; 1 negative","Concert Orchestra, Music Department; Borkowski; 4 negatives","Opera Production; 24 negatives","Nuclear Reactor, Physics Building; 5 negatives","Commerce Scholarship; Neil Bolyard; 4 negatives","Scouting Award, President Paul Miller; 4 negatives","Creative Arts Building Model; 3 negatives","Music Department, Woodwinds; Small Group; Frank Borkowski; 5 negatives","Miss Keener, Portrait; 4 negatives","Charles Wise, Board of Governors; 2 negatives","Department of Engineering Slides, Dr. Wen; 20 negatives","Physical Education, Wrestling, Pat Tork; 11 negatives","Music Meeting, Dean Duncan; 40 negatives","Evansdale Campus Residence Hall, Twin Towers; 2 negatives","American Arts Trio, Ruth Landes Drucker, Arno P. Drucker, Assistant Professor of Music; 8 negatives","Dr. Lambert, College of Engineering; 5 negatives","Science Writing; 18 negatives","Dean Richard Duncan, First Dean of the Creative Arts Center; 1 negative","Industrial Engineering, Subject Unknown; 2 negatives","Music Production of the \"Devil and Daniel Webster; 20 negatives","Kappa Delta, Sorority House; 5 negatives","Eisland Hall, Views from in front of music building; 8 negatives","State 4-H camp, Jackson Mills; Dave Johnson Display; Glen Snyder; 9 negatives","Library, Criswell; 3 negatives","Junior Achievement; Jim Watkins; 7 negatives","Robert B. Smawley, Provost Office; 4 negatives","Industrial Engineering; Ray Schaffer; 17 negatives","Dr. Festivus P. Summers; Criswell; 1negative","Criswell; Copies; 2 negatives","Twin Towers, Evansdale; 2 negatives","WVU Band at Camp Dawson, Udell; 11 negatives","Science Writing; 4 negatives","Military First Solo Flight,Cherokee 140; Cullen; 1 negative","Charles Weakley, Chemistry Department; Portrait; 2 negatives","Engineering, Chemical; Mr. Boyle; 9 negatives","Scholarship, Neil Bolyard; 22 negatives","Sam Boyd, Drama department; 8 negatives","Radio and TV slides; Van Camp; 2 negatives","Drama production of \"Don Juan\"; Sam Boyd; 4 negatives","Humanities Conference, Dr. Ikenberry; 9 negatives","Physical Education, Fencing; Mrs. Pearse; 13 negatives","Industrial Engineering, Mr Shaffer; 3 negatives","Foreign Offices, Criswell; 4 negatives","Student Affairs Group; Jim Watkins; St. Committee; 2 negatives","News-Info, Criswell; Copies; 2 negatives","Engineering, Weirton Steel Display; 5 negatives","Ray Shaffer; 3 negatives","Neil Bolyard, Scholarship; 2 negatives","Dr. Kennedy; Reading C; 2 negatives","Main Campus Scene; Old Picture; 2 negatives","Main Campus Air View, Old Picture; Fairchild Aerial surveys, Inc. NYC; 2 negatives","ir View Main Campus, May 6 1960; L.O. Myers; 2 negatives","Students walking around Woodburn Circle; 6 negatives","Industrial Engineering, Shaffer; 3 negatives","Mountainlair; 4 negatives","Intramural Soccer; 2 negatives","The Daily Athenaeum Newsroom; 4 negatives","Medical Center Dental Lab; 4 negatives","Recreation; 2 negatives","Biology Lab; 3 negatives","Agricultural School, Research; 2 negatives","Greek Charity Project, Downtown; 8 negatives","Engineering Building, Air View; 2 negatives","History Department Classroom; 2 negatives","Ogleby Hall; 2 negatives","Evansdale Campus, Air Views; 2 negatives","Professor Harold Cather, Chair of Mechanical Engineering; Portraits; 4 negatives","Civil Engineering Conference; Dr. Schaub; 8 negatives","Telephone Operators, Helen Criss; 3 negatives","Military Ceremony, Major Wade; 11 negatives","President Charles Wise Jr., Board of Governors; Criswell; 2 negatives","Professor Robert Slonneger, Mechanical Engineering; 2 negatives","Margaret Lorince, Professor of Music; 6 negatives","Julian Martin, Groupe; 4 negatives","Aerospace Symposium; Mr. Walters; 7 negatives","Main Campus, Aerial View; 4 negatives","Medical Center, Aerial View; 2 negatives","Forestry Building; 8 negatives","The Women; 4 negatives","Groups-The Women; 9 negatives","Chemistry slides; Tony Winston; 6 negatives","Book slides; Dr. Manning; 3 negatives","Slide copies- Pygmies; 3 negatives","Student Government, Homecoming-Girls; 63 negatives","University Choir, Music Department; 6 negatives","President Miller and Senator Randolph; Pen Presentation; 8 negatives","Engineering Building; Shaffer; 2 negatives","Dr. Hess; 6 negatives","Bill Criswell; 2 negatives","Chemical Engineering, Mr. Bogle; 6 negatives","Chemical Engineering, Mr. Bogle; Udell; 7 negatives","Pep Rally for the WVU vs. Penn State Game, WVU band; Udell; Thuse; 10 negatives","WVU Band; William and Mary Game; Udell; 5 negatives","WVU Band, Citadel Game; Bud Udell; 7 negatives","WVU Band, Pre-season; Bud Udell; 7 negatives","WVU Band, Syracuse Game; Bud Udell; 7 negatives","Welfare Department, Group photo; 17 negatives","James M. Mullendore Senior; 6 negatives","Robert Iden-Nels; University photo; 9 negatives","Evansdale Campus views; Morgantown Ordinance; 8 negatives","Engineering Department, charts and slides; M. Patterson; 13 negatives","Biology Department; slides; 4 negatives","Health Center, Moving; 7 negatives","WVU High School Speech Institution, group photo; 3 negatives","WVU Summer Art Institute, group photo; 4 negatives","American Arts Trio, Pianist Arno Drucker, Violinist Donald Portnoy, Cellist John Engbert; 15 negatives","Joe Moss; 8 negatives","Governor Hulett C. Smith; 11 negatives","Engineering Conference on Appalachia; 25 negatives","Engineering Conference on Appalachia; 14 negatives","International Night, Field House; 12 negatives","Engineering Conference; 4 negatives","Civil Engineering, Professor Fowler; 44 negatives","Civil Engineering, Carter Tork; 12 negatives","Music Concert, Mr. Borkowski; 14 negatives","WVU Band Day, Music Department; Bud Udell; 3 negatives","Operetta, Joe Goltz; 17 negatives","Student Government, Executive Committee; 4 negatives","Dr. Lambert, lab and office; Criswell; 12 negatives","Children's Theater; 12 negatives","Miss Morgantown \"1965\"; 9 negatives","D. Brewer; 9 negatives","WVU Drama Production; Thieves Cornwal; 10 negatives","Dr. Thomas Canning, Music Department; Criswell; 4 negatives","First students at Evansdale Twin Towers; 12 negatives","Musical Group-Brass, R. Sherman; 7 negatives","Glenn Snyder, Group photo; 4 negatives","Frank Carlomagno; Assistant Director of the WVU Foundation; 4 negatives","Engineering Conference, Group photo; 3 negatives","WVU Fine Arts Camp; Group Photo; 6 negatives","Lynn Duncan; 8 negatives","Iden Family photos; 10 negatives","Drama Department, Phillips; 6 negatives","Orchesis \"65\"; 27 negatives","Dr. Patterson; 3 negatives","Morgantown High School, Wrestling team, 1 negative","John Cook; 4 negatives","WV State Wrestling, 7 negatives","Drama Production, \"Lady Precious Stream\"; 10 negatives","Bill Criswell, woodworking; 12 negatives","Student Committee; Legislature; 9 negatives","Engineering, Dr. Carter; 3 negatives","WVU Library, Hess; 15 negatives","WVU Band; 10 negatives","Dr. Stewart, Math Department; 7 negatives","Dr. Yost, Physical Education; 4 negatives","Locusts; 4 negatives","Thomas Luther and Mrs. T.L. Harris, Order of Vandalia, Commencement; Honorary degree; HA Stansbury on right; 6 negatives","News and Info; 5 negatives","WVU Showcase display, \"Student Life on Campus\"; 18 negatives","Development Office, Neil Bolyard; 6 negatives","Mr. Humphry, Chemistry Department, Presidential Award; 5 negatives","AWS; 2 negatives","WVU extension, Forum teachers; 6 negatives","Old Woodburn Hall, before 1900; 3 negatives","Belcastro Trio, State Department; Criswell; 46 negatives","Dr. Kent, portraits; 6 negatives","Julian Martin; 10 negatives","Criswell, Speaker; 1 negative","Old Mechanical Hall II; 2 negatives","Peter Bonays; Criswell; 2 negatives","Forestry Sciences Building; Baker; 4 negatives","Dave Tork, GUD; 4 negatives","Gordon Craig, Speaker; Criswell; 2 negatives","Neil Bolyard, Check presentation; 5 negatives","Development Office, Frank Carlomheno; 5 negatives","Betty Boyd, Dean of Women; 2 negatives","WVU Choir; 4 negatives","WVU Drama production; Burrows; 14 negatives","Music- Summer camp; f. Borkowski; 2 negatives","Art Department, Joe Moss; 25 negatives","Dr. A. Reed; 2 negatives","Economic Education Workshop; Maron Lee; 64 negatives","Woman's Hall, Stalnaker; 15 negatives","Miss McClure, Campus Cover Girl; 6 negatives","Mrs. Roger Sherman, dancing; 8 negatives","Mrs. Roger Sherman, dancing; 24 negatives","Cheerleaders, Physical Education; Bill Criswell; 7 negatives","Cobalt Vault, Forestry building; 9 negatives","Development Office, 99th Anniversary Dinner; 34 negatives","Scholarship Winners 1966, Neil Bolyard; 37 negatives","WVU Drama Production, \"Dark of the Moon\"; Dr. Burrows; 19 negatives","United Fund; 20 negatives","Regional Wrestling Winners; 6 negatives","Portnoy, Music department; 12 negatives","Big Ten Wrestling; 6 negatives","Chamber of Commerce; 3 negatives","Morgantown High School Wrestling, Robert De Antonisser 1964-1988; 12 negatives","Coach Carlin, News Conference; 6 negatives","Oglebay Hall, exteriors; 5 negatives","Office of Physical Planning, copies of master plan; C. Wagner; 2 negatives","Dr. C.C. Patterson, Engineering; 9 negatives","Classroom; 4 negatives","Chi-Omega Sorority; Criswell; 10 negatives","Road signs and radar, Civil Engineering; 24 negatives","Chas Tomas, Physics; 12 negatives","Slides of old photos of Morgantown; Shetler; 32 negatives","Forestry Building entrance; 3 negatives","Criswell, Speaker; 2 negatives","Jerry Andrick; 4 negatives","Criswell, Speaker, Chemistry; 2 negatives","Physical Education group photo; 4 negatives","WVU golfing; 7 negatives","Gary Zinn; 1 negatives","News and Information, St. Patrick's Day; 6 negatives","Orchesis; 39 negatives","Orchesis; 11 negatives","WVU bookstore, Award winners; 3 negatives","Music Preparatory, M. Lorince; 15 negatives","Forestry classroom, Dr. Roch; 2 negatives","Pete Yost; \"All-State\"; 7 negatives","Play Day, Tork; 20 negatives","American Women Surgeons, group photo; 8 negatives","State Future Farmers of America; 85 negatives","La Traviata, WVU Opera production; 21 negatives","Physical Education, group photo; Larry Castle; 6 negatives","WVU Women's Club; 31 negatives","WVU computer music; 4 negatives","Eugene Quarrick; Behavioral Medicine and Psychiatry; 5 negatives","Armand Singer, Professor of Romance Languages; 12 negatives","Miss Sinkford; 15 negatives","Department of Physics; 22 negatives","WVU Women; 34 negatives","Jerry Parmer, Engineering Department; 12 negatives","WVU Band Day, Udell; 2 negatives","Textbook of Wood Technology, book photo; Chemical Engineering; 2 negatives","WVU Library, interior views; 8 negatives","WVU President Paul Ausborn Miller; 7 negatives","Emory Bacon; 10 negatives","Freshman Registration; 24 negatives","Drawings for the Parkersburg Branch; perspective sketch looking toward southwest; 1 negative","Cultural Center; 5 negatives","News and Information; 2 negatives","WVU Centennial Seal, 1867-1967; 1 negative","Slides- men working at the river; Criswell; 4 negatives","Dr. Neisus, in his office reading the Appalachian Review; 2 negatives","Scholarship Presentation, Neil Bolyard; 4 negatives","Athletic Department, Cross Country; 23 negatives","WVU Fine Arts Camp, group photo; 2 negatives","Board of Public Works; 3 negatives","Criswell; 1 negative","Burger Chef; 4 negatives","Charley Hockenberry; 5 negatives","Slides by Professor Linsky; 6 negatives","WVU President Miller, Reception; 8 negatives","Labor Conference, Fred Teller; 11 negatives","Labor Studies, J. MacKensie; 50 negatives","Dean R. S. Dunbar JR.; 2 negatives","Conference on Manpower in Appalachia; Fred Teller; 57 negatives","Slides by Jim Kent; 2 negatives","News and Information, speaker copies; 2 negatives","Pat Tork, passport photos; 2 negatives","Dr. Igor Sarkissian; 12 negatives","Civil Engineering slides, Dr. Schaub; 10 negatives","Jamison, AWS; 4 negatives","WVU Band Day, William and Mary game; Udell; 4 negatives","Ray Shaffer; 4 negatives","Foreign Officers Visit; 5 negatives","Driver Training class, Physical Education; 4 negatives","Dave Tork, portraits; 5 negatives","WVU Band Day, William and Mary game; 3 negatives","Engineering Scholarship; Parmer; 6 negatives","State Future Farmers of America Contest; 86 negatives","\"A Professor Emerges in West Virginia, author Kermit A. Cook; 4 negatives","Dean Campbell; 2 negatives","Greg Myers, WVU Soccer coach; 4 negatives","Foreign Student Committee; 4 negatives","A. Larson; 3 negatives","WVU Cross Country, group photos; 6 negatives","WVU vs. Citadel game; 7 negatives","State High School Cross Country; 7 negatives","WVU musical production of \"Bye Bye Birdie\", Creative Arts Center; 15 negatives","Dr. Robert F. Munn, Provost and Director of Libraries; 2 negatives","Theodora Schubert, first girl student in Forestry; 12 negatives","Engineering slides- Radiation Intensity, Jim Kent; 6 negatives","Bill Criswell; 2 negatives","E. Moore Hall, exterior shot; 1 negative","WVU Law Building, exterior shot; 1 negative","Scholarship Awards for music, Mrs. Inberg; 4 negatives","Orchesis; 14 negatives","Joe Gluck, in his office; 6 negatives","Music Programs, Arno Druker; 9 negatives","William H. McMillion, passport photo; 5 negatives","Student Organization charts, J. Watkins; 15 negatives","Centennial Film copies; 6 negatives","Copies of speakers, Bill Criswell; 2 negatives","Chester A. Arents, Dean of the School of Engineering; 2 negatives","Quint Wilson, Dean of Journalism; 2 negatives","Dr. Ernest Nesius, Dean of the College of Agriculture, Forestry, and Home Economics; 6 negatives","Jerry R. Luh, 1965 All-American Rifle Team portrait; 1 negative","Thomas C. Campbell, Dean of College of Commerce; 4 negatives","WVU Physical Plant Custodial Award presentation; Carol Hose; 7 negatives","WVU Fine Arts Camp, Don Portnoy; 159 negatives","Fine Arts Camp, music camp; 53 negatives","WVU Music Camp; 12 negatives","Captain Cullen, Military Commission; 10 negatives","Greater West Virginia Weekend; 24 negatives","WVU Choir; Dr. Barton; 4 negatives","Evansdale Towers Lounge ; 10 negatives","WVU Band Day, WVU vs. Penn State game; 8 negatives","WVU band at Kentucky game; 8 negatives","WVU President Don Bond, portraits; 3 negatives","Board of Education Grant for drama and cultural education; 132 negatives","Future Farmers of America, University High School chapter; 9 negatives","Dr. Arya; 2 negatives","WVU Link Day; 8 negatives","Mr. Jones, WVU President's assistant; 2 negatives","Julian Martin; 6 negatives","slides, Dr. Moh, 2 negatives","Raphael Bachman, Dean of Pharmacy; 2 negatives","York Junior College students; 6 negatives","copy for news service; 2 negatives","News Service, Dickerson; 2 negatives","Guy Harry Stewart, Professor of Journalism; 13 negatives","Kenneth V. Randolph, Dean of School of Dentistry; 1958-1968; 4 negatives","Snow scenes at WVU; pylons 2; 25 negatives","Ray Duncan, Dean of Physical Education; portraits; 7 negatives","Leo Horacek, Professor Emeritus of Music; 4 negatives","Officers of the A.W.S.; 16 negatives","Roy W. Bahl, Professor of Economics; 4 negatives","WVU Choir; 5 negatives","Richard E. Duncan, Dean of the Creative Arts Center; 6 negatives","Dr. Jay Barton, Chairman of the Biology Department; 6 negatives","George Kirk, Vice President of Finance; 4 negatives","Charles E. Hockenberry, WVU coach; head football coach at WVU Institute of Technology 1947-1948; head baseball coach at WVU 1947; inducted into the WVU Sports Hall of Fame 2005; 1 negative","Joseph Goltz, Director of the WVU Opera Group; First director; 4 negatives","Ben Linsky, Professor of Sanitary Engineering; Department of Civil Engineering; air pollution studies; 5 negatives","Ada Lease, portraits; 5 negatives","Carolyn Reyer, Native American advocate; helped to develop the Native American History and Culture studies program 1991; singer- mezzo-soprano; established the Monongalia Riding for the Handicapped 1986; 8 negatives","Dr. Harry Heflin and Neil Bolyard, presentation of Texaco Scholarship; 5 negatives","Dr. James G. Harlow (right) and Mr. Norton (left) in ROTC office; 3 negatives","Social work group photo; 8 negatives","Dr. Howard Perry Simons; Chemical Engineering; 26 negatives","James A. Kent, Nuclear Engineering; Polywood; 45 negatives","Stanley O. Ikenberry, dean of the College of Human Resources and Education; 9 negatives","Labor Institute at Mont Chateau; 6 negatives","Evansdale Twin Towers, exterior views; 5 negatives","Evansdale Towers, interior view- lobby; 2 negatives","Evansdale Towers, Bennett Tower and Lyon Tower, exterior views; 4 negatives","Evansdale Towers, Dining hall, dorm room; 10 negatives","Evansdale Towers, interior views of the lounge; 8 negatives","Evansdale Towers, exterior shots; 2 negatives","WVU Swimming, Coach Kevin Gilson; publicity shots; 35 negatives","WVU Choir, Joe Golz; 6 negatives","Vice President Hubert Humphrey, visit to WVU; 12 negatives","WVU Physical Education group photo; Quentin Barnette- professor in the WVU School of Physical Education; 4 negatives","WV Collection Story; photo 1- Fairmont ordinance, ad, and invoice; photo 2- Flood April 1, 1913; 4 negatives","WV Collection- Military Story; photo 1- Woodburn Circle; photo 2- cannons between Woodburn Circle and Mountainlair; 4 negatives","Protestors at the WVU Commencement; 12 negatives","WVU Baseball, publicity shots; 57 negatives","WVU Tennis and Golf; 23 negatives","WVa Collection Story, librarians at work; 7 negatives","Mr. Preston Harper; 4 negatives","Ralph Bean in a meeting; 1 negative","Mr. Bray, Board of Governors; 1 negative","Wrestling- Southern Conference Tournament; 2 negatives","Track and Field photos, Stan Romanoski- WVU coach of the men's track and field and cross country teams; 30 negatives","WVU College of Law, exterior shots; 7 negatives","Chemical Engineering Award Presentation; news service; 8 negatives","Civil Engineering, road and billboard signs; 21 negatives","Physical Education- Driver's Education cars; Dr. yost; 11 negatives","Nuclear Facility, Forestry Building; Boyles; 12 negatives","Thomas Gary Kenamondo, news and Information; 2 negatives","Radio and Television productions; 16 negatives","Mr. Graber, WVU Drama Department; portraits; 4 negatives","Engineering slides; joint mechanism of ultrasonic welding; 5 negatives","nature slides, News Service; 6 negatives","Mr. Bates, News-Service; 2 negatives","Super Wood; WVU engineering; experiment; 4 negatives","Engineering and Bio-physics; TAM; 6 negatives","Leo Fishman, Professor of Economics and Finance; 3 negatives","Driver's Education Class; WVU Physical Education; 3 negatives","Union Carbide presentation, Engineering Department; 4 negatives","New York Bond Company; 6 negatives","College of Commerce, Bankers Scholarship presentation; 7 negatives","Bud Udell, WVU Director of Bands at University High School; 7th band director 1963-1969; 7 negatives","Construction of the Creative Arts Center slides; 2 negatives","Ruel Foster, WVU English Department Chair; Benedum Distinguished Professor of American Literature; author of Appalachian literature; tennis coach; Order of Vandalia; 9 negatives","slides of the Annals New York Academy of Sciences; 9 negatives","WVU Engineering slides; 25 negatives","Dr. Dozo and Dr. Olson, visiting vets; 5 negatives","Wes Coppock; News-Service; 1 negative","Margaret Lorince, WVU Director of Preparatory Music; assiatant Chair of Music; Assistant Dean of the CAC; Professor Emerita; 20 negatives","Joe Moss, Kinetic Sculpture; West Virginia Moon; National Endowment for the Arts; 12 negatives","School of Speech Communications, Leonard Davis; 21 negatives","Weirton Story, News-Information; 6 negatives","WVU Nursery School on Campus Drive; children playing; 6 negatives","Engineering slides, Blackshaw; 15 negatives","Mr. Brown, Commerce; 2 negatives","Alumni Giving Incentive Award, Dave Tork; 3 negatives","photos of books by Earl L. Core, cover picture; 2 negatives","WVU Computer Center; 12 negatives","USS West Virginia Mast Plaque; 10 negatives","John Luchak; 2 negatives","WVU Commencement; 27 negatives","WVU Nursery School; 20 negatives","Ernie Jones in his office; 7 negatives","Herman Godes, Pianist; 4 negatives","Dr. Clyde English, Head of Organ Department 1945-1980; 4 negatives","Presbysterian Church Cross; 3 negatives","Mountainlair construction; 10 negatives","Dr. Harry Heflin, Vice President of Finance and Administration; 6 negatives","Parmer, Aero-Space; 5 negatives","WVU Athletic Department picnic; 20 negatives","James Thompson in his lab; 4 negatives","WVU Medical Center, night view; 3 negatives","WVU Medical Center, front closeup; pylons; 2 negatives","WVU Medical Center view from Evansdale Towers; 2 negatives","WVU Varsity Wrestlers; 11 negatives","WVU Varsity Wrestling Team; group photo; 3 negatives","Physical Education Conference, Pete Yost; group photo; 4 negatives","5th Annual WV AFL-CIO Summer Institute at Mont Chateau; group photo; 4 negatives","Julian Martin at WVU graduation; 23 negatives","Percival Hall- Forestry Center, night views; 5 negatives","Mr. Sledge, Student Affairs; 5 negatives","WVU production of \"Carousel\"; Rodgers and Hammerstein; Boyd; 12 negatives","portraits of Honoraries at 1966 WVU Commencement; 6 negatives","WVU Band publicity shots; 12 negatives","Reverend Paine, Episcopalian; Clergy, Church; 7 negatives","Twin Towers complex, drawing; 3 negatives","Colonel Jansen Retirement; 10 negatives","Festival of Ideas, Humphrey, Etc.; 103 negatives","Registration at Field House; 9 negatives","Fine Arts Group; 3 negatives","Frank Carlehemeno; 4 negatives","Sherlocker, Physical Education; 5 negatives","Canning, Music Group; 4 negatives","Milan; 32 negatives","Social Work, Portraits","Drama, \"Kiss Me Kate\"; 11 negatives","Angel Street; 14 negatives","Representative of Ghana; 5 negatives, prints","Danville, Portrait; 4 negatives","Dean Frasure, College of Arts and Sciences, Portrait; 6 negatives","Dr. Thomas Canning with Carolyn Reyer; 2 negatives","Computer Center; 4 negatives","HUD Meeting at Mt. Chateau; Transportation; 12 negatives","Thomas Canning, Portrait; 4 negatives","Dr. William Miernyk, Economics Research, Portrait; 5 negatives","Drama, Merchant of Venice; 9 negatives","Donald Portnoy, Music, at Piano with Violin; 12 negatives","Tennis Action Shots; 8 negatives","Professor Jones, Chair, Electrical Engineering; 12 negatives","Chemistry Award; 2 negatives","Drama; 12 negatives","Creative Arts; 12 negatives","Lorensen, Law School, Portrait; 4 negatives","Dr. Kelly, Vice President, Portrait; 6 negatives","Dr. Halter, Portrait; 5 negatives","Vergil Clark, Head of Physical Plant, Portrait; 6 negatives","President's Home; 12 negatives","Biology, Dr. Chen, Culture Room; 8 negatives","Chemistry, Tony Winston, Labs; 55 negatives","Electrical Engineering; 10 negatives","General Biology, Trees; 7 negatives","Coopers Rock, Gorge Overlook; 17 negatives","Hunter with Dog; Ag-Forestry Bulletin, Roy Thomas, Magazine; 12 negatives","Orchesis, Dance Group; 24 negatives","\"Esso Story\"; President Harlow with Two Other Men; 6 negatives","Canning and Brown, \"Composers\"; 2 negatives","Safety Education Story; 11 negatives","Engineering Project; 12 negatives","Agronotty Awards; 6 negatives","Chemical Engineering, Coal Research; 9 negatives","Men's Swim Team; 23 negatives","Comedy, Lysistrata; 9 negatives","National Merit Scholarship, President Harlow Speaking; 35 negatives","Recreation Department, Senior Citizens; 8 negatives","New Band Uniforms; 3 negatives","Fine Arts Camp; 48 negatives","Opera, The Marriage of Figaro; 23 negatives","Opera, Susannah by Carlisle Floyd; 27 negatives","State Bankers Scholarship; 5 negatives","Airplanes, Cessna Foundation; 24 negatives","Gulf Oil Presentation; 3 negatives","Bruce D. McComas, Portrait; 2 negatives","Dick Bell, Portrait; 4 negatives","Rifle Team; 6 negatives","Music, Phil Faini, Portrait; 2 negatives","00624; Dr. Harlow, Du Pont Presentation; 10 negatives","Soccer Action; 9 negatives","George Weaver, Portrait; 4 negatives","Biology, Cancer Research; 4 negatives","Ernie Jones, Portrait, Earnest L. Jones, Director of Computing Center; 4 negatives","Peggy Staggers, Portrait; 8 negatives","Army, ROTC; 50 negatives","Coach Harrick, Portrait, Baseball, 300 Victory, 11 negatives","Library View; Building, 2 negatives","Colonel Reynolds, Student Affairs, Portrait; 4 negatives","John Luckoks and Majorettes; 9 negatives","Sports, Basketball Group, Athletic Publication; 6 negatives","Clark Wagner, Portrait; 4 negatives","Steering Committee, Homecoming; 4 negatives","Sports, Soccer Squad, Mountaineer Field; 1 negative","Blithe Spirit, Drama, Play; 11 negatives","Dolls House, Drama, Play, Creative Arts Center; 12 negatives","Caesar and Cleopatra, Drama, Play, Bob Silberstein; 20 negatives","The Boys from Syracuse, Drama, Play, Creative Arts Center, Becky Stewart; 10 negatives","YWCA Officers, Cabinet, Becky Stewart; 7 negatives","Board of Governors, Portraits; 12 negatives","Dr. Harry Heflin, V.P. of Finance and Administration, Portrait, served as 18th President in 1981; 8 negatives","Jim Watkins, Assistant Dean of Student Educational Services, Portrait; 4 negatives","Alumni Day at Law School; 8 negatives","Dr. Chas Norman, Lab, Biology; 12 negatives","Jim Watkins in Office; 12 negatives","Sara Ruth Meek, Portrait; 6 negatives","Freshman Orientation; 19 negatives","Freshman Orientation; 20 negatives","Freshman Orientation; 10 negatives","Freshman Orientation; 24 negatives","High School Speech Institute; 22 negatives","Helicopter in Mont Chateau; 14 negatives","Board of Governors; 3 negatives","Forestry Display, Laskin; 14 negatives","Student Affairs; 10 negatives","African Statues from Twin Towers, Betty Bogel; 16 negatives","Science Camp; 12 negatives","Leonard Davis, Slides from Old Pictures of Weston Hospital for Insane; 13 negatives","AWS Officers, Portraits; 21 negatives","Oak Tree; 4 negatives","Carol Watson; 7 negatives","Small Maple Tree; 4 negatives","Slides for Mechanical Engineering, Entropy; 25 negatives","Fine Arts Camp. Group; 1 negative","High School Journalism; 32 negatives","Safety Education Class; 3 negatives","Transportaion; 22 negatives","Medical Center, Heating Plant; 6 negatives","Freshman Guides; 17 negatives","John Brisbow, Assistant Director of Admissions; 12 negatives","Civil Engineering Conference; 26 negatives","Dr. Emory L. Kemp, Chair of Civil Engineering, Portrait, Emeritus Director of the Institute for the History of Technology \u0026 Industrial Archaelogy in the WVU Eberly College of Arts and Sciences, Recognized for both Researching and preserving historical industrial sites around the county and overseas; 4 negatives","Cross Country, Coach and Captain in Action, Sports; 12 negative","Girl with Rifle; 2 negatives","Merchant of Venice, Drama, Publicity; 7 negatives","Urban Mass Transit, Vestibule; 18 negatives","Satellite Copies; 2 negatives","WVU Parkersburg Branch, Drawing; 1 negative","Credit Union, Group; 3 negatives","Housing and Urban Development; 7 negativs","John R. Mackenzi, Director of Education, Portrait; 4 negatives","James H. Schaub, Professor of Civil Engineering, Portrait;4 negatives","Harold J. Shamberger, Assistant to President, Portrait; 6 negatives","00688; Judy Shoup, Miss WVU, Portrait, 1969 Miss WV as Kappa Kappa Gamma, Wheeling Symphony Member; 2 negatives","Wrestling Athletes and Dan Killen, Director of Social Service Med.Center, Brown, Jim Stevens ; 17 negatives","Cross Country Team, Group; 2 negatives","Agricultural Farm Grass, grass shots for Jung; 17 negatives","Grass, grass shots; 12 negatives","Agricultural Farm Grass, grass shots for Dr. Jung; 12 negatives","Grass, grass shots for Dr. Jung, 5 negatives","Agricultural Farm Grass, grass shots for Dr. Jung; 7 negatives","Bug Shots for C. K. Dorsey, Insects; 8 negatives","New Engineering Building; 4 negatives","Conference; 12 negatives","Robert L. Iden, Manager of Printing Services, Portrait; 3 negatives","Red Brown, Steve Harrick, Presentation; 7 negatives","Mullenax, Interview, New Zealand; 9 negatives","John Goodwin, Commerce, Portrait; 5 negatives","Gymnastics; 22 negatives","Gymnastics; 16 negatives","Clifford W. Brown, Portrait, 1912-1988, Portrait, Marching Band Director in 1942, Retired in 1974 as Assistant Dean of Creative Arts Center, His daughter, Susan, is the wife of former WVU President, David Hardesty; 6 negatives","John Clarkson, Art; 9 negatives","Seigle Wayne Cox, Vocational Agriculture, Hundred High School, Portrait; 4 negatives","Dick Detombe, Assistant Track Coach, Portrait; 4 negatives","Dr. Stacy Barton, ETV; 12 negatives","Jerome Fanucci, Chairman of Department of Aerospace Engineering, Portrait; 4 negatives","Dr. Hefflin, 18th President; 20 negatives","Dr. James G. Harlow, Portrait; 10 negatives","Paul W. Hamelman, Professor of Management, College of Commerce, Portrait; 10 negatives","Information Booth, Structure; 6 negatives","University Singers, Group; 3 negatives","Strings Band Practice, Music Department; 22 negatives","Music Scholarship Award; 4 negatives","Scenes from John Gay's \"The Begger's Opera\", Creative Arts Center, Division of Music, 25 negatives","Lecture by Harold B. Bachman, Director of Bands, Emeritus, University of Florida; 6 negatives","Morgantown Woman's Music Club Scholarship, Group; 5 negatives","James Mullendore, Student Body President, 1968-1969, Portrait; 4 negatives","William H. Miernyk, Director of Regional Research Institute, Order of Vandalia, Claude Worthington Benedum Professor of Economics, Professor Emeritus, Director Emeritus of the RRI, Author; 21 negatives","William H. Miernyk; 12 negatives","George Nocito, Professor of Art, Chair of Art Department, Portrait; 6 negatives","News and Info; 2 negatives","News and Info, Group; 2 negatives","News and Info; 6 negatives","News and Info, Richard Bernard, Arthur Hofstetler with Glasses, Portrait; 3 negatives","Paul Selby, Dean of College of Law; 6 negatives","Dr. Roman J. Verhaalen, Dean of Kanawha Valley Graduate Center, Portrait","Rabbi Herbert J. Wilner, Hillel Foundation, Portrait; 6 negatives","Rabbi Herbert J. Wilner, Hillel Foundation;","Budd Udell with Band; 11 negatives","Dale Evans, Athletic Publicity, Quarterback Signing, Football; 10 negatives","Band Photos, French Horn; 12 negatives","Marching Band Formations; 25 negatives","Band Day; 5 negatives","Scott Stringham Conducting; 12 negatives","Percussion Ensemble, School of Music; 1 negative","Homcoming Queen, Sally Sotak of Beckley, Shelley Pointexter of Nitro, Jeannie Erwin of Dunbar, Mary Kay Staggers of Keyser; 2 negatives","Homecoming Queen Candidates with Centennial Seal, Sally Sotak, Shelley Pointexter of Nitro, Mary Kay Staggers of Keyser, Jeanne Erwin of Dunbar; 4 negatives","Homecoming Queen Candidate at the Health Sciences Center Pylons; 3 negatives","Homecoming Queen Candidate in front of Elizabeth Moore Hall; 3 negatives","00748; Homecoming Queen Candidate with Oglebay Hall in the background Hall; 2 negatives","Homecoming Princess, Headshots; 8 negatives","Gold Diggers, Weekend Candidates, Portrait; 23 negatives","Bill Bonsall, Gymnastics Coach, led WVU to 3 southern conference championships, ranked at 5th place in 1963, represented U.S. in 1948 Olympics in London, the gymnastics team was elevated to varsity team in 1952 under him; 4 negatives","Kevin Gilson, Men's and Women's Swimming Coach, Anatomy and Physiology, Portrait; 4 negatives","Coach SFC Joe Gravens, Jr.; 4 negatives","Pat Hamilton, Board of Governors; 6 negatives","D. Hercules, Headshot; 1 negative","Dr. William Morris, Portrait","George Nedeff, Wresting Coach, 1996 WVU Presidential Safety Award, National Wresting Hall of Fame, Father G.N. of SOLT with \"Outstanding American\" Award, Class of 2008; 3 negatives","George Smyth, Planning Architect, Portrait; 4 negatives","John Stewart, Soccer Coach, Portrait; 4 negatives","Greg Van Camp, Director, General Manager of WWVU-TV, Professor or Radio and TV, Portrait; 4 negatives","Radio-TV Control Room; 5 negatives","Historical Buidings, Woodburn Female Seminary established in1815, Monongalia Academy established in November 1814; 2 negatives","News and Info, Sewage Treatment; 11 negatives","News and Info, Child Plays-Story for John Reach at Med Center; 8 negatives","Office of Publications; 6 negatives","Office of Publications, John Luchor; 16 negatives","Mountainlair Information Desk and Lounge; 7 negatives","Radio Drama by Dylan Thomas \"Under Milk Wood\" by  at Med Center Auditorium; 8 negatives","Kappa Kappa Psi, Music Honorary, Group; 2 negatives","Freshman Football Team in front of Martin Hall, Group, Historical Building; 4 negatives","Thermomister Temperature Measuring Device; 2 negatives","Seintillation Device; 7 negatives","Drama \"The Entertainers\"; 19 negatives","Mountainlair Interior; 23 negatives","Mountainlair Interior; 4 negatives","Bell from USS West Virginia; 7 negatives","President's Summer Home; 2 negatives","Drama \"The Merchant of Venice\"; 12 negatives","Light Art; 9 negatives","Snow Around Campus, Historic Buildings; 34 negatives","New Buildings around Campus; 14 negatives","Theater; 1 negative","Theater Interior, Creative Arts; 1 negative","R.O.T.C.; 39 negatives","Homecoming Queen, Sally Sotak, Portrait","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Band Day; 24 negatives","Heart Valve Story, Engineering; 15 negatives","Heart Story, Med Center; 6 negatives","Colonel Charles G. Ives, Chairman of Military Science, Portrait; 5 negatives","Engineering Scholarship, Union Carbide; 4 negatives","Bird Story; 1 negative","Woodburn Circle, Traffic Pattern; 8 negatives","Freshmen Basket Ball Team, Sports, Group; 4 negatives","Art Department; 6 negatives","Orchesis, Student Dance Group; 9 negatives","University Choir, Group; 7 negatives","Civil Engineering Students; 40 negatives","Creative Arts Center, Building; 1 negative","Creative Arts Center, Building; 8 negatives","Amrerican Arts Trio, Music, Group; 12 negatives","Baroque Ensemble, Music, Group; 2 negatives","Fine and Lively Arts Committee, Group; 7 negatives","Dr. Harry Bruce Heflin in Formal Group, Group, 18th President; 4 negatives","Baker and Coombs Windows; 13 negatives","Dr. Maurice Brokks, Biology and Forestry Professor, Wildlife Management, Natural History, Ornithologist, West Virginian of the Year, Conservationist; 18 negatives","Theater Interiors, Creative Arts Story; 11 negatives","WVU Library; 14 negatives","WVU Library; 5 negatives","View of Med Center from Pierpont Hall; 2 negatives","Armstrong Hall, Building; 4 negatives","Med Center, Pylons; 19 negatives","Student Union Building, Mountainlair; 4 negatives","Mountainlair Construction; 4 negatives","Mountainlair Construction; 4 negatives","Mountainlair Construction; 3 negatives","Oglebay Hall, Historic Building; 7 negatives","Summit Hall, Building; 4 negatives","IBM Computer Installation, Publication Office; 2 negatives","IBM Typesetting in Printing Composing Room;","Transatlantic Debators; 7 negatives","Professor Moody E. Prior, Portrait, born 1901 in Fatsa Turkey, died Oct. 25 1996, Prof. Emeritus of English at Northwestern U., authority on Shakespeare, awarded Northweatern University Alumni Medal - highest honor given to Northwestern graduates; 1 negative","Mr. Harry Ernst, Director of University Relations, Portrait; 2 negatives","WVU TV Tower Site; 6 negatives","Joe Leonard, Director of Coal Research Bureau at WVU, Portrait; 4 negatives","Engineering - Super Wood; 9 negatives","Highschool Wrestling Tournament; 10 negatives","Variety Show at Towers; 22 negatives","Variety Show at Towers; 17 negatives","Physical Education, Archery Class; 9 negatives","Engineering - Space Craft Diagrams; 6 negatives","Commencement Honoraries, Portrait; 12 negatives","State Science Fair; 12 negatives","International Night; 5 negatives","Ash Brick Pilot Plant; 4 negatives","Norm Parsons, Intramural Director; 4 negatives","WVU Choir Album Cover \"Songs of West Virginia\"; 2 negatives","16 mm Movie Camera used on copy work, Radio and TV; 9 negatives","Drama Publicity Photos; 3 negatives","Tom Gulli Ford, Swimming, Portrait; 4 negatives","Bill Martin, Dance; 5 negatives","Engineering Slides for Dr. Moore; 14 negatives","Civil Engineering Asphalt Research; 25 negatives","Widebusch Family, Group; 7 negatives","Orchesis, Student Dance Group;  12 negatives","Don Knotts, Group; 1 negative","National Science Foundation Grants; 11 negatives","W. Va. Collection, Library, Homecoming; 32 negatives","Budd Udell Conducting, WVU Marching Band Director, 7th Director 1965-69, d.o.d. Feb. 4 2006, Group; 12 negatives","Orchesis, WVU Student Dance Group; 35 negatives","Bob Iden, Managerof Printing Services; 12 negatives","Oglebay Hall with Mast, Historic Building; 5 negatives","Elizabeth Moore Hall, Historic Building; 8 negatives","Jeff Warren; Portrait; 4 negatives","Charles Peter Yost; Dean of Physical Education, Portrait; 3 negatives","Computer Center; 27 negatives","Aerial Photos of Med Center and Mountainlair; 8 negatives","Aerial Photos of Towers, Pierpont Hall and Mountainlair; 5 negatives","Med Center; 3 negatives","Creative Arts Center; 6 negatives","Stewart Hall, Historic Building; 2 negatives","Agricultural Science Buiding; 4 negatives","Coliseum; 2 negatives","Evansdale Campus, Towers, Med Center; 7 negatives","Mont Chateau Lodge, opened June 7 1958, WVU Geological and Economic Survey; 4 negatives","Mountainlair Night View; 3 negatives","Library Walk; 4 negatives","Library Exterior View; 8 negatives","View of Woodburn Circle from Oblebay Plaza; 3 negatives","Woodburn Circle; 2 negatives","Jazz Band; 4 negatives","WVU Band, Group; 16 negatives","Dave Shamberger, Portrait; 8 negatives","Agriculture, Dr. O.J. Burger (standing), Martin Piriber (speaker); 9 negatives","Hubert H. Humphrey Speaking at WVU Centennial Celebration, Vice President, 100th Anniversary Event; 3 negatives","Jeff Davis, Portrait; 6 negatives","Commencement; 2 negatives","Commencement, Senator Jennings Randolph, Senator Robert C. Byrd, Acting WVU President Harry B. Heflin, Irvin Stewart, the Order of Vandalia; 37 negatives","Scenes from \"West Side Story\", Theater Production; 23 negatives","Scenes from \"West Side Story\", Theater Production; 16 negatives","\"The Maids and Deathwatch\", Theater Production; 9 negatives","Med Center, News and Info;","Engineering Department, Professor Jones, Group; 2 negatives","Mountaineer Spirit, Female Portrait; 6 negatives","Ash Brick Pilot Plant; 4 negatives","Future Farmers of America; 93 negatives","Louise Keener, Portrait","Fine Arts Camp, Music; 4 negatives","Chemical Engineering Slides, Dr. Jones; 6 negatives","International Program, Group; 8 negatives","Legislative Committee, Interim, Group; 11 negatives","Views from Oglebay Plaza, Traffic Study, Main Campus; 11 negatives","Woodburn Hall Clock Tower in Snow, Historic Building; 3 negatives","Coal Research, Insulation Samples, C. McFadden; 16 negatives","Coal Research, Insulation Samples, C. McFadden; 4 negatives","Jack Porter, Portrait, Development Office; 2 negatives","Frank Carlonheno, Portrait; 4 negatives","Bill Haden, Higher Education Administration, Portrait, Educational Fundraising, founding member of WV Promise Schoarship Programs Board of Control, he held positions in Development/Alumni Relations and Public Affairs, 17th President of WV Wesleyan College in 1995; 2 negatives","Senator Robert C. Byrd Visit - Flyash Based Brick, Harry Heflin; 18 negatives","Theater Production, \"Who's Afraid of Virginia Woolf\"; 22 negatives","Drama to Forensic Festival; 15 negatives","Southern Conference Awards, Athletic Publicity, Group; 4 negatives","Centennial Celebration Seal; 2 negatives","Mad Women, Portrait; 20 negatives","Harold Neely, Portrat; 6 negatives","First Brick Story; 10 negatives","\"The Mad Woman of Chaillot\", Theater Production; 10 negatives","Harry Ernst, Director of University Relations, Portrait; 5 negatives","Dan Bond, WVU 100th Anniversary, Group; 4 negatives","Coliseum Architectural Model; 6 negatives","Dr. Harlow, Portrait; 4 negatives","Paul W. DeVore,Professor of Industrial Arts, Portrait, Influential in the establishment of nation's first Department of Technology","Richard Gardner, Controllers Office, Portrait; 4 negatives","Mountainlair Art Gallery; 4 negatives","Students playing at Mountainlair Game Center; 12 negatives","Athletic publicity, Carlen's family; Jim Carlen - head coach, 1966-1969, record 25-13-3 (.658). Governor Joe Manchin was a quarter back on his first team. Son: James Carlen, Jr., stepdaughters: Caty, Carol","WVU Athletic Council Award; Senior Athletic of the Year 1967-1968","Formerly state park lodge","Phy. Ed.; 1994 Inducted into the Professional Hall of Fame in the School of Physical Education","Wardensville field day; Hardy Co.; Reymann Memorial Farms","Dean Arents' Office; Dean Chester A. Arents, School of Engineering; group of 3 on left; large group - Arents sitting on right","Stan Romanoski, coach","Engineering; climatologists","First trumpet - with WVU Orchestra; Trumpet professor and assistant chairman of the school of music at WVU; authored The Trumpeter's Handbook; attended the preparatory department of the Eastman School of Music and graduated with honors.","Dept. of Psychology; Charles D. Corman; Oglebay Hall","Shanbeyer, Luchack, Rhodayal, etc.","Daniel O'Sullivan; plus campus views","Dr. Porter; Charley","Engineering Department; Asten","Mary Filler Wiley","Electrical Engineering?","Theoretical and applied mechanics; mechanics engineering","Jim Hawkins with girl","Morgantown Farm","Pharmacy Meeting at Towers","Mrs. Adalene \"Bobbie\" Rae Harlow; elementary teacher; 1912-2004; James G. Harlow (1912-1978)","Engineering school; Dean Arents - left","Edmundo Elmore; Pan America Health Union","Gamma Sigma Delta","Lazor; Engineering Department","Dean Arents 2nd from right; PHS, Cincinnati Solid Waste Program","For Nick","American radio reporter, best known for his dramatic report of the Hindenburg Disaster","Livestock Farm","W.Va. Department of Mental Health; Pub. at Towers","Dave Tork","Athletic Department; Richard Poland","Engineering - Smith; Dean Chester A. Arents - center","Proofs straight to Poland","L - Darrell V. McGraw, Jr.; M - Walter Beach - Assistant Director of the American Plitical Science Assn. in Washington; R. Dr. David G. Temple - WVU Assistant Professor of Political Science and Project Assistant","Taught folklore; dulcimer player; collected ballads; Monticola advisor","Collegium Musicum","Oliveria visit; Engineering Department","Warren G. Tennant - Groundskeeper; Chinquapin (yellow) oak","History Symposium: Jesse H. Stuart (aug. 8, 1907 - Feb. 17, 1984) - flat top hair, author, writer, Appalachia; unknown - bald guy; Dr. Lewis Hanke (born 1905), Columbia U., historian colonial, Latin America studies","Comedy Manners; Left: Bod Merriam \"Lord Peter Teazle\"; Right: Evy Andrews \"Lady Teazle\"","Roll 6","Preston Co, WV; Garrett Co, MD; few remaining Boreal Bogs","With Lloyd M. Jones; refund of sales tax from State Tax Commissioner for refund of sales tax inadvertently paid to state of WV on room/meals for athletes in dorms paid from athletic fund","Benedum Professor of Education, 68-86","Steel Students Classroom","Professor, Dr., Chair, Animal Veterinary Science; AI-VS; B - April 3, 1917, D - August 23, 2001; retired in 1979","Bob Crawford","Poster for Executive Conference","Boyle","Back row - far right; Stan Romanoski, Carl Hatfield","Sports Info Director","Red Brown","Professor of Agriculture","Agronomist, agriculture, professor of plant soil science","Chair, doctor, professor, horticulture, marigolds, roses","Plant, physiology, science","Doctor, plant, science, physiology, agriculture","Doctor, chair, agriculture","Physiology, reproductive, professor, doctor, animal, nutritional, science, Davis College","Doctor, plant, agriculture, science","Doctor, plant, science, agriculture","Doctor, professor, animal, carcass, beef, agriculture","Agriculture, soil, chemistry","Professor, extension, plant, pathologist, entomologist, golden delicious apple","Woodburn, freshmen, football, field, bleachers, athletics, team","Professor, patent examiner, law","Health Science lab","Display set up in Mountainlair","Group and individual","J. Fannucci","Faculty Dean, Business and Economics; Died Feb. 16, 1998","With Donald C. Portnoy, conductor","Drama, theater, comedy, commedia, masked","Duncan","Diving, swimming, coaching; Coached for 30 years, record 290-159-2","Chitwood Hall, Stewart Hall, Martin Hall","Benjamin Linsky - Professor of Sanitary Engineering (air pollution) and Director of Graduate Air Pollution Control Engineering Training Program.","Contemporary, classical, musical, choir, choral, singer, chamber, instrumental, soloist","Professor, art, chair","Collection, free-form, poem, fictional, town, spoon, river","Davis College; Professor, reproductive, physiology, agriculture, faculty","Musicians, trombone, trombonists, musical, drum, chamber","P. County; L-R Larry Kelly, Harold Taylor, Rex Taylor, Richard Glass, voc. teacher, Allen Colebant","Henry Clay Furnace; Iron Furnace - Cooper's Rock State Forest. Built between 1834 and 1836","College of Commerce","Not Bob Brown?","Music, chamber, musicians; Philip Faini - faculty, Dean-Emeritus, College of Creative Arts","Dick Smith","TV tower; motion picture staging","U.S. Representative from Indiana, Nov. 21, 1894 - Dec. 5, 1984, women's rights","Developmental psychologist, professor, chair, author, editor","Founded World Music Center, worked in radio, television and with symphony orchestras; dean, educator, administrator, jazz, theory, African, music, percussion, ensemble","For engineering brochure","Eng. Elect.; Nelson Smith","Dave Zirz","News and Info; Ernst","Left, sitting; Doctor, professor, chair, mathematics","Music; Washington Trip","Chemistry building architecture; Clark Hall, Annex","Bookstore, WVU plate","Coach - Stan Romanoski","Doctor, music professor","Mike Sherwood, football, QB 1968-1970; Robert N. \"Red\" Brown, athletic director","Dick Smith, Dr. Moore","Professor of history; Order of Vandalia - June 1, 1964; Chitwood Hall (Science Hall) renamed 1972 in honor of Dr. Chitwood","Chemical engineering, fossil energy research, coal technology, professor; Inductted 4-25-1986 into the Academy of Chemical Engineers","Ruth E. Robinson - bookstore manager, Dr. Harry Heflin - V.P. of Finance, President","Intimate relationships, human sexuality, social work","With crutch - Jerry Stewart, other male?; catalog made","Basketball coach","1925-1981; Writer, professor, novelist, magazine founder, poet, editor, critic, teacher","Professor of Industrial Engineering","Professor of biology, chairman","FAlconer, bird, red tailed hawk, prey, dog, bull terrier","Author, children's books","Dean, professor of education, college of human resources and education, chair of secondary education","Chair, sociology","Foreign student coordinator, professor of military science","Fashion design lecturer","Born 1913, Died 4-27-2008; soprano, opera, voice professor","1928- Chemical Engineering, fossil energy research, coal technology, professor; inducted 4-25-1986 into the academy of chemical engineers","Doctor, director of admissions, record; B. Feb. 17, 1916, D. Jan. 2, 2001","Professor, agriculture, biochemistry, nutrition","1867-1875 first president, Methodist minister, educator, pastor, professor, greek; Designed WVU's seal; B. Jan. 24, 1822, D. Dec. 16, 1895","Professor, forestry, wildlife management","Dr. Franklin Parker, Betty J. - Forum Festival","Louis F. Tanner Distinguished Professor of Public Accounting; professor, director, accounting, CPA","Doctor, director, student, health, service, physician","Doctor, professor, emeritus, music, horn, theory, viola","Author, social work","Faculty, English","Health Science, physiology, meat animal, USDA","Faculty, professor, English","Appalachian Center Area Program Chairman, Parkersburg","Doctor, researcher, chairman, biology; Oct. 8, 1932-March 18, 2010","Faculty, professor, doctor, plant physiology, ecology, conservationist","Monticola advisor, professor, journalism","B. Mar. 12, 1922, D. Oct. 29, 1989; Professor Emeritus, animal and veterinary sciences, College of Agriculture and Forestry, consumer sciences","Victorian Age specialist, English Department","Doctor, psychology, professor, chair, author","This series contains an index to the first part of Series 1, boxes 1 to 35 or 36. The index is arranged in alphabetical order by subject and spans from ca. 1964-1987. This listing reproduces the tabs in the index in full; subheadings are represented by a sampling within parentheses.","This series includes aerial photographs and accompanying transparencies and negatives of West Virginia University Hospital, Monongalia General Hospital, Morgantown and WVU (Downtown and Evansdale Campuses, the Coliseum, Mountaineer Field), and more. Subjects also include Agriculture Science Building, Allen Hall, Appalachian Center, Bureau of Mines, Coliseum, Construction \u0026 Excavation of New Law Center, Creative Arts Center, Downtown Campus, Downtown Morgantown with River, Evansdale Campus, Field House, Forestry Building, I-79 Uffington Interchange, Interstate including Westover Exchange, Law School, Livestock Farm, Medical Center, Mountaineer Field, Mountainlair, Mt. Chateau, New Dairy Facility, Physical Plant, Prospective Stadium Site, PRT, Stadium, Towers, and more.","This series of proofs from glass plate negatives were created for an unspecified Bicentennial Celebration project (possibly celebrating the National Bicentennial in 1976). There is an original numbered list of the historic prints (see box 103, folder 1). Subjects include people in safety gear, Mechanical Hall, Students in lab, Commencement Hall, Library Reading Room, Library Administration, Greenhouse construction, Horticulture grounds \u0026 building, Woodburn Circle, WVU Campus shots, Agricultural Station, Martin Hall, Oglebay Hall, Science Hall, Stewart Hall, Entomology Room, Dr. J. A. Myers, Students (Elmer Leach, Edith Ice, etc.), Episcopal Hall, Reynolds Hall, Football, E. Moore Hall, Chemistry lab, Presidents House, Falling Run, Armory, Faculty Club House, Astronomy class, Views of Campus from varying vantage points, Drama, Clubs, President John Rhey Thompson, President Thomas E. Hodges, President Frank Butter Trotter, President J. L. Goodknight, Andrew D. Hopkins, A. J. Dadisman, Various faculty (James Stewart, R. A. Armtstong, George T. Brooks, Sam Brown, P. B. Reynolds, Thomas Hodges, etc.), WVU Military Unit, Monongahela River \u0026 Seneca Station, and South Park.","This series documents WVU campus life and activities. The slides were originally bound in large three ring binders; all slides have the copyright symbol and the word Mellott printed on them. Subjects in this series include agriculture, basketball, Clark Hall, classrooms, convocation, Creative Arts Center, Football, Graduation, Law School, Library, and Woodburn Hall, among other topics.","This series includes digital photographs copied to a server from discs (these discs are currently in boxes 113-114); prints of a limited number of the digital photos are available in box 112. Subjects in this series include campus scenes, football, sports, nature, miscellaneous, and duplicate prints.","This series consists of proof sheets of images taken between ca. 1965-1999 by the News Service that depict daily life and scenes from both the Downtown WVU Campus and the Evansdale Campus. Subjects include athletics, candid shots, classrooms, construction, group portraits, Morgantown, scenes and views, and WVU. See Contents List for range of project numbers. These project numbers also correspond to the project numbers in Series 1 and 2.","This series consists of prints, negatives, slides, transparencies, and correspondence from special projects; many of the images were used in the Alumni Magazine. Subjects found in this series include Baroque Ensemble, Bicentennial House, CAC, Campus Prints, Hillary Clinton, Jay Rockefeller, Shell Building, Transparencies, WVU Extension Services, and more.","This series consists of a collection of slides and negatives in 62 small plastic boxes, many of which are unidentified. Subjects include students on campus, special events like races, campus buildings, the Mountaineer mascot, students in science labs, and more.","This series consists of slides in sleeves. Many sleeves include project information such as invoice number and photographer. Subjects in this series include athletics, campus life, candid and group shots, construction, Morgantown, and more. See Contents List for a more detailed list of subjects.","This series includes prints and negatives on subjects related to WVU history. Subjects in this series include agriculture, boats, Buck Harless, historic Morgantown, historic WVU, Institutional Advancement Flood Relief, Kearneysville Farm, Reymann Farm, Stewart Hall, and more.","This series includes 8 x 10 transparencies and prints pertaining to WVU. Subjects include White Hall, WVU Rifle Team, Medical Center pylons, Learned Ladies Play, New River white water rafting, football, WVU campus, and more.","This series consists of transparencies arranged alphabetically by subject. Subjects in this series include agriculture, campus buildings, athletics, portraits, and more.","This series consists of prints and negatives of WVU faculty portraits and other material.","This series consists of miscellaneous negatives and prints and a key to an old filing cabinet.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Photographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files. See Scope and Content note for more information.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia University","West Virginia University--Faculty.","English"],"unitid_tesim":["A\u0026M 5188","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3918"],"normalized_title_ssm":["West Virginia University, News Service, Photographs"],"collection_title_tesim":["West Virginia University, News Service, Photographs"],"collection_ssim":["West Virginia University, News Service, Photographs"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Morgantown (W. Va.)"],"geogname_ssim":["Morgantown (W. Va.)"],"places_ssim":["Morgantown (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["West Virginia University - buildings.","West Virginia University  -- Students"],"access_subjects_ssm":["West Virginia University - buildings.","West Virginia University  -- Students"],"has_online_content_ssim":["false"],"extent_ssm":["152.7 Linear Feet Summary: 152 ft. 8 in. (111 record cartons, 15 in. each); (16 note card boxes, 3 in. each); (1 note card boxes, 4 in.); (4 document cases, 2 1/2 in. each); (21 document cases, 5 in. each)"],"extent_tesim":["152.7 Linear Feet Summary: 152 ft. 8 in. (111 record cartons, 15 in. each); (16 note card boxes, 3 in. each); (1 note card boxes, 4 in.); (4 document cases, 2 1/2 in. each); (21 document cases, 5 in. each)"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e","\u003cp\u003eColiseum, Proposed Drawing; 2 negatives\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Coliseum, Proposed Drawing; 2 negatives"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], West Virginia University, News Service, Photographs, A\u0026amp;M 5188, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], West Virginia University, News Service, Photographs, A\u0026M 5188, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e5188, 5212, 5213, 5038\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["5188, 5212, 5213, 5038"],"scopecontent_html_tesm":["\u003cp\u003ePhotographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files.\u003c/p\u003e\n","\u003cp\u003eThis collection includes 15 series:\u003clb\u003e\u003c/lb\u003e\nSeries 1. Project Files; ca. 1964-2007; boxes 1-89.\u003clb\u003e\u003c/lb\u003e\nSeries 2. Index to Project Files; ca. 1964-1987; boxes 90-101b.\u003clb\u003e\u003c/lb\u003e\nSeries 3. Aerial Prints; ca. 1961-1984; box 102.\u003clb\u003e\u003c/lb\u003e\nSeries 4. \"Bicentennial Collection\"; ca. 1890-1925; boxes 103-104.\u003clb\u003e\u003c/lb\u003e\nSeries 5. Slides; ca. 1980-1992; boxes 105-111.\u003clb\u003e\u003c/lb\u003e\nSeries 6. Digital Photographs; ca. 2000-2005; boxes 112-114.\u003clb\u003e\u003c/lb\u003e\nSeries 7. Proof Sheets; ca. 1965-1999; boxes 115-117.\u003clb\u003e\u003c/lb\u003e\nSeries 8. Special Project Files; ca. 1965-2001; boxes 118-120.\u003clb\u003e\u003c/lb\u003e\nSeries 9. Slides in Boxes; ca. 1990-1998; box 121.\u003clb\u003e\u003c/lb\u003e\nSeries 10. Slides in Sleeves; 1980-1998; boxes 122-134.\u003clb\u003e\u003c/lb\u003e\nSeries 11. Subjects; ca. 1950-1992; boxes 135-138.\u003clb\u003e\u003c/lb\u003e\nSeries 12. Transparencies 8 x 10; undated; box 139.\u003clb\u003e\u003c/lb\u003e\nSeries 13. Transparencies File; ca. 1970-1985; boxes 140-143.\u003clb\u003e\u003c/lb\u003e\nSeries 14. WVU Faculty Portrait Prints; 1960-1969; box 144.\u003clb\u003e\u003c/lb\u003e\nSeries 15. Miscellaneous Material; undated; box 145.\u003c/p\u003e","\u003cp\u003eThis series includes prints, proofs with negatives, and digital files on discs. Each set of images is identified with a project number.  Projects are divided into two subseries.  Project numbers range from 2 to 10182 in the first subseries and 1-B to 24,549-B/C/DC in the second subseries. Discs start appearing in box 87, project number 21513-DC (2001/07/31). Types of photograph include candid shots, portraits of individuals, group portraits, and facilities.  Subjects include WVU athletics, campus scenes, classrooms, construction, faculty, staff, special events, and more.  See Series 2 description for additional subjects. Series 2 contains an index to the content of boxes 1 through 35 or 36 (ca. 1964-1987).  See Contents List for range of project numbers in each box; please note that not all project numbers are present in the corresponding box.\u003c/p\u003e","\u003cp\u003eKick-Off Banquet, Greater University Drive; Governor Smith; President Paul A. Miller; Governor Smith with sword; 31 negatives\u003c/p\u003e","\u003cp\u003eArchery, Physical Education; 9 negatives\u003c/p\u003e","\u003cp\u003e5 negatives; professor English (Clyde) portrait; Division of Music; English Department; 5 negatives\u003c/p\u003e","\u003cp\u003eTerra-Alta, Biological Study; John L.; 4 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Student Instructors; Pat Tork; 4 negatives\u003c/p\u003e","\u003cp\u003eThomas Manley, \"National Teacher of the Year\"; Bill Criswell; 1 negative\u003c/p\u003e","\u003cp\u003eKeith Glancy; B. Criswell; catalogue made; 1 copy negative\u003c/p\u003e","\u003cp\u003eJoe Hutchinson; 6 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Laundry Room; Pat Tork; 2 negatives\u003c/p\u003e","\u003cp\u003eMr. Wagner; Education; Dr. Jarecke; 3 negatives\u003c/p\u003e","\u003cp\u003ePresident's House, light fixtures; Jim Reed; 3 negatives\u003c/p\u003e","\u003cp\u003eGlenlock Hall, Housing; Shaffer; 3 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Rifle Practice; Pat Tork; 7 negatives\u003c/p\u003e","\u003cp\u003eNelson Smith, Portraits; 4 negatives\u003c/p\u003e","\u003cp\u003eKathy Omari [?], Portrait\u003c/p\u003e","\u003cp\u003eIndustrial Engineering Conference; Ray Shaffer; 14 negatives\u003c/p\u003e","\u003cp\u003eDan Boggs, Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eDan Bond, Portrait; 1 negative\u003c/p\u003e","\u003cp\u003eNeil E. Bolyard, Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eGordon R. Thorn, Assistant Director of Student Education Services; Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eConference on Poverty; George Kirk; 33 negatives\u003c/p\u003e","\u003cp\u003eSafety Education; Dr. Yost; 3 negatives\u003c/p\u003e","\u003cp\u003eStudent Affairs, Student Body; 8 negatives\u003c/p\u003e","\u003cp\u003eJim Watkins; 1 negative\u003c/p\u003e","\u003cp\u003eGovernor Hulett C. Smith; Democrat; 1965-1969; 3 negatives\u003c/p\u003e","\u003cp\u003eParking Lot; Criswell; 3 negatives\u003c/p\u003e","\u003cp\u003eCriswell; Copy; 1 negative\u003c/p\u003e","\u003cp\u003eStudent Affairs, Staff Meeting; 3 negatives\u003c/p\u003e","\u003cp\u003eCamp Dawson; 18 negatives\u003c/p\u003e","\u003cp\u003eAthletic Publication- Football, Cheerleaders; 18 negatives\u003c/p\u003e","\u003cp\u003eMartha Harris; 4 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Auto Presentation; Dr. Yost; 4 negatives\u003c/p\u003e","\u003cp\u003eStudent Union, Bid Opening; Criswell; 8 negatives\u003c/p\u003e","\u003cp\u003eEducation Workshop; Groupe; 2 negatives\u003c/p\u003e","\u003cp\u003eDrama Production of \"The Women\"; Boyd; 10 negatives\u003c/p\u003e","\u003cp\u003eWest Virginia Collection, Library; Shetler; 17 negatives\u003c/p\u003e","\u003cp\u003eCobalt Vault, Engineering; Mr. Boyle; 2 negatives\u003c/p\u003e","\u003cp\u003eMrs. Bachman, Board of Governors; Portrait; 1 negative\u003c/p\u003e","\u003cp\u003eFrank (Francisco) Herrera, Professor of Spanish; Foreign Languages; 1 negative\u003c/p\u003e","\u003cp\u003eWestern Electric Fund Scholarship, Presented to Brian Lautramus; Neil Bolyard; 4 negatives\u003c/p\u003e","\u003cp\u003eConference on Poverty; Kirk; 56 negatives\u003c/p\u003e","\u003cp\u003eBetty Boyd, Dean of Women; Potrait; 2 negatives\u003c/p\u003e","\u003cp\u003eComputer Center; Drake; 8 negatives\u003c/p\u003e","\u003cp\u003eComputer Center, Doctor Drake; 2 negatives\u003c/p\u003e","\u003cp\u003eComputer Center, Doctor Drake; 4 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Fencing; Photo by Mrs. Pearse\u003c/p\u003e","\u003cp\u003eAthletic Department, Baseball; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Walter H. Jarecke, Professor of Education, Director of Guidance; 1 negative\u003c/p\u003e","\u003cp\u003eEngineering, Slides; Dr. Wren; 23 negatives\u003c/p\u003e","\u003cp\u003eDr. John F. Golay, Provost Professor of History, Dean of Graduate Studies; Passport Photos; 4 negatives\u003c/p\u003e","\u003cp\u003eCommencement; 7 negatives\u003c/p\u003e","\u003cp\u003eRoy B. Clarkson, Botany, Plant, Biology; Criswell; 1 negative\u003c/p\u003e","\u003cp\u003eSnow Scenes of E. Moore Hall, the President's Home, Woodburn Circle; 6 negatives\u003c/p\u003e","\u003cp\u003eDepartment of Inter-Collegiate Athletics, Golf, Tennis; Dave Young; 7 negatives\u003c/p\u003e","\u003cp\u003eUniversity High School, Project; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Richmond Game; Music-Udell; 9 negatives\u003c/p\u003e","\u003cp\u003eBand Brothers; Criswell; 3 negatives\u003c/p\u003e","\u003cp\u003eSocial Work, Mrs. Blackburn; 8 negatives\u003c/p\u003e","\u003cp\u003eFrank Borkowski, Concert Orchestra Rehearsal; 17 negatives\u003c/p\u003e","\u003cp\u003eProfessor Perley Isaac Reed, Mountainlair; 12 negatives\u003c/p\u003e","\u003cp\u003eCommencement; Don Bond; 13 negatives\u003c/p\u003e","\u003cp\u003ePublications; Unknown; 2 negatives\u003c/p\u003e","\u003cp\u003eDave Jacobs, Phillipine Visitors; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Sarkesian; 8 negatives\u003c/p\u003e","\u003cp\u003eWVU Library, Reading Room; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU vs. Pittsburgh Game, Football, Band; Pittsburgh- 48 WVU-63; 8 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Homecoming Game; Virginia Tech; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, G.W. Game; Music- Udell; Last Game; 3 negatives\u003c/p\u003e","\u003cp\u003eBob Conners; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. James Henning, Chairman of the Department of Speech; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. William H. Mernyk, Economics; Criswell; 1 negative\u003c/p\u003e","\u003cp\u003eRed Brown Heart Fund Award; Barrett; 6 negatives\u003c/p\u003e","\u003cp\u003eScholarship, Bolyard; 27 negatives\u003c/p\u003e","\u003cp\u003eHealth Center; 10 negatives\u003c/p\u003e","\u003cp\u003ePhysical Lab Display; 2 negatives\u003c/p\u003e","\u003cp\u003eEd Sprague; 4 negatives\u003c/p\u003e","\u003cp\u003eProduction of \"American Dream\", Drama; Mr. Boyd; 2 negatives\u003c/p\u003e","\u003cp\u003eUnknown Subject, Criswell; 7 negatives\u003c/p\u003e","\u003cp\u003eDrama Production; Mr. Nels; 6 negatives\u003c/p\u003e","\u003cp\u003eChemistry Building, Annex Plan Drawings; 4 negatives\u003c/p\u003e","\u003cp\u003eBiology Department, Photos of Birds; Professor Birch; 8 negatives\u003c/p\u003e","\u003cp\u003eMechanical and Aerospace Engineering; 12 negatives\u003c/p\u003e","\u003cp\u003eWVU slides, Television Workshop, Department of Speech; 4 negatives\u003c/p\u003e","\u003cp\u003eRed Brown, Athletic Director; 3 negatives\u003c/p\u003e","\u003cp\u003eHigh School Drama Workshop; Sam Boyd; 4 negatives\u003c/p\u003e","\u003cp\u003eSocial Work Building; 4 negatives\u003c/p\u003e","\u003cp\u003eInterior of Arnold Hall; Women studying; 6 negatives\u003c/p\u003e","\u003cp\u003eMary Jane Schuster, Assistant Dean of Women; 2 negatives\u003c/p\u003e","\u003cp\u003eDave Jacobs, Portrait; 1 negative\u003c/p\u003e","\u003cp\u003eDean Ray Duncan; 4 negatives\u003c/p\u003e","\u003cp\u003eDrama, Unknown Play; Dr. Burrows; 8 negatives\u003c/p\u003e","\u003cp\u003eDrawing of Waitman Barbe by Louise Hennen; English Department; Newspaper Editor; 2 negatives\u003c/p\u003e","\u003cp\u003eThe Belcastro Trio, Joyce Breach, Music Practice; 24 negatives\u003c/p\u003e","\u003cp\u003eUnknown Subject, Dr. Diener; 1 negative\u003c/p\u003e","\u003cp\u003eJoyce Breach; 5 negatives\u003c/p\u003e","\u003cp\u003eWrestling, 1965 Winners; 2 negatives\u003c/p\u003e","\u003cp\u003eThe Belcastro Trio; 4 negatives\u003c/p\u003e","\u003cp\u003eBill Criswell; two negatives\u003c/p\u003e","\u003cp\u003ePolywood Charts, Engineering Department; Jim Kent; 12 negatives\u003c/p\u003e","\u003cp\u003eMusic Practice, Mrs. Lorrence [?]; 11 negatives\u003c/p\u003e","\u003cp\u003eNuclear Reactor, Physics Building; 9 negatives\u003c/p\u003e","\u003cp\u003eDr. Golay, Vice President; 5 negatives\u003c/p\u003e","\u003cp\u003eTwin Towers, West Virginia State Seal; 1 negative\u003c/p\u003e","\u003cp\u003eConcert Orchestra, Music Department; Borkowski; 4 negatives\u003c/p\u003e","\u003cp\u003eOpera Production; 24 negatives\u003c/p\u003e","\u003cp\u003eNuclear Reactor, Physics Building; 5 negatives\u003c/p\u003e","\u003cp\u003eCommerce Scholarship; Neil Bolyard; 4 negatives\u003c/p\u003e","\u003cp\u003eScouting Award, President Paul Miller; 4 negatives\u003c/p\u003e","\u003cp\u003eCreative Arts Building Model; 3 negatives\u003c/p\u003e","\u003cp\u003eMusic Department, Woodwinds; Small Group; Frank Borkowski; 5 negatives\u003c/p\u003e","\u003cp\u003eMiss Keener, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eCharles Wise, Board of Governors; 2 negatives\u003c/p\u003e","\u003cp\u003eDepartment of Engineering Slides, Dr. Wen; 20 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Wrestling, Pat Tork; 11 negatives\u003c/p\u003e","\u003cp\u003eMusic Meeting, Dean Duncan; 40 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Campus Residence Hall, Twin Towers; 2 negatives\u003c/p\u003e","\u003cp\u003eAmerican Arts Trio, Ruth Landes Drucker, Arno P. Drucker, Assistant Professor of Music; 8 negatives\u003c/p\u003e","\u003cp\u003eDr. Lambert, College of Engineering; 5 negatives\u003c/p\u003e","\u003cp\u003eScience Writing; 18 negatives\u003c/p\u003e","\u003cp\u003eDean Richard Duncan, First Dean of the Creative Arts Center; 1 negative\u003c/p\u003e","\u003cp\u003eIndustrial Engineering, Subject Unknown; 2 negatives\u003c/p\u003e","\u003cp\u003eMusic Production of the \"Devil and Daniel Webster; 20 negatives\u003c/p\u003e","\u003cp\u003eKappa Delta, Sorority House; 5 negatives\u003c/p\u003e","\u003cp\u003eEisland Hall, Views from in front of music building; 8 negatives\u003c/p\u003e","\u003cp\u003eState 4-H camp, Jackson Mills; Dave Johnson Display; Glen Snyder; 9 negatives\u003c/p\u003e","\u003cp\u003eLibrary, Criswell; 3 negatives\u003c/p\u003e","\u003cp\u003eJunior Achievement; Jim Watkins; 7 negatives\u003c/p\u003e","\u003cp\u003eRobert B. Smawley, Provost Office; 4 negatives\u003c/p\u003e","\u003cp\u003eIndustrial Engineering; Ray Schaffer; 17 negatives\u003c/p\u003e","\u003cp\u003eDr. Festivus P. Summers; Criswell; 1negative\u003c/p\u003e","\u003cp\u003eCriswell; Copies; 2 negatives\u003c/p\u003e","\u003cp\u003eTwin Towers, Evansdale; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Band at Camp Dawson, Udell; 11 negatives\u003c/p\u003e","\u003cp\u003eScience Writing; 4 negatives\u003c/p\u003e","\u003cp\u003eMilitary First Solo Flight,Cherokee 140; Cullen; 1 negative\u003c/p\u003e","\u003cp\u003eCharles Weakley, Chemistry Department; Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eEngineering, Chemical; Mr. Boyle; 9 negatives\u003c/p\u003e","\u003cp\u003eScholarship, Neil Bolyard; 22 negatives\u003c/p\u003e","\u003cp\u003eSam Boyd, Drama department; 8 negatives\u003c/p\u003e","\u003cp\u003eRadio and TV slides; Van Camp; 2 negatives\u003c/p\u003e","\u003cp\u003eDrama production of \"Don Juan\"; Sam Boyd; 4 negatives\u003c/p\u003e","\u003cp\u003eHumanities Conference, Dr. Ikenberry; 9 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Fencing; Mrs. Pearse; 13 negatives\u003c/p\u003e","\u003cp\u003eIndustrial Engineering, Mr Shaffer; 3 negatives\u003c/p\u003e","\u003cp\u003eForeign Offices, Criswell; 4 negatives\u003c/p\u003e","\u003cp\u003eStudent Affairs Group; Jim Watkins; St. Committee; 2 negatives\u003c/p\u003e","\u003cp\u003eNews-Info, Criswell; Copies; 2 negatives\u003c/p\u003e","\u003cp\u003eEngineering, Weirton Steel Display; 5 negatives\u003c/p\u003e","\u003cp\u003eRay Shaffer; 3 negatives\u003c/p\u003e","\u003cp\u003eNeil Bolyard, Scholarship; 2 negatives\u003c/p\u003e","\u003cp\u003eDr. Kennedy; Reading C; 2 negatives\u003c/p\u003e","\u003cp\u003eMain Campus Scene; Old Picture; 2 negatives\u003c/p\u003e","\u003cp\u003eMain Campus Air View, Old Picture; Fairchild Aerial surveys, Inc. NYC; 2 negatives\u003c/p\u003e","\u003cp\u003eir View Main Campus, May 6 1960; L.O. Myers; 2 negatives\u003c/p\u003e","\u003cp\u003eStudents walking around Woodburn Circle; 6 negatives\u003c/p\u003e","\u003cp\u003eIndustrial Engineering, Shaffer; 3 negatives\u003c/p\u003e","\u003cp\u003eMountainlair; 4 negatives\u003c/p\u003e","\u003cp\u003eIntramural Soccer; 2 negatives\u003c/p\u003e","\u003cp\u003eThe Daily Athenaeum Newsroom; 4 negatives\u003c/p\u003e","\u003cp\u003eMedical Center Dental Lab; 4 negatives\u003c/p\u003e","\u003cp\u003eRecreation; 2 negatives\u003c/p\u003e","\u003cp\u003eBiology Lab; 3 negatives\u003c/p\u003e","\u003cp\u003eAgricultural School, Research; 2 negatives\u003c/p\u003e","\u003cp\u003eGreek Charity Project, Downtown; 8 negatives\u003c/p\u003e","\u003cp\u003eEngineering Building, Air View; 2 negatives\u003c/p\u003e","\u003cp\u003eHistory Department Classroom; 2 negatives\u003c/p\u003e","\u003cp\u003eOgleby Hall; 2 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Campus, Air Views; 2 negatives\u003c/p\u003e","\u003cp\u003eProfessor Harold Cather, Chair of Mechanical Engineering; Portraits; 4 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering Conference; Dr. Schaub; 8 negatives\u003c/p\u003e","\u003cp\u003eTelephone Operators, Helen Criss; 3 negatives\u003c/p\u003e","\u003cp\u003eMilitary Ceremony, Major Wade; 11 negatives\u003c/p\u003e","\u003cp\u003ePresident Charles Wise Jr., Board of Governors; Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eProfessor Robert Slonneger, Mechanical Engineering; 2 negatives\u003c/p\u003e","\u003cp\u003eMargaret Lorince, Professor of Music; 6 negatives\u003c/p\u003e","\u003cp\u003eJulian Martin, Groupe; 4 negatives\u003c/p\u003e","\u003cp\u003eAerospace Symposium; Mr. Walters; 7 negatives\u003c/p\u003e","\u003cp\u003eMain Campus, Aerial View; 4 negatives\u003c/p\u003e","\u003cp\u003eMedical Center, Aerial View; 2 negatives\u003c/p\u003e","\u003cp\u003eForestry Building; 8 negatives\u003c/p\u003e","\u003cp\u003eThe Women; 4 negatives\u003c/p\u003e","\u003cp\u003eGroups-The Women; 9 negatives\u003c/p\u003e","\u003cp\u003eChemistry slides; Tony Winston; 6 negatives\u003c/p\u003e","\u003cp\u003eBook slides; Dr. Manning; 3 negatives\u003c/p\u003e","\u003cp\u003eSlide copies- Pygmies; 3 negatives\u003c/p\u003e","\u003cp\u003eStudent Government, Homecoming-Girls; 63 negatives\u003c/p\u003e","\u003cp\u003eUniversity Choir, Music Department; 6 negatives\u003c/p\u003e","\u003cp\u003ePresident Miller and Senator Randolph; Pen Presentation; 8 negatives\u003c/p\u003e","\u003cp\u003eEngineering Building; Shaffer; 2 negatives\u003c/p\u003e","\u003cp\u003eDr. Hess; 6 negatives\u003c/p\u003e","\u003cp\u003eBill Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eChemical Engineering, Mr. Bogle; 6 negatives\u003c/p\u003e","\u003cp\u003eChemical Engineering, Mr. Bogle; Udell; 7 negatives\u003c/p\u003e","\u003cp\u003ePep Rally for the WVU vs. Penn State Game, WVU band; Udell; Thuse; 10 negatives\u003c/p\u003e","\u003cp\u003eWVU Band; William and Mary Game; Udell; 5 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Citadel Game; Bud Udell; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Pre-season; Bud Udell; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Syracuse Game; Bud Udell; 7 negatives\u003c/p\u003e","\u003cp\u003eWelfare Department, Group photo; 17 negatives\u003c/p\u003e","\u003cp\u003eJames M. Mullendore Senior; 6 negatives\u003c/p\u003e","\u003cp\u003eRobert Iden-Nels; University photo; 9 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Campus views; Morgantown Ordinance; 8 negatives\u003c/p\u003e","\u003cp\u003eEngineering Department, charts and slides; M. Patterson; 13 negatives\u003c/p\u003e","\u003cp\u003eBiology Department; slides; 4 negatives\u003c/p\u003e","\u003cp\u003eHealth Center, Moving; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU High School Speech Institution, group photo; 3 negatives\u003c/p\u003e","\u003cp\u003eWVU Summer Art Institute, group photo; 4 negatives\u003c/p\u003e","\u003cp\u003eAmerican Arts Trio, Pianist Arno Drucker, Violinist Donald Portnoy, Cellist John Engbert; 15 negatives\u003c/p\u003e","\u003cp\u003eJoe Moss; 8 negatives\u003c/p\u003e","\u003cp\u003eGovernor Hulett C. Smith; 11 negatives\u003c/p\u003e","\u003cp\u003eEngineering Conference on Appalachia; 25 negatives\u003c/p\u003e","\u003cp\u003eEngineering Conference on Appalachia; 14 negatives\u003c/p\u003e","\u003cp\u003eInternational Night, Field House; 12 negatives\u003c/p\u003e","\u003cp\u003eEngineering Conference; 4 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering, Professor Fowler; 44 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering, Carter Tork; 12 negatives\u003c/p\u003e","\u003cp\u003eMusic Concert, Mr. Borkowski; 14 negatives\u003c/p\u003e","\u003cp\u003eWVU Band Day, Music Department; Bud Udell; 3 negatives\u003c/p\u003e","\u003cp\u003eOperetta, Joe Goltz; 17 negatives\u003c/p\u003e","\u003cp\u003eStudent Government, Executive Committee; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Lambert, lab and office; Criswell; 12 negatives\u003c/p\u003e","\u003cp\u003eChildren's Theater; 12 negatives\u003c/p\u003e","\u003cp\u003eMiss Morgantown \"1965\"; 9 negatives\u003c/p\u003e","\u003cp\u003eD. Brewer; 9 negatives\u003c/p\u003e","\u003cp\u003eWVU Drama Production; Thieves Cornwal; 10 negatives\u003c/p\u003e","\u003cp\u003eDr. Thomas Canning, Music Department; Criswell; 4 negatives\u003c/p\u003e","\u003cp\u003eFirst students at Evansdale Twin Towers; 12 negatives\u003c/p\u003e","\u003cp\u003eMusical Group-Brass, R. Sherman; 7 negatives\u003c/p\u003e","\u003cp\u003eGlenn Snyder, Group photo; 4 negatives\u003c/p\u003e","\u003cp\u003eFrank Carlomagno; Assistant Director of the WVU Foundation; 4 negatives\u003c/p\u003e","\u003cp\u003eEngineering Conference, Group photo; 3 negatives\u003c/p\u003e","\u003cp\u003eWVU Fine Arts Camp; Group Photo; 6 negatives\u003c/p\u003e","\u003cp\u003eLynn Duncan; 8 negatives\u003c/p\u003e","\u003cp\u003eIden Family photos; 10 negatives\u003c/p\u003e","\u003cp\u003eDrama Department, Phillips; 6 negatives\u003c/p\u003e","\u003cp\u003eOrchesis \"65\"; 27 negatives\u003c/p\u003e","\u003cp\u003eDr. Patterson; 3 negatives\u003c/p\u003e","\u003cp\u003eMorgantown High School, Wrestling team, 1 negative\u003c/p\u003e","\u003cp\u003eJohn Cook; 4 negatives\u003c/p\u003e","\u003cp\u003eWV State Wrestling, 7 negatives\u003c/p\u003e","\u003cp\u003eDrama Production, \"Lady Precious Stream\"; 10 negatives\u003c/p\u003e","\u003cp\u003eBill Criswell, woodworking; 12 negatives\u003c/p\u003e","\u003cp\u003eStudent Committee; Legislature; 9 negatives\u003c/p\u003e","\u003cp\u003eEngineering, Dr. Carter; 3 negatives\u003c/p\u003e","\u003cp\u003eWVU Library, Hess; 15 negatives\u003c/p\u003e","\u003cp\u003eWVU Band; 10 negatives\u003c/p\u003e","\u003cp\u003eDr. Stewart, Math Department; 7 negatives\u003c/p\u003e","\u003cp\u003eDr. Yost, Physical Education; 4 negatives\u003c/p\u003e","\u003cp\u003eLocusts; 4 negatives\u003c/p\u003e","\u003cp\u003eThomas Luther and Mrs. T.L. Harris, Order of Vandalia, Commencement; Honorary degree; HA Stansbury on right; 6 negatives\u003c/p\u003e","\u003cp\u003eNews and Info; 5 negatives\u003c/p\u003e","\u003cp\u003eWVU Showcase display, \"Student Life on Campus\"; 18 negatives\u003c/p\u003e","\u003cp\u003eDevelopment Office, Neil Bolyard; 6 negatives\u003c/p\u003e","\u003cp\u003eMr. Humphry, Chemistry Department, Presidential Award; 5 negatives\u003c/p\u003e","\u003cp\u003eAWS; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU extension, Forum teachers; 6 negatives\u003c/p\u003e","\u003cp\u003eOld Woodburn Hall, before 1900; 3 negatives\u003c/p\u003e","\u003cp\u003eBelcastro Trio, State Department; Criswell; 46 negatives\u003c/p\u003e","\u003cp\u003eDr. Kent, portraits; 6 negatives\u003c/p\u003e","\u003cp\u003eJulian Martin; 10 negatives\u003c/p\u003e","\u003cp\u003eCriswell, Speaker; 1 negative\u003c/p\u003e","\u003cp\u003eOld Mechanical Hall II; 2 negatives\u003c/p\u003e","\u003cp\u003ePeter Bonays; Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eForestry Sciences Building; Baker; 4 negatives\u003c/p\u003e","\u003cp\u003eDave Tork, GUD; 4 negatives\u003c/p\u003e","\u003cp\u003eGordon Craig, Speaker; Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eNeil Bolyard, Check presentation; 5 negatives\u003c/p\u003e","\u003cp\u003eDevelopment Office, Frank Carlomheno; 5 negatives\u003c/p\u003e","\u003cp\u003eBetty Boyd, Dean of Women; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Choir; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Drama production; Burrows; 14 negatives\u003c/p\u003e","\u003cp\u003eMusic- Summer camp; f. Borkowski; 2 negatives\u003c/p\u003e","\u003cp\u003eArt Department, Joe Moss; 25 negatives\u003c/p\u003e","\u003cp\u003eDr. A. Reed; 2 negatives\u003c/p\u003e","\u003cp\u003eEconomic Education Workshop; Maron Lee; 64 negatives\u003c/p\u003e","\u003cp\u003eWoman's Hall, Stalnaker; 15 negatives\u003c/p\u003e","\u003cp\u003eMiss McClure, Campus Cover Girl; 6 negatives\u003c/p\u003e","\u003cp\u003eMrs. Roger Sherman, dancing; 8 negatives\u003c/p\u003e","\u003cp\u003eMrs. Roger Sherman, dancing; 24 negatives\u003c/p\u003e","\u003cp\u003eCheerleaders, Physical Education; Bill Criswell; 7 negatives\u003c/p\u003e","\u003cp\u003eCobalt Vault, Forestry building; 9 negatives\u003c/p\u003e","\u003cp\u003eDevelopment Office, 99th Anniversary Dinner; 34 negatives\u003c/p\u003e","\u003cp\u003eScholarship Winners 1966, Neil Bolyard; 37 negatives\u003c/p\u003e","\u003cp\u003eWVU Drama Production, \"Dark of the Moon\"; Dr. Burrows; 19 negatives\u003c/p\u003e","\u003cp\u003eUnited Fund; 20 negatives\u003c/p\u003e","\u003cp\u003eRegional Wrestling Winners; 6 negatives\u003c/p\u003e","\u003cp\u003ePortnoy, Music department; 12 negatives\u003c/p\u003e","\u003cp\u003eBig Ten Wrestling; 6 negatives\u003c/p\u003e","\u003cp\u003eChamber of Commerce; 3 negatives\u003c/p\u003e","\u003cp\u003eMorgantown High School Wrestling, Robert De Antonisser 1964-1988; 12 negatives\u003c/p\u003e","\u003cp\u003eCoach Carlin, News Conference; 6 negatives\u003c/p\u003e","\u003cp\u003eOglebay Hall, exteriors; 5 negatives\u003c/p\u003e","\u003cp\u003eOffice of Physical Planning, copies of master plan; C. Wagner; 2 negatives\u003c/p\u003e","\u003cp\u003eDr. C.C. Patterson, Engineering; 9 negatives\u003c/p\u003e","\u003cp\u003eClassroom; 4 negatives\u003c/p\u003e","\u003cp\u003eChi-Omega Sorority; Criswell; 10 negatives\u003c/p\u003e","\u003cp\u003eRoad signs and radar, Civil Engineering; 24 negatives\u003c/p\u003e","\u003cp\u003eChas Tomas, Physics; 12 negatives\u003c/p\u003e","\u003cp\u003eSlides of old photos of Morgantown; Shetler; 32 negatives\u003c/p\u003e","\u003cp\u003eForestry Building entrance; 3 negatives\u003c/p\u003e","\u003cp\u003eCriswell, Speaker; 2 negatives\u003c/p\u003e","\u003cp\u003eJerry Andrick; 4 negatives\u003c/p\u003e","\u003cp\u003eCriswell, Speaker, Chemistry; 2 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education group photo; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU golfing; 7 negatives\u003c/p\u003e","\u003cp\u003eGary Zinn; 1 negatives\u003c/p\u003e","\u003cp\u003eNews and Information, St. Patrick's Day; 6 negatives\u003c/p\u003e","\u003cp\u003eOrchesis; 39 negatives\u003c/p\u003e","\u003cp\u003eOrchesis; 11 negatives\u003c/p\u003e","\u003cp\u003eWVU bookstore, Award winners; 3 negatives\u003c/p\u003e","\u003cp\u003eMusic Preparatory, M. Lorince; 15 negatives\u003c/p\u003e","\u003cp\u003eForestry classroom, Dr. Roch; 2 negatives\u003c/p\u003e","\u003cp\u003ePete Yost; \"All-State\"; 7 negatives\u003c/p\u003e","\u003cp\u003ePlay Day, Tork; 20 negatives\u003c/p\u003e","\u003cp\u003eAmerican Women Surgeons, group photo; 8 negatives\u003c/p\u003e","\u003cp\u003eState Future Farmers of America; 85 negatives\u003c/p\u003e","\u003cp\u003eLa Traviata, WVU Opera production; 21 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, group photo; Larry Castle; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU Women's Club; 31 negatives\u003c/p\u003e","\u003cp\u003eWVU computer music; 4 negatives\u003c/p\u003e","\u003cp\u003eEugene Quarrick; Behavioral Medicine and Psychiatry; 5 negatives\u003c/p\u003e","\u003cp\u003eArmand Singer, Professor of Romance Languages; 12 negatives\u003c/p\u003e","\u003cp\u003eMiss Sinkford; 15 negatives\u003c/p\u003e","\u003cp\u003eDepartment of Physics; 22 negatives\u003c/p\u003e","\u003cp\u003eWVU Women; 34 negatives\u003c/p\u003e","\u003cp\u003eJerry Parmer, Engineering Department; 12 negatives\u003c/p\u003e","\u003cp\u003eWVU Band Day, Udell; 2 negatives\u003c/p\u003e","\u003cp\u003eTextbook of Wood Technology, book photo; Chemical Engineering; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Library, interior views; 8 negatives\u003c/p\u003e","\u003cp\u003eWVU President Paul Ausborn Miller; 7 negatives\u003c/p\u003e","\u003cp\u003eEmory Bacon; 10 negatives\u003c/p\u003e","\u003cp\u003eFreshman Registration; 24 negatives\u003c/p\u003e","\u003cp\u003eDrawings for the Parkersburg Branch; perspective sketch looking toward southwest; 1 negative\u003c/p\u003e","\u003cp\u003eCultural Center; 5 negatives\u003c/p\u003e","\u003cp\u003eNews and Information; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Centennial Seal, 1867-1967; 1 negative\u003c/p\u003e","\u003cp\u003eSlides- men working at the river; Criswell; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Neisus, in his office reading the Appalachian Review; 2 negatives\u003c/p\u003e","\u003cp\u003eScholarship Presentation, Neil Bolyard; 4 negatives\u003c/p\u003e","\u003cp\u003eAthletic Department, Cross Country; 23 negatives\u003c/p\u003e","\u003cp\u003eWVU Fine Arts Camp, group photo; 2 negatives\u003c/p\u003e","\u003cp\u003eBoard of Public Works; 3 negatives\u003c/p\u003e","\u003cp\u003eCriswell; 1 negative\u003c/p\u003e","\u003cp\u003eBurger Chef; 4 negatives\u003c/p\u003e","\u003cp\u003eCharley Hockenberry; 5 negatives\u003c/p\u003e","\u003cp\u003eSlides by Professor Linsky; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU President Miller, Reception; 8 negatives\u003c/p\u003e","\u003cp\u003eLabor Conference, Fred Teller; 11 negatives\u003c/p\u003e","\u003cp\u003eLabor Studies, J. MacKensie; 50 negatives\u003c/p\u003e","\u003cp\u003eDean R. S. Dunbar JR.; 2 negatives\u003c/p\u003e","\u003cp\u003eConference on Manpower in Appalachia; Fred Teller; 57 negatives\u003c/p\u003e","\u003cp\u003eSlides by Jim Kent; 2 negatives\u003c/p\u003e","\u003cp\u003eNews and Information, speaker copies; 2 negatives\u003c/p\u003e","\u003cp\u003ePat Tork, passport photos; 2 negatives\u003c/p\u003e","\u003cp\u003eDr. Igor Sarkissian; 12 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering slides, Dr. Schaub; 10 negatives\u003c/p\u003e","\u003cp\u003eJamison, AWS; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Band Day, William and Mary game; Udell; 4 negatives\u003c/p\u003e","\u003cp\u003eRay Shaffer; 4 negatives\u003c/p\u003e","\u003cp\u003eForeign Officers Visit; 5 negatives\u003c/p\u003e","\u003cp\u003eDriver Training class, Physical Education; 4 negatives\u003c/p\u003e","\u003cp\u003eDave Tork, portraits; 5 negatives\u003c/p\u003e","\u003cp\u003eWVU Band Day, William and Mary game; 3 negatives\u003c/p\u003e","\u003cp\u003eEngineering Scholarship; Parmer; 6 negatives\u003c/p\u003e","\u003cp\u003eState Future Farmers of America Contest; 86 negatives\u003c/p\u003e","\u003cp\u003e\"A Professor Emerges in West Virginia, author Kermit A. Cook; 4 negatives\u003c/p\u003e","\u003cp\u003eDean Campbell; 2 negatives\u003c/p\u003e","\u003cp\u003eGreg Myers, WVU Soccer coach; 4 negatives\u003c/p\u003e","\u003cp\u003eForeign Student Committee; 4 negatives\u003c/p\u003e","\u003cp\u003eA. Larson; 3 negatives\u003c/p\u003e","\u003cp\u003eWVU Cross Country, group photos; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU vs. Citadel game; 7 negatives\u003c/p\u003e","\u003cp\u003eState High School Cross Country; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU musical production of \"Bye Bye Birdie\", Creative Arts Center; 15 negatives\u003c/p\u003e","\u003cp\u003eDr. Robert F. Munn, Provost and Director of Libraries; 2 negatives\u003c/p\u003e","\u003cp\u003eTheodora Schubert, first girl student in Forestry; 12 negatives\u003c/p\u003e","\u003cp\u003eEngineering slides- Radiation Intensity, Jim Kent; 6 negatives\u003c/p\u003e","\u003cp\u003eBill Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eE. Moore Hall, exterior shot; 1 negative\u003c/p\u003e","\u003cp\u003eWVU Law Building, exterior shot; 1 negative\u003c/p\u003e","\u003cp\u003eScholarship Awards for music, Mrs. Inberg; 4 negatives\u003c/p\u003e","\u003cp\u003eOrchesis; 14 negatives\u003c/p\u003e","\u003cp\u003eJoe Gluck, in his office; 6 negatives\u003c/p\u003e","\u003cp\u003eMusic Programs, Arno Druker; 9 negatives\u003c/p\u003e","\u003cp\u003eWilliam H. McMillion, passport photo; 5 negatives\u003c/p\u003e","\u003cp\u003eStudent Organization charts, J. Watkins; 15 negatives\u003c/p\u003e","\u003cp\u003eCentennial Film copies; 6 negatives\u003c/p\u003e","\u003cp\u003eCopies of speakers, Bill Criswell; 2 negatives\u003c/p\u003e","\u003cp\u003eChester A. Arents, Dean of the School of Engineering; 2 negatives\u003c/p\u003e","\u003cp\u003eQuint Wilson, Dean of Journalism; 2 negatives\u003c/p\u003e","\u003cp\u003eDr. Ernest Nesius, Dean of the College of Agriculture, Forestry, and Home Economics; 6 negatives\u003c/p\u003e","\u003cp\u003eJerry R. Luh, 1965 All-American Rifle Team portrait; 1 negative\u003c/p\u003e","\u003cp\u003eThomas C. Campbell, Dean of College of Commerce; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Physical Plant Custodial Award presentation; Carol Hose; 7 negatives\u003c/p\u003e","\u003cp\u003eWVU Fine Arts Camp, Don Portnoy; 159 negatives\u003c/p\u003e","\u003cp\u003eFine Arts Camp, music camp; 53 negatives\u003c/p\u003e","\u003cp\u003eWVU Music Camp; 12 negatives\u003c/p\u003e","\u003cp\u003eCaptain Cullen, Military Commission; 10 negatives\u003c/p\u003e","\u003cp\u003eGreater West Virginia Weekend; 24 negatives\u003c/p\u003e","\u003cp\u003eWVU Choir; Dr. Barton; 4 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers Lounge ; 10 negatives\u003c/p\u003e","\u003cp\u003eWVU Band Day, WVU vs. Penn State game; 8 negatives\u003c/p\u003e","\u003cp\u003eWVU band at Kentucky game; 8 negatives\u003c/p\u003e","\u003cp\u003eWVU President Don Bond, portraits; 3 negatives\u003c/p\u003e","\u003cp\u003eBoard of Education Grant for drama and cultural education; 132 negatives\u003c/p\u003e","\u003cp\u003eFuture Farmers of America, University High School chapter; 9 negatives\u003c/p\u003e","\u003cp\u003eDr. Arya; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Link Day; 8 negatives\u003c/p\u003e","\u003cp\u003eMr. Jones, WVU President's assistant; 2 negatives\u003c/p\u003e","\u003cp\u003eJulian Martin; 6 negatives\u003c/p\u003e","\u003cp\u003eslides, Dr. Moh, 2 negatives\u003c/p\u003e","\u003cp\u003eRaphael Bachman, Dean of Pharmacy; 2 negatives\u003c/p\u003e","\u003cp\u003eYork Junior College students; 6 negatives\u003c/p\u003e","\u003cp\u003ecopy for news service; 2 negatives\u003c/p\u003e","\u003cp\u003eNews Service, Dickerson; 2 negatives\u003c/p\u003e","\u003cp\u003eGuy Harry Stewart, Professor of Journalism; 13 negatives\u003c/p\u003e","\u003cp\u003eKenneth V. Randolph, Dean of School of Dentistry; 1958-1968; 4 negatives\u003c/p\u003e","\u003cp\u003eSnow scenes at WVU; pylons 2; 25 negatives\u003c/p\u003e","\u003cp\u003eRay Duncan, Dean of Physical Education; portraits; 7 negatives\u003c/p\u003e","\u003cp\u003eLeo Horacek, Professor Emeritus of Music; 4 negatives\u003c/p\u003e","\u003cp\u003eOfficers of the A.W.S.; 16 negatives\u003c/p\u003e","\u003cp\u003eRoy W. Bahl, Professor of Economics; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Choir; 5 negatives\u003c/p\u003e","\u003cp\u003eRichard E. Duncan, Dean of the Creative Arts Center; 6 negatives\u003c/p\u003e","\u003cp\u003eDr. Jay Barton, Chairman of the Biology Department; 6 negatives\u003c/p\u003e","\u003cp\u003eGeorge Kirk, Vice President of Finance; 4 negatives\u003c/p\u003e","\u003cp\u003eCharles E. Hockenberry, WVU coach; head football coach at WVU Institute of Technology 1947-1948; head baseball coach at WVU 1947; inducted into the WVU Sports Hall of Fame 2005; 1 negative\u003c/p\u003e","\u003cp\u003eJoseph Goltz, Director of the WVU Opera Group; First director; 4 negatives\u003c/p\u003e","\u003cp\u003eBen Linsky, Professor of Sanitary Engineering; Department of Civil Engineering; air pollution studies; 5 negatives\u003c/p\u003e","\u003cp\u003eAda Lease, portraits; 5 negatives\u003c/p\u003e","\u003cp\u003eCarolyn Reyer, Native American advocate; helped to develop the Native American History and Culture studies program 1991; singer- mezzo-soprano; established the Monongalia Riding for the Handicapped 1986; 8 negatives\u003c/p\u003e","\u003cp\u003eDr. Harry Heflin and Neil Bolyard, presentation of Texaco Scholarship; 5 negatives\u003c/p\u003e","\u003cp\u003eDr. James G. Harlow (right) and Mr. Norton (left) in ROTC office; 3 negatives\u003c/p\u003e","\u003cp\u003eSocial work group photo; 8 negatives\u003c/p\u003e","\u003cp\u003eDr. Howard Perry Simons; Chemical Engineering; 26 negatives\u003c/p\u003e","\u003cp\u003eJames A. Kent, Nuclear Engineering; Polywood; 45 negatives\u003c/p\u003e","\u003cp\u003eStanley O. Ikenberry, dean of the College of Human Resources and Education; 9 negatives\u003c/p\u003e","\u003cp\u003eLabor Institute at Mont Chateau; 6 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Twin Towers, exterior views; 5 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers, interior view- lobby; 2 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers, Bennett Tower and Lyon Tower, exterior views; 4 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers, Dining hall, dorm room; 10 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers, interior views of the lounge; 8 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Towers, exterior shots; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Swimming, Coach Kevin Gilson; publicity shots; 35 negatives\u003c/p\u003e","\u003cp\u003eWVU Choir, Joe Golz; 6 negatives\u003c/p\u003e","\u003cp\u003eVice President Hubert Humphrey, visit to WVU; 12 negatives\u003c/p\u003e","\u003cp\u003eWVU Physical Education group photo; Quentin Barnette- professor in the WVU School of Physical Education; 4 negatives\u003c/p\u003e","\u003cp\u003eWV Collection Story; photo 1- Fairmont ordinance, ad, and invoice; photo 2- Flood April 1, 1913; 4 negatives\u003c/p\u003e","\u003cp\u003eWV Collection- Military Story; photo 1- Woodburn Circle; photo 2- cannons between Woodburn Circle and Mountainlair; 4 negatives\u003c/p\u003e","\u003cp\u003eProtestors at the WVU Commencement; 12 negatives\u003c/p\u003e","\u003cp\u003eWVU Baseball, publicity shots; 57 negatives\u003c/p\u003e","\u003cp\u003eWVU Tennis and Golf; 23 negatives\u003c/p\u003e","\u003cp\u003eWVa Collection Story, librarians at work; 7 negatives\u003c/p\u003e","\u003cp\u003eMr. Preston Harper; 4 negatives\u003c/p\u003e","\u003cp\u003eRalph Bean in a meeting; 1 negative\u003c/p\u003e","\u003cp\u003eMr. Bray, Board of Governors; 1 negative\u003c/p\u003e","\u003cp\u003eWrestling- Southern Conference Tournament; 2 negatives\u003c/p\u003e","\u003cp\u003eTrack and Field photos, Stan Romanoski- WVU coach of the men's track and field and cross country teams; 30 negatives\u003c/p\u003e","\u003cp\u003eWVU College of Law, exterior shots; 7 negatives\u003c/p\u003e","\u003cp\u003eChemical Engineering Award Presentation; news service; 8 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering, road and billboard signs; 21 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education- Driver's Education cars; Dr. yost; 11 negatives\u003c/p\u003e","\u003cp\u003eNuclear Facility, Forestry Building; Boyles; 12 negatives\u003c/p\u003e","\u003cp\u003eThomas Gary Kenamondo, news and Information; 2 negatives\u003c/p\u003e","\u003cp\u003eRadio and Television productions; 16 negatives\u003c/p\u003e","\u003cp\u003eMr. Graber, WVU Drama Department; portraits; 4 negatives\u003c/p\u003e","\u003cp\u003eEngineering slides; joint mechanism of ultrasonic welding; 5 negatives\u003c/p\u003e","\u003cp\u003enature slides, News Service; 6 negatives\u003c/p\u003e","\u003cp\u003eMr. Bates, News-Service; 2 negatives\u003c/p\u003e","\u003cp\u003eSuper Wood; WVU engineering; experiment; 4 negatives\u003c/p\u003e","\u003cp\u003eEngineering and Bio-physics; TAM; 6 negatives\u003c/p\u003e","\u003cp\u003eLeo Fishman, Professor of Economics and Finance; 3 negatives\u003c/p\u003e","\u003cp\u003eDriver's Education Class; WVU Physical Education; 3 negatives\u003c/p\u003e","\u003cp\u003eUnion Carbide presentation, Engineering Department; 4 negatives\u003c/p\u003e","\u003cp\u003eNew York Bond Company; 6 negatives\u003c/p\u003e","\u003cp\u003eCollege of Commerce, Bankers Scholarship presentation; 7 negatives\u003c/p\u003e","\u003cp\u003eBud Udell, WVU Director of Bands at University High School; 7th band director 1963-1969; 7 negatives\u003c/p\u003e","\u003cp\u003eConstruction of the Creative Arts Center slides; 2 negatives\u003c/p\u003e","\u003cp\u003eRuel Foster, WVU English Department Chair; Benedum Distinguished Professor of American Literature; author of Appalachian literature; tennis coach; Order of Vandalia; 9 negatives\u003c/p\u003e","\u003cp\u003eslides of the Annals New York Academy of Sciences; 9 negatives\u003c/p\u003e","\u003cp\u003eWVU Engineering slides; 25 negatives\u003c/p\u003e","\u003cp\u003eDr. Dozo and Dr. Olson, visiting vets; 5 negatives\u003c/p\u003e","\u003cp\u003eWes Coppock; News-Service; 1 negative\u003c/p\u003e","\u003cp\u003eMargaret Lorince, WVU Director of Preparatory Music; assiatant Chair of Music; Assistant Dean of the CAC; Professor Emerita; 20 negatives\u003c/p\u003e","\u003cp\u003eJoe Moss, Kinetic Sculpture; West Virginia Moon; National Endowment for the Arts; 12 negatives\u003c/p\u003e","\u003cp\u003eSchool of Speech Communications, Leonard Davis; 21 negatives\u003c/p\u003e","\u003cp\u003eWeirton Story, News-Information; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU Nursery School on Campus Drive; children playing; 6 negatives\u003c/p\u003e","\u003cp\u003eEngineering slides, Blackshaw; 15 negatives\u003c/p\u003e","\u003cp\u003eMr. Brown, Commerce; 2 negatives\u003c/p\u003e","\u003cp\u003eAlumni Giving Incentive Award, Dave Tork; 3 negatives\u003c/p\u003e","\u003cp\u003ephotos of books by Earl L. Core, cover picture; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Computer Center; 12 negatives\u003c/p\u003e","\u003cp\u003eUSS West Virginia Mast Plaque; 10 negatives\u003c/p\u003e","\u003cp\u003eJohn Luchak; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Commencement; 27 negatives\u003c/p\u003e","\u003cp\u003eWVU Nursery School; 20 negatives\u003c/p\u003e","\u003cp\u003eErnie Jones in his office; 7 negatives\u003c/p\u003e","\u003cp\u003eHerman Godes, Pianist; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Clyde English, Head of Organ Department 1945-1980; 4 negatives\u003c/p\u003e","\u003cp\u003ePresbysterian Church Cross; 3 negatives\u003c/p\u003e","\u003cp\u003eMountainlair construction; 10 negatives\u003c/p\u003e","\u003cp\u003eDr. Harry Heflin, Vice President of Finance and Administration; 6 negatives\u003c/p\u003e","\u003cp\u003eParmer, Aero-Space; 5 negatives\u003c/p\u003e","\u003cp\u003eWVU Athletic Department picnic; 20 negatives\u003c/p\u003e","\u003cp\u003eJames Thompson in his lab; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Medical Center, night view; 3 negatives\u003c/p\u003e","\u003cp\u003eWVU Medical Center, front closeup; pylons; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Medical Center view from Evansdale Towers; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Varsity Wrestlers; 11 negatives\u003c/p\u003e","\u003cp\u003eWVU Varsity Wrestling Team; group photo; 3 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education Conference, Pete Yost; group photo; 4 negatives\u003c/p\u003e","\u003cp\u003e5th Annual WV AFL-CIO Summer Institute at Mont Chateau; group photo; 4 negatives\u003c/p\u003e","\u003cp\u003eJulian Martin at WVU graduation; 23 negatives\u003c/p\u003e","\u003cp\u003ePercival Hall- Forestry Center, night views; 5 negatives\u003c/p\u003e","\u003cp\u003eMr. Sledge, Student Affairs; 5 negatives\u003c/p\u003e","\u003cp\u003eWVU production of \"Carousel\"; Rodgers and Hammerstein; Boyd; 12 negatives\u003c/p\u003e","\u003cp\u003eportraits of Honoraries at 1966 WVU Commencement; 6 negatives\u003c/p\u003e","\u003cp\u003eWVU Band publicity shots; 12 negatives\u003c/p\u003e","\u003cp\u003eReverend Paine, Episcopalian; Clergy, Church; 7 negatives\u003c/p\u003e","\u003cp\u003eTwin Towers complex, drawing; 3 negatives\u003c/p\u003e","\u003cp\u003eColonel Jansen Retirement; 10 negatives\u003c/p\u003e","\u003cp\u003eFestival of Ideas, Humphrey, Etc.; 103 negatives\u003c/p\u003e","\u003cp\u003eRegistration at Field House; 9 negatives\u003c/p\u003e","\u003cp\u003eFine Arts Group; 3 negatives\u003c/p\u003e","\u003cp\u003eFrank Carlehemeno; 4 negatives\u003c/p\u003e","\u003cp\u003eSherlocker, Physical Education; 5 negatives\u003c/p\u003e","\u003cp\u003eCanning, Music Group; 4 negatives\u003c/p\u003e","\u003cp\u003eMilan; 32 negatives\u003c/p\u003e","\u003cp\u003eSocial Work, Portraits\u003c/p\u003e","\u003cp\u003eDrama, \"Kiss Me Kate\"; 11 negatives\u003c/p\u003e","\u003cp\u003eAngel Street; 14 negatives\u003c/p\u003e","\u003cp\u003eRepresentative of Ghana; 5 negatives, prints\u003c/p\u003e","\u003cp\u003eDanville, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDean Frasure, College of Arts and Sciences, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eDr. Thomas Canning with Carolyn Reyer; 2 negatives\u003c/p\u003e","\u003cp\u003eComputer Center; 4 negatives\u003c/p\u003e","\u003cp\u003eHUD Meeting at Mt. Chateau; Transportation; 12 negatives\u003c/p\u003e","\u003cp\u003eThomas Canning, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. William Miernyk, Economics Research, Portrait; 5 negatives\u003c/p\u003e","\u003cp\u003eDrama, Merchant of Venice; 9 negatives\u003c/p\u003e","\u003cp\u003eDonald Portnoy, Music, at Piano with Violin; 12 negatives\u003c/p\u003e","\u003cp\u003eTennis Action Shots; 8 negatives\u003c/p\u003e","\u003cp\u003eProfessor Jones, Chair, Electrical Engineering; 12 negatives\u003c/p\u003e","\u003cp\u003eChemistry Award; 2 negatives\u003c/p\u003e","\u003cp\u003eDrama; 12 negatives\u003c/p\u003e","\u003cp\u003eCreative Arts; 12 negatives\u003c/p\u003e","\u003cp\u003eLorensen, Law School, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Kelly, Vice President, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eDr. Halter, Portrait; 5 negatives\u003c/p\u003e","\u003cp\u003eVergil Clark, Head of Physical Plant, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003ePresident's Home; 12 negatives\u003c/p\u003e","\u003cp\u003eBiology, Dr. Chen, Culture Room; 8 negatives\u003c/p\u003e","\u003cp\u003eChemistry, Tony Winston, Labs; 55 negatives\u003c/p\u003e","\u003cp\u003eElectrical Engineering; 10 negatives\u003c/p\u003e","\u003cp\u003eGeneral Biology, Trees; 7 negatives\u003c/p\u003e","\u003cp\u003eCoopers Rock, Gorge Overlook; 17 negatives\u003c/p\u003e","\u003cp\u003eHunter with Dog; Ag-Forestry Bulletin, Roy Thomas, Magazine; 12 negatives\u003c/p\u003e","\u003cp\u003eOrchesis, Dance Group; 24 negatives\u003c/p\u003e","\u003cp\u003e\"Esso Story\"; President Harlow with Two Other Men; 6 negatives\u003c/p\u003e","\u003cp\u003eCanning and Brown, \"Composers\"; 2 negatives\u003c/p\u003e","\u003cp\u003eSafety Education Story; 11 negatives\u003c/p\u003e","\u003cp\u003eEngineering Project; 12 negatives\u003c/p\u003e","\u003cp\u003eAgronotty Awards; 6 negatives\u003c/p\u003e","\u003cp\u003eChemical Engineering, Coal Research; 9 negatives\u003c/p\u003e","\u003cp\u003eMen's Swim Team; 23 negatives\u003c/p\u003e","\u003cp\u003eComedy, Lysistrata; 9 negatives\u003c/p\u003e","\u003cp\u003eNational Merit Scholarship, President Harlow Speaking; 35 negatives\u003c/p\u003e","\u003cp\u003eRecreation Department, Senior Citizens; 8 negatives\u003c/p\u003e","\u003cp\u003eNew Band Uniforms; 3 negatives\u003c/p\u003e","\u003cp\u003eFine Arts Camp; 48 negatives\u003c/p\u003e","\u003cp\u003eOpera, The Marriage of Figaro; 23 negatives\u003c/p\u003e","\u003cp\u003eOpera, Susannah by Carlisle Floyd; 27 negatives\u003c/p\u003e","\u003cp\u003eState Bankers Scholarship; 5 negatives\u003c/p\u003e","\u003cp\u003eAirplanes, Cessna Foundation; 24 negatives\u003c/p\u003e","\u003cp\u003eGulf Oil Presentation; 3 negatives\u003c/p\u003e","\u003cp\u003eBruce D. McComas, Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eDick Bell, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eRifle Team; 6 negatives\u003c/p\u003e","\u003cp\u003eMusic, Phil Faini, Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003e00624; Dr. Harlow, Du Pont Presentation; 10 negatives\u003c/p\u003e","\u003cp\u003eSoccer Action; 9 negatives\u003c/p\u003e","\u003cp\u003eGeorge Weaver, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eBiology, Cancer Research; 4 negatives\u003c/p\u003e","\u003cp\u003eErnie Jones, Portrait, Earnest L. Jones, Director of Computing Center; 4 negatives\u003c/p\u003e","\u003cp\u003ePeggy Staggers, Portrait; 8 negatives\u003c/p\u003e","\u003cp\u003eArmy, ROTC; 50 negatives\u003c/p\u003e","\u003cp\u003eCoach Harrick, Portrait, Baseball, 300 Victory, 11 negatives\u003c/p\u003e","\u003cp\u003eLibrary View; Building, 2 negatives\u003c/p\u003e","\u003cp\u003eColonel Reynolds, Student Affairs, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eJohn Luckoks and Majorettes; 9 negatives\u003c/p\u003e","\u003cp\u003eSports, Basketball Group, Athletic Publication; 6 negatives\u003c/p\u003e","\u003cp\u003eClark Wagner, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eSteering Committee, Homecoming; 4 negatives\u003c/p\u003e","\u003cp\u003eSports, Soccer Squad, Mountaineer Field; 1 negative\u003c/p\u003e","\u003cp\u003eBlithe Spirit, Drama, Play; 11 negatives\u003c/p\u003e","\u003cp\u003eDolls House, Drama, Play, Creative Arts Center; 12 negatives\u003c/p\u003e","\u003cp\u003eCaesar and Cleopatra, Drama, Play, Bob Silberstein; 20 negatives\u003c/p\u003e","\u003cp\u003eThe Boys from Syracuse, Drama, Play, Creative Arts Center, Becky Stewart; 10 negatives\u003c/p\u003e","\u003cp\u003eYWCA Officers, Cabinet, Becky Stewart; 7 negatives\u003c/p\u003e","\u003cp\u003eBoard of Governors, Portraits; 12 negatives\u003c/p\u003e","\u003cp\u003eDr. Harry Heflin, V.P. of Finance and Administration, Portrait, served as 18th President in 1981; 8 negatives\u003c/p\u003e","\u003cp\u003eJim Watkins, Assistant Dean of Student Educational Services, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eAlumni Day at Law School; 8 negatives\u003c/p\u003e","\u003cp\u003eDr. Chas Norman, Lab, Biology; 12 negatives\u003c/p\u003e","\u003cp\u003eJim Watkins in Office; 12 negatives\u003c/p\u003e","\u003cp\u003eSara Ruth Meek, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eFreshman Orientation; 19 negatives\u003c/p\u003e","\u003cp\u003eFreshman Orientation; 20 negatives\u003c/p\u003e","\u003cp\u003eFreshman Orientation; 10 negatives\u003c/p\u003e","\u003cp\u003eFreshman Orientation; 24 negatives\u003c/p\u003e","\u003cp\u003eHigh School Speech Institute; 22 negatives\u003c/p\u003e","\u003cp\u003eHelicopter in Mont Chateau; 14 negatives\u003c/p\u003e","\u003cp\u003eBoard of Governors; 3 negatives\u003c/p\u003e","\u003cp\u003eForestry Display, Laskin; 14 negatives\u003c/p\u003e","\u003cp\u003eStudent Affairs; 10 negatives\u003c/p\u003e","\u003cp\u003eAfrican Statues from Twin Towers, Betty Bogel; 16 negatives\u003c/p\u003e","\u003cp\u003eScience Camp; 12 negatives\u003c/p\u003e","\u003cp\u003eLeonard Davis, Slides from Old Pictures of Weston Hospital for Insane; 13 negatives\u003c/p\u003e","\u003cp\u003eAWS Officers, Portraits; 21 negatives\u003c/p\u003e","\u003cp\u003eOak Tree; 4 negatives\u003c/p\u003e","\u003cp\u003eCarol Watson; 7 negatives\u003c/p\u003e","\u003cp\u003eSmall Maple Tree; 4 negatives\u003c/p\u003e","\u003cp\u003eSlides for Mechanical Engineering, Entropy; 25 negatives\u003c/p\u003e","\u003cp\u003eFine Arts Camp. Group; 1 negative\u003c/p\u003e","\u003cp\u003eHigh School Journalism; 32 negatives\u003c/p\u003e","\u003cp\u003eSafety Education Class; 3 negatives\u003c/p\u003e","\u003cp\u003eTransportaion; 22 negatives\u003c/p\u003e","\u003cp\u003eMedical Center, Heating Plant; 6 negatives\u003c/p\u003e","\u003cp\u003eFreshman Guides; 17 negatives\u003c/p\u003e","\u003cp\u003eJohn Brisbow, Assistant Director of Admissions; 12 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering Conference; 26 negatives\u003c/p\u003e","\u003cp\u003eDr. Emory L. Kemp, Chair of Civil Engineering, Portrait, Emeritus Director of the Institute for the History of Technology \u0026amp; Industrial Archaelogy in the WVU Eberly College of Arts and Sciences, Recognized for both Researching and preserving historical industrial sites around the county and overseas; 4 negatives\u003c/p\u003e","\u003cp\u003eCross Country, Coach and Captain in Action, Sports; 12 negative\u003c/p\u003e","\u003cp\u003eGirl with Rifle; 2 negatives\u003c/p\u003e","\u003cp\u003eMerchant of Venice, Drama, Publicity; 7 negatives\u003c/p\u003e","\u003cp\u003eUrban Mass Transit, Vestibule; 18 negatives\u003c/p\u003e","\u003cp\u003eSatellite Copies; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU Parkersburg Branch, Drawing; 1 negative\u003c/p\u003e","\u003cp\u003eCredit Union, Group; 3 negatives\u003c/p\u003e","\u003cp\u003eHousing and Urban Development; 7 negativs\u003c/p\u003e","\u003cp\u003eJohn R. Mackenzi, Director of Education, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eJames H. Schaub, Professor of Civil Engineering, Portrait;4 negatives\u003c/p\u003e","\u003cp\u003eHarold J. Shamberger, Assistant to President, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003e00688; Judy Shoup, Miss WVU, Portrait, 1969 Miss WV as Kappa Kappa Gamma, Wheeling Symphony Member; 2 negatives\u003c/p\u003e","\u003cp\u003eWrestling Athletes and Dan Killen, Director of Social Service Med.Center, Brown, Jim Stevens ; 17 negatives\u003c/p\u003e","\u003cp\u003eCross Country Team, Group; 2 negatives\u003c/p\u003e","\u003cp\u003eAgricultural Farm Grass, grass shots for Jung; 17 negatives\u003c/p\u003e","\u003cp\u003eGrass, grass shots; 12 negatives\u003c/p\u003e","\u003cp\u003eAgricultural Farm Grass, grass shots for Dr. Jung; 12 negatives\u003c/p\u003e","\u003cp\u003eGrass, grass shots for Dr. Jung, 5 negatives\u003c/p\u003e","\u003cp\u003eAgricultural Farm Grass, grass shots for Dr. Jung; 7 negatives\u003c/p\u003e","\u003cp\u003eBug Shots for C. K. Dorsey, Insects; 8 negatives\u003c/p\u003e","\u003cp\u003eNew Engineering Building; 4 negatives\u003c/p\u003e","\u003cp\u003eConference; 12 negatives\u003c/p\u003e","\u003cp\u003eRobert L. Iden, Manager of Printing Services, Portrait; 3 negatives\u003c/p\u003e","\u003cp\u003eRed Brown, Steve Harrick, Presentation; 7 negatives\u003c/p\u003e","\u003cp\u003eMullenax, Interview, New Zealand; 9 negatives\u003c/p\u003e","\u003cp\u003eJohn Goodwin, Commerce, Portrait; 5 negatives\u003c/p\u003e","\u003cp\u003eGymnastics; 22 negatives\u003c/p\u003e","\u003cp\u003eGymnastics; 16 negatives\u003c/p\u003e","\u003cp\u003eClifford W. Brown, Portrait, 1912-1988, Portrait, Marching Band Director in 1942, Retired in 1974 as Assistant Dean of Creative Arts Center, His daughter, Susan, is the wife of former WVU President, David Hardesty; 6 negatives\u003c/p\u003e","\u003cp\u003eJohn Clarkson, Art; 9 negatives\u003c/p\u003e","\u003cp\u003eSeigle Wayne Cox, Vocational Agriculture, Hundred High School, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDick Detombe, Assistant Track Coach, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Stacy Barton, ETV; 12 negatives\u003c/p\u003e","\u003cp\u003eJerome Fanucci, Chairman of Department of Aerospace Engineering, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eDr. Hefflin, 18th President; 20 negatives\u003c/p\u003e","\u003cp\u003eDr. James G. Harlow, Portrait; 10 negatives\u003c/p\u003e","\u003cp\u003ePaul W. Hamelman, Professor of Management, College of Commerce, Portrait; 10 negatives\u003c/p\u003e","\u003cp\u003eInformation Booth, Structure; 6 negatives\u003c/p\u003e","\u003cp\u003eUniversity Singers, Group; 3 negatives\u003c/p\u003e","\u003cp\u003eStrings Band Practice, Music Department; 22 negatives\u003c/p\u003e","\u003cp\u003eMusic Scholarship Award; 4 negatives\u003c/p\u003e","\u003cp\u003eScenes from John Gay's \"The Begger's Opera\", Creative Arts Center, Division of Music, 25 negatives\u003c/p\u003e","\u003cp\u003eLecture by Harold B. Bachman, Director of Bands, Emeritus, University of Florida; 6 negatives\u003c/p\u003e","\u003cp\u003eMorgantown Woman's Music Club Scholarship, Group; 5 negatives\u003c/p\u003e","\u003cp\u003eJames Mullendore, Student Body President, 1968-1969, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eWilliam H. Miernyk, Director of Regional Research Institute, Order of Vandalia, Claude Worthington Benedum Professor of Economics, Professor Emeritus, Director Emeritus of the RRI, Author; 21 negatives\u003c/p\u003e","\u003cp\u003eWilliam H. Miernyk; 12 negatives\u003c/p\u003e","\u003cp\u003eGeorge Nocito, Professor of Art, Chair of Art Department, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eNews and Info; 2 negatives\u003c/p\u003e","\u003cp\u003eNews and Info, Group; 2 negatives\u003c/p\u003e","\u003cp\u003eNews and Info; 6 negatives\u003c/p\u003e","\u003cp\u003eNews and Info, Richard Bernard, Arthur Hofstetler with Glasses, Portrait; 3 negatives\u003c/p\u003e","\u003cp\u003ePaul Selby, Dean of College of Law; 6 negatives\u003c/p\u003e","\u003cp\u003eDr. Roman J. Verhaalen, Dean of Kanawha Valley Graduate Center, Portrait\u003c/p\u003e","\u003cp\u003eRabbi Herbert J. Wilner, Hillel Foundation, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eRabbi Herbert J. Wilner, Hillel Foundation;\u003c/p\u003e","\u003cp\u003eBudd Udell with Band; 11 negatives\u003c/p\u003e","\u003cp\u003eDale Evans, Athletic Publicity, Quarterback Signing, Football; 10 negatives\u003c/p\u003e","\u003cp\u003eBand Photos, French Horn; 12 negatives\u003c/p\u003e","\u003cp\u003eMarching Band Formations; 25 negatives\u003c/p\u003e","\u003cp\u003eBand Day; 5 negatives\u003c/p\u003e","\u003cp\u003eScott Stringham Conducting; 12 negatives\u003c/p\u003e","\u003cp\u003ePercussion Ensemble, School of Music; 1 negative\u003c/p\u003e","\u003cp\u003eHomcoming Queen, Sally Sotak of Beckley, Shelley Pointexter of Nitro, Jeannie Erwin of Dunbar, Mary Kay Staggers of Keyser; 2 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidates with Centennial Seal, Sally Sotak, Shelley Pointexter of Nitro, Mary Kay Staggers of Keyser, Jeanne Erwin of Dunbar; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate at the Health Sciences Center Pylons; 3 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate in front of Elizabeth Moore Hall; 3 negatives\u003c/p\u003e","\u003cp\u003e00748; Homecoming Queen Candidate with Oglebay Hall in the background Hall; 2 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Princess, Headshots; 8 negatives\u003c/p\u003e","\u003cp\u003eGold Diggers, Weekend Candidates, Portrait; 23 negatives\u003c/p\u003e","\u003cp\u003eBill Bonsall, Gymnastics Coach, led WVU to 3 southern conference championships, ranked at 5th place in 1963, represented U.S. in 1948 Olympics in London, the gymnastics team was elevated to varsity team in 1952 under him; 4 negatives\u003c/p\u003e","\u003cp\u003eKevin Gilson, Men's and Women's Swimming Coach, Anatomy and Physiology, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eCoach SFC Joe Gravens, Jr.; 4 negatives\u003c/p\u003e","\u003cp\u003ePat Hamilton, Board of Governors; 6 negatives\u003c/p\u003e","\u003cp\u003eD. Hercules, Headshot; 1 negative\u003c/p\u003e","\u003cp\u003eDr. William Morris, Portrait\u003c/p\u003e","\u003cp\u003eGeorge Nedeff, Wresting Coach, 1996 WVU Presidential Safety Award, National Wresting Hall of Fame, Father G.N. of SOLT with \"Outstanding American\" Award, Class of 2008; 3 negatives\u003c/p\u003e","\u003cp\u003eGeorge Smyth, Planning Architect, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eJohn Stewart, Soccer Coach, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eGreg Van Camp, Director, General Manager of WWVU-TV, Professor or Radio and TV, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eRadio-TV Control Room; 5 negatives\u003c/p\u003e","\u003cp\u003eHistorical Buidings, Woodburn Female Seminary established in1815, Monongalia Academy established in November 1814; 2 negatives\u003c/p\u003e","\u003cp\u003eNews and Info, Sewage Treatment; 11 negatives\u003c/p\u003e","\u003cp\u003eNews and Info, Child Plays-Story for John Reach at Med Center; 8 negatives\u003c/p\u003e","\u003cp\u003eOffice of Publications; 6 negatives\u003c/p\u003e","\u003cp\u003eOffice of Publications, John Luchor; 16 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Information Desk and Lounge; 7 negatives\u003c/p\u003e","\u003cp\u003eRadio Drama by Dylan Thomas \"Under Milk Wood\" by  at Med Center Auditorium; 8 negatives\u003c/p\u003e","\u003cp\u003eKappa Kappa Psi, Music Honorary, Group; 2 negatives\u003c/p\u003e","\u003cp\u003eFreshman Football Team in front of Martin Hall, Group, Historical Building; 4 negatives\u003c/p\u003e","\u003cp\u003eThermomister Temperature Measuring Device; 2 negatives\u003c/p\u003e","\u003cp\u003eSeintillation Device; 7 negatives\u003c/p\u003e","\u003cp\u003eDrama \"The Entertainers\"; 19 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Interior; 23 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Interior; 4 negatives\u003c/p\u003e","\u003cp\u003eBell from USS West Virginia; 7 negatives\u003c/p\u003e","\u003cp\u003ePresident's Summer Home; 2 negatives\u003c/p\u003e","\u003cp\u003eDrama \"The Merchant of Venice\"; 12 negatives\u003c/p\u003e","\u003cp\u003eLight Art; 9 negatives\u003c/p\u003e","\u003cp\u003eSnow Around Campus, Historic Buildings; 34 negatives\u003c/p\u003e","\u003cp\u003eNew Buildings around Campus; 14 negatives\u003c/p\u003e","\u003cp\u003eTheater; 1 negative\u003c/p\u003e","\u003cp\u003eTheater Interior, Creative Arts; 1 negative\u003c/p\u003e","\u003cp\u003eR.O.T.C.; 39 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen, Sally Sotak, Portrait\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 6 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 6 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 6 negatives\u003c/p\u003e","\u003cp\u003eHomecoming Queen Candidate; 4 negatives\u003c/p\u003e","\u003cp\u003eBand Day; 24 negatives\u003c/p\u003e","\u003cp\u003eHeart Valve Story, Engineering; 15 negatives\u003c/p\u003e","\u003cp\u003eHeart Story, Med Center; 6 negatives\u003c/p\u003e","\u003cp\u003eColonel Charles G. Ives, Chairman of Military Science, Portrait; 5 negatives\u003c/p\u003e","\u003cp\u003eEngineering Scholarship, Union Carbide; 4 negatives\u003c/p\u003e","\u003cp\u003eBird Story; 1 negative\u003c/p\u003e","\u003cp\u003eWoodburn Circle, Traffic Pattern; 8 negatives\u003c/p\u003e","\u003cp\u003eFreshmen Basket Ball Team, Sports, Group; 4 negatives\u003c/p\u003e","\u003cp\u003eArt Department; 6 negatives\u003c/p\u003e","\u003cp\u003eOrchesis, Student Dance Group; 9 negatives\u003c/p\u003e","\u003cp\u003eUniversity Choir, Group; 7 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering Students; 40 negatives\u003c/p\u003e","\u003cp\u003eCreative Arts Center, Building; 1 negative\u003c/p\u003e","\u003cp\u003eCreative Arts Center, Building; 8 negatives\u003c/p\u003e","\u003cp\u003eAmrerican Arts Trio, Music, Group; 12 negatives\u003c/p\u003e","\u003cp\u003eBaroque Ensemble, Music, Group; 2 negatives\u003c/p\u003e","\u003cp\u003eFine and Lively Arts Committee, Group; 7 negatives\u003c/p\u003e","\u003cp\u003eDr. Harry Bruce Heflin in Formal Group, Group, 18th President; 4 negatives\u003c/p\u003e","\u003cp\u003eBaker and Coombs Windows; 13 negatives\u003c/p\u003e","\u003cp\u003eDr. Maurice Brokks, Biology and Forestry Professor, Wildlife Management, Natural History, Ornithologist, West Virginian of the Year, Conservationist; 18 negatives\u003c/p\u003e","\u003cp\u003eTheater Interiors, Creative Arts Story; 11 negatives\u003c/p\u003e","\u003cp\u003eWVU Library; 14 negatives\u003c/p\u003e","\u003cp\u003eWVU Library; 5 negatives\u003c/p\u003e","\u003cp\u003eView of Med Center from Pierpont Hall; 2 negatives\u003c/p\u003e","\u003cp\u003eArmstrong Hall, Building; 4 negatives\u003c/p\u003e","\u003cp\u003eMed Center, Pylons; 19 negatives\u003c/p\u003e","\u003cp\u003eStudent Union Building, Mountainlair; 4 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Construction; 4 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Construction; 4 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Construction; 3 negatives\u003c/p\u003e","\u003cp\u003eOglebay Hall, Historic Building; 7 negatives\u003c/p\u003e","\u003cp\u003eSummit Hall, Building; 4 negatives\u003c/p\u003e","\u003cp\u003eIBM Computer Installation, Publication Office; 2 negatives\u003c/p\u003e","\u003cp\u003eIBM Typesetting in Printing Composing Room;\u003c/p\u003e","\u003cp\u003eTransatlantic Debators; 7 negatives\u003c/p\u003e","\u003cp\u003eProfessor Moody E. Prior, Portrait, born 1901 in Fatsa Turkey, died Oct. 25 1996, Prof. Emeritus of English at Northwestern U., authority on Shakespeare, awarded Northweatern University Alumni Medal - highest honor given to Northwestern graduates; 1 negative\u003c/p\u003e","\u003cp\u003eMr. Harry Ernst, Director of University Relations, Portrait; 2 negatives\u003c/p\u003e","\u003cp\u003eWVU TV Tower Site; 6 negatives\u003c/p\u003e","\u003cp\u003eJoe Leonard, Director of Coal Research Bureau at WVU, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eEngineering - Super Wood; 9 negatives\u003c/p\u003e","\u003cp\u003eHighschool Wrestling Tournament; 10 negatives\u003c/p\u003e","\u003cp\u003eVariety Show at Towers; 22 negatives\u003c/p\u003e","\u003cp\u003eVariety Show at Towers; 17 negatives\u003c/p\u003e","\u003cp\u003ePhysical Education, Archery Class; 9 negatives\u003c/p\u003e","\u003cp\u003eEngineering - Space Craft Diagrams; 6 negatives\u003c/p\u003e","\u003cp\u003eCommencement Honoraries, Portrait; 12 negatives\u003c/p\u003e","\u003cp\u003eState Science Fair; 12 negatives\u003c/p\u003e","\u003cp\u003eInternational Night; 5 negatives\u003c/p\u003e","\u003cp\u003eAsh Brick Pilot Plant; 4 negatives\u003c/p\u003e","\u003cp\u003eNorm Parsons, Intramural Director; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Choir Album Cover \"Songs of West Virginia\"; 2 negatives\u003c/p\u003e","\u003cp\u003e16 mm Movie Camera used on copy work, Radio and TV; 9 negatives\u003c/p\u003e","\u003cp\u003eDrama Publicity Photos; 3 negatives\u003c/p\u003e","\u003cp\u003eTom Gulli Ford, Swimming, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eBill Martin, Dance; 5 negatives\u003c/p\u003e","\u003cp\u003eEngineering Slides for Dr. Moore; 14 negatives\u003c/p\u003e","\u003cp\u003eCivil Engineering Asphalt Research; 25 negatives\u003c/p\u003e","\u003cp\u003eWidebusch Family, Group; 7 negatives\u003c/p\u003e","\u003cp\u003eOrchesis, Student Dance Group;  12 negatives\u003c/p\u003e","\u003cp\u003eDon Knotts, Group; 1 negative\u003c/p\u003e","\u003cp\u003eNational Science Foundation Grants; 11 negatives\u003c/p\u003e","\u003cp\u003eW. Va. Collection, Library, Homecoming; 32 negatives\u003c/p\u003e","\u003cp\u003eBudd Udell Conducting, WVU Marching Band Director, 7th Director 1965-69, d.o.d. Feb. 4 2006, Group; 12 negatives\u003c/p\u003e","\u003cp\u003eOrchesis, WVU Student Dance Group; 35 negatives\u003c/p\u003e","\u003cp\u003eBob Iden, Managerof Printing Services; 12 negatives\u003c/p\u003e","\u003cp\u003eOglebay Hall with Mast, Historic Building; 5 negatives\u003c/p\u003e","\u003cp\u003eElizabeth Moore Hall, Historic Building; 8 negatives\u003c/p\u003e","\u003cp\u003eJeff Warren; Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eCharles Peter Yost; Dean of Physical Education, Portrait; 3 negatives\u003c/p\u003e","\u003cp\u003eComputer Center; 27 negatives\u003c/p\u003e","\u003cp\u003eAerial Photos of Med Center and Mountainlair; 8 negatives\u003c/p\u003e","\u003cp\u003eAerial Photos of Towers, Pierpont Hall and Mountainlair; 5 negatives\u003c/p\u003e","\u003cp\u003eMed Center; 3 negatives\u003c/p\u003e","\u003cp\u003eCreative Arts Center; 6 negatives\u003c/p\u003e","\u003cp\u003eStewart Hall, Historic Building; 2 negatives\u003c/p\u003e","\u003cp\u003eAgricultural Science Buiding; 4 negatives\u003c/p\u003e","\u003cp\u003eColiseum; 2 negatives\u003c/p\u003e","\u003cp\u003eEvansdale Campus, Towers, Med Center; 7 negatives\u003c/p\u003e","\u003cp\u003eMont Chateau Lodge, opened June 7 1958, WVU Geological and Economic Survey; 4 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Night View; 3 negatives\u003c/p\u003e","\u003cp\u003eLibrary Walk; 4 negatives\u003c/p\u003e","\u003cp\u003eLibrary Exterior View; 8 negatives\u003c/p\u003e","\u003cp\u003eView of Woodburn Circle from Oblebay Plaza; 3 negatives\u003c/p\u003e","\u003cp\u003eWoodburn Circle; 2 negatives\u003c/p\u003e","\u003cp\u003eJazz Band; 4 negatives\u003c/p\u003e","\u003cp\u003eWVU Band, Group; 16 negatives\u003c/p\u003e","\u003cp\u003eDave Shamberger, Portrait; 8 negatives\u003c/p\u003e","\u003cp\u003eAgriculture, Dr. O.J. Burger (standing), Martin Piriber (speaker); 9 negatives\u003c/p\u003e","\u003cp\u003eHubert H. Humphrey Speaking at WVU Centennial Celebration, Vice President, 100th Anniversary Event; 3 negatives\u003c/p\u003e","\u003cp\u003eJeff Davis, Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eCommencement; 2 negatives\u003c/p\u003e","\u003cp\u003eCommencement, Senator Jennings Randolph, Senator Robert C. Byrd, Acting WVU President Harry B. Heflin, Irvin Stewart, the Order of Vandalia; 37 negatives\u003c/p\u003e","\u003cp\u003eScenes from \"West Side Story\", Theater Production; 23 negatives\u003c/p\u003e","\u003cp\u003eScenes from \"West Side Story\", Theater Production; 16 negatives\u003c/p\u003e","\u003cp\u003e\"The Maids and Deathwatch\", Theater Production; 9 negatives\u003c/p\u003e","\u003cp\u003eMed Center, News and Info;\u003c/p\u003e","\u003cp\u003eEngineering Department, Professor Jones, Group; 2 negatives\u003c/p\u003e","\u003cp\u003eMountaineer Spirit, Female Portrait; 6 negatives\u003c/p\u003e","\u003cp\u003eAsh Brick Pilot Plant; 4 negatives\u003c/p\u003e","\u003cp\u003eFuture Farmers of America; 93 negatives\u003c/p\u003e","\u003cp\u003eLouise Keener, Portrait\u003c/p\u003e","\u003cp\u003eFine Arts Camp, Music; 4 negatives\u003c/p\u003e","\u003cp\u003eChemical Engineering Slides, Dr. Jones; 6 negatives\u003c/p\u003e","\u003cp\u003eInternational Program, Group; 8 negatives\u003c/p\u003e","\u003cp\u003eLegislative Committee, Interim, Group; 11 negatives\u003c/p\u003e","\u003cp\u003eViews from Oglebay Plaza, Traffic Study, Main Campus; 11 negatives\u003c/p\u003e","\u003cp\u003eWoodburn Hall Clock Tower in Snow, Historic Building; 3 negatives\u003c/p\u003e","\u003cp\u003eCoal Research, Insulation Samples, C. McFadden; 16 negatives\u003c/p\u003e","\u003cp\u003eCoal Research, Insulation Samples, C. McFadden; 4 negatives\u003c/p\u003e","\u003cp\u003eJack Porter, Portrait, Development Office; 2 negatives\u003c/p\u003e","\u003cp\u003eFrank Carlonheno, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eBill Haden, Higher Education Administration, Portrait, Educational Fundraising, founding member of WV Promise Schoarship Programs Board of Control, he held positions in Development/Alumni Relations and Public Affairs, 17th President of WV Wesleyan College in 1995; 2 negatives\u003c/p\u003e","\u003cp\u003eSenator Robert C. Byrd Visit - Flyash Based Brick, Harry Heflin; 18 negatives\u003c/p\u003e","\u003cp\u003eTheater Production, \"Who's Afraid of Virginia Woolf\"; 22 negatives\u003c/p\u003e","\u003cp\u003eDrama to Forensic Festival; 15 negatives\u003c/p\u003e","\u003cp\u003eSouthern Conference Awards, Athletic Publicity, Group; 4 negatives\u003c/p\u003e","\u003cp\u003eCentennial Celebration Seal; 2 negatives\u003c/p\u003e","\u003cp\u003eMad Women, Portrait; 20 negatives\u003c/p\u003e","\u003cp\u003eHarold Neely, Portrat; 6 negatives\u003c/p\u003e","\u003cp\u003eFirst Brick Story; 10 negatives\u003c/p\u003e","\u003cp\u003e\"The Mad Woman of Chaillot\", Theater Production; 10 negatives\u003c/p\u003e","\u003cp\u003eHarry Ernst, Director of University Relations, Portrait; 5 negatives\u003c/p\u003e","\u003cp\u003eDan Bond, WVU 100th Anniversary, Group; 4 negatives\u003c/p\u003e","\u003cp\u003eColiseum Architectural Model; 6 negatives\u003c/p\u003e","\u003cp\u003eDr. Harlow, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003ePaul W. DeVore,Professor of Industrial Arts, Portrait, Influential in the establishment of nation's first Department of Technology\u003c/p\u003e","\u003cp\u003eRichard Gardner, Controllers Office, Portrait; 4 negatives\u003c/p\u003e","\u003cp\u003eMountainlair Art Gallery; 4 negatives\u003c/p\u003e","\u003cp\u003eStudents playing at Mountainlair Game Center; 12 negatives\u003c/p\u003e","\u003cp\u003eAthletic publicity, Carlen's family; Jim Carlen - head coach, 1966-1969, record 25-13-3 (.658). Governor Joe Manchin was a quarter back on his first team. Son: James Carlen, Jr., stepdaughters: Caty, Carol\u003c/p\u003e","\u003cp\u003eWVU Athletic Council Award; Senior Athletic of the Year 1967-1968\u003c/p\u003e","\u003cp\u003eFormerly state park lodge\u003c/p\u003e","\u003cp\u003ePhy. Ed.; 1994 Inducted into the Professional Hall of Fame in the School of Physical Education\u003c/p\u003e","\u003cp\u003eWardensville field day; Hardy Co.; Reymann Memorial Farms\u003c/p\u003e","\u003cp\u003eDean Arents' Office; Dean Chester A. Arents, School of Engineering; group of 3 on left; large group - Arents sitting on right\u003c/p\u003e","\u003cp\u003eStan Romanoski, coach\u003c/p\u003e","\u003cp\u003eEngineering; climatologists\u003c/p\u003e","\u003cp\u003eFirst trumpet - with WVU Orchestra; Trumpet professor and assistant chairman of the school of music at WVU; authored The Trumpeter's Handbook; attended the preparatory department of the Eastman School of Music and graduated with honors.\u003c/p\u003e","\u003cp\u003eDept. of Psychology; Charles D. Corman; Oglebay Hall\u003c/p\u003e","\u003cp\u003eShanbeyer, Luchack, Rhodayal, etc.\u003c/p\u003e","\u003cp\u003eDaniel O'Sullivan; plus campus views\u003c/p\u003e","\u003cp\u003eDr. Porter; Charley\u003c/p\u003e","\u003cp\u003eEngineering Department; Asten\u003c/p\u003e","\u003cp\u003eMary Filler Wiley\u003c/p\u003e","\u003cp\u003eElectrical Engineering?\u003c/p\u003e","\u003cp\u003eTheoretical and applied mechanics; mechanics engineering\u003c/p\u003e","\u003cp\u003eJim Hawkins with girl\u003c/p\u003e","\u003cp\u003eMorgantown Farm\u003c/p\u003e","\u003cp\u003ePharmacy Meeting at Towers\u003c/p\u003e","\u003cp\u003eMrs. Adalene \"Bobbie\" Rae Harlow; elementary teacher; 1912-2004; James G. Harlow (1912-1978)\u003c/p\u003e","\u003cp\u003eEngineering school; Dean Arents - left\u003c/p\u003e","\u003cp\u003eEdmundo Elmore; Pan America Health Union\u003c/p\u003e","\u003cp\u003eGamma Sigma Delta\u003c/p\u003e","\u003cp\u003eLazor; Engineering Department\u003c/p\u003e","\u003cp\u003eDean Arents 2nd from right; PHS, Cincinnati Solid Waste Program\u003c/p\u003e","\u003cp\u003eFor Nick\u003c/p\u003e","\u003cp\u003eAmerican radio reporter, best known for his dramatic report of the Hindenburg Disaster\u003c/p\u003e","\u003cp\u003eLivestock Farm\u003c/p\u003e","\u003cp\u003eW.Va. Department of Mental Health; Pub. at Towers\u003c/p\u003e","\u003cp\u003eDave Tork\u003c/p\u003e","\u003cp\u003eAthletic Department; Richard Poland\u003c/p\u003e","\u003cp\u003eEngineering - Smith; Dean Chester A. Arents - center\u003c/p\u003e","\u003cp\u003eProofs straight to Poland\u003c/p\u003e","\u003cp\u003eL - Darrell V. McGraw, Jr.; M - Walter Beach - Assistant Director of the American Plitical Science Assn. in Washington; R. Dr. David G. Temple - WVU Assistant Professor of Political Science and Project Assistant\u003c/p\u003e","\u003cp\u003eTaught folklore; dulcimer player; collected ballads; Monticola advisor\u003c/p\u003e","\u003cp\u003eCollegium Musicum\u003c/p\u003e","\u003cp\u003eOliveria visit; Engineering Department\u003c/p\u003e","\u003cp\u003eWarren G. Tennant - Groundskeeper; Chinquapin (yellow) oak\u003c/p\u003e","\u003cp\u003eHistory Symposium: Jesse H. Stuart (aug. 8, 1907 - Feb. 17, 1984) - flat top hair, author, writer, Appalachia; unknown - bald guy; Dr. Lewis Hanke (born 1905), Columbia U., historian colonial, Latin America studies\u003c/p\u003e","\u003cp\u003eComedy Manners; Left: Bod Merriam \"Lord Peter Teazle\"; Right: Evy Andrews \"Lady Teazle\"\u003c/p\u003e","\u003cp\u003eRoll 6\u003c/p\u003e","\u003cp\u003ePreston Co, WV; Garrett Co, MD; few remaining Boreal Bogs\u003c/p\u003e","\u003cp\u003eWith Lloyd M. Jones; refund of sales tax from State Tax Commissioner for refund of sales tax inadvertently paid to state of WV on room/meals for athletes in dorms paid from athletic fund\u003c/p\u003e","\u003cp\u003eBenedum Professor of Education, 68-86\u003c/p\u003e","\u003cp\u003eSteel Students Classroom\u003c/p\u003e","\u003cp\u003eProfessor, Dr., Chair, Animal Veterinary Science; AI-VS; B - April 3, 1917, D - August 23, 2001; retired in 1979\u003c/p\u003e","\u003cp\u003eBob Crawford\u003c/p\u003e","\u003cp\u003ePoster for Executive Conference\u003c/p\u003e","\u003cp\u003eBoyle\u003c/p\u003e","\u003cp\u003eBack row - far right; Stan Romanoski, Carl Hatfield\u003c/p\u003e","\u003cp\u003eSports Info Director\u003c/p\u003e","\u003cp\u003eRed Brown\u003c/p\u003e","\u003cp\u003eProfessor of Agriculture\u003c/p\u003e","\u003cp\u003eAgronomist, agriculture, professor of plant soil science\u003c/p\u003e","\u003cp\u003eChair, doctor, professor, horticulture, marigolds, roses\u003c/p\u003e","\u003cp\u003ePlant, physiology, science\u003c/p\u003e","\u003cp\u003eDoctor, plant, science, physiology, agriculture\u003c/p\u003e","\u003cp\u003eDoctor, chair, agriculture\u003c/p\u003e","\u003cp\u003ePhysiology, reproductive, professor, doctor, animal, nutritional, science, Davis College\u003c/p\u003e","\u003cp\u003eDoctor, plant, agriculture, science\u003c/p\u003e","\u003cp\u003eDoctor, plant, science, agriculture\u003c/p\u003e","\u003cp\u003eDoctor, professor, animal, carcass, beef, agriculture\u003c/p\u003e","\u003cp\u003eAgriculture, soil, chemistry\u003c/p\u003e","\u003cp\u003eProfessor, extension, plant, pathologist, entomologist, golden delicious apple\u003c/p\u003e","\u003cp\u003eWoodburn, freshmen, football, field, bleachers, athletics, team\u003c/p\u003e","\u003cp\u003eProfessor, patent examiner, law\u003c/p\u003e","\u003cp\u003eHealth Science lab\u003c/p\u003e","\u003cp\u003eDisplay set up in Mountainlair\u003c/p\u003e","\u003cp\u003eGroup and individual\u003c/p\u003e","\u003cp\u003eJ. Fannucci\u003c/p\u003e","\u003cp\u003eFaculty Dean, Business and Economics; Died Feb. 16, 1998\u003c/p\u003e","\u003cp\u003eWith Donald C. Portnoy, conductor\u003c/p\u003e","\u003cp\u003eDrama, theater, comedy, commedia, masked\u003c/p\u003e","\u003cp\u003eDuncan\u003c/p\u003e","\u003cp\u003eDiving, swimming, coaching; Coached for 30 years, record 290-159-2\u003c/p\u003e","\u003cp\u003eChitwood Hall, Stewart Hall, Martin Hall\u003c/p\u003e","\u003cp\u003eBenjamin Linsky - Professor of Sanitary Engineering (air pollution) and Director of Graduate Air Pollution Control Engineering Training Program.\u003c/p\u003e","\u003cp\u003eContemporary, classical, musical, choir, choral, singer, chamber, instrumental, soloist\u003c/p\u003e","\u003cp\u003eProfessor, art, chair\u003c/p\u003e","\u003cp\u003eCollection, free-form, poem, fictional, town, spoon, river\u003c/p\u003e","\u003cp\u003eDavis College; Professor, reproductive, physiology, agriculture, faculty\u003c/p\u003e","\u003cp\u003eMusicians, trombone, trombonists, musical, drum, chamber\u003c/p\u003e","\u003cp\u003eP. County; L-R Larry Kelly, Harold Taylor, Rex Taylor, Richard Glass, voc. teacher, Allen Colebant\u003c/p\u003e","\u003cp\u003eHenry Clay Furnace; Iron Furnace - Cooper's Rock State Forest. Built between 1834 and 1836\u003c/p\u003e","\u003cp\u003eCollege of Commerce\u003c/p\u003e","\u003cp\u003eNot Bob Brown?\u003c/p\u003e","\u003cp\u003eMusic, chamber, musicians; Philip Faini - faculty, Dean-Emeritus, College of Creative Arts\u003c/p\u003e","\u003cp\u003eDick Smith\u003c/p\u003e","\u003cp\u003eTV tower; motion picture staging\u003c/p\u003e","\u003cp\u003eU.S. Representative from Indiana, Nov. 21, 1894 - Dec. 5, 1984, women's rights\u003c/p\u003e","\u003cp\u003eDevelopmental psychologist, professor, chair, author, editor\u003c/p\u003e","\u003cp\u003eFounded World Music Center, worked in radio, television and with symphony orchestras; dean, educator, administrator, jazz, theory, African, music, percussion, ensemble\u003c/p\u003e","\u003cp\u003eFor engineering brochure\u003c/p\u003e","\u003cp\u003eEng. Elect.; Nelson Smith\u003c/p\u003e","\u003cp\u003eDave Zirz\u003c/p\u003e","\u003cp\u003eNews and Info; Ernst\u003c/p\u003e","\u003cp\u003eLeft, sitting; Doctor, professor, chair, mathematics\u003c/p\u003e","\u003cp\u003eMusic; Washington Trip\u003c/p\u003e","\u003cp\u003eChemistry building architecture; Clark Hall, Annex\u003c/p\u003e","\u003cp\u003eBookstore, WVU plate\u003c/p\u003e","\u003cp\u003eCoach - Stan Romanoski\u003c/p\u003e","\u003cp\u003eDoctor, music professor\u003c/p\u003e","\u003cp\u003eMike Sherwood, football, QB 1968-1970; Robert N. \"Red\" Brown, athletic director\u003c/p\u003e","\u003cp\u003eDick Smith, Dr. Moore\u003c/p\u003e","\u003cp\u003eProfessor of history; Order of Vandalia - June 1, 1964; Chitwood Hall (Science Hall) renamed 1972 in honor of Dr. Chitwood\u003c/p\u003e","\u003cp\u003eChemical engineering, fossil energy research, coal technology, professor; Inductted 4-25-1986 into the Academy of Chemical Engineers\u003c/p\u003e","\u003cp\u003eRuth E. Robinson - bookstore manager, Dr. Harry Heflin - V.P. of Finance, President\u003c/p\u003e","\u003cp\u003eIntimate relationships, human sexuality, social work\u003c/p\u003e","\u003cp\u003eWith crutch - Jerry Stewart, other male?; catalog made\u003c/p\u003e","\u003cp\u003eBasketball coach\u003c/p\u003e","\u003cp\u003e1925-1981; Writer, professor, novelist, magazine founder, poet, editor, critic, teacher\u003c/p\u003e","\u003cp\u003eProfessor of Industrial Engineering\u003c/p\u003e","\u003cp\u003eProfessor of biology, chairman\u003c/p\u003e","\u003cp\u003eFAlconer, bird, red tailed hawk, prey, dog, bull terrier\u003c/p\u003e","\u003cp\u003eAuthor, children's books\u003c/p\u003e","\u003cp\u003eDean, professor of education, college of human resources and education, chair of secondary education\u003c/p\u003e","\u003cp\u003eChair, sociology\u003c/p\u003e","\u003cp\u003eForeign student coordinator, professor of military science\u003c/p\u003e","\u003cp\u003eFashion design lecturer\u003c/p\u003e","\u003cp\u003eBorn 1913, Died 4-27-2008; soprano, opera, voice professor\u003c/p\u003e","\u003cp\u003e1928- Chemical Engineering, fossil energy research, coal technology, professor; inducted 4-25-1986 into the academy of chemical engineers\u003c/p\u003e","\u003cp\u003eDoctor, director of admissions, record; B. Feb. 17, 1916, D. Jan. 2, 2001\u003c/p\u003e","\u003cp\u003eProfessor, agriculture, biochemistry, nutrition\u003c/p\u003e","\u003cp\u003e1867-1875 first president, Methodist minister, educator, pastor, professor, greek; Designed WVU's seal; B. Jan. 24, 1822, D. Dec. 16, 1895\u003c/p\u003e","\u003cp\u003eProfessor, forestry, wildlife management\u003c/p\u003e","\u003cp\u003eDr. Franklin Parker, Betty J. - Forum Festival\u003c/p\u003e","\u003cp\u003eLouis F. Tanner Distinguished Professor of Public Accounting; professor, director, accounting, CPA\u003c/p\u003e","\u003cp\u003eDoctor, director, student, health, service, physician\u003c/p\u003e","\u003cp\u003eDoctor, professor, emeritus, music, horn, theory, viola\u003c/p\u003e","\u003cp\u003eAuthor, social work\u003c/p\u003e","\u003cp\u003eFaculty, English\u003c/p\u003e","\u003cp\u003eHealth Science, physiology, meat animal, USDA\u003c/p\u003e","\u003cp\u003eFaculty, professor, English\u003c/p\u003e","\u003cp\u003eAppalachian Center Area Program Chairman, Parkersburg\u003c/p\u003e","\u003cp\u003eDoctor, researcher, chairman, biology; Oct. 8, 1932-March 18, 2010\u003c/p\u003e","\u003cp\u003eFaculty, professor, doctor, plant physiology, ecology, conservationist\u003c/p\u003e","\u003cp\u003eMonticola advisor, professor, journalism\u003c/p\u003e","\u003cp\u003eB. Mar. 12, 1922, D. Oct. 29, 1989; Professor Emeritus, animal and veterinary sciences, College of Agriculture and Forestry, consumer sciences\u003c/p\u003e","\u003cp\u003eVictorian Age specialist, English Department\u003c/p\u003e","\u003cp\u003eDoctor, psychology, professor, chair, author\u003c/p\u003e","\u003cp\u003eThis series contains an index to the first part of Series 1, boxes 1 to 35 or 36. The index is arranged in alphabetical order by subject and spans from ca. 1964-1987. This listing reproduces the tabs in the index in full; subheadings are represented by a sampling within parentheses.\u003c/p\u003e","\u003cp\u003eThis series includes aerial photographs and accompanying transparencies and negatives of West Virginia University Hospital, Monongalia General Hospital, Morgantown and WVU (Downtown and Evansdale Campuses, the Coliseum, Mountaineer Field), and more. Subjects also include Agriculture Science Building, Allen Hall, Appalachian Center, Bureau of Mines, Coliseum, Construction \u0026amp; Excavation of New Law Center, Creative Arts Center, Downtown Campus, Downtown Morgantown with River, Evansdale Campus, Field House, Forestry Building, I-79 Uffington Interchange, Interstate including Westover Exchange, Law School, Livestock Farm, Medical Center, Mountaineer Field, Mountainlair, Mt. Chateau, New Dairy Facility, Physical Plant, Prospective Stadium Site, PRT, Stadium, Towers, and more.\u003c/p\u003e","\u003cp\u003eThis series of proofs from glass plate negatives were created for an unspecified Bicentennial Celebration project (possibly celebrating the National Bicentennial in 1976). There is an original numbered list of the historic prints (see box 103, folder 1). Subjects include people in safety gear, Mechanical Hall, Students in lab, Commencement Hall, Library Reading Room, Library Administration, Greenhouse construction, Horticulture grounds \u0026amp; building, Woodburn Circle, WVU Campus shots, Agricultural Station, Martin Hall, Oglebay Hall, Science Hall, Stewart Hall, Entomology Room, Dr. J. A. Myers, Students (Elmer Leach, Edith Ice, etc.), Episcopal Hall, Reynolds Hall, Football, E. Moore Hall, Chemistry lab, Presidents House, Falling Run, Armory, Faculty Club House, Astronomy class, Views of Campus from varying vantage points, Drama, Clubs, President John Rhey Thompson, President Thomas E. Hodges, President Frank Butter Trotter, President J. L. Goodknight, Andrew D. Hopkins, A. J. Dadisman, Various faculty (James Stewart, R. A. Armtstong, George T. Brooks, Sam Brown, P. B. Reynolds, Thomas Hodges, etc.), WVU Military Unit, Monongahela River \u0026amp; Seneca Station, and South Park.\u003c/p\u003e","\u003cp\u003eThis series documents WVU campus life and activities. The slides were originally bound in large three ring binders; all slides have the copyright symbol and the word Mellott printed on them. Subjects in this series include agriculture, basketball, Clark Hall, classrooms, convocation, Creative Arts Center, Football, Graduation, Law School, Library, and Woodburn Hall, among other topics.\u003c/p\u003e","\u003cp\u003eThis series includes digital photographs copied to a server from discs (these discs are currently in boxes 113-114); prints of a limited number of the digital photos are available in box 112. Subjects in this series include campus scenes, football, sports, nature, miscellaneous, and duplicate prints.\u003c/p\u003e","\u003cp\u003eThis series consists of proof sheets of images taken between ca. 1965-1999 by the News Service that depict daily life and scenes from both the Downtown WVU Campus and the Evansdale Campus. Subjects include athletics, candid shots, classrooms, construction, group portraits, Morgantown, scenes and views, and WVU. See Contents List for range of project numbers. These project numbers also correspond to the project numbers in Series 1 and 2.\u003c/p\u003e","\u003cp\u003eThis series consists of prints, negatives, slides, transparencies, and correspondence from special projects; many of the images were used in the Alumni Magazine. Subjects found in this series include Baroque Ensemble, Bicentennial House, CAC, Campus Prints, Hillary Clinton, Jay Rockefeller, Shell Building, Transparencies, WVU Extension Services, and more.\u003c/p\u003e","\u003cp\u003eThis series consists of a collection of slides and negatives in 62 small plastic boxes, many of which are unidentified. Subjects include students on campus, special events like races, campus buildings, the Mountaineer mascot, students in science labs, and more.\u003c/p\u003e","\u003cp\u003eThis series consists of slides in sleeves. Many sleeves include project information such as invoice number and photographer. Subjects in this series include athletics, campus life, candid and group shots, construction, Morgantown, and more. See Contents List for a more detailed list of subjects.\u003c/p\u003e","\u003cp\u003eThis series includes prints and negatives on subjects related to WVU history. Subjects in this series include agriculture, boats, Buck Harless, historic Morgantown, historic WVU, Institutional Advancement Flood Relief, Kearneysville Farm, Reymann Farm, Stewart Hall, and more.\u003c/p\u003e","\u003cp\u003eThis series includes 8 x 10 transparencies and prints pertaining to WVU. Subjects include White Hall, WVU Rifle Team, Medical Center pylons, Learned Ladies Play, New River white water rafting, football, WVU campus, and more.\u003c/p\u003e","\u003cp\u003eThis series consists of transparencies arranged alphabetically by subject. Subjects in this series include agriculture, campus buildings, athletics, portraits, and more.\u003c/p\u003e","\u003cp\u003eThis series consists of prints and negatives of WVU faculty portraits and other material.\u003c/p\u003e","\u003cp\u003eThis series consists of miscellaneous negatives and prints and a key to an old filing cabinet.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope 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Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files.","This collection includes 15 series: \nSeries 1. Project Files; ca. 1964-2007; boxes 1-89. \nSeries 2. Index to Project Files; ca. 1964-1987; boxes 90-101b. \nSeries 3. Aerial Prints; ca. 1961-1984; box 102. \nSeries 4. \"Bicentennial Collection\"; ca. 1890-1925; boxes 103-104. \nSeries 5. Slides; ca. 1980-1992; boxes 105-111. \nSeries 6. Digital Photographs; ca. 2000-2005; boxes 112-114. \nSeries 7. Proof Sheets; ca. 1965-1999; boxes 115-117. \nSeries 8. Special Project Files; ca. 1965-2001; boxes 118-120. \nSeries 9. Slides in Boxes; ca. 1990-1998; box 121. \nSeries 10. Slides in Sleeves; 1980-1998; boxes 122-134. \nSeries 11. Subjects; ca. 1950-1992; boxes 135-138. \nSeries 12. Transparencies 8 x 10; undated; box 139. \nSeries 13. Transparencies File; ca. 1970-1985; boxes 140-143. \nSeries 14. WVU Faculty Portrait Prints; 1960-1969; box 144. \nSeries 15. Miscellaneous Material; undated; box 145.","This series includes prints, proofs with negatives, and digital files on discs. Each set of images is identified with a project number.  Projects are divided into two subseries.  Project numbers range from 2 to 10182 in the first subseries and 1-B to 24,549-B/C/DC in the second subseries. Discs start appearing in box 87, project number 21513-DC (2001/07/31). Types of photograph include candid shots, portraits of individuals, group portraits, and facilities.  Subjects include WVU athletics, campus scenes, classrooms, construction, faculty, staff, special events, and more.  See Series 2 description for additional subjects. Series 2 contains an index to the content of boxes 1 through 35 or 36 (ca. 1964-1987).  See Contents List for range of project numbers in each box; please note that not all project numbers are present in the corresponding box.","Kick-Off Banquet, Greater University Drive; Governor Smith; President Paul A. Miller; Governor Smith with sword; 31 negatives","Archery, Physical Education; 9 negatives","5 negatives; professor English (Clyde) portrait; Division of Music; English Department; 5 negatives","Terra-Alta, Biological Study; John L.; 4 negatives","Physical Education, Student Instructors; Pat Tork; 4 negatives","Thomas Manley, \"National Teacher of the Year\"; Bill Criswell; 1 negative","Keith Glancy; B. Criswell; catalogue made; 1 copy negative","Joe Hutchinson; 6 negatives","Physical Education, Laundry Room; Pat Tork; 2 negatives","Mr. Wagner; Education; Dr. Jarecke; 3 negatives","President's House, light fixtures; Jim Reed; 3 negatives","Glenlock Hall, Housing; Shaffer; 3 negatives","Physical Education, Rifle Practice; Pat Tork; 7 negatives","Nelson Smith, Portraits; 4 negatives","Kathy Omari [?], Portrait","Industrial Engineering Conference; Ray Shaffer; 14 negatives","Dan Boggs, Portrait; 2 negatives","Dan Bond, Portrait; 1 negative","Neil E. Bolyard, Portrait; 2 negatives","Gordon R. Thorn, Assistant Director of Student Education Services; Portrait; 2 negatives","Conference on Poverty; George Kirk; 33 negatives","Safety Education; Dr. Yost; 3 negatives","Student Affairs, Student Body; 8 negatives","Jim Watkins; 1 negative","Governor Hulett C. Smith; Democrat; 1965-1969; 3 negatives","Parking Lot; Criswell; 3 negatives","Criswell; Copy; 1 negative","Student Affairs, Staff Meeting; 3 negatives","Camp Dawson; 18 negatives","Athletic Publication- Football, Cheerleaders; 18 negatives","Martha Harris; 4 negatives","Physical Education, Auto Presentation; Dr. Yost; 4 negatives","Student Union, Bid Opening; Criswell; 8 negatives","Education Workshop; Groupe; 2 negatives","Drama Production of \"The Women\"; Boyd; 10 negatives","West Virginia Collection, Library; Shetler; 17 negatives","Cobalt Vault, Engineering; Mr. Boyle; 2 negatives","Mrs. Bachman, Board of Governors; Portrait; 1 negative","Frank (Francisco) Herrera, Professor of Spanish; Foreign Languages; 1 negative","Western Electric Fund Scholarship, Presented to Brian Lautramus; Neil Bolyard; 4 negatives","Conference on Poverty; Kirk; 56 negatives","Betty Boyd, Dean of Women; Potrait; 2 negatives","Computer Center; Drake; 8 negatives","Computer Center, Doctor Drake; 2 negatives","Computer Center, Doctor Drake; 4 negatives","Physical Education, Fencing; Photo by Mrs. Pearse","Athletic Department, Baseball; 4 negatives","Dr. Walter H. Jarecke, Professor of Education, Director of Guidance; 1 negative","Engineering, Slides; Dr. Wren; 23 negatives","Dr. John F. Golay, Provost Professor of History, Dean of Graduate Studies; Passport Photos; 4 negatives","Commencement; 7 negatives","Roy B. Clarkson, Botany, Plant, Biology; Criswell; 1 negative","Snow Scenes of E. Moore Hall, the President's Home, Woodburn Circle; 6 negatives","Department of Inter-Collegiate Athletics, Golf, Tennis; Dave Young; 7 negatives","University High School, Project; 7 negatives","WVU Band, Richmond Game; Music-Udell; 9 negatives","Band Brothers; Criswell; 3 negatives","Social Work, Mrs. Blackburn; 8 negatives","Frank Borkowski, Concert Orchestra Rehearsal; 17 negatives","Professor Perley Isaac Reed, Mountainlair; 12 negatives","Commencement; Don Bond; 13 negatives","Publications; Unknown; 2 negatives","Dave Jacobs, Phillipine Visitors; 4 negatives","Dr. Sarkesian; 8 negatives","WVU Library, Reading Room; 6 negatives","WVU vs. Pittsburgh Game, Football, Band; Pittsburgh- 48 WVU-63; 8 negatives","WVU Band, Homecoming Game; Virginia Tech; 7 negatives","WVU Band, G.W. Game; Music- Udell; Last Game; 3 negatives","Bob Conners; 4 negatives","Dr. James Henning, Chairman of the Department of Speech; 4 negatives","Dr. William H. Mernyk, Economics; Criswell; 1 negative","Red Brown Heart Fund Award; Barrett; 6 negatives","Scholarship, Bolyard; 27 negatives","Health Center; 10 negatives","Physical Lab Display; 2 negatives","Ed Sprague; 4 negatives","Production of \"American Dream\", Drama; Mr. Boyd; 2 negatives","Unknown Subject, Criswell; 7 negatives","Drama Production; Mr. Nels; 6 negatives","Chemistry Building, Annex Plan Drawings; 4 negatives","Biology Department, Photos of Birds; Professor Birch; 8 negatives","Mechanical and Aerospace Engineering; 12 negatives","WVU slides, Television Workshop, Department of Speech; 4 negatives","Red Brown, Athletic Director; 3 negatives","High School Drama Workshop; Sam Boyd; 4 negatives","Social Work Building; 4 negatives","Interior of Arnold Hall; Women studying; 6 negatives","Mary Jane Schuster, Assistant Dean of Women; 2 negatives","Dave Jacobs, Portrait; 1 negative","Dean Ray Duncan; 4 negatives","Drama, Unknown Play; Dr. Burrows; 8 negatives","Drawing of Waitman Barbe by Louise Hennen; English Department; Newspaper Editor; 2 negatives","The Belcastro Trio, Joyce Breach, Music Practice; 24 negatives","Unknown Subject, Dr. Diener; 1 negative","Joyce Breach; 5 negatives","Wrestling, 1965 Winners; 2 negatives","The Belcastro Trio; 4 negatives","Bill Criswell; two negatives","Polywood Charts, Engineering Department; Jim Kent; 12 negatives","Music Practice, Mrs. Lorrence [?]; 11 negatives","Nuclear Reactor, Physics Building; 9 negatives","Dr. Golay, Vice President; 5 negatives","Twin Towers, West Virginia State Seal; 1 negative","Concert Orchestra, Music Department; Borkowski; 4 negatives","Opera Production; 24 negatives","Nuclear Reactor, Physics Building; 5 negatives","Commerce Scholarship; Neil Bolyard; 4 negatives","Scouting Award, President Paul Miller; 4 negatives","Creative Arts Building Model; 3 negatives","Music Department, Woodwinds; Small Group; Frank Borkowski; 5 negatives","Miss Keener, Portrait; 4 negatives","Charles Wise, Board of Governors; 2 negatives","Department of Engineering Slides, Dr. Wen; 20 negatives","Physical Education, Wrestling, Pat Tork; 11 negatives","Music Meeting, Dean Duncan; 40 negatives","Evansdale Campus Residence Hall, Twin Towers; 2 negatives","American Arts Trio, Ruth Landes Drucker, Arno P. Drucker, Assistant Professor of Music; 8 negatives","Dr. Lambert, College of Engineering; 5 negatives","Science Writing; 18 negatives","Dean Richard Duncan, First Dean of the Creative Arts Center; 1 negative","Industrial Engineering, Subject Unknown; 2 negatives","Music Production of the \"Devil and Daniel Webster; 20 negatives","Kappa Delta, Sorority House; 5 negatives","Eisland Hall, Views from in front of music building; 8 negatives","State 4-H camp, Jackson Mills; Dave Johnson Display; Glen Snyder; 9 negatives","Library, Criswell; 3 negatives","Junior Achievement; Jim Watkins; 7 negatives","Robert B. Smawley, Provost Office; 4 negatives","Industrial Engineering; Ray Schaffer; 17 negatives","Dr. Festivus P. Summers; Criswell; 1negative","Criswell; Copies; 2 negatives","Twin Towers, Evansdale; 2 negatives","WVU Band at Camp Dawson, Udell; 11 negatives","Science Writing; 4 negatives","Military First Solo Flight,Cherokee 140; Cullen; 1 negative","Charles Weakley, Chemistry Department; Portrait; 2 negatives","Engineering, Chemical; Mr. Boyle; 9 negatives","Scholarship, Neil Bolyard; 22 negatives","Sam Boyd, Drama department; 8 negatives","Radio and TV slides; Van Camp; 2 negatives","Drama production of \"Don Juan\"; Sam Boyd; 4 negatives","Humanities Conference, Dr. Ikenberry; 9 negatives","Physical Education, Fencing; Mrs. Pearse; 13 negatives","Industrial Engineering, Mr Shaffer; 3 negatives","Foreign Offices, Criswell; 4 negatives","Student Affairs Group; Jim Watkins; St. Committee; 2 negatives","News-Info, Criswell; Copies; 2 negatives","Engineering, Weirton Steel Display; 5 negatives","Ray Shaffer; 3 negatives","Neil Bolyard, Scholarship; 2 negatives","Dr. Kennedy; Reading C; 2 negatives","Main Campus Scene; Old Picture; 2 negatives","Main Campus Air View, Old Picture; Fairchild Aerial surveys, Inc. NYC; 2 negatives","ir View Main Campus, May 6 1960; L.O. Myers; 2 negatives","Students walking around Woodburn Circle; 6 negatives","Industrial Engineering, Shaffer; 3 negatives","Mountainlair; 4 negatives","Intramural Soccer; 2 negatives","The Daily Athenaeum Newsroom; 4 negatives","Medical Center Dental Lab; 4 negatives","Recreation; 2 negatives","Biology Lab; 3 negatives","Agricultural School, Research; 2 negatives","Greek Charity Project, Downtown; 8 negatives","Engineering Building, Air View; 2 negatives","History Department Classroom; 2 negatives","Ogleby Hall; 2 negatives","Evansdale Campus, Air Views; 2 negatives","Professor Harold Cather, Chair of Mechanical Engineering; Portraits; 4 negatives","Civil Engineering Conference; Dr. Schaub; 8 negatives","Telephone Operators, Helen Criss; 3 negatives","Military Ceremony, Major Wade; 11 negatives","President Charles Wise Jr., Board of Governors; Criswell; 2 negatives","Professor Robert Slonneger, Mechanical Engineering; 2 negatives","Margaret Lorince, Professor of Music; 6 negatives","Julian Martin, Groupe; 4 negatives","Aerospace Symposium; Mr. Walters; 7 negatives","Main Campus, Aerial View; 4 negatives","Medical Center, Aerial View; 2 negatives","Forestry Building; 8 negatives","The Women; 4 negatives","Groups-The Women; 9 negatives","Chemistry slides; Tony Winston; 6 negatives","Book slides; Dr. Manning; 3 negatives","Slide copies- Pygmies; 3 negatives","Student Government, Homecoming-Girls; 63 negatives","University Choir, Music Department; 6 negatives","President Miller and Senator Randolph; Pen Presentation; 8 negatives","Engineering Building; Shaffer; 2 negatives","Dr. Hess; 6 negatives","Bill Criswell; 2 negatives","Chemical Engineering, Mr. Bogle; 6 negatives","Chemical Engineering, Mr. Bogle; Udell; 7 negatives","Pep Rally for the WVU vs. Penn State Game, WVU band; Udell; Thuse; 10 negatives","WVU Band; William and Mary Game; Udell; 5 negatives","WVU Band, Citadel Game; Bud Udell; 7 negatives","WVU Band, Pre-season; Bud Udell; 7 negatives","WVU Band, Syracuse Game; Bud Udell; 7 negatives","Welfare Department, Group photo; 17 negatives","James M. Mullendore Senior; 6 negatives","Robert Iden-Nels; University photo; 9 negatives","Evansdale Campus views; Morgantown Ordinance; 8 negatives","Engineering Department, charts and slides; M. Patterson; 13 negatives","Biology Department; slides; 4 negatives","Health Center, Moving; 7 negatives","WVU High School Speech Institution, group photo; 3 negatives","WVU Summer Art Institute, group photo; 4 negatives","American Arts Trio, Pianist Arno Drucker, Violinist Donald Portnoy, Cellist John Engbert; 15 negatives","Joe Moss; 8 negatives","Governor Hulett C. Smith; 11 negatives","Engineering Conference on Appalachia; 25 negatives","Engineering Conference on Appalachia; 14 negatives","International Night, Field House; 12 negatives","Engineering Conference; 4 negatives","Civil Engineering, Professor Fowler; 44 negatives","Civil Engineering, Carter Tork; 12 negatives","Music Concert, Mr. Borkowski; 14 negatives","WVU Band Day, Music Department; Bud Udell; 3 negatives","Operetta, Joe Goltz; 17 negatives","Student Government, Executive Committee; 4 negatives","Dr. Lambert, lab and office; Criswell; 12 negatives","Children's Theater; 12 negatives","Miss Morgantown \"1965\"; 9 negatives","D. Brewer; 9 negatives","WVU Drama Production; Thieves Cornwal; 10 negatives","Dr. Thomas Canning, Music Department; Criswell; 4 negatives","First students at Evansdale Twin Towers; 12 negatives","Musical Group-Brass, R. Sherman; 7 negatives","Glenn Snyder, Group photo; 4 negatives","Frank Carlomagno; Assistant Director of the WVU Foundation; 4 negatives","Engineering Conference, Group photo; 3 negatives","WVU Fine Arts Camp; Group Photo; 6 negatives","Lynn Duncan; 8 negatives","Iden Family photos; 10 negatives","Drama Department, Phillips; 6 negatives","Orchesis \"65\"; 27 negatives","Dr. Patterson; 3 negatives","Morgantown High School, Wrestling team, 1 negative","John Cook; 4 negatives","WV State Wrestling, 7 negatives","Drama Production, \"Lady Precious Stream\"; 10 negatives","Bill Criswell, woodworking; 12 negatives","Student Committee; Legislature; 9 negatives","Engineering, Dr. Carter; 3 negatives","WVU Library, Hess; 15 negatives","WVU Band; 10 negatives","Dr. Stewart, Math Department; 7 negatives","Dr. Yost, Physical Education; 4 negatives","Locusts; 4 negatives","Thomas Luther and Mrs. T.L. Harris, Order of Vandalia, Commencement; Honorary degree; HA Stansbury on right; 6 negatives","News and Info; 5 negatives","WVU Showcase display, \"Student Life on Campus\"; 18 negatives","Development Office, Neil Bolyard; 6 negatives","Mr. Humphry, Chemistry Department, Presidential Award; 5 negatives","AWS; 2 negatives","WVU extension, Forum teachers; 6 negatives","Old Woodburn Hall, before 1900; 3 negatives","Belcastro Trio, State Department; Criswell; 46 negatives","Dr. Kent, portraits; 6 negatives","Julian Martin; 10 negatives","Criswell, Speaker; 1 negative","Old Mechanical Hall II; 2 negatives","Peter Bonays; Criswell; 2 negatives","Forestry Sciences Building; Baker; 4 negatives","Dave Tork, GUD; 4 negatives","Gordon Craig, Speaker; Criswell; 2 negatives","Neil Bolyard, Check presentation; 5 negatives","Development Office, Frank Carlomheno; 5 negatives","Betty Boyd, Dean of Women; 2 negatives","WVU Choir; 4 negatives","WVU Drama production; Burrows; 14 negatives","Music- Summer camp; f. Borkowski; 2 negatives","Art Department, Joe Moss; 25 negatives","Dr. A. Reed; 2 negatives","Economic Education Workshop; Maron Lee; 64 negatives","Woman's Hall, Stalnaker; 15 negatives","Miss McClure, Campus Cover Girl; 6 negatives","Mrs. Roger Sherman, dancing; 8 negatives","Mrs. Roger Sherman, dancing; 24 negatives","Cheerleaders, Physical Education; Bill Criswell; 7 negatives","Cobalt Vault, Forestry building; 9 negatives","Development Office, 99th Anniversary Dinner; 34 negatives","Scholarship Winners 1966, Neil Bolyard; 37 negatives","WVU Drama Production, \"Dark of the Moon\"; Dr. Burrows; 19 negatives","United Fund; 20 negatives","Regional Wrestling Winners; 6 negatives","Portnoy, Music department; 12 negatives","Big Ten Wrestling; 6 negatives","Chamber of Commerce; 3 negatives","Morgantown High School Wrestling, Robert De Antonisser 1964-1988; 12 negatives","Coach Carlin, News Conference; 6 negatives","Oglebay Hall, exteriors; 5 negatives","Office of Physical Planning, copies of master plan; C. Wagner; 2 negatives","Dr. C.C. Patterson, Engineering; 9 negatives","Classroom; 4 negatives","Chi-Omega Sorority; Criswell; 10 negatives","Road signs and radar, Civil Engineering; 24 negatives","Chas Tomas, Physics; 12 negatives","Slides of old photos of Morgantown; Shetler; 32 negatives","Forestry Building entrance; 3 negatives","Criswell, Speaker; 2 negatives","Jerry Andrick; 4 negatives","Criswell, Speaker, Chemistry; 2 negatives","Physical Education group photo; 4 negatives","WVU golfing; 7 negatives","Gary Zinn; 1 negatives","News and Information, St. Patrick's Day; 6 negatives","Orchesis; 39 negatives","Orchesis; 11 negatives","WVU bookstore, Award winners; 3 negatives","Music Preparatory, M. Lorince; 15 negatives","Forestry classroom, Dr. Roch; 2 negatives","Pete Yost; \"All-State\"; 7 negatives","Play Day, Tork; 20 negatives","American Women Surgeons, group photo; 8 negatives","State Future Farmers of America; 85 negatives","La Traviata, WVU Opera production; 21 negatives","Physical Education, group photo; Larry Castle; 6 negatives","WVU Women's Club; 31 negatives","WVU computer music; 4 negatives","Eugene Quarrick; Behavioral Medicine and Psychiatry; 5 negatives","Armand Singer, Professor of Romance Languages; 12 negatives","Miss Sinkford; 15 negatives","Department of Physics; 22 negatives","WVU Women; 34 negatives","Jerry Parmer, Engineering Department; 12 negatives","WVU Band Day, Udell; 2 negatives","Textbook of Wood Technology, book photo; Chemical Engineering; 2 negatives","WVU Library, interior views; 8 negatives","WVU President Paul Ausborn Miller; 7 negatives","Emory Bacon; 10 negatives","Freshman Registration; 24 negatives","Drawings for the Parkersburg Branch; perspective sketch looking toward southwest; 1 negative","Cultural Center; 5 negatives","News and Information; 2 negatives","WVU Centennial Seal, 1867-1967; 1 negative","Slides- men working at the river; Criswell; 4 negatives","Dr. Neisus, in his office reading the Appalachian Review; 2 negatives","Scholarship Presentation, Neil Bolyard; 4 negatives","Athletic Department, Cross Country; 23 negatives","WVU Fine Arts Camp, group photo; 2 negatives","Board of Public Works; 3 negatives","Criswell; 1 negative","Burger Chef; 4 negatives","Charley Hockenberry; 5 negatives","Slides by Professor Linsky; 6 negatives","WVU President Miller, Reception; 8 negatives","Labor Conference, Fred Teller; 11 negatives","Labor Studies, J. MacKensie; 50 negatives","Dean R. S. Dunbar JR.; 2 negatives","Conference on Manpower in Appalachia; Fred Teller; 57 negatives","Slides by Jim Kent; 2 negatives","News and Information, speaker copies; 2 negatives","Pat Tork, passport photos; 2 negatives","Dr. Igor Sarkissian; 12 negatives","Civil Engineering slides, Dr. Schaub; 10 negatives","Jamison, AWS; 4 negatives","WVU Band Day, William and Mary game; Udell; 4 negatives","Ray Shaffer; 4 negatives","Foreign Officers Visit; 5 negatives","Driver Training class, Physical Education; 4 negatives","Dave Tork, portraits; 5 negatives","WVU Band Day, William and Mary game; 3 negatives","Engineering Scholarship; Parmer; 6 negatives","State Future Farmers of America Contest; 86 negatives","\"A Professor Emerges in West Virginia, author Kermit A. Cook; 4 negatives","Dean Campbell; 2 negatives","Greg Myers, WVU Soccer coach; 4 negatives","Foreign Student Committee; 4 negatives","A. Larson; 3 negatives","WVU Cross Country, group photos; 6 negatives","WVU vs. Citadel game; 7 negatives","State High School Cross Country; 7 negatives","WVU musical production of \"Bye Bye Birdie\", Creative Arts Center; 15 negatives","Dr. Robert F. Munn, Provost and Director of Libraries; 2 negatives","Theodora Schubert, first girl student in Forestry; 12 negatives","Engineering slides- Radiation Intensity, Jim Kent; 6 negatives","Bill Criswell; 2 negatives","E. Moore Hall, exterior shot; 1 negative","WVU Law Building, exterior shot; 1 negative","Scholarship Awards for music, Mrs. Inberg; 4 negatives","Orchesis; 14 negatives","Joe Gluck, in his office; 6 negatives","Music Programs, Arno Druker; 9 negatives","William H. McMillion, passport photo; 5 negatives","Student Organization charts, J. Watkins; 15 negatives","Centennial Film copies; 6 negatives","Copies of speakers, Bill Criswell; 2 negatives","Chester A. Arents, Dean of the School of Engineering; 2 negatives","Quint Wilson, Dean of Journalism; 2 negatives","Dr. Ernest Nesius, Dean of the College of Agriculture, Forestry, and Home Economics; 6 negatives","Jerry R. Luh, 1965 All-American Rifle Team portrait; 1 negative","Thomas C. Campbell, Dean of College of Commerce; 4 negatives","WVU Physical Plant Custodial Award presentation; Carol Hose; 7 negatives","WVU Fine Arts Camp, Don Portnoy; 159 negatives","Fine Arts Camp, music camp; 53 negatives","WVU Music Camp; 12 negatives","Captain Cullen, Military Commission; 10 negatives","Greater West Virginia Weekend; 24 negatives","WVU Choir; Dr. Barton; 4 negatives","Evansdale Towers Lounge ; 10 negatives","WVU Band Day, WVU vs. Penn State game; 8 negatives","WVU band at Kentucky game; 8 negatives","WVU President Don Bond, portraits; 3 negatives","Board of Education Grant for drama and cultural education; 132 negatives","Future Farmers of America, University High School chapter; 9 negatives","Dr. Arya; 2 negatives","WVU Link Day; 8 negatives","Mr. Jones, WVU President's assistant; 2 negatives","Julian Martin; 6 negatives","slides, Dr. Moh, 2 negatives","Raphael Bachman, Dean of Pharmacy; 2 negatives","York Junior College students; 6 negatives","copy for news service; 2 negatives","News Service, Dickerson; 2 negatives","Guy Harry Stewart, Professor of Journalism; 13 negatives","Kenneth V. Randolph, Dean of School of Dentistry; 1958-1968; 4 negatives","Snow scenes at WVU; pylons 2; 25 negatives","Ray Duncan, Dean of Physical Education; portraits; 7 negatives","Leo Horacek, Professor Emeritus of Music; 4 negatives","Officers of the A.W.S.; 16 negatives","Roy W. Bahl, Professor of Economics; 4 negatives","WVU Choir; 5 negatives","Richard E. Duncan, Dean of the Creative Arts Center; 6 negatives","Dr. Jay Barton, Chairman of the Biology Department; 6 negatives","George Kirk, Vice President of Finance; 4 negatives","Charles E. Hockenberry, WVU coach; head football coach at WVU Institute of Technology 1947-1948; head baseball coach at WVU 1947; inducted into the WVU Sports Hall of Fame 2005; 1 negative","Joseph Goltz, Director of the WVU Opera Group; First director; 4 negatives","Ben Linsky, Professor of Sanitary Engineering; Department of Civil Engineering; air pollution studies; 5 negatives","Ada Lease, portraits; 5 negatives","Carolyn Reyer, Native American advocate; helped to develop the Native American History and Culture studies program 1991; singer- mezzo-soprano; established the Monongalia Riding for the Handicapped 1986; 8 negatives","Dr. Harry Heflin and Neil Bolyard, presentation of Texaco Scholarship; 5 negatives","Dr. James G. Harlow (right) and Mr. Norton (left) in ROTC office; 3 negatives","Social work group photo; 8 negatives","Dr. Howard Perry Simons; Chemical Engineering; 26 negatives","James A. Kent, Nuclear Engineering; Polywood; 45 negatives","Stanley O. Ikenberry, dean of the College of Human Resources and Education; 9 negatives","Labor Institute at Mont Chateau; 6 negatives","Evansdale Twin Towers, exterior views; 5 negatives","Evansdale Towers, interior view- lobby; 2 negatives","Evansdale Towers, Bennett Tower and Lyon Tower, exterior views; 4 negatives","Evansdale Towers, Dining hall, dorm room; 10 negatives","Evansdale Towers, interior views of the lounge; 8 negatives","Evansdale Towers, exterior shots; 2 negatives","WVU Swimming, Coach Kevin Gilson; publicity shots; 35 negatives","WVU Choir, Joe Golz; 6 negatives","Vice President Hubert Humphrey, visit to WVU; 12 negatives","WVU Physical Education group photo; Quentin Barnette- professor in the WVU School of Physical Education; 4 negatives","WV Collection Story; photo 1- Fairmont ordinance, ad, and invoice; photo 2- Flood April 1, 1913; 4 negatives","WV Collection- Military Story; photo 1- Woodburn Circle; photo 2- cannons between Woodburn Circle and Mountainlair; 4 negatives","Protestors at the WVU Commencement; 12 negatives","WVU Baseball, publicity shots; 57 negatives","WVU Tennis and Golf; 23 negatives","WVa Collection Story, librarians at work; 7 negatives","Mr. Preston Harper; 4 negatives","Ralph Bean in a meeting; 1 negative","Mr. Bray, Board of Governors; 1 negative","Wrestling- Southern Conference Tournament; 2 negatives","Track and Field photos, Stan Romanoski- WVU coach of the men's track and field and cross country teams; 30 negatives","WVU College of Law, exterior shots; 7 negatives","Chemical Engineering Award Presentation; news service; 8 negatives","Civil Engineering, road and billboard signs; 21 negatives","Physical Education- Driver's Education cars; Dr. yost; 11 negatives","Nuclear Facility, Forestry Building; Boyles; 12 negatives","Thomas Gary Kenamondo, news and Information; 2 negatives","Radio and Television productions; 16 negatives","Mr. Graber, WVU Drama Department; portraits; 4 negatives","Engineering slides; joint mechanism of ultrasonic welding; 5 negatives","nature slides, News Service; 6 negatives","Mr. Bates, News-Service; 2 negatives","Super Wood; WVU engineering; experiment; 4 negatives","Engineering and Bio-physics; TAM; 6 negatives","Leo Fishman, Professor of Economics and Finance; 3 negatives","Driver's Education Class; WVU Physical Education; 3 negatives","Union Carbide presentation, Engineering Department; 4 negatives","New York Bond Company; 6 negatives","College of Commerce, Bankers Scholarship presentation; 7 negatives","Bud Udell, WVU Director of Bands at University High School; 7th band director 1963-1969; 7 negatives","Construction of the Creative Arts Center slides; 2 negatives","Ruel Foster, WVU English Department Chair; Benedum Distinguished Professor of American Literature; author of Appalachian literature; tennis coach; Order of Vandalia; 9 negatives","slides of the Annals New York Academy of Sciences; 9 negatives","WVU Engineering slides; 25 negatives","Dr. Dozo and Dr. Olson, visiting vets; 5 negatives","Wes Coppock; News-Service; 1 negative","Margaret Lorince, WVU Director of Preparatory Music; assiatant Chair of Music; Assistant Dean of the CAC; Professor Emerita; 20 negatives","Joe Moss, Kinetic Sculpture; West Virginia Moon; National Endowment for the Arts; 12 negatives","School of Speech Communications, Leonard Davis; 21 negatives","Weirton Story, News-Information; 6 negatives","WVU Nursery School on Campus Drive; children playing; 6 negatives","Engineering slides, Blackshaw; 15 negatives","Mr. Brown, Commerce; 2 negatives","Alumni Giving Incentive Award, Dave Tork; 3 negatives","photos of books by Earl L. Core, cover picture; 2 negatives","WVU Computer Center; 12 negatives","USS West Virginia Mast Plaque; 10 negatives","John Luchak; 2 negatives","WVU Commencement; 27 negatives","WVU Nursery School; 20 negatives","Ernie Jones in his office; 7 negatives","Herman Godes, Pianist; 4 negatives","Dr. Clyde English, Head of Organ Department 1945-1980; 4 negatives","Presbysterian Church Cross; 3 negatives","Mountainlair construction; 10 negatives","Dr. Harry Heflin, Vice President of Finance and Administration; 6 negatives","Parmer, Aero-Space; 5 negatives","WVU Athletic Department picnic; 20 negatives","James Thompson in his lab; 4 negatives","WVU Medical Center, night view; 3 negatives","WVU Medical Center, front closeup; pylons; 2 negatives","WVU Medical Center view from Evansdale Towers; 2 negatives","WVU Varsity Wrestlers; 11 negatives","WVU Varsity Wrestling Team; group photo; 3 negatives","Physical Education Conference, Pete Yost; group photo; 4 negatives","5th Annual WV AFL-CIO Summer Institute at Mont Chateau; group photo; 4 negatives","Julian Martin at WVU graduation; 23 negatives","Percival Hall- Forestry Center, night views; 5 negatives","Mr. Sledge, Student Affairs; 5 negatives","WVU production of \"Carousel\"; Rodgers and Hammerstein; Boyd; 12 negatives","portraits of Honoraries at 1966 WVU Commencement; 6 negatives","WVU Band publicity shots; 12 negatives","Reverend Paine, Episcopalian; Clergy, Church; 7 negatives","Twin Towers complex, drawing; 3 negatives","Colonel Jansen Retirement; 10 negatives","Festival of Ideas, Humphrey, Etc.; 103 negatives","Registration at Field House; 9 negatives","Fine Arts Group; 3 negatives","Frank Carlehemeno; 4 negatives","Sherlocker, Physical Education; 5 negatives","Canning, Music Group; 4 negatives","Milan; 32 negatives","Social Work, Portraits","Drama, \"Kiss Me Kate\"; 11 negatives","Angel Street; 14 negatives","Representative of Ghana; 5 negatives, prints","Danville, Portrait; 4 negatives","Dean Frasure, College of Arts and Sciences, Portrait; 6 negatives","Dr. Thomas Canning with Carolyn Reyer; 2 negatives","Computer Center; 4 negatives","HUD Meeting at Mt. Chateau; Transportation; 12 negatives","Thomas Canning, Portrait; 4 negatives","Dr. William Miernyk, Economics Research, Portrait; 5 negatives","Drama, Merchant of Venice; 9 negatives","Donald Portnoy, Music, at Piano with Violin; 12 negatives","Tennis Action Shots; 8 negatives","Professor Jones, Chair, Electrical Engineering; 12 negatives","Chemistry Award; 2 negatives","Drama; 12 negatives","Creative Arts; 12 negatives","Lorensen, Law School, Portrait; 4 negatives","Dr. Kelly, Vice President, Portrait; 6 negatives","Dr. Halter, Portrait; 5 negatives","Vergil Clark, Head of Physical Plant, Portrait; 6 negatives","President's Home; 12 negatives","Biology, Dr. Chen, Culture Room; 8 negatives","Chemistry, Tony Winston, Labs; 55 negatives","Electrical Engineering; 10 negatives","General Biology, Trees; 7 negatives","Coopers Rock, Gorge Overlook; 17 negatives","Hunter with Dog; Ag-Forestry Bulletin, Roy Thomas, Magazine; 12 negatives","Orchesis, Dance Group; 24 negatives","\"Esso Story\"; President Harlow with Two Other Men; 6 negatives","Canning and Brown, \"Composers\"; 2 negatives","Safety Education Story; 11 negatives","Engineering Project; 12 negatives","Agronotty Awards; 6 negatives","Chemical Engineering, Coal Research; 9 negatives","Men's Swim Team; 23 negatives","Comedy, Lysistrata; 9 negatives","National Merit Scholarship, President Harlow Speaking; 35 negatives","Recreation Department, Senior Citizens; 8 negatives","New Band Uniforms; 3 negatives","Fine Arts Camp; 48 negatives","Opera, The Marriage of Figaro; 23 negatives","Opera, Susannah by Carlisle Floyd; 27 negatives","State Bankers Scholarship; 5 negatives","Airplanes, Cessna Foundation; 24 negatives","Gulf Oil Presentation; 3 negatives","Bruce D. McComas, Portrait; 2 negatives","Dick Bell, Portrait; 4 negatives","Rifle Team; 6 negatives","Music, Phil Faini, Portrait; 2 negatives","00624; Dr. Harlow, Du Pont Presentation; 10 negatives","Soccer Action; 9 negatives","George Weaver, Portrait; 4 negatives","Biology, Cancer Research; 4 negatives","Ernie Jones, Portrait, Earnest L. Jones, Director of Computing Center; 4 negatives","Peggy Staggers, Portrait; 8 negatives","Army, ROTC; 50 negatives","Coach Harrick, Portrait, Baseball, 300 Victory, 11 negatives","Library View; Building, 2 negatives","Colonel Reynolds, Student Affairs, Portrait; 4 negatives","John Luckoks and Majorettes; 9 negatives","Sports, Basketball Group, Athletic Publication; 6 negatives","Clark Wagner, Portrait; 4 negatives","Steering Committee, Homecoming; 4 negatives","Sports, Soccer Squad, Mountaineer Field; 1 negative","Blithe Spirit, Drama, Play; 11 negatives","Dolls House, Drama, Play, Creative Arts Center; 12 negatives","Caesar and Cleopatra, Drama, Play, Bob Silberstein; 20 negatives","The Boys from Syracuse, Drama, Play, Creative Arts Center, Becky Stewart; 10 negatives","YWCA Officers, Cabinet, Becky Stewart; 7 negatives","Board of Governors, Portraits; 12 negatives","Dr. Harry Heflin, V.P. of Finance and Administration, Portrait, served as 18th President in 1981; 8 negatives","Jim Watkins, Assistant Dean of Student Educational Services, Portrait; 4 negatives","Alumni Day at Law School; 8 negatives","Dr. Chas Norman, Lab, Biology; 12 negatives","Jim Watkins in Office; 12 negatives","Sara Ruth Meek, Portrait; 6 negatives","Freshman Orientation; 19 negatives","Freshman Orientation; 20 negatives","Freshman Orientation; 10 negatives","Freshman Orientation; 24 negatives","High School Speech Institute; 22 negatives","Helicopter in Mont Chateau; 14 negatives","Board of Governors; 3 negatives","Forestry Display, Laskin; 14 negatives","Student Affairs; 10 negatives","African Statues from Twin Towers, Betty Bogel; 16 negatives","Science Camp; 12 negatives","Leonard Davis, Slides from Old Pictures of Weston Hospital for Insane; 13 negatives","AWS Officers, Portraits; 21 negatives","Oak Tree; 4 negatives","Carol Watson; 7 negatives","Small Maple Tree; 4 negatives","Slides for Mechanical Engineering, Entropy; 25 negatives","Fine Arts Camp. Group; 1 negative","High School Journalism; 32 negatives","Safety Education Class; 3 negatives","Transportaion; 22 negatives","Medical Center, Heating Plant; 6 negatives","Freshman Guides; 17 negatives","John Brisbow, Assistant Director of Admissions; 12 negatives","Civil Engineering Conference; 26 negatives","Dr. Emory L. Kemp, Chair of Civil Engineering, Portrait, Emeritus Director of the Institute for the History of Technology \u0026 Industrial Archaelogy in the WVU Eberly College of Arts and Sciences, Recognized for both Researching and preserving historical industrial sites around the county and overseas; 4 negatives","Cross Country, Coach and Captain in Action, Sports; 12 negative","Girl with Rifle; 2 negatives","Merchant of Venice, Drama, Publicity; 7 negatives","Urban Mass Transit, Vestibule; 18 negatives","Satellite Copies; 2 negatives","WVU Parkersburg Branch, Drawing; 1 negative","Credit Union, Group; 3 negatives","Housing and Urban Development; 7 negativs","John R. Mackenzi, Director of Education, Portrait; 4 negatives","James H. Schaub, Professor of Civil Engineering, Portrait;4 negatives","Harold J. Shamberger, Assistant to President, Portrait; 6 negatives","00688; Judy Shoup, Miss WVU, Portrait, 1969 Miss WV as Kappa Kappa Gamma, Wheeling Symphony Member; 2 negatives","Wrestling Athletes and Dan Killen, Director of Social Service Med.Center, Brown, Jim Stevens ; 17 negatives","Cross Country Team, Group; 2 negatives","Agricultural Farm Grass, grass shots for Jung; 17 negatives","Grass, grass shots; 12 negatives","Agricultural Farm Grass, grass shots for Dr. Jung; 12 negatives","Grass, grass shots for Dr. Jung, 5 negatives","Agricultural Farm Grass, grass shots for Dr. Jung; 7 negatives","Bug Shots for C. K. Dorsey, Insects; 8 negatives","New Engineering Building; 4 negatives","Conference; 12 negatives","Robert L. Iden, Manager of Printing Services, Portrait; 3 negatives","Red Brown, Steve Harrick, Presentation; 7 negatives","Mullenax, Interview, New Zealand; 9 negatives","John Goodwin, Commerce, Portrait; 5 negatives","Gymnastics; 22 negatives","Gymnastics; 16 negatives","Clifford W. Brown, Portrait, 1912-1988, Portrait, Marching Band Director in 1942, Retired in 1974 as Assistant Dean of Creative Arts Center, His daughter, Susan, is the wife of former WVU President, David Hardesty; 6 negatives","John Clarkson, Art; 9 negatives","Seigle Wayne Cox, Vocational Agriculture, Hundred High School, Portrait; 4 negatives","Dick Detombe, Assistant Track Coach, Portrait; 4 negatives","Dr. Stacy Barton, ETV; 12 negatives","Jerome Fanucci, Chairman of Department of Aerospace Engineering, Portrait; 4 negatives","Dr. Hefflin, 18th President; 20 negatives","Dr. James G. Harlow, Portrait; 10 negatives","Paul W. Hamelman, Professor of Management, College of Commerce, Portrait; 10 negatives","Information Booth, Structure; 6 negatives","University Singers, Group; 3 negatives","Strings Band Practice, Music Department; 22 negatives","Music Scholarship Award; 4 negatives","Scenes from John Gay's \"The Begger's Opera\", Creative Arts Center, Division of Music, 25 negatives","Lecture by Harold B. Bachman, Director of Bands, Emeritus, University of Florida; 6 negatives","Morgantown Woman's Music Club Scholarship, Group; 5 negatives","James Mullendore, Student Body President, 1968-1969, Portrait; 4 negatives","William H. Miernyk, Director of Regional Research Institute, Order of Vandalia, Claude Worthington Benedum Professor of Economics, Professor Emeritus, Director Emeritus of the RRI, Author; 21 negatives","William H. Miernyk; 12 negatives","George Nocito, Professor of Art, Chair of Art Department, Portrait; 6 negatives","News and Info; 2 negatives","News and Info, Group; 2 negatives","News and Info; 6 negatives","News and Info, Richard Bernard, Arthur Hofstetler with Glasses, Portrait; 3 negatives","Paul Selby, Dean of College of Law; 6 negatives","Dr. Roman J. Verhaalen, Dean of Kanawha Valley Graduate Center, Portrait","Rabbi Herbert J. Wilner, Hillel Foundation, Portrait; 6 negatives","Rabbi Herbert J. Wilner, Hillel Foundation;","Budd Udell with Band; 11 negatives","Dale Evans, Athletic Publicity, Quarterback Signing, Football; 10 negatives","Band Photos, French Horn; 12 negatives","Marching Band Formations; 25 negatives","Band Day; 5 negatives","Scott Stringham Conducting; 12 negatives","Percussion Ensemble, School of Music; 1 negative","Homcoming Queen, Sally Sotak of Beckley, Shelley Pointexter of Nitro, Jeannie Erwin of Dunbar, Mary Kay Staggers of Keyser; 2 negatives","Homecoming Queen Candidates with Centennial Seal, Sally Sotak, Shelley Pointexter of Nitro, Mary Kay Staggers of Keyser, Jeanne Erwin of Dunbar; 4 negatives","Homecoming Queen Candidate at the Health Sciences Center Pylons; 3 negatives","Homecoming Queen Candidate in front of Elizabeth Moore Hall; 3 negatives","00748; Homecoming Queen Candidate with Oglebay Hall in the background Hall; 2 negatives","Homecoming Princess, Headshots; 8 negatives","Gold Diggers, Weekend Candidates, Portrait; 23 negatives","Bill Bonsall, Gymnastics Coach, led WVU to 3 southern conference championships, ranked at 5th place in 1963, represented U.S. in 1948 Olympics in London, the gymnastics team was elevated to varsity team in 1952 under him; 4 negatives","Kevin Gilson, Men's and Women's Swimming Coach, Anatomy and Physiology, Portrait; 4 negatives","Coach SFC Joe Gravens, Jr.; 4 negatives","Pat Hamilton, Board of Governors; 6 negatives","D. Hercules, Headshot; 1 negative","Dr. William Morris, Portrait","George Nedeff, Wresting Coach, 1996 WVU Presidential Safety Award, National Wresting Hall of Fame, Father G.N. of SOLT with \"Outstanding American\" Award, Class of 2008; 3 negatives","George Smyth, Planning Architect, Portrait; 4 negatives","John Stewart, Soccer Coach, Portrait; 4 negatives","Greg Van Camp, Director, General Manager of WWVU-TV, Professor or Radio and TV, Portrait; 4 negatives","Radio-TV Control Room; 5 negatives","Historical Buidings, Woodburn Female Seminary established in1815, Monongalia Academy established in November 1814; 2 negatives","News and Info, Sewage Treatment; 11 negatives","News and Info, Child Plays-Story for John Reach at Med Center; 8 negatives","Office of Publications; 6 negatives","Office of Publications, John Luchor; 16 negatives","Mountainlair Information Desk and Lounge; 7 negatives","Radio Drama by Dylan Thomas \"Under Milk Wood\" by  at Med Center Auditorium; 8 negatives","Kappa Kappa Psi, Music Honorary, Group; 2 negatives","Freshman Football Team in front of Martin Hall, Group, Historical Building; 4 negatives","Thermomister Temperature Measuring Device; 2 negatives","Seintillation Device; 7 negatives","Drama \"The Entertainers\"; 19 negatives","Mountainlair Interior; 23 negatives","Mountainlair Interior; 4 negatives","Bell from USS West Virginia; 7 negatives","President's Summer Home; 2 negatives","Drama \"The Merchant of Venice\"; 12 negatives","Light Art; 9 negatives","Snow Around Campus, Historic Buildings; 34 negatives","New Buildings around Campus; 14 negatives","Theater; 1 negative","Theater Interior, Creative Arts; 1 negative","R.O.T.C.; 39 negatives","Homecoming Queen, Sally Sotak, Portrait","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 4 negatives","Homecoming Queen Candidate; 6 negatives","Homecoming Queen Candidate; 4 negatives","Band Day; 24 negatives","Heart Valve Story, Engineering; 15 negatives","Heart Story, Med Center; 6 negatives","Colonel Charles G. Ives, Chairman of Military Science, Portrait; 5 negatives","Engineering Scholarship, Union Carbide; 4 negatives","Bird Story; 1 negative","Woodburn Circle, Traffic Pattern; 8 negatives","Freshmen Basket Ball Team, Sports, Group; 4 negatives","Art Department; 6 negatives","Orchesis, Student Dance Group; 9 negatives","University Choir, Group; 7 negatives","Civil Engineering Students; 40 negatives","Creative Arts Center, Building; 1 negative","Creative Arts Center, Building; 8 negatives","Amrerican Arts Trio, Music, Group; 12 negatives","Baroque Ensemble, Music, Group; 2 negatives","Fine and Lively Arts Committee, Group; 7 negatives","Dr. Harry Bruce Heflin in Formal Group, Group, 18th President; 4 negatives","Baker and Coombs Windows; 13 negatives","Dr. Maurice Brokks, Biology and Forestry Professor, Wildlife Management, Natural History, Ornithologist, West Virginian of the Year, Conservationist; 18 negatives","Theater Interiors, Creative Arts Story; 11 negatives","WVU Library; 14 negatives","WVU Library; 5 negatives","View of Med Center from Pierpont Hall; 2 negatives","Armstrong Hall, Building; 4 negatives","Med Center, Pylons; 19 negatives","Student Union Building, Mountainlair; 4 negatives","Mountainlair Construction; 4 negatives","Mountainlair Construction; 4 negatives","Mountainlair Construction; 3 negatives","Oglebay Hall, Historic Building; 7 negatives","Summit Hall, Building; 4 negatives","IBM Computer Installation, Publication Office; 2 negatives","IBM Typesetting in Printing Composing Room;","Transatlantic Debators; 7 negatives","Professor Moody E. Prior, Portrait, born 1901 in Fatsa Turkey, died Oct. 25 1996, Prof. Emeritus of English at Northwestern U., authority on Shakespeare, awarded Northweatern University Alumni Medal - highest honor given to Northwestern graduates; 1 negative","Mr. Harry Ernst, Director of University Relations, Portrait; 2 negatives","WVU TV Tower Site; 6 negatives","Joe Leonard, Director of Coal Research Bureau at WVU, Portrait; 4 negatives","Engineering - Super Wood; 9 negatives","Highschool Wrestling Tournament; 10 negatives","Variety Show at Towers; 22 negatives","Variety Show at Towers; 17 negatives","Physical Education, Archery Class; 9 negatives","Engineering - Space Craft Diagrams; 6 negatives","Commencement Honoraries, Portrait; 12 negatives","State Science Fair; 12 negatives","International Night; 5 negatives","Ash Brick Pilot Plant; 4 negatives","Norm Parsons, Intramural Director; 4 negatives","WVU Choir Album Cover \"Songs of West Virginia\"; 2 negatives","16 mm Movie Camera used on copy work, Radio and TV; 9 negatives","Drama Publicity Photos; 3 negatives","Tom Gulli Ford, Swimming, Portrait; 4 negatives","Bill Martin, Dance; 5 negatives","Engineering Slides for Dr. Moore; 14 negatives","Civil Engineering Asphalt Research; 25 negatives","Widebusch Family, Group; 7 negatives","Orchesis, Student Dance Group;  12 negatives","Don Knotts, Group; 1 negative","National Science Foundation Grants; 11 negatives","W. Va. Collection, Library, Homecoming; 32 negatives","Budd Udell Conducting, WVU Marching Band Director, 7th Director 1965-69, d.o.d. Feb. 4 2006, Group; 12 negatives","Orchesis, WVU Student Dance Group; 35 negatives","Bob Iden, Managerof Printing Services; 12 negatives","Oglebay Hall with Mast, Historic Building; 5 negatives","Elizabeth Moore Hall, Historic Building; 8 negatives","Jeff Warren; Portrait; 4 negatives","Charles Peter Yost; Dean of Physical Education, Portrait; 3 negatives","Computer Center; 27 negatives","Aerial Photos of Med Center and Mountainlair; 8 negatives","Aerial Photos of Towers, Pierpont Hall and Mountainlair; 5 negatives","Med Center; 3 negatives","Creative Arts Center; 6 negatives","Stewart Hall, Historic Building; 2 negatives","Agricultural Science Buiding; 4 negatives","Coliseum; 2 negatives","Evansdale Campus, Towers, Med Center; 7 negatives","Mont Chateau Lodge, opened June 7 1958, WVU Geological and Economic Survey; 4 negatives","Mountainlair Night View; 3 negatives","Library Walk; 4 negatives","Library Exterior View; 8 negatives","View of Woodburn Circle from Oblebay Plaza; 3 negatives","Woodburn Circle; 2 negatives","Jazz Band; 4 negatives","WVU Band, Group; 16 negatives","Dave Shamberger, Portrait; 8 negatives","Agriculture, Dr. O.J. Burger (standing), Martin Piriber (speaker); 9 negatives","Hubert H. Humphrey Speaking at WVU Centennial Celebration, Vice President, 100th Anniversary Event; 3 negatives","Jeff Davis, Portrait; 6 negatives","Commencement; 2 negatives","Commencement, Senator Jennings Randolph, Senator Robert C. Byrd, Acting WVU President Harry B. Heflin, Irvin Stewart, the Order of Vandalia; 37 negatives","Scenes from \"West Side Story\", Theater Production; 23 negatives","Scenes from \"West Side Story\", Theater Production; 16 negatives","\"The Maids and Deathwatch\", Theater Production; 9 negatives","Med Center, News and Info;","Engineering Department, Professor Jones, Group; 2 negatives","Mountaineer Spirit, Female Portrait; 6 negatives","Ash Brick Pilot Plant; 4 negatives","Future Farmers of America; 93 negatives","Louise Keener, Portrait","Fine Arts Camp, Music; 4 negatives","Chemical Engineering Slides, Dr. Jones; 6 negatives","International Program, Group; 8 negatives","Legislative Committee, Interim, Group; 11 negatives","Views from Oglebay Plaza, Traffic Study, Main Campus; 11 negatives","Woodburn Hall Clock Tower in Snow, Historic Building; 3 negatives","Coal Research, Insulation Samples, C. McFadden; 16 negatives","Coal Research, Insulation Samples, C. McFadden; 4 negatives","Jack Porter, Portrait, Development Office; 2 negatives","Frank Carlonheno, Portrait; 4 negatives","Bill Haden, Higher Education Administration, Portrait, Educational Fundraising, founding member of WV Promise Schoarship Programs Board of Control, he held positions in Development/Alumni Relations and Public Affairs, 17th President of WV Wesleyan College in 1995; 2 negatives","Senator Robert C. Byrd Visit - Flyash Based Brick, Harry Heflin; 18 negatives","Theater Production, \"Who's Afraid of Virginia Woolf\"; 22 negatives","Drama to Forensic Festival; 15 negatives","Southern Conference Awards, Athletic Publicity, Group; 4 negatives","Centennial Celebration Seal; 2 negatives","Mad Women, Portrait; 20 negatives","Harold Neely, Portrat; 6 negatives","First Brick Story; 10 negatives","\"The Mad Woman of Chaillot\", Theater Production; 10 negatives","Harry Ernst, Director of University Relations, Portrait; 5 negatives","Dan Bond, WVU 100th Anniversary, Group; 4 negatives","Coliseum Architectural Model; 6 negatives","Dr. Harlow, Portrait; 4 negatives","Paul W. DeVore,Professor of Industrial Arts, Portrait, Influential in the establishment of nation's first Department of Technology","Richard Gardner, Controllers Office, Portrait; 4 negatives","Mountainlair Art Gallery; 4 negatives","Students playing at Mountainlair Game Center; 12 negatives","Athletic publicity, Carlen's family; Jim Carlen - head coach, 1966-1969, record 25-13-3 (.658). Governor Joe Manchin was a quarter back on his first team. Son: James Carlen, Jr., stepdaughters: Caty, Carol","WVU Athletic Council Award; Senior Athletic of the Year 1967-1968","Formerly state park lodge","Phy. Ed.; 1994 Inducted into the Professional Hall of Fame in the School of Physical Education","Wardensville field day; Hardy Co.; Reymann Memorial Farms","Dean Arents' Office; Dean Chester A. Arents, School of Engineering; group of 3 on left; large group - Arents sitting on right","Stan Romanoski, coach","Engineering; climatologists","First trumpet - with WVU Orchestra; Trumpet professor and assistant chairman of the school of music at WVU; authored The Trumpeter's Handbook; attended the preparatory department of the Eastman School of Music and graduated with honors.","Dept. of Psychology; Charles D. Corman; Oglebay Hall","Shanbeyer, Luchack, Rhodayal, etc.","Daniel O'Sullivan; plus campus views","Dr. Porter; Charley","Engineering Department; Asten","Mary Filler Wiley","Electrical Engineering?","Theoretical and applied mechanics; mechanics engineering","Jim Hawkins with girl","Morgantown Farm","Pharmacy Meeting at Towers","Mrs. Adalene \"Bobbie\" Rae Harlow; elementary teacher; 1912-2004; James G. Harlow (1912-1978)","Engineering school; Dean Arents - left","Edmundo Elmore; Pan America Health Union","Gamma Sigma Delta","Lazor; Engineering Department","Dean Arents 2nd from right; PHS, Cincinnati Solid Waste Program","For Nick","American radio reporter, best known for his dramatic report of the Hindenburg Disaster","Livestock Farm","W.Va. Department of Mental Health; Pub. at Towers","Dave Tork","Athletic Department; Richard Poland","Engineering - Smith; Dean Chester A. Arents - center","Proofs straight to Poland","L - Darrell V. McGraw, Jr.; M - Walter Beach - Assistant Director of the American Plitical Science Assn. in Washington; R. Dr. David G. Temple - WVU Assistant Professor of Political Science and Project Assistant","Taught folklore; dulcimer player; collected ballads; Monticola advisor","Collegium Musicum","Oliveria visit; Engineering Department","Warren G. Tennant - Groundskeeper; Chinquapin (yellow) oak","History Symposium: Jesse H. Stuart (aug. 8, 1907 - Feb. 17, 1984) - flat top hair, author, writer, Appalachia; unknown - bald guy; Dr. Lewis Hanke (born 1905), Columbia U., historian colonial, Latin America studies","Comedy Manners; Left: Bod Merriam \"Lord Peter Teazle\"; Right: Evy Andrews \"Lady Teazle\"","Roll 6","Preston Co, WV; Garrett Co, MD; few remaining Boreal Bogs","With Lloyd M. Jones; refund of sales tax from State Tax Commissioner for refund of sales tax inadvertently paid to state of WV on room/meals for athletes in dorms paid from athletic fund","Benedum Professor of Education, 68-86","Steel Students Classroom","Professor, Dr., Chair, Animal Veterinary Science; AI-VS; B - April 3, 1917, D - August 23, 2001; retired in 1979","Bob Crawford","Poster for Executive Conference","Boyle","Back row - far right; Stan Romanoski, Carl Hatfield","Sports Info Director","Red Brown","Professor of Agriculture","Agronomist, agriculture, professor of plant soil science","Chair, doctor, professor, horticulture, marigolds, roses","Plant, physiology, science","Doctor, plant, science, physiology, agriculture","Doctor, chair, agriculture","Physiology, reproductive, professor, doctor, animal, nutritional, science, Davis College","Doctor, plant, agriculture, science","Doctor, plant, science, agriculture","Doctor, professor, animal, carcass, beef, agriculture","Agriculture, soil, chemistry","Professor, extension, plant, pathologist, entomologist, golden delicious apple","Woodburn, freshmen, football, field, bleachers, athletics, team","Professor, patent examiner, law","Health Science lab","Display set up in Mountainlair","Group and individual","J. Fannucci","Faculty Dean, Business and Economics; Died Feb. 16, 1998","With Donald C. Portnoy, conductor","Drama, theater, comedy, commedia, masked","Duncan","Diving, swimming, coaching; Coached for 30 years, record 290-159-2","Chitwood Hall, Stewart Hall, Martin Hall","Benjamin Linsky - Professor of Sanitary Engineering (air pollution) and Director of Graduate Air Pollution Control Engineering Training Program.","Contemporary, classical, musical, choir, choral, singer, chamber, instrumental, soloist","Professor, art, chair","Collection, free-form, poem, fictional, town, spoon, river","Davis College; Professor, reproductive, physiology, agriculture, faculty","Musicians, trombone, trombonists, musical, drum, chamber","P. County; L-R Larry Kelly, Harold Taylor, Rex Taylor, Richard Glass, voc. teacher, Allen Colebant","Henry Clay Furnace; Iron Furnace - Cooper's Rock State Forest. Built between 1834 and 1836","College of Commerce","Not Bob Brown?","Music, chamber, musicians; Philip Faini - faculty, Dean-Emeritus, College of Creative Arts","Dick Smith","TV tower; motion picture staging","U.S. Representative from Indiana, Nov. 21, 1894 - Dec. 5, 1984, women's rights","Developmental psychologist, professor, chair, author, editor","Founded World Music Center, worked in radio, television and with symphony orchestras; dean, educator, administrator, jazz, theory, African, music, percussion, ensemble","For engineering brochure","Eng. Elect.; Nelson Smith","Dave Zirz","News and Info; Ernst","Left, sitting; Doctor, professor, chair, mathematics","Music; Washington Trip","Chemistry building architecture; Clark Hall, Annex","Bookstore, WVU plate","Coach - Stan Romanoski","Doctor, music professor","Mike Sherwood, football, QB 1968-1970; Robert N. \"Red\" Brown, athletic director","Dick Smith, Dr. Moore","Professor of history; Order of Vandalia - June 1, 1964; Chitwood Hall (Science Hall) renamed 1972 in honor of Dr. Chitwood","Chemical engineering, fossil energy research, coal technology, professor; Inductted 4-25-1986 into the Academy of Chemical Engineers","Ruth E. Robinson - bookstore manager, Dr. Harry Heflin - V.P. of Finance, President","Intimate relationships, human sexuality, social work","With crutch - Jerry Stewart, other male?; catalog made","Basketball coach","1925-1981; Writer, professor, novelist, magazine founder, poet, editor, critic, teacher","Professor of Industrial Engineering","Professor of biology, chairman","FAlconer, bird, red tailed hawk, prey, dog, bull terrier","Author, children's books","Dean, professor of education, college of human resources and education, chair of secondary education","Chair, sociology","Foreign student coordinator, professor of military science","Fashion design lecturer","Born 1913, Died 4-27-2008; soprano, opera, voice professor","1928- Chemical Engineering, fossil energy research, coal technology, professor; inducted 4-25-1986 into the academy of chemical engineers","Doctor, director of admissions, record; B. Feb. 17, 1916, D. Jan. 2, 2001","Professor, agriculture, biochemistry, nutrition","1867-1875 first president, Methodist minister, educator, pastor, professor, greek; Designed WVU's seal; B. Jan. 24, 1822, D. Dec. 16, 1895","Professor, forestry, wildlife management","Dr. Franklin Parker, Betty J. - Forum Festival","Louis F. Tanner Distinguished Professor of Public Accounting; professor, director, accounting, CPA","Doctor, director, student, health, service, physician","Doctor, professor, emeritus, music, horn, theory, viola","Author, social work","Faculty, English","Health Science, physiology, meat animal, USDA","Faculty, professor, English","Appalachian Center Area Program Chairman, Parkersburg","Doctor, researcher, chairman, biology; Oct. 8, 1932-March 18, 2010","Faculty, professor, doctor, plant physiology, ecology, conservationist","Monticola advisor, professor, journalism","B. Mar. 12, 1922, D. Oct. 29, 1989; Professor Emeritus, animal and veterinary sciences, College of Agriculture and Forestry, consumer sciences","Victorian Age specialist, English Department","Doctor, psychology, professor, chair, author","This series contains an index to the first part of Series 1, boxes 1 to 35 or 36. The index is arranged in alphabetical order by subject and spans from ca. 1964-1987. This listing reproduces the tabs in the index in full; subheadings are represented by a sampling within parentheses.","This series includes aerial photographs and accompanying transparencies and negatives of West Virginia University Hospital, Monongalia General Hospital, Morgantown and WVU (Downtown and Evansdale Campuses, the Coliseum, Mountaineer Field), and more. Subjects also include Agriculture Science Building, Allen Hall, Appalachian Center, Bureau of Mines, Coliseum, Construction \u0026 Excavation of New Law Center, Creative Arts Center, Downtown Campus, Downtown Morgantown with River, Evansdale Campus, Field House, Forestry Building, I-79 Uffington Interchange, Interstate including Westover Exchange, Law School, Livestock Farm, Medical Center, Mountaineer Field, Mountainlair, Mt. Chateau, New Dairy Facility, Physical Plant, Prospective Stadium Site, PRT, Stadium, Towers, and more.","This series of proofs from glass plate negatives were created for an unspecified Bicentennial Celebration project (possibly celebrating the National Bicentennial in 1976). There is an original numbered list of the historic prints (see box 103, folder 1). Subjects include people in safety gear, Mechanical Hall, Students in lab, Commencement Hall, Library Reading Room, Library Administration, Greenhouse construction, Horticulture grounds \u0026 building, Woodburn Circle, WVU Campus shots, Agricultural Station, Martin Hall, Oglebay Hall, Science Hall, Stewart Hall, Entomology Room, Dr. J. A. Myers, Students (Elmer Leach, Edith Ice, etc.), Episcopal Hall, Reynolds Hall, Football, E. Moore Hall, Chemistry lab, Presidents House, Falling Run, Armory, Faculty Club House, Astronomy class, Views of Campus from varying vantage points, Drama, Clubs, President John Rhey Thompson, President Thomas E. Hodges, President Frank Butter Trotter, President J. L. Goodknight, Andrew D. Hopkins, A. J. Dadisman, Various faculty (James Stewart, R. A. Armtstong, George T. Brooks, Sam Brown, P. B. Reynolds, Thomas Hodges, etc.), WVU Military Unit, Monongahela River \u0026 Seneca Station, and South Park.","This series documents WVU campus life and activities. The slides were originally bound in large three ring binders; all slides have the copyright symbol and the word Mellott printed on them. Subjects in this series include agriculture, basketball, Clark Hall, classrooms, convocation, Creative Arts Center, Football, Graduation, Law School, Library, and Woodburn Hall, among other topics.","This series includes digital photographs copied to a server from discs (these discs are currently in boxes 113-114); prints of a limited number of the digital photos are available in box 112. Subjects in this series include campus scenes, football, sports, nature, miscellaneous, and duplicate prints.","This series consists of proof sheets of images taken between ca. 1965-1999 by the News Service that depict daily life and scenes from both the Downtown WVU Campus and the Evansdale Campus. Subjects include athletics, candid shots, classrooms, construction, group portraits, Morgantown, scenes and views, and WVU. See Contents List for range of project numbers. These project numbers also correspond to the project numbers in Series 1 and 2.","This series consists of prints, negatives, slides, transparencies, and correspondence from special projects; many of the images were used in the Alumni Magazine. Subjects found in this series include Baroque Ensemble, Bicentennial House, CAC, Campus Prints, Hillary Clinton, Jay Rockefeller, Shell Building, Transparencies, WVU Extension Services, and more.","This series consists of a collection of slides and negatives in 62 small plastic boxes, many of which are unidentified. Subjects include students on campus, special events like races, campus buildings, the Mountaineer mascot, students in science labs, and more.","This series consists of slides in sleeves. Many sleeves include project information such as invoice number and photographer. Subjects in this series include athletics, campus life, candid and group shots, construction, Morgantown, and more. See Contents List for a more detailed list of subjects.","This series includes prints and negatives on subjects related to WVU history. Subjects in this series include agriculture, boats, Buck Harless, historic Morgantown, historic WVU, Institutional Advancement Flood Relief, Kearneysville Farm, Reymann Farm, Stewart Hall, and more.","This series includes 8 x 10 transparencies and prints pertaining to WVU. Subjects include White Hall, WVU Rifle Team, Medical Center pylons, Learned Ladies Play, New River white water rafting, football, WVU campus, and more.","This series consists of transparencies arranged alphabetically by subject. Subjects in this series include agriculture, campus buildings, athletics, portraits, and more.","This series consists of prints and negatives of WVU faculty portraits and other material.","This series consists of miscellaneous negatives and prints and a key to an old filing cabinet."