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The photos show the growth of the school from the first William and Mary extension classes held in the Old Larchmont School to the huge multi-building, multi-degree University that is now Old Dominion.  These photos and multimedia document the change in the school's journey from an extension of the College of William and Mary in 1930 to becoming a college in 1961 to a full-fledged university in 1969 and onward still to the present day.","Note written by Special Collections Staff","Series I and parts of Series III have been digitized and are available in the Old Dominion University Libraries Digital Collections.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","The Old Dominion University Photographic and Multimedia Collection (RG 32) contains a wide range of photos relating to the university's history from the 1930s to the present.","ODU University Archives","Old Dominion University","College of William and Mary. 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Finding aid updated by Amanda Menjivar in June 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the records of other theatrical organizations, such as the Arena Stage records, as well as many other collections focusing on theatre and the performing arts.\u003c/p\u003e","\u003cp\u003eThe New York Public Library, Archives and Manuscripts division and Texas State University Libraries hold American Theatre Association collections.\u003c/p\u003e","\u003cp\u003ehttps://archives.nypl.org/the/18637 \u003c/p\u003e","\u003cp\u003ehttps://archivesspace.library.txstate.edu/repositories/2/resources/70\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the records of other theatrical organizations, such as the Arena Stage records, as well as many other collections focusing on theatre and the performing arts.","The New York Public Library, Archives and Manuscripts division and Texas State University Libraries hold American Theatre Association collections.","https://archives.nypl.org/the/18637","https://archivesspace.library.txstate.edu/repositories/2/resources/70"],"scopecontent_html_tesm":["\u003cp\u003eNote: This collection is not fully processed - a basic box inventory is available.\u003c/p\u003e","\u003cp\u003eThis collection contains official records of the American Theatre Association such as meeting minutes, correspondence, and administrative papers, as well as photographs and audiovisual materials. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Note: This collection is not fully processed - a basic box inventory is available.","This collection contains official records of the American Theatre Association such as meeting minutes, correspondence, and administrative papers, as well as photographs and audiovisual materials."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_cbed6be54bd2c070c6f8f0c3dca7dc91\" label=\"Abstract\"\u003eThis collection contains official records of the American Theatre Association such as meeting minutes, correspondence, and administrative papers, as well as photographs and audiovisual materials.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains official records of the American Theatre Association such as meeting minutes, correspondence, and administrative papers, as well as photographs and audiovisual materials."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Theatre Association","National Theater Players (Washington, D.C.)"],"names_coll_ssim":["National Theater Players (Washington, D.C.)","Davis, Jed H. (Jed Horace)"],"persname_ssim":["Davis, Jed H. (Jed Horace)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American Theatre Association","National Theater Players (Washington, D.C.)","Davis, Jed H. (Jed Horace)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2838,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:14.575Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_118_c1636"}},{"id":"vifgm_repositories_2_resources_416_c04_c03_c42","type":"File","attributes":{"title":"1977-1978 Part I February 1977 - July 1977, 1977","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c04_c03_c42#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_416_c04_c03_c42","ref_ssm":["vifgm_repositories_2_resources_416_c04_c03_c42"],"id":"vifgm_repositories_2_resources_416_c04_c03_c42","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416_c04_c03","parent_ssi":"vifgm_repositories_2_resources_416_c04_c03","parent_ssim":["Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990"],"parent_ids_ssim":["vifgm_repositories_2_resources_416","vifgm_repositories_2_resources_416_c04","vifgm_repositories_2_resources_416_c04_c03"],"title_filing_ssi":"1977-1978 Part I February 1977 - July 1977","title_ssm":["1977-1978 Part I February 1977 - July 1977"],"title_tesim":["1977-1978 Part I February 1977 - July 1977"],"normalized_title_ssm":["1977-1978 Part I February 1977 - July 1977, 1977"],"text":["1977-1978 Part I February 1977 - July 1977, 1977","Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990","box 686","folder 1"],"parent_unittitles_ssm":["Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990"],"parent_unittitles_tesim":["Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990"],"normalized_date_ssm":["1977"],"unitdate_other_ssim":["1977"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":7942,"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records, 1949/2010"],"containers_ssim":["box 686","folder 1"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1977],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#3/components#2/components#41","timestamp":"2026-09-04T00:01:18.787Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_filing_ssi":"Arena Stage records","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","/repositories/2/resources/416","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","There are no access restrictions.","to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"accruals_html_tesm":["\u003cp\u003eto this collection are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e\n            ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-09-04T00:01:18.787Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c04_c03_c42"}},{"id":"vifgm_repositories_2_resources_308_c07_c07_c25","type":"File","attributes":{"title":"1977-1980, 1977/1980","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_308_c07_c07_c25#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_308_c07_c07_c25","ref_ssm":["vifgm_repositories_2_resources_308_c07_c07_c25"],"id":"vifgm_repositories_2_resources_308_c07_c07_c25","ead_ssi":"vifgm_repositories_2_resources_308","_root_":"vifgm_repositories_2_resources_308","_nest_parent_":"vifgm_repositories_2_resources_308_c07_c07","parent_ssi":"vifgm_repositories_2_resources_308_c07_c07","parent_ssim":["George Mason University Libraries records","Series 7: Library departments and services, 1959/2008","Subseries 7.7: Exhibits, 1955/2007"],"parent_ids_ssim":["vifgm_repositories_2_resources_308","vifgm_repositories_2_resources_308_c07","vifgm_repositories_2_resources_308_c07_c07"],"title_filing_ssi":"1977-1980","title_ssm":["1977-1980"],"title_tesim":["1977-1980"],"normalized_title_ssm":["1977-1980, 1977/1980"],"text":["1977-1980, 1977/1980","George Mason University Libraries records","Series 7: Library departments and services, 1959/2008","Subseries 7.7: Exhibits, 1955/2007","box 159","folder 8"],"parent_unittitles_ssm":["George Mason University Libraries records","Series 7: Library departments and services, 1959/2008","Subseries 7.7: Exhibits, 1955/2007"],"parent_unittitles_tesim":["George Mason University Libraries records","Series 7: Library departments and services, 1959/2008","Subseries 7.7: Exhibits, 1955/2007"],"normalized_date_ssm":["1977/1980"],"unitdate_other_ssim":["1977-1980"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":2188,"repository_ssim":["George Mason University"],"collection_ssim":["George Mason University Libraries records"],"containers_ssim":["box 159","folder 8"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1977,1978,1979,1980],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#6/components#6/components#24","timestamp":"2026-08-14T22:34:34.591Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_308","ead_ssi":"vifgm_repositories_2_resources_308","_root_":"vifgm_repositories_2_resources_308","_nest_parent_":"vifgm_repositories_2_resources_308","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_308.xml","aspace_url_ssi":"http://scrc.gmu.edu/finding_aids/gmulibraries.html","title_ssm":["George Mason University Libraries records"],"title_tesim":["George Mason University Libraries records"],"unitdate_ssm":["1949-2008"],"unitdate_inclusive_ssm":["1949-2008"],"normalized_title_ssm":["George Mason University Libraries records"],"text":["George Mason University Libraries records","R0095","/repositories/2/resources/308","Academic libraries -- United States","Collection is open to research.","Organized into eleven series:","Missing Title\n      Series 1: Library Director, 1958-2001\n      Series 2: Correspondence and memos, 1960-1999\n      Series 3: Reports and publications, 1960-2007\n      Series 4: Committees and collaborations, 1960-2004\n      Series 5: Policies and procedures, 1960-2001\n      Series 6: Buildings, 1962-2004\n      Series 7: Departments and services, 1959-2008\n      Series 8: Administrative files, 1958-2001\n      Series 9: Miscellaneous, 1949-2001\n      Series 10: Photographs, audiovisual materials, artifacts, 1967-1999\n      Series 11: Oversize, 1984-2003","Fenwick Library, the main research library in the GMU Library System, houses most of the libraries' print collections in all disciplines including journals and maps. In addition to the print collections, the library offers resources in microform and electronic formats. Electronic resources include networked and stand-alone CD-ROMs, the libraries' online catalog, a number of databases available through the libraries' membership in various consortia, and Internet access. Reference librarians in Fenwick assist faculty with specific research projects, teach classes about information search strategies and resources, and work with specific academic departments to develop library collections. Fenwick staff also assist students at all levels -- graduate and undergraduate -- as they become more sophisticated library users throughout their careers at GMU.","The Special Collections and Archives Department in Fenwick Library collects, organizes and preserves books and other items of historical or special interest to the GMU Community; scans and digitizes some especially noteworthy materials for research use (available via the Libraries' Web Pages), and provides finding aids for identification and use of special and archival materials.","The Johnson Center Library (JCL) located in the George W. Johnson Center is an electronic gateway library that supports the informational and instructional needs of students, faculty and staff. The JCL provides access to library resources through the world wide web and Mason libraries local area network of resources. The JCL emphasizes teaching library users to use electronic resources. A variety of drop-in instructional classes on library research skills and in using electronic resources are offered. In addition, course related instructional classes are conducted by the liaison librarians for specific subject departments. Course-integrated library instruction has been developed for special populations such as New Century College, Honors Program, and University 100. The Johnson Center Library provides the following collections and services: Adaptive Technology to assist persons with disabilities, circulating Collection of undergraduate foundation materials focusing on multiculturalism, gender studies, technology, and music and education circulating collections (including graduate level). The library also features a core reference collection, curriculum collection, international newspapers, course reserves, instructional classes and media collections and equipment.","The Arlington Campus Library collects materials that support the non-law academic