{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1977\u0026f%5Blevel%5D%5B%5D=Item\u0026f%5Brepository%5D%5B%5D=George+Mason+University","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1977\u0026f%5Blevel%5D%5B%5D=Item\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=2","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1977\u0026f%5Blevel%5D%5B%5D=Item\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=18"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":18,"limit_value":10,"offset_value":0,"total_count":177,"first_page?":true,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_190_c02_c01_c07","type":"Item","attributes":{"title":"Archer, Osceola","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c02_c01_c07#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e4 cassette tapes\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c02_c01_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_190_c02_c01_c07","ref_ssm":["vifgm_repositories_2_resources_190_c02_c01_c07"],"id":"vifgm_repositories_2_resources_190_c02_c01_c07","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190_c02_c01","parent_ssi":"vifgm_repositories_2_resources_190_c02_c01","parent_ssim":["vifgm_repositories_2_resources_190","vifgm_repositories_2_resources_190_c02","vifgm_repositories_2_resources_190_c02_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_190","vifgm_repositories_2_resources_190_c02","vifgm_repositories_2_resources_190_c02_c01"],"parent_unittitles_ssm":["Works Progress Administration oral histories collection","Series 2: Audio Recordings","Subseries 2.1: Oral history interviews"],"parent_unittitles_tesim":["Works Progress Administration oral histories collection","Series 2: Audio Recordings","Subseries 2.1: Oral history interviews"],"text":["Works Progress Administration oral histories collection","Series 2: Audio Recordings","Subseries 2.1: Oral history interviews","Archer, Osceola","box 12","4 cassette tapes"],"title_filing_ssi":"Archer, Osceola","title_ssm":["Archer, Osceola"],"title_tesim":["Archer, Osceola"],"unitdate_other_ssim":["January 3, 1977"],"normalized_date_ssm":["1977"],"normalized_title_ssm":["Archer, Osceola"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Works Progress Administration oral histories collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":297,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1977],"containers_ssim":["box 12"],"scopecontent_html_tesm":["\u003cp\u003e4 cassette tapes\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["4 cassette tapes"],"_nest_path_":"/components#1/components#0/components#6","timestamp":"2026-05-21T05:31:11.400Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_190","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_190.xml","title_filing_ssi":"Works Progress Administration oral histories","title_ssm":["Works Progress Administration oral histories collection"],"title_tesim":["Works Progress Administration oral histories collection"],"unitdate_ssm":["1961-1984"],"unitdate_inclusive_ssm":["1961-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0153","/repositories/2/resources/190"],"text":["C0153","/repositories/2/resources/190","Works Progress Administration oral histories collection","Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories","There are no access restrictions.","Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  .","This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)","The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.","The Special Collections Research Center also holds the  .","This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration","English"],"unitid_tesim":["C0153","/repositories/2/resources/190"],"normalized_title_ssm":["Works Progress Administration oral histories collection"],"collection_title_tesim":["Works Progress Administration oral histories collection"],"collection_ssim":["Works Progress Administration oral histories collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_corpname_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creators_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Institute on the Federal Theatre Project and New Deal Culture."],"access_subjects_ssim":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"access_subjects_ssm":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["16 Linear Feet 43 boxes"],"extent_tesim":["16 Linear Feet 43 boxes"],"genreform_ssim":["Sound recordings","Oral histories"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eMost of the oral histories from this collection were digitized through a Council on Library \u0026amp; Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit \u003cextptr show=\"new\" title=\"https://vwpa.gmu.edu/audiocollection/\" href=\"https://vwpa.gmu.edu/audiocollection/\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.\u003c/p\u003e\n","\u003cp\u003eOrganized into two series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Transcripts, 1961-1984 (Boxes 1-11)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Audio Recordings, 1938-1984 (Boxes 12-41)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)"],"bioghist_html_tesm":["\u003cp\u003eThe interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture."],"prefercite_html_tesm":["\u003cp\u003eWorks Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Works Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Federal Theatre Project collection\" href=\"https://aspace.gmu.edu/resources/c0002\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSeries 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e","\u003cp\u003eWidow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eCostume designer with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress who auditioned for Negro Unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and director, San Francisco Federal Music Project.\u003c/p\u003e","\u003cp\u003eTechnician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.\u003c/p\u003e","\u003cp\u003eDancer with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Federal Dance Project, New York City.\u003c/p\u003e","\u003cp\u003eWorked with the Radio Division of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eStage manager with the Manhattan City Projects, New York City.\u003c/p\u003e","\u003cp\u003eDancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSet designer for various New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eSon-in-law of Hallie Flanagan; writer and critic of modern drama.\u003c/p\u003e","\u003cp\u003eStep-daughter of Hallie Flanagan.\u003c/p\u003e","\u003cp\u003eArtist, muralist. Unidentified interviewer may have residual rights to interview.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter who worked with the National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eNovelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.\u003c/p\u003e","\u003cp\u003eCostume designer with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eComposer, musician; wrote Swing It for New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, muralist with New York City Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePhilip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.\u003c/p\u003e","\u003cp\u003eCorrespondence and notes from untaped interview.\u003c/p\u003e","\u003cp\u003eCostume designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eRobert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of marionette unit of Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Children's unit of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist, muralist with Federal Art Project.\u003c/p\u003e","\u003cp\u003e[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePersonnel administrator with New York City and Florida Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.\u003c/p\u003e","\u003cp\u003eArtist, New York. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eActor, stage manager with Portland, Oregon Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with Federal Dance Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and theater critic.\u003c/p\u003e","\u003cp\u003eDirector of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWith Children's Theatre unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster, Illinois Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDistrict supervisor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSupervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project. Permission to quote required.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePlaywright whose work, Swamp Mud, was produced in Birmingham, Alabama.\u003c/p\u003e","\u003cp\u003eWorks Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.\u003c/p\u003e","\u003cp\u003eSculptor with the Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress with Roslyn, New York unit of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and director with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York Federal Theatre Project unit.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eFinance administrator, Works Progress Administration arts projects, Washington, D.C.\u003c/p\u003e","\u003cp\u003eActor with Popular Price Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusic director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay adapter and choreographer with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant to Hallie Flanagan at Smith College; playwright.\u003c/p\u003e","\u003cp\u003ePlaywright with Chicago Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked in Herbert Hoover's and Harry Hopkins's press offices.\u003c/p\u003e","\u003cp\u003eStudent of Hallie Flanagan; expert in children's theater.\u003c/p\u003e","\u003cp\u003eDirector of Vaudeville unit, Los Angeles, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Roslyn, New York unit of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit and Children's unit, Chicago, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Southwest Experimental unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Hallie Flanagan, national office, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.\u003c/p\u003e","\u003cp\u003eLighting designer with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Miami unit, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, Illinois Writers' Project.\u003c/p\u003e","\u003cp\u003eProducer and Theatrical Director, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and technical assistant with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and founder of Chicago Repertory Group, 1933.\u003c/p\u003e","\u003cp\u003eAdministrator, Bureau of research and Publications of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eState director of the Illinois Federal Music Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, some of whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArt director with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff composer and arranger with Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and researcher with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWriter, critic, producer, designer with the New York theaters in the 1930s.\u003c/p\u003e","\u003cp\u003eProducer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eParticipated in the Resettlement Administration.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSon of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eLighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eTheatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist and promotion officer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of information with the New York City  Federal Music Project.\u003c/p\u003e","\u003cp\u003eActor with the San Francisco  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSongwriter and composer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.\u003c/p\u003e","\u003cp\u003eActress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStagehand with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, Chicago and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.\u003c/p\u003e","\u003cp\u003eStage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Service Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.\u003c/p\u003e","\u003cp\u003eActress with the Negro unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.\u003c/p\u003e","\u003cp\u003eActor with the several units of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.\u003c/p\u003e","\u003cp\u003eAdministrator with the New Orleans and Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose Model Tenements was produced by the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTeacher and conductor with New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eInterviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.\u003c/p\u003e","\u003cp\u003eDancer with the Children's unit and Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppet artist with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor with the Vermont Federal Music Project.\u003c/p\u003e","\u003cp\u003eFather of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the Florida Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Jacksonville and Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMarionette artist with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and researcher with the National Play Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]\u003c/p\u003e","\u003cp\u003eCostume designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff member with the Educational Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMember of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.\u003c/p\u003e","\u003cp\u003eSet designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Negro unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Indiana Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and student of Hallie Flanagan at Vassar College. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of casting with the Talent Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of the Vaudeville productions, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.\u003c/p\u003e","\u003cp\u003eConductor with the Michigan Works Progress Administration Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eWith the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.