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4c205e75f30f8dced54f886847d78102\"\u003ePhotographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files. See Scope and Content note for more information.\u003c/abstract\u003e"],"abstract_tesim":["Photographs of the News Service of West Virginia University (WVU). Subjects of images include aerial views, architecture, athletics, campus scenes, construction, historic images, student life, and WVU faculty and staff, among others. Formats include prints, negatives, proof sheets, transparencies, and digital files. See Scope and Content note for more information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_30f75846d7e5acc21eafe687d4c0ed84\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["West Virginia University","West Virginia University--Faculty."],"names_ssim":["West Virginia and Regional History Center","West Virginia University","West Virginia University--Faculty."],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University","West Virginia University--Faculty."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1776,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:56:00.432Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3918_c08_c10"}},{"id":"wvmturhc_repositories_2_resources_2333_c04_c01_c01","type":"Box","attributes":{"title":"19th and 20th Century West Virginia History Courses","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2333_c04_c01_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2333_c04_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_2333_c04_c01_c01","ref_ssm":["wvmturhc_repositories_2_resources_2333_c04_c01_c01"],"id":"wvmturhc_repositories_2_resources_2333_c04_c01_c01","ead_ssi":"wvmturhc_repositories_2_resources_2333","_root_":"wvmturhc_repositories_2_resources_2333","_nest_parent_":"wvmturhc_repositories_2_resources_2333_c04_c01","parent_ssi":"wvmturhc_repositories_2_resources_2333_c04_c01","parent_ssim":["wvmturhc_repositories_2_resources_2333","wvmturhc_repositories_2_resources_2333_c04","wvmturhc_repositories_2_resources_2333_c04_c01"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_2333","wvmturhc_repositories_2_resources_2333_c04","wvmturhc_repositories_2_resources_2333_c04_c01"],"parent_unittitles_ssm":["Ronald Lewis, Historian, Papers","Series 4. Addendum of 2024 May 29","Teaching"],"parent_unittitles_tesim":["Ronald Lewis, Historian, Papers","Series 4. Addendum of 2024 May 29","Teaching"],"text":["Ronald Lewis, Historian, Papers","Series 4. Addendum of 2024 May 29","Teaching","19th and 20th Century West Virginia History Courses","Box 22","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter."],"title_filing_ssi":"19th and 20th Century West Virginia History Courses","title_ssm":["19th and 20th Century West Virginia History Courses"],"title_tesim":["19th and 20th Century West Virginia History Courses"],"unitdate_inclusive_ssm":["circa 1880-2017"],"normalized_date_ssm":["1880/2017"],"normalized_title_ssm":["19th and 20th Century West Virginia History Courses"],"component_level_isim":[3],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Ronald Lewis, Historian, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":451,"parent_access_restrict_tesm":["Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.Box 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"containers_ssim":["Box 22"],"scopecontent_html_tesm":["\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter."],"_nest_path_":"/components#3/components#0/components#0","timestamp":"2026-05-21T00:44:25.654Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_2333","ead_ssi":"wvmturhc_repositories_2_resources_2333","_root_":"wvmturhc_repositories_2_resources_2333","_nest_parent_":"wvmturhc_repositories_2_resources_2333","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2333.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/205406","title_ssm":["Ronald Lewis, Historian, Papers"],"title_tesim":["Ronald Lewis, Historian, Papers"],"unitdate_ssm":["circa 1850-2021","circa 1970-2021"],"unitdate_bulk_ssim":["circa 1970-2021"],"unitdate_inclusive_ssm":["circa 1850-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3882","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2333"],"text":["A\u0026M 3882","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2333","Ronald Lewis, Historian, Papers","Appalachian Region -- History","History -- Study and teaching ","West Virginia University  -- History","Coal mines and mining","Lumber industry and timber.","Immigrants -- Miners","Content with student grades located in boxes 1 (folders 1-2, 10, 12, 15-24), 7, 21 (folders 1-2), and 23 must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\n \nContent including social security numbers located in boxes 1 (folders 1-6, 9) and 21 (career materials subseries) will be restricted for 75 years after the date of record creation, but researchers may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center reference department in advance to request access.\n \nContent including personnel files, like faculty evaluations and position appointments, located in box 21 (career materials subseries and folders 1-2) and box 26 (folder 4) must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\n \nResearchers may access born digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department. Some of these materials are not yet reformatted and must be requested in advance.\n \nAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.\n \nAll or part of this collection is stored offsite. Please make an appointment prior to visiting.","This series contains restricted materials: social security numbers and student records. Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Box 1 contains restricted materials: social security numbers and student grades. Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Box 1 contains restricted materials: social security numbers and student grades.  Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","This series contains student records. Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department. Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Box 7 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department. Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.","Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.","This series contains restricted materials: Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Box 21 includes Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Box 21 includes Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials in box 26 by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance. Box 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance. Box 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.","Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","The original order established by Dr. Lewis has been retained in much of the collection. Series and subseries have only been imposed where they accurately categorize the initial physical arrangement, allowing for the majority of Lewis's organization to remain intact. The imposed series — 1. Teaching, 2. Research and Scholarly Activity, and 3. Professional Service and Additional Career Materials — were chosen to represent the three main facets of university faculty work. Series 4 is comprised of an addendum received in 2024, and subseries have been imposed based on the existing series structure.","Many of the folder titles within this collection, including in the addendum, were created by Dr. Lewis and incorporated as-is during archival arrangement. He frequently utilized abbreviations and acronyms, especially in reference to academic institutions and professional organizations. ","This collection includes a formerly separate WVRHC collection (A\u0026M 3634, Ronald Lewis, Historian, Research Notes Regarding Timber Industry in West Virginia). It has been added to this collection in its entirety at the donor's request, so that his body of work can be represented together.","Materials within this subseries were left in the original arrangement developed by Dr. Lewis. Individual folders represent specific students, and the materials he wrote or reviewed on behalf of those students are within their folders.","A professor emeritus of history at West Virginia University, Lewis received his PhD in American History from the University of Akron in 1974.  He focused on regional studies, especially Appalachian history.  His first teaching opportunity was at the University of Delaware as an assistant professor from 1974 to 1985, where he focused primarily on the intersection of race and labor in the United States.  He was then hired in 1985 to teach West Virginian and Appalachian History at West Virginia University.  He earned emeritus status in 2008.  He has authored many books, earned several awards, and was a Fulbright-Hayes Commission Award Recipient.","This collection contains materials of various formats used and created by historian Dr. Ronald Lewis throughout his career. There are records and course materials from classes taught by Dr. Lewis at the University of Delaware and, primarily, at West Virginia University (WVU). It includes other documents relating to his work as a faculty advisor to graduate students in WVU's history department. There is extensive documentation of his research, most of which was done on Appalachian history and West Virginia coal mining, including articles he has written, facsimiles of primary and secondary sources used in his research, and A/V materials like oral histories. Records generated from Dr. Lewis's scholarly activities are included, such as book and article reviews and conference presentations. There are also materials relating to his other professional pursuits, such as his membership in historical organizations and correspondence with other professionals in the field. This collection provides a broad overview of the work of an historian in an academic institution. The dates provided are reflective of material creation, except within the Welsh Miners and Scott's Run subseries. These dates, listed in folder titles, reflect the content and were determined by the donor when he created and titled these files. Please be aware that the dates may not be accurate for every item within the folder/box but rather reflect the general timeframe of the subject matter. Born digital and audiovisual materials exist within the collection as floppy disks, CDs, DVDs, VHS tapes, and cassettes. Addendum of 2024 May 29 includes similar materials but reflects Dr. Lewis's more recent work. There are materials relating to his work as a professor and faculty member, the development of two books and other publications, and documentation of his career. Common formats include lecture notes, facsimiles of research sources, and correspondence; digital materials exist within the addendum as floppy disks, zip disks, and CDs.","This series includes materials used and created by Dr. Lewis in relation to his work as a professor at the University of Delaware and West Virginia University (WVU). Common materials include course rosters and syllabi, grading information, and graduate student correspondence and publications. Much of this series is comprised of Lewis's work as an advisor to PhD students at WVU. Additional teaching-related records are located in Series 4, boxes 22, 23, and 29.","Teaching Materials include administrative and course content-related documents from Dr. Lewis's time as an instructor. Course rosters, examination papers, and assigned reading materials are included. Recommendation letters and graduate student committee papers are present. Digital materials like syllabi and exams exist within this subseries as well.","Graduate Student Files include academic papers, presentations, correspondence, job recommendations, and other materials that Dr. Lewis authored or reviewed as a faculty advisor to graduate students at West Virginia University. Digital materials from this subseries include recommendations, comprehensive exams, and graduate committee details.","This series includes research materials, book and article reviews, papers written by Dr. Lewis, and research sources assigned in Lewis's classes. Many of his own publications and presentations are included, along with related correspondence with colleagues. Additional research and scholarly activity records are located in Series 4, boxes 24-28 and 30.","This subseries includes articles that Lewis has authored, referenced for his research, or assigned his students to read, most of which focus on American history. Articles in boxes 10-11 were all written by Dr. Lewis; articles in boxes 1-6 were written by others and utilized by Lewis in research or teaching. Digital materials in this subseries include articles used for research and other supporting information for Lewis's articles.","This subseries includes facsimiles of texts used by Lewis in his research, articles written about his published books, materials from events where Lewis presented information about his books, and publishing correspondence. It does not include any copies of Lewis's own books.","Papers and Presentations include publications and lectures delivered by Dr. Lewis at conferences and symposiums. In addition to the materials Lewis presented at these events, this subseries includes correspondence with event organizers and other presenters.","This subseries includes book reviews that Dr. Lewis wrote for various scholarly journals and related correspondence, along with advance copies of books sent to him for review. The books he reviewed focus primarily on Appalachian history and Black history. Digital materials from this subseries include advance copies of material for review.","These materials relate to a report for the Appalachian Regional Commission (ARC) written by Dr. Lewis and Dwight Billings of the University of Kentucky. It includes correspondence and notes taken during the creation of the report, manuscript review comments, and a copy of the report itself,  Appalachian Cultural and Economic Development , published by the University of Kentucky Press.","This subseries consists of Dr. Lewis's work on Scott's Run, a mining community in West Virginia that experienced a large coal boom in the late 19th and early 20th centuries. It includes copies of scholarly publications on Scott's Run, commemorative articles, newspaper clippings, facsimiles of primary source materials, course assignments from Dr. Lewis's classes on mining communities, and oral history interviews. Many of the oral histories are in A/V format, recorded on cassette and VHS tapes. Digital materials include interview transcriptions, researched data about Scott's Run, and more. The dates for this subseries reflect the content – not material creation. For most files, the content dates were determined by the donor and written beside his folder titles. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","These are research materials utilized and created by Dr. Lewis in his study of Welsh immigrants working in the U.S. mining industry and the broader history of British Isles emigration in the late 19th and early 20th centuries. Scholarly articles, Dr. Lewis's notes, and copies of primary source documents like census data and mining reports are included in this subseries. Some additional research files exist as digital materials. The dates for this subseries reflect the content– not material creation. For most files, the content dates were determined by the donor and written beside his folder titles. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","These materials relate to the development of Dr. Lewis's 2013 book on WVU,  Aspiring to Greatness: West Virginia University Since WWII . Multiple facets of WVU history are represented in Lewis's research materials, comprised of university administrative documents, local newspaper clippings, recorded interviews, and more. Interviews and event recordings are stored as CDs, DVDs, other A/V formats located in box 19.","This subseries consists of research notes compiled by Dr. Lewis  for the development of his 2017 book,  The Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for  West Virginia's Timber Frontier . It includes biographical information and statistical profiles about industry leaders and corporations in the 19th and 20th centuries. These materials were previously a separate collection – A\u0026M 3634, Ronald Lewis, Historian, Research Notes Regarding Timber Industry in West Virginia – but have since been incorporated as a part of A\u0026M 3882 at the donor's request.","This series represents Dr. Lewis's service to his profession, membership in professional historical organizations, his personal records of career accomplishments and his various positions held across institutions, and the correspondence he retained over the duration of his career. Additional professional service and career records are located in Series 4, box 26, folder 4.","These materials consist of weekly academic planners kept by Dr. Lewis, in which he recorded personal and professional events. Box 5 holds 12 planners from 1994-2004, and box 21 holds 9 planners from 2004-2012.","These are materials relating to Dr. Lewis's work outside the university setting, including as an editorial board member to scholarly journals, as an historical consultant, and as a member of historical associations. Materials include correspondence with Lewis's colleagues in these settings, published statements by Lewis about the organizations he belonged to, and article evaluations.","These files include information related to Dr. Lewis's various appointments, promotions, fellowships, and sabbaticals throughout his career. They are largely comprised of university administrative files and related correspondence. Additional items like Lewis's curriculum vitae and faculty evaluations exist as digital materials.","These materials include professional and personal correspondence between Dr. Lewis and other university personnel, fellow members of historical associations, and friends. Common formats include handwritten notes, greeting cards, typed memos, and printed email exchanges.","This series is an addendum received from Dr. Lewis in 2024. It includes assorted teaching materials from Dr. Lewis's time as a professor at West Virginia University, like course syllabi and assigned reading materials. There are also research files and similar materials related the development of Lewis's various scholarly publications, including two books:  The Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for West Virginia's Timber Frontier  (2016) and  Iron Artisans: Welsh Immigrants and the American Age of Steel  (2023). Materials compiled in the development of these texts include photocopied primary sources with accompanying research notes, correspondence with publishers and other scholars, and drafts of passages from the books. There are also a few files related to Lewis's career broadly, like his curriculum vitae and faculty evaluations. Born digital materials exist within the series as floppy disks, zip disks and CDs with files related to Lewis's work as a faculty member at WVU, the development of his scholarly publications, and his career documentation. The dates for the Teaching and Research and Scholarly Activities subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","Includes assorted teaching materials from classes Dr. Lewis taught at WVU on United States, West Virginian, and Appalachian cultural and industrial history, with topics including mining accidents, such as the Monongah mine disaster. These teaching materials are comprised of lecture notes, syllabi, and assigned articles/texts. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter. The classes included in this addendum were largely taught in the late 1990s and early 2000s. Digital materials from this subseries consist of lecture notes, exams, and syllabi. Additional teaching records are located in Series 1 of this collection.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","Includes materials related the development of articles, reviews, and two books by Dr. Lewis:  The Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for West Virginia's Timber Frontier  (2016) and  Iron Artisans: Welsh Immigrants and the American Age of Steel  (2023). Materials compiled in the development of Lewis's books include photocopied primary sources with accompanying research notes, correspondence with publishers and other scholars, and drafts of passages from the books. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter. The compilation of these materials largely took place during the 2010s and early 2020s. Digital materials from this subseries consist of conference presentations and research files. Additional research materials are located in Series 2 of this collection. ","Includes early book proposal. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","This subseries consists only of digital materials that include faculty evaluations, Lewis's Curriculum Vitae, and other professional records. Additional career materials are located in Series 3 of this collection.","A group of bound dissertations has been separated at the donor's request. They were written from 1990-2009 and focus on West Virginia-related historical subjects. Dr. Lewis served on the dissertaion committee for each. These items were passed on, to be made available in the WVRHC main stacks.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Lewis, Ronald L., 1940-","English \n.    "],"unitid_tesim":["A\u0026M 3882","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2333"],"normalized_title_ssm":["Ronald Lewis, Historian, Papers"],"collection_title_tesim":["Ronald Lewis, Historian, Papers"],"collection_ssim":["Ronald Lewis, Historian, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Appalachian Region -- History"],"geogname_ssim":["Appalachian Region -- History"],"creator_ssm":["Lewis, Ronald L., 1940-"],"creator_ssim":["Lewis, Ronald L., 1940-"],"creator_persname_ssim":["Lewis, Ronald L., 1940-"],"creators_ssim":["Lewis, Ronald L., 1940-"],"places_ssim":["Appalachian Region -- History"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Multiple gifts from Lewis, Ronald: 2008/07/25, 2012/12/20, and 2024/05/29"],"access_subjects_ssim":["History -- Study and teaching ","West Virginia University  -- History","Coal mines and mining","Lumber industry and timber.","Immigrants -- Miners"],"access_subjects_ssm":["History -- Study and teaching ","West Virginia University  -- History","Coal mines and mining","Lumber industry and timber.","Immigrants -- Miners"],"has_online_content_ssim":["false"],"extent_ssm":["33.46 Linear Feet 33 ft. 5.5 in. (1 document case, 5 in.; 1 document case, 4 in.; 1 document case, 2.5 in.; 26 record cartons, 15 in. each.)","4.46 Gigabytes 745 files, formats include .pdf, .wpd, .doc, .jpg, .tif, .xls, .ppt, etc."],"extent_tesim":["33.46 Linear Feet 33 ft. 5.5 in. (1 document case, 5 in.; 1 document case, 4 in.; 1 document case, 2.5 in.; 26 record cartons, 15 in. each.)","4.46 Gigabytes 745 files, formats include .pdf, .wpd, .doc, .jpg, .tif, .xls, .ppt, etc."],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eContent with student grades located in boxes 1 (folders 1-2, 10, 12, 15-24), 7, 21 (folders 1-2), and 23 must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\n\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nContent including social security numbers located in boxes 1 (folders 1-6, 9) and 21 (career materials subseries) will be restricted for 75 years after the date of record creation, but researchers may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center reference department in advance to request access.\n\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nContent including personnel files, like faculty evaluations and position appointments, located in box 21 (career materials subseries and folders 1-2) and box 26 (folder 4) must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\n\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nResearchers may access born digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department. Some of these materials are not yet reformatted and must be requested in advance.\n\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026amp; Regional History Center reference department in advance.\n\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nAll or part of this collection is stored offsite. Please make an appointment prior to visiting.\u003c/p\u003e","\u003cp\u003eThis series contains restricted materials: social security numbers and student records. Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eResearchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e","\u003cp\u003eBox 1 contains restricted materials: social security numbers and student grades. Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003eResearchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e","\u003cp\u003eContent with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eContent with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eContent with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003c/p\u003e","\u003cp\u003eContent with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003c/p\u003e","\u003cp\u003eContent with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003c/p\u003e","\u003cp\u003eContent with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003c/p\u003e","\u003cp\u003eContent with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eBox 1 contains restricted materials: social security numbers and student grades.  Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003eResearchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e","\u003cp\u003eThis series contains student records. Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eResearchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026amp; Regional History Center reference department in advance.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eBox 7 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eResearchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026amp; Regional History Center reference department in advance.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003ePlease note that the West Virginia \u0026amp; Regional History Center is not able to provide access to this digital item due to data corruption.\u003c/p\u003e","\u003cp\u003ePlease note that the West Virginia \u0026amp; Regional History Center is not able to provide access to this digital item due to data corruption.\u003c/p\u003e","\u003cp\u003ePlease note that the West Virginia \u0026amp; Regional History Center is not able to provide access to this digital item due to data corruption.\u003c/p\u003e","\u003cp\u003ePlease note that the West Virginia \u0026amp; Regional History Center is not able to provide access to this digital item due to data corruption.\u003c/p\u003e","\u003cp\u003ePlease note that the West Virginia \u0026amp; Regional History Center is not able to provide access to this digital item due to data corruption.\u003c/p\u003e","\u003cp\u003ePlease note that the West Virginia \u0026amp; Regional History Center is not able to provide access to this digital item due to data corruption.\u003c/p\u003e","\u003cp\u003ePlease note that the West Virginia \u0026amp; Regional History Center is not able to provide access to this digital item due to data corruption.\u003c/p\u003e","\u003cp\u003eAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.\u003c/p\u003e","\u003cp\u003eAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.\u003c/p\u003e","\u003cp\u003eThis series contains restricted materials: Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eResearchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e","\u003cp\u003eBox 21 includes Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eResearchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e","\u003cp\u003eBox 21 includes Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eContent including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eContent including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials in box 26 by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eBox 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eBox 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026amp; Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eStudent records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.\u003c/p\u003e","\u003cp\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.\u003c/p\u003e","\u003cp\u003eContent including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026amp; Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eResearchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Content with student grades located in boxes 1 (folders 1-2, 10, 12, 15-24), 7, 21 (folders 1-2), and 23 must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\n \nContent including social security numbers located in boxes 1 (folders 1-6, 9) and 21 (career materials subseries) will be restricted for 75 years after the date of record creation, but researchers may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center reference department in advance to request access.\n \nContent including personnel files, like faculty evaluations and position appointments, located in box 21 (career materials subseries and folders 1-2) and box 26 (folder 4) must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.\n \nResearchers may access born digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department. Some of these materials are not yet reformatted and must be requested in advance.\n \nAudiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.\n \nAll or part of this collection is stored offsite. Please make an appointment prior to visiting.","This series contains restricted materials: social security numbers and student records. Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Box 1 contains restricted materials: social security numbers and student grades. Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Box 1 contains restricted materials: social security numbers and student grades.  Content with SSNs will be restricted for 75 years after the date of record creation, but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","This series contains student records. Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department. Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Box 7 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department. Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department in advance.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Please note that the West Virginia \u0026 Regional History Center is not able to provide access to this digital item due to data corruption.","Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.","Audiovisual materials must be digitized for research access. Researchers must contact the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc in advance.","This series contains restricted materials: Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Box 21 includes Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access related digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Box 21 includes Dr. Lewis's social security number and WVU personnel files. Content with SSNs will be restricted for 75 years after the date of record creation (or until the passing of Dr. Lewis), but users may complete the Agreement for the Use of Sensitive Materials to request access to these materials prior to the expiration of the restriction. Please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance to request access. Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials in box 26 by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance. Box 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance. Box 23 contains student records. Content with student grades must be closed for 75 years after the date of record creation. If interested in viewing restricted student records, please contact the West Virginia \u0026 Regional History Center in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Student records must be closed for 75 years after the date of record creation. If interested in viewing these records, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.","Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. Additionally, the reference department will need to assess these materials and protect sensitive content prior to granting access to researchers, so please request access in advance.","Content including personnel files, like faculty evaluations and position appointments, must be closed for 75 years after the date of record creation. If interested in viewing personnel files, please contact the West Virginia \u0026 Regional History Center at https://westvirginia.libanswers.com/wvrhc in advance. The reference department will need to assess these materials and protect sensitive content prior to granting access to researchers. Researchers may access digital materials by requesting to view them in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"arrangement_html_tesm":["\u003cp\u003eThe original order established by Dr. Lewis has been retained in much of the collection. Series and subseries have only been imposed where they accurately categorize the initial physical arrangement, allowing for the majority of Lewis's organization to remain intact. The imposed series — 1. Teaching, 2. Research and Scholarly Activity, and 3. Professional Service and Additional Career Materials — were chosen to represent the three main facets of university faculty work. Series 4 is comprised of an addendum received in 2024, and subseries have been imposed based on the existing series structure.\u003c/p\u003e\n","\u003cp\u003eMany of the folder titles within this collection, including in the addendum, were created by Dr. Lewis and incorporated as-is during archival arrangement. He frequently utilized abbreviations and acronyms, especially in reference to academic institutions and professional organizations. \u003c/p\u003e\n","\u003cp\u003eThis collection includes a formerly separate WVRHC collection (A\u0026amp;M 3634, Ronald Lewis, Historian, Research Notes Regarding Timber Industry in West Virginia). It has been added to this collection in its entirety at the donor's request, so that his body of work can be represented together.\u003c/p\u003e","\u003cp\u003eMaterials within this subseries were left in the original arrangement developed by Dr. Lewis. Individual folders represent specific students, and the materials he wrote or reviewed on behalf of those students are within their folders.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["The original order established by Dr. Lewis has been retained in much of the collection. Series and subseries have only been imposed where they accurately categorize the initial physical arrangement, allowing for the majority of Lewis's organization to remain intact. The imposed series — 1. Teaching, 2. Research and Scholarly Activity, and 3. Professional Service and Additional Career Materials — were chosen to represent the three main facets of university faculty work. Series 4 is comprised of an addendum received in 2024, and subseries have been imposed based on the existing series structure.","Many of the folder titles within this collection, including in the addendum, were created by Dr. Lewis and incorporated as-is during archival arrangement. He frequently utilized abbreviations and acronyms, especially in reference to academic institutions and professional organizations. ","This collection includes a formerly separate WVRHC collection (A\u0026M 3634, Ronald Lewis, Historian, Research Notes Regarding Timber Industry in West Virginia). It has been added to this collection in its entirety at the donor's request, so that his body of work can be represented together.","Materials within this subseries were left in the original arrangement developed by Dr. Lewis. Individual folders represent specific students, and the materials he wrote or reviewed on behalf of those students are within their folders."],"bioghist_html_tesm":["\u003cp\u003eA professor emeritus of history at West Virginia University, Lewis received his PhD in American History from the University of Akron in 1974.  He focused on regional studies, especially Appalachian history.  His first teaching opportunity was at the University of Delaware as an assistant professor from 1974 to 1985, where he focused primarily on the intersection of race and labor in the United States.  He was then hired in 1985 to teach West Virginian and Appalachian History at West Virginia University.  He earned emeritus status in 2008.  He has authored many books, earned several awards, and was a Fulbright-Hayes Commission Award Recipient.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["A professor emeritus of history at West Virginia University, Lewis received his PhD in American History from the University of Akron in 1974.  He focused on regional studies, especially Appalachian history.  His first teaching opportunity was at the University of Delaware as an assistant professor from 1974 to 1985, where he focused primarily on the intersection of race and labor in the United States.  He was then hired in 1985 to teach West Virginian and Appalachian History at West Virginia University.  He earned emeritus status in 2008.  He has authored many books, earned several awards, and was a Fulbright-Hayes Commission Award Recipient."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Ronald Lewis, Historian, Papers, A\u0026amp;M 3882, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Ronald Lewis, Historian, Papers, A\u0026M 3882, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials of various formats used and created by historian Dr. Ronald Lewis throughout his career. There are records and course materials from classes taught by Dr. Lewis at the University of Delaware and, primarily, at West Virginia University (WVU). It includes other documents relating to his work as a faculty advisor to graduate students in WVU's history department. There is extensive documentation of his research, most of which was done on Appalachian history and West Virginia coal mining, including articles he has written, facsimiles of primary and secondary sources used in his research, and A/V materials like oral histories. Records generated from Dr. Lewis's scholarly activities are included, such as book and article reviews and conference presentations. There are also materials relating to his other professional pursuits, such as his membership in historical organizations and correspondence with other professionals in the field. This collection provides a broad overview of the work of an historian in an academic institution.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe dates provided are reflective of material creation, except within the Welsh Miners and Scott's Run subseries. These dates, listed in folder titles, reflect the content and were determined by the donor when he created and titled these files. Please be aware that the dates may not be accurate for every item within the folder/box but rather reflect the general timeframe of the subject matter.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eBorn digital and audiovisual materials exist within the collection as floppy disks, CDs, DVDs, VHS tapes, and cassettes.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eAddendum of 2024 May 29 includes similar materials but reflects Dr. Lewis's more recent work. There are materials relating to his work as a professor and faculty member, the development of two books and other publications, and documentation of his career. Common formats include lecture notes, facsimiles of research sources, and correspondence; digital materials exist within the addendum as floppy disks, zip disks, and CDs.\u003c/p\u003e","\u003cp\u003eThis series includes materials used and created by Dr. Lewis in relation to his work as a professor at the University of Delaware and West Virginia University (WVU). Common materials include course rosters and syllabi, grading information, and graduate student correspondence and publications. Much of this series is comprised of Lewis's work as an advisor to PhD students at WVU. Additional teaching-related records are located in Series 4, boxes 22, 23, and 29.\u003c/p\u003e","\u003cp\u003eTeaching Materials include administrative and course content-related documents from Dr. Lewis's time as an instructor. Course rosters, examination papers, and assigned reading materials are included. Recommendation letters and graduate student committee papers are present. Digital materials like syllabi and exams exist within this subseries as well.\u003c/p\u003e","\u003cp\u003eGraduate Student Files include academic papers, presentations, correspondence, job recommendations, and other materials that Dr. Lewis authored or reviewed as a faculty advisor to graduate students at West Virginia University. Digital materials from this subseries include recommendations, comprehensive exams, and graduate committee details.\u003c/p\u003e","\u003cp\u003eThis series includes research materials, book and article reviews, papers written by Dr. Lewis, and research sources assigned in Lewis's classes. Many of his own publications and presentations are included, along with related correspondence with colleagues. Additional research and scholarly activity records are located in Series 4, boxes 24-28 and 30.\u003c/p\u003e","\u003cp\u003eThis subseries includes articles that Lewis has authored, referenced for his research, or assigned his students to read, most of which focus on American history. Articles in boxes 10-11 were all written by Dr. Lewis; articles in boxes 1-6 were written by others and utilized by Lewis in research or teaching. Digital materials in this subseries include articles used for research and other supporting information for Lewis's articles.\u003c/p\u003e","\u003cp\u003eThis subseries includes facsimiles of texts used by Lewis in his research, articles written about his published books, materials from events where Lewis presented information about his books, and publishing correspondence. It does not include any copies of Lewis's own books.\u003c/p\u003e","\u003cp\u003ePapers and Presentations include publications and lectures delivered by Dr. Lewis at conferences and symposiums. In addition to the materials Lewis presented at these events, this subseries includes correspondence with event organizers and other presenters.\u003c/p\u003e","\u003cp\u003eThis subseries includes book reviews that Dr. Lewis wrote for various scholarly journals and related correspondence, along with advance copies of books sent to him for review. The books he reviewed focus primarily on Appalachian history and Black history. Digital materials from this subseries include advance copies of material for review.\u003c/p\u003e","\u003cp\u003eThese materials relate to a report for the Appalachian Regional Commission (ARC) written by Dr. Lewis and Dwight Billings of the University of Kentucky. It includes correspondence and notes taken during the creation of the report, manuscript review comments, and a copy of the report itself, \u003ctitle\u003e\u003cpart\u003eAppalachian Cultural and Economic Development\u003c/part\u003e\u003c/title\u003e, published by the University of Kentucky Press.\u003c/p\u003e","\u003cp\u003eThis subseries consists of Dr. Lewis's work on Scott's Run, a mining community in West Virginia that experienced a large coal boom in the late 19th and early 20th centuries. It includes copies of scholarly publications on Scott's Run, commemorative articles, newspaper clippings, facsimiles of primary source materials, course assignments from Dr. Lewis's classes on mining communities, and oral history interviews. Many of the oral histories are in A/V format, recorded on cassette and VHS tapes. Digital materials include interview transcriptions, researched data about Scott's Run, and more. The dates for this subseries reflect the content – not material creation. For most files, the content dates were determined by the donor and written beside his folder titles. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThese are research materials utilized and created by Dr. Lewis in his study of Welsh immigrants working in the U.S. mining industry and the broader history of British Isles emigration in the late 19th and early 20th centuries. Scholarly articles, Dr. Lewis's notes, and copies of primary source documents like census data and mining reports are included in this subseries. Some additional research files exist as digital materials. The dates for this subseries reflect the content– not material creation. For most files, the content dates were determined by the donor and written beside his folder titles. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThese materials relate to the development of Dr. Lewis's 2013 book on WVU, \u003ctitle\u003e\u003cpart\u003eAspiring to Greatness: West Virginia University Since WWII\u003c/part\u003e\u003c/title\u003e. Multiple facets of WVU history are represented in Lewis's research materials, comprised of university administrative documents, local newspaper clippings, recorded interviews, and more. Interviews and event recordings are stored as CDs, DVDs, other A/V formats located in box 19.\u003c/p\u003e","\u003cp\u003eThis subseries consists of research notes compiled by Dr. Lewis  for the development of his 2017 book, \u003ctitle\u003e\u003cpart\u003eThe Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for  West Virginia's Timber Frontier\u003c/part\u003e\u003c/title\u003e. It includes biographical information and statistical profiles about industry leaders and corporations in the 19th and 20th centuries. These materials were previously a separate collection – A\u0026amp;M 3634, Ronald Lewis, Historian, Research Notes Regarding Timber Industry in West Virginia – but have since been incorporated as a part of A\u0026amp;M 3882 at the donor's request.\u003c/p\u003e","\u003cp\u003eThis series represents Dr. Lewis's service to his profession, membership in professional historical organizations, his personal records of career accomplishments and his various positions held across institutions, and the correspondence he retained over the duration of his career. Additional professional service and career records are located in Series 4, box 26, folder 4.\u003c/p\u003e","\u003cp\u003eThese materials consist of weekly academic planners kept by Dr. Lewis, in which he recorded personal and professional events. Box 5 holds 12 planners from 1994-2004, and box 21 holds 9 planners from 2004-2012.\u003c/p\u003e","\u003cp\u003eThese are materials relating to Dr. Lewis's work outside the university setting, including as an editorial board member to scholarly journals, as an historical consultant, and as a member of historical associations. Materials include correspondence with Lewis's colleagues in these settings, published statements by Lewis about the organizations he belonged to, and article evaluations.\u003c/p\u003e","\u003cp\u003eThese files include information related to Dr. Lewis's various appointments, promotions, fellowships, and sabbaticals throughout his career. They are largely comprised of university administrative files and related correspondence. Additional items like Lewis's curriculum vitae and faculty evaluations exist as digital materials.\u003c/p\u003e","\u003cp\u003eThese materials include professional and personal correspondence between Dr. Lewis and other university personnel, fellow members of historical associations, and friends. Common formats include handwritten notes, greeting cards, typed memos, and printed email exchanges.\u003c/p\u003e","\u003cp\u003eThis series is an addendum received from Dr. Lewis in 2024. It includes assorted teaching materials from Dr. Lewis's time as a professor at West Virginia University, like course syllabi and assigned reading materials. There are also research files and similar materials related the development of Lewis's various scholarly publications, including two books: \u003ctitle\u003e\u003cpart\u003eThe Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for West Virginia's Timber Frontier\u003c/part\u003e\u003c/title\u003e (2016) and \u003ctitle\u003e\u003cpart\u003eIron Artisans: Welsh Immigrants and the American Age of Steel\u003c/part\u003e\u003c/title\u003e (2023). Materials compiled in the development of these texts include photocopied primary sources with accompanying research notes, correspondence with publishers and other scholars, and drafts of passages from the books. There are also a few files related to Lewis's career broadly, like his curriculum vitae and faculty evaluations. Born digital materials exist within the series as floppy disks, zip disks and CDs with files related to Lewis's work as a faculty member at WVU, the development of his scholarly publications, and his career documentation. The dates for the Teaching and Research and Scholarly Activities subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eIncludes assorted teaching materials from classes Dr. Lewis taught at WVU on United States, West Virginian, and Appalachian cultural and industrial history, with topics including mining accidents, such as the Monongah mine disaster. These teaching materials are comprised of lecture notes, syllabi, and assigned articles/texts. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter. The classes included in this addendum were largely taught in the late 1990s and early 2000s. Digital materials from this subseries consist of lecture notes, exams, and syllabi. Additional teaching records are located in Series 1 of this collection.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eIncludes materials related the development of articles, reviews, and two books by Dr. Lewis: \u003ctitle\u003e\u003cpart\u003eThe Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for West Virginia's Timber Frontier\u003c/part\u003e\u003c/title\u003e (2016) and \u003ctitle\u003e\u003cpart\u003eIron Artisans: Welsh Immigrants and the American Age of Steel\u003c/part\u003e\u003c/title\u003e (2023). Materials compiled in the development of Lewis's books include photocopied primary sources with accompanying research notes, correspondence with publishers and other scholars, and drafts of passages from the books. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter. The compilation of these materials largely took place during the 2010s and early 2020s. Digital materials from this subseries consist of conference presentations and research files. Additional research materials are located in Series 2 of this collection. \u003c/p\u003e","\u003cp\u003eIncludes early book proposal. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThe dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.\u003c/p\u003e","\u003cp\u003eThis subseries consists only of digital materials that include faculty evaluations, Lewis's Curriculum Vitae, and other professional records. Additional career materials are located in Series 3 of this collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains materials of various formats used and created by historian Dr. Ronald Lewis throughout his career. There are records and course materials from classes taught by Dr. Lewis at the University of Delaware and, primarily, at West Virginia University (WVU). It includes other documents relating to his work as a faculty advisor to graduate students in WVU's history department. There is extensive documentation of his research, most of which was done on Appalachian history and West Virginia coal mining, including articles he has written, facsimiles of primary and secondary sources used in his research, and A/V materials like oral histories. Records generated from Dr. Lewis's scholarly activities are included, such as book and article reviews and conference presentations. There are also materials relating to his other professional pursuits, such as his membership in historical organizations and correspondence with other professionals in the field. This collection provides a broad overview of the work of an historian in an academic institution. The dates provided are reflective of material creation, except within the Welsh Miners and Scott's Run subseries. These dates, listed in folder titles, reflect the content and were determined by the donor when he created and titled these files. Please be aware that the dates may not be accurate for every item within the folder/box but rather reflect the general timeframe of the subject matter. Born digital and audiovisual materials exist within the collection as floppy disks, CDs, DVDs, VHS tapes, and cassettes. Addendum of 2024 May 29 includes similar materials but reflects Dr. Lewis's more recent work. There are materials relating to his work as a professor and faculty member, the development of two books and other publications, and documentation of his career. Common formats include lecture notes, facsimiles of research sources, and correspondence; digital materials exist within the addendum as floppy disks, zip disks, and CDs.","This series includes materials used and created by Dr. Lewis in relation to his work as a professor at the University of Delaware and West Virginia University (WVU). Common materials include course rosters and syllabi, grading information, and graduate student correspondence and publications. Much of this series is comprised of Lewis's work as an advisor to PhD students at WVU. Additional teaching-related records are located in Series 4, boxes 22, 23, and 29.","Teaching Materials include administrative and course content-related documents from Dr. Lewis's time as an instructor. Course rosters, examination papers, and assigned reading materials are included. Recommendation letters and graduate student committee papers are present. Digital materials like syllabi and exams exist within this subseries as well.","Graduate Student Files include academic papers, presentations, correspondence, job recommendations, and other materials that Dr. Lewis authored or reviewed as a faculty advisor to graduate students at West Virginia University. Digital materials from this subseries include recommendations, comprehensive exams, and graduate committee details.","This series includes research materials, book and article reviews, papers written by Dr. Lewis, and research sources assigned in Lewis's classes. Many of his own publications and presentations are included, along with related correspondence with colleagues. Additional research and scholarly activity records are located in Series 4, boxes 24-28 and 30.","This subseries includes articles that Lewis has authored, referenced for his research, or assigned his students to read, most of which focus on American history. Articles in boxes 10-11 were all written by Dr. Lewis; articles in boxes 1-6 were written by others and utilized by Lewis in research or teaching. Digital materials in this subseries include articles used for research and other supporting information for Lewis's articles.","This subseries includes facsimiles of texts used by Lewis in his research, articles written about his published books, materials from events where Lewis presented information about his books, and publishing correspondence. It does not include any copies of Lewis's own books.","Papers and Presentations include publications and lectures delivered by Dr. Lewis at conferences and symposiums. In addition to the materials Lewis presented at these events, this subseries includes correspondence with event organizers and other presenters.","This subseries includes book reviews that Dr. Lewis wrote for various scholarly journals and related correspondence, along with advance copies of books sent to him for review. The books he reviewed focus primarily on Appalachian history and Black history. Digital materials from this subseries include advance copies of material for review.","These materials relate to a report for the Appalachian Regional Commission (ARC) written by Dr. Lewis and Dwight Billings of the University of Kentucky. It includes correspondence and notes taken during the creation of the report, manuscript review comments, and a copy of the report itself,  Appalachian Cultural and Economic Development , published by the University of Kentucky Press.","This subseries consists of Dr. Lewis's work on Scott's Run, a mining community in West Virginia that experienced a large coal boom in the late 19th and early 20th centuries. It includes copies of scholarly publications on Scott's Run, commemorative articles, newspaper clippings, facsimiles of primary source materials, course assignments from Dr. Lewis's classes on mining communities, and oral history interviews. Many of the oral histories are in A/V format, recorded on cassette and VHS tapes. Digital materials include interview transcriptions, researched data about Scott's Run, and more. The dates for this subseries reflect the content – not material creation. For most files, the content dates were determined by the donor and written beside his folder titles. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","These are research materials utilized and created by Dr. Lewis in his study of Welsh immigrants working in the U.S. mining industry and the broader history of British Isles emigration in the late 19th and early 20th centuries. Scholarly articles, Dr. Lewis's notes, and copies of primary source documents like census data and mining reports are included in this subseries. Some additional research files exist as digital materials. The dates for this subseries reflect the content– not material creation. For most files, the content dates were determined by the donor and written beside his folder titles. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder but rather reflect the general timeframe of the subject matter.","These materials relate to the development of Dr. Lewis's 2013 book on WVU,  Aspiring to Greatness: West Virginia University Since WWII . Multiple facets of WVU history are represented in Lewis's research materials, comprised of university administrative documents, local newspaper clippings, recorded interviews, and more. Interviews and event recordings are stored as CDs, DVDs, other A/V formats located in box 19.","This subseries consists of research notes compiled by Dr. Lewis  for the development of his 2017 book,  The Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for  West Virginia's Timber Frontier . It includes biographical information and statistical profiles about industry leaders and corporations in the 19th and 20th centuries. These materials were previously a separate collection – A\u0026M 3634, Ronald Lewis, Historian, Research Notes Regarding Timber Industry in West Virginia – but have since been incorporated as a part of A\u0026M 3882 at the donor's request.","This series represents Dr. Lewis's service to his profession, membership in professional historical organizations, his personal records of career accomplishments and his various positions held across institutions, and the correspondence he retained over the duration of his career. Additional professional service and career records are located in Series 4, box 26, folder 4.","These materials consist of weekly academic planners kept by Dr. Lewis, in which he recorded personal and professional events. Box 5 holds 12 planners from 1994-2004, and box 21 holds 9 planners from 2004-2012.","These are materials relating to Dr. Lewis's work outside the university setting, including as an editorial board member to scholarly journals, as an historical consultant, and as a member of historical associations. Materials include correspondence with Lewis's colleagues in these settings, published statements by Lewis about the organizations he belonged to, and article evaluations.","These files include information related to Dr. Lewis's various appointments, promotions, fellowships, and sabbaticals throughout his career. They are largely comprised of university administrative files and related correspondence. Additional items like Lewis's curriculum vitae and faculty evaluations exist as digital materials.","These materials include professional and personal correspondence between Dr. Lewis and other university personnel, fellow members of historical associations, and friends. Common formats include handwritten notes, greeting cards, typed memos, and printed email exchanges.","This series is an addendum received from Dr. Lewis in 2024. It includes assorted teaching materials from Dr. Lewis's time as a professor at West Virginia University, like course syllabi and assigned reading materials. There are also research files and similar materials related the development of Lewis's various scholarly publications, including two books:  The Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for West Virginia's Timber Frontier  (2016) and  Iron Artisans: Welsh Immigrants and the American Age of Steel  (2023). Materials compiled in the development of these texts include photocopied primary sources with accompanying research notes, correspondence with publishers and other scholars, and drafts of passages from the books. There are also a few files related to Lewis's career broadly, like his curriculum vitae and faculty evaluations. Born digital materials exist within the series as floppy disks, zip disks and CDs with files related to Lewis's work as a faculty member at WVU, the development of his scholarly publications, and his career documentation. The dates for the Teaching and Research and Scholarly Activities subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","Includes assorted teaching materials from classes Dr. Lewis taught at WVU on United States, West Virginian, and Appalachian cultural and industrial history, with topics including mining accidents, such as the Monongah mine disaster. These teaching materials are comprised of lecture notes, syllabi, and assigned articles/texts. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter. The classes included in this addendum were largely taught in the late 1990s and early 2000s. Digital materials from this subseries consist of lecture notes, exams, and syllabi. Additional teaching records are located in Series 1 of this collection.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","Includes materials related the development of articles, reviews, and two books by Dr. Lewis:  The Industrialist and the Mountaineer: The Eastham-Thompson Feud and the Struggle for West Virginia's Timber Frontier  (2016) and  Iron Artisans: Welsh Immigrants and the American Age of Steel  (2023). Materials compiled in the development of Lewis's books include photocopied primary sources with accompanying research notes, correspondence with publishers and other scholars, and drafts of passages from the books. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter. The compilation of these materials largely took place during the 2010s and early 2020s. Digital materials from this subseries consist of conference presentations and research files. Additional research materials are located in Series 2 of this collection. ","Includes early book proposal. The dates for this subseries reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","The dates for this box reflect the content – not material creation. Please be aware that the dates may not be accurate for every item within a folder/box but rather reflect the general timeframe of the subject matter.","This subseries consists only of digital materials that include faculty evaluations, Lewis's Curriculum Vitae, and other professional records. Additional career materials are located in Series 3 of this collection."],"separatedmaterial_html_tesm":["\u003cp\u003eA group of bound dissertations has been separated at the donor's request. They were written from 1990-2009 and focus on West Virginia-related historical subjects. Dr. Lewis served on the dissertaion committee for each. These items were passed on, to be made available in the WVRHC main stacks.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A group of bound dissertations has been separated at the donor's request. They were written from 1990-2009 and focus on West Virginia-related historical subjects. Dr. Lewis served on the dissertaion committee for each. These items were passed on, to be made available in the WVRHC main stacks."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f553a08ee4582b45b1194697df7d1763\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Lewis, Ronald L., 1940-"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Lewis, Ronald L., 1940-"],"persname_ssim":["Lewis, Ronald L., 1940-"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":463,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:44:25.654Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2333_c04_c01_c01"}},{"id":"virmu_repositories_2_resources_355_c03_c05","type":"File","attributes":{"title":"19th Century French gallery","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_355_c03_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_355_c03_c05","ref_ssm":["virmu_repositories_2_resources_355_c03_c05"],"id":"virmu_repositories_2_resources_355_c03_c05","ead_ssi":"virmu_repositories_2_resources_355","_root_":"virmu_repositories_2_resources_355","_nest_parent_":"virmu_repositories_2_resources_355_c03","parent_ssi":"virmu_repositories_2_resources_355_c03","parent_ssim":["virmu_repositories_2_resources_355","virmu_repositories_2_resources_355_c03"],"parent_ids_ssim":["virmu_repositories_2_resources_355","virmu_repositories_2_resources_355_c03"],"parent_unittitles_ssm":["Records of the Exhibitions Department (RG-23)","Series 4: Galleries"],"parent_unittitles_tesim":["Records of the Exhibitions Department (RG-23)","Series 4: Galleries"],"text":["Records of the Exhibitions Department (RG-23)","Series 4: Galleries","19th Century French gallery","English","box RG-23 Box 41","folder RG23.04.0.005"],"title_filing_ssi":"19th Century French gallery","title_ssm":["19th Century French gallery"],"title_tesim":["19th Century French gallery"],"unitdate_other_ssim":["1977"],"normalized_date_ssm":["1977"],"normalized_title_ssm":["19th Century French gallery"],"component_level_isim":[2],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Records of the Exhibitions Department (RG-23)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":5348,"parent_access_restrict_tesm":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records.","Series 3 (Collections Management) is restricted as they contain sensitive information about acquisitions, insurance, security, and other issues related to the museum's art collection. "],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1977],"language_ssim":["English"],"containers_ssim":["box RG-23 Box 41","folder RG23.04.0.005"],"_nest_path_":"/components#2/components#4","timestamp":"2026-05-21T03:19:09.876Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_355","ead_ssi":"virmu_repositories_2_resources_355","_root_":"virmu_repositories_2_resources_355","_nest_parent_":"virmu_repositories_2_resources_355","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_355.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/355","title_filing_ssi":"Exhibitions Department (RG-23)","title_ssm":["Records of the Exhibitions Department (RG-23)"],"title_tesim":["Records of the Exhibitions Department (RG-23)"],"unitdate_ssm":["1936-2015 [minimally processed; subject to change]"],"unitdate_inclusive_ssm":["1936-2015 [minimally processed; subject to change]"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG-23","/repositories/2/resources/355"],"text":["RG-23","/repositories/2/resources/355","Records of the Exhibitions Department (RG-23)","The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records.","Series 3 (Collections Management) is restricted as they contain sensitive information about acquisitions, insurance, security, and other issues related to the museum's art collection. ","The collection is organized into 4 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series. The collection is minimally processed, so folder arrangement, titles, or dates are subject to change if additional processing occurs.","Series 1 Exhibition Files, 1936-2012, undated Series 2 Exhibitions Management, 1936-2015, undated Series 3 Collections Management, 1977-2004, undated [RESTRICTED] Series 4 Galleries, 1977-2004, undated","Many of the museum's exhibitions have published catalogs, which can be found in the Library's catalog  Pandora  or in the Archives  Catalog Collection (PB-01) . ","For each exhibition held at the museum, the Archives has a vertical file which may include announcements, clippings, press releases, brochures, reviews, invitations, small exhibition catalogs, and other ephemeral material. "," Some early exhibition records are found in the Archives  Director's Correspondence (RG-01)  and curators often created their own exhibition records which are found in the Archives  Curatorial Collection (RG-03) .","The collection was transferred from the Exhibitions Department through periodic deposits.","This collection was originally processed from June through August 2011, and then reprocessed in 2016. During processing, non-permanent materials such as copies of meeting minutes, routine correspondence, copies of invoices, departmental budgetary information, and declined exhibition proposals were destroyed according to VMFA's Records Retention and Disposition Schedule. Periodicals, books, and exhibition catalogs were transferred to the Library's collection. All files before 1980 were rehoused in new archivally sound folders. Original folder titles were generally retained, when provided.","The collection's inclusive dates are 1936-2015, with the bulk of the material dating from 1979-2004. The collection is comprised of correspondence, exhibition schedules, budgets, grant applications, photographs, object lists, notes, collection statements, planning documents, project files, policies, loan arrangements and decisions, and other materials.","This series is comprised of information regarding exhibitions that were held at the VMFA. Files may include correspondence, schedules, contracts, photographs and slides, installation drawings and procedures, label and catalog text, budgets and invoices, insurance, venue information, and publicity.","Entry card with tear-off for back of work; catalog; announcement","Copies of checklists, shipping lists and prices (for sale); exhibition circulated by Art Institute of Chicago","Catalog; packing list with values, 2 different ones","Prospectus of season, 1937-1937; large typed, spring bound copy of annotated text for inaugural exhibition catalog containing: catalog of paintings in the Museum, budget materials for exhibition, timeline of early Museum, all types of exhibition materials, gallery layout and drawings","Invitation; copy of Strause Collection catalog; 1936-37 prospectus of program; 1958 letter between Muriel Christison \u0026 Oscar Lang of Minneapolis re: Strause exhibition","Entry blank; prospectus/rules; catalog/ invitation/mailing label; submission tag; generic letter for Virginia photo clubs or possibly for shops to request submissions","Invitation; catalog; inventories from the exhibition; catalog copy; copy of foreword (typed); letter from Margaret May Dashiell who loaned items; lots of correspondence from all over the country; lists of sponsors","Extensive correspondence regarding memorial committee and its purchase of a memorial; his works; and fundraising efforts; Colt was treasurer. The Committee also paid off all of the debts for Walker's illness, donations coming from across the country. Thank you letters in alpha order, hundreds of them, plus originals from donators; a few have copies of bookplates attached; original loan requests and replies; original Christmas card with Walker print of a home in Connecticut (1931) and a memorial card that he created in 1936","Invitation; catalog; list of paintings from Burch and Schulze with dimensions","Invitation; list of pieces to be shipped from Shearwater Pottery, with coding to indicate glazes","Copies of inventories, plus amendment, text; mainly correspondence regarding loans including shipping receipts","Catalog, entry card, invitation, announcement; 1 copy of 5th catalogue (1936); Colt's notes","Correspondence with artist; catalog copy; checklists (some with prices)","1 photograph; duplicates: announcement, patron card (sent with invitation); correspondence with artist; shipping information and receipts; budget information; catalog proofs; schedules; invitation list; 1 copy of catalogue; list of sales","Invitation; copies of inventories with insurance values; single copy of catalog","Newspaper clippings; genealogical charts; typed copy of article, \"Colonel William Byrd of Westover,\" by Lucy Parke Byrd","Letters of solicitation (ex.: one to O'Keeffe); shipping/return correspondence; correspondence with jurors (including Hopper) including discussion of invited artists list; rough draft of jury selection rules; correspondence with galleries (mainly in New York City) for artists to enter competition","Invitation; card of admission; information request postcard; thank you card; entry card (regular-red); entry card (invited-orange); receipt card; announcement; rejection notification; list of 125 paintings invited and accepted; prospectus; jury memorandum; list of invited artists divided by gallery; list of deliveries for return of paintings","Hundreds of rejection forms with return shipment affirmation signed below (includes artist name and title of work)","Invitation; World's Fair circular of information; list of paintings to be included; World's Fair circular of information (8 pages); Adele Clark and Leslie Cheek on panel for southern states; reports to Colt on state committees","One copy of catalog","One copy of catalog","One copy of catalog","One copy of catalog","Catalog; letter from Anne Moncure to Colt explaining pictures; typed copy of \"History of Ambler Family\" by J.J. Ambler, 1826; list of portraits; typed copy of catalog text; 4 photographs of portraits - Katherine, William, and St. George Moncure, grandchildren of Colonel John Ambler; Mary Cary, wife of Edward Ambler; Colonel John Ambler; wife of Dr. Peterfield Trent and his two daughters","One copy of catalog; list of paintings; 1 letter","One copy of catalog","Correspondence with jurors","Correspondence with Committee of Virginia Artist Commission; correspondence with artists submitting models; rejection letter; shipping correspondence; invoices; correspondence with U.S. Department of the Interior, NPS, Fredericksburg; correspondence with Virginia Conservation Commission; Correspondence with Douglas Southall Freeman, Editor of the Richmond News Leader; correspondence with National Sculpture Society, Commission for the Arts, and Senator John Warwick Rust; loan of a portrait of Stonewall Jackson from Adler in NYC; correspondence with Leslie Cheek, the Sons of Confederate Veterans; news release; planning and invitations for the preview; correspondence with the United Daughters of the Confederacy and with Joseph Pollia, the winner","Entry card; invitation to meet the jurors; invitation to preview of models; announcement; map of site; news release; list of members of Sculptors Guild; Pollia's curriculum vitae","One copy of catalog","Invitation, catalog; text of catalog with drawings of mock-up and list of drawings","Annotated catalogs of early shows, correspondence with Mrs. Holden, shipping information","Catalog, invitation; typed biography in first person, list of paintings, curriculum vitae","Correspondence with Pan American Union in D.C.; Comisión Nacional de Bellas Artes; shipping information; correspondence with Governor; Department of State; national press (Time, New York Times, Town \u0026 Country, Antiques Magazine, Washington Post, United Press); copies of speech materials for guests at preview; letter from Emilio Pettoruti","Announcement; banner; one catalog; solo copies of invitations to preview and meet the Ambassadors at the Commonwealth Club","Inventories with sizes, values and damages noted; customs forms; shipping information; annotated catalog","Correspondence, speech copy","Correspondence with L.B. Houff at the American Federation of Arts; shipping information","Correspondence with Klapperach; Argentine government participation; New York World's Fair 1939; speech copy; foreword copy; shipping information","Shipping receipts, packing lists; lists of addresses of sponsors, lenders, press, museums, invitation lists","Correspondence with Marval, Commissioner General of Argentine government; participation; shipping information; planning information; customs and sales information","Invitation list; art critics list; memos; schedule of radio program and typed text; Commonwealth Club menu; speech texts","Inventories of paintings that would go from New York to San Francisco to Riverside Museum; correspondence with Museum about shipping; shipping receipts","Freight bills; shipping receipts, correspondence with Treasury Department; customs forms, inventories with values","Correspondence with Alexander Weddell and J. A. de Marval","Original mounted drawing by Leslie Cheek, Jr. for exhibition panels","Comments of the jury; award speech; copy of thank you letters; requests for catalogs, purchase information; publicity information; invitation lists; inventories; correspondence with artists; correspondence with jurors","Rejection letter; prospectus; \"an invitation,\"; invitation; receipt card; entry card (invited-yellow); entry card (regular-red); acceptance card; news releases; prospectus; catalog copy; comments of the committee; memos","Bound, typed list by gallery; inventories; correspondence with galleries and artists","Correspondence with jurors","One copy of catalog","Invitation; correspondence with Mrs. De Marclay","Correspondence; checklist; shipping information","One copy of catalog; gallery layout; mailer text; catalog listing; biographical text; artist's statement","Invitation; catalog; correspondence with Adele Williams; inventories; biographical information; catalog text","Invitation; catalog; correspondence with Willingham; shipping information and receipts","Invitation; one copy of catalog; correspondence with Binford and lenders; shipping information; inventories with values; shipping information; gallery correspondence; catalog text","Invitation; catalog; inventories, text copy, values, text of radio announcements/interviews; loan correspondence; galley proofs of label copy by Edward Davis","Inventory lists including insurance values; list of items by lenders; hundreds of shipping receipts","Correspondence with galleries, dealers, and collectors/lenders; catalog proof","Invitation; catalog; catalog copy, curriculum vitae; copy of Colt's introduction","Catalog; invitation; catalog copy; biographical information","Correspondence with Chrysler, Fox (curator), publicity people. Walter P. Sr. died in August of 1940, shipping and insurance information; inventories with values; opening plans; list of news and magazine articles (extensive)","Cocktail invitation; preview invitation; supper invitation; annotated proofs","Inventories; values annotated with van assignments (from NYC to Richmond \u0026 Richmond to Philadelphia); shipping and storage receipts and contracts; letter from Parke-Bernet in 1945 asking for prints as they were selling part of collection","Correspondence with Fiske Kimball, Director of Philadelphia Museum of Art re: shipping, insurance, inventories, division of cost","Inventories; radio program transcript; party list; invitations list; hostess list; timelines, schedules, memos, Leger came!","Plan \u0026 prospectus re: showing his collection in South America; correspondence with Fox and Chrysler. Executive Committee turned it down","One copy of invitation and one copy of catalog","Invitation; catalog copy and proof; inventory with values; correspondence with Concetta; shipping information; correspondence regarding publicity; correspondence re: broken statue and payment","Catalog copy; one invitation; one copy of catalog; biographical data","Invitation; correspondence with jurors; letters to publicity; correspondence with galleries; shipping information; list of awards; clippings; rejection postcard; one entry card; one catalog","Correspondence with Federal Works Agency; with institutions before (with Lyman Allyn Museum, New London, CT) and after (with Institute of Modern Art, Boston) traveling exhibition; invitation list; correspondence with Richmond Housing Authority, decision later in favor of Housing Authority in Norfolk instead of Boston","Correspondence with Riverside Museum, lenders; 1 invitation","Correspondence with Cincinnati Museum of Art, lender; installation; instructors; shipping information; news releases; invitations to college all over the state for preview; inventories; one invitation","Invitation; catalog; catalog copy; biographical information; correspondence with Hattorf","Invitation; correspondence with artist; catalog copy; 1 catalog","Invitation; catalog; correspondence with artist; biographical information; catalog copy; letters to publicity","Invitation; catalog; catalog copy; biographical information; correspondence with artist and gallery","List/receipts of items taken by Henry P. Strause from VMFA; annotated lists of items deposited at VMFA from H.P.S. for loan exhibition; numerous warehouse receipts","Pennsylvania Society catalog (1933); inventories by artist with values; correspondence; research","Invitation; research correspondence to locate miniatures (potential lenders); catalog copy","Receipts; inventories; index cards with owner's name \u0026 address (some with date stamp)","All receipts (large quantity), some with 2 copies, some with correspondence, some with shipping receipt from mail","Catalog copy; invitation list; correspondence with state planning board, 1 copy of catalog","Correspondence with Mrs. Myers, widow of the artist and Landgren, dealer for Newman; clippings, inventories with values; correspondence with Whitney, where Myers exhibition originated; correspondence with potential lenders for Newman; shipping information; insurance information; catalog copy; Invitation; annotated catalogs; Whitney catalogs; Knoedler catalog; loan/shipping receipts; invitation list; inventories with values; correspondence with publicity; catalog copy; inventories by institution","Invitation; proof of catalog; 1 copy of catalog","Correspondence with artists, both accepted and rejected; shipping information; correspondence regarding damage, (notation at bottom of letters in unusual style, coding maybe)","Bound pages from gallery trip to NYC and consequent invited artists list; correspondence with galleries; letters to invited artists; shipping information \u0026 receipts; correspondence with jury, (Charles Burchfield declined but raved about it; George Grosz declined with a beautiful signature.)","All regret letters, signed by artist/agent/owner, and returned to VMFA (hundreds of them); some with handwritten notes, (H.P. Sargeant very upset.)","Invitation; entry card (invited-yellow); entry card (regular-white); \"Good and Bad News Night\" (yellow trifold); prospectus; acceptance card; rejection card; memo for the evening; news release (3/3/42); annotated catalog with prices; correspondence with hosts; speech copy; news releases; list of artists by state; inventories; jury comments; values on inventories","Catalog; correspondence with artist; biographical information; catalog copy; 1 copy of invitation","Catalog; correspondence with artist; catalog copy; correspondence at sales; 1 copy of invitation","Invitation; first exhibition to include correspondence from Mrs. Pollard; inventories, correspondence; invitations; shipping information","Correspondence with Museum of Modern Art that was circulating exhibition; shipping information; contract; 1 copy of invitation","Correspondence; invitation; Lenox catalog; a few Mint Museum catalogs; correspondence with artist; inventories; catalog copy","Correspondence; guest lists; inventories with values; Commonwealth Club menu; catalog copy; shipping information; black and white photo of \"Boys\"","Correspondence with artist; letters from Theresa Pollak; inventories with prices; shipping information; biographical information; reimbursement request; copy of bulletin","Catalog; inventories with artist biographies (ie: partially or congenitally blind, age); correspondence with originator (Lowenstein); traveling loan contract; critics' statements","San Francisco Art Association bulletins; correspondence with artist; inventories; invitation; catalog; shipping information; catalog copy; various Artists' Guild of Washington materials (he was President)","Invitation; one copy of catalog; inventories with values and receipts","Invitation; clipping on his death; correspondence","Invitation; one copy of catalog; catalog proof; various other catalogs \u0026 announcements; correspondence with vendors; shipping information","Clipping; correspondence with lenders; shipping information","Invitation; one copy of catalog; correspondence","Correspondence with artist; inventories with values; biographical information; catalog copy; 1 copy of catalog and invitation.","Radio broadcast transcript; catalogs of other show; clippings (both from Cincinnati Museum); MFA Boston materials; catalog copy; invitation lists; correspondence; MFA Boston catalog; VMFA catalog and proof; shipping information from Boston; inventories","Correspondence; shipping information; annotated catalog; radio transcript; insurance information","Announcement (trifold); 1 catalog; correspondence; catalog proof; inventories with prices; catalog copy; jury correspondence; correspondence with publicity; shipping information; 1 invitation","Invitation; catalog proof; 1 letter","Invitation; catalog copy; correspondence with artist; inventory with prices; 1 catalog","Catalog; invitation; correspondence; research; shipping information; catalog proof; catalog copy","Article; correspondence with American Federation of Arts; inventory with values; other catalogs; loan agreement; shipping information; research; installation drawing; clipping; transcript of lecture on Chinese painting","Announcement; photographs of winners; correspondence; ArtNews issue (October 1-4) 1943; inventories with prices","Invitation; catalog; catalog copy; clipping; correspondence; research; RISD \"Museum Notes,\" 1943; shipping information","Invitation; catalog copy; correspondence; inventory with price list","Invitation; correspondence with other museums; itinerary copy; research; catalog copy; inventories with prices; shipping information","Correspondence (mainly with Metropolitan Museum of Art)","Correspondence (mainly with Metropolitan Museum of Art)","Inventories; correspondence; shipping information","Invitation; news release; correspondence; correspondence with publicity and with lender (UVirginia)","Invitation; catalog proof; other catalogs; correspondence; correspondence with lecturer; correspondence at preview; correspondence with publicity; loan correspondence \u0026 requests; shipping information; research on pieces; catalog copy; inventories; catalog; loan forms; annotated catalog; shipping receipts","Catalog; invitation; invitation list; correspondence; catalog copy; inventories with values; shipping information; insurance information","Catalog correspondence; clippings; catalog copy; speech copy; inventories with publication date; correspondence with lenders and publicity; shipping receipts later too (1956)","Prospectus; annotated catalog; catalog copy; shipping list; inventories with prices","Catalog; news releases; fact checking cards; bound copy of lists by dealer; clippings, voting information; invitation; catalog proof; timeline; prospectus copy; correspondence; artists' c.v.'s; dealer catalogues and correspondence; inventories with values; transcripts of publicity; speech notes; catalog copy; lists of accepted and invited artists (Virginia separate); shipping information and receipts; correspondence with publicity; correspondence with jury; prospectus","Catalog; correspondence with artist; biographical information; catalog copy; inventories with prices","Catalog; announcement","Announcement; catalog; invitation; catalog copy; lecturer c.v.; lists of institutions; list of works by institution; label copy; annotated catalog; inventories with prices; correspondence with institutions; correspondence with jury; shipping information","Annotated catalog; correspondence with artist; inventory; research; gallery layout diagram; price list; 1 catalog","Invitation; correspondence with Netherlands Information Bureau; other catalogs; checklists; shipping information \u0026 receipts (from before \u0026 after museums; correspondence with ambassador who spoke; lecture text; 1 copy of handwritten invitation to dinner with Governor Darden","Catalog; 1 invitation; correspondence with artist; inventories; catalog copy; price information","Invitation; catalog; catalog copy; correspondence; copies of \"Information Bulletin: Embassy of the Union of Soviet Socialist Republics\"; loan requests (including A La Vieille Russie); traveling exhibition contracts; shipping information and receipts (with before and after museums); inventories; other catalogs; price information; loan forms; annotated catalogs; original copy of \"The Schaffer Collection of Authentic Imperial Russian Art Treasures\"; correspondence with Ray Schaffer and others at ALVR regarding exhibition arrangements (no mention of Pratt) and damage to Faberge topaz vase","Catalog; correspondence with National Gallery (lender); insurance values and contracts; shipping information and receipts; gallery layout; catalog copy; research; loan requests","Correspondence from Davis, the VMFA Curator, with lenders to the exhibition with last names beginning with A-H; proof of article by Davis in Commonwealth Magazine; copy of text of article","Correspondence from Curator Davis and sometimes the Director with lenders to the exhibition with last names beginning with I-Z; copy of information releases re: survey","Correspondence with National Gallery Director (they had an exhibition at the same time); correspondence with Weddell (exhibition did not take place); copies of letters sent to the executive committee to explain decision","Copies of plan; correspondence with Weddell re: all the research that went into the aborted exhibition; correspondence with Mexican museums; Mrs. Whitman's reports on artists and museums' holdings","Correspondence with lenders \u0026 galleries; inventories with prices; shipping information and receipts (loans before and after)","Copies of labels on prints from National Gallery; inventory and instructions; shipping information (both before and after)","Civilian Open Air Art Sale announcement; copy of \"War Art: A Catalogue of Paintings Done on the War Fronts by American Artists for Life,\" including Barse Miller and Paul Sample; catalog copy; inventories; copy of \"Traveling Exhibitions,\" catalog by the AFA's National Exhibition Service; correspondence; 5 photographs of items in exhibit; copy of catalog, \"Art Exhibition by Men of the Armed Forces\"; shipping information and receipts; exhibition agreement; 1 copy of catalog","Copies of shipment return forms for paintings not chosen for 4th Biennial of Contemporary Art, many with comments, signed by artist/agent; inventory of paintings in the show","3rd Biennial prospectus (printed); 4th Biennial prospectus (typed); announcement of College Art in Virginia; prospectus copy (4th Biennial, Virginia Artists and Library bookplate); copy of Corcoran's prospectus (annotated); old 3rd Biennial prospectus (annotated); letter from Thomas Colt","Shipping information and receipts to lenders; correspondence with Worcester Art Museum and other museums; insurance values; correspondence with lenders attached","Press release copy; inventories by institution; correspondence with lenders; insurance values; shipping information and receipts; loan requests; book purchase requests","Invitation, catalog; catalog copy; correspondence; more shipping information and receipts; correspondence re: damages; annotated catalog","Loan forms and receipts","Invitation; correspondence with artists; catalog copy; inventories; annotated catalog; prices; shipping information and receipts; sales information","Correspondence with rug dealer; research; catalog copy; shipping information and receipts; annotated catalog; gallery layout; copies of things donor (H. Michaelyan) wrote; inventories with prices","Announcement/prospectus; typed press release; correspondence with artists; correspondence with jurors; invitation lists; correspondence to get more armed services men; list of entrants; catalog copy; one copy of entry card; one copy of catalog","Catalog; catalog copy; gallery layout; inventories; catalog proof; correspondence with jury","Invitation; exhibition contract; correspondence; gallery layout; invitation list; another list for even with Spanish speaking Luncheon Club; list of architects; press release copy; installation list from MOMA","Invitation; catalog; correspondence with possible lenders; lists of possible loans; ended up taking British-American Goodwill Exhibition; shipping information and receipts; inventories; budget figures","Catalog; one invitation; correspondence with author; list of invitations; 1 photograph of \"Red Still Life\"","Correspondence between curator and potential lenders; correspondence with institutions and churches","Correspondence with lender; correspondence re: damages; catalog copy; one catalog","Correspondence with lenders; correspondence re: damages (including 2 photographs)","Correspondence re: genre painting; exhibition; some from lenders, some not; some including photographs","Invitation list; correspondence with invitees to the 19th century genre preview; folder of handwritten notes re: genre; handwritten research; typed research","Correspondence with lender (DIA); inventories with values; shipping information and receipts; catalog copy","Correspondence with possible lenders (including 1 photograph from lender); research","Invitation; catalog; catalog copy; correspondence with artist (Colt is back!); inventories; sales information","Correspondence with artists; shipping information and receipts","Stenographers pad with notes from NY Gallery/dealers' visits; preliminary lists; final lists; correspondence with galleries; correspondence with invited artists; shipping information and receipts","Contracts with Budworth on shipping; correspondence with jurors; correspondence with Budworth; inventories with values and locations","Entry card: yellow (invited), regular (orange), good and bad news night (yellow-trifold), inclusion card; typed summary information; typed list of artists; teacher invitation (yellow); annotated catalog with prices; inventories by state; full catalog copy; list of Virginia artists; form letter to art teachers","Correspondence with dealers; clippings; other catalogs; correspondence with jury; award list; award letters to dealers and press","Prospectus; prospectus copy; list of recipients of entry cards and prospectus for distribution (art organizations, museums, dealers, etc.) and letters to them; letters to press; entry card copy; thank yous for sending out cards (n.b.: all lists of artists sent to/from dealers, museums, etc., were removed)","Letters confirming receipt of paintings returned, both those selected and those not; many with comments, less shipping complaints!","Hundreds of requests for entry cards","Hundreds more requests for entry cards","Invitation; catalog; invitation copy; catalog copy","Catalog; correspondence with artist; invitation copy; correspondence with Virginia World War 2 History Commission; inventory with prices; invitation list; catalog copy; letters to press; annotated catalog; correspondence with lenders","Invitation; correspondence with lender, Philadelphia Museum of Art; inventory; copy of the Richmond Times-Dispatch article; correspondence with potential lenders; copy of the Philadelphia Museum bulletin and Atwater Kent Museum bulletin","Catalog; invitation; correspondence with artist; correspondence with lenders; shipping information and receipts; inventories with values; invitation list; catalog copy, correspondence with wife Rosalie re: her photographs","Shipping receipts; catalog copy, correspondence with lenders; list of invitees; invitation","Recent Additions to the Upjohn Collection, catalog of collection; correspondence with dealer (Midtown Galleries); shipping information and receipts (both before and after); invitation","Catalog; invitation; catalog copy; catalog proof; correspondence with potential lenders; text of broadcast calling for paintings; shipping information and receipts; research (Davis)","Inventories with values; shipping information and receipts","Invitation; shipping information and receipts; inventories","Research; correspondence with furniture manufacturers; invitation copy; inventories; correspondence with Metropolitan Museum of Art and MOMA (main lenders); correspondence with Leslie Cheek, Jr. at Architectural Forum!; shipping information and receipts; catalog copy; letters to press (photograph of chair from Dubar, but not included in exhibition)","\"Notice to Virginia Artists\"; requests for entry blank; correspondence re: late entries; returned fees, etc.","Acknowledgement letters; press release; SSAL Bulletin (Summer 1947) (more of these later); inventories by state (jury picks); correspondence with artists, jurors and SSAL; breakdown of entry cards by place; lists of artists eligible for submission; entry cards of pieces bought or withdrawn; biographical notes on winners","24th Annual Convention program; catalog Virginia Art 1947; Southern Art 1947; invitation; entry card; SSAL membership blank; received card; rejection card; convention program copy; Southern art catalog copy; Virginia art catalog copy; catalog of 26th SSAL exhibition at the High; correspondence with SSAL; correspondence with jurors; list of works accepted (Virginia artists); old convention program; more SSAL bulletins; correspondence with artists re: 8 paintings that were vandalized; correspondence re: prizes; correspondence re: sales","Invitation; catalog proof; announcement from Camera Club; correspondence with artists; invitation copy; catalog copy","Correspondence with lenders; loan agreements; memo to staff re: handling of paintings; shipping information and receipts; inventories with insurance value","Correspondence with lenders by lender; inventories","Catalog; museum attendance card (9/3/47); correspondence with press; research; correspondence with lenders; shipping information and receipts; Budworth contracts; catalog copy; press releases; inventories; clippings","Invitation, American Commission brochure; shipping information and receipts; correspondence with lenders, AFA; loan forms; catalog copy; inventories with values","Shipping information and receipts; catalog of exhibition; inventories; catalog copy; research; correspondence with AFA and AFRIM; label copy","Invitation; invitation copy","Correspondence re: shipping and receipts","Correspondence with Louvre and other institutions re: original Louvre collection not being available; 5 museums trying to do alternate French exhibition from dealers/galleries and some from Louvre; unknown outcome; ArtNews was involved too; trying to use a story in lieu of a catalog","Catalog; correspondence; clippings; sale information; text of lecture","Invitation copy; catalog copy; correspondence with artists; inventories; invitation to lecture; 1 catalog; shipping information and receipts","Shipping information and receipts; correspondence with lenders; copy of Time (1/26/48), article on pages 47-48","Miscellaneous exhibition-related correspondence re: one mis-shipment to VMFA, most re: exhibition offers and programming","Index cards with lenders and item; correspondence with lenders","Correspondence with potential lenders (denials)","Catalog; correspondence with press; correspondence with Mrs. Catesby; invitation copy; correspondence with Lurçat; typed article on Jones; preview invitation lists and replies; catalog requests; radio press release copy; typescript copy of \"A Letter to A Friend on Modern Art,\" by T. Catesby Jones; typescript copies of all of his writings, incorporated into catalog; catalog copy","Prospectus; shipping information and receipts; correspondence with press; checklist with insurance values; loan requests for paintings in exhibition; list of artists to whom they sent biographical questionnaires","Prospectus; correspondence with medal winners; correspondence re: sales; list of artists by state; submission statistics by state; statistics tally sheets (one per state); correspondence with press","Copy of La Revue Moderne magazine (July 1947) from artist Wilma Prezzi who was featured in magazine but declined to submit; correspondence with artists, answering questions; comments from artists re: submission vs. invitation, etc.; shipping information and receipts; correspondence with galleries; requests for entry cards; correspondence re: Pepsi Cola Southern Regional Competition in Richmond (artists could specify that if work was not accepted, it could go to Pepsi exhibition)","Correspondence with artists; correspondence with dealers; valuation information; shipping information and receipts; lists of invited artists (by name, by agent/organization, some with annotated values)","\"Arrangements for the Jury\"; shipping information and receipts; correspondence re: jurors; correspondence with jury","Invitation; rejection card; entry card (pink); entry card – invited \u0026 acceptance card (yellow); annotated invitation (5th Biennial); prospectus copy; annotated entry cards and prospectus (5th Biennial); invitation copy; catalog copy","Rejection letter; prospectus","Signed rejection letter; receipts, some with comments - catalog request, why receipts request, or badly packed","Requests for entry cards (mainly from artists), a few with replies","Requests for entry cards (mainly from artists), a few with replies","2 photographs (lamp and manuscript); list of objects lent by The Jewish Museum in NY; correspondence with The Jewish Museum; lists with values; clipping; catalog copy","Invitation; correspondence with potential lenders and potential advisors; invitation letter; correspondence with The Jewish Museum; shipping information and receipts; clippings [no catalog made]","\"The Common Glory\" Poster Project; correspondence with Virginia Conservation Commission; exhibition information (typed); entry lists by high school; tea information; shipping information and receipts [all from Mrs. Muriel Christison]","Original pencil drawing plus blueprint copy of drawing by Leslie Cheek, Jr., for outside signpost for exhibition","Catalog; shipping information and receipts (loan from Philadelphia Museum of Art); correspondence with Philadelphia; list of Richmond artists to be added to exhibition; label copy for Richmond artists; correspondence with selected artists in exhibition; checklists from Philadelphia","Correspondence with lenders; research correspondence; lists of photographs with values","Original drawings and one blueprint copy of exhibition signage, exhibition labels, and gallery layout","Checklist (one portion circulated by MOMA); shipping information and receipts; correspondence with MOMA; membership lists cf: Virginia Chapter of AIA, Home Builders Association of Richmond, Richmond Real Estate Exchange; exhibition contract; 1 invitation; preview invitation letter; correspondence with Architectural Forum (they circulated the other portion); correspondence re: film rentals","Correspondence with dealer (Knoedler); shipping information \u0026 receipts","Invitation; correspondence; checklist with values; shipping information and receipts; exhibition construction notes; correspondence with dealers; press release copy (typed); correspondence with artists; invitation list; correspondence with lenders","Original blueprint copy of signage","Catalog; shipping information and receipts; checklists; correspondence with Colonel Anderson; correspondence with lenders; correspondence with artist","Draft exhibition schedules; correspondence with Colonel Anderson; correspondence with various organizations and institutions (including AFA)","Draft exhibition schedules; correspondence with Colonel Anderson; correspondence with various organizations and institutions (including AFA); catalogs; photographs; clippings","Shipping information and receipts; checklist; correspondence with artist","Lecture invitation; correspondence with lecturers; information regarding exhibit from American Craftsmen Educational Council; correspondence re: sales; shipping information and receipts","Correspondence with the Coin Club re: exhibition; later declined due to Colt's resignation","Correspondence with American Craftsmen Educational Council (lender); correspondence with lecturers; shipping information and receipts; exhibition information; ACEI brochure; clipping","Invitation; correspondence with vendors; checklist with values; invitation copy; shipping information and receipts","4 original drawings of lectern, information panels/stands; gallery layout, etc.","Catalog; correspondence with Canadian Embassy; correspondence with National Gallery of Canada (co-sponsor); shipping information and receipts; lecture copy; correspondence with lecturer; research; catalog copy; exhibition plan/schedule (to do); 1 copy of invitation; gallery layout","Correspondence with National Gallery of Canada; correspondence with press; correspondence with state forester (lent pine trees); research; clipping; photograph and biography of curator","Original drawing of exhibition sign","Correspondence with Virginia State Board of Education; correspondence with Southeastern Arts Association; shipping information and receipts; correspondence with education institutions (Mrs. Christison)","Form letter to Antiquarian Society members; preview invitation list; Antiquarian Society history (co-sponsor)","Original drawing of Museum information panel and traveling show panel","Invitation copy; correspondence with MOMA re: traveling exhibition; shipping information and receipts; billing information","1 drawing of Calder signs","Preview invitation, correspondence with artist; correspondence with lenders; invitation copy; correspondence with Philip Godwin and Mrs. T. Catesby Jones; research; correspondence with Archipenko; clippings (response to Richmond Times-Dispatch article mocking exhibition); Calder's handwritten invitation list [no catalog made]","Correspondence with lenders (galleries, dealers, museums, etc.); checklists; shipping information and receipts; correspondence with artists; checklists with values; press release copy","Checklists; exhibition information (typed); receipts","Photograph of books and Hurds; children's books catalog (retail); correspondence with publishers; research; clipping; correspondence with lenders; label copy; shipping information and receipts; checklists by publisher, by lender, by artist","Correspondence with lender; checklist with values; correspondence with artist; shipping information and receipts","Correspondence with lender; correspondence with publicity; research","Correspondence with lender; correspondence with publicity; label copy; shipping information and receipts","Outline of children's programs from summer workshops; research on group behavior; clipping; Richmond Film Society Program; photograph of Times Square in New York; Department of Education Annual Report copy; lots of random exhibition information copies; clippings; correspondence with educational services","Correspondence with lenders; shipping information and receipts; exhibition information (typed); correspondence with artists","1 drawing, layout for panel","1 layout and 1 piece of correspondence","1 drawing – summer sign, 1949","Exhibition offerings from galleries, institutions, etc.; AFA brochures","Exhibition schedule; invitation lists; correspondence; clippings","1949-1950 season schedule; schedules; correspondence re: possible exhibitions","Correspondence with lenders; dinner invitation list and preparation; shipping information and receipts; budget/billing information; checklist with values; research","Correspondence re: catalog; cut-out reply from VMFA Bulletin","Postcard announcement; correspondence re: catalog requests","Correspondence organized by lender with lenders; shipping information and receipts","Correspondence re: insurance; checklists by subject/person; research; shipping information and receipts; correspondence with lenders; checklists with values","Correspondence and paintings list, just as title says","Correspondence re: permission to reproduce images for catalog [originally not intended to publish catalog; did so after exhibition]","Catalog copy","Correspondence re: cost of prints ordered and made for show","Announcement; Baltimore catalog; preview invitation; 3 photographs; copies of her other catalogs (Mrs. James Ward Thorne); correspondence with Women's League Club; correspondence with lender (circulating museum AIC); budget information; checklists; shipping information and receipts; exhibition contract; correspondence with publicity; copies of various magazines (Virginia Bulletin, Virginia Women's Magazine); correspondence with PTA's","Blueprints: room installation (3 copies) and original drawing; drawing of signs; drawing of entrance details","Checklist; 8 photographs; correspondence with publicity; budget information; admission price policy; lecture and tour schedule; correspondence re: catalog including billing information","Checklist","Correspondence with Library of Congress re: loan of lithograph; shipping information and receipts","Correspondence with Block, including copies of publicity; checklists with values; shipping information and receipts","Correspondence with Block and others","3 drawings of exhibition signage","Drawing and blueprint copy of information kiosk; 1 photograph; 3 other layouts of the exhibition, including 2 didactic panel layouts by Cheek (\"Russia Before the Revolution\" and \"Imperial Jewelry of Russia\")","Correspondence on opening of show; proposed schedule; checklists by lenders; shipping information and receipts; checklists by artists; correspondence with artists; checklists with values","Checklists; shipping information and receipts; correspondence re: catalog; correspondence with publicity; research; statistics from 6th Biennial; correspondence with artists; catalog mailing list; catalog copy; loan information forms","2 excerpts from publicity (typed); correspondence with catalog essay authors; correspondence with publicity; clippings; checklists; catalog copy; requests from artists; chipping information and receipts; correspondence of James Johnson Sweeney (sole juror invited); checklist for traveling exhibition; hand-written copy of register of the paintings received","1 drawing of layout and signage; 2 small lettering drawings; 1 small catalog sign drawing","Shipping information and receipts including correspondence with artists, bills and information for crating requests; correspondence re: Richmond regional jury process for national metropolitan competition","Press release; correspondence with Sweeney; correspondence with publicity; shipping information and receipts; checklists, sales information","Sweeney's own correspondence with artists and dealers and galleries re: exhibition, including Naum Gabo and Morris Louis","Correspondence with SF MOMA; checklist from AFA; copies of publicity; shipping information and receipts; correspondence with publicity; correspondence with AFA; 1 copy of catalog","Drawing and blueprint copy of layout","Catalog copy; correspondence with lenders; shipping information and receipts (or label)","1 photograph; catalog (or label) copy; correspondence with Knoedler (lender); shipping information and receipts; 1 photograph of X-ray","Invitation lists; correspondence; radio spot information; correspondence with lenders; checklists; shipping information and receipts; press release copy; catalog copy; loan item information blank","One note on a rug cleaning","Checklists with values, by lender and by artist; label research; correspondence with lenders; installation notes; shipping information and receipts; press release copy; correspondence with other institutions including the Met where the exhibition went next","Correspondence with AFA (distributor of exhibition); shipping information and receipts; checklist; information on the photographer (non-VMFA publicity); correspondence with photographer","Photograph of Reino Aarnio soap dish for Fiat Metal, photograph of new RCA portable radio; correspondence with lenders [sold it as a big 2-3 year traveling exhibition]; shipping information and receipts; clippings (for ideas); correspondence with manufacturers from all around the USA; lots of catalogs; installation sketches; catalog copy; lists of checklists from a similar MOMA exhibition; 1 copy of preview invitation; checklists; label copy","Correspondence with Block (Post cartoonist) and Comstock (Connoisseur and Antiques magazine editor); lectures; biographical information; correspondence with publicity","Original drawing plus 2 blueprint copies of design for silver display case","Correspondence with lenders from 1940 show due to requests by an author, prompted by current Valentine show; clipping re: Valentine show; copy of 1940 catalog","Correspondence with Rogers and her agent; confusion about scheduling dates; article in Vogue about Rogers [ended up cancelling show due to high costs of insurance and shipping]","Shipping information and receipts and labels for loan of some Pratt jewels by Mrs. Joseph Davies of Washington D.C. to the 1950 Easter eggs exhibition","Catalog [loan exhibition organized by the English speaking Union]; copy of catalog; microfilm copy of NYT clipping; correspondence with ESU; copies of ESU Bulletin; checklists; press release copy; correspondence with other institutions who are borrowing; catalog/label copy; shipping information and receipts installation instructions; annotated catalog; big ESU publicity kit; correspondence to/from J. L. Blair Buck in State Board of Education, main contact and President of the ESU, Virginia Branch; original NYT clipping; correspondence to/from Brigadier J.W.F. Treadwell, VP of ESU [called it \"Operation Canvass\" to garner interest in ESU in Virginia]; billing/payment information; correspondence with British Embassy","Correspondence with Knoedler and Newhouse [photograph of painting offered but not chosen]; copy of invitation; picked Provost's painting from Knoedler – in another folder]; correspondence re: cedar trees in galleries","Circulated by MOMA; correspondence with them; packing instructions; loan agreements; loan contracts; checklists; shipping information and receipts","Group form letter; correspondence with Wedgwood \u0026 Sons; publicity information; research; checklists; correspondence with other institutions; shipping information and receipts; 1 copy of invitation; list of Wedgwood dealers in Virginia [to invite]; correspondence with Annie Reese, Director of Promotions and Hensleigh Wedgwood, President, who lectured at preview","Correspondence with various clubs; dinner party plans and invitee lists; more correspondence with Wedgwood; copy of Museum bulletin; biographical information on Hensleigh; shipping information and receipts","Shipping information and receipts; biographical information; Museum Bulletin copy; installation instructions; label information forms; correspondence with Newhouse; checklists with values","Drawing of label boards; drawing of signage","Chose 4 exhibitions from PAU to circulate; correspondence with PAW; exhibition information; checklists; shipping information and receipts","Announcement; correspondence with printers; correspondence re: sales [1st year Museum has added Architecture]; copy for all printed materials; correspondence with prizewinning artists (including Stuart Davis); correspondence re: azaleas; biographical information on jury chairman, Hermann Williams, Director of Corcoran; correspondence with publicity; clippings; copy of catalog from 1949","Prospectus; requests for blanks; letter copy re: Virginia art interest and education and businesses; correspondence with artists; correspondence with art departments; correspondence re: sales; jury comments; biographical juror information; breakdown/tally by city; correspondence with jurors","Catalog copy; checklists with prices; correspondence with artists re: blanks; shipping information and receipts; correspondence re: sales and purchases; 1 copy of catalog","4 original drawings; introductory panels, signage; layout sketches; traveling show panels","4 drawings of lighting layouts in gallery; 1 drawing of movie projector stand; 1 drawing of panels; 1 drawing of overall layout","9 photographs of Metropolitan Museum of Art objects; copy of invitation; label copy for projector room showing film on armor; other label copy; correspondence with lenders; shipping information and receipts; correspondence with Met (major lender); correspondence with lecturer (Gracey), curator of Met arms \u0026 armor","Correspondence with artist and his wife; biographical information; copy of catalog from Hollins; clippings","1 photo of Stuart Davis; biographical information; catalog copy; shipping information and receipts; checklists with values; loan agreements; correspondence with jurors; correspondence with lender; correspondence with potential jurors (Andrew Wyeth)","2 drawings: sign and panel layout","Photograph of Tsar Nicholas II and family; 2 page exhibition design write-up (color, lighting, cases); catalog copy","Memo re: Arthritis Foundation; article on Dufy; reprint of 3/51 article on Dufy; paintings information sheets; shipping information and receipts; catalog of ICA in Boston; correspondence with lenders; correspondence with Arthritis Foundation; checklists with values; correspondence with publicity; correspondence with Dufy's gallery agent","4 drawings of signs and layouts","11 photographs of layout with and without people; close-ups of panels; correspondence with lecturer; correspondence with American Institute for Graphic Arts (organizer); publicity materials from AIGA; shipping information and receipts; catalog","Dinner guest list; correspondence with Chrysler; Chrysler catalog copy; correspondence with NYT","Photograph of Chrysler; copy of Art Digest (October 15, 1951) with photograph of gallery setup; catalog copy (paintings); correspondence with publicity; shipping information and receipts; catalogs of exhibition at University of Miami Art Gallery (correspondence with University of Miami Gallery also); checklist","Checklists and hanging order; correspondence with publicity; rough layout; catalog copy; correspondence with artist; checklist with values; correspondence with AFA (organizer); AFA 1953 catalog; wonderful letters that are art!","Preview invitation; correspondence with artist and wife; checklists","Catalog; correspondence with Director of Syracuse Museum of Fine Arts (Anna Wetherill Olmsted, speaker); biographical information on her, checklist","1 drawing: installation layout","14 photographs of items; \"prize awards\" press release; correspondence with Syracuse Museum of Fine Arts; publicity information from SMFA; catalogs; catalog copy; shipping information and receipts; annotated catalogs (one size, one price)","Correspondence with various institutions and individuals re: potential exhibitions, some with catalogs and clippings; list of proposed exhibition season","Correspondence with lender (Ouriel) and gallery (Knoedler); shipping information and receipts","Various mailing lists (Bulletin, publications), some by type, some alpha; letters to other institutions offering mailings (all Miss Frances Boushall)","1 drawing of small museum truck","Layout panels for 1st Museum brochure/guide","1 drawing and 1 copy of Information \u0026 Publication Desk of Museum","Correspondence with lenders of fabrics; shipping information and receipts; some original tags; label copy; some catalogs","Correspondence re: invitation mailing (one with return address of VMFA, one with Kiwanis Club); correspondence with lenders in Los Angeles","Invitation to screening; preview invitation list to film screening","Invitation; catalog copy; checklists; Mona Lisa research; shipping information and receipts; correspondence with lenders; 1 copy of catalog; correspondence with organizer; invitation copy; installation information; correspondence with Kiwanis Club","6 blueprints for models by Panold Masters; 1 drawing of signs; 1 drawing of layout; 4 drawings of lighting; 3 drawings of niches","1 drawing of layouts, panels","Catalog copy; clippings; annotated copy of catalog of retablos from Barton Collection; shipping information and receipts; checklists; annotated copies of catalog of textiles from Barton Collection; correspondence re: damage to retablos; correspondence with institutions; correspondence with lenders","1 drawing of signs; 4 drawings of lighting; 1 drawing of details of interior; 3 drawings of layout; 1 drawing of interior","1 photograph of clock; few compliments; some receipts for library exchange","Correspondence; damage reports; receipts; memos","Correspondence with Helen Comstock (editor of Magazine Antiques and guest curator); correspondence with potential lenders (individuals and institutions)","Correspondence with WSG; clippings; shipping information","Correspondence with WSG; catalog copy; press release copy; press releases; shipping information and receipts; biographical information; checklist with prices","2 photographs of paintings; traveling checklist; correspondence with artist; clippings; press release; catalog copy; catalogs of shows in New York and Toronto; shipping information and receipts; label copy; checklist with values; correspondence with lenders; correspondence with AFA (originator)","Invitation to preview; correspondence with designer and speaker, John Van Koert; correspondence with Walker Art Center (organizer); copy of Walker invitation","Press release; publicity copies from Towle Silversmiths; press releases; copy of catalog from Walker","5 photographs (duplicates); invitation to preview; press release copy; correspondence with Fogg; copy of catalog from Detroit; label copy, checklists; shipping information and receipts; correspondence re: theft of Degas drawing","Invitation to preview; invitation to lecture; clippings; correspondence with artisans re: exhibition decoration; correspondence with other lenders; shipping information and receipts; checklists; correspondence with dressmaker/speaker (Pauline Trigère); correspondence with Metropolitan Museum's Costume Institute","Correspondence with lenders; research (list of American and English novels); shipping information and receipts; correspondence with publisher; correspondence with publicity; correspondence with Met's Costume Institute; checklists with values","6 photographs (5 paintings and Maxson Holloway, Chicago Historical Society curator); shipping information and receipts; checklists; correspondence with Chicago Historical Society (organizer); annotated catalog from CHS; correspondence with other institutions; bulletin copy; press release","Catalog; correspondence with CHS; correspondence with other lender (Broadnax)","Photograph of picture; press release; correspondence with Red Cross; clippings; invitation copy; Red Cross promotional material; press release copy","Catalog; correspondence with AFA (organizer); shipping information and receipts","Shipping information and receipts; checklists","Correspondence with members of Club; correspondence with AFA","Drawing of layout; 2 photographs of paintings not in exhibit; research; label copy; correspondence with lenders; shipping information and receipts; checklists","Correspondence with Lady Astor; checklist of gift","Catalog copy; correspondence re: opening and Governor's dinner; invitation proofs; correspondence with publicity; text of Colonel Anderson's speech","Correspondence re: opening (mainly regrets)","Correspondence with the artist","1 drawing of sign","Correspondence with Institute of Contemporary Art in Boston, organizer; lecturer is Director, James Sachs Plaut; promotional materials","Correspondence with ICA in Boston; shipping information and receipts; catalog","Invitation; photograph of painting (1952); label copy; installation instructions; shipping information and receipts; correspondence with lenders","1 clipping","Clipping; press release copy re: move of cigar store figures from Jefferson to VMFA","Lots of correspondence from different institutions; publicity; list of contacts with great comments","Correspondence with dealers, galleries, institutions; lots of publicity included; schedule of exhibitions for year, especially those from AFA","Correspondence with woman at new museum about restoring a painting","1 photograph of Leonardo's bridge; Boushall's correspondence file with publicity and others interested in our publications and exhibitions","Correspondence with dealers, galleries, institutions; lots of publicity included; schedule of exhibitions for year, especially those from AFA","Quiz sheet","7 photographs of opening, gallery and piece; 1 copy of catalog","2 drawings and 1 copy of gallery layout and entry desk","Checklist; invitation, shipping information and receipts","1 drawing of book and theme table layout","6 photographs of Goya pieces; 1 photograph of someone (with mandala); catalog copy","2 invitations (1 with checklist; 1 for loan exhibition); label copy; checklists; correspondence; correspondence with lenders; catalog requests; catalog proof; shipping information and receipts","Correspondence; label copy; cover of U.S. News \u0026 World Report (2/13/53) (looks like De Stijl); shipping information and receipts; correspondence with MOMA (organizer); checklists","Press release copy; correspondence with Netherlands Embassy; lecture copy (introductions); lecturer biographical information [Carroll L. V. Meeks, Assoc. Professor of Architecture and Art History at Yale]; correspondence with MOMA","Correspondence with jurors; correspondence with potential jurors; lists of loan requests; correspondence with lenders; correspondence with publicity; shipping information and receipts; checklists; installation memos; checklists with values","\"The Significance of African Art,\" 8 photographs of items; publication reprint of \"Warega Ivories\" by Ladislas Segy; label copy; publications from Segy Gallery on African Art; correspondence with Segy Gallery (organizer); biographical data on speaker [James Johnson Sweeney, Director of the Guggenheim in NYC]; shipping information and receipts","Correspondence with speaker; label copy; press release copy; publications from Segy Gallery","1 photograph of street scene, but it has been drawn on","Copy of 1949 catalog; 1 copy of catalog; label copy; checklists by city; catalog copy; letter from Theresa Pollak regarding the way the show is chosen and hung; correspondence with artists; annotated older biennial materials; list of purchase recommendations; schedule for jurors visit; catalogs from other institutions (state shows); shipping information and receipts; traveling evaluation checklists","Copy of 1953 prospectus; correspondence with artists (Pollard's correspondence file); list of entry cards received","Correspondence with artists re: missing checks, incomplete blanks or other issues (Gaines' file)","Information from MOMA (organizer); correspondence with MOMA; checklists; shipping information and receipts; installation memo; 1 copy of invitation to opening","2 drawings","List of loans (Baltimore Museum of Art); correspondence with BMA; correspondence with speaker [Mrs. Adelyn D. Breeskin, Director of the BMA]; installation memo; checklists; label copy; shipping information and receipts. Show had 16 year age limit!","Entry/prospectus; correspondence with American Craftsmen's Educational Council; list of regional entries; correspondence with artists; completed entries; shipping information and receipts","February 1953 issue of \"The Richmond Home Builder\"","Mayor's reception schedule; lecture copy; copy of Directory of Virginia Governmental Officials (November 1950); invitation lists and planning","1 copy of invitation; lecture copy; correspondence with potential consultants","Correspondence with Thalhimer's; press release copy; lecture copy; slide list; clippings; speaker biography","Correspondence re: parking problems and conferring police authority to the Museum's guards","\"The New Art Wind Quintet\" press release; Harp Trio photograph and program; correspondence re: New Art Wind Quintet; contract copy; Harp Trio press release copy; Philippe Entremart photo; press release copy and program; correspondence with National Music league; programs; clippings","1 photograph of Victor Guye; actually a Goya exhibition file – correspondence with lenders; shipping information and receipts; checklists","Invitation; photograph of Queen Anne teapot; \"Art in Fashion\" invitation; label copy; catalog copy; correspondence with Lipton (lender) and Lipton's dealer; correspondence with speaker","Correspondence with potential participants; interim reports; correspondence with institutions in Scandinavia; exhibition proposal (typed); correspondence with embassies, consulates, etc.; shipping information and receipts; label copy; correspondence with speaker [John Van Koert]; checklists; correspondence with publicity; correspondence with AFA (organizer); 1 copy of brief prospectus; list of itinerary","Folder is incorrectly labeled \"1967\" at Library of Virginia. 1 drawing (1953-54); ALL FROM THE 1950'S: panel copy; shipping information and receipts; clippings; Sidney Janis catalogue; 1 copy of Bulletin (11/53); 1 copy of invitation, plus 1 internal memo re: new iteration as traveling show, checklist","1953 Virginia Artists prospectus; correspondence with artists; correspondence with publicity; label copy; correspondence with Des Moines Art Center (co-sponsor); shipping information and receipts; correspondence with lenders; correspondence re: purchases; biographical information on Dwight Kirsch (curator of show and Director of DMAC)","Mailing 12/1/55, \"To Virginia Painters\"; budget information; correspondence with artists; correspondence with Dwight Kirsch; annotated catalog; catalog requests; catalog disbursement list; shipping information and receipts; copy of Kansas State College Biennial Catalog (including quote from Kirsch)","1 photograph of artist and painting (John Koos with wife and Peter Khan, head of Hampton Institute Art Department); correspondence with juror; press release; correspondence with publicity; correspondence with artists (Newell's correspondence file); biographical information on Kirsch; clippings","1 copy each of 1950 and 1954 catalogs","Catalog copy; catalog proof; suggested arrangement; label copy, checklists","1 photograph of Armand Hammer; 1 photograph of room in his house; 1 photograph of Breughel painting; 1 photograph of [Erwin] Panofsky [from Institute for Advanced Study at Princeton], lecturer; 2 press releases; correspondence with Hammer; general collection information","1 drawing of main panel layout","Correspondence with lenders and dealers, artists; shipping information and receipts","Shipping information and receipts","Registration forms for each painting; checklists by gallery and by artist","Entry cards (completed); other institutional catalogs; prospectus copy; annotated catalogs; catalog copy; 1 copy of catalog; label copy correspondence with artists; correspondence re: publicity; shipping information and receipts; correspondence with jurors","Prospectus; mailing lists; budget tracking; correspondence with jurors","6 photographs of designs; shipping information and receipts; label copy; correspondence with AFA (organizer); checklists; correspondence with Cooper Union (lender)","2 drawings of panel layouts; notes re: pre-Columbian panel layout","1 drawing of panel layout; label copy","1 drawing of 20th century gallery layout with section for Virginia rotating artists; correspondence with artists; correspondence re: purchases; shipping information and receipts; biographical information; correspondence with lenders; memos re: installation; checklists","Checklists by lender and by artist; correspondence with lenders; label copy; shipping information and receipts; copy of catalog from University of Louisville with similar exhibition","1 drawing of panels; notes re: panels for exhibition","Letter to AFA re: exhibitions; exhibition proposal for Design for Theatre","Correspondence with various people and institutions re: possible exhibitions; program schedule for 1953-54; scattered exhibition-related materials as well; correspondence re: various programs, performances and dinners; correspondence with publicity; copies of Members Bulletin for March, April \u0026 May, 1954","1 photograph of Furniture of the Old South; mainly lists, both general and for particular shows","Correspondence re: an article proposed by Gulf on the Artmobile, including a photographic assignment, to run in their company magazine Orange Disc; correspondence re: subsequent mailing of issue","Letter to Presidents of Garden Clubs, 10/11/54; correspondence re: securing funding for Waddy fountain planting each season; mailing lists","Correspondence re: arrangement to use galleries for their meetings","Membership List","Copy of The Orange Disc Magazine (March-April 1954); list of Artmobile pictures used","Drawing of new membership brochure [Not taken, too hard to reproduce]; annotated membership forms; new form copy; copies of MOMA \u0026 Walker membership forms; membership campaign materials: proposal, committee schedule, plan for calls, etc., minutes of meetings, campaign reports, membership report (statistics)","Correspondence re: special loan exhibition from permanent collection; shipping information and receipts; checklists","Correspondence re: meeting; biographical information on speakers; schedule/agenda; transcribed notes from Question \u0026 Answer session","2 photographs of mural; correspondence with Rochester Institute of Technology, where she was a student (she was a VMFA Fellowship winner); correspondence with artist","\"Endorsement of the forthcoming Artmobile\" 3/10/53; \"An Exhibition of Sculpture from Africa,\" 3/22/53; \"The Hammer Collection…\" [n.d.]; \"The VMFA has purchased 3 paintings…\" 3/24/54 (short one); copies of press releases from March/April 1952/1954","13 drawings of pedestals in various galleries; notes","1 drawing; 1 list of photographs for American 19th Century","1 drawing; 1 list of photographs for Early Near Eastern","1 drawing; 1 list of photographs for Late Italian and Spanish","1 drawing; 1 list of photographs for Roman","1 drawing; 1 list of photographs for Oriental","1 drawing; 1 list of photographs for German","1 drawing; 1 list of photographs for French 17th-18th centuries","1 drawing; 1 list of photographs for Italian, 14th \u0026 15th centuries","Just list of photographs for English 16th-17th centuries","1 drawing (English 18th-19th centuries; 3 photograph lists (medieval, American 18th century, English 18th-19th centuries","1 drawing; 1 list of photographs for American 20th century","List of photographs for Virginia Today","1 drawing (Egyptian); list of photographs for Egyptian, notes","2 drawings of text panels; notes; list of photographs for North Sculpture Hall","Photograph of Blanche Tarjus; correspondence; biographical information; program copy; programs; clippings; publicity materials from National Music League; artist fee schedule; correspondence with artists; invitation copy","Photograph of damaged jade, 2 annotated photographs (all Minneapolis); shipping information and receipts; label outlines; checklists by lender and by type; correspondence with lenders; clippings, research notes; label copy; correspondence with other potential lenders","3 panel layout drawings; 4 other layout drawings; label copy; label outlines; section color suggestions and samples; list of cases needed","1 photograph of children with eggs; tear sheets from Interiors magazine; copy of 1947 Pratt catalog; suggested publicity schedule; outline of work to be done; label copy; correspondence; press releases; research; clippings; correspondence with publicity","1 drawing; 6 photographs; blue AFA Catalog list; correspondence with AFA (organizer); label copy; checklists; shipping information and receipts; fabric and paper samples; correspondence with lenders","Correspondence with artist; biographical information; shipping information and receipts; label copy; checklists","1 drawing, 1 photograph of Karolik; catalog copy; checklist; shipping information and receipts; label copy; dimension list; correspondence with Smithsonian (organizer); correspondence with collector (Maxim Karolik); 1 copy of invitation; copy of bulletin; copy of MFA Boston Bulletin on collection (10/51)","William Kienbusch and William Zorach [2 of 3 judges] catalogs; list of purchase considerations; correspondence with artists; correspondence with galleries; shipping information and receipts; checklists","1 drawing; clippings; bulletin photograph copy; correspondence with Addison (1 letter) [Addison Gallery of American Art, Chairman of Jury was Bartlett H. Hayes, Jr., Director of Addison]","Correspondence with artists; biographical information; label copy; shipping information and receipts","1 drawing; label list","1 photograph of Charles Baker; 1 drawing; shipping information and receipts; correspondence with artists; checklists; biographical information; Davis' Fellowship application; label copy","Correspondence with artists; mailing lists of artists; requests for blanks","Correspondence with artists; requests for blanks; correspondence re: incomplete forms or missing checks; handwritten list of entries received","4 layout drawings","List of winners; copy of blank certificate; copy of green prospectus; checklists; shipping information and receipts; entry copy; catalog copy; label copy; other institutions' catalogs/prospectuses; correspondence with jurors; staff members; list of artists","Correspondence with artists; entry blank requests; shipping information and receipts","Correspondence with artists; biographical information; shipping information and receipts; label copy","Typed remarks by preview speaker [Honorable Shigenobu Shima, Minister of Japan]; list of credits for exhibition","Drawings of invitation copy; 1 photograph; checklists (organized by MOMA); correspondence; label copy; 1 copy of invitation; shipping information and receipts; correspondence with Minister of Japan (preview speaker); press release copy; correspondence with MOMA; correspondence with MIYA company (lent accessories); correspondence with Japan Society","1 drawing of panel layout; correspondence with artists; shipping information and receipts; checklist","Correspondence with Corcoran (lender); label copy; shipping information and receipts","2 photographs of ICA installation; checklists from ICA in Boston; fabric samples; correspondence with manufacturer (i.e.; lender); includes some publicity materials and catalogs; shipping information and receipts; list of items sold to staff members; ICA catalog/brochure copy; correspondence with ICA; ICA press releases; label copy; ICA catalogs (1954 \u0026 1955)","Checklist; miscellaneous correspondence; ICA news releases; fabric samples; checklists","Shipping receipts for Designs for Christmas show","List of items available for purchase; correspondence with manufacturers re: sale","3 photographs; publicity materials from Virginia Chapter of AIA; shipping information and receipts; label copy","Copies of suggested schedule","Few pieces of miscellaneous correspondence related to other exhibitions","2 photographs of Suzanne Bloch; correspondence with various music organizations; publicity materials (mainly programs); clippings; Suzanne Bloch press release copy and biographical information","Catalogs and samples of wall and paper materials","Letter solicitation (7/1/55); correspondence with studios; research; exhibition proposals (Samuel Goldwyn or Cecil B. DeMille); mailing list","Correspondence; correspondence with manufacturers (including catalogs)","Copy of the Annual Report; typed and written drafts for \"Information Services and Public Relations\" report","Press release; correspondence with publicity; clippings; mailing lists; grand opening schedules; new members' room information","Copy of letter to press (11/29/55); memo re: use of mats sent to newspapers from Rex Allyn to Cheek; 5 actual mats by Virginia Stereotype Service","1 photograph of camera; correspondence with Colonial Williamsburg (author of book on Cook); label copy; camera catalogs; checklists; shipping information and receipts; correspondence with lenders; insurance information; 1 copy of invitation; research articles","John Koenig was Guest Promotion Director; correspondence with publicity; news releases; mailing lists; clippings; copy of catalog","Bulletin copy; Bulletin proofs; correspondence with speakers","2 copies of newsletter (2/55 and 12/54); 1 piece of AFA membership publicity","Copies of 51st and 53rd programs; copy of letter to publisher of 55th (VMFA was in it)","Rex Allyn's correspondence file; correspondence with publicity; correspondence with other institutions; clippings","4 drawings; 10 photographs; copy of catalog of traveling show in São Paulo, copy of checklist and hanging order sheet; label copy; correspondence with artists; publicity; biographical information; shipping information and receipts; correspondence with publisher; press release, checklists (for traveling too); circulated by AFA","Copy of invitation to costume ball with note about asking about museum as location","AFA Newsletter, 12/55","Publicity; correspondence with Junior League about volunteers; copies of articles in The Leaguer; press releases","Publicity; copy; catalog photographs; correspondence with speakers; cards with state exhibitions on them; clippings","Publicity; copy of Bulletin; press releases","Copy of Carl Sandberg's prologue; invitation; correspondence with MOMA (circulator); copies of drawings of installation from MOMA; copy of catalog; contract; press releases; checklists; shipping information and receipts","Article copies (by Marguerite Tabb)","Correspondence with Jaycees","Correspondence","Correspondence with Society; copies of minutes","Publicity from American National Theatre and Academy","Correspondence with WRVirginia \u0026 WLEE; list of personnel","Publicity; Artmobile schedule","Correspondence with Society; publicity; schedule and financial statement of Society","Press releases (4/14/55; 4/12/55); schedule and procedure for ceremony of awards (4/29/55); press release (4/25/55); other press releases","Copy of minutes from meeting","Correspondence with printers; budget information; samples of items; purchase orders","Miscellaneous correspondence","Correspondence; summary and minutes from conference","Correspondence with Whitney Museum; correspondence with other museum directors (Leslie Cheek a sort of consultant)","Copy of letter from Rhoads to Board; correspondence with Rhoads","Correspondence re: Georg Jensen exhibition; checklists (from SITES)","Correspondence with artists; biographical information; checklists; shipping information and receipts","Invitation; correspondence with Catherwood Foundation; label copy; exhibition proposal","Press release; shipping information and receipts; correspondence with Catherwood; Catherwood publicity; checklists; label copy","1 drawing of layout; label copy; checklists; list of loans requested; shipping information and receipts; correspondence; correspondence with publicity; correspondence with lenders; 2 annotated copies of printed checklists; copy of Bulletin","1 copy of printed checklist; correspondence with lenders; request for information cards; 1 annotated copy of printed checklist","\"Caption for Watteau Mat\" and press release (1/11/52); press releases; list of loans; checklists","Correspondence with potential lenders for Fetes Galantes","Photography purchase requests; invoices","Shipping information and receipts; correspondence with lenders; clippings","Correspondence with lenders; shipping information and receipts; request for information forms; label copy","1 copy of catalog; 1 copy of Ford Times on which the show was based; checklists; correspondence; catalog copy; correspondence with Ford; copy of story for Commonwealth","2 photographs of Helen Wearstler Foht; 1 duplicate photograph of her; checklists; correspondence with artists; shipping information and receipts; label copy","Correspondence with artist and his dealer (Hammer Galleries); copy of the exhibition catalog; label copy; 1 book jacket of his (High World); insurance information; shipping information and receipts","2 photographs; checklists; shipping information \u0026 receipts; correspondence with artists; label copy","1 photograph; 1 duplicate photograph (Aubrey Bodine or O.F. Romig) [these 2 were judges, A. Aubrey Bodine of Baltimore and Orlando F. Romig of Pittsburgh]; correspondence with artists","Shipping information and receipts; correspondence; press release","1 photograph of unknown; 1 photograph of Carl Roseberg; shipping information and receipts; sales information; checklists; correspondence with artists; label copy","3 photographs; checklists; biographical information; correspondence with artists; label copy","Invitation; list of possible artists publicity/catalogs from other shows; invitation copy; mailing list; checklists; correspondence with Sculpture Center; shipping information and receipts; correspondence with artists; correspondence with lenders; label copy","4 drawings of label panels; sheet for each with list of photographs for panels","2 photographs; shipping information and receipts; correspondence with artists; checklists; sale information; biographical information; label copy","Invitation; 1 photograph of show at Corcoran; 1 drawing; also 1 drawing of Chinese gallery, press release 3/4/55; correspondence with SITES (organizer); shipping information and receipts; checklists; correspondence re: damage to a chair; label copy; correspondence with publicity; 1 copy of catalog; 1 copy of Danish Foreign Office Journal","Correspondence with lender; shipping information and receipts; checklists; George Poiret print collection exhibition catalog (rents them)","1 photograph; correspondence; clippings","Copy for theatre publications","Program for 57-58 season; copy for earlier brochure","One letter re: season's policies","2 pieces of correspondence","\"A Proposal,\" (letter 7/14/56); Dance Society meeting minutes; correspondence; budget information; mailing list","Program April 20, February 24, January 6, October 21, September 16; correspondence (1 letter); 1 copy of a mailing","Checkbook; correspondence re: taxes","1 photograph (Richard Steinway); duplicate photograph (John Langstaff); 1 photograph of John Langstaff with Berkshire Quartet; 1 duplicate photograph and 1 regular photograph of Albeneri Trio; 1 season program","1 photograph of John Langstaff; 1 duplicate photograph of Robert Conant; 2 photographs of Amadeus Quartet; 1 photograph of Alfred Deller; 1 duplicate photograph of Alfred Deller Trio; 1 photograph of Emily Frankel and Mark Ryder; correspondence; proposed relations between the 2 organizations; meeting minutes; letter drafts; program copy; publicity materials","Wishes to thank card; Davenport Carrington letter; response card; meeting minutes; program schedule; clippings; correspondence; budget information; form letter with mailing lists; promotion planning","Shipping information and receipts; correspondence","1 copy of schedule of programs and events","Correspondence from Velz (he was on Executive Committee for 1956-1957) to various people re: events; \"The Public Relations and Information Program of the Virginia Museum of Fine Arts\" paper","1 clipping (RTD 2/15/56-they got charter)","RAUC Summary Report 1949-1956; correspondence of RAUC; evening courses for adults announcement","Correspondence re: lecture on architecture of Japan","Correspondence re: fundraising drive; interoffice memos","Hundreds of photographic department purchase requests","1 copy of magazine, October 1956 issue with VMFA feature","8 drawings of alcoves; layouts; permanent installations; lists of photographs for alcoves; memos re: installation needs; photograph orders; lists of titles for information panels; correspondence re: information panel production; panel copy; budget information; information re: hanging heights in galleries; sample label paper","\"Art Reference Resources in Virginia\" questionnaire (all about art libraries); 1 piece of correspondence about putting brochures on ferries","3 photographs from Brazilian show; newspaper and magazine clippings; catalogue and clippings for 1951 Brazilian show (Children's Book Illustrations); information and press releases and correspondence for 1953 fellowships; 1950-51 fellowship information; blank application; information on Jenny-Lynn Franklin's mural; press releases for 1956-1957 fellowships","Traveling checklist and hanging order; label copy; correspondence with artist; shipping information and receipts; correspondence re: traveling exhibition; checklists; correspondence with AFA; clippings; blank loan contract; correspondence with borrower; itinerary; AFA publicity materials for show","Material from MOMA on their 25th anniversary","2 drawings of panel layouts; list of photographs used; memos; label copy; photograph order","Mailing list; copy of Bulletin; cards sent to institution for their exhibition listing in Bulletin (called \"Elsewhere in Virginia\")","Photograph of Merrill Moore; 1 photograph of Governor Stanley; biographical information on speakers; correspondence with speakers; publicity material for Merrill Moore's new book","Mailing (open house invitation); letter from Rhoads to members; renewal card, 1 photograph by Yardley; membership letter draft; correspondence between committee members; brochure proofs; previous membership requests; privilege information; budget information; brochure copy; paper samples","Brochure copy","Fashion Festival facts; Council letter (3/21/56); program; invitation copy; correspondence with Miller \u0026 Rhoads; correspondence re: Council; correspondence with Harper's Bazaar; correspondence with publicity; mailing lists; schedules; meeting minutes; annotated scripts \u0026 schedules; fabric samples; program copy","Complete reply cards; correspondence re: Council children's events; publicity materials for puppet theatre; blank reply cards","Correspondence with artists; checklists with sale prices; shipping information and receipts; biographical information; label copy; photograph purchase requests","1 photograph of \"Black Beast,\" 1 photograph of \"Croquet Player\"; correspondence with AFA (who turned down show) and ICA Boston; correspondence with publicity; shipping information and receipts (now called \"Collection Memos Receipt\"); correspondence with lenders; insurance information","Correspondence with publicity; correspondence with artists; correspondence re: preview, installation information and schedules; correspondence with lenders; shipping information and receipts; label copy; correspondence with AFA re: withdrawal; list of lenders; photograph orders","1 drawing, 27 photographs; 1 duplicate photograph (Henry Robinson Luce); label copy; correspondence; shipping information and receipts; [unlabeled: (lady) Elsie de Wolfe; Henry Dreyfuss (architect)]","3 photographs of jurors; 1 photograph of sculpture; 1 photograph of tempera painting; correspondence with jury; checklists; shipping information and receipts; clippings; dinner lists and plans; correspondence with lenders; label copy; Ben Shahn catalog; biographical information; insurance information","1963 Virginia Artists blank; shipping information and receipts; correspondence with artists; label copy; biographical information","2 drawings (1 by her, 1 by Leslie Cheek); checklist with values; correspondence with artist; shipping information and receipts","Entry cards; shipping information and receipts; sale information; correspondence with artist; insurance information; Council Preview Party gifts information (new); check stubs; list of entrants; preview mailing list for businesses","Virginia Artists jury memo (1/25/57); blank certificates (signed); traveling exhibition checklist; 1957 prospectus; label copy; copy of 1936 catalog; speech copy; Bulletin copy; annotated 1955 blank; prospectus list; entry requests; catalogs and brochures from other exhibitions; prospectus copy; catalog copy; schedule; correspondence with publicity; shipping information and receipts; correspondence with jury; clippings; certificate recommendation list; jury report; correspondence with artists; biographical information on certificate winners","Shipping information and receipts; correspondence with artists; 1 copy of catalog","Drawing of layout","3 photographs of installation (location unknown, not VMFA); correspondence with American Institute for Graphic Arts (organizer); shipping information and receipts","\"A Brief Description of the 'New World Achievement' Exhibit,\" invitation and drawing; label copy; checklists; schedules; Jamestown materials for 1957 festival; list of lenders; for letter draft; credits; musical selections; annotated invitation; correspondence with Jamestown Committee members; copy of Commission report; shipping information and receipts; invitation copy","Illustration lists for panels; label copy","2 duplicate photographs; research and information panel copy","1 photograph of a plate; correspondence with lenders; shipping information and receipts; information request forms; label samples","3 photographs; correspondence with lenders; shipping information and receipts; information request forms","Information on VMFA and Jamestown Festival","Correspondence with ESU re: speaker and other events; correspondence with embassy; clippings; invitations; speaker publicity","Checklists; shipping information and receipts; correspondence with lenders; insurance information; 1 copy of VMFA Summer Calendar","1 drawing; photograph; checklist; catalog; publicity materials from AFA (organizer); measurement lists; correspondence with AFA; correspondence with Near East College Association (co-organizer); shipping information and receipts; label copy; checklists with values","2 photographs; \"Emblem of the 1957 R.S. Reynolds Memorial Award\"; 20th century works of art catalogue from the University of Illinois-Urbana; label copy; AFA publicity materials; Reynolds Memorial Award publicity materials; correspondence with AFA; correspondence with Reynolds; correspondence with artist","1 drawing, 7 photographs, press release; checklists; label copy; shipping information and receipts; MOMA publicity materials; correspondence with MOMA; label copy; condition report","1 application; 2 memos","Council member letter (2/1/57); \"The Big Frame-Up,\" script and cast list; volunteer lists by reject type; Council proposal for buying Virginia Art; preview invitations; clippings; correspondence with and between Council members; invitation copy; prize list","1 photograph (Joseph Gilliard); correspondence with artists; invitation correspondence; checklists; biographical information; shipping information and receipts; photograph orders; label copy","Invitation, traveling exhibition checklist; label copy; shipping information and receipts; checklists; correspondence with publicity; correspondence with artists; biographical information; correspondence with AFA; catalog of other comic show in NYC; press release copy; AFA Catalog 1957-58; photograph orders","1 photograph of speaker (Rorimer); correspondence with speakers (library lecture series); list of speaker possibilities","Checklists; shipping information and receipts (re: return of traveling show)","Invitation to children's play; correspondence re: children's events, including play","Membership letters; blank application; list of dropped group members with form letter; memo re: procedure","Introduction letter (9/28/56); letter (1/15/57); menu; correspondence and planning re: Council luncheon and other meetings; list of Council programs for year; correspondence; shipping information and receipts for lecture supplies; clippings","4 photographs (Iris Nordquist?); label copy; correspondence with artists; shipping information and receipts; biographical information; checklists","An example file: instructions regarding how to do the shows, rules, etc. plus samples of forms and documents","Memos and notes re: quality of transparencies used for postcards","Correspondence re: adult photography class taught by Burris (Gordon G.), staff photographer; correspondence with manufacturers re: enlargers; equipment brochures","Correspondence and agreements re: film society showings for year","5 Remington Rand catalogs; Library and filing supplies; correspondence with other librarians (arts); correspondence with possible applicants; results of art resources surveys; list of equipment desired; list of periodicals [bunch of \"Habiliments\" material]","Label copy; checklists; correspondence; correspondence with artists; sales information; repairs, shipping information and receipts","Form letter from Rhoads to members","Correspondence and memos from McClellan \u0026 Velz (PR and publicity-related) [Richard Velz, Division Head, Administrative Division; E.T. McClellan, Public Information Head]","1 photograph (Thomas Kenneth Rowe); 4 photographs of paintings; correspondence with artists; checklists; shipping information and receipts; biographical information; clipping","Label copy; shipping information and receipts; correspondence with artists; checklists","Correspondence with lenders; label copy; shipping information and receipts (no catalog published for this one)","Preview invitation; 2 photographs; layout drawing; label copy; correspondence with ICA Boston (organizer) \u0026 Detroit Institute of Arts; correspondence with Winston; checklists; shipping info and receipts; catalog of collection at University of Michigan","7 photographs; label copy; shipping information and receipts; correspondence with artists; checklists; clippings; biographical information","1 photograph; label copy; AFA publicity materials; correspondence with lenders; shipping information \u0026 receipts; credits; correspondence with designer (Oenslager); clippings; biographical information; 1 copy of catalog; AFA brochure (1957-1958)","2 photographs; AFA materials; correspondence with AFA; label copy; shipping information and receipts","Panel layout drawing; 1 photograph; checklist; list of lenders; label copy; checklists; Carnegie press releases (organizer); correspondence with ICA Boston (circulator); correspondence with Carnegie; correspondence with lecturers; shipping information and receipts; 1 copy of catalog","Correspondence with Smithsonian; Smithsonian press release; checklist; shipping information and receipts; label copy; 1 copy of catalog","6 photographs (Barbee); 6 photographs (Lou Ponder-Rogers); checklists; correspondence with artists; shipping information and receipts; biographical information; various catalogs; label copy","6 photographs (Thomas Gorman); 6 photographs (Marilyn Downes-Bennett); shipping information and receipts; correspondence with artists; checklists; label copy","1 drawing; duplicate: invitation letter; \"Art Lending Service\"; press release; mailing list; Bulletin copy; invitation copy; copy of 1947 catalog; correspondence with artists; list of eligible artists; list of previous rotating exhibitions","1 layout drawing; 2 photographs; checklists; label copy; correspondence with Warburg; shipping information and receipts; 1 copy of invitation","Copy of invitation; miscellaneous memos","1 American classics drawing; 1 duplicate Skidmore, Owings, Merrill layout drawing; 1 copy of a gallery catalogue from New York; checklists; list of preview guests; shipping information and receipts; promotion plan; correspondence with publicity; promotion plans; press release","\"SOM Projects,\" clipped prose and labels; label copy; copy of MOMA Bulletin on SOM (Fall 1950), XVIII, 1","Folder with label on front \"William Rhodes\" scheduling events surrounding opening of new Reynolds Metals Building; correspondence with publicity; correspondence with SOM; correspondence with Reynolds; shipping information and receipts; preview plans","1 photograph (Colorado Springs Air Force Academy); 1 photograph (Frederick D. Nichols, professor at School of Architecture, UVirginia); label copy; correspondence with publicity; Reynolds Metals opening schedule; annotated press releases; clippings, correspondence with potential speakers; Bulletin; shipping receipts","5 photographs and 1 slide; correspondence with Reynolds; correspondence with publicity; correspondence with William O'Neal, lots of miscellaneous correspondence","Around 10 magazine clippings","1 photograph; clippings; press release; \"1962 American Painting\" catalog; \"The Story of Steuben Glass\" book","1 photograph (duplicate); 1 drawing of pedestal; label copy; correspondence with Steuben glass; shipping information and receipts","9 photographs; 1 drawing; 1 duplicate photograph (Dorothy Miner); label copy; correspondence with Andrew Wyeth; correspondence with lenders; correspondence with local librarians; correspondence with speaker (Dorothy Miner); 1 copy of invitation; 3 annotated copies of catalog of paintings at Knoedler; shipping information and receipts; biographical information","Documentation; correspondence and schedules for school group tours, all ages and subjects; some docent information","1 copy of November 1958 – 44:11","1 folder of press releases, VMFA Bulletin, 2 photographs, called \"News About our New General Office Building.\"","1 folder with label \"Mrs. M.B. Christison\" with opening schedule information","1 photograph (Edwin Burr Pettit – Brandeis lectures); information re: Council lecture-luncheon 1957; handouts; reservation cards; correspondence, Lecture Series schedule; correspondence with potential lecturers; clippings","Correspondence re: mailing list and press releases","Correspondence with publicity; publishers and personalities; printer","1 photograph; correspondence with publicity; correspondence with dealers; press releases, Poussin material; mailing list","Correspondence with Professor of Applied Social Research at Columbia re: public relations","1 drawing; shipping information and receipts; correspondence; label copy; correspondence with lenders; UVirginia catalog","3 drawings; 9 photographs; 1 duplicate photograph; label copy; exhibition catalog from L'Art Ancien, S.A. Zurich; correspondence with Brooklyn; shipping information and receipts; invitation copy; 1 copy of invitation; clippings; AFA materials and correspondence","\"Virginia Artists Jurying: Requested Arrangements \u0026 Operations\"; 17 photographs (1 of Perrin - labeled, 1 of Bertoia - hat, 1 of Lee – other; correspondence with potential jurors; correspondence with jurors; shipping information and receipts","1 photograph; invitation (3 copies scattered); 1 drawing; checklists; biographical information; label copy; correspondence with Aldrich; catalog correspondence; correspondence with publicity; catalog copy; shipping information and receipts; clippings","Correspondence with printer re: catalog; \"thank yous\" for exchange or gift of catalog","\"Complete Catalog\" copy; correspondence with artists; information requests; shipping information and receipts; 1 certificate (signed by Sherman Lee); clippings; correspondence with jurors; schedules; lists of entries by place; entries (completed); certificate recommendations; prospectus copy; clippings; checklists; other institutions' prospectuses; other catalogs; correspondence with publicity","1 drawing; catalog copy; 1 copy of prospectus; label copy; prospectus proof","Correspondence with winners; list of certificates; list of recommendations","15 photographs; 1 drawing; correspondence with Metropolitan Museum of Art (speaker); label copy; correspondence with Minneapolis Institute of Art (lender); checklist; shipping information and receipts","5 photographs; correspondence with potential lenders; correspondence with APVirginia; correspondence with Virginia State Bar; checklists; shipping information and receipts; label copy","Correspondence; label copy","Correspondence with the Olsen Foundation (lender); 1 copy of catalog; shipping information and receipts; checklist","12 photographs (whoever had show October 7- November 4, 1956); catalogue; research; checklists; correspondence with Olsen Foundation","Suggestion for gala fundraiser","Correspondence with VHS","Correspondence with artists re: eligibility; old Virginia artists catalogues (1953 \u0026 1955); prospectus and rules","1959 catalogue; lists of eligible artists; label copy","3 negatives, 5 photographs; correspondence with lenders (NYPL, Wadsworth, Met); checklists; chipping information and receipts","Correspondence with Virginia State Bar Association","7 small photographs (Broaddus); 5 photographs (Russi); 5 photographs – prints – (Turner); correspondence re: sales; biographical information; correspondence with artists","1 photograph (Davenport); 9 photographs (Davenport); 1 photograph (Jones); 4 photographs (Jones); checklists; label copy; correspondence with artists; biographical information; shipping information and receipts","Shipping information and receipts; request for information forms","Receipts","7 photographs (I. Moore?); 7 photographs (Lois Jacobsen); 7 photographs (Bill Gaines); 1 photograph (Jacobsen); correspondence with artists; shipping information and receipts; invitation copy; correspondence re: sales","4 photographs; 1 drawing (duplicate); duplicate: catalog list (blue); correspondence with AFA; AFA materials; clippings; biographical information on lecturer; checklist; correspondence with publicity; preview dinner plans; shipping information and receipts; 1 copy of catalogue","Correspondence with lenders; publication exchange cards; checklists; committee member list; correspondence re: catalog","2 photographs; 1 photograph (Basil Taylor); 1 duplicate photograph of unknown; 1 duplicate photograph (Alice Higgins); 1 drawing; clippings; biographical information on Sports Illustrated photographers; press releases; checklists; mailing lists; budget","Label copy; checklists","Clippings; publication exchange cards; correspondence with publicity; 1 copy each of 2 invitations; dinner seating arrangement","Correspondence with lenders","Dinner reservation list; dinner invitation (March 1960); list of patrons; budget information; invitation copy; shipping information and receipts; financial reports; correspondence with publicity; travel plans, correspondence with Basil Taylor; 1 copy each of 2 invitations; correspondence with Mellon","Research; checklists; correspondence with possible lenders; correspondence with Corcoran (organizer of Sports Illustrated exhibition); other exhibition catalogs; correspondence with Mellon; clippings; committee correspondence; label copy; correspondence with publicity; correspondence with ambassadors; invoices; issue of \"Sport \u0026 the Horse: The Chronicle,\" (4/1/60)","1 drawing of dinner arrangement; correspondence with lenders; correspondence with committee members (including Mellon); shipping information and receipts; correspondence re: catalog; travel plans; invitation copy; correspondence with lecturer; correspondence with ambassadors","3 photographs of packing Manet's \"Races at Longchamp, Paris\"; correspondence with lenders; shipping information and receipts; correspondence with Mellon; correspondence with publicity; correspondence re: damage to Manet","Shipping information and receipts; correspondence with lenders","Correspondence with Blunt (Courtauld) and with royal collection","Catalog copy; 1 letter from the Palais du Louvre","Correspondence with Mellon; correspondence with committee members; list of patrons; requests to join committee","Correspondence with Constable, consultant to exhibition (former curator, MFA Boston); Courtauld Director; Art History Professor, University of London)","Correspondence with Bourlet \u0026 Sons","Correspondence with Duveen \u0026 Walker (insurance brokers); copy of policy","Correspondence with Mellon; various lists","Correspondence with potential lenders; preliminary loan list","1 photograph of Sir Robert Walpole by Wootton; shipping information and receipts; correspondence with lenders; correspondence with Paul Mellon; handwritten list of lenders","Checklists; item cards","Budget tracking (including dinners); list of contributors; correspondence with Department of Accounts; receipts with correspondence; gala invitation copy; correspondence with publicity; correspondence with Mellon; 1 invitation; gala planning; menu copy; various ad rate cards (including Sports Illustrated); \"The Sports Illustrated Guide to Regional Marketing,\" with Sports Illustrated issue 4/18/60","1 duplicate photograph of \"Brown Horse \u0026 Spaniel\" by Stubbs; correspondence re: repair (blister) of Stubbs' painting lent by Katherine Gilbey of England","2 photographs (of Stubbs' Hambletonian, Rubbing Down receipt); correspondence with lender (Estate of the Dowager Marchioness of Londonderry); shipping information and receipts","Correspondence of the British Council","Correspondence re: catalogue","Requests for catalogue","Checklists by lenders, artists, type","Correspondence with lenders","Miscellaneous correspondence re: Sport \u0026 the Horse","Correspondence with Murray, librarian at the Witt Library, Courtauld","Catalogue copy; label copy","Over 100 plus photographs!","Correspondence with publicity; clippings","Correspondence with Mellon; suggested publicity plan; clippings, correspondence especially Basil Taylor [Librarian, Royal College of Art, London] and W.G. Constable; checklists (essentially Muriel Christison's file)","Shipping information and receipts","Completed request for information forms; packet of information on paintings from Wildenstein","Correspondence with dealers; checklists; correspondence","3 photographs of Monet's painting packed; 1 photograph of James Ward \u0026 Skewbald Stallion; correspondence with lenders; shipping information and receipts; checklists","1 duplicate photograph (Gilpin's Gulliver \u0026 Houyhnhnms); correspondence with Basil Taylor (Librarian, Royal College of Art); essentially Muriel Christison's correspondence file; biographical information; catalog copy; label copy; checklists","6 Prentiss Taylor photographs, 1 photograph of Taylor, 1 photograph of Lazaron exhibition; correspondence with artists; sale information; other catalogs; biographical information; clippings; checklists; shipping information and receipts","Prospectus copy; misfiled correspondence","Prospectus copy","1 photograph of installation; 6 slides (unlabeled); 1 copy of prospectus; correspondence re: jurors and jurying; list of certificate winners; correspondence with winners; dinner replies; other catalogs; correspondence with artists; correspondence with jurors","1 drawing; 1 copy of 20th Photographic Salon prospectus (blue); 2 posters from Virginia Art Directors Club 57th Annual Exhibition; Mariners Museum catalogs, etc. (lots of prospectuses and catalogs for similar exhibitions; entry requests; correspondence with jurors; jurying information","Checklists; notes; 1 copy of 20th Virginia Photographic Salon invitation and catalog; press release","ADP prospectus; requests for entry; mailing lists; correspondence with Camera Club \u0026 Photographic Society of America; annotated copies of 20th Virginia Salon catalog; 1 copy of PSA Journal 1960 – membership list","Sale information; checklists; correspondence with artists; insurance information; biographical information; shipping information and receipts","3 duplicate photographs of artists, 1 photograph of panel; biographical information; correspondence with artists; checklists; shipping information and receipts; correspondence with publicity","Correspondence with artists; checklists; shipping information and receipts; sales information; biographical information","\"Art Lending Service,\" generic invitation; correspondence with artists","\"Notice to Virginia Photographers,\" 1 drawing, 1 photograph of juror [Hoyt L.] Roush; prospectus copy; entry requests; checklists; annotated prospectus; information re: jurying; correspondence with jurors; correspondence with Camera Club; catalog copy; copies of 18th \u0026 19th photographic salon catalogs; lists of winners; shipping information and receipts; biographical information","20th Photographic Salon prospectus; other catalog; entry requests; prospectus copy; ADP prospectus copy; clippings; news release; 1 drawing of ADP layout (already have it)","1 drawing; 1 copy of catalog; correspondence with MOMA (organizer); MOMA materials; shipping information and receipts; label copy; checklists; contract","Two 12/1/59 press releases; 3 photographs from 1/2/60; press release; clippings; correspondence with publicity; list of attendees; correspondence with UNESCO","Correspondence with jurors; shipping information and receipts; correspondence with lenders; completed request for information forms","2 negatives of Joseph A. White (shipper) and Perry Rathbone (Director, MFA Boston); checklists; correspondence with publicity; correspondence with lenders; biographical information; list of events; 2 prints of negatives","Correspondence with lenders","Invitation copy; catalog copy; annotated Sport and the Horse invitations, programs and menus; copy of \"Brief History of Virginia Museum,\" lecture copy","Correspondence with CW's President; biographical information","Correspondence with Gibbs (President of Gibbs \u0026 Cox, Architects); biographical information","Biographical information (of Lehman Brothers, investment banking); correspondence with Lehman","Correspondence with Marshall Fredericks (accepted Carl Milles award); biographical information; correspondence with Mrs. Milles","Annual reports (1956-58, 51-55, 41-50); biographical information on Ernest Brooks (President of Foundation) and correspondence with Brooks; miscellaneous correspondence","Correspondence with Saarinen; biographical information (correspondence re: Arts in Virginia article)","Notes; correspondence with contributors; correspondence with vendors","25 photographs; 1 duplicate photograph; correspondence with lenders and directors of lending institutions; biographical information","1 copy of preview invitation; list of invitees; drafts of publicity correspondence; correspondence with governor; memos","Various checklists","More checklists","Correspondence with lenders (in alpha order of lenders)","Correspondence with potential lenders (compiled by lender)","1 letter to Director of Toledo Museum of Art","Correspondence with publicity (compiled by institution)","33 duplicate photographs; 9 new photographs; shipping information and receipts; requests for information forms","24 duplicate photographs; 4 new photographs; shipping information and receipts; requests for information forms [n.b.: some overlap between folders 8 and 9]","Shipping information and receipts with new form: \"Collection Memo \u0026 Receipt.