programs offered on the Arlington Campus of George Mason University. Resources cover a wide range of applied social science disciplinary areas, including public policy, public administration, social services, nonprofit management, business, economics and education. In addition to the core reference and circulating collections, the library serves as a depository for European Union documents and houses the University Library's collection of pre-1987 bound journals.","The Mercer Library, on the Prince William Campus, is part of the George Mason University Libraries system and provides full-access to all GMU-owned print and electronic resources. This means researchers have at their disposal, a collection of one million titles and over 250 electronic databases. The Mercer Library collection specializes in the following disciplines: Health and Fitness, Tourism, Administration of Justice, Education, Biodefense, Bioinformatics, and Computer Science.","Processed by Special Collections and Archives staff.","Special Collections and Archives holds the George Mason University records.","The George Mason University Libraries records includes materials and reports on library planning and operations as well as special projects, programs and events. It is divided into eleven series and includes the Library Directors records as well as department records, planning and construction records, reports, meeting minutes, committee records, and policies and procedures. Each series is arranged alphabetically and then chronologically unless otherwise noted. Series one, three, six, seven, eight, and ten have subseries to further divide and make easily accessible the information within.","Series one, Library Director (1958-2001), consists of 34 boxes of files created by the Library Director and is divided into six subseries; Scheduled Reports, Library Director 1958-1981, John G. Veenstra, Louella V. Weatherbee, Charlene Hurt, and John G. Zenelis. This series includes annual reports, letters, correspondence and memorandums, and miscellaneous plus chronological files collected by the Library Director. Scheduled reports 1959-1985 contains annual and monthly reports prepared by the Library Director. The first annual report of the Librarian dates from 1959. The second subseries, Library Director (1958-1981), includes correspondence, grant and project information, and management by objectives (MBOs) for library departments. The John G. Veenstra (1966-1987), series includes correspondence and memorandums many of which are concerning Special Collections and public services. The fourth subseries, Louella V. Weatherbee (1980-1985), contains documents concerning or created by Louella Weatherbee regarding library expansion, departments, and services. The Charlene Hurt (1973-1999) subseries contains the bulk of the Library Director materials. It contains files created by, or concerning, Charlene Hurt, who served as Library Director in the 1980s and 1990s, and includes information on conferences, chronological files, budgets, correspondence, Johnson Center planning, library policies, and weekly calenders. Subseries six, John G. Zenelis (1998-2001), is a short subseries with information on the Library Director search in 1998, memorandums, and a statement by the Librarian from 2001.","Series two, Correspondence and Memos (1960-1999), consists of four boxes of correspondence and memorandums, created by and pertaining to, library employees, library policies, and library departments, from the years 1960 to 1999.","Series three, Reports (1960-2007), is divided into five subseries: Budgets, Reports, Minutes, Publications, Publicity and Research. Subseries one (Boxes 39-44), Budgets (1970-2001), is arranged chronologically and contains annual budgets, requests and updates. Subseries two (Boxes 54-63), Reports (1960-2001), includes annual, monthly, and quarterly reports, consultant reports, surveys, Southern Association of Colleges and Schools (SACS) accreditation reports, and self studies. Subseries three (Boxes 64-66), Committee (1972-2002), includes meeting minutes, memorandum, papers from division head meetings, faculty senate, graduate council meetings and others. Subseries four (Boxes 67-72), Publications (1964-2007), includes the publications Added Entries, Federal One, Full Text, and Library Notes as well as brochures and other newletters produced by the Library staff. Subseries five(Boxes 73-75), Publicity and Research (1967-1995), contains newspaper and magazine articles featuring the libraries at George Mason and especially the Federal Theatre Project. Research articles focus on library science, professional development, and public relations.","Series four, Committees and Collaborations (1960-2004), consists of eight boxes of records originating from library committees and records concerning collaborations within the University and with other institutions undertaken by the library. This series includes information on the Arlington Campus Library, Campus Wide Information Working group (CWIS), Committee on Committees, Consortium for Continuing Higher Education (CCHENV), Faculty Senate Library Committee, Friends of the Library, the Johnson Center, Liaison Librarian Program task force (LLPTF), Librarians council, Policy and Planning council, Research Planning council, Southern Association of Colleges and Schools (SACS), State Council of Higher Education (SCHEV), Virtual Library of Virginia (VIVA), Washington Research Library Consortium (WRLC), and many more.","Series five, Policies and Procedures (1960-2001), includes five boxes of documents on the library handbook, policies, emergency plans, computer, library council minutes, and copier procedures and mission statements.","Series six, Buildings (1962-2004), contains building plans, correspondence, notes, and budgets on construction and renovation projects for Fenwick library, the Johnson Center library (also referred to as University Center), Arlington Campus Library, and the Mercer Library at the Prince William Campus. This series is divided into four subseries. Subseries one, Arlington Campus Library (1978-1999), includes the proposal for the Arlington Campus Library (also known as the Metro campus) as well as blueprints featuring the Arlington building and buildings at the Fairfax campus. Subseries two, Fenwick Library (1962-2004), includes building plans, correspondence, proposals and specifications for the Fenwick Library building. Subseries three, Johnson Center (University Center) (1980-1996), includes budgets, building plans, correspondence, planning, proposals and policies relating to the Johnson Center building and library. Subseries four contains documents on the Prince William campus and Mercer Library dating from 1991-1998.","Series seven, Library departments and services (1959-2008), is divided into eight subseries each of which consists of information on a particular department of the library. Subseries one, Catalog and Databases (1979-1995), contains information on the automated library system, and the cataloging department. Subseries two, Circulation (1959-2002), includes manuals and policies for the circulation department. Subseries three, Collection Development (1964-2001) contains acquisitions information, collection development policies, and lists of audiovisual materials in the library. Subseries four, Periodicals (1963-1996), contains information on the periodicals collection and holding lists. Subseries five, Reference (1976-2000), contains information on the Reference department policies and resources. Subseries six, Other Services (1969-2008), includes material relating to other services the library provides such as workshops and seminars, readings and events, library instruction, research theses and resources. Subseries seven, Exhibits (1955-2007), contains photographs, brochures, publicity, and display materials for exhibits created by and displayed at Fenwick Library. More exhibit material can be found in Series 11 Oversize Material. Subseries eight, Special Collections and Archives (1950-2007), contains information regarding all aspects of the Special Collections and Archives and additional places such as the Millionth Volume Celebration Group including services, projects, reports, grants, forms, research, and collection information.","Series eight, Administrative Files (1958-2001), is divided into three subseries: Gifts, Grants, and Personnel. Subseries one, Gifts (1958-1989) contains acknowledgements of gifts received by the library. Subseries two, Grants (1966-1993), includes grant correspondence, proposals, and requests. Subseries three, Personnel (1964-1995), includes faculty information, organization charts, reports, personnel procedures and information on volunteer programs.","Series nine, Miscellaneous (1949-2011) consists of boxes of miscellaneous correspondence, memorandums, statistics, policies and brochures (boxes 192, 193, 225-242).","Series ten, Photographs, Audiovisual, Artifacts (1967-1999), includes photographs, audiovisual materials such as VHS and audio cassette tapes, and artifacts including Mason related buttons. It is divided into three subseries. Subseries one, Photographs (1967-1990) includes photographs, contacts sheets, negatives, and slides featuring library staff, as well as, the Fenwick Library and Johnson Center buildings. Subseries two, Audiovisual (1979-1999), includes VHS tapes, an audio cassette tape, a reel to reel tape and a 45rpm record featuring library related seminars and meetings, as well as, information on library technology. Subseries three, Artifacts (1990s), consists of scissors used during the Johnson Center celebration in 1993 and MasonLink buttons.","Series eleven, Oversize (1984-2003), consists of oversize exhibit related material.","There are no restrictions.","The collection includes materials and reports on library planning and operations as well as special projects, programs and events.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Libraries","English"],"collection_title_tesim":["George Mason University Libraries records"],"collection_ssim":["George Mason University Libraries records"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0095","/repositories/2/resources/308"],"unitid_tesim":["R0095","/repositories/2/resources/308"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries"],"creator_ssim":["George Mason University. Libraries"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Libraries"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Libraries"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by the GMU Libraries."],"access_subjects_ssim":["Academic libraries -- United States"],"access_subjects_ssm":["Academic libraries -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["110 Linear Feet (242 boxes)","(214 boxes)"],"extent_tesim":["110 Linear Feet (242 boxes)","(214 boxes)"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eOrganized into eleven series:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Library Director, 1958-2001\u003c/item\u003e\n      \u003citem\u003eSeries 2: Correspondence and memos, 1960-1999\u003c/item\u003e\n      \u003citem\u003eSeries 3: Reports and publications, 1960-2007\u003c/item\u003e\n      \u003citem\u003eSeries 4: Committees and collaborations, 1960-2004\u003c/item\u003e\n      \u003citem\u003eSeries 5: Policies and procedures, 1960-2001\u003c/item\u003e\n      \u003citem\u003eSeries 6: Buildings, 1962-2004\u003c/item\u003e\n      \u003citem\u003eSeries 7: Departments and services, 1959-2008\u003c/item\u003e\n      \u003citem\u003eSeries 8: Administrative files, 1958-2001\u003c/item\u003e\n      \u003citem\u003eSeries 9: Miscellaneous, 1949-2001\u003c/item\u003e\n      \u003citem\u003eSeries 10: Photographs, audiovisual materials, artifacts, 1967-1999\u003c/item\u003e\n      \u003citem\u003eSeries 11: Oversize, 1984-2003\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into eleven series:","Missing Title\n      Series 1: Library Director, 1958-2001\n      Series 2: Correspondence and memos, 1960-1999\n      Series 3: Reports and publications, 1960-2007\n      Series 4: Committees and collaborations, 1960-2004\n      Series 5: Policies and procedures, 1960-2001\n      Series 6: Buildings, 1962-2004\n      Series 7: Departments and services, 1959-2008\n      Series 8: Administrative files, 1958-2001\n      Series 9: Miscellaneous, 1949-2001\n      Series 10: Photographs, audiovisual materials, artifacts, 1967-1999\n      Series 11: Oversize, 1984-2003"],"bioghist_html_tesm":["\u003cp\u003eFenwick Library, the main research library in the GMU Library System, houses most of the libraries' print collections in all disciplines including journals and maps. In addition to the print collections, the library offers resources in microform and electronic formats. Electronic resources include networked and stand-alone CD-ROMs, the libraries' online catalog, a number of databases available through the libraries' membership in various consortia, and Internet access. Reference librarians in Fenwick assist faculty with specific research projects, teach classes about information search strategies and resources, and work with specific academic departments to develop library collections. Fenwick staff also assist students at all levels -- graduate and undergraduate -- as they become more sophisticated library users throughout their careers at GMU.