\u003c/p\u003e","\u003cp\u003eActor with the Children's unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eResearcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer with the Yiddish unit,New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eRadio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActress and director with the marionette unit of the Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in New York and San Francisco; write with the Federal Writers Project.\u003c/p\u003e","\u003cp\u003eAdministrator and legal counsel for the National Service Bureau, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eHallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.\u003c/p\u003e","\u003cp\u003eActor with the Cleveland, Ohio Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer for various productions, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and director with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.\u003c/p\u003e","\u003cp\u003eMuralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor with the Negro unit, Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePlaywright and director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Experimental unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Philip Barber, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAudience member, New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eComposer, New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.\u003c/p\u003e","\u003cp\u003eActor with the Children's and Negro units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster with the Federal Music Project Illinois Symphony.\u003c/p\u003e","\u003cp\u003eComposer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.\u003c/p\u003e","\u003cp\u003ePublicist with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.\u003c/p\u003e","\u003cp\u003eDirector, Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with Composers's Forum and Copying Project of the Federal Music Project.\u003c/p\u003e","\u003cp\u003eChoreographer, New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, New York City Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eSongwriter whose works were performed by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the New Hampshire Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in Chicago whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage Manager with the Mercury Theatre, New York.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the National Youth Administration and the Works Progress Administration in Iowa.\u003c/p\u003e","\u003cp\u003eAdministrator, National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the Resettlement Administration.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eDirector with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.\u003c/p\u003e","\u003cp\u003eLighting director and technician with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the Marionette unit of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Children's theater, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and New York Federal Art Project.\u003c/p\u003e","\u003cp\u003eWorked with the GSA; recovered many Federal Art Project works and murals.\u003c/p\u003e","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSubseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes; Hatch-Billops collection\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003eFour 5\" reel-to-reel audio tape recordings\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes.\nAccess copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes with Jack Wilson\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes, 3 with Max Pollock and Frances Ward\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes; with \"Clebanoff\"\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape; \"not an interview\"\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; see also Leuning, Otto\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Alan Kayes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Virgil Thompson\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; Harry Lessin\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eWhite tape with no label. Unidentified interview with male interviewee and female interviewer.\u003c/p\u003e","\u003cp\u003eWhite tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e12 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eSubseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003e2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City\u003c/p\u003e","\u003cp\u003eOne 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School\u003c/p\u003e","\u003cp\u003e1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003eTwo 7\" reel to reels\u003c/p\u003e","\u003cp\u003e1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eBible story script produced by Mike Lodick; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e","\u003cp\u003e1 cassette tape; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_b566e0d872c9f59cfe34a69bcda2f059\" label=\"Abstract\"\u003eCollection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\u003c/abstract\u003e"],"abstract_tesim":["Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project."],"names_coll_ssim":["Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":673,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:11.400Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c02_c01_c07"}},{"id":"vifgm_repositories_2_resources_190_c02_c01_c360_c02","type":"Item","attributes":{"title":"Audio tape for ATA","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c02_c01_c360_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eOne 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c02_c01_c360_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_190_c02_c01_c360_c02","ref_ssm":["vifgm_repositories_2_resources_190_c02_c01_c360_c02"],"id":"vifgm_repositories_2_resources_190_c02_c01_c360_c02","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190_c02_c01_c360","parent_ssi":"vifgm_repositories_2_resources_190_c02_c01_c360","parent_ssim":["vifgm_repositories_2_resources_190","vifgm_repositories_2_resources_190_c02","vifgm_repositories_2_resources_190_c02_c01","vifgm_repositories_2_resources_190_c02_c01_c360"],"parent_ids_ssim":["vifgm_repositories_2_resources_190","vifgm_repositories_2_resources_190_c02","vifgm_repositories_2_resources_190_c02_c01","vifgm_repositories_2_resources_190_c02_c01_c360"],"parent_unittitles_ssm":["Works Progress Administration oral histories collection","Series 2: Audio Recordings","Subseries 2.1: Oral history interviews","Subseries 2.2: Plays, radio interviews, conferences"],"parent_unittitles_tesim":["Works Progress Administration oral histories collection","Series 2: Audio Recordings","Subseries 2.1: Oral history interviews","Subseries 2.2: Plays, radio interviews, conferences"],"text":["Works Progress Administration oral histories collection","Series 2: Audio Recordings","Subseries 2.1: Oral history interviews","Subseries 2.2: Plays, radio interviews, conferences","Audio tape for ATA","box 39","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown"],"title_filing_ssi":"Audio tape for ATA","title_ssm":["Audio tape for ATA"],"title_tesim":["Audio tape for ATA"],"unitdate_other_ssim":["August 1977"],"normalized_date_ssm":["1977"],"normalized_title_ssm":["Audio tape for ATA"],"component_level_isim":[4],"repository_ssim":["George Mason University"],"collection_ssim":["Works Progress Administration oral histories collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":652,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1977],"containers_ssim":["box 39"],"scopecontent_html_tesm":["\u003cp\u003eOne 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown"],"_nest_path_":"/components#1/components#0/components#359/components#1","timestamp":"2026-05-21T05:31:11.400Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_190","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_190.xml","title_filing_ssi":"Works Progress Administration oral histories","title_ssm":["Works Progress Administration oral histories collection"],"title_tesim":["Works Progress Administration oral histories collection"],"unitdate_ssm":["1961-1984"],"unitdate_inclusive_ssm":["1961-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0153","/repositories/2/resources/190"],"text":["C0153","/repositories/2/resources/190","Works Progress Administration oral histories collection","Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories","There are no access restrictions.","Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  .","This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)","The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.","The Special Collections Research Center also holds the  .","This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration","English"],"unitid_tesim":["C0153","/repositories/2/resources/190"],"normalized_title_ssm":["Works Progress Administration oral histories collection"],"collection_title_tesim":["Works Progress Administration oral histories collection"],"collection_ssim":["Works Progress Administration oral histories collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_corpname_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creators_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Institute on the Federal Theatre Project and New Deal Culture."],"access_subjects_ssim":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"access_subjects_ssm":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["16 Linear Feet 43 boxes"],"extent_tesim":["16 Linear Feet 43 boxes"],"genreform_ssim":["Sound recordings","Oral histories"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eMost of the oral histories from this collection were digitized through a Council on Library \u0026amp; Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit \u003cextptr show=\"new\" title=\"https://vwpa.gmu.edu/audiocollection/\" href=\"https://vwpa.gmu.edu/audiocollection/\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.\u003c/p\u003e\n","\u003cp\u003eOrganized into two series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Transcripts, 1961-1984 (Boxes 1-11)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Audio Recordings, 1938-1984 (Boxes 12-41)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)"],"bioghist_html_tesm":["\u003cp\u003eThe interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture."],"prefercite_html_tesm":["\u003cp\u003eWorks Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Works Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Federal Theatre Project collection\" href=\"https://aspace.gmu.edu/resources/c0002\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSeries 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e","\u003cp\u003eWidow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eCostume designer with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress who auditioned for Negro Unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and director, San Francisco Federal Music Project.\u003c/p\u003e","\u003cp\u003eTechnician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.\u003c/p\u003e","\u003cp\u003eDancer with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Federal Dance Project, New York City.\u003c/p\u003e","\u003cp\u003eWorked with the Radio Division of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eStage manager with the Manhattan City Projects, New York City.\u003c/p\u003e","\u003cp\u003eDancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSet designer for various New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eSon-in-law of Hallie Flanagan; writer and critic of modern drama.\u003c/p\u003e","\u003cp\u003eStep-daughter of Hallie Flanagan.\u003c/p\u003e","\u003cp\u003eArtist, muralist. Unidentified interviewer may have residual rights to interview.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter who worked with the National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eNovelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.\u003c/p\u003e","\u003cp\u003eCostume designer with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eComposer, musician; wrote Swing It for New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, muralist with New York City Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePhilip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.\u003c/p\u003e","\u003cp\u003eCorrespondence and notes from untaped interview.\u003c/p\u003e","\u003cp\u003eCostume designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eRobert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of marionette unit of Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Children's unit of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist, muralist with Federal Art Project.\u003c/p\u003e","\u003cp\u003e[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePersonnel administrator with New York City and Florida Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.\u003c/p\u003e","\u003cp\u003eArtist, New York. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eActor, stage manager with Portland, Oregon Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with Federal Dance Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and theater critic.\u003c/p\u003e","\u003cp\u003eDirector of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWith Children's Theatre unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster, Illinois Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDistrict supervisor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSupervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project. Permission to quote required.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePlaywright whose work, Swamp Mud, was produced in Birmingham, Alabama.\u003c/p\u003e","\u003cp\u003eWorks Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.\u003c/p\u003e","\u003cp\u003eSculptor with the Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress with Roslyn, New York unit of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and director with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York Federal Theatre Project unit.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eFinance administrator, Works Progress Administration arts projects, Washington, D.C.