\"","1 drawing; 3 maps of table arrangements with names; 1 letter of thanks to Miller \u0026 Rhoads","\"Virginia Artists Jurying\"; 1 photograph; completed entry blanks; prospectus copy; correspondence with artists; correspondence re: sales; shipping information and receipts; list of certificate winners; labels; budget information; correspondence with jurors; prospectus proofs; correspondence re: damages; list of invitees for collectors reception","Small bit of correspondence; prospectus copy","5 photographs; correspondence with lenders; shipping information and receipts; checklists","Press release form; SITES checklist; SITES press release, 3 photographs; collection of memos and receipts; press release copy; correspondence with venders; staff memos; checklists; clippings; shipping information and receipts; request for information forms; SITES contract","Empty folder","Correspondence with artists; correspondence re: sales; shipping information and receipts","Correspondence with artists; correspondence re: sales; shipping information and receipts","Correspondence with artists; correspondence re: sales; shipping information and receipts; biographical information; overall rotating schedule; insurance form (new that year)","3 photographs; correspondence with artists; shipping information and receipts; checklists, insurance form","Correspondence with artists; shipping information and receipts; other catalog; checklists; insurance forms","1 drawing; correspondence with publishers and booksellers; correspondence with American Institute of Graphic Arts (circulator); shipping information and receipts; label copy; insurance form","5 photographs; label copy; research, correspondence with AFA (circulator); AFA materials; checklists; exhibition contract; press releases; shipping information and receipts; 1 copy of invitation","1 photograph; 1 drawing; 1 copy of invitation; correspondence with artist (Ruth Perkins Safford); label copy; price list; invitation copy; traveling exhibition checklist","9 photographs; 1 duplicate photograph; correspondence with MOMA (organizer and circulator); label copy; shipping information and receipts; 1 copy of invitation; MOMA materials; checklists","3 photographs; shipping information and receipts; correspondence with artists; lists of all eligible artists","Label copy; correspondence with artists; correspondence with lenders; insurance form, checklists; shipping information and receipts","1 drawing; duplicate: preview invitation; AFA materials (circulator); panel copy; 1 copy of Bulletin (November 1961); checklists; label copy; exhibition contract; correspondence with AFA; shipping information and receipts; AFA informational card (1 copy); correspondence re: sales","List of private purchasers; correspondence with artists; check receipts; shipping information and receipts; signed release forms (when items were released from museum custody); checklists; \"Report of the Council Committee for the Virginia Artists' Exhibition, 1961\"; list of business purchasers","\"Art Lending Service,\" \"Release Form,\" 1 drawing, \"Artist Form,\" another \"Art Lending Service\"; correspondence; schedule; procedures","\"Virginia Artists Jurying,\" \"Collectors' Reception\" (2/24/59), \"Tax Consequencies of Gifts of Picture,\" \"List of Firms\"; correspondence; invitation copy; memos; catalog and prospectus copy for 1961 show; label copy; procedures re: sales; check receipts","1 photograph; correspondence with artist; recommendation from Cheek; biographical information","1 bound copy of \"Cross-Examination of an Art Collection\" by Fred L. Palmer; correspondence with Palmer; checklists; shipping information and receipts; list of valuations; biographical information; collection memo and receipt; insurance report form","3 pieces of correspondence re: possible Eisenstaedt exhibition","2 photographs (duplicates); research; checklists; insurance report forms; shipping information and receipts; collection memo and receipts; label copy","Panel copy; label copy","1 photograph; shipping information and receipts; correspondence with artists; insurance report forms; Virginia Artist application; checklists","Invitation; label copy; clippings; correspondence with Railey (Mrs. Howard); research; auction catalogue: Hotel Drouot, 20 November 1861; shipping information and receipts; checklists; insurance report form","5 photographs, 1 drawing; correspondence with Director, H. Bryan Caldwell; checklists; collection memo and receipts; insurance report forms; research; press release; copies of Norfolk Museum Bulletins; Norfolk materials; 1 copy of \"Hugh Gordon Miller Collection of Paintings\"; correspondence with other Norfolk staff; 1 copy of \"The Great Mace of Norfolk\"; shipping information and receipts","Fact sheet; catalog copy; list of winners; copy of speech at preview","Prospectus copy; signed endorsement of prospectus by AIA, Virginia Chapter; prospectus proof","Signed certificates of distinction; prospectus copy; correspondence with jurors; biographical information; jury instructions; fact sheet","Jury instructions; fact sheer; list of winners","Label copy; insurance report form; memos; shipping information and receipts; correspondence with artists; biographical information","2 photographs, 1 drawing; label copy; correspondence with lender; correspondence with Basil Taylor; correspondence re: insurance; shipping information and receipts; police stand information","1 drawing; label copy; police stand information; correspondence with artists; correspondence with Hayes (Director of Addison); biographical information","1 copy of catalog; 1 copy of \"Artist-Craftsmen of Western Europe\" Catalog; unsigned invitation forms from Hayes; copies of telegraph information requests; label copy; correspondence with artists; correspondence with lenders","7 photographs; 1 copy of catalog; catalog copy; correspondence re: possible purchase of Nell Blaine painting","2 photographs, invitation; correspondence re: damage; shipping information and receipts; correspondence re: insurance [other correspondence: with artists; re: catalog; with publicity; with Hayes; re: lecture; with lenders; press releases; copy of Time magazine 1/19/62 re: Yu-Ho]; 1 copy of catalog","Shipping information and receipts; correspondence with lenders; signed invitation forms; a few other catalogs","22 new photographs; 8 duplicate photographs; some correspondence re: photographs","Shipping information and receipts; correspondence with lenders; checklists; insurance report form","Invitation; correspondence with contributors to AIV and Miss Christine Alexander, former curator at the Met \u0026 now advisor on Greek art to VMFA; staff memos; label copy; checklists; correspondence re: photographic panels for exhibition","Research (including sketches by Christine Alexander); notes; label copy","Press release; checklist; label copy","41 photographs; 12 duplicate photographs; label copy; correspondence with publicity; memos","1 drawing; label copy; checklists; shipping information and receipts; correspondence with Karolik; research; collection memo and receipt; insurance report form","12 photographs; correspondence with publicity; correspondence with potential lenders; correspondence with lenders; Jamestown Festival materials; correspondence with Jamestown; label copy","8 photographs; correspondence with artists; insurance report forms; shipping information and receipts; checklists","1 photograph; 1 duplicate photograph; 1 duplicate information sheet [\"Collectors Circle,\" 4/30/62]; shipping information and receipts; information request form; correspondence with collectors; label copy; schedule of \"expert\" lecture; insurance report form; 1 copy of invitation","Label copy; memos; correspondence with potential lenders; correspondence with SITES; correspondence with various Civil War Centennial Commissions; loan contracts (SITES); checklists; SITES materials; press releases; shipping information and receipts","12 photographs, 1 sealed envelope with possible photographic material ;checklists; label copy; correspondence with artists; shipping information and receipts","14 photographs; correspondence with artist; biographical information; memos; shipping information and receipts; insurance report form; clippings; label copy","5 photographs, 10 slides (Bristow); correspondence with artist; correspondence re: sale; press release, biographical information; memos; label copy; checklists; insurance report form; shipping information and receipts","Invitation; 1 annotated copy of \"Stravinsky and the Dance,\" NYPL, 1962","7 photographs; 2 duplicate photographs; staff memos; correspondence re: preview; correspondence with lenders; correspondence with AFA (circulator); checklists; correspondence with publicity","Sample of stuffed envelope to be weighed for postage","7 photographs; duplicates: checklist, suggested press release; correspondence with SITES; SITES materials; exhibition contract; staff memos; 1 copy of SITES catalog","Correspondence with Thorne (potential Virginia Artist)","Staff memos; correspondence with potential and real lenders; checklists; collection memo and receipts; shipping information and receipts","1 copy of Saturday Review 6/18/62","Correspondence with artists; various checklists; completed applications; blank applications (1 annotated; 1 not)","Application packet; completed applications","Correspondence with Goodrich (Director of Whitney); lecture schedule (for all lecturers for chapters and affiliates)","Correspondence with Rich (Director at Worcester); proposed schedule for Rich","Correspondence with Walker (Director, National Gallery of Art, DC); proposed schedule for Walker","2 photographs [Robert Lippold, Perry Rathbone]; duplicates: loan/own letter (8/10/62); Dear Virginia Artist (1/16/63); correspondence with artists; 2 label panels; checklist of eligible artists; prospectus copy; list of awards","1 press release","\"Curator's Choice: Collectors' Opportunity\" (orange); \"$50 Hens\" (blue); \"Procedure for Party\"; label copy; staff memos; text of speech; \"rules of etiquette\"; purchase request cards","'62 ADP catalog; old prospectuses; catalog copy; staff memo","1 drawing; 1 invitation; correspondence with artists; checklists (actually price lists); insurance report form; shipping information and receipts","Press release (9/8), 16 duplicate photographs, 7 new photographs, 1 contact sheet; 1 copy of Arts in Virginia (Spring 1962); correspondence with RMWC; checklists; correspondence with publicity","Suggested press release; checklist (circulated by MOMA); shipping information and receipts; MOMA materials; label copy; correspondence with MOMA","10 photographs; 1 copy of \"Finlandia\" catalog; correspondence with SITES. Correspondence with John Rorimer (Director of the Met); correspondence with AFA; correspondence with Finnish Society of Crafts \u0026 Designs [didn't take place!]","Correspondence with Rosenwald; correspondence with Walker \u0026 Brown at NGA; work schedule; correspondence with lenders; shipping information and receipts; staff memos; list of invitees to preview dinner; collection memo and receipt; 1 copy of invitation; foreword copy","Catalog copy; catalog proofs; miscellaneous correspondence; foreword copy","Correspondence with Philadelphia Museum; shipping information and receipts; insurance report form; correspondence with Rosenwald","3 photographs; shipping information and receipts; correspondence with SITES; checklists; press release; SITES materials; contract; label copy","Annotated copies of old prospectuses and catalogs; catalog copy","Mailing lists; list of hometowns; correspondence with artists; statistics; correspondence re: sales","1963 catalog; prospectus copy; catalog copy; catalog proof","Certificate (1 signed; few unsigned), invoices (purchasers and file copies); checklists; presentation schedule; correspondence with artists","Correspondence with artists; staff memo with form letters; Council letter (5/5/65)","Memos re: visit of Carl Weinhardt, juror; various staff memos; various form letters","Letter to purchaser from 20th exhibition, receiving and handling of prospectus and works (2/19/65); jurying procedures (3/18/65); dear Virginia Artist Printmaker; various staff memos; council committee report; Council form letters; correspondence with artists; various form letters; 1 copy of 1963 prospectus","1 slide; lists of works purchased; label copy; insurance report form; shipping information and receipts","3 drawings; duplicates: invitation; 1 copy of Bulletin (September 1965); collection memo and receipts; 1 copy of catalog; correspondence with lenders; correspondence with Moore; checklists","\"Suggested Introduction,\" 2 photographs; schedule of trip; correspondence with Arnson; miscellaneous correspondence; biographical information","1 photograph; duplicates: 1 clipping (Time 9/3/65); label copy; clippings; other invitations; Dictaphone belts with Henry Moore!; other catalogs; other press releases; transcription of interview","34 new photographs; 6 duplicate photographs","Shipping information and receipts; request for information forms; checklists; correspondence; insurance report forms; 1 copy of catalog (annotated)","1 annotated copy of \"William Blake: Poet, Printer, Prophet,\" by SITES","1 photograph; duplicates: \"Suggested press release,\" \"checklist, handling instructions\"; correspondence with SITES; SITES material; correspondence with Mellon (re: loans)","Invitation; correspondence with lenders and The Blake Trust; clippings","Label copy","Label copy; checklists","3 photographs; correspondence with Mellon; checklists; collection memo and receipts; shipping information and receipts; insurance report form","7 photographs","1 photograph; correspondence with Rosenwald; correspondence with lenders; checklists; shipping information and receipts","23 photographs; 2 duplicate photographs; correspondence with artists; photograph reproduction requests","Fact sheet for Virginia Artists 1963; correspondence with artists; shipping information and receipts","Correspondence with artists; lists of works purchased","Staff memos and notes re: improvement suggestions","Correspondence with Oenslager re: possible lecture","Correspondence with museums for slides of their expansions for a lecture","\"Fact Sheet – Virginia Artists Preview Committee-1965\"; copies of Bulletins (2/63 \u0026 3/65); various fact sheets from previous Virginia shows; checklists; correspondence; staff memos; shipping information and receipts; correspondence with artists","1 photograph: declined exhibition, \"Good Design in Toys,\" sponsored by Creative Playthings of Princeton and L.A.; correspondence re: denied exhibition proposals; some correspondence with jurors","Catalog proofs; billing information; meeting minutes (Education in the Arts Committee); rough fact sheets; schedules; correspondence with artists; checklists; catalogue copy; label copy; annotated copy of ADP '64","Memo re: AIA Dinner, 3/2/66; correspondence with artists; correspondence with associations; correspondence with Virginia AIA; clippings; budget information","Duplicates: form letter from Bill Gaines (2/4/66); certificate of distinction (unsigned); reply card","3 photographs (Arthur d'Arazien); duplicates: d'Arazien's biography; 1 photograph of Edgar Kaufmann (newsprint); correspondence with jurors; biographical information; clippings; press release","Eliot Elisofon's biography; 1 duplicate photograph (Elisofon); correspondence with jurors; biographical information","1 photograph (Louis Kahn); correspondence with juror (Kahn); schedules","\"ADP Jury Schedule\"; 5 photographs; photocopy of contact sheet; comment notes; list of potential jurors; schedules; correspondence re: dinner and hosting","\"Receiving and Handling of Material\" (11/29/65, \"Procedures for Jurying\" (1/19/66); staff memos; text of Walter Robertson's speech to dinner; notes re: jury report","ADP '62, ADP '64 catalogs; prospectus proofs; 1 copy of ADP '60 \u0026 '66 catalog; 1 copy of ADP '62, '64, '66 prospectuses","ADP slide commentary, 1966; checklists of selected entries; correspondence with artists; comments; fact sheet estimates","Virginia ADP 1966: Traveling Designs, Traveling Photographs, Traveling Transparencies","2 photographs; insurance report form; correspondence with Koplin; shipping information and receipts; biographical information; checklists; 1 copy of 9/65 Bulletin; clippings; label copy","2 photographs; duplicates: 10/65 Bulletin; internal memos; shipping information and receipts; other catalog; correspondence with Jackson","12/65 Bulletin; 2 photographs; label copy; shipping information and receipts; internal memos; insurance report form; correspondence with Alexick; biographical information","1 copy of 11/65 Bulletin; biographical information; label copy; insurance report form; correspondence with Biehl, checklists","3 photographs; correspondence with Belair; shipping information and receipts; insurance report form; 1 copy of 1/66 Bulletin; internal memos","3 photographs; 2 photographs; biographical information; insurance report form; 1 copy of 2/66 Bulletin; shipping information and receipts; correspondence with Pienkowski","2 photographs; 1 photograph; 3/66 Bulletin; label copy; biographical information; shipping information and receipts; insurance report form","2 photographs; label copy; shipping information and receipts; insurance report form; checklists; correspondence with Aldreth","2 photographs; 2 photographs; insurance report form; shipping information and receipts; correspondence with Driskell; label copy","2 photographs; 2 photographs; checklists; insurance report form; shipping information and receipts; 5/66 Bulletin; correspondence with artist; label copy","2 photographs; 2 photographs; clippings; correspondence with artist; checklists; shipping information and receipts; insurance report form; 9/66 Bulletin; press releases; internal memos; label copy","2 photographs; 3 photographs; 10/66 Bulletin; correspondence with artist; shipping information and receipts; biographical information; clippings","3 photographs; label copy; clippings; correspondence with artist; insurance report form; shipping information and receipts","2 photographs; 1 photograph; correspondence with artist; insurance report form; shipping information and receipts; 12/66 Bulletin; clippings; label copy; letter to members from Leslie Cheek Jr. re: opening","2 photographs; 3 photographs; correspondence with artist; insurance report form; 1/67 Bulletin; shipping information and receipts; biographical information; clippings; label copy","2 photographs; 3 photographs; clippings; 2/67 Bulletin; correspondence with artist; insurance report form; shipping information and receipts; label copy; checklists; other brochure; blank gallery floor plan (photocopy)","Clipping; 3 photographs; insurance report form; shipping information and receipts; correspondence with artist; gallery map","2 photographs; 2 photographs; correspondence with artist; 4/67 Bulletin; insurance report form; checklists; shipping information and receipts; label copy","2 photographs; 1 photograph; correspondence with artist; biographical information; 3/67 Bulletin; clippings; checklists; shipping information and receipts; label copy","1 photograph; correspondence trying to track artist down","3 photographs; 4 photographs; 9/67 Bulletin; clippings; correspondence with artist; 1 copy of invitation; shipping information and receipts; biographical information; label copy","3 photographs; 1 photograph; correspondence with artist; clippings; label copy; 10/67 Bulletin; 1 copy of invitation; shipping information and receipts; price list (hand drawn!)","1 photograph; 3 photographs; 11/67 Bulletin; correspondence with artist; shipping information and receipts; label copy","Comparative statistics for Tut and Greek Gold; correspondence with lenders (especially MFA Boston); correspondence re: insurance; clippings; press releases; staff memos re: procedures","Lots of photographs!; 1 copy of press packet (new!)","Lots of photographs!; shipping information and receipts; correspondence with lenders; correspondence with MFA Boston and Brooklyn (2 other venues0; correspondence with Senator Byrd and other legislators re: Senate Bill S.2273 7/9/65","[essentially Mary Louise Pinckney's (Loans Registrar-Programs Division) file]; schedules; staff memos; shipping information and receipts; correspondence with MFA Boston and Brooklyn; memos re: procedures; checklists","Copy of S.2273 Senate Bill report; label copy; memos re: procedures; clippings; correspondence with lenders; shipping information and receipts; 1 copy of invitation; research, correspondence re: recovery of stolen gold","Correspondence re: catalog (with MFA Boston, Brooklyn, author Herbert Hoffmann, printer); catalog proofs; correspondence with lenders","Catalog proofs; catalog copy","1 drawing; correspondence with MFA Boston \u0026 Brooklyn; correspondence with Greek Embassy; correspondence with Department of State; correspondence with Hoffmann, author; correspondence with publicity; staff memos; correspondence re: research","Introduction; correspondence with Pat Davidson (Brooklyn/lecturer); correspondence with Hoffmann; schedules; press release","One annotated checklist","3 articles re: theft of jewelry; 1 drawing; shipping information and receipts; correspondence with lenders","Correspondence with MFA Boston \u0026 Brooklyn; correspondence re: insurance; correspondence with lenders; 1 copy of MFA Bulletin (November 1965); checklists; copies of policies","Copy of S.2273 Bill; correspondence with legislators; clippings","Checklists; correspondence","Panel copy","Label copy; checklists; clippings; correspondence with Patricia Davidson (her writings); catalog proofs","2 items","Correspondence re: shipping with security company and lenders","Correspondence with Alderman; shipping information and receipts; checklists; insurance report form; label copy; traveling exhibition checklists; press release","1 photograph (Thomas George, painter); correspondence with lender (Betty Parsons); label copy","4 photographs; label copy; correspondence with SITES","4 photographs (duplicates); 1 new photograph; other duplicates: SITES suggested press release, Joseph V. McMullan Islamic carpets catalog; 1 copy of the catalog (annotated in a few places); checklists; correspondence with the de Young, next exhibitor; shipping information and receipts; label copy; clipping; correspondence with SITES; 1 copy of Textile Museum catalog; correspondence with Textile Museum; correspondence with Kevorkian Foundation (other choice for exhibition-denied)","2 press releases; introduction; invitation; correspondence with McMullan; itinerary for visit","10 mounted photographs only if unduplicated; 8 Photographs, 2 installation photographs, 1 photograph of building, 1 photograph of artist; 1 drawing; duplicates: catalog, 1 \"Visions of Man\" invitation; checklists; shipping information and receipts; correspondence with Reynolds; label copy, 1 copy of \"Visions of Man\"","3 photographs; correspondence with Hans Beckmann (lecturer)","5 drawings; 9 photographs; 8 duplicate photographs; 1 copy of invitation; MOMA materials (circulator); correspondence with lenders; shipping information and receipts; label copy; research; correspondence with Anni \u0026 Joseph Albers; checklists; correspondence with MOMA; Gemini lithograph catalog","1 photograph (Jonathan Williams); [rest of photos are from Virginia ADP show, probably duplicates from earlier box]; correspondence with potential lecturers for Albers exhibition","1 photograph (Robert Light-speaker); pricelist; checklists; label copy; invitation list; procedures; correspondence with lecturer","1 drawing; 9 photographs; duplicates: suggested press release; checklist; 5 duplicate photographs; shipping information and receipts; correspondence with SITES; correspondence with lecturer; SITES materials; label copy; checklist","2 drawings; 20 photographs; 6 duplicate photographs (from previous folder); correspondence with SITES; SITES materials; shipping information and receipts; label copy; correspondence with lecture sites; annotated checklists; 1 copy of lecture announcement","Introduction, suggested news release, 1 duplicate photograph of Dr. Regina Soria; correspondence with Soria; clippings; itinerary; biographical information on Soria","Invoices and shipping instructions","Miscellaneous correspondence re: exhibitions","1 piece of correspondence re: exhibition schedule change","1 piece of correspondence re: addition to catalog","Press release, 1 duplicate photograph, introduction; itinerary (lecturer); biographical information; correspondence with Dimitri; label copy; clippings (typed) [1 piece of correspondence has a color drawing on bottom]","1 duplicate photograph; memo re: engagements (8/25/64); 2 press releases; 2 introductions; \"Color by Sultner-Wells\" brochure; correspondence with Sultner-Wells; clippings; 1 copy of Longwood Gardens invitation; procedures; itinerary","2 photographs; itinerary; correspondence with Sultner-Wells; 2 posters of his clippings (montages); 2 dust jacket with his photograph; copies of other press releases","4 transparencies, photographs; label copy; correspondence with next venue (Easton Academy of Arts); shipping information and receipts; correspondence with lender (Roland Gibson); checklists","Correspondence re: possible lecture series in Virginia (Blake is connected to Architectural Forum magazine)","Correspondence re: possible lecture series (Minor connected to the Met)","C.V. for Stern; correspondence with R. Stern about leave for Council series on new building (he's Head of Architectural League of NY); correspondence with other potential speakers; correspondence with Pearsalls [John and Laila] (hosts)","Introduction; correspondence re: Christmas' lecture series; itinerary; other promotional material","Correspondence with other museums that recently expanded to obtain slides for a lecture; long letter from Cheek to Robertson re: decision of Governor's committee (turned down design); list of committee members; form letter to President of affiliates asking them to write to their legislators in support of new building plan","Correspondence with Mielziner re: lecture series; correspondence with other potential lecturers; correspondence with other institutions that recently expanded re: slides","Label copy; checklists; lists of panel photographs","5 photographs of proposed floor plans (Baskervill \u0026 Son)","Slide lists; copy of talk; checklists","Insurance report forms; label copy","Label copy; checklists; insurance report forms; correspondence","Shipping information and receipts; correspondence with lenders; checklists; insurance report forms; request for information forms; correspondence re: damage of a loaned painting by Jan Stussy","1 drawing; news clipping; 1 photograph of installation; label copy; correspondence with C.V. Donovan (juror \u0026 Director of Krannert Art Museum); correspondence with publicity; copy of lecture; checklists; other artists' promotional materials","Shipping information and receipts; correspondence with lenders; information request forms","Introduction; suggested press release; 1 slide: Paul Paul Horiuchi's \"Winter Receding,\" 1964; correspondence with Donovan; itinerary; other artists' promotional material","1 drawing; 1 duplicate photograph; 7 photographs; 1 copy of the \"Jeffersonian,\" 5/13/66 with article on exhibition and pictures of Gwathmey's painting; information request forms; checklists; catalog copy; 1 copy of invitation; correspondence with lenders","Information packet","Original proposal; copies of information packet items (drawings \u0026 proposal); copy of same","\"Exhibition Materials\"; checklists; correspondence with George Stevens Productions","Various packeted materials (promotional)","Correspondence with Hollywood Museum; correspondence with Motion Picture Association; correspondence with Ford Foundation; correspondence with George Stevens Productions; correspondence with Smithsonian Institution; correspondence with Old Dominion Foundation","Lists of panels; film sequences lists","Research notebook (Gaines' handwriting?); 1 copy of catalog \"Scenery for Cinema\" at Baltimore Museum of Art, 1942 (when Leslie Cheek was Director); lists of panels; label copy","Promotional materials from film companies (i.e. Technicolor, Panavision)","8 drawings; movie production sheet with film negatives (to stay at LVA)","Life magazine 3/27/64 offprint with article on movie","Film reel labeled \"Selected Documentary Trims\"","Couldn't pull it out without ripping envelope – looks like scripts or set notes; possibly a drawing","Photographs; Newsweek reprint (1/23/67); checklists; lender lists; internal memos; correspondence with various members/visitors with questions re: exhibition; correspondence with Colonial Williamsburg Foundation (supporter of exhibition)","1 photograph; shipping information and receipts; correspondence with lenders; checklists; correspondence with publicity; internal memos","Correspondence with Toledo Museum of Art re: possible loan (denied)","Correspondence re: catalog; annotated copy of John Summerson's essay","5 photographs of packing/unpacking process; correspondence re: Smith College Museum of Art's loan of \"Portrait of the Reverend John Headley,\" including shipping information and receipts and request for information form","Correspondence re: Washington University's loan of \"Grey Children,\" including shipping information and receipts and correspondence re: damage to fram upon return","Correspondence re; Worcester Art Museum's loan of \"Mrs. Elizabeth James\" and \"William James,\" including shipping information and receipts; and request for information form","Correspondence re: Columbus Gallery of Fine Arts' loan of \"Portrait of Anne Hogarth,\" including shipping information and receipts; and request for information form","1 photograph; correspondence re: Allen Memorial Art Museum [Oberlin] \u0026 loan of \"Theodore Jacobsen,\" including shipping information and receipts and request for information form","9 photographs of packing/unpacking; correspondence re: Albright-Knox's loan of \"The Lady's Last Stake,\" including shipping information and receipts and requests for information form","2 photographs; duplicates: \"Loans to the Wm. Hogarth Exhibition\"; catalogue copy; 1 copy of catalogue; correspondence with publicity; correspondence with visitors/members re: catalogue and exhibition; clippings; 1 copy of invitation; checklists","1 envelope of Lessing Rosenwald Prints (couldn't open without ripping); duplicates: catalog; correspondence re: catalogue requests and comments; catalogue copy; checklists","Suggested press release; correspondence with Hofer (Professor at Harvard) re: lecture; internal memos; itineraries; 1 copy of bulletin","Correspondence with Mellon; catalogue copy; checklists; request for information forms; shipping information and receipts","25 photographs (see list); research; copy; internal memos; panel drawings (copies); HOGARTH PANEL PHOTOGRAPHS - 12789 Self-Portrait, 12786 Shop Card, 13313 Jane Thornhill, 12788 Pool of Bethesda, 13305 Captain Thomas Coram, 12785 Battle of the Pictures, 13304 Analysis of Beauty title page, 13306 Grave at Chiswick, 11812 Canvassing for Votes, 13311 Views Down the Thames, 11814 St. Paul's Cathedral, 12829 Beer Street, 12966 Gin Lane, 11852 Country House, 13079 Saint Martin-in-the Fields, 12970 The Four Times of the Day: Noon, 13078 Leister Square, 11816 Renelagh, 11857 Mr. and Mrs. Paul Mellon, 10890 Lessing Rosenwald, 5272 Masterpieces of American Silver, 13001 Marriage a la Mode, 13677 Philip Hofer, 13299 Sir John Summerson, 13074 George II, 13076 Robert Walpole, 13084 William Pitt, 11811 George III, 11813 Iron Forge by Wright","\"William Hogarth: His Life,\" William Hogarth: His Times,\" William Hogarth: This Exhibition\"; copy; proofs","2 photographs; 1 duplicate photograph; correspondence with Mielziner; shipping information and receipts; clippings; panel proofs; panel copy; research; internal memos; checklists; correspondence with IEF (International Exhibitions Foundation) re: traveling exhibitions","1 photograph; shipping information and receipts; correspondence with Multiples, Inc.; list of purchase considerations; label copy; checklists; panel drawings (copies)","Correspondence with National Gallery of Art DC re: pictures of J. Carter Brown","Invitation; fact sheet; 1 copy of catalog; internal memos; annotated copy of 1965 Salon des Réfusés catalog; correspondence with jurors; schedule of work for exhibition; panel proofs; list of certificate winners","Correspondence with artists; correspondence with purchasers; copies of invoices; release forms for transfer of custody","Checklists; correspondence with artists; internal memos","Catalog; list of certificate winners at Biennial; catalog copy; correspondence with Thalhimer's; internal memos; information for 1965 Salon","19 photographs; invitation; catalogue copy; other similar exhibition catalogs from other institutions; internal memos","Correspondence with artists; checklists","March '67 Bulletin; photographs; correspondence with jurors [Milton Hebald, Jack Youngerman, Jock Truman, Paul Smith]; label copy; biographical information; schedules; internal memos; correspondence with hostesses","\"Presentation of certificates\" blank certificates; artist reply card; checklists; schedule; internal memos; correspondence with artists","April '67 Bulletin, \"use of French Galleries\" memo; label copy; statistics ('67 and earlier); internal memos; correspondence with artists","Checklists; correspondence with artists","Photographs","Photographs","Gaines to artists 6/12/67; correspondence with artists; internal memos; shipping information and receipts; invoices for stored worsk; entry blanks","2 letters from Council to purchasers, Gaines letter, yellow \"Gaines-Brandt System,\" 4 photographs; checklists; internal memos; correspondence with artists; press release, 1965 and 1963 information","3 internal memos","'67 prospectus, 2 form letters (1/16/47); prospectus copy; mailing lists; annotated '65 prospectus; '70 prospectus","Correspondence; panel drawings (copies); for traveling exhibitions; [3 traveling shows: \"Treasures from the Guggenheim\"; \"Treasures from the Whitney Museum\"; \"Contemporary Watercolors.\" Also contained \"Art by Virginia Teachers\"]","1 copy of catalog (Heeramaneck Collection) by MFA Boston (annotated)","Correspondence with Heeramaneck; correspondence with Indian embassy; shipping information and receipts; correspondence with Royal Ontario Museum (who received exhibition after VMFA); correspondence with Detroit Institute of Arts (who had it before VMFA); correspondence with MFA Boston, originator; internal memos; drawings (photocopies)","1 copy of invitation; panel copy; panel proofs; correspondence with MFA Boston; correspondence with Royal Ontario Museum; shipping information and receipts; MFA materials (including checklists); internal memos","4 drawings; correspondence with Veener player for preview; clippings re: Indian music; label copy; clippings re: show","Photographs; some select, bad quality photocopies","Photographs","Panel proofs; lecture for chapters copy; correspondence with previous VMFA designer (Ariel Ballif); checklists","Suggested press release; introduction; correspondence with Gleaser (from MOMA) (lecturer for chapters); itinerary; noted speaker report form","Correspondence with potential lecturers for preview; 1 copy of invitation; Glaeser's biographical information; correspondence with Glaeser","Photographs; (envelope of photos from D.I.A. for Arts of India \u0026 Nepal exhibition); invitation to lecture; 1 copy of invitation to preview; 1 copy of invitation to Glaeser's lecture; shipping information and receipts; MOMA (originator) materials, including checklists; drawings (photocopies)","1 drawing; duplicate: preview invitation; panel copy; drawings (photocopies); correspondence with MOMA; MOMA materials, including checklists; exhibition contract; correspondence with John Hand (lecturer from National Gallery of Art DC); shipping information and receipts","Correspondence with MOMA; shipping information and receipts; internal memos","Membership list; shipping information and receipts; correspondence with dealers; price lists from dealers; panel proofs; checklists; speech copy; Collectors Circle meeting agenda; list of items purchased","Shipping information and receipts; panel proofs (annotated 1966 panels); checklists; correspondence with dealers *lots of '66 show files)","Correspondence re: borrowing Wyeth film; correspondence with Philip Hofer (Harvard) re: lecture; blank invitations for Artmobile exhibition (Wyeth \u0026 Japanese Art); clipping; internal memo re: trip to interview Wyeth for AIV article; blank floor plan","Label copy; drawing (photocopy); internal memos; radio guide copy","3 photographs; 11 duplicate photographs; checklists; internal memos; drawings (photocopies); panel proofs; panel copy; shipping information and receipts; 1 copy of Knoedler catalog \"Unpainted Pictures\" (lender); correspondence with Knoedler; correspondence with Detroit Institute of Arts (had exhibition before VMFA); clipping from TIME (3/17/67)","Panel copy; panel proofs; drawing (photocopy); internal memo: all of this re: 400 Years of Prints","1 photograph; shipping information and receipts; drawings (photocopies); panel copy; panel proofs; correspondence with lender (NGA \u0026 AIC); correspondence with Mr. \u0026 Mrs. Leigh Block; checklists; label copy","1 copy of \"Persian \u0026 Indian Miniatures from the Collection of Edwin Binney, 3rd\" from Portland; 1 copy of \"Islamic Art from the Collection of Edwin Binney, 3rd,\" from SITES; correspondence with Portland [VMFA denied exhibition]","1 internal memo re: replacement of \"Jewels\" with \"Resident Craftsmen\"","Jones article reprint; slides, 4 photographs, 5 duplicate photographs; correspondence with IEF (circulator); correspondence with Nelson-Atkins *who received exhibition after VMFA); 1 copy of lecture invitation; 1 copy of preview invitation; shipping information and receipts; panel proofs; clippings; correspondence with potential musicians; checklists; internal memos","Internal memos; correspondence with AFA (circulator); panel copy; checklists; panel proofs; drawing (photocopy)","5 duplicate photographs; 1 photograph; correspondence with MOMA (originator); exhibition contract; MOMA materials, including checklists; shipping information and receipts; MOMA circulating exhibitions catalog 1967-68; drawing (photocopy); panel proofs","Lecture invitation; clipping; internal memo; biographical information; correspondence with Smith (Director of Museum of Contemporary Crafts); correspondence re: juror (chairman) for 1967 Virginia Artists too","1 photograph; 2 new photographs; duplicate of introduction; correspondence with Slivka re: lecture at chapters/editor in chief of Craft Horizons; itinerary; biographical information","Photographs; correspondence with artist; shipping information and receipts; checklists; Bulletin photocopy","Photographs; correspondence with artist; label copy; shipping information and receipts; 1/68 Bulletin; biographical information","Photographs; shipping information and receipts; correspondence with artist; 2/68 Bulletin; label copy","Photographs; correspondence with artist; shipping information and receipts; label copy; 3/68 Bulletin","3/68 Bulletin; photographs; correspondence with artist; label copy; shipping information and receipts; internal memos; biographical information","Photographs; biographical information; shipping information and receipts; internal memos; label copy; 4/68 Bulletin; checklists; correspondence with artist","Photographs; checklists; shipping information and receipts; label copy; biographical information; correspondence with artist","9/68 Bulletin, 4 photographs; biographical information; label copy; price list (hand drawn!); shipping information and receipts; correspondence with artist; internal memos","Photographs; 10/68 Bulletin; label copy; biographical information; checklists; shipping information and receipts; correspondence with artist","Photographs; shipping information and receipts; label copy; 11/68 Bulletin; checklists; correspondence with publicity","Photographs; correspondence with artist; label copy; 12/68 Bulletin; shipping information and receipts; internal memos; correspondence re: damage to sculpture","Photographs; internal memos; label copy; shipping information and receipts; correspondence with artist; biographical information","Photographs; correspondence with artist; label copy; shipping information and receipts; 3/69 Bulletin; checklists","2/69 Bulletin; photographs; correspondence with artist; correspondence re: damage; label copy; internal memos; checklists; shipping information and receipts","44 photographs; correspondence with lecturer; shipping information and receipts; materials from Brooklyn Museum of Art (organizer); drawings (photocopies); panel lists; 1 copy of lecture invitation; 1 copy of preview invitation; correspondence with Brooklyn; checklists","Preview invitation; 1 copy of catalog; clippings; panel copy; correspondence with Brooklyn; shipping information and receipts; Brooklyn materials; panel lists; checklists; internal memos; correspondence with visitors","1 photograph; correspondence with McCoubrey (Chair of Art Department at University of Pennsylvania); his c.v.","1 photograph; correspondence with Oenslager (lecturer)","Cybis porcelain brochure; shipping information and receipts; panel proofs; exhibitors information \"lent\"; clippings; correspondence with Ruder \u0026 Finn Inc. (co-organizers); checklists; drawings (photocopies); correspondence with Cybis porcelain (co-organizer)","2 photographs; catalog; invitation; correspondence with Robert B. Widder (juror); correspondence with entrants; internal memos; slide talk lists; correspondence with juror (Morris Ketchum, Jr.)","Photographs","Invitation, catalog, '64 Architects, Designers \u0026 Photographers, '66 ADP, 3 photographs; catalog proof; checklists; catalog copy","\"Southern Exposure\" newsletter (2/68); clippings; correspondence with artists; label copy; internal memos; schedule","Checklists","\"Comparison…for 1966-68\"; internal memo","Correspondence with artists (4 winning architects mainly); list of winners","Biographical information on Ketchum and Eames, 2 photographs; 1 photograph; correspondence with jurors [Morris Ketchum, Robert Widder, Charles Eames]; internal memos; lecture copy; biographical information","Checklist","Gaines to artist (2/26/68), signed certificates; artist reply cards; correspondence with speaker; checklist","3 prospectuses; prospectus copy; schedule; internal memos","Schedule, 1/11/68 memo, 1/24/68 memo; '66 information; internal memos","Invitation; 2 photographs of 1790s Russian silver cup (\"Charka\"); shipping information and receipts; checklists; internal memos; correspondence with Hollins; panel proofs; drawings (photocopies); correspondence from alumnae; research; correspondence with silver expert; correspondence from Helen Scott Reed (our consultant)","Shipping information and receipts; panel copy \u0026 proofs; drawings (photocopies); checklists with prices; biographical information (Anna Smith- weaver)","3 photographs; AFA materials (circulator); shipping information and receipts; correspondence with Morgan State College (had exhibit before VMFA); correspondence with AFA; reprint of Rohm \u0026 Haas Reporter on \"New AA Forms in Plexiglass\" (Mar/Apr 1966); correspondence with lender, Howard Wise Gallery; 1 copy of May '68 Bulletin; clippings; drawings (photocopies); biographical information on artists; 1 copy of a Howard Wise Gallery catalog for Otto Piene (VMFA's lecturer); 1 copy of catalog; 1 copy of lecture invitation; 1 copy of preview invitation. To take place in Loan Gallery","Biographical information on Kepes; 1 photograph; correspondence with Gyorgy Kepes (organizer of Light show \u0026 original lecturer); correspondence with Piene (M.I.T.), Kepes' replacement; Piene's biographical information; 1 copy of Arts Canada (April 1968) with one of Piene's articles","Catalog; 3 photographs; correspondence with Photographs in the Fine Arts (a company); drawings (photocopies); clippings; panel proofs; checklists; packet of available exhibitions from George Eastman House; 1 copy of PSA Journal (August 1967) [Leslie Cheek was a judge]","5 photographs; 1 catalog; exhibition contract; correspondence with MOMA (circulator); shipping information and receipts; checklists; panel proofs; MOMA materials","Lecture invitation, checklist; 4 photographs; duplicates: \"A Look at Carter Collection,\" \"Vender Gives Rodin to Museum\"; clippings; correspondence with LACMA (circulator); shipping information and receipts; internal memos; exhibition contract; 1 copy of preview invitation; correspondence with Gerald Carter (collector)","1 photograph, biographical information; correspondence with Adams (Director of Cincinnati Art Museum \u0026 VMFA lecturer); 1 copy of lecture invitation; internal memos; correspondence with Reynolds (his hosts)","\"Selections from Virginia Architecture\"; panel proofs; drawing (photocopy); internal memos","1 drawing; MOMA exhibition packet, MOMA press release (6/20/67); MOMA materials (circulator); drawings (photocopies); correspondence with MOMA; shipping information and receipts; clippings; internal memos","Photographs","1 photograph; biographical information; lecture invitation; correspondence with Szarkowski (MOMA Director of Photography \u0026 VMFA lecturer); itinerary; correspondence with Bryans (his hosts)","Shipping information and receipts; panel proofs; internal memos; drawing (photocopy);","7 drawings (on graph paper-drawn by Brown herself); label copy; shipping information and receipts; checklists; 2 more prints of transparencies from envelope; correspondence with Brown; biographical information; panel copy; panel lists; drawings (photocopies)","Shipping information and receipts; request for special/specific information forms; white envelope with 5 transparencies; 2 prints of 2 of the transparences for Collector of the Year exhibition","Special/specific request for information forms","Biographical information; correspondence with Griffith re: lectures (Curator of Films, MOMA); lecturing for \"George Stevens Makes a Film\"","Shipping information and receipts; biographical information; photocopies of 2 catalogs","1 copy of Council 1967-68 membership book; internal memos; various reports (budgetary \u0026 non); correspondence, 2 slides for lecture on Council budget 66-67 season","Lecture invitation, 1 photograph; Correspondence with Dee (curator of drawings \u0026 prints at Cooper-Hewitt) re: lecture; 1 copy of January 1969 Bulletin; correspondence with hosts; biographical information","Packing list, photographs; 1 copy of catalog (cut up) of View of Florence \u0026 Tuscany by Giuseppe Zocchi, loaned by Pierpont Morgan Library","Photographs; shipping information and receipts; correspondence with IEF (circulator); correspondence with Dee re: lecture; IEF materials; drawings (photocopies); label copy; internal memos; 1 copy of America-Italy Newsletter (spring 1968); 1 copy of Pierpont invitation; 1 copy of preview invitation; correspondence re: catalogs; correspondence re: opening","Correspondence with Senator Scott from 1982 from Richard Woodward; checklists; clippings; internal memos; correspondence with Scott; shipping information and receipts; drawings (photocopies); panel proofs","Invitation; checklists; internal memos; correspondence re; filmstrip for Orientation Theatre; drawings (photocopies)","C.v., invitation, 1 photograph; correspondence with Begley (professor at School of Art, University of Iowa); internal memos; correspondence with hosts","3 photographs; 3 photographs (small one, Dr. \u0026 Mrs. George B. Green); panel copy; panel proofs; label copy; drawings (photocopies); correspondence with lender (George Green); shipping information and receipts; internal memos; correspondence with Colonial Williamsburg; research; checklists","Photographs","8 photographs; 5 new photographs; shipping information and receipts; internal memos; checklists with values; correspondence with Motherwell (juror) and correspondence with his gallery representation (Marlborough); correspondence with Frank Gallo (juror); and his representation (Gilman Gallery and Graham Gallery); request for information forms; drawings (photocopies); label copy","Checklists; list of lenders; internal memos; correspondence with lenders (including MFA Boston and AIC); shipping information and receipts","1 photograph; lecture invitation; preview invitation; correspondence with Wardell (Curator, Department of Primitive Art at AIC) re: lecture; correspondence with hosts; 1 copy of April 1969 Bulletin","Photographs","Photographs","1 drawing; other press releases; shipping information and receipts; checklists; internal memos; correspondence with MFA Boston (organizer); correspondence with AIC (lender); clippings; panel proofs; 1 copy of preview invitation; list of lenders","8 photographs; correspondence with MFA Boston; exhibition contract; internal memos; 1 copy each of The World of Peru in the United States, Three Centuries of Peruvian Silver, Master Craftsmen of Peru; Folk Art of Peru, 2,500 Years of Peruvian Art, Folk Art of Peru (longer version), Contemporary Peruvian Paintings and Sculptures","1 photograph; list of members; special request for information form; correspondence re: broken object (belonged to Stewart Bryan)","Catalog, 3 duplicate photographs, 2 new photos; internal memos; shipping information and receipts; checklists; label proofs; exhibition contract (MOMA is circulator); correspondence with MOMA; clippings; MOMA materials (including press release)","Press release (4/2/69); Kandinsky article by Johnson; wall label, Photographs; correspondence with MOMA (organizer); MOMA materials; exhibition contract; shipping information and receipts; checklists; drawings (photocopies); panel proofs","2 photographs; duplicates: invitation, 1 duplicate photograph; correspondence with potential lecturers; correspondence with Beckmann (visiting Bauhaus artist); clipping","Shipping information and receipts; panel proofs; panel copy; drawings (photocopies); special request for information forms; label proofs; label copy; checklists; correspondence with UVirginia (lender and co-organizer); correspondence from State Library (co-organizer)","4 photographs; checklists; shipping information and receipts; correspondence with O'Neal; photocopies of drawings; list of lenders; correspondence with UVirginia; correspondence with State Library; research; internal memos; correspondence with lenders","Invitation; 2 photographs, 1 transparency; catalog copy; internal memos; checklists; correspondence with lenders; correspondence with William O'Neal (guest curator)","1 photograph; introduction; correspondence re: lecture; invitation","Checklists; correspondence with lenders; correspondence with O'Neal","Checklists from dealers with prices/values; shipping information and receipts; correspondence with dealers; checklists; internal memos","Invitation, \"Suggested Remarks for Mr. Arthur Brinkley,\" 5/12/69; 1 copy of catalog; introduction; correspondence with Alloway re: lecture","Correspondence with various speakers; internal memos; schedules","Internal memos; list and schedules (entertainment, exhibitions, events, theatre, etc.)","4 invitations; 3 other invitations (Once Invisible, Alloway's lecture, Gold of Ancient America)","Internal memos; mailing lists","Green pickup cards, Gaines to Artist (7/3/69); shipping information and receipts; correspondence with artists; entry blanks; internal memos; checklists","Gaines to Purchaser invitation, purchasers; preview tearsheet (yellow), memo 4/29/69 (blue), 1969 fact sheets; checklists","Internal memos; correspondence with artists; invoices re: sales; checklists","Photographs","Memo 11/17/69, memo 11/26/69; correspondence with artists","'69 invitation, '69 salon catalogue; 1 copy of '67 invitation and catalogue; catalogue copy; 1 copy of '69 catalogue; catalogue proof","'69 fact sheet; statistics","'67 and '69 Salon catalogues; checklist; internal memos; form letter to artists from Ellyson","3 photographs; schedule; internal memos; correspondence with jurors; biographical information; correspondence with hosts; lecture invitation; correspondence with potential jurors [Bontecou agreed but then had to cancel]","Photographs; label copy; 1 copy of ADP '68 catalog; 1/70 Bulletin; biographical information on Paul Rand; correspondence with Rand; internal memos","2 slides, 18 photographs; 5 duplicate photographs; label copy","\"Receiving \u0026 Handling of Material\" memo 1/28/70, 1 photograph [Kenneth Winebrenner \"Mirror\"]; 1 copy of 1970 prospectus; entry blanks; internal memos; correspondence with artists; biographical information","1 photograph [Paul Smith looking at Castle's work from an earlier juried exhibition?]; 2/70 Bulletin; correspondence with juror [Wendell Castle]","Photographs; 1 copy of 1970 catalog (annotated); correspondence re: image of Winebrenner's mirror","1 copy of 1970 catalog (annotated); internal memos; correspondence with artists","Form letter; shipping information and receipts; correspondence with artist; checklists","1 form letter; shipping information and receipts; correspondence with artists; checklists; internal memos","Slides; duplicates; signed certificates; correspondence with winners; checklists; presentation order","Label copy; clippings; catalogue copy; checklists; internal memos; lease agreement for warehouse; drawing (photocopy); jury tokens; correspondence with artists","Prospectus, form letter from C. Ellyson; correspondence with chapters; annotated '67 prospectus; prospectus copy schedule","Memo 1/23/69, memo 1/25/67; internal memos; correspondence with 7th \u0026 Franklin; schedule","Catalog ('70 Designers); catalogue proofs; entry blanks; 1 copy of '68 ADP catalogue; catalogue copy; checklists","Annotated '70 prospectus; correspondence with juror; prospectus copy; internal memos; schedule","Entry blanks; 1 copy of '70 Craftsmen catalogue; 1 copy of '67 Artists catalogue; checklists; catalogue copy; preview invitation; label copy","Prospectus copy; schedule","Internal memos; checklists","Checklists; internal memos","Memo 9/3/69, memo 6/30/69; checklists; internal memos; fact sheets; correspondence with artists; label copy; excerpts from juror speech","Catalogue copy; checklists; 1 piece of correspondence re: catalogue","Signed certificates, reply cards, Gaines form letter; reply cards from winners; checklists; correspondence with artists","Press release 6/27/69, biographical information, 1 photograph; correspondence with potential jurors; internal memos; correspondence with juror (Peter Bunnell)","Photographs; label copy","Photographs; correspondence with artist; 3/69 Bulletin; label copy; shipping information and receipts; biographical information","4/69 Bulletin; photographs; correspondence with artist; label copy; shipping information and receipts","5/69 Bulletin; photographs; correspondence with artist; biographical information; label copy; shipping information and receipts","9/69 Bulletin, invitation; photographs; checklists; correspondence with artist; label copy; insurance report form; internal memos; biographical information","Invitation; 10/69 Bulletin, photographs; correspondence with artist; checklists; label copy","Photographs; correspondence with artist; biographical information; label copy","Photographs; correspondence with artist; label copy; biographical information; shipping information and receipts; internal memos","2/70 Bulletin; photographs; label copy; checklists; 5/69 Bulletin; invitations; correspondence with artist; internal memos re: missing print","3/70 Bulletin, photographs; correspondence with artist; internal memos; price list (hand drawn!); press release; biographical information; label copy","Invitation; 2 photographs; 3/70 Bulletin; correspondence with artist; label copy; checklists","Photographs; correspondence with artist; checklists; 4/70 Bulletin; label copy; biographical information","5/70 Bulletin, invitation, photographs; checklists; label copy; correspondence with artist; biographical information","Invitation, \"suggested stand\" drawing; 1 photograph; label copy; correspondence with artist; clippings; biographical information; checklists; 9/70 Bulletin","10/70 Bulletin; 2 photographs; label copy; clipping; internal memos; checklists; correspondence with artist; invitation","Invitation; photographs; label copy; internal memos; shipping information and receipts; correspondence re: letter of recommendation for job","Invitation, 5 photographs; 5 new photographs; 5 slides; correspondence with artist; label copy; clipping","Correspondence with potential jurors; internal memos","1 photograph of Rand, prospectus; correspondence with Rand (juror); catalog of Rand's work; research","'69 prospectus, letter Ellyson to art department 6/23/69, memo to chapters 6/23/69; copy of '68 ADP prospectus; prospectus proof; prospectus copy; internal memos; schedule","Checklists; internal memos","Checklists; fact sheets","Internal memos; checklists","Memo 7/7/70; internal memos; entry blanks; correspondence with architects; schedule; project descriptions; drawing (photocopy); lecture invitation copy; shipping information and receipts","Reply cards; internal memos; correspondence with architects","Catalogue; correspondence with architects; catalogue copy","One signed certificate; correspondence with winners","4 photographs; correspondence with juror (Romaldo Giurgola); internal memos; clipping; biographical information","Photographs; clippings","Prospectus, announcement; prospectus proof; prospectus copy; '68 annotated ADP prospectus; clipping","Entry blanks; fact sheets; internal memos; checklists","Internal memo; checklists","Correspondence with SITES; SITES materials; invitations; exhibition information; Bulletins; correspondence with other Smithsonian Institution staff","SITES catalogues, 1967-1970","Checklists; insurance report forms; correspondence with lenders (dealers); membership list","Internal memos; correspondence with lenders; checklists; shipping information and receipts; label proofs; research; budget planning; correspondence with consultants","Preview invitation; correspondence with and between consultants (Helen Scott Reed and Kathryn Buhler); catalog copy","Invitation (preview); invitation (lecture); exhibition prospectus; catalog proofs","Photographs; internal memos; clippings; catalog notes; correspondence with lenders; checklists; invitation list","Correspondence with lenders; shipping information and receipts; correspondence with various organizations","1 copy of catalog; special information form","Correspondence with Rouse (Jamestown Foundation) re: lecture; copy of lecture text","1 photograph; correspondence with Buhler (consultant) re: lecture; copy of lecture text","4 photographs; suggested press release; checklist; correspondence with IEF; label proofs; exhibition contract; IEF materials; shipping information and receipts; internal memos","7 photographs; 2 contact sheets and 1 new photo; duplicate: invitation; crawing (photocopy); internal memos; label proofs","9 photographs, 4 new photographs including 1 contact sheet; duplicates: lecture invitation; label copy; drawings (photocopies); shipping information and receipts; MOMA materials; checklists; correspondence with MOMA (circulator); exhibition contract; research; internal memos; 1 copy of preview invitation","Lecture invitation; correspondence with Fern re; lecture (Library of Congress Prints \u0026   Photos Division); internal memos","1 photograph (contact sheet); checklists; varied correspondence","Prospectus with entry cards; 2 photographs; 1 duplicate photograph; correspondence with Castle (juror, Penland School of Crafts)","1 photograph; label copy; correspondence re: item breakage; label proofs","Preview invitation; chipping information; correspondence with lenders; internal memos; 1 copy of catalogue; clippings","Correspondence with lenders; request for information forms; 1 copy of Art Gallery Magazine (12/69); 1 copy of TIME (6/1/70), reason unknown, no more receipts kept in these files","2 contact sheets; correspondence with Peter Selz (UC Berkeley, juror); correspondence with lenders; internal memos (including correspondence re: installation of Robert Irwin's \"Disc\"); correspondence with artists re: their Vietnam War protest","Internal memos; catalogue copy; label copy; research; 1 copy of catalogue (damaged)","1 photograph (1966 show); photographs of works not in show (Krushenick, Warhol, Ruscha); copies of '62 and '66 show information; correspondence with lenders; shipping information; checklists","Label copy; checklists; panel copy; mailing and invitation lists; lender lists","Photographs (VMFA copies)","Photographs (originals)","Lecture invitation; 1 duplicate photograph; correspondence with Selz (juror) re: exhibition and lecture; biographical information; invitation copy","Correspondence with IEF; exhibition contract; internal memos; correspondence with Paul Tishman (collector whose works comprise show); correspondence with High Museum (earlier venue); IEF materials","Photographs; internal memos; correspondence with High and with UT Austin (earlier venues); correspondence with IEF; shipping information","Checklists; IEF materials; research; panel copy","Photographs","Photographs","Photographs","5 photographs; 3 duplicate photographs","7 photographs; 8 duplicate photographs","11 photographs; 3 duplicate photographs","5 photographs; 9 duplicate photographs","9 photographs; 8 duplicate photographs","15 photographs; 4 duplicate photographs","12 photographs; 2 duplicate photographs","1 duplicate photographs","7 photographs; 4 duplicate photographs","2 drawings; duplicates: loan exhibition announcement; invitation; 40 slides; 1 copy of High's brochure; internal memos; NGA brochures; IEF materials; correspondence re: possible speakers; correspondence with Tishman; copy of 9/70 Bulletin; slide list [see end of box]","5 photographs; checklist; internal memos re: this traveling exhibition SP-19 [loans from 4 major NY galleries, distributed by State Services Division]; correspondence with dealers/lenders; 1 copy of 10/70 Bulletin","Catalog (Edgeworth \u0026 VMFA); 1 photograph; audio (reel) tape \"J.[oel] Aldred – tapestries – 71/2 ips\" [Canadian broadcaster]; 1 copy of invitation; catalogue: Hommage à Jean Lurçat, Rothmans, ca. 1966; another Rothmans' catalogue ca. 1964","1 copy of catalog; 1 copy of black tie reception invitation","Internal memos; correspondence with Rothmans of Pall Mall Canada; correspondence with House of Edgeworth (co-sponsors); planning re: previous receptions, etc.","6 photographs","Black tie reception invitation; other invitations (non-VMFA)","Checklist (contemporary French tapestries); checklists (various, including hommage à Jean Lurçat); invitation lists; staff working lists","Notes on the Rothmans Collection; Rothmans press release; Contemporary French Tapestry; research; clippings; copies of other's letters to/from Lurçat [speech by Madame Denise Majorel, 2 clippings]; Lurçat letters (3/29/48 \u0026 12/24/47)","3 photographs; 9 duplicate photographs","Photographs","Photographs [overlap between these 2 folders]","8 duplicate photographs","8 photographs; 9 duplicate photographs","1 catalog for July/August program with catalog card application [1969]","Lists of speakers; internal memos; biographical information; correspondence with speakers; report from Museum Entertainment Committee","VM 1969-1970 events; lists of events; calendars; internal memos; schedules including exhibition, theatre, mailings, events, etc.; 1 copy of Theatre schedule card","Internal memos","Catalog; 4 photographs; 23 new photographs; exhibition contract (Mat is circulator); research; correspondence with Met; internal memos; shipping information and receipts","Mailing, 16 duplicate photographs; 7 new photos; correspondence with Baltimore Museum of Art (circulator); checklists; BMA materials; press release; internal memos; research; 1 copy of catalog (annotated)","4 new photographs; 7 duplicate photographs","1 new photograph; 4 duplicate photographs; correspondence with Norton Simon; clippings; checklists; internal memos; copy of Henry Moore annotated transcript from '63; label and panel copy; information sheets on paintings; 1 copy of invitation; shipping information and receipts","2 photographs; correspondence with collectors; checklists; drawings (photocopies); research, photocopy of Vogue article (4/15/60) on Colin","Correspondence with lenders; shipping information and receipts","Correspondence with lenders; internal memos","Preview invitation; correspondence with lenders; internal memos","Correspondence with potential lenders","Reminder card; invitation; checklists; research; lender lists; label copy; request for information forms; clippings; shipping information and receipts; mailing lists","33 new photographs","3 new photographs; 13 duplicate photos","5 new photographs; 10 duplicate photographs","5 new photographs; 10 duplicate photographs","2 new photographs; 10 duplicate photographs","Correspondence with lenders who gave no initial response","Correspondence with lenders re: return of works; internal memos; mailing lists; form letters","Copies of AIV articles from which loan list was gathered, annotated (probably for label/panel/catalog use)","Checklist; suggested press release, invitation, 4 duplicate photographs; 14 new photographs; 2 AFA folders of materials; internal memos; 1 copy of catalog","Shipping information; correspondence with AFA; correspondence with Smith College Museum of Art Director","Wall label; clippings; correspondence with MOMA (circulator); MOMA materials (including press release and checklist); 1 copy of MOMA members' newsletter (Spring 1970); correspondence with Peter Bunnell (photograph curator at MOMA \u0026 organizer); drawings; internal memos; exhibition contract","Invitation; 1 copy of September 1971 Bulletin; internal memos; mailing list","Prospectus; correspondence with artists; internal memos; checklists; schedules; 1 copy of October 1971 Bulletin; 1 annotated copy of Virginia Photographers '69 catalog; 1 copy of '71 catalog","Internal memos; correspondence with lenders re: potential loans; correspondence with lenders; correspondence re: extension of exhibition; correspondence with Robert Koch (speaker); correspondence with publicity","Invitation; poster; 1 duplicate photograph; 4 new photographs, 7 slides; notes; research; information request forms; 1 copy of November 1971 Bulletin; panel copy; clippings; 1 copy of December 1971 Bulletin","1 copy of November 1971 Bulletin; 1 copy of the January 1972 Antique Monthly","1 copy of the January 1972 Antique Monthly","Catalog copy","Catalog copy","Blank copy of information form","6 drawings (photocopies) of lighting schemes","3 photographs (items from Lewis Collection from some catalog); checklists; loan lists; mailing lists; internal memos; panel/catalog copy","Blank request for information forms","Checklist for catalog","Checklist for catalog","Checklist for catalog","Transparencies, 91 photographs","Empty folder","Label copy; internal memos; scripts; notes","Special object information forms","Special object information forms","Invitation; special object information forms","Correspondence with AFA; 1 copy of 1969-70 AFA Catalog","Correspondence with various institutions (museums, universities, organizations); internal memos; promotional materials","Correspondence with IEF; exhibition information sheets","1 press release from Howard University","Correspondence with various institutions (museums, universities, organizations); promotional materials","2 invitations, 2 catalogs (1969 \u0026 1971 for both shows); congratulations letter; pink salon des refuses card; prospectus; 1 contact sheet; schedule; internal memos; correspondence with juror (Thomas Hess); list of buyers; committee lists; correspondence with 7th \u0026 Franklin building owners (where judging was done); 1 drawing (photocopy)","16 photographs; duplicates: 6 photographs, prospectus; correspondence with Thalhimer's; internal memos; fact sheets; correspondence with artists; clippings; label copy; checklists; 1 copy of catalogue; 1 copy of May 1971 Bulletin; copies of certificate winners' entry blanks","Photographs; 1 copy of catalog; 1 copy of prospectus; lease agreement for 7th \u0026 Franklin Building","Photographs","Photographs","Correspondence with potential speakers","Memo 3/16/71, 5/71 Bulletin; fact sheets; internal memos; correspondence with artists; correspondence with 7th \u0026 Franklin; schedule; clipping; checklists","Internal memos; checklists","Catalogue; internal memos; catalog copy; correspondence with artist","Signed certificates; entry blanks; 1 copy of catalogue; correspondence with winners; checklists; internal memos","2 photographs; correspondence with artists; internal memos; schedules; correspondence with juror","Slides; photographs; checklists","Release forms; invoices; preview invitation list; fact sheets; checklists; internal memos; '71 invitation; correspondence with artists","Annotated catalogs; correspondence with purchasers; correspondence with artists; purchase information cards","Memo 9/8/71; correspondence with artists; label copy; internal memos","1 copy of '71 prospectus; 1 copy of '60 catalogue; correspondence with juror (Harry Callahan); fact sheets; research/biographical information","Photographs; '69 and '71 prospectuses","Prospectus copy; correspondence with artist","Fact sheets; internal memos; checklists; entry blanks","Internal memos; correspondence with artists; checklists","\"Guidelines for Preparing Panels,\" memo 3/19/71; dinner invitation copy; internal memos; project descriptions; correspondence with designers; schedule; catalog copy; AIID Virginia Chapter Directory 70-71; correspondence with Virginia AID; entry blanks; 1 copy of dinner invitation with reply card","Correspondence with winners","1 photograph; slides; correspondence with juror (Sarah Tomerlin Lee-former Editor of House Beautiful); schedule; internal memos","2 new photographs; 9 duplicate photographs","Signed certificates; entry blanks; label copy; biographical information; correspondence with juror (Henry Wolf); correspondence with potential jurors; internal memos; reception invitation list; checklists; correspondence with artists; fact sheets","Catalogue ('72); catalogue copy","14 new photographs; 2 duplicate photographs; catalogue","Prospectus; prospectus copy; annotated '68 prospectus copy","Form letter from Ellyson, prospectus; annotated '69 prospectus; correspondence with artists: re: prospectus, prospectus copy","Catalogue; fact sheets; shipping information and receipts","Reply cards; correspondence with artists; internal memos; checklists","Letter 4/8/71; fact sheets for printmakers","Catalogue; catalogue copy; checklists","Signed certificates; correspondence with winners; checklists","1 copy of '71 catalogue; checklists; catalogue copy; internal memos","Prospectus; prospectus copy; correspondence with designers","Copy of Art Directors Club prospectus","Internal memos; correspondence with artists; 1 copy of catalogue; reply cards","Entry cards; shipping information and receipts; internal memos; fact sheets; checklists; correspondence with artists; 1 signed certificate; label copy","Photographs; internal memo","Catalogue; catalogue copy; catalogue proofs; label copy","Signed certificate; correspondence with winners","5 new photographs; 8 duplicate photographs","Annotated '67 prospectus; prospectus copy; blank mailing labels","Label copy; correspondence with artist; clipping; 12/70 Bulletin; checklists","Invitation; photographs; label copy; internal memos; correspondence with artist; invitation list; biographical information 1/71 Bulletin; Robinson House exhibition checklist","Invitation; photographs; checklists; internal memos; label copy; biographical information; correspondence with artist; \"Art Now: New York,\" Vol. 2, no. 10; installation sketches by Jackson; 2/71 Bulletin; Robinson House checklist","3/71 Bulletin; 2 photographs; 7 slides; Robinson House exhibition checklist; internal memos; correspondence with artist; label copy; biographical information","3/71 Bulletin, 1 photograph; clippings; correspondence with artist; internal memos; label copy; Robinson House exhibition checklist; invitation list","3 photographs; internal memos; correspondence with artist; label copy; biographical information; Robinson House exhibition checklist; 4/71 Bulletin; invitation list","1 slide, invitation; 4 photographs; internal memos and correspondence with artist re: damaged works; biographical information; label copy; correspondence with artist; clippings; checklist; 5/73 Bulletin; shipping information and receipts","Invitation, 9/71 Bulletin, 2 duplicate slides; 2 photographs; 3 slides; label copy; correspondence with artist; invitation list","10/71 Bulletin, invitation; 4 photographs; biographical information; correspondence with artist; label copy; checklists","Photographs; 3 slides; invitation list; 1 copy of invitation; correspondence with artist; internal memos; biographical information; checklists; label copy; 11/71 Bulletin","2 photographs; 3 slides; label copy; price list (hand drawn!); correspondence with artist; biographical information; 12/71 Bulletin","2 photographs; 3 slides; invitation; label copy; biographical information; correspondence with artist; Robinson House exhibition; checklist; 12/71 Bulletin","Invitation, 1 slide; 1 new slide; 1/72 Bulletin; label copy; biographical information; checklists; internal memos; correspondence with artists","1 photograph; \"Masterpieces of Early American Furniture, Antiques (11/70), invitation, \"The U.S. Department of State Americana Fund…\"; correspondence with possible collectors; research, correspondence with Clement E. Conger, Collector of the Year 1972 (Chairman of Special Fine Arts Committee for acquisition of furnishings for the Department of State); internal memos; clippings; biographical information; press releases; clippings; checklists layout (typed)","Photographs; 1 drawing; drawing (typed!); clippings; label copy","Photographs","6 photographs; duplicates: 8 photographs, invitation; drawings (photocopies); correspondence with Mourot; research; internal memos; checklists; clippings; label copy","Prospectus; internal memos; correspondence with artists; reception guest list","Invitation, poster, MOMA information sheet, \"Modern Museum Offers Works…\"; 13 photographs; memos; correspondence with MOMA (circulator); shipping information and receipts; checklists, 1 poster","Internal memos; correspondence with lenders; research; clippings; catalog copy; 1 copy of May 1972 Bulletin; clippings; shipping information and receipts","Catalogue copy","Catalogue copy","Catalogue copy","Catalogue copy","Catalogue copy","Correspondence with Muller; list of tentative loans","9 photographs; 1 duplicate photograph","1 new photograph; 1 duplicate photograph; correspondence with the AIC; request for information form","2 duplicate photographs; correspondence with Princeton; request for information form","1 duplicate photograph; correspondence with Atkins; request for information form","1 duplicate photograph; correspondence with Fogg; request for information form","1 duplicate photograph; correspondence with Meadows Museum; request for information form","2 photographs; 6 duplicate photographs; correspondence with Met; request for information form","4 duplicate photographs; correspondence with MFA Boston; request for information form; internal memos; insurance certificate","6 duplicate photographs; correspondence with NGA; request for information form","2 duplicate photographs; correspondence with RISD; request for information form","3 duplicate photographs; correspondence with Thaw; request for information form. invitation; photographs","1 photograph; correspondence with Worcester; shipping information and receipts; request for information form; correspondence re: insurance","1 photograph; correspondence re; photograph orders and framing for our pieces; request for information forms","16 new photographs; 4 duplicate photographs","18 new photographs; 6 duplicate photographs","Request for information form; piece of box from printer","Checklists; lists of loans; shipping lists; mailing lists","One piece of correspondence","5 new photographs; 1 duplicate photograph","8 new photographs","Correspondence with lenders who denied loan request","Checklist, wall label, press release, 7 photographs; 2 contact sheet strips; materials from MOMA (circulator); correspondence with MOMA; internal memos; label copy; drawings (photocopies); 1 [misfiled] mock-up of Goya Catalogue cover","Checklist, 2 photographs; 4 new photographs, 2 invitations, members' preview postcard and special reception in envelope; \"Gund Collection of Western Art,\" 1970; internal memos; correspondence with Gund; correspondence with lenders; clippings; \"American Western Art: a Personal Narrative.\"","Photographs","Invitation; correspondence with Gund Museum; internal memos; research; checklists; blank request for information forms; correspondence with lenders; lists of movies; Gund Collection materials","4 photographs with labels, 5th=#15494, Carl Kauba, b. 1865, \"Indian\", Gilt Bronze, Collection Bobby Chandler; loan request; information sheets with small photos stapled to them (left in folder); correspondence with lenders; checklists; research","1 catalog; 1 contact sheet strip; internal memos; label copy; 1 copy of invitation; correspondence with AIA, Richmond Chapter","Invitation, 2 layout designs by Lipton, 6 photos; 27 new photos; correspondence with MIT (circulator); internal memos; correspondence with Marlborough Gallery (organizer); panel drawing (photocopy); checklists; correspondence with Lipton; label copy; research","2 invitations, \"An Exhibition of Sculpture and Drawings by Gaston Lachaise,\" 2 photographs; 9 new photos; correspondence with Lachaise Foundation and [Felix] Landau Galleries (organizer); internal memos; checklists with prices; shipping information and receipts; drawing (photocopy); clippings","1 photograph; correspondence with MOMA re: possible exhibitions, including Otto Frei exhibition [unsure if declined or not]","Checklist; 1 photograph; internal memos; clippings; list of items sold or rented","1 piece of correspondence re: lecture offer declined","Correspondence with Bernard Danenberg Galleries re: possible showing","Correspondence with AFA","Correspondence with Advertising Trade Publications, Inc.","Correspondence with the IEF","Correspondence with Maritime Museum in Newport News and Philadelphia","\"Project background \u0026 history,\" \"Bonniers introduces 9 incredible toys,\" 8 photos; 1 drawing; internal memos; correspondence with Bonnier International Design (organizer); correspondence with Ruder \u0026 Finn (circulators); Bonnier materials (including tear sheets); 1 copy of New York (9/11/72)","Proposals and materials from: George Eastman House, National Association of Women Artists, Rice University, California Arts Commission, Haus Rucker Company; MFA Houston, St. Paul Art Center, Fran Grace, Walter Art Center","Proposals and materials from: Japan Cultural Society, MOMA, Museum of the Confederacy, J.B. Speed, Library of Congress, Appalachian Corridor, SITES, Renwick Gallery, Asian Theatre Artists, NGA, Sculpture Center, International Museum of Photography, Oakland","1 photograph; correspondence with Smith (juror, Museum of Contemporary Crafts); biographical information","Catalogs, prospectus, 1 photograph; correspondence with Wolf (juror; Trahey Wolf Advertising, Inc.); biographical information","Correspondence with AFA; 1971-1972 catalog","Correspondence with institutions; artists; galleries and others (including materials)","Invitation, 2 slides; invitation list; correspondence with artist; clippings; label copy; 2/72 Bulletin","Invitation; 4 slides; 5 photographs; biographical information; label copy; correspondence with artist; 3/72 Bulletin; checklists","Invitation, 4/72 Bulletin; 1 slide; correspondence with artist; internal memos; label copy; checklists; biographical information","4/73 Bulletin, 1 slide, invitation; 1 negative; 1 photograph; 12/69 Bulletin; label copy; shipping information and receipts; biographical information; checklists correspondence with artist","5/72 Bulletin, invitation; 1 photograph; 4 slides; correspondence with artist; label copy; checklists; biographical information","Invitation, 1 photograph; 4 slides; label copy; 9/72 Bulletin; correspondence with artist; checklist; shipping information and receipts","Invitation, 4 photographs; 1 slide; shipping information and receipts; checklists; biographical information; 10/72 Bulletin; label copy; correspondence with artist","Invitation; 1 photograph; 4 slides; checklists; shipping information and receipts; correspondence with artist; label copy; biographical information","Label copy; correspondence with artist; 11/72 Bulletin; checklists; shipping information and receipts","\"1972-73 Robinson House One-Man Exhibitions\" List; internal memos; schedules","1 photograph; 4 slides; label copy; 1/73 Bulletin; correspondence with artist; internal memos; checklists; shipping information and receipts","1 slide, invitation, 2 photographs; 1 new photograph; label copy; 1/73 Bulletin; correspondence with artist; shipping information and receipts","Invitation, 2/73 Bulletin; 2 photographs; checklists; biographical information; internal memos; correspondence with artist; transportation request form; label copy","Invitation, 3 photographs; 3 new photographs; 3 slides; biographical information; shipping information and receipts; checklists; correspondence with artist; transparencies request form; internal memos; label copy; 3/73 Bulletin","'72 Honor Awards Program, Virginia AIA Chapter; concealed ID form; catalogue; internal memos; prospectus copy; Virginia Chapter AIA materials; 1 copy of prospectus; catalogue copy","Correspondence with juror (Hugh Jacobsen)","2 photographs (Paul Smith); entry blanks; correspondence with artists; reception guest list; drawing (photocopy); internal memos; 1 copy of catalogue; correspondence with juror (Paul Smith)","Internal memos; checklists; fact sheets; shipping information and receipts; entry blanks","Purchase cards; annotated catalogues ('73); invoices; checklists; correspondence with purchasers; correspondence with artists; shipping information and receipts; release forms","Slides; 7 new photographs; 3 duplicate photographs","Letter (9/12/73); entry blanks; reception invitation list; shipping information and receipts; correspondence with artists; internal memos; correspondence with winners","1 copy of catalogue; catalogue copy; internal memos; checklists","Schedule; prospectus copy","Correspondence with artists; internal memos; fact sheets; checklists","Checklists; correspondence with artists","2 invitations, 8 duplicate photographs; 9 new photos; internal memos; checklists with values; correspondence with Blumkas (Mr. and Mrs. Leopold); research; correspondence re: complete loss of Gothic velvet tapestry due to water damage","7 photographs; correspondence with MOMA (circulator); checklists; internal memos; MOMA materials (including wall label, press release)","3 photographs; internal memos; panel layout notes; Accession Committee meeting minutes copies (to look at new accessions)","Invitation; photographs; label copy; drawing (photocopy)","Photographs; duplicates; 2 invitations; invitation copy; internal memos; correspondence with Whitney (circulator); Whitney materials; label copy; 1 copy of \"Edward Hopper: Selections from the Hopper Bequest,\" published by Whitney; 1 copy of 3/73 Bulletin","5 photographs; label copy; correspondence with lenders; request for information form; internal memos; correspondence re: Bernard Martin \"copying\" Alfred Newman's photograph of Hopper re: possible copyright infringement","Catalog; 2 photographs; 1 copy of prospectus; internal memos; label copy; list of designers; correspondence with AIID","Invitation, 10 photographs; internal memos; label copy; invitation copy; mailing lists","Catalog, invitation, 1 photograph; 2 slides, 1 new photograph; internal memos; correspondence with artists; label copy; 1 copy of prospectus; checklists; clippings","5/73 bulletin; shipping information and receipts; correspondence with artists; internal memos; correspondence with Thalhimer's re: display; label copy; checklists; fact sheets","1 copy of catalogue; catalogue copy; checklists; internal m emos; prospectus copy","Signed certificates; correspondence with winners","Correspondence with juror (William Seitz); biographical information","28 photographs","Memo (2/28/73); printmakers card; letter (3/22/73); internal memos","Reply cards; correspondence with artists; internal memos; checklists","1 photograph; duplicates, certificates; juror biographical information (William Pahlmann); correspondence with juror; internal memos; fact sheets; checklists; correspondence with artists; entry blanks","Prospectus (1 copy); AID Virginia Chapter '70-'71 directory; prospectus copy; catalogue (1 copy); checklists; correspondence with NSID","Photographs","3 photographs; 1 duplicate photograph; label copy; entry blank; correspondence with Solomon; biographical information; shipping information and receipts; 11/73 Bulletin","Invitation, 2 duplicate photographs, 10/73 Bulletin; 1 new photograph; label copy; correspondence with Beer; biographical information; checklists","2 photographs; internal memos; correspondence with juror (Nathan Lyons); biographical information","Photographs","Entry blank; correspondence with Dougherty","1 photograph; 1 new photograph; 9/73 Bulletin; correspondence with Davenport; entry blank; biographical information; clipping","Invitation, 2 photographs; 7 new photographs; correspondence with Lewises; drawing (photocopy); internal memos, 1 copy of May '72 W\u0026L Alumni Bulletin","7 photographs; press release; internal memos; materials from Museum of Primitive Art (organizer); clippings; catalog copy","Invitation; catalog; internal memos; correspondence with prospective jurors; 1 photocopy of prospectus; mailing list; article by Nathan Lyon (juror); clipping; NEA grant materials","Press release, 3 photographs, checklist; correspondence with IEF (circulator); IEF materials; internal memos","Research; checklists; catalog copy; mailing lists for catalogs [all materials Blaine-related]","3 clippings, 3 invitations; 7 photographs; internal memos; correspondence with Blaine; mailing lists; catalog copy (Blaine)","Nell Blaine at the Poindexter Gallery, 1972, catalogue folder; 2 new photographs; research; other catalogs; mailing lists; request for information forms; checklists; price lists; internal memos; correspondence with Boston University (Beal co-organizer); correspondence with Poindexter Gallery (Blaine co-organizer); correspondence with Lawrence Campbell (essay writer; Art Students' league); correspondence with lenders; correspondence with artists; catalog copy (Beal)","Photographs; 1 copy of Blaine catalog; list of Beal color transparencies returned","Correspondence with artist and purchasers re: sale of paintings (including copies of checks, etc.); checklists; price lists [all material related to Blaine]","1 drawing by Blaine; correspondence with Boston University, Poindexter Gallery, Blaine, Campbell, lenders; internal memos; 1 copy of Blaine catalog; clippings; loan agreement forms; other catalog (Beal); research; label copy; checklists","Correspondence with AFA; 1972-73 catalog; 1973-74 listing in new 8 ½ X 11 format (unbound)","2 copies of 67-68 catalog; correspondence with AFA; 2 copies of 68-69 catalog; clippings","Correspondence re: possible prison art show","Correspondence with Ruder and Finn","Clippings; research; SITE materials, correspondence with various institutions (museums, galleries, organizations); IEF materials; various catalogs [most of material from late 60s]","Clippings; research; SITE materials, correspondence with various institutions (museums, galleries, organizations); IEF materials; various catalogs [most of material from late 60s]","Material re; possible exhibition of Cecil Beaton as well as Samuel Kirk \u0026 Son","Material re: possible exhibition of Cecil Beaton, as well as for Sir Jacob Epstein, and others","Correspondence re: Objects: USA (collection of S.C. Johnson \u0026 Son, organized by Lee Nordness Gallery); correspondence with various other institutions; various catalogs from late 1960s","Correspondence with various institutions; various catalogs from 1973","Correspondence with various institutions; various catalogs from late 1960s; early 1970s]","Correspondence; internal memos","1 copy of 66-67 catalog; 2 copies of 68-69 catalog; correspondence with MOMA; MOMA materials; clippings; internal memos","1 clipping on Peggy Guggenheim","Correspondence with Multiples, Inc. gallery; internal memo","Eastman House materials","Correspondence with SITES; 1972 catalogs; SITES materials; various SI bulletins; 1 catalog (French playbills)","Correspondence with IEF; IEF materials","Correspondence with IEF; IEF materials","Correspondence with MOMA; MOMA materials, 1 copy of catalog","1 piece of correspondence with Hirschl \u0026 Adler","Internal memos; correspondence with \"Curators of Art for Corporate Collections\" [actually called Danese Design]","Correspondence with IEF; IEF materials","Correspondence with Art professor at Mary Baldwin","Correspondence with Asia House Gallery; checklist; internal memo [not shown]","Correspondence with Whitney and Aldrich Museum of Contemporary Art","Correspondence with Museum of Fine Arts, St. Petersburg; internal memos","Internal memos; correspondence with Multiples, Inc.","Letter from Claiborne to members (10/24/73); 1 copy of invitation; label copy","Internal memos; checklists","Catalog, invitation, 6 photographs; 1 new photograph; 1 copy of Virginia Designers 1970 catalog; internal memos; mailing list; catalog copy; correspondence with Federal Council on the Arts \u0026 Humanities (speaker, Lani Lattin); schecklists","Members special film program card, 2 photographs; 1 new photograph; 1 copy of Wildenstein catalog; research; correspondence with Bakwin; correspondence with members; internal memos; 1 copy of invitation; 1 copy of catalog","Invitation, reply card; 1 photograph; 1 copy of Craftsmen's Biennial 2 (VCU) prospectus; 1 copy of Virginia Craftsmen 1970 catalog; 1 copy of 74 catalog; 1 copy of 74 prospectus; internal memos; mailing list; research","Invitation, 11 photographs; 4 new photographs; 1 copy of catalog \"Walter Gropius: Buildings, Plans, Projects, 1906-1969\"; correspondence; 1 copy of \"Portrait of an idea: Rosenthal Studio-Line\"; correspondence with IEF; IEF materials; exhibition contract; 1 drawing (photocopy); internal memos","VMFA exhibition SP-28; internal memos; checklist; label copy","Clippings; 1 copy of Commonwealth: the Magazine of Virginia (5/74)","2 preview invitations, lecture card, brochure; photographs; label copy","3 photographs; 1 new photograph","Announcement; 3 transparencies; 4 drawings of \"Project: Folk Art\"; correspondence with Whitney (circulator; organizer); internal memos; correspondence with Ruder and Finn; label copy; correspondence with Philip Morris (sponsor); research; invitation copy; brochure copy; Whitney materials; preview mailing list; 1 copy of 4/74 Bulletin; correspondence re: posters and billboard; clipping","Invitation, \"Project: Folk Art\"; 1 photograph; internal memos; correspondence with Ruder \u0026 Finn; correspondence with Whitney; checklists, correspondence with Philip Morris; brochure copy; clipping; correspondence with publicity; correspondence with other institutions","Catalog copy","3 photographs; 2 new photographs; TV speech copy; correspondence with De Young (other venue); correspondence with Central Virginia Educational Television; verbal storyboards","Internal memos; mailing/invitation lists","1 photograph; correspondence with Whitney; correspondence with other institutions; Whitney brochures; clippings; layout drawings (photocopies); label copy","7 photographs; duplicates: transcript, announcement card; 4 dictabelts (interview with Bill Gaines); checklists; correspondence with Chermayeff; internal memos; correspondence with Philip Morris (owners of tapestries); mailing list; 1 copy of invitation; press release; drawing (photocopy)","3 photographs; correspondence with Nancy Hoffman Gallery (organizer); correspondence with lenders; checklists; request for information form; gallery materials","Catalog; photographs; catalog copy; internal memos; checklists; correspondence with lenders; blank information request form; clipping","Photographs, 2 transparencies, 1 slide; 1 copy of invitation; internal memos; clippings; exhibition design drawings (photocopy)","33 photographs; 7 transparencies; duplicates: 15 photographs","4 photographs; 1 transparency, slides; correspondence with potential lenders; correspondence with Diebenkorn; internal memos; request for information forms; checklists","4 photographs; 3 new photos, 1 transparency; correspondence with potential lenders; correspondence with lenders; correspondence with Estes (the photos he provided were for his passport!); request for information forms; checklists; research","6 photographs; 2 transparencies; correspondence with potential lenders; request for information forms; checklists; correspondence with Francis","5 photographs; 2 transparencies; correspondence with potential lenders; request for information forms; checklist; correspondence with Frankenthaler; internal memo","2 photographs; correspondence with lenders; correspondence re: damage; request for information forms; internal memos; correspondence with Hans Nemuth re: portrait of Indiana (photograph)","5 photographs; checklists; correspondence with potential lenders; request for information forms","6 photographs; 1 transparency; correspondence with potential lenders; request for information forms; checklist","5 photographs; 1 new photograph, 2 transparencies; correspondence with potential lenders; correspondence with Motherwell; checklists; request for information forms","6 photographs; 1 transparency; correspondence with potential lenders; request for information forms; checklists","5 photographs; 1 new photograph; correspondence with potential lenders; request for information forms; internal memos; checklists","5 photographs; 1 new photograph; 1 transparency; correspondence with Thiebaud; correspondence with potential lenders; request for information forms; checklists","5 photographs; 1 transparency; internal memos; correspondence with potential lenders; request for information forms; checklists","Catalog; internal memos; correspondence with Virginia AIA Awards Committee","Entry blanks; correspondence with designers; label copy; internal memos; checklists; fact sheets","1 copy of '74 catalog; catalog copy","Signed certificates; correspondence with juror (Ivan Chermayeff); clipping","Photographs","Prospectus; checklists; art directors' club materials; prospectus copy; schedule","4 photographs; correspondence with Hagan; shipping information and receipts; entry blank; label copy; 5/74 Bulletin; biographical information","Invitation; 2 photographs; 2 new photographs; 4/74 Bulletin; shipping information and receipts; biographical information; correspondence with Abbott; label copy","Invitation; 1 photograph; 1 new photograph; label copy; transportation requests; entry blanks; biographical information; correspondence with Barry; shipping information and receipts; 2/74 Bulletin","5 photographs; 1 duplicate photograph; invitations; 1/74 Bulletin; shipping information and receipts; checklists; label copy; internal memos; correspondence with Fridley","Invitation; 4 photographs; NEA booklet; 10/74 Bulletin; correspondence with NEA for Sandborn; brochure (1 copy); brochure copy; internal memos; biographical information; correspondence with Sandborn; entry blank; shipping information and receipts","2 photographs, invitations; 6 photographs; 9/74 Bulletin; correspondence with Ames; biographical information; shipping information and receipts; checklists; label copy; internal memos; entry blank","Catalog; photographs; internal memos; correspondence with artists; label copy; checklists; correspondence with Michael Graves (lecturer); correspondence with juror (Bill Newman); invitation copy; invitation list; prospectus copy; biographical information; 12/74 Bulletin","3 photographs: 1 duplicate photograph, invitations; 11/74 Bulletin; brochure; shipping information and receipts; checklists; biographical information; correspondence with Scalin; entry blank; label copy","22 photographs; 9 new photographs; internal memos; checklists","Research; checklists; internal memos; clippings; correspondence re: poster; drawings (photocopies); panel copy","Photographs","Label copy; research; checklists; correspondence with lenders; internal memos; correspondence with Comprehensive Exhibition Services (circulator); correspondence with potential lenders; blank request for information forms","8 photographs; 6 new photographs; request for information forms; internal memos; correspondence with lenders","SITES and National Art Collection Materials; internal memos; correspondence re: materials for Children's Day","1 photograph; 2 new photographs; correspondence with Delaware Art Museum (lender); 1 copy of 4/74 Bulletin; checklists; internal memos","Correspondence with IEF; IEF materials","Correspondence with potential speakers they declined","Photographs; research; biographical information; clippings, drawing (photocopy); 1 copy of 5/74 Bulletin; internal memos; correspondence with VCU (Professor Lester Van Winkle is co-organizer); correspondence with lenders; invitation list; 1 copy of invitation; checklists; correspondence from visitors","4/74 Bulletin, \"photographic resume,\" 1 photograph; 5 new photographs; correspondence with artist; biographical information","Correspondence with and materials from various institutions, galleries, and organizations; internal memos; clippings; catalog","1 photograph (William B. O'Neal, UVirginia); correspondence with potential speakers; promotional materials; internal memos","1 piece of correspondence re: questionnaire (5/2/74)","Correspondence with MOMA re: possible traveling shows","Correspondence with and materials from various institutions, organizations, and individuals re: declined exhibitions; internal memos; catalogs","Correspondence with Modern Master Tapestries, Inc. (organizing circulator) and Charles E. Slatkin, Inc. Galleries (organizing circulator); promotional materials","Signed certificates, catalog; 1 photograph; internal memo; correspondence with artists; fact sheets; invoices; checklists; clippings; shipping information and receipts","Photographs","Prospectus; prospectus copy; annotated '72 prospectus","NOVirginia invitation, jurors' statement, Lynchburg prospectus, signed certificates (NOVirginia); 10 photographs; checklists; prospectus copy; invitation copy; NOVirginia prospectus; correspondence with artists; catalog copy; Lynchburg catalog; correspondence with directors of affiliates; Lynchburg signed certificate","10 photographs; duplicates: Roanoke catalog, Roanoke invitation; correspondence with artists; Peninsula prospectus copy; Peninsula catalog copy; internal memos; Peninsula prospectus; Peninsula signed certificate; checklists; Roanoke catalog copy; clippings; correspondence with juror (Lawrence Alloway)","'75 prospectus; shipping information and receipts; annotated '73 prospectus; prospectus copy","Photographs; signed certificates, invitation; checklists; '75 catalog; correspondence with NEA re: grant; internal memos; correspondence with juror (Aaron Siskind); fact sheets; prospectus copy","Virginia Commission of the Arts and Humanities grant application","Catalog; catalog copy","1 signed certificate; correspondence with winners","Photographs; 1 copy of '75 catalog","Prospectus copy; internal memos; correspondence re: prospectus","Catalog; purchase cards; invoices; correspondence with artists; internal memos","Reply cards; checklists; correspondence with artists","Invitation, 1 photograph; shipping information and receipts; correspondence with potential jurors; correspondence with juror (Robert Buck); biographical information; schedule; internal memos; checklists; 5/75 Bulletin","Signed certificates; fact sheets; correspondence with juror (Elke Solomon); biographical information; internal memos; checklists; correspondence with artists","Photographs; prospectus; prospectus copy; 1 copy of catalogue; catalogue copy","Letter 2/9/75, purchase card; correspondence with artists; internal memos; invoices","Checklists; correspondence with artists","Invitation, 5 photographs; 1 new photograph; internal memos; invitation copy; correspondence with Mrs. Lammot DuPont Copeland [collector of the year]","1 copy of 2/75 Bulletin; internal memos; checklists (Artmobile exhibition); label copy","1 photograph; 1 copy of catalog; 1 copy of prospectus; internal memos; checklists","Photographs; checklists; label copy; catalog copy; research; invitation copy; correspondence with NC Museum of Art; internal memos; mailing list; 1 copy of invitation","2 photographs; \"1940, Remember?\" clipping; correspondence with Library of Congress Prints \u0026 Photographs Division; internal memos; research; checklists","Catalog, \"Observations on …,\" \"Collecting,\" 2 photographs; 2 new photographs; correspondence with O'Neal; checklists; internal memos; catalog copy; biographical information","4 new photographs; catalog","Catalog, 4 photographs; 4 new photographs; checklists; correspondence with Lewises; internal memos","Catalog, invitation, 6 photographs; 2 new photographs; 1 copy of prospectus; internal memos; invitation copy; correspondence with Robert Buck (juror, Director of Albright Knox)","1 internal memo","1 catalog, 5 photographs; 1 new photograph; internal memos; checklists","Invitation, 6 photographs; 6 new photographs; correspondence with University Art Gallery (Rutgers, organizer); internal memos; invitation copy; correspondence with VM Youth Guild; clipping; correspondence from visitors; 1 copy of catalog; list of books for sale at VMFA Shop","\"Art as Adornment\"; 10 photographs; internal memos; checklists; label copy; catalog copy","3 new photographs; 3 duplicate photographs; correspondence with Art Museum of South Texas (borrower)","Correspondence with Josef Albers Foundation; correspondence; internal memos","Invitation, catalog; internal memos; correspondence re: successful NEA grant; grant   materials; statistics","1 photograph; internal memos; checklists; correspondence with Light Gallery (lender); correspondence with Siskind","Press release; photographs; correspondence with AFA (circulator); correspondence with Museum of Primitive Art (lender); drawing (photocopy); in use list; internal memos; correspondence with African Arts magazine; clipping","Poster, catalog, 1 photograph; 4 new photographs; correspondence with AFA; checklists; internal memos; exhibition contract; invitation copy; correspondence with African Arts; correspondence with Museum of Primitive Arts; correspondence with local TV station","\"Masterpieces of Pre-Columbian Art,\" 5 photographs; 1 new photograph; internal memos; label opy; Artmobile slide lecture copy","Correspondence with Museum of the American Indian (organizer); internal memos; clipping","Correspondence with Met (organizer); internal memos","Correspondence with Hyatt re: possible accommodations; correspondence with AAM; internal memos","3 photographs; 3 new photographs; correspondence with lenders; request for information forms; checklists; shipping information and receipts; 1 copy of invitation","3 photographs; 3 new photographs; 1 copy of brochure (\"Landscape in Photography\");   internal memos; checklists","12 photographs; brochure copy; internal memos; checklists; panel copy; press releases","Correspondence with artist; 1 copy of invitation; clipping; internal memos; press release","3 photographs; 12 new photographs; correspondence with MOMA (organizer); checklist; exhibition contract; internal memos; clipping; MOMA materials","Unsigned certificate; 2 photographs; duplicates: letter 8/1/75, 2 blank information forms","Photographs","2/75 Bulletin, invitation, 1 photograph; 2 new photographs; internal memos; correspondence with artist; shipping information and receipts; biographical information; label copy","Invitation; 2 photographs; 4 duplicate photographs, 11/14/74 memo; internal memos; label coy; blank floor plan; 1/75 Bulletin; correspondence with artists; clippings; invoices [lots of correspondence re: student show]","21 photographs; information forms; biographical information; correspondence with artists; internal memos; label copy","2 photographs; duplicates: Roanoke prospectus, Peninsula prospectus, Roanoke catalogue; clippings; correspondence with artists; prospectus copy; juror biographical information; internal memos; correspondence with jurors; NOVirginia prospectus; annotated Roanoke prospectus; checklists; signed certificates; invitation; blank certificates","Photographs; drawings (photocopies); panel copy; research; catalog copy","Checklists by object type (transferred contents of a binder)","Photographs","3 photographs; internal memos; correspondence re: events such as demos and clinics; research; correspondence with visitors; invitation copy; correspondence re: catalog; correspondence with lenders; checklists","Label copy; checklists; research","Photographs; correspondence with lenders; internal memos; correspondence with Virginia Commission of the Arts \u0026 Humanities re: special funding; checklists; research","Catalog copy; research; checklists; labels","Photographs; checklists; other lists","15 photographs; shipping information and receipts; catalog proof; checklists; catalog copy; research; lists by type","10 photographs; 2 new photographs; correspondence with Toledo Museum of Art (organizer); checklists; insurance certificate; clipping, correspondence with Steuben; 1 copy of \"Steuben: 70 Years of American Glassmaking\"; internal memos; correspondence with publicity","\"Forms in Metal\" catalogue; 1 photograph; correspondence with Museum of Contemporary Crafts (organizer); exhibition contract; Museum of Contemporary Crafts materials; internal memos; drawing (photocopy)","3 photographs, invitation, reply card; 1 copy of catalog; correspondence with Lawrence Alloway (juror); invitation copy; internal memos; correspondence with members of arts organizations coming to ceremony; guest lists","Exhibition contract; correspondence with MOMA (organizer); MOMA materials; checklist; internal memos","Checklists; correspondence with University of New Mexico (organizer); research; exhibition contract; internal memos; correspondence with Western Association of Art Museums (organizer); biographical information; drawing (photocopy)","2 photographs; correspondence with Dean Brown Foundation (curator is Carol Brown, widow) and Akron Art Institute (organizer); internal memos; biographical information; AAI materials","Correspondence with Bowdoin (organizer) [cancelled]; Bowdoin materials","3 photographs; correspondence with Israel Museum; clippings","2 photographs; correspondence with Museum of the American Indian; correspondence with Phillip Morris (connection to Museum of AI)","Catalog, prospectus; statistics; letter to members of \"Richmond Communicating Artists\"","Photographs; internal memos; VMFA materials; label copy","One press release [written by Bob Keefe] re: Reeves collection","Internal memos","Correspondence with Terry Dintenfass (organizer); internal memos","19 photographs; correspondence with Gallery Association of New York State (organizer); internal memos; checklist; correspondence with Architectural League of NY (organizer); budget materials (for fundraising); GANYS materials","Photographs; 2 slides","1 drawing; 1 photograph; duplicates: museum tear sheet; general museum and various exhibitions' label copy; catalogue or essay copy for \"The 18th Century Drama\"","Biographical information","Attendance statistics","Label copy","Fact sheet","List of music for Danish Silver exhibition","Lists of alumni in Richmond","2 drawings; Leslie Cheek Jr.'s notes","2 drawings","3 drawings","3 drawings","2 checklists of members","1 drawing; list of photographs for panels","1 drawing","\"Remarks\" 5/25/77","Internal memos; article copy; checklist; correspondence re: permission to publish images","1 transparency; catalog copy; internal memos; correspondence with lenders; research; correspondence re: transparencies; correspondence with Mariner's Museum","Internal memos; correspondence with lenders; correspondence re: transparencies; catalogue copy","Blank information forms","Catalog copy","1 photograph [Vose Galleries]; correspondence with lenders who denied loans","Catalog proofs","Correspondence with Suffolk Art League","Correspondence with Mint Museum; Mint materials","1 copy of \"The Virginia Peninsula Today,\" 11/76; speech copy","Checklists; correspondence with Met re: possible loan","Invitation lists","2 duplicate photographs; 2 new photographs; request for information forms; correspondence with potential lenders","Checklists; internal memos re: postcards for sale (correspondence with other museums' shops)","Press release (8/26/74); correspondence with Mariners Museum; internal memos; clippings; fact sheet","3 photographs","Photographs","Photographs","Request for information forms (folder 2)","Request for information forms","Internal memo; correspondence with Vose re: catalogue; Artmobile label/brochure copy","Budget information; internal memos","Artmobile label copy; Artmobile layout drawing (photocopy)","Research","Slide lists","Internal memos; Artmobile brochure; checklists; Artmobile teachers' kit; clipping","Photographs","Correspondence with potential lenders; internal memos","Correspondence","Correspondence with lenders; correspondence with Mariners Museum; checklists","Checklists","Checklists; correspondence with Mariners Museum","1 slide; 1 photograph (A. Cary Smith, portrait of the Yacht Agnes); correspondence with lenders; research; internal memos; schedule; correspondence with mariners Museum; clippings; other materials","Internal memos; invitation lists; correspondence with attendees/invitees; clipping","Correspondence and internal memos re: budget","Lists; schedule; correspondence with Mariners Museum; correspondence with film companies; internal memos","Budget information; internal memos; correspondence with Mariners Museum; correspondence with NEA; clipping; grant application","6 photographs; correspondence with NNS; 1 copy of \"3 Generations of Shipbuilding\"; NNS materials; \"Men, Ships and the Sea\"; Bring Her Home\"; label copy for publicity photographs0; \"Always Good Ships\"","Label copy","14 duplicate photographs; 2 new photographs; 1 drawing; internal memo","Invitation; invitation list; correspondence with Mariners Museum; internal memos","1 photograph; internal memos; correspondence re: cancellation of Virginia Architecture 1976 (Reality and Revival is the replacement); label copy; drawings of panels (photocopies); '76 AIA honor program","Internal memos (2)","Signed certificate; correspondence with juror (Alan Shestack); correspondence with artists; checklists; internal memos; one entry","Prospectus; photographs; 1 copy of catalog (annotated); biographical information on juror (Alan Shestack, Director of Yale University Art Gallery); checklists; catalogue copy; prospectus copy; un-annotated copy of catalog","2 photographs; internal memos; correspondence with artist","1 photograph; 1 invitation; checklists; internal memos","1977 invitation; internal memos; '77 catalogue; correspondence with NEA re: grant; '77 prospectus; correspondence with juror (Lloyd Herman)","25 slides, 9 photographs; 1 duplicate photograph; clippings; correspondence with Santa Barbara Museum of Art (organizer); internal memos; correspondence with SITES (circulator); 1 copy of catalog; labels; schedule; checklists; Santa Barbara materials, including press release and prospectus; exhibition contract","Photographs; invitation list; announcement; correspondence with artist; announcement copy; price list; entry blank, invitation (signed \u0026 22/58)","Photographs; invitation list; price list; entry blank; announcement; announcement copy; biographical information; internal memos; correspondence with artist","3 photographs; invitation list; entry blank; invitation; internal memos; clipping; biographical information; correspondence with artist","1 photograph; invitation; announcement proof; correspondence with purchasers; biographical information; checklists; invitation list; correspondence with artist","3 photographs; announcement; announcement copy; invitation; internal memos; entry card; correspondence with artist; biographical information; invitation list","3 photographs; announcement; checklists; entry blank; invitation list; correspondence with artist; invitation; biographical information","2 photographs; checklists; correspondence with artist; artists' sale terms and conditions; announcement; invitation list; biographical information; invitation; internal memos","Announcement; invitation; correspondence with artist; announcement copy; biographical information; invitation list; internal memos","Announcement, invitation; announcement copy; biographical information; entry blank; Guggenheim fellowship application; clippings; correspondence with artist; invitation list","Invitation; schedule; 1 copy of prospectus; correspondence with Thalhimer's; internal memos; statistics; correspondence with artists","Prospectus copy; label copy; jurors' statement copy; 2 copies of catalog (1 annotated; 1 not); catalogue copy; correspondence with visitor re: complaint about nude woman in painting","5 photographs; 8 duplicate photographs","Signed certificates; 1 photograph; invitation; internal memos; correspondence with artists; correspondence with juror (Suzanne Delehanty); checklists; statistics","Checklists; correspondence with Thalhimer's; correspondence with artists","Checklists; correspondence with artists","Form letter to Virginia artists from Director Peter Mooz; correspondence with purchasers; correspondence with artists; internal memos; invitation list; reply cards","Internal memos","Invoices; budget information; incident report; correspondence with artist","Invitation; clippings; poster; materials from other exhibitions","Clippings; materials from other exhibitions","Postcard; checklists; label proof; lecture; invitation copy; installation drawing [checklists from Edwin A. Ulrich Museum of Art, Wichita State University)","7 photos; 5 new photos","Correspondence with Wichita State; correspondence with Lewises; correspondence with artist; correspondence with Whitney (other venue)","Invitation, reply card, brochure; 5 photographs; 1 copy of catalogue: \"The Proctor \u0026 Gamble Company Antique English Coffee Pots: The Folger's Coffee Collection\"; correspondence; internal memos; correspondence with the Rowland Company (organized the show); correspondence with Proctor \u0026 Gamble; invitation copy","3 photographs; correspondence with lenders; clippings; internal memos; correspondence with Lewises (lenders of typewriter eraser)","Invitation, 5 photographs; 33 new photographs; clippings; internal memos; correspondence with Kreegers; checklist; drawings (photocopies); invitation list; research; label copy; invitation copy","Internal memos; specs. For A.V. presentation; presentation copy","Invitation; invitation copy","2 slides; photographs; internal memos","Photographs","Budget information; internal memos; invoices; research on Owen Cheatham Foundation","Correspondence with public; correspondence re: copyright; internal memos; publicity schedule","Internal memos; label copy; checklists; drawings (photocopies)","Label copy; internal memos; catalogue proofs; correspondence re: copyright; invitation; checklists","Internal memos re: duties \u0026 plans","Clippings; internal memo","Checklist; research of the objets d'art; Owen Cheatham catalog (1 annotated; 1 not)","40 slide set from MOMA","Clippings","1 copy of VMFA operating budget, 1976-77","2 slide lists (102 slides \u0026 40 slides); checklists; MOMA brochure re: slide set","Correspondence with speakers and hostesses","Installation instructions; internal memos; checklists; drawings (photocopies); correspondence with MOMA; MOMA materials","Correspondence with MOMA; internal memo","Checklists; correspondence with MOMA; MOMA materials","Internal memo re: related books in VMFA Shop; exhibition bibiliography","Photographs","Richmond Sinfonia program; letter from MOMA (6/20/75); exhibition contract; internal memos; correspondence with MOMA; budget information; MOMA invitation; American Art Since 1945 (1 copy of catalogue, loose)","Invitation (3 pieces); invitation list; internal memos; correspondence with MOMA; invitation copy","1 photograph; correspondence with Lewises; clipping; internal memos","Checklists (MOMA materials)","Internal memo","Internal memos and information re: Brandts' trip to Greenville to see show","MOMA materials for labels","Correspondence with MOMA re: posters","Photographs; clipping; correspondence with Mark Davis (curator at the Century Association); internal memos; checklists; label copy","Brochure (summer exhibition announcement), 1 photo; 19 slides; 3 photos; correspondence with SITES (circulator); checklists; internal memos; exhibition contract","Summer exhibition announcement; 8 slides; 9 photos; correspondence with SITES (circulator); exhibition contract; checklists; internal memos; SITES materials including SITES press release; clippings; label","2 photos; checklists; internal memo","2 photos; 5 slides; internal memos; correspondence with artist; clippings; correspondence with Bowdoin (circulator); Bowdoin materials; checklists; budget information; biographical information; research","Correspondence with various institutions; correspondence with visitors; internal memos; correspondence with publicity; materials from other exhibitions; invitation; invitation copy; installation drawing; checklist","Clippings; internal memo","Correspondence with AFA re: circulation, catalogue proof inserted in file","Internal memos; correspondence with printer re: mistake; correspondence with AFA; catalog copy; checklists; correspondence with Wiltshire","Photographs","Checklist","Slides","Invitation; catalog copy; checklist","Drawings (photocopies); internal memos; budget information; checklist","Invitation; invitation lists; internal memos; correspondence with AFA","Label copy","Label copy; correspondence with Weisgall; biographical information; checklists; research","Frames checklist; correspondence with Weisgall; March'78 Bulletin","Correspondence with Weisgall; internal memos; clipping; catalog; catalog copy; budget information","Photographs","Invitation, Richmond News Leader clipping (1/30/78); internal memos; correspondence with musicians; program copy; all re: musical program, musical scores; one copy of \"The Collecting Muse: The Nathalie \u0026 Hugo Weisgall Collection\"","Poster","Clippings","Budget information; internal memos; correspondence with Fred Hughes of Andy Warhol Enterprises; correspondence with sponsors; correspondence with Coe Kerr Gallery; correspondence with artist; correspondence with Weisman; checklists [no signatures]","Postcard (2), 7 photos; 2 new photos; clippings","1 photo; internal memos; catalog proofs; clippings; correspondence with VCU re: silk screening project; budget information; catalog copy","Correspondence with potential lenders","Photographs; slides","Correspondence with MFA Boston (lender)","Correspondence with Chrysler (lender)","\"NEW\" loan agreement form","Correspondence with Ackland (lender)","Correspondence with AIC (lender)","Correspondence with BMA (lender)","Correspondence with Phillips (lender)","Correspondence with Clark (lender)","Correspondence with Mellon (lender)","Correspondence with Met (lender)","Correspondence with NCMA (lender)","Correspondence with lender","Correspondence with various institutions; checklists; internal memos; clippings","2 invitations (6 parts total); internal memos; invitation list","Budget information; internal memos; Virginia Commission for the Arts \u0026 Humanities grant information","IPR's; internal memos (form about 1 year old for IPR)","Drawings (photocopies); checklists; internal memos","Clipping; internal memos; press release copy","Checklist (4 part)","Label proofs; label copy; 1 copy of checklist","Label proofs; **clippings inserted in folder at end**","Invitation; prospectus; internal memos; program schedule; correspondence with hostesses; schedule; correspondence with juror (Thomas Barrow, Associate Professor of Photography, U of New Mexico)","Invitation; internal memos; drawings (photocopies); correspondence with Ms. Conover Hunt-Jones (consultant); checklists; correspondence with sponsors; budget information","Internal memos","Label copy","Photocopy from a catalog for scientific instruments","LACMA press release, \"Major Silver and Mosaic Collections…\"; label copy; research; LACMA materials (circulator)","Biographical information on John Gilmore Ford","Checklist proof; checklist copy","Internal memos; IPR's; budget information","1 duplicate photo","Exhibition contract; correspondence with LACMA; internal memos","Correspondence with Gilberts; internal memos; correspondence with LACMA","Internal memos; drawings (photocopies); 1 copy of LACMA paper; correspondence with LACMA","Invitation (2 – both in 2 parts); internal memos","Correspondence with public (all wanted to know dates of show after reading Smithsonian!)","Envelope containing checklist from Ford with insurance values; 1 copy of invitation; 1 copy with catalog","Budget information; IPR's","Label copy; research","8 new photos; 2 duplicate photos; drawings (photocopies); checklists; internal memos","Clippings; label copy; invitation copy; 1 copy of Weisgall invitation","Empty folder","14 new photos","Correspondence with hostesses; correspondence with Collectors Circle members; mailing list; correspondence with Ford","2 photos; duplicates: invitation, November '78 Bulletin; 1 copy of Collectors Circle program","Internal memos","Invitation, Guggenheim press release; correspondence with lenders; correspondence with Guggenheim (circulator); drawings (photocopies); checklists; clippings; internal memos","Checklists; label copy","Budget information; slide script copy","Internal memos; correspondence with Guggenheim; schedule for Contemporary Art One-Day Symposium (2/14/79)","Label copy; loan agreements; correspondence with lender; internal memos","Checklists; script copy; catalogue copy; clippings; correspondence with visitor; copy of Guggenheim brochure; research; label copy","5 duplicate photos; 9 new photos","Exhibition summary, form letter, information questionnaire; checklists; drawings (photocopies); internal memos; correspondence with galleries re: biographical information for artists; clipping","13 slides; open house poster; catalogue; label copy","Checklists; catalog copy","Drawing (photocopy); checklists","Remarks by Woodward at press conference; clippings; remarks by Mooz at press conference","IPR's; budget information; calendar","Internal memos; meeting minutes, panel drawing (photocopy)","1 piece of correspondence with Columbus Museum of Art re: show","Empty folder","Checklists; annotated gallery guide","Agenda; family tree; IEF materials; correspondence with IEF; notes; internal memos","Correspondence with IEF; correspondence with visitors; internal memos; correspondence with corporate sponsors; schedule; correspondence with other museum locations; exhibition contract","Internal memos; invitation copy; schedules; meeting minutes; checklists","14 photos; correspondence with IEF","1 copy of bumper sticker; place card; brochure; announcement; internal memos; meeting minutes; correspondence with IEF; clipping","Invoices; IPR's; internal memos; budget information","Checklists; internal memos","Note","Invoices; internal memos; budget information","Internal memos; drawings (photocopies); correspondence with Lewises re: closing Art Nouveau facility","List of films \u0026 lecturers from IEF","Correspondence with IEF re: Duke's address; internal memo","Internal memos","Internal memos; lists of tour groups","Biography, general information, itinerary, \"Short History of Chatsworth\"; IEF materials (including press release)","Timetable; meeting minutes; proposed schedule","Agendas; notes; checklists; internal memos","IPR's; internal memos; invoices","\"A.V. Program\" script; correspondence re: school A/V program; internal memos; budget information","Budget information; internal memos; correspondence with IEF","Calendars; internal memos","Internal memos; correspondence with IEF","Internal memos; correspondence with IEF","Internal memos; correspondence with IEF; 1 copy of the \"Chatsworth Herald\"; guide for children published by VMFA","Schedule; internal memos; correspondence with IEF","Internal memos; meeting minutes","Photos; NEA reports","Correspondence with IEF; correspondence with other museums (including invitation","Internal memos; budget information","Exhibition contract; correspondence with IEF; correspondence with corporate sponsor","Internal memos; correspondence with patrons","Internal memos","Internal memos; correspondence with ESU branches; correspondence with IEF","Internal memos; correspondence with IEF","Huge final report; internal memos; budget information; back-up report information","Internal memos; correspondence with invitees; meeting minutes; correspondence with IEF","Correspondence with IEF; internal memos; correspondence with other museums","Clippings; internal memos; correspondence with publicity; TV spot script; budget information; correspondence with IEF","Weekly reports; internal memos","Price lists; internal memos; invoices; correspondence with other museums","Internal memos; drawing (photocopy)","Envelope that couldn't open without ripping","Slide lists; budget information; correspondence with other museums; correspondence with printers; internal memos; correspondence with IEF; correspondence with Duke; reports","Final report on sales; internal memos; teacher form letters \u0026 materials; group bus forms; \"docent study materials\" from Toledo Museum of Art","Internal memos","Prospectus; internal memos; statistics; correspondence with hosts; correspondence re: juror (Lasansky)","Invitation; internal memos; label copy","Internal memos; meeting minutes; annotated gallery map","Correspondence with artists whose work purchased by Museum; internal memos; '79 prospectus; '79 invitation; correspondence with D'Arcangelo (juror)","Invitations; invitation list; internal memos; invitation copy","Schedule draft","Checklists; label copy","Correspondence with visitors and inquiries about show","Clippings; internal memos; list of press kits sent","Invitation lists; correspondence with Lewises for names","List of music; sheet music","Research; 1 piece of correspondence with Yvonne Brunhammer","Program, invitation; correspondence with attendees; clipping; correspondence with speakers; internal memos; participant list; invitation lists; 1 copy of program for 1977 \"Great Collectors of American Decorative Arts\" weekend","Internal memos; correspondence with printers; printers' materials","Budget information; correspondence with lenders; checklists; research","5X7 cards per object","Photographs; photocopies of images","Checklists; clipping; label copy; research","Internal memos; correspondence with film organizations \u0026 vendors; IPR's; information and catalogs for projectors","2 invoices from shipping company","Correspondence with Gras re: insurance for French loans","Correspondence re: shipping of works","Correspondence with other museums re: possible travel","Photocopies of photographs","Photographs; internal memos; checklists; drawings (photocopies)","Invoices; catalogue copy; correspondence with Martin Battersby (essayist)","Label copy","Research","Correspondence with Brunhammer (conservateur @ Musée des Arts Décoratifs, Paris) re: French loans; checklists","Correspondence with d\"Iberville @ Museum of Decorative Arts, Montreal re: possible venue for show (denied)","Correspondence with Harris (guest curator); research; internal memos; Harris; c.v.; schedules","Photos; 1 new photo; correspondence with AIC (lender); loan agreement","Photo; correspondence with BMA; loan agreement","Correspondence with BHP","Photo; correspondence with BF; loan agreement","Correspondence with MFA, Boston","Photos; 1 transparency; correspondence with BAD; loan agreements; checklist","1 duplicate photo; correspondence with Brooklyn; internal memos; loan agreement; research","Photos; correspondence with Merklen; loan agreements; research","Photos; correspondence with Chrysler; loan agreements","Photos; correspondence with CMA; loan agreements; label","Photo; correspondence with CMG; loan agreement","Photos; correspondence with Fine Arts Museum; loan agreements","Correspondence with Haskell; loan agreement","Correspondence with LC; loan agreements","1 photo; correspondence with Lieberman; loan agreement","Photo; correspondence with Darien House, Inc.","Photos; correspondence with Macklowe; loan agreements","Photo; correspondence with McNay; loan agreement","Photos; correspondence with Maryhill; loan agreements","Photo; correspondence with Gallion","Photo; correspondence with Musée; loan agreement","Correspondence with MOMA; loan agreements","Correspondence with NARA","One negative (8 X 10); correspondence with NYPL; loan agreement","Photos; loan agreement; correspondence with Pollard","Photo; correspondence with Pratt; loan agreement","Correspondence with Reed; research","Transparency; 9 duplicate photos; correspondence with Schimmel; loan agreement","Photo; correspondence with Silverman; correspondence with Sotheby's; loan agreement","Correspondence with Sommer; research; loan agreement","Correspondence with U of CA","Empty folder","Correspondence with Vitry; loan agreement","Photos; correspondence with Wittamer de Camps; loan agreements","One photo","Two duplicate photos","Correspondence with University","Correspondence with SDSU","Correspondence with NGA","Correspondence with Musée","Correspondence with Met","Correspondence with DIA","Correspondence with Delaunay","Correspondence with Albertina","Correspondence with Gallery","1 poster; internal memos; label copy; 1 copy of brochure","Internal memos; donor lists; list of lenders; correspondence with invitees; 1 copy of invitation; correspondence re: and with Collectors' Circle","Budget information, IPR's","List of invitees; correspondence from invitees","Label copy; internal memos","1 copy of member mailing with brochure; donor lists; brochure copy","Notes","Internal memos; budget information; checklists","Internal memos; drawings (photocopies); checklists","Label copy; 1 copy of brochure; 1 copy of \"The Tidewater Guide\" (5/80)","23 photos; 1 duplicate photo; 1 copy of brochure","19 photos; internal memos; mailing lists; clippings; correspondence re: catalogue; label; correspondence with lending brochure copy; correspondence with public; drawing (photocopy); schedule; checklists; correspondence re: speaker; correspondence re: shirts","Photos; 5 duplicate photos; case design drawing","Brochure; 4/80 Bulletin; clippings; 1 copy of invitation; 5/80 Bulletin; 1 copy of mailing","Correspondence","1 piece of correspondence with Linda Connor (juror); 1 copy of catalog","28 photos [photos don't seem to be of Designers show]","Label copy; checklists; internal memos; drawings (photocopies); correspondence with publicity","Shipping information \u0026 receipts; label copy; internal memos; clippings; traveling checklists","SITE materials; label copy","Invitation; internal memos; invitation copy; checklists","1 poster; clipping","Photos; clippings; folder with photos; clippings; press releases","Internal memos; correspondence with publicity; correspondence with SITE; correspondence with hosts; correspondence with James Wines (co-founder of SITES, speaker); correspondence with BEST; list of invitees; budget information; schedules","Internal memos; schedules; correspondence with publicity; correspondence with BEST","Internal memos; invoices; correspondence with BEST; Purchase order; budget information, IPR's","Three photos; label copy; internal memos; correspondence with SITE; drawing (photocopy); schedules","Invitation; internal memos; correspondence with Milwaukee Art Center (circulator); invitation list; poster","Invoices; IPR's; budget information; correspondence with Milwaukee; internal memos","Internal memos; correspondence with Milwaukee; correspondence with Philip Morris; symposium program copy","24 photos; invitation; internal memos; Milwaukee materials; drawings (photocopies); checklists; correspondence with Milwaukee","10 photos; press release; 1 copy of catalogue; 1 poster; label copy; research; Milwaukee materials; 1 copy of 1/80 Bulletin; meeting minutes","Poster; label copy; catalog copy; clippings; research; 1 copy of Spring '77 AIV; 1 copy of 11/79 Bulletin","Invoices; internal memos; budget information; correspondence with MFA Houston (circulator); exhibition contract","Correspondence with MOMA; internal memos; correspondence with MFA Houston; copy of birth certificate (!)","4 new photos; internal memos; checklists; label copy; drawings (photocopies); schedules","Internal memos; correspondence with Bruce (Patrick Henry Bruce's son, who came to see show for 4 days, only venue he visited, lived in CA) \u0026 wife; correspondence with MFA Houston; invitation list","Shipping information and receipts; 1 copy of catalogue; correspondence re: catalogue requests; VFH grant application, internal memos","Photos; clippings; VFH materials; VFH grant application; correspondence with Mrs. John Dos Passos","Clippings; internal memos","Catalogue; label copy","Research; checklists; correspondence with Mary Ellen Stumpf (consultant); label copy","Correspondence with VFH; VFH materials; grant application; narrative; grant report; internal memos","IPR's; budget information","Correspondence with institutions lending images; internal memos; other museum catalogues; correspondence with Dos Passos; correspondence with Stumpf (consultant, VCU faculty member); correspondence with visitors","Annotated catalog; shipping information \u0026 receipts; checklists; correspondence with Dos Passos","10 photographs; research; list of invitees; clippings; internal memos; biographical information; correspondence with May Cossitt; subpoena for Pinkney for trial (!)","Correspondence with Ruder Finn (circulator); invitation copy; internal memos","IPR's; internal memos; invitation list","16 photos; internal memos; IPR's drawings (photocopies)","Invitation; internal memos; correspondence with AMEX; invitation copy; invitation list; 1 copy of brochure","\"Henri-Cartier-Bresson: Glimpses\"; clippings; research","Label copy; checklists","Invitation","Internal memos; catalog copy; research; label copy","Correspondence with Yale (organizer); correspondence with AFA (circulator); AFA materials (including checklist); research; 1 copy of brochure","Materials from other institutions","Correspondence with AFA; internal memos; exhibition contract; AFA materials","Internal memos; schedules; invitation copy; checklist","Drawing (photocopy); internal memos; correspondence with AFA; AFA checklist","Correspondence with Yale University Art Gallery","IPR's; PO's; invoices; [1 copy of poster inserted here]","Correspondence with AFA; internal memos; clipping","Invitation, postcard; 1 copy of other preview invitation; invitation lists; information sheet on one-day symposium","1 poster; correspondence with AFA (circulator); research; NEA application","Label copy; AFA checklists","Specs. For \"New Gallery Entrance\" (8/29/79) [remodeled a gallery \u0026 named it the Mottahedeh Gallery] by Hardwicke \u0026 Associates; IPR's; internal memos; label copy; invoices, P.O.'s; correspondence with Mottahedeh; budget information","Postcard, special events postcard, 8 photos; 4 new photos; NEA Grant narrative; internal memos; correspondence with AFA; correspondence with NY State Museum re: found Maria \u0026 Julian Martinez pottery; rubbing of their signature; label copy; invitation lists; IPR's; AFA checklist; budget information; exhibition contract; postcard proofs; drawing (photocopy); NEA Grant application","Two slides; invitations; internal memos; correspondence with Mint (organizer); installation drawings; checklist; correspondence re: opening","Clippings; catalog copy; Mint materials; invitation","Two duplicate photos; 3 new photos","Checklists; research","7 photos","Internal memos; checklists; correspondence with lenders; loan agreements","Invitation; internal memos; correspondence with lenders; loan agreements; correspondence re: opening; invitation list; invoices; installation drawing; exhibition contract","Invitation; correspondence; clippings; label proofs; correspondence with lenders; correspondence with media; correspondence with visitors; internal memos; loan agreements; checklists; research","6 photos; 7 duplicate photos","Internal memos; schedule; label copy; research","Internal memos; IPR's; budget information; invoices","One slide; 13 photos; 3 duplicate photos; correspondence with one lender","Checklist; label copy; internal memos; lecture copy; research; checklist copy","Invitation; research; internal memos; correspondence with lenders; loan agreements; correspondence with media","IPR's; invoices; internal memos","Checklists; research; list of lenders","Internal memos; checklist copy; label copy; research","Correspondence with lenders; correspondence with visitors; internal memos","Installation drawing; internal memos; checklists; label copy","Internal memos; budget information; invoices; shipping information","Invitation copy; internal memos; correspondence with lender; notes; 1 copy of invitation; 1 copy of Collectors' Circle program","IPR's; invoices; correspondence with printer; research; internal memos","Schedule; correspondence re: carpet","Label copy; checklists","Ibsen \u0026 Munch brochure, press release, poster; 4 slides; photographs; clippings; internal memos; 1 copy of checklist","Internal memos; correspondence correspondence with artists; incident report re: warehouse alarm","Internal memos; correspondence; research/notes on show idea [fascinating committee work/proposals on how to revise Virginia artists shows] [mainly Woodward, Burke, Farago]","Proposals; form letters; notes","Advanced purchase program proposal; form letters; notes; invitation","Notes (Pinkney Near); research","Catalog copy; photocopies of photos","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","1 photo; correspondence with lender; loan agreements; research","1 photo; correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Mailing lists; correspondence","Internal memos; invitation list","Invitation, 5 photos, slides; correspondence with visitors; internal memos; checklists; correspondence; clippings; drawing (installation); correspondence with lender; invitation list; IPR's; budget information; notes; research","Clippings","Invoices; research; correspondence with lenders; 1 copy of catalogue","Correspondence with lenders; research","1 invoice; research","Research","10 photos; correspondence with lenders; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Slides; 1 reel to reel audiotape","Correspondence with HHK; internal memos; correspondence with other institutions","Invoices; IPR's; internal memos","Correspondence with Attorney General; exhibition contract; facilities report","Two photos (not in exhibit); museum mailings; clippings; label copy; internal memos","Mailing, 1 photo; 12 new photos; internal memos; proposals, HHK materials; mailing copy; schedules; notes","Photos; checklists; internal memos; catalog copy; label copy","Slides; label proofs","Correspondence with Portland Art Association of Portland Art Museum (organizer); internal memos; exhibition contract","Four photos; shipping info \u0026 receipts; internal memos; correspondence with other institutions [mainly Allentown Art Museum]; invoices; notes; IPR's; research","Internal memos; purchase orders; correspondence with other institutions; research","\"Why We Commemorate\" by Armenian National Committee, invitation; 1 transparency; one copy of brochure; schedules; label copy; internal memos; clippings; Portland Art Museum materials; invoices; IPR's; correspondence with Turkish ambassador; Allentown materials; notes; checklists; correspondence with Binney","Invitation list; 1 copy of invitation","10 slides; 'Scribbler' Twombly clipping, mailing card; 3 photos; label copy; checklists; clippings; DIA Art Foundation materials (organizer); invoices; catalog copy","Internal memos; correspondence with Newport Harbor Art Museum (organizer); correspondence with speaker; correspondence with visitors; drawings (installation); exhibition contract; correspondence re: rescheduling","Slides; 6 photos; 12 duplicate photos; duplicates: mailing card, 2 clippings","Slides","Checklists; label copy; catalog copy","Notes; internal memos; drawing (installation); checklists; correspondence with Delaware Art Museum (Collection home)","Label copy; catalog copy; research","Mailing brochure, catalog; slides; 3 transparencies; 19 photographs; 1 negative; 6 duplicate photos; internal memos; press release; label proofs; clippings; Delaware materials","One photo; research; notes","Invoices; IPR's; check requests; internal memos; correspondence with vendors","Internal memos; clippings; correspondence with Delaware Art Museum; correspondence with lender; correspondence with visitors; correspondence with other institutions","Clippings; bulletin; internal memos; correspondence re: publications; catalog copy; label proofs; mailing brochure copy","6 photos (duplicate in Folder 20); 1 internal memo","Notes; research","Notes; checklists; loan agreements","Checklists","Correspondence; notes","Correspondence with Office of Attorney General; exhibition contract drafts; internal memos","Exhibition contract; internal memos; correspondence with DIA","Exhibition contract; budget information; correspondence with Philbrook; internal memos; loose material \u0026 notes re: 18th century prints of antiquity/archaeology","Photos; correspondence; internal memos; budget information; notes; schedule","Internal memos; IPR's","Internal memos; IPR's; \"Publicity Outline\" report","Schedules","\"A Loan Exhibition on Display at the Virginia Museum\"; internal memos","1 piece of correspondence with Fine Arts Museums of San Francisco","Correspondence; budget information; internal memos","Internal memos; budget info [info re: Council Anniversary Fund]; notes","Symposium brochure, 2 transparencies; 2 new transparencies","Correspondence with lender (Frank Raysor); internal memos","Notes; research","Correspondence with lender (NGA); checklists","Correspondence with lender (MFA Boston); checklists","6 photos; label copy; checklists; brochure copy; loan agreements; correspondence with lender (Raysor); research","Correspondence with PAFA (organizer) [Pennsylvania Academy of Fine Arts]; clippings; internal memos; invitation; PAFA materials","24 slides; negatives; 4 photos; 4 transparencies; 1 duplicate transparency; clippings; 1 poster","Correspondence with PAFA; invoices; IPR's; internal memos; 2 envelopes of material: 1) 14 photos, 2 duplicate photos; 2) 5 photos","6 photos; 10 duplicate photos; exhibition proposal from PAFA; envelope of PAFA materials","Internal memos; notes; guest list for opening","Invitation; internal memos; guest lists; notes","Internal memos; mailings; correspondence with speakers; script copy; correspondence with PAFA; schedules","One annotated copy of catalog; checklists; notes","Catalog proofs; notes","Correspondence with visitors; correspondence with lenders; correspondence with PAFA; internal memos; exhibition contract","Invitation, catalog; correspondence with PAFA; invoices; internal memos; invitation copy; checklists; label copy","Schedule of payments; consultants; responsibilities","Correspondence with Donaldson; c.v.; notes; research; writings; drafts","Correspondence with Donaldson; c.v.; notes; research; writings; drafts","Correspondence with Corn; c.v.; notes","Correspondence with Wood; c.v.; notes","Correspondence with Davis; obituary and correspondence with wife after his death in 3/81; c.v.; notes; brochure for his book \"Intellectual Life in the Colored South\"","Correspondence with Williams; c.v.; notes","Checklists","One internal memo","One piece of correspondence with Robert Zimmerman (Baltimore Museum of Art); 2 blank travel vouchers with Zimmerman's signature \u0026 55#","Budget information; 2 invoices from Cumberland Art Conservation Center (Nashville)","Correspondence with Atlantic Van Lines; notes","Budget information; clippings \u0026 press materials related to Greek Vases","One internal memo re: promotion budget","One piece of correspondence with prospective intern; one index card with name","Correspondence with one musician; notes; scores; one internal memo re: NEA grant (denied); \"Writing Realistic Grant Budgets\" from Museum News","Interim report for NEH Grant","Correspondence with NEH; copy of grant administrator guidelines","Correspondence with Tormey re: advertising project for Philip Morris","Two blank requests; 1 complete request","Photos; [note: not all included in final exhibition]","Correspondence with various companies re: slide set duplication; invoices","Correspondence with various institutions re: potential bookings","Correspondence with institutions who declined a potential booking; internal memos","Clippings; one internal memo re: TVA","Correspondence with Coggins (Southern painting collector); correspondence with Berry-Hill Galleries re: exhibition of Coffins' collection","Correspondence with Wolfe re: possible lecture","List of proposed programs; [collection of internal memos from David Griffith inserted here]","Correspondence with American Heritage Publishing re: catalog; proofs; one internal memos \u0026 1 piece of correspondence re: Philip Morris","Brochure copy; internal memos; copies of other children's brochures","One phone message","Loan agreement; correspondence with lender (MESDA); artist worksheet","Loan agreement; correspondence with lender (Charleston Museum is lender); artist worksheet","Loan agreement; correspondence with lender (MESDA); notes; artist worksheet","Loan agreement; correspondence with lender (Muscarelle); conservation report; memo re: treatment; artist worksheet","One photo; loan agreement; correspondence with lender (Brodnax \u0026 Associates); artist worksheet","One photo; loan agreement; correspondence with lender (Brodnax \u0026 Associates); artist worksheet","Research; conservation report; artist worksheet","Correspondence with Wintherthur; artist worksheet; conservation reports","Loan agreement; correspondence with Club (lender); conservation bill","Correspondence with lender (Maria Tabb); artist worksheet; receipt","Correspondence with lender (NPG); research","Loan agreement; correspondence with VHS; research","Three photos; loan agreement; correspondence with NYPL","Loan agreement; copy of accession card","One photo; loan agreement; research; correspondence with Andrew Christian; condition report; artist worksheet","Correspondence with lender; artist worksheet; research","Correspondence with lender (Colonial Williamsburg)","Correspondence with lender (Pennsylvania Academy of Fine Arts); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","1 duplicate slide; correspondence with lender (Mordecai Square Historical Society); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","One photo; correspondence with lender (St. John's Lutheran Church, Charleston); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","13 slides; correspondence with lender (Hunter Museum of Art); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Two photos; correspondence with Cheekwood re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","One photo; correspondence with Tulane re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","7 photos; correspondence with Ulrich re: damage; loan agreements; condition reports","Four photos; correspondence with Valentine re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","One photo; correspondence with VHS re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","One photo; shipping information and receipts; condition logsheet; correspondence; loan agreements","One photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","One photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Four photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","5 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","6 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; 1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos, 1 slide, 1 duplicate transparency; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","11 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","5 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; 1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","10 photos; 1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","6 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","6 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 photo; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 photo; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","2 photos; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 photo; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","2 photos; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 slide; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Two photos; condition logs; shipping information \u0026 receipts; loan agreements; correspondence","Invoices from Atlantic Van Lines","List of lenders; correspondence; Request for Travel Authorization forms; shipping information \u0026 receipts","Invoices; correspondence; internal memos","Clippings; correspondence; internal memos; shipping information","Correspondence; checklists; shipping information","Exhibition agreement; request for travel authorizations; correspondence; shipping information; loose pages – budget information 1 copy of catalogue; checklists; forms; correspondence","Checklists; correspondence with Tabb, Brockenbrough \u0026 Ragland","Invoices; purchase orders","Invoices; checklists; budget information","Invoices; checklists; budget information","Internal memo; receipts","Internal memos; checklists; correspondence","Correspondence; budget information; internal memos; invoices; budget reports; checklists","Checklists; correspondence; invitations; internal memos; NEA Grant draft; correspondence re: opening; correspondence with Philip Morris","Internal memos; correspondence; request for travel authorization; invoices; itineraries","45 slides; correspondence with Richmond Conservation Studio (reports) – Cleo Mullins; notes; loose notes: checklists, correspondence; notes","Three of the exhibition agreements","Two photos; artist's work sheet","Correspondence with Briggs re: reproduction","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; 2 slides; correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 duplicate photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Selected bibliography copy","SEMC's 2nd annual meeting materials; Charleston materials; correspondence; request for travel funds","Correspondence with other institutions; checklists","Agenda; list of registrants","Agenda; list of registrants; notes; research copy; checklists","Agenda; list of registrants; notes; research copy; checklists","Agenda; list of registrants; notes; research copy; checklists","Agenda; list of registrants; notes; research copy; checklists","Correspondence re: ball and other programming; photocopies of pictures","Correspondence \u0026 research re: possible trips","Notes","Correspondence re: books to sell in shop; loose papers re: guest curators","Schedule of payment; responsibilities","Biographical information; research; correspondence","Biographical information; research; correspondence; research","Biographical information; research; correspondence; research","Biographical information; research; correspondence; research","Biographical information; research; correspondence; research","Budget information","Exhibition contract; internal memos; correspondence with MOMA","Exhibition contract; internal memos; correspondence","Exhibition contract; internal memos; correspondence","Exhibition contract; internal memos; correspondence","Exhibition contract; internal memos; correspondence","16 photos; invitations; correspondence","Internal memos; correspondence; budget information; IPR's; invitation copy; checklists; calendars","Correspondence; internal memos; invitation list; invoices","Clippings; correspondence; internal memos; correspondence with Forbes","Internal memos; correspondence with Forbes; IPR's; budget information; Kip Forbes' biographical information","Internal memos; checks; correspondence re: tapes","Internal memos \u0026 correspondence re: Acoustiguide","Research; Acoustiguide script","One photo; invoices; IPR's; internal memos","IPR's; correspondence with Forbes; checklists","Notes; internal memos; correspondence with Forbes; copy of 1947 Pratt announcement","Two photos","Internal memos","IPR; note","Research; program proposals; press release","Blank travel reimbursement vouchers with SSN's; meeting notes","Correspondence with Forbes mainly (also Council, conservator)","6 photos; 2 duplicate photos; guest book for visitors; correspondence from visitors; 1 copy of TVA \"Gin Game\" program; internal memos; research; clippings; IPR's; invoices; correspondence with Forbes","Weekly reports; Acoustiguide; cost reports; attendance reports","Article copy; loose book dust jacket","Checklist copy; checklist proof; loose bulletins, plus 1 piece of correspondence","Label copy; research","Label copy; label proofs","Correspondence with Forbes; correspondence with Acoustiguide; label copy; research","One photo; correspondence with CINOA; internal memos; correspondence with visitors; label copy; checklists with insurance values; clippings, invitation copy; schedules; installation drawing; budget information; correspondence re: opening; research; invoices","Internal memos","Three photos; publications catalog","Catalog copy","Correspondence with CINOA; foreword copy; checklists; internal memos","Correspondence with CINOA; internal memos","Correspondence with CINOA; clippings; notes; internal memos","Correspondence with CINOA; exhibition contract; notes; photocopies of photos of exhibition at Metropolitan Museum of Art","24 duplicate photos; 10 new photos","Correspondence; internal memos; invoices; notes; checklists [correspondence only with Kimbell]","Correspondence with Hunts; Collectors Circle invitation; clippins; checklists; internal memos","One photo; \"Ancient Art Shows Shifting Images\"; clippings; Kimbell materials, 1 copy of poster; attendance figures","Outline; correspondence with speaker; itineraries; invoices; internal memos","Two photos; copy of a review; correspondence with Kimbell; internal memos; Mayo essay copy; correspondence with Mayo; essay; reviews","Invitation; invitation copy; mailing lists; internal memos","13 slides; condition reports; correspondence with Getty conservator; correspondence with Kimbell; internal memos; research","Attendance figures","Correspondence with Kimbell; internal memos; checklists","2 photos; 19 photos; 3 drawings; checklists; purchase orders; internal memos; panel copy; label copy; correspondence with other institutions; invoices","Five duplicate postcards; correspondence with SITES (organizer); SITES material","Symposium brochure; correspondence with other institutions; correspondence with SITES; internal memos","Correspondence with Calouste Gulbenkian Museum (lender); internal memos; correspondence with IEF (organizer); IEF materials; correspondence with Lewises","Drawings (photocopies); correspondence; internal memos; checklists; label copy","Grant application (NEA); clippings; internal memos; IEF materials (including press release \u0026 fact sheet)","Exhibition contract; correspondence with Gulbenkian \u0026 IEF; internal memos","Label copy; label proofs; checklists","Correspondence between Ernst and Brown regarding being collector of the year (he declined); correspondence from Anne, which includes copies of correspondence between Lothar Griesbach (\"who edited Kirchner's Diary of Davos\") and Ernst regarding paintings the Fischers acquired before collecting Expressionists","Correspondence in the late 1970s between Pinkney and Ernst regarding his collection, including photocopies of pictures of the house taken when PN went to Frankfurt in 1976; correspondence in the mid 1980s between Pinkney and Anne regarding the museum","Typeset copy of Fred Brandt's interview with Mrs. Fischer, 32 pages","Typeset and annotated copy of Fred Brandt's interview with Simon and Fischer, 18 pages","Internal memos and correspondence regarding exhibition, including Anne to Fred, Perrot, and others","Internal memos and correspondence regarding exhibition, including Anne to Fred; correspondence between Simon and you regarding loan forms, checklist accuracy, and one photocopy of a handwritten document detailing the ownership of the collection","Internal memos and correspondence regarding the exhibition catalog","List of 27 questions for Fred's interview with Mrs. Fischer, in various forms; includes some of Fred's notes","Invitation","1 photo","Catalog","9 photos","Budget information; invoices; notes; correspondence \u0026 contracts for M.H. de Young (San Francisco) and Kimbell; notes; correspondence and invoices for author's contract","Budget information; internal memos","Correspondence; invoices; contracts for MOMA design \u0026 labor","Notes; internal memos; check requests","Brochure; internal memos; correspondence with de Young; brochure copy; Kimbell materials; 1 copy of brochure","Internal memos; correspondence with de Young; brochure copy; Kimbell materials; 1 copy of brochure","Internal memos; contract copy; correspondence with institutions; checklists","Internal memos; notes; installation drawing (copy)","Internal memos; label copy","Internal memos; attendance figures","Correspondence re: insurance","Internal memos; correspondence with Colin Morris; contract","Invoices; check requests; correspondence with institutions; internal memos","Brochure, press packet; Kimbell materials; invoices","Internal memos; correspondence with press; author C.V.'s; correspondence with authors; catalogue copy","Budget information; NEA report; internal memos","Label proofs","Internal memos; budget information; invoices; check requests; reports; catalogue copy (including checklist)","Photographs; correspondence with Trust for Museum Exhibitions (organizer); catalog copy (including checklist); 1 annotated copy of catalog","Checklists; correspondence with Trust for Museum Exhibitions; drawing (copy)","Correspondence with Trust; internal memos; correspondence re: Federal Indemnity Act; J.B. Speed materials","Internal memos; budget information; schedule","Contract; correspondence with Trust","Press release; press packet; label proofs; label copy; old correspondence with Cheek re: possible exhibition of his early Theatre drawings in 1987; internal memos; TVA materials; notes","Label proofs; clipping","Checklists; internal memos; clippings","Correspondence from visitors; internal memo re: opening","Invitation; checklist","Correspondence with IEF (circulator); contract; internal memos","Correspondence with Chester Beatty Library (organizer); correspondence with IEF; internal memos","Research","Empty folder","Five photos; IEF materials; research; installation drawing (copy); checklists; budget information; correspondence with IEF","Three photos; educational packet; SITES materials (circulator) including checklists; actual labels; internal memos; installation drawing (copy); invoices; study guide; 1 copy of brochure; 1 copy of mailing","Contract; correspondence with SITES; correspondence with Attorney General","Loan agreements; correspondence with lenders","Smithsonian mailer; internal memos; notes; clippings; correspondence; budget information; correspondence with SITES","SITES materials","8 photos; internal memos; invoices; correspondence with Craft Museum; brochure, \"Philip Morris and the Arts'; press release; craft materials","Internal memos; checklists; Craft Museum materials","Correspondence with Craft Museum; contract; invoices; internal memos","Internal memos; checklists; notes","Internal memos; correspondence with Mount Holyoke College Art Museum (organizer)","Internal memos; correspondence with Mount Holyoke; internal memos; invoices; correspondence with Attorney General; 1 copy of brochure","Internal memos; correspondence with Mount Holyoke; Mount Holyoke materials","One photo; internal memos; incident report; hygrometer readings; correspondence with lenders; correspondence with Art Gallery of Ontario (organizer); hygrometer information; piece of fabric; press kit; clippings; correspondence with Glasgow Library","Internal memo re: attendance; check copy","Internal memos; notes; correspondence with Glasgow","Contracts; internal memos; correspondence with institutions; correspondence with Attorney General; invoices","Drawings (copies); checklists; Ontario materials","Internal memos; correspondence with Ontario","Ontario materials","Checklists; Ontario materials; correspondence with Glasgow; budget information","1 photo; 1 new photo; invoices; budget information; correspondence; internal memos; 1 copy of Sept/Oct '88 Bulletin; checklists; clippings; drawings","Budget information; invitation; internal memo; label copy","Contract; correspondence with Center for African Art (organizer); correspondence with Attorney General","Catalog copy; catalog proofs; correspondence with Center for African Art","Research; article","Research; article","Research (copy of catalog article)","Label coy; research; correspondence with Center for African Art","Press release; CFAA materials; checklists","Label copy","13 photos; 2 duplicate photos","Clipping; internal memos; contract drafts; invoices; Bulletin copy; exhibition contracts","Correspondence","Correspondence","Correspondence","Two photos; contract drafts; press releases; correspondence with Attorney General","9 slides; 8 photos; drawings; invoices; correspondence with IMA [Indiana Museum of Art] (organizer); exhibition contract; catalog copy; checklists; press releases; internal memos; research; correspondence with Attorney General; 1 catalog/brochure","Checklists; notes; internal memos; correspondence with IMA; IMA materials","Label copy","21 slides; 1 transparency; 29 photos; other institutions' materials; correspondence with Philbrook (organizer); internal memos; Philbrook materials; checklists; label copy; mailing lists; Philbrook press packets; press releases","Contract; correspondence with Philbrook; internal memos","Correspondence with Philbrook; internal memos; budget information","6 photos; duplicates: brochure, invitation; media kit; internal memos; High Museum materials; Studio Museum poster; American Museum Association 1987 catalog; drawings; research","Checklists; label copy","Notes; label copy; label proofs","Internal memos","6 photos; press release (Philbrook); checklists; correspondence with AMA","Internal memos; correspondence with other institutions","Exhibition contract; correspondence with AFA \u0026 AMA","1 clipping; budget information","Internal memos; contract; correspondence; checklists","Contract; correspondence with Denver Art Museum (organizer); correspondence with Attorney General","Postcard mailing; 3 photos; internal memos; exhibition contract; drawings; 1 copy of 1990 Un/Common Ground prospectus","Contract; correspondence with Southeastern Center for Contemporary Art; AVirginia brochure","Internal memos; checklists; correspondence with SCCA; label copy; clippings; SCCA materials","1 copy of catalog; internal memos; checklists [George Cruger show]","Correspondence with Names Project; internal memos; media materials","One photo; internal memos; correspondence with Menil Collection; press releases; label copy; drawings; invoices; exhibition contract; checklists","Correspondence with Menil; label copy; internal memos; drawings; checklists, research","2 photos; checklists; label copy; internal memos; correspondence with Virginia Dept. of Education; artwork permission forms","Internal memos; invoices; correspondence with Philadelphia Museum of Art (lender)","7 photos; internal memos; invoices; label copy; press releases; budget information correspondence with Carter Collections' curator; correspondence with speaker","Internal memos; correspondence with Carter Collection; security system specs and drawings","Correspondence with MOCA Chicago (lender); label copy; internal memos; research","Internal memos; correspondence with BEST; checklists","Correspondence with AFA; drawings; AFA materials checklists; invoices; clipping","Mailing lists","Clippings; correspondence; research","Correspondence; correspondence with AFA; AFA materials","Label copy","Correspondence with AFA; research re: African dance","Correspondence; checklists; invoice","Internal memos; correspondence with AFA; correspondence with videographer and contract","Internal memos; research; events listing","Internal memos; correspondence with AFA","Internal memos; contract; budget information; invoices; correspondence with AFA","Notes; internal memos","Checklists; correspondence with AFA","Checklists; label copy","Checklists; correspondence with AFA","Checklists","Checklists","Empty folder","Clippings","Clipping","Label copy","Brochure; correspondence; budget information; drawings; mailing list","Internal memos; correspondence with LACMA (organizer); brochure copy","Correspondence with LACMS; contract; correspondence with Attorney General; research; budget information; correspondence with David Foundation","Two photos; internal memos; press release; checklist; correspondence with LACMA; correspondence with David Foundation","MIT mailer; internal memos; clipping; budget information","Contract; correspondence with MIT list Visual Arts Center (organizer); correspondence with Attorney General; internal memos","MIT materials (including checklist); correspondence with MIT; internal memos","Correspondence with MIT; internal memos","Two photos; 4 slides; internal memos; budget information; notes; checklist; drawings","Internal memos; checklists; correspondence with Laguna Art Museum (organizer); Laguna materials (including press release, clippings)","Correspondence with Laguna; contract; internal memos; correspondence with Attorney General","Checklist; correspondence with AIA; internal memos; correspondence with architects","Correspondence with Baskervill \u0026 Son; internal memos; checklists; label copy","Internal memos; correspondence with St. Catherine's (lender); checklists","Internal memos; budget information; label copy; catalog copy; invitation copy; clippings; biographical information; checklists","Internal memos; checklists; label copy; correspondence with Council; 1 copy of catalog","Label copy; checklists; internal memos","Checklists; notes; catalog proofs","Internal memos; budget information","Internal memos; checklists; label proofs; drawings; invitations","Internal memos; schedules; clippings; prospectus; press release; checklist proofs; drawings","Internal memos; budget information; correspondence with lenders","Internal memos","Press release; internal memos; invoices; mailer; contract; budget information","Panel \u0026 label copy \u0026 proofs; drawings","Internal memos; invoices; checklists; correspondence with lenders; budget information; clippings","Internal memos; press release; DIA materials (organizer); budget information; drawings; contract","Internal memos; correspondence with DIA; invoices; correspondence with Attorney General; checklists","Internal memos; correspondence with DIA; checklists","Exhibition contract; correspondence with DIA","Three photos; duplicates: clipping; clippings; internal memos; checklist; exhibition contract; invoices; correspondence with LACMA (organizer); 1 copy of Councillor (Spring '90)","Budget information; correspondence with LACMA","Clippings; internal memos","Internal memos","Mailing list for gala","Correspondence with LACMA; checklist","Mailers; internal memos; correspondence with LACMA; correspondence with lenders; LACMA materials; internal memos","Checklists","Checklists","Internal memos; drawings; schedules; correspondence with LACMA","Panel and label proofs","Label copy","Invoices; internal memos; layouts; meeting reports","Correspondence with Albemarle Farms; internal memos; clippings; invoices; press release; correspondence with Kluges; correspondence with conservator; drawings","Internal memos; clippings; correspondence with Philbrook; shipping information; budget information; drawings","Internal memos; drawings","Internal memos; checklists; correspondence with Virginia Department of Education","Guest book; notes; press release; drawings; invitation; clippings; internal memos; hygrometer readings; contract; correspondence with National Trust for Exhibitions (organizer)","Correspondence with Trust for Museum Exhibitions; internal memos; mailing list","Internal memos; drawings; sales records; script copy; correspondence","Usage statistics; tour schedules; internal memos; correspondence","Invitation; correspondence with Trust for Museum Exhibitions; 1 copy of CMA brochure; Acoustiguide materials (contract, usage statistics, correspondence); budget information; notes; internal memos; hygrometer readings; clippings; tour statistics","Publications' materials (including schedules \u0026 drafts \u0026 copy); internal memos; 1 copy of honor roll card","Correspondence with Trust for Museum Exhibitions; correspondence with lenders; internal memo","Internal memos; correspondence with Trust; drawings; checklists","Contracts; correspondence with Trust; internal memos","Internal memos; correspondence with Trust; scripts; narrator biographical information; tour lists","27 slides; press release; drawings; invoices; label proofs; correspondence with Walter Art Center (organizer); Walker materials; internal memos; brochure","Internal memos; correspondence with Walker; Walker materials","Exhibition contract; internal memos; correspondence with Walker; checklists; invoices","Slides; internal memos; label copy; invitation copy; Art Services International materials; correspondence with Terra (another venue); correspondence with ASI; notes; budget information; correspondence with Maier; checklists; research; contract; 1 copy of invitation","Internal memos; budget information","2 photos; label copy; correspondence with Royal Collection; hygrometer readings; attendance figures; clippings; drawings; budget information; contract; correspondence","Internal memos; correspondence; correspondence with Embassy; 1 copy of invitation; correspondence with Kimbell (another venue); correspondence with Royal Collection","Invoices; internal memos; correspondence","Empty folder","Photographs; internal memos; invoices; correspondence with Royal Collection; hygrometer readings; checklists","Correspondence with Royal Collection; checklists; internal memos; label proofs","Xeroxes of photos","Correspondence with Royal Collection; label copy","Contracts; internal memos; correspondence with Kimbell; correspondence with Royal Collection","Invoices; internal memos; correspondence; correspondence with Royal Collection; checklists","Internal memos; label copy","Panel and label proofs; checklists; internal memos","Internal memos; George Eastman House materials (organizer); correspondence with GEH; invoices; exhibition contract","30 slides; 6 duplicate slides; invitations; exhibition contract; internal memos; correspondence with Dallas (organizer); checklists; Dallas materials","Internal memos; drawings","Drawings; internal memos; correspondence with Dallas; checklists; label copy","Internal memos; correspondence with Dallas; checklists; publications copy","Brochure; internal memos; press releases; invitations; clippings; publications copy","Internal memos; checklists; other institutions' materials","High Museum press kit; brochure; docent training packet; 5 ¼\" floppy with labels","Internal memos; label copy; correspondence with institutions","Panel \u0026 label proofs \u0026 copy","Internal memos; panel \u0026 label proofs; press release; correspondence with Virginia Department of Education; checklists","Internal memos; layout","One slide; duplicates: brochure, checklists, 2 summaries; St. Petersburg Museum of Fine Arts press kit; press release; internal memos; exhibition contract; correspondence with St. Petersburg; correspondence with Attorney General","Budget information; drawings; internal memos; correspondence with St. Petersburg; research; label proofs \u0026 copy","Correspondence with St. Petersburg; invitation; internal memos; correspondence with Belmont","Internal memos; brochure; invitation; St. Petersburg materials; research","Label \u0026 panel proofs \u0026 copy; correspondence; invoice","Internal memos; checklists; label \u0026 panel proofs \u0026 copy","Internal memos; correspondence with sponsor; label \u0026 panel proofs; other catalogs; research","One photo; catalog; NSAL materials; research, correspondence with NSAL; internal memos; checklists; loan agreements; 1 copy of \"The Luxury of Tears\" – winning stories from NSAL competition; publications copy","Panel, label \u0026 catalog proofs \u0026 copy","Four photos; invoices; internal memos; correspondence with Rijksdienst; loan agreement","Three photos; internal memos; correspondence with Rijksdienst; label proofs","Correspondence with UVirginia re: possible showing; drawing","Checklists; drawing; catalog copy","Internal memos; Bayly label proofs; drawings; correspondence with Bayly; checklists","Clippings; internal memos; notes; invoices; panel copy; checklists; research","Invitation; internal memos; invoices; budget information; contract; layouts; correspondence with other institutions; exhibition proposal","1989 catalogue; checklists; label proofs; drawings; correspondence with Council","Brochure; guidelines; internal memos; drawing; invitation","Checklist","Checklists; internal memos","Correspondence with Council; drawings","Checklists; internal memos; correspondence with Council","Six photos; internal memos; layouts; checklists; brochure","Brochure; 40 slides, photographs; internal memos; drawings; correspondence with Trust for Museum Exhibitions (circulator); checklists; Trust for Museum Exhibitions materials; Trust press kit; panel \u0026 label proofs; exhibition contract","Internal memos; correspondence with Trust; invoices","Invoices; internal memos; correspondence with Trust; clippings; checklists","Exhibition contract; invoices; internal memos","This series is comprised of information regarding general exhibition management. Information may include correspondence, exhibition schedules and programming, long term planning, potential partnerships with other organizations, exhibition committees, couriers, grant applications, protection of artwork, collectors, and reports. Files on potential exhibitions conceived by the museum but never presented are also included.","This series is comprised of information on gallery renovations, installations, reinstallations, fire suppression studies and hazard analyses, storage policies, and other related buildings and grounds files.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Virginia Museum of Fine Arts -- Exhibitions","Virginia Museum of Fine Arts -- Art collections","English \n.    "],"unitid_tesim":["RG-23","/repositories/2/resources/355"],"normalized_title_ssm":["Records of the Exhibitions Department (RG-23)"],"collection_title_tesim":["Records of the Exhibitions Department (RG-23)"],"collection_ssim":["Records of the Exhibitions Department (RG-23)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Virginia Museum of Fine Arts"],"creator_ssim":["Virginia Museum of Fine Arts"],"creator_corpname_ssim":["Virginia Museum of Fine Arts"],"creators_ssim":["Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"has_online_content_ssim":["false"],"extent_ssm":["193.0 Linear Feet 265 boxes"],"extent_tesim":["193.0 Linear Feet 265 boxes"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. \u003c/p\u003e\n","\u003cp\u003eAs custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records.\u003c/p\u003e\n","\u003cp\u003eSeries 3 (Collections Management) is restricted as they contain sensitive information about acquisitions, insurance, security, and other issues related to the museum's art collection. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is minimally processed. Requests to perform research must be submitted to the VMFA Archives at least three business days in advance. ","As custodians of public records, VMFA only restricts access to public records when sensitive information is present. Such restrictions are applied in accordance with the Virginia Freedom of Information Act (Code of Virginia, § 2.2-3700 thru § 2.2-3714) and the Government Data Collection and Dissemination Practices Act (Code of Virginia, § 2.2-3800 thru § 2.2-3809). Both Museum staff and the public may need written permission from the Director to view certain restricted records.","Series 3 (Collections Management) is restricted as they contain sensitive information about acquisitions, insurance, security, and other issues related to the museum's art collection. "],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 4 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series. The collection is minimally processed, so folder arrangement, titles, or dates are subject to change if additional processing occurs.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eExhibition Files, 1936-2012, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eExhibitions Management, 1936-2015, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eCollections Management, 1977-2004, undated [RESTRICTED]\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eGalleries, 1977-2004, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 4 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end at each series. The collection is minimally processed, so folder arrangement, titles, or dates are subject to change if additional processing occurs.","Series 1 Exhibition Files, 1936-2012, undated Series 2 Exhibitions Management, 1936-2015, undated Series 3 Collections Management, 1977-2004, undated [RESTRICTED] Series 4 Galleries, 1977-2004, undated"],"bibliography_html_tesm":["\u003cbibref\u003eMany of the museum's exhibitions have published catalogs, which can be found in the Library's catalog \u003ca href=\"http://www.pandora.vmfa.museum/\"\u003ePandora\u003c/a\u003e or in the Archives \u003ca href=\"https://archives.vmfa.museum/repositories/2/resources/57\"\u003eCatalog Collection (PB-01)\u003c/a\u003e. \u003c/bibref\u003e","\u003cbibref\u003eFor each exhibition held at the museum, the Archives has a vertical file which may include announcements, clippings, press releases, brochures, reviews, invitations, small exhibition catalogs, and other ephemeral material. \u003c/bibref\u003e","\u003cbibref\u003e Some early exhibition records are found in the Archives \u003ca href=\"https://archives.vmfa.museum/repositories/2/resources/44\"\u003eDirector's Correspondence (RG-01)\u003c/a\u003e and curators often created their own exhibition records which are found in the Archives \u003ca href=\"https://archives.vmfa.museum/repositories/2/resources/24\"\u003eCuratorial Collection (RG-03)\u003c/a\u003e.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library and Archives"],"bibliography_tesim":["Many of the museum's exhibitions have published catalogs, which can be found in the Library's catalog  Pandora  or in the Archives  Catalog Collection (PB-01) . ","For each exhibition held at the museum, the Archives has a vertical file which may include announcements, clippings, press releases, brochures, reviews, invitations, small exhibition catalogs, and other ephemeral material. "," Some early exhibition records are found in the Archives  Director's Correspondence (RG-01)  and curators often created their own exhibition records which are found in the Archives  Curatorial Collection (RG-03) ."],"custodhist_html_tesm":["\u003cp\u003eThe collection was transferred from the Exhibitions Department through periodic deposits.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was transferred from the Exhibitions Department through periodic deposits."],"prefercite_html_tesm":["\u003cp\u003eRecords of the Exhibitions Department (RG-23). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Records of the Exhibitions Department (RG-23). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThis collection was originally processed from June through August 2011, and then reprocessed in 2016. During processing, non-permanent materials such as copies of meeting minutes, routine correspondence, copies of invoices, departmental budgetary information, and declined exhibition proposals were destroyed according to VMFA's Records Retention and Disposition Schedule. Periodicals, books, and exhibition catalogs were transferred to the Library's collection. All files before 1980 were rehoused in new archivally sound folders. Original folder titles were generally retained, when provided.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was originally processed from June through August 2011, and then reprocessed in 2016. During processing, non-permanent materials such as copies of meeting minutes, routine correspondence, copies of invoices, departmental budgetary information, and declined exhibition proposals were destroyed according to VMFA's Records Retention and Disposition Schedule. Periodicals, books, and exhibition catalogs were transferred to the Library's collection. All files before 1980 were rehoused in new archivally sound folders. Original folder titles were generally retained, when provided."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1936-2015, with the bulk of the material dating from 1979-2004. The collection is comprised of correspondence, exhibition schedules, budgets, grant applications, photographs, object lists, notes, collection statements, planning documents, project files, policies, loan arrangements and decisions, and other materials.\u003c/p\u003e","\u003cp\u003eThis series is comprised of information regarding exhibitions that were held at the VMFA. Files may include correspondence, schedules, contracts, photographs and slides, installation drawings and procedures, label and catalog text, budgets and invoices, insurance, venue information, and publicity.