\u003c/p\u003e","\u003cp\u003eThe Special Collections and Archives Department in Fenwick Library collects, organizes and preserves books and other items of historical or special interest to the GMU Community; scans and digitizes some especially noteworthy materials for research use (available via the Libraries' Web Pages), and provides finding aids for identification and use of special and archival materials.\u003c/p\u003e","\u003cp\u003eThe Johnson Center Library (JCL) located in the George W. Johnson Center is an electronic gateway library that supports the informational and instructional needs of students, faculty and staff. The JCL provides access to library resources through the world wide web and Mason libraries local area network of resources. The JCL emphasizes teaching library users to use electronic resources. A variety of drop-in instructional classes on library research skills and in using electronic resources are offered. In addition, course related instructional classes are conducted by the liaison librarians for specific subject departments. Course-integrated library instruction has been developed for special populations such as New Century College, Honors Program, and University 100. The Johnson Center Library provides the following collections and services: Adaptive Technology to assist persons with disabilities, circulating Collection of undergraduate foundation materials focusing on multiculturalism, gender studies, technology, and music and education circulating collections (including graduate level). The library also features a core reference collection, curriculum collection, international newspapers, course reserves, instructional classes and media collections and equipment.\u003c/p\u003e","\u003cp\u003eThe Arlington Campus Library collects materials that support the non-law academic programs offered on the Arlington Campus of George Mason University. Resources cover a wide range of applied social science disciplinary areas, including public policy, public administration, social services, nonprofit management, business, economics and education. In addition to the core reference and circulating collections, the library serves as a depository for European Union documents and houses the University Library's collection of pre-1987 bound journals.\u003c/p\u003e","\u003cp\u003eThe Mercer Library, on the Prince William Campus, is part of the George Mason University Libraries system and provides full-access to all GMU-owned print and electronic resources. This means researchers have at their disposal, a collection of one million titles and over 250 electronic databases. The Mercer Library collection specializes in the following disciplines: Health and Fitness, Tourism, Administration of Justice, Education, Biodefense, Bioinformatics, and Computer Science.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Fenwick Library, the main research library in the GMU Library System, houses most of the libraries' print collections in all disciplines including journals and maps. In addition to the print collections, the library offers resources in microform and electronic formats. Electronic resources include networked and stand-alone CD-ROMs, the libraries' online catalog, a number of databases available through the libraries' membership in various consortia, and Internet access. Reference librarians in Fenwick assist faculty with specific research projects, teach classes about information search strategies and resources, and work with specific academic departments to develop library collections. Fenwick staff also assist students at all levels -- graduate and undergraduate -- as they become more sophisticated library users throughout their careers at GMU.","The Special Collections and Archives Department in Fenwick Library collects, organizes and preserves books and other items of historical or special interest to the GMU Community; scans and digitizes some especially noteworthy materials for research use (available via the Libraries' Web Pages), and provides finding aids for identification and use of special and archival materials.","The Johnson Center Library (JCL) located in the George W. Johnson Center is an electronic gateway library that supports the informational and instructional needs of students, faculty and staff. The JCL provides access to library resources through the world wide web and Mason libraries local area network of resources. The JCL emphasizes teaching library users to use electronic resources. A variety of drop-in instructional classes on library research skills and in using electronic resources are offered. In addition, course related instructional classes are conducted by the liaison librarians for specific subject departments. Course-integrated library instruction has been developed for special populations such as New Century College, Honors Program, and University 100. The Johnson Center Library provides the following collections and services: Adaptive Technology to assist persons with disabilities, circulating Collection of undergraduate foundation materials focusing on multiculturalism, gender studies, technology, and music and education circulating collections (including graduate level). The library also features a core reference collection, curriculum collection, international newspapers, course reserves, instructional classes and media collections and equipment.","The Arlington Campus Library collects materials that support the non-law academic programs offered on the Arlington Campus of George Mason University. Resources cover a wide range of applied social science disciplinary areas, including public policy, public administration, social services, nonprofit management, business, economics and education. In addition to the core reference and circulating collections, the library serves as a depository for European Union documents and houses the University Library's collection of pre-1987 bound journals.","The Mercer Library, on the Prince William Campus, is part of the George Mason University Libraries system and provides full-access to all GMU-owned print and electronic resources. This means researchers have at their disposal, a collection of one million titles and over 250 electronic databases. The Mercer Library collection specializes in the following disciplines: Health and Fitness, Tourism, Administration of Justice, Education, Biodefense, Bioinformatics, and Computer Science."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University Libraries records, Collection #R0095, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["George Mason University Libraries records, Collection #R0095, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections and Archives staff."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds the George Mason University records.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds the George Mason University records."],"scopecontent_html_tesm":["\u003cp\u003eThe George Mason University Libraries records includes materials and reports on library planning and operations as well as special projects, programs and events. It is divided into eleven series and includes the Library Directors records as well as department records, planning and construction records, reports, meeting minutes, committee records, and policies and procedures. Each series is arranged alphabetically and then chronologically unless otherwise noted. Series one, three, six, seven, eight, and ten have subseries to further divide and make easily accessible the information within.\u003c/p\u003e","\u003cp\u003eSeries one, Library Director (1958-2001), consists of 34 boxes of files created by the Library Director and is divided into six subseries; Scheduled Reports, Library Director 1958-1981, John G. Veenstra, Louella V. Weatherbee, Charlene Hurt, and John G. Zenelis. This series includes annual reports, letters, correspondence and memorandums, and miscellaneous plus chronological files collected by the Library Director. Scheduled reports 1959-1985 contains annual and monthly reports prepared by the Library Director. The first annual report of the Librarian dates from 1959. The second subseries, Library Director (1958-1981), includes correspondence, grant and project information, and management by objectives (MBOs) for library departments. The John G. Veenstra (1966-1987), series includes correspondence and memorandums many of which are concerning Special Collections and public services. The fourth subseries, Louella V. Weatherbee (1980-1985), contains documents concerning or created by Louella Weatherbee regarding library expansion, departments, and services. The Charlene Hurt (1973-1999) subseries contains the bulk of the Library Director materials. It contains files created by, or concerning, Charlene Hurt, who served as Library Director in the 1980s and 1990s, and includes information on conferences, chronological files, budgets, correspondence, Johnson Center planning, library policies, and weekly calenders. Subseries six, John G. Zenelis (1998-2001), is a short subseries with information on the Library Director search in 1998, memorandums, and a statement by the Librarian from 2001.  \u003c/p\u003e","\u003cp\u003eSeries two, Correspondence and Memos (1960-1999), consists of four boxes of correspondence and memorandums, created by and pertaining to, library employees, library policies, and library departments, from the years 1960 to 1999.\u003c/p\u003e","\u003cp\u003eSeries three, Reports (1960-2007), is divided into five subseries: Budgets, Reports, Minutes, Publications, Publicity and Research. Subseries one (Boxes 39-44), Budgets (1970-2001), is arranged chronologically and contains annual budgets, requests and updates. Subseries two (Boxes 54-63), Reports (1960-2001), includes annual, monthly, and quarterly reports, consultant reports, surveys, Southern Association of Colleges and Schools (SACS) accreditation reports, and self studies. Subseries three (Boxes 64-66), Committee (1972-2002), includes meeting minutes, memorandum, papers from division head meetings, faculty senate, graduate council meetings and others. Subseries four (Boxes 67-72), Publications (1964-2007), includes the publications Added Entries, Federal One, Full Text, and Library Notes as well as brochures and other newletters produced by the Library staff. Subseries five(Boxes 73-75), Publicity and Research (1967-1995), contains newspaper and magazine articles featuring the libraries at George Mason and especially the Federal Theatre Project. Research articles focus on library science, professional development, and public relations.