\u003c/p\u003e","\u003cp\u003eActor with Popular Price Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusic director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay adapter and choreographer with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant to Hallie Flanagan at Smith College; playwright.\u003c/p\u003e","\u003cp\u003ePlaywright with Chicago Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked in Herbert Hoover's and Harry Hopkins's press offices.\u003c/p\u003e","\u003cp\u003eStudent of Hallie Flanagan; expert in children's theater.\u003c/p\u003e","\u003cp\u003eDirector of Vaudeville unit, Los Angeles, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Roslyn, New York unit of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit and Children's unit, Chicago, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Southwest Experimental unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Hallie Flanagan, national office, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.\u003c/p\u003e","\u003cp\u003eLighting designer with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Miami unit, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, Illinois Writers' Project.\u003c/p\u003e","\u003cp\u003eProducer and Theatrical Director, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and technical assistant with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and founder of Chicago Repertory Group, 1933.\u003c/p\u003e","\u003cp\u003eAdministrator, Bureau of research and Publications of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eState director of the Illinois Federal Music Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, some of whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArt director with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff composer and arranger with Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and researcher with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWriter, critic, producer, designer with the New York theaters in the 1930s.\u003c/p\u003e","\u003cp\u003eProducer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eParticipated in the Resettlement Administration.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSon of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eLighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eTheatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist and promotion officer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of information with the New York City  Federal Music Project.\u003c/p\u003e","\u003cp\u003eActor with the San Francisco  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSongwriter and composer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.\u003c/p\u003e","\u003cp\u003eActress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStagehand with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, Chicago and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.\u003c/p\u003e","\u003cp\u003eStage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Service Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.\u003c/p\u003e","\u003cp\u003eActress with the Negro unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.\u003c/p\u003e","\u003cp\u003eActor with the several units of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.\u003c/p\u003e","\u003cp\u003eAdministrator with the New Orleans and Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose Model Tenements was produced by the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTeacher and conductor with New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eInterviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.\u003c/p\u003e","\u003cp\u003eDancer with the Children's unit and Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppet artist with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor with the Vermont Federal Music Project.\u003c/p\u003e","\u003cp\u003eFather of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the Florida Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Jacksonville and Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMarionette artist with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and researcher with the National Play Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]\u003c/p\u003e","\u003cp\u003eCostume designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff member with the Educational Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMember of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.\u003c/p\u003e","\u003cp\u003eSet designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Negro unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Indiana Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and student of Hallie Flanagan at Vassar College. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of casting with the Talent Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of the Vaudeville productions, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.\u003c/p\u003e","\u003cp\u003eConductor with the Michigan Works Progress Administration Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eWith the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.\u003c/p\u003e","\u003cp\u003eActor with the Children's unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eResearcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer with the Yiddish unit,New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eRadio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActress and director with the marionette unit of the Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in New York and San Francisco; write with the Federal Writers Project.\u003c/p\u003e","\u003cp\u003eAdministrator and legal counsel for the National Service Bureau, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eHallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.\u003c/p\u003e","\u003cp\u003eActor with the Cleveland, Ohio Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer for various productions, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and director with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.\u003c/p\u003e","\u003cp\u003eMuralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor with the Negro unit, Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePlaywright and director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Experimental unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Philip Barber, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAudience member, New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eComposer, New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.\u003c/p\u003e","\u003cp\u003eActor with the Children's and Negro units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster with the Federal Music Project Illinois Symphony.\u003c/p\u003e","\u003cp\u003eComposer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.\u003c/p\u003e","\u003cp\u003ePublicist with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.\u003c/p\u003e","\u003cp\u003eDirector, Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with Composers's Forum and Copying Project of the Federal Music Project.\u003c/p\u003e","\u003cp\u003eChoreographer, New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, New York City Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eSongwriter whose works were performed by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the New Hampshire Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in Chicago whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage Manager with the Mercury Theatre, New York.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the National Youth Administration and the Works Progress Administration in Iowa.\u003c/p\u003e","\u003cp\u003eAdministrator, National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the Resettlement Administration.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eDirector with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.\u003c/p\u003e","\u003cp\u003eLighting director and technician with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the Marionette unit of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Children's theater, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and New York Federal Art Project.\u003c/p\u003e","\u003cp\u003eWorked with the GSA; recovered many Federal Art Project works and murals.\u003c/p\u003e","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSubseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes; Hatch-Billops collection\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003eFour 5\" reel-to-reel audio tape recordings\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes.\nAccess copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes with Jack Wilson\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes, 3 with Max Pollock and Frances Ward\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes; with \"Clebanoff\"\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape; \"not an interview\"\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; see also Leuning, Otto\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Alan Kayes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Virgil Thompson\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; Harry Lessin\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eWhite tape with no label. Unidentified interview with male interviewee and female interviewer.\u003c/p\u003e","\u003cp\u003eWhite tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e12 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eSubseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003e2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City\u003c/p\u003e","\u003cp\u003eOne 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School\u003c/p\u003e","\u003cp\u003e1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003eTwo 7\" reel to reels\u003c/p\u003e","\u003cp\u003e1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eBible story script produced by Mike Lodick; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e","\u003cp\u003e1 cassette tape; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope 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Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_b566e0d872c9f59cfe34a69bcda2f059\" label=\"Abstract\"\u003eCollection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\u003c/abstract\u003e"],"abstract_tesim":["Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project."],"names_coll_ssim":["Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":673,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:11.400Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c02_c01_c360_c02"}},{"id":"vifgm_repositories_2_resources_190_c02_c01_c15","type":"Item","attributes":{"title":"Barlin, Anne Lief","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c02_c01_c15#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e2 cassette tapes\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c02_c01_c15#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_190_c02_c01_c15","ref_ssm":["vifgm_repositories_2_resources_190_c02_c01_c15"],"id":"vifgm_repositories_2_resources_190_c02_c01_c15","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190_c02_c01","parent_ssi":"vifgm_repositories_2_resources_190_c02_c01","parent_ssim":["vifgm_repositories_2_resources_190","vifgm_repositories_2_resources_190_c02","vifgm_repositories_2_resources_190_c02_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_190","vifgm_repositories_2_resources_190_c02","vifgm_repositories_2_resources_190_c02_c01"],"parent_unittitles_ssm":["Works Progress Administration oral histories collection","Series 2: Audio Recordings","Subseries 2.1: Oral history interviews"],"parent_unittitles_tesim":["Works Progress Administration oral histories collection","Series 2: Audio Recordings","Subseries 2.1: Oral history interviews"],"text":["Works Progress Administration oral histories collection","Series 2: Audio Recordings","Subseries 2.1: Oral history interviews","Barlin, Anne Lief","box 13","2 cassette tapes"],"title_filing_ssi":"Barlin, Anne Lief","title_ssm":["Barlin, Anne Lief"],"title_tesim":["Barlin, Anne Lief"],"unitdate_other_ssim":["October 25, 1977"],"normalized_date_ssm":["1977"],"normalized_title_ssm":["Barlin, Anne Lief"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Works Progress Administration oral histories collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":305,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1977],"containers_ssim":["box 13"],"scopecontent_html_tesm":["\u003cp\u003e2 cassette tapes\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["2 cassette tapes"],"_nest_path_":"/components#1/components#0/components#14","timestamp":"2026-05-21T05:31:11.400Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_190","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_190.xml","title_filing_ssi":"Works Progress Administration oral histories","title_ssm":["Works Progress Administration oral histories collection"],"title_tesim":["Works Progress Administration oral histories collection"],"unitdate_ssm":["1961-1984"],"unitdate_inclusive_ssm":["1961-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0153","/repositories/2/resources/190"],"text":["C0153","/repositories/2/resources/190","Works Progress Administration oral histories collection","Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories","There are no access restrictions.","Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  .","This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)","The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.","The Special Collections Research Center also holds the  .","This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration","English"],"unitid_tesim":["C0153","/repositories/2/resources/190"],"normalized_title_ssm":["Works Progress Administration oral histories collection"],"collection_title_tesim":["Works Progress Administration oral histories collection"],"collection_ssim":["Works Progress Administration oral histories collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_corpname_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creators_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Institute on the Federal Theatre Project and New Deal Culture."],"access_subjects_ssim":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"access_subjects_ssm":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["16 Linear Feet 43 boxes"],"extent_tesim":["16 Linear Feet 43 boxes"],"genreform_ssim":["Sound recordings","Oral histories"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eMost of the oral histories from this collection were digitized through a Council on Library \u0026amp; Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit \u003cextptr show=\"new\" title=\"https://vwpa.gmu.edu/audiocollection/\" href=\"https://vwpa.gmu.edu/audiocollection/\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.