\u003c/p\u003e","\u003cp\u003eEntry card with tear-off for back of work; catalog; announcement\u003c/p\u003e","\u003cp\u003eCopies of checklists, shipping lists and prices (for sale); exhibition circulated by Art Institute of Chicago\u003c/p\u003e","\u003cp\u003eCatalog; packing list with values, 2 different ones\u003c/p\u003e","\u003cp\u003eProspectus of season, 1937-1937; large typed, spring bound copy of annotated text for inaugural exhibition catalog containing: catalog of paintings in the Museum, budget materials for exhibition, timeline of early Museum, all types of exhibition materials, gallery layout and drawings\u003c/p\u003e","\u003cp\u003eInvitation; copy of Strause Collection catalog; 1936-37 prospectus of program; 1958 letter between Muriel Christison \u0026amp; Oscar Lang of Minneapolis re: Strause exhibition\u003c/p\u003e","\u003cp\u003eEntry blank; prospectus/rules; catalog/ invitation/mailing label; submission tag; generic letter for Virginia photo clubs or possibly for shops to request submissions\u003c/p\u003e","\u003cp\u003eInvitation; catalog; inventories from the exhibition; catalog copy; copy of foreword (typed); letter from Margaret May Dashiell who loaned items; lots of correspondence from all over the country; lists of sponsors\u003c/p\u003e","\u003cp\u003eExtensive correspondence regarding memorial committee and its purchase of a memorial; his works; and fundraising efforts; Colt was treasurer. The Committee also paid off all of the debts for Walker's illness, donations coming from across the country. Thank you letters in alpha order, hundreds of them, plus originals from donators; a few have copies of bookplates attached; original loan requests and replies; original Christmas card with Walker print of a home in Connecticut (1931) and a memorial card that he created in 1936\u003c/p\u003e","\u003cp\u003eInvitation; catalog; list of paintings from Burch and Schulze with dimensions\u003c/p\u003e","\u003cp\u003eInvitation; list of pieces to be shipped from Shearwater Pottery, with coding to indicate glazes\u003c/p\u003e","\u003cp\u003eCopies of inventories, plus amendment, text; mainly correspondence regarding loans including shipping receipts\u003c/p\u003e","\u003cp\u003eCatalog, entry card, invitation, announcement; 1 copy of 5th catalogue (1936); Colt's notes\u003c/p\u003e","\u003cp\u003eCorrespondence with artist; catalog copy; checklists (some with prices)\u003c/p\u003e","\u003cp\u003e1 photograph; duplicates: announcement, patron card (sent with invitation); correspondence with artist; shipping information and receipts; budget information; catalog proofs; schedules; invitation list; 1 copy of catalogue; list of sales\u003c/p\u003e","\u003cp\u003eInvitation; copies of inventories with insurance values; single copy of catalog\u003c/p\u003e","\u003cp\u003eNewspaper clippings; genealogical charts; typed copy of article, \"Colonel William Byrd of Westover,\" by Lucy Parke Byrd\u003c/p\u003e","\u003cp\u003eLetters of solicitation (ex.: one to O'Keeffe); shipping/return correspondence; correspondence with jurors (including Hopper) including discussion of invited artists list; rough draft of jury selection rules; correspondence with galleries (mainly in New York City) for artists to enter competition\u003c/p\u003e","\u003cp\u003eInvitation; card of admission; information request postcard; thank you card; entry card (regular-red); entry card (invited-orange); receipt card; announcement; rejection notification; list of 125 paintings invited and accepted; prospectus; jury memorandum; list of invited artists divided by gallery; list of deliveries for return of paintings\u003c/p\u003e","\u003cp\u003eHundreds of rejection forms with return shipment affirmation signed below (includes artist name and title of work)\u003c/p\u003e","\u003cp\u003eInvitation; World's Fair circular of information; list of paintings to be included; World's Fair circular of information (8 pages); Adele Clark and Leslie Cheek on panel for southern states; reports to Colt on state committees\u003c/p\u003e","\u003cp\u003eOne copy of catalog\u003c/p\u003e","\u003cp\u003eOne copy of catalog\u003c/p\u003e","\u003cp\u003eOne copy of catalog\u003c/p\u003e","\u003cp\u003eOne copy of catalog\u003c/p\u003e","\u003cp\u003eCatalog; letter from Anne Moncure to Colt explaining pictures; typed copy of \"History of Ambler Family\" by J.J. Ambler, 1826; list of portraits; typed copy of catalog text; 4 photographs of portraits - Katherine, William, and St. George Moncure, grandchildren of Colonel John Ambler; Mary Cary, wife of Edward Ambler; Colonel John Ambler; wife of Dr. Peterfield Trent and his two daughters\u003c/p\u003e","\u003cp\u003eOne copy of catalog; list of paintings; 1 letter\u003c/p\u003e","\u003cp\u003eOne copy of catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with jurors\u003c/p\u003e","\u003cp\u003eCorrespondence with Committee of Virginia Artist Commission; correspondence with artists submitting models; rejection letter; shipping correspondence; invoices; correspondence with U.S. Department of the Interior, NPS, Fredericksburg; correspondence with Virginia Conservation Commission; Correspondence with Douglas Southall Freeman, Editor of the Richmond News Leader; correspondence with National Sculpture Society, Commission for the Arts, and Senator John Warwick Rust; loan of a portrait of Stonewall Jackson from Adler in NYC; correspondence with Leslie Cheek, the Sons of Confederate Veterans; news release; planning and invitations for the preview; correspondence with the United Daughters of the Confederacy and with Joseph Pollia, the winner\u003c/p\u003e","\u003cp\u003eEntry card; invitation to meet the jurors; invitation to preview of models; announcement; map of site; news release; list of members of Sculptors Guild; Pollia's curriculum vitae\u003c/p\u003e","\u003cp\u003eOne copy of catalog\u003c/p\u003e","\u003cp\u003eInvitation, catalog; text of catalog with drawings of mock-up and list of drawings\u003c/p\u003e","\u003cp\u003eAnnotated catalogs of early shows, correspondence with Mrs. Holden, shipping information\u003c/p\u003e","\u003cp\u003eCatalog, invitation; typed biography in first person, list of paintings, curriculum vitae\u003c/p\u003e","\u003cp\u003eCorrespondence with Pan American Union in D.C.; Comisión Nacional de Bellas Artes; shipping information; correspondence with Governor; Department of State; national press (Time, New York Times, Town \u0026amp; Country, Antiques Magazine, Washington Post, United Press); copies of speech materials for guests at preview; letter from Emilio Pettoruti\u003c/p\u003e","\u003cp\u003eAnnouncement; banner; one catalog; solo copies of invitations to preview and meet the Ambassadors at the Commonwealth Club\u003c/p\u003e","\u003cp\u003eInventories with sizes, values and damages noted; customs forms; shipping information; annotated catalog\u003c/p\u003e","\u003cp\u003eCorrespondence, speech copy\u003c/p\u003e","\u003cp\u003eCorrespondence with L.B. Houff at the American Federation of Arts; shipping information\u003c/p\u003e","\u003cp\u003eCorrespondence with Klapperach; Argentine government participation; New York World's Fair 1939; speech copy; foreword copy; shipping information\u003c/p\u003e","\u003cp\u003eShipping receipts, packing lists; lists of addresses of sponsors, lenders, press, museums, invitation lists\u003c/p\u003e","\u003cp\u003eCorrespondence with Marval, Commissioner General of Argentine government; participation; shipping information; planning information; customs and sales information\u003c/p\u003e","\u003cp\u003eInvitation list; art critics list; memos; schedule of radio program and typed text; Commonwealth Club menu; speech texts\u003c/p\u003e","\u003cp\u003eInventories of paintings that would go from New York to San Francisco to Riverside Museum; correspondence with Museum about shipping; shipping receipts\u003c/p\u003e","\u003cp\u003eFreight bills; shipping receipts, correspondence with Treasury Department; customs forms, inventories with values\u003c/p\u003e","\u003cp\u003eCorrespondence with Alexander Weddell and J. A. de Marval\u003c/p\u003e","\u003cp\u003eOriginal mounted drawing by Leslie Cheek, Jr. for exhibition panels\u003c/p\u003e","\u003cp\u003eComments of the jury; award speech; copy of thank you letters; requests for catalogs, purchase information; publicity information; invitation lists; inventories; correspondence with artists; correspondence with jurors\u003c/p\u003e","\u003cp\u003eRejection letter; prospectus; \"an invitation,\"; invitation; receipt card; entry card (invited-yellow); entry card (regular-red); acceptance card; news releases; prospectus; catalog copy; comments of the committee; memos\u003c/p\u003e","\u003cp\u003eBound, typed list by gallery; inventories; correspondence with galleries and artists\u003c/p\u003e","\u003cp\u003eCorrespondence with jurors\u003c/p\u003e","\u003cp\u003eOne copy of catalog\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with Mrs. De Marclay\u003c/p\u003e","\u003cp\u003eCorrespondence; checklist; shipping information\u003c/p\u003e","\u003cp\u003eOne copy of catalog; gallery layout; mailer text; catalog listing; biographical text; artist's statement\u003c/p\u003e","\u003cp\u003eInvitation; catalog; correspondence with Adele Williams; inventories; biographical information; catalog text\u003c/p\u003e","\u003cp\u003eInvitation; catalog; correspondence with Willingham; shipping information and receipts\u003c/p\u003e","\u003cp\u003eInvitation; one copy of catalog; correspondence with Binford and lenders; shipping information; inventories with values; shipping information; gallery correspondence; catalog text\u003c/p\u003e","\u003cp\u003eInvitation; catalog; inventories, text copy, values, text of radio announcements/interviews; loan correspondence; galley proofs of label copy by Edward Davis\u003c/p\u003e","\u003cp\u003eInventory lists including insurance values; list of items by lenders; hundreds of shipping receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with galleries, dealers, and collectors/lenders; catalog proof\u003c/p\u003e","\u003cp\u003eInvitation; catalog; catalog copy, curriculum vitae; copy of Colt's introduction\u003c/p\u003e","\u003cp\u003eCatalog; invitation; catalog copy; biographical information\u003c/p\u003e","\u003cp\u003eCorrespondence with Chrysler, Fox (curator), publicity people. Walter P. Sr. died in August of 1940, shipping and insurance information; inventories with values; opening plans; list of news and magazine articles (extensive)\u003c/p\u003e","\u003cp\u003eCocktail invitation; preview invitation; supper invitation; annotated proofs\u003c/p\u003e","\u003cp\u003eInventories; values annotated with van assignments (from NYC to Richmond \u0026amp; Richmond to Philadelphia); shipping and storage receipts and contracts; letter from Parke-Bernet in 1945 asking for prints as they were selling part of collection\u003c/p\u003e","\u003cp\u003eCorrespondence with Fiske Kimball, Director of Philadelphia Museum of Art re: shipping, insurance, inventories, division of cost\u003c/p\u003e","\u003cp\u003eInventories; radio program transcript; party list; invitations list; hostess list; timelines, schedules, memos, Leger came!\u003c/p\u003e","\u003cp\u003ePlan \u0026amp; prospectus re: showing his collection in South America; correspondence with Fox and Chrysler. Executive Committee turned it down\u003c/p\u003e","\u003cp\u003eOne copy of invitation and one copy of catalog\u003c/p\u003e","\u003cp\u003eInvitation; catalog copy and proof; inventory with values; correspondence with Concetta; shipping information; correspondence regarding publicity; correspondence re: broken statue and payment\u003c/p\u003e","\u003cp\u003eCatalog copy; one invitation; one copy of catalog; biographical data\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with jurors; letters to publicity; correspondence with galleries; shipping information; list of awards; clippings; rejection postcard; one entry card; one catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with Federal Works Agency; with institutions before (with Lyman Allyn Museum, New London, CT) and after (with Institute of Modern Art, Boston) traveling exhibition; invitation list; correspondence with Richmond Housing Authority, decision later in favor of Housing Authority in Norfolk instead of Boston\u003c/p\u003e","\u003cp\u003eCorrespondence with Riverside Museum, lenders; 1 invitation\u003c/p\u003e","\u003cp\u003eCorrespondence with Cincinnati Museum of Art, lender; installation; instructors; shipping information; news releases; invitations to college all over the state for preview; inventories; one invitation\u003c/p\u003e","\u003cp\u003eInvitation; catalog; catalog copy; biographical information; correspondence with Hattorf\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with artist; catalog copy; 1 catalog\u003c/p\u003e","\u003cp\u003eInvitation; catalog; correspondence with artist; biographical information; catalog copy; letters to publicity\u003c/p\u003e","\u003cp\u003eInvitation; catalog; catalog copy; biographical information; correspondence with artist and gallery\u003c/p\u003e","\u003cp\u003eList/receipts of items taken by Henry P. Strause from VMFA; annotated lists of items deposited at VMFA from H.P.S. for loan exhibition; numerous warehouse receipts\u003c/p\u003e","\u003cp\u003ePennsylvania Society catalog (1933); inventories by artist with values; correspondence; research\u003c/p\u003e","\u003cp\u003eInvitation; research correspondence to locate miniatures (potential lenders); catalog copy\u003c/p\u003e","\u003cp\u003eReceipts; inventories; index cards with owner's name \u0026amp; address (some with date stamp)\u003c/p\u003e","\u003cp\u003eAll receipts (large quantity), some with 2 copies, some with correspondence, some with shipping receipt from mail\u003c/p\u003e","\u003cp\u003eCatalog copy; invitation list; correspondence with state planning board, 1 copy of catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with Mrs. Myers, widow of the artist and Landgren, dealer for Newman; clippings, inventories with values; correspondence with Whitney, where Myers exhibition originated; correspondence with potential lenders for Newman; shipping information; insurance information; catalog copy; Invitation; annotated catalogs; Whitney catalogs; Knoedler catalog; loan/shipping receipts; invitation list; inventories with values; correspondence with publicity; catalog copy; inventories by institution\u003c/p\u003e","\u003cp\u003eInvitation; proof of catalog; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with artists, both accepted and rejected; shipping information; correspondence regarding damage, (notation at bottom of letters in unusual style, coding maybe)\u003c/p\u003e","\u003cp\u003eBound pages from gallery trip to NYC and consequent invited artists list; correspondence with galleries; letters to invited artists; shipping information \u0026amp; receipts; correspondence with jury, (Charles Burchfield declined but raved about it; George Grosz declined with a beautiful signature.)\u003c/p\u003e","\u003cp\u003eAll regret letters, signed by artist/agent/owner, and returned to VMFA (hundreds of them); some with handwritten notes, (H.P. Sargeant very upset.)\u003c/p\u003e","\u003cp\u003eInvitation; entry card (invited-yellow); entry card (regular-white); \"Good and Bad News Night\" (yellow trifold); prospectus; acceptance card; rejection card; memo for the evening; news release (3/3/42); annotated catalog with prices; correspondence with hosts; speech copy; news releases; list of artists by state; inventories; jury comments; values on inventories\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with artist; biographical information; catalog copy; 1 copy of invitation\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with artist; catalog copy; correspondence at sales; 1 copy of invitation\u003c/p\u003e","\u003cp\u003eInvitation; first exhibition to include correspondence from Mrs. Pollard; inventories, correspondence; invitations; shipping information\u003c/p\u003e","\u003cp\u003eCorrespondence with Museum of Modern Art that was circulating exhibition; shipping information; contract; 1 copy of invitation\u003c/p\u003e","\u003cp\u003eCorrespondence; invitation; Lenox catalog; a few Mint Museum catalogs; correspondence with artist; inventories; catalog copy\u003c/p\u003e","\u003cp\u003eCorrespondence; guest lists; inventories with values; Commonwealth Club menu; catalog copy; shipping information; black and white photo of \"Boys\"\u003c/p\u003e","\u003cp\u003eCorrespondence with artist; letters from Theresa Pollak; inventories with prices; shipping information; biographical information; reimbursement request; copy of bulletin\u003c/p\u003e","\u003cp\u003eCatalog; inventories with artist biographies (ie: partially or congenitally blind, age); correspondence with originator (Lowenstein); traveling loan contract; critics' statements\u003c/p\u003e","\u003cp\u003eSan Francisco Art Association bulletins; correspondence with artist; inventories; invitation; catalog; shipping information; catalog copy; various Artists' Guild of Washington materials (he was President)\u003c/p\u003e","\u003cp\u003eInvitation; one copy of catalog; inventories with values and receipts\u003c/p\u003e","\u003cp\u003eInvitation; clipping on his death; correspondence\u003c/p\u003e","\u003cp\u003eInvitation; one copy of catalog; catalog proof; various other catalogs \u0026amp; announcements; correspondence with vendors; shipping information\u003c/p\u003e","\u003cp\u003eClipping; correspondence with lenders; shipping information\u003c/p\u003e","\u003cp\u003eInvitation; one copy of catalog; correspondence\u003c/p\u003e","\u003cp\u003eCorrespondence with artist; inventories with values; biographical information; catalog copy; 1 copy of catalog and invitation.\u003c/p\u003e","\u003cp\u003eRadio broadcast transcript; catalogs of other show; clippings (both from Cincinnati Museum); MFA Boston materials; catalog copy; invitation lists; correspondence; MFA Boston catalog; VMFA catalog and proof; shipping information from Boston; inventories\u003c/p\u003e","\u003cp\u003eCorrespondence; shipping information; annotated catalog; radio transcript; insurance information\u003c/p\u003e","\u003cp\u003eAnnouncement (trifold); 1 catalog; correspondence; catalog proof; inventories with prices; catalog copy; jury correspondence; correspondence with publicity; shipping information; 1 invitation\u003c/p\u003e","\u003cp\u003eInvitation; catalog proof; 1 letter\u003c/p\u003e","\u003cp\u003eInvitation; catalog copy; correspondence with artist; inventory with prices; 1 catalog\u003c/p\u003e","\u003cp\u003eCatalog; invitation; correspondence; research; shipping information; catalog proof; catalog copy\u003c/p\u003e","\u003cp\u003eArticle; correspondence with American Federation of Arts; inventory with values; other catalogs; loan agreement; shipping information; research; installation drawing; clipping; transcript of lecture on Chinese painting\u003c/p\u003e","\u003cp\u003eAnnouncement; photographs of winners; correspondence; ArtNews issue (October 1-4) 1943; inventories with prices\u003c/p\u003e","\u003cp\u003eInvitation; catalog; catalog copy; clipping; correspondence; research; RISD \"Museum Notes,\" 1943; shipping information\u003c/p\u003e","\u003cp\u003eInvitation; catalog copy; correspondence; inventory with price list\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with other museums; itinerary copy; research; catalog copy; inventories with prices; shipping information\u003c/p\u003e","\u003cp\u003eCorrespondence (mainly with Metropolitan Museum of Art)\u003c/p\u003e","\u003cp\u003eCorrespondence (mainly with Metropolitan Museum of Art)\u003c/p\u003e","\u003cp\u003eInventories; correspondence; shipping information\u003c/p\u003e","\u003cp\u003eInvitation; news release; correspondence; correspondence with publicity and with lender (UVirginia)\u003c/p\u003e","\u003cp\u003eInvitation; catalog proof; other catalogs; correspondence; correspondence with lecturer; correspondence at preview; correspondence with publicity; loan correspondence \u0026amp; requests; shipping information; research on pieces; catalog copy; inventories; catalog; loan forms; annotated catalog; shipping receipts\u003c/p\u003e","\u003cp\u003eCatalog; invitation; invitation list; correspondence; catalog copy; inventories with values; shipping information; insurance information\u003c/p\u003e","\u003cp\u003eCatalog correspondence; clippings; catalog copy; speech copy; inventories with publication date; correspondence with lenders and publicity; shipping receipts later too (1956)\u003c/p\u003e","\u003cp\u003eProspectus; annotated catalog; catalog copy; shipping list; inventories with prices\u003c/p\u003e","\u003cp\u003eCatalog; news releases; fact checking cards; bound copy of lists by dealer; clippings, voting information; invitation; catalog proof; timeline; prospectus copy; correspondence; artists' c.v.'s; dealer catalogues and correspondence; inventories with values; transcripts of publicity; speech notes; catalog copy; lists of accepted and invited artists (Virginia separate); shipping information and receipts; correspondence with publicity; correspondence with jury; prospectus\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with artist; biographical information; catalog copy; inventories with prices\u003c/p\u003e","\u003cp\u003eCatalog; announcement\u003c/p\u003e","\u003cp\u003eAnnouncement; catalog; invitation; catalog copy; lecturer c.v.; lists of institutions; list of works by institution; label copy; annotated catalog; inventories with prices; correspondence with institutions; correspondence with jury; shipping information\u003c/p\u003e","\u003cp\u003eAnnotated catalog; correspondence with artist; inventory; research; gallery layout diagram; price list; 1 catalog\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with Netherlands Information Bureau; other catalogs; checklists; shipping information \u0026amp; receipts (from before \u0026amp; after museums; correspondence with ambassador who spoke; lecture text; 1 copy of handwritten invitation to dinner with Governor Darden\u003c/p\u003e","\u003cp\u003eCatalog; 1 invitation; correspondence with artist; inventories; catalog copy; price information\u003c/p\u003e","\u003cp\u003eInvitation; catalog; catalog copy; correspondence; copies of \"Information Bulletin: Embassy of the Union of Soviet Socialist Republics\"; loan requests (including A La Vieille Russie); traveling exhibition contracts; shipping information and receipts (with before and after museums); inventories; other catalogs; price information; loan forms; annotated catalogs; original copy of \"The Schaffer Collection of Authentic Imperial Russian Art Treasures\"; correspondence with Ray Schaffer and others at ALVR regarding exhibition arrangements (no mention of Pratt) and damage to Faberge topaz vase\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with National Gallery (lender); insurance values and contracts; shipping information and receipts; gallery layout; catalog copy; research; loan requests\u003c/p\u003e","\u003cp\u003eCorrespondence from Davis, the VMFA Curator, with lenders to the exhibition with last names beginning with A-H; proof of article by Davis in Commonwealth Magazine; copy of text of article\u003c/p\u003e","\u003cp\u003eCorrespondence from Curator Davis and sometimes the Director with lenders to the exhibition with last names beginning with I-Z; copy of information releases re: survey\u003c/p\u003e","\u003cp\u003eCorrespondence with National Gallery Director (they had an exhibition at the same time); correspondence with Weddell (exhibition did not take place); copies of letters sent to the executive committee to explain decision\u003c/p\u003e","\u003cp\u003eCopies of plan; correspondence with Weddell re: all the research that went into the aborted exhibition; correspondence with Mexican museums; Mrs. Whitman's reports on artists and museums' holdings\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders \u0026amp; galleries; inventories with prices; shipping information and receipts (loans before and after)\u003c/p\u003e","\u003cp\u003eCopies of labels on prints from National Gallery; inventory and instructions; shipping information (both before and after)\u003c/p\u003e","\u003cp\u003eCivilian Open Air Art Sale announcement; copy of \"War Art: A Catalogue of Paintings Done on the War Fronts by American Artists for Life,\" including Barse Miller and Paul Sample; catalog copy; inventories; copy of \"Traveling Exhibitions,\" catalog by the AFA's National Exhibition Service; correspondence; 5 photographs of items in exhibit; copy of catalog, \"Art Exhibition by Men of the Armed Forces\"; shipping information and receipts; exhibition agreement; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eCopies of shipment return forms for paintings not chosen for 4th Biennial of Contemporary Art, many with comments, signed by artist/agent; inventory of paintings in the show\u003c/p\u003e","\u003cp\u003e3rd Biennial prospectus (printed); 4th Biennial prospectus (typed); announcement of College Art in Virginia; prospectus copy (4th Biennial, Virginia Artists and Library bookplate); copy of Corcoran's prospectus (annotated); old 3rd Biennial prospectus (annotated); letter from Thomas Colt\u003c/p\u003e","\u003cp\u003eShipping information and receipts to lenders; correspondence with Worcester Art Museum and other museums; insurance values; correspondence with lenders attached\u003c/p\u003e","\u003cp\u003ePress release copy; inventories by institution; correspondence with lenders; insurance values; shipping information and receipts; loan requests; book purchase requests\u003c/p\u003e","\u003cp\u003eInvitation, catalog; catalog copy; correspondence; more shipping information and receipts; correspondence re: damages; annotated catalog\u003c/p\u003e","\u003cp\u003eLoan forms and receipts\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with artists; catalog copy; inventories; annotated catalog; prices; shipping information and receipts; sales information\u003c/p\u003e","\u003cp\u003eCorrespondence with rug dealer; research; catalog copy; shipping information and receipts; annotated catalog; gallery layout; copies of things donor (H. Michaelyan) wrote; inventories with prices\u003c/p\u003e","\u003cp\u003eAnnouncement/prospectus; typed press release; correspondence with artists; correspondence with jurors; invitation lists; correspondence to get more armed services men; list of entrants; catalog copy; one copy of entry card; one copy of catalog\u003c/p\u003e","\u003cp\u003eCatalog; catalog copy; gallery layout; inventories; catalog proof; correspondence with jury\u003c/p\u003e","\u003cp\u003eInvitation; exhibition contract; correspondence; gallery layout; invitation list; another list for even with Spanish speaking Luncheon Club; list of architects; press release copy; installation list from MOMA\u003c/p\u003e","\u003cp\u003eInvitation; catalog; correspondence with possible lenders; lists of possible loans; ended up taking British-American Goodwill Exhibition; shipping information and receipts; inventories; budget figures\u003c/p\u003e","\u003cp\u003eCatalog; one invitation; correspondence with author; list of invitations; 1 photograph of \"Red Still Life\"\u003c/p\u003e","\u003cp\u003eCorrespondence between curator and potential lenders; correspondence with institutions and churches\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; correspondence re: damages; catalog copy; one catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; correspondence re: damages (including 2 photographs)\u003c/p\u003e","\u003cp\u003eCorrespondence re: genre painting; exhibition; some from lenders, some not; some including photographs\u003c/p\u003e","\u003cp\u003eInvitation list; correspondence with invitees to the 19th century genre preview; folder of handwritten notes re: genre; handwritten research; typed research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (DIA); inventories with values; shipping information and receipts; catalog copy\u003c/p\u003e","\u003cp\u003eCorrespondence with possible lenders (including 1 photograph from lender); research\u003c/p\u003e","\u003cp\u003eInvitation; catalog; catalog copy; correspondence with artist (Colt is back!); inventories; sales information\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eStenographers pad with notes from NY Gallery/dealers' visits; preliminary lists; final lists; correspondence with galleries; correspondence with invited artists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eContracts with Budworth on shipping; correspondence with jurors; correspondence with Budworth; inventories with values and locations\u003c/p\u003e","\u003cp\u003eEntry card: yellow (invited), regular (orange), good and bad news night (yellow-trifold), inclusion card; typed summary information; typed list of artists; teacher invitation (yellow); annotated catalog with prices; inventories by state; full catalog copy; list of Virginia artists; form letter to art teachers\u003c/p\u003e","\u003cp\u003eCorrespondence with dealers; clippings; other catalogs; correspondence with jury; award list; award letters to dealers and press\u003c/p\u003e","\u003cp\u003eProspectus; prospectus copy; list of recipients of entry cards and prospectus for distribution (art organizations, museums, dealers, etc.) and letters to them; letters to press; entry card copy; thank yous for sending out cards (n.b.: all lists of artists sent to/from dealers, museums, etc., were removed)\u003c/p\u003e","\u003cp\u003eLetters confirming receipt of paintings returned, both those selected and those not; many with comments, less shipping complaints!\u003c/p\u003e","\u003cp\u003eHundreds of requests for entry cards\u003c/p\u003e","\u003cp\u003eHundreds more requests for entry cards\u003c/p\u003e","\u003cp\u003eInvitation; catalog; invitation copy; catalog copy\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with artist; invitation copy; correspondence with Virginia World War 2 History Commission; inventory with prices; invitation list; catalog copy; letters to press; annotated catalog; correspondence with lenders\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with lender, Philadelphia Museum of Art; inventory; copy of the Richmond Times-Dispatch article; correspondence with potential lenders; copy of the Philadelphia Museum bulletin and Atwater Kent Museum bulletin\u003c/p\u003e","\u003cp\u003eCatalog; invitation; correspondence with artist; correspondence with lenders; shipping information and receipts; inventories with values; invitation list; catalog copy, correspondence with wife Rosalie re: her photographs\u003c/p\u003e","\u003cp\u003eShipping receipts; catalog copy, correspondence with lenders; list of invitees; invitation\u003c/p\u003e","\u003cp\u003eRecent Additions to the Upjohn Collection, catalog of collection; correspondence with dealer (Midtown Galleries); shipping information and receipts (both before and after); invitation\u003c/p\u003e","\u003cp\u003eCatalog; invitation; catalog copy; catalog proof; correspondence with potential lenders; text of broadcast calling for paintings; shipping information and receipts; research (Davis)\u003c/p\u003e","\u003cp\u003eInventories with values; shipping information and receipts\u003c/p\u003e","\u003cp\u003eInvitation; shipping information and receipts; inventories\u003c/p\u003e","\u003cp\u003eResearch; correspondence with furniture manufacturers; invitation copy; inventories; correspondence with Metropolitan Museum of Art and MOMA (main lenders); correspondence with Leslie Cheek, Jr. at Architectural Forum!; shipping information and receipts; catalog copy; letters to press (photograph of chair from Dubar, but not included in exhibition)\u003c/p\u003e","\u003cp\u003e\"Notice to Virginia Artists\"; requests for entry blank; correspondence re: late entries; returned fees, etc.\u003c/p\u003e","\u003cp\u003eAcknowledgement letters; press release; SSAL Bulletin (Summer 1947) (more of these later); inventories by state (jury picks); correspondence with artists, jurors and SSAL; breakdown of entry cards by place; lists of artists eligible for submission; entry cards of pieces bought or withdrawn; biographical notes on winners\u003c/p\u003e","\u003cp\u003e24th Annual Convention program; catalog Virginia Art 1947; Southern Art 1947; invitation; entry card; SSAL membership blank; received card; rejection card; convention program copy; Southern art catalog copy; Virginia art catalog copy; catalog of 26th SSAL exhibition at the High; correspondence with SSAL; correspondence with jurors; list of works accepted (Virginia artists); old convention program; more SSAL bulletins; correspondence with artists re: 8 paintings that were vandalized; correspondence re: prizes; correspondence re: sales\u003c/p\u003e","\u003cp\u003eInvitation; catalog proof; announcement from Camera Club; correspondence with artists; invitation copy; catalog copy\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; loan agreements; memo to staff re: handling of paintings; shipping information and receipts; inventories with insurance value\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders by lender; inventories\u003c/p\u003e","\u003cp\u003eCatalog; museum attendance card (9/3/47); correspondence with press; research; correspondence with lenders; shipping information and receipts; Budworth contracts; catalog copy; press releases; inventories; clippings\u003c/p\u003e","\u003cp\u003eInvitation, American Commission brochure; shipping information and receipts; correspondence with lenders, AFA; loan forms; catalog copy; inventories with values\u003c/p\u003e","\u003cp\u003eShipping information and receipts; catalog of exhibition; inventories; catalog copy; research; correspondence with AFA and AFRIM; label copy\u003c/p\u003e","\u003cp\u003eInvitation; invitation copy\u003c/p\u003e","\u003cp\u003eCorrespondence re: shipping and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with Louvre and other institutions re: original Louvre collection not being available; 5 museums trying to do alternate French exhibition from dealers/galleries and some from Louvre; unknown outcome; ArtNews was involved too; trying to use a story in lieu of a catalog\u003c/p\u003e","\u003cp\u003eCatalog; correspondence; clippings; sale information; text of lecture\u003c/p\u003e","\u003cp\u003eInvitation copy; catalog copy; correspondence with artists; inventories; invitation to lecture; 1 catalog; shipping information and receipts\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with lenders; copy of Time (1/26/48), article on pages 47-48\u003c/p\u003e","\u003cp\u003eMiscellaneous exhibition-related correspondence re: one mis-shipment to VMFA, most re: exhibition offers and programming\u003c/p\u003e","\u003cp\u003eIndex cards with lenders and item; correspondence with lenders\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lenders (denials)\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with press; correspondence with Mrs. Catesby; invitation copy; correspondence with Lurçat; typed article on Jones; preview invitation lists and replies; catalog requests; radio press release copy; typescript copy of \"A Letter to A Friend on Modern Art,\" by T. Catesby Jones; typescript copies of all of his writings, incorporated into catalog; catalog copy\u003c/p\u003e","\u003cp\u003eProspectus; shipping information and receipts; correspondence with press; checklist with insurance values; loan requests for paintings in exhibition; list of artists to whom they sent biographical questionnaires\u003c/p\u003e","\u003cp\u003eProspectus; correspondence with medal winners; correspondence re: sales; list of artists by state; submission statistics by state; statistics tally sheets (one per state); correspondence with press\u003c/p\u003e","\u003cp\u003eCopy of La Revue Moderne magazine (July 1947) from artist Wilma Prezzi who was featured in magazine but declined to submit; correspondence with artists, answering questions; comments from artists re: submission vs. invitation, etc.; shipping information and receipts; correspondence with galleries; requests for entry cards; correspondence re: Pepsi Cola Southern Regional Competition in Richmond (artists could specify that if work was not accepted, it could go to Pepsi exhibition)\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; correspondence with dealers; valuation information; shipping information and receipts; lists of invited artists (by name, by agent/organization, some with annotated values)\u003c/p\u003e","\u003cp\u003e\"Arrangements for the Jury\"; shipping information and receipts; correspondence re: jurors; correspondence with jury\u003c/p\u003e","\u003cp\u003eInvitation; rejection card; entry card (pink); entry card – invited \u0026amp; acceptance card (yellow); annotated invitation (5th Biennial); prospectus copy; annotated entry cards and prospectus (5th Biennial); invitation copy; catalog copy\u003c/p\u003e","\u003cp\u003eRejection letter; prospectus\u003c/p\u003e","\u003cp\u003eSigned rejection letter; receipts, some with comments - catalog request, why receipts request, or badly packed\u003c/p\u003e","\u003cp\u003eRequests for entry cards (mainly from artists), a few with replies\u003c/p\u003e","\u003cp\u003eRequests for entry cards (mainly from artists), a few with replies\u003c/p\u003e","\u003cp\u003e2 photographs (lamp and manuscript); list of objects lent by The Jewish Museum in NY; correspondence with The Jewish Museum; lists with values; clipping; catalog copy\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with potential lenders and potential advisors; invitation letter; correspondence with The Jewish Museum; shipping information and receipts; clippings [no catalog made]\u003c/p\u003e","\u003cp\u003e\"The Common Glory\" Poster Project; correspondence with Virginia Conservation Commission; exhibition information (typed); entry lists by high school; tea information; shipping information and receipts [all from Mrs. Muriel Christison]\u003c/p\u003e","\u003cp\u003eOriginal pencil drawing plus blueprint copy of drawing by Leslie Cheek, Jr., for outside signpost for exhibition\u003c/p\u003e","\u003cp\u003eCatalog; shipping information and receipts (loan from Philadelphia Museum of Art); correspondence with Philadelphia; list of Richmond artists to be added to exhibition; label copy for Richmond artists; correspondence with selected artists in exhibition; checklists from Philadelphia\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; research correspondence; lists of photographs with values\u003c/p\u003e","\u003cp\u003eOriginal drawings and one blueprint copy of exhibition signage, exhibition labels, and gallery layout\u003c/p\u003e","\u003cp\u003eChecklist (one portion circulated by MOMA); shipping information and receipts; correspondence with MOMA; membership lists cf: Virginia Chapter of AIA, Home Builders Association of Richmond, Richmond Real Estate Exchange; exhibition contract; 1 invitation; preview invitation letter; correspondence with Architectural Forum (they circulated the other portion); correspondence re: film rentals\u003c/p\u003e","\u003cp\u003eCorrespondence with dealer (Knoedler); shipping information \u0026amp; receipts\u003c/p\u003e","\u003cp\u003eInvitation; correspondence; checklist with values; shipping information and receipts; exhibition construction notes; correspondence with dealers; press release copy (typed); correspondence with artists; invitation list; correspondence with lenders\u003c/p\u003e","\u003cp\u003eOriginal blueprint copy of signage\u003c/p\u003e","\u003cp\u003eCatalog; shipping information and receipts; checklists; correspondence with Colonel Anderson; correspondence with lenders; correspondence with artist\u003c/p\u003e","\u003cp\u003eDraft exhibition schedules; correspondence with Colonel Anderson; correspondence with various organizations and institutions (including AFA)\u003c/p\u003e","\u003cp\u003eDraft exhibition schedules; correspondence with Colonel Anderson; correspondence with various organizations and institutions (including AFA); catalogs; photographs; clippings\u003c/p\u003e","\u003cp\u003eShipping information and receipts; checklist; correspondence with artist\u003c/p\u003e","\u003cp\u003eLecture invitation; correspondence with lecturers; information regarding exhibit from American Craftsmen Educational Council; correspondence re: sales; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with the Coin Club re: exhibition; later declined due to Colt's resignation\u003c/p\u003e","\u003cp\u003eCorrespondence with American Craftsmen Educational Council (lender); correspondence with lecturers; shipping information and receipts; exhibition information; ACEI brochure; clipping\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with vendors; checklist with values; invitation copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003e4 original drawings of lectern, information panels/stands; gallery layout, etc.\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with Canadian Embassy; correspondence with National Gallery of Canada (co-sponsor); shipping information and receipts; lecture copy; correspondence with lecturer; research; catalog copy; exhibition plan/schedule (to do); 1 copy of invitation; gallery layout\u003c/p\u003e","\u003cp\u003eCorrespondence with National Gallery of Canada; correspondence with press; correspondence with state forester (lent pine trees); research; clipping; photograph and biography of curator\u003c/p\u003e","\u003cp\u003eOriginal drawing of exhibition sign\u003c/p\u003e","\u003cp\u003eCorrespondence with Virginia State Board of Education; correspondence with Southeastern Arts Association; shipping information and receipts; correspondence with education institutions (Mrs. Christison)\u003c/p\u003e","\u003cp\u003eForm letter to Antiquarian Society members; preview invitation list; Antiquarian Society history (co-sponsor)\u003c/p\u003e","\u003cp\u003eOriginal drawing of Museum information panel and traveling show panel\u003c/p\u003e","\u003cp\u003eInvitation copy; correspondence with MOMA re: traveling exhibition; shipping information and receipts; billing information\u003c/p\u003e","\u003cp\u003e1 drawing of Calder signs\u003c/p\u003e","\u003cp\u003ePreview invitation, correspondence with artist; correspondence with lenders; invitation copy; correspondence with Philip Godwin and Mrs. T. Catesby Jones; research; correspondence with Archipenko; clippings (response to Richmond Times-Dispatch article mocking exhibition); Calder's handwritten invitation list [no catalog made]\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders (galleries, dealers, museums, etc.); checklists; shipping information and receipts; correspondence with artists; checklists with values; press release copy\u003c/p\u003e","\u003cp\u003eChecklists; exhibition information (typed); receipts\u003c/p\u003e","\u003cp\u003ePhotograph of books and Hurds; children's books catalog (retail); correspondence with publishers; research; clipping; correspondence with lenders; label copy; shipping information and receipts; checklists by publisher, by lender, by artist\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; checklist with values; correspondence with artist; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; correspondence with publicity; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; correspondence with publicity; label copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003eOutline of children's programs from summer workshops; research on group behavior; clipping; Richmond Film Society Program; photograph of Times Square in New York; Department of Education Annual Report copy; lots of random exhibition information copies; clippings; correspondence with educational services\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; shipping information and receipts; exhibition information (typed); correspondence with artists\u003c/p\u003e","\u003cp\u003e1 drawing, layout for panel\u003c/p\u003e","\u003cp\u003e1 layout and 1 piece of correspondence\u003c/p\u003e","\u003cp\u003e1 drawing – summer sign, 1949\u003c/p\u003e","\u003cp\u003eExhibition offerings from galleries, institutions, etc.; AFA brochures\u003c/p\u003e","\u003cp\u003eExhibition schedule; invitation lists; correspondence; clippings\u003c/p\u003e","\u003cp\u003e1949-1950 season schedule; schedules; correspondence re: possible exhibitions\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; dinner invitation list and preparation; shipping information and receipts; budget/billing information; checklist with values; research\u003c/p\u003e","\u003cp\u003eCorrespondence re: catalog; cut-out reply from VMFA Bulletin\u003c/p\u003e","\u003cp\u003ePostcard announcement; correspondence re: catalog requests\u003c/p\u003e","\u003cp\u003eCorrespondence organized by lender with lenders; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence re: insurance; checklists by subject/person; research; shipping information and receipts; correspondence with lenders; checklists with values\u003c/p\u003e","\u003cp\u003eCorrespondence and paintings list, just as title says\u003c/p\u003e","\u003cp\u003eCorrespondence re: permission to reproduce images for catalog [originally not intended to publish catalog; did so after exhibition]\u003c/p\u003e","\u003cp\u003eCatalog copy\u003c/p\u003e","\u003cp\u003eCorrespondence re: cost of prints ordered and made for show\u003c/p\u003e","\u003cp\u003eAnnouncement; Baltimore catalog; preview invitation; 3 photographs; copies of her other catalogs (Mrs. James Ward Thorne); correspondence with Women's League Club; correspondence with lender (circulating museum AIC); budget information; checklists; shipping information and receipts; exhibition contract; correspondence with publicity; copies of various magazines (Virginia Bulletin, Virginia Women's Magazine); correspondence with PTA's\u003c/p\u003e","\u003cp\u003eBlueprints: room installation (3 copies) and original drawing; drawing of signs; drawing of entrance details\u003c/p\u003e","\u003cp\u003eChecklist; 8 photographs; correspondence with publicity; budget information; admission price policy; lecture and tour schedule; correspondence re: catalog including billing information\u003c/p\u003e","\u003cp\u003eChecklist\u003c/p\u003e","\u003cp\u003eCorrespondence with Library of Congress re: loan of lithograph; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with Block, including copies of publicity; checklists with values; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with Block and others\u003c/p\u003e","\u003cp\u003e3 drawings of exhibition signage\u003c/p\u003e","\u003cp\u003eDrawing and blueprint copy of information kiosk; 1 photograph; 3 other layouts of the exhibition, including 2 didactic panel layouts by Cheek (\"Russia Before the Revolution\" and \"Imperial Jewelry of Russia\")\u003c/p\u003e","\u003cp\u003eCorrespondence on opening of show; proposed schedule; checklists by lenders; shipping information and receipts; checklists by artists; correspondence with artists; checklists with values\u003c/p\u003e","\u003cp\u003eChecklists; shipping information and receipts; correspondence re: catalog; correspondence with publicity; research; statistics from 6th Biennial; correspondence with artists; catalog mailing list; catalog copy; loan information forms\u003c/p\u003e","\u003cp\u003e2 excerpts from publicity (typed); correspondence with catalog essay authors; correspondence with publicity; clippings; checklists; catalog copy; requests from artists; chipping information and receipts; correspondence of James Johnson Sweeney (sole juror invited); checklist for traveling exhibition; hand-written copy of register of the paintings received\u003c/p\u003e","\u003cp\u003e1 drawing of layout and signage; 2 small lettering drawings; 1 small catalog sign drawing\u003c/p\u003e","\u003cp\u003eShipping information and receipts including correspondence with artists, bills and information for crating requests; correspondence re: Richmond regional jury process for national metropolitan competition\u003c/p\u003e","\u003cp\u003ePress release; correspondence with Sweeney; correspondence with publicity; shipping information and receipts; checklists, sales information\u003c/p\u003e","\u003cp\u003eSweeney's own correspondence with artists and dealers and galleries re: exhibition, including Naum Gabo and Morris Louis\u003c/p\u003e","\u003cp\u003eCorrespondence with SF MOMA; checklist from AFA; copies of publicity; shipping information and receipts; correspondence with publicity; correspondence with AFA; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eDrawing and blueprint copy of layout\u003c/p\u003e","\u003cp\u003eCatalog copy; correspondence with lenders; shipping information and receipts (or label)\u003c/p\u003e","\u003cp\u003e1 photograph; catalog (or label) copy; correspondence with Knoedler (lender); shipping information and receipts; 1 photograph of X-ray\u003c/p\u003e","\u003cp\u003eInvitation lists; correspondence; radio spot information; correspondence with lenders; checklists; shipping information and receipts; press release copy; catalog copy; loan item information blank\u003c/p\u003e","\u003cp\u003eOne note on a rug cleaning\u003c/p\u003e","\u003cp\u003eChecklists with values, by lender and by artist; label research; correspondence with lenders; installation notes; shipping information and receipts; press release copy; correspondence with other institutions including the Met where the exhibition went next\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA (distributor of exhibition); shipping information and receipts; checklist; information on the photographer (non-VMFA publicity); correspondence with photographer\u003c/p\u003e","\u003cp\u003ePhotograph of Reino Aarnio soap dish for Fiat Metal, photograph of new RCA portable radio; correspondence with lenders [sold it as a big 2-3 year traveling exhibition]; shipping information and receipts; clippings (for ideas); correspondence with manufacturers from all around the USA; lots of catalogs; installation sketches; catalog copy; lists of checklists from a similar MOMA exhibition; 1 copy of preview invitation; checklists; label copy\u003c/p\u003e","\u003cp\u003eCorrespondence with Block (Post cartoonist) and Comstock (Connoisseur and Antiques magazine editor); lectures; biographical information; correspondence with publicity\u003c/p\u003e","\u003cp\u003eOriginal drawing plus 2 blueprint copies of design for silver display case\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders from 1940 show due to requests by an author, prompted by current Valentine show; clipping re: Valentine show; copy of 1940 catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with Rogers and her agent; confusion about scheduling dates; article in Vogue about Rogers [ended up cancelling show due to high costs of insurance and shipping]\u003c/p\u003e","\u003cp\u003eShipping information and receipts and labels for loan of some Pratt jewels by Mrs. Joseph Davies of Washington D.C. to the 1950 Easter eggs exhibition\u003c/p\u003e","\u003cp\u003eCatalog [loan exhibition organized by the English speaking Union]; copy of catalog; microfilm copy of NYT clipping; correspondence with ESU; copies of ESU Bulletin; checklists; press release copy; correspondence with other institutions who are borrowing; catalog/label copy; shipping information and receipts installation instructions; annotated catalog; big ESU publicity kit; correspondence to/from J. L. Blair Buck in State Board of Education, main contact and President of the ESU, Virginia Branch; original NYT clipping; correspondence to/from Brigadier J.W.F. Treadwell, VP of ESU [called it \"Operation Canvass\" to garner interest in ESU in Virginia]; billing/payment information; correspondence with British Embassy\u003c/p\u003e","\u003cp\u003eCorrespondence with Knoedler and Newhouse [photograph of painting offered but not chosen]; copy of invitation; picked Provost's painting from Knoedler – in another folder]; correspondence re: cedar trees in galleries\u003c/p\u003e","\u003cp\u003eCirculated by MOMA; correspondence with them; packing instructions; loan agreements; loan contracts; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eGroup form letter; correspondence with Wedgwood \u0026amp; Sons; publicity information; research; checklists; correspondence with other institutions; shipping information and receipts; 1 copy of invitation; list of Wedgwood dealers in Virginia [to invite]; correspondence with Annie Reese, Director of Promotions and Hensleigh Wedgwood, President, who lectured at preview\u003c/p\u003e","\u003cp\u003eCorrespondence with various clubs; dinner party plans and invitee lists; more correspondence with Wedgwood; copy of Museum bulletin; biographical information on Hensleigh; shipping information and receipts\u003c/p\u003e","\u003cp\u003eShipping information and receipts; biographical information; Museum Bulletin copy; installation instructions; label information forms; correspondence with Newhouse; checklists with values\u003c/p\u003e","\u003cp\u003eDrawing of label boards; drawing of signage\u003c/p\u003e","\u003cp\u003eChose 4 exhibitions from PAU to circulate; correspondence with PAW; exhibition information; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eAnnouncement; correspondence with printers; correspondence re: sales [1st year Museum has added Architecture]; copy for all printed materials; correspondence with prizewinning artists (including Stuart Davis); correspondence re: azaleas; biographical information on jury chairman, Hermann Williams, Director of Corcoran; correspondence with publicity; clippings; copy of catalog from 1949\u003c/p\u003e","\u003cp\u003eProspectus; requests for blanks; letter copy re: Virginia art interest and education and businesses; correspondence with artists; correspondence with art departments; correspondence re: sales; jury comments; biographical juror information; breakdown/tally by city; correspondence with jurors\u003c/p\u003e","\u003cp\u003eCatalog copy; checklists with prices; correspondence with artists re: blanks; shipping information and receipts; correspondence re: sales and purchases; 1 copy of catalog\u003c/p\u003e","\u003cp\u003e4 original drawings; introductory panels, signage; layout sketches; traveling show panels\u003c/p\u003e","\u003cp\u003e4 drawings of lighting layouts in gallery; 1 drawing of movie projector stand; 1 drawing of panels; 1 drawing of overall layout\u003c/p\u003e","\u003cp\u003e9 photographs of Metropolitan Museum of Art objects; copy of invitation; label copy for projector room showing film on armor; other label copy; correspondence with lenders; shipping information and receipts; correspondence with Met (major lender); correspondence with lecturer (Gracey), curator of Met arms \u0026amp; armor\u003c/p\u003e","\u003cp\u003eCorrespondence with artist and his wife; biographical information; copy of catalog from Hollins; clippings\u003c/p\u003e","\u003cp\u003e1 photo of Stuart Davis; biographical information; catalog copy; shipping information and receipts; checklists with values; loan agreements; correspondence with jurors; correspondence with lender; correspondence with potential jurors (Andrew Wyeth)\u003c/p\u003e","\u003cp\u003e2 drawings: sign and panel layout\u003c/p\u003e","\u003cp\u003ePhotograph of Tsar Nicholas II and family; 2 page exhibition design write-up (color, lighting, cases); catalog copy\u003c/p\u003e","\u003cp\u003eMemo re: Arthritis Foundation; article on Dufy; reprint of 3/51 article on Dufy; paintings information sheets; shipping information and receipts; catalog of ICA in Boston; correspondence with lenders; correspondence with Arthritis Foundation; checklists with values; correspondence with publicity; correspondence with Dufy's gallery agent\u003c/p\u003e","\u003cp\u003e4 drawings of signs and layouts\u003c/p\u003e","\u003cp\u003e11 photographs of layout with and without people; close-ups of panels; correspondence with lecturer; correspondence with American Institute for Graphic Arts (organizer); publicity materials from AIGA; shipping information and receipts; catalog\u003c/p\u003e","\u003cp\u003eDinner guest list; correspondence with Chrysler; Chrysler catalog copy; correspondence with NYT\u003c/p\u003e","\u003cp\u003ePhotograph of Chrysler; copy of Art Digest (October 15, 1951) with photograph of gallery setup; catalog copy (paintings); correspondence with publicity; shipping information and receipts; catalogs of exhibition at University of Miami Art Gallery (correspondence with University of Miami Gallery also); checklist\u003c/p\u003e","\u003cp\u003eChecklists and hanging order; correspondence with publicity; rough layout; catalog copy; correspondence with artist; checklist with values; correspondence with AFA (organizer); AFA 1953 catalog; wonderful letters that are art!\u003c/p\u003e","\u003cp\u003ePreview invitation; correspondence with artist and wife; checklists\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with Director of Syracuse Museum of Fine Arts (Anna Wetherill Olmsted, speaker); biographical information on her, checklist\u003c/p\u003e","\u003cp\u003e1 drawing: installation layout\u003c/p\u003e","\u003cp\u003e14 photographs of items; \"prize awards\" press release; correspondence with Syracuse Museum of Fine Arts; publicity information from SMFA; catalogs; catalog copy; shipping information and receipts; annotated catalogs (one size, one price)\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions and individuals re: potential exhibitions, some with catalogs and clippings; list of proposed exhibition season\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (Ouriel) and gallery (Knoedler); shipping information and receipts\u003c/p\u003e","\u003cp\u003eVarious mailing lists (Bulletin, publications), some by type, some alpha; letters to other institutions offering mailings (all Miss Frances Boushall)\u003c/p\u003e","\u003cp\u003e1 drawing of small museum truck\u003c/p\u003e","\u003cp\u003eLayout panels for 1st Museum brochure/guide\u003c/p\u003e","\u003cp\u003e1 drawing and 1 copy of Information \u0026amp; Publication Desk of Museum\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders of fabrics; shipping information and receipts; some original tags; label copy; some catalogs\u003c/p\u003e","\u003cp\u003eCorrespondence re: invitation mailing (one with return address of VMFA, one with Kiwanis Club); correspondence with lenders in Los Angeles\u003c/p\u003e","\u003cp\u003eInvitation to screening; preview invitation list to film screening\u003c/p\u003e","\u003cp\u003eInvitation; catalog copy; checklists; Mona Lisa research; shipping information and receipts; correspondence with lenders; 1 copy of catalog; correspondence with organizer; invitation copy; installation information; correspondence with Kiwanis Club\u003c/p\u003e","\u003cp\u003e6 blueprints for models by Panold Masters; 1 drawing of signs; 1 drawing of layout; 4 drawings of lighting; 3 drawings of niches\u003c/p\u003e","\u003cp\u003e1 drawing of layouts, panels\u003c/p\u003e","\u003cp\u003eCatalog copy; clippings; annotated copy of catalog of retablos from Barton Collection; shipping information and receipts; checklists; annotated copies of catalog of textiles from Barton Collection; correspondence re: damage to retablos; correspondence with institutions; correspondence with lenders\u003c/p\u003e","\u003cp\u003e1 drawing of signs; 4 drawings of lighting; 1 drawing of details of interior; 3 drawings of layout; 1 drawing of interior\u003c/p\u003e","\u003cp\u003e1 photograph of clock; few compliments; some receipts for library exchange\u003c/p\u003e","\u003cp\u003eCorrespondence; damage reports; receipts; memos\u003c/p\u003e","\u003cp\u003eCorrespondence with Helen Comstock (editor of Magazine Antiques and guest curator); correspondence with potential lenders (individuals and institutions)\u003c/p\u003e","\u003cp\u003eCorrespondence with WSG; clippings; shipping information\u003c/p\u003e","\u003cp\u003eCorrespondence with WSG; catalog copy; press release copy; press releases; shipping information and receipts; biographical information; checklist with prices\u003c/p\u003e","\u003cp\u003e2 photographs of paintings; traveling checklist; correspondence with artist; clippings; press release; catalog copy; catalogs of shows in New York and Toronto; shipping information and receipts; label copy; checklist with values; correspondence with lenders; correspondence with AFA (originator)\u003c/p\u003e","\u003cp\u003eInvitation to preview; correspondence with designer and speaker, John Van Koert; correspondence with Walker Art Center (organizer); copy of Walker invitation\u003c/p\u003e","\u003cp\u003ePress release; publicity copies from Towle Silversmiths; press releases; copy of catalog from Walker\u003c/p\u003e","\u003cp\u003e5 photographs (duplicates); invitation to preview; press release copy; correspondence with Fogg; copy of catalog from Detroit; label copy, checklists; shipping information and receipts; correspondence re: theft of Degas drawing\u003c/p\u003e","\u003cp\u003eInvitation to preview; invitation to lecture; clippings; correspondence with artisans re: exhibition decoration; correspondence with other lenders; shipping information and receipts; checklists; correspondence with dressmaker/speaker (Pauline Trigère); correspondence with Metropolitan Museum's Costume Institute\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; research (list of American and English novels); shipping information and receipts; correspondence with publisher; correspondence with publicity; correspondence with Met's Costume Institute; checklists with values\u003c/p\u003e","\u003cp\u003e6 photographs (5 paintings and Maxson Holloway, Chicago Historical Society curator); shipping information and receipts; checklists; correspondence with Chicago Historical Society (organizer); annotated catalog from CHS; correspondence with other institutions; bulletin copy; press release\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with CHS; correspondence with other lender (Broadnax)\u003c/p\u003e","\u003cp\u003ePhotograph of picture; press release; correspondence with Red Cross; clippings; invitation copy; Red Cross promotional material; press release copy\u003c/p\u003e","\u003cp\u003eCatalog; correspondence with AFA (organizer); shipping information and receipts\u003c/p\u003e","\u003cp\u003eShipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with members of Club; correspondence with AFA\u003c/p\u003e","\u003cp\u003eDrawing of layout; 2 photographs of paintings not in exhibit; research; label copy; correspondence with lenders; shipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with Lady Astor; checklist of gift\u003c/p\u003e","\u003cp\u003eCatalog copy; correspondence re: opening and Governor's dinner; invitation proofs; correspondence with publicity; text of Colonel Anderson's speech\u003c/p\u003e","\u003cp\u003eCorrespondence re: opening (mainly regrets)\u003c/p\u003e","\u003cp\u003eCorrespondence with the artist\u003c/p\u003e","\u003cp\u003e1 drawing of sign\u003c/p\u003e","\u003cp\u003eCorrespondence with Institute of Contemporary Art in Boston, organizer; lecturer is Director, James Sachs Plaut; promotional materials\u003c/p\u003e","\u003cp\u003eCorrespondence with ICA in Boston; shipping information and receipts; catalog\u003c/p\u003e","\u003cp\u003eInvitation; photograph of painting (1952); label copy; installation instructions; shipping information and receipts; correspondence with lenders\u003c/p\u003e","\u003cp\u003e1 clipping\u003c/p\u003e","\u003cp\u003eClipping; press release copy re: move of cigar store figures from Jefferson to VMFA\u003c/p\u003e","\u003cp\u003eLots of correspondence from different institutions; publicity; list of contacts with great comments\u003c/p\u003e","\u003cp\u003eCorrespondence with dealers, galleries, institutions; lots of publicity included; schedule of exhibitions for year, especially those from AFA\u003c/p\u003e","\u003cp\u003eCorrespondence with woman at new museum about restoring a painting\u003c/p\u003e","\u003cp\u003e1 photograph of Leonardo's bridge; Boushall's correspondence file with publicity and others interested in our publications and exhibitions\u003c/p\u003e","\u003cp\u003eCorrespondence with dealers, galleries, institutions; lots of publicity included; schedule of exhibitions for year, especially those from AFA\u003c/p\u003e","\u003cp\u003eQuiz sheet\u003c/p\u003e","\u003cp\u003e7 photographs of opening, gallery and piece; 1 copy of catalog\u003c/p\u003e","\u003cp\u003e2 drawings and 1 copy of gallery layout and entry desk\u003c/p\u003e","\u003cp\u003eChecklist; invitation, shipping information and receipts\u003c/p\u003e","\u003cp\u003e1 drawing of book and theme table layout\u003c/p\u003e","\u003cp\u003e6 photographs of Goya pieces; 1 photograph of someone (with mandala); catalog copy\u003c/p\u003e","\u003cp\u003e2 invitations (1 with checklist; 1 for loan exhibition); label copy; checklists; correspondence; correspondence with lenders; catalog requests; catalog proof; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence; label copy; cover of U.S. News \u0026amp; World Report (2/13/53) (looks like De Stijl); shipping information and receipts; correspondence with MOMA (organizer); checklists\u003c/p\u003e","\u003cp\u003ePress release copy; correspondence with Netherlands Embassy; lecture copy (introductions); lecturer biographical information [Carroll L. V. Meeks, Assoc. Professor of Architecture and Art History at Yale]; correspondence with MOMA\u003c/p\u003e","\u003cp\u003eCorrespondence with jurors; correspondence with potential jurors; lists of loan requests; correspondence with lenders; correspondence with publicity; shipping information and receipts; checklists; installation memos; checklists with values\u003c/p\u003e","\u003cp\u003e\"The Significance of African Art,\" 8 photographs of items; publication reprint of \"Warega Ivories\" by Ladislas Segy; label copy; publications from Segy Gallery on African Art; correspondence with Segy Gallery (organizer); biographical data on speaker [James Johnson Sweeney, Director of the Guggenheim in NYC]; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with speaker; label copy; press release copy; publications from Segy Gallery\u003c/p\u003e","\u003cp\u003e1 photograph of street scene, but it has been drawn on\u003c/p\u003e","\u003cp\u003eCopy of 1949 catalog; 1 copy of catalog; label copy; checklists by city; catalog copy; letter from Theresa Pollak regarding the way the show is chosen and hung; correspondence with artists; annotated older biennial materials; list of purchase recommendations; schedule for jurors visit; catalogs from other institutions (state shows); shipping information and receipts; traveling evaluation checklists\u003c/p\u003e","\u003cp\u003eCopy of 1953 prospectus; correspondence with artists (Pollard's correspondence file); list of entry cards received\u003c/p\u003e","\u003cp\u003eCorrespondence with artists re: missing checks, incomplete blanks or other issues (Gaines' file)\u003c/p\u003e","\u003cp\u003eInformation from MOMA (organizer); correspondence with MOMA; checklists; shipping information and receipts; installation memo; 1 copy of invitation to opening\u003c/p\u003e","\u003cp\u003e2 drawings\u003c/p\u003e","\u003cp\u003eList of loans (Baltimore Museum of Art); correspondence with BMA; correspondence with speaker [Mrs. Adelyn D. Breeskin, Director of the BMA]; installation memo; checklists; label copy; shipping information and receipts. Show had 16 year age limit!\u003c/p\u003e","\u003cp\u003eEntry/prospectus; correspondence with American Craftsmen's Educational Council; list of regional entries; correspondence with artists; completed entries; shipping information and receipts\u003c/p\u003e","\u003cp\u003eFebruary 1953 issue of \"The Richmond Home Builder\"\u003c/p\u003e","\u003cp\u003eMayor's reception schedule; lecture copy; copy of Directory of Virginia Governmental Officials (November 1950); invitation lists and planning\u003c/p\u003e","\u003cp\u003e1 copy of invitation; lecture copy; correspondence with potential consultants\u003c/p\u003e","\u003cp\u003eCorrespondence with Thalhimer's; press release copy; lecture copy; slide list; clippings; speaker biography\u003c/p\u003e","\u003cp\u003eCorrespondence re: parking problems and conferring police authority to the Museum's guards\u003c/p\u003e","\u003cp\u003e\"The New Art Wind Quintet\" press release; Harp Trio photograph and program; correspondence re: New Art Wind Quintet; contract copy; Harp Trio press release copy; Philippe Entremart photo; press release copy and program; correspondence with National Music league; programs; clippings\u003c/p\u003e","\u003cp\u003e1 photograph of Victor Guye; actually a Goya exhibition file – correspondence with lenders; shipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003eInvitation; photograph of Queen Anne teapot; \"Art in Fashion\" invitation; label copy; catalog copy; correspondence with Lipton (lender) and Lipton's dealer; correspondence with speaker\u003c/p\u003e","\u003cp\u003eCorrespondence with potential participants; interim reports; correspondence with institutions in Scandinavia; exhibition proposal (typed); correspondence with embassies, consulates, etc.; shipping information and receipts; label copy; correspondence with speaker [John Van Koert]; checklists; correspondence with publicity; correspondence with AFA (organizer); 1 copy of brief prospectus; list of itinerary\u003c/p\u003e","\u003cp\u003eFolder is incorrectly labeled \"1967\" at Library of Virginia. 1 drawing (1953-54); ALL FROM THE 1950'S: panel copy; shipping information and receipts; clippings; Sidney Janis catalogue; 1 copy of Bulletin (11/53); 1 copy of invitation, plus 1 internal memo re: new iteration as traveling show, checklist\u003c/p\u003e","\u003cp\u003e1953 Virginia Artists prospectus; correspondence with artists; correspondence with publicity; label copy; correspondence with Des Moines Art Center (co-sponsor); shipping information and receipts; correspondence with lenders; correspondence re: purchases; biographical information on Dwight Kirsch (curator of show and Director of DMAC)\u003c/p\u003e","\u003cp\u003eMailing 12/1/55, \"To Virginia Painters\"; budget information; correspondence with artists; correspondence with Dwight Kirsch; annotated catalog; catalog requests; catalog disbursement list; shipping information and receipts; copy of Kansas State College Biennial Catalog (including quote from Kirsch)\u003c/p\u003e","\u003cp\u003e1 photograph of artist and painting (John Koos with wife and Peter Khan, head of Hampton Institute Art Department); correspondence with juror; press release; correspondence with publicity; correspondence with artists (Newell's correspondence file); biographical information on Kirsch; clippings\u003c/p\u003e","\u003cp\u003e1 copy each of 1950 and 1954 catalogs\u003c/p\u003e","\u003cp\u003eCatalog copy; catalog proof; suggested arrangement; label copy, checklists\u003c/p\u003e","\u003cp\u003e1 photograph of Armand Hammer; 1 photograph of room in his house; 1 photograph of Breughel painting; 1 photograph of [Erwin] Panofsky [from Institute for Advanced Study at Princeton], lecturer; 2 press releases; correspondence with Hammer; general collection information\u003c/p\u003e","\u003cp\u003e1 drawing of main panel layout\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders and dealers, artists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eShipping information and receipts\u003c/p\u003e","\u003cp\u003eRegistration forms for each painting; checklists by gallery and by artist\u003c/p\u003e","\u003cp\u003eEntry cards (completed); other institutional catalogs; prospectus copy; annotated catalogs; catalog copy; 1 copy of catalog; label copy correspondence with artists; correspondence re: publicity; shipping information and receipts; correspondence with jurors\u003c/p\u003e","\u003cp\u003eProspectus; mailing lists; budget tracking; correspondence with jurors\u003c/p\u003e","\u003cp\u003e6 photographs of designs; shipping information and receipts; label copy; correspondence with AFA (organizer); checklists; correspondence with Cooper Union (lender)\u003c/p\u003e","\u003cp\u003e2 drawings of panel layouts; notes re: pre-Columbian panel layout\u003c/p\u003e","\u003cp\u003e1 drawing of panel layout; label copy\u003c/p\u003e","\u003cp\u003e1 drawing of 20th century gallery layout with section for Virginia rotating artists; correspondence with artists; correspondence re: purchases; shipping information and receipts; biographical information; correspondence with lenders; memos re: installation; checklists\u003c/p\u003e","\u003cp\u003eChecklists by lender and by artist; correspondence with lenders; label copy; shipping information and receipts; copy of catalog from University of Louisville with similar exhibition\u003c/p\u003e","\u003cp\u003e1 drawing of panels; notes re: panels for exhibition\u003c/p\u003e","\u003cp\u003eLetter to AFA re: exhibitions; exhibition proposal for Design for Theatre\u003c/p\u003e","\u003cp\u003eCorrespondence with various people and institutions re: possible exhibitions; program schedule for 1953-54; scattered exhibition-related materials as well; correspondence re: various programs, performances and dinners; correspondence with publicity; copies of Members Bulletin for March, April \u0026amp; May, 1954\u003c/p\u003e","\u003cp\u003e1 photograph of Furniture of the Old South; mainly lists, both general and for particular shows\u003c/p\u003e","\u003cp\u003eCorrespondence re: an article proposed by Gulf on the Artmobile, including a photographic assignment, to run in their company magazine Orange Disc; correspondence re: subsequent mailing of issue\u003c/p\u003e","\u003cp\u003eLetter to Presidents of Garden Clubs, 10/11/54; correspondence re: securing funding for Waddy fountain planting each season; mailing lists\u003c/p\u003e","\u003cp\u003eCorrespondence re: arrangement to use galleries for their meetings\u003c/p\u003e","\u003cp\u003eMembership List\u003c/p\u003e","\u003cp\u003eCopy of The Orange Disc Magazine (March-April 1954); list of Artmobile pictures used\u003c/p\u003e","\u003cp\u003eDrawing of new membership brochure [Not taken, too hard to reproduce]; annotated membership forms; new form copy; copies of MOMA \u0026amp; Walker membership forms; membership campaign materials: proposal, committee schedule, plan for calls, etc., minutes of meetings, campaign reports, membership report (statistics)\u003c/p\u003e","\u003cp\u003eCorrespondence re: special loan exhibition from permanent collection; shipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence re: meeting; biographical information on speakers; schedule/agenda; transcribed notes from Question \u0026amp; Answer session\u003c/p\u003e","\u003cp\u003e2 photographs of mural; correspondence with Rochester Institute of Technology, where she was a student (she was a VMFA Fellowship winner); correspondence with artist\u003c/p\u003e","\u003cp\u003e\"Endorsement of the forthcoming Artmobile\" 3/10/53; \"An Exhibition of Sculpture from Africa,\" 3/22/53; \"The Hammer Collection…\" [n.d.]; \"The VMFA has purchased 3 paintings…\" 3/24/54 (short one); copies of press releases from March/April 1952/1954\u003c/p\u003e","\u003cp\u003e13 drawings of pedestals in various galleries; notes\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for American 19th Century\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for Early Near Eastern\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for Late Italian and Spanish\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for Roman\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for Oriental\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for German\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for French 17th-18th centuries\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for Italian, 14th \u0026amp; 15th centuries\u003c/p\u003e","\u003cp\u003eJust list of photographs for English 16th-17th centuries\u003c/p\u003e","\u003cp\u003e1 drawing (English 18th-19th centuries; 3 photograph lists (medieval, American 18th century, English 18th-19th centuries\u003c/p\u003e","\u003cp\u003e1 drawing; 1 list of photographs for American 20th century\u003c/p\u003e","\u003cp\u003eList of photographs for Virginia Today\u003c/p\u003e","\u003cp\u003e1 drawing (Egyptian); list of photographs for Egyptian, notes\u003c/p\u003e","\u003cp\u003e2 drawings of text panels; notes; list of photographs for North Sculpture Hall\u003c/p\u003e","\u003cp\u003ePhotograph of Blanche Tarjus; correspondence; biographical information; program copy; programs; clippings; publicity materials from National Music League; artist fee schedule; correspondence with artists; invitation copy\u003c/p\u003e","\u003cp\u003ePhotograph of damaged jade, 2 annotated photographs (all Minneapolis); shipping information and receipts; label outlines; checklists by lender and by type; correspondence with lenders; clippings, research notes; label copy; correspondence with other potential lenders\u003c/p\u003e","\u003cp\u003e3 panel layout drawings; 4 other layout drawings; label copy; label outlines; section color suggestions and samples; list of cases needed\u003c/p\u003e","\u003cp\u003e1 photograph of children with eggs; tear sheets from Interiors magazine; copy of 1947 Pratt catalog; suggested publicity schedule; outline of work to be done; label copy; correspondence; press releases; research; clippings; correspondence with publicity\u003c/p\u003e","\u003cp\u003e1 drawing; 6 photographs; blue AFA Catalog list; correspondence with AFA (organizer); label copy; checklists; shipping information and receipts; fabric and paper samples; correspondence with lenders\u003c/p\u003e","\u003cp\u003eCorrespondence with artist; biographical information; shipping information and receipts; label copy; checklists\u003c/p\u003e","\u003cp\u003e1 drawing, 1 photograph of Karolik; catalog copy; checklist; shipping information and receipts; label copy; dimension list; correspondence with Smithsonian (organizer); correspondence with collector (Maxim Karolik); 1 copy of invitation; copy of bulletin; copy of MFA Boston Bulletin on collection (10/51)\u003c/p\u003e","\u003cp\u003eWilliam Kienbusch and William Zorach [2 of 3 judges] catalogs; list of purchase considerations; correspondence with artists; correspondence with galleries; shipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003e1 drawing; clippings; bulletin photograph copy; correspondence with Addison (1 letter) [Addison Gallery of American Art, Chairman of Jury was Bartlett H. Hayes, Jr., Director of Addison]\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; biographical information; label copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003e1 drawing; label list\u003c/p\u003e","\u003cp\u003e1 photograph of Charles Baker; 1 drawing; shipping information and receipts; correspondence with artists; checklists; biographical information; Davis' Fellowship application; label copy\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; mailing lists of artists; requests for blanks\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; requests for blanks; correspondence re: incomplete forms or missing checks; handwritten list of entries received\u003c/p\u003e","\u003cp\u003e4 layout drawings\u003c/p\u003e","\u003cp\u003eList of winners; copy of blank certificate; copy of green prospectus; checklists; shipping information and receipts; entry copy; catalog copy; label copy; other institutions' catalogs/prospectuses; correspondence with jurors; staff members; list of artists\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; entry blank requests; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; biographical information; shipping information and receipts; label copy\u003c/p\u003e","\u003cp\u003eTyped remarks by preview speaker [Honorable Shigenobu Shima, Minister of Japan]; list of credits for exhibition\u003c/p\u003e","\u003cp\u003eDrawings of invitation copy; 1 photograph; checklists (organized by MOMA); correspondence; label copy; 1 copy of invitation; shipping information and receipts; correspondence with Minister of Japan (preview speaker); press release copy; correspondence with MOMA; correspondence with MIYA company (lent accessories); correspondence with Japan Society\u003c/p\u003e","\u003cp\u003e1 drawing of panel layout; correspondence with artists; shipping information and receipts; checklist\u003c/p\u003e","\u003cp\u003eCorrespondence with Corcoran (lender); label copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003e2 photographs of ICA installation; checklists from ICA in Boston; fabric samples; correspondence with manufacturer (i.e.; lender); includes some publicity materials and catalogs; shipping information and receipts; list of items sold to staff members; ICA catalog/brochure copy; correspondence with ICA; ICA press releases; label copy; ICA catalogs (1954 \u0026amp; 1955)\u003c/p\u003e","\u003cp\u003eChecklist; miscellaneous correspondence; ICA news releases; fabric samples; checklists\u003c/p\u003e","\u003cp\u003eShipping receipts for Designs for Christmas show\u003c/p\u003e","\u003cp\u003eList of items available for purchase; correspondence with manufacturers re: sale\u003c/p\u003e","\u003cp\u003e3 photographs; publicity materials from Virginia Chapter of AIA; shipping information and receipts; label copy\u003c/p\u003e","\u003cp\u003eCopies of suggested schedule\u003c/p\u003e","\u003cp\u003eFew pieces of miscellaneous correspondence related to other exhibitions\u003c/p\u003e","\u003cp\u003e2 photographs of Suzanne Bloch; correspondence with various music organizations; publicity materials (mainly programs); clippings; Suzanne Bloch press release copy and biographical information\u003c/p\u003e","\u003cp\u003eCatalogs and samples of wall and paper materials\u003c/p\u003e","\u003cp\u003eLetter solicitation (7/1/55); correspondence with studios; research; exhibition proposals (Samuel Goldwyn or Cecil B. DeMille); mailing list\u003c/p\u003e","\u003cp\u003eCorrespondence; correspondence with manufacturers (including catalogs)\u003c/p\u003e","\u003cp\u003eCopy of the Annual Report; typed and written drafts for \"Information Services and Public Relations\" report\u003c/p\u003e","\u003cp\u003ePress release; correspondence with publicity; clippings; mailing lists; grand opening schedules; new members' room information\u003c/p\u003e","\u003cp\u003eCopy of letter to press (11/29/55); memo re: use of mats sent to newspapers from Rex Allyn to Cheek; 5 actual mats by Virginia Stereotype Service\u003c/p\u003e","\u003cp\u003e1 photograph of camera; correspondence with Colonial Williamsburg (author of book on Cook); label copy; camera catalogs; checklists; shipping information and receipts; correspondence with lenders; insurance information; 1 copy of invitation; research articles\u003c/p\u003e","\u003cp\u003eJohn Koenig was Guest Promotion Director; correspondence with publicity; news releases; mailing lists; clippings; copy of catalog\u003c/p\u003e","\u003cp\u003eBulletin copy; Bulletin proofs; correspondence with speakers\u003c/p\u003e","\u003cp\u003e2 copies of newsletter (2/55 and 12/54); 1 piece of AFA membership publicity\u003c/p\u003e","\u003cp\u003eCopies of 51st and 53rd programs; copy of letter to publisher of 55th (VMFA was in it)\u003c/p\u003e","\u003cp\u003eRex Allyn's correspondence file; correspondence with publicity; correspondence with other institutions; clippings\u003c/p\u003e","\u003cp\u003e4 drawings; 10 photographs; copy of catalog of traveling show in São Paulo, copy of checklist and hanging order sheet; label copy; correspondence with artists; publicity; biographical information; shipping information and receipts; correspondence with publisher; press release, checklists (for traveling too); circulated by AFA\u003c/p\u003e","\u003cp\u003eCopy of invitation to costume ball with note about asking about museum as location\u003c/p\u003e","\u003cp\u003eAFA Newsletter, 12/55\u003c/p\u003e","\u003cp\u003ePublicity; correspondence with Junior League about volunteers; copies of articles in The Leaguer; press releases\u003c/p\u003e","\u003cp\u003ePublicity; copy; catalog photographs; correspondence with speakers; cards with state exhibitions on them; clippings\u003c/p\u003e","\u003cp\u003ePublicity; copy of Bulletin; press releases\u003c/p\u003e","\u003cp\u003eCopy of Carl Sandberg's prologue; invitation; correspondence with MOMA (circulator); copies of drawings of installation from MOMA; copy of catalog; contract; press releases; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eArticle copies (by Marguerite Tabb)\u003c/p\u003e","\u003cp\u003eCorrespondence with Jaycees\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eCorrespondence with Society; copies of minutes\u003c/p\u003e","\u003cp\u003ePublicity from American National Theatre and Academy\u003c/p\u003e","\u003cp\u003eCorrespondence with WRVirginia \u0026amp; WLEE; list of personnel\u003c/p\u003e","\u003cp\u003ePublicity; Artmobile schedule\u003c/p\u003e","\u003cp\u003eCorrespondence with Society; publicity; schedule and financial statement of Society\u003c/p\u003e","\u003cp\u003ePress releases (4/14/55; 4/12/55); schedule and procedure for ceremony of awards (4/29/55); press release (4/25/55); other press releases\u003c/p\u003e","\u003cp\u003eCopy of minutes from meeting\u003c/p\u003e","\u003cp\u003eCorrespondence with printers; budget information; samples of items; purchase orders\u003c/p\u003e","\u003cp\u003eMiscellaneous correspondence\u003c/p\u003e","\u003cp\u003eCorrespondence; summary and minutes from conference\u003c/p\u003e","\u003cp\u003eCorrespondence with Whitney Museum; correspondence with other museum directors (Leslie Cheek a sort of consultant)\u003c/p\u003e","\u003cp\u003eCopy of letter from Rhoads to Board; correspondence with Rhoads\u003c/p\u003e","\u003cp\u003eCorrespondence re: Georg Jensen exhibition; checklists (from SITES)\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; biographical information; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with Catherwood Foundation; label copy; exhibition proposal\u003c/p\u003e","\u003cp\u003ePress release; shipping information and receipts; correspondence with Catherwood; Catherwood publicity; checklists; label copy\u003c/p\u003e","\u003cp\u003e1 drawing of layout; label copy; checklists; list of loans requested; shipping information and receipts; correspondence; correspondence with publicity; correspondence with lenders; 2 annotated copies of printed checklists; copy of Bulletin\u003c/p\u003e","\u003cp\u003e1 copy of printed checklist; correspondence with lenders; request for information cards; 1 annotated copy of printed checklist\u003c/p\u003e","\u003cp\u003e\"Caption for Watteau Mat\" and press release (1/11/52); press releases; list of loans; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lenders for Fetes Galantes\u003c/p\u003e","\u003cp\u003ePhotography purchase requests; invoices\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with lenders; clippings\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; shipping information and receipts; request for information forms; label copy\u003c/p\u003e","\u003cp\u003e1 copy of catalog; 1 copy of Ford Times on which the show was based; checklists; correspondence; catalog copy; correspondence with Ford; copy of story for Commonwealth\u003c/p\u003e","\u003cp\u003e2 photographs of Helen Wearstler Foht; 1 duplicate photograph of her; checklists; correspondence with artists; shipping information and receipts; label copy\u003c/p\u003e","\u003cp\u003eCorrespondence with artist and his dealer (Hammer Galleries); copy of the exhibition catalog; label copy; 1 book jacket of his (High World); insurance information; shipping information and receipts\u003c/p\u003e","\u003cp\u003e2 photographs; checklists; shipping information \u0026amp; receipts; correspondence with artists; label copy\u003c/p\u003e","\u003cp\u003e1 photograph; 1 duplicate photograph (Aubrey Bodine or O.F. Romig) [these 2 were judges, A. Aubrey Bodine of Baltimore and Orlando F. Romig of Pittsburgh]; correspondence with artists\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence; press release\u003c/p\u003e","\u003cp\u003e1 photograph of unknown; 1 photograph of Carl Roseberg; shipping information and receipts; sales information; checklists; correspondence with artists; label copy\u003c/p\u003e","\u003cp\u003e3 photographs; checklists; biographical information; correspondence with artists; label copy\u003c/p\u003e","\u003cp\u003eInvitation; list of possible artists publicity/catalogs from other shows; invitation copy; mailing list; checklists; correspondence with Sculpture Center; shipping information and receipts; correspondence with artists; correspondence with lenders; label copy\u003c/p\u003e","\u003cp\u003e4 drawings of label panels; sheet for each with list of photographs for panels\u003c/p\u003e","\u003cp\u003e2 photographs; shipping information and receipts; correspondence with artists; checklists; sale information; biographical information; label copy\u003c/p\u003e","\u003cp\u003eInvitation; 1 photograph of show at Corcoran; 1 drawing; also 1 drawing of Chinese gallery, press release 3/4/55; correspondence with SITES (organizer); shipping information and receipts; checklists; correspondence re: damage to a chair; label copy; correspondence with publicity; 1 copy of catalog; 1 copy of Danish Foreign Office Journal\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; shipping information and receipts; checklists; George Poiret print collection exhibition catalog (rents them)\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence; clippings\u003c/p\u003e","\u003cp\u003eCopy for theatre publications\u003c/p\u003e","\u003cp\u003eProgram for 57-58 season; copy for earlier brochure\u003c/p\u003e","\u003cp\u003eOne letter re: season's policies\u003c/p\u003e","\u003cp\u003e2 pieces of correspondence\u003c/p\u003e","\u003cp\u003e\"A Proposal,\" (letter 7/14/56); Dance Society meeting minutes; correspondence; budget information; mailing list\u003c/p\u003e","\u003cp\u003eProgram April 20, February 24, January 6, October 21, September 16; correspondence (1 letter); 1 copy of a mailing\u003c/p\u003e","\u003cp\u003eCheckbook; correspondence re: taxes\u003c/p\u003e","\u003cp\u003e1 photograph (Richard Steinway); duplicate photograph (John Langstaff); 1 photograph of John Langstaff with Berkshire Quartet; 1 duplicate photograph and 1 regular photograph of Albeneri Trio; 1 season program\u003c/p\u003e","\u003cp\u003e1 photograph of John Langstaff; 1 duplicate photograph of Robert Conant; 2 photographs of Amadeus Quartet; 1 photograph of Alfred Deller; 1 duplicate photograph of Alfred Deller Trio; 1 photograph of Emily Frankel and Mark Ryder; correspondence; proposed relations between the 2 organizations; meeting minutes; letter drafts; program copy; publicity materials\u003c/p\u003e","\u003cp\u003eWishes to thank card; Davenport Carrington letter; response card; meeting minutes; program schedule; clippings; correspondence; budget information; form letter with mailing lists; promotion planning\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence\u003c/p\u003e","\u003cp\u003e1 copy of schedule of programs and events\u003c/p\u003e","\u003cp\u003eCorrespondence from Velz (he was on Executive Committee for 1956-1957) to various people re: events; \"The Public Relations and Information Program of the Virginia Museum of Fine Arts\" paper\u003c/p\u003e","\u003cp\u003e1 clipping (RTD 2/15/56-they got charter)\u003c/p\u003e","\u003cp\u003eRAUC Summary Report 1949-1956; correspondence of RAUC; evening courses for adults announcement\u003c/p\u003e","\u003cp\u003eCorrespondence re: lecture on architecture of Japan\u003c/p\u003e","\u003cp\u003eCorrespondence re: fundraising drive; interoffice memos\u003c/p\u003e","\u003cp\u003eHundreds of photographic department purchase requests\u003c/p\u003e","\u003cp\u003e1 copy of magazine, October 1956 issue with VMFA feature\u003c/p\u003e","\u003cp\u003e8 drawings of alcoves; layouts; permanent installations; lists of photographs for alcoves; memos re: installation needs; photograph orders; lists of titles for information panels; correspondence re: information panel production; panel copy; budget information; information re: hanging heights in galleries; sample label paper\u003c/p\u003e","\u003cp\u003e\"Art Reference Resources in Virginia\" questionnaire (all about art libraries); 1 piece of correspondence about putting brochures on ferries\u003c/p\u003e","\u003cp\u003e3 photographs from Brazilian show; newspaper and magazine clippings; catalogue and clippings for 1951 Brazilian show (Children's Book Illustrations); information and press releases and correspondence for 1953 fellowships; 1950-51 fellowship information; blank application; information on Jenny-Lynn Franklin's mural; press releases for 1956-1957 fellowships\u003c/p\u003e","\u003cp\u003eTraveling checklist and hanging order; label copy; correspondence with artist; shipping information and receipts; correspondence re: traveling exhibition; checklists; correspondence with AFA; clippings; blank loan contract; correspondence with borrower; itinerary; AFA publicity materials for show\u003c/p\u003e","\u003cp\u003eMaterial from MOMA on their 25th anniversary\u003c/p\u003e","\u003cp\u003e2 drawings of panel layouts; list of photographs used; memos; label copy; photograph order\u003c/p\u003e","\u003cp\u003eMailing list; copy of Bulletin; cards sent to institution for their exhibition listing in Bulletin (called \"Elsewhere in Virginia\")\u003c/p\u003e","\u003cp\u003ePhotograph of Merrill Moore; 1 photograph of Governor Stanley; biographical information on speakers; correspondence with speakers; publicity material for Merrill Moore's new book\u003c/p\u003e","\u003cp\u003eMailing (open house invitation); letter from Rhoads to members; renewal card, 1 photograph by Yardley; membership letter draft; correspondence between committee members; brochure proofs; previous membership requests; privilege information; budget information; brochure copy; paper samples\u003c/p\u003e","\u003cp\u003eBrochure copy\u003c/p\u003e","\u003cp\u003eFashion Festival facts; Council letter (3/21/56); program; invitation copy; correspondence with Miller \u0026amp; Rhoads; correspondence re: Council; correspondence with Harper's Bazaar; correspondence with publicity; mailing lists; schedules; meeting minutes; annotated scripts \u0026amp; schedules; fabric samples; program copy\u003c/p\u003e","\u003cp\u003eComplete reply cards; correspondence re: Council children's events; publicity materials for puppet theatre; blank reply cards\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; checklists with sale prices; shipping information and receipts; biographical information; label copy; photograph purchase requests\u003c/p\u003e","\u003cp\u003e1 photograph of \"Black Beast,\" 1 photograph of \"Croquet Player\"; correspondence with AFA (who turned down show) and ICA Boston; correspondence with publicity; shipping information and receipts (now called \"Collection Memos Receipt\"); correspondence with lenders; insurance information\u003c/p\u003e","\u003cp\u003eCorrespondence with publicity; correspondence with artists; correspondence re: preview, installation information and schedules; correspondence with lenders; shipping information and receipts; label copy; correspondence with AFA re: withdrawal; list of lenders; photograph orders\u003c/p\u003e","\u003cp\u003e1 drawing, 27 photographs; 1 duplicate photograph (Henry Robinson Luce); label copy; correspondence; shipping information and receipts; [unlabeled: (lady) Elsie de Wolfe; Henry Dreyfuss (architect)]\u003c/p\u003e","\u003cp\u003e3 photographs of jurors; 1 photograph of sculpture; 1 photograph of tempera painting; correspondence with jury; checklists; shipping information and receipts; clippings; dinner lists and plans; correspondence with lenders; label copy; Ben Shahn catalog; biographical information; insurance information\u003c/p\u003e","\u003cp\u003e1963 Virginia Artists blank; shipping information and receipts; correspondence with artists; label copy; biographical information\u003c/p\u003e","\u003cp\u003e2 drawings (1 by her, 1 by Leslie Cheek); checklist with values; correspondence with artist; shipping information and receipts\u003c/p\u003e","\u003cp\u003eEntry cards; shipping information and receipts; sale information; correspondence with artist; insurance information; Council Preview Party gifts information (new); check stubs; list of entrants; preview mailing list for businesses\u003c/p\u003e","\u003cp\u003eVirginia Artists jury memo (1/25/57); blank certificates (signed); traveling exhibition checklist; 1957 prospectus; label copy; copy of 1936 catalog; speech copy; Bulletin copy; annotated 1955 blank; prospectus list; entry requests; catalogs and brochures from other exhibitions; prospectus copy; catalog copy; schedule; correspondence with publicity; shipping information and receipts; correspondence with jury; clippings; certificate recommendation list; jury report; correspondence with artists; biographical information on certificate winners\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with artists; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eDrawing of layout\u003c/p\u003e","\u003cp\u003e3 photographs of installation (location unknown, not VMFA); correspondence with American Institute for Graphic Arts (organizer); shipping information and receipts\u003c/p\u003e","\u003cp\u003e\"A Brief Description of the 'New World Achievement' Exhibit,\" invitation and drawing; label copy; checklists; schedules; Jamestown materials for 1957 festival; list of lenders; for letter draft; credits; musical selections; annotated invitation; correspondence with Jamestown Committee members; copy of Commission report; shipping information and receipts; invitation copy\u003c/p\u003e","\u003cp\u003eIllustration lists for panels; label copy\u003c/p\u003e","\u003cp\u003e2 duplicate photographs; research and information panel copy\u003c/p\u003e","\u003cp\u003e1 photograph of a plate; correspondence with lenders; shipping information and receipts; information request forms; label samples\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with lenders; shipping information and receipts; information request forms\u003c/p\u003e","\u003cp\u003eInformation on VMFA and Jamestown Festival\u003c/p\u003e","\u003cp\u003eCorrespondence with ESU re: speaker and other events; correspondence with embassy; clippings; invitations; speaker publicity\u003c/p\u003e","\u003cp\u003eChecklists; shipping information and receipts; correspondence with lenders; insurance information; 1 copy of VMFA Summer Calendar\u003c/p\u003e","\u003cp\u003e1 drawing; photograph; checklist; catalog; publicity materials from AFA (organizer); measurement lists; correspondence with AFA; correspondence with Near East College Association (co-organizer); shipping information and receipts; label copy; checklists with values\u003c/p\u003e","\u003cp\u003e2 photographs; \"Emblem of the 1957 R.S. Reynolds Memorial Award\"; 20th century works of art catalogue from the University of Illinois-Urbana; label copy; AFA publicity materials; Reynolds Memorial Award publicity materials; correspondence with AFA; correspondence with Reynolds; correspondence with artist\u003c/p\u003e","\u003cp\u003e1 drawing, 7 photographs, press release; checklists; label copy; shipping information and receipts; MOMA publicity materials; correspondence with MOMA; label copy; condition report\u003c/p\u003e","\u003cp\u003e1 application; 2 memos\u003c/p\u003e","\u003cp\u003eCouncil member letter (2/1/57); \"The Big Frame-Up,\" script and cast list; volunteer lists by reject type; Council proposal for buying Virginia Art; preview invitations; clippings; correspondence with and between Council members; invitation copy; prize list\u003c/p\u003e","\u003cp\u003e1 photograph (Joseph Gilliard); correspondence with artists; invitation correspondence; checklists; biographical information; shipping information and receipts; photograph orders; label copy\u003c/p\u003e","\u003cp\u003eInvitation, traveling exhibition checklist; label copy; shipping information and receipts; checklists; correspondence with publicity; correspondence with artists; biographical information; correspondence with AFA; catalog of other comic show in NYC; press release copy; AFA Catalog 1957-58; photograph orders\u003c/p\u003e","\u003cp\u003e1 photograph of speaker (Rorimer); correspondence with speakers (library lecture series); list of speaker possibilities\u003c/p\u003e","\u003cp\u003eChecklists; shipping information and receipts (re: return of traveling show)\u003c/p\u003e","\u003cp\u003eInvitation to children's play; correspondence re: children's events, including play\u003c/p\u003e","\u003cp\u003eMembership letters; blank application; list of dropped group members with form letter; memo re: procedure\u003c/p\u003e","\u003cp\u003eIntroduction letter (9/28/56); letter (1/15/57); menu; correspondence and planning re: Council luncheon and other meetings; list of Council programs for year; correspondence; shipping information and receipts for lecture supplies; clippings\u003c/p\u003e","\u003cp\u003e4 photographs (Iris Nordquist?); label copy; correspondence with artists; shipping information and receipts; biographical information; checklists\u003c/p\u003e","\u003cp\u003eAn example file: instructions regarding how to do the shows, rules, etc. plus samples of forms and documents\u003c/p\u003e","\u003cp\u003eMemos and notes re: quality of transparencies used for postcards\u003c/p\u003e","\u003cp\u003eCorrespondence re: adult photography class taught by Burris (Gordon G.), staff photographer; correspondence with manufacturers re: enlargers; equipment brochures\u003c/p\u003e","\u003cp\u003eCorrespondence and agreements re: film society showings for year\u003c/p\u003e","\u003cp\u003e5 Remington Rand catalogs; Library and filing supplies; correspondence with other librarians (arts); correspondence with possible applicants; results of art resources surveys; list of equipment desired; list of periodicals [bunch of \"Habiliments\" material]\u003c/p\u003e","\u003cp\u003eLabel copy; checklists; correspondence; correspondence with artists; sales information; repairs, shipping information and receipts\u003c/p\u003e","\u003cp\u003eForm letter from Rhoads to members\u003c/p\u003e","\u003cp\u003eCorrespondence and memos from McClellan \u0026amp; Velz (PR and publicity-related) [Richard Velz, Division Head, Administrative Division; E.T. McClellan, Public Information Head]\u003c/p\u003e","\u003cp\u003e1 photograph (Thomas Kenneth Rowe); 4 photographs of paintings; correspondence with artists; checklists; shipping information and receipts; biographical information; clipping\u003c/p\u003e","\u003cp\u003eLabel copy; shipping information and receipts; correspondence with artists; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; label copy; shipping information and receipts (no catalog published for this one)\u003c/p\u003e","\u003cp\u003ePreview invitation; 2 photographs; layout drawing; label copy; correspondence with ICA Boston (organizer) \u0026amp; Detroit Institute of Arts; correspondence with Winston; checklists; shipping info and receipts; catalog of collection at University of Michigan\u003c/p\u003e","\u003cp\u003e7 photographs; label copy; shipping information and receipts; correspondence with artists; checklists; clippings; biographical information\u003c/p\u003e","\u003cp\u003e1 photograph; label copy; AFA publicity materials; correspondence with lenders; shipping information \u0026amp; receipts; credits; correspondence with designer (Oenslager); clippings; biographical information; 1 copy of catalog; AFA brochure (1957-1958)\u003c/p\u003e","\u003cp\u003e2 photographs; AFA materials; correspondence with AFA; label copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003ePanel layout drawing; 1 photograph; checklist; list of lenders; label copy; checklists; Carnegie press releases (organizer); correspondence with ICA Boston (circulator); correspondence with Carnegie; correspondence with lecturers; shipping information and receipts; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with Smithsonian; Smithsonian press release; checklist; shipping information and receipts; label copy; 1 copy of catalog\u003c/p\u003e","\u003cp\u003e6 photographs (Barbee); 6 photographs (Lou Ponder-Rogers); checklists; correspondence with artists; shipping information and receipts; biographical information; various catalogs; label copy\u003c/p\u003e","\u003cp\u003e6 photographs (Thomas Gorman); 6 photographs (Marilyn Downes-Bennett); shipping information and receipts; correspondence with artists; checklists; label copy\u003c/p\u003e","\u003cp\u003e1 drawing; duplicate: invitation letter; \"Art Lending Service\"; press release; mailing list; Bulletin copy; invitation copy; copy of 1947 catalog; correspondence with artists; list of eligible artists; list of previous rotating exhibitions\u003c/p\u003e","\u003cp\u003e1 layout drawing; 2 photographs; checklists; label copy; correspondence with Warburg; shipping information and receipts; 1 copy of invitation\u003c/p\u003e","\u003cp\u003eCopy of invitation; miscellaneous memos\u003c/p\u003e","\u003cp\u003e1 American classics drawing; 1 duplicate Skidmore, Owings, Merrill layout drawing; 1 copy of a gallery catalogue from New York; checklists; list of preview guests; shipping information and receipts; promotion plan; correspondence with publicity; promotion plans; press release\u003c/p\u003e","\u003cp\u003e\"SOM Projects,\" clipped prose and labels; label copy; copy of MOMA Bulletin on SOM (Fall 1950), XVIII, 1\u003c/p\u003e","\u003cp\u003eFolder with label on front \"William Rhodes\" scheduling events surrounding opening of new Reynolds Metals Building; correspondence with publicity; correspondence with SOM; correspondence with Reynolds; shipping information and receipts; preview plans\u003c/p\u003e","\u003cp\u003e1 photograph (Colorado Springs Air Force Academy); 1 photograph (Frederick D. Nichols, professor at School of Architecture, UVirginia); label copy; correspondence with publicity; Reynolds Metals opening schedule; annotated press releases; clippings, correspondence with potential speakers; Bulletin; shipping receipts\u003c/p\u003e","\u003cp\u003e5 photographs and 1 slide; correspondence with Reynolds; correspondence with publicity; correspondence with William O'Neal, lots of miscellaneous correspondence\u003c/p\u003e","\u003cp\u003eAround 10 magazine clippings\u003c/p\u003e","\u003cp\u003e1 photograph; clippings; press release; \"1962 American Painting\" catalog; \"The Story of Steuben Glass\" book\u003c/p\u003e","\u003cp\u003e1 photograph (duplicate); 1 drawing of pedestal; label copy; correspondence with Steuben glass; shipping information and receipts\u003c/p\u003e","\u003cp\u003e9 photographs; 1 drawing; 1 duplicate photograph (Dorothy Miner); label copy; correspondence with Andrew Wyeth; correspondence with lenders; correspondence with local librarians; correspondence with speaker (Dorothy Miner); 1 copy of invitation; 3 annotated copies of catalog of paintings at Knoedler; shipping information and receipts; biographical information\u003c/p\u003e","\u003cp\u003eDocumentation; correspondence and schedules for school group tours, all ages and subjects; some docent information\u003c/p\u003e","\u003cp\u003e1 copy of November 1958 – 44:11\u003c/p\u003e","\u003cp\u003e1 folder of press releases, VMFA Bulletin, 2 photographs, called \"News About our New General Office Building.\"\u003c/p\u003e","\u003cp\u003e1 folder with label \"Mrs. M.B. Christison\" with opening schedule information\u003c/p\u003e","\u003cp\u003e1 photograph (Edwin Burr Pettit – Brandeis lectures); information re: Council lecture-luncheon 1957; handouts; reservation cards; correspondence, Lecture Series schedule; correspondence with potential lecturers; clippings\u003c/p\u003e","\u003cp\u003eCorrespondence re: mailing list and press releases\u003c/p\u003e","\u003cp\u003eCorrespondence with publicity; publishers and personalities; printer\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with publicity; correspondence with dealers; press releases, Poussin material; mailing list\u003c/p\u003e","\u003cp\u003eCorrespondence with Professor of Applied Social Research at Columbia re: public relations\u003c/p\u003e","\u003cp\u003e1 drawing; shipping information and receipts; correspondence; label copy; correspondence with lenders; UVirginia catalog\u003c/p\u003e","\u003cp\u003e3 drawings; 9 photographs; 1 duplicate photograph; label copy; exhibition catalog from L'Art Ancien, S.A. Zurich; correspondence with Brooklyn; shipping information and receipts; invitation copy; 1 copy of invitation; clippings; AFA materials and correspondence\u003c/p\u003e","\u003cp\u003e\"Virginia Artists Jurying: Requested Arrangements \u0026amp; Operations\"; 17 photographs (1 of Perrin - labeled, 1 of Bertoia - hat, 1 of Lee – other; correspondence with potential jurors; correspondence with jurors; shipping information and receipts\u003c/p\u003e","\u003cp\u003e1 photograph; invitation (3 copies scattered); 1 drawing; checklists; biographical information; label copy; correspondence with Aldrich; catalog correspondence; correspondence with publicity; catalog copy; shipping information and receipts; clippings\u003c/p\u003e","\u003cp\u003eCorrespondence with printer re: catalog; \"thank yous\" for exchange or gift of catalog\u003c/p\u003e","\u003cp\u003e\"Complete Catalog\" copy; correspondence with artists; information requests; shipping information and receipts; 1 certificate (signed by Sherman Lee); clippings; correspondence with jurors; schedules; lists of entries by place; entries (completed); certificate recommendations; prospectus copy; clippings; checklists; other institutions' prospectuses; other catalogs; correspondence with publicity\u003c/p\u003e","\u003cp\u003e1 drawing; catalog copy; 1 copy of prospectus; label copy; prospectus proof\u003c/p\u003e","\u003cp\u003eCorrespondence with winners; list of certificates; list of recommendations\u003c/p\u003e","\u003cp\u003e15 photographs; 1 drawing; correspondence with Metropolitan Museum of Art (speaker); label copy; correspondence with Minneapolis Institute of Art (lender); checklist; shipping information and receipts\u003c/p\u003e","\u003cp\u003e5 photographs; correspondence with potential lenders; correspondence with APVirginia; correspondence with Virginia State Bar; checklists; shipping information and receipts; label copy\u003c/p\u003e","\u003cp\u003eCorrespondence; label copy\u003c/p\u003e","\u003cp\u003eCorrespondence with the Olsen Foundation (lender); 1 copy of catalog; shipping information and receipts; checklist\u003c/p\u003e","\u003cp\u003e12 photographs (whoever had show October 7- November 4, 1956); catalogue; research; checklists; correspondence with Olsen Foundation\u003c/p\u003e","\u003cp\u003eSuggestion for gala fundraiser\u003c/p\u003e","\u003cp\u003eCorrespondence with VHS\u003c/p\u003e","\u003cp\u003eCorrespondence with artists re: eligibility; old Virginia artists catalogues (1953 \u0026amp; 1955); prospectus and rules\u003c/p\u003e","\u003cp\u003e1959 catalogue; lists of eligible artists; label copy\u003c/p\u003e","\u003cp\u003e3 negatives, 5 photographs; correspondence with lenders (NYPL, Wadsworth, Met); checklists; chipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with Virginia State Bar Association\u003c/p\u003e","\u003cp\u003e7 small photographs (Broaddus); 5 photographs (Russi); 5 photographs – prints – (Turner); correspondence re: sales; biographical information; correspondence with artists\u003c/p\u003e","\u003cp\u003e1 photograph (Davenport); 9 photographs (Davenport); 1 photograph (Jones); 4 photographs (Jones); checklists; label copy; correspondence with artists; biographical information; shipping information and receipts\u003c/p\u003e","\u003cp\u003eShipping information and receipts; request for information forms\u003c/p\u003e","\u003cp\u003eReceipts\u003c/p\u003e","\u003cp\u003e7 photographs (I. Moore?); 7 photographs (Lois Jacobsen); 7 photographs (Bill Gaines); 1 photograph (Jacobsen); correspondence with artists; shipping information and receipts; invitation copy; correspondence re: sales\u003c/p\u003e","\u003cp\u003e4 photographs; 1 drawing (duplicate); duplicate: catalog list (blue); correspondence with AFA; AFA materials; clippings; biographical information on lecturer; checklist; correspondence with publicity; preview dinner plans; shipping information and receipts; 1 copy of catalogue\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; publication exchange cards; checklists; committee member list; correspondence re: catalog\u003c/p\u003e","\u003cp\u003e2 photographs; 1 photograph (Basil Taylor); 1 duplicate photograph of unknown; 1 duplicate photograph (Alice Higgins); 1 drawing; clippings; biographical information on Sports Illustrated photographers; press releases; checklists; mailing lists; budget\u003c/p\u003e","\u003cp\u003eLabel copy; checklists\u003c/p\u003e","\u003cp\u003eClippings; publication exchange cards; correspondence with publicity; 1 copy each of 2 invitations; dinner seating arrangement\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders\u003c/p\u003e","\u003cp\u003eDinner reservation list; dinner invitation (March 1960); list of patrons; budget information; invitation copy; shipping information and receipts; financial reports; correspondence with publicity; travel plans, correspondence with Basil Taylor; 1 copy each of 2 invitations; correspondence with Mellon\u003c/p\u003e","\u003cp\u003eResearch; checklists; correspondence with possible lenders; correspondence with Corcoran (organizer of Sports Illustrated exhibition); other exhibition catalogs; correspondence with Mellon; clippings; committee correspondence; label copy; correspondence with publicity; correspondence with ambassadors; invoices; issue of \"Sport \u0026amp; the Horse: The Chronicle,\" (4/1/60)\u003c/p\u003e","\u003cp\u003e1 drawing of dinner arrangement; correspondence with lenders; correspondence with committee members (including Mellon); shipping information and receipts; correspondence re: catalog; travel plans; invitation copy; correspondence with lecturer; correspondence with ambassadors\u003c/p\u003e","\u003cp\u003e3 photographs of packing Manet's \"Races at Longchamp, Paris\"; correspondence with lenders; shipping information and receipts; correspondence with Mellon; correspondence with publicity; correspondence re: damage to Manet\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with lenders\u003c/p\u003e","\u003cp\u003eCorrespondence with Blunt (Courtauld) and with royal collection\u003c/p\u003e","\u003cp\u003eCatalog copy; 1 letter from the Palais du Louvre\u003c/p\u003e","\u003cp\u003eCorrespondence with Mellon; correspondence with committee members; list of patrons; requests to join committee\u003c/p\u003e","\u003cp\u003eCorrespondence with Constable, consultant to exhibition (former curator, MFA Boston); Courtauld Director; Art History Professor, University of London)\u003c/p\u003e","\u003cp\u003eCorrespondence with Bourlet \u0026amp; Sons\u003c/p\u003e","\u003cp\u003eCorrespondence with Duveen \u0026amp; Walker (insurance brokers); copy of policy\u003c/p\u003e","\u003cp\u003eCorrespondence with Mellon; various lists\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lenders; preliminary loan list\u003c/p\u003e","\u003cp\u003e1 photograph of Sir Robert Walpole by Wootton; shipping information and receipts; correspondence with lenders; correspondence with Paul Mellon; handwritten list of lenders\u003c/p\u003e","\u003cp\u003eChecklists; item cards\u003c/p\u003e","\u003cp\u003eBudget tracking (including dinners); list of contributors; correspondence with Department of Accounts; receipts with correspondence; gala invitation copy; correspondence with publicity; correspondence with Mellon; 1 invitation; gala planning; menu copy; various ad rate cards (including Sports Illustrated); \"The Sports Illustrated Guide to Regional Marketing,\" with Sports Illustrated issue 4/18/60\u003c/p\u003e","\u003cp\u003e1 duplicate photograph of \"Brown Horse \u0026amp; Spaniel\" by Stubbs; correspondence re: repair (blister) of Stubbs' painting lent by Katherine Gilbey of England\u003c/p\u003e","\u003cp\u003e2 photographs (of Stubbs' Hambletonian, Rubbing Down receipt); correspondence with lender (Estate of the Dowager Marchioness of Londonderry); shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence of the British Council\u003c/p\u003e","\u003cp\u003eCorrespondence re: catalogue\u003c/p\u003e","\u003cp\u003eRequests for catalogue\u003c/p\u003e","\u003cp\u003eChecklists by lenders, artists, type\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders\u003c/p\u003e","\u003cp\u003eMiscellaneous correspondence re: Sport \u0026amp; the Horse\u003c/p\u003e","\u003cp\u003eCorrespondence with Murray, librarian at the Witt Library, Courtauld\u003c/p\u003e","\u003cp\u003eCatalogue copy; label copy\u003c/p\u003e","\u003cp\u003eOver 100 plus photographs!\u003c/p\u003e","\u003cp\u003eCorrespondence with publicity; clippings\u003c/p\u003e","\u003cp\u003eCorrespondence with Mellon; suggested publicity plan; clippings, correspondence especially Basil Taylor [Librarian, Royal College of Art, London] and W.G. Constable; checklists (essentially Muriel Christison's file)\u003c/p\u003e","\u003cp\u003eShipping information and receipts\u003c/p\u003e","\u003cp\u003eCompleted request for information forms; packet of information on paintings from Wildenstein\u003c/p\u003e","\u003cp\u003eCorrespondence with dealers; checklists; correspondence\u003c/p\u003e","\u003cp\u003e3 photographs of Monet's painting packed; 1 photograph of James Ward \u0026amp; Skewbald Stallion; correspondence with lenders; shipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003e1 duplicate photograph (Gilpin's Gulliver \u0026amp; Houyhnhnms); correspondence with Basil Taylor (Librarian, Royal College of Art); essentially Muriel Christison's correspondence file; biographical information; catalog copy; label copy; checklists\u003c/p\u003e","\u003cp\u003e6 Prentiss Taylor photographs, 1 photograph of Taylor, 1 photograph of Lazaron exhibition; correspondence with artists; sale information; other catalogs; biographical information; clippings; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eProspectus copy; misfiled correspondence\u003c/p\u003e","\u003cp\u003eProspectus copy\u003c/p\u003e","\u003cp\u003e1 photograph of installation; 6 slides (unlabeled); 1 copy of prospectus; correspondence re: jurors and jurying; list of certificate winners; correspondence with winners; dinner replies; other catalogs; correspondence with artists; correspondence with jurors\u003c/p\u003e","\u003cp\u003e1 drawing; 1 copy of 20th Photographic Salon prospectus (blue); 2 posters from Virginia Art Directors Club 57th Annual Exhibition; Mariners Museum catalogs, etc. (lots of prospectuses and catalogs for similar exhibitions; entry requests; correspondence with jurors; jurying information\u003c/p\u003e","\u003cp\u003eChecklists; notes; 1 copy of 20th Virginia Photographic Salon invitation and catalog; press release\u003c/p\u003e","\u003cp\u003eADP prospectus; requests for entry; mailing lists; correspondence with Camera Club \u0026amp; Photographic Society of America; annotated copies of 20th Virginia Salon catalog; 1 copy of PSA Journal 1960 – membership list\u003c/p\u003e","\u003cp\u003eSale information; checklists; correspondence with artists; insurance information; biographical information; shipping information and receipts\u003c/p\u003e","\u003cp\u003e3 duplicate photographs of artists, 1 photograph of panel; biographical information; correspondence with artists; checklists; shipping information and receipts; correspondence with publicity\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; checklists; shipping information and receipts; sales information; biographical information\u003c/p\u003e","\u003cp\u003e\"Art Lending Service,\" generic invitation; correspondence with artists\u003c/p\u003e","\u003cp\u003e\"Notice to Virginia Photographers,\" 1 drawing, 1 photograph of juror [Hoyt L.] Roush; prospectus copy; entry requests; checklists; annotated prospectus; information re: jurying; correspondence with jurors; correspondence with Camera Club; catalog copy; copies of 18th \u0026amp; 19th photographic salon catalogs; lists of winners; shipping information and receipts; biographical information\u003c/p\u003e","\u003cp\u003e20th Photographic Salon prospectus; other catalog; entry requests; prospectus copy; ADP prospectus copy; clippings; news release; 1 drawing of ADP layout (already have it)\u003c/p\u003e","\u003cp\u003e1 drawing; 1 copy of catalog; correspondence with MOMA (organizer); MOMA materials; shipping information and receipts; label copy; checklists; contract\u003c/p\u003e","\u003cp\u003eTwo 12/1/59 press releases; 3 photographs from 1/2/60; press release; clippings; correspondence with publicity; list of attendees; correspondence with UNESCO\u003c/p\u003e","\u003cp\u003eCorrespondence with jurors; shipping information and receipts; correspondence with lenders; completed request for information forms\u003c/p\u003e","\u003cp\u003e2 negatives of Joseph A. White (shipper) and Perry Rathbone (Director, MFA Boston); checklists; correspondence with publicity; correspondence with lenders; biographical information; list of events; 2 prints of negatives\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders\u003c/p\u003e","\u003cp\u003eInvitation copy; catalog copy; annotated Sport and the Horse invitations, programs and menus; copy of \"Brief History of Virginia Museum,\" lecture copy\u003c/p\u003e","\u003cp\u003eCorrespondence with CW's President; biographical information\u003c/p\u003e","\u003cp\u003eCorrespondence with Gibbs (President of Gibbs \u0026amp; Cox, Architects); biographical information\u003c/p\u003e","\u003cp\u003eBiographical information (of Lehman Brothers, investment banking); correspondence with Lehman\u003c/p\u003e","\u003cp\u003eCorrespondence with Marshall Fredericks (accepted Carl Milles award); biographical information; correspondence with Mrs. Milles\u003c/p\u003e","\u003cp\u003eAnnual reports (1956-58, 51-55, 41-50); biographical information on Ernest Brooks (President of Foundation) and correspondence with Brooks; miscellaneous correspondence\u003c/p\u003e","\u003cp\u003eCorrespondence with Saarinen; biographical information (correspondence re: Arts in Virginia article)\u003c/p\u003e","\u003cp\u003eNotes; correspondence with contributors; correspondence with vendors\u003c/p\u003e","\u003cp\u003e25 photographs; 1 duplicate photograph; correspondence with lenders and directors of lending institutions; biographical information\u003c/p\u003e","\u003cp\u003e1 copy of preview invitation; list of invitees; drafts of publicity correspondence; correspondence with governor; memos\u003c/p\u003e","\u003cp\u003eVarious checklists\u003c/p\u003e","\u003cp\u003eMore checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders (in alpha order of lenders)\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lenders (compiled by lender)\u003c/p\u003e","\u003cp\u003e1 letter to Director of Toledo Museum of Art\u003c/p\u003e","\u003cp\u003eCorrespondence with publicity (compiled by institution)\u003c/p\u003e","\u003cp\u003e33 duplicate photographs; 9 new photographs; shipping information and receipts; requests for information forms\u003c/p\u003e","\u003cp\u003e24 duplicate photographs; 4 new photographs; shipping information and receipts; requests for information forms [n.b.: some overlap between folders 8 and 9]\u003c/p\u003e","\u003cp\u003eShipping information and receipts with new form: \"Collection Memo \u0026amp; Receipt.\"\u003c/p\u003e","\u003cp\u003e1 drawing; 3 maps of table arrangements with names; 1 letter of thanks to Miller \u0026amp; Rhoads\u003c/p\u003e","\u003cp\u003e\"Virginia Artists Jurying\"; 1 photograph; completed entry blanks; prospectus copy; correspondence with artists; correspondence re: sales; shipping information and receipts; list of certificate winners; labels; budget information; correspondence with jurors; prospectus proofs; correspondence re: damages; list of invitees for collectors reception\u003c/p\u003e","\u003cp\u003eSmall bit of correspondence; prospectus copy\u003c/p\u003e","\u003cp\u003e5 photographs; correspondence with lenders; shipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003ePress release form; SITES checklist; SITES press release, 3 photographs; collection of memos and receipts; press release copy; correspondence with venders; staff memos; checklists; clippings; shipping information and receipts; request for information forms; SITES contract\u003c/p\u003e","\u003cp\u003eEmpty folder\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; correspondence re: sales; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; correspondence re: sales; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; correspondence re: sales; shipping information and receipts; biographical information; overall rotating schedule; insurance form (new that year)\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with artists; shipping information and receipts; checklists, insurance form\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; shipping information and receipts; other catalog; checklists; insurance forms\u003c/p\u003e","\u003cp\u003e1 drawing; correspondence with publishers and booksellers; correspondence with American Institute of Graphic Arts (circulator); shipping information and receipts; label copy; insurance form\u003c/p\u003e","\u003cp\u003e5 photographs; label copy; research, correspondence with AFA (circulator); AFA materials; checklists; exhibition contract; press releases; shipping information and receipts; 1 copy of invitation\u003c/p\u003e","\u003cp\u003e1 photograph; 1 drawing; 1 copy of invitation; correspondence with artist (Ruth Perkins Safford); label copy; price list; invitation copy; traveling exhibition checklist\u003c/p\u003e","\u003cp\u003e9 photographs; 1 duplicate photograph; correspondence with MOMA (organizer and circulator); label copy; shipping information and receipts; 1 copy of invitation; MOMA materials; checklists\u003c/p\u003e","\u003cp\u003e3 photographs; shipping information and receipts; correspondence with artists; lists of all eligible artists\u003c/p\u003e","\u003cp\u003eLabel copy; correspondence with artists; correspondence with lenders; insurance form, checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003e1 drawing; duplicate: preview invitation; AFA materials (circulator); panel copy; 1 copy of Bulletin (November 1961); checklists; label copy; exhibition contract; correspondence with AFA; shipping information and receipts; AFA informational card (1 copy); correspondence re: sales\u003c/p\u003e","\u003cp\u003eList of private purchasers; correspondence with artists; check receipts; shipping information and receipts; signed release forms (when items were released from museum custody); checklists; \"Report of the Council Committee for the Virginia Artists' Exhibition, 1961\"; list of business purchasers\u003c/p\u003e","\u003cp\u003e\"Art Lending Service,\" \"Release Form,\" 1 drawing, \"Artist Form,\" another \"Art Lending Service\"; correspondence; schedule; procedures\u003c/p\u003e","\u003cp\u003e\"Virginia Artists Jurying,\" \"Collectors' Reception\" (2/24/59), \"Tax Consequencies of Gifts of Picture,\" \"List of Firms\"; correspondence; invitation copy; memos; catalog and prospectus copy for 1961 show; label copy; procedures re: sales; check receipts\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with artist; recommendation from Cheek; biographical information\u003c/p\u003e","\u003cp\u003e1 bound copy of \"Cross-Examination of an Art Collection\" by Fred L. Palmer; correspondence with Palmer; checklists; shipping information and receipts; list of valuations; biographical information; collection memo and receipt; insurance report form\u003c/p\u003e","\u003cp\u003e3 pieces of correspondence re: possible Eisenstaedt exhibition\u003c/p\u003e","\u003cp\u003e2 photographs (duplicates); research; checklists; insurance report forms; shipping information and receipts; collection memo and receipts; label copy\u003c/p\u003e","\u003cp\u003ePanel copy; label copy\u003c/p\u003e","\u003cp\u003e1 photograph; shipping information and receipts; correspondence with artists; insurance report forms; Virginia Artist application; checklists\u003c/p\u003e","\u003cp\u003eInvitation; label copy; clippings; correspondence with Railey (Mrs. Howard); research; auction catalogue: Hotel Drouot, 20 November 1861; shipping information and receipts; checklists; insurance report form\u003c/p\u003e","\u003cp\u003e5 photographs, 1 drawing; correspondence with Director, H. Bryan Caldwell; checklists; collection memo and receipts; insurance report forms; research; press release; copies of Norfolk Museum Bulletins; Norfolk materials; 1 copy of \"Hugh Gordon Miller Collection of Paintings\"; correspondence with other Norfolk staff; 1 copy of \"The Great Mace of Norfolk\"; shipping information and receipts\u003c/p\u003e","\u003cp\u003eFact sheet; catalog copy; list of winners; copy of speech at preview\u003c/p\u003e","\u003cp\u003eProspectus copy; signed endorsement of prospectus by AIA, Virginia Chapter; prospectus proof\u003c/p\u003e","\u003cp\u003eSigned certificates of distinction; prospectus copy; correspondence with jurors; biographical information; jury instructions; fact sheet\u003c/p\u003e","\u003cp\u003eJury instructions; fact sheer; list of winners\u003c/p\u003e","\u003cp\u003eLabel copy; insurance report form; memos; shipping information and receipts; correspondence with artists; biographical information\u003c/p\u003e","\u003cp\u003e2 photographs, 1 drawing; label copy; correspondence with lender; correspondence with Basil Taylor; correspondence re: insurance; shipping information and receipts; police stand information\u003c/p\u003e","\u003cp\u003e1 drawing; label copy; police stand information; correspondence with artists; correspondence with Hayes (Director of Addison); biographical information\u003c/p\u003e","\u003cp\u003e1 copy of catalog; 1 copy of \"Artist-Craftsmen of Western Europe\" Catalog; unsigned invitation forms from Hayes; copies of telegraph information requests; label copy; correspondence with artists; correspondence with lenders\u003c/p\u003e","\u003cp\u003e7 photographs; 1 copy of catalog; catalog copy; correspondence re: possible purchase of Nell Blaine painting\u003c/p\u003e","\u003cp\u003e2 photographs, invitation; correspondence re: damage; shipping information and receipts; correspondence re: insurance [other correspondence: with artists; re: catalog; with publicity; with Hayes; re: lecture; with lenders; press releases; copy of Time magazine 1/19/62 re: Yu-Ho]; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with lenders; signed invitation forms; a few other catalogs\u003c/p\u003e","\u003cp\u003e22 new photographs; 8 duplicate photographs; some correspondence re: photographs\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with lenders; checklists; insurance report form\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with contributors to AIV and Miss Christine Alexander, former curator at the Met \u0026amp; now advisor on Greek art to VMFA; staff memos; label copy; checklists; correspondence re: photographic panels for exhibition\u003c/p\u003e","\u003cp\u003eResearch (including sketches by Christine Alexander); notes; label copy\u003c/p\u003e","\u003cp\u003ePress release; checklist; label copy\u003c/p\u003e","\u003cp\u003e41 photographs; 12 duplicate photographs; label copy; correspondence with publicity; memos\u003c/p\u003e","\u003cp\u003e1 drawing; label copy; checklists; shipping information and receipts; correspondence with Karolik; research; collection memo and receipt; insurance report form\u003c/p\u003e","\u003cp\u003e12 photographs; correspondence with publicity; correspondence with potential lenders; correspondence with lenders; Jamestown Festival materials; correspondence with Jamestown; label copy\u003c/p\u003e","\u003cp\u003e8 photographs; correspondence with artists; insurance report forms; shipping information and receipts; checklists\u003c/p\u003e","\u003cp\u003e1 photograph; 1 duplicate photograph; 1 duplicate information sheet [\"Collectors Circle,\" 4/30/62]; shipping information and receipts; information request form; correspondence with collectors; label copy; schedule of \"expert\" lecture; insurance report form; 1 copy of invitation\u003c/p\u003e","\u003cp\u003eLabel copy; memos; correspondence with potential lenders; correspondence with SITES; correspondence with various Civil War Centennial Commissions; loan contracts (SITES); checklists; SITES materials; press releases; shipping information and receipts\u003c/p\u003e","\u003cp\u003e12 photographs, 1 sealed envelope with possible photographic material ;checklists; label copy; correspondence with artists; shipping information and receipts\u003c/p\u003e","\u003cp\u003e14 photographs; correspondence with artist; biographical information; memos; shipping information and receipts; insurance report form; clippings; label copy\u003c/p\u003e","\u003cp\u003e5 photographs, 10 slides (Bristow); correspondence with artist; correspondence re: sale; press release, biographical information; memos; label copy; checklists; insurance report form; shipping information and receipts\u003c/p\u003e","\u003cp\u003eInvitation; 1 annotated copy of \"Stravinsky and the Dance,\" NYPL, 1962\u003c/p\u003e","\u003cp\u003e7 photographs; 2 duplicate photographs; staff memos; correspondence re: preview; correspondence with lenders; correspondence with AFA (circulator); checklists; correspondence with publicity\u003c/p\u003e","\u003cp\u003eSample of stuffed envelope to be weighed for postage\u003c/p\u003e","\u003cp\u003e7 photographs; duplicates: checklist, suggested press release; correspondence with SITES; SITES materials; exhibition contract; staff memos; 1 copy of SITES catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with Thorne (potential Virginia Artist)\u003c/p\u003e","\u003cp\u003eStaff memos; correspondence with potential and real lenders; checklists; collection memo and receipts; shipping information and receipts\u003c/p\u003e","\u003cp\u003e1 copy of Saturday Review 6/18/62\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; various checklists; completed applications; blank applications (1 annotated; 1 not)\u003c/p\u003e","\u003cp\u003eApplication packet; completed applications\u003c/p\u003e","\u003cp\u003eCorrespondence with Goodrich (Director of Whitney); lecture schedule (for all lecturers for chapters and affiliates)\u003c/p\u003e","\u003cp\u003eCorrespondence with Rich (Director at Worcester); proposed schedule for Rich\u003c/p\u003e","\u003cp\u003eCorrespondence with Walker (Director, National Gallery of Art, DC); proposed schedule for Walker\u003c/p\u003e","\u003cp\u003e2 photographs [Robert Lippold, Perry Rathbone]; duplicates: loan/own letter (8/10/62); Dear Virginia Artist (1/16/63); correspondence with artists; 2 label panels; checklist of eligible artists; prospectus copy; list of awards\u003c/p\u003e","\u003cp\u003e1 press release\u003c/p\u003e","\u003cp\u003e\"Curator's Choice: Collectors' Opportunity\" (orange); \"$50 Hens\" (blue); \"Procedure for Party\"; label copy; staff memos; text of speech; \"rules of etiquette\"; purchase request cards\u003c/p\u003e","\u003cp\u003e'62 ADP catalog; old prospectuses; catalog copy; staff memo\u003c/p\u003e","\u003cp\u003e1 drawing; 1 invitation; correspondence with artists; checklists (actually price lists); insurance report form; shipping information and receipts\u003c/p\u003e","\u003cp\u003ePress release (9/8), 16 duplicate photographs, 7 new photographs, 1 contact sheet; 1 copy of Arts in Virginia (Spring 1962); correspondence with RMWC; checklists; correspondence with publicity\u003c/p\u003e","\u003cp\u003eSuggested press release; checklist (circulated by MOMA); shipping information and receipts; MOMA materials; label copy; correspondence with MOMA\u003c/p\u003e","\u003cp\u003e10 photographs; 1 copy of \"Finlandia\" catalog; correspondence with SITES. Correspondence with John Rorimer (Director of the Met); correspondence with AFA; correspondence with Finnish Society of Crafts \u0026amp; Designs [didn't take place!]\u003c/p\u003e","\u003cp\u003eCorrespondence with Rosenwald; correspondence with Walker \u0026amp; Brown at NGA; work schedule; correspondence with lenders; shipping information and receipts; staff memos; list of invitees to preview dinner; collection memo and receipt; 1 copy of invitation; foreword copy\u003c/p\u003e","\u003cp\u003eCatalog copy; catalog proofs; miscellaneous correspondence; foreword copy\u003c/p\u003e","\u003cp\u003eCorrespondence with Philadelphia Museum; shipping information and receipts; insurance report form; correspondence with Rosenwald\u003c/p\u003e","\u003cp\u003e3 photographs; shipping information and receipts; correspondence with SITES; checklists; press release; SITES materials; contract; label copy\u003c/p\u003e","\u003cp\u003eAnnotated copies of old prospectuses and catalogs; catalog copy\u003c/p\u003e","\u003cp\u003eMailing lists; list of hometowns; correspondence with artists; statistics; correspondence re: sales\u003c/p\u003e","\u003cp\u003e1963 catalog; prospectus copy; catalog copy; catalog proof\u003c/p\u003e","\u003cp\u003eCertificate (1 signed; few unsigned), invoices (purchasers and file copies); checklists; presentation schedule; correspondence with artists\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; staff memo with form letters; Council letter (5/5/65)\u003c/p\u003e","\u003cp\u003eMemos re: visit of Carl Weinhardt, juror; various staff memos; various form letters\u003c/p\u003e","\u003cp\u003eLetter to purchaser from 20th exhibition, receiving and handling of prospectus and works (2/19/65); jurying procedures (3/18/65); dear Virginia Artist Printmaker; various staff memos; council committee report; Council form letters; correspondence with artists; various form letters; 1 copy of 1963 prospectus\u003c/p\u003e","\u003cp\u003e1 slide; lists of works purchased; label copy; insurance report form; shipping information and receipts\u003c/p\u003e","\u003cp\u003e3 drawings; duplicates: invitation; 1 copy of Bulletin (September 1965); collection memo and receipts; 1 copy of catalog; correspondence with lenders; correspondence with Moore; checklists\u003c/p\u003e","\u003cp\u003e\"Suggested Introduction,\" 2 photographs; schedule of trip; correspondence with Arnson; miscellaneous correspondence; biographical information\u003c/p\u003e","\u003cp\u003e1 photograph; duplicates: 1 clipping (Time 9/3/65); label copy; clippings; other invitations; Dictaphone belts with Henry Moore!; other catalogs; other press releases; transcription of interview\u003c/p\u003e","\u003cp\u003e34 new photographs; 6 duplicate photographs\u003c/p\u003e","\u003cp\u003eShipping information and receipts; request for information forms; checklists; correspondence; insurance report forms; 1 copy of catalog (annotated)\u003c/p\u003e","\u003cp\u003e1 annotated copy of \"William Blake: Poet, Printer, Prophet,\" by SITES\u003c/p\u003e","\u003cp\u003e1 photograph; duplicates: \"Suggested press release,\" \"checklist, handling instructions\"; correspondence with SITES; SITES material; correspondence with Mellon (re: loans)\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with lenders and The Blake Trust; clippings\u003c/p\u003e","\u003cp\u003eLabel copy\u003c/p\u003e","\u003cp\u003eLabel copy; checklists\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with Mellon; checklists; collection memo and receipts; shipping information and receipts; insurance report form\u003c/p\u003e","\u003cp\u003e7 photographs\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with Rosenwald; correspondence with lenders; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003e23 photographs; 2 duplicate photographs; correspondence with artists; photograph reproduction requests\u003c/p\u003e","\u003cp\u003eFact sheet for Virginia Artists 1963; correspondence with artists; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; lists of works purchased\u003c/p\u003e","\u003cp\u003eStaff memos and notes re: improvement suggestions\u003c/p\u003e","\u003cp\u003eCorrespondence with Oenslager re: possible lecture\u003c/p\u003e","\u003cp\u003eCorrespondence with museums for slides of their expansions for a lecture\u003c/p\u003e","\u003cp\u003e\"Fact Sheet – Virginia Artists Preview Committee-1965\"; copies of Bulletins (2/63 \u0026amp; 3/65); various fact sheets from previous Virginia shows; checklists; correspondence; staff memos; shipping information and receipts; correspondence with artists\u003c/p\u003e","\u003cp\u003e1 photograph: declined exhibition, \"Good Design in Toys,\" sponsored by Creative Playthings of Princeton and L.A.; correspondence re: denied exhibition proposals; some correspondence with jurors\u003c/p\u003e","\u003cp\u003eCatalog proofs; billing information; meeting minutes (Education in the Arts Committee); rough fact sheets; schedules; correspondence with artists; checklists; catalogue copy; label copy; annotated copy of ADP '64\u003c/p\u003e","\u003cp\u003eMemo re: AIA Dinner, 3/2/66; correspondence with artists; correspondence with associations; correspondence with Virginia AIA; clippings; budget information\u003c/p\u003e","\u003cp\u003eDuplicates: form letter from Bill Gaines (2/4/66); certificate of distinction (unsigned); reply card\u003c/p\u003e","\u003cp\u003e3 photographs (Arthur d'Arazien); duplicates: d'Arazien's biography; 1 photograph of Edgar Kaufmann (newsprint); correspondence with jurors; biographical information; clippings; press release\u003c/p\u003e","\u003cp\u003eEliot Elisofon's biography; 1 duplicate photograph (Elisofon); correspondence with jurors; biographical information\u003c/p\u003e","\u003cp\u003e1 photograph (Louis Kahn); correspondence with juror (Kahn); schedules\u003c/p\u003e","\u003cp\u003e\"ADP Jury Schedule\"; 5 photographs; photocopy of contact sheet; comment notes; list of potential jurors; schedules; correspondence re: dinner and hosting\u003c/p\u003e","\u003cp\u003e\"Receiving and Handling of Material\" (11/29/65, \"Procedures for Jurying\" (1/19/66); staff memos; text of Walter Robertson's speech to dinner; notes re: jury report\u003c/p\u003e","\u003cp\u003eADP '62, ADP '64 catalogs; prospectus proofs; 1 copy of ADP '60 \u0026amp; '66 catalog; 1 copy of ADP '62, '64, '66 prospectuses\u003c/p\u003e","\u003cp\u003eADP slide commentary, 1966; checklists of selected entries; correspondence with artists; comments; fact sheet estimates\u003c/p\u003e","\u003cp\u003eVirginia ADP 1966: Traveling Designs, Traveling Photographs, Traveling Transparencies\u003c/p\u003e","\u003cp\u003e2 photographs; insurance report form; correspondence with Koplin; shipping information and receipts; biographical information; checklists; 1 copy of 9/65 Bulletin; clippings; label copy\u003c/p\u003e","\u003cp\u003e2 photographs; duplicates: 10/65 Bulletin; internal memos; shipping information and receipts; other catalog; correspondence with Jackson\u003c/p\u003e","\u003cp\u003e12/65 Bulletin; 2 photographs; label copy; shipping information and receipts; internal memos; insurance report form; correspondence with Alexick; biographical information\u003c/p\u003e","\u003cp\u003e1 copy of 11/65 Bulletin; biographical information; label copy; insurance report form; correspondence with Biehl, checklists\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with Belair; shipping information and receipts; insurance report form; 1 copy of 1/66 Bulletin; internal memos\u003c/p\u003e","\u003cp\u003e3 photographs; 2 photographs; biographical information; insurance report form; 1 copy of 2/66 Bulletin; shipping information and receipts; correspondence with Pienkowski\u003c/p\u003e","\u003cp\u003e2 photographs; 1 photograph; 3/66 Bulletin; label copy; biographical information; shipping information and receipts; insurance report form\u003c/p\u003e","\u003cp\u003e2 photographs; label copy; shipping information and receipts; insurance report form; checklists; correspondence with Aldreth\u003c/p\u003e","\u003cp\u003e2 photographs; 2 photographs; insurance report form; shipping information and receipts; correspondence with Driskell; label copy\u003c/p\u003e","\u003cp\u003e2 photographs; 2 photographs; checklists; insurance report form; shipping information and receipts; 5/66 Bulletin; correspondence with artist; label copy\u003c/p\u003e","\u003cp\u003e2 photographs; 2 photographs; clippings; correspondence with artist; checklists; shipping information and receipts; insurance report form; 9/66 Bulletin; press releases; internal memos; label copy\u003c/p\u003e","\u003cp\u003e2 photographs; 3 photographs; 10/66 Bulletin; correspondence with artist; shipping information and receipts; biographical information; clippings\u003c/p\u003e","\u003cp\u003e3 photographs; label copy; clippings; correspondence with artist; insurance report form; shipping information and receipts\u003c/p\u003e","\u003cp\u003e2 photographs; 1 photograph; correspondence with artist; insurance report form; shipping information and receipts; 12/66 Bulletin; clippings; label copy; letter to members from Leslie Cheek Jr. re: opening\u003c/p\u003e","\u003cp\u003e2 photographs; 3 photographs; correspondence with artist; insurance report form; 1/67 Bulletin; shipping information and receipts; biographical information; clippings; label copy\u003c/p\u003e","\u003cp\u003e2 photographs; 3 photographs; clippings; 2/67 Bulletin; correspondence with artist; insurance report form; shipping information and receipts; label copy; checklists; other brochure; blank gallery floor plan (photocopy)\u003c/p\u003e","\u003cp\u003eClipping; 3 photographs; insurance report form; shipping information and receipts; correspondence with artist; gallery map\u003c/p\u003e","\u003cp\u003e2 photographs; 2 photographs; correspondence with artist; 4/67 Bulletin; insurance report form; checklists; shipping information and receipts; label copy\u003c/p\u003e","\u003cp\u003e2 photographs; 1 photograph; correspondence with artist; biographical information; 3/67 Bulletin; clippings; checklists; shipping information and receipts; label copy\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence trying to track artist down\u003c/p\u003e","\u003cp\u003e3 photographs; 4 photographs; 9/67 Bulletin; clippings; correspondence with artist; 1 copy of invitation; shipping information and receipts; biographical information; label copy\u003c/p\u003e","\u003cp\u003e3 photographs; 1 photograph; correspondence with artist; clippings; label copy; 10/67 Bulletin; 1 copy of invitation; shipping information and receipts; price list (hand drawn!)\u003c/p\u003e","\u003cp\u003e1 photograph; 3 photographs; 11/67 Bulletin; correspondence with artist; shipping information and receipts; label copy\u003c/p\u003e","\u003cp\u003eComparative statistics for Tut and Greek Gold; correspondence with lenders (especially MFA Boston); correspondence re: insurance; clippings; press releases; staff memos re: procedures\u003c/p\u003e","\u003cp\u003eLots of photographs!; 1 copy of press packet (new!)\u003c/p\u003e","\u003cp\u003eLots of photographs!; shipping information and receipts; correspondence with lenders; correspondence with MFA Boston and Brooklyn (2 other venues0; correspondence with Senator Byrd and other legislators re: Senate Bill S.2273 7/9/65\u003c/p\u003e","\u003cp\u003e[essentially Mary Louise Pinckney's (Loans Registrar-Programs Division) file]; schedules; staff memos; shipping information and receipts; correspondence with MFA Boston and Brooklyn; memos re: procedures; checklists\u003c/p\u003e","\u003cp\u003eCopy of S.2273 Senate Bill report; label copy; memos re: procedures; clippings; correspondence with lenders; shipping information and receipts; 1 copy of invitation; research, correspondence re: recovery of stolen gold\u003c/p\u003e","\u003cp\u003eCorrespondence re: catalog (with MFA Boston, Brooklyn, author Herbert Hoffmann, printer); catalog proofs; correspondence with lenders\u003c/p\u003e","\u003cp\u003eCatalog proofs; catalog copy\u003c/p\u003e","\u003cp\u003e1 drawing; correspondence with MFA Boston \u0026amp; Brooklyn; correspondence with Greek Embassy; correspondence with Department of State; correspondence with Hoffmann, author; correspondence with publicity; staff memos; correspondence re: research\u003c/p\u003e","\u003cp\u003eIntroduction; correspondence with Pat Davidson (Brooklyn/lecturer); correspondence with Hoffmann; schedules; press release\u003c/p\u003e","\u003cp\u003eOne annotated checklist\u003c/p\u003e","\u003cp\u003e3 articles re: theft of jewelry; 1 drawing; shipping information and receipts; correspondence with lenders\u003c/p\u003e","\u003cp\u003eCorrespondence with MFA Boston \u0026amp; Brooklyn; correspondence re: insurance; correspondence with lenders; 1 copy of MFA Bulletin (November 1965); checklists; copies of policies\u003c/p\u003e","\u003cp\u003eCopy of S.2273 Bill; correspondence with legislators; clippings\u003c/p\u003e","\u003cp\u003eChecklists; correspondence\u003c/p\u003e","\u003cp\u003ePanel copy\u003c/p\u003e","\u003cp\u003eLabel copy; checklists; clippings; correspondence with Patricia Davidson (her writings); catalog proofs\u003c/p\u003e","\u003cp\u003e2 items\u003c/p\u003e","\u003cp\u003eCorrespondence re: shipping with security company and lenders\u003c/p\u003e","\u003cp\u003eCorrespondence with Alderman; shipping information and receipts; checklists; insurance report form; label copy; traveling exhibition checklists; press release\u003c/p\u003e","\u003cp\u003e1 photograph (Thomas George, painter); correspondence with lender (Betty Parsons); label copy\u003c/p\u003e","\u003cp\u003e4 photographs; label copy; correspondence with SITES\u003c/p\u003e","\u003cp\u003e4 photographs (duplicates); 1 new photograph; other duplicates: SITES suggested press release, Joseph V. McMullan Islamic carpets catalog; 1 copy of the catalog (annotated in a few places); checklists; correspondence with the de Young, next exhibitor; shipping information and receipts; label copy; clipping; correspondence with SITES; 1 copy of Textile Museum catalog; correspondence with Textile Museum; correspondence with Kevorkian Foundation (other choice for exhibition-denied)\u003c/p\u003e","\u003cp\u003e2 press releases; introduction; invitation; correspondence with McMullan; itinerary for visit\u003c/p\u003e","\u003cp\u003e10 mounted photographs only if unduplicated; 8 Photographs, 2 installation photographs, 1 photograph of building, 1 photograph of artist; 1 drawing; duplicates: catalog, 1 \"Visions of Man\" invitation; checklists; shipping information and receipts; correspondence with Reynolds; label copy, 1 copy of \"Visions of Man\"\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with Hans Beckmann (lecturer)\u003c/p\u003e","\u003cp\u003e5 drawings; 9 photographs; 8 duplicate photographs; 1 copy of invitation; MOMA materials (circulator); correspondence with lenders; shipping information and receipts; label copy; research; correspondence with Anni \u0026amp; Joseph Albers; checklists; correspondence with MOMA; Gemini lithograph catalog\u003c/p\u003e","\u003cp\u003e1 photograph (Jonathan Williams); [rest of photos are from Virginia ADP show, probably duplicates from earlier box]; correspondence with potential lecturers for Albers exhibition\u003c/p\u003e","\u003cp\u003e1 photograph (Robert Light-speaker); pricelist; checklists; label copy; invitation list; procedures; correspondence with lecturer\u003c/p\u003e","\u003cp\u003e1 drawing; 9 photographs; duplicates: suggested press release; checklist; 5 duplicate photographs; shipping information and receipts; correspondence with SITES; correspondence with lecturer; SITES materials; label copy; checklist\u003c/p\u003e","\u003cp\u003e2 drawings; 20 photographs; 6 duplicate photographs (from previous folder); correspondence with SITES; SITES materials; shipping information and receipts; label copy; correspondence with lecture sites; annotated checklists; 1 copy of lecture announcement\u003c/p\u003e","\u003cp\u003eIntroduction, suggested news release, 1 duplicate photograph of Dr. Regina Soria; correspondence with Soria; clippings; itinerary; biographical information on Soria\u003c/p\u003e","\u003cp\u003eInvoices and shipping instructions\u003c/p\u003e","\u003cp\u003eMiscellaneous correspondence re: exhibitions\u003c/p\u003e","\u003cp\u003e1 piece of correspondence re: exhibition schedule change\u003c/p\u003e","\u003cp\u003e1 piece of correspondence re: addition to catalog\u003c/p\u003e","\u003cp\u003ePress release, 1 duplicate photograph, introduction; itinerary (lecturer); biographical information; correspondence with Dimitri; label copy; clippings (typed) [1 piece of correspondence has a color drawing on bottom]\u003c/p\u003e","\u003cp\u003e1 duplicate photograph; memo re: engagements (8/25/64); 2 press releases; 2 introductions; \"Color by Sultner-Wells\" brochure; correspondence with Sultner-Wells; clippings; 1 copy of Longwood Gardens invitation; procedures; itinerary\u003c/p\u003e","\u003cp\u003e2 photographs; itinerary; correspondence with Sultner-Wells; 2 posters of his clippings (montages); 2 dust jacket with his photograph; copies of other press releases\u003c/p\u003e","\u003cp\u003e4 transparencies, photographs; label copy; correspondence with next venue (Easton Academy of Arts); shipping information and receipts; correspondence with lender (Roland Gibson); checklists\u003c/p\u003e","\u003cp\u003eCorrespondence re: possible lecture series in Virginia (Blake is connected to Architectural Forum magazine)\u003c/p\u003e","\u003cp\u003eCorrespondence re: possible lecture series (Minor connected to the Met)\u003c/p\u003e","\u003cp\u003eC.V. for Stern; correspondence with R. Stern about leave for Council series on new building (he's Head of Architectural League of NY); correspondence with other potential speakers; correspondence with Pearsalls [John and Laila] (hosts)\u003c/p\u003e","\u003cp\u003eIntroduction; correspondence re: Christmas' lecture series; itinerary; other promotional material\u003c/p\u003e","\u003cp\u003eCorrespondence with other museums that recently expanded to obtain slides for a lecture; long letter from Cheek to Robertson re: decision of Governor's committee (turned down design); list of committee members; form letter to President of affiliates asking them to write to their legislators in support of new building plan\u003c/p\u003e","\u003cp\u003eCorrespondence with Mielziner re: lecture series; correspondence with other potential lecturers; correspondence with other institutions that recently expanded re: slides\u003c/p\u003e","\u003cp\u003eLabel copy; checklists; lists of panel photographs\u003c/p\u003e","\u003cp\u003e5 photographs of proposed floor plans (Baskervill \u0026amp; Son)\u003c/p\u003e","\u003cp\u003eSlide lists; copy of talk; checklists\u003c/p\u003e","\u003cp\u003eInsurance report forms; label copy\u003c/p\u003e","\u003cp\u003eLabel copy; checklists; insurance report forms; correspondence\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with lenders; checklists; insurance report forms; request for information forms; correspondence re: damage of a loaned painting by Jan Stussy\u003c/p\u003e","\u003cp\u003e1 drawing; news clipping; 1 photograph of installation; label copy; correspondence with C.V. Donovan (juror \u0026amp; Director of Krannert Art Museum); correspondence with publicity; copy of lecture; checklists; other artists' promotional materials\u003c/p\u003e","\u003cp\u003eShipping information and receipts; correspondence with lenders; information request forms\u003c/p\u003e","\u003cp\u003eIntroduction; suggested press release; 1 slide: Paul Paul Horiuchi's \"Winter Receding,\" 1964; correspondence with Donovan; itinerary; other artists' promotional material\u003c/p\u003e","\u003cp\u003e1 drawing; 1 duplicate photograph; 7 photographs; 1 copy of the \"Jeffersonian,\" 5/13/66 with article on exhibition and pictures of Gwathmey's painting; information request forms; checklists; catalog copy; 1 copy of invitation; correspondence with lenders\u003c/p\u003e","\u003cp\u003eInformation packet\u003c/p\u003e","\u003cp\u003eOriginal proposal; copies of information packet items (drawings \u0026amp; proposal); copy of same\u003c/p\u003e","\u003cp\u003e\"Exhibition Materials\"; checklists; correspondence with George Stevens Productions\u003c/p\u003e","\u003cp\u003eVarious packeted materials (promotional)\u003c/p\u003e","\u003cp\u003eCorrespondence with Hollywood Museum; correspondence with Motion Picture Association; correspondence with Ford Foundation; correspondence with George Stevens Productions; correspondence with Smithsonian Institution; correspondence with Old Dominion Foundation\u003c/p\u003e","\u003cp\u003eLists of panels; film sequences lists\u003c/p\u003e","\u003cp\u003eResearch notebook (Gaines' handwriting?); 1 copy of catalog \"Scenery for Cinema\" at Baltimore Museum of Art, 1942 (when Leslie Cheek was Director); lists of panels; label copy\u003c/p\u003e","\u003cp\u003ePromotional materials from film companies (i.e. Technicolor, Panavision)\u003c/p\u003e","\u003cp\u003e8 drawings; movie production sheet with film negatives (to stay at LVA)\u003c/p\u003e","\u003cp\u003eLife magazine 3/27/64 offprint with article on movie\u003c/p\u003e","\u003cp\u003eFilm reel labeled \"Selected Documentary Trims\"\u003c/p\u003e","\u003cp\u003eCouldn't pull it out without ripping envelope – looks like scripts or set notes; possibly a drawing\u003c/p\u003e","\u003cp\u003ePhotographs; Newsweek reprint (1/23/67); checklists; lender lists; internal memos; correspondence with various members/visitors with questions re: exhibition; correspondence with Colonial Williamsburg Foundation (supporter of exhibition)\u003c/p\u003e","\u003cp\u003e1 photograph; shipping information and receipts; correspondence with lenders; checklists; correspondence with publicity; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with Toledo Museum of Art re: possible loan (denied)\u003c/p\u003e","\u003cp\u003eCorrespondence re: catalog; annotated copy of John Summerson's essay\u003c/p\u003e","\u003cp\u003e5 photographs of packing/unpacking process; correspondence re: Smith College Museum of Art's loan of \"Portrait of the Reverend John Headley,\" including shipping information and receipts and request for information form\u003c/p\u003e","\u003cp\u003eCorrespondence re: Washington University's loan of \"Grey Children,\" including shipping information and receipts and correspondence re: damage to fram upon return\u003c/p\u003e","\u003cp\u003eCorrespondence re; Worcester Art Museum's loan of \"Mrs. Elizabeth James\" and \"William James,\" including shipping information and receipts; and request for information form\u003c/p\u003e","\u003cp\u003eCorrespondence re: Columbus Gallery of Fine Arts' loan of \"Portrait of Anne Hogarth,\" including shipping information and receipts; and request for information form\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence re: Allen Memorial Art Museum [Oberlin] \u0026amp; loan of \"Theodore Jacobsen,\" including shipping information and receipts and request for information form\u003c/p\u003e","\u003cp\u003e9 photographs of packing/unpacking; correspondence re: Albright-Knox's loan of \"The Lady's Last Stake,\" including shipping information and receipts and requests for information form\u003c/p\u003e","\u003cp\u003e2 photographs; duplicates: \"Loans to the Wm. Hogarth Exhibition\"; catalogue copy; 1 copy of catalogue; correspondence with publicity; correspondence with visitors/members re: catalogue and exhibition; clippings; 1 copy of invitation; checklists\u003c/p\u003e","\u003cp\u003e1 envelope of Lessing Rosenwald Prints (couldn't open without ripping); duplicates: catalog; correspondence re: catalogue requests and comments; catalogue copy; checklists\u003c/p\u003e","\u003cp\u003eSuggested press release; correspondence with Hofer (Professor at Harvard) re: lecture; internal memos; itineraries; 1 copy of bulletin\u003c/p\u003e","\u003cp\u003eCorrespondence with Mellon; catalogue copy; checklists; request for information forms; shipping information and receipts\u003c/p\u003e","\u003cp\u003e25 photographs (see list); research; copy; internal memos; panel drawings (copies); HOGARTH PANEL PHOTOGRAPHS - 12789 Self-Portrait, 12786 Shop Card, 13313 Jane Thornhill, 12788 Pool of Bethesda, 13305 Captain Thomas Coram, 12785 Battle of the Pictures, 13304 Analysis of Beauty title page, 13306 Grave at Chiswick, 11812 Canvassing for Votes, 13311 Views Down the Thames, 11814 St. Paul's Cathedral, 12829 Beer Street, 12966 Gin Lane, 11852 Country House, 13079 Saint Martin-in-the Fields, 12970 The Four Times of the Day: Noon, 13078 Leister Square, 11816 Renelagh, 11857 Mr. and Mrs. Paul Mellon, 10890 Lessing Rosenwald, 5272 Masterpieces of American Silver, 13001 Marriage a la Mode, 13677 Philip Hofer, 13299 Sir John Summerson, 13074 George II, 13076 Robert Walpole, 13084 William Pitt, 11811 George III, 11813 Iron Forge by Wright\u003c/p\u003e","\u003cp\u003e\"William Hogarth: His Life,\" William Hogarth: His Times,\" William Hogarth: This Exhibition\"; copy; proofs\u003c/p\u003e","\u003cp\u003e2 photographs; 1 duplicate photograph; correspondence with Mielziner; shipping information and receipts; clippings; panel proofs; panel copy; research; internal memos; checklists; correspondence with IEF (International Exhibitions Foundation) re: traveling exhibitions\u003c/p\u003e","\u003cp\u003e1 photograph; shipping information and receipts; correspondence with Multiples, Inc.; list of purchase considerations; label copy; checklists; panel drawings (copies)\u003c/p\u003e","\u003cp\u003eCorrespondence with National Gallery of Art DC re: pictures of J. Carter Brown\u003c/p\u003e","\u003cp\u003eInvitation; fact sheet; 1 copy of catalog; internal memos; annotated copy of 1965 Salon des Réfusés catalog; correspondence with jurors; schedule of work for exhibition; panel proofs; list of certificate winners\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; correspondence with purchasers; copies of invoices; release forms for transfer of custody\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with artists; internal memos\u003c/p\u003e","\u003cp\u003eCatalog; list of certificate winners at Biennial; catalog copy; correspondence with Thalhimer's; internal memos; information for 1965 Salon\u003c/p\u003e","\u003cp\u003e19 photographs; invitation; catalogue copy; other similar exhibition catalogs from other institutions; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; checklists\u003c/p\u003e","\u003cp\u003eMarch '67 Bulletin; photographs; correspondence with jurors [Milton Hebald, Jack Youngerman, Jock Truman, Paul Smith]; label copy; biographical information; schedules; internal memos; correspondence with hostesses\u003c/p\u003e","\u003cp\u003e\"Presentation of certificates\" blank certificates; artist reply card; checklists; schedule; internal memos; correspondence with artists\u003c/p\u003e","\u003cp\u003eApril '67 Bulletin, \"use of French Galleries\" memo; label copy; statistics ('67 and earlier); internal memos; correspondence with artists\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with artists\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eGaines to artists 6/12/67; correspondence with artists; internal memos; shipping information and receipts; invoices for stored worsk; entry blanks\u003c/p\u003e","\u003cp\u003e2 letters from Council to purchasers, Gaines letter, yellow \"Gaines-Brandt System,\" 4 photographs; checklists; internal memos; correspondence with artists; press release, 1965 and 1963 information\u003c/p\u003e","\u003cp\u003e3 internal memos\u003c/p\u003e","\u003cp\u003e'67 prospectus, 2 form letters (1/16/47); prospectus copy; mailing lists; annotated '65 prospectus; '70 prospectus\u003c/p\u003e","\u003cp\u003eCorrespondence; panel drawings (copies); for traveling exhibitions; [3 traveling shows: \"Treasures from the Guggenheim\"; \"Treasures from the Whitney Museum\"; \"Contemporary Watercolors.\" Also contained \"Art by Virginia Teachers\"]\u003c/p\u003e","\u003cp\u003e1 copy of catalog (Heeramaneck Collection) by MFA Boston (annotated)\u003c/p\u003e","\u003cp\u003eCorrespondence with Heeramaneck; correspondence with Indian embassy; shipping information and receipts; correspondence with Royal Ontario Museum (who received exhibition after VMFA); correspondence with Detroit Institute of Arts (who had it before VMFA); correspondence with MFA Boston, originator; internal memos; drawings (photocopies)\u003c/p\u003e","\u003cp\u003e1 copy of invitation; panel copy; panel proofs; correspondence with MFA Boston; correspondence with Royal Ontario Museum; shipping information and receipts; MFA materials (including checklists); internal memos\u003c/p\u003e","\u003cp\u003e4 drawings; correspondence with Veener player for preview; clippings re: Indian music; label copy; clippings re: show\u003c/p\u003e","\u003cp\u003ePhotographs; some select, bad quality photocopies\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePanel proofs; lecture for chapters copy; correspondence with previous VMFA designer (Ariel Ballif); checklists\u003c/p\u003e","\u003cp\u003eSuggested press release; introduction; correspondence with Gleaser (from MOMA) (lecturer for chapters); itinerary; noted speaker report form\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lecturers for preview; 1 copy of invitation; Glaeser's biographical information; correspondence with Glaeser\u003c/p\u003e","\u003cp\u003ePhotographs; (envelope of photos from D.I.A. for Arts of India \u0026amp; Nepal exhibition); invitation to lecture; 1 copy of invitation to preview; 1 copy of invitation to Glaeser's lecture; shipping information and receipts; MOMA (originator) materials, including checklists; drawings (photocopies)\u003c/p\u003e","\u003cp\u003e1 drawing; duplicate: preview invitation; panel copy; drawings (photocopies); correspondence with MOMA; MOMA materials, including checklists; exhibition contract; correspondence with John Hand (lecturer from National Gallery of Art DC); shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with MOMA; shipping information and receipts; internal memos\u003c/p\u003e","\u003cp\u003eMembership list; shipping information and receipts; correspondence with dealers; price lists from dealers; panel proofs; checklists; speech copy; Collectors Circle meeting agenda; list of items purchased\u003c/p\u003e","\u003cp\u003eShipping information and receipts; panel proofs (annotated 1966 panels); checklists; correspondence with dealers *lots of '66 show files)\u003c/p\u003e","\u003cp\u003eCorrespondence re: borrowing Wyeth film; correspondence with Philip Hofer (Harvard) re: lecture; blank invitations for Artmobile exhibition (Wyeth \u0026amp; Japanese Art); clipping; internal memo re: trip to interview Wyeth for AIV article; blank floor plan\u003c/p\u003e","\u003cp\u003eLabel copy; drawing (photocopy); internal memos; radio guide copy\u003c/p\u003e","\u003cp\u003e3 photographs; 11 duplicate photographs; checklists; internal memos; drawings (photocopies); panel proofs; panel copy; shipping information and receipts; 1 copy of Knoedler catalog \"Unpainted Pictures\" (lender); correspondence with Knoedler; correspondence with Detroit Institute of Arts (had exhibition before VMFA); clipping from TIME (3/17/67)\u003c/p\u003e","\u003cp\u003ePanel copy; panel proofs; drawing (photocopy); internal memo: all of this re: 400 Years of Prints\u003c/p\u003e","\u003cp\u003e1 photograph; shipping information and receipts; drawings (photocopies); panel copy; panel proofs; correspondence with lender (NGA \u0026amp; AIC); correspondence with Mr. \u0026amp; Mrs. Leigh Block; checklists; label copy\u003c/p\u003e","\u003cp\u003e1 copy of \"Persian \u0026amp; Indian Miniatures from the Collection of Edwin Binney, 3rd\" from Portland; 1 copy of \"Islamic Art from the Collection of Edwin Binney, 3rd,\" from SITES; correspondence with Portland [VMFA denied exhibition]\u003c/p\u003e","\u003cp\u003e1 internal memo re: replacement of \"Jewels\" with \"Resident Craftsmen\"\u003c/p\u003e","\u003cp\u003eJones article reprint; slides, 4 photographs, 5 duplicate photographs; correspondence with IEF (circulator); correspondence with Nelson-Atkins *who received exhibition after VMFA); 1 copy of lecture invitation; 1 copy of preview invitation; shipping information and receipts; panel proofs; clippings; correspondence with potential musicians; checklists; internal memos\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with AFA (circulator); panel copy; checklists; panel proofs; drawing (photocopy)\u003c/p\u003e","\u003cp\u003e5 duplicate photographs; 1 photograph; correspondence with MOMA (originator); exhibition contract; MOMA materials, including checklists; shipping information and receipts; MOMA circulating exhibitions catalog 1967-68; drawing (photocopy); panel proofs\u003c/p\u003e","\u003cp\u003eLecture invitation; clipping; internal memo; biographical information; correspondence with Smith (Director of Museum of Contemporary Crafts); correspondence re: juror (chairman) for 1967 Virginia Artists too\u003c/p\u003e","\u003cp\u003e1 photograph; 2 new photographs; duplicate of introduction; correspondence with Slivka re: lecture at chapters/editor in chief of Craft Horizons; itinerary; biographical information\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; shipping information and receipts; checklists; Bulletin photocopy\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; label copy; shipping information and receipts; 1/68 Bulletin; biographical information\u003c/p\u003e","\u003cp\u003ePhotographs; shipping information and receipts; correspondence with artist; 2/68 Bulletin; label copy\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; shipping information and receipts; label copy; 3/68 Bulletin\u003c/p\u003e","\u003cp\u003e3/68 Bulletin; photographs; correspondence with artist; label copy; shipping information and receipts; internal memos; biographical information\u003c/p\u003e","\u003cp\u003ePhotographs; biographical information; shipping information and receipts; internal memos; label copy; 4/68 Bulletin; checklists; correspondence with artist\u003c/p\u003e","\u003cp\u003ePhotographs; checklists; shipping information and receipts; label copy; biographical information; correspondence with artist\u003c/p\u003e","\u003cp\u003e9/68 Bulletin, 4 photographs; biographical information; label copy; price list (hand drawn!); shipping information and receipts; correspondence with artist; internal memos\u003c/p\u003e","\u003cp\u003ePhotographs; 10/68 Bulletin; label copy; biographical information; checklists; shipping information and receipts; correspondence with artist\u003c/p\u003e","\u003cp\u003ePhotographs; shipping information and receipts; label copy; 11/68 Bulletin; checklists; correspondence with publicity\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; label copy; 12/68 Bulletin; shipping information and receipts; internal memos; correspondence re: damage to sculpture\u003c/p\u003e","\u003cp\u003ePhotographs; internal memos; label copy; shipping information and receipts; correspondence with artist; biographical information\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; label copy; shipping information and receipts; 3/69 Bulletin; checklists\u003c/p\u003e","\u003cp\u003e2/69 Bulletin; photographs; correspondence with artist; correspondence re: damage; label copy; internal memos; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003e44 photographs; correspondence with lecturer; shipping information and receipts; materials from Brooklyn Museum of Art (organizer); drawings (photocopies); panel lists; 1 copy of lecture invitation; 1 copy of preview invitation; correspondence with Brooklyn; checklists\u003c/p\u003e","\u003cp\u003ePreview invitation; 1 copy of catalog; clippings; panel copy; correspondence with Brooklyn; shipping information and receipts; Brooklyn materials; panel lists; checklists; internal memos; correspondence with visitors\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with McCoubrey (Chair of Art Department at University of Pennsylvania); his c.v.\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with Oenslager (lecturer)\u003c/p\u003e","\u003cp\u003eCybis porcelain brochure; shipping information and receipts; panel proofs; exhibitors information \"lent\"; clippings; correspondence with Ruder \u0026amp; Finn Inc. (co-organizers); checklists; drawings (photocopies); correspondence with Cybis porcelain (co-organizer)\u003c/p\u003e","\u003cp\u003e2 photographs; catalog; invitation; correspondence with Robert B. Widder (juror); correspondence with entrants; internal memos; slide talk lists; correspondence with juror (Morris Ketchum, Jr.)\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eInvitation, catalog, '64 Architects, Designers \u0026amp; Photographers, '66 ADP, 3 photographs; catalog proof; checklists; catalog copy\u003c/p\u003e","\u003cp\u003e\"Southern Exposure\" newsletter (2/68); clippings; correspondence with artists; label copy; internal memos; schedule\u003c/p\u003e","\u003cp\u003eChecklists\u003c/p\u003e","\u003cp\u003e\"Comparison…for 1966-68\"; internal memo\u003c/p\u003e","\u003cp\u003eCorrespondence with artists (4 winning architects mainly); list of winners\u003c/p\u003e","\u003cp\u003eBiographical information on Ketchum and Eames, 2 photographs; 1 photograph; correspondence with jurors [Morris Ketchum, Robert Widder, Charles Eames]; internal memos; lecture copy; biographical information\u003c/p\u003e","\u003cp\u003eChecklist\u003c/p\u003e","\u003cp\u003eGaines to artist (2/26/68), signed certificates; artist reply cards; correspondence with speaker; checklist\u003c/p\u003e","\u003cp\u003e3 prospectuses; prospectus copy; schedule; internal memos\u003c/p\u003e","\u003cp\u003eSchedule, 1/11/68 memo, 1/24/68 memo; '66 information; internal memos\u003c/p\u003e","\u003cp\u003eInvitation; 2 photographs of 1790s Russian silver cup (\"Charka\"); shipping information and receipts; checklists; internal memos; correspondence with Hollins; panel proofs; drawings (photocopies); correspondence from alumnae; research; correspondence with silver expert; correspondence from Helen Scott Reed (our consultant)\u003c/p\u003e","\u003cp\u003eShipping information and receipts; panel copy \u0026amp; proofs; drawings (photocopies); checklists with prices; biographical information (Anna Smith- weaver)\u003c/p\u003e","\u003cp\u003e3 photographs; AFA materials (circulator); shipping information and receipts; correspondence with Morgan State College (had exhibit before VMFA); correspondence with AFA; reprint of Rohm \u0026amp; Haas Reporter on \"New AA Forms in Plexiglass\" (Mar/Apr 1966); correspondence with lender, Howard Wise Gallery; 1 copy of May '68 Bulletin; clippings; drawings (photocopies); biographical information on artists; 1 copy of a Howard Wise Gallery catalog for Otto Piene (VMFA's lecturer); 1 copy of catalog; 1 copy of lecture invitation; 1 copy of preview invitation. To take place in Loan Gallery\u003c/p\u003e","\u003cp\u003eBiographical information on Kepes; 1 photograph; correspondence with Gyorgy Kepes (organizer of Light show \u0026amp; original lecturer); correspondence with Piene (M.I.T.), Kepes' replacement; Piene's biographical information; 1 copy of Arts Canada (April 1968) with one of Piene's articles\u003c/p\u003e","\u003cp\u003eCatalog; 3 photographs; correspondence with Photographs in the Fine Arts (a company); drawings (photocopies); clippings; panel proofs; checklists; packet of available exhibitions from George Eastman House; 1 copy of PSA Journal (August 1967) [Leslie Cheek was a judge]\u003c/p\u003e","\u003cp\u003e5 photographs; 1 catalog; exhibition contract; correspondence with MOMA (circulator); shipping information and receipts; checklists; panel proofs; MOMA materials\u003c/p\u003e","\u003cp\u003eLecture invitation, checklist; 4 photographs; duplicates: \"A Look at Carter Collection,\" \"Vender Gives Rodin to Museum\"; clippings; correspondence with LACMA (circulator); shipping information and receipts; internal memos; exhibition contract; 1 copy of preview invitation; correspondence with Gerald Carter (collector)\u003c/p\u003e","\u003cp\u003e1 photograph, biographical information; correspondence with Adams (Director of Cincinnati Art Museum \u0026amp; VMFA lecturer); 1 copy of lecture invitation; internal memos; correspondence with Reynolds (his hosts)\u003c/p\u003e","\u003cp\u003e\"Selections from Virginia Architecture\"; panel proofs; drawing (photocopy); internal memos\u003c/p\u003e","\u003cp\u003e1 drawing; MOMA exhibition packet, MOMA press release (6/20/67); MOMA materials (circulator); drawings (photocopies); correspondence with MOMA; shipping information and receipts; clippings; internal memos\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e1 photograph; biographical information; lecture invitation; correspondence with Szarkowski (MOMA Director of Photography \u0026amp; VMFA lecturer); itinerary; correspondence with Bryans (his hosts)\u003c/p\u003e","\u003cp\u003eShipping information and receipts; panel proofs; internal memos; drawing (photocopy);\u003c/p\u003e","\u003cp\u003e7 drawings (on graph paper-drawn by Brown herself); label copy; shipping information and receipts; checklists; 2 more prints of transparencies from envelope; correspondence with Brown; biographical information; panel copy; panel lists; drawings (photocopies)\u003c/p\u003e","\u003cp\u003eShipping information and receipts; request for special/specific information forms; white envelope with 5 transparencies; 2 prints of 2 of the transparences for Collector of the Year exhibition\u003c/p\u003e","\u003cp\u003eSpecial/specific request for information forms\u003c/p\u003e","\u003cp\u003eBiographical information; correspondence with Griffith re: lectures (Curator of Films, MOMA); lecturing for \"George Stevens Makes a Film\"\u003c/p\u003e","\u003cp\u003eShipping information and receipts; biographical information; photocopies of 2 catalogs\u003c/p\u003e","\u003cp\u003e1 copy of Council 1967-68 membership book; internal memos; various reports (budgetary \u0026amp; non); correspondence, 2 slides for lecture on Council budget 66-67 season\u003c/p\u003e","\u003cp\u003eLecture invitation, 1 photograph; Correspondence with Dee (curator of drawings \u0026amp; prints at Cooper-Hewitt) re: lecture; 1 copy of January 1969 Bulletin; correspondence with hosts; biographical information\u003c/p\u003e","\u003cp\u003ePacking list, photographs; 1 copy of catalog (cut up) of View of Florence \u0026amp; Tuscany by Giuseppe Zocchi, loaned by Pierpont Morgan Library\u003c/p\u003e","\u003cp\u003ePhotographs; shipping information and receipts; correspondence with IEF (circulator); correspondence with Dee re: lecture; IEF materials; drawings (photocopies); label copy; internal memos; 1 copy of America-Italy Newsletter (spring 1968); 1 copy of Pierpont invitation; 1 copy of preview invitation; correspondence re: catalogs; correspondence re: opening\u003c/p\u003e","\u003cp\u003eCorrespondence with Senator Scott from 1982 from Richard Woodward; checklists; clippings; internal memos; correspondence with Scott; shipping information and receipts; drawings (photocopies); panel proofs\u003c/p\u003e","\u003cp\u003eInvitation; checklists; internal memos; correspondence re; filmstrip for Orientation Theatre; drawings (photocopies)\u003c/p\u003e","\u003cp\u003eC.v., invitation, 1 photograph; correspondence with Begley (professor at School of Art, University of Iowa); internal memos; correspondence with hosts\u003c/p\u003e","\u003cp\u003e3 photographs; 3 photographs (small one, Dr. \u0026amp; Mrs. George B. Green); panel copy; panel proofs; label copy; drawings (photocopies); correspondence with lender (George Green); shipping information and receipts; internal memos; correspondence with Colonial Williamsburg; research; checklists\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e8 photographs; 5 new photographs; shipping information and receipts; internal memos; checklists with values; correspondence with Motherwell (juror) and correspondence with his gallery representation (Marlborough); correspondence with Frank Gallo (juror); and his representation (Gilman Gallery and Graham Gallery); request for information forms; drawings (photocopies); label copy\u003c/p\u003e","\u003cp\u003eChecklists; list of lenders; internal memos; correspondence with lenders (including MFA Boston and AIC); shipping information and receipts\u003c/p\u003e","\u003cp\u003e1 photograph; lecture invitation; preview invitation; correspondence with Wardell (Curator, Department of Primitive Art at AIC) re: lecture; correspondence with hosts; 1 copy of April 1969 Bulletin\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e1 drawing; other press releases; shipping information and receipts; checklists; internal memos; correspondence with MFA Boston (organizer); correspondence with AIC (lender); clippings; panel proofs; 1 copy of preview invitation; list of lenders\u003c/p\u003e","\u003cp\u003e8 photographs; correspondence with MFA Boston; exhibition contract; internal memos; 1 copy each of The World of Peru in the United States, Three Centuries of Peruvian Silver, Master Craftsmen of Peru; Folk Art of Peru, 2,500 Years of Peruvian Art, Folk Art of Peru (longer version), Contemporary Peruvian Paintings and Sculptures\u003c/p\u003e","\u003cp\u003e1 photograph; list of members; special request for information form; correspondence re: broken object (belonged to Stewart Bryan)\u003c/p\u003e","\u003cp\u003eCatalog, 3 duplicate photographs, 2 new photos; internal memos; shipping information and receipts; checklists; label proofs; exhibition contract (MOMA is circulator); correspondence with MOMA; clippings; MOMA materials (including press release)\u003c/p\u003e","\u003cp\u003ePress release (4/2/69); Kandinsky article by Johnson; wall label, Photographs; correspondence with MOMA (organizer); MOMA materials; exhibition contract; shipping information and receipts; checklists; drawings (photocopies); panel proofs\u003c/p\u003e","\u003cp\u003e2 photographs; duplicates: invitation, 1 duplicate photograph; correspondence with potential lecturers; correspondence with Beckmann (visiting Bauhaus artist); clipping\u003c/p\u003e","\u003cp\u003eShipping information and receipts; panel proofs; panel copy; drawings (photocopies); special request for information forms; label proofs; label copy; checklists; correspondence with UVirginia (lender and co-organizer); correspondence from State Library (co-organizer)\u003c/p\u003e","\u003cp\u003e4 photographs; checklists; shipping information and receipts; correspondence with O'Neal; photocopies of drawings; list of lenders; correspondence with UVirginia; correspondence with State Library; research; internal memos; correspondence with lenders\u003c/p\u003e","\u003cp\u003eInvitation; 2 photographs, 1 transparency; catalog copy; internal memos; checklists; correspondence with lenders; correspondence with William O'Neal (guest curator)\u003c/p\u003e","\u003cp\u003e1 photograph; introduction; correspondence re: lecture; invitation\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with lenders; correspondence with O'Neal\u003c/p\u003e","\u003cp\u003eChecklists from dealers with prices/values; shipping information and receipts; correspondence with dealers; checklists; internal memos\u003c/p\u003e","\u003cp\u003eInvitation, \"Suggested Remarks for Mr. Arthur Brinkley,\" 5/12/69; 1 copy of catalog; introduction; correspondence with Alloway re: lecture\u003c/p\u003e","\u003cp\u003eCorrespondence with various speakers; internal memos; schedules\u003c/p\u003e","\u003cp\u003eInternal memos; list and schedules (entertainment, exhibitions, events, theatre, etc.)\u003c/p\u003e","\u003cp\u003e4 invitations; 3 other invitations (Once Invisible, Alloway's lecture, Gold of Ancient America)\u003c/p\u003e","\u003cp\u003eInternal memos; mailing lists\u003c/p\u003e","\u003cp\u003eGreen pickup cards, Gaines to Artist (7/3/69); shipping information and receipts; correspondence with artists; entry blanks; internal memos; checklists\u003c/p\u003e","\u003cp\u003eGaines to Purchaser invitation, purchasers; preview tearsheet (yellow), memo 4/29/69 (blue), 1969 fact sheets; checklists\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with artists; invoices re: sales; checklists\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eMemo 11/17/69, memo 11/26/69; correspondence with artists\u003c/p\u003e","\u003cp\u003e'69 invitation, '69 salon catalogue; 1 copy of '67 invitation and catalogue; catalogue copy; 1 copy of '69 catalogue; catalogue proof\u003c/p\u003e","\u003cp\u003e'69 fact sheet; statistics\u003c/p\u003e","\u003cp\u003e'67 and '69 Salon catalogues; checklist; internal memos; form letter to artists from Ellyson\u003c/p\u003e","\u003cp\u003e3 photographs; schedule; internal memos; correspondence with jurors; biographical information; correspondence with hosts; lecture invitation; correspondence with potential jurors [Bontecou agreed but then had to cancel]\u003c/p\u003e","\u003cp\u003ePhotographs; label copy; 1 copy of ADP '68 catalog; 1/70 Bulletin; biographical information on Paul Rand; correspondence with Rand; internal memos\u003c/p\u003e","\u003cp\u003e2 slides, 18 photographs; 5 duplicate photographs; label copy\u003c/p\u003e","\u003cp\u003e\"Receiving \u0026amp; Handling of Material\" memo 1/28/70, 1 photograph [Kenneth Winebrenner \"Mirror\"]; 1 copy of 1970 prospectus; entry blanks; internal memos; correspondence with artists; biographical information\u003c/p\u003e","\u003cp\u003e1 photograph [Paul Smith looking at Castle's work from an earlier juried exhibition?]; 2/70 Bulletin; correspondence with juror [Wendell Castle]\u003c/p\u003e","\u003cp\u003ePhotographs; 1 copy of 1970 catalog (annotated); correspondence re: image of Winebrenner's mirror\u003c/p\u003e","\u003cp\u003e1 copy of 1970 catalog (annotated); internal memos; correspondence with artists\u003c/p\u003e","\u003cp\u003eForm letter; shipping information and receipts; correspondence with artist; checklists\u003c/p\u003e","\u003cp\u003e1 form letter; shipping information and receipts; correspondence with artists; checklists; internal memos\u003c/p\u003e","\u003cp\u003eSlides; duplicates; signed certificates; correspondence with winners; checklists; presentation order\u003c/p\u003e","\u003cp\u003eLabel copy; clippings; catalogue copy; checklists; internal memos; lease agreement for warehouse; drawing (photocopy); jury tokens; correspondence with artists\u003c/p\u003e","\u003cp\u003eProspectus, form letter from C. Ellyson; correspondence with chapters; annotated '67 prospectus; prospectus copy schedule\u003c/p\u003e","\u003cp\u003eMemo 1/23/69, memo 1/25/67; internal memos; correspondence with 7th \u0026amp; Franklin; schedule\u003c/p\u003e","\u003cp\u003eCatalog ('70 Designers); catalogue proofs; entry blanks; 1 copy of '68 ADP catalogue; catalogue copy; checklists\u003c/p\u003e","\u003cp\u003eAnnotated '70 prospectus; correspondence with juror; prospectus copy; internal memos; schedule\u003c/p\u003e","\u003cp\u003eEntry blanks; 1 copy of '70 Craftsmen catalogue; 1 copy of '67 Artists catalogue; checklists; catalogue copy; preview invitation; label copy\u003c/p\u003e","\u003cp\u003eProspectus copy; schedule\u003c/p\u003e","\u003cp\u003eInternal memos; checklists\u003c/p\u003e","\u003cp\u003eChecklists; internal memos\u003c/p\u003e","\u003cp\u003eMemo 9/3/69, memo 6/30/69; checklists; internal memos; fact sheets; correspondence with artists; label copy; excerpts from juror speech\u003c/p\u003e","\u003cp\u003eCatalogue copy; checklists; 1 piece of correspondence re: catalogue\u003c/p\u003e","\u003cp\u003eSigned certificates, reply cards, Gaines form letter; reply cards from winners; checklists; correspondence with artists\u003c/p\u003e","\u003cp\u003ePress release 6/27/69, biographical information, 1 photograph; correspondence with potential jurors; internal memos; correspondence with juror (Peter Bunnell)\u003c/p\u003e","\u003cp\u003ePhotographs; label copy\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; 3/69 Bulletin; label copy; shipping information and receipts; biographical information\u003c/p\u003e","\u003cp\u003e4/69 Bulletin; photographs; correspondence with artist; label copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003e5/69 Bulletin; photographs; correspondence with artist; biographical information; label copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003e9/69 Bulletin, invitation; photographs; checklists; correspondence with artist; label copy; insurance report form; internal memos; biographical information\u003c/p\u003e","\u003cp\u003eInvitation; 10/69 Bulletin, photographs; correspondence with artist; checklists; label copy\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; biographical information; label copy\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; label copy; biographical information; shipping information and receipts; internal memos\u003c/p\u003e","\u003cp\u003e2/70 Bulletin; photographs; label copy; checklists; 5/69 Bulletin; invitations; correspondence with artist; internal memos re: missing print\u003c/p\u003e","\u003cp\u003e3/70 Bulletin, photographs; correspondence with artist; internal memos; price list (hand drawn!); press release; biographical information; label copy\u003c/p\u003e","\u003cp\u003eInvitation; 2 photographs; 3/70 Bulletin; correspondence with artist; label copy; checklists\u003c/p\u003e","\u003cp\u003ePhotographs; correspondence with artist; checklists; 4/70 Bulletin; label copy; biographical information\u003c/p\u003e","\u003cp\u003e5/70 Bulletin, invitation, photographs; checklists; label copy; correspondence with artist; biographical information\u003c/p\u003e","\u003cp\u003eInvitation, \"suggested stand\" drawing; 1 photograph; label copy; correspondence with artist; clippings; biographical information; checklists; 9/70 Bulletin\u003c/p\u003e","\u003cp\u003e10/70 Bulletin; 2 photographs; label copy; clipping; internal memos; checklists; correspondence with artist; invitation\u003c/p\u003e","\u003cp\u003eInvitation; photographs; label copy; internal memos; shipping information and receipts; correspondence re: letter of recommendation for job\u003c/p\u003e","\u003cp\u003eInvitation, 5 photographs; 5 new photographs; 5 slides; correspondence with artist; label copy; clipping\u003c/p\u003e","\u003cp\u003eCorrespondence with potential jurors; internal memos\u003c/p\u003e","\u003cp\u003e1 photograph of Rand, prospectus; correspondence with Rand (juror); catalog of Rand's work; research\u003c/p\u003e","\u003cp\u003e'69 prospectus, letter Ellyson to art department 6/23/69, memo to chapters 6/23/69; copy of '68 ADP prospectus; prospectus proof; prospectus copy; internal memos; schedule\u003c/p\u003e","\u003cp\u003eChecklists; internal memos\u003c/p\u003e","\u003cp\u003eChecklists; fact sheets\u003c/p\u003e","\u003cp\u003eInternal memos; checklists\u003c/p\u003e","\u003cp\u003eMemo 7/7/70; internal memos; entry blanks; correspondence with architects; schedule; project descriptions; drawing (photocopy); lecture invitation copy; shipping information and receipts\u003c/p\u003e","\u003cp\u003eReply cards; internal memos; correspondence with architects\u003c/p\u003e","\u003cp\u003eCatalogue; correspondence with architects; catalogue copy\u003c/p\u003e","\u003cp\u003eOne signed certificate; correspondence with winners\u003c/p\u003e","\u003cp\u003e4 photographs; correspondence with juror (Romaldo Giurgola); internal memos; clipping; biographical information\u003c/p\u003e","\u003cp\u003ePhotographs; clippings\u003c/p\u003e","\u003cp\u003eProspectus, announcement; prospectus proof; prospectus copy; '68 annotated ADP prospectus; clipping\u003c/p\u003e","\u003cp\u003eEntry blanks; fact sheets; internal memos; checklists\u003c/p\u003e","\u003cp\u003eInternal memo; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with SITES; SITES materials; invitations; exhibition information; Bulletins; correspondence with other Smithsonian Institution staff\u003c/p\u003e","\u003cp\u003eSITES catalogues, 1967-1970\u003c/p\u003e","\u003cp\u003eChecklists; insurance report forms; correspondence with lenders (dealers); membership list\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with lenders; checklists; shipping information and receipts; label proofs; research; budget planning; correspondence with consultants\u003c/p\u003e","\u003cp\u003ePreview invitation; correspondence with and between consultants (Helen Scott Reed and Kathryn Buhler); catalog copy\u003c/p\u003e","\u003cp\u003eInvitation (preview); invitation (lecture); exhibition prospectus; catalog proofs\u003c/p\u003e","\u003cp\u003ePhotographs; internal memos; clippings; catalog notes; correspondence with lenders; checklists; invitation list\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; shipping information and receipts; correspondence with various organizations\u003c/p\u003e","\u003cp\u003e1 copy of catalog; special information form\u003c/p\u003e","\u003cp\u003eCorrespondence with Rouse (Jamestown Foundation) re: lecture; copy of lecture text\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with Buhler (consultant) re: lecture; copy of lecture text\u003c/p\u003e","\u003cp\u003e4 photographs; suggested press release; checklist; correspondence with IEF; label proofs; exhibition contract; IEF materials; shipping information and receipts; internal memos\u003c/p\u003e","\u003cp\u003e7 photographs; 2 contact sheets and 1 new photo; duplicate: invitation; crawing (photocopy); internal memos; label proofs\u003c/p\u003e","\u003cp\u003e9 photographs, 4 new photographs including 1 contact sheet; duplicates: lecture invitation; label copy; drawings (photocopies); shipping information and receipts; MOMA materials; checklists; correspondence with MOMA (circulator); exhibition contract; research; internal memos; 1 copy of preview invitation\u003c/p\u003e","\u003cp\u003eLecture invitation; correspondence with Fern re; lecture (Library of Congress Prints \u0026amp;   Photos Division); internal memos\u003c/p\u003e","\u003cp\u003e1 photograph (contact sheet); checklists; varied correspondence\u003c/p\u003e","\u003cp\u003eProspectus with entry cards; 2 photographs; 1 duplicate photograph; correspondence with Castle (juror, Penland School of Crafts)\u003c/p\u003e","\u003cp\u003e1 photograph; label copy; correspondence re: item breakage; label proofs\u003c/p\u003e","\u003cp\u003ePreview invitation; chipping information; correspondence with lenders; internal memos; 1 copy of catalogue; clippings\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; request for information forms; 1 copy of Art Gallery Magazine (12/69); 1 copy of TIME (6/1/70), reason unknown, no more receipts kept in these files\u003c/p\u003e","\u003cp\u003e2 contact sheets; correspondence with Peter Selz (UC Berkeley, juror); correspondence with lenders; internal memos (including correspondence re: installation of Robert Irwin's \"Disc\"); correspondence with artists re: their Vietnam War protest\u003c/p\u003e","\u003cp\u003eInternal memos; catalogue copy; label copy; research; 1 copy of catalogue (damaged)\u003c/p\u003e","\u003cp\u003e1 photograph (1966 show); photographs of works not in show (Krushenick, Warhol, Ruscha); copies of '62 and '66 show information; correspondence with lenders; shipping information; checklists\u003c/p\u003e","\u003cp\u003eLabel copy; checklists; panel copy; mailing and invitation lists; lender lists\u003c/p\u003e","\u003cp\u003ePhotographs (VMFA copies)\u003c/p\u003e","\u003cp\u003ePhotographs (originals)\u003c/p\u003e","\u003cp\u003eLecture invitation; 1 duplicate photograph; correspondence with Selz (juror) re: exhibition and lecture; biographical information; invitation copy\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; exhibition contract; internal memos; correspondence with Paul Tishman (collector whose works comprise show); correspondence with High Museum (earlier venue); IEF materials\u003c/p\u003e","\u003cp\u003ePhotographs; internal memos; correspondence with High and with UT Austin (earlier venues); correspondence with IEF; shipping information\u003c/p\u003e","\u003cp\u003eChecklists; IEF materials; research; panel copy\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e5 photographs; 3 duplicate photographs\u003c/p\u003e","\u003cp\u003e7 photographs; 8 duplicate photographs\u003c/p\u003e","\u003cp\u003e11 photographs; 3 duplicate photographs\u003c/p\u003e","\u003cp\u003e5 photographs; 9 duplicate photographs\u003c/p\u003e","\u003cp\u003e9 photographs; 8 duplicate photographs\u003c/p\u003e","\u003cp\u003e15 photographs; 4 duplicate photographs\u003c/p\u003e","\u003cp\u003e12 photographs; 2 duplicate photographs\u003c/p\u003e","\u003cp\u003e1 duplicate photographs\u003c/p\u003e","\u003cp\u003e7 photographs; 4 duplicate photographs\u003c/p\u003e","\u003cp\u003e2 drawings; duplicates: loan exhibition announcement; invitation; 40 slides; 1 copy of High's brochure; internal memos; NGA brochures; IEF materials; correspondence re: possible speakers; correspondence with Tishman; copy of 9/70 Bulletin; slide list [see end of box]\u003c/p\u003e","\u003cp\u003e5 photographs; checklist; internal memos re: this traveling exhibition SP-19 [loans from 4 major NY galleries, distributed by State Services Division]; correspondence with dealers/lenders; 1 copy of 10/70 Bulletin\u003c/p\u003e","\u003cp\u003eCatalog (Edgeworth \u0026amp; VMFA); 1 photograph; audio (reel) tape \"J.