\u003c/p\u003e","\u003cp\u003eSeries four, Committees and Collaborations (1960-2004), consists of eight boxes of records originating from library committees and records concerning collaborations within the University and with other institutions undertaken by the library. This series includes information on the Arlington Campus Library, Campus Wide Information Working group (CWIS), Committee on Committees, Consortium for Continuing Higher Education (CCHENV), Faculty Senate Library Committee, Friends of the Library, the Johnson Center, Liaison Librarian Program task force (LLPTF), Librarians council, Policy and Planning council, Research Planning council, Southern Association of Colleges and Schools (SACS), State Council of Higher Education (SCHEV), Virtual Library of Virginia (VIVA), Washington Research Library Consortium (WRLC), and many more.\u003c/p\u003e","\u003cp\u003eSeries five, Policies and Procedures (1960-2001), includes five boxes of documents on the library handbook, policies, emergency plans, computer, library council minutes, and copier procedures and mission statements.\u003c/p\u003e","\u003cp\u003eSeries six, Buildings (1962-2004), contains building plans, correspondence, notes, and budgets on construction and renovation projects for Fenwick library, the Johnson Center library (also referred to as University Center), Arlington Campus Library, and the Mercer Library at the Prince William Campus. This series is divided into four subseries. Subseries one, Arlington Campus Library (1978-1999), includes the proposal for the Arlington Campus Library (also known as the Metro campus) as well as blueprints featuring the Arlington building and buildings at the Fairfax campus. Subseries two, Fenwick Library (1962-2004), includes building plans, correspondence, proposals and specifications for the Fenwick Library building. Subseries three, Johnson Center (University Center) (1980-1996), includes budgets, building plans, correspondence, planning, proposals and policies relating to the Johnson Center building and library. Subseries four contains documents on the Prince William campus and Mercer Library dating from 1991-1998.\u003c/p\u003e","\u003cp\u003eSeries seven, Library departments and services (1959-2008), is divided into eight subseries each of which consists of information on a particular department of the library. Subseries one, Catalog and Databases (1979-1995), contains information on the automated library system, and the cataloging department. Subseries two, Circulation (1959-2002), includes manuals and policies for the circulation department. Subseries three, Collection Development (1964-2001) contains acquisitions information, collection development policies, and lists of audiovisual materials in the library. Subseries four, Periodicals (1963-1996), contains information on the periodicals collection and holding lists. Subseries five, Reference (1976-2000), contains information on the Reference department policies and resources. Subseries six, Other Services (1969-2008), includes material relating to other services the library provides such as workshops and seminars, readings and events, library instruction, research theses and resources. Subseries seven, Exhibits (1955-2007), contains photographs, brochures, publicity, and display materials for exhibits created by and displayed at Fenwick Library. More exhibit material can be found in Series 11 Oversize Material. Subseries eight, Special Collections and Archives (1950-2007), contains information regarding all aspects of the Special Collections and Archives and additional places such as the Millionth Volume Celebration Group including services, projects, reports, grants, forms, research, and collection information.\u003c/p\u003e","\u003cp\u003eSeries eight, Administrative Files (1958-2001), is divided into three subseries: Gifts, Grants, and Personnel. Subseries one, Gifts (1958-1989) contains acknowledgements of gifts received by the library. Subseries two, Grants (1966-1993), includes grant correspondence, proposals, and requests. Subseries three, Personnel (1964-1995), includes faculty information, organization charts, reports, personnel procedures and information on volunteer programs.\u003c/p\u003e","\u003cp\u003eSeries nine, Miscellaneous (1949-2011) consists of boxes of miscellaneous correspondence, memorandums, statistics, policies and brochures (boxes 192, 193, 225-242).\u003c/p\u003e","\u003cp\u003eSeries ten, Photographs, Audiovisual, Artifacts (1967-1999), includes photographs, audiovisual materials such as VHS and audio cassette tapes, and artifacts including Mason related buttons. It is divided into three subseries. Subseries one, Photographs (1967-1990) includes photographs, contacts sheets, negatives, and slides featuring library staff, as well as, the Fenwick Library and Johnson Center buildings. Subseries two, Audiovisual (1979-1999), includes VHS tapes, an audio cassette tape, a reel to reel tape and a 45rpm record featuring library related seminars and meetings, as well as, information on library technology. Subseries three, Artifacts (1990s), consists of scissors used during the Johnson Center celebration in 1993 and MasonLink buttons.\u003c/p\u003e","\u003cp\u003eSeries eleven, Oversize (1984-2003), consists of oversize exhibit related material.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The George Mason University Libraries records includes materials and reports on library planning and operations as well as special projects, programs and events. It is divided into eleven series and includes the Library Directors records as well as department records, planning and construction records, reports, meeting minutes, committee records, and policies and procedures. Each series is arranged alphabetically and then chronologically unless otherwise noted. Series one, three, six, seven, eight, and ten have subseries to further divide and make easily accessible the information within.","Series one, Library Director (1958-2001), consists of 34 boxes of files created by the Library Director and is divided into six subseries; Scheduled Reports, Library Director 1958-1981, John G. Veenstra, Louella V. Weatherbee, Charlene Hurt, and John G. Zenelis. This series includes annual reports, letters, correspondence and memorandums, and miscellaneous plus chronological files collected by the Library Director. Scheduled reports 1959-1985 contains annual and monthly reports prepared by the Library Director. The first annual report of the Librarian dates from 1959. The second subseries, Library Director (1958-1981), includes correspondence, grant and project information, and management by objectives (MBOs) for library departments. The John G. Veenstra (1966-1987), series includes correspondence and memorandums many of which are concerning Special Collections and public services. The fourth subseries, Louella V. Weatherbee (1980-1985), contains documents concerning or created by Louella Weatherbee regarding library expansion, departments, and services. The Charlene Hurt (1973-1999) subseries contains the bulk of the Library Director materials. It contains files created by, or concerning, Charlene Hurt, who served as Library Director in the 1980s and 1990s, and includes information on conferences, chronological files, budgets, correspondence, Johnson Center planning, library policies, and weekly calenders. Subseries six, John G. Zenelis (1998-2001), is a short subseries with information on the Library Director search in 1998, memorandums, and a statement by the Librarian from 2001.","Series two, Correspondence and Memos (1960-1999), consists of four boxes of correspondence and memorandums, created by and pertaining to, library employees, library policies, and library departments, from the years 1960 to 1999.","Series three, Reports (1960-2007), is divided into five subseries: Budgets, Reports, Minutes, Publications, Publicity and Research. Subseries one (Boxes 39-44), Budgets (1970-2001), is arranged chronologically and contains annual budgets, requests and updates. Subseries two (Boxes 54-63), Reports (1960-2001), includes annual, monthly, and quarterly reports, consultant reports, surveys, Southern Association of Colleges and Schools (SACS) accreditation reports, and self studies. Subseries three (Boxes 64-66), Committee (1972-2002), includes meeting minutes, memorandum, papers from division head meetings, faculty senate, graduate council meetings and others. Subseries four (Boxes 67-72), Publications (1964-2007), includes the publications Added Entries, Federal One, Full Text, and Library Notes as well as brochures and other newletters produced by the Library staff. Subseries five(Boxes 73-75), Publicity and Research (1967-1995), contains newspaper and magazine articles featuring the libraries at George Mason and especially the Federal Theatre Project. Research articles focus on library science, professional development, and public relations.","Series four, Committees and Collaborations (1960-2004), consists of eight boxes of records originating from library committees and records concerning collaborations within the University and with other institutions undertaken by the library. This series includes information on the Arlington Campus Library, Campus Wide Information Working group (CWIS), Committee on Committees, Consortium for Continuing Higher Education (CCHENV), Faculty Senate Library Committee, Friends of the Library, the Johnson Center, Liaison Librarian Program task force (LLPTF), Librarians council, Policy and Planning council, Research Planning council, Southern Association of Colleges and Schools (SACS), State Council of Higher Education (SCHEV), Virtual Library of Virginia (VIVA), Washington Research Library Consortium (WRLC), and many more.","Series five, Policies and Procedures (1960-2001), includes five boxes of documents on the library handbook, policies, emergency plans, computer, library council minutes, and copier procedures and mission statements.","Series six, Buildings (1962-2004), contains building plans, correspondence, notes, and budgets on construction and renovation projects for Fenwick library, the Johnson Center library (also referred to as University Center), Arlington Campus Library, and the Mercer Library at the Prince William Campus. This series is divided into four subseries. Subseries one, Arlington Campus Library (1978-1999), includes the proposal for the Arlington Campus Library (also known as the Metro campus) as well as blueprints featuring the Arlington building and buildings at the Fairfax campus. Subseries two, Fenwick Library (1962-2004), includes building plans, correspondence, proposals and specifications for the Fenwick Library building. Subseries three, Johnson Center (University Center) (1980-1996), includes budgets, building plans, correspondence, planning, proposals and policies relating to the Johnson Center building and library. Subseries four contains documents on the Prince William campus and Mercer Library dating from 1991-1998.","Series seven, Library departments and services (1959-2008), is divided into eight subseries each of which consists of information on a particular department of the library. Subseries one, Catalog and Databases (1979-1995), contains information on the automated library system, and the cataloging department. Subseries two, Circulation (1959-2002), includes manuals and policies for the circulation department. Subseries three, Collection Development (1964-2001) contains acquisitions information, collection development policies, and lists of audiovisual materials in the library. Subseries four, Periodicals (1963-1996), contains information on the periodicals collection and holding lists. Subseries five, Reference (1976-2000), contains information on the Reference department policies and resources. Subseries six, Other Services (1969-2008), includes material relating to other services the library provides such as workshops and seminars, readings and events, library instruction, research theses and resources. Subseries seven, Exhibits (1955-2007), contains photographs, brochures, publicity, and display materials for exhibits created by and displayed at Fenwick Library. More exhibit material can be found in Series 11 Oversize Material. Subseries eight, Special Collections and Archives (1950-2007), contains information regarding all aspects of the Special Collections and Archives and additional places such as the Millionth Volume Celebration Group including services, projects, reports, grants, forms, research, and collection information.","Series eight, Administrative Files (1958-2001), is divided into three subseries: Gifts, Grants, and Personnel. Subseries one, Gifts (1958-1989) contains acknowledgements of gifts received by the library. Subseries two, Grants (1966-1993), includes grant correspondence, proposals, and requests. Subseries three, Personnel (1964-1995), includes faculty information, organization charts, reports, personnel procedures and information on volunteer programs.","Series nine, Miscellaneous (1949-2011) consists of boxes of miscellaneous correspondence, memorandums, statistics, policies and brochures (boxes 192, 193, 225-242).","Series ten, Photographs, Audiovisual, Artifacts (1967-1999), includes photographs, audiovisual materials such as VHS and audio cassette tapes, and artifacts including Mason related buttons. It is divided into three subseries. Subseries one, Photographs (1967-1990) includes photographs, contacts sheets, negatives, and slides featuring library staff, as well as, the Fenwick Library and Johnson Center buildings. Subseries two, Audiovisual (1979-1999), includes VHS tapes, an audio cassette tape, a reel to reel tape and a 45rpm record featuring library related seminars and meetings, as well as, information on library technology. Subseries three, Artifacts (1990s), consists of scissors used during the Johnson Center celebration in 1993 and MasonLink buttons.","Series eleven, Oversize (1984-2003), consists of oversize exhibit related material."