\u003c/p\u003e\n","\u003cp\u003eOrganized into two series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Transcripts, 1961-1984 (Boxes 1-11)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Audio Recordings, 1938-1984 (Boxes 12-41)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)"],"bioghist_html_tesm":["\u003cp\u003eThe interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture."],"prefercite_html_tesm":["\u003cp\u003eWorks Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Works Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Federal Theatre Project collection\" href=\"https://aspace.gmu.edu/resources/c0002\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSeries 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e","\u003cp\u003eWidow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eCostume designer with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress who auditioned for Negro Unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and director, San Francisco Federal Music Project.\u003c/p\u003e","\u003cp\u003eTechnician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.\u003c/p\u003e","\u003cp\u003eDancer with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Federal Dance Project, New York City.\u003c/p\u003e","\u003cp\u003eWorked with the Radio Division of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eStage manager with the Manhattan City Projects, New York City.\u003c/p\u003e","\u003cp\u003eDancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSet designer for various New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eSon-in-law of Hallie Flanagan; writer and critic of modern drama.\u003c/p\u003e","\u003cp\u003eStep-daughter of Hallie Flanagan.\u003c/p\u003e","\u003cp\u003eArtist, muralist. Unidentified interviewer may have residual rights to interview.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter who worked with the National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eNovelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.\u003c/p\u003e","\u003cp\u003eCostume designer with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eComposer, musician; wrote Swing It for New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, muralist with New York City Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePhilip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.\u003c/p\u003e","\u003cp\u003eCorrespondence and notes from untaped interview.\u003c/p\u003e","\u003cp\u003eCostume designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eRobert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of marionette unit of Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Children's unit of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist, muralist with Federal Art Project.\u003c/p\u003e","\u003cp\u003e[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePersonnel administrator with New York City and Florida Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.\u003c/p\u003e","\u003cp\u003eArtist, New York. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eActor, stage manager with Portland, Oregon Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with Federal Dance Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and theater critic.\u003c/p\u003e","\u003cp\u003eDirector of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWith Children's Theatre unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster, Illinois Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDistrict supervisor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSupervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project. Permission to quote required.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePlaywright whose work, Swamp Mud, was produced in Birmingham, Alabama.\u003c/p\u003e","\u003cp\u003eWorks Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.\u003c/p\u003e","\u003cp\u003eSculptor with the Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress with Roslyn, New York unit of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and director with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York Federal Theatre Project unit.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eFinance administrator, Works Progress Administration arts projects, Washington, D.C.\u003c/p\u003e","\u003cp\u003eActor with Popular Price Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusic director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay adapter and choreographer with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant to Hallie Flanagan at Smith College; playwright.\u003c/p\u003e","\u003cp\u003ePlaywright with Chicago Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked in Herbert Hoover's and Harry Hopkins's press offices.\u003c/p\u003e","\u003cp\u003eStudent of Hallie Flanagan; expert in children's theater.\u003c/p\u003e","\u003cp\u003eDirector of Vaudeville unit, Los Angeles, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Roslyn, New York unit of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit and Children's unit, Chicago, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Southwest Experimental unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Hallie Flanagan, national office, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.\u003c/p\u003e","\u003cp\u003eLighting designer with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Miami unit, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, Illinois Writers' Project.\u003c/p\u003e","\u003cp\u003eProducer and Theatrical Director, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and technical assistant with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and founder of Chicago Repertory Group, 1933.\u003c/p\u003e","\u003cp\u003eAdministrator, Bureau of research and Publications of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eState director of the Illinois Federal Music Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, some of whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArt director with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff composer and arranger with Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and researcher with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWriter, critic, producer, designer with the New York theaters in the 1930s.\u003c/p\u003e","\u003cp\u003eProducer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eParticipated in the Resettlement Administration.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSon of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eLighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eTheatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist and promotion officer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of information with the New York City  Federal Music Project.\u003c/p\u003e","\u003cp\u003eActor with the San Francisco  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSongwriter and composer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.\u003c/p\u003e","\u003cp\u003eActress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStagehand with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, Chicago and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.\u003c/p\u003e","\u003cp\u003eStage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Service Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.\u003c/p\u003e","\u003cp\u003eActress with the Negro unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.\u003c/p\u003e","\u003cp\u003eActor with the several units of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.\u003c/p\u003e","\u003cp\u003eAdministrator with the New Orleans and Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose Model Tenements was produced by the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTeacher and conductor with New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eInterviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.\u003c/p\u003e","\u003cp\u003eDancer with the Children's unit and Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppet artist with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor with the Vermont Federal Music Project.\u003c/p\u003e","\u003cp\u003eFather of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the Florida Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Jacksonville and Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMarionette artist with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and researcher with the National Play Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]\u003c/p\u003e","\u003cp\u003eCostume designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff member with the Educational Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMember of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.\u003c/p\u003e","\u003cp\u003eSet designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Negro unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Indiana Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and student of Hallie Flanagan at Vassar College. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of casting with the Talent Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of the Vaudeville productions, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.\u003c/p\u003e","\u003cp\u003eConductor with the Michigan Works Progress Administration Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eWith the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.\u003c/p\u003e","\u003cp\u003eActor with the Children's unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eResearcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer with the Yiddish unit,New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eRadio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActress and director with the marionette unit of the Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in New York and San Francisco; write with the Federal Writers Project.\u003c/p\u003e","\u003cp\u003eAdministrator and legal counsel for the National Service Bureau, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eHallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.\u003c/p\u003e","\u003cp\u003eActor with the Cleveland, Ohio Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer for various productions, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and director with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.\u003c/p\u003e","\u003cp\u003eMuralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor with the Negro unit, Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePlaywright and director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Experimental unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Philip Barber, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAudience member, New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eComposer, New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.\u003c/p\u003e","\u003cp\u003eActor with the Children's and Negro units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster with the Federal Music Project Illinois Symphony.\u003c/p\u003e","\u003cp\u003eComposer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.\u003c/p\u003e","\u003cp\u003ePublicist with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.\u003c/p\u003e","\u003cp\u003eDirector, Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with Composers's Forum and Copying Project of the Federal Music Project.\u003c/p\u003e","\u003cp\u003eChoreographer, New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, New York City Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eSongwriter whose works were performed by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the New Hampshire Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in Chicago whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage Manager with the Mercury Theatre, New York.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the National Youth Administration and the Works Progress Administration in Iowa.\u003c/p\u003e","\u003cp\u003eAdministrator, National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the Resettlement Administration.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eDirector with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.\u003c/p\u003e","\u003cp\u003eLighting director and technician with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the Marionette unit of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Children's theater, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and New York Federal Art Project.\u003c/p\u003e","\u003cp\u003eWorked with the GSA; recovered many Federal Art Project works and murals.\u003c/p\u003e","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSubseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes; Hatch-Billops collection\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003eFour 5\" reel-to-reel audio tape recordings\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes.\nAccess copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes with Jack Wilson\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes, 3 with Max Pollock and Frances Ward\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes; with \"Clebanoff\"\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape; \"not an interview\"\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; see also Leuning, Otto\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Alan Kayes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Virgil Thompson\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; Harry Lessin\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eWhite tape with no label. Unidentified interview with male interviewee and female interviewer.