[oel] Aldred – tapestries – 71/2 ips\" [Canadian broadcaster]; 1 copy of invitation; catalogue: Hommage à Jean Lurçat, Rothmans, ca. 1966; another Rothmans' catalogue ca. 1964\u003c/p\u003e","\u003cp\u003e1 copy of catalog; 1 copy of black tie reception invitation\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Rothmans of Pall Mall Canada; correspondence with House of Edgeworth (co-sponsors); planning re: previous receptions, etc.\u003c/p\u003e","\u003cp\u003e6 photographs\u003c/p\u003e","\u003cp\u003eBlack tie reception invitation; other invitations (non-VMFA)\u003c/p\u003e","\u003cp\u003eChecklist (contemporary French tapestries); checklists (various, including hommage à Jean Lurçat); invitation lists; staff working lists\u003c/p\u003e","\u003cp\u003eNotes on the Rothmans Collection; Rothmans press release; Contemporary French Tapestry; research; clippings; copies of other's letters to/from Lurçat [speech by Madame Denise Majorel, 2 clippings]; Lurçat letters (3/29/48 \u0026amp; 12/24/47)\u003c/p\u003e","\u003cp\u003e3 photographs; 9 duplicate photographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePhotographs [overlap between these 2 folders]\u003c/p\u003e","\u003cp\u003e8 duplicate photographs\u003c/p\u003e","\u003cp\u003e8 photographs; 9 duplicate photographs\u003c/p\u003e","\u003cp\u003e1 catalog for July/August program with catalog card application [1969]\u003c/p\u003e","\u003cp\u003eLists of speakers; internal memos; biographical information; correspondence with speakers; report from Museum Entertainment Committee\u003c/p\u003e","\u003cp\u003eVM 1969-1970 events; lists of events; calendars; internal memos; schedules including exhibition, theatre, mailings, events, etc.; 1 copy of Theatre schedule card\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eCatalog; 4 photographs; 23 new photographs; exhibition contract (Mat is circulator); research; correspondence with Met; internal memos; shipping information and receipts\u003c/p\u003e","\u003cp\u003eMailing, 16 duplicate photographs; 7 new photos; correspondence with Baltimore Museum of Art (circulator); checklists; BMA materials; press release; internal memos; research; 1 copy of catalog (annotated)\u003c/p\u003e","\u003cp\u003e4 new photographs; 7 duplicate photographs\u003c/p\u003e","\u003cp\u003e1 new photograph; 4 duplicate photographs; correspondence with Norton Simon; clippings; checklists; internal memos; copy of Henry Moore annotated transcript from '63; label and panel copy; information sheets on paintings; 1 copy of invitation; shipping information and receipts\u003c/p\u003e","\u003cp\u003e2 photographs; correspondence with collectors; checklists; drawings (photocopies); research, photocopy of Vogue article (4/15/60) on Colin\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; internal memos\u003c/p\u003e","\u003cp\u003ePreview invitation; correspondence with lenders; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lenders\u003c/p\u003e","\u003cp\u003eReminder card; invitation; checklists; research; lender lists; label copy; request for information forms; clippings; shipping information and receipts; mailing lists\u003c/p\u003e","\u003cp\u003e33 new photographs\u003c/p\u003e","\u003cp\u003e3 new photographs; 13 duplicate photos\u003c/p\u003e","\u003cp\u003e5 new photographs; 10 duplicate photographs\u003c/p\u003e","\u003cp\u003e5 new photographs; 10 duplicate photographs\u003c/p\u003e","\u003cp\u003e2 new photographs; 10 duplicate photographs\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders who gave no initial response\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders re: return of works; internal memos; mailing lists; form letters\u003c/p\u003e","\u003cp\u003eCopies of AIV articles from which loan list was gathered, annotated (probably for label/panel/catalog use)\u003c/p\u003e","\u003cp\u003eChecklist; suggested press release, invitation, 4 duplicate photographs; 14 new photographs; 2 AFA folders of materials; internal memos; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eShipping information; correspondence with AFA; correspondence with Smith College Museum of Art Director\u003c/p\u003e","\u003cp\u003eWall label; clippings; correspondence with MOMA (circulator); MOMA materials (including press release and checklist); 1 copy of MOMA members' newsletter (Spring 1970); correspondence with Peter Bunnell (photograph curator at MOMA \u0026amp; organizer); drawings; internal memos; exhibition contract\u003c/p\u003e","\u003cp\u003eInvitation; 1 copy of September 1971 Bulletin; internal memos; mailing list\u003c/p\u003e","\u003cp\u003eProspectus; correspondence with artists; internal memos; checklists; schedules; 1 copy of October 1971 Bulletin; 1 annotated copy of Virginia Photographers '69 catalog; 1 copy of '71 catalog\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with lenders re: potential loans; correspondence with lenders; correspondence re: extension of exhibition; correspondence with Robert Koch (speaker); correspondence with publicity\u003c/p\u003e","\u003cp\u003eInvitation; poster; 1 duplicate photograph; 4 new photographs, 7 slides; notes; research; information request forms; 1 copy of November 1971 Bulletin; panel copy; clippings; 1 copy of December 1971 Bulletin\u003c/p\u003e","\u003cp\u003e1 copy of November 1971 Bulletin; 1 copy of the January 1972 Antique Monthly\u003c/p\u003e","\u003cp\u003e1 copy of the January 1972 Antique Monthly\u003c/p\u003e","\u003cp\u003eCatalog copy\u003c/p\u003e","\u003cp\u003eCatalog copy\u003c/p\u003e","\u003cp\u003eBlank copy of information form\u003c/p\u003e","\u003cp\u003e6 drawings (photocopies) of lighting schemes\u003c/p\u003e","\u003cp\u003e3 photographs (items from Lewis Collection from some catalog); checklists; loan lists; mailing lists; internal memos; panel/catalog copy\u003c/p\u003e","\u003cp\u003eBlank request for information forms\u003c/p\u003e","\u003cp\u003eChecklist for catalog\u003c/p\u003e","\u003cp\u003eChecklist for catalog\u003c/p\u003e","\u003cp\u003eChecklist for catalog\u003c/p\u003e","\u003cp\u003eTransparencies, 91 photographs\u003c/p\u003e","\u003cp\u003eEmpty folder\u003c/p\u003e","\u003cp\u003eLabel copy; internal memos; scripts; notes\u003c/p\u003e","\u003cp\u003eSpecial object information forms\u003c/p\u003e","\u003cp\u003eSpecial object information forms\u003c/p\u003e","\u003cp\u003eInvitation; special object information forms\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA; 1 copy of 1969-70 AFA Catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions (museums, universities, organizations); internal memos; promotional materials\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; exhibition information sheets\u003c/p\u003e","\u003cp\u003e1 press release from Howard University\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions (museums, universities, organizations); promotional materials\u003c/p\u003e","\u003cp\u003e2 invitations, 2 catalogs (1969 \u0026amp; 1971 for both shows); congratulations letter; pink salon des refuses card; prospectus; 1 contact sheet; schedule; internal memos; correspondence with juror (Thomas Hess); list of buyers; committee lists; correspondence with 7th \u0026amp; Franklin building owners (where judging was done); 1 drawing (photocopy)\u003c/p\u003e","\u003cp\u003e16 photographs; duplicates: 6 photographs, prospectus; correspondence with Thalhimer's; internal memos; fact sheets; correspondence with artists; clippings; label copy; checklists; 1 copy of catalogue; 1 copy of May 1971 Bulletin; copies of certificate winners' entry blanks\u003c/p\u003e","\u003cp\u003ePhotographs; 1 copy of catalog; 1 copy of prospectus; lease agreement for 7th \u0026amp; Franklin Building\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eCorrespondence with potential speakers\u003c/p\u003e","\u003cp\u003eMemo 3/16/71, 5/71 Bulletin; fact sheets; internal memos; correspondence with artists; correspondence with 7th \u0026amp; Franklin; schedule; clipping; checklists\u003c/p\u003e","\u003cp\u003eInternal memos; checklists\u003c/p\u003e","\u003cp\u003eCatalogue; internal memos; catalog copy; correspondence with artist\u003c/p\u003e","\u003cp\u003eSigned certificates; entry blanks; 1 copy of catalogue; correspondence with winners; checklists; internal memos\u003c/p\u003e","\u003cp\u003e2 photographs; correspondence with artists; internal memos; schedules; correspondence with juror\u003c/p\u003e","\u003cp\u003eSlides; photographs; checklists\u003c/p\u003e","\u003cp\u003eRelease forms; invoices; preview invitation list; fact sheets; checklists; internal memos; '71 invitation; correspondence with artists\u003c/p\u003e","\u003cp\u003eAnnotated catalogs; correspondence with purchasers; correspondence with artists; purchase information cards\u003c/p\u003e","\u003cp\u003eMemo 9/8/71; correspondence with artists; label copy; internal memos\u003c/p\u003e","\u003cp\u003e1 copy of '71 prospectus; 1 copy of '60 catalogue; correspondence with juror (Harry Callahan); fact sheets; research/biographical information\u003c/p\u003e","\u003cp\u003ePhotographs; '69 and '71 prospectuses\u003c/p\u003e","\u003cp\u003eProspectus copy; correspondence with artist\u003c/p\u003e","\u003cp\u003eFact sheets; internal memos; checklists; entry blanks\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with artists; checklists\u003c/p\u003e","\u003cp\u003e\"Guidelines for Preparing Panels,\" memo 3/19/71; dinner invitation copy; internal memos; project descriptions; correspondence with designers; schedule; catalog copy; AIID Virginia Chapter Directory 70-71; correspondence with Virginia AID; entry blanks; 1 copy of dinner invitation with reply card\u003c/p\u003e","\u003cp\u003eCorrespondence with winners\u003c/p\u003e","\u003cp\u003e1 photograph; slides; correspondence with juror (Sarah Tomerlin Lee-former Editor of House Beautiful); schedule; internal memos\u003c/p\u003e","\u003cp\u003e2 new photographs; 9 duplicate photographs\u003c/p\u003e","\u003cp\u003eSigned certificates; entry blanks; label copy; biographical information; correspondence with juror (Henry Wolf); correspondence with potential jurors; internal memos; reception invitation list; checklists; correspondence with artists; fact sheets\u003c/p\u003e","\u003cp\u003eCatalogue ('72); catalogue copy\u003c/p\u003e","\u003cp\u003e14 new photographs; 2 duplicate photographs; catalogue\u003c/p\u003e","\u003cp\u003eProspectus; prospectus copy; annotated '68 prospectus copy\u003c/p\u003e","\u003cp\u003eForm letter from Ellyson, prospectus; annotated '69 prospectus; correspondence with artists: re: prospectus, prospectus copy\u003c/p\u003e","\u003cp\u003eCatalogue; fact sheets; shipping information and receipts\u003c/p\u003e","\u003cp\u003eReply cards; correspondence with artists; internal memos; checklists\u003c/p\u003e","\u003cp\u003eLetter 4/8/71; fact sheets for printmakers\u003c/p\u003e","\u003cp\u003eCatalogue; catalogue copy; checklists\u003c/p\u003e","\u003cp\u003eSigned certificates; correspondence with winners; checklists\u003c/p\u003e","\u003cp\u003e1 copy of '71 catalogue; checklists; catalogue copy; internal memos\u003c/p\u003e","\u003cp\u003eProspectus; prospectus copy; correspondence with designers\u003c/p\u003e","\u003cp\u003eCopy of Art Directors Club prospectus\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with artists; 1 copy of catalogue; reply cards\u003c/p\u003e","\u003cp\u003eEntry cards; shipping information and receipts; internal memos; fact sheets; checklists; correspondence with artists; 1 signed certificate; label copy\u003c/p\u003e","\u003cp\u003ePhotographs; internal memo\u003c/p\u003e","\u003cp\u003eCatalogue; catalogue copy; catalogue proofs; label copy\u003c/p\u003e","\u003cp\u003eSigned certificate; correspondence with winners\u003c/p\u003e","\u003cp\u003e5 new photographs; 8 duplicate photographs\u003c/p\u003e","\u003cp\u003eAnnotated '67 prospectus; prospectus copy; blank mailing labels\u003c/p\u003e","\u003cp\u003eLabel copy; correspondence with artist; clipping; 12/70 Bulletin; checklists\u003c/p\u003e","\u003cp\u003eInvitation; photographs; label copy; internal memos; correspondence with artist; invitation list; biographical information 1/71 Bulletin; Robinson House exhibition checklist\u003c/p\u003e","\u003cp\u003eInvitation; photographs; checklists; internal memos; label copy; biographical information; correspondence with artist; \"Art Now: New York,\" Vol. 2, no. 10; installation sketches by Jackson; 2/71 Bulletin; Robinson House checklist\u003c/p\u003e","\u003cp\u003e3/71 Bulletin; 2 photographs; 7 slides; Robinson House exhibition checklist; internal memos; correspondence with artist; label copy; biographical information\u003c/p\u003e","\u003cp\u003e3/71 Bulletin, 1 photograph; clippings; correspondence with artist; internal memos; label copy; Robinson House exhibition checklist; invitation list\u003c/p\u003e","\u003cp\u003e3 photographs; internal memos; correspondence with artist; label copy; biographical information; Robinson House exhibition checklist; 4/71 Bulletin; invitation list\u003c/p\u003e","\u003cp\u003e1 slide, invitation; 4 photographs; internal memos and correspondence with artist re: damaged works; biographical information; label copy; correspondence with artist; clippings; checklist; 5/73 Bulletin; shipping information and receipts\u003c/p\u003e","\u003cp\u003eInvitation, 9/71 Bulletin, 2 duplicate slides; 2 photographs; 3 slides; label copy; correspondence with artist; invitation list\u003c/p\u003e","\u003cp\u003e10/71 Bulletin, invitation; 4 photographs; biographical information; correspondence with artist; label copy; checklists\u003c/p\u003e","\u003cp\u003ePhotographs; 3 slides; invitation list; 1 copy of invitation; correspondence with artist; internal memos; biographical information; checklists; label copy; 11/71 Bulletin\u003c/p\u003e","\u003cp\u003e2 photographs; 3 slides; label copy; price list (hand drawn!); correspondence with artist; biographical information; 12/71 Bulletin\u003c/p\u003e","\u003cp\u003e2 photographs; 3 slides; invitation; label copy; biographical information; correspondence with artist; Robinson House exhibition; checklist; 12/71 Bulletin\u003c/p\u003e","\u003cp\u003eInvitation, 1 slide; 1 new slide; 1/72 Bulletin; label copy; biographical information; checklists; internal memos; correspondence with artists\u003c/p\u003e","\u003cp\u003e1 photograph; \"Masterpieces of Early American Furniture, Antiques (11/70), invitation, \"The U.S. Department of State Americana Fund…\"; correspondence with possible collectors; research, correspondence with Clement E. Conger, Collector of the Year 1972 (Chairman of Special Fine Arts Committee for acquisition of furnishings for the Department of State); internal memos; clippings; biographical information; press releases; clippings; checklists layout (typed)\u003c/p\u003e","\u003cp\u003ePhotographs; 1 drawing; drawing (typed!); clippings; label copy\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e6 photographs; duplicates: 8 photographs, invitation; drawings (photocopies); correspondence with Mourot; research; internal memos; checklists; clippings; label copy\u003c/p\u003e","\u003cp\u003eProspectus; internal memos; correspondence with artists; reception guest list\u003c/p\u003e","\u003cp\u003eInvitation, poster, MOMA information sheet, \"Modern Museum Offers Works…\"; 13 photographs; memos; correspondence with MOMA (circulator); shipping information and receipts; checklists, 1 poster\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with lenders; research; clippings; catalog copy; 1 copy of May 1972 Bulletin; clippings; shipping information and receipts\u003c/p\u003e","\u003cp\u003eCatalogue copy\u003c/p\u003e","\u003cp\u003eCatalogue copy\u003c/p\u003e","\u003cp\u003eCatalogue copy\u003c/p\u003e","\u003cp\u003eCatalogue copy\u003c/p\u003e","\u003cp\u003eCatalogue copy\u003c/p\u003e","\u003cp\u003eCorrespondence with Muller; list of tentative loans\u003c/p\u003e","\u003cp\u003e9 photographs; 1 duplicate photograph\u003c/p\u003e","\u003cp\u003e1 new photograph; 1 duplicate photograph; correspondence with the AIC; request for information form\u003c/p\u003e","\u003cp\u003e2 duplicate photographs; correspondence with Princeton; request for information form\u003c/p\u003e","\u003cp\u003e1 duplicate photograph; correspondence with Atkins; request for information form\u003c/p\u003e","\u003cp\u003e1 duplicate photograph; correspondence with Fogg; request for information form\u003c/p\u003e","\u003cp\u003e1 duplicate photograph; correspondence with Meadows Museum; request for information form\u003c/p\u003e","\u003cp\u003e2 photographs; 6 duplicate photographs; correspondence with Met; request for information form\u003c/p\u003e","\u003cp\u003e4 duplicate photographs; correspondence with MFA Boston; request for information form; internal memos; insurance certificate\u003c/p\u003e","\u003cp\u003e6 duplicate photographs; correspondence with NGA; request for information form\u003c/p\u003e","\u003cp\u003e2 duplicate photographs; correspondence with RISD; request for information form\u003c/p\u003e","\u003cp\u003e3 duplicate photographs; correspondence with Thaw; request for information form. invitation; photographs\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with Worcester; shipping information and receipts; request for information form; correspondence re: insurance\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence re; photograph orders and framing for our pieces; request for information forms\u003c/p\u003e","\u003cp\u003e16 new photographs; 4 duplicate photographs\u003c/p\u003e","\u003cp\u003e18 new photographs; 6 duplicate photographs\u003c/p\u003e","\u003cp\u003eRequest for information form; piece of box from printer\u003c/p\u003e","\u003cp\u003eChecklists; lists of loans; shipping lists; mailing lists\u003c/p\u003e","\u003cp\u003eOne piece of correspondence\u003c/p\u003e","\u003cp\u003e5 new photographs; 1 duplicate photograph\u003c/p\u003e","\u003cp\u003e8 new photographs\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders who denied loan request\u003c/p\u003e","\u003cp\u003eChecklist, wall label, press release, 7 photographs; 2 contact sheet strips; materials from MOMA (circulator); correspondence with MOMA; internal memos; label copy; drawings (photocopies); 1 [misfiled] mock-up of Goya Catalogue cover\u003c/p\u003e","\u003cp\u003eChecklist, 2 photographs; 4 new photographs, 2 invitations, members' preview postcard and special reception in envelope; \"Gund Collection of Western Art,\" 1970; internal memos; correspondence with Gund; correspondence with lenders; clippings; \"American Western Art: a Personal Narrative.\"\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eInvitation; correspondence with Gund Museum; internal memos; research; checklists; blank request for information forms; correspondence with lenders; lists of movies; Gund Collection materials\u003c/p\u003e","\u003cp\u003e4 photographs with labels, 5th=#15494, Carl Kauba, b. 1865, \"Indian\", Gilt Bronze, Collection Bobby Chandler; loan request; information sheets with small photos stapled to them (left in folder); correspondence with lenders; checklists; research\u003c/p\u003e","\u003cp\u003e1 catalog; 1 contact sheet strip; internal memos; label copy; 1 copy of invitation; correspondence with AIA, Richmond Chapter\u003c/p\u003e","\u003cp\u003eInvitation, 2 layout designs by Lipton, 6 photos; 27 new photos; correspondence with MIT (circulator); internal memos; correspondence with Marlborough Gallery (organizer); panel drawing (photocopy); checklists; correspondence with Lipton; label copy; research\u003c/p\u003e","\u003cp\u003e2 invitations, \"An Exhibition of Sculpture and Drawings by Gaston Lachaise,\" 2 photographs; 9 new photos; correspondence with Lachaise Foundation and [Felix] Landau Galleries (organizer); internal memos; checklists with prices; shipping information and receipts; drawing (photocopy); clippings\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with MOMA re: possible exhibitions, including Otto Frei exhibition [unsure if declined or not]\u003c/p\u003e","\u003cp\u003eChecklist; 1 photograph; internal memos; clippings; list of items sold or rented\u003c/p\u003e","\u003cp\u003e1 piece of correspondence re: lecture offer declined\u003c/p\u003e","\u003cp\u003eCorrespondence with Bernard Danenberg Galleries re: possible showing\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA\u003c/p\u003e","\u003cp\u003eCorrespondence with Advertising Trade Publications, Inc.\u003c/p\u003e","\u003cp\u003eCorrespondence with the IEF\u003c/p\u003e","\u003cp\u003eCorrespondence with Maritime Museum in Newport News and Philadelphia\u003c/p\u003e","\u003cp\u003e\"Project background \u0026amp; history,\" \"Bonniers introduces 9 incredible toys,\" 8 photos; 1 drawing; internal memos; correspondence with Bonnier International Design (organizer); correspondence with Ruder \u0026amp; Finn (circulators); Bonnier materials (including tear sheets); 1 copy of New York (9/11/72)\u003c/p\u003e","\u003cp\u003eProposals and materials from: George Eastman House, National Association of Women Artists, Rice University, California Arts Commission, Haus Rucker Company; MFA Houston, St. Paul Art Center, Fran Grace, Walter Art Center\u003c/p\u003e","\u003cp\u003eProposals and materials from: Japan Cultural Society, MOMA, Museum of the Confederacy, J.B. Speed, Library of Congress, Appalachian Corridor, SITES, Renwick Gallery, Asian Theatre Artists, NGA, Sculpture Center, International Museum of Photography, Oakland\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with Smith (juror, Museum of Contemporary Crafts); biographical information\u003c/p\u003e","\u003cp\u003eCatalogs, prospectus, 1 photograph; correspondence with Wolf (juror; Trahey Wolf Advertising, Inc.); biographical information\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA; 1971-1972 catalog\u003c/p\u003e","\u003cp\u003eCorrespondence with institutions; artists; galleries and others (including materials)\u003c/p\u003e","\u003cp\u003eInvitation, 2 slides; invitation list; correspondence with artist; clippings; label copy; 2/72 Bulletin\u003c/p\u003e","\u003cp\u003eInvitation; 4 slides; 5 photographs; biographical information; label copy; correspondence with artist; 3/72 Bulletin; checklists\u003c/p\u003e","\u003cp\u003eInvitation, 4/72 Bulletin; 1 slide; correspondence with artist; internal memos; label copy; checklists; biographical information\u003c/p\u003e","\u003cp\u003e4/73 Bulletin, 1 slide, invitation; 1 negative; 1 photograph; 12/69 Bulletin; label copy; shipping information and receipts; biographical information; checklists correspondence with artist\u003c/p\u003e","\u003cp\u003e5/72 Bulletin, invitation; 1 photograph; 4 slides; correspondence with artist; label copy; checklists; biographical information\u003c/p\u003e","\u003cp\u003eInvitation, 1 photograph; 4 slides; label copy; 9/72 Bulletin; correspondence with artist; checklist; shipping information and receipts\u003c/p\u003e","\u003cp\u003eInvitation, 4 photographs; 1 slide; shipping information and receipts; checklists; biographical information; 10/72 Bulletin; label copy; correspondence with artist\u003c/p\u003e","\u003cp\u003eInvitation; 1 photograph; 4 slides; checklists; shipping information and receipts; correspondence with artist; label copy; biographical information\u003c/p\u003e","\u003cp\u003eLabel copy; correspondence with artist; 11/72 Bulletin; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003e\"1972-73 Robinson House One-Man Exhibitions\" List; internal memos; schedules\u003c/p\u003e","\u003cp\u003e1 photograph; 4 slides; label copy; 1/73 Bulletin; correspondence with artist; internal memos; checklists; shipping information and receipts\u003c/p\u003e","\u003cp\u003e1 slide, invitation, 2 photographs; 1 new photograph; label copy; 1/73 Bulletin; correspondence with artist; shipping information and receipts\u003c/p\u003e","\u003cp\u003eInvitation, 2/73 Bulletin; 2 photographs; checklists; biographical information; internal memos; correspondence with artist; transportation request form; label copy\u003c/p\u003e","\u003cp\u003eInvitation, 3 photographs; 3 new photographs; 3 slides; biographical information; shipping information and receipts; checklists; correspondence with artist; transparencies request form; internal memos; label copy; 3/73 Bulletin\u003c/p\u003e","\u003cp\u003e'72 Honor Awards Program, Virginia AIA Chapter; concealed ID form; catalogue; internal memos; prospectus copy; Virginia Chapter AIA materials; 1 copy of prospectus; catalogue copy\u003c/p\u003e","\u003cp\u003eCorrespondence with juror (Hugh Jacobsen)\u003c/p\u003e","\u003cp\u003e2 photographs (Paul Smith); entry blanks; correspondence with artists; reception guest list; drawing (photocopy); internal memos; 1 copy of catalogue; correspondence with juror (Paul Smith)\u003c/p\u003e","\u003cp\u003eInternal memos; checklists; fact sheets; shipping information and receipts; entry blanks\u003c/p\u003e","\u003cp\u003ePurchase cards; annotated catalogues ('73); invoices; checklists; correspondence with purchasers; correspondence with artists; shipping information and receipts; release forms\u003c/p\u003e","\u003cp\u003eSlides; 7 new photographs; 3 duplicate photographs\u003c/p\u003e","\u003cp\u003eLetter (9/12/73); entry blanks; reception invitation list; shipping information and receipts; correspondence with artists; internal memos; correspondence with winners\u003c/p\u003e","\u003cp\u003e1 copy of catalogue; catalogue copy; internal memos; checklists\u003c/p\u003e","\u003cp\u003eSchedule; prospectus copy\u003c/p\u003e","\u003cp\u003eCorrespondence with artists; internal memos; fact sheets; checklists\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with artists\u003c/p\u003e","\u003cp\u003e2 invitations, 8 duplicate photographs; 9 new photos; internal memos; checklists with values; correspondence with Blumkas (Mr. and Mrs. Leopold); research; correspondence re: complete loss of Gothic velvet tapestry due to water damage\u003c/p\u003e","\u003cp\u003e7 photographs; correspondence with MOMA (circulator); checklists; internal memos; MOMA materials (including wall label, press release)\u003c/p\u003e","\u003cp\u003e3 photographs; internal memos; panel layout notes; Accession Committee meeting minutes copies (to look at new accessions)\u003c/p\u003e","\u003cp\u003eInvitation; photographs; label copy; drawing (photocopy)\u003c/p\u003e","\u003cp\u003ePhotographs; duplicates; 2 invitations; invitation copy; internal memos; correspondence with Whitney (circulator); Whitney materials; label copy; 1 copy of \"Edward Hopper: Selections from the Hopper Bequest,\" published by Whitney; 1 copy of 3/73 Bulletin\u003c/p\u003e","\u003cp\u003e5 photographs; label copy; correspondence with lenders; request for information form; internal memos; correspondence re: Bernard Martin \"copying\" Alfred Newman's photograph of Hopper re: possible copyright infringement\u003c/p\u003e","\u003cp\u003eCatalog; 2 photographs; 1 copy of prospectus; internal memos; label copy; list of designers; correspondence with AIID\u003c/p\u003e","\u003cp\u003eInvitation, 10 photographs; internal memos; label copy; invitation copy; mailing lists\u003c/p\u003e","\u003cp\u003eCatalog, invitation, 1 photograph; 2 slides, 1 new photograph; internal memos; correspondence with artists; label copy; 1 copy of prospectus; checklists; clippings\u003c/p\u003e","\u003cp\u003e5/73 bulletin; shipping information and receipts; correspondence with artists; internal memos; correspondence with Thalhimer's re: display; label copy; checklists; fact sheets\u003c/p\u003e","\u003cp\u003e1 copy of catalogue; catalogue copy; checklists; internal m emos; prospectus copy\u003c/p\u003e","\u003cp\u003eSigned certificates; correspondence with winners\u003c/p\u003e","\u003cp\u003eCorrespondence with juror (William Seitz); biographical information\u003c/p\u003e","\u003cp\u003e28 photographs\u003c/p\u003e","\u003cp\u003eMemo (2/28/73); printmakers card; letter (3/22/73); internal memos\u003c/p\u003e","\u003cp\u003eReply cards; correspondence with artists; internal memos; checklists\u003c/p\u003e","\u003cp\u003e1 photograph; duplicates, certificates; juror biographical information (William Pahlmann); correspondence with juror; internal memos; fact sheets; checklists; correspondence with artists; entry blanks\u003c/p\u003e","\u003cp\u003eProspectus (1 copy); AID Virginia Chapter '70-'71 directory; prospectus copy; catalogue (1 copy); checklists; correspondence with NSID\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003e3 photographs; 1 duplicate photograph; label copy; entry blank; correspondence with Solomon; biographical information; shipping information and receipts; 11/73 Bulletin\u003c/p\u003e","\u003cp\u003eInvitation, 2 duplicate photographs, 10/73 Bulletin; 1 new photograph; label copy; correspondence with Beer; biographical information; checklists\u003c/p\u003e","\u003cp\u003e2 photographs; internal memos; correspondence with juror (Nathan Lyons); biographical information\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eEntry blank; correspondence with Dougherty\u003c/p\u003e","\u003cp\u003e1 photograph; 1 new photograph; 9/73 Bulletin; correspondence with Davenport; entry blank; biographical information; clipping\u003c/p\u003e","\u003cp\u003eInvitation, 2 photographs; 7 new photographs; correspondence with Lewises; drawing (photocopy); internal memos, 1 copy of May '72 W\u0026amp;L Alumni Bulletin\u003c/p\u003e","\u003cp\u003e7 photographs; press release; internal memos; materials from Museum of Primitive Art (organizer); clippings; catalog copy\u003c/p\u003e","\u003cp\u003eInvitation; catalog; internal memos; correspondence with prospective jurors; 1 photocopy of prospectus; mailing list; article by Nathan Lyon (juror); clipping; NEA grant materials\u003c/p\u003e","\u003cp\u003ePress release, 3 photographs, checklist; correspondence with IEF (circulator); IEF materials; internal memos\u003c/p\u003e","\u003cp\u003eResearch; checklists; catalog copy; mailing lists for catalogs [all materials Blaine-related]\u003c/p\u003e","\u003cp\u003e3 clippings, 3 invitations; 7 photographs; internal memos; correspondence with Blaine; mailing lists; catalog copy (Blaine)\u003c/p\u003e","\u003cp\u003eNell Blaine at the Poindexter Gallery, 1972, catalogue folder; 2 new photographs; research; other catalogs; mailing lists; request for information forms; checklists; price lists; internal memos; correspondence with Boston University (Beal co-organizer); correspondence with Poindexter Gallery (Blaine co-organizer); correspondence with Lawrence Campbell (essay writer; Art Students' league); correspondence with lenders; correspondence with artists; catalog copy (Beal)\u003c/p\u003e","\u003cp\u003ePhotographs; 1 copy of Blaine catalog; list of Beal color transparencies returned\u003c/p\u003e","\u003cp\u003eCorrespondence with artist and purchasers re: sale of paintings (including copies of checks, etc.); checklists; price lists [all material related to Blaine]\u003c/p\u003e","\u003cp\u003e1 drawing by Blaine; correspondence with Boston University, Poindexter Gallery, Blaine, Campbell, lenders; internal memos; 1 copy of Blaine catalog; clippings; loan agreement forms; other catalog (Beal); research; label copy; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA; 1972-73 catalog; 1973-74 listing in new 8 ½ X 11 format (unbound)\u003c/p\u003e","\u003cp\u003e2 copies of 67-68 catalog; correspondence with AFA; 2 copies of 68-69 catalog; clippings\u003c/p\u003e","\u003cp\u003eCorrespondence re: possible prison art show\u003c/p\u003e","\u003cp\u003eCorrespondence with Ruder and Finn\u003c/p\u003e","\u003cp\u003eClippings; research; SITE materials, correspondence with various institutions (museums, galleries, organizations); IEF materials; various catalogs [most of material from late 60s]\u003c/p\u003e","\u003cp\u003eClippings; research; SITE materials, correspondence with various institutions (museums, galleries, organizations); IEF materials; various catalogs [most of material from late 60s]\u003c/p\u003e","\u003cp\u003eMaterial re; possible exhibition of Cecil Beaton as well as Samuel Kirk \u0026amp; Son\u003c/p\u003e","\u003cp\u003eMaterial re: possible exhibition of Cecil Beaton, as well as for Sir Jacob Epstein, and others\u003c/p\u003e","\u003cp\u003eCorrespondence re: Objects: USA (collection of S.C. Johnson \u0026amp; Son, organized by Lee Nordness Gallery); correspondence with various other institutions; various catalogs from late 1960s\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions; various catalogs from 1973\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions; various catalogs from late 1960s; early 1970s]\u003c/p\u003e","\u003cp\u003eCorrespondence; internal memos\u003c/p\u003e","\u003cp\u003e1 copy of 66-67 catalog; 2 copies of 68-69 catalog; correspondence with MOMA; MOMA materials; clippings; internal memos\u003c/p\u003e","\u003cp\u003e1 clipping on Peggy Guggenheim\u003c/p\u003e","\u003cp\u003eCorrespondence with Multiples, Inc. gallery; internal memo\u003c/p\u003e","\u003cp\u003eEastman House materials\u003c/p\u003e","\u003cp\u003eCorrespondence with SITES; 1972 catalogs; SITES materials; various SI bulletins; 1 catalog (French playbills)\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; IEF materials\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; IEF materials\u003c/p\u003e","\u003cp\u003eCorrespondence with MOMA; MOMA materials, 1 copy of catalog\u003c/p\u003e","\u003cp\u003e1 piece of correspondence with Hirschl \u0026amp; Adler\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with \"Curators of Art for Corporate Collections\" [actually called Danese Design]\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; IEF materials\u003c/p\u003e","\u003cp\u003eCorrespondence with Art professor at Mary Baldwin\u003c/p\u003e","\u003cp\u003eCorrespondence with Asia House Gallery; checklist; internal memo [not shown]\u003c/p\u003e","\u003cp\u003eCorrespondence with Whitney and Aldrich Museum of Contemporary Art\u003c/p\u003e","\u003cp\u003eCorrespondence with Museum of Fine Arts, St. Petersburg; internal memos\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Multiples, Inc.\u003c/p\u003e","\u003cp\u003eLetter from Claiborne to members (10/24/73); 1 copy of invitation; label copy\u003c/p\u003e","\u003cp\u003eInternal memos; checklists\u003c/p\u003e","\u003cp\u003eCatalog, invitation, 6 photographs; 1 new photograph; 1 copy of Virginia Designers 1970 catalog; internal memos; mailing list; catalog copy; correspondence with Federal Council on the Arts \u0026amp; Humanities (speaker, Lani Lattin); schecklists\u003c/p\u003e","\u003cp\u003eMembers special film program card, 2 photographs; 1 new photograph; 1 copy of Wildenstein catalog; research; correspondence with Bakwin; correspondence with members; internal memos; 1 copy of invitation; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eInvitation, reply card; 1 photograph; 1 copy of Craftsmen's Biennial 2 (VCU) prospectus; 1 copy of Virginia Craftsmen 1970 catalog; 1 copy of 74 catalog; 1 copy of 74 prospectus; internal memos; mailing list; research\u003c/p\u003e","\u003cp\u003eInvitation, 11 photographs; 4 new photographs; 1 copy of catalog \"Walter Gropius: Buildings, Plans, Projects, 1906-1969\"; correspondence; 1 copy of \"Portrait of an idea: Rosenthal Studio-Line\"; correspondence with IEF; IEF materials; exhibition contract; 1 drawing (photocopy); internal memos\u003c/p\u003e","\u003cp\u003eVMFA exhibition SP-28; internal memos; checklist; label copy\u003c/p\u003e","\u003cp\u003eClippings; 1 copy of Commonwealth: the Magazine of Virginia (5/74)\u003c/p\u003e","\u003cp\u003e2 preview invitations, lecture card, brochure; photographs; label copy\u003c/p\u003e","\u003cp\u003e3 photographs; 1 new photograph\u003c/p\u003e","\u003cp\u003eAnnouncement; 3 transparencies; 4 drawings of \"Project: Folk Art\"; correspondence with Whitney (circulator; organizer); internal memos; correspondence with Ruder and Finn; label copy; correspondence with Philip Morris (sponsor); research; invitation copy; brochure copy; Whitney materials; preview mailing list; 1 copy of 4/74 Bulletin; correspondence re: posters and billboard; clipping\u003c/p\u003e","\u003cp\u003eInvitation, \"Project: Folk Art\"; 1 photograph; internal memos; correspondence with Ruder \u0026amp; Finn; correspondence with Whitney; checklists, correspondence with Philip Morris; brochure copy; clipping; correspondence with publicity; correspondence with other institutions\u003c/p\u003e","\u003cp\u003eCatalog copy\u003c/p\u003e","\u003cp\u003e3 photographs; 2 new photographs; TV speech copy; correspondence with De Young (other venue); correspondence with Central Virginia Educational Television; verbal storyboards\u003c/p\u003e","\u003cp\u003eInternal memos; mailing/invitation lists\u003c/p\u003e","\u003cp\u003e1 photograph; correspondence with Whitney; correspondence with other institutions; Whitney brochures; clippings; layout drawings (photocopies); label copy\u003c/p\u003e","\u003cp\u003e7 photographs; duplicates: transcript, announcement card; 4 dictabelts (interview with Bill Gaines); checklists; correspondence with Chermayeff; internal memos; correspondence with Philip Morris (owners of tapestries); mailing list; 1 copy of invitation; press release; drawing (photocopy)\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with Nancy Hoffman Gallery (organizer); correspondence with lenders; checklists; request for information form; gallery materials\u003c/p\u003e","\u003cp\u003eCatalog; photographs; catalog copy; internal memos; checklists; correspondence with lenders; blank information request form; clipping\u003c/p\u003e","\u003cp\u003ePhotographs, 2 transparencies, 1 slide; 1 copy of invitation; internal memos; clippings; exhibition design drawings (photocopy)\u003c/p\u003e","\u003cp\u003e33 photographs; 7 transparencies; duplicates: 15 photographs\u003c/p\u003e","\u003cp\u003e4 photographs; 1 transparency, slides; correspondence with potential lenders; correspondence with Diebenkorn; internal memos; request for information forms; checklists\u003c/p\u003e","\u003cp\u003e4 photographs; 3 new photos, 1 transparency; correspondence with potential lenders; correspondence with lenders; correspondence with Estes (the photos he provided were for his passport!); request for information forms; checklists; research\u003c/p\u003e","\u003cp\u003e6 photographs; 2 transparencies; correspondence with potential lenders; request for information forms; checklists; correspondence with Francis\u003c/p\u003e","\u003cp\u003e5 photographs; 2 transparencies; correspondence with potential lenders; request for information forms; checklist; correspondence with Frankenthaler; internal memo\u003c/p\u003e","\u003cp\u003e2 photographs; correspondence with lenders; correspondence re: damage; request for information forms; internal memos; correspondence with Hans Nemuth re: portrait of Indiana (photograph)\u003c/p\u003e","\u003cp\u003e5 photographs; checklists; correspondence with potential lenders; request for information forms\u003c/p\u003e","\u003cp\u003e6 photographs; 1 transparency; correspondence with potential lenders; request for information forms; checklist\u003c/p\u003e","\u003cp\u003e5 photographs; 1 new photograph, 2 transparencies; correspondence with potential lenders; correspondence with Motherwell; checklists; request for information forms\u003c/p\u003e","\u003cp\u003e6 photographs; 1 transparency; correspondence with potential lenders; request for information forms; checklists\u003c/p\u003e","\u003cp\u003e5 photographs; 1 new photograph; correspondence with potential lenders; request for information forms; internal memos; checklists\u003c/p\u003e","\u003cp\u003e5 photographs; 1 new photograph; 1 transparency; correspondence with Thiebaud; correspondence with potential lenders; request for information forms; checklists\u003c/p\u003e","\u003cp\u003e5 photographs; 1 transparency; internal memos; correspondence with potential lenders; request for information forms; checklists\u003c/p\u003e","\u003cp\u003eCatalog; internal memos; correspondence with Virginia AIA Awards Committee\u003c/p\u003e","\u003cp\u003eEntry blanks; correspondence with designers; label copy; internal memos; checklists; fact sheets\u003c/p\u003e","\u003cp\u003e1 copy of '74 catalog; catalog copy\u003c/p\u003e","\u003cp\u003eSigned certificates; correspondence with juror (Ivan Chermayeff); clipping\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eProspectus; checklists; art directors' club materials; prospectus copy; schedule\u003c/p\u003e","\u003cp\u003e4 photographs; correspondence with Hagan; shipping information and receipts; entry blank; label copy; 5/74 Bulletin; biographical information\u003c/p\u003e","\u003cp\u003eInvitation; 2 photographs; 2 new photographs; 4/74 Bulletin; shipping information and receipts; biographical information; correspondence with Abbott; label copy\u003c/p\u003e","\u003cp\u003eInvitation; 1 photograph; 1 new photograph; label copy; transportation requests; entry blanks; biographical information; correspondence with Barry; shipping information and receipts; 2/74 Bulletin\u003c/p\u003e","\u003cp\u003e5 photographs; 1 duplicate photograph; invitations; 1/74 Bulletin; shipping information and receipts; checklists; label copy; internal memos; correspondence with Fridley\u003c/p\u003e","\u003cp\u003eInvitation; 4 photographs; NEA booklet; 10/74 Bulletin; correspondence with NEA for Sandborn; brochure (1 copy); brochure copy; internal memos; biographical information; correspondence with Sandborn; entry blank; shipping information and receipts\u003c/p\u003e","\u003cp\u003e2 photographs, invitations; 6 photographs; 9/74 Bulletin; correspondence with Ames; biographical information; shipping information and receipts; checklists; label copy; internal memos; entry blank\u003c/p\u003e","\u003cp\u003eCatalog; photographs; internal memos; correspondence with artists; label copy; checklists; correspondence with Michael Graves (lecturer); correspondence with juror (Bill Newman); invitation copy; invitation list; prospectus copy; biographical information; 12/74 Bulletin\u003c/p\u003e","\u003cp\u003e3 photographs: 1 duplicate photograph, invitations; 11/74 Bulletin; brochure; shipping information and receipts; checklists; biographical information; correspondence with Scalin; entry blank; label copy\u003c/p\u003e","\u003cp\u003e22 photographs; 9 new photographs; internal memos; checklists\u003c/p\u003e","\u003cp\u003eResearch; checklists; internal memos; clippings; correspondence re: poster; drawings (photocopies); panel copy\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eLabel copy; research; checklists; correspondence with lenders; internal memos; correspondence with Comprehensive Exhibition Services (circulator); correspondence with potential lenders; blank request for information forms\u003c/p\u003e","\u003cp\u003e8 photographs; 6 new photographs; request for information forms; internal memos; correspondence with lenders\u003c/p\u003e","\u003cp\u003eSITES and National Art Collection Materials; internal memos; correspondence re: materials for Children's Day\u003c/p\u003e","\u003cp\u003e1 photograph; 2 new photographs; correspondence with Delaware Art Museum (lender); 1 copy of 4/74 Bulletin; checklists; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; IEF materials\u003c/p\u003e","\u003cp\u003eCorrespondence with potential speakers they declined\u003c/p\u003e","\u003cp\u003ePhotographs; research; biographical information; clippings, drawing (photocopy); 1 copy of 5/74 Bulletin; internal memos; correspondence with VCU (Professor Lester Van Winkle is co-organizer); correspondence with lenders; invitation list; 1 copy of invitation; checklists; correspondence from visitors\u003c/p\u003e","\u003cp\u003e4/74 Bulletin, \"photographic resume,\" 1 photograph; 5 new photographs; correspondence with artist; biographical information\u003c/p\u003e","\u003cp\u003eCorrespondence with and materials from various institutions, galleries, and organizations; internal memos; clippings; catalog\u003c/p\u003e","\u003cp\u003e1 photograph (William B. O'Neal, UVirginia); correspondence with potential speakers; promotional materials; internal memos\u003c/p\u003e","\u003cp\u003e1 piece of correspondence re: questionnaire (5/2/74)\u003c/p\u003e","\u003cp\u003eCorrespondence with MOMA re: possible traveling shows\u003c/p\u003e","\u003cp\u003eCorrespondence with and materials from various institutions, organizations, and individuals re: declined exhibitions; internal memos; catalogs\u003c/p\u003e","\u003cp\u003eCorrespondence with Modern Master Tapestries, Inc. (organizing circulator) and Charles E. Slatkin, Inc. Galleries (organizing circulator); promotional materials\u003c/p\u003e","\u003cp\u003eSigned certificates, catalog; 1 photograph; internal memo; correspondence with artists; fact sheets; invoices; checklists; clippings; shipping information and receipts\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eProspectus; prospectus copy; annotated '72 prospectus\u003c/p\u003e","\u003cp\u003eNOVirginia invitation, jurors' statement, Lynchburg prospectus, signed certificates (NOVirginia); 10 photographs; checklists; prospectus copy; invitation copy; NOVirginia prospectus; correspondence with artists; catalog copy; Lynchburg catalog; correspondence with directors of affiliates; Lynchburg signed certificate\u003c/p\u003e","\u003cp\u003e10 photographs; duplicates: Roanoke catalog, Roanoke invitation; correspondence with artists; Peninsula prospectus copy; Peninsula catalog copy; internal memos; Peninsula prospectus; Peninsula signed certificate; checklists; Roanoke catalog copy; clippings; correspondence with juror (Lawrence Alloway)\u003c/p\u003e","\u003cp\u003e'75 prospectus; shipping information and receipts; annotated '73 prospectus; prospectus copy\u003c/p\u003e","\u003cp\u003ePhotographs; signed certificates, invitation; checklists; '75 catalog; correspondence with NEA re: grant; internal memos; correspondence with juror (Aaron Siskind); fact sheets; prospectus copy\u003c/p\u003e","\u003cp\u003eVirginia Commission of the Arts and Humanities grant application\u003c/p\u003e","\u003cp\u003eCatalog; catalog copy\u003c/p\u003e","\u003cp\u003e1 signed certificate; correspondence with winners\u003c/p\u003e","\u003cp\u003ePhotographs; 1 copy of '75 catalog\u003c/p\u003e","\u003cp\u003eProspectus copy; internal memos; correspondence re: prospectus\u003c/p\u003e","\u003cp\u003eCatalog; purchase cards; invoices; correspondence with artists; internal memos\u003c/p\u003e","\u003cp\u003eReply cards; checklists; correspondence with artists\u003c/p\u003e","\u003cp\u003eInvitation, 1 photograph; shipping information and receipts; correspondence with potential jurors; correspondence with juror (Robert Buck); biographical information; schedule; internal memos; checklists; 5/75 Bulletin\u003c/p\u003e","\u003cp\u003eSigned certificates; fact sheets; correspondence with juror (Elke Solomon); biographical information; internal memos; checklists; correspondence with artists\u003c/p\u003e","\u003cp\u003ePhotographs; prospectus; prospectus copy; 1 copy of catalogue; catalogue copy\u003c/p\u003e","\u003cp\u003eLetter 2/9/75, purchase card; correspondence with artists; internal memos; invoices\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with artists\u003c/p\u003e","\u003cp\u003eInvitation, 5 photographs; 1 new photograph; internal memos; invitation copy; correspondence with Mrs. Lammot DuPont Copeland [collector of the year]\u003c/p\u003e","\u003cp\u003e1 copy of 2/75 Bulletin; internal memos; checklists (Artmobile exhibition); label copy\u003c/p\u003e","\u003cp\u003e1 photograph; 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correspondence with publicity\u003c/p\u003e","\u003cp\u003e\"Forms in Metal\" catalogue; 1 photograph; correspondence with Museum of Contemporary Crafts (organizer); exhibition contract; Museum of Contemporary Crafts materials; internal memos; drawing (photocopy)\u003c/p\u003e","\u003cp\u003e3 photographs, invitation, reply card; 1 copy of catalog; correspondence with Lawrence Alloway (juror); invitation copy; internal memos; correspondence with members of arts organizations coming to ceremony; guest lists\u003c/p\u003e","\u003cp\u003eExhibition contract; correspondence with MOMA (organizer); MOMA materials; checklist; internal memos\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with University of New Mexico (organizer); research; exhibition contract; internal memos; correspondence with Western Association of Art Museums (organizer); biographical information; drawing (photocopy)\u003c/p\u003e","\u003cp\u003e2 photographs; correspondence with Dean Brown Foundation (curator is Carol Brown, widow) and Akron Art Institute (organizer); internal memos; biographical information; AAI materials\u003c/p\u003e","\u003cp\u003eCorrespondence with Bowdoin (organizer) [cancelled]; Bowdoin materials\u003c/p\u003e","\u003cp\u003e3 photographs; correspondence with Israel Museum; clippings\u003c/p\u003e","\u003cp\u003e2 photographs; correspondence with Museum of the American Indian; correspondence with Phillip Morris (connection to Museum of AI)\u003c/p\u003e","\u003cp\u003eCatalog, prospectus; statistics; letter to members of \"Richmond Communicating Artists\"\u003c/p\u003e","\u003cp\u003ePhotographs; internal memos; VMFA materials; label copy\u003c/p\u003e","\u003cp\u003eOne press release [written by Bob Keefe] re: Reeves collection\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with Terry Dintenfass (organizer); internal memos\u003c/p\u003e","\u003cp\u003e19 photographs; correspondence with Gallery Association of New York State (organizer); internal memos; checklist; correspondence with Architectural League of NY (organizer); budget materials (for fundraising); GANYS materials\u003c/p\u003e","\u003cp\u003ePhotographs; 2 slides\u003c/p\u003e","\u003cp\u003e1 drawing; 1 photograph; duplicates: museum tear sheet; general museum and various exhibitions' label copy; catalogue or essay copy for \"The 18th Century Drama\"\u003c/p\u003e","\u003cp\u003eBiographical information\u003c/p\u003e","\u003cp\u003eAttendance statistics\u003c/p\u003e","\u003cp\u003eLabel copy\u003c/p\u003e","\u003cp\u003eFact sheet\u003c/p\u003e","\u003cp\u003eList of music for Danish Silver exhibition\u003c/p\u003e","\u003cp\u003eLists of alumni in Richmond\u003c/p\u003e","\u003cp\u003e2 drawings; Leslie Cheek Jr.'s notes\u003c/p\u003e","\u003cp\u003e2 drawings\u003c/p\u003e","\u003cp\u003e3 drawings\u003c/p\u003e","\u003cp\u003e3 drawings\u003c/p\u003e","\u003cp\u003e2 checklists of members\u003c/p\u003e","\u003cp\u003e1 drawing; list of photographs for panels\u003c/p\u003e","\u003cp\u003e1 drawing\u003c/p\u003e","\u003cp\u003e\"Remarks\" 5/25/77\u003c/p\u003e","\u003cp\u003eInternal memos; article copy; checklist; correspondence re: permission to publish images\u003c/p\u003e","\u003cp\u003e1 transparency; catalog copy; internal memos; correspondence with lenders; research; correspondence re: transparencies; correspondence with Mariner's Museum\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with lenders; correspondence re: transparencies; catalogue copy\u003c/p\u003e","\u003cp\u003eBlank information forms\u003c/p\u003e","\u003cp\u003eCatalog copy\u003c/p\u003e","\u003cp\u003e1 photograph [Vose Galleries]; correspondence with lenders who denied loans\u003c/p\u003e","\u003cp\u003eCatalog proofs\u003c/p\u003e","\u003cp\u003eCorrespondence with Suffolk Art League\u003c/p\u003e","\u003cp\u003eCorrespondence with Mint Museum; Mint materials\u003c/p\u003e","\u003cp\u003e1 copy of \"The Virginia Peninsula Today,\" 11/76; speech copy\u003c/p\u003e","\u003cp\u003eChecklists; correspondence with Met re: possible loan\u003c/p\u003e","\u003cp\u003eInvitation lists\u003c/p\u003e","\u003cp\u003e2 duplicate photographs; 2 new photographs; request for information forms; correspondence with potential lenders\u003c/p\u003e","\u003cp\u003eChecklists; internal memos re: postcards for sale (correspondence with other museums' shops)\u003c/p\u003e","\u003cp\u003ePress release (8/26/74); correspondence with Mariners Museum; internal memos; clippings; fact sheet\u003c/p\u003e","\u003cp\u003e3 photographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eRequest for information forms (folder 2)\u003c/p\u003e","\u003cp\u003eRequest for information forms\u003c/p\u003e","\u003cp\u003eInternal memo; correspondence with Vose re: catalogue; Artmobile label/brochure copy\u003c/p\u003e","\u003cp\u003eBudget information; internal memos\u003c/p\u003e","\u003cp\u003eArtmobile label copy; Artmobile layout drawing (photocopy)\u003c/p\u003e","\u003cp\u003eResearch\u003c/p\u003e","\u003cp\u003eSlide lists\u003c/p\u003e","\u003cp\u003eInternal memos; Artmobile brochure; 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5 slides; internal memos; correspondence with artist; clippings; correspondence with Bowdoin (circulator); Bowdoin materials; checklists; budget information; biographical information; research\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions; correspondence with visitors; internal memos; correspondence with publicity; materials from other exhibitions; invitation; invitation copy; installation drawing; checklist\u003c/p\u003e","\u003cp\u003eClippings; internal memo\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA re: circulation, catalogue proof inserted in file\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with printer re: mistake; correspondence with AFA; catalog copy; checklists; correspondence with Wiltshire\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eChecklist\u003c/p\u003e","\u003cp\u003eSlides\u003c/p\u003e","\u003cp\u003eInvitation; catalog copy; checklist\u003c/p\u003e","\u003cp\u003eDrawings (photocopies); internal memos; budget information; checklist\u003c/p\u003e","\u003cp\u003eInvitation; invitation lists; internal memos; correspondence with AFA\u003c/p\u003e","\u003cp\u003eLabel copy\u003c/p\u003e","\u003cp\u003eLabel copy; correspondence with Weisgall; biographical information; checklists; research\u003c/p\u003e","\u003cp\u003eFrames checklist; correspondence with Weisgall; March'78 Bulletin\u003c/p\u003e","\u003cp\u003eCorrespondence with Weisgall; internal memos; clipping; catalog; catalog copy; budget information\u003c/p\u003e","\u003cp\u003ePhotographs\u003c/p\u003e","\u003cp\u003eInvitation, Richmond News Leader clipping (1/30/78); internal memos; correspondence with musicians; program copy; all re: musical program, musical scores; one copy of \"The Collecting Muse: The Nathalie \u0026amp; Hugo Weisgall Collection\"\u003c/p\u003e","\u003cp\u003ePoster\u003c/p\u003e","\u003cp\u003eClippings\u003c/p\u003e","\u003cp\u003eBudget information; internal memos; correspondence with Fred Hughes of Andy Warhol Enterprises; correspondence with sponsors; correspondence with Coe Kerr Gallery; correspondence with artist; correspondence with Weisman; checklists [no signatures]\u003c/p\u003e","\u003cp\u003ePostcard (2), 7 photos; 2 new photos; clippings\u003c/p\u003e","\u003cp\u003e1 photo; internal memos; catalog proofs; clippings; correspondence with VCU re: silk screening project; budget information; catalog copy\u003c/p\u003e","\u003cp\u003eCorrespondence with potential lenders\u003c/p\u003e","\u003cp\u003ePhotographs; slides\u003c/p\u003e","\u003cp\u003eCorrespondence with MFA Boston (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with Chrysler (lender)\u003c/p\u003e","\u003cp\u003e\"NEW\" loan agreement form\u003c/p\u003e","\u003cp\u003eCorrespondence with Ackland (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with AIC (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with BMA (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with Phillips (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with Clark (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with Mellon (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with Met (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with NCMA (lender)\u003c/p\u003e","\u003cp\u003eCorrespondence with lender\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions; checklists; internal memos; clippings\u003c/p\u003e","\u003cp\u003e2 invitations (6 parts total); internal memos; invitation list\u003c/p\u003e","\u003cp\u003eBudget information; internal memos; Virginia Commission for the Arts \u0026amp; Humanities grant information\u003c/p\u003e","\u003cp\u003eIPR's; internal memos (form about 1 year old for IPR)\u003c/p\u003e","\u003cp\u003eDrawings (photocopies); checklists; internal memos\u003c/p\u003e","\u003cp\u003eClipping; internal memos; press release copy\u003c/p\u003e","\u003cp\u003eChecklist (4 part)\u003c/p\u003e","\u003cp\u003eLabel proofs; label copy; 1 copy of checklist\u003c/p\u003e","\u003cp\u003eLabel proofs; **clippings inserted in folder at end**\u003c/p\u003e","\u003cp\u003eInvitation; prospectus; internal memos; program schedule; correspondence with hostesses; schedule; correspondence with juror (Thomas Barrow, Associate Professor of Photography, U of New Mexico)\u003c/p\u003e","\u003cp\u003eInvitation; internal memos; drawings (photocopies); correspondence with Ms. Conover Hunt-Jones (consultant); checklists; correspondence with sponsors; budget information\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eLabel copy\u003c/p\u003e","\u003cp\u003ePhotocopy from a catalog for scientific instruments\u003c/p\u003e","\u003cp\u003eLACMA press release, \"Major Silver and Mosaic Collections…\"; label copy; research; LACMA materials (circulator)\u003c/p\u003e","\u003cp\u003eBiographical information on John Gilmore Ford\u003c/p\u003e","\u003cp\u003eChecklist proof; checklist copy\u003c/p\u003e","\u003cp\u003eInternal memos; IPR's; budget information\u003c/p\u003e","\u003cp\u003e1 duplicate photo\u003c/p\u003e","\u003cp\u003eExhibition contract; correspondence with LACMA; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with Gilberts; internal memos; correspondence with LACMA\u003c/p\u003e","\u003cp\u003eInternal memos; drawings (photocopies); 1 copy of LACMA paper; correspondence with LACMA\u003c/p\u003e","\u003cp\u003eInvitation (2 – both in 2 parts); internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with public (all wanted to know dates of show after reading Smithsonian!)\u003c/p\u003e","\u003cp\u003eEnvelope containing checklist from Ford with insurance values; 1 copy of invitation; 1 copy with catalog\u003c/p\u003e","\u003cp\u003eBudget information; IPR's\u003c/p\u003e","\u003cp\u003eLabel copy; research\u003c/p\u003e","\u003cp\u003e8 new photos; 2 duplicate photos; drawings (photocopies); checklists; internal memos\u003c/p\u003e","\u003cp\u003eClippings; label copy; invitation copy; 1 copy of Weisgall invitation\u003c/p\u003e","\u003cp\u003eEmpty folder\u003c/p\u003e","\u003cp\u003e14 new photos\u003c/p\u003e","\u003cp\u003eCorrespondence with hostesses; correspondence with Collectors Circle members; mailing list; correspondence with Ford\u003c/p\u003e","\u003cp\u003e2 photos; duplicates: invitation, November '78 Bulletin; 1 copy of Collectors Circle program\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eInvitation, Guggenheim press release; correspondence with lenders; correspondence with Guggenheim (circulator); drawings (photocopies); checklists; clippings; internal memos\u003c/p\u003e","\u003cp\u003eChecklists; label copy\u003c/p\u003e","\u003cp\u003eBudget information; slide script copy\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Guggenheim; schedule for Contemporary Art One-Day Symposium (2/14/79)\u003c/p\u003e","\u003cp\u003eLabel copy; loan agreements; correspondence with lender; internal memos\u003c/p\u003e","\u003cp\u003eChecklists; script copy; catalogue copy; clippings; correspondence with visitor; copy of Guggenheim brochure; research; label copy\u003c/p\u003e","\u003cp\u003e5 duplicate photos; 9 new photos\u003c/p\u003e","\u003cp\u003eExhibition summary, form letter, information questionnaire; checklists; drawings (photocopies); internal memos; correspondence with galleries re: biographical information for artists; clipping\u003c/p\u003e","\u003cp\u003e13 slides; open house poster; catalogue; label copy\u003c/p\u003e","\u003cp\u003eChecklists; catalog copy\u003c/p\u003e","\u003cp\u003eDrawing (photocopy); checklists\u003c/p\u003e","\u003cp\u003eRemarks by Woodward at press conference; clippings; remarks by Mooz at press conference\u003c/p\u003e","\u003cp\u003eIPR's; budget information; calendar\u003c/p\u003e","\u003cp\u003eInternal memos; meeting minutes, panel drawing (photocopy)\u003c/p\u003e","\u003cp\u003e1 piece of correspondence with Columbus Museum of Art re: show\u003c/p\u003e","\u003cp\u003eEmpty folder\u003c/p\u003e","\u003cp\u003eChecklists; annotated gallery guide\u003c/p\u003e","\u003cp\u003eAgenda; family tree; IEF materials; correspondence with IEF; notes; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; correspondence with visitors; internal memos; correspondence with corporate sponsors; schedule; correspondence with other museum locations; exhibition contract\u003c/p\u003e","\u003cp\u003eInternal memos; invitation copy; schedules; meeting minutes; checklists\u003c/p\u003e","\u003cp\u003e14 photos; correspondence with IEF\u003c/p\u003e","\u003cp\u003e1 copy of bumper sticker; place card; brochure; announcement; internal memos; meeting minutes; correspondence with IEF; clipping\u003c/p\u003e","\u003cp\u003eInvoices; IPR's; internal memos; budget information\u003c/p\u003e","\u003cp\u003eChecklists; internal memos\u003c/p\u003e","\u003cp\u003eNote\u003c/p\u003e","\u003cp\u003eInvoices; internal memos; budget information\u003c/p\u003e","\u003cp\u003eInternal memos; drawings (photocopies); correspondence with Lewises re: closing Art Nouveau facility\u003c/p\u003e","\u003cp\u003eList of films \u0026amp; lecturers from IEF\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF re: Duke's address; internal memo\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eInternal memos; lists of tour groups\u003c/p\u003e","\u003cp\u003eBiography, general information, itinerary, \"Short History of Chatsworth\"; IEF materials (including press release)\u003c/p\u003e","\u003cp\u003eTimetable; meeting minutes; proposed schedule\u003c/p\u003e","\u003cp\u003eAgendas; notes; checklists; internal memos\u003c/p\u003e","\u003cp\u003eIPR's; internal memos; invoices\u003c/p\u003e","\u003cp\u003e\"A.V. Program\" script; correspondence re: school A/V program; internal memos; budget information\u003c/p\u003e","\u003cp\u003eBudget information; internal memos; correspondence with IEF\u003c/p\u003e","\u003cp\u003eCalendars; internal memos\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with IEF\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with IEF\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with IEF; 1 copy of the \"Chatsworth Herald\"; guide for children published by VMFA\u003c/p\u003e","\u003cp\u003eSchedule; internal memos; correspondence with IEF\u003c/p\u003e","\u003cp\u003eInternal memos; meeting minutes\u003c/p\u003e","\u003cp\u003ePhotos; NEA reports\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; correspondence with other museums (including invitation\u003c/p\u003e","\u003cp\u003eInternal memos; budget information\u003c/p\u003e","\u003cp\u003eExhibition contract; correspondence with IEF; correspondence with corporate sponsor\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with patrons\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with ESU branches; correspondence with IEF\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with IEF\u003c/p\u003e","\u003cp\u003eHuge final report; internal memos; budget information; back-up report information\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with invitees; meeting minutes; correspondence with IEF\u003c/p\u003e","\u003cp\u003eCorrespondence with IEF; internal memos; correspondence with other museums\u003c/p\u003e","\u003cp\u003eClippings; internal memos; correspondence with publicity; TV spot script; budget information; correspondence with IEF\u003c/p\u003e","\u003cp\u003eWeekly reports; internal memos\u003c/p\u003e","\u003cp\u003ePrice lists; internal memos; invoices; correspondence with other museums\u003c/p\u003e","\u003cp\u003eInternal memos; drawing (photocopy)\u003c/p\u003e","\u003cp\u003eEnvelope that couldn't open without ripping\u003c/p\u003e","\u003cp\u003eSlide lists; budget information; correspondence with other museums; correspondence with printers; internal memos; correspondence with IEF; correspondence with Duke; reports\u003c/p\u003e","\u003cp\u003eFinal report on sales; internal memos; teacher form letters \u0026amp; materials; group bus forms; \"docent study materials\" from Toledo Museum of Art\u003c/p\u003e","\u003cp\u003eInternal memos\u003c/p\u003e","\u003cp\u003eProspectus; internal memos; statistics; correspondence with hosts; correspondence re: juror (Lasansky)\u003c/p\u003e","\u003cp\u003eInvitation; internal memos; label copy\u003c/p\u003e","\u003cp\u003eInternal memos; meeting minutes; annotated gallery map\u003c/p\u003e","\u003cp\u003eCorrespondence with artists whose work purchased by Museum; internal memos; '79 prospectus; '79 invitation; correspondence with D'Arcangelo (juror)\u003c/p\u003e","\u003cp\u003eInvitations; invitation list; internal memos; invitation copy\u003c/p\u003e","\u003cp\u003eSchedule draft\u003c/p\u003e","\u003cp\u003eChecklists; label copy\u003c/p\u003e","\u003cp\u003eCorrespondence with visitors and inquiries about show\u003c/p\u003e","\u003cp\u003eClippings; internal memos; list of press kits sent\u003c/p\u003e","\u003cp\u003eInvitation lists; correspondence with Lewises for names\u003c/p\u003e","\u003cp\u003eList of music; sheet music\u003c/p\u003e","\u003cp\u003eResearch; 1 piece of correspondence with Yvonne Brunhammer\u003c/p\u003e","\u003cp\u003eProgram, invitation; correspondence with attendees; clipping; correspondence with speakers; internal memos; participant list; invitation lists; 1 copy of program for 1977 \"Great Collectors of American Decorative Arts\" weekend\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with printers; printers' materials\u003c/p\u003e","\u003cp\u003eBudget information; correspondence with lenders; checklists; research\u003c/p\u003e","\u003cp\u003e5X7 cards per object\u003c/p\u003e","\u003cp\u003ePhotographs; photocopies of images\u003c/p\u003e","\u003cp\u003eChecklists; clipping; label copy; research\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with film organizations \u0026amp; vendors; IPR's; information and catalogs for projectors\u003c/p\u003e","\u003cp\u003e2 invoices from shipping company\u003c/p\u003e","\u003cp\u003eCorrespondence with Gras re: insurance for French loans\u003c/p\u003e","\u003cp\u003eCorrespondence re: shipping of works\u003c/p\u003e","\u003cp\u003eCorrespondence with other museums re: possible travel\u003c/p\u003e","\u003cp\u003ePhotocopies of photographs\u003c/p\u003e","\u003cp\u003ePhotographs; internal memos; checklists; drawings (photocopies)\u003c/p\u003e","\u003cp\u003eInvoices; catalogue copy; correspondence with Martin Battersby (essayist)\u003c/p\u003e","\u003cp\u003eLabel copy\u003c/p\u003e","\u003cp\u003eResearch\u003c/p\u003e","\u003cp\u003eCorrespondence with Brunhammer (conservateur @ Musée des Arts Décoratifs, Paris) re: French loans; checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with d\"Iberville @ Museum of Decorative Arts, Montreal re: possible venue for show (denied)\u003c/p\u003e","\u003cp\u003eCorrespondence with Harris (guest curator); research; internal memos; Harris; c.v.; schedules\u003c/p\u003e","\u003cp\u003ePhotos; 1 new photo; correspondence with AIC (lender); loan agreement\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with BMA; loan agreement\u003c/p\u003e","\u003cp\u003eCorrespondence with BHP\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with BF; loan agreement\u003c/p\u003e","\u003cp\u003eCorrespondence with MFA, Boston\u003c/p\u003e","\u003cp\u003ePhotos; 1 transparency; correspondence with BAD; loan agreements; checklist\u003c/p\u003e","\u003cp\u003e1 duplicate photo; correspondence with Brooklyn; internal memos; loan agreement; research\u003c/p\u003e","\u003cp\u003ePhotos; correspondence with Merklen; loan agreements; research\u003c/p\u003e","\u003cp\u003ePhotos; correspondence with Chrysler; loan agreements\u003c/p\u003e","\u003cp\u003ePhotos; correspondence with CMA; loan agreements; label\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with CMG; loan agreement\u003c/p\u003e","\u003cp\u003ePhotos; correspondence with Fine Arts Museum; loan agreements\u003c/p\u003e","\u003cp\u003eCorrespondence with Haskell; loan agreement\u003c/p\u003e","\u003cp\u003eCorrespondence with LC; loan agreements\u003c/p\u003e","\u003cp\u003e1 photo; correspondence with Lieberman; loan agreement\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with Darien House, Inc.\u003c/p\u003e","\u003cp\u003ePhotos; correspondence with Macklowe; loan agreements\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with McNay; loan agreement\u003c/p\u003e","\u003cp\u003ePhotos; correspondence with Maryhill; loan agreements\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with Gallion\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with Musée; loan agreement\u003c/p\u003e","\u003cp\u003eCorrespondence with MOMA; loan agreements\u003c/p\u003e","\u003cp\u003eCorrespondence with NARA\u003c/p\u003e","\u003cp\u003eOne negative (8 X 10); correspondence with NYPL; loan agreement\u003c/p\u003e","\u003cp\u003ePhotos; loan agreement; correspondence with Pollard\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with Pratt; loan agreement\u003c/p\u003e","\u003cp\u003eCorrespondence with Reed; research\u003c/p\u003e","\u003cp\u003eTransparency; 9 duplicate photos; correspondence with Schimmel; loan agreement\u003c/p\u003e","\u003cp\u003ePhoto; correspondence with Silverman; correspondence with Sotheby's; loan agreement\u003c/p\u003e","\u003cp\u003eCorrespondence with Sommer; research; loan agreement\u003c/p\u003e","\u003cp\u003eCorrespondence with U of CA\u003c/p\u003e","\u003cp\u003eEmpty folder\u003c/p\u003e","\u003cp\u003eCorrespondence with Vitry; loan agreement\u003c/p\u003e","\u003cp\u003ePhotos; correspondence with Wittamer de Camps; loan agreements\u003c/p\u003e","\u003cp\u003eOne photo\u003c/p\u003e","\u003cp\u003eTwo duplicate photos\u003c/p\u003e","\u003cp\u003eCorrespondence with University\u003c/p\u003e","\u003cp\u003eCorrespondence with SDSU\u003c/p\u003e","\u003cp\u003eCorrespondence with NGA\u003c/p\u003e","\u003cp\u003eCorrespondence with Musée\u003c/p\u003e","\u003cp\u003eCorrespondence with Met\u003c/p\u003e","\u003cp\u003eCorrespondence with DIA\u003c/p\u003e","\u003cp\u003eCorrespondence with Delaunay\u003c/p\u003e","\u003cp\u003eCorrespondence with Albertina\u003c/p\u003e","\u003cp\u003eCorrespondence with Gallery\u003c/p\u003e","\u003cp\u003e1 poster; internal memos; label copy; 1 copy of brochure\u003c/p\u003e","\u003cp\u003eInternal memos; donor lists; list of lenders; correspondence with invitees; 1 copy of invitation; correspondence re: and with Collectors' Circle\u003c/p\u003e","\u003cp\u003eBudget information, IPR's\u003c/p\u003e","\u003cp\u003eList of invitees; correspondence from invitees\u003c/p\u003e","\u003cp\u003eLabel copy; internal memos\u003c/p\u003e","\u003cp\u003e1 copy of member mailing with brochure; donor lists; brochure copy\u003c/p\u003e","\u003cp\u003eNotes\u003c/p\u003e","\u003cp\u003eInternal memos; budget information; checklists\u003c/p\u003e","\u003cp\u003eInternal memos; drawings (photocopies); checklists\u003c/p\u003e","\u003cp\u003eLabel copy; 1 copy of brochure; 1 copy of \"The Tidewater Guide\" (5/80)\u003c/p\u003e","\u003cp\u003e23 photos; 1 duplicate photo; 1 copy of brochure\u003c/p\u003e","\u003cp\u003e19 photos; internal memos; mailing lists; clippings; correspondence re: catalogue; label; correspondence with lending brochure copy; correspondence with public; drawing (photocopy); schedule; checklists; correspondence re: speaker; correspondence re: shirts\u003c/p\u003e","\u003cp\u003ePhotos; 5 duplicate photos; case design drawing\u003c/p\u003e","\u003cp\u003eBrochure; 4/80 Bulletin; clippings; 1 copy of invitation; 5/80 Bulletin; 1 copy of mailing\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003e1 piece of correspondence with Linda Connor (juror); 1 copy of catalog\u003c/p\u003e","\u003cp\u003e28 photos [photos don't seem to be of Designers show]\u003c/p\u003e","\u003cp\u003eLabel copy; checklists; internal memos; drawings (photocopies); correspondence with publicity\u003c/p\u003e","\u003cp\u003eShipping information \u0026amp; receipts; label copy; internal memos; clippings; traveling checklists\u003c/p\u003e","\u003cp\u003eSITE materials; label copy\u003c/p\u003e","\u003cp\u003eInvitation; internal memos; invitation copy; checklists\u003c/p\u003e","\u003cp\u003e1 poster; clipping\u003c/p\u003e","\u003cp\u003ePhotos; clippings; folder with photos; clippings; press releases\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with publicity; correspondence with SITE; correspondence with hosts; correspondence with James Wines (co-founder of SITES, speaker); correspondence with BEST; list of invitees; budget information; schedules\u003c/p\u003e","\u003cp\u003eInternal memos; schedules; correspondence with publicity; correspondence with BEST\u003c/p\u003e","\u003cp\u003eInternal memos; invoices; correspondence with BEST; Purchase order; budget information, IPR's\u003c/p\u003e","\u003cp\u003eThree photos; label copy; internal memos; correspondence with SITE; drawing (photocopy); schedules\u003c/p\u003e","\u003cp\u003eInvitation; internal memos; correspondence with Milwaukee Art Center (circulator); invitation list; poster\u003c/p\u003e","\u003cp\u003eInvoices; IPR's; budget information; correspondence with Milwaukee; internal memos\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Milwaukee; correspondence with Philip Morris; symposium program copy\u003c/p\u003e","\u003cp\u003e24 photos; invitation; internal memos; Milwaukee materials; drawings (photocopies); checklists; correspondence with Milwaukee\u003c/p\u003e","\u003cp\u003e10 photos; press release; 1 copy of catalogue; 1 poster; label copy; research; Milwaukee materials; 1 copy of 1/80 Bulletin; meeting minutes\u003c/p\u003e","\u003cp\u003ePoster; label copy; catalog copy; clippings; research; 1 copy of Spring '77 AIV; 1 copy of 11/79 Bulletin\u003c/p\u003e","\u003cp\u003eInvoices; internal memos; budget information; correspondence with MFA Houston (circulator); exhibition contract\u003c/p\u003e","\u003cp\u003eCorrespondence with MOMA; internal memos; correspondence with MFA Houston; copy of birth certificate (!)\u003c/p\u003e","\u003cp\u003e4 new photos; internal memos; checklists; label copy; drawings (photocopies); schedules\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Bruce (Patrick Henry Bruce's son, who came to see show for 4 days, only venue he visited, lived in CA) \u0026amp; wife; correspondence with MFA Houston; invitation list\u003c/p\u003e","\u003cp\u003eShipping information and receipts; 1 copy of catalogue; correspondence re: catalogue requests; VFH grant application, internal memos\u003c/p\u003e","\u003cp\u003ePhotos; clippings; VFH materials; VFH grant application; correspondence with Mrs. John Dos Passos\u003c/p\u003e","\u003cp\u003eClippings; internal memos\u003c/p\u003e","\u003cp\u003eCatalogue; label copy\u003c/p\u003e","\u003cp\u003eResearch; checklists; correspondence with Mary Ellen Stumpf (consultant); label copy\u003c/p\u003e","\u003cp\u003eCorrespondence with VFH; VFH materials; grant application; narrative; grant report; internal memos\u003c/p\u003e","\u003cp\u003eIPR's; budget information\u003c/p\u003e","\u003cp\u003eCorrespondence with institutions lending images; internal memos; other museum catalogues; correspondence with Dos Passos; correspondence with Stumpf (consultant, VCU faculty member); correspondence with visitors\u003c/p\u003e","\u003cp\u003eAnnotated catalog; shipping information \u0026amp; receipts; checklists; correspondence with Dos Passos\u003c/p\u003e","\u003cp\u003e10 photographs; research; list of invitees; clippings; internal memos; biographical information; correspondence with May Cossitt; subpoena for Pinkney for trial (!)\u003c/p\u003e","\u003cp\u003eCorrespondence with Ruder Finn (circulator); invitation copy; internal memos\u003c/p\u003e","\u003cp\u003eIPR's; internal memos; invitation list\u003c/p\u003e","\u003cp\u003e16 photos; internal memos; IPR's drawings (photocopies)\u003c/p\u003e","\u003cp\u003eInvitation; internal memos; correspondence with AMEX; invitation copy; invitation list; 1 copy of brochure\u003c/p\u003e","\u003cp\u003e\"Henri-Cartier-Bresson: Glimpses\"; clippings; research\u003c/p\u003e","\u003cp\u003eLabel copy; checklists\u003c/p\u003e","\u003cp\u003eInvitation\u003c/p\u003e","\u003cp\u003eInternal memos; catalog copy; research; label copy\u003c/p\u003e","\u003cp\u003eCorrespondence with Yale (organizer); correspondence with AFA (circulator); AFA materials (including checklist); research; 1 copy of brochure\u003c/p\u003e","\u003cp\u003eMaterials from other institutions\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA; internal memos; exhibition contract; AFA materials\u003c/p\u003e","\u003cp\u003eInternal memos; schedules; invitation copy; checklist\u003c/p\u003e","\u003cp\u003eDrawing (photocopy); internal memos; correspondence with AFA; AFA checklist\u003c/p\u003e","\u003cp\u003eCorrespondence with Yale University Art Gallery\u003c/p\u003e","\u003cp\u003eIPR's; PO's; invoices; [1 copy of poster inserted here]\u003c/p\u003e","\u003cp\u003eCorrespondence with AFA; internal memos; clipping\u003c/p\u003e","\u003cp\u003eInvitation, postcard; 1 copy of other preview invitation; invitation lists; information sheet on one-day symposium\u003c/p\u003e","\u003cp\u003e1 poster; correspondence with AFA (circulator); research; NEA application\u003c/p\u003e","\u003cp\u003eLabel copy; AFA checklists\u003c/p\u003e","\u003cp\u003eSpecs. For \"New Gallery Entrance\" (8/29/79) [remodeled a gallery \u0026amp; named it the Mottahedeh Gallery] by Hardwicke \u0026amp; Associates; IPR's; internal memos; label copy; invoices, P.O.'s; correspondence with Mottahedeh; budget information\u003c/p\u003e","\u003cp\u003ePostcard, special events postcard, 8 photos; 4 new photos; NEA Grant narrative; internal memos; correspondence with AFA; correspondence with NY State Museum re: found Maria \u0026amp; Julian Martinez pottery; rubbing of their signature; label copy; invitation lists; IPR's; AFA checklist; budget information; exhibition contract; postcard proofs; drawing (photocopy); NEA Grant application\u003c/p\u003e","\u003cp\u003eTwo slides; invitations; internal memos; correspondence with Mint (organizer); installation drawings; checklist; correspondence re: opening\u003c/p\u003e","\u003cp\u003eClippings; catalog copy; Mint materials; invitation\u003c/p\u003e","\u003cp\u003eTwo duplicate photos; 3 new photos\u003c/p\u003e","\u003cp\u003eChecklists; research\u003c/p\u003e","\u003cp\u003e7 photos\u003c/p\u003e","\u003cp\u003eInternal memos; checklists; correspondence with lenders; loan agreements\u003c/p\u003e","\u003cp\u003eInvitation; internal memos; correspondence with lenders; loan agreements; correspondence re: opening; invitation list; invoices; installation drawing; exhibition contract\u003c/p\u003e","\u003cp\u003eInvitation; correspondence; clippings; label proofs; correspondence with lenders; correspondence with media; correspondence with visitors; internal memos; loan agreements; checklists; research\u003c/p\u003e","\u003cp\u003e6 photos; 7 duplicate photos\u003c/p\u003e","\u003cp\u003eInternal memos; schedule; label copy; research\u003c/p\u003e","\u003cp\u003eInternal memos; IPR's; budget information; invoices\u003c/p\u003e","\u003cp\u003eOne slide; 13 photos; 3 duplicate photos; correspondence with one lender\u003c/p\u003e","\u003cp\u003eChecklist; label copy; internal memos; lecture copy; research; checklist copy\u003c/p\u003e","\u003cp\u003eInvitation; research; internal memos; correspondence with lenders; loan agreements; correspondence with media\u003c/p\u003e","\u003cp\u003eIPR's; invoices; internal memos\u003c/p\u003e","\u003cp\u003eChecklists; research; list of lenders\u003c/p\u003e","\u003cp\u003eInternal memos; checklist copy; label copy; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; correspondence with visitors; internal memos\u003c/p\u003e","\u003cp\u003eInstallation drawing; internal memos; checklists; label copy\u003c/p\u003e","\u003cp\u003eInternal memos; budget information; invoices; shipping information\u003c/p\u003e","\u003cp\u003eInvitation copy; internal memos; correspondence with lender; notes; 1 copy of invitation; 1 copy of Collectors' Circle program\u003c/p\u003e","\u003cp\u003eIPR's; invoices; correspondence with printer; research; internal memos\u003c/p\u003e","\u003cp\u003eSchedule; correspondence re: carpet\u003c/p\u003e","\u003cp\u003eLabel copy; checklists\u003c/p\u003e","\u003cp\u003eIbsen \u0026amp; Munch brochure, press release, poster; 4 slides; photographs; clippings; internal memos; 1 copy of checklist\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence correspondence with artists; incident report re: warehouse alarm\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence; research/notes on show idea [fascinating committee work/proposals on how to revise Virginia artists shows] [mainly Woodward, Burke, Farago]\u003c/p\u003e","\u003cp\u003eProposals; form letters; notes\u003c/p\u003e","\u003cp\u003eAdvanced purchase program proposal; form letters; notes; invitation\u003c/p\u003e","\u003cp\u003eNotes (Pinkney Near); research\u003c/p\u003e","\u003cp\u003eCatalog copy; photocopies of photos\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003e1 photo; correspondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003e1 photo; correspondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eMailing lists; correspondence\u003c/p\u003e","\u003cp\u003eInternal memos; invitation list\u003c/p\u003e","\u003cp\u003eInvitation, 5 photos, slides; correspondence with visitors; internal memos; checklists; correspondence; clippings; drawing (installation); correspondence with lender; invitation list; IPR's; budget information; notes; research\u003c/p\u003e","\u003cp\u003eClippings\u003c/p\u003e","\u003cp\u003eInvoices; research; correspondence with lenders; 1 copy of catalogue\u003c/p\u003e","\u003cp\u003eCorrespondence with lenders; research\u003c/p\u003e","\u003cp\u003e1 invoice; research\u003c/p\u003e","\u003cp\u003eResearch\u003c/p\u003e","\u003cp\u003e10 photos; correspondence with lenders; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; loan agreements; research\u003c/p\u003e","\u003cp\u003eSlides; 1 reel to reel audiotape\u003c/p\u003e","\u003cp\u003eCorrespondence with HHK; internal memos; correspondence with other institutions\u003c/p\u003e","\u003cp\u003eInvoices; IPR's; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with Attorney General; exhibition contract; facilities report\u003c/p\u003e","\u003cp\u003eTwo photos (not in exhibit); museum mailings; clippings; label copy; internal memos\u003c/p\u003e","\u003cp\u003eMailing, 1 photo; 12 new photos; internal memos; proposals, HHK materials; mailing copy; schedules; notes\u003c/p\u003e","\u003cp\u003ePhotos; checklists; internal memos; catalog copy; label copy\u003c/p\u003e","\u003cp\u003eSlides; label proofs\u003c/p\u003e","\u003cp\u003eCorrespondence with Portland Art Association of Portland Art Museum (organizer); internal memos; exhibition contract\u003c/p\u003e","\u003cp\u003eFour photos; shipping info \u0026amp; receipts; internal memos; correspondence with other institutions [mainly Allentown Art Museum]; invoices; notes; IPR's; research\u003c/p\u003e","\u003cp\u003eInternal memos; purchase orders; correspondence with other institutions; research\u003c/p\u003e","\u003cp\u003e\"Why We Commemorate\" by Armenian National Committee, invitation; 1 transparency; one copy of brochure; schedules; label copy; internal memos; clippings; Portland Art Museum materials; invoices; IPR's; correspondence with Turkish ambassador; Allentown materials; notes; checklists; correspondence with Binney\u003c/p\u003e","\u003cp\u003eInvitation list; 1 copy of invitation\u003c/p\u003e","\u003cp\u003e10 slides; 'Scribbler' Twombly clipping, mailing card; 3 photos; label copy; checklists; clippings; DIA Art Foundation materials (organizer); invoices; catalog copy\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Newport Harbor Art Museum (organizer); correspondence with speaker; correspondence with visitors; drawings (installation); exhibition contract; correspondence re: rescheduling\u003c/p\u003e","\u003cp\u003eSlides; 6 photos; 12 duplicate photos; duplicates: mailing card, 2 clippings\u003c/p\u003e","\u003cp\u003eSlides\u003c/p\u003e","\u003cp\u003eChecklists; label copy; catalog copy\u003c/p\u003e","\u003cp\u003eNotes; internal memos; drawing (installation); checklists; correspondence with Delaware Art Museum (Collection home)\u003c/p\u003e","\u003cp\u003eLabel copy; catalog copy; research\u003c/p\u003e","\u003cp\u003eMailing brochure, catalog; slides; 3 transparencies; 19 photographs; 1 negative; 6 duplicate photos; internal memos; press release; label proofs; clippings; Delaware materials\u003c/p\u003e","\u003cp\u003eOne photo; research; notes\u003c/p\u003e","\u003cp\u003eInvoices; IPR's; check requests; internal memos; correspondence with vendors\u003c/p\u003e","\u003cp\u003eInternal memos; clippings; correspondence with Delaware Art Museum; correspondence with lender; correspondence with visitors; correspondence with other institutions\u003c/p\u003e","\u003cp\u003eClippings; bulletin; internal memos; correspondence re: publications; catalog copy; label proofs; mailing brochure copy\u003c/p\u003e","\u003cp\u003e6 photos (duplicate in Folder 20); 1 internal memo\u003c/p\u003e","\u003cp\u003eNotes; research\u003c/p\u003e","\u003cp\u003eNotes; checklists; loan agreements\u003c/p\u003e","\u003cp\u003eChecklists\u003c/p\u003e","\u003cp\u003eCorrespondence; notes\u003c/p\u003e","\u003cp\u003eCorrespondence with Office of Attorney General; exhibition contract drafts; internal memos\u003c/p\u003e","\u003cp\u003eExhibition contract; internal memos; correspondence with DIA\u003c/p\u003e","\u003cp\u003eExhibition contract; budget information; correspondence with Philbrook; internal memos; loose material \u0026amp; notes re: 18th century prints of antiquity/archaeology\u003c/p\u003e","\u003cp\u003ePhotos; correspondence; internal memos; budget information; notes; schedule\u003c/p\u003e","\u003cp\u003eInternal memos; IPR's\u003c/p\u003e","\u003cp\u003eInternal memos; IPR's; \"Publicity Outline\" report\u003c/p\u003e","\u003cp\u003eSchedules\u003c/p\u003e","\u003cp\u003e\"A Loan Exhibition on Display at the Virginia Museum\"; internal memos\u003c/p\u003e","\u003cp\u003e1 piece of correspondence with Fine Arts Museums of San Francisco\u003c/p\u003e","\u003cp\u003eCorrespondence; budget information; internal memos\u003c/p\u003e","\u003cp\u003eInternal memos; budget info [info re: Council Anniversary Fund]; notes\u003c/p\u003e","\u003cp\u003eSymposium brochure, 2 transparencies; 2 new transparencies\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (Frank Raysor); internal memos\u003c/p\u003e","\u003cp\u003eNotes; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (NGA); checklists\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (MFA Boston); checklists\u003c/p\u003e","\u003cp\u003e6 photos; label copy; checklists; brochure copy; loan agreements; correspondence with lender (Raysor); research\u003c/p\u003e","\u003cp\u003eCorrespondence with PAFA (organizer) [Pennsylvania Academy of Fine Arts]; clippings; internal memos; invitation; PAFA materials\u003c/p\u003e","\u003cp\u003e24 slides; negatives; 4 photos; 4 transparencies; 1 duplicate transparency; clippings; 1 poster\u003c/p\u003e","\u003cp\u003eCorrespondence with PAFA; invoices; IPR's; internal memos; 2 envelopes of material: 1) 14 photos, 2 duplicate photos; 2) 5 photos\u003c/p\u003e","\u003cp\u003e6 photos; 10 duplicate photos; exhibition proposal from PAFA; envelope of PAFA materials\u003c/p\u003e","\u003cp\u003eInternal memos; notes; guest list for opening\u003c/p\u003e","\u003cp\u003eInvitation; internal memos; guest lists; notes\u003c/p\u003e","\u003cp\u003eInternal memos; mailings; correspondence with speakers; script copy; correspondence with PAFA; schedules\u003c/p\u003e","\u003cp\u003eOne annotated copy of catalog; checklists; notes\u003c/p\u003e","\u003cp\u003eCatalog proofs; notes\u003c/p\u003e","\u003cp\u003eCorrespondence with visitors; correspondence with lenders; correspondence with PAFA; internal memos; exhibition contract\u003c/p\u003e","\u003cp\u003eInvitation, catalog; correspondence with PAFA; invoices; internal memos; invitation copy; checklists; label copy\u003c/p\u003e","\u003cp\u003eSchedule of payments; consultants; responsibilities\u003c/p\u003e","\u003cp\u003eCorrespondence with Donaldson; c.v.; notes; research; writings; drafts\u003c/p\u003e","\u003cp\u003eCorrespondence with Donaldson; c.v.; notes; research; writings; drafts\u003c/p\u003e","\u003cp\u003eCorrespondence with Corn; c.v.; notes\u003c/p\u003e","\u003cp\u003eCorrespondence with Wood; c.v.; notes\u003c/p\u003e","\u003cp\u003eCorrespondence with Davis; obituary and correspondence with wife after his death in 3/81; c.v.; notes; brochure for his book \"Intellectual Life in the Colored South\"\u003c/p\u003e","\u003cp\u003eCorrespondence with Williams; c.v.; notes\u003c/p\u003e","\u003cp\u003eChecklists\u003c/p\u003e","\u003cp\u003eOne internal memo\u003c/p\u003e","\u003cp\u003eOne piece of correspondence with Robert Zimmerman (Baltimore Museum of Art); 2 blank travel vouchers with Zimmerman's signature \u0026amp; 55#\u003c/p\u003e","\u003cp\u003eBudget information; 2 invoices from Cumberland Art Conservation Center (Nashville)\u003c/p\u003e","\u003cp\u003eCorrespondence with Atlantic Van Lines; notes\u003c/p\u003e","\u003cp\u003eBudget information; clippings \u0026amp; press materials related to Greek Vases\u003c/p\u003e","\u003cp\u003eOne internal memo re: promotion budget\u003c/p\u003e","\u003cp\u003eOne piece of correspondence with prospective intern; one index card with name\u003c/p\u003e","\u003cp\u003eCorrespondence with one musician; notes; scores; one internal memo re: NEA grant (denied); \"Writing Realistic Grant Budgets\" from Museum News\u003c/p\u003e","\u003cp\u003eInterim report for NEH Grant\u003c/p\u003e","\u003cp\u003eCorrespondence with NEH; copy of grant administrator guidelines\u003c/p\u003e","\u003cp\u003eCorrespondence with Tormey re: advertising project for Philip Morris\u003c/p\u003e","\u003cp\u003eTwo blank requests; 1 complete request\u003c/p\u003e","\u003cp\u003ePhotos; [note: not all included in final exhibition]\u003c/p\u003e","\u003cp\u003eCorrespondence with various companies re: slide set duplication; invoices\u003c/p\u003e","\u003cp\u003eCorrespondence with various institutions re: potential bookings\u003c/p\u003e","\u003cp\u003eCorrespondence with institutions who declined a potential booking; internal memos\u003c/p\u003e","\u003cp\u003eClippings; one internal memo re: TVA\u003c/p\u003e","\u003cp\u003eCorrespondence with Coggins (Southern painting collector); correspondence with Berry-Hill Galleries re: exhibition of Coffins' collection\u003c/p\u003e","\u003cp\u003eCorrespondence with Wolfe re: possible lecture\u003c/p\u003e","\u003cp\u003eList of proposed programs; [collection of internal memos from David Griffith inserted here]\u003c/p\u003e","\u003cp\u003eCorrespondence with American Heritage Publishing re: catalog; proofs; one internal memos \u0026amp; 1 piece of correspondence re: Philip Morris\u003c/p\u003e","\u003cp\u003eBrochure copy; internal memos; copies of other children's brochures\u003c/p\u003e","\u003cp\u003eOne phone message\u003c/p\u003e","\u003cp\u003eLoan agreement; correspondence with lender (MESDA); artist worksheet\u003c/p\u003e","\u003cp\u003eLoan agreement; correspondence with lender (Charleston Museum is lender); artist worksheet\u003c/p\u003e","\u003cp\u003eLoan agreement; correspondence with lender (MESDA); notes; artist worksheet\u003c/p\u003e","\u003cp\u003eLoan agreement; correspondence with lender (Muscarelle); conservation report; memo re: treatment; artist worksheet\u003c/p\u003e","\u003cp\u003eOne photo; loan agreement; correspondence with lender (Brodnax \u0026amp; Associates); artist worksheet\u003c/p\u003e","\u003cp\u003eOne photo; loan agreement; correspondence with lender (Brodnax \u0026amp; Associates); artist worksheet\u003c/p\u003e","\u003cp\u003eResearch; conservation report; artist worksheet\u003c/p\u003e","\u003cp\u003eCorrespondence with Wintherthur; artist worksheet; conservation reports\u003c/p\u003e","\u003cp\u003eLoan agreement; correspondence with Club (lender); conservation bill\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (Maria Tabb); artist worksheet; receipt\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (NPG); research\u003c/p\u003e","\u003cp\u003eLoan agreement; correspondence with VHS; research\u003c/p\u003e","\u003cp\u003eThree photos; loan agreement; correspondence with NYPL\u003c/p\u003e","\u003cp\u003eLoan agreement; copy of accession card\u003c/p\u003e","\u003cp\u003eOne photo; loan agreement; research; correspondence with Andrew Christian; condition report; artist worksheet\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (Colonial Williamsburg)\u003c/p\u003e","\u003cp\u003eCorrespondence with lender (Pennsylvania Academy of Fine Arts); artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; artist worksheet; research\u003c/p\u003e","\u003cp\u003eCorrespondence with lender; 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loan agreements; condition reports; correspondence with Cumberland Art Conservation Center\u003c/p\u003e","\u003cp\u003eOne photo; correspondence with VHS re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center\u003c/p\u003e","\u003cp\u003eOne photo; shipping information and receipts; condition logsheet; correspondence; loan agreements\u003c/p\u003e","\u003cp\u003eOne photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003eOne photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003eShipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003eFour photos; shipping information and receipts; condition logsheet; correspondence; 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shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003e5 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003e1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003e1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003e4 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003e4 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research\u003c/p\u003e","\u003cp\u003e1 photo; 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note\u003c/p\u003e","\u003cp\u003eResearch; program proposals; press release\u003c/p\u003e","\u003cp\u003eBlank travel reimbursement vouchers with SSN's; meeting notes\u003c/p\u003e","\u003cp\u003eCorrespondence with Forbes mainly (also Council, conservator)\u003c/p\u003e","\u003cp\u003e6 photos; 2 duplicate photos; guest book for visitors; correspondence from visitors; 1 copy of TVA \"Gin Game\" program; internal memos; research; clippings; IPR's; invoices; correspondence with Forbes\u003c/p\u003e","\u003cp\u003eWeekly reports; Acoustiguide; cost reports; attendance reports\u003c/p\u003e","\u003cp\u003eArticle copy; loose book dust jacket\u003c/p\u003e","\u003cp\u003eChecklist copy; checklist proof; loose bulletins, plus 1 piece of correspondence\u003c/p\u003e","\u003cp\u003eLabel copy; research\u003c/p\u003e","\u003cp\u003eLabel copy; label proofs\u003c/p\u003e","\u003cp\u003eCorrespondence with Forbes; correspondence with Acoustiguide; label copy; research\u003c/p\u003e","\u003cp\u003eOne photo; 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correspondence in the mid 1980s between Pinkney and Anne regarding the museum\u003c/p\u003e","\u003cp\u003eTypeset copy of Fred Brandt's interview with Mrs. Fischer, 32 pages\u003c/p\u003e","\u003cp\u003eTypeset and annotated copy of Fred Brandt's interview with Simon and Fischer, 18 pages\u003c/p\u003e","\u003cp\u003eInternal memos and correspondence regarding exhibition, including Anne to Fred, Perrot, and others\u003c/p\u003e","\u003cp\u003eInternal memos and correspondence regarding exhibition, including Anne to Fred; correspondence between Simon and you regarding loan forms, checklist accuracy, and one photocopy of a handwritten document detailing the ownership of the collection\u003c/p\u003e","\u003cp\u003eInternal memos and correspondence regarding the exhibition catalog\u003c/p\u003e","\u003cp\u003eList of 27 questions for Fred's interview with Mrs. Fischer, in various forms; includes some of Fred's notes\u003c/p\u003e","\u003cp\u003eInvitation\u003c/p\u003e","\u003cp\u003e1 photo\u003c/p\u003e","\u003cp\u003eCatalog\u003c/p\u003e","\u003cp\u003e9 photos\u003c/p\u003e","\u003cp\u003eBudget information; invoices; notes; correspondence \u0026amp; contracts for M.H. de Young (San Francisco) and Kimbell; notes; correspondence and invoices for author's contract\u003c/p\u003e","\u003cp\u003eBudget information; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence; invoices; contracts for MOMA design \u0026amp; labor\u003c/p\u003e","\u003cp\u003eNotes; internal memos; check requests\u003c/p\u003e","\u003cp\u003eBrochure; internal memos; correspondence with de Young; brochure copy; Kimbell materials; 1 copy of brochure\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with de Young; brochure copy; Kimbell materials; 1 copy of brochure\u003c/p\u003e","\u003cp\u003eInternal memos; contract copy; correspondence with institutions; checklists\u003c/p\u003e","\u003cp\u003eInternal memos; notes; installation drawing (copy)\u003c/p\u003e","\u003cp\u003eInternal memos; label copy\u003c/p\u003e","\u003cp\u003eInternal memos; attendance figures\u003c/p\u003e","\u003cp\u003eCorrespondence re: insurance\u003c/p\u003e","\u003cp\u003eInternal memos; 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J.B. 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checklists; correspondence with Laguna Art Museum (organizer); Laguna materials (including press release, clippings)\u003c/p\u003e","\u003cp\u003eCorrespondence with Laguna; contract; internal memos; correspondence with Attorney General\u003c/p\u003e","\u003cp\u003eChecklist; correspondence with AIA; internal memos; correspondence with architects\u003c/p\u003e","\u003cp\u003eCorrespondence with Baskervill \u0026amp; Son; internal memos; checklists; label copy\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with St. Catherine's (lender); checklists\u003c/p\u003e","\u003cp\u003eInternal memos; budget information; label copy; catalog copy; invitation copy; clippings; biographical information; checklists\u003c/p\u003e","\u003cp\u003eInternal memos; checklists; label copy; correspondence with Council; 1 copy of catalog\u003c/p\u003e","\u003cp\u003eLabel copy; checklists; internal memos\u003c/p\u003e","\u003cp\u003eChecklists; notes; catalog proofs\u003c/p\u003e","\u003cp\u003eInternal memos; 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6 duplicate slides; invitations; exhibition contract; internal memos; correspondence with Dallas (organizer); checklists; Dallas materials\u003c/p\u003e","\u003cp\u003eInternal memos; drawings\u003c/p\u003e","\u003cp\u003eDrawings; internal memos; correspondence with Dallas; checklists; label copy\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Dallas; checklists; publications copy\u003c/p\u003e","\u003cp\u003eBrochure; internal memos; press releases; invitations; clippings; publications copy\u003c/p\u003e","\u003cp\u003eInternal memos; checklists; other institutions' materials\u003c/p\u003e","\u003cp\u003eHigh Museum press kit; brochure; docent training packet; 5 ¼\" floppy with labels\u003c/p\u003e","\u003cp\u003eInternal memos; label copy; correspondence with institutions\u003c/p\u003e","\u003cp\u003ePanel \u0026amp; label proofs \u0026amp; copy\u003c/p\u003e","\u003cp\u003eInternal memos; panel \u0026amp; label proofs; press release; correspondence with Virginia Department of Education; 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other catalogs; research\u003c/p\u003e","\u003cp\u003eOne photo; catalog; NSAL materials; research, correspondence with NSAL; internal memos; checklists; loan agreements; 1 copy of \"The Luxury of Tears\" – winning stories from NSAL competition; publications copy\u003c/p\u003e","\u003cp\u003ePanel, label \u0026amp; catalog proofs \u0026amp; copy\u003c/p\u003e","\u003cp\u003eFour photos; invoices; internal memos; correspondence with Rijksdienst; loan agreement\u003c/p\u003e","\u003cp\u003eThree photos; internal memos; correspondence with Rijksdienst; label proofs\u003c/p\u003e","\u003cp\u003eCorrespondence with UVirginia re: possible showing; drawing\u003c/p\u003e","\u003cp\u003eChecklists; drawing; catalog copy\u003c/p\u003e","\u003cp\u003eInternal memos; Bayly label proofs; drawings; correspondence with Bayly; checklists\u003c/p\u003e","\u003cp\u003eClippings; internal memos; notes; invoices; panel copy; checklists; research\u003c/p\u003e","\u003cp\u003eInvitation; internal memos; invoices; budget information; contract; layouts; correspondence with other institutions; exhibition proposal\u003c/p\u003e","\u003cp\u003e1989 catalogue; checklists; label proofs; drawings; correspondence with Council\u003c/p\u003e","\u003cp\u003eBrochure; guidelines; internal memos; drawing; invitation\u003c/p\u003e","\u003cp\u003eChecklist\u003c/p\u003e","\u003cp\u003eChecklists; internal memos\u003c/p\u003e","\u003cp\u003eCorrespondence with Council; drawings\u003c/p\u003e","\u003cp\u003eChecklists; internal memos; correspondence with Council\u003c/p\u003e","\u003cp\u003eSix photos; internal memos; layouts; checklists; brochure\u003c/p\u003e","\u003cp\u003eBrochure; 40 slides, photographs; internal memos; drawings; correspondence with Trust for Museum Exhibitions (circulator); checklists; Trust for Museum Exhibitions materials; Trust press kit; panel \u0026amp; label proofs; exhibition contract\u003c/p\u003e","\u003cp\u003eInternal memos; correspondence with Trust; invoices\u003c/p\u003e","\u003cp\u003eInvoices; internal memos; correspondence with Trust; clippings; checklists\u003c/p\u003e","\u003cp\u003eExhibition contract; invoices; internal memos\u003c/p\u003e","\u003cp\u003eThis series is comprised of information regarding general exhibition management. Information may include correspondence, exhibition schedules and programming, long term planning, potential partnerships with other organizations, exhibition committees, couriers, grant applications, protection of artwork, collectors, and reports. Files on potential exhibitions conceived by the museum but never presented are also included.\u003c/p\u003e","\u003cp\u003eThis series is comprised of information on gallery renovations, installations, reinstallations, fire suppression studies and hazard analyses, storage policies, and other related buildings and grounds files.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1936-2015, with the bulk of the material dating from 1979-2004. The collection is comprised of correspondence, exhibition schedules, budgets, grant applications, photographs, object lists, notes, collection statements, planning documents, project files, policies, loan arrangements and decisions, and other materials.","This series is comprised of information regarding exhibitions that were held at the VMFA. Files may include correspondence, schedules, contracts, photographs and slides, installation drawings and procedures, label and catalog text, budgets and invoices, insurance, venue information, and publicity.","Entry card with tear-off for back of work; catalog; announcement","Copies of checklists, shipping lists and prices (for sale); exhibition circulated by Art Institute of Chicago","Catalog; packing list with values, 2 different ones","Prospectus of season, 1937-1937; large typed, spring bound copy of annotated text for inaugural exhibition catalog containing: catalog of paintings in the Museum, budget materials for exhibition, timeline of early Museum, all types of exhibition materials, gallery layout and drawings","Invitation; copy of Strause Collection catalog; 1936-37 prospectus of program; 1958 letter between Muriel Christison \u0026 Oscar Lang of Minneapolis re: Strause exhibition","Entry blank; prospectus/rules; catalog/ invitation/mailing label; submission tag; generic letter for Virginia photo clubs or possibly for shops to request submissions","Invitation; catalog; inventories from the exhibition; catalog copy; copy of foreword (typed); letter from Margaret May Dashiell who loaned items; lots of correspondence from all over the country; lists of sponsors","Extensive correspondence regarding memorial committee and its purchase of a memorial; his works; and fundraising efforts; Colt was treasurer. The Committee also paid off all of the debts for Walker's illness, donations coming from across the country. Thank you letters in alpha order, hundreds of them, plus originals from donators; a few have copies of bookplates attached; original loan requests and replies; original Christmas card with Walker print of a home in Connecticut (1931) and a memorial card that he created in 1936","Invitation; catalog; list of paintings from Burch and Schulze with dimensions","Invitation; list of pieces to be shipped from Shearwater Pottery, with coding to indicate glazes","Copies of inventories, plus amendment, text; mainly correspondence regarding loans including shipping receipts","Catalog, entry card, invitation, announcement; 1 copy of 5th catalogue (1936); Colt's notes","Correspondence with artist; catalog copy; checklists (some with prices)","1 photograph; duplicates: announcement, patron card (sent with invitation); correspondence with artist; shipping information and receipts; budget information; catalog proofs; schedules; invitation list; 1 copy of catalogue; list of sales","Invitation; copies of inventories with insurance values; single copy of catalog","Newspaper clippings; genealogical charts; typed copy of article, \"Colonel William Byrd of Westover,\" by Lucy Parke Byrd","Letters of solicitation (ex.: one to O'Keeffe); shipping/return correspondence; correspondence with jurors (including Hopper) including discussion of invited artists list; rough draft of jury selection rules; correspondence with galleries (mainly in New York City) for artists to enter competition","Invitation; card of admission; information request postcard; thank you card; entry card (regular-red); entry card (invited-orange); receipt card; announcement; rejection notification; list of 125 paintings invited and accepted; prospectus; jury memorandum; list of invited artists divided by gallery; list of deliveries for return of paintings","Hundreds of rejection forms with return shipment affirmation signed below (includes artist name and title of work)","Invitation; World's Fair circular of information; list of paintings to be included; World's Fair circular of information (8 pages); Adele Clark and Leslie Cheek on panel for southern states; reports to Colt on state committees","One copy of catalog","One copy of catalog","One copy of catalog","One copy of catalog","Catalog; letter from Anne Moncure to Colt explaining pictures; typed copy of \"History of Ambler Family\" by J.J. Ambler, 1826; list of portraits; typed copy of catalog text; 4 photographs of portraits - Katherine, William, and St. George Moncure, grandchildren of Colonel John Ambler; Mary Cary, wife of Edward Ambler; Colonel John Ambler; wife of Dr. Peterfield Trent and his two daughters","One copy of catalog; list of paintings; 1 letter","One copy of catalog","Correspondence with jurors","Correspondence with Committee of Virginia Artist Commission; correspondence with artists submitting models; rejection letter; shipping correspondence; invoices; correspondence with U.S. Department of the Interior, NPS, Fredericksburg; correspondence with Virginia Conservation Commission; Correspondence with Douglas Southall Freeman, Editor of the Richmond News Leader; correspondence with National Sculpture Society, Commission for the Arts, and Senator John Warwick Rust; loan of a portrait of Stonewall Jackson from Adler in NYC; correspondence with Leslie Cheek, the Sons of Confederate Veterans; news release; planning and invitations for the preview; correspondence with the United Daughters of the Confederacy and with Joseph Pollia, the winner","Entry card; invitation to meet the jurors; invitation to preview of models; announcement; map of site; news release; list of members of Sculptors Guild; Pollia's curriculum vitae","One copy of catalog","Invitation, catalog; text of catalog with drawings of mock-up and list of drawings","Annotated catalogs of early shows, correspondence with Mrs. Holden, shipping information","Catalog, invitation; typed biography in first person, list of paintings, curriculum vitae","Correspondence with Pan American Union in D.C.; Comisión Nacional de Bellas Artes; shipping information; correspondence with Governor; Department of State; national press (Time, New York Times, Town \u0026 Country, Antiques Magazine, Washington Post, United Press); copies of speech materials for guests at preview; letter from Emilio Pettoruti","Announcement; banner; one catalog; solo copies of invitations to preview and meet the Ambassadors at the Commonwealth Club","Inventories with sizes, values and damages noted; customs forms; shipping information; annotated catalog","Correspondence, speech copy","Correspondence with L.B. Houff at the American Federation of Arts; shipping information","Correspondence with Klapperach; Argentine government participation; New York World's Fair 1939; speech copy; foreword copy; shipping information","Shipping receipts, packing lists; lists of addresses of sponsors, lenders, press, museums, invitation lists","Correspondence with Marval, Commissioner General of Argentine government; participation; shipping information; planning information; customs and sales information","Invitation list; art critics list; memos; schedule of radio program and typed text; Commonwealth Club menu; speech texts","Inventories of paintings that would go from New York to San Francisco to Riverside Museum; correspondence with Museum about shipping; shipping receipts","Freight bills; shipping receipts, correspondence with Treasury Department; customs forms, inventories with values","Correspondence with Alexander Weddell and J. A. de Marval","Original mounted drawing by Leslie Cheek, Jr. for exhibition panels","Comments of the jury; award speech; copy of thank you letters; requests for catalogs, purchase information; publicity information; invitation lists; inventories; correspondence with artists; correspondence with jurors","Rejection letter; prospectus; \"an invitation,\"; invitation; receipt card; entry card (invited-yellow); entry card (regular-red); acceptance card; news releases; prospectus; catalog copy; comments of the committee; memos","Bound, typed list by gallery; inventories; correspondence with galleries and artists","Correspondence with jurors","One copy of catalog","Invitation; correspondence with Mrs. De Marclay","Correspondence; checklist; shipping information","One copy of catalog; gallery layout; mailer text; catalog listing; biographical text; artist's statement","Invitation; catalog; correspondence with Adele Williams; inventories; biographical information; catalog text","Invitation; catalog; correspondence with Willingham; shipping information and receipts","Invitation; one copy of catalog; correspondence with Binford and lenders; shipping information; inventories with values; shipping information; gallery correspondence; catalog text","Invitation; catalog; inventories, text copy, values, text of radio announcements/interviews; loan correspondence; galley proofs of label copy by Edward Davis","Inventory lists including insurance values; list of items by lenders; hundreds of shipping receipts","Correspondence with galleries, dealers, and collectors/lenders; catalog proof","Invitation; catalog; catalog copy, curriculum vitae; copy of Colt's introduction","Catalog; invitation; catalog copy; biographical information","Correspondence with Chrysler, Fox (curator), publicity people. Walter P. Sr. died in August of 1940, shipping and insurance information; inventories with values; opening plans; list of news and magazine articles (extensive)","Cocktail invitation; preview invitation; supper invitation; annotated proofs","Inventories; values annotated with van assignments (from NYC to Richmond \u0026 Richmond to Philadelphia); shipping and storage receipts and contracts; letter from Parke-Bernet in 1945 asking for prints as they were selling part of collection","Correspondence with Fiske Kimball, Director of Philadelphia Museum of Art re: shipping, insurance, inventories, division of cost","Inventories; radio program transcript; party list; invitations list; hostess list; timelines, schedules, memos, Leger came!","Plan \u0026 prospectus re: showing his collection in South America; correspondence with Fox and Chrysler. Executive Committee turned it down","One copy of invitation and one copy of catalog","Invitation; catalog copy and proof; inventory with values; correspondence with Concetta; shipping information; correspondence regarding publicity; correspondence re: broken statue and payment","Catalog copy; one invitation; one copy of catalog; biographical data","Invitation; correspondence with jurors; letters to publicity; correspondence with galleries; shipping information; list of awards; clippings; rejection postcard; one entry card; one catalog","Correspondence with Federal Works Agency; with institutions before (with Lyman Allyn Museum, New London, CT) and after (with Institute of Modern Art, Boston) traveling exhibition; invitation list; correspondence with Richmond Housing Authority, decision later in favor of Housing Authority in Norfolk instead of Boston","Correspondence with Riverside Museum, lenders; 1 invitation","Correspondence with Cincinnati Museum of Art, lender; installation; instructors; shipping information; news releases; invitations to college all over the state for preview; inventories; one invitation","Invitation; catalog; catalog copy; biographical information; correspondence with Hattorf","Invitation; correspondence with artist; catalog copy; 1 catalog","Invitation; catalog; correspondence with artist; biographical information; catalog copy; letters to publicity","Invitation; catalog; catalog copy; biographical information; correspondence with artist and gallery","List/receipts of items taken by Henry P. Strause from VMFA; annotated lists of items deposited at VMFA from H.P.S. for loan exhibition; numerous warehouse receipts","Pennsylvania Society catalog (1933); inventories by artist with values; correspondence; research","Invitation; research correspondence to locate miniatures (potential lenders); catalog copy","Receipts; inventories; index cards with owner's name \u0026 address (some with date stamp)","All receipts (large quantity), some with 2 copies, some with correspondence, some with shipping receipt from mail","Catalog copy; invitation list; correspondence with state planning board, 1 copy of catalog","Correspondence with Mrs. Myers, widow of the artist and Landgren, dealer for Newman; clippings, inventories with values; correspondence with Whitney, where Myers exhibition originated; correspondence with potential lenders for Newman; shipping information; insurance information; catalog copy; Invitation; annotated catalogs; Whitney catalogs; Knoedler catalog; loan/shipping receipts; invitation list; inventories with values; correspondence with publicity; catalog copy; inventories by institution","Invitation; proof of catalog; 1 copy of catalog","Correspondence with artists, both accepted and rejected; shipping information; correspondence regarding damage, (notation at bottom of letters in unusual style, coding maybe)","Bound pages from gallery trip to NYC and consequent invited artists list; correspondence with galleries; letters to invited artists; shipping information \u0026 receipts; correspondence with jury, (Charles Burchfield declined but raved about it; George Grosz declined with a beautiful signature.)","All regret letters, signed by artist/agent/owner, and returned to VMFA (hundreds of them); some with handwritten notes, (H.P. Sargeant very upset.)","Invitation; entry card (invited-yellow); entry card (regular-white); \"Good and Bad News Night\" (yellow trifold); prospectus; acceptance card; rejection card; memo for the evening; news release (3/3/42); annotated catalog with prices; correspondence with hosts; speech copy; news releases; list of artists by state; inventories; jury comments; values on inventories","Catalog; correspondence with artist; biographical information; catalog copy; 1 copy of invitation","Catalog; correspondence with artist; catalog copy; correspondence at sales; 1 copy of invitation","Invitation; first exhibition to include correspondence from Mrs. Pollard; inventories, correspondence; invitations; shipping information","Correspondence with Museum of Modern Art that was circulating exhibition; shipping information; contract; 1 copy of invitation","Correspondence; invitation; Lenox catalog; a few Mint Museum catalogs; correspondence with artist; inventories; catalog copy","Correspondence; guest lists; inventories with values; Commonwealth Club menu; catalog copy; shipping information; black and white photo of \"Boys\"","Correspondence with artist; letters from Theresa Pollak; inventories with prices; shipping information; biographical information; reimbursement request; copy of bulletin","Catalog; inventories with artist biographies (ie: partially or congenitally blind, age); correspondence with originator (Lowenstein); traveling loan contract; critics' statements","San Francisco Art Association bulletins; correspondence with artist; inventories; invitation; catalog; shipping information; catalog copy; various Artists' Guild of Washington materials (he was President)","Invitation; one copy of catalog; inventories with values and receipts","Invitation; clipping on his death; correspondence","Invitation; one copy of catalog; catalog proof; various other catalogs \u0026 announcements; correspondence with vendors; shipping information","Clipping; correspondence with lenders; shipping information","Invitation; one copy of catalog; correspondence","Correspondence with artist; inventories with values; biographical information; catalog copy; 1 copy of catalog and invitation.","Radio broadcast transcript; catalogs of other show; clippings (both from Cincinnati Museum); MFA Boston materials; catalog copy; invitation lists; correspondence; MFA Boston catalog; VMFA catalog and proof; shipping information from Boston; inventories","Correspondence; shipping information; annotated catalog; radio transcript; insurance information","Announcement (trifold); 1 catalog; correspondence; catalog proof; inventories with prices; catalog copy; jury correspondence; correspondence with publicity; shipping information; 1 invitation","Invitation; catalog proof; 1 letter","Invitation; catalog copy; correspondence with artist; inventory with prices; 1 catalog","Catalog; invitation; correspondence; research; shipping information; catalog proof; catalog copy","Article; correspondence with American Federation of Arts; inventory with values; other catalogs; loan agreement; shipping information; research; installation drawing; clipping; transcript of lecture on Chinese painting","Announcement; photographs of winners; correspondence; ArtNews issue (October 1-4) 1943; inventories with prices","Invitation; catalog; catalog copy; clipping; correspondence; research; RISD \"Museum Notes,\" 1943; shipping information","Invitation; catalog copy; correspondence; inventory with price list","Invitation; correspondence with other museums; itinerary copy; research; catalog copy; inventories with prices; shipping information","Correspondence (mainly with Metropolitan Museum of Art)","Correspondence (mainly with Metropolitan Museum of Art)","Inventories; correspondence; shipping information","Invitation; news release; correspondence; correspondence with publicity and with lender (UVirginia)","Invitation; catalog proof; other catalogs; correspondence; correspondence with lecturer; correspondence at preview; correspondence with publicity; loan correspondence \u0026 requests; shipping information; research on pieces; catalog copy; inventories; catalog; loan forms; annotated catalog; shipping receipts","Catalog; invitation; invitation list; correspondence; catalog copy; inventories with values; shipping information; insurance information","Catalog correspondence; clippings; catalog copy; speech copy; inventories with publication date; correspondence with lenders and publicity; shipping receipts later too (1956)","Prospectus; annotated catalog; catalog copy; shipping list; inventories with prices","Catalog; news releases; fact checking cards; bound copy of lists by dealer; clippings, voting information; invitation; catalog proof; timeline; prospectus copy; correspondence; artists' c.v.'s; dealer catalogues and correspondence; inventories with values; transcripts of publicity; speech notes; catalog copy; lists of accepted and invited artists (Virginia separate); shipping information and receipts; correspondence with publicity; correspondence with jury; prospectus","Catalog; correspondence with artist; biographical information; catalog copy; inventories with prices","Catalog; announcement","Announcement; catalog; invitation; catalog copy; lecturer c.v.; lists of institutions; list of works by institution; label copy; annotated catalog; inventories with prices; correspondence with institutions; correspondence with jury; shipping information","Annotated catalog; correspondence with artist; inventory; research; gallery layout diagram; price list; 1 catalog","Invitation; correspondence with Netherlands Information Bureau; other catalogs; checklists; shipping information \u0026 receipts (from before \u0026 after museums; correspondence with ambassador who spoke; lecture text; 1 copy of handwritten invitation to dinner with Governor Darden","Catalog; 1 invitation; correspondence with artist; inventories; catalog copy; price information","Invitation; catalog; catalog copy; correspondence; copies of \"Information Bulletin: Embassy of the Union of Soviet Socialist Republics\"; loan requests (including A La Vieille Russie); traveling exhibition contracts; shipping information and receipts (with before and after museums); inventories; other catalogs; price information; loan forms; annotated catalogs; original copy of \"The Schaffer Collection of Authentic Imperial Russian Art Treasures\"; correspondence with Ray Schaffer and others at ALVR regarding exhibition arrangements (no mention of Pratt) and damage to Faberge topaz vase","Catalog; correspondence with National Gallery (lender); insurance values and contracts; shipping information and receipts; gallery layout; catalog copy; research; loan requests","Correspondence from Davis, the VMFA Curator, with lenders to the exhibition with last names beginning with A-H; proof of article by Davis in Commonwealth Magazine; copy of text of article","Correspondence from Curator Davis and sometimes the Director with lenders to the exhibition with last names beginning with I-Z; copy of information releases re: survey","Correspondence with National Gallery Director (they had an exhibition at the same time); correspondence with Weddell (exhibition did not take place); copies of letters sent to the executive committee to explain decision","Copies of plan; correspondence with Weddell re: all the research that went into the aborted exhibition; correspondence with Mexican museums; Mrs. Whitman's reports on artists and museums' holdings","Correspondence with lenders \u0026 galleries; inventories with prices; shipping information and receipts (loans before and after)","Copies of labels on prints from National Gallery; inventory and instructions; shipping information (both before and after)","Civilian Open Air Art Sale announcement; copy of \"War Art: A Catalogue of Paintings Done on the War Fronts by American Artists for Life,\" including Barse Miller and Paul Sample; catalog copy; inventories; copy of \"Traveling Exhibitions,\" catalog by the AFA's National Exhibition Service; correspondence; 5 photographs of items in exhibit; copy of catalog, \"Art Exhibition by Men of the Armed Forces\"; shipping information and receipts; exhibition agreement; 1 copy of catalog","Copies of shipment return forms for paintings not chosen for 4th Biennial of Contemporary Art, many with comments, signed by artist/agent; inventory of paintings in the show","3rd Biennial prospectus (printed); 4th Biennial prospectus (typed); announcement of College Art in Virginia; prospectus copy (4th Biennial, Virginia Artists and Library bookplate); copy of Corcoran's prospectus (annotated); old 3rd Biennial prospectus (annotated); letter from Thomas Colt","Shipping information and receipts to lenders; correspondence with Worcester Art Museum and other museums; insurance values; correspondence with lenders attached","Press release copy; inventories by institution; correspondence with lenders; insurance values; shipping information and receipts; loan requests; book purchase requests","Invitation, catalog; catalog copy; correspondence; more shipping information and receipts; correspondence re: damages; annotated catalog","Loan forms and receipts","Invitation; correspondence with artists; catalog copy; inventories; annotated catalog; prices; shipping information and receipts; sales information","Correspondence with rug dealer; research; catalog copy; shipping information and receipts; annotated catalog; gallery layout; copies of things donor (H. Michaelyan) wrote; inventories with prices","Announcement/prospectus; typed press release; correspondence with artists; correspondence with jurors; invitation lists; correspondence to get more armed services men; list of entrants; catalog copy; one copy of entry card; one copy of catalog","Catalog; catalog copy; gallery layout; inventories; catalog proof; correspondence with jury","Invitation; exhibition contract; correspondence; gallery layout; invitation list; another list for even with Spanish speaking Luncheon Club; list of architects; press release copy; installation list from MOMA","Invitation; catalog; correspondence with possible lenders; lists of possible loans; ended up taking British-American Goodwill Exhibition; shipping information and receipts; inventories; budget figures","Catalog; one invitation; correspondence with author; list of invitations; 1 photograph of \"Red Still Life\"","Correspondence between curator and potential lenders; correspondence with institutions and churches","Correspondence with lender; correspondence re: damages; catalog copy; one catalog","Correspondence with lenders; correspondence re: damages (including 2 photographs)","Correspondence re: genre painting; exhibition; some from lenders, some not; some including photographs","Invitation list; correspondence with invitees to the 19th century genre preview; folder of handwritten notes re: genre; handwritten research; typed research","Correspondence with lender (DIA); inventories with values; shipping information and receipts; catalog copy","Correspondence with possible lenders (including 1 photograph from lender); research","Invitation; catalog; catalog copy; correspondence with artist (Colt is back!); inventories; sales information","Correspondence with artists; shipping information and receipts","Stenographers pad with notes from NY Gallery/dealers' visits; preliminary lists; final lists; correspondence with galleries; correspondence with invited artists; shipping information and receipts","Contracts with Budworth on shipping; correspondence with jurors; correspondence with Budworth; inventories with values and locations","Entry card: yellow (invited), regular (orange), good and bad news night (yellow-trifold), inclusion card; typed summary information; typed list of artists; teacher invitation (yellow); annotated catalog with prices; inventories by state; full catalog copy; list of Virginia artists; form letter to art teachers","Correspondence with dealers; clippings; other catalogs; correspondence with jury; award list; award letters to dealers and press","Prospectus; prospectus copy; list of recipients of entry cards and prospectus for distribution (art organizations, museums, dealers, etc.) and letters to them; letters to press; entry card copy; thank yous for sending out cards (n.b.: all lists of artists sent to/from dealers, museums, etc., were removed)","Letters confirming receipt of paintings returned, both those selected and those not; many with comments, less shipping complaints!","Hundreds of requests for entry cards","Hundreds more requests for entry cards","Invitation; catalog; invitation copy; catalog copy","Catalog; correspondence with artist; invitation copy; correspondence with Virginia World War 2 History Commission; inventory with prices; invitation list; catalog copy; letters to press; annotated catalog; correspondence with lenders","Invitation; correspondence with lender, Philadelphia Museum of Art; inventory; copy of the Richmond Times-Dispatch article; correspondence with potential lenders; copy of the Philadelphia Museum bulletin and Atwater Kent Museum bulletin","Catalog; invitation; correspondence with artist; correspondence with lenders; shipping information and receipts; inventories with values; invitation list; catalog copy, correspondence with wife Rosalie re: her photographs","Shipping receipts; catalog copy, correspondence with lenders; list of invitees; invitation","Recent Additions to the Upjohn Collection, catalog of collection; correspondence with dealer (Midtown Galleries); shipping information and receipts (both before and after); invitation","Catalog; invitation; catalog copy; catalog proof; correspondence with potential lenders; text of broadcast calling for paintings; shipping information and receipts; research (Davis)","Inventories with values; shipping information and receipts","Invitation; shipping information and receipts; inventories","Research; correspondence with furniture manufacturers; invitation copy; inventories; correspondence with Metropolitan Museum of Art and MOMA (main lenders); correspondence with Leslie Cheek, Jr. at Architectural Forum!; shipping information and receipts; catalog copy; letters to press (photograph of chair from Dubar, but not included in exhibition)","\"Notice to Virginia Artists\"; requests for entry blank; correspondence re: late entries; returned fees, etc.","Acknowledgement letters; press release; SSAL Bulletin (Summer 1947) (more of these later); inventories by state (jury picks); correspondence with artists, jurors and SSAL; breakdown of entry cards by place; lists of artists eligible for submission; entry cards of pieces bought or withdrawn; biographical notes on winners","24th Annual Convention program; catalog Virginia Art 1947; Southern Art 1947; invitation; entry card; SSAL membership blank; received card; rejection card; convention program copy; Southern art catalog copy; Virginia art catalog copy; catalog of 26th SSAL exhibition at the High; correspondence with SSAL; correspondence with jurors; list of works accepted (Virginia artists); old convention program; more SSAL bulletins; correspondence with artists re: 8 paintings that were vandalized; correspondence re: prizes; correspondence re: sales","Invitation; catalog proof; announcement from Camera Club; correspondence with artists; invitation copy; catalog copy","Correspondence with lenders; loan agreements; memo to staff re: handling of paintings; shipping information and receipts; inventories with insurance value","Correspondence with lenders by lender; inventories","Catalog; museum attendance card (9/3/47); correspondence with press; research; correspondence with lenders; shipping information and receipts; Budworth contracts; catalog copy; press releases; inventories; clippings","Invitation, American Commission brochure; shipping information and receipts; correspondence with lenders, AFA; loan forms; catalog copy; inventories with values","Shipping information and receipts; catalog of exhibition; inventories; catalog copy; research; correspondence with AFA and AFRIM; label copy","Invitation; invitation copy","Correspondence re: shipping and receipts","Correspondence with Louvre and other institutions re: original Louvre collection not being available; 5 museums trying to do alternate French exhibition from dealers/galleries and some from Louvre; unknown outcome; ArtNews was involved too; trying to use a story in lieu of a catalog","Catalog; correspondence; clippings; sale information; text of lecture","Invitation copy; catalog copy; correspondence with artists; inventories; invitation to lecture; 1 catalog; shipping information and receipts","Shipping information and receipts; correspondence with lenders; copy of Time (1/26/48), article on pages 47-48","Miscellaneous exhibition-related correspondence re: one mis-shipment to VMFA, most re: exhibition offers and programming","Index cards with lenders and item; correspondence with lenders","Correspondence with potential lenders (denials)","Catalog; correspondence with press; correspondence with Mrs. Catesby; invitation copy; correspondence with Lurçat; typed article on Jones; preview invitation lists and replies; catalog requests; radio press release copy; typescript copy of \"A Letter to A Friend on Modern Art,\" by T. Catesby Jones; typescript copies of all of his writings, incorporated into catalog; catalog copy","Prospectus; shipping information and receipts; correspondence with press; checklist with insurance values; loan requests for paintings in exhibition; list of artists to whom they sent biographical questionnaires","Prospectus; correspondence with medal winners; correspondence re: sales; list of artists by state; submission statistics by state; statistics tally sheets (one per state); correspondence with press","Copy of La Revue Moderne magazine (July 1947) from artist Wilma Prezzi who was featured in magazine but declined to submit; correspondence with artists, answering questions; comments from artists re: submission vs. invitation, etc.; shipping information and receipts; correspondence with galleries; requests for entry cards; correspondence re: Pepsi Cola Southern Regional Competition in Richmond (artists could specify that if work was not accepted, it could go to Pepsi exhibition)","Correspondence with artists; correspondence with dealers; valuation information; shipping information and receipts; lists of invited artists (by name, by agent/organization, some with annotated values)","\"Arrangements for the Jury\"; shipping information and receipts; correspondence re: jurors; correspondence with jury","Invitation; rejection card; entry card (pink); entry card – invited \u0026 acceptance card (yellow); annotated invitation (5th Biennial); prospectus copy; annotated entry cards and prospectus (5th Biennial); invitation copy; catalog copy","Rejection letter; prospectus","Signed rejection letter; receipts, some with comments - catalog request, why receipts request, or badly packed","Requests for entry cards (mainly from artists), a few with replies","Requests for entry cards (mainly from artists), a few with replies","2 photographs (lamp and manuscript); list of objects lent by The Jewish Museum in NY; correspondence with The Jewish Museum; lists with values; clipping; catalog copy","Invitation; correspondence with potential lenders and potential advisors; invitation letter; correspondence with The Jewish Museum; shipping information and receipts; clippings [no catalog made]","\"The Common Glory\" Poster Project; correspondence with Virginia Conservation Commission; exhibition information (typed); entry lists by high school; tea information; shipping information and receipts [all from Mrs. Muriel Christison]","Original pencil drawing plus blueprint copy of drawing by Leslie Cheek, Jr., for outside signpost for exhibition","Catalog; shipping information and receipts (loan from Philadelphia Museum of Art); correspondence with Philadelphia; list of Richmond artists to be added to exhibition; label copy for Richmond artists; correspondence with selected artists in exhibition; checklists from Philadelphia","Correspondence with lenders; research correspondence; lists of photographs with values","Original drawings and one blueprint copy of exhibition signage, exhibition labels, and gallery layout","Checklist (one portion circulated by MOMA); shipping information and receipts; correspondence with MOMA; membership lists cf: Virginia Chapter of AIA, Home Builders Association of Richmond, Richmond Real Estate Exchange; exhibition contract; 1 invitation; preview invitation letter; correspondence with Architectural Forum (they circulated the other portion); correspondence re: film rentals","Correspondence with dealer (Knoedler); shipping information \u0026 receipts","Invitation; correspondence; checklist with values; shipping information and receipts; exhibition construction notes; correspondence with dealers; press release copy (typed); correspondence with artists; invitation list; correspondence with lenders","Original blueprint copy of signage","Catalog; shipping information and receipts; checklists; correspondence with Colonel Anderson; correspondence with lenders; correspondence with artist","Draft exhibition schedules; correspondence with Colonel Anderson; correspondence with various organizations and institutions (including AFA)","Draft exhibition schedules; correspondence with Colonel Anderson; correspondence with various organizations and institutions (including AFA); catalogs; photographs; clippings","Shipping information and receipts; checklist; correspondence with artist","Lecture invitation; correspondence with lecturers; information regarding exhibit from American Craftsmen Educational Council; correspondence re: sales; shipping information and receipts","Correspondence with the Coin Club re: exhibition; later declined due to Colt's resignation","Correspondence with American Craftsmen Educational Council (lender); correspondence with lecturers; shipping information and receipts; exhibition information; ACEI brochure; clipping","Invitation; correspondence with vendors; checklist with values; invitation copy; shipping information and receipts","4 original drawings of lectern, information panels/stands; gallery layout, etc.","Catalog; correspondence with Canadian Embassy; correspondence with National Gallery of Canada (co-sponsor); shipping information and receipts; lecture copy; correspondence with lecturer; research; catalog copy; exhibition plan/schedule (to do); 1 copy of invitation; gallery layout","Correspondence with National Gallery of Canada; correspondence with press; correspondence with state forester (lent pine trees); research; clipping; photograph and biography of curator","Original drawing of exhibition sign","Correspondence with Virginia State Board of Education; correspondence with Southeastern Arts Association; shipping information and receipts; correspondence with education institutions (Mrs. Christison)","Form letter to Antiquarian Society members; preview invitation list; Antiquarian Society history (co-sponsor)","Original drawing of Museum information panel and traveling show panel","Invitation copy; correspondence with MOMA re: traveling exhibition; shipping information and receipts; billing information","1 drawing of Calder signs","Preview invitation, correspondence with artist; correspondence with lenders; invitation copy; correspondence with Philip Godwin and Mrs. T. Catesby Jones; research; correspondence with Archipenko; clippings (response to Richmond Times-Dispatch article mocking exhibition); Calder's handwritten invitation list [no catalog made]","Correspondence with lenders (galleries, dealers, museums, etc.); checklists; shipping information and receipts; correspondence with artists; checklists with values; press release copy","Checklists; exhibition information (typed); receipts","Photograph of books and Hurds; children's books catalog (retail); correspondence with publishers; research; clipping; correspondence with lenders; label copy; shipping information and receipts; checklists by publisher, by lender, by artist","Correspondence with lender; checklist with values; correspondence with artist; shipping information and receipts","Correspondence with lender; correspondence with publicity; research","Correspondence with lender; correspondence with publicity; label copy; shipping information and receipts","Outline of children's programs from summer workshops; research on group behavior; clipping; Richmond Film Society Program; photograph of Times Square in New York; Department of Education Annual Report copy; lots of random exhibition information copies; clippings; correspondence with educational services","Correspondence with lenders; shipping information and receipts; exhibition information (typed); correspondence with artists","1 drawing, layout for panel","1 layout and 1 piece of correspondence","1 drawing – summer sign, 1949","Exhibition offerings from galleries, institutions, etc.; AFA brochures","Exhibition schedule; invitation lists; correspondence; clippings","1949-1950 season schedule; schedules; correspondence re: possible exhibitions","Correspondence with lenders; dinner invitation list and preparation; shipping information and receipts; budget/billing information; checklist with values; research","Correspondence re: catalog; cut-out reply from VMFA Bulletin","Postcard announcement; correspondence re: catalog requests","Correspondence organized by lender with lenders; shipping information and receipts","Correspondence re: insurance; checklists by subject/person; research; shipping information and receipts; correspondence with lenders; checklists with values","Correspondence and paintings list, just as title says","Correspondence re: permission to reproduce images for catalog [originally not intended to publish catalog; did so after exhibition]","Catalog copy","Correspondence re: cost of prints ordered and made for show","Announcement; Baltimore catalog; preview invitation; 3 photographs; copies of her other catalogs (Mrs. James Ward Thorne); correspondence with Women's League Club; correspondence with lender (circulating museum AIC); budget information; checklists; shipping information and receipts; exhibition contract; correspondence with publicity; copies of various magazines (Virginia Bulletin, Virginia Women's Magazine); correspondence with PTA's","Blueprints: room installation (3 copies) and original drawing; drawing of signs; drawing of entrance details","Checklist; 8 photographs; correspondence with publicity; budget information; admission price policy; lecture and tour schedule; correspondence re: catalog including billing information","Checklist","Correspondence with Library of Congress re: loan of lithograph; shipping information and receipts","Correspondence with Block, including copies of publicity; checklists with values; shipping information and receipts","Correspondence with Block and others","3 drawings of exhibition signage","Drawing and blueprint copy of information kiosk; 1 photograph; 3 other layouts of the exhibition, including 2 didactic panel layouts by Cheek (\"Russia Before the Revolution\" and \"Imperial Jewelry of Russia\")","Correspondence on opening of show; proposed schedule; checklists by lenders; shipping information and receipts; checklists by artists; correspondence with artists; checklists with values","Checklists; shipping information and receipts; correspondence re: catalog; correspondence with publicity; research; statistics from 6th Biennial; correspondence with artists; catalog mailing list; catalog copy; loan information forms","2 excerpts from publicity (typed); correspondence with catalog essay authors; correspondence with publicity; clippings; checklists; catalog copy; requests from artists; chipping information and receipts; correspondence of James Johnson Sweeney (sole juror invited); checklist for traveling exhibition; hand-written copy of register of the paintings received","1 drawing of layout and signage; 2 small lettering drawings; 1 small catalog sign drawing","Shipping information and receipts including correspondence with artists, bills and information for crating requests; correspondence re: Richmond regional jury process for national metropolitan competition","Press release; correspondence with Sweeney; correspondence with publicity; shipping information and receipts; checklists, sales information","Sweeney's own correspondence with artists and dealers and galleries re: exhibition, including Naum Gabo and Morris Louis","Correspondence with SF MOMA; checklist from AFA; copies of publicity; shipping information and receipts; correspondence with publicity; correspondence with AFA; 1 copy of catalog","Drawing and blueprint copy of layout","Catalog copy; correspondence with lenders; shipping information and receipts (or label)","1 photograph; catalog (or label) copy; correspondence with Knoedler (lender); shipping information and receipts; 1 photograph of X-ray","Invitation lists; correspondence; radio spot information; correspondence with lenders; checklists; shipping information and receipts; press release copy; catalog copy; loan item information blank","One note on a rug cleaning","Checklists with values, by lender and by artist; label research; correspondence with lenders; installation notes; shipping information and receipts; press release copy; correspondence with other institutions including the Met where the exhibition went next","Correspondence with AFA (distributor of exhibition); shipping information and receipts; checklist; information on the photographer (non-VMFA publicity); correspondence with photographer","Photograph of Reino Aarnio soap dish for Fiat Metal, photograph of new RCA portable radio; correspondence with lenders [sold it as a big 2-3 year traveling exhibition]; shipping information and receipts; clippings (for ideas); correspondence with manufacturers from all around the USA; lots of catalogs; installation sketches; catalog copy; lists of checklists from a similar MOMA exhibition; 1 copy of preview invitation; checklists; label copy","Correspondence with Block (Post cartoonist) and Comstock (Connoisseur and Antiques magazine editor); lectures; biographical information; correspondence with publicity","Original drawing plus 2 blueprint copies of design for silver display case","Correspondence with lenders from 1940 show due to requests by an author, prompted by current Valentine show; clipping re: Valentine show; copy of 1940 catalog","Correspondence with Rogers and her agent; confusion about scheduling dates; article in Vogue about Rogers [ended up cancelling show due to high costs of insurance and shipping]","Shipping information and receipts and labels for loan of some Pratt jewels by Mrs. Joseph Davies of Washington D.C. to the 1950 Easter eggs exhibition","Catalog [loan exhibition organized by the English speaking Union]; copy of catalog; microfilm copy of NYT clipping; correspondence with ESU; copies of ESU Bulletin; checklists; press release copy; correspondence with other institutions who are borrowing; catalog/label copy; shipping information and receipts installation instructions; annotated catalog; big ESU publicity kit; correspondence to/from J. L. Blair Buck in State Board of Education, main contact and President of the ESU, Virginia Branch; original NYT clipping; correspondence to/from Brigadier J.W.F. Treadwell, VP of ESU [called it \"Operation Canvass\" to garner interest in ESU in Virginia]; billing/payment information; correspondence with British Embassy","Correspondence with Knoedler and Newhouse [photograph of painting offered but not chosen]; copy of invitation; picked Provost's painting from Knoedler – in another folder]; correspondence re: cedar trees in galleries","Circulated by MOMA; correspondence with them; packing instructions; loan agreements; loan contracts; checklists; shipping information and receipts","Group form letter; correspondence with Wedgwood \u0026 Sons; publicity information; research; checklists; correspondence with other institutions; shipping information and receipts; 1 copy of invitation; list of Wedgwood dealers in Virginia [to invite]; correspondence with Annie Reese, Director of Promotions and Hensleigh Wedgwood, President, who lectured at preview","Correspondence with various clubs; dinner party plans and invitee lists; more correspondence with Wedgwood; copy of Museum bulletin; biographical information on Hensleigh; shipping information and receipts","Shipping information and receipts; biographical information; Museum Bulletin copy; installation instructions; label information forms; correspondence with Newhouse; checklists with values","Drawing of label boards; drawing of signage","Chose 4 exhibitions from PAU to circulate; correspondence with PAW; exhibition information; checklists; shipping information and receipts","Announcement; correspondence with printers; correspondence re: sales [1st year Museum has added Architecture]; copy for all printed materials; correspondence with prizewinning artists (including Stuart Davis); correspondence re: azaleas; biographical information on jury chairman, Hermann Williams, Director of Corcoran; correspondence with publicity; clippings; copy of catalog from 1949","Prospectus; requests for blanks; letter copy re: Virginia art interest and education and businesses; correspondence with artists; correspondence with art departments; correspondence re: sales; jury comments; biographical juror information; breakdown/tally by city; correspondence with jurors","Catalog copy; checklists with prices; correspondence with artists re: blanks; shipping information and receipts; correspondence re: sales and purchases; 1 copy of catalog","4 original drawings; introductory panels, signage; layout sketches; traveling show panels","4 drawings of lighting layouts in gallery; 1 drawing of movie projector stand; 1 drawing of panels; 1 drawing of overall layout","9 photographs of Metropolitan Museum of Art objects; copy of invitation; label copy for projector room showing film on armor; other label copy; correspondence with lenders; shipping information and receipts; correspondence with Met (major lender); correspondence with lecturer (Gracey), curator of Met arms \u0026 armor","Correspondence with artist and his wife; biographical information; copy of catalog from Hollins; clippings","1 photo of Stuart Davis; biographical information; catalog copy; shipping information and receipts; checklists with values; loan agreements; correspondence with jurors; correspondence with lender; correspondence with potential jurors (Andrew Wyeth)","2 drawings: sign and panel layout","Photograph of Tsar Nicholas II and family; 2 page exhibition design write-up (color, lighting, cases); catalog copy","Memo re: Arthritis Foundation; article on Dufy; reprint of 3/51 article on Dufy; paintings information sheets; shipping information and receipts; catalog of ICA in Boston; correspondence with lenders; correspondence with Arthritis Foundation; checklists with values; correspondence with publicity; correspondence with Dufy's gallery agent","4 drawings of signs and layouts","11 photographs of layout with and without people; close-ups of panels; correspondence with lecturer; correspondence with American Institute for Graphic Arts (organizer); publicity materials from AIGA; shipping information and receipts; catalog","Dinner guest list; correspondence with Chrysler; Chrysler catalog copy; correspondence with NYT","Photograph of Chrysler; copy of Art Digest (October 15, 1951) with photograph of gallery setup; catalog copy (paintings); correspondence with publicity; shipping information and receipts; catalogs of exhibition at University of Miami Art Gallery (correspondence with University of Miami Gallery also); checklist","Checklists and hanging order; correspondence with publicity; rough layout; catalog copy; correspondence with artist; checklist with values; correspondence with AFA (organizer); AFA 1953 catalog; wonderful letters that are art!","Preview invitation; correspondence with artist and wife; checklists","Catalog; correspondence with Director of Syracuse Museum of Fine Arts (Anna Wetherill Olmsted, speaker); biographical information on her, checklist","1 drawing: installation layout","14 photographs of items; \"prize awards\" press release; correspondence with Syracuse Museum of Fine Arts; publicity information from SMFA; catalogs; catalog copy; shipping information and receipts; annotated catalogs (one size, one price)","Correspondence with various institutions and individuals re: potential exhibitions, some with catalogs and clippings; list of proposed exhibition season","Correspondence with lender (Ouriel) and gallery (Knoedler); shipping information and receipts","Various mailing lists (Bulletin, publications), some by type, some alpha; letters to other institutions offering mailings (all Miss Frances Boushall)","1 drawing of small museum truck","Layout panels for 1st Museum brochure/guide","1 drawing and 1 copy of Information \u0026 Publication Desk of Museum","Correspondence with lenders of fabrics; shipping information and receipts; some original tags; label copy; some catalogs","Correspondence re: invitation mailing (one with return address of VMFA, one with Kiwanis Club); correspondence with lenders in Los Angeles","Invitation to screening; preview invitation list to film screening","Invitation; catalog copy; checklists; Mona Lisa research; shipping information and receipts; correspondence with lenders; 1 copy of catalog; correspondence with organizer; invitation copy; installation information; correspondence with Kiwanis Club","6 blueprints for models by Panold Masters; 1 drawing of signs; 1 drawing of layout; 4 drawings of lighting; 3 drawings of niches","1 drawing of layouts, panels","Catalog copy; clippings; annotated copy of catalog of retablos from Barton Collection; shipping information and receipts; checklists; annotated copies of catalog of textiles from Barton Collection; correspondence re: damage to retablos; correspondence with institutions; correspondence with lenders","1 drawing of signs; 4 drawings of lighting; 1 drawing of details of interior; 3 drawings of layout; 1 drawing of interior","1 photograph of clock; few compliments; some receipts for library exchange","Correspondence; damage reports; receipts; memos","Correspondence with Helen Comstock (editor of Magazine Antiques and guest curator); correspondence with potential lenders (individuals and institutions)","Correspondence with WSG; clippings; shipping information","Correspondence with WSG; catalog copy; press release copy; press releases; shipping information and receipts; biographical information; checklist with prices","2 photographs of paintings; traveling checklist; correspondence with artist; clippings; press release; catalog copy; catalogs of shows in New York and Toronto; shipping information and receipts; label copy; checklist with values; correspondence with lenders; correspondence with AFA (originator)","Invitation to preview; correspondence with designer and speaker, John Van Koert; correspondence with Walker Art Center (organizer); copy of Walker invitation","Press release; publicity copies from Towle Silversmiths; press releases; copy of catalog from Walker","5 photographs (duplicates); invitation to preview; press release copy; correspondence with Fogg; copy of catalog from Detroit; label copy, checklists; shipping information and receipts; correspondence re: theft of Degas drawing","Invitation to preview; invitation to lecture; clippings; correspondence with artisans re: exhibition decoration; correspondence with other lenders; shipping information and receipts; checklists; correspondence with dressmaker/speaker (Pauline Trigère); correspondence with Metropolitan Museum's Costume Institute","Correspondence with lenders; research (list of American and English novels); shipping information and receipts; correspondence with publisher; correspondence with publicity; correspondence with Met's Costume Institute; checklists with values","6 photographs (5 paintings and Maxson Holloway, Chicago Historical Society curator); shipping information and receipts; checklists; correspondence with Chicago Historical Society (organizer); annotated catalog from CHS; correspondence with other institutions; bulletin copy; press release","Catalog; correspondence with CHS; correspondence with other lender (Broadnax)","Photograph of picture; press release; correspondence with Red Cross; clippings; invitation copy; Red Cross promotional material; press release copy","Catalog; correspondence with AFA (organizer); shipping information and receipts","Shipping information and receipts; checklists","Correspondence with members of Club; correspondence with AFA","Drawing of layout; 2 photographs of paintings not in exhibit; research; label copy; correspondence with lenders; shipping information and receipts; checklists","Correspondence with Lady Astor; checklist of gift","Catalog copy; correspondence re: opening and Governor's dinner; invitation proofs; correspondence with publicity; text of Colonel Anderson's speech","Correspondence re: opening (mainly regrets)","Correspondence with the artist","1 drawing of sign","Correspondence with Institute of Contemporary Art in Boston, organizer; lecturer is Director, James Sachs Plaut; promotional materials","Correspondence with ICA in Boston; shipping information and receipts; catalog","Invitation; photograph of painting (1952); label copy; installation instructions; shipping information and receipts; correspondence with lenders","1 clipping","Clipping; press release copy re: move of cigar store figures from Jefferson to VMFA","Lots of correspondence from different institutions; publicity; list of contacts with great comments","Correspondence with dealers, galleries, institutions; lots of publicity included; schedule of exhibitions for year, especially those from AFA","Correspondence with woman at new museum about restoring a painting","1 photograph of Leonardo's bridge; Boushall's correspondence file with publicity and others interested in our publications and exhibitions","Correspondence with dealers, galleries, institutions; lots of publicity included; schedule of exhibitions for year, especially those from AFA","Quiz sheet","7 photographs of opening, gallery and piece; 1 copy of catalog","2 drawings and 1 copy of gallery layout and entry desk","Checklist; invitation, shipping information and receipts","1 drawing of book and theme table layout","6 photographs of Goya pieces; 1 photograph of someone (with mandala); catalog copy","2 invitations (1 with checklist; 1 for loan exhibition); label copy; checklists; correspondence; correspondence with lenders; catalog requests; catalog proof; shipping information and receipts","Correspondence; label copy; cover of U.S. News \u0026 World Report (2/13/53) (looks like De Stijl); shipping information and receipts; correspondence with MOMA (organizer); checklists","Press release copy; correspondence with Netherlands Embassy; lecture copy (introductions); lecturer biographical information [Carroll L. V. Meeks, Assoc. Professor of Architecture and Art History at Yale]; correspondence with MOMA","Correspondence with jurors; correspondence with potential jurors; lists of loan requests; correspondence with lenders; correspondence with publicity; shipping information and receipts; checklists; installation memos; checklists with values","\"The Significance of African Art,\" 8 photographs of items; publication reprint of \"Warega Ivories\" by Ladislas Segy; label copy; publications from Segy Gallery on African Art; correspondence with Segy Gallery (organizer); biographical data on speaker [James Johnson Sweeney, Director of the Guggenheim in NYC]; shipping information and receipts","Correspondence with speaker; label copy; press release copy; publications from Segy Gallery","1 photograph of street scene, but it has been drawn on","Copy of 1949 catalog; 1 copy of catalog; label copy; checklists by city; catalog copy; letter from Theresa Pollak regarding the way the show is chosen and hung; correspondence with artists; annotated older biennial materials; list of purchase recommendations; schedule for jurors visit; catalogs from other institutions (state shows); shipping information and receipts; traveling evaluation checklists","Copy of 1953 prospectus; correspondence with artists (Pollard's correspondence file); list of entry cards received","Correspondence with artists re: missing checks, incomplete blanks or other issues (Gaines' file)","Information from MOMA (organizer); correspondence with MOMA; checklists; shipping information and receipts; installation memo; 1 copy of invitation to opening","2 drawings","List of loans (Baltimore Museum of Art); correspondence with BMA; correspondence with speaker [Mrs. Adelyn D. Breeskin, Director of the BMA]; installation memo; checklists; label copy; shipping information and receipts. Show had 16 year age limit!","Entry/prospectus; correspondence with American Craftsmen's Educational Council; list of regional entries; correspondence with artists; completed entries; shipping information and receipts","February 1953 issue of \"The Richmond Home Builder\"","Mayor's reception schedule; lecture copy; copy of Directory of Virginia Governmental Officials (November 1950); invitation lists and planning","1 copy of invitation; lecture copy; correspondence with potential consultants","Correspondence with Thalhimer's; press release copy; lecture copy; slide list; clippings; speaker biography","Correspondence re: parking problems and conferring police authority to the Museum's guards","\"The New Art Wind Quintet\" press release; Harp Trio photograph and program; correspondence re: New Art Wind Quintet; contract copy; Harp Trio press release copy; Philippe Entremart photo; press release copy and program; correspondence with National Music league; programs; clippings","1 photograph of Victor Guye; actually a Goya exhibition file – correspondence with lenders; shipping information and receipts; checklists","Invitation; photograph of Queen Anne teapot; \"Art in Fashion\" invitation; label copy; catalog copy; correspondence with Lipton (lender) and Lipton's dealer; correspondence with speaker","Correspondence with potential participants; interim reports; correspondence with institutions in Scandinavia; exhibition proposal (typed); correspondence with embassies, consulates, etc.; shipping information and receipts; label copy; correspondence with speaker [John Van Koert]; checklists; correspondence with publicity; correspondence with AFA (organizer); 1 copy of brief prospectus; list of itinerary","Folder is incorrectly labeled \"1967\" at Library of Virginia. 1 drawing (1953-54); ALL FROM THE 1950'S: panel copy; shipping information and receipts; clippings; Sidney Janis catalogue; 1 copy of Bulletin (11/53); 1 copy of invitation, plus 1 internal memo re: new iteration as traveling show, checklist","1953 Virginia Artists prospectus; correspondence with artists; correspondence with publicity; label copy; correspondence with Des Moines Art Center (co-sponsor); shipping information and receipts; correspondence with lenders; correspondence re: purchases; biographical information on Dwight Kirsch (curator of show and Director of DMAC)","Mailing 12/1/55, \"To Virginia Painters\"; budget information; correspondence with artists; correspondence with Dwight Kirsch; annotated catalog; catalog requests; catalog disbursement list; shipping information and receipts; copy of Kansas State College Biennial Catalog (including quote from Kirsch)","1 photograph of artist and painting (John Koos with wife and Peter Khan, head of Hampton Institute Art Department); correspondence with juror; press release; correspondence with publicity; correspondence with artists (Newell's correspondence file); biographical information on Kirsch; clippings","1 copy each of 1950 and 1954 catalogs","Catalog copy; catalog proof; suggested arrangement; label copy, checklists","1 photograph of Armand Hammer; 1 photograph of room in his house; 1 photograph of Breughel painting; 1 photograph of [Erwin] Panofsky [from Institute for Advanced Study at Princeton], lecturer; 2 press releases; correspondence with Hammer; general collection information","1 drawing of main panel layout","Correspondence with lenders and dealers, artists; shipping information and receipts","Shipping information and receipts","Registration forms for each painting; checklists by gallery and by artist","Entry cards (completed); other institutional catalogs; prospectus copy; annotated catalogs; catalog copy; 1 copy of catalog; label copy correspondence with artists; correspondence re: publicity; shipping information and receipts; correspondence with jurors","Prospectus; mailing lists; budget tracking; correspondence with jurors","6 photographs of designs; shipping information and receipts; label copy; correspondence with AFA (organizer); checklists; correspondence with Cooper Union (lender)","2 drawings of panel layouts; notes re: pre-Columbian panel layout","1 drawing of panel layout; label copy","1 drawing of 20th century gallery layout with section for Virginia rotating artists; correspondence with artists; correspondence re: purchases; shipping information and receipts; biographical information; correspondence with lenders; memos re: installation; checklists","Checklists by lender and by artist; correspondence with lenders; label copy; shipping information and receipts; copy of catalog from University of Louisville with similar exhibition","1 drawing of panels; notes re: panels for exhibition","Letter to AFA re: exhibitions; exhibition proposal for Design for Theatre","Correspondence with various people and institutions re: possible exhibitions; program schedule for 1953-54; scattered exhibition-related materials as well; correspondence re: various programs, performances and dinners; correspondence with publicity; copies of Members Bulletin for March, April \u0026 May, 1954","1 photograph of Furniture of the Old South; mainly lists, both general and for particular shows","Correspondence re: an article proposed by Gulf on the Artmobile, including a photographic assignment, to run in their company magazine Orange Disc; correspondence re: subsequent mailing of issue","Letter to Presidents of Garden Clubs, 10/11/54; correspondence re: securing funding for Waddy fountain planting each season; mailing lists","Correspondence re: arrangement to use galleries for their meetings","Membership List","Copy of The Orange Disc Magazine (March-April 1954); list of Artmobile pictures used","Drawing of new membership brochure [Not taken, too hard to reproduce]; annotated membership forms; new form copy; copies of MOMA \u0026 Walker membership forms; membership campaign materials: proposal, committee schedule, plan for calls, etc., minutes of meetings, campaign reports, membership report (statistics)","Correspondence re: special loan exhibition from permanent collection; shipping information and receipts; checklists","Correspondence re: meeting; biographical information on speakers; schedule/agenda; transcribed notes from Question \u0026 Answer session","2 photographs of mural; correspondence with Rochester Institute of Technology, where she was a student (she was a VMFA Fellowship winner); correspondence with artist","\"Endorsement of the forthcoming Artmobile\" 3/10/53; \"An Exhibition of Sculpture from Africa,\" 3/22/53; \"The Hammer Collection…\" [n.d.]; \"The VMFA has purchased 3 paintings…\" 3/24/54 (short one); copies of press releases from March/April 1952/1954","13 drawings of pedestals in various galleries; notes","1 drawing; 1 list of photographs for American 19th Century","1 drawing; 1 list of photographs for Early Near Eastern","1 drawing; 1 list of photographs for Late Italian and Spanish","1 drawing; 1 list of photographs for Roman","1 drawing; 1 list of photographs for Oriental","1 drawing; 1 list of photographs for German","1 drawing; 1 list of photographs for French 17th-18th centuries","1 drawing; 1 list of photographs for Italian, 14th \u0026 15th centuries","Just list of photographs for English 16th-17th centuries","1 drawing (English 18th-19th centuries; 3 photograph lists (medieval, American 18th century, English 18th-19th centuries","1 drawing; 1 list of photographs for American 20th century","List of photographs for Virginia Today","1 drawing (Egyptian); list of photographs for Egyptian, notes","2 drawings of text panels; notes; list of photographs for North Sculpture Hall","Photograph of Blanche Tarjus; correspondence; biographical information; program copy; programs; clippings; publicity materials from National Music League; artist fee schedule; correspondence with artists; invitation copy","Photograph of damaged jade, 2 annotated photographs (all Minneapolis); shipping information and receipts; label outlines; checklists by lender and by type; correspondence with lenders; clippings, research notes; label copy; correspondence with other potential lenders","3 panel layout drawings; 4 other layout drawings; label copy; label outlines; section color suggestions and samples; list of cases needed","1 photograph of children with eggs; tear sheets from Interiors magazine; copy of 1947 Pratt catalog; suggested publicity schedule; outline of work to be done; label copy; correspondence; press releases; research; clippings; correspondence with publicity","1 drawing; 6 photographs; blue AFA Catalog list; correspondence with AFA (organizer); label copy; checklists; shipping information and receipts; fabric and paper samples; correspondence with lenders","Correspondence with artist; biographical information; shipping information and receipts; label copy; checklists","1 drawing, 1 photograph of Karolik; catalog copy; checklist; shipping information and receipts; label copy; dimension list; correspondence with Smithsonian (organizer); correspondence with collector (Maxim Karolik); 1 copy of invitation; copy of bulletin; copy of MFA Boston Bulletin on collection (10/51)","William Kienbusch and William Zorach [2 of 3 judges] catalogs; list of purchase considerations; correspondence with artists; correspondence with galleries; shipping information and receipts; checklists","1 drawing; clippings; bulletin photograph copy; correspondence with Addison (1 letter) [Addison Gallery of American Art, Chairman of Jury was Bartlett H. Hayes, Jr., Director of Addison]","Correspondence with artists; biographical information; label copy; shipping information and receipts","1 drawing; label list","1 photograph of Charles Baker; 1 drawing; shipping information and receipts; correspondence with artists; checklists; biographical information; Davis' Fellowship application; label copy","Correspondence with artists; mailing lists of artists; requests for blanks","Correspondence with artists; requests for blanks; correspondence re: incomplete forms or missing checks; handwritten list of entries received","4 layout drawings","List of winners; copy of blank certificate; copy of green prospectus; checklists; shipping information and receipts; entry copy; catalog copy; label copy; other institutions' catalogs/prospectuses; correspondence with jurors; staff members; list of artists","Correspondence with artists; entry blank requests; shipping information and receipts","Correspondence with artists; biographical information; shipping information and receipts; label copy","Typed remarks by preview speaker [Honorable Shigenobu Shima, Minister of Japan]; list of credits for exhibition","Drawings of invitation copy; 1 photograph; checklists (organized by MOMA); correspondence; label copy; 1 copy of invitation; shipping information and receipts; correspondence with Minister of Japan (preview speaker); press release copy; correspondence with MOMA; correspondence with MIYA company (lent accessories); correspondence with Japan Society","1 drawing of panel layout; correspondence with artists; shipping information and receipts; checklist","Correspondence with Corcoran (lender); label copy; shipping information and receipts","2 photographs of ICA installation; checklists from ICA in Boston; fabric samples; correspondence with manufacturer (i.e.; lender); includes some publicity materials and catalogs; shipping information and receipts; list of items sold to staff members; ICA catalog/brochure copy; correspondence with ICA; ICA press releases; label copy; ICA catalogs (1954 \u0026 1955)","Checklist; miscellaneous correspondence; ICA news releases; fabric samples; checklists","Shipping receipts for Designs for Christmas show","List of items available for purchase; correspondence with manufacturers re: sale","3 photographs; publicity materials from Virginia Chapter of AIA; shipping information and receipts; label copy","Copies of suggested schedule","Few pieces of miscellaneous correspondence related to other exhibitions","2 photographs of Suzanne Bloch; correspondence with various music organizations; publicity materials (mainly programs); clippings; Suzanne Bloch press release copy and biographical information","Catalogs and samples of wall and paper materials","Letter solicitation (7/1/55); correspondence with studios; research; exhibition proposals (Samuel Goldwyn or Cecil B. DeMille); mailing list","Correspondence; correspondence with manufacturers (including catalogs)","Copy of the Annual Report; typed and written drafts for \"Information Services and Public Relations\" report","Press release; correspondence with publicity; clippings; mailing lists; grand opening schedules; new members' room information","Copy of letter to press (11/29/55); memo re: use of mats sent to newspapers from Rex Allyn to Cheek; 5 actual mats by Virginia Stereotype Service","1 photograph of camera; correspondence with Colonial Williamsburg (author of book on Cook); label copy; camera catalogs; checklists; shipping information and receipts; correspondence with lenders; insurance information; 1 copy of invitation; research articles","John Koenig was Guest Promotion Director; correspondence with publicity; news releases; mailing lists; clippings; copy of catalog","Bulletin copy; Bulletin proofs; correspondence with speakers","2 copies of newsletter (2/55 and 12/54); 1 piece of AFA membership publicity","Copies of 51st and 53rd programs; copy of letter to publisher of 55th (VMFA was in it)","Rex Allyn's correspondence file; correspondence with publicity; correspondence with other institutions; clippings","4 drawings; 10 photographs; copy of catalog of traveling show in São Paulo, copy of checklist and hanging order sheet; label copy; correspondence with artists; publicity; biographical information; shipping information and receipts; correspondence with publisher; press release, checklists (for traveling too); circulated by AFA","Copy of invitation to costume ball with note about asking about museum as location","AFA Newsletter, 12/55","Publicity; correspondence with Junior League about volunteers; copies of articles in The Leaguer; press releases","Publicity; copy; catalog photographs; correspondence with speakers; cards with state exhibitions on them; clippings","Publicity; copy of Bulletin; press releases","Copy of Carl Sandberg's prologue; invitation; correspondence with MOMA (circulator); copies of drawings of installation from MOMA; copy of catalog; contract; press releases; checklists; shipping information and receipts","Article copies (by Marguerite Tabb)","Correspondence with Jaycees","Correspondence","Correspondence with Society; copies of minutes","Publicity from American National Theatre and Academy","Correspondence with WRVirginia \u0026 WLEE; list of personnel","Publicity; Artmobile schedule","Correspondence with Society; publicity; schedule and financial statement of Society","Press releases (4/14/55; 4/12/55); schedule and procedure for ceremony of awards (4/29/55); press release (4/25/55); other press releases","Copy of minutes from meeting","Correspondence with printers; budget information; samples of items; purchase orders","Miscellaneous correspondence","Correspondence; summary and minutes from conference","Correspondence with Whitney Museum; correspondence with other museum directors (Leslie Cheek a sort of consultant)","Copy of letter from Rhoads to Board; correspondence with Rhoads","Correspondence re: Georg Jensen exhibition; checklists (from SITES)","Correspondence with artists; biographical information; checklists; shipping information and receipts","Invitation; correspondence with Catherwood Foundation; label copy; exhibition proposal","Press release; shipping information and receipts; correspondence with Catherwood; Catherwood publicity; checklists; label copy","1 drawing of layout; label copy; checklists; list of loans requested; shipping information and receipts; correspondence; correspondence with publicity; correspondence with lenders; 2 annotated copies of printed checklists; copy of Bulletin","1 copy of printed checklist; correspondence with lenders; request for information cards; 1 annotated copy of printed checklist","\"Caption for Watteau Mat\" and press release (1/11/52); press releases; list of loans; checklists","Correspondence with potential lenders for Fetes Galantes","Photography purchase requests; invoices","Shipping information and receipts; correspondence with lenders; clippings","Correspondence with lenders; shipping information and receipts; request for information forms; label copy","1 copy of catalog; 1 copy of Ford Times on which the show was based; checklists; correspondence; catalog copy; correspondence with Ford; copy of story for Commonwealth","2 photographs of Helen Wearstler Foht; 1 duplicate photograph of her; checklists; correspondence with artists; shipping information and receipts; label copy","Correspondence with artist and his dealer (Hammer Galleries); copy of the exhibition catalog; label copy; 1 book jacket of his (High World); insurance information; shipping information and receipts","2 photographs; checklists; shipping information \u0026 receipts; correspondence with artists; label copy","1 photograph; 1 duplicate photograph (Aubrey Bodine or O.F. Romig) [these 2 were judges, A. Aubrey Bodine of Baltimore and Orlando F. Romig of Pittsburgh]; correspondence with artists","Shipping information and receipts; correspondence; press release","1 photograph of unknown; 1 photograph of Carl Roseberg; shipping information and receipts; sales information; checklists; correspondence with artists; label copy","3 photographs; checklists; biographical information; correspondence with artists; label copy","Invitation; list of possible artists publicity/catalogs from other shows; invitation copy; mailing list; checklists; correspondence with Sculpture Center; shipping information and receipts; correspondence with artists; correspondence with lenders; label copy","4 drawings of label panels; sheet for each with list of photographs for panels","2 photographs; shipping information and receipts; correspondence with artists; checklists; sale information; biographical information; label copy","Invitation; 1 photograph of show at Corcoran; 1 drawing; also 1 drawing of Chinese gallery, press release 3/4/55; correspondence with SITES (organizer); shipping information and receipts; checklists; correspondence re: damage to a chair; label copy; correspondence with publicity; 1 copy of catalog; 1 copy of Danish Foreign Office Journal","Correspondence with lender; shipping information and receipts; checklists; George Poiret print collection exhibition catalog (rents them)","1 photograph; correspondence; clippings","Copy for theatre publications","Program for 57-58 season; copy for earlier brochure","One letter re: season's policies","2 pieces of correspondence","\"A Proposal,\" (letter 7/14/56); Dance Society meeting minutes; correspondence; budget information; mailing list","Program April 20, February 24, January 6, October 21, September 16; correspondence (1 letter); 1 copy of a mailing","Checkbook; correspondence re: taxes","1 photograph (Richard Steinway); duplicate photograph (John Langstaff); 1 photograph of John Langstaff with Berkshire Quartet; 1 duplicate photograph and 1 regular photograph of Albeneri Trio; 1 season program","1 photograph of John Langstaff; 1 duplicate photograph of Robert Conant; 2 photographs of Amadeus Quartet; 1 photograph of Alfred Deller; 1 duplicate photograph of Alfred Deller Trio; 1 photograph of Emily Frankel and Mark Ryder; correspondence; proposed relations between the 2 organizations; meeting minutes; letter drafts; program copy; publicity materials","Wishes to thank card; Davenport Carrington letter; response card; meeting minutes; program schedule; clippings; correspondence; budget information; form letter with mailing lists; promotion planning","Shipping information and receipts; correspondence","1 copy of schedule of programs and events","Correspondence from Velz (he was on Executive Committee for 1956-1957) to various people re: events; \"The Public Relations and Information Program of the Virginia Museum of Fine Arts\" paper","1 clipping (RTD 2/15/56-they got charter)","RAUC Summary Report 1949-1956; correspondence of RAUC; evening courses for adults announcement","Correspondence re: lecture on architecture of Japan","Correspondence re: fundraising drive; interoffice memos","Hundreds of photographic department purchase requests","1 copy of magazine, October 1956 issue with VMFA feature","8 drawings of alcoves; layouts; permanent installations; lists of photographs for alcoves; memos re: installation needs; photograph orders; lists of titles for information panels; correspondence re: information panel production; panel copy; budget information; information re: hanging heights in galleries; sample label paper","\"Art Reference Resources in Virginia\" questionnaire (all about art libraries); 1 piece of correspondence about putting brochures on ferries","3 photographs from Brazilian show; newspaper and magazine clippings; catalogue and clippings for 1951 Brazilian show (Children's Book Illustrations); information and press releases and correspondence for 1953 fellowships; 1950-51 fellowship information; blank application; information on Jenny-Lynn Franklin's mural; press releases for 1956-1957 fellowships","Traveling checklist and hanging order; label copy; correspondence with artist; shipping information and receipts; correspondence re: traveling exhibition; checklists; correspondence with AFA; clippings; blank loan contract; correspondence with borrower; itinerary; AFA publicity materials for show","Material from MOMA on their 25th anniversary","2 drawings of panel layouts; list of photographs used; memos; label copy; photograph order","Mailing list; copy of Bulletin; cards sent to institution for their exhibition listing in Bulletin (called \"Elsewhere in Virginia\")","Photograph of Merrill Moore; 1 photograph of Governor Stanley; biographical information on speakers; correspondence with speakers; publicity material for Merrill Moore's new book","Mailing (open house invitation); letter from Rhoads to members; renewal card, 1 photograph by Yardley; membership letter draft; correspondence between committee members; brochure proofs; previous membership requests; privilege information; budget information; brochure copy; paper samples","Brochure copy","Fashion Festival facts; Council letter (3/21/56); program; invitation copy; correspondence with Miller \u0026 Rhoads; correspondence re: Council; correspondence with Harper's Bazaar; correspondence with publicity; mailing lists; schedules; meeting minutes; annotated scripts \u0026 schedules; fabric samples; program copy","Complete reply cards; correspondence re: Council children's events; publicity materials for puppet theatre; blank reply cards","Correspondence with artists; checklists with sale prices; shipping information and receipts; biographical information; label copy; photograph purchase requests","1 photograph of \"Black Beast,\" 1 photograph of \"Croquet Player\"; correspondence with AFA (who turned down show) and ICA Boston; correspondence with publicity; shipping information and receipts (now called \"Collection Memos Receipt\"); correspondence with lenders; insurance information","Correspondence with publicity; correspondence with artists; correspondence re: preview, installation information and schedules; correspondence with lenders; shipping information and receipts; label copy; correspondence with AFA re: withdrawal; list of lenders; photograph orders","1 drawing, 27 photographs; 1 duplicate photograph (Henry Robinson Luce); label copy; correspondence; shipping information and receipts; [unlabeled: (lady) Elsie de Wolfe; Henry Dreyfuss (architect)]","3 photographs of jurors; 1 photograph of sculpture; 1 photograph of tempera painting; correspondence with jury; checklists; shipping information and receipts; clippings; dinner lists and plans; correspondence with lenders; label copy; Ben Shahn catalog; biographical information; insurance information","1963 Virginia Artists blank; shipping information and receipts; correspondence with artists; label copy; biographical information","2 drawings (1 by her, 1 by Leslie Cheek); checklist with values; correspondence with artist; shipping information and receipts","Entry cards; shipping information and receipts; sale information; correspondence with artist; insurance information; Council Preview Party gifts information (new); check stubs; list of entrants; preview mailing list for businesses","Virginia Artists jury memo (1/25/57); blank certificates (signed); traveling exhibition checklist; 1957 prospectus; label copy; copy of 1936 catalog; speech copy; Bulletin copy; annotated 1955 blank; prospectus list; entry requests; catalogs and brochures from other exhibitions; prospectus copy; catalog copy; schedule; correspondence with publicity; shipping information and receipts; correspondence with jury; clippings; certificate recommendation list; jury report; correspondence with artists; biographical information on certificate winners","Shipping information and receipts; correspondence with artists; 1 copy of catalog","Drawing of layout","3 photographs of installation (location unknown, not VMFA); correspondence with American Institute for Graphic Arts (organizer); shipping information and receipts","\"A Brief Description of the 'New World Achievement' Exhibit,\" invitation and drawing; label copy; checklists; schedules; Jamestown materials for 1957 festival; list of lenders; for letter draft; credits; musical selections; annotated invitation; correspondence with Jamestown Committee members; copy of Commission report; shipping information and receipts; invitation copy","Illustration lists for panels; label copy","2 duplicate photographs; research and information panel copy","1 photograph of a plate; correspondence with lenders; shipping information and receipts; information request forms; label samples","3 photographs; correspondence with lenders; shipping information and receipts; information request forms","Information on VMFA and Jamestown Festival","Correspondence with ESU re: speaker and other events; correspondence with embassy; clippings; invitations; speaker publicity","Checklists; shipping information and receipts; correspondence with lenders; insurance information; 1 copy of VMFA Summer Calendar","1 drawing; photograph; checklist; catalog; publicity materials from AFA (organizer); measurement lists; correspondence with AFA; correspondence with Near East College Association (co-organizer); shipping information and receipts; label copy; checklists with values","2 photographs; \"Emblem of the 1957 R.S. Reynolds Memorial Award\"; 20th century works of art catalogue from the University of Illinois-Urbana; label copy; AFA publicity materials; Reynolds Memorial Award publicity materials; correspondence with AFA; correspondence with Reynolds; correspondence with artist","1 drawing, 7 photographs, press release; checklists; label copy; shipping information and receipts; MOMA publicity materials; correspondence with MOMA; label copy; condition report","1 application; 2 memos","Council member letter (2/1/57); \"The Big Frame-Up,\" script and cast list; volunteer lists by reject type; Council proposal for buying Virginia Art; preview invitations; clippings; correspondence with and between Council members; invitation copy; prize list","1 photograph (Joseph Gilliard); correspondence with artists; invitation correspondence; checklists; biographical information; shipping information and receipts; photograph orders; label copy","Invitation, traveling exhibition checklist; label copy; shipping information and receipts; checklists; correspondence with publicity; correspondence with artists; biographical information; correspondence with AFA; catalog of other comic show in NYC; press release copy; AFA Catalog 1957-58; photograph orders","1 photograph of speaker (Rorimer); correspondence with speakers (library lecture series); list of speaker possibilities","Checklists; shipping information and receipts (re: return of traveling show)","Invitation to children's play; correspondence re: children's events, including play","Membership letters; blank application; list of dropped group members with form letter; memo re: procedure","Introduction letter (9/28/56); letter (1/15/57); menu; correspondence and planning re: Council luncheon and other meetings; list of Council programs for year; correspondence; shipping information and receipts for lecture supplies; clippings","4 photographs (Iris Nordquist?); label copy; correspondence with artists; shipping information and receipts; biographical information; checklists","An example file: instructions regarding how to do the shows, rules, etc. plus samples of forms and documents","Memos and notes re: quality of transparencies used for postcards","Correspondence re: adult photography class taught by Burris (Gordon G.), staff photographer; correspondence with manufacturers re: enlargers; equipment brochures","Correspondence and agreements re: film society showings for year","5 Remington Rand catalogs; Library and filing supplies; correspondence with other librarians (arts); correspondence with possible applicants; results of art resources surveys; list of equipment desired; list of periodicals [bunch of \"Habiliments\" material]","Label copy; checklists; correspondence; correspondence with artists; sales information; repairs, shipping information and receipts","Form letter from Rhoads to members","Correspondence and memos from McClellan \u0026 Velz (PR and publicity-related) [Richard Velz, Division Head, Administrative Division; E.T. McClellan, Public Information Head]","1 photograph (Thomas Kenneth Rowe); 4 photographs of paintings; correspondence with artists; checklists; shipping information and receipts; biographical information; clipping","Label copy; shipping information and receipts; correspondence with artists; checklists","Correspondence with lenders; label copy; shipping information and receipts (no catalog published for this one)","Preview invitation; 2 photographs; layout drawing; label copy; correspondence with ICA Boston (organizer) \u0026 Detroit Institute of Arts; correspondence with Winston; checklists; shipping info and receipts; catalog of collection at University of Michigan","7 photographs; label copy; shipping information and receipts; correspondence with artists; checklists; clippings; biographical information","1 photograph; label copy; AFA publicity materials; correspondence with lenders; shipping information \u0026 receipts; credits; correspondence with designer (Oenslager); clippings; biographical information; 1 copy of catalog; AFA brochure (1957-1958)","2 photographs; AFA materials; correspondence with AFA; label copy; shipping information and receipts","Panel layout drawing; 1 photograph; checklist; list of lenders; label copy; checklists; Carnegie press releases (organizer); correspondence with ICA Boston (circulator); correspondence with Carnegie; correspondence with lecturers; shipping information and receipts; 1 copy of catalog","Correspondence with Smithsonian; Smithsonian press release; checklist; shipping information and receipts; label copy; 1 copy of catalog","6 photographs (Barbee); 6 photographs (Lou Ponder-Rogers); checklists; correspondence with artists; shipping information and receipts; biographical information; various catalogs; label copy","6 photographs (Thomas Gorman); 6 photographs (Marilyn Downes-Bennett); shipping information and receipts; correspondence with artists; checklists; label copy","1 drawing; duplicate: invitation letter; \"Art Lending Service\"; press release; mailing list; Bulletin copy; invitation copy; copy of 1947 catalog; correspondence with artists; list of eligible artists; list of previous rotating exhibitions","1 layout drawing; 2 photographs; checklists; label copy; correspondence with Warburg; shipping information and receipts; 1 copy of invitation","Copy of invitation; miscellaneous memos","1 American classics drawing; 1 duplicate Skidmore, Owings, Merrill layout drawing; 1 copy of a gallery catalogue from New York; checklists; list of preview guests; shipping information and receipts; promotion plan; correspondence with publicity; promotion plans; press release","\"SOM Projects,\" clipped prose and labels; label copy; copy of MOMA Bulletin on SOM (Fall 1950), XVIII, 1","Folder with label on front \"William Rhodes\" scheduling events surrounding opening of new Reynolds Metals Building; correspondence with publicity; correspondence with SOM; correspondence with Reynolds; shipping information and receipts; preview plans","1 photograph (Colorado Springs Air Force Academy); 1 photograph (Frederick D. Nichols, professor at School of Architecture, UVirginia); label copy; correspondence with publicity; Reynolds Metals opening schedule; annotated press releases; clippings, correspondence with potential speakers; Bulletin; shipping receipts","5 photographs and 1 slide; correspondence with Reynolds; correspondence with publicity; correspondence with William O'Neal, lots of miscellaneous correspondence","Around 10 magazine clippings","1 photograph; clippings; press release; \"1962 American Painting\" catalog; \"The Story of Steuben Glass\" book","1 photograph (duplicate); 1 drawing of pedestal; label copy; correspondence with Steuben glass; shipping information and receipts","9 photographs; 1 drawing; 1 duplicate photograph (Dorothy Miner); label copy; correspondence with Andrew Wyeth; correspondence with lenders; correspondence with local librarians; correspondence with speaker (Dorothy Miner); 1 copy of invitation; 3 annotated copies of catalog of paintings at Knoedler; shipping information and receipts; biographical information","Documentation; correspondence and schedules for school group tours, all ages and subjects; some docent information","1 copy of November 1958 – 44:11","1 folder of press releases, VMFA Bulletin, 2 photographs, called \"News About our New General Office Building.