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8dfaa9188b3ad2ef9566bf6629453cc2\" label=\"Abstract\"\u003eThe collection includes materials and reports on library planning and operations as well as special projects, programs and events.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection includes materials and reports on library planning and operations as well as special projects, programs and events."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Libraries"],"names_coll_ssim":["George Mason University. 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He was a professional violinist and composed a number of original works for orchestra, chamber ensemble, vocal and choral media."],"prefercite_html_tesm":["\u003cp\u003eSam di Bonaventura papers, C0070, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Sam di Bonaventura papers, C0070, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. Finding aid updated by Amanda Menjivar in August 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. 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There are no other access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1977],"_nest_path_":"/components#1634","timestamp":"2026-08-14T22:34:14.575Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_118","ead_ssi":"vifgm_repositories_2_resources_118","_root_":"vifgm_repositories_2_resources_118","_nest_parent_":"vifgm_repositories_2_resources_118","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_118.xml","title_filing_ssi":"American Theatre Association records","title_ssm":["American Theatre Association records"],"title_tesim":["American Theatre Association records"],"unitdate_ssm":["1972-1986"],"unitdate_inclusive_ssm":["1972-1986"],"normalized_title_ssm":["American Theatre Association records"],"text":["American Theatre Association records","C0042","/repositories/2/resources/118","Theater -- United States","Theater","Performing arts","Theater and society","Correspondence","Video recordings","Photographs","Certain materials in this collection are restricted, see inventory for details. There are no other access restrictions.","This collection is arranged by subject.","The American Theatre Association (ATA) was formed in 1936 as the American Educational Theatre Association by a group of privately owned theatres. Recruiting its members from the ranks of teachers, actors, students, and directors, among others, the Association acted as a theatre advocacy group, promoting theatre and theatre education in several ways. It published and disseminated materials for use in children's secondary schools, colleges and universities, and community theatres, pushed for federal funding of theatre education, promoted the touring of educational theatre groups, and worked with the armed forces installations to develop mutually beneficial theatre programs. The Association also sought to stimulate creative activity and scholarship in educational theatre and in allied fields of educational television, radio, film, and puppetry.","In 1972 the American Educational Theatre Association restructured itself under a new title, the American Theatre Association, and Jed H. Davis became the Association's president. After earning BA, MA, and PhD degrees from the University of Minnesota, Davis served briefly in the U.S. Army. In 1947 he began teaching at Macalester College, followed by Michigan State and Kansas University, where he became director of children's theatre and University Theatre. Davis wrote several essays on theatre education for major journals and coauthored two books with Mary Jane Evans, Theatre, Children and Youth and Children's Theatre: Play Production for the Child Audience. 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Finding aid updated by Amanda Menjivar in June 2025.","The Special Collections Research Center also holds the records of other theatrical organizations, such as the Arena Stage records, as well as many other collections focusing on theatre and the performing arts.","The New York Public Library, Archives and Manuscripts division and Texas State University Libraries hold American Theatre Association collections.","https://archives.nypl.org/the/18637","https://archivesspace.library.txstate.edu/repositories/2/resources/70","Note: This collection is not fully processed - a basic box inventory is available.","This collection contains official records of the American Theatre Association such as meeting minutes, correspondence, and administrative papers, as well as photographs and audiovisual materials.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains official records of the American Theatre Association such as meeting minutes, correspondence, and administrative papers, as well as photographs and audiovisual materials.","George Mason University. Libraries. Special Collections Research Center","American Theatre Association","National Theater Players (Washington, D.C.)","Davis, Jed H. (Jed Horace)","English"],"collection_title_tesim":["American Theatre Association records"],"collection_ssim":["American Theatre Association records"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0042","/repositories/2/resources/118"],"unitid_tesim":["C0042","/repositories/2/resources/118"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["American Theatre Association"],"creator_ssim":["American Theatre Association"],"creator_persname_ssim":["Davis, Jed H. (Jed Horace)"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Theatre Association","National Theater Players (Washington, D.C.)"],"creators_ssim":["Davis, Jed H. (Jed Horace)","George Mason University. Libraries. 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There are no other access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject."],"bioghist_html_tesm":["\u003cp\u003eThe American Theatre Association (ATA) was formed in 1936 as the American Educational Theatre Association by a group of privately owned theatres. Recruiting its members from the ranks of teachers, actors, students, and directors, among others, the Association acted as a theatre advocacy group, promoting theatre and theatre education in several ways. It published and disseminated materials for use in children's secondary schools, colleges and universities, and community theatres, pushed for federal funding of theatre education, promoted the touring of educational theatre groups, and worked with the armed forces installations to develop mutually beneficial theatre programs. 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Davis wrote several essays on theatre education for major journals and coauthored two books with Mary Jane Evans, \u003citalic\u003eTheatre, Children and Youth\u003c/italic\u003e and \u003citalic\u003eChildren's Theatre: Play Production for the Child Audience.\u003c/italic\u003e Since the 1950s, Jed Davis served actively in professional associations, including the Children's Theatre Conference in 1963 and the ATA in 1972 until retiring in 1986, the year of the ATA's dissolution. Davis passed away in 2015.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The American Theatre Association (ATA) was formed in 1936 as the American Educational Theatre Association by a group of privately owned theatres. Recruiting its members from the ranks of teachers, actors, students, and directors, among others, the Association acted as a theatre advocacy group, promoting theatre and theatre education in several ways. It published and disseminated materials for use in children's secondary schools, colleges and universities, and community theatres, pushed for federal funding of theatre education, promoted the touring of educational theatre groups, and worked with the armed forces installations to develop mutually beneficial theatre programs. The Association also sought to stimulate creative activity and scholarship in educational theatre and in allied fields of educational television, radio, film, and puppetry.","In 1972 the American Educational Theatre Association restructured itself under a new title, the American Theatre Association, and Jed H. Davis became the Association's president. After earning BA, MA, and PhD degrees from the University of Minnesota, Davis served briefly in the U.S. Army. In 1947 he began teaching at Macalester College, followed by Michigan State and Kansas University, where he became director of children's theatre and University Theatre. Davis wrote several essays on theatre education for major journals and coauthored two books with Mary Jane Evans, Theatre, Children and Youth and Children's Theatre: Play Production for the Child Audience. Since the 1950s, Jed Davis served actively in professional associations, including the Children's Theatre Conference in 1963 and the ATA in 1972 until retiring in 1986, the year of the ATA's dissolution. Davis passed away in 2015."],"prefercite_html_tesm":["\u003cp\u003eAmerican Theatre Association records, C0042, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["American Theatre Association records, C0042, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThis collection is unprocessed. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. \u003c/p\u003e","\u003cp\u003eBasic box inventory compiled by SCRC staff from 2022-2025. Finding aid updated by Amanda Menjivar in June 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection is unprocessed. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009.","Basic box inventory compiled by SCRC staff from 2022-2025. Finding aid updated by Amanda Menjivar in June 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the records of other theatrical organizations, such as the Arena Stage records, as well as many other collections focusing on theatre and the performing arts.\u003c/p\u003e","\u003cp\u003eThe New York Public Library, Archives and Manuscripts division and Texas State University Libraries hold American Theatre Association collections.\u003c/p\u003e","\u003cp\u003ehttps://archives.nypl.org/the/18637 \u003c/p\u003e","\u003cp\u003ehttps://archivesspace.library.txstate.edu/repositories/2/resources/70\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the records of other theatrical organizations, such as the Arena Stage records, as well as many other collections focusing on theatre and the performing arts.","The New York Public Library, Archives and Manuscripts division and Texas State University Libraries hold American Theatre Association collections.","https://archives.nypl.org/the/18637","https://archivesspace.library.txstate.edu/repositories/2/resources/70"],"scopecontent_html_tesm":["\u003cp\u003eNote: This collection is not fully processed - a basic box inventory is available.