\u003c/p\u003e","\u003cp\u003eWhite tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e12 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eSubseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003e2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City\u003c/p\u003e","\u003cp\u003eOne 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School\u003c/p\u003e","\u003cp\u003e1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003eTwo 7\" reel to reels\u003c/p\u003e","\u003cp\u003e1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eBible story script produced by Mike Lodick; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e","\u003cp\u003e1 cassette tape; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_b566e0d872c9f59cfe34a69bcda2f059\" label=\"Abstract\"\u003eCollection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\u003c/abstract\u003e"],"abstract_tesim":["Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project."],"names_coll_ssim":["Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":673,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:11.400Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c02_c01_c15"}},{"id":"vifgm_repositories_2_resources_1_c09_c02_c129_c35","type":"Item","attributes":{"title":"Bedroom","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_1_c09_c02_c129_c35#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_1_c09_c02_c129_c35","ref_ssm":["vifgm_repositories_2_resources_1_c09_c02_c129_c35"],"id":"vifgm_repositories_2_resources_1_c09_c02_c129_c35","ead_ssi":"vifgm_repositories_2_resources_1","_root_":"vifgm_repositories_2_resources_1","_nest_parent_":"vifgm_repositories_2_resources_1_c09_c02_c129","parent_ssi":"vifgm_repositories_2_resources_1_c09_c02_c129","parent_ssim":["vifgm_repositories_2_resources_1","vifgm_repositories_2_resources_1_c09","vifgm_repositories_2_resources_1_c09_c02","vifgm_repositories_2_resources_1_c09_c02_c129"],"parent_ids_ssim":["vifgm_repositories_2_resources_1","vifgm_repositories_2_resources_1_c09","vifgm_repositories_2_resources_1_c09_c02","vifgm_repositories_2_resources_1_c09_c02_c129"],"parent_unittitles_ssm":["Planned Community Archives collection","Series 9: Media","Subseries 9.2: Slides","Interiors of Residential and Commercial Buildings"],"parent_unittitles_tesim":["Planned Community Archives collection","Series 9: Media","Subseries 9.2: Slides","Interiors of Residential and Commercial Buildings"],"text":["Planned Community Archives collection","Series 9: Media","Subseries 9.2: Slides","Interiors of Residential and Commercial Buildings","Bedroom","English"],"title_filing_ssi":"Bedroom","title_ssm":["Bedroom"],"title_tesim":["Bedroom"],"unitdate_other_ssim":["1977"],"normalized_date_ssm":["1977"],"normalized_title_ssm":["Bedroom"],"component_level_isim":[4],"repository_ssim":["George Mason University"],"collection_ssim":["Planned Community Archives collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":3978,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1977],"language_ssim":["English"],"_nest_path_":"/components#8/components#1/components#128/components#34","timestamp":"2026-05-24T23:36:53.241Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_1","ead_ssi":"vifgm_repositories_2_resources_1","_root_":"vifgm_repositories_2_resources_1","_nest_parent_":"vifgm_repositories_2_resources_1","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_1.xml","title_filing_ssi":"Planned Community Archives","title_ssm":["Planned Community Archives collection"],"title_tesim":["Planned Community Archives collection"],"unitdate_ssm":["1960-2009"],"unitdate_inclusive_ssm":["1960-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0001","/repositories/2/resources/1"],"text":["C0001","/repositories/2/resources/1","Planned Community Archives collection","Architecture -- Designs and plans","Blueprints","Floor plans","Housing","Photography -- Negatives","Planned communities","Planned communities -- England","Planned communities -- Illinois -- Chicago","Planned communities -- Maryland -- Columbia","Planned communities -- Maryland -- Greenbelt","Planned communities -- Virginia -- Reston","Slides (Photography)","Elevations","Photographic prints","There are no access restrictions.","Selections from the Planned Community Archives are also available in the   and the  .","Arranged in 11 series according to subject and format.","Series Series 1: Reston, 1961-2006 (Boxes 1-42) Series 2: US Planned Communities, 1970-1996 (Boxes 42-53) Series 3: International Planned Communities, 1960-1990 (Boxes 53-56) Series 4: Reports, 1965-2001 (Boxes 56-61) Series 5: Planned Community Archives Board, 1985-2001 (Boxes 61-64) Series 6: Promotional Material, 1966-1990 (Boxes 64-66) Series 7: Brochures, 1990s (Boxes 66-75) Series 8: Newspapers, 1965-2006 (Boxes 76-106, 242-46, 352-456) Series 9: Media, 1960-2004 (Boxes 107-232, 348-350) Series 10: General Information, 1960-2009 (Boxes 233-241) Series 11: Oversize, 1960-2010 (Boxes 247-347, 351, Mapcase 1-4, Shelf 1-2)","The era of new town development in the United States, which is of special interest to Planned Community Archives (PCA), begins with the Greenbelt towns developed by the federally sponsored Works Progress Administration during the Great Depression of the 1930s. The next major new town development was Reston, Virginia, in 1962. Since that time, at least thirty-eight planned communities have been developed throughout the United States. Thirteen of these communities were sponsored by the Federal New Communities Program of the U.S. Department of Housing and Urban Development (1970 - 1983). ","The records contained in this collection were assembled by the Planned Community Archives, Inc., of Reston, Virginia, and placed on deposit in Special Collections and Archives of Fenwick Library, George Mason University beginning in 1986. Each year since then has seen major additions to the collection. After many years of housing and processing the collection, George Mason University Libraries accepted the Planned Community Archives collections as a donation by Planned Community Archives, Inc. ","Tube is empty. McManus, 5/28/2014.","Processing completed by Special Collections Research Center staff. Reprocessed by Emily Martin between November 2009 and January 2010 with additions by Steven Harris-Scott in June 2010.","The Special Collections Research Center holds many other collections on the history and development of Reston, Virginia, as well as other collections that document United States and international planned communities.","460.50","The collection consists of a variety of materials relating to planned communities across the United States with a particular emphasis on the planned community of Reston, Virginia and international communities as well. The collection includes correspondence, reports, promotional material, community brochures, newspapers, videos, slides, photographs and architectural drawings and blueprints. ","Series one is titled Reston and is divided into nine subseries. The information in this series contains correspondence, finance, plans, reports, meetings, publications, marketing, a scrapbook and general information. All of the information relates to the community of Reston in Virginia. There is additional Reston information in series nine, ten and eleven. The series is dated from 1961-2006 and is contained in boxes 1-42. ","Series two is titled United States Planned Communities. The material in this series relates to planned communities in the United States other than Reston, such as Columbia, Maryland, Evergreen Mills, Hawaii, Portland and others. The series is comprised of correspondence, plans, reports and other paperwork relating to the development of these communities. The series dated from 1970 to 1996 and is contained in boxes 42-53. ","Series three is titled International Planned Communities. The material in this series relates to international planned communities in countries such as France, Great Britain, Israel, China and others. The materials are mostly promotional from the communities and other information regarding the development of the communities. Some of the material is in the foreign language while others are printed in English. The series is dated from 1960 to 1990 and is contained in boxes 53-56. ","Series four is titled Reports. The documents are reports from and about different communities, relating financial, environmental and other issues. There are also documents from the Federal government pertaining to the development of the communities. The series is dated from 1965 to 2001 and is contained in boxes 56-61. ","Series five is titled Planed Community Archive Board. The series is small and contains the meeting minutes and other information from the board that created the planned community archive. The series dated from 1985 to 2001 and is contained in boxes 61-64. ","Series six is titled Promotional Material. The series has promotional material from different planned communities such as pamphlets, flyers, articles and others. The series dated from 1966 to 1990 and is contained in boxes 64-66. ","Series seven is titled Brochures. The series is comprised of different planned communities brochures, such as Arbor Glenn, Fairfield, Key West, Ridgewood and many others. The series dated in the 1990s and is contained in boxes 66-75. ","Series eight is titled Newspapers. The series is comprised of copies of The Connection a newspaper from Reston. The Connection, the local newspaper has articles mostly about local events. For example there are articles about Reston Association elections, local residents and also the Washington Redskins. There are additional copies in series ten. The series is dated from 1981 to 1996 and is contained in boxes 76 to 106. ","Series nine is titled Media and is divided into five subseries. The series contains photographs, slides, negatives, cassettes, CDs and videos relating to planned communities. The series is dated from 1960 to 2004 and contained in boxes 107-232. ","Series ten is titled General Information. The information in this series covers a variety of topics relating to planned communities, such as the Department of Housing and Urban Development, newsclippings, Virginia government and other paperwork. The series is dated from 1960 to 2005 and is contained in boxes 233-246. ","Series eleven is titled Oversize. This series contains photographs, brochures and posters related to planned communities such as Lake Anne Village Center, Beacon Hill and others. The majority of the series is comprised of architectural drawings, blueprints, floor plans, topography and designs for buildings, such as Reston First Village Center, Reston Town Center and two individual homes, one in Arlington, Virginia and the other in McLean, Virginia. The series is dated from 1960 to 2004 and is contained in boxes 247-351 with additional plans in 3 mapcases. ","The information in this series contains correspondence, finance, plans, reports, meetings, publications, marketing, a scrapbook and general information. All of the information relates to the community of Reston in Virginia.","The subseries contains correspondence relating to the development of Reston. The information includes correspondence about the Lake Anne Dam, interoffice correspondence, community facilities and other projects in Reston.","2.10","19.11","3.3","7.2","5.3","5.2","5.1","5.4","5.5","5.7","5.6","6.2","6.3","7.1","7.3","7.7","1.12","480.54","1.13","13.8","477.10","499D.01","499D.02","499D.03","499D.04","499D.05","499D.06","499D.07","15.1","2.3","2.7","2.9","The information in this subseries is financial information from Reston such as sale agreements, loans, statements and other paperwork relating to the financial aspects of Reston.","5.11","5.13","3.14","3.15","4.7","16.6","5.9","13.7","1.3","74.1","74.2","74.3","The plans in this subseries are from Reston and include projects such as Reston Town Center, Lake Anne, Reston Twentieth Anniversary Celebrations and others.","5.14","7.4","6.5","6.6","16.7","480.50","1.1","2.4","2.5","461.29","645.06","19.15","4.1","1.31","645.64","15.2","15.3","3.6","1.2","5.8","19.6","480.53","The subseries has reports relating to projects in Reston. The reports contain information from projects such as housing community developments, schools, health clubs, Lake Anne, Lake Thoreau and other projects in Reston.","12.15","4.4","12.4","12.5","12.6","12.7","12.8","12.9","1.6","1.5","18.3","4.3","2.11","2.12","2.8","3.5","18.6","3.7","4.14","4.13","6.1","2.6","7.5","7.6","3.4","18.4","480.20","1.3","480.52","15.5","1.7","3.1","480.2","12.3","13.5","543.8","19.5","19.7","The information in this series contains material from the transportation committee, board meeting minutes and other meeting information in Reston.","3.8","2.2","2.1","4.10","3.13","3.2","The subseries contains publications from Reston or about Reston such as the Restonian Magazine, The Reston Letter, The Reston Times and The Washington Post. Some of the documents are a complete copy of the publication, other documents are only articles from the publications.","10.9","12.2","9.12","10.27","247.30","648.15","10.24","648.06","10.11","19.8","1.1","10.10","10.8","648.24","13.4","10.18","648.11","10.16","647.08","10.5","648.23","247.29","648.16","648.18","648.08","19.2","2.10","13.3","13.2","10.1","647.07","647.06","461.14","19.9","477.1","5.12","18.8","10.12","648.20","648.22","10.3","648.05","461.12","247.31","10.14","18.2","18.1","1.14","10.2","10.25","648.02","648.26","648.17","648.04","480.42","15.6","10.21","10.7","648.14","10.15","10.17","648.09","648.10","647.11","10.6","648.27","416.17","19.1","1.19","1.20","1.21","1.22","1.23","1.24","1.25","1.26","1.27","480.19","480.43","480.44","480.45","480.41","480.40","13.1","648.28","12.1","514.1","514.2","514.3","514.4","514.5","514.6","514.7","514.8","514.9","514.10","480.6","480.9","480.38","480.47","18.9","18.11","10.13","648.21","10.22","648.19","648.25","648.13","648.07","648.05","10.20","480.16","647.09","458.3","10.23","648.32","10.19","10.4","648.12","The subseries has information pertaining to the marketing of different facilities in Reston. For example the subseries has promotional material from Reston Town Center, Reston neighborhoods, schools and