\"","1 folder with label \"Mrs. M.B. Christison\" with opening schedule information","1 photograph (Edwin Burr Pettit – Brandeis lectures); information re: Council lecture-luncheon 1957; handouts; reservation cards; correspondence, Lecture Series schedule; correspondence with potential lecturers; clippings","Correspondence re: mailing list and press releases","Correspondence with publicity; publishers and personalities; printer","1 photograph; correspondence with publicity; correspondence with dealers; press releases, Poussin material; mailing list","Correspondence with Professor of Applied Social Research at Columbia re: public relations","1 drawing; shipping information and receipts; correspondence; label copy; correspondence with lenders; UVirginia catalog","3 drawings; 9 photographs; 1 duplicate photograph; label copy; exhibition catalog from L'Art Ancien, S.A. Zurich; correspondence with Brooklyn; shipping information and receipts; invitation copy; 1 copy of invitation; clippings; AFA materials and correspondence","\"Virginia Artists Jurying: Requested Arrangements \u0026 Operations\"; 17 photographs (1 of Perrin - labeled, 1 of Bertoia - hat, 1 of Lee – other; correspondence with potential jurors; correspondence with jurors; shipping information and receipts","1 photograph; invitation (3 copies scattered); 1 drawing; checklists; biographical information; label copy; correspondence with Aldrich; catalog correspondence; correspondence with publicity; catalog copy; shipping information and receipts; clippings","Correspondence with printer re: catalog; \"thank yous\" for exchange or gift of catalog","\"Complete Catalog\" copy; correspondence with artists; information requests; shipping information and receipts; 1 certificate (signed by Sherman Lee); clippings; correspondence with jurors; schedules; lists of entries by place; entries (completed); certificate recommendations; prospectus copy; clippings; checklists; other institutions' prospectuses; other catalogs; correspondence with publicity","1 drawing; catalog copy; 1 copy of prospectus; label copy; prospectus proof","Correspondence with winners; list of certificates; list of recommendations","15 photographs; 1 drawing; correspondence with Metropolitan Museum of Art (speaker); label copy; correspondence with Minneapolis Institute of Art (lender); checklist; shipping information and receipts","5 photographs; correspondence with potential lenders; correspondence with APVirginia; correspondence with Virginia State Bar; checklists; shipping information and receipts; label copy","Correspondence; label copy","Correspondence with the Olsen Foundation (lender); 1 copy of catalog; shipping information and receipts; checklist","12 photographs (whoever had show October 7- November 4, 1956); catalogue; research; checklists; correspondence with Olsen Foundation","Suggestion for gala fundraiser","Correspondence with VHS","Correspondence with artists re: eligibility; old Virginia artists catalogues (1953 \u0026 1955); prospectus and rules","1959 catalogue; lists of eligible artists; label copy","3 negatives, 5 photographs; correspondence with lenders (NYPL, Wadsworth, Met); checklists; chipping information and receipts","Correspondence with Virginia State Bar Association","7 small photographs (Broaddus); 5 photographs (Russi); 5 photographs – prints – (Turner); correspondence re: sales; biographical information; correspondence with artists","1 photograph (Davenport); 9 photographs (Davenport); 1 photograph (Jones); 4 photographs (Jones); checklists; label copy; correspondence with artists; biographical information; shipping information and receipts","Shipping information and receipts; request for information forms","Receipts","7 photographs (I. Moore?); 7 photographs (Lois Jacobsen); 7 photographs (Bill Gaines); 1 photograph (Jacobsen); correspondence with artists; shipping information and receipts; invitation copy; correspondence re: sales","4 photographs; 1 drawing (duplicate); duplicate: catalog list (blue); correspondence with AFA; AFA materials; clippings; biographical information on lecturer; checklist; correspondence with publicity; preview dinner plans; shipping information and receipts; 1 copy of catalogue","Correspondence with lenders; publication exchange cards; checklists; committee member list; correspondence re: catalog","2 photographs; 1 photograph (Basil Taylor); 1 duplicate photograph of unknown; 1 duplicate photograph (Alice Higgins); 1 drawing; clippings; biographical information on Sports Illustrated photographers; press releases; checklists; mailing lists; budget","Label copy; checklists","Clippings; publication exchange cards; correspondence with publicity; 1 copy each of 2 invitations; dinner seating arrangement","Correspondence with lenders","Dinner reservation list; dinner invitation (March 1960); list of patrons; budget information; invitation copy; shipping information and receipts; financial reports; correspondence with publicity; travel plans, correspondence with Basil Taylor; 1 copy each of 2 invitations; correspondence with Mellon","Research; checklists; correspondence with possible lenders; correspondence with Corcoran (organizer of Sports Illustrated exhibition); other exhibition catalogs; correspondence with Mellon; clippings; committee correspondence; label copy; correspondence with publicity; correspondence with ambassadors; invoices; issue of \"Sport \u0026 the Horse: The Chronicle,\" (4/1/60)","1 drawing of dinner arrangement; correspondence with lenders; correspondence with committee members (including Mellon); shipping information and receipts; correspondence re: catalog; travel plans; invitation copy; correspondence with lecturer; correspondence with ambassadors","3 photographs of packing Manet's \"Races at Longchamp, Paris\"; correspondence with lenders; shipping information and receipts; correspondence with Mellon; correspondence with publicity; correspondence re: damage to Manet","Shipping information and receipts; correspondence with lenders","Correspondence with Blunt (Courtauld) and with royal collection","Catalog copy; 1 letter from the Palais du Louvre","Correspondence with Mellon; correspondence with committee members; list of patrons; requests to join committee","Correspondence with Constable, consultant to exhibition (former curator, MFA Boston); Courtauld Director; Art History Professor, University of London)","Correspondence with Bourlet \u0026 Sons","Correspondence with Duveen \u0026 Walker (insurance brokers); copy of policy","Correspondence with Mellon; various lists","Correspondence with potential lenders; preliminary loan list","1 photograph of Sir Robert Walpole by Wootton; shipping information and receipts; correspondence with lenders; correspondence with Paul Mellon; handwritten list of lenders","Checklists; item cards","Budget tracking (including dinners); list of contributors; correspondence with Department of Accounts; receipts with correspondence; gala invitation copy; correspondence with publicity; correspondence with Mellon; 1 invitation; gala planning; menu copy; various ad rate cards (including Sports Illustrated); \"The Sports Illustrated Guide to Regional Marketing,\" with Sports Illustrated issue 4/18/60","1 duplicate photograph of \"Brown Horse \u0026 Spaniel\" by Stubbs; correspondence re: repair (blister) of Stubbs' painting lent by Katherine Gilbey of England","2 photographs (of Stubbs' Hambletonian, Rubbing Down receipt); correspondence with lender (Estate of the Dowager Marchioness of Londonderry); shipping information and receipts","Correspondence of the British Council","Correspondence re: catalogue","Requests for catalogue","Checklists by lenders, artists, type","Correspondence with lenders","Miscellaneous correspondence re: Sport \u0026 the Horse","Correspondence with Murray, librarian at the Witt Library, Courtauld","Catalogue copy; label copy","Over 100 plus photographs!","Correspondence with publicity; clippings","Correspondence with Mellon; suggested publicity plan; clippings, correspondence especially Basil Taylor [Librarian, Royal College of Art, London] and W.G. Constable; checklists (essentially Muriel Christison's file)","Shipping information and receipts","Completed request for information forms; packet of information on paintings from Wildenstein","Correspondence with dealers; checklists; correspondence","3 photographs of Monet's painting packed; 1 photograph of James Ward \u0026 Skewbald Stallion; correspondence with lenders; shipping information and receipts; checklists","1 duplicate photograph (Gilpin's Gulliver \u0026 Houyhnhnms); correspondence with Basil Taylor (Librarian, Royal College of Art); essentially Muriel Christison's correspondence file; biographical information; catalog copy; label copy; checklists","6 Prentiss Taylor photographs, 1 photograph of Taylor, 1 photograph of Lazaron exhibition; correspondence with artists; sale information; other catalogs; biographical information; clippings; checklists; shipping information and receipts","Prospectus copy; misfiled correspondence","Prospectus copy","1 photograph of installation; 6 slides (unlabeled); 1 copy of prospectus; correspondence re: jurors and jurying; list of certificate winners; correspondence with winners; dinner replies; other catalogs; correspondence with artists; correspondence with jurors","1 drawing; 1 copy of 20th Photographic Salon prospectus (blue); 2 posters from Virginia Art Directors Club 57th Annual Exhibition; Mariners Museum catalogs, etc. (lots of prospectuses and catalogs for similar exhibitions; entry requests; correspondence with jurors; jurying information","Checklists; notes; 1 copy of 20th Virginia Photographic Salon invitation and catalog; press release","ADP prospectus; requests for entry; mailing lists; correspondence with Camera Club \u0026 Photographic Society of America; annotated copies of 20th Virginia Salon catalog; 1 copy of PSA Journal 1960 – membership list","Sale information; checklists; correspondence with artists; insurance information; biographical information; shipping information and receipts","3 duplicate photographs of artists, 1 photograph of panel; biographical information; correspondence with artists; checklists; shipping information and receipts; correspondence with publicity","Correspondence with artists; checklists; shipping information and receipts; sales information; biographical information","\"Art Lending Service,\" generic invitation; correspondence with artists","\"Notice to Virginia Photographers,\" 1 drawing, 1 photograph of juror [Hoyt L.] Roush; prospectus copy; entry requests; checklists; annotated prospectus; information re: jurying; correspondence with jurors; correspondence with Camera Club; catalog copy; copies of 18th \u0026 19th photographic salon catalogs; lists of winners; shipping information and receipts; biographical information","20th Photographic Salon prospectus; other catalog; entry requests; prospectus copy; ADP prospectus copy; clippings; news release; 1 drawing of ADP layout (already have it)","1 drawing; 1 copy of catalog; correspondence with MOMA (organizer); MOMA materials; shipping information and receipts; label copy; checklists; contract","Two 12/1/59 press releases; 3 photographs from 1/2/60; press release; clippings; correspondence with publicity; list of attendees; correspondence with UNESCO","Correspondence with jurors; shipping information and receipts; correspondence with lenders; completed request for information forms","2 negatives of Joseph A. White (shipper) and Perry Rathbone (Director, MFA Boston); checklists; correspondence with publicity; correspondence with lenders; biographical information; list of events; 2 prints of negatives","Correspondence with lenders","Invitation copy; catalog copy; annotated Sport and the Horse invitations, programs and menus; copy of \"Brief History of Virginia Museum,\" lecture copy","Correspondence with CW's President; biographical information","Correspondence with Gibbs (President of Gibbs \u0026 Cox, Architects); biographical information","Biographical information (of Lehman Brothers, investment banking); correspondence with Lehman","Correspondence with Marshall Fredericks (accepted Carl Milles award); biographical information; correspondence with Mrs. Milles","Annual reports (1956-58, 51-55, 41-50); biographical information on Ernest Brooks (President of Foundation) and correspondence with Brooks; miscellaneous correspondence","Correspondence with Saarinen; biographical information (correspondence re: Arts in Virginia article)","Notes; correspondence with contributors; correspondence with vendors","25 photographs; 1 duplicate photograph; correspondence with lenders and directors of lending institutions; biographical information","1 copy of preview invitation; list of invitees; drafts of publicity correspondence; correspondence with governor; memos","Various checklists","More checklists","Correspondence with lenders (in alpha order of lenders)","Correspondence with potential lenders (compiled by lender)","1 letter to Director of Toledo Museum of Art","Correspondence with publicity (compiled by institution)","33 duplicate photographs; 9 new photographs; shipping information and receipts; requests for information forms","24 duplicate photographs; 4 new photographs; shipping information and receipts; requests for information forms [n.b.: some overlap between folders 8 and 9]","Shipping information and receipts with new form: \"Collection Memo \u0026 Receipt.\"","1 drawing; 3 maps of table arrangements with names; 1 letter of thanks to Miller \u0026 Rhoads","\"Virginia Artists Jurying\"; 1 photograph; completed entry blanks; prospectus copy; correspondence with artists; correspondence re: sales; shipping information and receipts; list of certificate winners; labels; budget information; correspondence with jurors; prospectus proofs; correspondence re: damages; list of invitees for collectors reception","Small bit of correspondence; prospectus copy","5 photographs; correspondence with lenders; shipping information and receipts; checklists","Press release form; SITES checklist; SITES press release, 3 photographs; collection of memos and receipts; press release copy; correspondence with venders; staff memos; checklists; clippings; shipping information and receipts; request for information forms; SITES contract","Empty folder","Correspondence with artists; correspondence re: sales; shipping information and receipts","Correspondence with artists; correspondence re: sales; shipping information and receipts","Correspondence with artists; correspondence re: sales; shipping information and receipts; biographical information; overall rotating schedule; insurance form (new that year)","3 photographs; correspondence with artists; shipping information and receipts; checklists, insurance form","Correspondence with artists; shipping information and receipts; other catalog; checklists; insurance forms","1 drawing; correspondence with publishers and booksellers; correspondence with American Institute of Graphic Arts (circulator); shipping information and receipts; label copy; insurance form","5 photographs; label copy; research, correspondence with AFA (circulator); AFA materials; checklists; exhibition contract; press releases; shipping information and receipts; 1 copy of invitation","1 photograph; 1 drawing; 1 copy of invitation; correspondence with artist (Ruth Perkins Safford); label copy; price list; invitation copy; traveling exhibition checklist","9 photographs; 1 duplicate photograph; correspondence with MOMA (organizer and circulator); label copy; shipping information and receipts; 1 copy of invitation; MOMA materials; checklists","3 photographs; shipping information and receipts; correspondence with artists; lists of all eligible artists","Label copy; correspondence with artists; correspondence with lenders; insurance form, checklists; shipping information and receipts","1 drawing; duplicate: preview invitation; AFA materials (circulator); panel copy; 1 copy of Bulletin (November 1961); checklists; label copy; exhibition contract; correspondence with AFA; shipping information and receipts; AFA informational card (1 copy); correspondence re: sales","List of private purchasers; correspondence with artists; check receipts; shipping information and receipts; signed release forms (when items were released from museum custody); checklists; \"Report of the Council Committee for the Virginia Artists' Exhibition, 1961\"; list of business purchasers","\"Art Lending Service,\" \"Release Form,\" 1 drawing, \"Artist Form,\" another \"Art Lending Service\"; correspondence; schedule; procedures","\"Virginia Artists Jurying,\" \"Collectors' Reception\" (2/24/59), \"Tax Consequencies of Gifts of Picture,\" \"List of Firms\"; correspondence; invitation copy; memos; catalog and prospectus copy for 1961 show; label copy; procedures re: sales; check receipts","1 photograph; correspondence with artist; recommendation from Cheek; biographical information","1 bound copy of \"Cross-Examination of an Art Collection\" by Fred L. Palmer; correspondence with Palmer; checklists; shipping information and receipts; list of valuations; biographical information; collection memo and receipt; insurance report form","3 pieces of correspondence re: possible Eisenstaedt exhibition","2 photographs (duplicates); research; checklists; insurance report forms; shipping information and receipts; collection memo and receipts; label copy","Panel copy; label copy","1 photograph; shipping information and receipts; correspondence with artists; insurance report forms; Virginia Artist application; checklists","Invitation; label copy; clippings; correspondence with Railey (Mrs. Howard); research; auction catalogue: Hotel Drouot, 20 November 1861; shipping information and receipts; checklists; insurance report form","5 photographs, 1 drawing; correspondence with Director, H. Bryan Caldwell; checklists; collection memo and receipts; insurance report forms; research; press release; copies of Norfolk Museum Bulletins; Norfolk materials; 1 copy of \"Hugh Gordon Miller Collection of Paintings\"; correspondence with other Norfolk staff; 1 copy of \"The Great Mace of Norfolk\"; shipping information and receipts","Fact sheet; catalog copy; list of winners; copy of speech at preview","Prospectus copy; signed endorsement of prospectus by AIA, Virginia Chapter; prospectus proof","Signed certificates of distinction; prospectus copy; correspondence with jurors; biographical information; jury instructions; fact sheet","Jury instructions; fact sheer; list of winners","Label copy; insurance report form; memos; shipping information and receipts; correspondence with artists; biographical information","2 photographs, 1 drawing; label copy; correspondence with lender; correspondence with Basil Taylor; correspondence re: insurance; shipping information and receipts; police stand information","1 drawing; label copy; police stand information; correspondence with artists; correspondence with Hayes (Director of Addison); biographical information","1 copy of catalog; 1 copy of \"Artist-Craftsmen of Western Europe\" Catalog; unsigned invitation forms from Hayes; copies of telegraph information requests; label copy; correspondence with artists; correspondence with lenders","7 photographs; 1 copy of catalog; catalog copy; correspondence re: possible purchase of Nell Blaine painting","2 photographs, invitation; correspondence re: damage; shipping information and receipts; correspondence re: insurance [other correspondence: with artists; re: catalog; with publicity; with Hayes; re: lecture; with lenders; press releases; copy of Time magazine 1/19/62 re: Yu-Ho]; 1 copy of catalog","Shipping information and receipts; correspondence with lenders; signed invitation forms; a few other catalogs","22 new photographs; 8 duplicate photographs; some correspondence re: photographs","Shipping information and receipts; correspondence with lenders; checklists; insurance report form","Invitation; correspondence with contributors to AIV and Miss Christine Alexander, former curator at the Met \u0026 now advisor on Greek art to VMFA; staff memos; label copy; checklists; correspondence re: photographic panels for exhibition","Research (including sketches by Christine Alexander); notes; label copy","Press release; checklist; label copy","41 photographs; 12 duplicate photographs; label copy; correspondence with publicity; memos","1 drawing; label copy; checklists; shipping information and receipts; correspondence with Karolik; research; collection memo and receipt; insurance report form","12 photographs; correspondence with publicity; correspondence with potential lenders; correspondence with lenders; Jamestown Festival materials; correspondence with Jamestown; label copy","8 photographs; correspondence with artists; insurance report forms; shipping information and receipts; checklists","1 photograph; 1 duplicate photograph; 1 duplicate information sheet [\"Collectors Circle,\" 4/30/62]; shipping information and receipts; information request form; correspondence with collectors; label copy; schedule of \"expert\" lecture; insurance report form; 1 copy of invitation","Label copy; memos; correspondence with potential lenders; correspondence with SITES; correspondence with various Civil War Centennial Commissions; loan contracts (SITES); checklists; SITES materials; press releases; shipping information and receipts","12 photographs, 1 sealed envelope with possible photographic material ;checklists; label copy; correspondence with artists; shipping information and receipts","14 photographs; correspondence with artist; biographical information; memos; shipping information and receipts; insurance report form; clippings; label copy","5 photographs, 10 slides (Bristow); correspondence with artist; correspondence re: sale; press release, biographical information; memos; label copy; checklists; insurance report form; shipping information and receipts","Invitation; 1 annotated copy of \"Stravinsky and the Dance,\" NYPL, 1962","7 photographs; 2 duplicate photographs; staff memos; correspondence re: preview; correspondence with lenders; correspondence with AFA (circulator); checklists; correspondence with publicity","Sample of stuffed envelope to be weighed for postage","7 photographs; duplicates: checklist, suggested press release; correspondence with SITES; SITES materials; exhibition contract; staff memos; 1 copy of SITES catalog","Correspondence with Thorne (potential Virginia Artist)","Staff memos; correspondence with potential and real lenders; checklists; collection memo and receipts; shipping information and receipts","1 copy of Saturday Review 6/18/62","Correspondence with artists; various checklists; completed applications; blank applications (1 annotated; 1 not)","Application packet; completed applications","Correspondence with Goodrich (Director of Whitney); lecture schedule (for all lecturers for chapters and affiliates)","Correspondence with Rich (Director at Worcester); proposed schedule for Rich","Correspondence with Walker (Director, National Gallery of Art, DC); proposed schedule for Walker","2 photographs [Robert Lippold, Perry Rathbone]; duplicates: loan/own letter (8/10/62); Dear Virginia Artist (1/16/63); correspondence with artists; 2 label panels; checklist of eligible artists; prospectus copy; list of awards","1 press release","\"Curator's Choice: Collectors' Opportunity\" (orange); \"$50 Hens\" (blue); \"Procedure for Party\"; label copy; staff memos; text of speech; \"rules of etiquette\"; purchase request cards","'62 ADP catalog; old prospectuses; catalog copy; staff memo","1 drawing; 1 invitation; correspondence with artists; checklists (actually price lists); insurance report form; shipping information and receipts","Press release (9/8), 16 duplicate photographs, 7 new photographs, 1 contact sheet; 1 copy of Arts in Virginia (Spring 1962); correspondence with RMWC; checklists; correspondence with publicity","Suggested press release; checklist (circulated by MOMA); shipping information and receipts; MOMA materials; label copy; correspondence with MOMA","10 photographs; 1 copy of \"Finlandia\" catalog; correspondence with SITES. Correspondence with John Rorimer (Director of the Met); correspondence with AFA; correspondence with Finnish Society of Crafts \u0026 Designs [didn't take place!]","Correspondence with Rosenwald; correspondence with Walker \u0026 Brown at NGA; work schedule; correspondence with lenders; shipping information and receipts; staff memos; list of invitees to preview dinner; collection memo and receipt; 1 copy of invitation; foreword copy","Catalog copy; catalog proofs; miscellaneous correspondence; foreword copy","Correspondence with Philadelphia Museum; shipping information and receipts; insurance report form; correspondence with Rosenwald","3 photographs; shipping information and receipts; correspondence with SITES; checklists; press release; SITES materials; contract; label copy","Annotated copies of old prospectuses and catalogs; catalog copy","Mailing lists; list of hometowns; correspondence with artists; statistics; correspondence re: sales","1963 catalog; prospectus copy; catalog copy; catalog proof","Certificate (1 signed; few unsigned), invoices (purchasers and file copies); checklists; presentation schedule; correspondence with artists","Correspondence with artists; staff memo with form letters; Council letter (5/5/65)","Memos re: visit of Carl Weinhardt, juror; various staff memos; various form letters","Letter to purchaser from 20th exhibition, receiving and handling of prospectus and works (2/19/65); jurying procedures (3/18/65); dear Virginia Artist Printmaker; various staff memos; council committee report; Council form letters; correspondence with artists; various form letters; 1 copy of 1963 prospectus","1 slide; lists of works purchased; label copy; insurance report form; shipping information and receipts","3 drawings; duplicates: invitation; 1 copy of Bulletin (September 1965); collection memo and receipts; 1 copy of catalog; correspondence with lenders; correspondence with Moore; checklists","\"Suggested Introduction,\" 2 photographs; schedule of trip; correspondence with Arnson; miscellaneous correspondence; biographical information","1 photograph; duplicates: 1 clipping (Time 9/3/65); label copy; clippings; other invitations; Dictaphone belts with Henry Moore!; other catalogs; other press releases; transcription of interview","34 new photographs; 6 duplicate photographs","Shipping information and receipts; request for information forms; checklists; correspondence; insurance report forms; 1 copy of catalog (annotated)","1 annotated copy of \"William Blake: Poet, Printer, Prophet,\" by SITES","1 photograph; duplicates: \"Suggested press release,\" \"checklist, handling instructions\"; correspondence with SITES; SITES material; correspondence with Mellon (re: loans)","Invitation; correspondence with lenders and The Blake Trust; clippings","Label copy","Label copy; checklists","3 photographs; correspondence with Mellon; checklists; collection memo and receipts; shipping information and receipts; insurance report form","7 photographs","1 photograph; correspondence with Rosenwald; correspondence with lenders; checklists; shipping information and receipts","23 photographs; 2 duplicate photographs; correspondence with artists; photograph reproduction requests","Fact sheet for Virginia Artists 1963; correspondence with artists; shipping information and receipts","Correspondence with artists; lists of works purchased","Staff memos and notes re: improvement suggestions","Correspondence with Oenslager re: possible lecture","Correspondence with museums for slides of their expansions for a lecture","\"Fact Sheet – Virginia Artists Preview Committee-1965\"; copies of Bulletins (2/63 \u0026 3/65); various fact sheets from previous Virginia shows; checklists; correspondence; staff memos; shipping information and receipts; correspondence with artists","1 photograph: declined exhibition, \"Good Design in Toys,\" sponsored by Creative Playthings of Princeton and L.A.; correspondence re: denied exhibition proposals; some correspondence with jurors","Catalog proofs; billing information; meeting minutes (Education in the Arts Committee); rough fact sheets; schedules; correspondence with artists; checklists; catalogue copy; label copy; annotated copy of ADP '64","Memo re: AIA Dinner, 3/2/66; correspondence with artists; correspondence with associations; correspondence with Virginia AIA; clippings; budget information","Duplicates: form letter from Bill Gaines (2/4/66); certificate of distinction (unsigned); reply card","3 photographs (Arthur d'Arazien); duplicates: d'Arazien's biography; 1 photograph of Edgar Kaufmann (newsprint); correspondence with jurors; biographical information; clippings; press release","Eliot Elisofon's biography; 1 duplicate photograph (Elisofon); correspondence with jurors; biographical information","1 photograph (Louis Kahn); correspondence with juror (Kahn); schedules","\"ADP Jury Schedule\"; 5 photographs; photocopy of contact sheet; comment notes; list of potential jurors; schedules; correspondence re: dinner and hosting","\"Receiving and Handling of Material\" (11/29/65, \"Procedures for Jurying\" (1/19/66); staff memos; text of Walter Robertson's speech to dinner; notes re: jury report","ADP '62, ADP '64 catalogs; prospectus proofs; 1 copy of ADP '60 \u0026 '66 catalog; 1 copy of ADP '62, '64, '66 prospectuses","ADP slide commentary, 1966; checklists of selected entries; correspondence with artists; comments; fact sheet estimates","Virginia ADP 1966: Traveling Designs, Traveling Photographs, Traveling Transparencies","2 photographs; insurance report form; correspondence with Koplin; shipping information and receipts; biographical information; checklists; 1 copy of 9/65 Bulletin; clippings; label copy","2 photographs; duplicates: 10/65 Bulletin; internal memos; shipping information and receipts; other catalog; correspondence with Jackson","12/65 Bulletin; 2 photographs; label copy; shipping information and receipts; internal memos; insurance report form; correspondence with Alexick; biographical information","1 copy of 11/65 Bulletin; biographical information; label copy; insurance report form; correspondence with Biehl, checklists","3 photographs; correspondence with Belair; shipping information and receipts; insurance report form; 1 copy of 1/66 Bulletin; internal memos","3 photographs; 2 photographs; biographical information; insurance report form; 1 copy of 2/66 Bulletin; shipping information and receipts; correspondence with Pienkowski","2 photographs; 1 photograph; 3/66 Bulletin; label copy; biographical information; shipping information and receipts; insurance report form","2 photographs; label copy; shipping information and receipts; insurance report form; checklists; correspondence with Aldreth","2 photographs; 2 photographs; insurance report form; shipping information and receipts; correspondence with Driskell; label copy","2 photographs; 2 photographs; checklists; insurance report form; shipping information and receipts; 5/66 Bulletin; correspondence with artist; label copy","2 photographs; 2 photographs; clippings; correspondence with artist; checklists; shipping information and receipts; insurance report form; 9/66 Bulletin; press releases; internal memos; label copy","2 photographs; 3 photographs; 10/66 Bulletin; correspondence with artist; shipping information and receipts; biographical information; clippings","3 photographs; label copy; clippings; correspondence with artist; insurance report form; shipping information and receipts","2 photographs; 1 photograph; correspondence with artist; insurance report form; shipping information and receipts; 12/66 Bulletin; clippings; label copy; letter to members from Leslie Cheek Jr. re: opening","2 photographs; 3 photographs; correspondence with artist; insurance report form; 1/67 Bulletin; shipping information and receipts; biographical information; clippings; label copy","2 photographs; 3 photographs; clippings; 2/67 Bulletin; correspondence with artist; insurance report form; shipping information and receipts; label copy; checklists; other brochure; blank gallery floor plan (photocopy)","Clipping; 3 photographs; insurance report form; shipping information and receipts; correspondence with artist; gallery map","2 photographs; 2 photographs; correspondence with artist; 4/67 Bulletin; insurance report form; checklists; shipping information and receipts; label copy","2 photographs; 1 photograph; correspondence with artist; biographical information; 3/67 Bulletin; clippings; checklists; shipping information and receipts; label copy","1 photograph; correspondence trying to track artist down","3 photographs; 4 photographs; 9/67 Bulletin; clippings; correspondence with artist; 1 copy of invitation; shipping information and receipts; biographical information; label copy","3 photographs; 1 photograph; correspondence with artist; clippings; label copy; 10/67 Bulletin; 1 copy of invitation; shipping information and receipts; price list (hand drawn!)","1 photograph; 3 photographs; 11/67 Bulletin; correspondence with artist; shipping information and receipts; label copy","Comparative statistics for Tut and Greek Gold; correspondence with lenders (especially MFA Boston); correspondence re: insurance; clippings; press releases; staff memos re: procedures","Lots of photographs!; 1 copy of press packet (new!)","Lots of photographs!; shipping information and receipts; correspondence with lenders; correspondence with MFA Boston and Brooklyn (2 other venues0; correspondence with Senator Byrd and other legislators re: Senate Bill S.2273 7/9/65","[essentially Mary Louise Pinckney's (Loans Registrar-Programs Division) file]; schedules; staff memos; shipping information and receipts; correspondence with MFA Boston and Brooklyn; memos re: procedures; checklists","Copy of S.2273 Senate Bill report; label copy; memos re: procedures; clippings; correspondence with lenders; shipping information and receipts; 1 copy of invitation; research, correspondence re: recovery of stolen gold","Correspondence re: catalog (with MFA Boston, Brooklyn, author Herbert Hoffmann, printer); catalog proofs; correspondence with lenders","Catalog proofs; catalog copy","1 drawing; correspondence with MFA Boston \u0026 Brooklyn; correspondence with Greek Embassy; correspondence with Department of State; correspondence with Hoffmann, author; correspondence with publicity; staff memos; correspondence re: research","Introduction; correspondence with Pat Davidson (Brooklyn/lecturer); correspondence with Hoffmann; schedules; press release","One annotated checklist","3 articles re: theft of jewelry; 1 drawing; shipping information and receipts; correspondence with lenders","Correspondence with MFA Boston \u0026 Brooklyn; correspondence re: insurance; correspondence with lenders; 1 copy of MFA Bulletin (November 1965); checklists; copies of policies","Copy of S.2273 Bill; correspondence with legislators; clippings","Checklists; correspondence","Panel copy","Label copy; checklists; clippings; correspondence with Patricia Davidson (her writings); catalog proofs","2 items","Correspondence re: shipping with security company and lenders","Correspondence with Alderman; shipping information and receipts; checklists; insurance report form; label copy; traveling exhibition checklists; press release","1 photograph (Thomas George, painter); correspondence with lender (Betty Parsons); label copy","4 photographs; label copy; correspondence with SITES","4 photographs (duplicates); 1 new photograph; other duplicates: SITES suggested press release, Joseph V. McMullan Islamic carpets catalog; 1 copy of the catalog (annotated in a few places); checklists; correspondence with the de Young, next exhibitor; shipping information and receipts; label copy; clipping; correspondence with SITES; 1 copy of Textile Museum catalog; correspondence with Textile Museum; correspondence with Kevorkian Foundation (other choice for exhibition-denied)","2 press releases; introduction; invitation; correspondence with McMullan; itinerary for visit","10 mounted photographs only if unduplicated; 8 Photographs, 2 installation photographs, 1 photograph of building, 1 photograph of artist; 1 drawing; duplicates: catalog, 1 \"Visions of Man\" invitation; checklists; shipping information and receipts; correspondence with Reynolds; label copy, 1 copy of \"Visions of Man\"","3 photographs; correspondence with Hans Beckmann (lecturer)","5 drawings; 9 photographs; 8 duplicate photographs; 1 copy of invitation; MOMA materials (circulator); correspondence with lenders; shipping information and receipts; label copy; research; correspondence with Anni \u0026 Joseph Albers; checklists; correspondence with MOMA; Gemini lithograph catalog","1 photograph (Jonathan Williams); [rest of photos are from Virginia ADP show, probably duplicates from earlier box]; correspondence with potential lecturers for Albers exhibition","1 photograph (Robert Light-speaker); pricelist; checklists; label copy; invitation list; procedures; correspondence with lecturer","1 drawing; 9 photographs; duplicates: suggested press release; checklist; 5 duplicate photographs; shipping information and receipts; correspondence with SITES; correspondence with lecturer; SITES materials; label copy; checklist","2 drawings; 20 photographs; 6 duplicate photographs (from previous folder); correspondence with SITES; SITES materials; shipping information and receipts; label copy; correspondence with lecture sites; annotated checklists; 1 copy of lecture announcement","Introduction, suggested news release, 1 duplicate photograph of Dr. Regina Soria; correspondence with Soria; clippings; itinerary; biographical information on Soria","Invoices and shipping instructions","Miscellaneous correspondence re: exhibitions","1 piece of correspondence re: exhibition schedule change","1 piece of correspondence re: addition to catalog","Press release, 1 duplicate photograph, introduction; itinerary (lecturer); biographical information; correspondence with Dimitri; label copy; clippings (typed) [1 piece of correspondence has a color drawing on bottom]","1 duplicate photograph; memo re: engagements (8/25/64); 2 press releases; 2 introductions; \"Color by Sultner-Wells\" brochure; correspondence with Sultner-Wells; clippings; 1 copy of Longwood Gardens invitation; procedures; itinerary","2 photographs; itinerary; correspondence with Sultner-Wells; 2 posters of his clippings (montages); 2 dust jacket with his photograph; copies of other press releases","4 transparencies, photographs; label copy; correspondence with next venue (Easton Academy of Arts); shipping information and receipts; correspondence with lender (Roland Gibson); checklists","Correspondence re: possible lecture series in Virginia (Blake is connected to Architectural Forum magazine)","Correspondence re: possible lecture series (Minor connected to the Met)","C.V. for Stern; correspondence with R. Stern about leave for Council series on new building (he's Head of Architectural League of NY); correspondence with other potential speakers; correspondence with Pearsalls [John and Laila] (hosts)","Introduction; correspondence re: Christmas' lecture series; itinerary; other promotional material","Correspondence with other museums that recently expanded to obtain slides for a lecture; long letter from Cheek to Robertson re: decision of Governor's committee (turned down design); list of committee members; form letter to President of affiliates asking them to write to their legislators in support of new building plan","Correspondence with Mielziner re: lecture series; correspondence with other potential lecturers; correspondence with other institutions that recently expanded re: slides","Label copy; checklists; lists of panel photographs","5 photographs of proposed floor plans (Baskervill \u0026 Son)","Slide lists; copy of talk; checklists","Insurance report forms; label copy","Label copy; checklists; insurance report forms; correspondence","Shipping information and receipts; correspondence with lenders; checklists; insurance report forms; request for information forms; correspondence re: damage of a loaned painting by Jan Stussy","1 drawing; news clipping; 1 photograph of installation; label copy; correspondence with C.V. Donovan (juror \u0026 Director of Krannert Art Museum); correspondence with publicity; copy of lecture; checklists; other artists' promotional materials","Shipping information and receipts; correspondence with lenders; information request forms","Introduction; suggested press release; 1 slide: Paul Paul Horiuchi's \"Winter Receding,\" 1964; correspondence with Donovan; itinerary; other artists' promotional material","1 drawing; 1 duplicate photograph; 7 photographs; 1 copy of the \"Jeffersonian,\" 5/13/66 with article on exhibition and pictures of Gwathmey's painting; information request forms; checklists; catalog copy; 1 copy of invitation; correspondence with lenders","Information packet","Original proposal; copies of information packet items (drawings \u0026 proposal); copy of same","\"Exhibition Materials\"; checklists; correspondence with George Stevens Productions","Various packeted materials (promotional)","Correspondence with Hollywood Museum; correspondence with Motion Picture Association; correspondence with Ford Foundation; correspondence with George Stevens Productions; correspondence with Smithsonian Institution; correspondence with Old Dominion Foundation","Lists of panels; film sequences lists","Research notebook (Gaines' handwriting?); 1 copy of catalog \"Scenery for Cinema\" at Baltimore Museum of Art, 1942 (when Leslie Cheek was Director); lists of panels; label copy","Promotional materials from film companies (i.e. Technicolor, Panavision)","8 drawings; movie production sheet with film negatives (to stay at LVA)","Life magazine 3/27/64 offprint with article on movie","Film reel labeled \"Selected Documentary Trims\"","Couldn't pull it out without ripping envelope – looks like scripts or set notes; possibly a drawing","Photographs; Newsweek reprint (1/23/67); checklists; lender lists; internal memos; correspondence with various members/visitors with questions re: exhibition; correspondence with Colonial Williamsburg Foundation (supporter of exhibition)","1 photograph; shipping information and receipts; correspondence with lenders; checklists; correspondence with publicity; internal memos","Correspondence with Toledo Museum of Art re: possible loan (denied)","Correspondence re: catalog; annotated copy of John Summerson's essay","5 photographs of packing/unpacking process; correspondence re: Smith College Museum of Art's loan of \"Portrait of the Reverend John Headley,\" including shipping information and receipts and request for information form","Correspondence re: Washington University's loan of \"Grey Children,\" including shipping information and receipts and correspondence re: damage to fram upon return","Correspondence re; Worcester Art Museum's loan of \"Mrs. Elizabeth James\" and \"William James,\" including shipping information and receipts; and request for information form","Correspondence re: Columbus Gallery of Fine Arts' loan of \"Portrait of Anne Hogarth,\" including shipping information and receipts; and request for information form","1 photograph; correspondence re: Allen Memorial Art Museum [Oberlin] \u0026 loan of \"Theodore Jacobsen,\" including shipping information and receipts and request for information form","9 photographs of packing/unpacking; correspondence re: Albright-Knox's loan of \"The Lady's Last Stake,\" including shipping information and receipts and requests for information form","2 photographs; duplicates: \"Loans to the Wm. Hogarth Exhibition\"; catalogue copy; 1 copy of catalogue; correspondence with publicity; correspondence with visitors/members re: catalogue and exhibition; clippings; 1 copy of invitation; checklists","1 envelope of Lessing Rosenwald Prints (couldn't open without ripping); duplicates: catalog; correspondence re: catalogue requests and comments; catalogue copy; checklists","Suggested press release; correspondence with Hofer (Professor at Harvard) re: lecture; internal memos; itineraries; 1 copy of bulletin","Correspondence with Mellon; catalogue copy; checklists; request for information forms; shipping information and receipts","25 photographs (see list); research; copy; internal memos; panel drawings (copies); HOGARTH PANEL PHOTOGRAPHS - 12789 Self-Portrait, 12786 Shop Card, 13313 Jane Thornhill, 12788 Pool of Bethesda, 13305 Captain Thomas Coram, 12785 Battle of the Pictures, 13304 Analysis of Beauty title page, 13306 Grave at Chiswick, 11812 Canvassing for Votes, 13311 Views Down the Thames, 11814 St. Paul's Cathedral, 12829 Beer Street, 12966 Gin Lane, 11852 Country House, 13079 Saint Martin-in-the Fields, 12970 The Four Times of the Day: Noon, 13078 Leister Square, 11816 Renelagh, 11857 Mr. and Mrs. Paul Mellon, 10890 Lessing Rosenwald, 5272 Masterpieces of American Silver, 13001 Marriage a la Mode, 13677 Philip Hofer, 13299 Sir John Summerson, 13074 George II, 13076 Robert Walpole, 13084 William Pitt, 11811 George III, 11813 Iron Forge by Wright","\"William Hogarth: His Life,\" William Hogarth: His Times,\" William Hogarth: This Exhibition\"; copy; proofs","2 photographs; 1 duplicate photograph; correspondence with Mielziner; shipping information and receipts; clippings; panel proofs; panel copy; research; internal memos; checklists; correspondence with IEF (International Exhibitions Foundation) re: traveling exhibitions","1 photograph; shipping information and receipts; correspondence with Multiples, Inc.; list of purchase considerations; label copy; checklists; panel drawings (copies)","Correspondence with National Gallery of Art DC re: pictures of J. Carter Brown","Invitation; fact sheet; 1 copy of catalog; internal memos; annotated copy of 1965 Salon des Réfusés catalog; correspondence with jurors; schedule of work for exhibition; panel proofs; list of certificate winners","Correspondence with artists; correspondence with purchasers; copies of invoices; release forms for transfer of custody","Checklists; correspondence with artists; internal memos","Catalog; list of certificate winners at Biennial; catalog copy; correspondence with Thalhimer's; internal memos; information for 1965 Salon","19 photographs; invitation; catalogue copy; other similar exhibition catalogs from other institutions; internal memos","Correspondence with artists; checklists","March '67 Bulletin; photographs; correspondence with jurors [Milton Hebald, Jack Youngerman, Jock Truman, Paul Smith]; label copy; biographical information; schedules; internal memos; correspondence with hostesses","\"Presentation of certificates\" blank certificates; artist reply card; checklists; schedule; internal memos; correspondence with artists","April '67 Bulletin, \"use of French Galleries\" memo; label copy; statistics ('67 and earlier); internal memos; correspondence with artists","Checklists; correspondence with artists","Photographs","Photographs","Gaines to artists 6/12/67; correspondence with artists; internal memos; shipping information and receipts; invoices for stored worsk; entry blanks","2 letters from Council to purchasers, Gaines letter, yellow \"Gaines-Brandt System,\" 4 photographs; checklists; internal memos; correspondence with artists; press release, 1965 and 1963 information","3 internal memos","'67 prospectus, 2 form letters (1/16/47); prospectus copy; mailing lists; annotated '65 prospectus; '70 prospectus","Correspondence; panel drawings (copies); for traveling exhibitions; [3 traveling shows: \"Treasures from the Guggenheim\"; \"Treasures from the Whitney Museum\"; \"Contemporary Watercolors.\" Also contained \"Art by Virginia Teachers\"]","1 copy of catalog (Heeramaneck Collection) by MFA Boston (annotated)","Correspondence with Heeramaneck; correspondence with Indian embassy; shipping information and receipts; correspondence with Royal Ontario Museum (who received exhibition after VMFA); correspondence with Detroit Institute of Arts (who had it before VMFA); correspondence with MFA Boston, originator; internal memos; drawings (photocopies)","1 copy of invitation; panel copy; panel proofs; correspondence with MFA Boston; correspondence with Royal Ontario Museum; shipping information and receipts; MFA materials (including checklists); internal memos","4 drawings; correspondence with Veener player for preview; clippings re: Indian music; label copy; clippings re: show","Photographs; some select, bad quality photocopies","Photographs","Panel proofs; lecture for chapters copy; correspondence with previous VMFA designer (Ariel Ballif); checklists","Suggested press release; introduction; correspondence with Gleaser (from MOMA) (lecturer for chapters); itinerary; noted speaker report form","Correspondence with potential lecturers for preview; 1 copy of invitation; Glaeser's biographical information; correspondence with Glaeser","Photographs; (envelope of photos from D.I.A. for Arts of India \u0026 Nepal exhibition); invitation to lecture; 1 copy of invitation to preview; 1 copy of invitation to Glaeser's lecture; shipping information and receipts; MOMA (originator) materials, including checklists; drawings (photocopies)","1 drawing; duplicate: preview invitation; panel copy; drawings (photocopies); correspondence with MOMA; MOMA materials, including checklists; exhibition contract; correspondence with John Hand (lecturer from National Gallery of Art DC); shipping information and receipts","Correspondence with MOMA; shipping information and receipts; internal memos","Membership list; shipping information and receipts; correspondence with dealers; price lists from dealers; panel proofs; checklists; speech copy; Collectors Circle meeting agenda; list of items purchased","Shipping information and receipts; panel proofs (annotated 1966 panels); checklists; correspondence with dealers *lots of '66 show files)","Correspondence re: borrowing Wyeth film; correspondence with Philip Hofer (Harvard) re: lecture; blank invitations for Artmobile exhibition (Wyeth \u0026 Japanese Art); clipping; internal memo re: trip to interview Wyeth for AIV article; blank floor plan","Label copy; drawing (photocopy); internal memos; radio guide copy","3 photographs; 11 duplicate photographs; checklists; internal memos; drawings (photocopies); panel proofs; panel copy; shipping information and receipts; 1 copy of Knoedler catalog \"Unpainted Pictures\" (lender); correspondence with Knoedler; correspondence with Detroit Institute of Arts (had exhibition before VMFA); clipping from TIME (3/17/67)","Panel copy; panel proofs; drawing (photocopy); internal memo: all of this re: 400 Years of Prints","1 photograph; shipping information and receipts; drawings (photocopies); panel copy; panel proofs; correspondence with lender (NGA \u0026 AIC); correspondence with Mr. \u0026 Mrs. Leigh Block; checklists; label copy","1 copy of \"Persian \u0026 Indian Miniatures from the Collection of Edwin Binney, 3rd\" from Portland; 1 copy of \"Islamic Art from the Collection of Edwin Binney, 3rd,\" from SITES; correspondence with Portland [VMFA denied exhibition]","1 internal memo re: replacement of \"Jewels\" with \"Resident Craftsmen\"","Jones article reprint; slides, 4 photographs, 5 duplicate photographs; correspondence with IEF (circulator); correspondence with Nelson-Atkins *who received exhibition after VMFA); 1 copy of lecture invitation; 1 copy of preview invitation; shipping information and receipts; panel proofs; clippings; correspondence with potential musicians; checklists; internal memos","Internal memos; correspondence with AFA (circulator); panel copy; checklists; panel proofs; drawing (photocopy)","5 duplicate photographs; 1 photograph; correspondence with MOMA (originator); exhibition contract; MOMA materials, including checklists; shipping information and receipts; MOMA circulating exhibitions catalog 1967-68; drawing (photocopy); panel proofs","Lecture invitation; clipping; internal memo; biographical information; correspondence with Smith (Director of Museum of Contemporary Crafts); correspondence re: juror (chairman) for 1967 Virginia Artists too","1 photograph; 2 new photographs; duplicate of introduction; correspondence with Slivka re: lecture at chapters/editor in chief of Craft Horizons; itinerary; biographical information","Photographs; correspondence with artist; shipping information and receipts; checklists; Bulletin photocopy","Photographs; correspondence with artist; label copy; shipping information and receipts; 1/68 Bulletin; biographical information","Photographs; shipping information and receipts; correspondence with artist; 2/68 Bulletin; label copy","Photographs; correspondence with artist; shipping information and receipts; label copy; 3/68 Bulletin","3/68 Bulletin; photographs; correspondence with artist; label copy; shipping information and receipts; internal memos; biographical information","Photographs; biographical information; shipping information and receipts; internal memos; label copy; 4/68 Bulletin; checklists; correspondence with artist","Photographs; checklists; shipping information and receipts; label copy; biographical information; correspondence with artist","9/68 Bulletin, 4 photographs; biographical information; label copy; price list (hand drawn!); shipping information and receipts; correspondence with artist; internal memos","Photographs; 10/68 Bulletin; label copy; biographical information; checklists; shipping information and receipts; correspondence with artist","Photographs; shipping information and receipts; label copy; 11/68 Bulletin; checklists; correspondence with publicity","Photographs; correspondence with artist; label copy; 12/68 Bulletin; shipping information and receipts; internal memos; correspondence re: damage to sculpture","Photographs; internal memos; label copy; shipping information and receipts; correspondence with artist; biographical information","Photographs; correspondence with artist; label copy; shipping information and receipts; 3/69 Bulletin; checklists","2/69 Bulletin; photographs; correspondence with artist; correspondence re: damage; label copy; internal memos; checklists; shipping information and receipts","44 photographs; correspondence with lecturer; shipping information and receipts; materials from Brooklyn Museum of Art (organizer); drawings (photocopies); panel lists; 1 copy of lecture invitation; 1 copy of preview invitation; correspondence with Brooklyn; checklists","Preview invitation; 1 copy of catalog; clippings; panel copy; correspondence with Brooklyn; shipping information and receipts; Brooklyn materials; panel lists; checklists; internal memos; correspondence with visitors","1 photograph; correspondence with McCoubrey (Chair of Art Department at University of Pennsylvania); his c.v.","1 photograph; correspondence with Oenslager (lecturer)","Cybis porcelain brochure; shipping information and receipts; panel proofs; exhibitors information \"lent\"; clippings; correspondence with Ruder \u0026 Finn Inc. (co-organizers); checklists; drawings (photocopies); correspondence with Cybis porcelain (co-organizer)","2 photographs; catalog; invitation; correspondence with Robert B. Widder (juror); correspondence with entrants; internal memos; slide talk lists; correspondence with juror (Morris Ketchum, Jr.)","Photographs","Invitation, catalog, '64 Architects, Designers \u0026 Photographers, '66 ADP, 3 photographs; catalog proof; checklists; catalog copy","\"Southern Exposure\" newsletter (2/68); clippings; correspondence with artists; label copy; internal memos; schedule","Checklists","\"Comparison…for 1966-68\"; internal memo","Correspondence with artists (4 winning architects mainly); list of winners","Biographical information on Ketchum and Eames, 2 photographs; 1 photograph; correspondence with jurors [Morris Ketchum, Robert Widder, Charles Eames]; internal memos; lecture copy; biographical information","Checklist","Gaines to artist (2/26/68), signed certificates; artist reply cards; correspondence with speaker; checklist","3 prospectuses; prospectus copy; schedule; internal memos","Schedule, 1/11/68 memo, 1/24/68 memo; '66 information; internal memos","Invitation; 2 photographs of 1790s Russian silver cup (\"Charka\"); shipping information and receipts; checklists; internal memos; correspondence with Hollins; panel proofs; drawings (photocopies); correspondence from alumnae; research; correspondence with silver expert; correspondence from Helen Scott Reed (our consultant)","Shipping information and receipts; panel copy \u0026 proofs; drawings (photocopies); checklists with prices; biographical information (Anna Smith- weaver)","3 photographs; AFA materials (circulator); shipping information and receipts; correspondence with Morgan State College (had exhibit before VMFA); correspondence with AFA; reprint of Rohm \u0026 Haas Reporter on \"New AA Forms in Plexiglass\" (Mar/Apr 1966); correspondence with lender, Howard Wise Gallery; 1 copy of May '68 Bulletin; clippings; drawings (photocopies); biographical information on artists; 1 copy of a Howard Wise Gallery catalog for Otto Piene (VMFA's lecturer); 1 copy of catalog; 1 copy of lecture invitation; 1 copy of preview invitation. To take place in Loan Gallery","Biographical information on Kepes; 1 photograph; correspondence with Gyorgy Kepes (organizer of Light show \u0026 original lecturer); correspondence with Piene (M.I.T.), Kepes' replacement; Piene's biographical information; 1 copy of Arts Canada (April 1968) with one of Piene's articles","Catalog; 3 photographs; correspondence with Photographs in the Fine Arts (a company); drawings (photocopies); clippings; panel proofs; checklists; packet of available exhibitions from George Eastman House; 1 copy of PSA Journal (August 1967) [Leslie Cheek was a judge]","5 photographs; 1 catalog; exhibition contract; correspondence with MOMA (circulator); shipping information and receipts; checklists; panel proofs; MOMA materials","Lecture invitation, checklist; 4 photographs; duplicates: \"A Look at Carter Collection,\" \"Vender Gives Rodin to Museum\"; clippings; correspondence with LACMA (circulator); shipping information and receipts; internal memos; exhibition contract; 1 copy of preview invitation; correspondence with Gerald Carter (collector)","1 photograph, biographical information; correspondence with Adams (Director of Cincinnati Art Museum \u0026 VMFA lecturer); 1 copy of lecture invitation; internal memos; correspondence with Reynolds (his hosts)","\"Selections from Virginia Architecture\"; panel proofs; drawing (photocopy); internal memos","1 drawing; MOMA exhibition packet, MOMA press release (6/20/67); MOMA materials (circulator); drawings (photocopies); correspondence with MOMA; shipping information and receipts; clippings; internal memos","Photographs","1 photograph; biographical information; lecture invitation; correspondence with Szarkowski (MOMA Director of Photography \u0026 VMFA lecturer); itinerary; correspondence with Bryans (his hosts)","Shipping information and receipts; panel proofs; internal memos; drawing (photocopy);","7 drawings (on graph paper-drawn by Brown herself); label copy; shipping information and receipts; checklists; 2 more prints of transparencies from envelope; correspondence with Brown; biographical information; panel copy; panel lists; drawings (photocopies)","Shipping information and receipts; request for special/specific information forms; white envelope with 5 transparencies; 2 prints of 2 of the transparences for Collector of the Year exhibition","Special/specific request for information forms","Biographical information; correspondence with Griffith re: lectures (Curator of Films, MOMA); lecturing for \"George Stevens Makes a Film\"","Shipping information and receipts; biographical information; photocopies of 2 catalogs","1 copy of Council 1967-68 membership book; internal memos; various reports (budgetary \u0026 non); correspondence, 2 slides for lecture on Council budget 66-67 season","Lecture invitation, 1 photograph; Correspondence with Dee (curator of drawings \u0026 prints at Cooper-Hewitt) re: lecture; 1 copy of January 1969 Bulletin; correspondence with hosts; biographical information","Packing list, photographs; 1 copy of catalog (cut up) of View of Florence \u0026 Tuscany by Giuseppe Zocchi, loaned by Pierpont Morgan Library","Photographs; shipping information and receipts; correspondence with IEF (circulator); correspondence with Dee re: lecture; IEF materials; drawings (photocopies); label copy; internal memos; 1 copy of America-Italy Newsletter (spring 1968); 1 copy of Pierpont invitation; 1 copy of preview invitation; correspondence re: catalogs; correspondence re: opening","Correspondence with Senator Scott from 1982 from Richard Woodward; checklists; clippings; internal memos; correspondence with Scott; shipping information and receipts; drawings (photocopies); panel proofs","Invitation; checklists; internal memos; correspondence re; filmstrip for Orientation Theatre; drawings (photocopies)","C.v., invitation, 1 photograph; correspondence with Begley (professor at School of Art, University of Iowa); internal memos; correspondence with hosts","3 photographs; 3 photographs (small one, Dr. \u0026 Mrs. George B. Green); panel copy; panel proofs; label copy; drawings (photocopies); correspondence with lender (George Green); shipping information and receipts; internal memos; correspondence with Colonial Williamsburg; research; checklists","Photographs","8 photographs; 5 new photographs; shipping information and receipts; internal memos; checklists with values; correspondence with Motherwell (juror) and correspondence with his gallery representation (Marlborough); correspondence with Frank Gallo (juror); and his representation (Gilman Gallery and Graham Gallery); request for information forms; drawings (photocopies); label copy","Checklists; list of lenders; internal memos; correspondence with lenders (including MFA Boston and AIC); shipping information and receipts","1 photograph; lecture invitation; preview invitation; correspondence with Wardell (Curator, Department of Primitive Art at AIC) re: lecture; correspondence with hosts; 1 copy of April 1969 Bulletin","Photographs","Photographs","1 drawing; other press releases; shipping information and receipts; checklists; internal memos; correspondence with MFA Boston (organizer); correspondence with AIC (lender); clippings; panel proofs; 1 copy of preview invitation; list of lenders","8 photographs; correspondence with MFA Boston; exhibition contract; internal memos; 1 copy each of The World of Peru in the United States, Three Centuries of Peruvian Silver, Master Craftsmen of Peru; Folk Art of Peru, 2,500 Years of Peruvian Art, Folk Art of Peru (longer version), Contemporary Peruvian Paintings and Sculptures","1 photograph; list of members; special request for information form; correspondence re: broken object (belonged to Stewart Bryan)","Catalog, 3 duplicate photographs, 2 new photos; internal memos; shipping information and receipts; checklists; label proofs; exhibition contract (MOMA is circulator); correspondence with MOMA; clippings; MOMA materials (including press release)","Press release (4/2/69); Kandinsky article by Johnson; wall label, Photographs; correspondence with MOMA (organizer); MOMA materials; exhibition contract; shipping information and receipts; checklists; drawings (photocopies); panel proofs","2 photographs; duplicates: invitation, 1 duplicate photograph; correspondence with potential lecturers; correspondence with Beckmann (visiting Bauhaus artist); clipping","Shipping information and receipts; panel proofs; panel copy; drawings (photocopies); special request for information forms; label proofs; label copy; checklists; correspondence with UVirginia (lender and co-organizer); correspondence from State Library (co-organizer)","4 photographs; checklists; shipping information and receipts; correspondence with O'Neal; photocopies of drawings; list of lenders; correspondence with UVirginia; correspondence with State Library; research; internal memos; correspondence with lenders","Invitation; 2 photographs, 1 transparency; catalog copy; internal memos; checklists; correspondence with lenders; correspondence with William O'Neal (guest curator)","1 photograph; introduction; correspondence re: lecture; invitation","Checklists; correspondence with lenders; correspondence with O'Neal","Checklists from dealers with prices/values; shipping information and receipts; correspondence with dealers; checklists; internal memos","Invitation, \"Suggested Remarks for Mr. Arthur Brinkley,\" 5/12/69; 1 copy of catalog; introduction; correspondence with Alloway re: lecture","Correspondence with various speakers; internal memos; schedules","Internal memos; list and schedules (entertainment, exhibitions, events, theatre, etc.)","4 invitations; 3 other invitations (Once Invisible, Alloway's lecture, Gold of Ancient America)","Internal memos; mailing lists","Green pickup cards, Gaines to Artist (7/3/69); shipping information and receipts; correspondence with artists; entry blanks; internal memos; checklists","Gaines to Purchaser invitation, purchasers; preview tearsheet (yellow), memo 4/29/69 (blue), 1969 fact sheets; checklists","Internal memos; correspondence with artists; invoices re: sales; checklists","Photographs","Memo 11/17/69, memo 11/26/69; correspondence with artists","'69 invitation, '69 salon catalogue; 1 copy of '67 invitation and catalogue; catalogue copy; 1 copy of '69 catalogue; catalogue proof","'69 fact sheet; statistics","'67 and '69 Salon catalogues; checklist; internal memos; form letter to artists from Ellyson","3 photographs; schedule; internal memos; correspondence with jurors; biographical information; correspondence with hosts; lecture invitation; correspondence with potential jurors [Bontecou agreed but then had to cancel]","Photographs; label copy; 1 copy of ADP '68 catalog; 1/70 Bulletin; biographical information on Paul Rand; correspondence with Rand; internal memos","2 slides, 18 photographs; 5 duplicate photographs; label copy","\"Receiving \u0026 Handling of Material\" memo 1/28/70, 1 photograph [Kenneth Winebrenner \"Mirror\"]; 1 copy of 1970 prospectus; entry blanks; internal memos; correspondence with artists; biographical information","1 photograph [Paul Smith looking at Castle's work from an earlier juried exhibition?]; 2/70 Bulletin; correspondence with juror [Wendell Castle]","Photographs; 1 copy of 1970 catalog (annotated); correspondence re: image of Winebrenner's mirror","1 copy of 1970 catalog (annotated); internal memos; correspondence with artists","Form letter; shipping information and receipts; correspondence with artist; checklists","1 form letter; shipping information and receipts; correspondence with artists; checklists; internal memos","Slides; duplicates; signed certificates; correspondence with winners; checklists; presentation order","Label copy; clippings; catalogue copy; checklists; internal memos; lease agreement for warehouse; drawing (photocopy); jury tokens; correspondence with artists","Prospectus, form letter from C. Ellyson; correspondence with chapters; annotated '67 prospectus; prospectus copy schedule","Memo 1/23/69, memo 1/25/67; internal memos; correspondence with 7th \u0026 Franklin; schedule","Catalog ('70 Designers); catalogue proofs; entry blanks; 1 copy of '68 ADP catalogue; catalogue copy; checklists","Annotated '70 prospectus; correspondence with juror; prospectus copy; internal memos; schedule","Entry blanks; 1 copy of '70 Craftsmen catalogue; 1 copy of '67 Artists catalogue; checklists; catalogue copy; preview invitation; label copy","Prospectus copy; schedule","Internal memos; checklists","Checklists; internal memos","Memo 9/3/69, memo 6/30/69; checklists; internal memos; fact sheets; correspondence with artists; label copy; excerpts from juror speech","Catalogue copy; checklists; 1 piece of correspondence re: catalogue","Signed certificates, reply cards, Gaines form letter; reply cards from winners; checklists; correspondence with artists","Press release 6/27/69, biographical information, 1 photograph; correspondence with potential jurors; internal memos; correspondence with juror (Peter Bunnell)","Photographs; label copy","Photographs; correspondence with artist; 3/69 Bulletin; label copy; shipping information and receipts; biographical information","4/69 Bulletin; photographs; correspondence with artist; label copy; shipping information and receipts","5/69 Bulletin; photographs; correspondence with artist; biographical information; label copy; shipping information and receipts","9/69 Bulletin, invitation; photographs; checklists; correspondence with artist; label copy; insurance report form; internal memos; biographical information","Invitation; 10/69 Bulletin, photographs; correspondence with artist; checklists; label copy","Photographs; correspondence with artist; biographical information; label copy","Photographs; correspondence with artist; label copy; biographical information; shipping information and receipts; internal memos","2/70 Bulletin; photographs; label copy; checklists; 5/69 Bulletin; invitations; correspondence with artist; internal memos re: missing print","3/70 Bulletin, photographs; correspondence with artist; internal memos; price list (hand drawn!); press release; biographical information; label copy","Invitation; 2 photographs; 3/70 Bulletin; correspondence with artist; label copy; checklists","Photographs; correspondence with artist; checklists; 4/70 Bulletin; label copy; biographical information","5/70 Bulletin, invitation, photographs; checklists; label copy; correspondence with artist; biographical information","Invitation, \"suggested stand\" drawing; 1 photograph; label copy; correspondence with artist; clippings; biographical information; checklists; 9/70 Bulletin","10/70 Bulletin; 2 photographs; label copy; clipping; internal memos; checklists; correspondence with artist; invitation","Invitation; photographs; label copy; internal memos; shipping information and receipts; correspondence re: letter of recommendation for job","Invitation, 5 photographs; 5 new photographs; 5 slides; correspondence with artist; label copy; clipping","Correspondence with potential jurors; internal memos","1 photograph of Rand, prospectus; correspondence with Rand (juror); catalog of Rand's work; research","'69 prospectus, letter Ellyson to art department 6/23/69, memo to chapters 6/23/69; copy of '68 ADP prospectus; prospectus proof; prospectus copy; internal memos; schedule","Checklists; internal memos","Checklists; fact sheets","Internal memos; checklists","Memo 7/7/70; internal memos; entry blanks; correspondence with architects; schedule; project descriptions; drawing (photocopy); lecture invitation copy; shipping information and receipts","Reply cards; internal memos; correspondence with architects","Catalogue; correspondence with architects; catalogue copy","One signed certificate; correspondence with winners","4 photographs; correspondence with juror (Romaldo Giurgola); internal memos; clipping; biographical information","Photographs; clippings","Prospectus, announcement; prospectus proof; prospectus copy; '68 annotated ADP prospectus; clipping","Entry blanks; fact sheets; internal memos; checklists","Internal memo; checklists","Correspondence with SITES; SITES materials; invitations; exhibition information; Bulletins; correspondence with other Smithsonian Institution staff","SITES catalogues, 1967-1970","Checklists; insurance report forms; correspondence with lenders (dealers); membership list","Internal memos; correspondence with lenders; checklists; shipping information and receipts; label proofs; research; budget planning; correspondence with consultants","Preview invitation; correspondence with and between consultants (Helen Scott Reed and Kathryn Buhler); catalog copy","Invitation (preview); invitation (lecture); exhibition prospectus; catalog proofs","Photographs; internal memos; clippings; catalog notes; correspondence with lenders; checklists; invitation list","Correspondence with lenders; shipping information and receipts; correspondence with various organizations","1 copy of catalog; special information form","Correspondence with Rouse (Jamestown Foundation) re: lecture; copy of lecture text","1 photograph; correspondence with Buhler (consultant) re: lecture; copy of lecture text","4 photographs; suggested press release; checklist; correspondence with IEF; label proofs; exhibition contract; IEF materials; shipping information and receipts; internal memos","7 photographs; 2 contact sheets and 1 new photo; duplicate: invitation; crawing (photocopy); internal memos; label proofs","9 photographs, 4 new photographs including 1 contact sheet; duplicates: lecture invitation; label copy; drawings (photocopies); shipping information and receipts; MOMA materials; checklists; correspondence with MOMA (circulator); exhibition contract; research; internal memos; 1 copy of preview invitation","Lecture invitation; correspondence with Fern re; lecture (Library of Congress Prints \u0026   Photos Division); internal memos","1 photograph (contact sheet); checklists; varied correspondence","Prospectus with entry cards; 2 photographs; 1 duplicate photograph; correspondence with Castle (juror, Penland School of Crafts)","1 photograph; label copy; correspondence re: item breakage; label proofs","Preview invitation; chipping information; correspondence with lenders; internal memos; 1 copy of catalogue; clippings","Correspondence with lenders; request for information forms; 1 copy of Art Gallery Magazine (12/69); 1 copy of TIME (6/1/70), reason unknown, no more receipts kept in these files","2 contact sheets; correspondence with Peter Selz (UC Berkeley, juror); correspondence with lenders; internal memos (including correspondence re: installation of Robert Irwin's \"Disc\"); correspondence with artists re: their Vietnam War protest","Internal memos; catalogue copy; label copy; research; 1 copy of catalogue (damaged)","1 photograph (1966 show); photographs of works not in show (Krushenick, Warhol, Ruscha); copies of '62 and '66 show information; correspondence with lenders; shipping information; checklists","Label copy; checklists; panel copy; mailing and invitation lists; lender lists","Photographs (VMFA copies)","Photographs (originals)","Lecture invitation; 1 duplicate photograph; correspondence with Selz (juror) re: exhibition and lecture; biographical information; invitation copy","Correspondence with IEF; exhibition contract; internal memos; correspondence with Paul Tishman (collector whose works comprise show); correspondence with High Museum (earlier venue); IEF materials","Photographs; internal memos; correspondence with High and with UT Austin (earlier venues); correspondence with IEF; shipping information","Checklists; IEF materials; research; panel copy","Photographs","Photographs","Photographs","5 photographs; 3 duplicate photographs","7 photographs; 8 duplicate photographs","11 photographs; 3 duplicate photographs","5 photographs; 9 duplicate photographs","9 photographs; 8 duplicate photographs","15 photographs; 4 duplicate photographs","12 photographs; 2 duplicate photographs","1 duplicate photographs","7 photographs; 4 duplicate photographs","2 drawings; duplicates: loan exhibition announcement; invitation; 40 slides; 1 copy of High's brochure; internal memos; NGA brochures; IEF materials; correspondence re: possible speakers; correspondence with Tishman; copy of 9/70 Bulletin; slide list [see end of box]","5 photographs; checklist; internal memos re: this traveling exhibition SP-19 [loans from 4 major NY galleries, distributed by State Services Division]; correspondence with dealers/lenders; 1 copy of 10/70 Bulletin","Catalog (Edgeworth \u0026 VMFA); 1 photograph; audio (reel) tape \"J.[oel] Aldred – tapestries – 71/2 ips\" [Canadian broadcaster]; 1 copy of invitation; catalogue: Hommage à Jean Lurçat, Rothmans, ca. 1966; another Rothmans' catalogue ca. 1964","1 copy of catalog; 1 copy of black tie reception invitation","Internal memos; correspondence with Rothmans of Pall Mall Canada; correspondence with House of Edgeworth (co-sponsors); planning re: previous receptions, etc.","6 photographs","Black tie reception invitation; other invitations (non-VMFA)","Checklist (contemporary French tapestries); checklists (various, including hommage à Jean Lurçat); invitation lists; staff working lists","Notes on the Rothmans Collection; Rothmans press release; Contemporary French Tapestry; research; clippings; copies of other's letters to/from Lurçat [speech by Madame Denise Majorel, 2 clippings]; Lurçat letters (3/29/48 \u0026 12/24/47)","3 photographs; 9 duplicate photographs","Photographs","Photographs [overlap between these 2 folders]","8 duplicate photographs","8 photographs; 9 duplicate photographs","1 catalog for July/August program with catalog card application [1969]","Lists of speakers; internal memos; biographical information; correspondence with speakers; report from Museum Entertainment Committee","VM 1969-1970 events; lists of events; calendars; internal memos; schedules including exhibition, theatre, mailings, events, etc.; 1 copy of Theatre schedule card","Internal memos","Catalog; 4 photographs; 23 new photographs; exhibition contract (Mat is circulator); research; correspondence with Met; internal memos; shipping information and receipts","Mailing, 16 duplicate photographs; 7 new photos; correspondence with Baltimore Museum of Art (circulator); checklists; BMA materials; press release; internal memos; research; 1 copy of catalog (annotated)","4 new photographs; 7 duplicate photographs","1 new photograph; 4 duplicate photographs; correspondence with Norton Simon; clippings; checklists; internal memos; copy of Henry Moore annotated transcript from '63; label and panel copy; information sheets on paintings; 1 copy of invitation; shipping information and receipts","2 photographs; correspondence with collectors; checklists; drawings (photocopies); research, photocopy of Vogue article (4/15/60) on Colin","Correspondence with lenders; shipping information and receipts","Correspondence with lenders; internal memos","Preview invitation; correspondence with lenders; internal memos","Correspondence with potential lenders","Reminder card; invitation; checklists; research; lender lists; label copy; request for information forms; clippings; shipping information and receipts; mailing lists","33 new photographs","3 new photographs; 13 duplicate photos","5 new photographs; 10 duplicate photographs","5 new photographs; 10 duplicate photographs","2 new photographs; 10 duplicate photographs","Correspondence with lenders who gave no initial response","Correspondence with lenders re: return of works; internal memos; mailing lists; form letters","Copies of AIV articles from which loan list was gathered, annotated (probably for label/panel/catalog use)","Checklist; suggested press release, invitation, 4 duplicate photographs; 14 new photographs; 2 AFA folders of materials; internal memos; 1 copy of catalog","Shipping information; correspondence with AFA; correspondence with Smith College Museum of Art Director","Wall label; clippings; correspondence with MOMA (circulator); MOMA materials (including press release and checklist); 1 copy of MOMA members' newsletter (Spring 1970); correspondence with Peter Bunnell (photograph curator at MOMA \u0026 organizer); drawings; internal memos; exhibition contract","Invitation; 1 copy of September 1971 Bulletin; internal memos; mailing list","Prospectus; correspondence with artists; internal memos; checklists; schedules; 1 copy of October 1971 Bulletin; 1 annotated copy of Virginia Photographers '69 catalog; 1 copy of '71 catalog","Internal memos; correspondence with lenders re: potential loans; correspondence with lenders; correspondence re: extension of exhibition; correspondence with Robert Koch (speaker); correspondence with publicity","Invitation; poster; 1 duplicate photograph; 4 new photographs, 7 slides; notes; research; information request forms; 1 copy of November 1971 Bulletin; panel copy; clippings; 1 copy of December 1971 Bulletin","1 copy of November 1971 Bulletin; 1 copy of the January 1972 Antique Monthly","1 copy of the January 1972 Antique Monthly","Catalog copy","Catalog copy","Blank copy of information form","6 drawings (photocopies) of lighting schemes","3 photographs (items from Lewis Collection from some catalog); checklists; loan lists; mailing lists; internal memos; panel/catalog copy","Blank request for information forms","Checklist for catalog","Checklist for catalog","Checklist for catalog","Transparencies, 91 photographs","Empty folder","Label copy; internal memos; scripts; notes","Special object information forms","Special object information forms","Invitation; special object information forms","Correspondence with AFA; 1 copy of 1969-70 AFA Catalog","Correspondence with various institutions (museums, universities, organizations); internal memos; promotional materials","Correspondence with IEF; exhibition information sheets","1 press release from Howard University","Correspondence with various institutions (museums, universities, organizations); promotional materials","2 invitations, 2 catalogs (1969 \u0026 1971 for both shows); congratulations letter; pink salon des refuses card; prospectus; 1 contact sheet; schedule; internal memos; correspondence with juror (Thomas Hess); list of buyers; committee lists; correspondence with 7th \u0026 Franklin building owners (where judging was done); 1 drawing (photocopy)","16 photographs; duplicates: 6 photographs, prospectus; correspondence with Thalhimer's; internal memos; fact sheets; correspondence with artists; clippings; label copy; checklists; 1 copy of catalogue; 1 copy of May 1971 Bulletin; copies of certificate winners' entry blanks","Photographs; 1 copy of catalog; 1 copy of prospectus; lease agreement for 7th \u0026 Franklin Building","Photographs","Photographs","Correspondence with potential speakers","Memo 3/16/71, 5/71 Bulletin; fact sheets; internal memos; correspondence with artists; correspondence with 7th \u0026 Franklin; schedule; clipping; checklists","Internal memos; checklists","Catalogue; internal memos; catalog copy; correspondence with artist","Signed certificates; entry blanks; 1 copy of catalogue; correspondence with winners; checklists; internal memos","2 photographs; correspondence with artists; internal memos; schedules; correspondence with juror","Slides; photographs; checklists","Release forms; invoices; preview invitation list; fact sheets; checklists; internal memos; '71 invitation; correspondence with artists","Annotated catalogs; correspondence with purchasers; correspondence with artists; purchase information cards","Memo 9/8/71; correspondence with artists; label copy; internal memos","1 copy of '71 prospectus; 1 copy of '60 catalogue; correspondence with juror (Harry Callahan); fact sheets; research/biographical information","Photographs; '69 and '71 prospectuses","Prospectus copy; correspondence with artist","Fact sheets; internal memos; checklists; entry blanks","Internal memos; correspondence with artists; checklists","\"Guidelines for Preparing Panels,\" memo 3/19/71; dinner invitation copy; internal memos; project descriptions; correspondence with designers; schedule; catalog copy; AIID Virginia Chapter Directory 70-71; correspondence with Virginia AID; entry blanks; 1 copy of dinner invitation with reply card","Correspondence with winners","1 photograph; slides; correspondence with juror (Sarah Tomerlin Lee-former Editor of House Beautiful); schedule; internal memos","2 new photographs; 9 duplicate photographs","Signed certificates; entry blanks; label copy; biographical information; correspondence with juror (Henry Wolf); correspondence with potential jurors; internal memos; reception invitation list; checklists; correspondence with artists; fact sheets","Catalogue ('72); catalogue copy","14 new photographs; 2 duplicate photographs; catalogue","Prospectus; prospectus copy; annotated '68 prospectus copy","Form letter from Ellyson, prospectus; annotated '69 prospectus; correspondence with artists: re: prospectus, prospectus copy","Catalogue; fact sheets; shipping information and receipts","Reply cards; correspondence with artists; internal memos; checklists","Letter 4/8/71; fact sheets for printmakers","Catalogue; catalogue copy; checklists","Signed certificates; correspondence with winners; checklists","1 copy of '71 catalogue; checklists; catalogue copy; internal memos","Prospectus; prospectus copy; correspondence with designers","Copy of Art Directors Club prospectus","Internal memos; correspondence with artists; 1 copy of catalogue; reply cards","Entry cards; shipping information and receipts; internal memos; fact sheets; checklists; correspondence with artists; 1 signed certificate; label copy","Photographs; internal memo","Catalogue; catalogue copy; catalogue proofs; label copy","Signed certificate; correspondence with winners","5 new photographs; 8 duplicate photographs","Annotated '67 prospectus; prospectus copy; blank mailing labels","Label copy; correspondence with artist; clipping; 12/70 Bulletin; checklists","Invitation; photographs; label copy; internal memos; correspondence with artist; invitation list; biographical information 1/71 Bulletin; Robinson House exhibition checklist","Invitation; photographs; checklists; internal memos; label copy; biographical information; correspondence with artist; \"Art Now: New York,\" Vol. 2, no. 10; installation sketches by Jackson; 2/71 Bulletin; Robinson House checklist","3/71 Bulletin; 2 photographs; 7 slides; Robinson House exhibition checklist; internal memos; correspondence with artist; label copy; biographical information","3/71 Bulletin, 1 photograph; clippings; correspondence with artist; internal memos; label copy; Robinson House exhibition checklist; invitation list","3 photographs; internal memos; correspondence with artist; label copy; biographical information; Robinson House exhibition checklist; 4/71 Bulletin; invitation list","1 slide, invitation; 4 photographs; internal memos and correspondence with artist re: damaged works; biographical information; label copy; correspondence with artist; clippings; checklist; 5/73 Bulletin; shipping information and receipts","Invitation, 9/71 Bulletin, 2 duplicate slides; 2 photographs; 3 slides; label copy; correspondence with artist; invitation list","10/71 Bulletin, invitation; 4 photographs; biographical information; correspondence with artist; label copy; checklists","Photographs; 3 slides; invitation list; 1 copy of invitation; correspondence with artist; internal memos; biographical information; checklists; label copy; 11/71 Bulletin","2 photographs; 3 slides; label copy; price list (hand drawn!); correspondence with artist; biographical information; 12/71 Bulletin","2 photographs; 3 slides; invitation; label copy; biographical information; correspondence with artist; Robinson House exhibition; checklist; 12/71 Bulletin","Invitation, 1 slide; 1 new slide; 1/72 Bulletin; label copy; biographical information; checklists; internal memos; correspondence with artists","1 photograph; \"Masterpieces of Early American Furniture, Antiques (11/70), invitation, \"The U.S. Department of State Americana Fund…\"; correspondence with possible collectors; research, correspondence with Clement E. Conger, Collector of the Year 1972 (Chairman of Special Fine Arts Committee for acquisition of furnishings for the Department of State); internal memos; clippings; biographical information; press releases; clippings; checklists layout (typed)","Photographs; 1 drawing; drawing (typed!); clippings; label copy","Photographs","6 photographs; duplicates: 8 photographs, invitation; drawings (photocopies); correspondence with Mourot; research; internal memos; checklists; clippings; label copy","Prospectus; internal memos; correspondence with artists; reception guest list","Invitation, poster, MOMA information sheet, \"Modern Museum Offers Works…\"; 13 photographs; memos; correspondence with MOMA (circulator); shipping information and receipts; checklists, 1 poster","Internal memos; correspondence with lenders; research; clippings; catalog copy; 1 copy of May 1972 Bulletin; clippings; shipping information and receipts","Catalogue copy","Catalogue copy","Catalogue copy","Catalogue copy","Catalogue copy","Correspondence with Muller; list of tentative loans","9 photographs; 1 duplicate photograph","1 new photograph; 1 duplicate photograph; correspondence with the AIC; request for information form","2 duplicate photographs; correspondence with Princeton; request for information form","1 duplicate photograph; correspondence with Atkins; request for information form","1 duplicate photograph; correspondence with Fogg; request for information form","1 duplicate photograph; correspondence with Meadows Museum; request for information form","2 photographs; 6 duplicate photographs; correspondence with Met; request for information form","4 duplicate photographs; correspondence with MFA Boston; request for information form; internal memos; insurance certificate","6 duplicate photographs; correspondence with NGA; request for information form","2 duplicate photographs; correspondence with RISD; request for information form","3 duplicate photographs; correspondence with Thaw; request for information form. invitation; photographs","1 photograph; correspondence with Worcester; shipping information and receipts; request for information form; correspondence re: insurance","1 photograph; correspondence re; photograph orders and framing for our pieces; request for information forms","16 new photographs; 4 duplicate photographs","18 new photographs; 6 duplicate photographs","Request for information form; piece of box from printer","Checklists; lists of loans; shipping lists; mailing lists","One piece of correspondence","5 new photographs; 1 duplicate photograph","8 new photographs","Correspondence with lenders who denied loan request","Checklist, wall label, press release, 7 photographs; 2 contact sheet strips; materials from MOMA (circulator); correspondence with MOMA; internal memos; label copy; drawings (photocopies); 1 [misfiled] mock-up of Goya Catalogue cover","Checklist, 2 photographs; 4 new photographs, 2 invitations, members' preview postcard and special reception in envelope; \"Gund Collection of Western Art,\" 1970; internal memos; correspondence with Gund; correspondence with lenders; clippings; \"American Western Art: a Personal Narrative.\"","Photographs","Invitation; correspondence with Gund Museum; internal memos; research; checklists; blank request for information forms; correspondence with lenders; lists of movies; Gund Collection materials","4 photographs with labels, 5th=#15494, Carl Kauba, b. 1865, \"Indian\", Gilt Bronze, Collection Bobby Chandler; loan request; information sheets with small photos stapled to them (left in folder); correspondence with lenders; checklists; research","1 catalog; 1 contact sheet strip; internal memos; label copy; 1 copy of invitation; correspondence with AIA, Richmond Chapter","Invitation, 2 layout designs by Lipton, 6 photos; 27 new photos; correspondence with MIT (circulator); internal memos; correspondence with Marlborough Gallery (organizer); panel drawing (photocopy); checklists; correspondence with Lipton; label copy; research","2 invitations, \"An Exhibition of Sculpture and Drawings by Gaston Lachaise,\" 2 photographs; 9 new photos; correspondence with Lachaise Foundation and [Felix] Landau Galleries (organizer); internal memos; checklists with prices; shipping information and receipts; drawing (photocopy); clippings","1 photograph; correspondence with MOMA re: possible exhibitions, including Otto Frei exhibition [unsure if declined or not]","Checklist; 1 photograph; internal memos; clippings; list of items sold or rented","1 piece of correspondence re: lecture offer declined","Correspondence with Bernard Danenberg Galleries re: possible showing","Correspondence with AFA","Correspondence with Advertising Trade Publications, Inc.","Correspondence with the IEF","Correspondence with Maritime Museum in Newport News and Philadelphia","\"Project background \u0026 history,\" \"Bonniers introduces 9 incredible toys,\" 8 photos; 1 drawing; internal memos; correspondence with Bonnier International Design (organizer); correspondence with Ruder \u0026 Finn (circulators); Bonnier materials (including tear sheets); 1 copy of New York (9/11/72)","Proposals and materials from: George Eastman House, National Association of Women Artists, Rice University, California Arts Commission, Haus Rucker Company; MFA Houston, St. Paul Art Center, Fran Grace, Walter Art Center","Proposals and materials from: Japan Cultural Society, MOMA, Museum of the Confederacy, J.B. Speed, Library of Congress, Appalachian Corridor, SITES, Renwick Gallery, Asian Theatre Artists, NGA, Sculpture Center, International Museum of Photography, Oakland","1 photograph; correspondence with Smith (juror, Museum of Contemporary Crafts); biographical information","Catalogs, prospectus, 1 photograph; correspondence with Wolf (juror; Trahey Wolf Advertising, Inc.); biographical information","Correspondence with AFA; 1971-1972 catalog","Correspondence with institutions; artists; galleries and others (including materials)","Invitation, 2 slides; invitation list; correspondence with artist; clippings; label copy; 2/72 Bulletin","Invitation; 4 slides; 5 photographs; biographical information; label copy; correspondence with artist; 3/72 Bulletin; checklists","Invitation, 4/72 Bulletin; 1 slide; correspondence with artist; internal memos; label copy; checklists; biographical information","4/73 Bulletin, 1 slide, invitation; 1 negative; 1 photograph; 12/69 Bulletin; label copy; shipping information and receipts; biographical information; checklists correspondence with artist","5/72 Bulletin, invitation; 1 photograph; 4 slides; correspondence with artist; label copy; checklists; biographical information","Invitation, 1 photograph; 4 slides; label copy; 9/72 Bulletin; correspondence with artist; checklist; shipping information and receipts","Invitation, 4 photographs; 1 slide; shipping information and receipts; checklists; biographical information; 10/72 Bulletin; label copy; correspondence with artist","Invitation; 1 photograph; 4 slides; checklists; shipping information and receipts; correspondence with artist; label copy; biographical information","Label copy; correspondence with artist; 11/72 Bulletin; checklists; shipping information and receipts","\"1972-73 Robinson House One-Man Exhibitions\" List; internal memos; schedules","1 photograph; 4 slides; label copy; 1/73 Bulletin; correspondence with artist; internal memos; checklists; shipping information and receipts","1 slide, invitation, 2 photographs; 1 new photograph; label copy; 1/73 Bulletin; correspondence with artist; shipping information and receipts","Invitation, 2/73 Bulletin; 2 photographs; checklists; biographical information; internal memos; correspondence with artist; transportation request form; label copy","Invitation, 3 photographs; 3 new photographs; 3 slides; biographical information; shipping information and receipts; checklists; correspondence with artist; transparencies request form; internal memos; label copy; 3/73 Bulletin","'72 Honor Awards Program, Virginia AIA Chapter; concealed ID form; catalogue; internal memos; prospectus copy; Virginia Chapter AIA materials; 1 copy of prospectus; catalogue copy","Correspondence with juror (Hugh Jacobsen)","2 photographs (Paul Smith); entry blanks; correspondence with artists; reception guest list; drawing (photocopy); internal memos; 1 copy of catalogue; correspondence with juror (Paul Smith)","Internal memos; checklists; fact sheets; shipping information and receipts; entry blanks","Purchase cards; annotated catalogues ('73); invoices; checklists; correspondence with purchasers; correspondence with artists; shipping information and receipts; release forms","Slides; 7 new photographs; 3 duplicate photographs","Letter (9/12/73); entry blanks; reception invitation list; shipping information and receipts; correspondence with artists; internal memos; correspondence with winners","1 copy of catalogue; catalogue copy; internal memos; checklists","Schedule; prospectus copy","Correspondence with artists; internal memos; fact sheets; checklists","Checklists; correspondence with artists","2 invitations, 8 duplicate photographs; 9 new photos; internal memos; checklists with values; correspondence with Blumkas (Mr. and Mrs. Leopold); research; correspondence re: complete loss of Gothic velvet tapestry due to water damage","7 photographs; correspondence with MOMA (circulator); checklists; internal memos; MOMA materials (including wall label, press release)","3 photographs; internal memos; panel layout notes; Accession Committee meeting minutes copies (to look at new accessions)","Invitation; photographs; label copy; drawing (photocopy)","Photographs; duplicates; 2 invitations; invitation copy; internal memos; correspondence with Whitney (circulator); Whitney materials; label copy; 1 copy of \"Edward Hopper: Selections from the Hopper Bequest,\" published by Whitney; 1 copy of 3/73 Bulletin","5 photographs; label copy; correspondence with lenders; request for information form; internal memos; correspondence re: Bernard Martin \"copying\" Alfred Newman's photograph of Hopper re: possible copyright infringement","Catalog; 2 photographs; 1 copy of prospectus; internal memos; label copy; list of designers; correspondence with AIID","Invitation, 10 photographs; internal memos; label copy; invitation copy; mailing lists","Catalog, invitation, 1 photograph; 2 slides, 1 new photograph; internal memos; correspondence with artists; label copy; 1 copy of prospectus; checklists; clippings","5/73 bulletin; shipping information and receipts; correspondence with artists; internal memos; correspondence with Thalhimer's re: display; label copy; checklists; fact sheets","1 copy of catalogue; catalogue copy; checklists; internal m emos; prospectus copy","Signed certificates; correspondence with winners","Correspondence with juror (William Seitz); biographical information","28 photographs","Memo (2/28/73); printmakers card; letter (3/22/73); internal memos","Reply cards; correspondence with artists; internal memos; checklists","1 photograph; duplicates, certificates; juror biographical information (William Pahlmann); correspondence with juror; internal memos; fact sheets; checklists; correspondence with artists; entry blanks","Prospectus (1 copy); AID Virginia Chapter '70-'71 directory; prospectus copy; catalogue (1 copy); checklists; correspondence with NSID","Photographs","3 photographs; 1 duplicate photograph; label copy; entry blank; correspondence with Solomon; biographical information; shipping information and receipts; 11/73 Bulletin","Invitation, 2 duplicate photographs, 10/73 Bulletin; 1 new photograph; label copy; correspondence with Beer; biographical information; checklists","2 photographs; internal memos; correspondence with juror (Nathan Lyons); biographical information","Photographs","Entry blank; correspondence with Dougherty","1 photograph; 1 new photograph; 9/73 Bulletin; correspondence with Davenport; entry blank; biographical information; clipping","Invitation, 2 photographs; 7 new photographs; correspondence with Lewises; drawing (photocopy); internal memos, 1 copy of May '72 W\u0026L Alumni Bulletin","7 photographs; press release; internal memos; materials from Museum of Primitive Art (organizer); clippings; catalog copy","Invitation; catalog; internal memos; correspondence with prospective jurors; 1 photocopy of prospectus; mailing list; article by Nathan Lyon (juror); clipping; NEA grant materials","Press release, 3 photographs, checklist; correspondence with IEF (circulator); IEF materials; internal memos","Research; checklists; catalog copy; mailing lists for catalogs [all materials Blaine-related]","3 clippings, 3 invitations; 7 photographs; internal memos; correspondence with Blaine; mailing lists; catalog copy (Blaine)","Nell Blaine at the Poindexter Gallery, 1972, catalogue folder; 2 new photographs; research; other catalogs; mailing lists; request for information forms; checklists; price lists; internal memos; correspondence with Boston University (Beal co-organizer); correspondence with Poindexter Gallery (Blaine co-organizer); correspondence with Lawrence Campbell (essay writer; Art Students' league); correspondence with lenders; correspondence with artists; catalog copy (Beal)","Photographs; 1 copy of Blaine catalog; list of Beal color transparencies returned","Correspondence with artist and purchasers re: sale of paintings (including copies of checks, etc.); checklists; price lists [all material related to Blaine]","1 drawing by Blaine; correspondence with Boston University, Poindexter Gallery, Blaine, Campbell, lenders; internal memos; 1 copy of Blaine catalog; clippings; loan agreement forms; other catalog (Beal); research; label copy; checklists","Correspondence with AFA; 1972-73 catalog; 1973-74 listing in new 8 ½ X 11 format (unbound)","2 copies of 67-68 catalog; correspondence with AFA; 2 copies of 68-69 catalog; clippings","Correspondence re: possible prison art show","Correspondence with Ruder and Finn","Clippings; research; SITE materials, correspondence with various institutions (museums, galleries, organizations); IEF materials; various catalogs [most of material from late 60s]","Clippings; research; SITE materials, correspondence with various institutions (museums, galleries, organizations); IEF materials; various catalogs [most of material from late 60s]","Material re; possible exhibition of Cecil Beaton as well as Samuel Kirk \u0026 Son","Material re: possible exhibition of Cecil Beaton, as well as for Sir Jacob Epstein, and others","Correspondence re: Objects: USA (collection of S.C. Johnson \u0026 Son, organized by Lee Nordness Gallery); correspondence with various other institutions; various catalogs from late 1960s","Correspondence with various institutions; various catalogs from 1973","Correspondence with various institutions; various catalogs from late 1960s; early 1970s]","Correspondence; internal memos","1 copy of 66-67 catalog; 2 copies of 68-69 catalog; correspondence with MOMA; MOMA materials; clippings; internal memos","1 clipping on Peggy Guggenheim","Correspondence with Multiples, Inc. gallery; internal memo","Eastman House materials","Correspondence with SITES; 1972 catalogs; SITES materials; various SI bulletins; 1 catalog (French playbills)","Correspondence with IEF; IEF materials","Correspondence with IEF; IEF materials","Correspondence with MOMA; MOMA materials, 1 copy of catalog","1 piece of correspondence with Hirschl \u0026 Adler","Internal memos; correspondence with \"Curators of Art for Corporate Collections\" [actually called Danese Design]","Correspondence with IEF; IEF materials","Correspondence with Art professor at Mary Baldwin","Correspondence with Asia House Gallery; checklist; internal memo [not shown]","Correspondence with Whitney and Aldrich Museum of Contemporary Art","Correspondence with Museum of Fine Arts, St. Petersburg; internal memos","Internal memos; correspondence with Multiples, Inc.","Letter from Claiborne to members (10/24/73); 1 copy of invitation; label copy","Internal memos; checklists","Catalog, invitation, 6 photographs; 1 new photograph; 1 copy of Virginia Designers 1970 catalog; internal memos; mailing list; catalog copy; correspondence with Federal Council on the Arts \u0026 Humanities (speaker, Lani Lattin); schecklists","Members special film program card, 2 photographs; 1 new photograph; 1 copy of Wildenstein catalog; research; correspondence with Bakwin; correspondence with members; internal memos; 1 copy of invitation; 1 copy of catalog","Invitation, reply card; 1 photograph; 1 copy of Craftsmen's Biennial 2 (VCU) prospectus; 1 copy of Virginia Craftsmen 1970 catalog; 1 copy of 74 catalog; 1 copy of 74 prospectus; internal memos; mailing list; research","Invitation, 11 photographs; 4 new photographs; 1 copy of catalog \"Walter Gropius: Buildings, Plans, Projects, 1906-1969\"; correspondence; 1 copy of \"Portrait of an idea: Rosenthal Studio-Line\"; correspondence with IEF; IEF materials; exhibition contract; 1 drawing (photocopy); internal memos","VMFA exhibition SP-28; internal memos; checklist; label copy","Clippings; 1 copy of Commonwealth: the Magazine of Virginia (5/74)","2 preview invitations, lecture card, brochure; photographs; label copy","3 photographs; 1 new photograph","Announcement; 3 transparencies; 4 drawings of \"Project: Folk Art\"; correspondence with Whitney (circulator; organizer); internal memos; correspondence with Ruder and Finn; label copy; correspondence with Philip Morris (sponsor); research; invitation copy; brochure copy; Whitney materials; preview mailing list; 1 copy of 4/74 Bulletin; correspondence re: posters and billboard; clipping","Invitation, \"Project: Folk Art\"; 1 photograph; internal memos; correspondence with Ruder \u0026 Finn; correspondence with Whitney; checklists, correspondence with Philip Morris; brochure copy; clipping; correspondence with publicity; correspondence with other institutions","Catalog copy","3 photographs; 2 new photographs; TV speech copy; correspondence with De Young (other venue); correspondence with Central Virginia Educational Television; verbal storyboards","Internal memos; mailing/invitation lists","1 photograph; correspondence with Whitney; correspondence with other institutions; Whitney brochures; clippings; layout drawings (photocopies); label copy","7 photographs; duplicates: transcript, announcement card; 4 dictabelts (interview with Bill Gaines); checklists; correspondence with Chermayeff; internal memos; correspondence with Philip Morris (owners of tapestries); mailing list; 1 copy of invitation; press release; drawing (photocopy)","3 photographs; correspondence with Nancy Hoffman Gallery (organizer); correspondence with lenders; checklists; request for information form; gallery materials","Catalog; photographs; catalog copy; internal memos; checklists; correspondence with lenders; blank information request form; clipping","Photographs, 2 transparencies, 1 slide; 1 copy of invitation; internal memos; clippings; exhibition design drawings (photocopy)","33 photographs; 7 transparencies; duplicates: 15 photographs","4 photographs; 1 transparency, slides; correspondence with potential lenders; correspondence with Diebenkorn; internal memos; request for information forms; checklists","4 photographs; 3 new photos, 1 transparency; correspondence with potential lenders; correspondence with lenders; correspondence with Estes (the photos he provided were for his passport!); request for information forms; checklists; research","6 photographs; 2 transparencies; correspondence with potential lenders; request for information forms; checklists; correspondence with Francis","5 photographs; 2 transparencies; correspondence with potential lenders; request for information forms; checklist; correspondence with Frankenthaler; internal memo","2 photographs; correspondence with lenders; correspondence re: damage; request for information forms; internal memos; correspondence with Hans Nemuth re: portrait of Indiana (photograph)","5 photographs; checklists; correspondence with potential lenders; request for information forms","6 photographs; 1 transparency; correspondence with potential lenders; request for information forms; checklist","5 photographs; 1 new photograph, 2 transparencies; correspondence with potential lenders; correspondence with Motherwell; checklists; request for information forms","6 photographs; 1 transparency; correspondence with potential lenders; request for information forms; checklists","5 photographs; 1 new photograph; correspondence with potential lenders; request for information forms; internal memos; checklists","5 photographs; 1 new photograph; 1 transparency; correspondence with Thiebaud; correspondence with potential lenders; request for information forms; checklists","5 photographs; 1 transparency; internal memos; correspondence with potential lenders; request for information forms; checklists","Catalog; internal memos; correspondence with Virginia AIA Awards Committee","Entry blanks; correspondence with designers; label copy; internal memos; checklists; fact sheets","1 copy of '74 catalog; catalog copy","Signed certificates; correspondence with juror (Ivan Chermayeff); clipping","Photographs","Prospectus; checklists; art directors' club materials; prospectus copy; schedule","4 photographs; correspondence with Hagan; shipping information and receipts; entry blank; label copy; 5/74 Bulletin; biographical information","Invitation; 2 photographs; 2 new photographs; 4/74 Bulletin; shipping information and receipts; biographical information; correspondence with Abbott; label copy","Invitation; 1 photograph; 1 new photograph; label copy; transportation requests; entry blanks; biographical information; correspondence with Barry; shipping information and receipts; 2/74 Bulletin","5 photographs; 1 duplicate photograph; invitations; 1/74 Bulletin; shipping information and receipts; checklists; label copy; internal memos; correspondence with Fridley","Invitation; 4 photographs; NEA booklet; 10/74 Bulletin; correspondence with NEA for Sandborn; brochure (1 copy); brochure copy; internal memos; biographical information; correspondence with Sandborn; entry blank; shipping information and receipts","2 photographs, invitations; 6 photographs; 9/74 Bulletin; correspondence with Ames; biographical information; shipping information and receipts; checklists; label copy; internal memos; entry blank","Catalog; photographs; internal memos; correspondence with artists; label copy; checklists; correspondence with Michael Graves (lecturer); correspondence with juror (Bill Newman); invitation copy; invitation list; prospectus copy; biographical information; 12/74 Bulletin","3 photographs: 1 duplicate photograph, invitations; 11/74 Bulletin; brochure; shipping information and receipts; checklists; biographical information; correspondence with Scalin; entry blank; label copy","22 photographs; 9 new photographs; internal memos; checklists","Research; checklists; internal memos; clippings; correspondence re: poster; drawings (photocopies); panel copy","Photographs","Label copy; research; checklists; correspondence with lenders; internal memos; correspondence with Comprehensive Exhibition Services (circulator); correspondence with potential lenders; blank request for information forms","8 photographs; 6 new photographs; request for information forms; internal memos; correspondence with lenders","SITES and National Art Collection Materials; internal memos; correspondence re: materials for Children's Day","1 photograph; 2 new photographs; correspondence with Delaware Art Museum (lender); 1 copy of 4/74 Bulletin; checklists; internal memos","Correspondence with IEF; IEF materials","Correspondence with potential speakers they declined","Photographs; research; biographical information; clippings, drawing (photocopy); 1 copy of 5/74 Bulletin; internal memos; correspondence with VCU (Professor Lester Van Winkle is co-organizer); correspondence with lenders; invitation list; 1 copy of invitation; checklists; correspondence from visitors","4/74 Bulletin, \"photographic resume,\" 1 photograph; 5 new photographs; correspondence with artist; biographical information","Correspondence with and materials from various institutions, galleries, and organizations; internal memos; clippings; catalog","1 photograph (William B. O'Neal, UVirginia); correspondence with potential speakers; promotional materials; internal memos","1 piece of correspondence re: questionnaire (5/2/74)","Correspondence with MOMA re: possible traveling shows","Correspondence with and materials from various institutions, organizations, and individuals re: declined exhibitions; internal memos; catalogs","Correspondence with Modern Master Tapestries, Inc. (organizing circulator) and Charles E. Slatkin, Inc. Galleries (organizing circulator); promotional materials","Signed certificates, catalog; 1 photograph; internal memo; correspondence with artists; fact sheets; invoices; checklists; clippings; shipping information and receipts","Photographs","Prospectus; prospectus copy; annotated '72 prospectus","NOVirginia invitation, jurors' statement, Lynchburg prospectus, signed certificates (NOVirginia); 10 photographs; checklists; prospectus copy; invitation copy; NOVirginia prospectus; correspondence with artists; catalog copy; Lynchburg catalog; correspondence with directors of affiliates; Lynchburg signed certificate","10 photographs; duplicates: Roanoke catalog, Roanoke invitation; correspondence with artists; Peninsula prospectus copy; Peninsula catalog copy; internal memos; Peninsula prospectus; Peninsula signed certificate; checklists; Roanoke catalog copy; clippings; correspondence with juror (Lawrence Alloway)","'75 prospectus; shipping information and receipts; annotated '73 prospectus; prospectus copy","Photographs; signed certificates, invitation; checklists; '75 catalog; correspondence with NEA re: grant; internal memos; correspondence with juror (Aaron Siskind); fact sheets; prospectus copy","Virginia Commission of the Arts and Humanities grant application","Catalog; catalog copy","1 signed certificate; correspondence with winners","Photographs; 1 copy of '75 catalog","Prospectus copy; internal memos; correspondence re: prospectus","Catalog; purchase cards; invoices; correspondence with artists; internal memos","Reply cards; checklists; correspondence with artists","Invitation, 1 photograph; shipping information and receipts; correspondence with potential jurors; correspondence with juror (Robert Buck); biographical information; schedule; internal memos; checklists; 5/75 Bulletin","Signed certificates; fact sheets; correspondence with juror (Elke Solomon); biographical information; internal memos; checklists; correspondence with artists","Photographs; prospectus; prospectus copy; 1 copy of catalogue; catalogue copy","Letter 2/9/75, purchase card; correspondence with artists; internal memos; invoices","Checklists; correspondence with artists","Invitation, 5 photographs; 1 new photograph; internal memos; invitation copy; correspondence with Mrs. Lammot DuPont Copeland [collector of the year]","1 copy of 2/75 Bulletin; internal memos; checklists (Artmobile exhibition); label copy","1 photograph; 1 copy of catalog; 1 copy of prospectus; internal memos; checklists","Photographs; checklists; label copy; catalog copy; research; invitation copy; correspondence with NC Museum of Art; internal memos; mailing list; 1 copy of invitation","2 photographs; \"1940, Remember?\" clipping; correspondence with Library of Congress Prints \u0026 Photographs Division; internal memos; research; checklists","Catalog, \"Observations on …,\" \"Collecting,\" 2 photographs; 2 new photographs; correspondence with O'Neal; checklists; internal memos; catalog copy; biographical information","4 new photographs; catalog","Catalog, 4 photographs; 4 new photographs; checklists; correspondence with Lewises; internal memos","Catalog, invitation, 6 photographs; 2 new photographs; 1 copy of prospectus; internal memos; invitation copy; correspondence with Robert Buck (juror, Director of Albright Knox)","1 internal memo","1 catalog, 5 photographs; 1 new photograph; internal memos; checklists","Invitation, 6 photographs; 6 new photographs; correspondence with University Art Gallery (Rutgers, organizer); internal memos; invitation copy; correspondence with VM Youth Guild; clipping; correspondence from visitors; 1 copy of catalog; list of books for sale at VMFA Shop","\"Art as Adornment\"; 10 photographs; internal memos; checklists; label copy; catalog copy","3 new photographs; 3 duplicate photographs; correspondence with Art Museum of South Texas (borrower)","Correspondence with Josef Albers Foundation; correspondence; internal memos","Invitation, catalog; internal memos; correspondence re: successful NEA grant; grant   materials; statistics","1 photograph; internal memos; checklists; correspondence with Light Gallery (lender); correspondence with Siskind","Press release; photographs; correspondence with AFA (circulator); correspondence with Museum of Primitive Art (lender); drawing (photocopy); in use list; internal memos; correspondence with African Arts magazine; clipping","Poster, catalog, 1 photograph; 4 new photographs; correspondence with AFA; checklists; internal memos; exhibition contract; invitation copy; correspondence with African Arts; correspondence with Museum of Primitive Arts; correspondence with local TV station","\"Masterpieces of Pre-Columbian Art,\" 5 photographs; 1 new photograph; internal memos; label opy; Artmobile slide lecture copy","Correspondence with Museum of the American Indian (organizer); internal memos; clipping","Correspondence with Met (organizer); internal memos","Correspondence with Hyatt re: possible accommodations; correspondence with AAM; internal memos","3 photographs; 3 new photographs; correspondence with lenders; request for information forms; checklists; shipping information and receipts; 1 copy of invitation","3 photographs; 3 new photographs; 1 copy of brochure (\"Landscape in Photography\");   internal memos; checklists","12 photographs; brochure copy; internal memos; checklists; panel copy; press releases","Correspondence with artist; 1 copy of invitation; clipping; internal memos; press release","3 photographs; 12 new photographs; correspondence with MOMA (organizer); checklist; exhibition contract; internal memos; clipping; MOMA materials","Unsigned certificate; 2 photographs; duplicates: letter 8/1/75, 2 blank information forms","Photographs","2/75 Bulletin, invitation, 1 photograph; 2 new photographs; internal memos; correspondence with artist; shipping information and receipts; biographical information; label copy","Invitation; 2 photographs; 4 duplicate photographs, 11/14/74 memo; internal memos; label coy; blank floor plan; 1/75 Bulletin; correspondence with artists; clippings; invoices [lots of correspondence re: student show]","21 photographs; information forms; biographical information; correspondence with artists; internal memos; label copy","2 photographs; duplicates: Roanoke prospectus, Peninsula prospectus, Roanoke catalogue; clippings; correspondence with artists; prospectus copy; juror biographical information; internal memos; correspondence with jurors; NOVirginia prospectus; annotated Roanoke prospectus; checklists; signed certificates; invitation; blank certificates","Photographs; drawings (photocopies); panel copy; research; catalog copy","Checklists by object type (transferred contents of a binder)","Photographs","3 photographs; internal memos; correspondence re: events such as demos and clinics; research; correspondence with visitors; invitation copy; correspondence re: catalog; correspondence with lenders; checklists","Label copy; checklists; research","Photographs; correspondence with lenders; internal memos; correspondence with Virginia Commission of the Arts \u0026 Humanities re: special funding; checklists; research","Catalog copy; research; checklists; labels","Photographs; checklists; other lists","15 photographs; shipping information and receipts; catalog proof; checklists; catalog copy; research; lists by type","10 photographs; 2 new photographs; correspondence with Toledo Museum of Art (organizer); checklists; insurance certificate; clipping, correspondence with Steuben; 1 copy of \"Steuben: 70 Years of American Glassmaking\"; internal memos; correspondence with publicity","\"Forms in Metal\" catalogue; 1 photograph; correspondence with Museum of Contemporary Crafts (organizer); exhibition contract; Museum of Contemporary Crafts materials; internal memos; drawing (photocopy)","3 photographs, invitation, reply card; 1 copy of catalog; correspondence with Lawrence Alloway (juror); invitation copy; internal memos; correspondence with members of arts organizations coming to ceremony; guest lists","Exhibition contract; correspondence with MOMA (organizer); MOMA materials; checklist; internal memos","Checklists; correspondence with University of New Mexico (organizer); research; exhibition contract; internal memos; correspondence with Western Association of Art Museums (organizer); biographical information; drawing (photocopy)","2 photographs; correspondence with Dean Brown Foundation (curator is Carol Brown, widow) and Akron Art Institute (organizer); internal memos; biographical information; AAI materials","Correspondence with Bowdoin (organizer) [cancelled]; Bowdoin materials","3 photographs; correspondence with Israel Museum; clippings","2 photographs; correspondence with Museum of the American Indian; correspondence with Phillip Morris (connection to Museum of AI)","Catalog, prospectus; statistics; letter to members of \"Richmond Communicating Artists\"","Photographs; internal memos; VMFA materials; label copy","One press release [written by Bob Keefe] re: Reeves collection","Internal memos","Correspondence with Terry Dintenfass (organizer); internal memos","19 photographs; correspondence with Gallery Association of New York State (organizer); internal memos; checklist; correspondence with Architectural League of NY (organizer); budget materials (for fundraising); GANYS materials","Photographs; 2 slides","1 drawing; 1 photograph; duplicates: museum tear sheet; general museum and various exhibitions' label copy; catalogue or essay copy for \"The 18th Century Drama\"","Biographical information","Attendance statistics","Label copy","Fact sheet","List of music for Danish Silver exhibition","Lists of alumni in Richmond","2 drawings; Leslie Cheek Jr.'s notes","2 drawings","3 drawings","3 drawings","2 checklists of members","1 drawing; list of photographs for panels","1 drawing","\"Remarks\" 5/25/77","Internal memos; article copy; checklist; correspondence re: permission to publish images","1 transparency; catalog copy; internal memos; correspondence with lenders; research; correspondence re: transparencies; correspondence with Mariner's Museum","Internal memos; correspondence with lenders; correspondence re: transparencies; catalogue copy","Blank information forms","Catalog copy","1 photograph [Vose Galleries]; correspondence with lenders who denied loans","Catalog proofs","Correspondence with Suffolk Art League","Correspondence with Mint Museum; Mint materials","1 copy of \"The Virginia Peninsula Today,\" 11/76; speech copy","Checklists; correspondence with Met re: possible loan","Invitation lists","2 duplicate photographs; 2 new photographs; request for information forms; correspondence with potential lenders","Checklists; internal memos re: postcards for sale (correspondence with other museums' shops)","Press release (8/26/74); correspondence with Mariners Museum; internal memos; clippings; fact sheet","3 photographs","Photographs","Photographs","Request for information forms (folder 2)","Request for information forms","Internal memo; correspondence with Vose re: catalogue; Artmobile label/brochure copy","Budget information; internal memos","Artmobile label copy; Artmobile layout drawing (photocopy)","Research","Slide lists","Internal memos; Artmobile brochure; checklists; Artmobile teachers' kit; clipping","Photographs","Correspondence with potential lenders; internal memos","Correspondence","Correspondence with lenders; correspondence with Mariners Museum; checklists","Checklists","Checklists; correspondence with Mariners Museum","1 slide; 1 photograph (A. Cary Smith, portrait of the Yacht Agnes); correspondence with lenders; research; internal memos; schedule; correspondence with mariners Museum; clippings; other materials","Internal memos; invitation lists; correspondence with attendees/invitees; clipping","Correspondence and internal memos re: budget","Lists; schedule; correspondence with Mariners Museum; correspondence with film companies; internal memos","Budget information; internal memos; correspondence with Mariners Museum; correspondence with NEA; clipping; grant application","6 photographs; correspondence with NNS; 1 copy of \"3 Generations of Shipbuilding\"; NNS materials; \"Men, Ships and the Sea\"; Bring Her Home\"; label copy for publicity photographs0; \"Always Good Ships\"","Label copy","14 duplicate photographs; 2 new photographs; 1 drawing; internal memo","Invitation; invitation list; correspondence with Mariners Museum; internal memos","1 photograph; internal memos; correspondence re: cancellation of Virginia Architecture 1976 (Reality and Revival is the replacement); label copy; drawings of panels (photocopies); '76 AIA honor program","Internal memos (2)","Signed certificate; correspondence with juror (Alan Shestack); correspondence with artists; checklists; internal memos; one entry","Prospectus; photographs; 1 copy of catalog (annotated); biographical information on juror (Alan Shestack, Director of Yale University Art Gallery); checklists; catalogue copy; prospectus copy; un-annotated copy of catalog","2 photographs; internal memos; correspondence with artist","1 photograph; 1 invitation; checklists; internal memos","1977 invitation; internal memos; '77 catalogue; correspondence with NEA re: grant; '77 prospectus; correspondence with juror (Lloyd Herman)","25 slides, 9 photographs; 1 duplicate photograph; clippings; correspondence with Santa Barbara Museum of Art (organizer); internal memos; correspondence with SITES (circulator); 1 copy of catalog; labels; schedule; checklists; Santa Barbara materials, including press release and prospectus; exhibition contract","Photographs; invitation list; announcement; correspondence with artist; announcement copy; price list; entry blank, invitation (signed \u0026 22/58)","Photographs; invitation list; price list; entry blank; announcement; announcement copy; biographical information; internal memos; correspondence with artist","3 photographs; invitation list; entry blank; invitation; internal memos; clipping; biographical information; correspondence with artist","1 photograph; invitation; announcement proof; correspondence with purchasers; biographical information; checklists; invitation list; correspondence with artist","3 photographs; announcement; announcement copy; invitation; internal memos; entry card; correspondence with artist; biographical information; invitation list","3 photographs; announcement; checklists; entry blank; invitation list; correspondence with artist; invitation; biographical information","2 photographs; checklists; correspondence with artist; artists' sale terms and conditions; announcement; invitation list; biographical information; invitation; internal memos","Announcement; invitation; correspondence with artist; announcement copy; biographical information; invitation list; internal memos","Announcement, invitation; announcement copy; biographical information; entry blank; Guggenheim fellowship application; clippings; correspondence with artist; invitation list","Invitation; schedule; 1 copy of prospectus; correspondence with Thalhimer's; internal memos; statistics; correspondence with artists","Prospectus copy; label copy; jurors' statement copy; 2 copies of catalog (1 annotated; 1 not); catalogue copy; correspondence with visitor re: complaint about nude woman in painting","5 photographs; 8 duplicate photographs","Signed certificates; 1 photograph; invitation; internal memos; correspondence with artists; correspondence with juror (Suzanne Delehanty); checklists; statistics","Checklists; correspondence with Thalhimer's; correspondence with artists","Checklists; correspondence with artists","Form letter to Virginia artists from Director Peter Mooz; correspondence with purchasers; correspondence with artists; internal memos; invitation list; reply cards","Internal memos","Invoices; budget information; incident report; correspondence with artist","Invitation; clippings; poster; materials from other exhibitions","Clippings; materials from other exhibitions","Postcard; checklists; label proof; lecture; invitation copy; installation drawing [checklists from Edwin A. Ulrich Museum of Art, Wichita State University)","7 photos; 5 new photos","Correspondence with Wichita State; correspondence with Lewises; correspondence with artist; correspondence with Whitney (other venue)","Invitation, reply card, brochure; 5 photographs; 1 copy of catalogue: \"The Proctor \u0026 Gamble Company Antique English Coffee Pots: The Folger's Coffee Collection\"; correspondence; internal memos; correspondence with the Rowland Company (organized the show); correspondence with Proctor \u0026 Gamble; invitation copy","3 photographs; correspondence with lenders; clippings; internal memos; correspondence with Lewises (lenders of typewriter eraser)","Invitation, 5 photographs; 33 new photographs; clippings; internal memos; correspondence with Kreegers; checklist; drawings (photocopies); invitation list; research; label copy; invitation copy","Internal memos; specs. For A.V. presentation; presentation copy","Invitation; invitation copy","2 slides; photographs; internal memos","Photographs","Budget information; internal memos; invoices; research on Owen Cheatham Foundation","Correspondence with public; correspondence re: copyright; internal memos; publicity schedule","Internal memos; label copy; checklists; drawings (photocopies)","Label copy; internal memos; catalogue proofs; correspondence re: copyright; invitation; checklists","Internal memos re: duties \u0026 plans","Clippings; internal memo","Checklist; research of the objets d'art; Owen Cheatham catalog (1 annotated; 1 not)","40 slide set from MOMA","Clippings","1 copy of VMFA operating budget, 1976-77","2 slide lists (102 slides \u0026 40 slides); checklists; MOMA brochure re: slide set","Correspondence with speakers and hostesses","Installation instructions; internal memos; checklists; drawings (photocopies); correspondence with MOMA; MOMA materials","Correspondence with MOMA; internal memo","Checklists; correspondence with MOMA; MOMA materials","Internal memo re: related books in VMFA Shop; exhibition bibiliography","Photographs","Richmond Sinfonia program; letter from MOMA (6/20/75); exhibition contract; internal memos; correspondence with MOMA; budget information; MOMA invitation; American Art Since 1945 (1 copy of catalogue, loose)","Invitation (3 pieces); invitation list; internal memos; correspondence with MOMA; invitation copy","1 photograph; correspondence with Lewises; clipping; internal memos","Checklists (MOMA materials)","Internal memo","Internal memos and information re: Brandts' trip to Greenville to see show","MOMA materials for labels","Correspondence with MOMA re: posters","Photographs; clipping; correspondence with Mark Davis (curator at the Century Association); internal memos; checklists; label copy","Brochure (summer exhibition announcement), 1 photo; 19 slides; 3 photos; correspondence with SITES (circulator); checklists; internal memos; exhibition contract","Summer exhibition announcement; 8 slides; 9 photos; correspondence with SITES (circulator); exhibition contract; checklists; internal memos; SITES materials including SITES press release; clippings; label","2 photos; checklists; internal memo","2 photos; 5 slides; internal memos; correspondence with artist; clippings; correspondence with Bowdoin (circulator); Bowdoin materials; checklists; budget information; biographical information; research","Correspondence with various institutions; correspondence with visitors; internal memos; correspondence with publicity; materials from other exhibitions; invitation; invitation copy; installation drawing; checklist","Clippings; internal memo","Correspondence with AFA re: circulation, catalogue proof inserted in file","Internal memos; correspondence with printer re: mistake; correspondence with AFA; catalog copy; checklists; correspondence with Wiltshire","Photographs","Checklist","Slides","Invitation; catalog copy; checklist","Drawings (photocopies); internal memos; budget information; checklist","Invitation; invitation lists; internal memos; correspondence with AFA","Label copy","Label copy; correspondence with Weisgall; biographical information; checklists; research","Frames checklist; correspondence with Weisgall; March'78 Bulletin","Correspondence with Weisgall; internal memos; clipping; catalog; catalog copy; budget information","Photographs","Invitation, Richmond News Leader clipping (1/30/78); internal memos; correspondence with musicians; program copy; all re: musical program, musical scores; one copy of \"The Collecting Muse: The Nathalie \u0026 Hugo Weisgall Collection\"","Poster","Clippings","Budget information; internal memos; correspondence with Fred Hughes of Andy Warhol Enterprises; correspondence with sponsors; correspondence with Coe Kerr Gallery; correspondence with artist; correspondence with Weisman; checklists [no signatures]","Postcard (2), 7 photos; 2 new photos; clippings","1 photo; internal memos; catalog proofs; clippings; correspondence with VCU re: silk screening project; budget information; catalog copy","Correspondence with potential lenders","Photographs; slides","Correspondence with MFA Boston (lender)","Correspondence with Chrysler (lender)","\"NEW\" loan agreement form","Correspondence with Ackland (lender)","Correspondence with AIC (lender)","Correspondence with BMA (lender)","Correspondence with Phillips (lender)","Correspondence with Clark (lender)","Correspondence with Mellon (lender)","Correspondence with Met (lender)","Correspondence with NCMA (lender)","Correspondence with lender","Correspondence with various institutions; checklists; internal memos; clippings","2 invitations (6 parts total); internal memos; invitation list","Budget information; internal memos; Virginia Commission for the Arts \u0026 Humanities grant information","IPR's; internal memos (form about 1 year old for IPR)","Drawings (photocopies); checklists; internal memos","Clipping; internal memos; press release copy","Checklist (4 part)","Label proofs; label copy; 1 copy of checklist","Label proofs; **clippings inserted in folder at end**","Invitation; prospectus; internal memos; program schedule; correspondence with hostesses; schedule; correspondence with juror (Thomas Barrow, Associate Professor of Photography, U of New Mexico)","Invitation; internal memos; drawings (photocopies); correspondence with Ms. Conover Hunt-Jones (consultant); checklists; correspondence with sponsors; budget information","Internal memos","Label copy","Photocopy from a catalog for scientific instruments","LACMA press release, \"Major Silver and Mosaic Collections…\"; label copy; research; LACMA materials (circulator)","Biographical information on John Gilmore Ford","Checklist proof; checklist copy","Internal memos; IPR's; budget information","1 duplicate photo","Exhibition contract; correspondence with LACMA; internal memos","Correspondence with Gilberts; internal memos; correspondence with LACMA","Internal memos; drawings (photocopies); 1 copy of LACMA paper; correspondence with LACMA","Invitation (2 – both in 2 parts); internal memos","Correspondence with public (all wanted to know dates of show after reading Smithsonian!)","Envelope containing checklist from Ford with insurance values; 1 copy of invitation; 1 copy with catalog","Budget information; IPR's","Label copy; research","8 new photos; 2 duplicate photos; drawings (photocopies); checklists; internal memos","Clippings; label copy; invitation copy; 1 copy of Weisgall invitation","Empty folder","14 new photos","Correspondence with hostesses; correspondence with Collectors Circle members; mailing list; correspondence with Ford","2 photos; duplicates: invitation, November '78 Bulletin; 1 copy of Collectors Circle program","Internal memos","Invitation, Guggenheim press release; correspondence with lenders; correspondence with Guggenheim (circulator); drawings (photocopies); checklists; clippings; internal memos","Checklists; label copy","Budget information; slide script copy","Internal memos; correspondence with Guggenheim; schedule for Contemporary Art One-Day Symposium (2/14/79)","Label copy; loan agreements; correspondence with lender; internal memos","Checklists; script copy; catalogue copy; clippings; correspondence with visitor; copy of Guggenheim brochure; research; label copy","5 duplicate photos; 9 new photos","Exhibition summary, form letter, information questionnaire; checklists; drawings (photocopies); internal memos; correspondence with galleries re: biographical information for artists; clipping","13 slides; open house poster; catalogue; label copy","Checklists; catalog copy","Drawing (photocopy); checklists","Remarks by Woodward at press conference; clippings; remarks by Mooz at press conference","IPR's; budget information; calendar","Internal memos; meeting minutes, panel drawing (photocopy)","1 piece of correspondence with Columbus Museum of Art re: show","Empty folder","Checklists; annotated gallery guide","Agenda; family tree; IEF materials; correspondence with IEF; notes; internal memos","Correspondence with IEF; correspondence with visitors; internal memos; correspondence with corporate sponsors; schedule; correspondence with other museum locations; exhibition contract","Internal memos; invitation copy; schedules; meeting minutes; checklists","14 photos; correspondence with IEF","1 copy of bumper sticker; place card; brochure; announcement; internal memos; meeting minutes; correspondence with IEF; clipping","Invoices; IPR's; internal memos; budget information","Checklists; internal memos","Note","Invoices; internal memos; budget information","Internal memos; drawings (photocopies); correspondence with Lewises re: closing Art Nouveau facility","List of films \u0026 lecturers from IEF","Correspondence with IEF re: Duke's address; internal memo","Internal memos","Internal memos; lists of tour groups","Biography, general information, itinerary, \"Short History of Chatsworth\"; IEF materials (including press release)","Timetable; meeting minutes; proposed schedule","Agendas; notes; checklists; internal memos","IPR's; internal memos; invoices","\"A.V. Program\" script; correspondence re: school A/V program; internal memos; budget information","Budget information; internal memos; correspondence with IEF","Calendars; internal memos","Internal memos; correspondence with IEF","Internal memos; correspondence with IEF","Internal memos; correspondence with IEF; 1 copy of the \"Chatsworth Herald\"; guide for children published by VMFA","Schedule; internal memos; correspondence with IEF","Internal memos; meeting minutes","Photos; NEA reports","Correspondence with IEF; correspondence with other museums (including invitation","Internal memos; budget information","Exhibition contract; correspondence with IEF; correspondence with corporate sponsor","Internal memos; correspondence with patrons","Internal memos","Internal memos; correspondence with ESU branches; correspondence with IEF","Internal memos; correspondence with IEF","Huge final report; internal memos; budget information; back-up report information","Internal memos; correspondence with invitees; meeting minutes; correspondence with IEF","Correspondence with IEF; internal memos; correspondence with other museums","Clippings; internal memos; correspondence with publicity; TV spot script; budget information; correspondence with IEF","Weekly reports; internal memos","Price lists; internal memos; invoices; correspondence with other museums","Internal memos; drawing (photocopy)","Envelope that couldn't open without ripping","Slide lists; budget information; correspondence with other museums; correspondence with printers; internal memos; correspondence with IEF; correspondence with Duke; reports","Final report on sales; internal memos; teacher form letters \u0026 materials; group bus forms; \"docent study materials\" from Toledo Museum of Art","Internal memos","Prospectus; internal memos; statistics; correspondence with hosts; correspondence re: juror (Lasansky)","Invitation; internal memos; label copy","Internal memos; meeting minutes; annotated gallery map","Correspondence with artists whose work purchased by Museum; internal memos; '79 prospectus; '79 invitation; correspondence with D'Arcangelo (juror)","Invitations; invitation list; internal memos; invitation copy","Schedule draft","Checklists; label copy","Correspondence with visitors and inquiries about show","Clippings; internal memos; list of press kits sent","Invitation lists; correspondence with Lewises for names","List of music; sheet music","Research; 1 piece of correspondence with Yvonne Brunhammer","Program, invitation; correspondence with attendees; clipping; correspondence with speakers; internal memos; participant list; invitation lists; 1 copy of program for 1977 \"Great Collectors of American Decorative Arts\" weekend","Internal memos; correspondence with printers; printers' materials","Budget information; correspondence with lenders; checklists; research","5X7 cards per object","Photographs; photocopies of images","Checklists; clipping; label copy; research","Internal memos; correspondence with film organizations \u0026 vendors; IPR's; information and catalogs for projectors","2 invoices from shipping company","Correspondence with Gras re: insurance for French loans","Correspondence re: shipping of works","Correspondence with other museums re: possible travel","Photocopies of photographs","Photographs; internal memos; checklists; drawings (photocopies)","Invoices; catalogue copy; correspondence with Martin Battersby (essayist)","Label copy","Research","Correspondence with Brunhammer (conservateur @ Musée des Arts Décoratifs, Paris) re: French loans; checklists","Correspondence with d\"Iberville @ Museum of Decorative Arts, Montreal re: possible venue for show (denied)","Correspondence with Harris (guest curator); research; internal memos; Harris; c.v.; schedules","Photos; 1 new photo; correspondence with AIC (lender); loan agreement","Photo; correspondence with BMA; loan agreement","Correspondence with BHP","Photo; correspondence with BF; loan agreement","Correspondence with MFA, Boston","Photos; 1 transparency; correspondence with BAD; loan agreements; checklist","1 duplicate photo; correspondence with Brooklyn; internal memos; loan agreement; research","Photos; correspondence with Merklen; loan agreements; research","Photos; correspondence with Chrysler; loan agreements","Photos; correspondence with CMA; loan agreements; label","Photo; correspondence with CMG; loan agreement","Photos; correspondence with Fine Arts Museum; loan agreements","Correspondence with Haskell; loan agreement","Correspondence with LC; loan agreements","1 photo; correspondence with Lieberman; loan agreement","Photo; correspondence with Darien House, Inc.","Photos; correspondence with Macklowe; loan agreements","Photo; correspondence with McNay; loan agreement","Photos; correspondence with Maryhill; loan agreements","Photo; correspondence with Gallion","Photo; correspondence with Musée; loan agreement","Correspondence with MOMA; loan agreements","Correspondence with NARA","One negative (8 X 10); correspondence with NYPL; loan agreement","Photos; loan agreement; correspondence with Pollard","Photo; correspondence with Pratt; loan agreement","Correspondence with Reed; research","Transparency; 9 duplicate photos; correspondence with Schimmel; loan agreement","Photo; correspondence with Silverman; correspondence with Sotheby's; loan agreement","Correspondence with Sommer; research; loan agreement","Correspondence with U of CA","Empty folder","Correspondence with Vitry; loan agreement","Photos; correspondence with Wittamer de Camps; loan agreements","One photo","Two duplicate photos","Correspondence with University","Correspondence with SDSU","Correspondence with NGA","Correspondence with Musée","Correspondence with Met","Correspondence with DIA","Correspondence with Delaunay","Correspondence with Albertina","Correspondence with Gallery","1 poster; internal memos; label copy; 1 copy of brochure","Internal memos; donor lists; list of lenders; correspondence with invitees; 1 copy of invitation; correspondence re: and with Collectors' Circle","Budget information, IPR's","List of invitees; correspondence from invitees","Label copy; internal memos","1 copy of member mailing with brochure; donor lists; brochure copy","Notes","Internal memos; budget information; checklists","Internal memos; drawings (photocopies); checklists","Label copy; 1 copy of brochure; 1 copy of \"The Tidewater Guide\" (5/80)","23 photos; 1 duplicate photo; 1 copy of brochure","19 photos; internal memos; mailing lists; clippings; correspondence re: catalogue; label; correspondence with lending brochure copy; correspondence with public; drawing (photocopy); schedule; checklists; correspondence re: speaker; correspondence re: shirts","Photos; 5 duplicate photos; case design drawing","Brochure; 4/80 Bulletin; clippings; 1 copy of invitation; 5/80 Bulletin; 1 copy of mailing","Correspondence","1 piece of correspondence with Linda Connor (juror); 1 copy of catalog","28 photos [photos don't seem to be of Designers show]","Label copy; checklists; internal memos; drawings (photocopies); correspondence with publicity","Shipping information \u0026 receipts; label copy; internal memos; clippings; traveling checklists","SITE materials; label copy","Invitation; internal memos; invitation copy; checklists","1 poster; clipping","Photos; clippings; folder with photos; clippings; press releases","Internal memos; correspondence with publicity; correspondence with SITE; correspondence with hosts; correspondence with James Wines (co-founder of SITES, speaker); correspondence with BEST; list of invitees; budget information; schedules","Internal memos; schedules; correspondence with publicity; correspondence with BEST","Internal memos; invoices; correspondence with BEST; Purchase order; budget information, IPR's","Three photos; label copy; internal memos; correspondence with SITE; drawing (photocopy); schedules","Invitation; internal memos; correspondence with Milwaukee Art Center (circulator); invitation list; poster","Invoices; IPR's; budget information; correspondence with Milwaukee; internal memos","Internal memos; correspondence with Milwaukee; correspondence with Philip Morris; symposium program copy","24 photos; invitation; internal memos; Milwaukee materials; drawings (photocopies); checklists; correspondence with Milwaukee","10 photos; press release; 1 copy of catalogue; 1 poster; label copy; research; Milwaukee materials; 1 copy of 1/80 Bulletin; meeting minutes","Poster; label copy; catalog copy; clippings; research; 1 copy of Spring '77 AIV; 1 copy of 11/79 Bulletin","Invoices; internal memos; budget information; correspondence with MFA Houston (circulator); exhibition contract","Correspondence with MOMA; internal memos; correspondence with MFA Houston; copy of birth certificate (!)","4 new photos; internal memos; checklists; label copy; drawings (photocopies); schedules","Internal memos; correspondence with Bruce (Patrick Henry Bruce's son, who came to see show for 4 days, only venue he visited, lived in CA) \u0026 wife; correspondence with MFA Houston; invitation list","Shipping information and receipts; 1 copy of catalogue; correspondence re: catalogue requests; VFH grant application, internal memos","Photos; clippings; VFH materials; VFH grant application; correspondence with Mrs. John Dos Passos","Clippings; internal memos","Catalogue; label copy","Research; checklists; correspondence with Mary Ellen Stumpf (consultant); label copy","Correspondence with VFH; VFH materials; grant application; narrative; grant report; internal memos","IPR's; budget information","Correspondence with institutions lending images; internal memos; other museum catalogues; correspondence with Dos Passos; correspondence with Stumpf (consultant, VCU faculty member); correspondence with visitors","Annotated catalog; shipping information \u0026 receipts; checklists; correspondence with Dos Passos","10 photographs; research; list of invitees; clippings; internal memos; biographical information; correspondence with May Cossitt; subpoena for Pinkney for trial (!)","Correspondence with Ruder Finn (circulator); invitation copy; internal memos","IPR's; internal memos; invitation list","16 photos; internal memos; IPR's drawings (photocopies)","Invitation; internal memos; correspondence with AMEX; invitation copy; invitation list; 1 copy of brochure","\"Henri-Cartier-Bresson: Glimpses\"; clippings; research","Label copy; checklists","Invitation","Internal memos; catalog copy; research; label copy","Correspondence with Yale (organizer); correspondence with AFA (circulator); AFA materials (including checklist); research; 1 copy of brochure","Materials from other institutions","Correspondence with AFA; internal memos; exhibition contract; AFA materials","Internal memos; schedules; invitation copy; checklist","Drawing (photocopy); internal memos; correspondence with AFA; AFA checklist","Correspondence with Yale University Art Gallery","IPR's; PO's; invoices; [1 copy of poster inserted here]","Correspondence with AFA; internal memos; clipping","Invitation, postcard; 1 copy of other preview invitation; invitation lists; information sheet on one-day symposium","1 poster; correspondence with AFA (circulator); research; NEA application","Label copy; AFA checklists","Specs. For \"New Gallery Entrance\" (8/29/79) [remodeled a gallery \u0026 named it the Mottahedeh Gallery] by Hardwicke \u0026 Associates; IPR's; internal memos; label copy; invoices, P.O.'s; correspondence with Mottahedeh; budget information","Postcard, special events postcard, 8 photos; 4 new photos; NEA Grant narrative; internal memos; correspondence with AFA; correspondence with NY State Museum re: found Maria \u0026 Julian Martinez pottery; rubbing of their signature; label copy; invitation lists; IPR's; AFA checklist; budget information; exhibition contract; postcard proofs; drawing (photocopy); NEA Grant application","Two slides; invitations; internal memos; correspondence with Mint (organizer); installation drawings; checklist; correspondence re: opening","Clippings; catalog copy; Mint materials; invitation","Two duplicate photos; 3 new photos","Checklists; research","7 photos","Internal memos; checklists; correspondence with lenders; loan agreements","Invitation; internal memos; correspondence with lenders; loan agreements; correspondence re: opening; invitation list; invoices; installation drawing; exhibition contract","Invitation; correspondence; clippings; label proofs; correspondence with lenders; correspondence with media; correspondence with visitors; internal memos; loan agreements; checklists; research","6 photos; 7 duplicate photos","Internal memos; schedule; label copy; research","Internal memos; IPR's; budget information; invoices","One slide; 13 photos; 3 duplicate photos; correspondence with one lender","Checklist; label copy; internal memos; lecture copy; research; checklist copy","Invitation; research; internal memos; correspondence with lenders; loan agreements; correspondence with media","IPR's; invoices; internal memos","Checklists; research; list of lenders","Internal memos; checklist copy; label copy; research","Correspondence with lenders; correspondence with visitors; internal memos","Installation drawing; internal memos; checklists; label copy","Internal memos; budget information; invoices; shipping information","Invitation copy; internal memos; correspondence with lender; notes; 1 copy of invitation; 1 copy of Collectors' Circle program","IPR's; invoices; correspondence with printer; research; internal memos","Schedule; correspondence re: carpet","Label copy; checklists","Ibsen \u0026 Munch brochure, press release, poster; 4 slides; photographs; clippings; internal memos; 1 copy of checklist","Internal memos; correspondence correspondence with artists; incident report re: warehouse alarm","Internal memos; correspondence; research/notes on show idea [fascinating committee work/proposals on how to revise Virginia artists shows] [mainly Woodward, Burke, Farago]","Proposals; form letters; notes","Advanced purchase program proposal; form letters; notes; invitation","Notes (Pinkney Near); research","Catalog copy; photocopies of photos","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","1 photo; correspondence with lender; loan agreements; research","1 photo; correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Mailing lists; correspondence","Internal memos; invitation list","Invitation, 5 photos, slides; correspondence with visitors; internal memos; checklists; correspondence; clippings; drawing (installation); correspondence with lender; invitation list; IPR's; budget information; notes; research","Clippings","Invoices; research; correspondence with lenders; 1 copy of catalogue","Correspondence with lenders; research","1 invoice; research","Research","10 photos; correspondence with lenders; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Correspondence with lender; loan agreements; research","Slides; 1 reel to reel audiotape","Correspondence with HHK; internal memos; correspondence with other institutions","Invoices; IPR's; internal memos","Correspondence with Attorney General; exhibition contract; facilities report","Two photos (not in exhibit); museum mailings; clippings; label copy; internal memos","Mailing, 1 photo; 12 new photos; internal memos; proposals, HHK materials; mailing copy; schedules; notes","Photos; checklists; internal memos; catalog copy; label copy","Slides; label proofs","Correspondence with Portland Art Association of Portland Art Museum (organizer); internal memos; exhibition contract","Four photos; shipping info \u0026 receipts; internal memos; correspondence with other institutions [mainly Allentown Art Museum]; invoices; notes; IPR's; research","Internal memos; purchase orders; correspondence with other institutions; research","\"Why We Commemorate\" by Armenian National Committee, invitation; 1 transparency; one copy of brochure; schedules; label copy; internal memos; clippings; Portland Art Museum materials; invoices; IPR's; correspondence with Turkish ambassador; Allentown materials; notes; checklists; correspondence with Binney","Invitation list; 1 copy of invitation","10 slides; 'Scribbler' Twombly clipping, mailing card; 3 photos; label copy; checklists; clippings; DIA Art Foundation materials (organizer); invoices; catalog copy","Internal memos; correspondence with Newport Harbor Art Museum (organizer); correspondence with speaker; correspondence with visitors; drawings (installation); exhibition contract; correspondence re: rescheduling","Slides; 6 photos; 12 duplicate photos; duplicates: mailing card, 2 clippings","Slides","Checklists; label copy; catalog copy","Notes; internal memos; drawing (installation); checklists; correspondence with Delaware Art Museum (Collection home)","Label copy; catalog copy; research","Mailing brochure, catalog; slides; 3 transparencies; 19 photographs; 1 negative; 6 duplicate photos; internal memos; press release; label proofs; clippings; Delaware materials","One photo; research; notes","Invoices; IPR's; check requests; internal memos; correspondence with vendors","Internal memos; clippings; correspondence with Delaware Art Museum; correspondence with lender; correspondence with visitors; correspondence with other institutions","Clippings; bulletin; internal memos; correspondence re: publications; catalog copy; label proofs; mailing brochure copy","6 photos (duplicate in Folder 20); 1 internal memo","Notes; research","Notes; checklists; loan agreements","Checklists","Correspondence; notes","Correspondence with Office of Attorney General; exhibition contract drafts; internal memos","Exhibition contract; internal memos; correspondence with DIA","Exhibition contract; budget information; correspondence with Philbrook; internal memos; loose material \u0026 notes re: 18th century prints of antiquity/archaeology","Photos; correspondence; internal memos; budget information; notes; schedule","Internal memos; IPR's","Internal memos; IPR's; \"Publicity Outline\" report","Schedules","\"A Loan Exhibition on Display at the Virginia Museum\"; internal memos","1 piece of correspondence with Fine Arts Museums of San Francisco","Correspondence; budget information; internal memos","Internal memos; budget info [info re: Council Anniversary Fund]; notes","Symposium brochure, 2 transparencies; 2 new transparencies","Correspondence with lender (Frank Raysor); internal memos","Notes; research","Correspondence with lender (NGA); checklists","Correspondence with lender (MFA Boston); checklists","6 photos; label copy; checklists; brochure copy; loan agreements; correspondence with lender (Raysor); research","Correspondence with PAFA (organizer) [Pennsylvania Academy of Fine Arts]; clippings; internal memos; invitation; PAFA materials","24 slides; negatives; 4 photos; 4 transparencies; 1 duplicate transparency; clippings; 1 poster","Correspondence with PAFA; invoices; IPR's; internal memos; 2 envelopes of material: 1) 14 photos, 2 duplicate photos; 2) 5 photos","6 photos; 10 duplicate photos; exhibition proposal from PAFA; envelope of PAFA materials","Internal memos; notes; guest list for opening","Invitation; internal memos; guest lists; notes","Internal memos; mailings; correspondence with speakers; script copy; correspondence with PAFA; schedules","One annotated copy of catalog; checklists; notes","Catalog proofs; notes","Correspondence with visitors; correspondence with lenders; correspondence with PAFA; internal memos; exhibition contract","Invitation, catalog; correspondence with PAFA; invoices; internal memos; invitation copy; checklists; label copy","Schedule of payments; consultants; responsibilities","Correspondence with Donaldson; c.v.; notes; research; writings; drafts","Correspondence with Donaldson; c.v.; notes; research; writings; drafts","Correspondence with Corn; c.v.; notes","Correspondence with Wood; c.v.; notes","Correspondence with Davis; obituary and correspondence with wife after his death in 3/81; c.v.; notes; brochure for his book \"Intellectual Life in the Colored South\"","Correspondence with Williams; c.v.; notes","Checklists","One internal memo","One piece of correspondence with Robert Zimmerman (Baltimore Museum of Art); 2 blank travel vouchers with Zimmerman's signature \u0026 55#","Budget information; 2 invoices from Cumberland Art Conservation Center (Nashville)","Correspondence with Atlantic Van Lines; notes","Budget information; clippings \u0026 press materials related to Greek Vases","One internal memo re: promotion budget","One piece of correspondence with prospective intern; one index card with name","Correspondence with one musician; notes; scores; one internal memo re: NEA grant (denied); \"Writing Realistic Grant Budgets\" from Museum News","Interim report for NEH Grant","Correspondence with NEH; copy of grant administrator guidelines","Correspondence with Tormey re: advertising project for Philip Morris","Two blank requests; 1 complete request","Photos; [note: not all included in final exhibition]","Correspondence with various companies re: slide set duplication; invoices","Correspondence with various institutions re: potential bookings","Correspondence with institutions who declined a potential booking; internal memos","Clippings; one internal memo re: TVA","Correspondence with Coggins (Southern painting collector); correspondence with Berry-Hill Galleries re: exhibition of Coffins' collection","Correspondence with Wolfe re: possible lecture","List of proposed programs; [collection of internal memos from David Griffith inserted here]","Correspondence with American Heritage Publishing re: catalog; proofs; one internal memos \u0026 1 piece of correspondence re: Philip Morris","Brochure copy; internal memos; copies of other children's brochures","One phone message","Loan agreement; correspondence with lender (MESDA); artist worksheet","Loan agreement; correspondence with lender (Charleston Museum is lender); artist worksheet","Loan agreement; correspondence with lender (MESDA); notes; artist worksheet","Loan agreement; correspondence with lender (Muscarelle); conservation report; memo re: treatment; artist worksheet","One photo; loan agreement; correspondence with lender (Brodnax \u0026 Associates); artist worksheet","One photo; loan agreement; correspondence with lender (Brodnax \u0026 Associates); artist worksheet","Research; conservation report; artist worksheet","Correspondence with Wintherthur; artist worksheet; conservation reports","Loan agreement; correspondence with Club (lender); conservation bill","Correspondence with lender (Maria Tabb); artist worksheet; receipt","Correspondence with lender (NPG); research","Loan agreement; correspondence with VHS; research","Three photos; loan agreement; correspondence with NYPL","Loan agreement; copy of accession card","One photo; loan agreement; research; correspondence with Andrew Christian; condition report; artist worksheet","Correspondence with lender; artist worksheet; research","Correspondence with lender (Colonial Williamsburg)","Correspondence with lender (Pennsylvania Academy of Fine Arts); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","1 duplicate slide; correspondence with lender (Mordecai Square Historical Society); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","One photo; correspondence with lender (St. John's Lutheran Church, Charleston); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","13 slides; correspondence with lender (Hunter Museum of Art); artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Correspondence with lender; artist worksheet; research","Two photos; correspondence with Cheekwood re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","One photo; correspondence with Tulane re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","7 photos; correspondence with Ulrich re: damage; loan agreements; condition reports","Four photos; correspondence with Valentine re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","One photo; correspondence with VHS re: damage; loan agreements; condition reports; correspondence with Cumberland Art Conservation Center","One photo; shipping information and receipts; condition logsheet; correspondence; loan agreements","One photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","One photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Four photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","5 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","6 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; 1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos, 1 slide, 1 duplicate transparency; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","11 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","5 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","4 photos; 1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","10 photos; 1 duplicate photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","3 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","6 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","6 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","2 photos; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","1 photo; shipping information and receipts; condition logsheet; correspondence; loan agreements; may have transportation requests and research","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 photo; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 photo; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","2 photos; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 photo; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","2 photos; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","1 slide; loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Loan agreement; research; correspondence; condition report; artist worksheet","Two photos; condition logs; shipping information \u0026 receipts; loan agreements; correspondence","Invoices from Atlantic Van Lines","List of lenders; correspondence; Request for Travel Authorization forms; shipping information \u0026 receipts","Invoices; correspondence; internal memos","Clippings; correspondence; internal memos; shipping information","Correspondence; checklists; shipping information","Exhibition agreement; request for travel authorizations; correspondence; shipping information; loose pages – budget information 1 copy of catalogue; checklists; forms; correspondence","Checklists; correspondence with Tabb, Brockenbrough \u0026 Ragland","Invoices; purchase orders","Invoices; checklists; budget information","Invoices; checklists; budget information","Internal memo; receipts","Internal memos; checklists; correspondence","Correspondence; budget information; internal memos; invoices; budget reports; checklists","Checklists; correspondence; invitations; internal memos; NEA Grant draft; correspondence re: opening; correspondence with Philip Morris","Internal memos; correspondence; request for travel authorization; invoices; itineraries","45 slides; correspondence with Richmond Conservation Studio (reports) – Cleo Mullins; notes; loose notes: checklists, correspondence; notes","Three of the exhibition agreements","Two photos; artist's work sheet","Correspondence with Briggs re: reproduction","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; 2 slides; correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 slide; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 duplicate photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","1 photo; correspondence re: reproduction; may contain research","Correspondence re: reproduction; may contain research","Selected bibliography copy","SEMC's 2nd annual meeting materials; Charleston materials; correspondence; request for travel funds","Correspondence with other institutions; checklists","Agenda; list of registrants","Agenda; list of registrants; notes; research copy; checklists","Agenda; list of registrants; notes; research copy; checklists","Agenda; list of registrants; notes; research copy; checklists","Agenda; list of registrants; notes; research copy; checklists","Correspondence re: ball and other programming; photocopies of pictures","Correspondence \u0026 research re: possible trips","Notes","Correspondence re: books to sell in shop; loose papers re: guest curators","Schedule of payment; responsibilities","Biographical information; research; correspondence","Biographical information; research; correspondence; research","Biographical information; research; correspondence; research","Biographical information; research; correspondence; research","Biographical information; research; correspondence; research","Budget information","Exhibition contract; internal memos; correspondence with MOMA","Exhibition contract; internal memos; correspondence","Exhibition contract; internal memos; correspondence","Exhibition contract; internal memos; correspondence","Exhibition contract; internal memos; correspondence","16 photos; invitations; correspondence","Internal memos; correspondence; budget information; IPR's; invitation copy; checklists; calendars","Correspondence; internal memos; invitation list; invoices","Clippings; correspondence; internal memos; correspondence with Forbes","Internal memos; correspondence with Forbes; IPR's; budget information; Kip Forbes' biographical information","Internal memos; checks; correspondence re: tapes","Internal memos \u0026 correspondence re: Acoustiguide","Research; Acoustiguide script","One photo; invoices; IPR's; internal memos","IPR's; correspondence with Forbes; checklists","Notes; internal memos; correspondence with Forbes; copy of 1947 Pratt announcement","Two photos","Internal memos","IPR; note","Research; program proposals; press release","Blank travel reimbursement vouchers with SSN's; meeting notes","Correspondence with Forbes mainly (also Council, conservator)","6 photos; 2 duplicate photos; guest book for visitors; correspondence from visitors; 1 copy of TVA \"Gin Game\" program; internal memos; research; clippings; IPR's; invoices; correspondence with Forbes","Weekly reports; Acoustiguide; cost reports; attendance reports","Article copy; loose book dust jacket","Checklist copy; checklist proof; loose bulletins, plus 1 piece of correspondence","Label copy; research","Label copy; label proofs","Correspondence with Forbes; correspondence with Acoustiguide; label copy; research","One photo; correspondence with CINOA; internal memos; correspondence with visitors; label copy; checklists with insurance values; clippings, invitation copy; schedules; installation drawing; budget information; correspondence re: opening; research; invoices","Internal memos","Three photos; publications catalog","Catalog copy","Correspondence with CINOA; foreword copy; checklists; internal memos","Correspondence with CINOA; internal memos","Correspondence with CINOA; clippings; notes; internal memos","Correspondence with CINOA; exhibition contract; notes; photocopies of photos of exhibition at Metropolitan Museum of Art","24 duplicate photos; 10 new photos","Correspondence; internal memos; invoices; notes; checklists [correspondence only with Kimbell]","Correspondence with Hunts; Collectors Circle invitation; clippins; checklists; internal memos","One photo; \"Ancient Art Shows Shifting Images\"; clippings; Kimbell materials, 1 copy of poster; attendance figures","Outline; correspondence with speaker; itineraries; invoices; internal memos","Two photos; copy of a review; correspondence with Kimbell; internal memos; Mayo essay copy; correspondence with Mayo; essay; reviews","Invitation; invitation copy; mailing lists; internal memos","13 slides; condition reports; correspondence with Getty conservator; correspondence with Kimbell; internal memos; research","Attendance figures","Correspondence with Kimbell; internal memos; checklists","2 photos; 19 photos; 3 drawings; checklists; purchase orders; internal memos; panel copy; label copy; correspondence with other institutions; invoices","Five duplicate postcards; correspondence with SITES (organizer); SITES material","Symposium brochure; correspondence with other institutions; correspondence with SITES; internal memos","Correspondence with Calouste Gulbenkian Museum (lender); internal memos; correspondence with IEF (organizer); IEF materials; correspondence with Lewises","Drawings (photocopies); correspondence; internal memos; checklists; label copy","Grant application (NEA); clippings; internal memos; IEF materials (including press release \u0026 fact sheet)","Exhibition contract; correspondence with Gulbenkian \u0026 IEF; internal memos","Label copy; label proofs; checklists","Correspondence between Ernst and Brown regarding being collector of the year (he declined); correspondence from Anne, which includes copies of correspondence between Lothar Griesbach (\"who edited Kirchner's Diary of Davos\") and Ernst regarding paintings the Fischers acquired before collecting Expressionists","Correspondence in the late 1970s between Pinkney and Ernst regarding his collection, including photocopies of pictures of the house taken when PN went to Frankfurt in 1976; correspondence in the mid 1980s between Pinkney and Anne regarding the museum","Typeset copy of Fred Brandt's interview with Mrs. Fischer, 32 pages","Typeset and annotated copy of Fred Brandt's interview with Simon and Fischer, 18 pages","Internal memos and correspondence regarding exhibition, including Anne to Fred, Perrot, and others","Internal memos and correspondence regarding exhibition, including Anne to Fred; correspondence between Simon and you regarding loan forms, checklist accuracy, and one photocopy of a handwritten document detailing the ownership of the collection","Internal memos and correspondence regarding the exhibition catalog","List of 27 questions for Fred's interview with Mrs. Fischer, in various forms; includes some of Fred's notes","Invitation","1 photo","Catalog","9 photos","Budget information; invoices; notes; correspondence \u0026 contracts for M.H. de Young (San Francisco) and Kimbell; notes; correspondence and invoices for author's contract","Budget information; internal memos","Correspondence; invoices; contracts for MOMA design \u0026 labor","Notes; internal memos; check requests","Brochure; internal memos; correspondence with de Young; brochure copy; Kimbell materials; 1 copy of brochure","Internal memos; correspondence with de Young; brochure copy; Kimbell materials; 1 copy of brochure","Internal memos; contract copy; correspondence with institutions; checklists","Internal memos; notes; installation drawing (copy)","Internal memos; label copy","Internal memos; attendance figures","Correspondence re: insurance","Internal memos; correspondence with Colin Morris; contract","Invoices; check requests; correspondence with institutions; internal memos","Brochure, press packet; Kimbell materials; invoices","Internal memos; correspondence with press; author C.V.'s; correspondence with authors; catalogue copy","Budget information; NEA report; internal memos","Label proofs","Internal memos; budget information; invoices; check requests; reports; catalogue copy (including checklist)","Photographs; correspondence with Trust for Museum Exhibitions (organizer); catalog copy (including checklist); 1 annotated copy of catalog","Checklists; correspondence with Trust for Museum Exhibitions; drawing (copy)","Correspondence with Trust; internal memos; correspondence re: Federal Indemnity Act; J.B. Speed materials","Internal memos; budget information; schedule","Contract; correspondence with Trust","Press release; press packet; label proofs; label copy; old correspondence with Cheek re: possible exhibition of his early Theatre drawings in 1987; internal memos; TVA materials; notes","Label proofs; clipping","Checklists; internal memos; clippings","Correspondence from visitors; internal memo re: opening","Invitation; checklist","Correspondence with IEF (circulator); contract; internal memos","Correspondence with Chester Beatty Library (organizer); correspondence with IEF; internal memos","Research","Empty folder","Five photos; IEF materials; research; installation drawing (copy); checklists; budget information; correspondence with IEF","Three photos; educational packet; SITES materials (circulator) including checklists; actual labels; internal memos; installation drawing (copy); invoices; study guide; 1 copy of brochure; 1 copy of mailing","Contract; correspondence with SITES; correspondence with Attorney General","Loan agreements; correspondence with lenders","Smithsonian mailer; internal memos; notes; clippings; correspondence; budget information; correspondence with SITES","SITES materials","8 photos; internal memos; invoices; correspondence with Craft Museum; brochure, \"Philip Morris and the Arts'; press release; craft materials","Internal memos; checklists; Craft Museum materials","Correspondence with Craft Museum; contract; invoices; internal memos","Internal memos; checklists; notes","Internal memos; correspondence with Mount Holyoke College Art Museum (organizer)","Internal memos; correspondence with Mount Holyoke; internal memos; invoices; correspondence with Attorney General; 1 copy of brochure","Internal memos; correspondence with Mount Holyoke; Mount Holyoke materials","One photo; internal memos; incident report; hygrometer readings; correspondence with lenders; correspondence with Art Gallery of Ontario (organizer); hygrometer information; piece of fabric; press kit; clippings; correspondence with Glasgow Library","Internal memo re: attendance; check copy","Internal memos; notes; correspondence with Glasgow","Contracts; internal memos; correspondence with institutions; correspondence with Attorney General; invoices","Drawings (copies); checklists; Ontario materials","Internal memos; correspondence with Ontario","Ontario materials","Checklists; Ontario materials; correspondence with Glasgow; budget information","1 photo; 1 new photo; invoices; budget information; correspondence; internal memos; 1 copy of Sept/Oct '88 Bulletin; checklists; clippings; drawings","Budget information; invitation; internal memo; label copy","Contract; correspondence with Center for African Art (organizer); correspondence with Attorney General","Catalog copy; catalog proofs; correspondence with Center for African Art","Research; article","Research; article","Research (copy of catalog article)","Label coy; research; correspondence with Center for African Art","Press release; CFAA materials; checklists","Label copy","13 photos; 2 duplicate photos","Clipping; internal memos; contract drafts; invoices; Bulletin copy; exhibition contracts","Correspondence","Correspondence","Correspondence","Two photos; contract drafts; press releases; correspondence with Attorney General","9 slides; 8 photos; drawings; invoices; correspondence with IMA [Indiana Museum of Art] (organizer); exhibition contract; catalog copy; checklists; press releases; internal memos; research; correspondence with Attorney General; 1 catalog/brochure","Checklists; notes; internal memos; correspondence with IMA; IMA materials","Label copy","21 slides; 1 transparency; 29 photos; other institutions' materials; correspondence with Philbrook (organizer); internal memos; Philbrook materials; checklists; label copy; mailing lists; Philbrook press packets; press releases","Contract; correspondence with Philbrook; internal memos","Correspondence with Philbrook; internal memos; budget information","6 photos; duplicates: brochure, invitation; media kit; internal memos; High Museum materials; Studio Museum poster; American Museum Association 1987 catalog; drawings; research","Checklists; label copy","Notes; label copy; label proofs","Internal memos","6 photos; press release (Philbrook); checklists; correspondence with AMA","Internal memos; correspondence with other institutions","Exhibition contract; correspondence with AFA \u0026 AMA","1 clipping; budget information","Internal memos; contract; correspondence; checklists","Contract; correspondence with Denver Art Museum (organizer); correspondence with Attorney General","Postcard mailing; 3 photos; internal memos; exhibition contract; drawings; 1 copy of 1990 Un/Common Ground prospectus","Contract; correspondence with Southeastern Center for Contemporary Art; AVirginia brochure","Internal memos; checklists; correspondence with SCCA; label copy; clippings; SCCA materials","1 copy of catalog; internal memos; checklists [George Cruger show]","Correspondence with Names Project; internal memos; media materials","One photo; internal memos; correspondence with Menil Collection; press releases; label copy; drawings; invoices; exhibition contract; checklists","Correspondence with Menil; label copy; internal memos; drawings; checklists, research","2 photos; checklists; label copy; internal memos; correspondence with Virginia Dept. of Education; artwork permission forms","Internal memos; invoices; correspondence with Philadelphia Museum of Art (lender)","7 photos; internal memos; invoices; label copy; press releases; budget information correspondence with Carter Collections' curator; correspondence with speaker","Internal memos; correspondence with Carter Collection; security system specs and drawings","Correspondence with MOCA Chicago (lender); label copy; internal memos; research","Internal memos; correspondence with BEST; checklists","Correspondence with AFA; drawings; AFA materials checklists; invoices; clipping","Mailing lists","Clippings; correspondence; research","Correspondence; correspondence with AFA; AFA materials","Label copy","Correspondence with AFA; research re: African dance","Correspondence; checklists; invoice","Internal memos; correspondence with AFA; correspondence with videographer and contract","Internal memos; research; events listing","Internal memos; correspondence with AFA","Internal memos; contract; budget information; invoices; correspondence with AFA","Notes; internal memos","Checklists; correspondence with AFA","Checklists; label copy","Checklists; correspondence with AFA","Checklists","Checklists","Empty folder","Clippings","Clipping","Label copy","Brochure; correspondence; budget information; drawings; mailing list","Internal memos; correspondence with LACMA (organizer); brochure copy","Correspondence with LACMS; contract; correspondence with Attorney General; research; budget information; correspondence with David Foundation","Two photos; internal memos; press release; checklist; correspondence with LACMA; correspondence with David Foundation","MIT mailer; internal memos; clipping; budget information","Contract; correspondence with MIT list Visual Arts Center (organizer); correspondence with Attorney General; internal memos","MIT materials (including checklist); correspondence with MIT; internal memos","Correspondence with MIT; internal memos","Two photos; 4 slides; internal memos; budget information; notes; checklist; drawings","Internal memos; checklists; correspondence with Laguna Art Museum (organizer); Laguna materials (including press release, clippings)","Correspondence with Laguna; contract; internal memos; correspondence with Attorney General","Checklist; correspondence with AIA; internal memos; correspondence with architects","Correspondence with Baskervill \u0026 Son; internal memos; checklists; label copy","Internal memos; correspondence with St. Catherine's (lender); checklists","Internal memos; budget information; label copy; catalog copy; invitation copy; clippings; biographical information; checklists","Internal memos; checklists; label copy; correspondence with Council; 1 copy of catalog","Label copy; checklists; internal memos","Checklists; notes; catalog proofs","Internal memos; budget information","Internal memos; checklists; label proofs; drawings; invitations","Internal memos; schedules; clippings; prospectus; press release; checklist proofs; drawings","Internal memos; budget information; correspondence with lenders","Internal memos","Press release; internal memos; invoices; mailer; contract; budget information","Panel \u0026 label copy \u0026 proofs; drawings","Internal memos; invoices; checklists; correspondence with lenders; budget information; clippings","Internal memos; press release; DIA materials (organizer); budget information; drawings; contract","Internal memos; correspondence with DIA; invoices; correspondence with Attorney General; checklists","Internal memos; correspondence with DIA; checklists","Exhibition contract; correspondence with DIA","Three photos; duplicates: clipping; clippings; internal memos; checklist; exhibition contract; invoices; correspondence with LACMA (organizer); 1 copy of Councillor (Spring '90)","Budget information; correspondence with LACMA","Clippings; internal memos","Internal memos","Mailing list for gala","Correspondence with LACMA; checklist","Mailers; internal memos; correspondence with LACMA; correspondence with lenders; LACMA materials; internal memos","Checklists","Checklists","Internal memos; drawings; schedules; correspondence with LACMA","Panel and label proofs","Label copy","Invoices; internal memos; layouts; meeting reports","Correspondence with Albemarle Farms; internal memos; clippings; invoices; press release; correspondence with Kluges; correspondence with conservator; drawings","Internal memos; clippings; correspondence with Philbrook; shipping information; budget information; drawings","Internal memos; drawings","Internal memos; checklists; correspondence with Virginia Department of Education","Guest book; notes; press release; drawings; invitation; clippings; internal memos; hygrometer readings; contract; correspondence with National Trust for Exhibitions (organizer)","Correspondence with Trust for Museum Exhibitions; internal memos; mailing list","Internal memos; drawings; sales records; script copy; correspondence","Usage statistics; tour schedules; internal memos; correspondence","Invitation; correspondence with Trust for Museum Exhibitions; 1 copy of CMA brochure; Acoustiguide materials (contract, usage statistics, correspondence); budget information; notes; internal memos; hygrometer readings; clippings; tour statistics","Publications' materials (including schedules \u0026 drafts \u0026 copy); internal memos; 1 copy of honor roll card","Correspondence with Trust for Museum Exhibitions; correspondence with lenders; internal memo","Internal memos; correspondence with Trust; drawings; checklists","Contracts; correspondence with Trust; internal memos","Internal memos; correspondence with Trust; scripts; narrator biographical information; tour lists","27 slides; press release; drawings; invoices; label proofs; correspondence with Walter Art Center (organizer); Walker materials; internal memos; brochure","Internal memos; correspondence with Walker; Walker materials","Exhibition contract; internal memos; correspondence with Walker; checklists; invoices","Slides; internal memos; label copy; invitation copy; Art Services International materials; correspondence with Terra (another venue); correspondence with ASI; notes; budget information; correspondence with Maier; checklists; research; contract; 1 copy of invitation","Internal memos; budget information","2 photos; label copy; correspondence with Royal Collection; hygrometer readings; attendance figures; clippings; drawings; budget information; contract; correspondence","Internal memos; correspondence; correspondence with Embassy; 1 copy of invitation; correspondence with Kimbell (another venue); correspondence with Royal Collection","Invoices; internal memos; correspondence","Empty folder","Photographs; internal memos; invoices; correspondence with Royal Collection; hygrometer readings; checklists","Correspondence with Royal Collection; checklists; internal memos; label proofs","Xeroxes of photos","Correspondence with Royal Collection; label copy","Contracts; internal memos; correspondence with Kimbell; correspondence with Royal Collection","Invoices; internal memos; correspondence; correspondence with Royal Collection; checklists","Internal memos; label copy","Panel and label proofs; checklists; internal memos","Internal memos; George Eastman House materials (organizer); correspondence with GEH; invoices; exhibition contract","30 slides; 6 duplicate slides; invitations; exhibition contract; internal memos; correspondence with Dallas (organizer); checklists; Dallas materials","Internal memos; drawings","Drawings; internal memos; correspondence with Dallas; checklists; label copy","Internal memos; correspondence with Dallas; checklists; publications copy","Brochure; internal memos; press releases; invitations; clippings; publications copy","Internal memos; checklists; other institutions' materials","High Museum press kit; brochure; docent training packet; 5 ¼\" floppy with labels","Internal memos; label copy; correspondence with institutions","Panel \u0026 label proofs \u0026 copy","Internal memos; panel \u0026 label proofs; press release; correspondence with Virginia Department of Education; checklists","Internal memos; layout","One slide; duplicates: brochure, checklists, 2 summaries; St. Petersburg Museum of Fine Arts press kit; press release; internal memos; exhibition contract; correspondence with St. Petersburg; correspondence with Attorney General","Budget information; drawings; internal memos; correspondence with St. Petersburg; research; label proofs \u0026 copy","Correspondence with St. Petersburg; invitation; internal memos; correspondence with Belmont","Internal memos; brochure; invitation; St. Petersburg materials; research","Label \u0026 panel proofs \u0026 copy; correspondence; invoice","Internal memos; checklists; label \u0026 panel proofs \u0026 copy","Internal memos; correspondence with sponsor; label \u0026 panel proofs; other catalogs; research","One photo; catalog; NSAL materials; research, correspondence with NSAL; internal memos; checklists; loan agreements; 1 copy of \"The Luxury of Tears\" – winning stories from NSAL competition; publications copy","Panel, label \u0026 catalog proofs \u0026 copy","Four photos; invoices; internal memos; correspondence with Rijksdienst; loan agreement","Three photos; internal memos; correspondence with Rijksdienst; label proofs","Correspondence with UVirginia re: possible showing; drawing","Checklists; drawing; catalog copy","Internal memos; Bayly label proofs; drawings; correspondence with Bayly; checklists","Clippings; internal memos; notes; invoices; panel copy; checklists; research","Invitation; internal memos; invoices; budget information; contract; layouts; correspondence with other institutions; exhibition proposal","1989 catalogue; checklists; label proofs; drawings; correspondence with Council","Brochure; guidelines; internal memos; drawing; invitation","Checklist","Checklists; internal memos","Correspondence with Council; drawings","Checklists; internal memos; correspondence with Council","Six photos; internal memos; layouts; checklists; brochure","Brochure; 40 slides, photographs; internal memos; drawings; correspondence with Trust for Museum Exhibitions (circulator); checklists; Trust for Museum Exhibitions materials; Trust press kit; panel \u0026 label proofs; exhibition contract","Internal memos; correspondence with Trust; invoices","Invoices; internal memos; correspondence with Trust; clippings; checklists","Exhibition contract; invoices; internal memos","This series is comprised of information regarding general exhibition management. Information may include correspondence, exhibition schedules and programming, long term planning, potential partnerships with other organizations, exhibition committees, couriers, grant applications, protection of artwork, collectors, and reports. Files on potential exhibitions conceived by the museum but never presented are also included.","This series is comprised of information on gallery renovations, installations, reinstallations, fire suppression studies and hazard analyses, storage policies, and other related buildings and grounds files."