\u003c/p\u003e","\u003cp\u003eThis collection contains official records of the American Theatre Association such as meeting minutes, correspondence, and administrative papers, as well as photographs and audiovisual materials. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Note: This collection is not fully processed - a basic box inventory is available.","This collection contains official records of the American Theatre Association such as meeting minutes, correspondence, and administrative papers, as well as photographs and audiovisual materials."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_cbed6be54bd2c070c6f8f0c3dca7dc91\" label=\"Abstract\"\u003eThis collection contains official records of the American Theatre Association such as meeting minutes, correspondence, and administrative papers, as well as photographs and audiovisual materials.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains official records of the American Theatre Association such as meeting minutes, correspondence, and administrative papers, as well as photographs and audiovisual materials."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Theatre Association","National Theater Players (Washington, D.C.)"],"names_coll_ssim":["National Theater Players (Washington, D.C.)","Davis, Jed H. (Jed Horace)"],"persname_ssim":["Davis, Jed H. (Jed Horace)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American Theatre Association","National Theater Players (Washington, D.C.)","Davis, Jed H. (Jed Horace)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2838,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:14.575Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_118_c1635"}},{"id":"wvmturhc_repositories_2_resources_1613_c01_c12_c43","type":"File","attributes":{"title":"1977-78 Budget (Wages, City Employees, Tentative Budget, Levy Order), 1977/1978","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1613_c01_c12_c43#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1613_c01_c12_c43","ref_ssm":["wvmturhc_repositories_2_resources_1613_c01_c12_c43"],"id":"wvmturhc_repositories_2_resources_1613_c01_c12_c43","ead_ssi":"wvmturhc_repositories_2_resources_1613","_root_":"wvmturhc_repositories_2_resources_1613","_nest_parent_":"wvmturhc_repositories_2_resources_1613_c01_c12","parent_ssi":"wvmturhc_repositories_2_resources_1613_c01_c12","parent_ssim":["Morgantown Municipal Records, 1838/2013","Addendum of 2018/06/25, 1919/1999","City Manager Files, 1930/1987"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1613","wvmturhc_repositories_2_resources_1613_c01","wvmturhc_repositories_2_resources_1613_c01_c12"],"title_filing_ssi":"1977-78 Budget (Wages, City Employees, Tentative Budget, Levy Order)","title_ssm":["1977-78 Budget (Wages, City Employees, Tentative Budget, Levy Order)"],"title_tesim":["1977-78 Budget (Wages, City Employees, Tentative Budget, Levy Order)"],"normalized_title_ssm":["1977-78 Budget (Wages, City Employees, Tentative Budget, Levy Order), 1977/1978"],"text":["1977-78 Budget (Wages, City Employees, Tentative Budget, Levy Order), 1977/1978","Morgantown Municipal Records, 1838/2013","Addendum of 2018/06/25, 1919/1999","City Manager Files, 1930/1987","Box 14"],"parent_unittitles_ssm":["Morgantown Municipal Records, 1838/2013","Addendum of 2018/06/25, 1919/1999","City Manager Files, 1930/1987"],"parent_unittitles_tesim":["Morgantown Municipal Records, 1838/2013","Addendum of 2018/06/25, 1919/1999","City Manager Files, 1930/1987"],"normalized_date_ssm":["1977/1978"],"unitdate_inclusive_ssm":["1977–1978"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":393,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Morgantown Municipal Records, 1838/2013"],"containers_ssim":["Box 14"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["All or part of this collection is stored offsite. Please make an appointment prior to visiting."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1977,1978],"_nest_path_":"/components#0/components#11/components#42","timestamp":"2026-08-14T23:07:49.367Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1613","ead_ssi":"wvmturhc_repositories_2_resources_1613","_root_":"wvmturhc_repositories_2_resources_1613","_nest_parent_":"wvmturhc_repositories_2_resources_1613","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1613.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/201687","title_ssm":["Morgantown Municipal Records"],"title_tesim":["Morgantown Municipal Records"],"unitdate_ssm":["1838-2013"],"unitdate_inclusive_ssm":["1838-2013"],"normalized_date_ssm":["1838/2013"],"normalized_title_ssm":["Morgantown Municipal Records, 1838/2013"],"text":["Morgantown Municipal Records, 1838/2013","A\u0026M 3304","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1613","Morgantown (W. Va.)","Elections","Politics and government.","All or part of this collection is stored offsite. Please make an appointment prior to visiting.","The addendum of 2018/06/25 was arranged and its contents list created by AmeriCorps worker(s) and volunteers prior to its donation. Some boxes are described at the folder level, some at the box level. Some boxes described at the folder level do not contain foldered materials; some boxes described at the box level contain foldered materials. Series titles were derived from the original \"box description\".","Collection includes microfilm copies and original municipal records of the city of Morgantown, West Virginia, from the office of the city clerk.","Sixty-one microfilm reels of Morgantown municipal records kept by the city clerk include city council journals of meetings (1838-2013), ordinance books (1905-2013), resolution books (1990-2013), municipal election records (1979-2013), and deed books (1916-2013). The deed books include not only deeds but also contracts, leases, and agreements. There are records of street annulments, private property sold to the city, and about infrastructure facilities such as traffic lights, buses, the airport, and the water treatment plant.","Addendum of 2018/06/25 includes paper records from the office of the city clerk, and some records which appear to be from the office of the city manager. Types of records include reports, correspondence, publications, financial records, and more. Subjects include Community Development Block Grants, Housing and Urban Development, utilities, sidewalks, the Morgantown Municipal Airport, the Beechurst Power Plant, complaints on a variety of subjects, West Virginia University, state government, transportation, City Council, and a variety of other city functions and services.","It is not clear how much overlap exists between the original accession of microfilm reels and the physical content in the addendum; record books are not present in the addendum.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Morgantown (W. Va.)","Morgantown (W. Va.). City Clerk","English\n."],"collection_title_tesim":["Morgantown Municipal Records, 1838/2013"],"collection_ssim":["Morgantown Municipal Records, 1838/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3304","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1613"],"unitid_tesim":["A\u0026M 3304","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1613"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Morgantown (W. Va.)"],"geogname_ssim":["Morgantown (W. Va.)"],"places_ssim":["Morgantown (W. Va.)"],"creator_ssm":["Morgantown (W. Va.)","Morgantown (W. Va.). City Clerk"],"creator_ssim":["Morgantown (W. Va.)","Morgantown (W. Va.). City Clerk"],"creator_corpname_ssim":["West Virginia and Regional History Center","Morgantown (W. Va.)","Morgantown (W. Va.). City Clerk"],"creators_ssim":["West Virginia and Regional History Center","Morgantown (W. Va.)","Morgantown (W. Va.). City Clerk"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Elections","Politics and government."],"access_subjects_ssm":["Elections","Politics and government."],"has_online_content_ssim":["false"],"extent_ssm":["67.65 Linear Feet Summary: 67 ft. 7 3/4 in. (47 record cartons, 15 in. each); (61 reels of microfilm, 1.75 in. each)"],"extent_tesim":["67.65 Linear Feet Summary: 67 ft. 7 3/4 in. (47 record cartons, 15 in. each); (61 reels of microfilm, 1.75 in. each)"],"date_range_isim":[1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eAll or part of this collection is stored offsite. Please make an appointment prior to visiting.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["All or part of this collection is stored offsite. Please make an appointment prior to visiting."],"arrangement_html_tesm":["\u003cp\u003eThe addendum of 2018/06/25 was arranged and its contents list created by AmeriCorps worker(s) and volunteers prior to its donation. Some boxes are described at the folder level, some at the box level. Some boxes described at the folder level do not contain foldered materials; some boxes described at the box level contain foldered materials. Series titles were derived from the original \"box description\".\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The addendum of 2018/06/25 was arranged and its contents list created by AmeriCorps worker(s) and volunteers prior to its donation. Some boxes are described at the folder level, some at the box level. Some boxes described at the folder level do not contain foldered materials; some boxes described at the box level contain foldered materials. Series titles were derived from the original \"box description\"."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Morgantown Municipal Records, A\u0026amp;M 3304, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Morgantown Municipal Records, A\u0026M 3304, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eCollection includes microfilm copies and original municipal records of the city of Morgantown, West Virginia, from the office of the city clerk.\u003c/p\u003e","\u003cp\u003eSixty-one microfilm reels of Morgantown municipal records kept by the city clerk include city council journals of meetings (1838-2013), ordinance books (1905-2013), resolution books (1990-2013), municipal election records (1979-2013), and deed books (1916-2013). The deed books include not only deeds but also contracts, leases, and agreements. There are records of street annulments, private property sold to the city, and about infrastructure facilities such as traffic lights, buses, the airport, and the water treatment plant.\u003c/p\u003e","\u003cp\u003eAddendum of 2018/06/25 includes paper records from the office of the city clerk, and some records which appear to be from the office of the city manager. Types of records include reports, correspondence, publications, financial records, and more. Subjects include Community Development Block Grants, Housing and Urban Development, utilities, sidewalks, the Morgantown Municipal Airport, the Beechurst Power Plant, complaints on a variety of subjects, West Virginia University, state government, transportation, City Council, and a variety of other city functions and services.\u003c/p\u003e","\u003cp\u003eIt is not clear how much overlap exists between the original accession of microfilm reels and the physical content in the addendum; record books are not present in the addendum.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection includes microfilm copies and original municipal records of the city of Morgantown, West Virginia, from the office of the city clerk.","Sixty-one microfilm reels of Morgantown municipal records kept by the city clerk include city council journals of meetings (1838-2013), ordinance books (1905-2013), resolution books (1990-2013), municipal election records (1979-2013), and deed books (1916-2013). The deed books include not only deeds but also contracts, leases, and agreements. There are records of street annulments, private property sold to the city, and about infrastructure facilities such as traffic lights, buses, the airport, and the water treatment plant.","Addendum of 2018/06/25 includes paper records from the office of the city clerk, and some records which appear to be from the office of the city manager. Types of records include reports, correspondence, publications, financial records, and more. Subjects include Community Development Block Grants, Housing and Urban Development, utilities, sidewalks, the Morgantown Municipal Airport, the Beechurst Power Plant, complaints on a variety of subjects, West Virginia University, state government, transportation, City Council, and a variety of other city functions and services.","It is not clear how much overlap exists between the original accession of microfilm reels and the physical content in the addendum; record books are not present in the addendum."