others.","480.4","461.24","9.27","647.04","647.03","647.08","647.44","477.2","647.40","461.20","533.7","9.26","461.18","247.37","9.7","9.19","9.17","9.14","9.5","19.14","477.4","544.5","480.21","247.27","647.02","247.40","9.4","247.09","533.6","647.45","9.9","9.15","9.21","9.10","9.11","19.16","461.28","9.2","480.48","9.24","461.26","477.15","422.4","461.10","461.21","461.5","461.6","9.13","647.10","461.27","461.7","477.12","9.16","477.6","460.53","645.03","480.15","461.8","480.8","9.25","480.22","461.30","9.20","461.23","461.1","9.3","461.2","461.3","461.4","19.13","477.13","461.25","247.10","247.11","247.12","247.13","247.14","247.15","247.16","247.17","247.18","247.19","247.20","247.21","247.22","247.23","247.24","247.25","247.26","247.34","247.39","247.38","647.41","647.05","247.32","247.33","461.9","9.1","477.5","9.18","9.8","4.12","4.11","9.23","648.01","9.22","461.22","247.36","461.11","461.13","9.6","480.23","480.27","247.35","19.10","480.3","647.01","480.5","18.10","1.7","19.4","647.47","18.12","The subseries is comprised of material from a scrapbook related to Reston. The documents are photographs, articles and other paperwork. The material is in the original order that it was in the scrapbook.","497A.01","497A.02","497A.03","497A.04","497A.05","497A.06","497A.07","497A.08","497A.09","497A.10","497A.11","497A.12","497A.13","497A.14","497A.15","497A.16","497A.17","497A.18","497A.18","497A.19","497A.20","497A.21","497A.22","497A.23","497A.24","497A.25","497A.26","497A.27","497A.28","497A.29","497A.30","497A.32","497A.33","497A.33","497A.34","497A.35","497A.36","497A.37","497A.39","497A.39","497C.01","497C.02","497C.03","497C.04","497C.05","497C.06","497C.07","497C.08","497C.09","497C.10","497C.11","497e.01","497e.02","497e.02","497e.04","497e.05","497e.06","497e.07","497e.08","497e.09","497e.10","497e.11","497e.12","497e.13","497e.14","497e.15","497e.16","497f.01","497f.02","497f.03","497f.04","497f.05","497f.06","497f.07","497f.08","497f.09","497f.10","497f.11","497f.12","497f.13","497f.14","497f.15","497f.16","497f.17","497f.18","497f.19","497f.20","497f.21","497f.22","497f.23","497f.24","497f.25","497f.26","497f.27","497f.28","497f.29","497f.30","497f.31","497f.32","497f.33","497f.34","497f.35","497f.36","497f.37","497f.38","497f.39","497f.40","497f.41","497f.42","497f.43","497f.44","497f.45","497f.46","497f.47","497f.48","497f.49","497f.50","497f.51","497f.52","497f.53","497f.54","497f.55","497f.56","497f.57","497f.58","497f.59","497f.60","497f.61","497f.62","497f.63","497f.64","497f.65","497f.66","497f.67","497f.68","497f.69","497f.70","497f.71","497f.72","497f.73","497f.74","497f.75","497f.76","497f.77","497f.78","497f.79","497f.80","497f.81","497f.82","497f.83","497f.84","497f.85","497f.86","497f.87","498A.01","498A.02","498A.03","498A.04","498A.05","498A.06","498A.07","498A.08","498A.09","498A.10","498A.11","498A.12","498A.13","498A.14","498A.15","498A.16","498A.17","498A.18","498B.01","498B.02","498B.03","498B.04","498B.05","498B.06","498B.07","498B.08","498B.09","498B.10","498B.11","498B.12","498B.13","498B.14","498B.15","498B.16","498B.17","498B.18","498B.19","498B.20","498B.21","498B.22","498B.23","498B.24","498B.25","498B.26","498B.27","498B.28","498B.29","498B.30","498B.31","498B.32","498B.33","498B.34","498B.35","498B.36","498B.37","498B.38","498B.39","498B.40","498B.41","498B.42","498B.43","498B.44","498B.45","498B.46","498B.47","498B.48","498B.49","498B.50","498B.51","498B.52","498B.53","498B.54","498B.55","498B.56","498B.57","498B.58","498B.59","498B.60","498B.61","498B.62","498B.63","498B.64","498B.65","498B.66","498B.67","498B.68","498B.69","498B.70","498B.71","498B.72","498B.73","498B.74","498B.75","498B.76","498B.77","498B.78","498B.79","498B.80","498B.81","498B.82","498B.83","498B.84","498B.85","498B.86","498B.87","498B.88","498B.89","498B.90","498B.91","498B.92","498B.93","498C.01","498C.02","498C.03","498C.04","498C.05","498C.06","498C.07","498C.08","498C.09","498C.10","498C.11","498C.12","498C.13","498C.14","498C.15","498C.16","498C.17","498C.18","498C.19","498C.21","498C.22","498C.23","498C.24","498C.25","498C.26","498C.27","498C.28","498C.29","498C.30","498C.31","498C.32","498C.33","498C.34","498C.35","498C.36","498C.37","498C.38","498C.39","498C.40","498C.41","498C.42","498C.43","498C.44","498C.45","498C.46","498D.01","498D.03","498D.04","498D.05","498D.06","498D.07","498D.08","498D.09","498D.10","498D.11","498D.12","498D.13","498D.14","498D.15","498D.16","498D.017","498D.19","498D.20","498D.21","498D.22","498D.23","498D.24","498D.25","498D.26","498D.27","498D.28","498D.29","498E.01","498E.02","498E.03","498E.04","498E.05","498E.06","498E.07","498E.08","498E.09","498E.10","498E.11","498E.12","498E.13","498E.14","498E.15","498E.16","498E.17","498E.18","498E.19","498E.20","498E.21","498E.22","498E.23","498E.24","498E.25","498E.26","498E.27","498E.28","498E.29","498E.30","498E.31","498E.32","498E.33","498E.34","498E.35","498E.36","498E.37","498E.38","498E.39","498E.40","498E.41","498E.42","498E.43","498E.44","498E.45","498E.46","498E.46","498E.47","498E.48","498E.49","498E.50","498E.51","498E.52","498E.53","498E.54","498E.53","498E.56","498E.57","498E.59","498F.01","498F.02","498F.03","498F.04","498F.05","498F.06","498F.07","498F.08","498F.09","498F.10","498F.11","498F.12","498F.13","498F.14","498F.15","498F.16","498F.17","498F.18","498F.19","498F.20","498F.21","498F.22","498F.23","498F.24","498F.25","498F.26","498F.27","498F.28","498F.29","498F.30","498F.31","498F.32","498F.33","498F.34","498F.35","498F.36","498F.37","498F.38","498F.39","498F.40","498F.41","498F.42","498F.43","498F.44","498F.45","498F.46","498F.47","498F.48","498F.49","498F.50","498F.51","498F.52","498F.53","498F.54","498F.55","498F.56","498F.57","498F.58","498F.59","498F.60","498F.61","498F.62","498F.63","498F.64","498F.65","498F.66","498F.67","498F.68","498F.69","498F.70","498F.71","498F.72","498F.73","498F.74","498F.75","498G.01","498G.02","498G.03","498G.04","498G.05","498G.06","498G.07","498G.08","498G.09","498G.10","498G.11","498G.12","498G.13","498G.14","498G.15","498G.16","498G.17","498G.18","498G.19","498G.20","498G.21","498G.22","498G.23","498G.24","498G.25","498G.26","498G.27","498G.28","498G.29","498G.30","499A.01","499A.02","499A.03","499A.04","499A.05","499A.06","499A.07","499A.08","499A.09","499A.10","499A.11","499A.12","499A.13","499A.14","499A.15","499A.16","499A.17","499A.18","499A.19","499A.20","499A.21","499A.22","499A.23","499A.24","499A.25","499A.26","499A.27","499A.28","499A.29","499A.30","499A.31","499A.36","499A.37","499A.38","499A.39","499A.32","499A.33","499A.34","499A.35","499A.40","499A.41","499A.42","499A.43","499A.44","499A.45","499A.46","499A.47","499B.01","499B.02","499B.03","499B.04","499B.05","499B.06","499B.07","499B.08","499B.09","499B.10","499B.11","499B.12","499B.13","499B.14","499B.15","499B.16","499B.17","499B.18","499B.19","499B.20","499B.21","499B.22","499B.23","499B.24","499B.25","499B.10","499B.27","499B.28","499B.29","499B.30","499B.31","499B.32","499B.33","499B.34","499B.35","499B.36","499B.37","499B.38","499B.39","499B.40","499B.41","499B.42","499B.43","499B.44","499B.45","499B.46","499B.47","499B.48","499B.49","499B.50","499B.51","499B.52","499B.53","499C.01","499C.02","499C.03","499C.01","499C.05","499C.06","499E.01","499E.02","499E.03","499E.04","499E.05","499E.06","499E.07","499E.08","499E.09","499E.10","499E.11","499E.12","499E.13","499E.14","499E.15","499E.16","499E.17","499E.18","499E.19","499E.20","499E.21","499E.22","499E.23","499E.24","499E.25","499E.26","499E.27","499E.28","499E.29","499E.30","499E.31","499E.32","499E.33","499E.34","499E.35","499E.36","499E.37","499E.38","499E.39","499E.40","499E.41","499E.42","499E.43","499E.44","499E.45","499E.46","499E.47","499E.48","499E.49","499E.50","499E.51","499E.52","499E.53","499E.54","499E.55","499E.56","499E.57","499E.58","499E.59","499E.60","499E.61","499E.62","499E.63","499E.64","499E.65","499E.66","499E.67","499E.68","499E.69","499E.70","499E.71","499E.72","499E.73","499E.74","499E.75","499E.76","499E.77","499E.78","499E.79","499E.80","499E.81","499E.82","499E.83","499E.84","499E.85","499E.86","499E.87","499E.88","499E.89","499E.90","499E.91","499E.92","499E.93","499E.94","499E.95","499E.96","499E.97","499E.98","499E.99","499E.100","499E.101","499E.102","499E.103","499E.104","499E.105","499E.106","499E.107","499E.108","499E.109","499E.110","499E.111","499E.112","499E.113","499E.114","499E.115","499E.116","499E.117","499E.118","499E.119","499E.120","499E.121","499E.122","499E.123","499E.124","499E.125","499E.126","499F.01","499F.02","499F.03","499F.04","499F.05","499F.06","499F.07","499F.08","499F.09","499F.10","499F.11","499F.12","499F.13","499F.14","499F.15","499G.01","499G.02","499G.03","499G.04","499G.05","499G.06","499G.07","499G.08","499G.09","499G.10","499G.11","499G.12","499G.13","499G.14","499G.15","499G.16","499G.17","499G.18","499G.19","499G.20","499G.21","499G.22","499G.23","499G.24","499G.25","499G.26","499G.27","499G.28","499G.29","499G.30","499G.31","499G.32","499G.33","499G.34","499G.35","499G.36","499G.37","499G.38","499G.39","499G.40","499G.41","499G.42","499G.43","499G.44","499G.45","499G.46","499G.47","499G.48","499G.49","499G.50","499G.51","499G.52","497B.01","497B.02","497B.03 and 497D.37","497B.04 and 497D.01","497B.05 and 497D.02","497B.06 and 497D.03","497B.07 and 497D.04","497B.08 and 497D.05","497B.09 and 497D.06","497B.10 and 497D.07","497B.11","497B.12","497B.13 and 497D.08","497B.14 and 497D.09","497B.15 and 497D.10","497B.16 and 497D.11","497B.17 and 497D.12","497B.18 and 497D.13","497B.19 and 497D.14","497B.20 and 497D.15","497B.21 and 497D.16","497B.22 and 497D.17","497B.23 and 497D.18","497B.24 and 497D.19","497B.25 and 497D.20","497B.26 and 497D.21","497B.27 and 497D.22","497B.28 and 497D.23","497B.29 and 497D.24","497B.30 and 497D.25","497B.31 and 497D.26","497B.32 and 497D.27","497B.33 and 497D.28","497B.34 and 497D.30","497B.35 and 497D.29","497B.36 and 497D.31","497B.37 and 497D.34","497B.38 and 497D.35","497B.39 and 497D.32","497B.40 and 497D.33","497B.41 and 497D.36","The final subseries is general information from Reston. Included in the subseries is A Brief History of Reston, Reston Historic Trust, community theater programs, directories and other areas from Reston.","480.39","480.10","480.29","477.9","480.51","14.3","14.4","480.25","647.46","477.4","477.8","247.28","480.46","477.3","480.14","480.18","480.24","500.1","5.10","3.9","3.11","3.12","3.10","4.8","4.5","4.6","4.2","12.14","461.15","647.42","533.5","477.7","6.4","13.6","1.30","1.2","500.2","648.32","647.43","643","643","643","643","643","643","643","643","643","643","643","643","643","643","643","15.4","500.4","481.1","481.2","481.2","481.2","481.3","481.3","481.3","481.4","16.5","15.7","15.3","480.11","480.13","533.4","16.2","16.1","16.3","533.3","533.1","533.2","522.7","522.8","19.12","480.12","18.7","1.33","14.6","16.4","522.1","522.2","522.3","1.32","500.9","480.31","544.8","522.4","522.5","14.5","522.6","480.17","480.30","500.10","The material in this series relates to planned communities in the United States other than Reston, such as Columbia, Maryland, Evergreen Mills, Hawaii, Portland and others. The series is comprised of correspondence, plans, reports and other paperwork relating to the development of these communities.","493.7","493.6","487.1","487.2","543.8","544.15","547.2","547.3","547.5","546.2","543.4","543.3","543.2","543.1","72.4","72.3","72.2","72.1","491.1","73.5","73.6","73.4","73.1","73.2","73.3","421.3","500.3","492.11","493.4","493.11","493.10","493.9","492.9","492.17","492.10","544.12","1.1","1.3","1.5","543.5","488.16","421.8","492.16","493.3","493.8","488.13","490.2","420.7","492.12","489.10","493.1","493.5","492.15","492.14","1.6","488.14","493.2","The material in this series relates to international planned communities in countries such as France, Great Britain, Israel, China and others. The materials are mostly promotional from the communities and other information regarding the development of the communities. Some of the material is in the foreign language while others are printed in English.","491.20","491.13","421.6","480.36","480.37","480.35","480.32","545.2","545.3","545.4","546.1","13.10","489.3","491.15","544.9","491.17","422.3","480.34","422.1","495.4","421.4","421.5","422.2","488.8","488.7","492.8","492.1","491.14","492.6","492.5","491.6","488.2","480.33","491.16","468.01 and 468.02","491.11","488.1","492.2","491.18","491.19","491.10","491.9","491.8","491.7","491.12","492.7","492.4","492.3","The documents are reports from and about different communities, relating financial, environmental and other issues. There are also documents from the Federal government pertaining to the development of the communities.","491.3","645.65","490.1","489.11","649.02","544.6","490.4","490.6","489.5","649.05","490.5","645.02","489.4","494.15","494.13","645.04","545.1","544.11","492.13","19.3","495.8","489.9","489.6","494.1","544.3","495.1","1.2","496.1","420.6","543.7","543.6","544.1","489.7","491.2","494.14","488.18","420.8","2.12","489.8","494.2","495.5","495.6","495.7","495.3","495.2","491.4","495.9","495.10","490.3","488.6","645.05","500.6","491.5","421.1","649.06","The series is small and contains the meeting minutes and other information from the board that created the planned community archive.","1A.1","1A.2","1A.3","1A.4","1A.5","1A.6","1A.7","1A.8","1A.9","1A.10","1A.11","1A.12","1A.13","1A.14","1A.15","1A.16","1A.17","1A.18","1A.19","78.4","78.5","78.3","78.12","78.10","645.01","78.6","78.11","2.9","649.01","78.8","78.7","2.7","2.8","2.11","2.15","2.14","2.13","78.1","78.2","78.9","The series has promotional material from different planned communities such as pamphlets, flyers, articles and others.","488.4","488.3","489.2","489.1","547.1","2.16","423.1","548.1","548.2","548.3","548.4","488.5","544.13","645.66","The series is comprised of different planned communities brochures, such as Arbor Glenn, Fairfield, Key West, Ridgewood and many others.","Series eight is titled Newspapers. The series is comprised of copies of The Reston Connection, the Reston Times, the Reston Observer, and the Reston Flier. All four newspapers largely covered local and area events. For example there are articles about Reston Association elections, local residents and also local and area sports teams. The collection of Connection papers is dated from 1981 to 1995 with about half of 2004 as well, and is contained in boxes 76 to 106 and 242 to 246. The Reston Times newspapers are dated from 1965 to 1999 with about half of 2004 as well, and are contained in boxes 358 to 456. The collections of the Reston Observer (2004 and 2006, Box 356) and Reston Flier newspapers (1971-72, Box 357) are relatively small.","Subseries 8.1: The Reston Connection, 1981-1995, 2004 The Reston Connection, one of the town's main local newspapers, contains articles mostly about local and area events. For example there are articles about Reston Association elections, local residents and also local and area sports teams.","Subseries 8.2: The Reston Times The Reston Times is the oldest active newspaper in Reston, Virginia. It covers local and area events in Reston along with neighboring Herndon and other surrounding areas. Among the topics the Reston Times covers is politics, sports, local events and features on local residents.","Subseries 8.3: The Reston Observer The Reston Observer is a local newspaper that covers local events in Reston including politics, sports and feature stories. It claims on its front page that the Observer is \"the Newspaper Everybody Reads.