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"names_coll_ssim":["Virginia Museum of Fine Arts -- Exhibitions","Virginia Museum of Fine Arts -- Art collections"],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Virginia Museum of Fine Arts -- Exhibitions","Virginia Museum of Fine Arts -- Art collections"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","Virginia Museum of Fine Arts -- Exhibitions","Virginia Museum of Fine Arts -- Art collections"],"language_ssim":["English \n.    "],"total_component_count_is":5477,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:19:09.876Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_355_c03_c05"}},{"id":"wvmturhc_repositories_2_resources_3045_c305_c162","type":"Item","attributes":{"title":"(1) City of Fairmont, West Virginia, Industrial Survey Map [May-June 1992]; (2) Glengarry, West Virginia, U.S. Geological Survey, Contour Map [1965]","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3045_c305_c162#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_3045_c305_c162","ref_ssm":["wvmturhc_repositories_2_resources_3045_c305_c162"],"id":"wvmturhc_repositories_2_resources_3045_c305_c162","ead_ssi":"wvmturhc_repositories_2_resources_3045","_root_":"wvmturhc_repositories_2_resources_3045","_nest_parent_":"wvmturhc_repositories_2_resources_3045_c305","parent_ssi":"wvmturhc_repositories_2_resources_3045_c305","parent_ssim":["wvmturhc_repositories_2_resources_3045","wvmturhc_repositories_2_resources_3045_c305"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_3045","wvmturhc_repositories_2_resources_3045_c305"],"parent_unittitles_ssm":["Institute for the History of Technology and Industrial Archaeology Records","Oversize Material (boxes 77-140)"],"parent_unittitles_tesim":["Institute for the History of Technology and Industrial Archaeology Records","Oversize Material (boxes 77-140)"],"text":["Institute for the History of Technology and Industrial Archaeology Records","Oversize Material (boxes 77-140)","(1) City of Fairmont, West Virginia, Industrial Survey Map [May-June 1992]; (2) Glengarry, West Virginia, U.S. Geological Survey, Contour Map [1965]","Box 93","Item 162"],"title_filing_ssi":"(1) City of Fairmont, West Virginia, Industrial Survey Map [May-June 1992]; (2) Glengarry, West Virginia, U.S. Geological Survey, Contour Map [1965]","title_ssm":["(1) City of Fairmont, West Virginia, Industrial Survey Map [May-June 1992]; (2) Glengarry, West Virginia, U.S. Geological Survey, Contour Map [1965]"],"title_tesim":["(1) City of Fairmont, West Virginia, Industrial Survey Map [May-June 1992]; (2) Glengarry, West Virginia, U.S. Geological Survey, Contour Map [1965]"],"unitdate_inclusive_ssm":["1965, 1992"],"normalized_date_ssm":["1965/1992"],"normalized_title_ssm":["(1) City of Fairmont, West Virginia, Industrial Survey Map [May-June 1992]; (2) Glengarry, West Virginia, U.S. Geological Survey, Contour Map [1965]"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Institute for the History of Technology and Industrial Archaeology Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":467,"parent_access_restrict_tesm":["All or part of this collection is stored offsite. Please make an appointment prior to visiting.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"containers_ssim":["Box 93","Item 162"],"_nest_path_":"/components#304/components#161","timestamp":"2026-05-21T01:27:00.714Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3045","ead_ssi":"wvmturhc_repositories_2_resources_3045","_root_":"wvmturhc_repositories_2_resources_3045","_nest_parent_":"wvmturhc_repositories_2_resources_3045","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3045.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/210455","title_ssm":["Institute for the History of Technology and Industrial Archaeology Records"],"title_tesim":["Institute for the History of Technology and Industrial Archaeology Records"],"unitdate_ssm":["1875-1930s, circa 1980-2005","circa 1980-2005"],"unitdate_bulk_ssim":["circa 1980-2005"],"unitdate_inclusive_ssm":["1875-1930s, circa 1980-2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3936","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3045"],"text":["A\u0026M 3936","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3045","Institute for the History of Technology and Industrial Archaeology Records","Historic preservation ","Industrial archaeology","All or part of this collection is stored offsite. Please make an appointment prior to visiting.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","The creation of the Institute for the History of Technology and Industrial Archaeology (IHTIA) was spurred in part by the work of Dr. Emory L. Kemp, a West Virginia University civil engineering professor and an internationally renowned covered bridge expert, to restore the Philippi Covered Bridge, which was severely damaged by fire in 1989. He was selected for the restoration by then Governor Gaston Caperton, who also hoped for the restoration of West Virginia's other seventeen covered bridges.  When Caperton's original plans did not come to pass, WVU Provost and Vice President of Academic Affairs and Research William E. Vehse and Dr. Kemp created the idea of an institute to oversee the restoration of the Philippi Covered Bridge and the other seventeen bridges and its funding.  \n \nConcurrent with the announced Philippi Covered Bridge restoration, a grass roots effort was begun to save the High Gate Carriage House. James E. Watson, son of pioneer coal baron James Otis Watson, built the High Gate Mansion and Carriage House in 1910-1913. In the mid-1950s, the Ross Funeral Home purchased the mansion and opened a mortuary in the house. By the late 1980s, the carriage house, formerly a nursing home, was now unused. In the spring of 1989, a national fast-food chain announced plans to purchase and demolish the High Gate Carriage House, replacing it with a drive-in restaurant. These plans were met with local opposition and led to the formation of the Friends of High Gate, a non-profit organization to save the carriage house. US Representative Alan Mollohan, who lived nearby, was interested in historic preservation, but more importantly desired to see the historic carriage house saved and preserved. The friends group received congressional aid from Mollohan's office and were able to purchase and save the property from development. \n \nAt this time, Mollohan approached Kemp about the preservation of the High Gate Carriage House property. Kemp undoubtably suggested that the High Gate Carriage House needed to be recorded to HABS Standards as one of the first steps in its preservation but would require funding. The documentation of High Gate Carriage House led to the initial federal funding of the IHTIA. \n \nThe Institute for the History of Technology and Industrial Archaeology was founded by an act of the United States Congress in 1989. Under its founding act, IHTIA was authorized to document, preserve, and interpret historically significant sites relating to the nation's industrial engineering and technology history, but it was also established as advisory group to Congress. In the late 1980s, industrial sites, such as Cambria Irons Works in Johnstown, Pennsylvania became units of the National Park Service, and many other industrial sites were being proposed. The IHTIA was created partially to advise Congress on which of these proposed parks should be included in the National Parks system. The industrial site evaluation charge was never fully realized, and IHTIA focused on its larger mission of the history of technology and industrial archaeology.  The IHTIA was part of West Virginia University's Eberly College of Arts and Sciences.\n \nAt first, IHTIA's federal funding was very strong. This funding was complimented by an abundance of sponsored research projects and the future seemed bright. By the mid-1990s, however, things began to change with Vice President Al Gore's changes to government, when the IHTIA's budget became targeted as \"wasteful federal spending.\" As a result, the IHTIA budget became part of HAER's budget. This was coupled with the Historic American Engineering Record's (HAER; a partial funding source for IHTIA) declining funding, which led to a portion of IHTIA's budget being appropriated by HAER. Following the 2001 September 11 attacks, funding dried up for Cultural Resource Management projects. During the early 2000s, the declining federal budget and the dearth of sponsored work, along with inadequate leadership, plagued IHTIA until it finally closed its doors in circa 2006. ","Sources:  \nAuthors recollections. Lee R. Maddex, IHTIA historian \nOral interview with Dr. Billy Joe Peyton, former IHTIA Associate Director, 2023 December 22\nCRM Vol. 23 No. 4, 2000, p. 42 ","Please see control folder for a more in-depth history of the IHTIA.","A large portion of bridge related content was created by Emory Kemp, Director of the Institute, as part of research he conducted outside the scope of IHTIA activities.","The Civilian Conservation Corps (CCC) material in this collection was collected and compiled by Larry Sypolt, an employee of the Institute.","IHTIA Project Descriptions","The following list includes project descriptions for material in this collection, A\u0026M 3936.  For example, records for the Bridge Patent Survey can be found in boxes 15-18.)","Bridge Patent Survey (see boxes 15-18): This project was begun under the 1991 IHTIA work plan. During the summer of 1991, IHTIA staff amassed copies of approximately 500 American bridge patent drawings and specification spanning the years 1790-1890. As originally conceived the patent drawings and specifications would be scanned and published in a searchable CD-ROM format. This format eventually proved obsolete. Ultimately, the West Virginia University Press published the results of this survey in a 2005 monograph entitled American Bridge Patents: The First Century (1790-1890).","Trump Lilly Farm Historic Structures and Cultural Landscape Report (see boxes 24, 26-28, 56, 65/folder 1, 66/folder 26, and map cabinet 8, drawer 23): This project was sponsored research undertaken by a cooperative agreement between IHTIA and the National Park Service.  The project deliverable was the Trump Lilly Farm Historic Structures and Cultural Landscape. The report, completed to NPS standards, included the following sections: administrative data, physical history and analysis, architectural and landscape data, recommendations and appendices. The report also included ink-on-mylar measured drawings of the farm structures existing conditions and photographs, both contemporary and historic. This work was undertaken in 1993-1994.","Thurmond Depot Historic Structure Report (see boxes 29-34, 51, 62/folders 9a-9c, 66/folder 25, and map cabinet 8, drawer 10): This project was sponsored research undertaken by a cooperative agreement between IHTIA and the National Park Service. The project deliverable was the Thurmond Depot historic structures report. This report, completed to NPS Standards, included narrative history of the depot, ink-on-mylar measured drawings documenting existing conditions, recommendations for adaptive reuse, and archival photographs. The final report was printed and distributed to New River Gorge National River and government repositories. Work was undertaken in 1990-1991.","Allegheny National Forest (see box 32 and map cabinet 8, drawer 4): A two year project. In the first phase IHTIA surveyed Allegheny National Forest (ANF) powerhouses and extant oil heritage sites as part of IHTIA project development (also in this first phase, IHTIA and the Society for Industrial Archeology Three Rivers Chapter conducted a site recording workshop on ANF). This work was undertaken during the spring of 1996. The second phase was sponsored research under a tripartite cooperative agreement between IHTIA, HAER and ANF. A combined team comprised of IHTIA, HAER and ANF staff and summer employees documented central power systems on Allegheny National Forest. IHTIA produced a narrative history, large-format photographs and ink-on-mylar measured drawings. This work was undertaken in the summer of 1997. After completion, this package was transmitted to HAER, and is included in the Library of Congress HAER Collection (HAER PA-436).","Magnolia Plantation (see boxes 38 and 64/folder 21): This project was undertaken in cooperation with HAER under the 1996 IHTIA work plan. IHTIA photographer served as project photographer on the HAER documentation of the Magnolia Plantation Cotton Gins and Presses, Natchitoches Vicinity, Louisiana. IHTIA produced large-format photographs of the structure, gins and presses. This work was undertaken in the summer of 1996. These photographs were transmitted to HAER and are included in the Library of Congress HAER Collection (HAER No. LA-11).","Shenandoah Pulp Mill (see boxes 39 and 66/folder 23): This project was undertaken in cooperation with HAER under the 1994 IHTIA work plan. IHTIA delineators and photographer recorded the ruins of the Shenandoah Pulp Mill, near Harpers Ferry, West Virginia. IHTIA produced, to HAER Standards, ink-on-mylar measured drawings and large-format photographs. HAER staff completed the narrative history. This work was undertaken in the summer of 1994. The photographs and drawings were transmitted to HAER and are included in the Library of Congress HAER Collection (HAER WV-59).","Vance Farmhouse National Register Nomination (see box 65/folder 10 and map cabinet 8, drawer 1): This nomination was prepared under the 1990 IHTIA work plan. The Bicentennial House (aka Vance Farmhouse) was the headquarters of IHTIA. The nomination was prepared in the fall of 1990 and the Bicentennial House was listed in the National Register of Historic Places in November 1991.","Skyline Drive Historic District National Register Nomination (see boxes 54, 65/folder 8, and map cabinet 8, drawer 21): Project was undertaken under a cooperative agreement between IHTIA and the National Park Service. IHTIA prepared a National Register Nomination for the105 mile long Skyline Drive, located in Shenandoah National Park. In addition to the National Register nomination, IHTIA delineators produced the Skyline Drive Landscape Report documenting the Skyline Drive overlooks and viewsheds. This work was undertaken in summer 1992. The Skyline Drive Historic District was listed in the National Register of Historic Places in April 1997.","Nuttallburg Mine Complex (see boxes 64/folder 22, 66/folder 21, and map cabinet 8, drawer 16): This project was under the 1991 IHTIA work.  The Nuttallburg Mine Complex, located within the boundaries of the New River Gorge National River, was the first HAER level documentation undertaken by IHTIA. The HAER package consisted of a narrative history, large-format photographs, and ink-on-mylar drawings. The project was transmitted to HAER and is included in the Library of Congress HAER Collection (HAER WV-51). Work was undertaken in 1991-1992.","1992 Industrial Archaeology Field School (see boxes 62/folder 7, 62/folder 10, and 63/folder 1): The first of three field schools conducted by IHTIA and taught techniques of site recording. The 1992 Field School was funded under the 1992 IHTIA work plan. The students recorded the Boteler Cement Mill ruins, near Shepherdstown, WV and Virginius Island ruins at Harpers Ferry, WV with measured drawings and large-format photographs. Additionally, the students prepared a draft National Register Nomination for the Boteler Cement Mill. Ink-on-mylar drawings (completed by IHTIA staff) and photographs were transmitted to HAER and are included in the Library of Congress HAER Collection (HAER WV-82 \u0026 HAER WV-83).","La Belle Iron Works (see box 66/folder 18): This HAER project was funded under the 1990 IHTIA work plan. The La Belle Nail Works was one of two surviving American cut nail factories (now defunct). The HAER team documented the manufacturing process with a narrative history, large-format photographs and ink-on-mylar measured drawings. This package is included in the Library of Congress HAER Collection (HAER WV-47).","Warwood Tool Company (see boxes 63/folder 2, 65/folder 10, and 66/folder 28): This HAER project was funded under the 1990 IHTIA work plan. The Warwood Tool Company manufactures high quality railroad and industrial tools. The HAER team documented the manufacturing process with a narrative history, large-format photographs and ink-on-mylar measured drawings. This package is included in the Library of Congress HAER Collection (HAER WV-48).","Waverly Street Bridge (see boxes 63/folder 3, 66/folder 29, and map cabinet 8, drawer 24): The project was sponsored research undertaken under an agreement between IHTIA and the Allegany County [Maryland] Department of Public Works. The Waverly Street Bridge, recorded to HAER Standards, a narrative history, large-format photographs and ink-on-mylar measured drawings. The package was transmitted to HAER and is included in the Library of Congress HAER Collection (HAER MD-83).","Blair Mountain Reconnaissance Survey (see boxes 63/folders 9a-9b, 66/folder 5, and map cabinet 8, drawer 7): The West Virginia Humanities Council commissioned IHTIA, as an unbiased organization, to undertake a reconnaissance survey of the Blair Mountain Battlefield site. IHTIA staff spent a week in early February 1991 surveying the battlefield and interviewing local informants. IHTIA staff conducted additional research in Morgantown and produced the Blair Mountain Cultural Reconnaissance Survey Report. The final draft report was sent to the WV Humanities Council.","Advisory Committee Meetings (see box 47): The IHTIA Advisory Committee was an advisory board created to oversee how the IHTIA expended its federal funding. The committee met annually to discuss and approve the IHTIA work plan. The Committee consisted of representatives from the West Virginia, Pennsylvania and Ohio State Historic Preservation Offices, the WVU Research Corporation, the Historic American Engineering Record and WVU History Department. Staff presented their work plan projects to the committee for discussion and approval.","Society for Industrial Archeology (see boxes 35-36 and map cabinet 8, drawer 30): Society for Industrial Archeology (SIA) is the professional organization for the discipline of industrial archeology. Emory Kemp was one of the founding members of SIA (founded in 1971). IHTIA was involved in SIA activities from its start. IHTIA initiated the formation of the SIA Pittsburgh Three Rivers Chapter in 1991 and hosted the 1993 Pittsburgh SIA Conference (including paper proposals, organizing tours, printing and mailing brochure, etc.). IHTIA hosted several Three Rivers Chapter symposia and staff attended and presented at numerous SIA conferences.","--","IHTIA Projects Not in the Contents List","The following list includes projects undertaken by the IHTIA for which there are no descriptions of material in this collection, A\u0026M 3936.","Anthracite/Bituminous Coal Study \nBarrackville Covered Bridge Stabilization Plan \nBollman Truss National Landmark Nomination \nChestnut Ridge Iron Industry \nCononcocheague Creek Aqueduct (HAER MD-123) \nCovered Bridge Video \nCut Nail Context \nFairbank Oil Field \nFairmont Industrial Survey \nField School 1994 (Clarysville, Maryland) \nField School 2001 (Canada) \nHarvey Lock National Register Evaluation \nHigh Level Bridge National Register Nomination \nIHTIA Monographs \nIHTIA Technical Reports \nIndustrial Site Evaluation \nIron and Steel Context \nIronmaking in the Virginias \nIronmasters Conferences 1999 and 2002 \nJoanna Furnace Recordation \nKanawha Valley Chemical Heritage Symposium May 2003 \nKanawha Valley Chemical Industry Survey \nKaymoor Mine Site Stabilization \nLock and Dam No. 7 Video \nMidland Trail Scenic Byways \nMississippi Basin Model \nMonessen Open Hearth Study (HAER PA-253) \nNational Road Documentation \nNew River Gorge Historic Context Update \nNorth Bend Rail Trails Guide \nNorthern West Virginia Coalfields Context \nOxford Furnace \nPrincipio Furnace Management Plan \nSt. Nicholas Breaker \nStaunton to Parkersburg Turnpike \nThurmond Depot Historic Furnishing Report","\nIn addition, the following terms that regularly appeared in the collection have been abbreviated:  Allegheny National Forest (ANF)   American Canal Society (ACS)   Bureau of Indian Affairs (BIA)   Baltimore and Ohio Railroad (B\u0026O Railroad)   Chesapeake and Ohio Canal (C\u0026O Canal)   Civilian Conservation Corps (CCC)   United States Army Corps of Engineers (USACE)   Institute for the History of Technology and Industrial Archaeology (IHTIA)   Historic American Engineering Record (HAER)   Historic American Building Survey (HABS)   National Register of Historic Places (NRHP)   National Forest (NF)  National Park Service (NPS)   Natural Resources Conservation Service (NRCS), previously the Soil Conservation Service (SCS)   Society for Industrial Archaeology (SIA)   West Virginia University (WVU)   United States Geological Survey (USGS)","See processing file for list of canals in box.","See processing file for list of canals in this box.","Missing as of 2023/10/20 -- box was found with a bunch of newspapers in it, so either it was mislabeled from the start, or the contents got shuffled somehow. Keep it unpublished until such time as we find and replace the missing material.","The originals were on loan, and have been returned to the Chesapeake \u0026 Ohio Historical Society.","During a review of this collection, boxes 4 and 5 were combined. Box 5 no longer exists.","Removed empty folders from box labeled \"Michigan\", \"Missouri\" and \"New Mexico\"","Removed empty folders labeled \"Utah\" and \"South Dakota\". Also Added Oral History Interview and CCC Directory from Box 4.","Combined A and M 3936 Boxes 4 and 5 - Box 4 now contains Articles 2 and Articles 5","Moved map of Muskingum River map and profile to Box 142","These maps were removed from Box 25 and placed in multiple oversize folders in map cabinet, 86 sheets.  Also put in map cabinet information about Native American tribes. See processing folder for list of maps that were moved.","Some photographs/negatives are stuck together--they are in last folder.","The boxes of slides that were once in this box have been moved to box 58.","This box was once full of empty slide boxes. Those were deaccesseioned; its current contents was moved here from box 56.","Records of the Institute for the History of Technology and Industrial Archaeology (IHTIA), an organization affiliated with West Virginia University, including reports and research papers regarding the history of industrial technology and preservation of historical sites, particularly within West Virginia and the Mid-Atlantic region. This collection also includes photographs, negatives, and photo mechanical transfers of historical sites in these regions. For a more complete list of IHTIA projects represented in this collection, please see the \"Project Descriptions\" note.","Addendum of 2022 (boxes 148-153) contains IHTIA materials found at the Bicentennial House following the departure of the West Virginia University Press from the building in 2022. These materials include documents and photographs from IHTIA recordation projects, including the St. Nicholas Central Breaker, Fairmont Industrial Guide, LaVale Toll House, Little Crossings Bridge, Park Gap Lane Truss Bridge, Crab Run Lane Truss Bridge, West Virginia Independence Hall, the Muskingum Navigation; and Croton Aqueduct (all boxes 148-149); Joanna Furnace (box 151); IHTIA Technical Reports for the Alexander Campbell Mansion and the Trump-Lilley Farm (box 150); and Battle of Blair Mountain Historic Structures documentation base maps (box 152). Additionally, there are IHTIA press release materials for Emory Kemp's Benedum Distinguished Scholar Award lecture \"Links in a Chain\" and for the release of the Cement Mills Along the Potomac monograph (box 148).  Also included in this addendum are Dr. Thomas Swiftwater Hahn's 1983 photographs and negatives of historic Jefferson County, West Virginia buildings, structures and remains, and his hand-written Potomac River Valley cement mills notes (box 153). Hahn was an adjunct member of the IHTIA. ","This box contains Bureau of Indian Affairs News Sheet Reports for the Indian Emergency Conservation Work program created in 1933. The IECW was later renamed the Civilian Conservation Corps Indian Division in 1937. These news sheets were titled \"Indians at Work.\"","Includes typescripts and correspondence regarding the publishing of Larry Sypolt's book \"The Civilian Conservation Corps: A Selectively Annotated Bibliography,\" as well as a draft or copy. Also includes \"Tunnels Through Time: Original Tunnels of the Baltimore and Ohio Railroad.\"","(1) Mineral Lands adjacent to Lake Superior \n(2) Diagram of Oregon \n(3) Oregon and Upper California (Survey by John Charles Fremont)  \n(4) Entrance to port of Havre with a plan of the docks \n(5) Plans of Proposed Batteries on Yerba Buena Island, San Francisco Harbor, California (military)  \n(6) Sketch of the Golfito in Golfo Dulce (military)  \n(7) Sketch of the Isthmus of Chiriquí in the State of New Granada in South America \n(8) Chiriquí Lagoon Survey \n(9) Map showing sailing speeds between islands in the South Pacific Ocean \n(10) Map of the lines of march passed over by the United States troops by the United States War Department (military)  \n(11) District of Columbia, ordered by the United States Senate to improve map system \n(12) Plat showing proposed United States military reservation at Fort Stevens, D.C. (military) \n(13) Eastern Port of Jamaica Bay, New York, from main channel to Long Beach Inlet for Canal by the U.S. Corps of Engineers (military)  \n(14) Routes travelled by detachments of the Overland Command in the Springs of 1855 from Salt Lake City, Utah, to San Francisco Bay, California \n(15) Sketch of United States Coast Survey, progress of part of Section 2 - Middle Section (military)  \n(16) New Madrid/Francis River Swamp in the States of Missouri and Arkansas showing probable limits, and townships displayed \n(17) Presque Bay on Erie, Pennsylvania Harbor by the U.S. Corps of Engineers (military) \n(18) Harbor of St. Louis on the Mississippi River by the U.S. Corps of Engineers (military) \n(19) Oregon Territory West of the Cascade Mountains by the U. S. Surveyor General's Office","Addendum of 2022 (boxes 148-153) contains IHTIA materials found at the Bicentennial House following the departure of the West Virginia University Press from the building in 2022. These materials include documents and photographs from IHTIA recordation projects, including the St. Nicholas Central Breaker, Fairmont Industrial Guide, LaVale Toll House, Little Crossings Bridge, Park Gap Lane Truss Bridge, Crab Run Lane Truss Bridge, West Virginia Independence Hall, the Muskingum Navigation; and Croton Aqueduct (all boxes 148-149); Joanna Furnace (box 151); IHTIA Technical Reports for the Alexander Campbell Mansion and the Trump-Lilley Farm (box 150); and Battle of Blair Mountain Historic Structures documentation base maps (box 152). Additionally, there are IHTIA press release materials for Emory Kemp's Benedum Distinguished Scholar Award lecture \"Links in a Chain\" and for the release of the Cement Mills Along the Potomac monograph (box 148).  Also included in this addendum are Dr. Thomas Swiftwater Hahn's 1983 photographs and negatives of historic Jefferson County, West Virginia buildings, structures and remains, and his hand-written Potomac River Valley cement mills notes (box 153). Hahn was an adjunct member of the IHTIA.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Institute for the History of Technology and Industrial Archaeology","Civilian Conservation Corps (U.S.)","Society for Industrial Archeology","West Virginia University. Institute for the History of Technology and Industrial Archaeology","Kemp, Emory L.","Sypolt, Larry N.","English \n.    "],"unitid_tesim":["A\u0026M 3936","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3045"],"normalized_title_ssm":["Institute for the History of Technology and Industrial Archaeology Records"],"collection_title_tesim":["Institute for the History of Technology and Industrial Archaeology Records"],"collection_ssim":["Institute for the History of Technology and Industrial Archaeology Records"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Institute for the History of Technology and Industrial Archaeology"],"creator_ssim":["Institute for the History of Technology and Industrial Archaeology"],"creator_corpname_ssim":["Institute for the History of Technology and Industrial Archaeology"],"creators_ssim":["Institute for the History of Technology and Industrial Archaeology"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Transfer from Institute for the History of Technology and Industrial Archaeology, 2013/06/04"],"access_subjects_ssim":["Historic preservation ","Industrial archaeology"],"access_subjects_ssm":["Historic preservation ","Industrial archaeology"],"has_online_content_ssim":["false"],"extent_ssm":["74.04 Linear Feet 46 document cases, 5 in. each; 6 document cases, 4 in. each; 15 document cases, 2.5 in. each; 16 record cartons, 15 in. each; 8 flat storage boxes, 1.5 in. each (7 large, 1 small); 9 flat storage boxes, 3 in. each; 6 large flat storage boxes, 3.5 in. each; 2 small flat storage boxes, 2.5 in. each; 2 rolled storage boxes, 4 in. each; 23 rolled storage boxes, 5 in. each; 21 rolled storage boxes, 6 in. each; 1 index card box, 12 in.; oversize folders in map cabinets, 31 in.","3.74 Gigabytes 427 files, file types include .wpd, .wps, .jpg, .doc, .jpg, .txt, .docx, .tif, .xls, .wav"],"extent_tesim":["74.04 Linear Feet 46 document cases, 5 in. each; 6 document cases, 4 in. each; 15 document cases, 2.5 in. each; 16 record cartons, 15 in. each; 8 flat storage boxes, 1.5 in. each (7 large, 1 small); 9 flat storage boxes, 3 in. each; 6 large flat storage boxes, 3.5 in. each; 2 small flat storage boxes, 2.5 in. each; 2 rolled storage boxes, 4 in. each; 23 rolled storage boxes, 5 in. each; 21 rolled storage boxes, 6 in. each; 1 index card box, 12 in.; oversize folders in map cabinets, 31 in.","3.74 Gigabytes 427 files, file types include .wpd, .wps, .jpg, .doc, .jpg, .txt, .docx, .tif, .xls, .wav"],"date_range_isim":[1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eAll or part of this collection is stored offsite. Please make an appointment prior to visiting.\u003c/p\u003e\n","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["All or part of this collection is stored offsite. Please make an appointment prior to visiting.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"bioghist_html_tesm":["\u003cp\u003eThe creation of the Institute for the History of Technology and Industrial Archaeology (IHTIA) was spurred in part by the work of Dr. Emory L. Kemp, a West Virginia University civil engineering professor and an internationally renowned covered bridge expert, to restore the Philippi Covered Bridge, which was severely damaged by fire in 1989. He was selected for the restoration by then Governor Gaston Caperton, who also hoped for the restoration of West Virginia's other seventeen covered bridges.  When Caperton's original plans did not come to pass, WVU Provost and Vice President of Academic Affairs and Research William E. Vehse and Dr. Kemp created the idea of an institute to oversee the restoration of the Philippi Covered Bridge and the other seventeen bridges and its funding.  \n \nConcurrent with the announced Philippi Covered Bridge restoration, a grass roots effort was begun to save the High Gate Carriage House. James E. Watson, son of pioneer coal baron James Otis Watson, built the High Gate Mansion and Carriage House in 1910-1913. In the mid-1950s, the Ross Funeral Home purchased the mansion and opened a mortuary in the house. By the late 1980s, the carriage house, formerly a nursing home, was now unused. In the spring of 1989, a national fast-food chain announced plans to purchase and demolish the High Gate Carriage House, replacing it with a drive-in restaurant. These plans were met with local opposition and led to the formation of the Friends of High Gate, a non-profit organization to save the carriage house. US Representative Alan Mollohan, who lived nearby, was interested in historic preservation, but more importantly desired to see the historic carriage house saved and preserved. The friends group received congressional aid from Mollohan's office and were able to purchase and save the property from development. \n \nAt this time, Mollohan approached Kemp about the preservation of the High Gate Carriage House property. Kemp undoubtably suggested that the High Gate Carriage House needed to be recorded to HABS Standards as one of the first steps in its preservation but would require funding. The documentation of High Gate Carriage House led to the initial federal funding of the IHTIA. \n \nThe Institute for the History of Technology and Industrial Archaeology was founded by an act of the United States Congress in 1989. Under its founding act, IHTIA was authorized to document, preserve, and interpret historically significant sites relating to the nation's industrial engineering and technology history, but it was also established as advisory group to Congress. In the late 1980s, industrial sites, such as Cambria Irons Works in Johnstown, Pennsylvania became units of the National Park Service, and many other industrial sites were being proposed. The IHTIA was created partially to advise Congress on which of these proposed parks should be included in the National Parks system. The industrial site evaluation charge was never fully realized, and IHTIA focused on its larger mission of the history of technology and industrial archaeology.  The IHTIA was part of West Virginia University's Eberly College of Arts and Sciences.\n \nAt first, IHTIA's federal funding was very strong. This funding was complimented by an abundance of sponsored research projects and the future seemed bright. By the mid-1990s, however, things began to change with Vice President Al Gore's changes to government, when the IHTIA's budget became targeted as \"wasteful federal spending.\" As a result, the IHTIA budget became part of HAER's budget. This was coupled with the Historic American Engineering Record's (HAER; a partial funding source for IHTIA) declining funding, which led to a portion of IHTIA's budget being appropriated by HAER. Following the 2001 September 11 attacks, funding dried up for Cultural Resource Management projects. During the early 2000s, the declining federal budget and the dearth of sponsored work, along with inadequate leadership, plagued IHTIA until it finally closed its doors in circa 2006. \u003c/p\u003e\n","\u003cp\u003eSources:  \nAuthors recollections. Lee R. Maddex, IHTIA historian \nOral interview with Dr. Billy Joe Peyton, former IHTIA Associate Director, 2023 December 22\nCRM Vol. 23 No. 4, 2000, p. 42 \u003c/p\u003e\n","\u003cp\u003ePlease see control folder for a more in-depth history of the IHTIA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The creation of the Institute for the History of Technology and Industrial Archaeology (IHTIA) was spurred in part by the work of Dr. Emory L. Kemp, a West Virginia University civil engineering professor and an internationally renowned covered bridge expert, to restore the Philippi Covered Bridge, which was severely damaged by fire in 1989. He was selected for the restoration by then Governor Gaston Caperton, who also hoped for the restoration of West Virginia's other seventeen covered bridges.  When Caperton's original plans did not come to pass, WVU Provost and Vice President of Academic Affairs and Research William E. Vehse and Dr. Kemp created the idea of an institute to oversee the restoration of the Philippi Covered Bridge and the other seventeen bridges and its funding.  \n \nConcurrent with the announced Philippi Covered Bridge restoration, a grass roots effort was begun to save the High Gate Carriage House. James E. Watson, son of pioneer coal baron James Otis Watson, built the High Gate Mansion and Carriage House in 1910-1913. In the mid-1950s, the Ross Funeral Home purchased the mansion and opened a mortuary in the house. By the late 1980s, the carriage house, formerly a nursing home, was now unused. In the spring of 1989, a national fast-food chain announced plans to purchase and demolish the High Gate Carriage House, replacing it with a drive-in restaurant. These plans were met with local opposition and led to the formation of the Friends of High Gate, a non-profit organization to save the carriage house. US Representative Alan Mollohan, who lived nearby, was interested in historic preservation, but more importantly desired to see the historic carriage house saved and preserved. The friends group received congressional aid from Mollohan's office and were able to purchase and save the property from development. \n \nAt this time, Mollohan approached Kemp about the preservation of the High Gate Carriage House property. Kemp undoubtably suggested that the High Gate Carriage House needed to be recorded to HABS Standards as one of the first steps in its preservation but would require funding. The documentation of High Gate Carriage House led to the initial federal funding of the IHTIA. \n \nThe Institute for the History of Technology and Industrial Archaeology was founded by an act of the United States Congress in 1989. Under its founding act, IHTIA was authorized to document, preserve, and interpret historically significant sites relating to the nation's industrial engineering and technology history, but it was also established as advisory group to Congress. In the late 1980s, industrial sites, such as Cambria Irons Works in Johnstown, Pennsylvania became units of the National Park Service, and many other industrial sites were being proposed. The IHTIA was created partially to advise Congress on which of these proposed parks should be included in the National Parks system. The industrial site evaluation charge was never fully realized, and IHTIA focused on its larger mission of the history of technology and industrial archaeology.  The IHTIA was part of West Virginia University's Eberly College of Arts and Sciences.\n \nAt first, IHTIA's federal funding was very strong. This funding was complimented by an abundance of sponsored research projects and the future seemed bright. By the mid-1990s, however, things began to change with Vice President Al Gore's changes to government, when the IHTIA's budget became targeted as \"wasteful federal spending.\" As a result, the IHTIA budget became part of HAER's budget. This was coupled with the Historic American Engineering Record's (HAER; a partial funding source for IHTIA) declining funding, which led to a portion of IHTIA's budget being appropriated by HAER. Following the 2001 September 11 attacks, funding dried up for Cultural Resource Management projects. During the early 2000s, the declining federal budget and the dearth of sponsored work, along with inadequate leadership, plagued IHTIA until it finally closed its doors in circa 2006. ","Sources:  \nAuthors recollections. Lee R. Maddex, IHTIA historian \nOral interview with Dr. Billy Joe Peyton, former IHTIA Associate Director, 2023 December 22\nCRM Vol. 23 No. 4, 2000, p. 42 ","Please see control folder for a more in-depth history of the IHTIA."],"custodhist_html_tesm":["\u003cp\u003eA large portion of bridge related content was created by Emory Kemp, Director of the Institute, as part of research he conducted outside the scope of IHTIA activities.\u003c/p\u003e\n","\u003cp\u003eThe Civilian Conservation Corps (CCC) material in this collection was collected and compiled by Larry Sypolt, an employee of the Institute.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["A large portion of bridge related content was created by Emory Kemp, Director of the Institute, as part of research he conducted outside the scope of IHTIA activities.","The Civilian Conservation Corps (CCC) material in this collection was collected and compiled by Larry Sypolt, an employee of the Institute."],"odd_html_tesm":["\u003cp\u003eIHTIA Project Descriptions\u003c/p\u003e\n","\u003cp\u003eThe following list includes project descriptions for material in this collection, A\u0026amp;M 3936.  For example, records for the Bridge Patent Survey can be found in boxes 15-18.)\u003c/p\u003e\n","\u003cp\u003eBridge Patent Survey (see boxes 15-18): This project was begun under the 1991 IHTIA work plan. During the summer of 1991, IHTIA staff amassed copies of approximately 500 American bridge patent drawings and specification spanning the years 1790-1890. As originally conceived the patent drawings and specifications would be scanned and published in a searchable CD-ROM format. This format eventually proved obsolete. Ultimately, the West Virginia University Press published the results of this survey in a 2005 monograph entitled American Bridge Patents: The First Century (1790-1890).\u003c/p\u003e\n","\u003cp\u003eTrump Lilly Farm Historic Structures and Cultural Landscape Report (see boxes 24, 26-28, 56, 65/folder 1, 66/folder 26, and map cabinet 8, drawer 23): This project was sponsored research undertaken by a cooperative agreement between IHTIA and the National Park Service.  The project deliverable was the Trump Lilly Farm Historic Structures and Cultural Landscape. The report, completed to NPS standards, included the following sections: administrative data, physical history and analysis, architectural and landscape data, recommendations and appendices. The report also included ink-on-mylar measured drawings of the farm structures existing conditions and photographs, both contemporary and historic. This work was undertaken in 1993-1994.\u003c/p\u003e\n","\u003cp\u003eThurmond Depot Historic Structure Report (see boxes 29-34, 51, 62/folders 9a-9c, 66/folder 25, and map cabinet 8, drawer 10): This project was sponsored research undertaken by a cooperative agreement between IHTIA and the National Park Service. The project deliverable was the Thurmond Depot historic structures report. This report, completed to NPS Standards, included narrative history of the depot, ink-on-mylar measured drawings documenting existing conditions, recommendations for adaptive reuse, and archival photographs. The final report was printed and distributed to New River Gorge National River and government repositories. Work was undertaken in 1990-1991.\u003c/p\u003e\n","\u003cp\u003eAllegheny National Forest (see box 32 and map cabinet 8, drawer 4): A two year project. In the first phase IHTIA surveyed Allegheny National Forest (ANF) powerhouses and extant oil heritage sites as part of IHTIA project development (also in this first phase, IHTIA and the Society for Industrial Archeology Three Rivers Chapter conducted a site recording workshop on ANF). This work was undertaken during the spring of 1996. The second phase was sponsored research under a tripartite cooperative agreement between IHTIA, HAER and ANF. A combined team comprised of IHTIA, HAER and ANF staff and summer employees documented central power systems on Allegheny National Forest. IHTIA produced a narrative history, large-format photographs and ink-on-mylar measured drawings. This work was undertaken in the summer of 1997. After completion, this package was transmitted to HAER, and is included in the Library of Congress HAER Collection (HAER PA-436).\u003c/p\u003e\n","\u003cp\u003eMagnolia Plantation (see boxes 38 and 64/folder 21): This project was undertaken in cooperation with HAER under the 1996 IHTIA work plan. IHTIA photographer served as project photographer on the HAER documentation of the Magnolia Plantation Cotton Gins and Presses, Natchitoches Vicinity, Louisiana. IHTIA produced large-format photographs of the structure, gins and presses. This work was undertaken in the summer of 1996. These photographs were transmitted to HAER and are included in the Library of Congress HAER Collection (HAER No. LA-11).\u003c/p\u003e\n","\u003cp\u003eShenandoah Pulp Mill (see boxes 39 and 66/folder 23): This project was undertaken in cooperation with HAER under the 1994 IHTIA work plan. IHTIA delineators and photographer recorded the ruins of the Shenandoah Pulp Mill, near Harpers Ferry, West Virginia. IHTIA produced, to HAER Standards, ink-on-mylar measured drawings and large-format photographs. HAER staff completed the narrative history. This work was undertaken in the summer of 1994. The photographs and drawings were transmitted to HAER and are included in the Library of Congress HAER Collection (HAER WV-59).\u003c/p\u003e\n","\u003cp\u003eVance Farmhouse National Register Nomination (see box 65/folder 10 and map cabinet 8, drawer 1): This nomination was prepared under the 1990 IHTIA work plan. The Bicentennial House (aka Vance Farmhouse) was the headquarters of IHTIA. The nomination was prepared in the fall of 1990 and the Bicentennial House was listed in the National Register of Historic Places in November 1991.\u003c/p\u003e\n","\u003cp\u003eSkyline Drive Historic District National Register Nomination (see boxes 54, 65/folder 8, and map cabinet 8, drawer 21): Project was undertaken under a cooperative agreement between IHTIA and the National Park Service. IHTIA prepared a National Register Nomination for the105 mile long Skyline Drive, located in Shenandoah National Park. In addition to the National Register nomination, IHTIA delineators produced the Skyline Drive Landscape Report documenting the Skyline Drive overlooks and viewsheds. This work was undertaken in summer 1992. The Skyline Drive Historic District was listed in the National Register of Historic Places in April 1997.\u003c/p\u003e\n","\u003cp\u003eNuttallburg Mine Complex (see boxes 64/folder 22, 66/folder 21, and map cabinet 8, drawer 16): This project was under the 1991 IHTIA work.  The Nuttallburg Mine Complex, located within the boundaries of the New River Gorge National River, was the first HAER level documentation undertaken by IHTIA. The HAER package consisted of a narrative history, large-format photographs, and ink-on-mylar drawings. The project was transmitted to HAER and is included in the Library of Congress HAER Collection (HAER WV-51). Work was undertaken in 1991-1992.\u003c/p\u003e\n","\u003cp\u003e1992 Industrial Archaeology Field School (see boxes 62/folder 7, 62/folder 10, and 63/folder 1): The first of three field schools conducted by IHTIA and taught techniques of site recording. The 1992 Field School was funded under the 1992 IHTIA work plan. The students recorded the Boteler Cement Mill ruins, near Shepherdstown, WV and Virginius Island ruins at Harpers Ferry, WV with measured drawings and large-format photographs. Additionally, the students prepared a draft National Register Nomination for the Boteler Cement Mill. Ink-on-mylar drawings (completed by IHTIA staff) and photographs were transmitted to HAER and are included in the Library of Congress HAER Collection (HAER WV-82 \u0026amp; HAER WV-83).\u003c/p\u003e\n","\u003cp\u003eLa Belle Iron Works (see box 66/folder 18): This HAER project was funded under the 1990 IHTIA work plan. The La Belle Nail Works was one of two surviving American cut nail factories (now defunct). The HAER team documented the manufacturing process with a narrative history, large-format photographs and ink-on-mylar measured drawings. This package is included in the Library of Congress HAER Collection (HAER WV-47).\u003c/p\u003e\n","\u003cp\u003eWarwood Tool Company (see boxes 63/folder 2, 65/folder 10, and 66/folder 28): This HAER project was funded under the 1990 IHTIA work plan. The Warwood Tool Company manufactures high quality railroad and industrial tools. The HAER team documented the manufacturing process with a narrative history, large-format photographs and ink-on-mylar measured drawings. This package is included in the Library of Congress HAER Collection (HAER WV-48).\u003c/p\u003e\n","\u003cp\u003eWaverly Street Bridge (see boxes 63/folder 3, 66/folder 29, and map cabinet 8, drawer 24): The project was sponsored research undertaken under an agreement between IHTIA and the Allegany County [Maryland] Department of Public Works. The Waverly Street Bridge, recorded to HAER Standards, a narrative history, large-format photographs and ink-on-mylar measured drawings. The package was transmitted to HAER and is included in the Library of Congress HAER Collection (HAER MD-83).\u003c/p\u003e\n","\u003cp\u003eBlair Mountain Reconnaissance Survey (see boxes 63/folders 9a-9b, 66/folder 5, and map cabinet 8, drawer 7): The West Virginia Humanities Council commissioned IHTIA, as an unbiased organization, to undertake a reconnaissance survey of the Blair Mountain Battlefield site. IHTIA staff spent a week in early February 1991 surveying the battlefield and interviewing local informants. IHTIA staff conducted additional research in Morgantown and produced the Blair Mountain Cultural Reconnaissance Survey Report. The final draft report was sent to the WV Humanities Council.\u003c/p\u003e\n","\u003cp\u003eAdvisory Committee Meetings (see box 47): The IHTIA Advisory Committee was an advisory board created to oversee how the IHTIA expended its federal funding. The committee met annually to discuss and approve the IHTIA work plan. The Committee consisted of representatives from the West Virginia, Pennsylvania and Ohio State Historic Preservation Offices, the WVU Research Corporation, the Historic American Engineering Record and WVU History Department. Staff presented their work plan projects to the committee for discussion and approval.\u003c/p\u003e\n","\u003cp\u003eSociety for Industrial Archeology (see boxes 35-36 and map cabinet 8, drawer 30): Society for Industrial Archeology (SIA) is the professional organization for the discipline of industrial archeology. Emory Kemp was one of the founding members of SIA (founded in 1971). IHTIA was involved in SIA activities from its start. IHTIA initiated the formation of the SIA Pittsburgh Three Rivers Chapter in 1991 and hosted the 1993 Pittsburgh SIA Conference (including paper proposals, organizing tours, printing and mailing brochure, etc.). IHTIA hosted several Three Rivers Chapter symposia and staff attended and presented at numerous SIA conferences.\u003c/p\u003e\n","\u003cp\u003e--\u003c/p\u003e\n","\u003cp\u003eIHTIA Projects Not in the Contents List\u003c/p\u003e\n","\u003cp\u003eThe following list includes projects undertaken by the IHTIA for which there are no descriptions of material in this collection, A\u0026amp;M 3936.\u003c/p\u003e\n","\u003cp\u003eAnthracite/Bituminous Coal Study\u003clb\u003e\u003c/lb\u003e\nBarrackville Covered Bridge Stabilization Plan\u003clb\u003e\u003c/lb\u003e\nBollman Truss National Landmark Nomination\u003clb\u003e\u003c/lb\u003e\nChestnut Ridge Iron Industry\u003clb\u003e\u003c/lb\u003e\nCononcocheague Creek Aqueduct (HAER MD-123)\u003clb\u003e\u003c/lb\u003e\nCovered Bridge Video\u003clb\u003e\u003c/lb\u003e\nCut Nail Context\u003clb\u003e\u003c/lb\u003e\nFairbank Oil Field\u003clb\u003e\u003c/lb\u003e\nFairmont Industrial Survey\u003clb\u003e\u003c/lb\u003e\nField School 1994 (Clarysville, Maryland)\u003clb\u003e\u003c/lb\u003e\nField School 2001 (Canada)\u003clb\u003e\u003c/lb\u003e\nHarvey Lock National Register Evaluation\u003clb\u003e\u003c/lb\u003e\nHigh Level Bridge National Register Nomination\u003clb\u003e\u003c/lb\u003e\nIHTIA Monographs\u003clb\u003e\u003c/lb\u003e\nIHTIA Technical Reports\u003clb\u003e\u003c/lb\u003e\nIndustrial Site Evaluation\u003clb\u003e\u003c/lb\u003e\nIron and Steel Context\u003clb\u003e\u003c/lb\u003e\nIronmaking in the Virginias\u003clb\u003e\u003c/lb\u003e\nIronmasters Conferences 1999 and 2002\u003clb\u003e\u003c/lb\u003e\nJoanna Furnace Recordation\u003clb\u003e\u003c/lb\u003e\nKanawha Valley Chemical Heritage Symposium May 2003\u003clb\u003e\u003c/lb\u003e\nKanawha Valley Chemical Industry Survey\u003clb\u003e\u003c/lb\u003e\nKaymoor Mine Site Stabilization\u003clb\u003e\u003c/lb\u003e\nLock and Dam No. 7 Video\u003clb\u003e\u003c/lb\u003e\nMidland Trail Scenic Byways\u003clb\u003e\u003c/lb\u003e\nMississippi Basin Model\u003clb\u003e\u003c/lb\u003e\nMonessen Open Hearth Study (HAER PA-253)\u003clb\u003e\u003c/lb\u003e\nNational Road Documentation\u003clb\u003e\u003c/lb\u003e\nNew River Gorge Historic Context Update\u003clb\u003e\u003c/lb\u003e\nNorth Bend Rail Trails Guide\u003clb\u003e\u003c/lb\u003e\nNorthern West Virginia Coalfields Context\u003clb\u003e\u003c/lb\u003e\nOxford Furnace\u003clb\u003e\u003c/lb\u003e\nPrincipio Furnace Management Plan\u003clb\u003e\u003c/lb\u003e\nSt. Nicholas Breaker\u003clb\u003e\u003c/lb\u003e\nStaunton to Parkersburg Turnpike\u003clb\u003e\u003c/lb\u003e\nThurmond Depot Historic Furnishing Report\u003c/p\u003e\n","\u003cp\u003e\nIn addition, the following terms that regularly appeared in the collection have been abbreviated: \u003clist\u003e \u003citem\u003eAllegheny National Forest (ANF) \u003c/item\u003e \u003citem\u003e American Canal Society (ACS) \u003c/item\u003e \u003citem\u003e Bureau of Indian Affairs (BIA) \u003c/item\u003e \u003citem\u003e Baltimore and Ohio Railroad (B\u0026amp;O Railroad) \u003c/item\u003e \u003citem\u003e Chesapeake and Ohio Canal (C\u0026amp;O Canal) \u003c/item\u003e \u003citem\u003e Civilian Conservation Corps (CCC) \u003c/item\u003e \u003citem\u003e United States Army Corps of Engineers (USACE) \u003c/item\u003e \u003citem\u003e Institute for the History of Technology and Industrial Archaeology (IHTIA) \u003c/item\u003e \u003citem\u003e Historic American Engineering Record (HAER) \u003c/item\u003e \u003citem\u003e Historic American Building Survey (HABS) \u003c/item\u003e \u003citem\u003e National Register of Historic Places (NRHP) \u003c/item\u003e \u003citem\u003e National Forest (NF)\u003c/item\u003e \u003citem\u003e National Park Service (NPS) \u003c/item\u003e \u003citem\u003e Natural Resources Conservation Service (NRCS), previously the Soil Conservation Service (SCS) \u003c/item\u003e\u003citem\u003e Society for Industrial Archaeology (SIA) \u003c/item\u003e \u003citem\u003e West Virginia University (WVU) \u003c/item\u003e \u003citem\u003e United States Geological Survey (USGS)\u003c/item\u003e \u003c/list\u003e\u003c/p\u003e","\u003cp\u003eSee processing file for list of canals in box.\u003c/p\u003e","\u003cp\u003eSee processing file for list of canals in this box.\u003c/p\u003e","\u003cp\u003eMissing as of 2023/10/20 -- box was found with a bunch of newspapers in it, so either it was mislabeled from the start, or the contents got shuffled somehow. Keep it unpublished until such time as we find and replace the missing material.\u003c/p\u003e"],"odd_heading_ssm":["Project Descriptions","General","General","UNPUBLISHED"],"odd_tesim":["IHTIA Project Descriptions","The following list includes project descriptions for material in this collection, A\u0026M 3936.  For example, records for the Bridge Patent Survey can be found in boxes 15-18.)","Bridge Patent Survey (see boxes 15-18): This project was begun under the 1991 IHTIA work plan. During the summer of 1991, IHTIA staff amassed copies of approximately 500 American bridge patent drawings and specification spanning the years 1790-1890. As originally conceived the patent drawings and specifications would be scanned and published in a searchable CD-ROM format. This format eventually proved obsolete. Ultimately, the West Virginia University Press published the results of this survey in a 2005 monograph entitled American Bridge Patents: The First Century (1790-1890).","Trump Lilly Farm Historic Structures and Cultural Landscape Report (see boxes 24, 26-28, 56, 65/folder 1, 66/folder 26, and map cabinet 8, drawer 23): This project was sponsored research undertaken by a cooperative agreement between IHTIA and the National Park Service.  The project deliverable was the Trump Lilly Farm Historic Structures and Cultural Landscape. The report, completed to NPS standards, included the following sections: administrative data, physical history and analysis, architectural and landscape data, recommendations and appendices. The report also included ink-on-mylar measured drawings of the farm structures existing conditions and photographs, both contemporary and historic. This work was undertaken in 1993-1994.","Thurmond Depot Historic Structure Report (see boxes 29-34, 51, 62/folders 9a-9c, 66/folder 25, and map cabinet 8, drawer 10): This project was sponsored research undertaken by a cooperative agreement between IHTIA and the National Park Service. The project deliverable was the Thurmond Depot historic structures report. This report, completed to NPS Standards, included narrative history of the depot, ink-on-mylar measured drawings documenting existing conditions, recommendations for adaptive reuse, and archival photographs. The final report was printed and distributed to New River Gorge National River and government repositories. Work was undertaken in 1990-1991.","Allegheny National Forest (see box 32 and map cabinet 8, drawer 4): A two year project. In the first phase IHTIA surveyed Allegheny National Forest (ANF) powerhouses and extant oil heritage sites as part of IHTIA project development (also in this first phase, IHTIA and the Society for Industrial Archeology Three Rivers Chapter conducted a site recording workshop on ANF). This work was undertaken during the spring of 1996. The second phase was sponsored research under a tripartite cooperative agreement between IHTIA, HAER and ANF. A combined team comprised of IHTIA, HAER and ANF staff and summer employees documented central power systems on Allegheny National Forest. IHTIA produced a narrative history, large-format photographs and ink-on-mylar measured drawings. This work was undertaken in the summer of 1997. After completion, this package was transmitted to HAER, and is included in the Library of Congress HAER Collection (HAER PA-436).","Magnolia Plantation (see boxes 38 and 64/folder 21): This project was undertaken in cooperation with HAER under the 1996 IHTIA work plan. IHTIA photographer served as project photographer on the HAER documentation of the Magnolia Plantation Cotton Gins and Presses, Natchitoches Vicinity, Louisiana. IHTIA produced large-format photographs of the structure, gins and presses. This work was undertaken in the summer of 1996. These photographs were transmitted to HAER and are included in the Library of Congress HAER Collection (HAER No. LA-11).","Shenandoah Pulp Mill (see boxes 39 and 66/folder 23): This project was undertaken in cooperation with HAER under the 1994 IHTIA work plan. IHTIA delineators and photographer recorded the ruins of the Shenandoah Pulp Mill, near Harpers Ferry, West Virginia. IHTIA produced, to HAER Standards, ink-on-mylar measured drawings and large-format photographs. HAER staff completed the narrative history. This work was undertaken in the summer of 1994. The photographs and drawings were transmitted to HAER and are included in the Library of Congress HAER Collection (HAER WV-59).","Vance Farmhouse National Register Nomination (see box 65/folder 10 and map cabinet 8, drawer 1): This nomination was prepared under the 1990 IHTIA work plan. The Bicentennial House (aka Vance Farmhouse) was the headquarters of IHTIA. The nomination was prepared in the fall of 1990 and the Bicentennial House was listed in the National Register of Historic Places in November 1991.","Skyline Drive Historic District National Register Nomination (see boxes 54, 65/folder 8, and map cabinet 8, drawer 21): Project was undertaken under a cooperative agreement between IHTIA and the National Park Service. IHTIA prepared a National Register Nomination for the105 mile long Skyline Drive, located in Shenandoah National Park. In addition to the National Register nomination, IHTIA delineators produced the Skyline Drive Landscape Report documenting the Skyline Drive overlooks and viewsheds. This work was undertaken in summer 1992. The Skyline Drive Historic District was listed in the National Register of Historic Places in April 1997.","Nuttallburg Mine Complex (see boxes 64/folder 22, 66/folder 21, and map cabinet 8, drawer 16): This project was under the 1991 IHTIA work.  The Nuttallburg Mine Complex, located within the boundaries of the New River Gorge National River, was the first HAER level documentation undertaken by IHTIA. The HAER package consisted of a narrative history, large-format photographs, and ink-on-mylar drawings. The project was transmitted to HAER and is included in the Library of Congress HAER Collection (HAER WV-51). Work was undertaken in 1991-1992.","1992 Industrial Archaeology Field School (see boxes 62/folder 7, 62/folder 10, and 63/folder 1): The first of three field schools conducted by IHTIA and taught techniques of site recording. The 1992 Field School was funded under the 1992 IHTIA work plan. The students recorded the Boteler Cement Mill ruins, near Shepherdstown, WV and Virginius Island ruins at Harpers Ferry, WV with measured drawings and large-format photographs. Additionally, the students prepared a draft National Register Nomination for the Boteler Cement Mill. Ink-on-mylar drawings (completed by IHTIA staff) and photographs were transmitted to HAER and are included in the Library of Congress HAER Collection (HAER WV-82 \u0026 HAER WV-83).","La Belle Iron Works (see box 66/folder 18): This HAER project was funded under the 1990 IHTIA work plan. The La Belle Nail Works was one of two surviving American cut nail factories (now defunct). The HAER team documented the manufacturing process with a narrative history, large-format photographs and ink-on-mylar measured drawings. This package is included in the Library of Congress HAER Collection (HAER WV-47).","Warwood Tool Company (see boxes 63/folder 2, 65/folder 10, and 66/folder 28): This HAER project was funded under the 1990 IHTIA work plan. The Warwood Tool Company manufactures high quality railroad and industrial tools. The HAER team documented the manufacturing process with a narrative history, large-format photographs and ink-on-mylar measured drawings. This package is included in the Library of Congress HAER Collection (HAER WV-48).","Waverly Street Bridge (see boxes 63/folder 3, 66/folder 29, and map cabinet 8, drawer 24): The project was sponsored research undertaken under an agreement between IHTIA and the Allegany County [Maryland] Department of Public Works. The Waverly Street Bridge, recorded to HAER Standards, a narrative history, large-format photographs and ink-on-mylar measured drawings. The package was transmitted to HAER and is included in the Library of Congress HAER Collection (HAER MD-83).","Blair Mountain Reconnaissance Survey (see boxes 63/folders 9a-9b, 66/folder 5, and map cabinet 8, drawer 7): The West Virginia Humanities Council commissioned IHTIA, as an unbiased organization, to undertake a reconnaissance survey of the Blair Mountain Battlefield site. IHTIA staff spent a week in early February 1991 surveying the battlefield and interviewing local informants. IHTIA staff conducted additional research in Morgantown and produced the Blair Mountain Cultural Reconnaissance Survey Report. The final draft report was sent to the WV Humanities Council.","Advisory Committee Meetings (see box 47): The IHTIA Advisory Committee was an advisory board created to oversee how the IHTIA expended its federal funding. The committee met annually to discuss and approve the IHTIA work plan. The Committee consisted of representatives from the West Virginia, Pennsylvania and Ohio State Historic Preservation Offices, the WVU Research Corporation, the Historic American Engineering Record and WVU History Department. Staff presented their work plan projects to the committee for discussion and approval.","Society for Industrial Archeology (see boxes 35-36 and map cabinet 8, drawer 30): Society for Industrial Archeology (SIA) is the professional organization for the discipline of industrial archeology. Emory Kemp was one of the founding members of SIA (founded in 1971). IHTIA was involved in SIA activities from its start. IHTIA initiated the formation of the SIA Pittsburgh Three Rivers Chapter in 1991 and hosted the 1993 Pittsburgh SIA Conference (including paper proposals, organizing tours, printing and mailing brochure, etc.). IHTIA hosted several Three Rivers Chapter symposia and staff attended and presented at numerous SIA conferences.","--","IHTIA Projects Not in the Contents List","The following list includes projects undertaken by the IHTIA for which there are no descriptions of material in this collection, A\u0026M 3936.","Anthracite/Bituminous Coal Study \nBarrackville Covered Bridge Stabilization Plan \nBollman Truss National Landmark Nomination \nChestnut Ridge Iron Industry \nCononcocheague Creek Aqueduct (HAER MD-123) \nCovered Bridge Video \nCut Nail Context \nFairbank Oil Field \nFairmont Industrial Survey \nField School 1994 (Clarysville, Maryland) \nField School 2001 (Canada) \nHarvey Lock National Register Evaluation \nHigh Level Bridge National Register Nomination \nIHTIA Monographs \nIHTIA Technical Reports \nIndustrial Site Evaluation \nIron and Steel Context \nIronmaking in the Virginias \nIronmasters Conferences 1999 and 2002 \nJoanna Furnace Recordation \nKanawha Valley Chemical Heritage Symposium May 2003 \nKanawha Valley Chemical Industry Survey \nKaymoor Mine Site Stabilization \nLock and Dam No. 7 Video \nMidland Trail Scenic Byways \nMississippi Basin Model \nMonessen Open Hearth Study (HAER PA-253) \nNational Road Documentation \nNew River Gorge Historic Context Update \nNorth Bend Rail Trails Guide \nNorthern West Virginia Coalfields Context \nOxford Furnace \nPrincipio Furnace Management Plan \nSt. Nicholas Breaker \nStaunton to Parkersburg Turnpike \nThurmond Depot Historic Furnishing Report","\nIn addition, the following terms that regularly appeared in the collection have been abbreviated:  Allegheny National Forest (ANF)   American Canal Society (ACS)   Bureau of Indian Affairs (BIA)   Baltimore and Ohio Railroad (B\u0026O Railroad)   Chesapeake and Ohio Canal (C\u0026O Canal)   Civilian Conservation Corps (CCC)   United States Army Corps of Engineers (USACE)   Institute for the History of Technology and Industrial Archaeology (IHTIA)   Historic American Engineering Record (HAER)   Historic American Building Survey (HABS)   National Register of Historic Places (NRHP)   National Forest (NF)  National Park Service (NPS)   Natural Resources Conservation Service (NRCS), previously the Soil Conservation Service (SCS)   Society for Industrial Archaeology (SIA)   West Virginia University (WVU)   United States Geological Survey (USGS)","See processing file for list of canals in box.","See processing file for list of canals in this box.","Missing as of 2023/10/20 -- box was found with a bunch of newspapers in it, so either it was mislabeled from the start, or the contents got shuffled somehow. Keep it unpublished until such time as we find and replace the missing material."],"originalsloc_html_tesm":["\u003cp\u003eThe originals were on loan, and have been returned to the Chesapeake \u0026amp; Ohio Historical Society.\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["The originals were on loan, and have been returned to the Chesapeake \u0026 Ohio Historical Society."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Institute for the History of Technology and Industrial Archaeology Records, A\u0026amp;M 3936, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Institute for the History of Technology and Industrial Archaeology Records, A\u0026M 3936, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"processinfo_html_tesm":["\u003cp\u003eDuring a review of this collection, boxes 4 and 5 were combined. Box 5 no longer exists.\u003c/p\u003e","\u003cp\u003eRemoved empty folders from box labeled \"Michigan\", \"Missouri\" and \"New Mexico\"\u003c/p\u003e","\u003cp\u003eRemoved empty folders labeled \"Utah\" and \"South Dakota\". Also Added Oral History Interview and CCC Directory from Box 4.\u003c/p\u003e","\u003cp\u003eCombined A and M 3936 Boxes 4 and 5 - Box 4 now contains Articles 2 and Articles 5\u003c/p\u003e","\u003cp\u003eMoved map of Muskingum River map and profile to Box 142\u003c/p\u003e","\u003cp\u003eThese maps were removed from Box 25 and placed in multiple oversize folders in map cabinet, 86 sheets.  Also put in map cabinet information about Native American tribes. See processing folder for list of maps that were moved.\u003c/p\u003e","\u003cp\u003eSome photographs/negatives are stuck together--they are in last folder.\u003c/p\u003e","\u003cp\u003eThe boxes of slides that were once in this box have been moved to box 58.\u003c/p\u003e","\u003cp\u003eThis box was once full of empty slide boxes. Those were deaccesseioned; its current contents was moved here from box 56.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","UNPUBLISHED","UNPUBLISHED","UNPUBLISHED","UNPUBLISHED","UNPUBLISHED","UNPUBLISHED","Processing Information","Processing Information"],"processinfo_tesim":["During a review of this collection, boxes 4 and 5 were combined. Box 5 no longer exists.","Removed empty folders from box labeled \"Michigan\", \"Missouri\" and \"New Mexico\"","Removed empty folders labeled \"Utah\" and \"South Dakota\". Also Added Oral History Interview and CCC Directory from Box 4.","Combined A and M 3936 Boxes 4 and 5 - Box 4 now contains Articles 2 and Articles 5","Moved map of Muskingum River map and profile to Box 142","These maps were removed from Box 25 and placed in multiple oversize folders in map cabinet, 86 sheets.  Also put in map cabinet information about Native American tribes. See processing folder for list of maps that were moved.","Some photographs/negatives are stuck together--they are in last folder.","The boxes of slides that were once in this box have been moved to box 58.","This box was once full of empty slide boxes. Those were deaccesseioned; its current contents was moved here from box 56."],"scopecontent_html_tesm":["\u003cp\u003eRecords of the Institute for the History of Technology and Industrial Archaeology (IHTIA), an organization affiliated with West Virginia University, including reports and research papers regarding the history of industrial technology and preservation of historical sites, particularly within West Virginia and the Mid-Atlantic region. This collection also includes photographs, negatives, and photo mechanical transfers of historical sites in these regions. For a more complete list of IHTIA projects represented in this collection, please see the \"Project Descriptions\" note.\u003c/p\u003e\n","\u003cp\u003eAddendum of 2022 (boxes 148-153) contains IHTIA materials found at the Bicentennial House following the departure of the West Virginia University Press from the building in 2022. These materials include documents and photographs from IHTIA recordation projects, including the St. Nicholas Central Breaker, Fairmont Industrial Guide, LaVale Toll House, Little Crossings Bridge, Park Gap Lane Truss Bridge, Crab Run Lane Truss Bridge, West Virginia Independence Hall, the Muskingum Navigation; and Croton Aqueduct (all boxes 148-149); Joanna Furnace (box 151); IHTIA Technical Reports for the Alexander Campbell Mansion and the Trump-Lilley Farm (box 150); and Battle of Blair Mountain Historic Structures documentation base maps (box 152). Additionally, there are IHTIA press release materials for Emory Kemp's Benedum Distinguished Scholar Award lecture \"Links in a Chain\" and for the release of the Cement Mills Along the Potomac monograph (box 148).  Also included in this addendum are Dr. Thomas Swiftwater Hahn's 1983 photographs and negatives of historic Jefferson County, West Virginia buildings, structures and remains, and his hand-written Potomac River Valley cement mills notes (box 153). Hahn was an adjunct member of the IHTIA. \u003c/p\u003e","\u003cp\u003eThis box contains Bureau of Indian Affairs News Sheet Reports for the Indian Emergency Conservation Work program created in 1933. The IECW was later renamed the Civilian Conservation Corps Indian Division in 1937. These news sheets were titled \"Indians at Work.\"\u003c/p\u003e","\u003cp\u003eIncludes typescripts and correspondence regarding the publishing of Larry Sypolt's book \"The Civilian Conservation Corps: A Selectively Annotated Bibliography,\" as well as a draft or copy. Also includes \"Tunnels Through Time: Original Tunnels of the Baltimore and Ohio Railroad.\"\u003c/p\u003e","\u003cp\u003e(1) Mineral Lands adjacent to Lake Superior\u003clb\u003e\u003c/lb\u003e\n(2) Diagram of Oregon\u003clb\u003e\u003c/lb\u003e\n(3) Oregon and Upper California (Survey by John Charles Fremont) \u003clb\u003e\u003c/lb\u003e\n(4) Entrance to port of Havre with a plan of the docks\u003clb\u003e\u003c/lb\u003e\n(5) Plans of Proposed Batteries on Yerba Buena Island, San Francisco Harbor, California (military) \u003clb\u003e\u003c/lb\u003e\n(6) Sketch of the Golfito in Golfo Dulce (military) \u003clb\u003e\u003c/lb\u003e\n(7) Sketch of the Isthmus of Chiriquí in the State of New Granada in South America\u003clb\u003e\u003c/lb\u003e\n(8) Chiriquí Lagoon Survey\u003clb\u003e\u003c/lb\u003e\n(9) Map showing sailing speeds between islands in the South Pacific Ocean\u003clb\u003e\u003c/lb\u003e\n(10) Map of the lines of march passed over by the United States troops by the United States War Department (military) \u003clb\u003e\u003c/lb\u003e\n(11) District of Columbia, ordered by the United States Senate to improve map system\u003clb\u003e\u003c/lb\u003e\n(12) Plat showing proposed United States military reservation at Fort Stevens, D.C. (military)\u003clb\u003e\u003c/lb\u003e\n(13) Eastern Port of Jamaica Bay, New York, from main channel to Long Beach Inlet for Canal by the U.S. Corps of Engineers (military) \u003clb\u003e\u003c/lb\u003e\n(14) Routes travelled by detachments of the Overland Command in the Springs of 1855 from Salt Lake City, Utah, to San Francisco Bay, California\u003clb\u003e\u003c/lb\u003e\n(15) Sketch of United States Coast Survey, progress of part of Section 2 - Middle Section (military) \u003clb\u003e\u003c/lb\u003e\n(16) New Madrid/Francis River Swamp in the States of Missouri and Arkansas showing probable limits, and townships displayed\u003clb\u003e\u003c/lb\u003e\n(17) Presque Bay on Erie, Pennsylvania Harbor by the U.S. Corps of Engineers (military)\u003clb\u003e\u003c/lb\u003e\n(18) Harbor of St. Louis on the Mississippi River by the U.S. Corps of Engineers (military)\u003clb\u003e\u003c/lb\u003e\n(19) Oregon Territory West of the Cascade Mountains by the U. S. Surveyor General's Office\u003c/p\u003e","\u003cp\u003eAddendum of 2022 (boxes 148-153) contains IHTIA materials found at the Bicentennial House following the departure of the West Virginia University Press from the building in 2022. These materials include documents and photographs from IHTIA recordation projects, including the St. Nicholas Central Breaker, Fairmont Industrial Guide, LaVale Toll House, Little Crossings Bridge, Park Gap Lane Truss Bridge, Crab Run Lane Truss Bridge, West Virginia Independence Hall, the Muskingum Navigation; and Croton Aqueduct (all boxes 148-149); Joanna Furnace (box 151); IHTIA Technical Reports for the Alexander Campbell Mansion and the Trump-Lilley Farm (box 150); and Battle of Blair Mountain Historic Structures documentation base maps (box 152). Additionally, there are IHTIA press release materials for Emory Kemp's Benedum Distinguished Scholar Award lecture \"Links in a Chain\" and for the release of the Cement Mills Along the Potomac monograph (box 148).  Also included in this addendum are Dr. Thomas Swiftwater Hahn's 1983 photographs and negatives of historic Jefferson County, West Virginia buildings, structures and remains, and his hand-written Potomac River Valley cement mills notes (box 153). Hahn was an adjunct member of the IHTIA.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Records of the Institute for the History of Technology and Industrial Archaeology (IHTIA), an organization affiliated with West Virginia University, including reports and research papers regarding the history of industrial technology and preservation of historical sites, particularly within West Virginia and the Mid-Atlantic region. This collection also includes photographs, negatives, and photo mechanical transfers of historical sites in these regions. For a more complete list of IHTIA projects represented in this collection, please see the \"Project Descriptions\" note.","Addendum of 2022 (boxes 148-153) contains IHTIA materials found at the Bicentennial House following the departure of the West Virginia University Press from the building in 2022. These materials include documents and photographs from IHTIA recordation projects, including the St. Nicholas Central Breaker, Fairmont Industrial Guide, LaVale Toll House, Little Crossings Bridge, Park Gap Lane Truss Bridge, Crab Run Lane Truss Bridge, West Virginia Independence Hall, the Muskingum Navigation; and Croton Aqueduct (all boxes 148-149); Joanna Furnace (box 151); IHTIA Technical Reports for the Alexander Campbell Mansion and the Trump-Lilley Farm (box 150); and Battle of Blair Mountain Historic Structures documentation base maps (box 152). Additionally, there are IHTIA press release materials for Emory Kemp's Benedum Distinguished Scholar Award lecture \"Links in a Chain\" and for the release of the Cement Mills Along the Potomac monograph (box 148).  Also included in this addendum are Dr. Thomas Swiftwater Hahn's 1983 photographs and negatives of historic Jefferson County, West Virginia buildings, structures and remains, and his hand-written Potomac River Valley cement mills notes (box 153). Hahn was an adjunct member of the IHTIA. ","This box contains Bureau of Indian Affairs News Sheet Reports for the Indian Emergency Conservation Work program created in 1933. The IECW was later renamed the Civilian Conservation Corps Indian Division in 1937. These news sheets were titled \"Indians at Work.\"","Includes typescripts and correspondence regarding the publishing of Larry Sypolt's book \"The Civilian Conservation Corps: A Selectively Annotated Bibliography,\" as well as a draft or copy. Also includes \"Tunnels Through Time: Original Tunnels of the Baltimore and Ohio Railroad.\"","(1) Mineral Lands adjacent to Lake Superior \n(2) Diagram of Oregon \n(3) Oregon and Upper California (Survey by John Charles Fremont)  \n(4) Entrance to port of Havre with a plan of the docks \n(5) Plans of Proposed Batteries on Yerba Buena Island, San Francisco Harbor, California (military)  \n(6) Sketch of the Golfito in Golfo Dulce (military)  \n(7) Sketch of the Isthmus of Chiriquí in the State of New Granada in South America \n(8) Chiriquí Lagoon Survey \n(9) Map showing sailing speeds between islands in the South Pacific Ocean \n(10) Map of the lines of march passed over by the United States troops by the United States War Department (military)  \n(11) District of Columbia, ordered by the United States Senate to improve map system \n(12) Plat showing proposed United States military reservation at Fort Stevens, D.C. (military) \n(13) Eastern Port of Jamaica Bay, New York, from main channel to Long Beach Inlet for Canal by the U.S. Corps of Engineers (military)  \n(14) Routes travelled by detachments of the Overland Command in the Springs of 1855 from Salt Lake City, Utah, to San Francisco Bay, California \n(15) Sketch of United States Coast Survey, progress of part of Section 2 - Middle Section (military)  \n(16) New Madrid/Francis River Swamp in the States of Missouri and Arkansas showing probable limits, and townships displayed \n(17) Presque Bay on Erie, Pennsylvania Harbor by the U.S. Corps of Engineers (military) \n(18) Harbor of St. Louis on the Mississippi River by the U.S. Corps of Engineers (military) \n(19) Oregon Territory West of the Cascade Mountains by the U. S. Surveyor General's Office","Addendum of 2022 (boxes 148-153) contains IHTIA materials found at the Bicentennial House following the departure of the West Virginia University Press from the building in 2022. These materials include documents and photographs from IHTIA recordation projects, including the St. Nicholas Central Breaker, Fairmont Industrial Guide, LaVale Toll House, Little Crossings Bridge, Park Gap Lane Truss Bridge, Crab Run Lane Truss Bridge, West Virginia Independence Hall, the Muskingum Navigation; and Croton Aqueduct (all boxes 148-149); Joanna Furnace (box 151); IHTIA Technical Reports for the Alexander Campbell Mansion and the Trump-Lilley Farm (box 150); and Battle of Blair Mountain Historic Structures documentation base maps (box 152). Additionally, there are IHTIA press release materials for Emory Kemp's Benedum Distinguished Scholar Award lecture \"Links in a Chain\" and for the release of the Cement Mills Along the Potomac monograph (box 148).  Also included in this addendum are Dr. Thomas Swiftwater Hahn's 1983 photographs and negatives of historic Jefferson County, West Virginia buildings, structures and remains, and his hand-written Potomac River Valley cement mills notes (box 153). Hahn was an adjunct member of the IHTIA."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5926602110145fb60faef048193395aa\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Civilian Conservation Corps (U.S.)","Society for Industrial Archeology","West Virginia University. Institute for the History of Technology and Industrial Archaeology","Kemp, Emory L.","Sypolt, Larry N."],"names_ssim":["West Virginia and Regional History Center","Institute for the History of Technology and Industrial Archaeology","Civilian Conservation Corps (U.S.)","Society for Industrial Archeology","West Virginia University. Institute for the History of Technology and Industrial Archaeology","Kemp, Emory L.","Sypolt, Larry N."],"corpname_ssim":["West Virginia and Regional History Center","Institute for the History of Technology and Industrial Archaeology","Civilian Conservation Corps (U.S.)","Society for Industrial Archeology","West Virginia University. Institute for the History of Technology and Industrial Archaeology"],"persname_ssim":["Kemp, Emory L.","Sypolt, Larry N."],"language_ssim":["English \n.    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Robins Litigation Documents","Sub-series 2: Miscellaneous Trial Material"],"parent_unittitles_tesim":["Dalkon Shield Claimants Trust papers","Series II: A.H. Robins Litigation Documents","Sub-series 2: Miscellaneous Trial Material"],"text":["Dalkon Shield Claimants Trust papers","Series II: A.H. Robins Litigation Documents","Sub-series 2: Miscellaneous Trial Material","1MDL Pre-Trial Order","3 folders","box II:2:1","S is Series \nSS is Sub-series"],"title_filing_ssi":"1MDL Pre-Trial Order","title_ssm":["1MDL Pre-Trial Order"],"title_tesim":["1MDL Pre-Trial Order"],"unitdate_bulk_ssim":["1977, 1979"],"normalized_title_ssm":["1MDL Pre-Trial Order"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Dalkon Shield Claimants Trust papers"],"physdesc_tesim":["3 folders"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":101,"parent_access_restrict_tesm":["The Dalkon Shield Claimants Trust Collection was transferred to the University of Virginia Law Library by order of the US Bankruptcy Court for the Eastern District of Virginia in September 2000. Under that order, Series I through V are open for research with no restrictions. The Court imposed the following access restrictions for the materials in Series VI (the Trust's Central Records Library and Outside Counsel Files):","\"5.01 Preservation of Claimants' Privacy. No Identifying Information, or any document or record within the Trust Materials containing Identifying information, relating to any Personal Injury Claimant --- or Other Claimant --- may be disclosed at any time, without written consent of the relevant Personal Injury Claimant or Other Claimant, or an Order by the Court allowing such disclosure.\"","The Court defined \"Identifying Information\" as the following:","\"Identifying Information\" means a person or entity's name, address, telephone number, facsimile number, email address, and any unique identifier including but not limited to a social security number, tax identification number, passport number, and military identification number.\"","Requests for material in Series VI should be made in advance to allow Special Collections staff time to determine whether it contains identifying information, and to allow for the redaction of such information before permitting access. Copying documents in Series VI may be restricted, and advance consideration of such requests is required."],"parent_access_terms_tesm":["Multiple individuals and corporate bodies created the materials in the Dalkon Shield Claimants Trust collection and copyright status varies across the collection.","Any rights (including copyright and related rights to publicity and privacy) held by the Dalkon Shield Claimants Trust (DSCT) were transferred to the University of Virginia in 2000 by the United States Bankruptcy Court for the Eastern District of Virginia, Richmond Division. Permission to publish or reproduce materials created by the DSCT must be secured from the University of Virginia.","Other materials may be protected by copyright and/or related rights. The University of Virginia is not authorized to grant permission to publish or reproduce these items. "],"date_range_isim":[1977,1978,1979],"containers_ssim":["box II:2:1"],"arrangement_html_tesm":["\u003cp\u003eS is Series \nSS is Sub-series\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["S is Series \nSS is Sub-series"],"_nest_path_":"/components#1/components#1/components#0","timestamp":"2026-05-20T23:34:46.863Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_4_resources_87","ead_ssi":"viu_repositories_4_resources_87","_root_":"viu_repositories_4_resources_87","_nest_parent_":"viu_repositories_4_resources_87","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_87.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/135443","title_ssm":["Dalkon Shield Claimants Trust papers"],"title_tesim":["Dalkon Shield Claimants Trust papers"],"unitdate_ssm":["1938-2000","1970-1998"],"unitdate_bulk_ssim":["1970-1998"],"unitdate_inclusive_ssm":["1938-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.2000.4","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/87"],"text":["MSS.2000.4","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/87","Dalkon Shield Claimants Trust papers","Dalkon Shield (Intrauterine contraceptive)","Product liablitlity -- Intrauterine contraceptives","Tort liability of corporations","videotapes","Microfilms","The Dalkon Shield Claimants Trust Collection was transferred to the University of Virginia Law Library by order of the US Bankruptcy Court for the Eastern District of Virginia in September 2000. Under that order, Series I through V are open for research with no restrictions. The Court imposed the following access restrictions for the materials in Series VI (the Trust's Central Records Library and Outside Counsel Files):","\"5.01 Preservation of Claimants' Privacy. No Identifying Information, or any document or record within the Trust Materials containing Identifying information, relating to any Personal Injury Claimant --- or Other Claimant --- may be disclosed at any time, without written consent of the relevant Personal Injury Claimant or Other Claimant, or an Order by the Court allowing such disclosure.\"","The Court defined \"Identifying Information\" as the following:","\"Identifying Information\" means a person or entity's name, address, telephone number, facsimile number, email address, and any unique identifier including but not limited to a social security number, tax identification number, passport number, and military identification number.\"","Requests for material in Series VI should be made in advance to allow Special Collections staff time to determine whether it contains identifying information, and to allow for the redaction of such information before permitting access. Copying documents in Series VI may be restricted, and advance consideration of such requests is required.","S is Series \nSS is Sub-series","The collection is arranged in six series:","Series I. A.H. Robins (AHR) Company Documents","Series II. A.H. Robins Litigation Documents","Series III. US Food and Drug Administration investigation of the Dalkon Shield. ","Series IV. News Materials Concerning Dalkon Shield","Series V. Bankruptcy Documents - In re A.H. Robins; Case No. 85-01307-R","Series VI. 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Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","S is Series \nSS is Sub-series","I. Introduction","The history of the Dalkon Shield spans more than thirty years and is charged with controversy at every turn. Many legal scholars and journalists have written on the subject. What follows is a very brief overview of the Shield from its creation and marketing, through tort litigation and bankruptcy, to the trust settlement of more than 200,000 claims in just over ten years.","II. Production and Sale of the Dalkon Shield, 1968-1974  \n  \nThe Dalkon Shield, a contraceptive intrauterine device (IUD), was invented in the late 1960s at a time when women and their physicians were looking for a safe and simple alternative to the birth control pill. This particular model of IUD was the creation of Dr. Hugh Davis, a professor of gynecology at Johns Hopkins University Medical School, and Irwin S. Lerner, an engineer and inventor. Davis, who for several years had been testing other IUDs on patients at a family planning clinic, began to test his own device there in 1968. Davis, Lerner, and a lawyer, Robert E. Cohn, partners in a pharmaceutical laboratory, named the new IUD the Dalkon Shield. The word \"Dalkon\" apparently came from letters of the partners' last names, and \"Shield,\" from the shape of the device. By 1970, in hopes of wider marketing, they looked for a purchaser of the Shield and found the A.H. Robins Company in Richmond, Virginia.","  A.H. Robins (AHR), a family-run pharmaceutical company more than a hundred years old, was, by the late 1960s, the well-respected manufacturer of popular, over-the-counter products such as Robitussin cough medicines, Chapstick lip balm, Sergeants Flea \u0026 Tick Collars, and Dimetapp cold remedies. AHR purchased the Dalkon Shield in June of 1970 and began production in early 1971. Thanks to a vigorous sales campaign, the Shield sold well in the U.S. and abroad. Within four years, 3.6 million Dalkon Shields had been used by women worldwide.","III. Dalkon Shield Litigation, 1974-1985","By 1972, physicians began reporting problems with the Dalkon Shield. Besides the fact that the device had a higher failure rate as a contraceptive than Dr. Davis and AHR had touted, some users of the Shield were suffering other health complications, the most serious being spontaneous septic abortion. In the spring of 1973 two women who had become pregnant while using the Shield died of severe infection.","  As early as 1971 an AHR employee had discovered that the multifilament material used for the tail string of the Shield was capable of serving as a wick and, thus, of introducing bacteria from outside the body into the sterile environment of the uterus. In the summer of 1974, when the Food and Drug Administration held hearings on IUDs and septic abortion, AHR argued that the Dalkon Shield posed no more risk that other devices, but a physician reported that his research indicated the Shield's tail string was capable of wicking bacteria. That summer, AHR suspended domestic sales of the Dalkon Shield. By the time foreign sales were suspended some months later, fifteen Shield users had died of septic abortions; 245 other women had suffered septic abortions and survived. Other problems Shield users reported included severe cramping and bleeding, ectopic pregnancies, birth defects in children carried to term, and pelvic inflammatory disease. Some complications led to sterility.","  In late 1974, the first lawsuit against AHR began in a Kansas court. The plaintiff, Connie Deemer, had suffered a perforated uterus after becoming pregnant while using the Shield. The jury awarded a relatively small amount, $10,000, in compensatory damages, but awarded $75,000 in punitive damages. Over the next six years AHR often settled cases out of court and prevailed about half the time at trial, but by 1980, when hundreds of new claims were being filed, the company was faced with punitive damages and settlements of high six- or seven-figures. Both plaintiff groups and AHR had made attempts to consolidate this litigation, but the only success in this regard was for pre-trial hearings for federal cases before the Judicial Panel on Multi-district Litigation.","  In 1980, AHR sent a letter to about 200,000 physicians suggesting they remove the Shield from any women who had been using it for more than three years. In the fall of 1984, with about 3,500 claims yet to settle, the company sent another letter to doctors offering to pay for removal of the Shield from any women still using it. More claims poured in. The following spring, another Kansas jury awarded $1.75 million in compensatory damages and $7.5 million in punitive damages to Loretta Tetuan, a childless young woman whose Dalkon Shield injuries had led to a hysterectomy. Faced with more than 5,000 unresolved claims, AHR filed on August 21, 1985, for federal bankruptcy protection.","IV. Bankruptcy Proceedings, 1985-1989  \n  \nPresiding over the AHR bankruptcy case were U.S. District Judge Robert R. Merhige, Jr., and Bankruptcy Judge Blackwell N. Shelley. In late fall 1985, Merhige ordered a worldwide notification via newspaper and television for all persons claiming injury from the Shield to file claims with the court by April 1986. By that date the court had received over 300,000 claims from the U.S. and abroad. The court then mailed a questionnaire to claimants, to be returned by summer of 1987. After that deadline the claims numbered 197,000.","  AHR, assuming that just a few thousand outstanding claims remained, had entered bankruptcy hoping that after reorganization the company could settle its obligations with claimants and resume operations as before. However, the number of claims filed in 1986 led to an effort to locate a company which could pay off these claims in exchange for ownership of the business. Simultaneously, work began to determine a fair value of the outstanding claims. The judges appointed an examiner, Ralph Mabey, to oversee the management of AHR and to assist in handling the difficult negotiations in this complex bankruptcy and mass tort settlement. The largest group of creditors consisted of claimants represented by a number of plaintiffs' attorneys. Other creditors included banks and businesses, as well as AHR shareholders. Once bidding for the company began, potential purchasers also became involved in the settlement negotiations.","  The court appointed Francis E. McGovern, a law professor who specialized in mass torts, to examine and report on a sample of resolved cases, as well as a sample of outstanding claims, so that other experts could determine the extent of AHR's liability. The experts' estimates ranged from $1.2 to $7 billion. After hearing their reports in late 1987, Merhige estimated AHR's liability to be $2.475 billion. In early 1988, American Home Products (AHP), a large manufacturer of health care products, agreed to put up about $2.3 billion to fund the Dalkon Shield Claimants Trust and in the process acquire the A.H. Robins Company. The remainder of the fund came from other sources, including Aetna, which insured AHR, and the Robins family. In addition, AHP paid $700 million to AHR shareholders, of which over $300 million went to the Robins family.","  As soon as this deal was struck, five trustees were appointed to commence the work of the Trust. By spring 1988, AHR's Sixth Amended and Restated Disclosure Statement for its reorganization was mailed to claimants and other parties for approval. After approval by the requisite majority of claimants and other creditors, and after a hearing on July 28, 1988, Judge Merhige confirmed the plan. Some claimants opposed the plan, however, and a long appeal process began. The U.S. Supreme Court denied petitions for review in November 1989, and the following month the reorganization plan was consummated.","V. Dalkon Shield Claimants Trust, 1989-2001 Administration \n  \nThe Dalkon Shield Claimants Trust, located in Richmond, Virginia, began work under the direction of five trustees appointed in mid-January 1988, and an executive director hired that August. Even before consummation, the plan provided for a start-up fund of $100 million. Consequently, in the fall of 1988 the Trust was able to offer claimants the first and simplest of several options. Under Option 1, a woman merely had to sign an affidavit affirming injury from the Dalkon Shield, and she would be paid $725. If her husband or injured child chose, he (or she) could also file under this option and receive $300. During the pre-consummation period the Trust could also pay liquidated claims. By the time the Disclosure Statement was consummated in December, the Trust had settled 85,000 Option 1 claims for about $60 million.","  The Disclosure Statement laid out the basic principles under which the Trust was to operate. The purpose of the Claims Resolution Facility (CRF) was to \"provide all persons full payment of valid claims at the earliest possible time consistent with the efficient design and implementation of the claims resolution facility. This purpose [was] to be achieved by (1) providing an efficient economical mechanism for liquidating claims which [favored] settlement over arbitration and litigation, thereby reducing transaction costs, (2) providing claimants with an attractive alternative to trial by jury where settlement [was] not achieved, (3) providing fair and equitable compensation based upon historic values . . . to persons injured by the Dalkon Shield.\"","  The Trust's responsibility was to the claimants as a collective whole, and all claimants were to be treated equally and fairly. Also the Trust was non-reversionary, which is to say that any funds remaining at the end would not revert to AHP, but instead would be distributed among the claimants. Nor would the Trust award punitive damages to certain claimants, as in tort litigation, but instead would pay out whatever funds remained at the end on a pro rata basis to all claimants with documented injuries. One of the most important purposes of the plan was to establish \"global peace.\" That is, the plan stipulated that any and all claims involving the Dalkon Shield would be resolved once and for all by the Trust, and therefore AHR, its purchaser AHP, Aetna, doctors, clinics, and hospitals would no longer be liable for Dalkon Shield injuries.","  The plan also provided general guidelines for evaluating claims. For example, both represented and unrepresented claimants were to be treated equally and without regard to where they might sue on their claims. In addition, the plan outlined the injuries for which claimants would be compensated. Subsequently, the Trust devised an elaborate review process for the most serious injuries, insuring as nearly as possible the fair and consistent treatment of every claim. Furthermore, the Trust's offers would be \"best and final,\" and not subject to negotiation before litigation. If claimants were dissatisfied with their offers, they were encouraged to choose from several methods of settlement in order to avoid a costly trial.","  The CRF laid out four claims options. Option 1, described above, was ultimately chosen by 133,000 users and their relatives. Option 2 was for claimants who had proof of Shield use as well as proof of injury, but no documentation of a connection between the two. Relatively few claimants (18,000) chose this option, which paid between $850 and $5,500 in fixed allotments based upon type of injury. Option 3 was the category where the most money was paid and the most thorough documentation of injury was required. Here the claimant had to produce medical records showing that her use of the Shield was the direct cause of her documented injuries. Payments in this category went as high as $4 million, although the average was $31,000. Each case was carefully evaluated, and the award was assigned based upon the nature of the individual's circumstances. About 47,000 claimants chose Option 3. Finally, Option 4 allowed claimants to defer their choice if they were not yet certain of the extent of their injuries. Spouses as well as injured children could file their own claims in any of the three categories based upon the nature of the user's injury and medical records.","  During the bankruptcy proceedings, efforts were made to notify all claimants worldwide and get them to submit their claims during 1986. However, late claims came in, and the court and the Trust ultimately honored legitimate claims filed between the April 1986 deadline and September 1989. A class action suit filed against Aetna for its alleged compliance in AHR's liability was settled by establishing a fund to pay late claims. Named the Breland Insurance Trust (BIT) (Glenda Breland was the first-named claimant in the class action), this fund was created from the proceeds of two $50 million insurance policies and was intended first to supplement the Trust if necessary. But if that were not necessary, the BIT would be used to pay late claimants and persons whose claims had been reinstated after initially being disallowed. The BIT began making payments in 1994 when it became clear that the Trust had ample funds. The Breland claims were handled exactly like Trust claims, but dissatisfied Breland claimants were not allowed to take their settlements to litigation.","  A second smaller trust, called the Other Claimants Trust, was established with $5 million from the Robins family and $45 million from the sale of AHR. The purpose of the OTR was to cover the financial losses of doctors, hospitals, and clinics as a result of their involvement with the Dalkon Shield.","  As soon as the Trust was fully funded at the end of 1989, work began to determine values for Option 3 claims. Trustees and Trust staff, statisticians, and a few plaintiffs' lawyers worked for months examining settlements and awards AHR had paid, as well as the data about the nature of outstanding claims that had been captured in the McGovern survey. Keeping an eye always on the total amount of the Trust's assets, this working group eventually set values on every foreseeable type of injury. Their work was then evaluated by a group of plaintiffs' attorneys who had handled large numbers of Dalkon Shield suits before bankruptcy. The process of establishing evaluation guidelines for Option 3 claims took more than a year.","  Meanwhile claimants were sent packets informing them of the details of Options 2 and 3. Great care was taken to explain the process clearly so that it would not be necessary for claimants to hire an attorney unless they chose to do so. The Trust hired staff to assist claimants in filing claims and to secure medical records for them if their own efforts were fruitless. Another team of staff members checked the claims to be sure they were complete before sending them to reviewers. The Trust hired novices in the claims review process and gave them sixteen weeks of intensive training in evaluating gynecological injuries before they began work. After a value was placed on a claim, a supervisor reviewed the file again before the offer was mailed to the claimant.","  For the most part claims were evaluated in the order in which documentation reached completion. Higher priority, however, was afforded the claimants whose suits had been frozen when AHR declared bankruptcy, and those who had participated in the McGovern survey. In addition, claimants with critical health issues were given priority. Couples who were rendered childless because of the Shield could apply right away for funds for in vitro fertilization.","  Once a claimant received her settlement offer, which was \"best and final,\" she had to decide whether to accept or reject it. If she was not pleased with the amount and wanted to go to arbitration or litigation, the Trust required her to attend a settlement conference first. There she could discuss her claim with a Trust representative, who would explain how the Trust had reached the figure offered. At this time the claimant was allowed to present new medical evidence that had not been available when she filed her claim. If new documentation was offered, the Trust would re-evaluate her claim. Otherwise, the Trust stood by the original amount offered. If the claimant remained dissatisfied, she could choose to proceed to arbitration or litigation. Another choice was Alternative Dispute Resolution (ADR), a relatively simple and speedy form of arbitration.","  The ADR process opened in April of 1993 with an award cap of $10,000. When the cap was raised to $20,000 five months later, ADR became popular with claimants dissatisfied with the Trust's offer. In the end, 6,600 chose ADR. A smaller number chose to go to formal arbitration, and fewer still chose litigation. Because the Trust was committed to keeping costs as low as possible, every effort was made to avoid expensive trials. Of the 47,000 claims that were settled under Option 3, 41,000 were accepted; about 6,000 of them were resolved in ADR; 70 in arbitration; and only 90 went to trial.","  Although it was necessary for the CRF to allow settlement by these more traditional tort means, by far the majority of claimants worked directly with the Trust, without aid of an attorney, and accepted the Trust's offer. Those who had legal assistance received slightly larger awards on average, but they then had to pay their attorney's fees out of the award.","  By 1995 it became clear that more than enough funds were left to cover the remaining claims. Furthermore, the Trust's investments had earned $800 million and at that point administrative costs were running $200 million lower than had been anticipated. So in that year the Trust made the first of a half-dozen pro rata payments. Claimants who had been paid more than $725 under Option 2 or 3 were eligible for pro rata payments. By the time the Trust closed in the summer of 2001, pro rata payments had totaled about $1.5 billion, and eligible claimants had been paid just over 100% above their initial settlement amounts. By December 1996, 97% of the claims had been settled. The Trust began reducing its staff, and those who remained took care of the small portion of claims that were being appealed.","Legal Department. When the Trust was opened in 1989, staff was hired to handle the anticipated legal issues. General Counsel, Linda Thomason, was assisted by a team of in-house lawyers as well as attorneys in other parts of the country where claims were contested. At the outset the Trust also hired, as outside counsel, Michael W. Smith and Orran L. Brown with the Richmond law firm of Christian, Barton, Epps, Brent \u0026 Chappell. Eventually Brown carried on alone in that position, and in the spring of 1993 he established his office in the building where the Trust was located. His principal duties were to interpret the Reorganization Plan and handle injunction enforcement issues on the Trust's behalf. Some of the major interpretation issues included whether claimants could sue for punitive damages and attorney's fees, whether pre- or post-judgment interest would be allowed, whether the Plan forced the Trust to concede product liability, and whether the list of injuries in the CRF could be taken as an admission that such injuries were caused by the Dalkon Shield.","  The Reorganization Plan discharged A.H. Robins, and all persons connected with it, as well as American Home Products, of any liability for tort or other claims relating to the Dalkon Shield. The Plan also enjoined claimants from bringing suit against these corporations and persons, or against hospitals, clinics, or physicians. When claimants did attempt such suits, the Trust moved to enforce the injunction.","  In 1991 the Trust filed a motion with the district court for an order to establish guidelines for arbitration and litigation. Amended Administrative Order Number One set parameters for discovery, and it directed that a document depository be established and made accessible to claimants. The order provided a system to insure that claimants who chose arbitration and litigation followed a prescribed procedure, and it reiterated the CRF's disallowance of trebled, exemplary or punitive damages, or attorney's fees.","  The purpose of the Trust, as stated in the CRF, was to provide \"an efficient economical mechanism for liquidating claims which [favored] settlement over arbitration and litigation\" and to provide \"an attractive alternative to trial by jury where settlement [was] not achieved.\" Once a settlement offer was made, the Trust was willing to discuss the evaluation in a settlement conference but it refused to negotiate. Many claimants dissatisfied with their offers went to ADR. Others choose the more costly options of arbitration or trial in hopes of receiving a much higher award. At this point the playing field changed, and Trust no longer waived various defenses. For example, if the statute of limitations had run out before she filed her claim, the Trust employed that defense. In other words, the Trust did all it could to discourage claimants from choosing expensive methods of resolving disputes, adhering to the principle that if all claims were settled equally and efficiently, there would be a greater amount to be shared among all.","  Two decisions of the Trustees aided the settlement process. Raising the cap on ADR awards from $10,000 to $20,000 in 1993 made this process very popular with claimants. Two years later when the pro rata payments commenced for those with offers higher than $725, many claimants who were initially dissatisfied realized their awards would ultimately be more generous than they had thought.","  Many legal issues required judicial intervention during the course of the Trust's existence. One controversial issue concerned the Trust's holdback policy. In a case where a claimant was awarded a higher amount in litigation, the Trust reserved the right, upheld by the court, to defer paying the difference between the trial award and the original offer until there was assurance that all claims could be paid. Often when claimants brought their cases in state court, the Trust attempted to have them removed to federal court. There were many questions surrounding how ADR and arbitration would be handled. One case regarding burden of proof in ADR, Reichel v. Dalkon Shield Claimants Trust , was decided in the Trust's favor by the district court but partially overturned by the Fourth Circuit, which said that the claimant only had to provide a \"presumption of causation.\" Plaintiffs were unsuccessful in getting this ruling to apply to arbitration and litigation.","  In 1995 when the Trust began making pro rata payments, Judge Merhige on his own initiative issued an order limiting claimants' attorneys from recovering more that ten percent from those payments. One impetus for this ruling was complaints he had heard through the years from claimants whose attorneys had received a large percentage of their initial awards as contingent fees. The judge also knew that since pro rata payments would be made in cases that had been settled, little or no additional work was required of the attorneys. However, this order provoked protest from the plaintiffs' bar, and a group of twenty-nine lawyers appealed the order. The Fourth Circuit, calling \"this litigation and appeal . . . wonderful examples of chutzpah,\" affirmed Judge Merhige's order.","  Although Brown spent about ten years representing the Trust, and some of the cases stretched over many of those years, the legal costs were ultimately lower than anticipated. While a couple hundred cases were filed, in the end only about ninety went to trial. Nonetheless, the legal issues and claims that were litigated required the attention of the legal department for about five years after the vast majority of the claims were settled. Pro rata distributions from the remainder of the Trust were issued over time as the number of unresolved cases diminished.","VI. Conclusion  \n  \nThe Disclosure Statement had given the Trust twenty years to settle 197,000 claims. With the allowance of late claims, the Trust ultimately paid a little over 218,000 claims and settled the vast majority of them in only seven years. Although the Trust operated particularly cautiously at the outset in order to be sure all claimants could be paid fairly, this extreme care worked to the benefit of the claimants in the end. Thanks in large part to the Trust's diligence, caution, and wise investments, the most seriously injured claimants saw their awards doubled. In terms of fairness and efficiency, the Dalkon Shield Claimants Trust achieved, in the opinion of many, the most successful resolution of a mass tort case in the twentieth century.","In 1975 a Multi-District Litigation Panel was set up to consolidate over one hundred Dalkon Shield personal injury tort cases pending in federal district courts in over a third of the states. The pretrial proceedings were held before U. S. District Judge Frank Theis in Wichita, Kansas. Bradley Post, a Wichita lawyer who had represented Connie Deemer, the first woman to win a verdict against Robins for her Dalkon Shield injuries, was chosen lead lawyer in the consolidated cases. Post led the court-ordered discovery proceedings that ran from 1976 through the late 1970s and resumed in 1981 and 1982.","  AHR was ordered to produce copies of tens of thousands of documents and to store them at the Richmond offices of McGuire, Woods \u0026 Battle, the law firm handling its defense. The collection of documents became known as the Source Files. Documents in the following subject categories were requested, copied and numbered at various times from 1976 through 1982: Research \u0026 Development, Adverse Reaction, Manufacturing, Administration, Commercial, Government, International, FDA (Food and Drug Administration), and Bibliography.","  In 1991, by administrative order, the Trust was directed to \"maintain a document depository in Richmond, Virginia, containing substantially all documents which the Trust, using its best efforts, has identified as having been produced without qualification by Robins in pre-petition Dalkon Shield personal injury tort litigation.\" The depository, to be made accessible to claimants and their attorneys, was comprised of documents previously in the custody of McGuire, Woods and was located at Datastor, a facility on the east end of the city.","  The A.H. Robins Company documents consist of the master group, the Source Files, produced under the direction of Judge Frank Theis in the late 1970s and early 1980s. In addition, there are a number of subsets of the Source Files gathered and arranged by plaintiffs' attorneys, and additional documents produced under orders from other judges in the mid-1980s.","According to a Trust memorandum, (see notebook labeled Background Information re Document Depository), AHR and its attorneys began collecting, reviewing, and copying these documents, later known as the Source Files, as early as 1975. In 1976 when the Multi-District Litigation Panel was set up, the range of documents was expanded to include information on Robins' international sales, and on its interactions with Hugh Davis, Robert Cohn, Thad Earl, and Irwin S. Lerner. Plaintiffs involved in the MDL proceedings were allowed access to all documents that were not privileged. The copies, held in Richmond in the custody of McGuire, Woods, were made from the original documents.","  The Law Library completed a project begun sometime ago to convert the Source Files to microform. Documents 1 through 171, 245 are available on microfiche; and 171,246 through 211, 892, on microfilm. Researchers may gain access to the Source File documents through any of its four indexes: document number, document date, name of document writer, and document type and date. The indexes are in three-ring notebooks, and on microfilm reels 1 to 6.","  Two types of materials in the Source Files, numbers 189,673 through 207,502, are not in microform (4 cartons, 5 linear feet). The first are computer printouts of names and addresses of the 200,000 doctors to whom AHR wrote in the early 1980s, requesting removal of the Shield. Box 1 contains names and addresses for physicians in Colombia, Sweden, The Netherlands, South Africa, and Australia; Box 2, for Mexico, Philippines, Germany, Denmark, Finland, France, and Venezuela; and Box 3, for the United States. Second, in Box 4, is a collection of used Dalkon Shields sent back to AHR by Thad Earl, David Ostergard, and other doctors.","The MDL Chrono Files are a chronological arrangement of 1300 of some of the more important documents from the Source Files and were offered in evidence during the1976-1978 MDL discovery proceedings. The date range of the Chrono Files is 1938 to 1977, with the bulk of the documents falling between 1971 and 1975. In some cases the copy in the Chrono Files is more legible than the one in the Source Files.","  There is no list or index for the Chrono Files. Boxed with the files was a subject index to the first 183,000 SF documents; this index which pairs Source File number with subject was prepared in 1979. The Chrono Files are available on microfilm reels 19-22, as well as on paper in Boxes 1-6 (2.5 linear feet).","Bradley Post preserved a set of selected Robins Source File documents which he had submitted as evidence in a case around 1979. The Post documents are arranged chronologically and numbered 1 to 836 in the upper left corner; the Source File number is visible in the lower left corner. The date range is 1938 to 1979, with bulk dates of 1971 to 1975. The Post documents are available on microfilm reels 22 and 23. A list of numbered Post documents providing extensive information about each entry is available on paper and also precedes the documents on the film.","In 1983 Robins, Zelle, Larson \u0026 Kaplan, a large firm in Minneapolis acquired about two hundred Dalkon Shield cases from another practice, and the firm appointed experienced plaintiffs' attorneys Dale Larson and Michael Ciresi to handle them. For the case of Shirley Dean v. A. H. Robins, the lawyers submitted as evidence 3,789 documents they had chosen from the Robins Source Files. Those documents comprise this subset and are arranged chronologically and numbered 1 to 3,789, usually near the top of the first page of the document; the Source File number is visible in the lower left corner. The dates range from 1938 to 1984, but are concentrated in the years 1970 to 1980. The Robins, Zelle documents are available on microfilm reels 23-31. The list of numbered Robins, Zelle documents provides extensive information about each entry; it is available on paper, and it also precedes the documents on the film.","In 1983 Minnesota U.S. District Judge Miles Lord began hearing Dalkon Shield cases. By early 1984 he believed there were pertinent documents AHR had not produced during multi-district proceedings in the late 1970s and early 1980s. He, therefore, ordered a re-opening of discovery specifically for a number of categories, including correspondence with Aetna, AHR's insurance company, correspondence between certain top company officials and AHR lawyers, and documents relating to testing of Dalkon Shield safety. Furthermore, Lord appointed two attorneys to go to Richmond to supervise the production of these documents.","  The Lord Responsive documents are available on microfilm reels 31-33. These document numbers appear at the end of the Source File Document Number Index, but since a substantial number of them did not pertain to Lord's order, or were privileged, there are not corresponding documents for all the numbers. An annotated copy of the Lord pages from the Index precedes the documents on the film, and there the researcher can determine which documents will appear.","In 1984 and early 1985 lawyers for Claire Zelius were preparing their case against AHR in Florida. The federal district court allowed them to seek additional Robins documents, principally unpublished scientific or medical studies on the Dalkon Shield tail string.","  The Zelius Production documents are available on microfilm reels 34-41. The documents have been numbered, although there is no corresponding index for them in the Source Files index. Available on paper, and preceding the Zelius documents on microfilm, is an index which ties production date to a note book number, followed by another index which is a short list of doctors' names for depositions they gave in other cases.","Production commenced on the Dalkon Shield intrauterine device in 1968 under the direction of inventors Hugh Davis, gynecologist, and Irwin Lerner, electrical engineer. In early 1970 Davis and Lerner looked for a pharmaceutical company to market their product more widely, and by June of that year, AHR agreed to purchase it.","  The Dalkon Shield came in two sizes: standard, for women who had already had children (multiparous), and small, for women who had never had children (nulliparous). Shaped somewhat like a law enforcement officer's badge, hence its name, the Shield had five fingers protruding along each side, so that it also looked somewhat like a crab. Tied to its base was a three-inch length of synthetic polyfilament otherwise used for surgical sutures. In the case of the Shield, this filament, called the tail string, was principally designed for easy removal of the IUD.","  The A.H. Robins Company began production and sales in early 1971. Domestic sales were suspended in June of 1974, although foreign sales continued until August 1975. By the time sales ceased altogether, 3,600,000 Dalkon Shields had been sold worldwide.","  This sub-series of 7 boxes (2.9 linear feet) consists of packets of standard and small Dalkon Shields produced by the Dalkon Corporation and by A.H. Robins Co. In addition there are examples of boxes in which the packets were distributed; instruction sheets for physicians and patients; publicity material; rolls of the tail string material, loose shields, and various instruments. Finally, there is a videotape made by the Dalkon Corporation to demonstrate insertion and placement of the Dalkon Shield.","This two-box collection (0.8 linear feet) of miscellaneous A. H. Robins Company documents, assembled by the Trust, provides a bird's eye view of the purchase, production, and sale of the Dalkon Shield from 1970 to 1985. All of these documents can be located in the Source Files, but researchers may find these two boxes provide a convenient, simple and accessible introduction to the history of Robins and the Shield.","During the multi-district litigation proceedings from the late 1970s through the early 1980s, many employees of AHR were deposed, and their depositions made accessible to plaintiffs' lawyers all over the country. When the Trust set up the document depository for the use of claimants, the MDL depositions were included. In addition, depositions not under the aegis of the MDL panel, as well as a great deal of trial testimony of A. H. Robins employees, became part of the document depository. The Trust legal department also had a core collection of depositions, exhibits, etc. for their own attorneys' use in litigation. Materials in this series are principally on microfilm or videotape.","In 1976 when Bradley Post, on behalf of plaintiffs' attorneys, was seeking Robins documents for multi-district litigation, dozens of top officials in the A. H. Robins Co. were being deposed. The following Robins employees were deponents: Ernest L. Bender, Jr., Dr. John I. Brewer, John Leo Burke, Dr. A.N. Chremos, Dr. Fred A. Clark, Jr., Robert E. Cohn, Elderin Wayne Crowder, Dr. Hugh J. Davis, Dr. Roy William Dent, Thomas D. Downs, Dr. Thad J. Earl, Dorothy Kimball Ervin, William A. Forrest, Jr., Daniel Eugene French, Jack Freund, Edwin Hood, A.J. Kapadia, Oscar Klioze, Irwin Lerner, Frank William Mann, A. Edwin Martin, David Mefford, Kenneth Moore, C.E. Morton, Dr. Robert S. Murphey, Dr. Fletcher B. Owen, Jr., Allen Polon, Dr. Ellen Preston, Dr. Lester W. Preston, E.C. Robins, Melvin Rohling, W. Roy Smith, Ritchie Alan Snyder, Robert Walker Tankersley, Howard James Tatum, Dale Taylor, George E. Thomas, Roger Lewis Tuttle, Richard A. Velz, John Wesley Ward, Thomas C. Yu, and William L. Zimmer III.","  Depositions were taken from 1976 through 1983. These transcripts, available on microfilm reels 42-55, are arranged alphabetically by deponent and then chronologically. Most depositions lasted from one to four consecutive days, although a few deponents were called back for a second time. Some depositions are followed by exhibits, summaries, and/or objections. An index precedes the documents on the microfilm.","At the same time of the MDL discovery process, Robins officials were being deposed for cases not included in the multi-district litigation. The following Robins employees were deponents: Jerald Eugene Adams, Frank Bedrick, Ernest L. Bender, Jr., Dr. Anne J. W. Board, Eleanor Bradley, Bob L. Brown, Jeneal D. Brummett, John Leo Burke, John S. Campana, Edward C. Casey, Robert F. Childs, Dr. A.N. Chremos, Charles F. Christopher, Eugenia Clark, Dr. Fred A. Clark, Jr., Ben Clarkson, Robert E. Cohn, Everett L. Cook, Thomas E. Costa, Carlyne Crotty, Elderin Wayne Crowder, Arthur R. Cummings, Darwin Carl Dahl, Dr. Hugh J. Davis, Charles T. Degolia, Dr. Roy William Dent, Jr., Erich De Romero, Calvin R. De Witt, Charles S. Donahue, Paul M. Duffy, Jr., Hartwell Durrance, Thomas D. Downs, Dr. Thad Joseph Earl, John A. Emerick, Dorothy Kimball Ervin, Jeanne Featherston, William A. Forrest, Jr., Daniel Eugene French, Dr. Jack Freund, Anne Friedman, John E. Gallapago, John T. Gaywood, Michael Gibb, Frank W. Gilbert, Donald Thomas Gillooly, Robert L. Gorvett, Lawrence Griffin, John Vincent Guiney, Ray Hanchey, William D. Hart, Jr., Norval Haugh, Dennis F. Heikka, Dr. E.B. Heilman, Doral Loren Hessman, Douglas Arthur Hewey, Robert A. Hogsett, Thomas B. Horne, Robert F. Hunley, David E. Jones, Herbert Joyce, Jr., Duwaine F. Kaufman, James W. Kennedy, Sidney M. Kessler, Louis Kilgore, Daniel Klimpel II, Oscar Klioze, David Mayer Koepke, John P. Kypriotis, Leonard Clayton Lacy, John P. Lage, Raymond L. Langston, Patricia Lashley, Irwin S. Lerner, Charles Hunter Leys, George Lobeck, Gene Ross Lucas, and Carl D. Lunsford.","  Also, Frank William Mann, Jr., A. Edwin Martin, Joseph Mazzeo, Thomas J. McCarthy III, William D. McGehee, Otto McGilvrey, Allen Arthur McKeel, Olivia McMichael, James Gray McWhorter, David Mefford, James Frederick Miller, Clyde Moore, Kenneth E. Moore, Emily M. Morley, C.E. Morton, Dr. Robert S. Murphey, James M. Nisely, Edward Normandia, Terry G. Oakley, Roy Francis O'Hanley, Jr., Guy Edward O'Neal, John P. Onkey, Dr. Fletcher B. Owen, Jr., Jerry Paul Parker, William B. Plisco, Allen J. Polon, Dr. Ellen J. Preston, Dr. Lester W. Preston, Roscoe E. Puckett, Jr., Robert Lee Ramsay, E.C. Robins, Jr., E. Claiborne Robins, Sr., Julian Ross, Phillip Rudine, Raymond J. Russo, Carroll L. Saine, Philip J. Schmid, Walt W. Schoenberger, Stephen I. Schwartz, Thomas A. Schwartz, Leland Schweer, Stuart Shumate, Michael Silva, George Smith, Louis L. Smith, W. Roy Smith, William Smithdeal, Elmer A. Snyder, Sam Sparks, Hunter Spencer, George Stiles, Arthur M. Stranz, Stephen Richard Stubbs, Robert Walker Tankersley, August Tassan, Dr. Howard Tatum, Dale R. Taylor, John Trippe, Roger Lewis Tuttle, William S. Van Bezey, Richard A. Velz, Harris Wagenseil, John W. Ward, Robert Watts, Dale E. Weiss, James C. White, William T. Yale, Alan Young, Roland Younglin, and William L. Zimmer III.","  These depositions were taken between 1975 and 1985. The transcripts, available on microfilm reels 55-82, are arranged alphabetically by deponent, and then by case name. Exhibits are sometimes included. An index precedes the documents on the microfilm.","Bradley Post helped the Trust select a number of cases for which the AHR company employees' trial testimony was particularly useful, and these documents became part of the Document Depository. The collection of trial testimony, available on microfilm reels 82-139, was divided in two groups arranged alphabetically by plaintiff's name.","  The first collection of testimony is for the following plaintiffs' trials: Kyle Askeland, Delma R. Barnes and Debra Jean Clark, Marguerite Bryson, Consuella Bundy, Candyce L. Cabe, Nancy S. Carley, Colorado Consolidated, or Janette A. Hawkinson, et al., Valerie Dembrosky, Susan L. Dodge, Marsha Feldman, Susan Fitzpatrick, Laureen Ford, Laurie Jo Franz, Kay Hamilton, Gay Lynn Hertzler, Linda Johnson, Terri Johnson, Patrick Junkin, Nancy Kaye, Nancy Lewis, Carole Mansfield, Jayne Miller, Gayle McCann, Joan Price, Karen Clark Raine, Carol Ann Setter, Kim Elizabeth Shewan, Joyce A. Smith, Kay E. Swenson, Robert C. and Deborah Terhune, Rosemary Warner, Francis G. Williams, and Anna Wilkins.","  The second collection of testimony is for the following plaintiffs' trials: Carin Linn Abramson, Miriam Breyer, Linda S. James Brown, Pamela Craig, Connie L. Deemer, Mary Ann Ducharme, Cynthia and Robert Fletzin, Mary Guenther, Martha E. Hahn, Linda and William Harre, Diane Hilliard, Regina and Keith Husbands, Cathy J. Maguire, Peggy Joan Mample, Sue and Wayne Mitchell, Rosalie Nunley, Carie M. Palmer, Janet and George Reif, Debbie Rohl, Elizabeth Rubin, Brenda Happke-Strempke, Loretta L. Tetuan, Pamela Van Duyn, and Sharon Worsham.","  The transcripts, having come from a variety of courts, vary a good bit, but for each case it is easy to determine whose testimony is where.","The Trust had a large collection of videotaped depositions (51 videotapes) and trial testimony (177 videotapes) of AHR employees. They transferred to the library all the tapes on VHS format. Many of these tapes, dating from 1979 to 1985, have corresponding transcripts in the previous three sub-series, but some do not.","This collection of trial material, 9 boxes (3.75 linear feet), was created by Trust employees for use in litigation. Included are copies of pre-trial orders, exhibits, depositions, and videotapes of depositions (33 videotapes). For Robins litigation, McGuire, Woods had prepared a set of exhibits, and so the Trust prepared their own based upon the law firm's set.","[videotapes of the edited depositions and testimonies are also available]","[videotapes of Sparks and Tuttle also available]","This series of U.S. Food and Drug Administration files is comprised of 5 boxes (2.1 linear feet). During 1974 the FDA held several hearings investigating IUDs and septic abortions, and, specifically, the safety of the Dalkon Shield. In preparation for these investigations the agency asked AHR to present documents concerning production of their IUD. The documents the company provided make up part of this series. (Most, if not all of these documents, are also found in the Source Files.) Also included here are transcripts of various hearings. In 1983 the FDA received a request under the Freedom of Information Act to produce documents relating to AHR and the Dalkon Shield. Copies of those documents are also in this series.","This series is comprised of newspaper clippings in 9 boxes (3.75 linear feet) and videotapes of television shows concerning Dalkon Shield injuries and litigation. The clippings, dated 1974-1985, are arranged alphabetically by state and are preceded by an index.","AHR filed for federal bankruptcy protection on August 21, 1985. The Trust kept on file each pleading that was entered in the case up through August of 2000. This series contains those pleadings. In addition, there is data on some of the lawsuits Robins resolved before bankruptcy. This data was studied by analyst Frances McGovern whose report is also included. Finally, there are transcripts of the estimation hearings.","The docket books for the AHR bankruptcy case contain, in order of filing, virtually all the pleadings entered between 1985 and 2000. In addition to the pleadings themselves in 416 three-ring notebooks (123 linear feet), there is a complete list of the documents providing the date each item was entered, its docket number, and the document's heading. Researchers must examine the list to determine the notebook-location of documents. Many of these documents also appear in other parts of the collection.","This series of 28 boxes (22.5 linear feet) is contains data derived from a sampling of cases A. H. Robins settled before bankruptcy proceedings began. In 1976 AHR created a Product Litigation System (PLS) to assist their lawyers in tracking Dalkon Shield claims and law suits. The master file in this database included the following information about a claim: claimant name; type of action; status of action; filing and resolution dates; insurance (Aetna) information; location of litigation; information about counsel; and resolution amounts.","  About ten years later, during the claims estimation phase of the bankruptcy proceedings, AHR was asked to provide information on settled suits to assist in determining the company's liability for outstanding claims. By that time the PLS database held information on 9,500 resolved cases, of which 1,800 were selected for analysis. According to Francis McGovern, the court-appointed master of the study, the selection included 1,600 cases chosen at random, plus \"a stratified sample\" of the one hundred lowest and one hundred highest cases.","  This new arrangement of resolved cases data presented eight categories of information: 1. Case Summary, which contained the master file data outlined above. 2. Dalkon Shield Use, providing basic information about use and type of injury. 3. Other Contraceptive Use, including dates and type. 4. Economic Damages, listing costs incurred by the claimant including work loss. 7. Statute of Limitation including date of claim, onset of injury, first consultation with attorney, state of residence. 8. Sexual History, including names of partners and dates of relationship. This information was followed by a medical history arranged by date and including information about symptoms, procedures performed, test and results.","  In addition to the resolved cases, the McGovern study also involved analysis of questionnaires sent to about 6,000 claimants with pending claims. See Series VI Sub-series 1 Boxes 15-17 for a copy of the questionnaire along with additional information about the McGovern study.","  The print-outs of the Resolved Cases Database are bound in twenty-six oversize volumes in Boxes 1-26. The names of the claimants and their partners have been obliterated, in order to protect their privacy. The volumes are open to research without restriction. Boxes 27 and 28 contain a copy of McGovern's final report titled Report of the Dalkon Shield Claims' Estimation Process, June 15, 1988.","From November 5 to 11, 1987, Judges Merhige and Shelley held hearings at which the various interested parties presented their estimates of the dollar value of the outstanding claims. Each party had hired experts to examine the data McGovern had compiled, and the work of these experts was presented at the hearing. Thomas Florence conducted the analysis and prepared the estimation for AHR. Other estimates were presented on behalf of the claimants' committee, Aetna, the official committee representing AHR shareholders, and the unsecured creditors. One month later Judge Merhige, having reviewed the estimates which ranged from $1.2 to 7.2 billion, announced that AHR's liability to claimants was $2.475 billion.","  On February 1, 1988, American Home Products agreed to acquire AHR, and on March 28, 1988 Robins filed its Sixth Amended and Restated Disclosure Statement Pursuant to Section 1125 of the Bankruptcy Code. This document begins with a summary of the case and a detailed overview of the settlement, followed by the Plan of Reorganization, the Claimants Trust and Other Claimants Trust Agreements, the Claims Resolution Facility, the Merger Agreement, and other documents. Along with letters of endorsement, relevant court orders and notices, and a ballot, the Disclosure Statement was mailed to all eligible claimants to vote on approval of the plan in late April 1988.","  This sub-series of 4 boxes and 1 carton (2.9 linear feet) contains the transcript of the hearing, Thomas Florence's estimation report, AHR memoranda on statute of limitations filed with the court at the time of estimation, and a copy of the disclosure statement with accompanying letters of endorsement, court orders and notices.","The Dalkon Shield Claimants Trust opened in early 1988 with the appointment of five trustees, Barbara Blum, Kenneth Feinberg, Gene Locks, Stephen Saltzburg, and Ann Samani. The critical issue of how the Trust would be managed proved as controversial as most other aspects of the bankruptcy settlement. Consequently, within months disputes caused the resignations of Blum, Samani, and Locks. One of the new appointees, Georgene Vairo, eventually became chair of the Trust and remained in that post until it closed.","  Meanwhile the trustees hired Michael Sheppard, clerk of the bankruptcy court in Richmond, as executive director of the Trust. Others administrators hired shortly thereafter included Teri Lovelace and Ann Peters. At its peak the Trust employed a staff of almost four hundred. The staff included attorneys to handle the anticipated legal issues. General Counsel, Linda Thomason, was assisted by a team consisting of Lynn Greer, Susan Manardo, and Patricia Powis whose job was to oversee and coordinate representation of the Trust in cases that went to arbitration or litigation. Richmond lawyers Michael W. Smith and Orran L. Brown were hired as outside counsel. The legal department grew along with the caseload. Assisting the Trust staff were attorneys chosen in regions throughout the U.S., and in other countries, as required to handle local litigation. In addition, local defense attorneys were hired on a case-by-case basis when a claim went to arbitration or litigation.","  The papers of the Trust include the Central Records Library (CRL), the official staff files which document the innumerable mailings to claimants, claims processing, and other Trust administrative matters, as well as the Trustees' minutes. Although the collection does not contain the files of administrative heads of the Trust, some of their correspondence and inter-office communications can be found in the CRL. The collection does include the files of the Trust's outside counsel, Orran L. Brown.","File removed by DSCT, 2/2004","File removed by DSCT, 2/2004","File Removed by DSCT Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list in Oversize Box 144, removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list in folder no. 1 removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Documents with claimant identification removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Documents with claimant information removed by DSCT Redaction Team, 2/2004","Documents with claimant identification removed by DSCT Redaction Team, 2/2004","File removed by DSCT, 2/2004","7 folders","Mailing list removed by DSCT Redaction Team, 2/2004","File removed by DSCT, 2/2004","Multiple individuals and corporate bodies created the materials in the Dalkon Shield Claimants Trust collection and copyright status varies across the collection.","Any rights (including copyright and related rights to publicity and privacy) held by the Dalkon Shield Claimants Trust (DSCT) were transferred to the University of Virginia in 2000 by the United States Bankruptcy Court for the Eastern District of Virginia, Richmond Division. Permission to publish or reproduce materials created by the DSCT must be secured from the University of Virginia.","Other materials may be protected by copyright and/or related rights. The University of Virginia is not authorized to grant permission to publish or reproduce these items. ","Arthur J. Morris Law Library Special Collections","Dalkon Shield Claimants Trust","A. H. Robins Company","English"],"unitid_tesim":["MSS.2000.4","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/87"],"normalized_title_ssm":["Dalkon Shield Claimants Trust papers"],"collection_title_tesim":["Dalkon Shield Claimants Trust papers"],"collection_ssim":["Dalkon Shield Claimants Trust papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["Multiple individuals and corporate bodies created the materials in the Dalkon Shield Claimants Trust collection and copyright status varies across the collection.","Any rights (including copyright and related rights to publicity and privacy) held by the Dalkon Shield Claimants Trust (DSCT) were transferred to the University of Virginia in 2000 by the United States Bankruptcy Court for the Eastern District of Virginia, Richmond Division. Permission to publish or reproduce materials created by the DSCT must be secured from the University of Virginia.","Other materials may be protected by copyright and/or related rights. The University of Virginia is not authorized to grant permission to publish or reproduce these items. "],"acqinfo_ssim":["In September 2000, the Dalkon Shield Claimants Trust Collection was transferred to the University of Virginia Law Library by an order of the US Bankruptcy Court for the Eastern District of Virginia. Staff at the Trust first contacted the Law Library about the collection six months before the Trust was terminated at the end of April 2000. The collection came to the library in several installments between the late fall of that year and early 2001. It is comprised of 408 boxes and cartons of documents, 3 volumes, 416 three-ring notebooks, 271 videotapes, for a total of 327.5 linear feet; 139 reels of microfilm, and approximately 7500 pieces of microfiche, or approximately 170,000 items."],"access_subjects_ssim":["Dalkon Shield (Intrauterine contraceptive)","Product liablitlity -- Intrauterine contraceptives","Tort liability of corporations","videotapes","Microfilms"],"access_subjects_ssm":["Dalkon Shield (Intrauterine contraceptive)","Product liablitlity -- Intrauterine contraceptives","Tort liability of corporations","videotapes","Microfilms"],"has_online_content_ssim":["false"],"extent_ssm":["327.5  Linear Feet 408 boxes and cartons, 3 volumes, 271 videotapes, 416 three ring notebooks"],"extent_tesim":["327.5  Linear Feet 408 boxes and cartons, 3 volumes, 271 videotapes, 416 three ring notebooks"],"genreform_ssim":["videotapes","Microfilms"],"date_range_isim":[1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThe Dalkon Shield Claimants Trust Collection was transferred to the University of Virginia Law Library by order of the US Bankruptcy Court for the Eastern District of Virginia in September 2000. 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Introduction\u003c/emph\u003e \u003c/p\u003e\n","\u003cp\u003eThe history of the Dalkon Shield spans more than thirty years and is charged with controversy at every turn. Many legal scholars and journalists have written on the subject. What follows is a very brief overview of the Shield from its creation and marketing, through tort litigation and bankruptcy, to the trust settlement of more than 200,000 claims in just over ten years.\u003c/p\u003e\n","\u003cp\u003e\u003cemph\u003eII. Production and Sale of the Dalkon Shield, 1968-1974 \u003c/emph\u003e\n  \nThe Dalkon Shield, a contraceptive intrauterine device (IUD), was invented in the late 1960s at a time when women and their physicians were looking for a safe and simple alternative to the birth control pill. This particular model of IUD was the creation of Dr. Hugh Davis, a professor of gynecology at Johns Hopkins University Medical School, and Irwin S. Lerner, an engineer and inventor. Davis, who for several years had been testing other IUDs on patients at a family planning clinic, began to test his own device there in 1968. Davis, Lerner, and a lawyer, Robert E. Cohn, partners in a pharmaceutical laboratory, named the new IUD the Dalkon Shield. The word \"Dalkon\" apparently came from letters of the partners' last names, and \"Shield,\" from the shape of the device. By 1970, in hopes of wider marketing, they looked for a purchaser of the Shield and found the A.H. Robins Company in Richmond, Virginia.\u003c/p\u003e\n","\u003cp\u003e  A.H. Robins (AHR), a family-run pharmaceutical company more than a hundred years old, was, by the late 1960s, the well-respected manufacturer of popular, over-the-counter products such as Robitussin cough medicines, Chapstick lip balm, Sergeants Flea \u0026amp; Tick Collars, and Dimetapp cold remedies. AHR purchased the Dalkon Shield in June of 1970 and began production in early 1971. Thanks to a vigorous sales campaign, the Shield sold well in the U.S. and abroad. Within four years, 3.6 million Dalkon Shields had been used by women worldwide.\u003c/p\u003e\n","\u003cp\u003e\u003cemph\u003eIII. Dalkon Shield Litigation, 1974-1985\u003c/emph\u003e \u003c/p\u003e\n","\u003cp\u003eBy 1972, physicians began reporting problems with the Dalkon Shield. Besides the fact that the device had a higher failure rate as a contraceptive than Dr. Davis and AHR had touted, some users of the Shield were suffering other health complications, the most serious being spontaneous septic abortion. In the spring of 1973 two women who had become pregnant while using the Shield died of severe infection.\u003c/p\u003e\n","\u003cp\u003e  As early as 1971 an AHR employee had discovered that the multifilament material used for the tail string of the Shield was capable of serving as a wick and, thus, of introducing bacteria from outside the body into the sterile environment of the uterus. In the summer of 1974, when the Food and Drug Administration held hearings on IUDs and septic abortion, AHR argued that the Dalkon Shield posed no more risk that other devices, but a physician reported that his research indicated the Shield's tail string was capable of wicking bacteria. That summer, AHR suspended domestic sales of the Dalkon Shield. By the time foreign sales were suspended some months later, fifteen Shield users had died of septic abortions; 245 other women had suffered septic abortions and survived. Other problems Shield users reported included severe cramping and bleeding, ectopic pregnancies, birth defects in children carried to term, and pelvic inflammatory disease. Some complications led to sterility.\u003c/p\u003e\n","\u003cp\u003e  In late 1974, the first lawsuit against AHR began in a Kansas court. The plaintiff, Connie Deemer, had suffered a perforated uterus after becoming pregnant while using the Shield. The jury awarded a relatively small amount, $10,000, in compensatory damages, but awarded $75,000 in punitive damages. Over the next six years AHR often settled cases out of court and prevailed about half the time at trial, but by 1980, when hundreds of new claims were being filed, the company was faced with punitive damages and settlements of high six- or seven-figures. Both plaintiff groups and AHR had made attempts to consolidate this litigation, but the only success in this regard was for pre-trial hearings for federal cases before the Judicial Panel on Multi-district Litigation.\u003c/p\u003e\n","\u003cp\u003e  In 1980, AHR sent a letter to about 200,000 physicians suggesting they remove the Shield from any women who had been using it for more than three years. In the fall of 1984, with about 3,500 claims yet to settle, the company sent another letter to doctors offering to pay for removal of the Shield from any women still using it. More claims poured in. The following spring, another Kansas jury awarded $1.75 million in compensatory damages and $7.5 million in punitive damages to Loretta Tetuan, a childless young woman whose Dalkon Shield injuries had led to a hysterectomy. Faced with more than 5,000 unresolved claims, AHR filed on August 21, 1985, for federal bankruptcy protection.\u003c/p\u003e\n","\u003cp\u003e\u003cemph\u003eIV. Bankruptcy Proceedings, 1985-1989\u003c/emph\u003e \n  \nPresiding over the AHR bankruptcy case were U.S. District Judge Robert R. Merhige, Jr., and Bankruptcy Judge Blackwell N. Shelley. In late fall 1985, Merhige ordered a worldwide notification via newspaper and television for all persons claiming injury from the Shield to file claims with the court by April 1986. By that date the court had received over 300,000 claims from the U.S. and abroad. The court then mailed a questionnaire to claimants, to be returned by summer of 1987. After that deadline the claims numbered 197,000.\u003c/p\u003e\n","\u003cp\u003e  AHR, assuming that just a few thousand outstanding claims remained, had entered bankruptcy hoping that after reorganization the company could settle its obligations with claimants and resume operations as before. However, the number of claims filed in 1986 led to an effort to locate a company which could pay off these claims in exchange for ownership of the business. Simultaneously, work began to determine a fair value of the outstanding claims. The judges appointed an examiner, Ralph Mabey, to oversee the management of AHR and to assist in handling the difficult negotiations in this complex bankruptcy and mass tort settlement. The largest group of creditors consisted of claimants represented by a number of plaintiffs' attorneys. Other creditors included banks and businesses, as well as AHR shareholders. Once bidding for the company began, potential purchasers also became involved in the settlement negotiations.\u003c/p\u003e\n","\u003cp\u003e  The court appointed Francis E. McGovern, a law professor who specialized in mass torts, to examine and report on a sample of resolved cases, as well as a sample of outstanding claims, so that other experts could determine the extent of AHR's liability. The experts' estimates ranged from $1.2 to $7 billion. After hearing their reports in late 1987, Merhige estimated AHR's liability to be $2.475 billion. In early 1988, American Home Products (AHP), a large manufacturer of health care products, agreed to put up about $2.3 billion to fund the Dalkon Shield Claimants Trust and in the process acquire the A.H. Robins Company. The remainder of the fund came from other sources, including Aetna, which insured AHR, and the Robins family. In addition, AHP paid $700 million to AHR shareholders, of which over $300 million went to the Robins family.\u003c/p\u003e\n","\u003cp\u003e  As soon as this deal was struck, five trustees were appointed to commence the work of the Trust. By spring 1988, AHR's Sixth Amended and Restated Disclosure Statement for its reorganization was mailed to claimants and other parties for approval. After approval by the requisite majority of claimants and other creditors, and after a hearing on July 28, 1988, Judge Merhige confirmed the plan. Some claimants opposed the plan, however, and a long appeal process began. The U.S. Supreme Court denied petitions for review in November 1989, and the following month the reorganization plan was consummated.\u003c/p\u003e\n","\u003cp\u003e\u003cemph\u003eV. Dalkon Shield Claimants Trust, 1989-2001\u003cemph render=\"underline\"\u003eAdministration\u003c/emph\u003e\u003c/emph\u003e\n  \nThe Dalkon Shield Claimants Trust, located in Richmond, Virginia, began work under the direction of five trustees appointed in mid-January 1988, and an executive director hired that August. Even before consummation, the plan provided for a start-up fund of $100 million. Consequently, in the fall of 1988 the Trust was able to offer claimants the first and simplest of several options. Under Option 1, a woman merely had to sign an affidavit affirming injury from the Dalkon Shield, and she would be paid $725. If her husband or injured child chose, he (or she) could also file under this option and receive $300. During the pre-consummation period the Trust could also pay liquidated claims. By the time the Disclosure Statement was consummated in December, the Trust had settled 85,000 Option 1 claims for about $60 million.\u003c/p\u003e\n","\u003cp\u003e  The Disclosure Statement laid out the basic principles under which the Trust was to operate. The purpose of the Claims Resolution Facility (CRF) was to \"provide all persons full payment of valid claims at the earliest possible time consistent with the efficient design and implementation of the claims resolution facility. This purpose [was] to be achieved by (1) providing an efficient economical mechanism for liquidating claims which [favored] settlement over arbitration and litigation, thereby reducing transaction costs, (2) providing claimants with an attractive alternative to trial by jury where settlement [was] not achieved, (3) providing fair and equitable compensation based upon historic values . . . to persons injured by the Dalkon Shield.\"\u003c/p\u003e\n","\u003cp\u003e  The Trust's responsibility was to the claimants as a collective whole, and all claimants were to be treated equally and fairly. Also the Trust was non-reversionary, which is to say that any funds remaining at the end would not revert to AHP, but instead would be distributed among the claimants. Nor would the Trust award punitive damages to certain claimants, as in tort litigation, but instead would pay out whatever funds remained at the end on a pro rata basis to all claimants with documented injuries. One of the most important purposes of the plan was to establish \"global peace.\" That is, the plan stipulated that any and all claims involving the Dalkon Shield would be resolved once and for all by the Trust, and therefore AHR, its purchaser AHP, Aetna, doctors, clinics, and hospitals would no longer be liable for Dalkon Shield injuries.\u003c/p\u003e\n","\u003cp\u003e  The plan also provided general guidelines for evaluating claims. For example, both represented and unrepresented claimants were to be treated equally and without regard to where they might sue on their claims. In addition, the plan outlined the injuries for which claimants would be compensated. Subsequently, the Trust devised an elaborate review process for the most serious injuries, insuring as nearly as possible the fair and consistent treatment of every claim. Furthermore, the Trust's offers would be \"best and final,\" and not subject to negotiation before litigation. If claimants were dissatisfied with their offers, they were encouraged to choose from several methods of settlement in order to avoid a costly trial.\u003c/p\u003e\n","\u003cp\u003e  The CRF laid out four claims options. Option 1, described above, was ultimately chosen by 133,000 users and their relatives. Option 2 was for claimants who had proof of Shield use as well as proof of injury, but no documentation of a connection between the two. Relatively few claimants (18,000) chose this option, which paid between $850 and $5,500 in fixed allotments based upon type of injury. Option 3 was the category where the most money was paid and the most thorough documentation of injury was required. Here the claimant had to produce medical records showing that her use of the Shield was the direct cause of her documented injuries. Payments in this category went as high as $4 million, although the average was $31,000. Each case was carefully evaluated, and the award was assigned based upon the nature of the individual's circumstances. About 47,000 claimants chose Option 3. Finally, Option 4 allowed claimants to defer their choice if they were not yet certain of the extent of their injuries. Spouses as well as injured children could file their own claims in any of the three categories based upon the nature of the user's injury and medical records.\u003c/p\u003e\n","\u003cp\u003e  During the bankruptcy proceedings, efforts were made to notify all claimants worldwide and get them to submit their claims during 1986. However, late claims came in, and the court and the Trust ultimately honored legitimate claims filed between the April 1986 deadline and September 1989. A class action suit filed against Aetna for its alleged compliance in AHR's liability was settled by establishing a fund to pay late claims. Named the Breland Insurance Trust (BIT) (Glenda Breland was the first-named claimant in the class action), this fund was created from the proceeds of two $50 million insurance policies and was intended first to supplement the Trust if necessary. But if that were not necessary, the BIT would be used to pay late claimants and persons whose claims had been reinstated after initially being disallowed. The BIT began making payments in 1994 when it became clear that the Trust had ample funds. The Breland claims were handled exactly like Trust claims, but dissatisfied Breland claimants were not allowed to take their settlements to litigation.\u003c/p\u003e\n","\u003cp\u003e  A second smaller trust, called the Other Claimants Trust, was established with $5 million from the Robins family and $45 million from the sale of AHR. The purpose of the OTR was to cover the financial losses of doctors, hospitals, and clinics as a result of their involvement with the Dalkon Shield.\u003c/p\u003e\n","\u003cp\u003e  As soon as the Trust was fully funded at the end of 1989, work began to determine values for Option 3 claims. Trustees and Trust staff, statisticians, and a few plaintiffs' lawyers worked for months examining settlements and awards AHR had paid, as well as the data about the nature of outstanding claims that had been captured in the McGovern survey. Keeping an eye always on the total amount of the Trust's assets, this working group eventually set values on every foreseeable type of injury. Their work was then evaluated by a group of plaintiffs' attorneys who had handled large numbers of Dalkon Shield suits before bankruptcy. The process of establishing evaluation guidelines for Option 3 claims took more than a year.\u003c/p\u003e\n","\u003cp\u003e  Meanwhile claimants were sent packets informing them of the details of Options 2 and 3. Great care was taken to explain the process clearly so that it would not be necessary for claimants to hire an attorney unless they chose to do so. The Trust hired staff to assist claimants in filing claims and to secure medical records for them if their own efforts were fruitless. Another team of staff members checked the claims to be sure they were complete before sending them to reviewers. The Trust hired novices in the claims review process and gave them sixteen weeks of intensive training in evaluating gynecological injuries before they began work. After a value was placed on a claim, a supervisor reviewed the file again before the offer was mailed to the claimant.\u003c/p\u003e\n","\u003cp\u003e  For the most part claims were evaluated in the order in which documentation reached completion. Higher priority, however, was afforded the claimants whose suits had been frozen when AHR declared bankruptcy, and those who had participated in the McGovern survey. In addition, claimants with critical health issues were given priority. Couples who were rendered childless because of the Shield could apply right away for funds for in vitro fertilization.\u003c/p\u003e\n","\u003cp\u003e  Once a claimant received her settlement offer, which was \"best and final,\" she had to decide whether to accept or reject it. If she was not pleased with the amount and wanted to go to arbitration or litigation, the Trust required her to attend a settlement conference first. There she could discuss her claim with a Trust representative, who would explain how the Trust had reached the figure offered. At this time the claimant was allowed to present new medical evidence that had not been available when she filed her claim. If new documentation was offered, the Trust would re-evaluate her claim. Otherwise, the Trust stood by the original amount offered. If the claimant remained dissatisfied, she could choose to proceed to arbitration or litigation. Another choice was Alternative Dispute Resolution (ADR), a relatively simple and speedy form of arbitration.\u003c/p\u003e\n","\u003cp\u003e  The ADR process opened in April of 1993 with an award cap of $10,000. When the cap was raised to $20,000 five months later, ADR became popular with claimants dissatisfied with the Trust's offer. In the end, 6,600 chose ADR. A smaller number chose to go to formal arbitration, and fewer still chose litigation. Because the Trust was committed to keeping costs as low as possible, every effort was made to avoid expensive trials. Of the 47,000 claims that were settled under Option 3, 41,000 were accepted; about 6,000 of them were resolved in ADR; 70 in arbitration; and only 90 went to trial.\u003c/p\u003e\n","\u003cp\u003e  Although it was necessary for the CRF to allow settlement by these more traditional tort means, by far the majority of claimants worked directly with the Trust, without aid of an attorney, and accepted the Trust's offer. Those who had legal assistance received slightly larger awards on average, but they then had to pay their attorney's fees out of the award.\u003c/p\u003e\n","\u003cp\u003e  By 1995 it became clear that more than enough funds were left to cover the remaining claims. Furthermore, the Trust's investments had earned $800 million and at that point administrative costs were running $200 million lower than had been anticipated. So in that year the Trust made the first of a half-dozen pro rata payments. Claimants who had been paid more than $725 under Option 2 or 3 were eligible for pro rata payments. By the time the Trust closed in the summer of 2001, pro rata payments had totaled about $1.5 billion, and eligible claimants had been paid just over 100% above their initial settlement amounts. By December 1996, 97% of the claims had been settled. The Trust began reducing its staff, and those who remained took care of the small portion of claims that were being appealed.\u003c/p\u003e\n","\u003cp\u003eLegal Department. When the Trust was opened in 1989, staff was hired to handle the anticipated legal issues. General Counsel, Linda Thomason, was assisted by a team of in-house lawyers as well as attorneys in other parts of the country where claims were contested. At the outset the Trust also hired, as outside counsel, Michael W. Smith and Orran L. Brown with the Richmond law firm of Christian, Barton, Epps, Brent \u0026amp; Chappell. Eventually Brown carried on alone in that position, and in the spring of 1993 he established his office in the building where the Trust was located. His principal duties were to interpret the Reorganization Plan and handle injunction enforcement issues on the Trust's behalf. Some of the major interpretation issues included whether claimants could sue for punitive damages and attorney's fees, whether pre- or post-judgment interest would be allowed, whether the Plan forced the Trust to concede product liability, and whether the list of injuries in the CRF could be taken as an admission that such injuries were caused by the Dalkon Shield.\u003c/p\u003e\n","\u003cp\u003e  The Reorganization Plan discharged A.H. Robins, and all persons connected with it, as well as American Home Products, of any liability for tort or other claims relating to the Dalkon Shield. The Plan also enjoined claimants from bringing suit against these corporations and persons, or against hospitals, clinics, or physicians. When claimants did attempt such suits, the Trust moved to enforce the injunction.\u003c/p\u003e\n","\u003cp\u003e  In 1991 the Trust filed a motion with the district court for an order to establish guidelines for arbitration and litigation. Amended Administrative Order Number One set parameters for discovery, and it directed that a document depository be established and made accessible to claimants. The order provided a system to insure that claimants who chose arbitration and litigation followed a prescribed procedure, and it reiterated the CRF's disallowance of trebled, exemplary or punitive damages, or attorney's fees.\u003c/p\u003e\n","\u003cp\u003e  The purpose of the Trust, as stated in the CRF, was to provide \"an efficient economical mechanism for liquidating claims which [favored] settlement over arbitration and litigation\" and to provide \"an attractive alternative to trial by jury where settlement [was] not achieved.\" Once a settlement offer was made, the Trust was willing to discuss the evaluation in a settlement conference but it refused to negotiate. Many claimants dissatisfied with their offers went to ADR. Others choose the more costly options of arbitration or trial in hopes of receiving a much higher award. At this point the playing field changed, and Trust no longer waived various defenses. For example, if the statute of limitations had run out before she filed her claim, the Trust employed that defense. In other words, the Trust did all it could to discourage claimants from choosing expensive methods of resolving disputes, adhering to the principle that if all claims were settled equally and efficiently, there would be a greater amount to be shared among all.\u003c/p\u003e\n","\u003cp\u003e  Two decisions of the Trustees aided the settlement process. Raising the cap on ADR awards from $10,000 to $20,000 in 1993 made this process very popular with claimants. Two years later when the pro rata payments commenced for those with offers higher than $725, many claimants who were initially dissatisfied realized their awards would ultimately be more generous than they had thought.\u003c/p\u003e\n","\u003cp\u003e  Many legal issues required judicial intervention during the course of the Trust's existence. One controversial issue concerned the Trust's holdback policy. In a case where a claimant was awarded a higher amount in litigation, the Trust reserved the right, upheld by the court, to defer paying the difference between the trial award and the original offer until there was assurance that all claims could be paid. Often when claimants brought their cases in state court, the Trust attempted to have them removed to federal court. There were many questions surrounding how ADR and arbitration would be handled. One case regarding burden of proof in ADR,\u003ctitle render=\"italic\" type=\"simple\"\u003eReichel v. Dalkon Shield Claimants Trust\u003c/title\u003e, was decided in the Trust's favor by the district court but partially overturned by the Fourth Circuit, which said that the claimant only had to provide a \"presumption of causation.\" Plaintiffs were unsuccessful in getting this ruling to apply to arbitration and litigation.\u003c/p\u003e\n","\u003cp\u003e  In 1995 when the Trust began making pro rata payments, Judge Merhige on his own initiative issued an order limiting claimants' attorneys from recovering more that ten percent from those payments. One impetus for this ruling was complaints he had heard through the years from claimants whose attorneys had received a large percentage of their initial awards as contingent fees. The judge also knew that since pro rata payments would be made in cases that had been settled, little or no additional work was required of the attorneys. However, this order provoked protest from the plaintiffs' bar, and a group of twenty-nine lawyers appealed the order. The Fourth Circuit, calling \"this litigation and appeal . . . wonderful examples of chutzpah,\" affirmed Judge Merhige's order.\u003c/p\u003e\n","\u003cp\u003e  Although Brown spent about ten years representing the Trust, and some of the cases stretched over many of those years, the legal costs were ultimately lower than anticipated. While a couple hundred cases were filed, in the end only about ninety went to trial. Nonetheless, the legal issues and claims that were litigated required the attention of the legal department for about five years after the vast majority of the claims were settled. Pro rata distributions from the remainder of the Trust were issued over time as the number of unresolved cases diminished.\u003c/p\u003e\n","\u003cp\u003e\u003cemph\u003eVI. Conclusion\u003c/emph\u003e \n  \nThe Disclosure Statement had given the Trust twenty years to settle 197,000 claims. With the allowance of late claims, the Trust ultimately paid a little over 218,000 claims and settled the vast majority of them in only seven years. Although the Trust operated particularly cautiously at the outset in order to be sure all claimants could be paid fairly, this extreme care worked to the benefit of the claimants in the end. Thanks in large part to the Trust's diligence, caution, and wise investments, the most seriously injured claimants saw their awards doubled. In terms of fairness and efficiency, the Dalkon Shield Claimants Trust achieved, in the opinion of many, the most successful resolution of a mass tort case in the twentieth century.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["I. Introduction","The history of the Dalkon Shield spans more than thirty years and is charged with controversy at every turn. Many legal scholars and journalists have written on the subject. What follows is a very brief overview of the Shield from its creation and marketing, through tort litigation and bankruptcy, to the trust settlement of more than 200,000 claims in just over ten years.","II. Production and Sale of the Dalkon Shield, 1968-1974  \n  \nThe Dalkon Shield, a contraceptive intrauterine device (IUD), was invented in the late 1960s at a time when women and their physicians were looking for a safe and simple alternative to the birth control pill. This particular model of IUD was the creation of Dr. Hugh Davis, a professor of gynecology at Johns Hopkins University Medical School, and Irwin S. Lerner, an engineer and inventor. Davis, who for several years had been testing other IUDs on patients at a family planning clinic, began to test his own device there in 1968. Davis, Lerner, and a lawyer, Robert E. Cohn, partners in a pharmaceutical laboratory, named the new IUD the Dalkon Shield. The word \"Dalkon\" apparently came from letters of the partners' last names, and \"Shield,\" from the shape of the device. By 1970, in hopes of wider marketing, they looked for a purchaser of the Shield and found the A.H. Robins Company in Richmond, Virginia.","  A.H. Robins (AHR), a family-run pharmaceutical company more than a hundred years old, was, by the late 1960s, the well-respected manufacturer of popular, over-the-counter products such as Robitussin cough medicines, Chapstick lip balm, Sergeants Flea \u0026 Tick Collars, and Dimetapp cold remedies. AHR purchased the Dalkon Shield in June of 1970 and began production in early 1971. Thanks to a vigorous sales campaign, the Shield sold well in the U.S. and abroad. Within four years, 3.6 million Dalkon Shields had been used by women worldwide.","III. Dalkon Shield Litigation, 1974-1985","By 1972, physicians began reporting problems with the Dalkon Shield. Besides the fact that the device had a higher failure rate as a contraceptive than Dr. Davis and AHR had touted, some users of the Shield were suffering other health complications, the most serious being spontaneous septic abortion. In the spring of 1973 two women who had become pregnant while using the Shield died of severe infection.","  As early as 1971 an AHR employee had discovered that the multifilament material used for the tail string of the Shield was capable of serving as a wick and, thus, of introducing bacteria from outside the body into the sterile environment of the uterus. In the summer of 1974, when the Food and Drug Administration held hearings on IUDs and septic abortion, AHR argued that the Dalkon Shield posed no more risk that other devices, but a physician reported that his research indicated the Shield's tail string was capable of wicking bacteria. That summer, AHR suspended domestic sales of the Dalkon Shield. By the time foreign sales were suspended some months later, fifteen Shield users had died of septic abortions; 245 other women had suffered septic abortions and survived. Other problems Shield users reported included severe cramping and bleeding, ectopic pregnancies, birth defects in children carried to term, and pelvic inflammatory disease. Some complications led to sterility.","  In late 1974, the first lawsuit against AHR began in a Kansas court. The plaintiff, Connie Deemer, had suffered a perforated uterus after becoming pregnant while using the Shield. The jury awarded a relatively small amount, $10,000, in compensatory damages, but awarded $75,000 in punitive damages. Over the next six years AHR often settled cases out of court and prevailed about half the time at trial, but by 1980, when hundreds of new claims were being filed, the company was faced with punitive damages and settlements of high six- or seven-figures. Both plaintiff groups and AHR had made attempts to consolidate this litigation, but the only success in this regard was for pre-trial hearings for federal cases before the Judicial Panel on Multi-district Litigation.","  In 1980, AHR sent a letter to about 200,000 physicians suggesting they remove the Shield from any women who had been using it for more than three years. In the fall of 1984, with about 3,500 claims yet to settle, the company sent another letter to doctors offering to pay for removal of the Shield from any women still using it. More claims poured in. The following spring, another Kansas jury awarded $1.75 million in compensatory damages and $7.5 million in punitive damages to Loretta Tetuan, a childless young woman whose Dalkon Shield injuries had led to a hysterectomy. Faced with more than 5,000 unresolved claims, AHR filed on August 21, 1985, for federal bankruptcy protection.","IV. Bankruptcy Proceedings, 1985-1989  \n  \nPresiding over the AHR bankruptcy case were U.S. District Judge Robert R. Merhige, Jr., and Bankruptcy Judge Blackwell N. Shelley. In late fall 1985, Merhige ordered a worldwide notification via newspaper and television for all persons claiming injury from the Shield to file claims with the court by April 1986. By that date the court had received over 300,000 claims from the U.S. and abroad. The court then mailed a questionnaire to claimants, to be returned by summer of 1987. After that deadline the claims numbered 197,000.","  AHR, assuming that just a few thousand outstanding claims remained, had entered bankruptcy hoping that after reorganization the company could settle its obligations with claimants and resume operations as before. However, the number of claims filed in 1986 led to an effort to locate a company which could pay off these claims in exchange for ownership of the business. Simultaneously, work began to determine a fair value of the outstanding claims. The judges appointed an examiner, Ralph Mabey, to oversee the management of AHR and to assist in handling the difficult negotiations in this complex bankruptcy and mass tort settlement. The largest group of creditors consisted of claimants represented by a number of plaintiffs' attorneys. Other creditors included banks and businesses, as well as AHR shareholders. Once bidding for the company began, potential purchasers also became involved in the settlement negotiations.","  The court appointed Francis E. McGovern, a law professor who specialized in mass torts, to examine and report on a sample of resolved cases, as well as a sample of outstanding claims, so that other experts could determine the extent of AHR's liability. The experts' estimates ranged from $1.2 to $7 billion. After hearing their reports in late 1987, Merhige estimated AHR's liability to be $2.475 billion. In early 1988, American Home Products (AHP), a large manufacturer of health care products, agreed to put up about $2.3 billion to fund the Dalkon Shield Claimants Trust and in the process acquire the A.H. Robins Company. The remainder of the fund came from other sources, including Aetna, which insured AHR, and the Robins family. In addition, AHP paid $700 million to AHR shareholders, of which over $300 million went to the Robins family.","  As soon as this deal was struck, five trustees were appointed to commence the work of the Trust. By spring 1988, AHR's Sixth Amended and Restated Disclosure Statement for its reorganization was mailed to claimants and other parties for approval. After approval by the requisite majority of claimants and other creditors, and after a hearing on July 28, 1988, Judge Merhige confirmed the plan. Some claimants opposed the plan, however, and a long appeal process began. The U.S. Supreme Court denied petitions for review in November 1989, and the following month the reorganization plan was consummated.","V. Dalkon Shield Claimants Trust, 1989-2001 Administration \n  \nThe Dalkon Shield Claimants Trust, located in Richmond, Virginia, began work under the direction of five trustees appointed in mid-January 1988, and an executive director hired that August. Even before consummation, the plan provided for a start-up fund of $100 million. Consequently, in the fall of 1988 the Trust was able to offer claimants the first and simplest of several options. Under Option 1, a woman merely had to sign an affidavit affirming injury from the Dalkon Shield, and she would be paid $725. If her husband or injured child chose, he (or she) could also file under this option and receive $300. During the pre-consummation period the Trust could also pay liquidated claims. By the time the Disclosure Statement was consummated in December, the Trust had settled 85,000 Option 1 claims for about $60 million.","  The Disclosure Statement laid out the basic principles under which the Trust was to operate. The purpose of the Claims Resolution Facility (CRF) was to \"provide all persons full payment of valid claims at the earliest possible time consistent with the efficient design and implementation of the claims resolution facility. This purpose [was] to be achieved by (1) providing an efficient economical mechanism for liquidating claims which [favored] settlement over arbitration and litigation, thereby reducing transaction costs, (2) providing claimants with an attractive alternative to trial by jury where settlement [was] not achieved, (3) providing fair and equitable compensation based upon historic values . . . to persons injured by the Dalkon Shield.