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_1fa0e1928c3b83f407222986ae13710f\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","Morgantown (W. Va.)","Morgantown (W. Va.). City Clerk"],"names_coll_ssim":["Morgantown (W. Va.)"],"names_ssim":["West Virginia and Regional History Center","Morgantown (W. Va.)","Morgantown (W. Va.). City Clerk"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":800,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:07:49.367Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1613_c01_c12_c43"}},{"id":"viu_repositories_7_resources_171_c05_c68","type":"Item","attributes":{"title":"1977-78 Department of Medicine Faculty and Housestaff, 1977","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_171_c05_c68#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_171_c05_c68","ref_ssm":["viu_repositories_7_resources_171_c05_c68"],"id":"viu_repositories_7_resources_171_c05_c68","ead_ssi":"viu_repositories_7_resources_171","_root_":"viu_repositories_7_resources_171","_nest_parent_":"viu_repositories_7_resources_171_c05","parent_ssi":"viu_repositories_7_resources_171_c05","parent_ssim":["Edward Watson Hook, Jr. papers, 1947/1998","SERIES 5: Photographs and Artifacts"],"parent_ids_ssim":["viu_repositories_7_resources_171","viu_repositories_7_resources_171_c05"],"title_filing_ssi":"1977-78 Department of Medicine Faculty and Housestaff","title_ssm":["1977-78 Department of Medicine Faculty and Housestaff"],"title_tesim":["1977-78 Department of Medicine Faculty and Housestaff"],"normalized_title_ssm":["1977-78 Department of Medicine Faculty and Housestaff, 1977"],"text":["1977-78 Department of Medicine Faculty and Housestaff, 1977","Edward Watson Hook, Jr. papers, 1947/1998","SERIES 5: Photographs and Artifacts","2 photos, 2 TD","box 041","folder 067"],"parent_unittitles_ssm":["Edward Watson Hook, Jr. papers, 1947/1998","SERIES 5: Photographs and Artifacts"],"parent_unittitles_tesim":["Edward Watson Hook, Jr. papers, 1947/1998","SERIES 5: Photographs and Artifacts"],"normalized_date_ssm":["1977"],"unitdate_inclusive_ssm":["1977=78"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":596,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Edward Watson Hook, Jr. papers, 1947/1998"],"physdesc_tesim":["2 photos, 2 TD"],"containers_ssim":["box 041","folder 067"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Access may be partially restricted to some materials."],"parent_access_terms_tesm":["Some use restrictions may apply."],"date_range_isim":[1977],"_nest_path_":"/components#4/components#67","timestamp":"2026-08-14T22:54:58.559Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_171","ead_ssi":"viu_repositories_7_resources_171","_root_":"viu_repositories_7_resources_171","_nest_parent_":"viu_repositories_7_resources_171","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_171.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/134701","title_ssm":["Edward Watson Hook, Jr. papers"],"title_tesim":["Edward Watson Hook, Jr. papers"],"unitdate_ssm":["1947-1998"],"unitdate_inclusive_ssm":["1947-1998"],"normalized_date_ssm":["1947/1998"],"normalized_title_ssm":["Edward Watson Hook, Jr. papers, 1947/1998"],"text":["Edward Watson Hook, Jr. papers, 1947/1998","MS-18","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/171","22 linear feet containing 43 boxes: 13 cm x 39.5 cm x 26.5 cm, and 1 artifact box: 46 cm x 39.5 cm x 8 cm. Processed materials total 12,305 items. Additional 2 linear feet containing 2 boxes: 13 cm x 39.5 cm x 26.5 cm, and 1 artifact box 40 cm x 32 cm x 27. After the completion of additions processed in 2019, the collection contains 47 boxes.","may be partially restricted to some materials.","Series Description: This collection is organized into five principal series, as follows: 1.) Professional Organizations \u0026 Activities (9 boxes). 2.) Lectures \u0026 Presentations (1 box). 3.) History of UVa Department of Medicine, by Byrd S. Leavell (2 boxes). 4.) Office Files, alphabetically arranged (28 boxes). 5.) Photographs \u0026 Artifacts (4 boxes).","A sixth series containing mainly photographs and artifacts was added in October 2019. These two boxes are arranged by photographs and then by date. The materials accessioned in November 2019 were added to the sixth series by date. Items in this container were added to the end of Box 46 or filed in earlier boxes as appropriate. Duplicates were discarded.","Edward Watson Hook, Jr. was born in Sumter, South Carolina on August 10, 1924. He was the only child of school teacher parents. He obtained a B.S. degree from Wofford College in Spartanburg, South Carolina and then attended Yale University as a participant in the U.S. Army Specialized Training program. He received an M.D. degree from Emory School of Medicine in Atlanta, Georgia in 1949. He served his internship at University Hospital in Minneapolis, Minnesota and was an assistant resident and chief resident in medicine at Grady Memorial Hospital in Atlanta, Georgia. From 1951 to 1953 he served in the U.S. Army Medical Corps. He taught medicine at Emory University and Johns Hopkins University before becoming the Head of the Division of Infectious Disease at Cornell University Medical College in New York in July 1959. In 1966, Hook was a visiting professor at the University of Bahia School of Medicine in Salvador, Brazil. In 1969 he was appointed Henry B. Mulholland Professor of Internal Medicine at the University of Virginia and chaired the department for 21 years. In 1996 Hook was presented with the Thomas Jefferson Award, the highest award given at the University of Virginia. Hook married Jessie Dale Thurecht on June 14, 1949. They had four children, Edward W. III, Susan Dale, Margaret Jane, and Robert Randall. Hook died unexpectedly of a coronary blood clot on October 5, 1998 at the age of 74.","Dr. Hook was involved in a great many organizations and endeavors outside of UVA. He took a leading role in several specialty and subspecialty societies and in organizations concerned with physician education and training. Hook was president of the Infectious Diseases Society of America during 1975-76, was chair of the Board of Scientific Counselors of the National Institute of Allergy and Infectious Diseases, was a charter member of the editorial board of Antimicrobial Agents and Chemotherapy, and was a chair of the board of directors of the Robert Wood Johnson Foundation Clinical Scholars Program from 1978 to 1988. A former president of the Association of Professors of Medicine, Dr. Hook served on the American Board of Internal Medicine from 1979 to 1987 and chaired its committee on the Evaluation of Clinical Competence.","A fellow of the American College of Physicians (ACP) since 1962 and its president in 1985, Dr. Hook also served as the College's governor in Virginia and on its board of regents. He visited the People's Republic of China in 1979 as a member of the ACP's first teaching delegation to that country. Hook authored over 130 publications. He received distinction early in his career for his research on the pathogenesis of salmonella and other intestinal infections.","Administration duties of running Internal Medicine took up the bulk of Hook's professional time. During his years as chairman, he built up the department of internal medicine, recruited highly trained division leaders, and initiated several programs that benefited the School of Medicine. In 1969 he founded an international health exchange program with the Federal University of Ceará in Brazil. He also developed and led UVa's hospital ethics committee. He began a primary care residency program in medicine and started a faculty-teaching practice program in Orange County. During the 1970s and 80s, Hook was a national leader in internal-medicine manpower, clinical skills evaluation, and the fostering of humanitarian attributes among physicians. Hook was keenly interested in teaching medical students.","After retiring from the chair of the department in 1990, Hook founded the humanities in medicine program. This program offered talks, concerts, and short courses for medical students. He also helped lead the Medical Center Hour, a weekly conference covering health issues. Hook was also chair of the Arts program which used art work to beautify the hospital.","Processed by: \n        Susan Swasta and Sara Huyser, Historical Collections Staff","Duplicates found in the additional boxes donated in 2016 and 2019 were not processed into the collection.","The Edward Watson Hook papers reflect his wide-ranging professional activities related to heading the Department of Internal Medicine, participating in the larger Health System/University processes, and pursuing his own research and external activities. The documents detail Hook's direct personal participation in professional organizations and also show the wide range of details he coordinated in running the department of internal medicine. A noteworthy aspect of the collection includes an unpublished History of the Department of Medicine written by Byrd Leavell. Hook read and critiqued the manuscript, but Leavell died before completing the book. Also, Hook conducted a series of interviews with Thomas H. Hunter which complement with the Thomas H. Hunter papers, MS-4, Claude Moore Health Sciences Library.","Some use restrictions may apply.","Claude Moore Health Sciences Library","English"],"collection_title_tesim":["Edward Watson Hook, Jr. papers, 1947/1998"],"collection_ssim":["Edward Watson Hook, Jr. papers, 1947/1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-18","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/171"],"unitid_tesim":["MS-18","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/171"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_corpname_ssim":["Claude Moore Health Sciences Library"],"creators_ssim":["Claude Moore Health Sciences Library"],"access_terms_ssm":["Some use restrictions may apply."],"acqinfo_ssim":["The papers were acquired from the Program of Humanities in Medicine at the University of Virginia School of Medicine. Career related memorabilia, including certificates, photographs, plaques and paperweights were donated by Dr. Hook's daughters on March 10, 2016. Additional materials were transferred to Historical Collections by Marcia Childress on November 9, 1019."],"has_online_content_ssim":["false"],"physdesc_tesim":["22 linear feet containing 43 boxes: 13 cm x 39.5 cm x 26.5 cm, and 1 artifact box: 46 cm x 39.5 cm x 8 cm. Processed materials total 12,305 items. Additional 2 linear feet containing 2 boxes: 13 cm x 39.5 cm x 26.5 cm, and 1 artifact box 40 cm x 32 cm x 27. After the completion of additions processed in 2019, the collection contains 47 boxes."],"extent_ssm":["19.45 Linear Feet"],"extent_tesim":["19.45 Linear Feet"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003emay be partially restricted to some materials.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["may be partially restricted to some materials."],"arrangement_html_tesm":["\u003cp\u003e\nSeries Description: This collection is organized into five principal series, as follows: 1.) Professional Organizations \u0026amp; Activities (9 boxes). 2.) Lectures \u0026amp; Presentations (1 box). 3.) History of UVa Department of Medicine, by Byrd S. Leavell (2 boxes). 4.) Office Files, alphabetically arranged (28 boxes). 5.) Photographs \u0026amp; Artifacts (4 boxes).