\"","Subseries 8.4: The Reston Flier The Reston Flier was a small news magazine that covered local events in Reston for a short period in the early-1970s.","The series contains photographs, slides, negatives, cassettes, CD's and videos relating to planned communities.","The subseries contains photographs of aerial shots of Reston, many of the photographs were taken by Abbie Edwards and various photographs of the Reston community.","460.48","460.49","460.51","460.52","460.44","460.45","460.46","460.47","460.40","460.16","460.17","460.10","460.8","460.18","460.11","645.25","11.11","645.53","460.19","460.20","451.4","451.3","451.2","451.1","11.8","11.10","11.9","2.6","645.34","645.33","645.08","645.09","645.10","645.11","645.12","645.13","645.15","645.16","645.17","645.18","645.19","645.20","645.21","645.22","645.23","645.24","645.26","645.27","645.28","645.29","645.30","645.31","645.32","645.45","645.46","645.47","645.48","645.49","645.50","645.51","645.55","645.56","645.57","645.58","645.59","645.61","645.62","645.63","645.60","461.19","645.14","11.1","460.1","460.12","460.13","645.52","460.9","460.39","460.38","460.42","460.43","460.41","460.4","460.3","480.1","645.54","460.37","460.26","460.27","460.28","460.29","460.30","460.31","460.32","460.33","460.34","460.35","460.36","460.22","460.23","460.24","460.25","460.21","460.14","460.15","460.6","460.7","460.2","460.5","645.07","The subseries is comprised mostly of residential views of Reston, such as apartment buildings, Dulles airport, shopping centers and other places around Reston.","647.39","549","550","550","550","550","550","550","550","551","552","552","552","552","552","553","553","553","554","554","554","554","554","554","554","554","554","555","555","556","556","556","556","556","556","556","556","556","556","556","556","556","556","556","556","557","557","557","557","557","557","557","557","558","559","559","559","559","559","559","560","560","560","560","560","561","562","562","562","562","563","564","565","566","567","567","567","568","569","569","570","571","571","571","572","573","574","574","574","574","574","575","575","575","575","575","575","575","575","575","575","576","577","577","577","577","578","579","580","581","581","581","581","581","581","581","581","581","582","583","584","584","584","584","584","584","584","584","584","585","586","587","588","588","588","588","588","588","588","588","588","589","590","591","591","592","593","594","595","596","597","597","597","597","597","597","597","597","597","597","597","597","598","599","600","601","601","601","602","602","602","602","602","602","602","602","602","602","603","604","605","606","606","606","607","608","609","610","610","610","611","612","613","614","615","616","618","619","621","622","622","622","623","623","624","625","625","626","627","628","629","630","631","633","634","635","636","636","636","636","636","636","636","636","637","The subseries is comprised of interviews with individuals involved in the development of Reston and the CD's are a variety of Reston related information.","14.2","This is a small subseries contained of negatives of various views from around Reston.","The subseries contains programs about planned communities. The majority of the videos are interviews from WETA. The videotapes include interviews with Robert Simon, Martha Pennino and others. There are also taped events, such as the Reston Festival and different programs, for example \"The Rise of New Towns\". There are additional WETA videotapes in series 11.","26.1","26.2","26.3","26.4","26.5","26.6","26.7","26.8","26.9","26.10","26.11","26.12","27.1","27.2","27.3","27.4","27.5","27.6","27.7","27.8","27.9","27.10","27.11","27.12","49.2","49.3","49.4","49.4","38.6","39.1","41.1","38.5","40.1","40.2","39.2","39.3","39.3","39.3","41.5","44.2","30.2","30.4","30.5","47.2","42.1","42.1","44.6","44.7","48.5","48.6","45.2","49.1","45.3","43.3","43.4","43.5","43.6","39.4","45.4","45.5","45.6","46.1","47.4","47.5","50.1","47.3","47","37.5","29.4","29.5","49.6","47.1","47.1","44.3","44.4","44.3","35.6","36.1","35.1","35.2","35.3","35.4","35.5","43.1","33.5","33.6","29.3","28.3","34.1","34.2","42.2","46.3","46.4","46.5","31.3","32.4","32.5","32.6","33.1","33.2","33.3","33.4","37.1","37.2","37.3","28.6.\nAccess copy on DVD in Box 457.","29.1 \nAccess copy on DVD in Box 457.","29.2 \nAccess copy on DVD in Box 457.","31.4 \nAccess copy on DVD in Box 457.","40.5","40.6","43.2","34.4","34.5","32.3","32.3","40.4","41.4","38.3","38.4","31.5 \nAccess copy on DVD in Box 457.","31.6 \nAccess copy on DVD in Box 457.","32.1 \nAccess copy on DVD in Box 457.","32.2 \nAccess copy on DVD in Box 457.","32","44.1","28.4","28.5","31.1","29.6","30.1","30.2","48.4","48.1","48.2","48.3","50.2","50.6","50.3","50.4","50.5","41.3","37.6","38.1","38.2","36.2","36.3","36.4","36.5","36.6","Access copy on DVD in Box 457.  41 minutes, 25 seconds.","Access copy on DVD in Box 457.  2 hours.","Access copy on DVD in Box 457.","Access copy on DVD in Box 457.","Access copy on DVD in Box 457. 1 hour, 06 minutes.","1 of 3.","2 of 3.","3 of 3.","Martha Pennino and other officials speaking on the Wiehle Avenue Bridge dedicated to Pennino.\nAlso available in a digital format.","Video produced by Chuck Blore and Don Richman Incorporated.","The information in this series covers a variety of topics relating to planned communities, such as the Department of Housing and Urban Development, newsclippings, Virginia government and other paperwork.","494.11","494.10","494.12","490.7","488.11","488.17","544.14","488.10","546.3","2.1","645.67","494.9","494.7","494.3","488.12","494.16","488.9","544.2","547.4","544.4","546.4","546.5","500.8","500.7","494.8","494.4","494.6","421.2","544.7","488.15","532.3a","532.3b","532.2","494.5","617","421.7","1.10","1.9","1.6","1.4","1.8","1.2","1.5","1.3","1.1","1.07","This series contains photographs, brochures and posters related to planned communities such as Lake Anne Village Center, Beacon Hill and others. The majority of the series is comprised of architectural drawings, blueprints, floor plans, topography and designs for buildings, such as Reston First Village Center, Reston Town Center and two individual homes, one in Arlington, Virginia and the other in McLean, Virginia.","458","11.2","11.3","11.4","11.5","11.6","11.7","76","76","76","76","76","76","76","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","19","472","398","Access copy on DVD in Box 457.","Access copy on DVD in Box 457.","Access copy on DVD in Box 457.","Access copy on DVD in Box 457.","Access copy on DVD in Box 457.","Access copy on DVD in Box 457.  1 hour, 37 minutes, 30 seconds.","Access copy on DVD in Box 457. 1 hour, 30 minutes, 15 seconds.","Access copy on DVD in Box 457. 1 hour, 46 minutes, 11 seconds.","Access copy on DVD in Box 457. 1 hour, 32 minutes, 20 seconds.","Access copy on DVD in Box 457. 2 hours, 18 minutes, 01 seconds.","Access copy on DVD in Box 457.  1 hour, 32 minutes, 04 seconds.","Access copy on DVD in Box 457.","Access copy on DVD in Box 457.","Access copy on DVD in Box 457.  1 hour, 17 minutes, 22 seconds.","Access copy on DVD in Box 457.  1 hour, 25 minutes, 12 seconds.","Access copy on DVD in Box 457.  1 hour, 33 minutes, 20 seconds.","Access copy on DVD in Box 457.  1 hour, 19 minutes, 52 seconds.","Access copy on DVD in Box 457.","Access copy on DVD in Box 457.","75","75","This binder contains multiple advertisement clippings, pamphlets, and fliers from the late-1970s and early-1980s. Among them are ads promoting land and house sales, government and private sector jobs moving to Reston, and Reston's mix of natural beauty and industry. Copies of the Reston Residential Land Sales newsletter are also included in this binder.","This binder contains multiple advertisement clippings from the early days of Reston. Among them are ads promoting land and house sales, Reston's attractive system of public transportation and the many amenities it had such as golf, tennis, horseback riding, among others. One ad also claims that \"Reston was concerned with the environment before environment became a concern.\"","This binder contains multiple advertisement clippings from the 1980s. Among them are ads promoting Reston as a unique place, close to D.C. but much different than its central city. These ads call attention to Reston's natural surroundings, low population density and the availability of sporting activities. Some ads also highlight Reston's 50,000th resident and the city's 25 year anniversary.","This binder contains multiple advertisement clippings from the early days of Reston. Among them are ads promoting land and house sales, the large amount of acreage and townhomes available in Reston and the many amenities it has such as golf, tennis, horseback riding, among others. Many ads in this binder also call attention to the nearby Wolf Trap ampitheatre.","This binder contains multiple advertisement clippings from the late-1970s and early-1980s. Among them are ads promoting homes, low energy costs, good schools and the amount of foliage in Reston. One ad even calls attention to the fact that Reston was then the home of many Washington Redskins players and coaches. Also included in this binder are development plans for Reston's Center for Industry and Government and Commuter Bus system. There are also Reston Residential Land Sales and Industrial Land sales newsletters in this binder.","This binder contains multiple advertisement clippings from the early-1980s. Among them are ads promoting homes, community and the neighborhood feel in Reston. Several ads also tout the creation of Dulles Toll Road, called \"Reston expressway,\" selling a \"20-minute\" commute into DC.","This binder contains extra copies of large advertisements from the 1980s that are included in the unmarked black binders on this same shelf.","This binder contains extra copies of advertisements from the 1980s that are included in the unmarked black binders on this same shelf.","This binder is labeled \"The Master Plan\" for the building of the Reston Town Center in Reston, Va. It includes a map of the region and model photos of businesses in the Town Center including several of the Hyatt hotel planned for the Center. This binder also includes future growth projections for the city of Reston.","This binder is also labeled \"The Master Plan\" for the building of the Reston Town Center in Reston, Va. It includes inspirations for the Town Center such as Rossyln and Ballston, Va.; plus maps of the region and model photos of businesses in the Town Center including several of the Hyatt hotel planned for the Center along with the Offices at Fountain Square. This binder also includes future growth projections for the city of Reston.","This binder is also labeled \"The Master Plan\" for the building of the Reston Town Center in Reston, Va. It includes maps of the region and model photos of businesses in the Town Center including several of the Hyatt hotel planned for the Center along with the Offices at Fountain Square. This binder also includes future growth projections for the city of Reston.","This binder contains multiple advertisement clippings from the very early days of Reston. Among them are ads promoting homes and the sporting and outdoor activities in Reston. Several ads also point to the proximity of Reston to D.C. via new roads such as Route 7 and the retention of wilderness and nature in Reston.","This binder includes housing and office purchases, broker information and contract prices from Reston in the early- to mid-1980s.","This binder includes housing purchases (townhomes, single family dwellings, condos, etc.), broker information and contract prices from Reston throughout the 1980s.","This binder includes housing and office purchases, broker information and contract prices from Reston in the mid- to late-1980s.","4 sets of maps (including one duplicate) showing plans for the Hunter Mill District and the Northern Virginia Stream Restoration project.