\"","  The Trust's responsibility was to the claimants as a collective whole, and all claimants were to be treated equally and fairly. Also the Trust was non-reversionary, which is to say that any funds remaining at the end would not revert to AHP, but instead would be distributed among the claimants. Nor would the Trust award punitive damages to certain claimants, as in tort litigation, but instead would pay out whatever funds remained at the end on a pro rata basis to all claimants with documented injuries. One of the most important purposes of the plan was to establish \"global peace.\" That is, the plan stipulated that any and all claims involving the Dalkon Shield would be resolved once and for all by the Trust, and therefore AHR, its purchaser AHP, Aetna, doctors, clinics, and hospitals would no longer be liable for Dalkon Shield injuries.","  The plan also provided general guidelines for evaluating claims. For example, both represented and unrepresented claimants were to be treated equally and without regard to where they might sue on their claims. In addition, the plan outlined the injuries for which claimants would be compensated. Subsequently, the Trust devised an elaborate review process for the most serious injuries, insuring as nearly as possible the fair and consistent treatment of every claim. Furthermore, the Trust's offers would be \"best and final,\" and not subject to negotiation before litigation. If claimants were dissatisfied with their offers, they were encouraged to choose from several methods of settlement in order to avoid a costly trial.","  The CRF laid out four claims options. Option 1, described above, was ultimately chosen by 133,000 users and their relatives. Option 2 was for claimants who had proof of Shield use as well as proof of injury, but no documentation of a connection between the two. Relatively few claimants (18,000) chose this option, which paid between $850 and $5,500 in fixed allotments based upon type of injury. Option 3 was the category where the most money was paid and the most thorough documentation of injury was required. Here the claimant had to produce medical records showing that her use of the Shield was the direct cause of her documented injuries. Payments in this category went as high as $4 million, although the average was $31,000. Each case was carefully evaluated, and the award was assigned based upon the nature of the individual's circumstances. About 47,000 claimants chose Option 3. Finally, Option 4 allowed claimants to defer their choice if they were not yet certain of the extent of their injuries. Spouses as well as injured children could file their own claims in any of the three categories based upon the nature of the user's injury and medical records.","  During the bankruptcy proceedings, efforts were made to notify all claimants worldwide and get them to submit their claims during 1986. However, late claims came in, and the court and the Trust ultimately honored legitimate claims filed between the April 1986 deadline and September 1989. A class action suit filed against Aetna for its alleged compliance in AHR's liability was settled by establishing a fund to pay late claims. Named the Breland Insurance Trust (BIT) (Glenda Breland was the first-named claimant in the class action), this fund was created from the proceeds of two $50 million insurance policies and was intended first to supplement the Trust if necessary. But if that were not necessary, the BIT would be used to pay late claimants and persons whose claims had been reinstated after initially being disallowed. The BIT began making payments in 1994 when it became clear that the Trust had ample funds. The Breland claims were handled exactly like Trust claims, but dissatisfied Breland claimants were not allowed to take their settlements to litigation.","  A second smaller trust, called the Other Claimants Trust, was established with $5 million from the Robins family and $45 million from the sale of AHR. The purpose of the OTR was to cover the financial losses of doctors, hospitals, and clinics as a result of their involvement with the Dalkon Shield.","  As soon as the Trust was fully funded at the end of 1989, work began to determine values for Option 3 claims. Trustees and Trust staff, statisticians, and a few plaintiffs' lawyers worked for months examining settlements and awards AHR had paid, as well as the data about the nature of outstanding claims that had been captured in the McGovern survey. Keeping an eye always on the total amount of the Trust's assets, this working group eventually set values on every foreseeable type of injury. Their work was then evaluated by a group of plaintiffs' attorneys who had handled large numbers of Dalkon Shield suits before bankruptcy. The process of establishing evaluation guidelines for Option 3 claims took more than a year.","  Meanwhile claimants were sent packets informing them of the details of Options 2 and 3. Great care was taken to explain the process clearly so that it would not be necessary for claimants to hire an attorney unless they chose to do so. The Trust hired staff to assist claimants in filing claims and to secure medical records for them if their own efforts were fruitless. Another team of staff members checked the claims to be sure they were complete before sending them to reviewers. The Trust hired novices in the claims review process and gave them sixteen weeks of intensive training in evaluating gynecological injuries before they began work. After a value was placed on a claim, a supervisor reviewed the file again before the offer was mailed to the claimant.","  For the most part claims were evaluated in the order in which documentation reached completion. Higher priority, however, was afforded the claimants whose suits had been frozen when AHR declared bankruptcy, and those who had participated in the McGovern survey. In addition, claimants with critical health issues were given priority. Couples who were rendered childless because of the Shield could apply right away for funds for in vitro fertilization.","  Once a claimant received her settlement offer, which was \"best and final,\" she had to decide whether to accept or reject it. If she was not pleased with the amount and wanted to go to arbitration or litigation, the Trust required her to attend a settlement conference first. There she could discuss her claim with a Trust representative, who would explain how the Trust had reached the figure offered. At this time the claimant was allowed to present new medical evidence that had not been available when she filed her claim. If new documentation was offered, the Trust would re-evaluate her claim. Otherwise, the Trust stood by the original amount offered. If the claimant remained dissatisfied, she could choose to proceed to arbitration or litigation. Another choice was Alternative Dispute Resolution (ADR), a relatively simple and speedy form of arbitration.","  The ADR process opened in April of 1993 with an award cap of $10,000. When the cap was raised to $20,000 five months later, ADR became popular with claimants dissatisfied with the Trust's offer. In the end, 6,600 chose ADR. A smaller number chose to go to formal arbitration, and fewer still chose litigation. Because the Trust was committed to keeping costs as low as possible, every effort was made to avoid expensive trials. Of the 47,000 claims that were settled under Option 3, 41,000 were accepted; about 6,000 of them were resolved in ADR; 70 in arbitration; and only 90 went to trial.","  Although it was necessary for the CRF to allow settlement by these more traditional tort means, by far the majority of claimants worked directly with the Trust, without aid of an attorney, and accepted the Trust's offer. Those who had legal assistance received slightly larger awards on average, but they then had to pay their attorney's fees out of the award.","  By 1995 it became clear that more than enough funds were left to cover the remaining claims. Furthermore, the Trust's investments had earned $800 million and at that point administrative costs were running $200 million lower than had been anticipated. So in that year the Trust made the first of a half-dozen pro rata payments. Claimants who had been paid more than $725 under Option 2 or 3 were eligible for pro rata payments. By the time the Trust closed in the summer of 2001, pro rata payments had totaled about $1.5 billion, and eligible claimants had been paid just over 100% above their initial settlement amounts. By December 1996, 97% of the claims had been settled. The Trust began reducing its staff, and those who remained took care of the small portion of claims that were being appealed.","Legal Department. When the Trust was opened in 1989, staff was hired to handle the anticipated legal issues. General Counsel, Linda Thomason, was assisted by a team of in-house lawyers as well as attorneys in other parts of the country where claims were contested. At the outset the Trust also hired, as outside counsel, Michael W. Smith and Orran L. Brown with the Richmond law firm of Christian, Barton, Epps, Brent \u0026 Chappell. Eventually Brown carried on alone in that position, and in the spring of 1993 he established his office in the building where the Trust was located. His principal duties were to interpret the Reorganization Plan and handle injunction enforcement issues on the Trust's behalf. Some of the major interpretation issues included whether claimants could sue for punitive damages and attorney's fees, whether pre- or post-judgment interest would be allowed, whether the Plan forced the Trust to concede product liability, and whether the list of injuries in the CRF could be taken as an admission that such injuries were caused by the Dalkon Shield.","  The Reorganization Plan discharged A.H. Robins, and all persons connected with it, as well as American Home Products, of any liability for tort or other claims relating to the Dalkon Shield. The Plan also enjoined claimants from bringing suit against these corporations and persons, or against hospitals, clinics, or physicians. When claimants did attempt such suits, the Trust moved to enforce the injunction.","  In 1991 the Trust filed a motion with the district court for an order to establish guidelines for arbitration and litigation. Amended Administrative Order Number One set parameters for discovery, and it directed that a document depository be established and made accessible to claimants. The order provided a system to insure that claimants who chose arbitration and litigation followed a prescribed procedure, and it reiterated the CRF's disallowance of trebled, exemplary or punitive damages, or attorney's fees.","  The purpose of the Trust, as stated in the CRF, was to provide \"an efficient economical mechanism for liquidating claims which [favored] settlement over arbitration and litigation\" and to provide \"an attractive alternative to trial by jury where settlement [was] not achieved.\" Once a settlement offer was made, the Trust was willing to discuss the evaluation in a settlement conference but it refused to negotiate. Many claimants dissatisfied with their offers went to ADR. Others choose the more costly options of arbitration or trial in hopes of receiving a much higher award. At this point the playing field changed, and Trust no longer waived various defenses. For example, if the statute of limitations had run out before she filed her claim, the Trust employed that defense. In other words, the Trust did all it could to discourage claimants from choosing expensive methods of resolving disputes, adhering to the principle that if all claims were settled equally and efficiently, there would be a greater amount to be shared among all.","  Two decisions of the Trustees aided the settlement process. Raising the cap on ADR awards from $10,000 to $20,000 in 1993 made this process very popular with claimants. Two years later when the pro rata payments commenced for those with offers higher than $725, many claimants who were initially dissatisfied realized their awards would ultimately be more generous than they had thought.","  Many legal issues required judicial intervention during the course of the Trust's existence. One controversial issue concerned the Trust's holdback policy. In a case where a claimant was awarded a higher amount in litigation, the Trust reserved the right, upheld by the court, to defer paying the difference between the trial award and the original offer until there was assurance that all claims could be paid. Often when claimants brought their cases in state court, the Trust attempted to have them removed to federal court. There were many questions surrounding how ADR and arbitration would be handled. One case regarding burden of proof in ADR, Reichel v. Dalkon Shield Claimants Trust , was decided in the Trust's favor by the district court but partially overturned by the Fourth Circuit, which said that the claimant only had to provide a \"presumption of causation.\" Plaintiffs were unsuccessful in getting this ruling to apply to arbitration and litigation.","  In 1995 when the Trust began making pro rata payments, Judge Merhige on his own initiative issued an order limiting claimants' attorneys from recovering more that ten percent from those payments. One impetus for this ruling was complaints he had heard through the years from claimants whose attorneys had received a large percentage of their initial awards as contingent fees. The judge also knew that since pro rata payments would be made in cases that had been settled, little or no additional work was required of the attorneys. However, this order provoked protest from the plaintiffs' bar, and a group of twenty-nine lawyers appealed the order. The Fourth Circuit, calling \"this litigation and appeal . . . wonderful examples of chutzpah,\" affirmed Judge Merhige's order.","  Although Brown spent about ten years representing the Trust, and some of the cases stretched over many of those years, the legal costs were ultimately lower than anticipated. While a couple hundred cases were filed, in the end only about ninety went to trial. Nonetheless, the legal issues and claims that were litigated required the attention of the legal department for about five years after the vast majority of the claims were settled. Pro rata distributions from the remainder of the Trust were issued over time as the number of unresolved cases diminished.","VI. Conclusion  \n  \nThe Disclosure Statement had given the Trust twenty years to settle 197,000 claims. With the allowance of late claims, the Trust ultimately paid a little over 218,000 claims and settled the vast majority of them in only seven years. Although the Trust operated particularly cautiously at the outset in order to be sure all claimants could be paid fairly, this extreme care worked to the benefit of the claimants in the end. Thanks in large part to the Trust's diligence, caution, and wise investments, the most seriously injured claimants saw their awards doubled. In terms of fairness and efficiency, the Dalkon Shield Claimants Trust achieved, in the opinion of many, the most successful resolution of a mass tort case in the twentieth century."],"scopecontent_html_tesm":["\u003cp\u003eIn 1975 a Multi-District Litigation Panel was set up to consolidate over one hundred Dalkon Shield personal injury tort cases pending in federal district courts in over a third of the states. The pretrial proceedings were held before U. S. District Judge Frank Theis in Wichita, Kansas. Bradley Post, a Wichita lawyer who had represented Connie Deemer, the first woman to win a verdict against Robins for her Dalkon Shield injuries, was chosen lead lawyer in the consolidated cases. Post led the court-ordered discovery proceedings that ran from 1976 through the late 1970s and resumed in 1981 and 1982.\u003c/p\u003e\n","\u003cp\u003e  AHR was ordered to produce copies of tens of thousands of documents and to store them at the Richmond offices of McGuire, Woods \u0026amp; Battle, the law firm handling its defense. The collection of documents became known as the Source Files. Documents in the following subject categories were requested, copied and numbered at various times from 1976 through 1982: Research \u0026amp; Development, Adverse Reaction, Manufacturing, Administration, Commercial, Government, International, FDA (Food and Drug Administration), and Bibliography.\u003c/p\u003e\n","\u003cp\u003e  In 1991, by administrative order, the Trust was directed to \"maintain a document depository in Richmond, Virginia, containing substantially all documents which the Trust, using its best efforts, has identified as having been produced without qualification by Robins in pre-petition Dalkon Shield personal injury tort litigation.\" The depository, to be made accessible to claimants and their attorneys, was comprised of documents previously in the custody of McGuire, Woods and was located at Datastor, a facility on the east end of the city.\u003c/p\u003e\n","\u003cp\u003e  The A.H. Robins Company documents consist of the master group, the Source Files, produced under the direction of Judge Frank Theis in the late 1970s and early 1980s. In addition, there are a number of subsets of the Source Files gathered and arranged by plaintiffs' attorneys, and additional documents produced under orders from other judges in the mid-1980s.\u003c/p\u003e","\u003cp\u003eAccording to a Trust memorandum, (see notebook labeled Background Information re Document Depository), AHR and its attorneys began collecting, reviewing, and copying these documents, later known as the Source Files, as early as 1975. In 1976 when the Multi-District Litigation Panel was set up, the range of documents was expanded to include information on Robins' international sales, and on its interactions with Hugh Davis, Robert Cohn, Thad Earl, and Irwin S. Lerner. Plaintiffs involved in the MDL proceedings were allowed access to all documents that were not privileged. The copies, held in Richmond in the custody of McGuire, Woods, were made from the original documents.\u003c/p\u003e\n","\u003cp\u003e  The Law Library completed a project begun sometime ago to convert the Source Files to microform. Documents 1 through 171, 245 are available on microfiche; and 171,246 through 211, 892, on microfilm. Researchers may gain access to the Source File documents through any of its four indexes: document number, document date, name of document writer, and document type and date. The indexes are in three-ring notebooks, and on microfilm reels 1 to 6.\u003c/p\u003e\n","\u003cp\u003e  Two types of materials in the Source Files, numbers 189,673 through 207,502, are not in microform (4 cartons, 5 linear feet). The first are computer printouts of names and addresses of the 200,000 doctors to whom AHR wrote in the early 1980s, requesting removal of the Shield. Box 1 contains names and addresses for physicians in Colombia, Sweden, The Netherlands, South Africa, and Australia; Box 2, for Mexico, Philippines, Germany, Denmark, Finland, France, and Venezuela; and Box 3, for the United States. Second, in Box 4, is a collection of used Dalkon Shields sent back to AHR by Thad Earl, David Ostergard, and other doctors.\u003c/p\u003e","\u003cp\u003eThe MDL Chrono Files are a chronological arrangement of 1300 of some of the more important documents from the Source Files and were offered in evidence during the1976-1978 MDL discovery proceedings. The date range of the Chrono Files is 1938 to 1977, with the bulk of the documents falling between 1971 and 1975. In some cases the copy in the Chrono Files is more legible than the one in the Source Files.\u003c/p\u003e\n","\u003cp\u003e  There is no list or index for the Chrono Files. Boxed with the files was a subject index to the first 183,000 SF documents; this index which pairs Source File number with subject was prepared in 1979. The Chrono Files are available on microfilm reels 19-22, as well as on paper in Boxes 1-6 (2.5 linear feet).\u003c/p\u003e","\u003cp\u003eBradley Post preserved a set of selected Robins Source File documents which he had submitted as evidence in a case around 1979. The Post documents are arranged chronologically and numbered 1 to 836 in the upper left corner; the Source File number is visible in the lower left corner. The date range is 1938 to 1979, with bulk dates of 1971 to 1975. The Post documents are available on microfilm reels 22 and 23. A list of numbered Post documents providing extensive information about each entry is available on paper and also precedes the documents on the film.\u003c/p\u003e","\u003cp\u003eIn 1983 Robins, Zelle, Larson \u0026amp; Kaplan, a large firm in Minneapolis acquired about two hundred Dalkon Shield cases from another practice, and the firm appointed experienced plaintiffs' attorneys Dale Larson and Michael Ciresi to handle them. For the case of Shirley Dean v. A. H. Robins, the lawyers submitted as evidence 3,789 documents they had chosen from the Robins Source Files. Those documents comprise this subset and are arranged chronologically and numbered 1 to 3,789, usually near the top of the first page of the document; the Source File number is visible in the lower left corner. The dates range from 1938 to 1984, but are concentrated in the years 1970 to 1980. The Robins, Zelle documents are available on microfilm reels 23-31. The list of numbered Robins, Zelle documents provides extensive information about each entry; it is available on paper, and it also precedes the documents on the film.\u003c/p\u003e","\u003cp\u003eIn 1983 Minnesota U.S. District Judge Miles Lord began hearing Dalkon Shield cases. By early 1984 he believed there were pertinent documents AHR had not produced during multi-district proceedings in the late 1970s and early 1980s. He, therefore, ordered a re-opening of discovery specifically for a number of categories, including correspondence with Aetna, AHR's insurance company, correspondence between certain top company officials and AHR lawyers, and documents relating to testing of Dalkon Shield safety. Furthermore, Lord appointed two attorneys to go to Richmond to supervise the production of these documents.\u003c/p\u003e\n","\u003cp\u003e  The Lord Responsive documents are available on microfilm reels 31-33. These document numbers appear at the end of the Source File Document Number Index, but since a substantial number of them did not pertain to Lord's order, or were privileged, there are not corresponding documents for all the numbers. An annotated copy of the Lord pages from the Index precedes the documents on the film, and there the researcher can determine which documents will appear.\u003c/p\u003e","\u003cp\u003eIn 1984 and early 1985 lawyers for Claire Zelius were preparing their case against AHR in Florida. The federal district court allowed them to seek additional Robins documents, principally unpublished scientific or medical studies on the Dalkon Shield tail string.\u003c/p\u003e\n","\u003cp\u003e  The Zelius Production documents are available on microfilm reels 34-41. The documents have been numbered, although there is no corresponding index for them in the Source Files index. Available on paper, and preceding the Zelius documents on microfilm, is an index which ties production date to a note book number, followed by another index which is a short list of doctors' names for depositions they gave in other cases.\u003c/p\u003e","\u003cp\u003eProduction commenced on the Dalkon Shield intrauterine device in 1968 under the direction of inventors Hugh Davis, gynecologist, and Irwin Lerner, electrical engineer. In early 1970 Davis and Lerner looked for a pharmaceutical company to market their product more widely, and by June of that year, AHR agreed to purchase it.\u003c/p\u003e\n","\u003cp\u003e  The Dalkon Shield came in two sizes: standard, for women who had already had children (multiparous), and small, for women who had never had children (nulliparous). Shaped somewhat like a law enforcement officer's badge, hence its name, the Shield had five fingers protruding along each side, so that it also looked somewhat like a crab. Tied to its base was a three-inch length of synthetic polyfilament otherwise used for surgical sutures. In the case of the Shield, this filament, called the tail string, was principally designed for easy removal of the IUD.\u003c/p\u003e\n","\u003cp\u003e  The A.H. Robins Company began production and sales in early 1971. Domestic sales were suspended in June of 1974, although foreign sales continued until August 1975. By the time sales ceased altogether, 3,600,000 Dalkon Shields had been sold worldwide.\u003c/p\u003e\n","\u003cp\u003e  This sub-series of 7 boxes (2.9 linear feet) consists of packets of standard and small Dalkon Shields produced by the Dalkon Corporation and by A.H. Robins Co. In addition there are examples of boxes in which the packets were distributed; instruction sheets for physicians and patients; publicity material; rolls of the tail string material, loose shields, and various instruments. Finally, there is a videotape made by the Dalkon Corporation to demonstrate insertion and placement of the Dalkon Shield.\u003c/p\u003e","\u003cp\u003eThis two-box collection (0.8 linear feet) of miscellaneous A. H. Robins Company documents, assembled by the Trust, provides a bird's eye view of the purchase, production, and sale of the Dalkon Shield from 1970 to 1985. All of these documents can be located in the Source Files, but researchers may find these two boxes provide a convenient, simple and accessible introduction to the history of Robins and the Shield.\u003c/p\u003e","\u003cp\u003eDuring the multi-district litigation proceedings from the late 1970s through the early 1980s, many employees of AHR were deposed, and their depositions made accessible to plaintiffs' lawyers all over the country. When the Trust set up the document depository for the use of claimants, the MDL depositions were included. In addition, depositions not under the aegis of the MDL panel, as well as a great deal of trial testimony of A. H. Robins employees, became part of the document depository. The Trust legal department also had a core collection of depositions, exhibits, etc. for their own attorneys' use in litigation. Materials in this series are principally on microfilm or videotape.\u003c/p\u003e","\u003cp\u003eIn 1976 when Bradley Post, on behalf of plaintiffs' attorneys, was seeking Robins documents for multi-district litigation, dozens of top officials in the A. H. Robins Co. were being deposed. The following Robins employees were deponents: Ernest L. Bender, Jr., Dr. John I. Brewer, John Leo Burke, Dr. A.N. Chremos, Dr. Fred A. Clark, Jr., Robert E. Cohn, Elderin Wayne Crowder, Dr. Hugh J. Davis, Dr. Roy William Dent, Thomas D. Downs, Dr. Thad J. Earl, Dorothy Kimball Ervin, William A. Forrest, Jr., Daniel Eugene French, Jack Freund, Edwin Hood, A.J. Kapadia, Oscar Klioze, Irwin Lerner, Frank William Mann, A. Edwin Martin, David Mefford, Kenneth Moore, C.E. Morton, Dr. Robert S. Murphey, Dr. Fletcher B. Owen, Jr., Allen Polon, Dr. Ellen Preston, Dr. Lester W. Preston, E.C. Robins, Melvin Rohling, W. Roy Smith, Ritchie Alan Snyder, Robert Walker Tankersley, Howard James Tatum, Dale Taylor, George E. Thomas, Roger Lewis Tuttle, Richard A. Velz, John Wesley Ward, Thomas C. Yu, and William L. Zimmer III.\u003c/p\u003e\n","\u003cp\u003e  Depositions were taken from 1976 through 1983. These transcripts, available on microfilm reels 42-55, are arranged alphabetically by deponent and then chronologically. Most depositions lasted from one to four consecutive days, although a few deponents were called back for a second time. Some depositions are followed by exhibits, summaries, and/or objections. An index precedes the documents on the microfilm.\u003c/p\u003e","\u003cp\u003eAt the same time of the MDL discovery process, Robins officials were being deposed for cases not included in the multi-district litigation. The following Robins employees were deponents: Jerald Eugene Adams, Frank Bedrick, Ernest L. Bender, Jr., Dr. Anne J. W. Board, Eleanor Bradley, Bob L. Brown, Jeneal D. Brummett, John Leo Burke, John S. Campana, Edward C. Casey, Robert F. Childs, Dr. A.N. Chremos, Charles F. Christopher, Eugenia Clark, Dr. Fred A. Clark, Jr., Ben Clarkson, Robert E. Cohn, Everett L. Cook, Thomas E. Costa, Carlyne Crotty, Elderin Wayne Crowder, Arthur R. Cummings, Darwin Carl Dahl, Dr. Hugh J. Davis, Charles T. Degolia, Dr. Roy William Dent, Jr., Erich De Romero, Calvin R. De Witt, Charles S. Donahue, Paul M. Duffy, Jr., Hartwell Durrance, Thomas D. Downs, Dr. Thad Joseph Earl, John A. Emerick, Dorothy Kimball Ervin, Jeanne Featherston, William A. Forrest, Jr., Daniel Eugene French, Dr. Jack Freund, Anne Friedman, John E. Gallapago, John T. Gaywood, Michael Gibb, Frank W. Gilbert, Donald Thomas Gillooly, Robert L. Gorvett, Lawrence Griffin, John Vincent Guiney, Ray Hanchey, William D. Hart, Jr., Norval Haugh, Dennis F. Heikka, Dr. E.B. Heilman, Doral Loren Hessman, Douglas Arthur Hewey, Robert A. Hogsett, Thomas B. Horne, Robert F. Hunley, David E. Jones, Herbert Joyce, Jr., Duwaine F. Kaufman, James W. Kennedy, Sidney M. Kessler, Louis Kilgore, Daniel Klimpel II, Oscar Klioze, David Mayer Koepke, John P. Kypriotis, Leonard Clayton Lacy, John P. Lage, Raymond L. Langston, Patricia Lashley, Irwin S. Lerner, Charles Hunter Leys, George Lobeck, Gene Ross Lucas, and Carl D. Lunsford.\u003c/p\u003e\n","\u003cp\u003e  Also, Frank William Mann, Jr., A. Edwin Martin, Joseph Mazzeo, Thomas J. McCarthy III, William D. McGehee, Otto McGilvrey, Allen Arthur McKeel, Olivia McMichael, James Gray McWhorter, David Mefford, James Frederick Miller, Clyde Moore, Kenneth E. Moore, Emily M. Morley, C.E. Morton, Dr. Robert S. Murphey, James M. Nisely, Edward Normandia, Terry G. Oakley, Roy Francis O'Hanley, Jr., Guy Edward O'Neal, John P. Onkey, Dr. Fletcher B. Owen, Jr., Jerry Paul Parker, William B. Plisco, Allen J. Polon, Dr. Ellen J. Preston, Dr. Lester W. Preston, Roscoe E. Puckett, Jr., Robert Lee Ramsay, E.C. Robins, Jr., E. Claiborne Robins, Sr., Julian Ross, Phillip Rudine, Raymond J. Russo, Carroll L. Saine, Philip J. Schmid, Walt W. Schoenberger, Stephen I. Schwartz, Thomas A. Schwartz, Leland Schweer, Stuart Shumate, Michael Silva, George Smith, Louis L. Smith, W. Roy Smith, William Smithdeal, Elmer A. Snyder, Sam Sparks, Hunter Spencer, George Stiles, Arthur M. Stranz, Stephen Richard Stubbs, Robert Walker Tankersley, August Tassan, Dr. Howard Tatum, Dale R. Taylor, John Trippe, Roger Lewis Tuttle, William S. Van Bezey, Richard A. Velz, Harris Wagenseil, John W. Ward, Robert Watts, Dale E. Weiss, James C. White, William T. Yale, Alan Young, Roland Younglin, and William L. Zimmer III.\u003c/p\u003e\n","\u003cp\u003e  These depositions were taken between 1975 and 1985. The transcripts, available on microfilm reels 55-82, are arranged alphabetically by deponent, and then by case name. Exhibits are sometimes included. An index precedes the documents on the microfilm.\u003c/p\u003e","\u003cp\u003eBradley Post helped the Trust select a number of cases for which the AHR company employees' trial testimony was particularly useful, and these documents became part of the Document Depository. The collection of trial testimony, available on microfilm reels 82-139, was divided in two groups arranged alphabetically by plaintiff's name.\u003c/p\u003e\n","\u003cp\u003e  The first collection of testimony is for the following plaintiffs' trials: Kyle Askeland, Delma R. Barnes and Debra Jean Clark, Marguerite Bryson, Consuella Bundy, Candyce L. Cabe, Nancy S. Carley, Colorado Consolidated, or Janette A. Hawkinson, et al., Valerie Dembrosky, Susan L. Dodge, Marsha Feldman, Susan Fitzpatrick, Laureen Ford, Laurie Jo Franz, Kay Hamilton, Gay Lynn Hertzler, Linda Johnson, Terri Johnson, Patrick Junkin, Nancy Kaye, Nancy Lewis, Carole Mansfield, Jayne Miller, Gayle McCann, Joan Price, Karen Clark Raine, Carol Ann Setter, Kim Elizabeth Shewan, Joyce A. Smith, Kay E. Swenson, Robert C. and Deborah Terhune, Rosemary Warner, Francis G. Williams, and Anna Wilkins.\u003c/p\u003e\n","\u003cp\u003e  The second collection of testimony is for the following plaintiffs' trials: Carin Linn Abramson, Miriam Breyer, Linda S. James Brown, Pamela Craig, Connie L. Deemer, Mary Ann Ducharme, Cynthia and Robert Fletzin, Mary Guenther, Martha E. Hahn, Linda and William Harre, Diane Hilliard, Regina and Keith Husbands, Cathy J. Maguire, Peggy Joan Mample, Sue and Wayne Mitchell, Rosalie Nunley, Carie M. Palmer, Janet and George Reif, Debbie Rohl, Elizabeth Rubin, Brenda Happke-Strempke, Loretta L. Tetuan, Pamela Van Duyn, and Sharon Worsham.\u003c/p\u003e\n","\u003cp\u003e  The transcripts, having come from a variety of courts, vary a good bit, but for each case it is easy to determine whose testimony is where.\u003c/p\u003e","\u003cp\u003eThe Trust had a large collection of videotaped depositions (51 videotapes) and trial testimony (177 videotapes) of AHR employees. They transferred to the library all the tapes on VHS format. Many of these tapes, dating from 1979 to 1985, have corresponding transcripts in the previous three sub-series, but some do not.\u003c/p\u003e","\u003cp\u003eThis collection of trial material, 9 boxes (3.75 linear feet), was created by Trust employees for use in litigation. Included are copies of pre-trial orders, exhibits, depositions, and videotapes of depositions (33 videotapes). For Robins litigation, McGuire, Woods had prepared a set of exhibits, and so the Trust prepared their own based upon the law firm's set.\u003c/p\u003e","\u003cp\u003e[videotapes of the edited depositions and testimonies are also available]\u003c/p\u003e","\u003cp\u003e[videotapes of Sparks and Tuttle also available]\u003c/p\u003e","\u003cp\u003eThis series of U.S. Food and Drug Administration files is comprised of 5 boxes (2.1 linear feet). During 1974 the FDA held several hearings investigating IUDs and septic abortions, and, specifically, the safety of the Dalkon Shield. In preparation for these investigations the agency asked AHR to present documents concerning production of their IUD. The documents the company provided make up part of this series. (Most, if not all of these documents, are also found in the Source Files.) Also included here are transcripts of various hearings. In 1983 the FDA received a request under the Freedom of Information Act to produce documents relating to AHR and the Dalkon Shield. Copies of those documents are also in this series.\u003c/p\u003e","\u003cp\u003eThis series is comprised of newspaper clippings in 9 boxes (3.75 linear feet) and videotapes of television shows concerning Dalkon Shield injuries and litigation. The clippings, dated 1974-1985, are arranged alphabetically by state and are preceded by an index.\u003c/p\u003e","\u003cp\u003eAHR filed for federal bankruptcy protection on August 21, 1985. The Trust kept on file each pleading that was entered in the case up through August of 2000. This series contains those pleadings. In addition, there is data on some of the lawsuits Robins resolved before bankruptcy. This data was studied by analyst Frances McGovern whose report is also included. Finally, there are transcripts of the estimation hearings.\u003c/p\u003e","\u003cp\u003eThe docket books for the AHR bankruptcy case contain, in order of filing, virtually all the pleadings entered between 1985 and 2000. In addition to the pleadings themselves in 416 three-ring notebooks (123 linear feet), there is a complete list of the documents providing the date each item was entered, its docket number, and the document's heading. Researchers must examine the list to determine the notebook-location of documents. Many of these documents also appear in other parts of the collection.\u003c/p\u003e","\u003cp\u003eThis series of 28 boxes (22.5 linear feet) is contains data derived from a sampling of cases A. H. Robins settled before bankruptcy proceedings began. In 1976 AHR created a Product Litigation System (PLS) to assist their lawyers in tracking Dalkon Shield claims and law suits. The master file in this database included the following information about a claim: claimant name; type of action; status of action; filing and resolution dates; insurance (Aetna) information; location of litigation; information about counsel; and resolution amounts.\u003c/p\u003e\n","\u003cp\u003e  About ten years later, during the claims estimation phase of the bankruptcy proceedings, AHR was asked to provide information on settled suits to assist in determining the company's liability for outstanding claims. By that time the PLS database held information on 9,500 resolved cases, of which 1,800 were selected for analysis. According to Francis McGovern, the court-appointed master of the study, the selection included 1,600 cases chosen at random, plus \"a stratified sample\" of the one hundred lowest and one hundred highest cases.\u003c/p\u003e\n","\u003cp\u003e  This new arrangement of resolved cases data presented eight categories of information: 1. Case Summary, which contained the master file data outlined above. 2. Dalkon Shield Use, providing basic information about use and type of injury. 3. Other Contraceptive Use, including dates and type. 4. Economic Damages, listing costs incurred by the claimant including work loss. 7. Statute of Limitation including date of claim, onset of injury, first consultation with attorney, state of residence. 8. Sexual History, including names of partners and dates of relationship. This information was followed by a medical history arranged by date and including information about symptoms, procedures performed, test and results.\u003c/p\u003e\n","\u003cp\u003e  In addition to the resolved cases, the McGovern study also involved analysis of questionnaires sent to about 6,000 claimants with pending claims. See Series VI Sub-series 1 Boxes 15-17 for a copy of the questionnaire along with additional information about the McGovern study.\u003c/p\u003e\n","\u003cp\u003e  The print-outs of the Resolved Cases Database are bound in twenty-six oversize volumes in Boxes 1-26. The names of the claimants and their partners have been obliterated, in order to protect their privacy. The volumes are open to research without restriction. Boxes 27 and 28 contain a copy of McGovern's final report titled\u003ctitle render=\"italic\" type=\"simple\"\u003eReport of the Dalkon Shield Claims' Estimation Process, June 15, 1988.\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eFrom November 5 to 11, 1987, Judges Merhige and Shelley held hearings at which the various interested parties presented their estimates of the dollar value of the outstanding claims. Each party had hired experts to examine the data McGovern had compiled, and the work of these experts was presented at the hearing. Thomas Florence conducted the analysis and prepared the estimation for AHR. Other estimates were presented on behalf of the claimants' committee, Aetna, the official committee representing AHR shareholders, and the unsecured creditors. One month later Judge Merhige, having reviewed the estimates which ranged from $1.2 to 7.2 billion, announced that AHR's liability to claimants was $2.475 billion.\u003c/p\u003e\n","\u003cp\u003e  On February 1, 1988, American Home Products agreed to acquire AHR, and on March 28, 1988 Robins filed its Sixth Amended and Restated Disclosure Statement Pursuant to Section 1125 of the Bankruptcy Code. This document begins with a summary of the case and a detailed overview of the settlement, followed by the Plan of Reorganization, the Claimants Trust and Other Claimants Trust Agreements, the Claims Resolution Facility, the Merger Agreement, and other documents. Along with letters of endorsement, relevant court orders and notices, and a ballot, the Disclosure Statement was mailed to all eligible claimants to vote on approval of the plan in late April 1988.\u003c/p\u003e\n","\u003cp\u003e  This sub-series of 4 boxes and 1 carton (2.9 linear feet) contains the transcript of the hearing, Thomas Florence's estimation report, AHR memoranda on statute of limitations filed with the court at the time of estimation, and a copy of the disclosure statement with accompanying letters of endorsement, court orders and notices.\u003c/p\u003e","\u003cp\u003eThe Dalkon Shield Claimants Trust opened in early 1988 with the appointment of five trustees, Barbara Blum, Kenneth Feinberg, Gene Locks, Stephen Saltzburg, and Ann Samani. The critical issue of how the Trust would be managed proved as controversial as most other aspects of the bankruptcy settlement. Consequently, within months disputes caused the resignations of Blum, Samani, and Locks. One of the new appointees, Georgene Vairo, eventually became chair of the Trust and remained in that post until it closed.\u003c/p\u003e\n","\u003cp\u003e  Meanwhile the trustees hired Michael Sheppard, clerk of the bankruptcy court in Richmond, as executive director of the Trust. Others administrators hired shortly thereafter included Teri Lovelace and Ann Peters. At its peak the Trust employed a staff of almost four hundred. The staff included attorneys to handle the anticipated legal issues. General Counsel, Linda Thomason, was assisted by a team consisting of Lynn Greer, Susan Manardo, and Patricia Powis whose job was to oversee and coordinate representation of the Trust in cases that went to arbitration or litigation. Richmond lawyers Michael W. Smith and Orran L. Brown were hired as outside counsel. The legal department grew along with the caseload. Assisting the Trust staff were attorneys chosen in regions throughout the U.S., and in other countries, as required to handle local litigation. In addition, local defense attorneys were hired on a case-by-case basis when a claim went to arbitration or litigation.\u003c/p\u003e\n","\u003cp\u003e  The papers of the Trust include the Central Records Library (CRL), the official staff files which document the innumerable mailings to claimants, claims processing, and other Trust administrative matters, as well as the Trustees' minutes. Although the collection does not contain the files of administrative heads of the Trust, some of their correspondence and inter-office communications can be found in the CRL. The collection does include the files of the Trust's outside counsel, Orran L. Brown.\u003c/p\u003e","\u003cp\u003eFile removed by DSCT, 2/2004\u003c/p\u003e","\u003cp\u003eFile removed by DSCT, 2/2004\u003c/p\u003e","\u003cp\u003eFile Removed by DSCT Team, 2/2004\u003c/p\u003e","\u003cp\u003eMailing list removed by DSCT Redaction Team, 2/2004\u003c/p\u003e","\u003cp\u003eMailing list removed by DSCT Redaction Team, 2/2004\u003c/p\u003e","\u003cp\u003eMailing list removed by DSCT Redaction Team, 2/2004\u003c/p\u003e","\u003cp\u003eMailing list removed by DSCT Redaction Team, 2/2004\u003c/p\u003e","\u003cp\u003eMailing list removed by DSCT Redaction Team, 2/2004\u003c/p\u003e","\u003cp\u003eMailing list removed by DSCT Redaction Team, 2/2004\u003c/p\u003e","\u003cp\u003eMailing list removed by DSCT Redaction Team, 2/2004\u003c/p\u003e","\u003cp\u003eMailing list removed by DSCT Redaction Team, 2/2004\u003c/p\u003e","\u003cp\u003eMailing list removed by DSCT Redaction Team, 2/2004\u003c/p\u003e","\u003cp\u003eMailing list removed by DSCT Redaction Team, 2/2004\u003c/p\u003e","\u003cp\u003eMailing list removed by DSCT Redaction Team, 2/2004\u003c/p\u003e","\u003cp\u003eMailing list in Oversize Box 144, removed by DSCT Redaction Team, 2/2004\u003c/p\u003e","\u003cp\u003eMailing list removed by DSCT Redaction Team, 2/2004\u003c/p\u003e","\u003cp\u003eMailing list removed by DSCT Redaction Team, 2/2004\u003c/p\u003e","\u003cp\u003eMailing list removed by DSCT Redaction Team, 2/2004\u003c/p\u003e","\u003cp\u003eMailing list removed by DSCT Redaction Team, 2/2004\u003c/p\u003e","\u003cp\u003eMailing list removed by DSCT Redaction Team, 2/2004\u003c/p\u003e","\u003cp\u003eMailing list removed by DSCT Redaction Team, 2/2004\u003c/p\u003e","\u003cp\u003eMailing list in folder no. 1 removed by DSCT Redaction Team, 2/2004\u003c/p\u003e","\u003cp\u003eMailing list removed by DSCT Redaction Team, 2/2004\u003c/p\u003e","\u003cp\u003eMailing list removed by DSCT Redaction Team, 2/2004\u003c/p\u003e","\u003cp\u003eMailing list removed by DSCT Redaction Team, 2/2004\u003c/p\u003e","\u003cp\u003eMailing list removed by DSCT Redaction Team, 2/2004\u003c/p\u003e","\u003cp\u003eMailing list removed by DSCT Redaction Team, 2/2004\u003c/p\u003e","\u003cp\u003eDocuments with claimant identification removed by DSCT Redaction Team, 2/2004\u003c/p\u003e","\u003cp\u003eMailing list removed by DSCT Redaction Team, 2/2004\u003c/p\u003e","\u003cp\u003eDocuments with claimant information removed by DSCT Redaction Team, 2/2004\u003c/p\u003e","\u003cp\u003eDocuments with claimant identification removed by DSCT Redaction Team, 2/2004\u003c/p\u003e","\u003cp\u003eFile removed by DSCT, 2/2004\u003c/p\u003e","\u003cp\u003e7 folders\u003c/p\u003e","\u003cp\u003eMailing list removed by DSCT Redaction Team, 2/2004\u003c/p\u003e","\u003cp\u003eFile removed by DSCT, 2/2004\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["In 1975 a Multi-District Litigation Panel was set up to consolidate over one hundred Dalkon Shield personal injury tort cases pending in federal district courts in over a third of the states. The pretrial proceedings were held before U. S. District Judge Frank Theis in Wichita, Kansas. Bradley Post, a Wichita lawyer who had represented Connie Deemer, the first woman to win a verdict against Robins for her Dalkon Shield injuries, was chosen lead lawyer in the consolidated cases. Post led the court-ordered discovery proceedings that ran from 1976 through the late 1970s and resumed in 1981 and 1982.","  AHR was ordered to produce copies of tens of thousands of documents and to store them at the Richmond offices of McGuire, Woods \u0026 Battle, the law firm handling its defense. The collection of documents became known as the Source Files. Documents in the following subject categories were requested, copied and numbered at various times from 1976 through 1982: Research \u0026 Development, Adverse Reaction, Manufacturing, Administration, Commercial, Government, International, FDA (Food and Drug Administration), and Bibliography.","  In 1991, by administrative order, the Trust was directed to \"maintain a document depository in Richmond, Virginia, containing substantially all documents which the Trust, using its best efforts, has identified as having been produced without qualification by Robins in pre-petition Dalkon Shield personal injury tort litigation.\" The depository, to be made accessible to claimants and their attorneys, was comprised of documents previously in the custody of McGuire, Woods and was located at Datastor, a facility on the east end of the city.","  The A.H. Robins Company documents consist of the master group, the Source Files, produced under the direction of Judge Frank Theis in the late 1970s and early 1980s. In addition, there are a number of subsets of the Source Files gathered and arranged by plaintiffs' attorneys, and additional documents produced under orders from other judges in the mid-1980s.","According to a Trust memorandum, (see notebook labeled Background Information re Document Depository), AHR and its attorneys began collecting, reviewing, and copying these documents, later known as the Source Files, as early as 1975. In 1976 when the Multi-District Litigation Panel was set up, the range of documents was expanded to include information on Robins' international sales, and on its interactions with Hugh Davis, Robert Cohn, Thad Earl, and Irwin S. Lerner. Plaintiffs involved in the MDL proceedings were allowed access to all documents that were not privileged. The copies, held in Richmond in the custody of McGuire, Woods, were made from the original documents.","  The Law Library completed a project begun sometime ago to convert the Source Files to microform. Documents 1 through 171, 245 are available on microfiche; and 171,246 through 211, 892, on microfilm. Researchers may gain access to the Source File documents through any of its four indexes: document number, document date, name of document writer, and document type and date. The indexes are in three-ring notebooks, and on microfilm reels 1 to 6.","  Two types of materials in the Source Files, numbers 189,673 through 207,502, are not in microform (4 cartons, 5 linear feet). The first are computer printouts of names and addresses of the 200,000 doctors to whom AHR wrote in the early 1980s, requesting removal of the Shield. Box 1 contains names and addresses for physicians in Colombia, Sweden, The Netherlands, South Africa, and Australia; Box 2, for Mexico, Philippines, Germany, Denmark, Finland, France, and Venezuela; and Box 3, for the United States. Second, in Box 4, is a collection of used Dalkon Shields sent back to AHR by Thad Earl, David Ostergard, and other doctors.","The MDL Chrono Files are a chronological arrangement of 1300 of some of the more important documents from the Source Files and were offered in evidence during the1976-1978 MDL discovery proceedings. The date range of the Chrono Files is 1938 to 1977, with the bulk of the documents falling between 1971 and 1975. In some cases the copy in the Chrono Files is more legible than the one in the Source Files.","  There is no list or index for the Chrono Files. Boxed with the files was a subject index to the first 183,000 SF documents; this index which pairs Source File number with subject was prepared in 1979. The Chrono Files are available on microfilm reels 19-22, as well as on paper in Boxes 1-6 (2.5 linear feet).","Bradley Post preserved a set of selected Robins Source File documents which he had submitted as evidence in a case around 1979. The Post documents are arranged chronologically and numbered 1 to 836 in the upper left corner; the Source File number is visible in the lower left corner. The date range is 1938 to 1979, with bulk dates of 1971 to 1975. The Post documents are available on microfilm reels 22 and 23. A list of numbered Post documents providing extensive information about each entry is available on paper and also precedes the documents on the film.","In 1983 Robins, Zelle, Larson \u0026 Kaplan, a large firm in Minneapolis acquired about two hundred Dalkon Shield cases from another practice, and the firm appointed experienced plaintiffs' attorneys Dale Larson and Michael Ciresi to handle them. For the case of Shirley Dean v. A. H. Robins, the lawyers submitted as evidence 3,789 documents they had chosen from the Robins Source Files. Those documents comprise this subset and are arranged chronologically and numbered 1 to 3,789, usually near the top of the first page of the document; the Source File number is visible in the lower left corner. The dates range from 1938 to 1984, but are concentrated in the years 1970 to 1980. The Robins, Zelle documents are available on microfilm reels 23-31. The list of numbered Robins, Zelle documents provides extensive information about each entry; it is available on paper, and it also precedes the documents on the film.","In 1983 Minnesota U.S. District Judge Miles Lord began hearing Dalkon Shield cases. By early 1984 he believed there were pertinent documents AHR had not produced during multi-district proceedings in the late 1970s and early 1980s. He, therefore, ordered a re-opening of discovery specifically for a number of categories, including correspondence with Aetna, AHR's insurance company, correspondence between certain top company officials and AHR lawyers, and documents relating to testing of Dalkon Shield safety. Furthermore, Lord appointed two attorneys to go to Richmond to supervise the production of these documents.","  The Lord Responsive documents are available on microfilm reels 31-33. These document numbers appear at the end of the Source File Document Number Index, but since a substantial number of them did not pertain to Lord's order, or were privileged, there are not corresponding documents for all the numbers. An annotated copy of the Lord pages from the Index precedes the documents on the film, and there the researcher can determine which documents will appear.","In 1984 and early 1985 lawyers for Claire Zelius were preparing their case against AHR in Florida. The federal district court allowed them to seek additional Robins documents, principally unpublished scientific or medical studies on the Dalkon Shield tail string.","  The Zelius Production documents are available on microfilm reels 34-41. The documents have been numbered, although there is no corresponding index for them in the Source Files index. Available on paper, and preceding the Zelius documents on microfilm, is an index which ties production date to a note book number, followed by another index which is a short list of doctors' names for depositions they gave in other cases.","Production commenced on the Dalkon Shield intrauterine device in 1968 under the direction of inventors Hugh Davis, gynecologist, and Irwin Lerner, electrical engineer. In early 1970 Davis and Lerner looked for a pharmaceutical company to market their product more widely, and by June of that year, AHR agreed to purchase it.","  The Dalkon Shield came in two sizes: standard, for women who had already had children (multiparous), and small, for women who had never had children (nulliparous). Shaped somewhat like a law enforcement officer's badge, hence its name, the Shield had five fingers protruding along each side, so that it also looked somewhat like a crab. Tied to its base was a three-inch length of synthetic polyfilament otherwise used for surgical sutures. In the case of the Shield, this filament, called the tail string, was principally designed for easy removal of the IUD.","  The A.H. Robins Company began production and sales in early 1971. Domestic sales were suspended in June of 1974, although foreign sales continued until August 1975. By the time sales ceased altogether, 3,600,000 Dalkon Shields had been sold worldwide.","  This sub-series of 7 boxes (2.9 linear feet) consists of packets of standard and small Dalkon Shields produced by the Dalkon Corporation and by A.H. Robins Co. In addition there are examples of boxes in which the packets were distributed; instruction sheets for physicians and patients; publicity material; rolls of the tail string material, loose shields, and various instruments. Finally, there is a videotape made by the Dalkon Corporation to demonstrate insertion and placement of the Dalkon Shield.","This two-box collection (0.8 linear feet) of miscellaneous A. H. Robins Company documents, assembled by the Trust, provides a bird's eye view of the purchase, production, and sale of the Dalkon Shield from 1970 to 1985. All of these documents can be located in the Source Files, but researchers may find these two boxes provide a convenient, simple and accessible introduction to the history of Robins and the Shield.","During the multi-district litigation proceedings from the late 1970s through the early 1980s, many employees of AHR were deposed, and their depositions made accessible to plaintiffs' lawyers all over the country. When the Trust set up the document depository for the use of claimants, the MDL depositions were included. In addition, depositions not under the aegis of the MDL panel, as well as a great deal of trial testimony of A. H. Robins employees, became part of the document depository. The Trust legal department also had a core collection of depositions, exhibits, etc. for their own attorneys' use in litigation. Materials in this series are principally on microfilm or videotape.","In 1976 when Bradley Post, on behalf of plaintiffs' attorneys, was seeking Robins documents for multi-district litigation, dozens of top officials in the A. H. Robins Co. were being deposed. The following Robins employees were deponents: Ernest L. Bender, Jr., Dr. John I. Brewer, John Leo Burke, Dr. A.N. Chremos, Dr. Fred A. Clark, Jr., Robert E. Cohn, Elderin Wayne Crowder, Dr. Hugh J. Davis, Dr. Roy William Dent, Thomas D. Downs, Dr. Thad J. Earl, Dorothy Kimball Ervin, William A. Forrest, Jr., Daniel Eugene French, Jack Freund, Edwin Hood, A.J. Kapadia, Oscar Klioze, Irwin Lerner, Frank William Mann, A. Edwin Martin, David Mefford, Kenneth Moore, C.E. Morton, Dr. Robert S. Murphey, Dr. Fletcher B. Owen, Jr., Allen Polon, Dr. Ellen Preston, Dr. Lester W. Preston, E.C. Robins, Melvin Rohling, W. Roy Smith, Ritchie Alan Snyder, Robert Walker Tankersley, Howard James Tatum, Dale Taylor, George E. Thomas, Roger Lewis Tuttle, Richard A. Velz, John Wesley Ward, Thomas C. Yu, and William L. Zimmer III.","  Depositions were taken from 1976 through 1983. These transcripts, available on microfilm reels 42-55, are arranged alphabetically by deponent and then chronologically. Most depositions lasted from one to four consecutive days, although a few deponents were called back for a second time. Some depositions are followed by exhibits, summaries, and/or objections. An index precedes the documents on the microfilm.","At the same time of the MDL discovery process, Robins officials were being deposed for cases not included in the multi-district litigation. The following Robins employees were deponents: Jerald Eugene Adams, Frank Bedrick, Ernest L. Bender, Jr., Dr. Anne J. W. Board, Eleanor Bradley, Bob L. Brown, Jeneal D. Brummett, John Leo Burke, John S. Campana, Edward C. Casey, Robert F. Childs, Dr. A.N. Chremos, Charles F. Christopher, Eugenia Clark, Dr. Fred A. Clark, Jr., Ben Clarkson, Robert E. Cohn, Everett L. Cook, Thomas E. Costa, Carlyne Crotty, Elderin Wayne Crowder, Arthur R. Cummings, Darwin Carl Dahl, Dr. Hugh J. Davis, Charles T. Degolia, Dr. Roy William Dent, Jr., Erich De Romero, Calvin R. De Witt, Charles S. Donahue, Paul M. Duffy, Jr., Hartwell Durrance, Thomas D. Downs, Dr. Thad Joseph Earl, John A. Emerick, Dorothy Kimball Ervin, Jeanne Featherston, William A. Forrest, Jr., Daniel Eugene French, Dr. Jack Freund, Anne Friedman, John E. Gallapago, John T. Gaywood, Michael Gibb, Frank W. Gilbert, Donald Thomas Gillooly, Robert L. Gorvett, Lawrence Griffin, John Vincent Guiney, Ray Hanchey, William D. Hart, Jr., Norval Haugh, Dennis F. Heikka, Dr. E.B. Heilman, Doral Loren Hessman, Douglas Arthur Hewey, Robert A. Hogsett, Thomas B. Horne, Robert F. Hunley, David E. Jones, Herbert Joyce, Jr., Duwaine F. Kaufman, James W. Kennedy, Sidney M. Kessler, Louis Kilgore, Daniel Klimpel II, Oscar Klioze, David Mayer Koepke, John P. Kypriotis, Leonard Clayton Lacy, John P. Lage, Raymond L. Langston, Patricia Lashley, Irwin S. Lerner, Charles Hunter Leys, George Lobeck, Gene Ross Lucas, and Carl D. Lunsford.","  Also, Frank William Mann, Jr., A. Edwin Martin, Joseph Mazzeo, Thomas J. McCarthy III, William D. McGehee, Otto McGilvrey, Allen Arthur McKeel, Olivia McMichael, James Gray McWhorter, David Mefford, James Frederick Miller, Clyde Moore, Kenneth E. Moore, Emily M. Morley, C.E. Morton, Dr. Robert S. Murphey, James M. Nisely, Edward Normandia, Terry G. Oakley, Roy Francis O'Hanley, Jr., Guy Edward O'Neal, John P. Onkey, Dr. Fletcher B. Owen, Jr., Jerry Paul Parker, William B. Plisco, Allen J. Polon, Dr. Ellen J. Preston, Dr. Lester W. Preston, Roscoe E. Puckett, Jr., Robert Lee Ramsay, E.C. Robins, Jr., E. Claiborne Robins, Sr., Julian Ross, Phillip Rudine, Raymond J. Russo, Carroll L. Saine, Philip J. Schmid, Walt W. Schoenberger, Stephen I. Schwartz, Thomas A. Schwartz, Leland Schweer, Stuart Shumate, Michael Silva, George Smith, Louis L. Smith, W. Roy Smith, William Smithdeal, Elmer A. Snyder, Sam Sparks, Hunter Spencer, George Stiles, Arthur M. Stranz, Stephen Richard Stubbs, Robert Walker Tankersley, August Tassan, Dr. Howard Tatum, Dale R. Taylor, John Trippe, Roger Lewis Tuttle, William S. Van Bezey, Richard A. Velz, Harris Wagenseil, John W. Ward, Robert Watts, Dale E. Weiss, James C. White, William T. Yale, Alan Young, Roland Younglin, and William L. Zimmer III.","  These depositions were taken between 1975 and 1985. The transcripts, available on microfilm reels 55-82, are arranged alphabetically by deponent, and then by case name. Exhibits are sometimes included. An index precedes the documents on the microfilm.","Bradley Post helped the Trust select a number of cases for which the AHR company employees' trial testimony was particularly useful, and these documents became part of the Document Depository. The collection of trial testimony, available on microfilm reels 82-139, was divided in two groups arranged alphabetically by plaintiff's name.","  The first collection of testimony is for the following plaintiffs' trials: Kyle Askeland, Delma R. Barnes and Debra Jean Clark, Marguerite Bryson, Consuella Bundy, Candyce L. Cabe, Nancy S. Carley, Colorado Consolidated, or Janette A. Hawkinson, et al., Valerie Dembrosky, Susan L. Dodge, Marsha Feldman, Susan Fitzpatrick, Laureen Ford, Laurie Jo Franz, Kay Hamilton, Gay Lynn Hertzler, Linda Johnson, Terri Johnson, Patrick Junkin, Nancy Kaye, Nancy Lewis, Carole Mansfield, Jayne Miller, Gayle McCann, Joan Price, Karen Clark Raine, Carol Ann Setter, Kim Elizabeth Shewan, Joyce A. Smith, Kay E. Swenson, Robert C. and Deborah Terhune, Rosemary Warner, Francis G. Williams, and Anna Wilkins.","  The second collection of testimony is for the following plaintiffs' trials: Carin Linn Abramson, Miriam Breyer, Linda S. James Brown, Pamela Craig, Connie L. Deemer, Mary Ann Ducharme, Cynthia and Robert Fletzin, Mary Guenther, Martha E. Hahn, Linda and William Harre, Diane Hilliard, Regina and Keith Husbands, Cathy J. Maguire, Peggy Joan Mample, Sue and Wayne Mitchell, Rosalie Nunley, Carie M. Palmer, Janet and George Reif, Debbie Rohl, Elizabeth Rubin, Brenda Happke-Strempke, Loretta L. Tetuan, Pamela Van Duyn, and Sharon Worsham.","  The transcripts, having come from a variety of courts, vary a good bit, but for each case it is easy to determine whose testimony is where.","The Trust had a large collection of videotaped depositions (51 videotapes) and trial testimony (177 videotapes) of AHR employees. They transferred to the library all the tapes on VHS format. Many of these tapes, dating from 1979 to 1985, have corresponding transcripts in the previous three sub-series, but some do not.","This collection of trial material, 9 boxes (3.75 linear feet), was created by Trust employees for use in litigation. Included are copies of pre-trial orders, exhibits, depositions, and videotapes of depositions (33 videotapes). For Robins litigation, McGuire, Woods had prepared a set of exhibits, and so the Trust prepared their own based upon the law firm's set.","[videotapes of the edited depositions and testimonies are also available]","[videotapes of Sparks and Tuttle also available]","This series of U.S. Food and Drug Administration files is comprised of 5 boxes (2.1 linear feet). During 1974 the FDA held several hearings investigating IUDs and septic abortions, and, specifically, the safety of the Dalkon Shield. In preparation for these investigations the agency asked AHR to present documents concerning production of their IUD. The documents the company provided make up part of this series. (Most, if not all of these documents, are also found in the Source Files.) Also included here are transcripts of various hearings. In 1983 the FDA received a request under the Freedom of Information Act to produce documents relating to AHR and the Dalkon Shield. Copies of those documents are also in this series.","This series is comprised of newspaper clippings in 9 boxes (3.75 linear feet) and videotapes of television shows concerning Dalkon Shield injuries and litigation. The clippings, dated 1974-1985, are arranged alphabetically by state and are preceded by an index.","AHR filed for federal bankruptcy protection on August 21, 1985. The Trust kept on file each pleading that was entered in the case up through August of 2000. This series contains those pleadings. In addition, there is data on some of the lawsuits Robins resolved before bankruptcy. This data was studied by analyst Frances McGovern whose report is also included. Finally, there are transcripts of the estimation hearings.","The docket books for the AHR bankruptcy case contain, in order of filing, virtually all the pleadings entered between 1985 and 2000. In addition to the pleadings themselves in 416 three-ring notebooks (123 linear feet), there is a complete list of the documents providing the date each item was entered, its docket number, and the document's heading. Researchers must examine the list to determine the notebook-location of documents. Many of these documents also appear in other parts of the collection.","This series of 28 boxes (22.5 linear feet) is contains data derived from a sampling of cases A. H. Robins settled before bankruptcy proceedings began. In 1976 AHR created a Product Litigation System (PLS) to assist their lawyers in tracking Dalkon Shield claims and law suits. The master file in this database included the following information about a claim: claimant name; type of action; status of action; filing and resolution dates; insurance (Aetna) information; location of litigation; information about counsel; and resolution amounts.","  About ten years later, during the claims estimation phase of the bankruptcy proceedings, AHR was asked to provide information on settled suits to assist in determining the company's liability for outstanding claims. By that time the PLS database held information on 9,500 resolved cases, of which 1,800 were selected for analysis. According to Francis McGovern, the court-appointed master of the study, the selection included 1,600 cases chosen at random, plus \"a stratified sample\" of the one hundred lowest and one hundred highest cases.","  This new arrangement of resolved cases data presented eight categories of information: 1. Case Summary, which contained the master file data outlined above. 2. Dalkon Shield Use, providing basic information about use and type of injury. 3. Other Contraceptive Use, including dates and type. 4. Economic Damages, listing costs incurred by the claimant including work loss. 7. Statute of Limitation including date of claim, onset of injury, first consultation with attorney, state of residence. 8. Sexual History, including names of partners and dates of relationship. This information was followed by a medical history arranged by date and including information about symptoms, procedures performed, test and results.","  In addition to the resolved cases, the McGovern study also involved analysis of questionnaires sent to about 6,000 claimants with pending claims. See Series VI Sub-series 1 Boxes 15-17 for a copy of the questionnaire along with additional information about the McGovern study.","  The print-outs of the Resolved Cases Database are bound in twenty-six oversize volumes in Boxes 1-26. The names of the claimants and their partners have been obliterated, in order to protect their privacy. The volumes are open to research without restriction. Boxes 27 and 28 contain a copy of McGovern's final report titled Report of the Dalkon Shield Claims' Estimation Process, June 15, 1988.","From November 5 to 11, 1987, Judges Merhige and Shelley held hearings at which the various interested parties presented their estimates of the dollar value of the outstanding claims. Each party had hired experts to examine the data McGovern had compiled, and the work of these experts was presented at the hearing. Thomas Florence conducted the analysis and prepared the estimation for AHR. Other estimates were presented on behalf of the claimants' committee, Aetna, the official committee representing AHR shareholders, and the unsecured creditors. One month later Judge Merhige, having reviewed the estimates which ranged from $1.2 to 7.2 billion, announced that AHR's liability to claimants was $2.475 billion.","  On February 1, 1988, American Home Products agreed to acquire AHR, and on March 28, 1988 Robins filed its Sixth Amended and Restated Disclosure Statement Pursuant to Section 1125 of the Bankruptcy Code. This document begins with a summary of the case and a detailed overview of the settlement, followed by the Plan of Reorganization, the Claimants Trust and Other Claimants Trust Agreements, the Claims Resolution Facility, the Merger Agreement, and other documents. Along with letters of endorsement, relevant court orders and notices, and a ballot, the Disclosure Statement was mailed to all eligible claimants to vote on approval of the plan in late April 1988.","  This sub-series of 4 boxes and 1 carton (2.9 linear feet) contains the transcript of the hearing, Thomas Florence's estimation report, AHR memoranda on statute of limitations filed with the court at the time of estimation, and a copy of the disclosure statement with accompanying letters of endorsement, court orders and notices.","The Dalkon Shield Claimants Trust opened in early 1988 with the appointment of five trustees, Barbara Blum, Kenneth Feinberg, Gene Locks, Stephen Saltzburg, and Ann Samani. The critical issue of how the Trust would be managed proved as controversial as most other aspects of the bankruptcy settlement. Consequently, within months disputes caused the resignations of Blum, Samani, and Locks. One of the new appointees, Georgene Vairo, eventually became chair of the Trust and remained in that post until it closed.","  Meanwhile the trustees hired Michael Sheppard, clerk of the bankruptcy court in Richmond, as executive director of the Trust. Others administrators hired shortly thereafter included Teri Lovelace and Ann Peters. At its peak the Trust employed a staff of almost four hundred. The staff included attorneys to handle the anticipated legal issues. General Counsel, Linda Thomason, was assisted by a team consisting of Lynn Greer, Susan Manardo, and Patricia Powis whose job was to oversee and coordinate representation of the Trust in cases that went to arbitration or litigation. Richmond lawyers Michael W. Smith and Orran L. Brown were hired as outside counsel. The legal department grew along with the caseload. Assisting the Trust staff were attorneys chosen in regions throughout the U.S., and in other countries, as required to handle local litigation. In addition, local defense attorneys were hired on a case-by-case basis when a claim went to arbitration or litigation.","  The papers of the Trust include the Central Records Library (CRL), the official staff files which document the innumerable mailings to claimants, claims processing, and other Trust administrative matters, as well as the Trustees' minutes. Although the collection does not contain the files of administrative heads of the Trust, some of their correspondence and inter-office communications can be found in the CRL. The collection does include the files of the Trust's outside counsel, Orran L. Brown.","File removed by DSCT, 2/2004","File removed by DSCT, 2/2004","File Removed by DSCT Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list in Oversize Box 144, removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list in folder no. 1 removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Documents with claimant identification removed by DSCT Redaction Team, 2/2004","Mailing list removed by DSCT Redaction Team, 2/2004","Documents with claimant information removed by DSCT Redaction Team, 2/2004","Documents with claimant identification removed by DSCT Redaction Team, 2/2004","File removed by DSCT, 2/2004","7 folders","Mailing list removed by DSCT Redaction Team, 2/2004","File removed by DSCT, 2/2004"],"userestrict_html_tesm":["\u003cp\u003eMultiple individuals and corporate bodies created the materials in the Dalkon Shield Claimants Trust collection and copyright status varies across the collection.\u003c/p\u003e\n","\u003cp\u003eAny rights (including copyright and related rights to publicity and privacy) held by the Dalkon Shield Claimants Trust (DSCT) were transferred to the University of Virginia in 2000 by the United States Bankruptcy Court for the Eastern District of Virginia, Richmond Division. Permission to publish or reproduce materials created by the DSCT must be secured from the University of Virginia.\u003c/p\u003e\n","\u003cp\u003eOther materials may be protected by copyright and/or related rights. The University of Virginia is not authorized to grant permission to publish or reproduce these items. \u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Multiple individuals and corporate bodies created the materials in the Dalkon Shield Claimants Trust collection and copyright status varies across the collection.","Any rights (including copyright and related rights to publicity and privacy) held by the Dalkon Shield Claimants Trust (DSCT) were transferred to the University of Virginia in 2000 by the United States Bankruptcy Court for the Eastern District of Virginia, Richmond Division. Permission to publish or reproduce materials created by the DSCT must be secured from the University of Virginia.","Other materials may be protected by copyright and/or related rights. The University of Virginia is not authorized to grant permission to publish or reproduce these items. "],"names_coll_ssim":["Dalkon Shield Claimants Trust","A. H. Robins Company"],"names_ssim":["Arthur J. Morris Law Library Special Collections","Dalkon Shield Claimants Trust","A. H. Robins Company"],"corpname_ssim":["Arthur J. Morris Law Library Special Collections","Dalkon Shield Claimants Trust","A. H. Robins Company"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":824,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:34:46.863Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_4_resources_87_c02_c02_c01"}},{"id":"viblbv_repositories_2_resources_1974_c04_c30","type":"File","attributes":{"title":"1st Virginia Artillery","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c30#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1974_c04_c30","ref_ssm":["viblbv_repositories_2_resources_1974_c04_c30"],"id":"viblbv_repositories_2_resources_1974_c04_c30","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974_c04","parent_ssi":"viblbv_repositories_2_resources_1974_c04","parent_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_ids_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_unittitles_ssm":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"parent_unittitles_tesim":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"text":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records","1st Virginia Artillery","box 40","folder 35"],"title_filing_ssi":"1st Virginia Artillery","title_ssm":["1st Virginia Artillery"],"title_tesim":["1st Virginia Artillery"],"unitdate_inclusive_ssm":["n.d., 1864, 1979"],"normalized_date_ssm":["1864/1979"],"normalized_title_ssm":["1st Virginia Artillery"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["James I. Robertson Jr. Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":376,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"containers_ssim":["box 40","folder 35"],"_nest_path_":"/components#3/components#29","timestamp":"2026-05-21T02:15:46.743Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1974","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1974.xml","title_filing_ssi":"Robertson, James I., Papers","title_ssm":["James I. Robertson Jr. Papers"],"title_tesim":["James I. Robertson Jr. Papers"],"unitdate_ssm":["1849-2011"],"unitdate_inclusive_ssm":["1849-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1994.021"],"text":["Ms.1994.021","James I. Robertson Jr. Papers","Virginia","Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History","Collection is open to research.","Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. ","American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. ","The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.","The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","Introduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865","with corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House","with corrections by Richard Harwell","with corrections by Richard Harwell","with corrections by Beth Brown","with corrections by Richard Harwell","with corrections by Ed Raus","with corrections by Robert Krick and Ed Raus","with corrections by Richard Harwell","with corrections by Dennis Frye","with corrections by Richard Harwell","with corrections by author","with corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown","with corrections by Beth Brown and Chris Calkins","with author's final corrections; 4 folders","with publisher's final corrections; 2 folders","with publisher's comments","with corrections by author","with corrections by Ludwell Johnson (chapters 1-5 only)","with corrections by Charles Roland","with corrections by Gary Gallagher","with publisher's comments; 2 folders","incorporating publisher's revisions","with publisher's comments; 2 folders","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by unidentified person","with corrections by unidentified person","limited edition signed print by Brian Kraus","The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr.","The materials in the collection are in English."],"unitid_tesim":["Ms.1994.021"],"normalized_title_ssm":["James I. Robertson Jr. Papers"],"collection_title_tesim":["James I. Robertson Jr. Papers"],"collection_ssim":["James I. Robertson Jr. Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Virginia"],"geogname_ssim":["Virginia"],"creator_ssm":["Robertson, James I., Jr."],"creator_ssim":["Robertson, James I., Jr."],"creator_persname_ssim":["Robertson, James I., Jr."],"creators_ssim":["Robertson, James I., Jr."],"places_ssim":["Virginia"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Robertson Papers were donated by James I. and Elizabeth Robertson in several accessions from 1992 until 2016."],"access_subjects_ssim":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"access_subjects_ssm":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"has_online_content_ssim":["false"],"extent_ssm":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"extent_tesim":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries I: Writings, 1981-2004\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for \u003ctitle render=\"italic\"\u003eJackson \u0026amp; Lee\u003c/title\u003e, for example, contains only a typescript draft of a single chapter. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries II: General Materials, 1862-1996\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries III: Virginia County Records, 1852-2005\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries IV: Virginia Unit Records, 1849-2011\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries V: Oversize Materials, [1982?]-2000, n.d.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. "],"bioghist_html_tesm":["\u003cp\u003eAmerican Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. \u003c/p\u003e\n","\u003cp\u003eRobertson has authored many award-winning scholarly books on Civil War-related topics, including \u003ctitle render=\"italic\"\u003eSoldiers Blue and Gray\u003c/title\u003e (1988) (nominated for the Pulitzer Prize in History), \u003ctitle render=\"italic\"\u003eCivil War Virginia: Battleground for a Nation\u003c/title\u003e (1991), \u003ctitle render=\"italic\"\u003eGeneral A. P. Hill: The Story of a Confederate Warrior\u003c/title\u003e; and \u003ctitle render=\"italic\"\u003eStonewall Jackson: The Man, the Soldier, the Legend\u003c/title\u003e (1997). He has also written two books for younger readers: \u003ctitle render=\"italic\"\u003eCivil War! America Becomes One Nation\u003c/title\u003e (1992) and \u003ctitle render=\"italic\"\u003eStanding Like a Stone Wall: the Life of General Thomas J. Jackson\u003c/title\u003e (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. "],"odd_html_tesm":["\u003cp\u003eThe guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eAccession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. 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Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.\u003c/p\u003e","\u003cp\u003eIntroduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865\u003c/p\u003e","\u003cp\u003ewith corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Beth Brown\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Ed Raus\u003c/p\u003e","\u003cp\u003ewith corrections by Robert Krick and Ed Raus\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Dennis Frye\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown\u003c/p\u003e","\u003cp\u003ewith corrections by Beth Brown and Chris Calkins\u003c/p\u003e","\u003cp\u003ewith author's final corrections; 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Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","Introduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865","with corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House","with corrections by Richard Harwell","with corrections by Richard Harwell","with corrections by Beth Brown","with corrections by Richard Harwell","with corrections by Ed Raus","with corrections by Robert Krick and Ed Raus","with corrections by Richard Harwell","with corrections by Dennis Frye","with corrections by Richard Harwell","with corrections by author","with corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown","with corrections by Beth Brown and Chris Calkins","with author's final corrections; 4 folders","with publisher's final corrections; 2 folders","with publisher's comments","with corrections by author","with corrections by Ludwell Johnson (chapters 1-5 only)","with corrections by Charles Roland","with corrections by Gary Gallagher","with publisher's comments; 2 folders","incorporating publisher's revisions","with publisher's comments; 2 folders","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by unidentified person","with corrections by unidentified person","limited edition signed print by Brian Kraus"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:\u003c/p\u003e\n","\u003cp\u003eBarringer, Paul B. \u003ctitle render=\"italic\"\u003eNarrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968\u003c/title\u003e ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eEchoes of 1861-1961\u003c/title\u003e ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eThe Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table\u003c/title\u003e ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eWilshin, Francis. \u003ctitle render=\"italic\"\u003eManassas (Bull Run) National Battlefield Park, Virginia\u003c/title\u003e (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_591a58887f476736372340a2230c0d66\" label=\"Abstract\"\u003eThis collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park."],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Robertson, James I., Jr."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":516,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:15:46.743Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c30"}},{"id":"viblbv_repositories_2_resources_1974_c04_c56","type":"File","attributes":{"title":"1st Virginia Cavalry","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c56#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1974_c04_c56","ref_ssm":["viblbv_repositories_2_resources_1974_c04_c56"],"id":"viblbv_repositories_2_resources_1974_c04_c56","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974_c04","parent_ssi":"viblbv_repositories_2_resources_1974_c04","parent_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_ids_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_unittitles_ssm":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"parent_unittitles_tesim":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"text":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records","1st Virginia Cavalry","box 40","folder 61"],"title_filing_ssi":"1st Virginia Cavalry","title_ssm":["1st Virginia Cavalry"],"title_tesim":["1st Virginia Cavalry"],"unitdate_inclusive_ssm":["n.d., 1861-1865, 1905, 1968-1969, 1996"],"normalized_date_ssm":["1861/1996"],"normalized_title_ssm":["1st Virginia Cavalry"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["James I. Robertson Jr. Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":402,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996],"containers_ssim":["box 40","folder 61"],"_nest_path_":"/components#3/components#55","timestamp":"2026-05-21T02:15:46.743Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1974","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1974.xml","title_filing_ssi":"Robertson, James I., Papers","title_ssm":["James I. Robertson Jr. Papers"],"title_tesim":["James I. Robertson Jr. Papers"],"unitdate_ssm":["1849-2011"],"unitdate_inclusive_ssm":["1849-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1994.021"],"text":["Ms.1994.021","James I. Robertson Jr. Papers","Virginia","Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History","Collection is open to research.","Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. ","American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. ","The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.","The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","Introduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865","with corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House","with corrections by Richard Harwell","with corrections by Richard Harwell","with corrections by Beth Brown","with corrections by Richard Harwell","with corrections by Ed Raus","with corrections by Robert Krick and Ed Raus","with corrections by Richard Harwell","with corrections by Dennis Frye","with corrections by Richard Harwell","with corrections by author","with corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown","with corrections by Beth Brown and Chris Calkins","with author's final corrections; 4 folders","with publisher's final corrections; 2 folders","with publisher's comments","with corrections by author","with corrections by Ludwell Johnson (chapters 1-5 only)","with corrections by Charles Roland","with corrections by Gary Gallagher","with publisher's comments; 2 folders","incorporating publisher's revisions","with publisher's comments; 2 folders","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by unidentified person","with corrections by unidentified person","limited edition signed print by Brian Kraus","The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr.","The materials in the collection are in English."],"unitid_tesim":["Ms.1994.021"],"normalized_title_ssm":["James I. Robertson Jr. Papers"],"collection_title_tesim":["James I. Robertson Jr. Papers"],"collection_ssim":["James I. Robertson Jr. Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Virginia"],"geogname_ssim":["Virginia"],"creator_ssm":["Robertson, James I., Jr."],"creator_ssim":["Robertson, James I., Jr."],"creator_persname_ssim":["Robertson, James I., Jr."],"creators_ssim":["Robertson, James I., Jr."],"places_ssim":["Virginia"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Robertson Papers were donated by James I. and Elizabeth Robertson in several accessions from 1992 until 2016."],"access_subjects_ssim":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"access_subjects_ssm":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"has_online_content_ssim":["false"],"extent_ssm":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"extent_tesim":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries I: Writings, 1981-2004\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for \u003ctitle render=\"italic\"\u003eJackson \u0026amp; Lee\u003c/title\u003e, for example, contains only a typescript draft of a single chapter. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries II: General Materials, 1862-1996\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries III: Virginia County Records, 1852-2005\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries IV: Virginia Unit Records, 1849-2011\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries V: Oversize Materials, [1982?]-2000, n.d.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. "],"bioghist_html_tesm":["\u003cp\u003eAmerican Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. \u003c/p\u003e\n","\u003cp\u003eRobertson has authored many award-winning scholarly books on Civil War-related topics, including \u003ctitle render=\"italic\"\u003eSoldiers Blue and Gray\u003c/title\u003e (1988) (nominated for the Pulitzer Prize in History), \u003ctitle render=\"italic\"\u003eCivil War Virginia: Battleground for a Nation\u003c/title\u003e (1991), \u003ctitle render=\"italic\"\u003eGeneral A. P. Hill: The Story of a Confederate Warrior\u003c/title\u003e; and \u003ctitle render=\"italic\"\u003eStonewall Jackson: The Man, the Soldier, the Legend\u003c/title\u003e (1997). He has also written two books for younger readers: \u003ctitle render=\"italic\"\u003eCivil War! America Becomes One Nation\u003c/title\u003e (1992) and \u003ctitle render=\"italic\"\u003eStanding Like a Stone Wall: the Life of General Thomas J. Jackson\u003c/title\u003e (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. "],"odd_html_tesm":["\u003cp\u003eThe guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eAccession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.\u003c/p\u003e","\u003cp\u003eIntroduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865\u003c/p\u003e","\u003cp\u003ewith corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Beth Brown\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Ed Raus\u003c/p\u003e","\u003cp\u003ewith corrections by Robert Krick and Ed Raus\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Dennis Frye\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown\u003c/p\u003e","\u003cp\u003ewith corrections by Beth Brown and Chris Calkins\u003c/p\u003e","\u003cp\u003ewith author's final corrections; 4 folders\u003c/p\u003e","\u003cp\u003ewith publisher's final corrections; 2 folders\u003c/p\u003e","\u003cp\u003ewith publisher's comments\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by Ludwell Johnson (chapters 1-5 only)\u003c/p\u003e","\u003cp\u003ewith corrections by Charles Roland\u003c/p\u003e","\u003cp\u003ewith corrections by Gary Gallagher\u003c/p\u003e","\u003cp\u003ewith publisher's comments; 2 folders\u003c/p\u003e","\u003cp\u003eincorporating publisher's revisions\u003c/p\u003e","\u003cp\u003ewith publisher's comments; 2 folders\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by unidentified person\u003c/p\u003e","\u003cp\u003ewith corrections by unidentified person\u003c/p\u003e","\u003cp\u003elimited edition signed print by Brian Kraus\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","Introduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865","with corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House","with corrections by Richard Harwell","with corrections by Richard Harwell","with corrections by Beth Brown","with corrections by Richard Harwell","with corrections by Ed Raus","with corrections by Robert Krick and Ed Raus","with corrections by Richard Harwell","with corrections by Dennis Frye","with corrections by Richard Harwell","with corrections by author","with corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown","with corrections by Beth Brown and Chris Calkins","with author's final corrections; 4 folders","with publisher's final corrections; 2 folders","with publisher's comments","with corrections by author","with corrections by Ludwell Johnson (chapters 1-5 only)","with corrections by Charles Roland","with corrections by Gary Gallagher","with publisher's comments; 2 folders","incorporating publisher's revisions","with publisher's comments; 2 folders","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by unidentified person","with corrections by unidentified person","limited edition signed print by Brian Kraus"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:\u003c/p\u003e\n","\u003cp\u003eBarringer, Paul B. \u003ctitle render=\"italic\"\u003eNarrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968\u003c/title\u003e ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eEchoes of 1861-1961\u003c/title\u003e ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eThe Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table\u003c/title\u003e ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eWilshin, Francis. \u003ctitle render=\"italic\"\u003eManassas (Bull Run) National Battlefield Park, Virginia\u003c/title\u003e (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_591a58887f476736372340a2230c0d66\" label=\"Abstract\"\u003eThis collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park."],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Robertson, James I., Jr."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":516,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:15:46.743Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c56"}},{"id":"viblbv_repositories_2_resources_1974_c04_c86","type":"File","attributes":{"title":"1st Virginia Infantry","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c86#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1974_c04_c86","ref_ssm":["viblbv_repositories_2_resources_1974_c04_c86"],"id":"viblbv_repositories_2_resources_1974_c04_c86","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974_c04","parent_ssi":"viblbv_repositories_2_resources_1974_c04","parent_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_ids_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_unittitles_ssm":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"parent_unittitles_tesim":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"text":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records","1st Virginia Infantry","box 41","folder 21"],"title_filing_ssi":"1st Virginia Infantry","title_ssm":["1st Virginia Infantry"],"title_tesim":["1st Virginia Infantry"],"unitdate_inclusive_ssm":["n.d., 1863, 1896, 1963, 1978"],"normalized_date_ssm":["1863/1978"],"normalized_title_ssm":["1st Virginia Infantry"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["James I. Robertson Jr. Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":432,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"containers_ssim":["box 41","folder 21"],"_nest_path_":"/components#3/components#85","timestamp":"2026-05-21T02:15:46.743Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1974","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1974.xml","title_filing_ssi":"Robertson, James I., Papers","title_ssm":["James I. Robertson Jr. Papers"],"title_tesim":["James I. Robertson Jr. Papers"],"unitdate_ssm":["1849-2011"],"unitdate_inclusive_ssm":["1849-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1994.021"],"text":["Ms.1994.021","James I. Robertson Jr. Papers","Virginia","Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History","Collection is open to research.","Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. ","American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. ","The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.","The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","Introduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865","with corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House","with corrections by Richard Harwell","with corrections by Richard Harwell","with corrections by Beth Brown","with corrections by Richard Harwell","with corrections by Ed Raus","with corrections by Robert Krick and Ed Raus","with corrections by Richard Harwell","with corrections by Dennis Frye","with corrections by Richard Harwell","with corrections by author","with corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown","with corrections by Beth Brown and Chris Calkins","with author's final corrections; 4 folders","with publisher's final corrections; 2 folders","with publisher's comments","with corrections by author","with corrections by Ludwell Johnson (chapters 1-5 only)","with corrections by Charles Roland","with corrections by Gary Gallagher","with publisher's comments; 2 folders","incorporating publisher's revisions","with publisher's comments; 2 folders","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by unidentified person","with corrections by unidentified person","limited edition signed print by Brian Kraus","The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr.","The materials in the collection are in English."],"unitid_tesim":["Ms.1994.021"],"normalized_title_ssm":["James I. Robertson Jr. Papers"],"collection_title_tesim":["James I. Robertson Jr. Papers"],"collection_ssim":["James I. Robertson Jr. Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Virginia"],"geogname_ssim":["Virginia"],"creator_ssm":["Robertson, James I., Jr."],"creator_ssim":["Robertson, James I., Jr."],"creator_persname_ssim":["Robertson, James I., Jr."],"creators_ssim":["Robertson, James I., Jr."],"places_ssim":["Virginia"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Robertson Papers were donated by James I. and Elizabeth Robertson in several accessions from 1992 until 2016."],"access_subjects_ssim":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"access_subjects_ssm":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"has_online_content_ssim":["false"],"extent_ssm":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"extent_tesim":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries I: Writings, 1981-2004\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for \u003ctitle render=\"italic\"\u003eJackson \u0026amp; Lee\u003c/title\u003e, for example, contains only a typescript draft of a single chapter. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries II: General Materials, 1862-1996\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries III: Virginia County Records, 1852-2005\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries IV: Virginia Unit Records, 1849-2011\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries V: Oversize Materials, [1982?]-2000, n.d.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. "],"bioghist_html_tesm":["\u003cp\u003eAmerican Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. \u003c/p\u003e\n","\u003cp\u003eRobertson has authored many award-winning scholarly books on Civil War-related topics, including \u003ctitle render=\"italic\"\u003eSoldiers Blue and Gray\u003c/title\u003e (1988) (nominated for the Pulitzer Prize in History), \u003ctitle render=\"italic\"\u003eCivil War Virginia: Battleground for a Nation\u003c/title\u003e (1991), \u003ctitle render=\"italic\"\u003eGeneral A. P. Hill: The Story of a Confederate Warrior\u003c/title\u003e; and \u003ctitle render=\"italic\"\u003eStonewall Jackson: The Man, the Soldier, the Legend\u003c/title\u003e (1997). He has also written two books for younger readers: \u003ctitle render=\"italic\"\u003eCivil War! America Becomes One Nation\u003c/title\u003e (1992) and \u003ctitle render=\"italic\"\u003eStanding Like a Stone Wall: the Life of General Thomas J. Jackson\u003c/title\u003e (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. "],"odd_html_tesm":["\u003cp\u003eThe guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eAccession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.\u003c/p\u003e","\u003cp\u003eIntroduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865\u003c/p\u003e","\u003cp\u003ewith corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Beth Brown\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Ed Raus\u003c/p\u003e","\u003cp\u003ewith corrections by Robert Krick and Ed Raus\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Dennis Frye\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown\u003c/p\u003e","\u003cp\u003ewith corrections by Beth Brown and Chris Calkins\u003c/p\u003e","\u003cp\u003ewith author's final corrections; 4 folders\u003c/p\u003e","\u003cp\u003ewith publisher's final corrections; 2 folders\u003c/p\u003e","\u003cp\u003ewith publisher's comments\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by Ludwell Johnson (chapters 1-5 only)\u003c/p\u003e","\u003cp\u003ewith corrections by Charles Roland\u003c/p\u003e","\u003cp\u003ewith corrections by Gary Gallagher\u003c/p\u003e","\u003cp\u003ewith publisher's comments; 2 folders\u003c/p\u003e","\u003cp\u003eincorporating publisher's revisions\u003c/p\u003e","\u003cp\u003ewith publisher's comments; 2 folders\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by unidentified person\u003c/p\u003e","\u003cp\u003ewith corrections by unidentified person\u003c/p\u003e","\u003cp\u003elimited edition signed print by Brian Kraus\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","Introduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865","with corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House","with corrections by Richard Harwell","with corrections by Richard Harwell","with corrections by Beth Brown","with corrections by Richard Harwell","with corrections by Ed Raus","with corrections by Robert Krick and Ed Raus","with corrections by Richard Harwell","with corrections by Dennis Frye","with corrections by Richard Harwell","with corrections by author","with corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown","with corrections by Beth Brown and Chris Calkins","with author's final corrections; 4 folders","with publisher's final corrections; 2 folders","with publisher's comments","with corrections by author","with corrections by Ludwell Johnson (chapters 1-5 only)","with corrections by Charles Roland","with corrections by Gary Gallagher","with publisher's comments; 2 folders","incorporating publisher's revisions","with publisher's comments; 2 folders","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by unidentified person","with corrections by unidentified person","limited edition signed print by Brian Kraus"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:\u003c/p\u003e\n","\u003cp\u003eBarringer, Paul B. \u003ctitle render=\"italic\"\u003eNarrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968\u003c/title\u003e ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eEchoes of 1861-1961\u003c/title\u003e ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eThe Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table\u003c/title\u003e ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eWilshin, Francis. \u003ctitle render=\"italic\"\u003eManassas (Bull Run) National Battlefield Park, Virginia\u003c/title\u003e (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_591a58887f476736372340a2230c0d66\" label=\"Abstract\"\u003eThis collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park."],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Robertson, James I., Jr."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":516,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:15:46.743Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c86"}},{"id":"wvmturhc_repositories_2_resources_3045_c305_c370","type":"Item","attributes":{"title":"(1) United States Department of the Interiror, Geological Service for United States Department of Agriculture, Quadrangles: Scandia (PA-NY); Cornplatter Run (PA-NY); Stickney (PA-NY); Bradford (PA-NY); Youngsville (Warren County, PA); Warren (Warren County, PA); Clarendon (Warren County, PA); Westline (McKean County, PA); Tidioute (PA); Cobham (PA); Cherry Grove (PA); Ludlow (PA); Kane (McKean County, PA); Mt. Jewett (PA); Kellettville (Forest County, PA); Mayburg (Forest County, PA); Lynch (Forest County, PA); Russell City (PA); James City (PA); Wilcos (Elk County, PA); Tionesta (PA); Tylersburg (PA); Marienville (PA); Hallton (PA); Portland Hills (Elk County, PA); Ridgway (Elk County, PA), Sigel (PA); Munderf (PA); Carman (PA), Topographical Maps [1954-1970]; (2) United States Department of Agriculture, Forest Service, Alleghany National Forest, Pennsylvania, Topographical Maps [1987]","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3045_c305_c370#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_3045_c305_c370","ref_ssm":["wvmturhc_repositories_2_resources_3045_c305_c370"],"id":"wvmturhc_repositories_2_resources_3045_c305_c370","ead_ssi":"wvmturhc_repositories_2_resources_3045","_root_":"wvmturhc_repositories_2_resources_3045","_nest_parent_":"wvmturhc_repositories_2_resources_3045_c305","parent_ssi":"wvmturhc_repositories_2_resources_3045_c305","parent_ssim":["wvmturhc_repositories_2_resources_3045","wvmturhc_repositories_2_resources_3045_c305"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_3045","wvmturhc_repositories_2_resources_3045_c305"],"parent_unittitles_ssm":["Institute for the History of Technology and Industrial Archaeology Records","Oversize Material (boxes 77-140)"],"parent_unittitles_tesim":["Institute for the History of Technology and Industrial Archaeology Records","Oversize Material (boxes 77-140)"],"text":["Institute for the History of Technology and Industrial Archaeology Records","Oversize Material (boxes 77-140)","(1) United States Department of the Interiror, Geological Service for United States Department of Agriculture, Quadrangles: Scandia (PA-NY); Cornplatter Run (PA-NY); Stickney (PA-NY); Bradford (PA-NY); Youngsville (Warren County, PA); Warren (Warren County, PA); Clarendon (Warren County, PA); Westline (McKean County, PA); Tidioute (PA); Cobham (PA); Cherry Grove (PA); Ludlow (PA); Kane (McKean County, PA); Mt. Jewett (PA); Kellettville (Forest County, PA); Mayburg (Forest County, PA); Lynch (Forest County, PA); Russell City (PA); James City (PA); Wilcos (Elk County, PA); Tionesta (PA); Tylersburg (PA); Marienville (PA); Hallton (PA); Portland Hills (Elk County, PA); Ridgway (Elk County, PA), Sigel (PA); Munderf (PA); Carman (PA), Topographical Maps [1954-1970]; (2) United States Department of Agriculture, Forest Service, Alleghany National Forest, Pennsylvania, Topographical Maps [1987]","Box 139","Item 368"],"title_filing_ssi":"(1) United States Department of the Interiror, Geological Service for United States Department of Agriculture, Quadrangles: Scandia (PA-NY); Cornplatter Run (PA-NY); Stickney (PA-NY); Bradford (PA-NY); Youngsville (Warren County, PA); Warren (Warren County, PA); Clarendon (Warren County, PA); Westline (McKean County, PA); Tidioute (PA); Cobham (PA); Cherry Grove (PA); Ludlow (PA); Kane (McKean County, PA); Mt. Jewett (PA); Kellettville (Forest County, PA); Mayburg (Forest County, PA); Lynch (Forest County, PA); Russell City (PA); James City (PA); Wilcos (Elk County, PA); Tionesta (PA); Tylersburg (PA); Marienville (PA); Hallton (PA); Portland Hills (Elk County, PA); Ridgway (Elk County, PA), Sigel (PA); Munderf (PA); Carman (PA), Topographical Maps [1954-1970]; (2) United States Department of Agriculture, Forest Service, Alleghany National Forest, Pennsylvania, Topographical Maps [1987]","title_ssm":["(1) United States Department of the Interiror, Geological Service for United States Department of Agriculture, Quadrangles: Scandia (PA-NY); Cornplatter Run (PA-NY); Stickney (PA-NY); Bradford (PA-NY); Youngsville (Warren County, PA); Warren (Warren County, PA); Clarendon (Warren County, PA); Westline (McKean County, PA); Tidioute (PA); Cobham (PA); Cherry Grove (PA); Ludlow (PA); Kane (McKean County, PA); Mt. Jewett (PA); Kellettville (Forest County, PA); Mayburg (Forest County, PA); Lynch (Forest County, PA); Russell City (PA); James City (PA); Wilcos (Elk County, PA); Tionesta (PA); Tylersburg (PA); Marienville (PA); Hallton (PA); Portland Hills (Elk County, PA); Ridgway (Elk County, PA), Sigel (PA); Munderf (PA); Carman (PA), Topographical Maps [1954-1970]; (2) United States Department of Agriculture, Forest Service, Alleghany National Forest, Pennsylvania, Topographical Maps [1987]"],"title_tesim":["(1) United States Department of the Interiror, Geological Service for United States Department of Agriculture, Quadrangles: Scandia (PA-NY); Cornplatter Run (PA-NY); Stickney (PA-NY); Bradford (PA-NY); Youngsville (Warren County, PA); Warren (Warren County, PA); Clarendon (Warren County, PA); Westline (McKean County, PA); Tidioute (PA); Cobham (PA); Cherry Grove (PA); Ludlow (PA); Kane (McKean County, PA); Mt. Jewett (PA); Kellettville (Forest County, PA); Mayburg (Forest County, PA); Lynch (Forest County, PA); Russell City (PA); James City (PA); Wilcos (Elk County, PA); Tionesta (PA); Tylersburg (PA); Marienville (PA); Hallton (PA); Portland Hills (Elk County, PA); Ridgway (Elk County, PA), Sigel (PA); Munderf (PA); Carman (PA), Topographical Maps [1954-1970]; (2) United States Department of Agriculture, Forest Service, Alleghany National Forest, Pennsylvania, Topographical Maps [1987]"],"unitdate_inclusive_ssm":["1954–1987"],"normalized_date_ssm":["1954/1987"],"normalized_title_ssm":["(1) United States Department of the Interiror, Geological Service for United States Department of Agriculture, Quadrangles: Scandia (PA-NY); Cornplatter Run (PA-NY); Stickney (PA-NY); Bradford (PA-NY); Youngsville (Warren County, PA); Warren (Warren County, PA); Clarendon (Warren County, PA); Westline (McKean County, PA); Tidioute (PA); Cobham (PA); Cherry Grove (PA); Ludlow (PA); Kane (McKean County, PA); Mt. Jewett (PA); Kellettville (Forest County, PA); Mayburg (Forest County, PA); Lynch (Forest County, PA); Russell City (PA); James City (PA); Wilcos (Elk County, PA); Tionesta (PA); Tylersburg (PA); Marienville (PA); Hallton (PA); Portland Hills (Elk County, PA); Ridgway (Elk County, PA), Sigel (PA); Munderf (PA); Carman (PA), Topographical Maps [1954-1970]; (2) United States Department of Agriculture, Forest Service, Alleghany National Forest, Pennsylvania, Topographical Maps [1987]"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Institute for the History of Technology and Industrial Archaeology Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":675,"parent_access_restrict_tesm":["All or part of this collection is stored offsite. Please make an appointment prior to visiting.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987],"containers_ssim":["Box 139","Item 368"],"_nest_path_":"/components#304/components#369","timestamp":"2026-05-21T01:27:00.714Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3045","ead_ssi":"wvmturhc_repositories_2_resources_3045","_root_":"wvmturhc_repositories_2_resources_3045","_nest_parent_":"wvmturhc_repositories_2_resources_3045","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3045.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/210455","title_ssm":["Institute for the History of Technology and Industrial Archaeology Records"],"title_tesim":["Institute for the History of Technology and Industrial Archaeology Records"],"unitdate_ssm":["1875-1930s, circa 1980-2005","circa 1980-2005"],"unitdate_bulk_ssim":["circa 1980-2005"],"unitdate_inclusive_ssm":["1875-1930s, circa 1980-2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3936","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3045"],"text":["A\u0026M 3936","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3045","Institute for the History of Technology and Industrial Archaeology Records","Historic preservation ","Industrial archaeology","All or part of this collection is stored offsite. Please make an appointment prior to visiting.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","The creation of the Institute for the History of Technology and Industrial Archaeology (IHTIA) was spurred in part by the work of Dr. Emory L. Kemp, a West Virginia University civil engineering professor and an internationally renowned covered bridge expert, to restore the Philippi Covered Bridge, which was severely damaged by fire in 1989. He was selected for the restoration by then Governor Gaston Caperton, who also hoped for the restoration of West Virginia's other seventeen covered bridges.  When Caperton's original plans did not come to pass, WVU Provost and Vice President of Academic Affairs and Research William E. Vehse and Dr. Kemp created the idea of an institute to oversee the restoration of the Philippi Covered Bridge and the other seventeen bridges and its funding.  \n \nConcurrent with the announced Philippi Covered Bridge restoration, a grass roots effort was begun to save the High Gate Carriage House. James E. Watson, son of pioneer coal baron James Otis Watson, built the High Gate Mansion and Carriage House in 1910-1913. In the mid-1950s, the Ross Funeral Home purchased the mansion and opened a mortuary in the house. By the late 1980s, the carriage house, formerly a nursing home, was now unused. In the spring of 1989, a national fast-food chain announced plans to purchase and demolish the High Gate Carriage House, replacing it with a drive-in restaurant. These plans were met with local opposition and led to the formation of the Friends of High Gate, a non-profit organization to save the carriage house. US Representative Alan Mollohan, who lived nearby, was interested in historic preservation, but more importantly desired to see the historic carriage house saved and preserved. The friends group received congressional aid from Mollohan's office and were able to purchase and save the property from development. \n \nAt this time, Mollohan approached Kemp about the preservation of the High Gate Carriage House property. Kemp undoubtably suggested that the High Gate Carriage House needed to be recorded to HABS Standards as one of the first steps in its preservation but would require funding. The documentation of High Gate Carriage House led to the initial federal funding of the IHTIA. \n \nThe Institute for the History of Technology and Industrial Archaeology was founded by an act of the United States Congress in 1989. Under its founding act, IHTIA was authorized to document, preserve, and interpret historically significant sites relating to the nation's industrial engineering and technology history, but it was also established as advisory group to Congress. In the late 1980s, industrial sites, such as Cambria Irons Works in Johnstown, Pennsylvania became units of the National Park Service, and many other industrial sites were being proposed. The IHTIA was created partially to advise Congress on which of these proposed parks should be included in the National Parks system. The industrial site evaluation charge was never fully realized, and IHTIA focused on its larger mission of the history of technology and industrial archaeology.  The IHTIA was part of West Virginia University's Eberly College of Arts and Sciences.\n \nAt first, IHTIA's federal funding was very strong. This funding was complimented by an abundance of sponsored research projects and the future seemed bright. By the mid-1990s, however, things began to change with Vice President Al Gore's changes to government, when the IHTIA's budget became targeted as \"wasteful federal spending.\" As a result, the IHTIA budget became part of HAER's budget. This was coupled with the Historic American Engineering Record's (HAER; a partial funding source for IHTIA) declining funding, which led to a portion of IHTIA's budget being appropriated by HAER. Following the 2001 September 11 attacks, funding dried up for Cultural Resource Management projects. During the early 2000s, the declining federal budget and the dearth of sponsored work, along with inadequate leadership, plagued IHTIA until it finally closed its doors in circa 2006. ","Sources:  \nAuthors recollections. Lee R. Maddex, IHTIA historian \nOral interview with Dr. Billy Joe Peyton, former IHTIA Associate Director, 2023 December 22\nCRM Vol. 23 No. 4, 2000, p. 42 ","Please see control folder for a more in-depth history of the IHTIA.","A large portion of bridge related content was created by Emory Kemp, Director of the Institute, as part of research he conducted outside the scope of IHTIA activities.","The Civilian Conservation Corps (CCC) material in this collection was collected and compiled by Larry Sypolt, an employee of the Institute.","IHTIA Project Descriptions","The following list includes project descriptions for material in this collection, A\u0026M 3936.  For example, records for the Bridge Patent Survey can be found in boxes 15-18.)","Bridge Patent Survey (see boxes 15-18): This project was begun under the 1991 IHTIA work plan. During the summer of 1991, IHTIA staff amassed copies of approximately 500 American bridge patent drawings and specification spanning the years 1790-1890. As originally conceived the patent drawings and specifications would be scanned and published in a searchable CD-ROM format. This format eventually proved obsolete. Ultimately, the West Virginia University Press published the results of this survey in a 2005 monograph entitled American Bridge Patents: The First Century (1790-1890).","Trump Lilly Farm Historic Structures and Cultural Landscape Report (see boxes 24, 26-28, 56, 65/folder 1, 66/folder 26, and map cabinet 8, drawer 23): This project was sponsored research undertaken by a cooperative agreement between IHTIA and the National Park Service.  The project deliverable was the Trump Lilly Farm Historic Structures and Cultural Landscape. The report, completed to NPS standards, included the following sections: administrative data, physical history and analysis, architectural and landscape data, recommendations and appendices. The report also included ink-on-mylar measured drawings of the farm structures existing conditions and photographs, both contemporary and historic. This work was undertaken in 1993-1994.","Thurmond Depot Historic Structure Report (see boxes 29-34, 51, 62/folders 9a-9c, 66/folder 25, and map cabinet 8, drawer 10): This project was sponsored research undertaken by a cooperative agreement between IHTIA and the National Park Service. The project deliverable was the Thurmond Depot historic structures report. This report, completed to NPS Standards, included narrative history of the depot, ink-on-mylar measured drawings documenting existing conditions, recommendations for adaptive reuse, and archival photographs. The final report was printed and distributed to New River Gorge National River and government repositories. Work was undertaken in 1990-1991.","Allegheny National Forest (see box 32 and map cabinet 8, drawer 4): A two year project. In the first phase IHTIA surveyed Allegheny National Forest (ANF) powerhouses and extant oil heritage sites as part of IHTIA project development (also in this first phase, IHTIA and the Society for Industrial Archeology Three Rivers Chapter conducted a site recording workshop on ANF). This work was undertaken during the spring of 1996. The second phase was sponsored research under a tripartite cooperative agreement between IHTIA, HAER and ANF. A combined team comprised of IHTIA, HAER and ANF staff and summer employees documented central power systems on Allegheny National Forest. IHTIA produced a narrative history, large-format photographs and ink-on-mylar measured drawings. This work was undertaken in the summer of 1997. After completion, this package was transmitted to HAER, and is included in the Library of Congress HAER Collection (HAER PA-436).","Magnolia Plantation (see boxes 38 and 64/folder 21): This project was undertaken in cooperation with HAER under the 1996 IHTIA work plan. IHTIA photographer served as project photographer on the HAER documentation of the Magnolia Plantation Cotton Gins and Presses, Natchitoches Vicinity, Louisiana. IHTIA produced large-format photographs of the structure, gins and presses. This work was undertaken in the summer of 1996. These photographs were transmitted to HAER and are included in the Library of Congress HAER Collection (HAER No. LA-11).","Shenandoah Pulp Mill (see boxes 39 and 66/folder 23): This project was undertaken in cooperation with HAER under the 1994 IHTIA work plan. IHTIA delineators and photographer recorded the ruins of the Shenandoah Pulp Mill, near Harpers Ferry, West Virginia. IHTIA produced, to HAER Standards, ink-on-mylar measured drawings and large-format photographs. HAER staff completed the narrative history. This work was undertaken in the summer of 1994. The photographs and drawings were transmitted to HAER and are included in the Library of Congress HAER Collection (HAER WV-59).","Vance Farmhouse National Register Nomination (see box 65/folder 10 and map cabinet 8, drawer 1): This nomination was prepared under the 1990 IHTIA work plan. The Bicentennial House (aka Vance Farmhouse) was the headquarters of IHTIA. The nomination was prepared in the fall of 1990 and the Bicentennial House was listed in the National Register of Historic Places in November 1991.","Skyline Drive Historic District National Register Nomination (see boxes 54, 65/folder 8, and map cabinet 8, drawer 21): Project was undertaken under a cooperative agreement between IHTIA and the National Park Service. IHTIA prepared a National Register Nomination for the105 mile long Skyline Drive, located in Shenandoah National Park. In addition to the National Register nomination, IHTIA delineators produced the Skyline Drive Landscape Report documenting the Skyline Drive overlooks and viewsheds. This work was undertaken in summer 1992. The Skyline Drive Historic District was listed in the National Register of Historic Places in April 1997.","Nuttallburg Mine Complex (see boxes 64/folder 22, 66/folder 21, and map cabinet 8, drawer 16): This project was under the 1991 IHTIA work.  The Nuttallburg Mine Complex, located within the boundaries of the New River Gorge National River, was the first HAER level documentation undertaken by IHTIA. The HAER package consisted of a narrative history, large-format photographs, and ink-on-mylar drawings. The project was transmitted to HAER and is included in the Library of Congress HAER Collection (HAER WV-51). Work was undertaken in 1991-1992.","1992 Industrial Archaeology Field School (see boxes 62/folder 7, 62/folder 10, and 63/folder 1): The first of three field schools conducted by IHTIA and taught techniques of site recording. The 1992 Field School was funded under the 1992 IHTIA work plan. The students recorded the Boteler Cement Mill ruins, near Shepherdstown, WV and Virginius Island ruins at Harpers Ferry, WV with measured drawings and large-format photographs. Additionally, the students prepared a draft National Register Nomination for the Boteler Cement Mill. Ink-on-mylar drawings (completed by IHTIA staff) and photographs were transmitted to HAER and are included in the Library of Congress HAER Collection (HAER WV-82 \u0026 HAER WV-83).","La Belle Iron Works (see box 66/folder 18): This HAER project was funded under the 1990 IHTIA work plan. The La Belle Nail Works was one of two surviving American cut nail factories (now defunct). The HAER team documented the manufacturing process with a narrative history, large-format photographs and ink-on-mylar measured drawings. This package is included in the Library of Congress HAER Collection (HAER WV-47).","Warwood Tool Company (see boxes 63/folder 2, 65/folder 10, and 66/folder 28): This HAER project was funded under the 1990 IHTIA work plan. The Warwood Tool Company manufactures high quality railroad and industrial tools. The HAER team documented the manufacturing process with a narrative history, large-format photographs and ink-on-mylar measured drawings. This package is included in the Library of Congress HAER Collection (HAER WV-48).","Waverly Street Bridge (see boxes 63/folder 3, 66/folder 29, and map cabinet 8, drawer 24): The project was sponsored research undertaken under an agreement between IHTIA and the Allegany County [Maryland] Department of Public Works. The Waverly Street Bridge, recorded to HAER Standards, a narrative history, large-format photographs and ink-on-mylar measured drawings. The package was transmitted to HAER and is included in the Library of Congress HAER Collection (HAER MD-83).","Blair Mountain Reconnaissance Survey (see boxes 63/folders 9a-9b, 66/folder 5, and map cabinet 8, drawer 7): The West Virginia Humanities Council commissioned IHTIA, as an unbiased organization, to undertake a reconnaissance survey of the Blair Mountain Battlefield site. IHTIA staff spent a week in early February 1991 surveying the battlefield and interviewing local informants. IHTIA staff conducted additional research in Morgantown and produced the Blair Mountain Cultural Reconnaissance Survey Report. The final draft report was sent to the WV Humanities Council.","Advisory Committee Meetings (see box 47): The IHTIA Advisory Committee was an advisory board created to oversee how the IHTIA expended its federal funding. The committee met annually to discuss and approve the IHTIA work plan. The Committee consisted of representatives from the West Virginia, Pennsylvania and Ohio State Historic Preservation Offices, the WVU Research Corporation, the Historic American Engineering Record and WVU History Department. Staff presented their work plan projects to the committee for discussion and approval.","Society for Industrial Archeology (see boxes 35-36 and map cabinet 8, drawer 30): Society for Industrial Archeology (SIA) is the professional organization for the discipline of industrial archeology. Emory Kemp was one of the founding members of SIA (founded in 1971). IHTIA was involved in SIA activities from its start. IHTIA initiated the formation of the SIA Pittsburgh Three Rivers Chapter in 1991 and hosted the 1993 Pittsburgh SIA Conference (including paper proposals, organizing tours, printing and mailing brochure, etc.). IHTIA hosted several Three Rivers Chapter symposia and staff attended and presented at numerous SIA conferences.","--","IHTIA Projects Not in the Contents List","The following list includes projects undertaken by the IHTIA for which there are no descriptions of material in this collection, A\u0026M 3936.","Anthracite/Bituminous Coal Study \nBarrackville Covered Bridge Stabilization Plan \nBollman Truss National Landmark Nomination \nChestnut Ridge Iron Industry \nCononcocheague Creek Aqueduct (HAER MD-123) \nCovered Bridge Video \nCut Nail Context \nFairbank Oil Field \nFairmont Industrial Survey \nField School 1994 (Clarysville, Maryland) \nField School 2001 (Canada) \nHarvey Lock National Register Evaluation \nHigh Level Bridge National Register Nomination \nIHTIA Monographs \nIHTIA Technical Reports \nIndustrial Site Evaluation \nIron and Steel Context \nIronmaking in the Virginias \nIronmasters Conferences 1999 and 2002 \nJoanna Furnace Recordation \nKanawha Valley Chemical Heritage Symposium May 2003 \nKanawha Valley Chemical Industry Survey \nKaymoor Mine Site Stabilization \nLock and Dam No. 7 Video \nMidland Trail Scenic Byways \nMississippi Basin Model \nMonessen Open Hearth Study (HAER PA-253) \nNational Road Documentation \nNew River Gorge Historic Context Update \nNorth Bend Rail Trails Guide \nNorthern West Virginia Coalfields Context \nOxford Furnace \nPrincipio Furnace Management Plan \nSt. Nicholas Breaker \nStaunton to Parkersburg Turnpike \nThurmond Depot Historic Furnishing Report","\nIn addition, the following terms that regularly appeared in the collection have been abbreviated:  Allegheny National Forest (ANF)   American Canal Society (ACS)   Bureau of Indian Affairs (BIA)   Baltimore and Ohio Railroad (B\u0026O Railroad)   Chesapeake and Ohio Canal (C\u0026O Canal)   Civilian Conservation Corps (CCC)   United States Army Corps of Engineers (USACE)   Institute for the History of Technology and Industrial Archaeology (IHTIA)   Historic American Engineering Record (HAER)   Historic American Building Survey (HABS)   National Register of Historic Places (NRHP)   National Forest (NF)  National Park Service (NPS)   Natural Resources Conservation Service (NRCS), previously the Soil Conservation Service (SCS)   Society for Industrial Archaeology (SIA)   West Virginia University (WVU)   United States Geological Survey (USGS)","See processing file for list of canals in box.","See processing file for list of canals in this box.","Missing as of 2023/10/20 -- box was found with a bunch of newspapers in it, so either it was mislabeled from the start, or the contents got shuffled somehow. Keep it unpublished until such time as we find and replace the missing material.","The originals were on loan, and have been returned to the Chesapeake \u0026 Ohio Historical Society.","During a review of this collection, boxes 4 and 5 were combined. Box 5 no longer exists.","Removed empty folders from box labeled \"Michigan\", \"Missouri\" and \"New Mexico\"","Removed empty folders labeled \"Utah\" and \"South Dakota\". Also Added Oral History Interview and CCC Directory from Box 4.","Combined A and M 3936 Boxes 4 and 5 - Box 4 now contains Articles 2 and Articles 5","Moved map of Muskingum River map and profile to Box 142","These maps were removed from Box 25 and placed in multiple oversize folders in map cabinet, 86 sheets.  Also put in map cabinet information about Native American tribes. See processing folder for list of maps that were moved.","Some photographs/negatives are stuck together--they are in last folder.","The boxes of slides that were once in this box have been moved to box 58.","This box was once full of empty slide boxes. Those were deaccesseioned; its current contents was moved here from box 56.","Records of the Institute for the History of Technology and Industrial Archaeology (IHTIA), an organization affiliated with West Virginia University, including reports and research papers regarding the history of industrial technology and preservation of historical sites, particularly within West Virginia and the Mid-Atlantic region. This collection also includes photographs, negatives, and photo mechanical transfers of historical sites in these regions. For a more complete list of IHTIA projects represented in this collection, please see the \"Project Descriptions\" note.","Addendum of 2022 (boxes 148-153) contains IHTIA materials found at the Bicentennial House following the departure of the West Virginia University Press from the building in 2022. These materials include documents and photographs from IHTIA recordation projects, including the St. Nicholas Central Breaker, Fairmont Industrial Guide, LaVale Toll House, Little Crossings Bridge, Park Gap Lane Truss Bridge, Crab Run Lane Truss Bridge, West Virginia Independence Hall, the Muskingum Navigation; and Croton Aqueduct (all boxes 148-149); Joanna Furnace (box 151); IHTIA Technical Reports for the Alexander Campbell Mansion and the Trump-Lilley Farm (box 150); and Battle of Blair Mountain Historic Structures documentation base maps (box 152). Additionally, there are IHTIA press release materials for Emory Kemp's Benedum Distinguished Scholar Award lecture \"Links in a Chain\" and for the release of the Cement Mills Along the Potomac monograph (box 148).  Also included in this addendum are Dr. Thomas Swiftwater Hahn's 1983 photographs and negatives of historic Jefferson County, West Virginia buildings, structures and remains, and his hand-written Potomac River Valley cement mills notes (box 153). Hahn was an adjunct member of the IHTIA. ","This box contains Bureau of Indian Affairs News Sheet Reports for the Indian Emergency Conservation Work program created in 1933. The IECW was later renamed the Civilian Conservation Corps Indian Division in 1937. These news sheets were titled \"Indians at Work.\"","Includes typescripts and correspondence regarding the publishing of Larry Sypolt's book \"The Civilian Conservation Corps: A Selectively Annotated Bibliography,\" as well as a draft or copy. Also includes \"Tunnels Through Time: Original Tunnels of the Baltimore and Ohio Railroad.\"","(1) Mineral Lands adjacent to Lake Superior \n(2) Diagram of Oregon \n(3) Oregon and Upper California (Survey by John Charles Fremont)  \n(4) Entrance to port of Havre with a plan of the docks \n(5) Plans of Proposed Batteries on Yerba Buena Island, San Francisco Harbor, California (military)  \n(6) Sketch of the Golfito in Golfo Dulce (military)  \n(7) Sketch of the Isthmus of Chiriquí in the State of New Granada in South America \n(8) Chiriquí Lagoon Survey \n(9) Map showing sailing speeds between islands in the South Pacific Ocean \n(10) Map of the lines of march passed over by the United States troops by the United States War Department (military)  \n(11) District of Columbia, ordered by the United States Senate to improve map system \n(12) Plat showing proposed United States military reservation at Fort Stevens, D.C. (military) \n(13) Eastern Port of Jamaica Bay, New York, from main channel to Long Beach Inlet for Canal by the U.S. Corps of Engineers (military)  \n(14) Routes travelled by detachments of the Overland Command in the Springs of 1855 from Salt Lake City, Utah, to San Francisco Bay, California \n(15) Sketch of United States Coast Survey, progress of part of Section 2 - Middle Section (military)  \n(16) New Madrid/Francis River Swamp in the States of Missouri and Arkansas showing probable limits, and townships displayed \n(17) Presque Bay on Erie, Pennsylvania Harbor by the U.S. Corps of Engineers (military) \n(18) Harbor of St. Louis on the Mississippi River by the U.S. Corps of Engineers (military) \n(19) Oregon Territory West of the Cascade Mountains by the U. S. Surveyor General's Office","Addendum of 2022 (boxes 148-153) contains IHTIA materials found at the Bicentennial House following the departure of the West Virginia University Press from the building in 2022. These materials include documents and photographs from IHTIA recordation projects, including the St. Nicholas Central Breaker, Fairmont Industrial Guide, LaVale Toll House, Little Crossings Bridge, Park Gap Lane Truss Bridge, Crab Run Lane Truss Bridge, West Virginia Independence Hall, the Muskingum Navigation; and Croton Aqueduct (all boxes 148-149); Joanna Furnace (box 151); IHTIA Technical Reports for the Alexander Campbell Mansion and the Trump-Lilley Farm (box 150); and Battle of Blair Mountain Historic Structures documentation base maps (box 152). Additionally, there are IHTIA press release materials for Emory Kemp's Benedum Distinguished Scholar Award lecture \"Links in a Chain\" and for the release of the Cement Mills Along the Potomac monograph (box 148).  Also included in this addendum are Dr. Thomas Swiftwater Hahn's 1983 photographs and negatives of historic Jefferson County, West Virginia buildings, structures and remains, and his hand-written Potomac River Valley cement mills notes (box 153). Hahn was an adjunct member of the IHTIA.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Institute for the History of Technology and Industrial Archaeology","Civilian Conservation Corps (U.S.)","Society for Industrial Archeology","West Virginia University. Institute for the History of Technology and Industrial Archaeology","Kemp, Emory L.","Sypolt, Larry N.","English \n.    "],"unitid_tesim":["A\u0026M 3936","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3045"],"normalized_title_ssm":["Institute for the History of Technology and Industrial Archaeology Records"],"collection_title_tesim":["Institute for the History of Technology and Industrial Archaeology Records"],"collection_ssim":["Institute for the History of Technology and Industrial Archaeology Records"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Institute for the History of Technology and Industrial Archaeology"],"creator_ssim":["Institute for the History of Technology and Industrial Archaeology"],"creator_corpname_ssim":["Institute for the History of Technology and Industrial Archaeology"],"creators_ssim":["Institute for the History of Technology and Industrial Archaeology"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Transfer from Institute for the History of Technology and Industrial Archaeology, 2013/06/04"],"access_subjects_ssim":["Historic preservation ","Industrial archaeology"],"access_subjects_ssm":["Historic preservation ","Industrial archaeology"],"has_online_content_ssim":["false"],"extent_ssm":["74.04 Linear Feet 46 document cases, 5 in. each; 6 document cases, 4 in. each; 15 document cases, 2.5 in. each; 16 record cartons, 15 in. each; 8 flat storage boxes, 1.5 in. each (7 large, 1 small); 9 flat storage boxes, 3 in. each; 6 large flat storage boxes, 3.5 in. each; 2 small flat storage boxes, 2.5 in. each; 2 rolled storage boxes, 4 in. each; 23 rolled storage boxes, 5 in. each; 21 rolled storage boxes, 6 in. each; 1 index card box, 12 in.; oversize folders in map cabinets, 31 in.","3.74 Gigabytes 427 files, file types include .wpd, .wps, .jpg, .doc, .jpg, .txt, .docx, .tif, .xls, .wav"],"extent_tesim":["74.04 Linear Feet 46 document cases, 5 in. each; 6 document cases, 4 in. each; 15 document cases, 2.5 in. each; 16 record cartons, 15 in. each; 8 flat storage boxes, 1.5 in. each (7 large, 1 small); 9 flat storage boxes, 3 in. each; 6 large flat storage boxes, 3.5 in. each; 2 small flat storage boxes, 2.5 in. each; 2 rolled storage boxes, 4 in. each; 23 rolled storage boxes, 5 in. each; 21 rolled storage boxes, 6 in. each; 1 index card box, 12 in.; oversize folders in map cabinets, 31 in.","3.74 Gigabytes 427 files, file types include .wpd, .wps, .jpg, .doc, .jpg, .txt, .docx, .tif, .xls, .wav"],"date_range_isim":[1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eAll or part of this collection is stored offsite. Please make an appointment prior to visiting.\u003c/p\u003e\n","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["All or part of this collection is stored offsite. Please make an appointment prior to visiting.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"bioghist_html_tesm":["\u003cp\u003eThe creation of the Institute for the History of Technology and Industrial Archaeology (IHTIA) was spurred in part by the work of Dr. Emory L. Kemp, a West Virginia University civil engineering professor and an internationally renowned covered bridge expert, to restore the Philippi Covered Bridge, which was severely damaged by fire in 1989. He was selected for the restoration by then Governor Gaston Caperton, who also hoped for the restoration of West Virginia's other seventeen covered bridges.  When Caperton's original plans did not come to pass, WVU Provost and Vice President of Academic Affairs and Research William E. Vehse and Dr. Kemp created the idea of an institute to oversee the restoration of the Philippi Covered Bridge and the other seventeen bridges and its funding.  \n \nConcurrent with the announced Philippi Covered Bridge restoration, a grass roots effort was begun to save the High Gate Carriage House. James E. Watson, son of pioneer coal baron James Otis Watson, built the High Gate Mansion and Carriage House in 1910-1913. In the mid-1950s, the Ross Funeral Home purchased the mansion and opened a mortuary in the house. By the late 1980s, the carriage house, formerly a nursing home, was now unused. In the spring of 1989, a national fast-food chain announced plans to purchase and demolish the High Gate Carriage House, replacing it with a drive-in restaurant. These plans were met with local opposition and led to the formation of the Friends of High Gate, a non-profit organization to save the carriage house. US Representative Alan Mollohan, who lived nearby, was interested in historic preservation, but more importantly desired to see the historic carriage house saved and preserved. The friends group received congressional aid from Mollohan's office and were able to purchase and save the property from development. \n \nAt this time, Mollohan approached Kemp about the preservation of the High Gate Carriage House property. Kemp undoubtably suggested that the High Gate Carriage House needed to be recorded to HABS Standards as one of the first steps in its preservation but would require funding. The documentation of High Gate Carriage House led to the initial federal funding of the IHTIA. \n \nThe Institute for the History of Technology and Industrial Archaeology was founded by an act of the United States Congress in 1989. Under its founding act, IHTIA was authorized to document, preserve, and interpret historically significant sites relating to the nation's industrial engineering and technology history, but it was also established as advisory group to Congress. In the late 1980s, industrial sites, such as Cambria Irons Works in Johnstown, Pennsylvania became units of the National Park Service, and many other industrial sites were being proposed. The IHTIA was created partially to advise Congress on which of these proposed parks should be included in the National Parks system. The industrial site evaluation charge was never fully realized, and IHTIA focused on its larger mission of the history of technology and industrial archaeology.  The IHTIA was part of West Virginia University's Eberly College of Arts and Sciences.\n \nAt first, IHTIA's federal funding was very strong. This funding was complimented by an abundance of sponsored research projects and the future seemed bright. By the mid-1990s, however, things began to change with Vice President Al Gore's changes to government, when the IHTIA's budget became targeted as \"wasteful federal spending.\" As a result, the IHTIA budget became part of HAER's budget. This was coupled with the Historic American Engineering Record's (HAER; a partial funding source for IHTIA) declining funding, which led to a portion of IHTIA's budget being appropriated by HAER. Following the 2001 September 11 attacks, funding dried up for Cultural Resource Management projects. During the early 2000s, the declining federal budget and the dearth of sponsored work, along with inadequate leadership, plagued IHTIA until it finally closed its doors in circa 2006. \u003c/p\u003e\n","\u003cp\u003eSources:  \nAuthors recollections. Lee R. Maddex, IHTIA historian \nOral interview with Dr. Billy Joe Peyton, former IHTIA Associate Director, 2023 December 22\nCRM Vol. 23 No. 4, 2000, p. 42 \u003c/p\u003e\n","\u003cp\u003ePlease see control folder for a more in-depth history of the IHTIA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The creation of the Institute for the History of Technology and Industrial Archaeology (IHTIA) was spurred in part by the work of Dr. Emory L. Kemp, a West Virginia University civil engineering professor and an internationally renowned covered bridge expert, to restore the Philippi Covered Bridge, which was severely damaged by fire in 1989. He was selected for the restoration by then Governor Gaston Caperton, who also hoped for the restoration of West Virginia's other seventeen covered bridges.  When Caperton's original plans did not come to pass, WVU Provost and Vice President of Academic Affairs and Research William E. Vehse and Dr. Kemp created the idea of an institute to oversee the restoration of the Philippi Covered Bridge and the other seventeen bridges and its funding.  \n \nConcurrent with the announced Philippi Covered Bridge restoration, a grass roots effort was begun to save the High Gate Carriage House. James E. Watson, son of pioneer coal baron James Otis Watson, built the High Gate Mansion and Carriage House in 1910-1913. In the mid-1950s, the Ross Funeral Home purchased the mansion and opened a mortuary in the house. By the late 1980s, the carriage house, formerly a nursing home, was now unused. In the spring of 1989, a national fast-food chain announced plans to purchase and demolish the High Gate Carriage House, replacing it with a drive-in restaurant. These plans were met with local opposition and led to the formation of the Friends of High Gate, a non-profit organization to save the carriage house. US Representative Alan Mollohan, who lived nearby, was interested in historic preservation, but more importantly desired to see the historic carriage house saved and preserved. The friends group received congressional aid from Mollohan's office and were able to purchase and save the property from development. \n \nAt this time, Mollohan approached Kemp about the preservation of the High Gate Carriage House property. Kemp undoubtably suggested that the High Gate Carriage House needed to be recorded to HABS Standards as one of the first steps in its preservation but would require funding. The documentation of High Gate Carriage House led to the initial federal funding of the IHTIA. \n \nThe Institute for the History of Technology and Industrial Archaeology was founded by an act of the United States Congress in 1989. Under its founding act, IHTIA was authorized to document, preserve, and interpret historically significant sites relating to the nation's industrial engineering and technology history, but it was also established as advisory group to Congress. In the late 1980s, industrial sites, such as Cambria Irons Works in Johnstown, Pennsylvania became units of the National Park Service, and many other industrial sites were being proposed. The IHTIA was created partially to advise Congress on which of these proposed parks should be included in the National Parks system. The industrial site evaluation charge was never fully realized, and IHTIA focused on its larger mission of the history of technology and industrial archaeology.  The IHTIA was part of West Virginia University's Eberly College of Arts and Sciences.\n \nAt first, IHTIA's federal funding was very strong. This funding was complimented by an abundance of sponsored research projects and the future seemed bright. By the mid-1990s, however, things began to change with Vice President Al Gore's changes to government, when the IHTIA's budget became targeted as \"wasteful federal spending.\" As a result, the IHTIA budget became part of HAER's budget. This was coupled with the Historic American Engineering Record's (HAER; a partial funding source for IHTIA) declining funding, which led to a portion of IHTIA's budget being appropriated by HAER. Following the 2001 September 11 attacks, funding dried up for Cultural Resource Management projects. During the early 2000s, the declining federal budget and the dearth of sponsored work, along with inadequate leadership, plagued IHTIA until it finally closed its doors in circa 2006. ","Sources:  \nAuthors recollections. Lee R. Maddex, IHTIA historian \nOral interview with Dr. Billy Joe Peyton, former IHTIA Associate Director, 2023 December 22\nCRM Vol. 23 No. 4, 2000, p. 42 ","Please see control folder for a more in-depth history of the IHTIA."],"custodhist_html_tesm":["\u003cp\u003eA large portion of bridge related content was created by Emory Kemp, Director of the Institute, as part of research he conducted outside the scope of IHTIA activities.\u003c/p\u003e\n","\u003cp\u003eThe Civilian Conservation Corps (CCC) material in this collection was collected and compiled by Larry Sypolt, an employee of the Institute.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["A large portion of bridge related content was created by Emory Kemp, Director of the Institute, as part of research he conducted outside the scope of IHTIA activities.","The Civilian Conservation Corps (CCC) material in this collection was collected and compiled by Larry Sypolt, an employee of the Institute."],"odd_html_tesm":["\u003cp\u003eIHTIA Project Descriptions\u003c/p\u003e\n","\u003cp\u003eThe following list includes project descriptions for material in this collection, A\u0026amp;M 3936.  For example, records for the Bridge Patent Survey can be found in boxes 15-18.)\u003c/p\u003e\n","\u003cp\u003eBridge Patent Survey (see boxes 15-18): This project was begun under the 1991 IHTIA work plan. During the summer of 1991, IHTIA staff amassed copies of approximately 500 American bridge patent drawings and specification spanning the years 1790-1890. As originally conceived the patent drawings and specifications would be scanned and published in a searchable CD-ROM format. This format eventually proved obsolete. Ultimately, the West Virginia University Press published the results of this survey in a 2005 monograph entitled American Bridge Patents: The First Century (1790-1890).\u003c/p\u003e\n","\u003cp\u003eTrump Lilly Farm Historic Structures and Cultural Landscape Report (see boxes 24, 26-28, 56, 65/folder 1, 66/folder 26, and map cabinet 8, drawer 23): This project was sponsored research undertaken by a cooperative agreement between IHTIA and the National Park Service.  The project deliverable was the Trump Lilly Farm Historic Structures and Cultural Landscape. The report, completed to NPS standards, included the following sections: administrative data, physical history and analysis, architectural and landscape data, recommendations and appendices. The report also included ink-on-mylar measured drawings of the farm structures existing conditions and photographs, both contemporary and historic. This work was undertaken in 1993-1994.\u003c/p\u003e\n","\u003cp\u003eThurmond Depot Historic Structure Report (see boxes 29-34, 51, 62/folders 9a-9c, 66/folder 25, and map cabinet 8, drawer 10): This project was sponsored research undertaken by a cooperative agreement between IHTIA and the National Park Service. The project deliverable was the Thurmond Depot historic structures report. This report, completed to NPS Standards, included narrative history of the depot, ink-on-mylar measured drawings documenting existing conditions, recommendations for adaptive reuse, and archival photographs. The final report was printed and distributed to New River Gorge National River and government repositories. Work was undertaken in 1990-1991.\u003c/p\u003e\n","\u003cp\u003eAllegheny National Forest (see box 32 and map cabinet 8, drawer 4): A two year project. In the first phase IHTIA surveyed Allegheny National Forest (ANF) powerhouses and extant oil heritage sites as part of IHTIA project development (also in this first phase, IHTIA and the Society for Industrial Archeology Three Rivers Chapter conducted a site recording workshop on ANF). This work was undertaken during the spring of 1996. The second phase was sponsored research under a tripartite cooperative agreement between IHTIA, HAER and ANF. A combined team comprised of IHTIA, HAER and ANF staff and summer employees documented central power systems on Allegheny National Forest. IHTIA produced a narrative history, large-format photographs and ink-on-mylar measured drawings. This work was undertaken in the summer of 1997. After completion, this package was transmitted to HAER, and is included in the Library of Congress HAER Collection (HAER PA-436).\u003c/p\u003e\n","\u003cp\u003eMagnolia Plantation (see boxes 38 and 64/folder 21): This project was undertaken in cooperation with HAER under the 1996 IHTIA work plan. IHTIA photographer served as project photographer on the HAER documentation of the Magnolia Plantation Cotton Gins and Presses, Natchitoches Vicinity, Louisiana. IHTIA produced large-format photographs of the structure, gins and presses. This work was undertaken in the summer of 1996. These photographs were transmitted to HAER and are included in the Library of Congress HAER Collection (HAER No. LA-11).\u003c/p\u003e\n","\u003cp\u003eShenandoah Pulp Mill (see boxes 39 and 66/folder 23): This project was undertaken in cooperation with HAER under the 1994 IHTIA work plan. IHTIA delineators and photographer recorded the ruins of the Shenandoah Pulp Mill, near Harpers Ferry, West Virginia. IHTIA produced, to HAER Standards, ink-on-mylar measured drawings and large-format photographs. HAER staff completed the narrative history. This work was undertaken in the summer of 1994. The photographs and drawings were transmitted to HAER and are included in the Library of Congress HAER Collection (HAER WV-59).\u003c/p\u003e\n","\u003cp\u003eVance Farmhouse National Register Nomination (see box 65/folder 10 and map cabinet 8, drawer 1): This nomination was prepared under the 1990 IHTIA work plan. The Bicentennial House (aka Vance Farmhouse) was the headquarters of IHTIA. The nomination was prepared in the fall of 1990 and the Bicentennial House was listed in the National Register of Historic Places in November 1991.\u003c/p\u003e\n","\u003cp\u003eSkyline Drive Historic District National Register Nomination (see boxes 54, 65/folder 8, and map cabinet 8, drawer 21): Project was undertaken under a cooperative agreement between IHTIA and the National Park Service. IHTIA prepared a National Register Nomination for the105 mile long Skyline Drive, located in Shenandoah National Park. In addition to the National Register nomination, IHTIA delineators produced the Skyline Drive Landscape Report documenting the Skyline Drive overlooks and viewsheds. This work was undertaken in summer 1992. The Skyline Drive Historic District was listed in the National Register of Historic Places in April 1997.\u003c/p\u003e\n","\u003cp\u003eNuttallburg Mine Complex (see boxes 64/folder 22, 66/folder 21, and map cabinet 8, drawer 16): This project was under the 1991 IHTIA work.  The Nuttallburg Mine Complex, located within the boundaries of the New River Gorge National River, was the first HAER level documentation undertaken by IHTIA. The HAER package consisted of a narrative history, large-format photographs, and ink-on-mylar drawings. The project was transmitted to HAER and is included in the Library of Congress HAER Collection (HAER WV-51). Work was undertaken in 1991-1992.\u003c/p\u003e\n","\u003cp\u003e1992 Industrial Archaeology Field School (see boxes 62/folder 7, 62/folder 10, and 63/folder 1): The first of three field schools conducted by IHTIA and taught techniques of site recording. The 1992 Field School was funded under the 1992 IHTIA work plan. The students recorded the Boteler Cement Mill ruins, near Shepherdstown, WV and Virginius Island ruins at Harpers Ferry, WV with measured drawings and large-format photographs. Additionally, the students prepared a draft National Register Nomination for the Boteler Cement Mill. Ink-on-mylar drawings (completed by IHTIA staff) and photographs were transmitted to HAER and are included in the Library of Congress HAER Collection (HAER WV-82 \u0026amp; HAER WV-83).\u003c/p\u003e\n","\u003cp\u003eLa Belle Iron Works (see box 66/folder 18): This HAER project was funded under the 1990 IHTIA work plan. The La Belle Nail Works was one of two surviving American cut nail factories (now defunct). The HAER team documented the manufacturing process with a narrative history, large-format photographs and ink-on-mylar measured drawings. This package is included in the Library of Congress HAER Collection (HAER WV-47).\u003c/p\u003e\n","\u003cp\u003eWarwood Tool Company (see boxes 63/folder 2, 65/folder 10, and 66/folder 28): This HAER project was funded under the 1990 IHTIA work plan. The Warwood Tool Company manufactures high quality railroad and industrial tools. The HAER team documented the manufacturing process with a narrative history, large-format photographs and ink-on-mylar measured drawings. This package is included in the Library of Congress HAER Collection (HAER WV-48).\u003c/p\u003e\n","\u003cp\u003eWaverly Street Bridge (see boxes 63/folder 3, 66/folder 29, and map cabinet 8, drawer 24): The project was sponsored research undertaken under an agreement between IHTIA and the Allegany County [Maryland] Department of Public Works. The Waverly Street Bridge, recorded to HAER Standards, a narrative history, large-format photographs and ink-on-mylar measured drawings. The package was transmitted to HAER and is included in the Library of Congress HAER Collection (HAER MD-83).\u003c/p\u003e\n","\u003cp\u003eBlair Mountain Reconnaissance Survey (see boxes 63/folders 9a-9b, 66/folder 5, and map cabinet 8, drawer 7): The West Virginia Humanities Council commissioned IHTIA, as an unbiased organization, to undertake a reconnaissance survey of the Blair Mountain Battlefield site. IHTIA staff spent a week in early February 1991 surveying the battlefield and interviewing local informants. IHTIA staff conducted additional research in Morgantown and produced the Blair Mountain Cultural Reconnaissance Survey Report. The final draft report was sent to the WV Humanities Council.\u003c/p\u003e\n","\u003cp\u003eAdvisory Committee Meetings (see box 47): The IHTIA Advisory Committee was an advisory board created to oversee how the IHTIA expended its federal funding. The committee met annually to discuss and approve the IHTIA work plan. The Committee consisted of representatives from the West Virginia, Pennsylvania and Ohio State Historic Preservation Offices, the WVU Research Corporation, the Historic American Engineering Record and WVU History Department. Staff presented their work plan projects to the committee for discussion and approval.\u003c/p\u003e\n","\u003cp\u003eSociety for Industrial Archeology (see boxes 35-36 and map cabinet 8, drawer 30): Society for Industrial Archeology (SIA) is the professional organization for the discipline of industrial archeology. Emory Kemp was one of the founding members of SIA (founded in 1971). IHTIA was involved in SIA activities from its start. IHTIA initiated the formation of the SIA Pittsburgh Three Rivers Chapter in 1991 and hosted the 1993 Pittsburgh SIA Conference (including paper proposals, organizing tours, printing and mailing brochure, etc.). IHTIA hosted several Three Rivers Chapter symposia and staff attended and presented at numerous SIA conferences.\u003c/p\u003e\n","\u003cp\u003e--\u003c/p\u003e\n","\u003cp\u003eIHTIA Projects Not in the Contents List\u003c/p\u003e\n","\u003cp\u003eThe following list includes projects undertaken by the IHTIA for which there are no descriptions of material in this collection, A\u0026amp;M 3936.\u003c/p\u003e\n","\u003cp\u003eAnthracite/Bituminous Coal Study\u003clb\u003e\u003c/lb\u003e\nBarrackville Covered Bridge Stabilization Plan\u003clb\u003e\u003c/lb\u003e\nBollman Truss National Landmark Nomination\u003clb\u003e\u003c/lb\u003e\nChestnut Ridge Iron Industry\u003clb\u003e\u003c/lb\u003e\nCononcocheague Creek Aqueduct (HAER MD-123)\u003clb\u003e\u003c/lb\u003e\nCovered Bridge Video\u003clb\u003e\u003c/lb\u003e\nCut Nail Context\u003clb\u003e\u003c/lb\u003e\nFairbank Oil Field\u003clb\u003e\u003c/lb\u003e\nFairmont Industrial Survey\u003clb\u003e\u003c/lb\u003e\nField School 1994 (Clarysville, Maryland)\u003clb\u003e\u003c/lb\u003e\nField School 2001 (Canada)\u003clb\u003e\u003c/lb\u003e\nHarvey Lock National Register Evaluation\u003clb\u003e\u003c/lb\u003e\nHigh Level Bridge National Register Nomination\u003clb\u003e\u003c/lb\u003e\nIHTIA Monographs\u003clb\u003e\u003c/lb\u003e\nIHTIA Technical Reports\u003clb\u003e\u003c/lb\u003e\nIndustrial Site Evaluation\u003clb\u003e\u003c/lb\u003e\nIron and Steel Context\u003clb\u003e\u003c/lb\u003e\nIronmaking in the Virginias\u003clb\u003e\u003c/lb\u003e\nIronmasters Conferences 1999 and 2002\u003clb\u003e\u003c/lb\u003e\nJoanna Furnace Recordation\u003clb\u003e\u003c/lb\u003e\nKanawha Valley Chemical Heritage Symposium May 2003\u003clb\u003e\u003c/lb\u003e\nKanawha Valley Chemical Industry Survey\u003clb\u003e\u003c/lb\u003e\nKaymoor Mine Site Stabilization\u003clb\u003e\u003c/lb\u003e\nLock and Dam No. 7 Video\u003clb\u003e\u003c/lb\u003e\nMidland Trail Scenic Byways\u003clb\u003e\u003c/lb\u003e\nMississippi Basin Model\u003clb\u003e\u003c/lb\u003e\nMonessen Open Hearth Study (HAER PA-253)\u003clb\u003e\u003c/lb\u003e\nNational Road Documentation\u003clb\u003e\u003c/lb\u003e\nNew River Gorge Historic Context Update\u003clb\u003e\u003c/lb\u003e\nNorth Bend Rail Trails Guide\u003clb\u003e\u003c/lb\u003e\nNorthern West Virginia Coalfields Context\u003clb\u003e\u003c/lb\u003e\nOxford Furnace\u003clb\u003e\u003c/lb\u003e\nPrincipio Furnace Management Plan\u003clb\u003e\u003c/lb\u003e\nSt. Nicholas Breaker\u003clb\u003e\u003c/lb\u003e\nStaunton to Parkersburg Turnpike\u003clb\u003e\u003c/lb\u003e\nThurmond Depot Historic Furnishing Report\u003c/p\u003e\n","\u003cp\u003e\nIn addition, the following terms that regularly appeared in the collection have been abbreviated: \u003clist\u003e \u003citem\u003eAllegheny National Forest (ANF) \u003c/item\u003e \u003citem\u003e American Canal Society (ACS) \u003c/item\u003e \u003citem\u003e Bureau of Indian Affairs (BIA) \u003c/item\u003e \u003citem\u003e Baltimore and Ohio Railroad (B\u0026amp;O Railroad) \u003c/item\u003e \u003citem\u003e Chesapeake and Ohio Canal (C\u0026amp;O Canal) \u003c/item\u003e \u003citem\u003e Civilian Conservation Corps (CCC) \u003c/item\u003e \u003citem\u003e United States Army Corps of Engineers (USACE) \u003c/item\u003e \u003citem\u003e Institute for the History of Technology and Industrial Archaeology (IHTIA) \u003c/item\u003e \u003citem\u003e Historic American Engineering Record (HAER) \u003c/item\u003e \u003citem\u003e Historic American Building Survey (HABS) \u003c/item\u003e \u003citem\u003e National Register of Historic Places (NRHP) \u003c/item\u003e \u003citem\u003e National Forest (NF)\u003c/item\u003e \u003citem\u003e National Park Service (NPS) \u003c/item\u003e \u003citem\u003e Natural Resources Conservation Service (NRCS), previously the Soil Conservation Service (SCS) \u003c/item\u003e\u003citem\u003e Society for Industrial Archaeology (SIA) \u003c/item\u003e \u003citem\u003e West Virginia University (WVU) \u003c/item\u003e \u003citem\u003e United States Geological Survey (USGS)\u003c/item\u003e \u003c/list\u003e\u003c/p\u003e","\u003cp\u003eSee processing file for list of canals in box.\u003c/p\u003e","\u003cp\u003eSee processing file for list of canals in this box.\u003c/p\u003e","\u003cp\u003eMissing as of 2023/10/20 -- box was found with a bunch of newspapers in it, so either it was mislabeled from the start, or the contents got shuffled somehow. Keep it unpublished until such time as we find and replace the missing material.\u003c/p\u003e"],"odd_heading_ssm":["Project Descriptions","General","General","UNPUBLISHED"],"odd_tesim":["IHTIA Project Descriptions","The following list includes project descriptions for material in this collection, A\u0026M 3936.  For example, records for the Bridge Patent Survey can be found in boxes 15-18.)","Bridge Patent Survey (see boxes 15-18): This project was begun under the 1991 IHTIA work plan. During the summer of 1991, IHTIA staff amassed copies of approximately 500 American bridge patent drawings and specification spanning the years 1790-1890. As originally conceived the patent drawings and specifications would be scanned and published in a searchable CD-ROM format. This format eventually proved obsolete. Ultimately, the West Virginia University Press published the results of this survey in a 2005 monograph entitled American Bridge Patents: The First Century (1790-1890).","Trump Lilly Farm Historic Structures and Cultural Landscape Report (see boxes 24, 26-28, 56, 65/folder 1, 66/folder 26, and map cabinet 8, drawer 23): This project was sponsored research undertaken by a cooperative agreement between IHTIA and the National Park Service.  The project deliverable was the Trump Lilly Farm Historic Structures and Cultural Landscape. The report, completed to NPS standards, included the following sections: administrative data, physical history and analysis, architectural and landscape data, recommendations and appendices. The report also included ink-on-mylar measured drawings of the farm structures existing conditions and photographs, both contemporary and historic. This work was undertaken in 1993-1994.","Thurmond Depot Historic Structure Report (see boxes 29-34, 51, 62/folders 9a-9c, 66/folder 25, and map cabinet 8, drawer 10): This project was sponsored research undertaken by a cooperative agreement between IHTIA and the National Park Service. The project deliverable was the Thurmond Depot historic structures report. This report, completed to NPS Standards, included narrative history of the depot, ink-on-mylar measured drawings documenting existing conditions, recommendations for adaptive reuse, and archival photographs. The final report was printed and distributed to New River Gorge National River and government repositories. Work was undertaken in 1990-1991.","Allegheny National Forest (see box 32 and map cabinet 8, drawer 4): A two year project. In the first phase IHTIA surveyed Allegheny National Forest (ANF) powerhouses and extant oil heritage sites as part of IHTIA project development (also in this first phase, IHTIA and the Society for Industrial Archeology Three Rivers Chapter conducted a site recording workshop on ANF). This work was undertaken during the spring of 1996. The second phase was sponsored research under a tripartite cooperative agreement between IHTIA, HAER and ANF. A combined team comprised of IHTIA, HAER and ANF staff and summer employees documented central power systems on Allegheny National Forest. IHTIA produced a narrative history, large-format photographs and ink-on-mylar measured drawings. This work was undertaken in the summer of 1997. After completion, this package was transmitted to HAER, and is included in the Library of Congress HAER Collection (HAER PA-436).","Magnolia Plantation (see boxes 38 and 64/folder 21): This project was undertaken in cooperation with HAER under the 1996 IHTIA work plan. IHTIA photographer served as project photographer on the HAER documentation of the Magnolia Plantation Cotton Gins and Presses, Natchitoches Vicinity, Louisiana. IHTIA produced large-format photographs of the structure, gins and presses. This work was undertaken in the summer of 1996. These photographs were transmitted to HAER and are included in the Library of Congress HAER Collection (HAER No. LA-11).","Shenandoah Pulp Mill (see boxes 39 and 66/folder 23): This project was undertaken in cooperation with HAER under the 1994 IHTIA work plan. IHTIA delineators and photographer recorded the ruins of the Shenandoah Pulp Mill, near Harpers Ferry, West Virginia. IHTIA produced, to HAER Standards, ink-on-mylar measured drawings and large-format photographs. HAER staff completed the narrative history. This work was undertaken in the summer of 1994. The photographs and drawings were transmitted to HAER and are included in the Library of Congress HAER Collection (HAER WV-59).","Vance Farmhouse National Register Nomination (see box 65/folder 10 and map cabinet 8, drawer 1): This nomination was prepared under the 1990 IHTIA work plan. The Bicentennial House (aka Vance Farmhouse) was the headquarters of IHTIA. The nomination was prepared in the fall of 1990 and the Bicentennial House was listed in the National Register of Historic Places in November 1991.","Skyline Drive Historic District National Register Nomination (see boxes 54, 65/folder 8, and map cabinet 8, drawer 21): Project was undertaken under a cooperative agreement between IHTIA and the National Park Service. IHTIA prepared a National Register Nomination for the105 mile long Skyline Drive, located in Shenandoah National Park. In addition to the National Register nomination, IHTIA delineators produced the Skyline Drive Landscape Report documenting the Skyline Drive overlooks and viewsheds. This work was undertaken in summer 1992. The Skyline Drive Historic District was listed in the National Register of Historic Places in April 1997.","Nuttallburg Mine Complex (see boxes 64/folder 22, 66/folder 21, and map cabinet 8, drawer 16): This project was under the 1991 IHTIA work.  The Nuttallburg Mine Complex, located within the boundaries of the New River Gorge National River, was the first HAER level documentation undertaken by IHTIA. The HAER package consisted of a narrative history, large-format photographs, and ink-on-mylar drawings. The project was transmitted to HAER and is included in the Library of Congress HAER Collection (HAER WV-51). Work was undertaken in 1991-1992.","1992 Industrial Archaeology Field School (see boxes 62/folder 7, 62/folder 10, and 63/folder 1): The first of three field schools conducted by IHTIA and taught techniques of site recording. The 1992 Field School was funded under the 1992 IHTIA work plan. The students recorded the Boteler Cement Mill ruins, near Shepherdstown, WV and Virginius Island ruins at Harpers Ferry, WV with measured drawings and large-format photographs. Additionally, the students prepared a draft National Register Nomination for the Boteler Cement Mill. Ink-on-mylar drawings (completed by IHTIA staff) and photographs were transmitted to HAER and are included in the Library of Congress HAER Collection (HAER WV-82 \u0026 HAER WV-83).","La Belle Iron Works (see box 66/folder 18): This HAER project was funded under the 1990 IHTIA work plan. The La Belle Nail Works was one of two surviving American cut nail factories (now defunct). The HAER team documented the manufacturing process with a narrative history, large-format photographs and ink-on-mylar measured drawings. This package is included in the Library of Congress HAER Collection (HAER WV-47).","Warwood Tool Company (see boxes 63/folder 2, 65/folder 10, and 66/folder 28): This HAER project was funded under the 1990 IHTIA work plan. The Warwood Tool Company manufactures high quality railroad and industrial tools. The HAER team documented the manufacturing process with a narrative history, large-format photographs and ink-on-mylar measured drawings. This package is included in the Library of Congress HAER Collection (HAER WV-48).","Waverly Street Bridge (see boxes 63/folder 3, 66/folder 29, and map cabinet 8, drawer 24): The project was sponsored research undertaken under an agreement between IHTIA and the Allegany County [Maryland] Department of Public Works. The Waverly Street Bridge, recorded to HAER Standards, a narrative history, large-format photographs and ink-on-mylar measured drawings. The package was transmitted to HAER and is included in the Library of Congress HAER Collection (HAER MD-83).","Blair Mountain Reconnaissance Survey (see boxes 63/folders 9a-9b, 66/folder 5, and map cabinet 8, drawer 7): The West Virginia Humanities Council commissioned IHTIA, as an unbiased organization, to undertake a reconnaissance survey of the Blair Mountain Battlefield site. IHTIA staff spent a week in early February 1991 surveying the battlefield and interviewing local informants. IHTIA staff conducted additional research in Morgantown and produced the Blair Mountain Cultural Reconnaissance Survey Report. The final draft report was sent to the WV Humanities Council.","Advisory Committee Meetings (see box 47): The IHTIA Advisory Committee was an advisory board created to oversee how the IHTIA expended its federal funding. The committee met annually to discuss and approve the IHTIA work plan. The Committee consisted of representatives from the West Virginia, Pennsylvania and Ohio State Historic Preservation Offices, the WVU Research Corporation, the Historic American Engineering Record and WVU History Department. Staff presented their work plan projects to the committee for discussion and approval.","Society for Industrial Archeology (see boxes 35-36 and map cabinet 8, drawer 30): Society for Industrial Archeology (SIA) is the professional organization for the discipline of industrial archeology. Emory Kemp was one of the founding members of SIA (founded in 1971). IHTIA was involved in SIA activities from its start. IHTIA initiated the formation of the SIA Pittsburgh Three Rivers Chapter in 1991 and hosted the 1993 Pittsburgh SIA Conference (including paper proposals, organizing tours, printing and mailing brochure, etc.). IHTIA hosted several Three Rivers Chapter symposia and staff attended and presented at numerous SIA conferences.","--","IHTIA Projects Not in the Contents List","The following list includes projects undertaken by the IHTIA for which there are no descriptions of material in this collection, A\u0026M 3936.","Anthracite/Bituminous Coal Study \nBarrackville Covered Bridge Stabilization Plan \nBollman Truss National Landmark Nomination \nChestnut Ridge Iron Industry \nCononcocheague Creek Aqueduct (HAER MD-123) \nCovered Bridge Video \nCut Nail Context \nFairbank Oil Field \nFairmont Industrial Survey \nField School 1994 (Clarysville, Maryland) \nField School 2001 (Canada) \nHarvey Lock National Register Evaluation \nHigh Level Bridge National Register Nomination \nIHTIA Monographs \nIHTIA Technical Reports \nIndustrial Site Evaluation \nIron and Steel Context \nIronmaking in the Virginias \nIronmasters Conferences 1999 and 2002 \nJoanna Furnace Recordation \nKanawha Valley Chemical Heritage Symposium May 2003 \nKanawha Valley Chemical Industry Survey \nKaymoor Mine Site Stabilization \nLock and Dam No. 7 Video \nMidland Trail Scenic Byways \nMississippi Basin Model \nMonessen Open Hearth Study (HAER PA-253) \nNational Road Documentation \nNew River Gorge Historic Context Update \nNorth Bend Rail Trails Guide \nNorthern West Virginia Coalfields Context \nOxford Furnace \nPrincipio Furnace Management Plan \nSt. Nicholas Breaker \nStaunton to Parkersburg Turnpike \nThurmond Depot Historic Furnishing Report","\nIn addition, the following terms that regularly appeared in the collection have been abbreviated:  Allegheny National Forest (ANF)   American Canal Society (ACS)   Bureau of Indian Affairs (BIA)   Baltimore and Ohio Railroad (B\u0026O Railroad)   Chesapeake and Ohio Canal (C\u0026O Canal)   Civilian Conservation Corps (CCC)   United States Army Corps of Engineers (USACE)   Institute for the History of Technology and Industrial Archaeology (IHTIA)   Historic American Engineering Record (HAER)   Historic American Building Survey (HABS)   National Register of Historic Places (NRHP)   National Forest (NF)  National Park Service (NPS)   Natural Resources Conservation Service (NRCS), previously the Soil Conservation Service (SCS)   Society for Industrial Archaeology (SIA)   West Virginia University (WVU)   United States Geological Survey (USGS)","See processing file for list of canals in box.","See processing file for list of canals in this box.","Missing as of 2023/10/20 -- box was found with a bunch of newspapers in it, so either it was mislabeled from the start, or the contents got shuffled somehow. Keep it unpublished until such time as we find and replace the missing material."],"originalsloc_html_tesm":["\u003cp\u003eThe originals were on loan, and have been returned to the Chesapeake \u0026amp; Ohio Historical Society.\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["The originals were on loan, and have been returned to the Chesapeake \u0026 Ohio Historical Society."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Institute for the History of Technology and Industrial Archaeology Records, A\u0026amp;M 3936, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Institute for the History of Technology and Industrial Archaeology Records, A\u0026M 3936, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"processinfo_html_tesm":["\u003cp\u003eDuring a review of this collection, boxes 4 and 5 were combined. Box 5 no longer exists.\u003c/p\u003e","\u003cp\u003eRemoved empty folders from box labeled \"Michigan\", \"Missouri\" and \"New Mexico\"\u003c/p\u003e","\u003cp\u003eRemoved empty folders labeled \"Utah\" and \"South Dakota\". Also Added Oral History Interview and CCC Directory from Box 4.\u003c/p\u003e","\u003cp\u003eCombined A and M 3936 Boxes 4 and 5 - Box 4 now contains Articles 2 and Articles 5\u003c/p\u003e","\u003cp\u003eMoved map of Muskingum River map and profile to Box 142\u003c/p\u003e","\u003cp\u003eThese maps were removed from Box 25 and placed in multiple oversize folders in map cabinet, 86 sheets.  Also put in map cabinet information about Native American tribes. See processing folder for list of maps that were moved.\u003c/p\u003e","\u003cp\u003eSome photographs/negatives are stuck together--they are in last folder.\u003c/p\u003e","\u003cp\u003eThe boxes of slides that were once in this box have been moved to box 58.\u003c/p\u003e","\u003cp\u003eThis box was once full of empty slide boxes. Those were deaccesseioned; its current contents was moved here from box 56.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","UNPUBLISHED","UNPUBLISHED","UNPUBLISHED","UNPUBLISHED","UNPUBLISHED","UNPUBLISHED","Processing Information","Processing Information"],"processinfo_tesim":["During a review of this collection, boxes 4 and 5 were combined. Box 5 no longer exists.","Removed empty folders from box labeled \"Michigan\", \"Missouri\" and \"New Mexico\"","Removed empty folders labeled \"Utah\" and \"South Dakota\". Also Added Oral History Interview and CCC Directory from Box 4.","Combined A and M 3936 Boxes 4 and 5 - Box 4 now contains Articles 2 and Articles 5","Moved map of Muskingum River map and profile to Box 142","These maps were removed from Box 25 and placed in multiple oversize folders in map cabinet, 86 sheets.  Also put in map cabinet information about Native American tribes. See processing folder for list of maps that were moved.","Some photographs/negatives are stuck together--they are in last folder.","The boxes of slides that were once in this box have been moved to box 58.","This box was once full of empty slide boxes. Those were deaccesseioned; its current contents was moved here from box 56."],"scopecontent_html_tesm":["\u003cp\u003eRecords of the Institute for the History of Technology and Industrial Archaeology (IHTIA), an organization affiliated with West Virginia University, including reports and research papers regarding the history of industrial technology and preservation of historical sites, particularly within West Virginia and the Mid-Atlantic region. This collection also includes photographs, negatives, and photo mechanical transfers of historical sites in these regions. For a more complete list of IHTIA projects represented in this collection, please see the \"Project Descriptions\" note.\u003c/p\u003e\n","\u003cp\u003eAddendum of 2022 (boxes 148-153) contains IHTIA materials found at the Bicentennial House following the departure of the West Virginia University Press from the building in 2022. These materials include documents and photographs from IHTIA recordation projects, including the St. Nicholas Central Breaker, Fairmont Industrial Guide, LaVale Toll House, Little Crossings Bridge, Park Gap Lane Truss Bridge, Crab Run Lane Truss Bridge, West Virginia Independence Hall, the Muskingum Navigation; and Croton Aqueduct (all boxes 148-149); Joanna Furnace (box 151); IHTIA Technical Reports for the Alexander Campbell Mansion and the Trump-Lilley Farm (box 150); and Battle of Blair Mountain Historic Structures documentation base maps (box 152). Additionally, there are IHTIA press release materials for Emory Kemp's Benedum Distinguished Scholar Award lecture \"Links in a Chain\" and for the release of the Cement Mills Along the Potomac monograph (box 148).  Also included in this addendum are Dr. Thomas Swiftwater Hahn's 1983 photographs and negatives of historic Jefferson County, West Virginia buildings, structures and remains, and his hand-written Potomac River Valley cement mills notes (box 153). Hahn was an adjunct member of the IHTIA. \u003c/p\u003e","\u003cp\u003eThis box contains Bureau of Indian Affairs News Sheet Reports for the Indian Emergency Conservation Work program created in 1933. The IECW was later renamed the Civilian Conservation Corps Indian Division in 1937. These news sheets were titled \"Indians at Work.\"\u003c/p\u003e","\u003cp\u003eIncludes typescripts and correspondence regarding the publishing of Larry Sypolt's book \"The Civilian Conservation Corps: A Selectively Annotated Bibliography,\" as well as a draft or copy. Also includes \"Tunnels Through Time: Original Tunnels of the Baltimore and Ohio Railroad.\"\u003c/p\u003e","\u003cp\u003e(1) Mineral Lands adjacent to Lake Superior\u003clb\u003e\u003c/lb\u003e\n(2) Diagram of Oregon\u003clb\u003e\u003c/lb\u003e\n(3) Oregon and Upper California (Survey by John Charles Fremont) \u003clb\u003e\u003c/lb\u003e\n(4) Entrance to port of Havre with a plan of the docks\u003clb\u003e\u003c/lb\u003e\n(5) Plans of Proposed Batteries on Yerba Buena Island, San Francisco Harbor, California (military) \u003clb\u003e\u003c/lb\u003e\n(6) Sketch of the Golfito in Golfo Dulce (military) \u003clb\u003e\u003c/lb\u003e\n(7) Sketch of the Isthmus of Chiriquí in the State of New Granada in South America\u003clb\u003e\u003c/lb\u003e\n(8) Chiriquí Lagoon Survey\u003clb\u003e\u003c/lb\u003e\n(9) Map showing sailing speeds between islands in the South Pacific Ocean\u003clb\u003e\u003c/lb\u003e\n(10) Map of the lines of march passed over by the United States troops by the United States War Department (military) \u003clb\u003e\u003c/lb\u003e\n(11) District of Columbia, ordered by the United States Senate to improve map system\u003clb\u003e\u003c/lb\u003e\n(12) Plat showing proposed United States military reservation at Fort Stevens, D.C. (military)\u003clb\u003e\u003c/lb\u003e\n(13) Eastern Port of Jamaica Bay, New York, from main channel to Long Beach Inlet for Canal by the U.S. Corps of Engineers (military) \u003clb\u003e\u003c/lb\u003e\n(14) Routes travelled by detachments of the Overland Command in the Springs of 1855 from Salt Lake City, Utah, to San Francisco Bay, California\u003clb\u003e\u003c/lb\u003e\n(15) Sketch of United States Coast Survey, progress of part of Section 2 - Middle Section (military) \u003clb\u003e\u003c/lb\u003e\n(16) New Madrid/Francis River Swamp in the States of Missouri and Arkansas showing probable limits, and townships displayed\u003clb\u003e\u003c/lb\u003e\n(17) Presque Bay on Erie, Pennsylvania Harbor by the U.S. Corps of Engineers (military)\u003clb\u003e\u003c/lb\u003e\n(18) Harbor of St. Louis on the Mississippi River by the U.S. Corps of Engineers (military)\u003clb\u003e\u003c/lb\u003e\n(19) Oregon Territory West of the Cascade Mountains by the U. S. Surveyor General's Office\u003c/p\u003e","\u003cp\u003eAddendum of 2022 (boxes 148-153) contains IHTIA materials found at the Bicentennial House following the departure of the West Virginia University Press from the building in 2022. These materials include documents and photographs from IHTIA recordation projects, including the St. Nicholas Central Breaker, Fairmont Industrial Guide, LaVale Toll House, Little Crossings Bridge, Park Gap Lane Truss Bridge, Crab Run Lane Truss Bridge, West Virginia Independence Hall, the Muskingum Navigation; and Croton Aqueduct (all boxes 148-149); Joanna Furnace (box 151); IHTIA Technical Reports for the Alexander Campbell Mansion and the Trump-Lilley Farm (box 150); and Battle of Blair Mountain Historic Structures documentation base maps (box 152). Additionally, there are IHTIA press release materials for Emory Kemp's Benedum Distinguished Scholar Award lecture \"Links in a Chain\" and for the release of the Cement Mills Along the Potomac monograph (box 148).  Also included in this addendum are Dr. Thomas Swiftwater Hahn's 1983 photographs and negatives of historic Jefferson County, West Virginia buildings, structures and remains, and his hand-written Potomac River Valley cement mills notes (box 153). Hahn was an adjunct member of the IHTIA.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Records of the Institute for the History of Technology and Industrial Archaeology (IHTIA), an organization affiliated with West Virginia University, including reports and research papers regarding the history of industrial technology and preservation of historical sites, particularly within West Virginia and the Mid-Atlantic region. This collection also includes photographs, negatives, and photo mechanical transfers of historical sites in these regions. For a more complete list of IHTIA projects represented in this collection, please see the \"Project Descriptions\" note.","Addendum of 2022 (boxes 148-153) contains IHTIA materials found at the Bicentennial House following the departure of the West Virginia University Press from the building in 2022. These materials include documents and photographs from IHTIA recordation projects, including the St. Nicholas Central Breaker, Fairmont Industrial Guide, LaVale Toll House, Little Crossings Bridge, Park Gap Lane Truss Bridge, Crab Run Lane Truss Bridge, West Virginia Independence Hall, the Muskingum Navigation; and Croton Aqueduct (all boxes 148-149); Joanna Furnace (box 151); IHTIA Technical Reports for the Alexander Campbell Mansion and the Trump-Lilley Farm (box 150); and Battle of Blair Mountain Historic Structures documentation base maps (box 152). Additionally, there are IHTIA press release materials for Emory Kemp's Benedum Distinguished Scholar Award lecture \"Links in a Chain\" and for the release of the Cement Mills Along the Potomac monograph (box 148).  Also included in this addendum are Dr. Thomas Swiftwater Hahn's 1983 photographs and negatives of historic Jefferson County, West Virginia buildings, structures and remains, and his hand-written Potomac River Valley cement mills notes (box 153). Hahn was an adjunct member of the IHTIA. ","This box contains Bureau of Indian Affairs News Sheet Reports for the Indian Emergency Conservation Work program created in 1933. The IECW was later renamed the Civilian Conservation Corps Indian Division in 1937. These news sheets were titled \"Indians at Work.\"","Includes typescripts and correspondence regarding the publishing of Larry Sypolt's book \"The Civilian Conservation Corps: A Selectively Annotated Bibliography,\" as well as a draft or copy. Also includes \"Tunnels Through Time: Original Tunnels of the Baltimore and Ohio Railroad.\"","(1) Mineral Lands adjacent to Lake Superior \n(2) Diagram of Oregon \n(3) Oregon and Upper California (Survey by John Charles Fremont)  \n(4) Entrance to port of Havre with a plan of the docks \n(5) Plans of Proposed Batteries on Yerba Buena Island, San Francisco Harbor, California (military)  \n(6) Sketch of the Golfito in Golfo Dulce (military)  \n(7) Sketch of the Isthmus of Chiriquí in the State of New Granada in South America \n(8) Chiriquí Lagoon Survey \n(9) Map showing sailing speeds between islands in the South Pacific Ocean \n(10) Map of the lines of march passed over by the United States troops by the United States War Department (military)  \n(11) District of Columbia, ordered by the United States Senate to improve map system \n(12) Plat showing proposed United States military reservation at Fort Stevens, D.C. 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