\n\u003c/p\u003e\n","\u003cp\u003e\nA sixth series containing mainly photographs and artifacts was added in October 2019. These two boxes are arranged by photographs and then by date. The materials accessioned in November 2019 were added to the sixth series by date. Items in this container were added to the end of Box 46 or filed in earlier boxes as appropriate. Duplicates were discarded.\n\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series Description: This collection is organized into five principal series, as follows: 1.) Professional Organizations \u0026 Activities (9 boxes). 2.) Lectures \u0026 Presentations (1 box). 3.) History of UVa Department of Medicine, by Byrd S. Leavell (2 boxes). 4.) Office Files, alphabetically arranged (28 boxes). 5.) Photographs \u0026 Artifacts (4 boxes).","A sixth series containing mainly photographs and artifacts was added in October 2019. These two boxes are arranged by photographs and then by date. The materials accessioned in November 2019 were added to the sixth series by date. Items in this container were added to the end of Box 46 or filed in earlier boxes as appropriate. Duplicates were discarded."],"bioghist_html_tesm":["\u003cp\u003e\nEdward Watson Hook, Jr. was born in Sumter, South Carolina on August 10, 1924. He was the only child of school teacher parents. He obtained a B.S. degree from Wofford College in Spartanburg, South Carolina and then attended Yale University as a participant in the U.S. Army Specialized Training program. He received an M.D. degree from Emory School of Medicine in Atlanta, Georgia in 1949. He served his internship at University Hospital in Minneapolis, Minnesota and was an assistant resident and chief resident in medicine at Grady Memorial Hospital in Atlanta, Georgia. From 1951 to 1953 he served in the U.S. Army Medical Corps. He taught medicine at Emory University and Johns Hopkins University before becoming the Head of the Division of Infectious Disease at Cornell University Medical College in New York in July 1959. In 1966, Hook was a visiting professor at the University of Bahia School of Medicine in Salvador, Brazil. In 1969 he was appointed Henry B. Mulholland Professor of Internal Medicine at the University of Virginia and chaired the department for 21 years. In 1996 Hook was presented with the Thomas Jefferson Award, the highest award given at the University of Virginia. Hook married Jessie Dale Thurecht on June 14, 1949. They had four children, Edward W. III, Susan Dale, Margaret Jane, and Robert Randall. Hook died unexpectedly of a coronary blood clot on October 5, 1998 at the age of 74.\n\u003c/p\u003e\n","\u003cp\u003e\nDr. Hook was involved in a great many organizations and endeavors outside of UVA. He took a leading role in several specialty and subspecialty societies and in organizations concerned with physician education and training. Hook was president of the Infectious Diseases Society of America during 1975-76, was chair of the Board of Scientific Counselors of the National Institute of Allergy and Infectious Diseases, was a charter member of the editorial board of Antimicrobial Agents and Chemotherapy, and was a chair of the board of directors of the Robert Wood Johnson Foundation Clinical Scholars Program from 1978 to 1988. A former president of the Association of Professors of Medicine, Dr. Hook served on the American Board of Internal Medicine from 1979 to 1987 and chaired its committee on the Evaluation of Clinical Competence.\n\u003c/p\u003e\n","\u003cp\u003e\nA fellow of the American College of Physicians (ACP) since 1962 and its president in 1985, Dr. Hook also served as the College's governor in Virginia and on its board of regents. He visited the People's Republic of China in 1979 as a member of the ACP's first teaching delegation to that country. Hook authored over 130 publications. He received distinction early in his career for his research on the pathogenesis of salmonella and other intestinal infections.\n\u003c/p\u003e\n","\u003cp\u003e\nAdministration duties of running Internal Medicine took up the bulk of Hook's professional time. During his years as chairman, he built up the department of internal medicine, recruited highly trained division leaders, and initiated several programs that benefited the School of Medicine. In 1969 he founded an international health exchange program with the Federal University of Ceará in Brazil. He also developed and led UVa's hospital ethics committee. He began a primary care residency program in medicine and started a faculty-teaching practice program in Orange County. During the 1970s and 80s, Hook was a national leader in internal-medicine manpower, clinical skills evaluation, and the fostering of humanitarian attributes among physicians. Hook was keenly interested in teaching medical students.\n\u003c/p\u003e\n","\u003cp\u003e\nAfter retiring from the chair of the department in 1990, Hook founded the humanities in medicine program. This program offered talks, concerts, and short courses for medical students. He also helped lead the Medical Center Hour, a weekly conference covering health issues. Hook was also chair of the Arts program which used art work to beautify the hospital.\n\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Edward Watson Hook, Jr. was born in Sumter, South Carolina on August 10, 1924. He was the only child of school teacher parents. He obtained a B.S. degree from Wofford College in Spartanburg, South Carolina and then attended Yale University as a participant in the U.S. Army Specialized Training program. He received an M.D. degree from Emory School of Medicine in Atlanta, Georgia in 1949. He served his internship at University Hospital in Minneapolis, Minnesota and was an assistant resident and chief resident in medicine at Grady Memorial Hospital in Atlanta, Georgia. From 1951 to 1953 he served in the U.S. Army Medical Corps. He taught medicine at Emory University and Johns Hopkins University before becoming the Head of the Division of Infectious Disease at Cornell University Medical College in New York in July 1959. In 1966, Hook was a visiting professor at the University of Bahia School of Medicine in Salvador, Brazil. In 1969 he was appointed Henry B. Mulholland Professor of Internal Medicine at the University of Virginia and chaired the department for 21 years. In 1996 Hook was presented with the Thomas Jefferson Award, the highest award given at the University of Virginia. Hook married Jessie Dale Thurecht on June 14, 1949. They had four children, Edward W. III, Susan Dale, Margaret Jane, and Robert Randall. Hook died unexpectedly of a coronary blood clot on October 5, 1998 at the age of 74.","Dr. Hook was involved in a great many organizations and endeavors outside of UVA. He took a leading role in several specialty and subspecialty societies and in organizations concerned with physician education and training. Hook was president of the Infectious Diseases Society of America during 1975-76, was chair of the Board of Scientific Counselors of the National Institute of Allergy and Infectious Diseases, was a charter member of the editorial board of Antimicrobial Agents and Chemotherapy, and was a chair of the board of directors of the Robert Wood Johnson Foundation Clinical Scholars Program from 1978 to 1988. A former president of the Association of Professors of Medicine, Dr. Hook served on the American Board of Internal Medicine from 1979 to 1987 and chaired its committee on the Evaluation of Clinical Competence.","A fellow of the American College of Physicians (ACP) since 1962 and its president in 1985, Dr. Hook also served as the College's governor in Virginia and on its board of regents. He visited the People's Republic of China in 1979 as a member of the ACP's first teaching delegation to that country. Hook authored over 130 publications. He received distinction early in his career for his research on the pathogenesis of salmonella and other intestinal infections.","Administration duties of running Internal Medicine took up the bulk of Hook's professional time. During his years as chairman, he built up the department of internal medicine, recruited highly trained division leaders, and initiated several programs that benefited the School of Medicine. In 1969 he founded an international health exchange program with the Federal University of Ceará in Brazil. He also developed and led UVa's hospital ethics committee. He began a primary care residency program in medicine and started a faculty-teaching practice program in Orange County. During the 1970s and 80s, Hook was a national leader in internal-medicine manpower, clinical skills evaluation, and the fostering of humanitarian attributes among physicians. Hook was keenly interested in teaching medical students.","After retiring from the chair of the department in 1990, Hook founded the humanities in medicine program. This program offered talks, concerts, and short courses for medical students. He also helped lead the Medical Center Hour, a weekly conference covering health issues. Hook was also chair of the Arts program which used art work to beautify the hospital."],"odd_html_tesm":["\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eProcessed by: \u003c/label\u003e\n        \u003citem\u003eSusan Swasta and Sara Huyser, Historical Collections Staff\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"odd_heading_ssm":["General"],"odd_tesim":["Processed by: \n        Susan Swasta and Sara Huyser, Historical Collections Staff"],"prefercite_html_tesm":["\u003cp\u003eThe Edward Watson Hook, Jr. Papers, 1947-1998,  #MS-18, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e  "],"prefercite_tesim":["The Edward Watson Hook, Jr. Papers, 1947-1998,  #MS-18, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"processinfo_html_tesm":["\u003cp\u003eDuplicates found in the additional boxes donated in 2016 and 2019 were not processed into the collection.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Duplicates found in the additional boxes donated in 2016 and 2019 were not processed into the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Edward Watson Hook papers reflect his wide-ranging professional activities related to heading the Department of Internal Medicine, participating in the larger Health System/University processes, and pursuing his own research and external activities. The documents detail Hook's direct personal participation in professional organizations and also show the wide range of details he coordinated in running the department of internal medicine. A noteworthy aspect of the collection includes an unpublished History of the Department of Medicine written by Byrd Leavell. Hook read and critiqued the manuscript, but Leavell died before completing the book. Also, Hook conducted a series of interviews with Thomas H. Hunter which complement with the Thomas H. Hunter papers, MS-4, Claude Moore Health Sciences Library.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Edward Watson Hook papers reflect his wide-ranging professional activities related to heading the Department of Internal Medicine, participating in the larger Health System/University processes, and pursuing his own research and external activities. The documents detail Hook's direct personal participation in professional organizations and also show the wide range of details he coordinated in running the department of internal medicine. A noteworthy aspect of the collection includes an unpublished History of the Department of Medicine written by Byrd Leavell. Hook read and critiqued the manuscript, but Leavell died before completing the book. Also, Hook conducted a series of interviews with Thomas H. Hunter which complement with the Thomas H. Hunter papers, MS-4, Claude Moore Health Sciences Library."],"userestrict_html_tesm":["\u003cp\u003eSome use restrictions may apply.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Some use restrictions may apply."],"corpname_ssim":["Claude Moore Health Sciences Library"],"names_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"total_component_count_is":836,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:54:58.559Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_7_resources_171_c05_c68"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria 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