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection consists of a variety of materials relating to planned communities across the United States with a particular emphasis on the planned community of Reston, Virginia, and international communities as well. The collection includes correspondence, reports, promotional material, community brochures, newspapers, videotapes, slides, photographs and architectural drawings and blueprints. The collection is divided into 11 series in 351 boxes and 3 mapcases and is dated from 1960 to 2009.","Map Case 3.2, 9.2, 12.2-13.3, 14.1, 14.5, 19.4-19.5, 29.1, 32.1-32.3\nOS R4, C3, S3-S7\nOS R6, C5, S1-S6","George Mason University. Libraries. Special Collections Research Center","Planned Community Archives","Nicoson, William, 1932-2013","Pennino, Martha, 1918-2004","Simon, Robert E., Jr. (Robert Edward), 1914-2015","English"],"unitid_tesim":["C0001","/repositories/2/resources/1"],"normalized_title_ssm":["Planned Community Archives collection"],"collection_title_tesim":["Planned Community Archives collection"],"collection_ssim":["Planned Community Archives collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Planned Community Archives"],"creator_ssim":["Planned Community Archives"],"creator_corpname_ssim":["Planned Community Archives"],"creators_ssim":["Planned Community Archives"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Planned Community Archives, Inc. in 1986 with additional donations in the years following."],"access_subjects_ssim":["Architecture -- Designs and plans","Blueprints","Floor plans","Housing","Photography -- Negatives","Planned communities","Planned communities -- England","Planned communities -- Illinois -- Chicago","Planned communities -- Maryland -- Columbia","Planned communities -- Maryland -- Greenbelt","Planned communities -- Virginia -- Reston","Slides (Photography)","Elevations","Photographic prints"],"access_subjects_ssm":["Architecture -- Designs and plans","Blueprints","Floor plans","Housing","Photography -- Negatives","Planned communities","Planned communities -- England","Planned communities -- Illinois -- Chicago","Planned communities -- Maryland -- Columbia","Planned communities -- Maryland -- Greenbelt","Planned communities -- Virginia -- Reston","Slides (Photography)","Elevations","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["175.5 Linear Feet 457 boxes"],"extent_tesim":["175.5 Linear Feet 457 boxes"],"genreform_ssim":["Elevations","Photographic prints"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eSelections from the Planned Community Archives are also available in the \u003cextptr show=\"new\" title=\"Reston Planned Community Archives Digital Collection\" href=\"https://mars.gmu.edu/collections/319e58f8-6ea3-4c9f-8c21-14b8c768bf39/browse/title\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Planned Community Archives: Catherine A. Baum Digital Collection\" href=\"https://mars.gmu.edu/collections/95f2cbcc-3555-4cc9-9030-6b9cf17638ad/browse/dateissued\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Selections from the Planned Community Archives are also available in the   and the  ."],"arrangement_html_tesm":["\u003cp\u003eArranged in 11 series according to subject and format.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Reston, 1961-2006 (Boxes 1-42)\u003c/item\u003e\n      \u003citem\u003eSeries 2: US Planned Communities, 1970-1996 (Boxes 42-53)\u003c/item\u003e\n      \u003citem\u003eSeries 3: International Planned Communities, 1960-1990 (Boxes 53-56)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Reports, 1965-2001 (Boxes 56-61)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Planned Community Archives Board, 1985-2001 (Boxes 61-64)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Promotional Material, 1966-1990 (Boxes 64-66)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Brochures, 1990s (Boxes 66-75)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Newspapers, 1965-2006 (Boxes 76-106, 242-46, 352-456)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Media, 1960-2004 (Boxes 107-232, 348-350)\u003c/item\u003e\n      \u003citem\u003eSeries 10: General Information, 1960-2009 (Boxes 233-241)\u003c/item\u003e\n      \u003citem\u003eSeries 11: Oversize, 1960-2010 (Boxes 247-347, 351, Mapcase 1-4, Shelf 1-2)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged in 11 series according to subject and format.","Series Series 1: Reston, 1961-2006 (Boxes 1-42) Series 2: US Planned Communities, 1970-1996 (Boxes 42-53) Series 3: International Planned Communities, 1960-1990 (Boxes 53-56) Series 4: Reports, 1965-2001 (Boxes 56-61) Series 5: Planned Community Archives Board, 1985-2001 (Boxes 61-64) Series 6: Promotional Material, 1966-1990 (Boxes 64-66) Series 7: Brochures, 1990s (Boxes 66-75) Series 8: Newspapers, 1965-2006 (Boxes 76-106, 242-46, 352-456) Series 9: Media, 1960-2004 (Boxes 107-232, 348-350) Series 10: General Information, 1960-2009 (Boxes 233-241) Series 11: Oversize, 1960-2010 (Boxes 247-347, 351, Mapcase 1-4, Shelf 1-2)"],"bioghist_html_tesm":["\u003cp\u003eThe era of new town development in the United States, which is of special interest to Planned Community Archives (PCA), begins with the Greenbelt towns developed by the federally sponsored Works Progress Administration during the Great Depression of the 1930s. The next major new town development was Reston, Virginia, in 1962. Since that time, at least thirty-eight planned communities have been developed throughout the United States. Thirteen of these communities were sponsored by the Federal New Communities Program of the U.S. Department of Housing and Urban Development (1970 - 1983). \u003c/p\u003e\n","\u003cp\u003eThe records contained in this collection were assembled by the Planned Community Archives, Inc., of Reston, Virginia, and placed on deposit in Special Collections and Archives of Fenwick Library, George Mason University beginning in 1986. Each year since then has seen major additions to the collection. After many years of housing and processing the collection, George Mason University Libraries accepted the Planned Community Archives collections as a donation by Planned Community Archives, Inc. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The era of new town development in the United States, which is of special interest to Planned Community Archives (PCA), begins with the Greenbelt towns developed by the federally sponsored Works Progress Administration during the Great Depression of the 1930s. The next major new town development was Reston, Virginia, in 1962. Since that time, at least thirty-eight planned communities have been developed throughout the United States. Thirteen of these communities were sponsored by the Federal New Communities Program of the U.S. Department of Housing and Urban Development (1970 - 1983). ","The records contained in this collection were assembled by the Planned Community Archives, Inc., of Reston, Virginia, and placed on deposit in Special Collections and Archives of Fenwick Library, George Mason University beginning in 1986. Each year since then has seen major additions to the collection. After many years of housing and processing the collection, George Mason University Libraries accepted the Planned Community Archives collections as a donation by Planned Community Archives, Inc. "],"odd_html_tesm":["\u003cp\u003eTube is empty. McManus, 5/28/2014.\u003c/p\u003e"],"odd_heading_ssm":["Scope and Contents note"],"odd_tesim":["Tube is empty. McManus, 5/28/2014."],"prefercite_html_tesm":["\u003cp\u003ePlanned Community Archives, C0001, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Planned Community Archives, C0001, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Special Collections Research Center staff. Reprocessed by Emily Martin between November 2009 and January 2010 with additions by Steven Harris-Scott in June 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Special Collections Research Center staff. Reprocessed by Emily Martin between November 2009 and January 2010 with additions by Steven Harris-Scott in June 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections on the history and development of Reston, Virginia, as well as other collections that document United States and international planned communities.\u003c/p\u003e","\u003cp\u003e460.50\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material","Scope and Contents note"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections on the history and development of Reston, Virginia, as well as other collections that document United States and international planned communities.","460.50"],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of a variety of materials relating to planned communities across the United States with a particular emphasis on the planned community of Reston, Virginia and international communities as well. The collection includes correspondence, reports, promotional material, community brochures, newspapers, videos, slides, photographs and architectural drawings and blueprints. \u003c/p\u003e\n","\u003cp\u003eSeries one is titled Reston and is divided into nine subseries. The information in this series contains correspondence, finance, plans, reports, meetings, publications, marketing, a scrapbook and general information. All of the information relates to the community of Reston in Virginia. There is additional Reston information in series nine, ten and eleven. The series is dated from 1961-2006 and is contained in boxes 1-42. \u003c/p\u003e\n","\u003cp\u003eSeries two is titled United States Planned Communities. The material in this series relates to planned communities in the United States other than Reston, such as Columbia, Maryland, Evergreen Mills, Hawaii, Portland and others. The series is comprised of correspondence, plans, reports and other paperwork relating to the development of these communities. The series dated from 1970 to 1996 and is contained in boxes 42-53. \u003c/p\u003e\n","\u003cp\u003eSeries three is titled International Planned Communities. The material in this series relates to international planned communities in countries such as France, Great Britain, Israel, China and others. The materials are mostly promotional from the communities and other information regarding the development of the communities. Some of the material is in the foreign language while others are printed in English. The series is dated from 1960 to 1990 and is contained in boxes 53-56. \u003c/p\u003e\n","\u003cp\u003eSeries four is titled Reports. The documents are reports from and about different communities, relating financial, environmental and other issues. There are also documents from the Federal government pertaining to the development of the communities. The series is dated from 1965 to 2001 and is contained in boxes 56-61. \u003c/p\u003e\n","\u003cp\u003eSeries five is titled Planed Community Archive Board. The series is small and contains the meeting minutes and other information from the board that created the planned community archive. The series dated from 1985 to 2001 and is contained in boxes 61-64. \u003c/p\u003e\n","\u003cp\u003eSeries six is titled Promotional Material. The series has promotional material from different planned communities such as pamphlets, flyers, articles and others. The series dated from 1966 to 1990 and is contained in boxes 64-66. \u003c/p\u003e\n","\u003cp\u003eSeries seven is titled Brochures. The series is comprised of different planned communities brochures, such as Arbor Glenn, Fairfield, Key West, Ridgewood and many others. The series dated in the 1990s and is contained in boxes 66-75. \u003c/p\u003e\n","\u003cp\u003eSeries eight is titled Newspapers. The series is comprised of copies of The Connection a newspaper from Reston. The Connection, the local newspaper has articles mostly about local events. For example there are articles about Reston Association elections, local residents and also the Washington Redskins. There are additional copies in series ten. The series is dated from 1981 to 1996 and is contained in boxes 76 to 106. \u003c/p\u003e\n","\u003cp\u003eSeries nine is titled Media and is divided into five subseries. The series contains photographs, slides, negatives, cassettes, CDs and videos relating to planned communities. The series is dated from 1960 to 2004 and contained in boxes 107-232. \u003c/p\u003e\n","\u003cp\u003eSeries ten is titled General Information. The information in this series covers a variety of topics relating to planned communities, such as the Department of Housing and Urban Development, newsclippings, Virginia government and other paperwork. The series is dated from 1960 to 2005 and is contained in boxes 233-246. \u003c/p\u003e\n","\u003cp\u003eSeries eleven is titled Oversize. This series contains photographs, brochures and posters related to planned communities such as Lake Anne Village Center, Beacon Hill and others. The majority of the series is comprised of architectural drawings, blueprints, floor plans, topography and designs for buildings, such as Reston First Village Center, Reston Town Center and two individual homes, one in Arlington, Virginia and the other in McLean, Virginia. The series is dated from 1960 to 2004 and is contained in boxes 247-351 with additional plans in 3 mapcases. \u003c/p\u003e","\u003cp\u003eThe information in this series contains correspondence, finance, plans, reports, meetings, publications, marketing, a scrapbook and general information. All of the information relates to the community of Reston in Virginia.\u003c/p\u003e","\u003cp\u003eThe subseries contains correspondence relating to the development of Reston. The information includes correspondence about the Lake Anne Dam, interoffice correspondence, community facilities and other projects in Reston.\u003c/p\u003e","\u003cp\u003e2.10\u003c/p\u003e","\u003cp\u003e19.11\u003c/p\u003e","\u003cp\u003e3.3\u003c/p\u003e","\u003cp\u003e7.2\u003c/p\u003e","\u003cp\u003e5.3\u003c/p\u003e","\u003cp\u003e5.2\u003c/p\u003e","\u003cp\u003e5.1\u003c/p\u003e","\u003cp\u003e5.4\u003c/p\u003e","\u003cp\u003e5.5\u003c/p\u003e","\u003cp\u003e5.7\u003c/p\u003e","\u003cp\u003e5.6\u003c/p\u003e","\u003cp\u003e6.2\u003c/p\u003e","\u003cp\u003e6.3\u003c/p\u003e","\u003cp\u003e7.1\u003c/p\u003e","\u003cp\u003e7.3\u003c/p\u003e","\u003cp\u003e7.7\u003c/p\u003e","\u003cp\u003e1.12\u003c/p\u003e","\u003cp\u003e480.54\u003c/p\u003e","\u003cp\u003e1.13\u003c/p\u003e","\u003cp\u003e13.8\u003c/p\u003e","\u003cp\u003e477.10\u003c/p\u003e","\u003cp\u003e499D.01\u003c/p\u003e","\u003cp\u003e499D.02\u003c/p\u003e","\u003cp\u003e499D.03\u003c/p\u003e","\u003cp\u003e499D.04\u003c/p\u003e","\u003cp\u003e499D.05\u003c/p\u003e","\u003cp\u003e499D.06\u003c/p\u003e","\u003cp\u003e499D.07\u003c/p\u003e","\u003cp\u003e15.1\u003c/p\u003e","\u003cp\u003e2.3\u003c/p\u003e","\u003cp\u003e2.7\u003c/p\u003e","\u003cp\u003e2.9\u003c/p\u003e","\u003cp\u003eThe information in this subseries is financial information from Reston such as sale agreements, loans, statements and other paperwork relating to the financial aspects of Reston.\u003c/p\u003e","\u003cp\u003e5.11\u003c/p\u003e","\u003cp\u003e5.13\u003c/p\u003e","\u003cp\u003e3.14\u003c/p\u003e","\u003cp\u003e3.15\u003c/p\u003e","\u003cp\u003e4.7\u003c/p\u003e","\u003cp\u003e16.6\u003c/p\u003e","\u003cp\u003e5.9\u003c/p\u003e","\u003cp\u003e13.7\u003c/p\u003e","\u003cp\u003e1.3\u003c/p\u003e","\u003cp\u003e74.1\u003c/p\u003e","\u003cp\u003e74.2\u003c/p\u003e","\u003cp\u003e74.3\u003c/p\u003e","\u003cp\u003eThe plans in this subseries are from Reston and include projects such as Reston Town Center, Lake Anne, Reston Twentieth Anniversary Celebrations and others.\u003c/p\u003e","\u003cp\u003e5.14\u003c/p\u003e","\u003cp\u003e7.4\u003c/p\u003e","\u003cp\u003e6.5\u003c/p\u003e","\u003cp\u003e6.6\u003c/p\u003e","\u003cp\u003e16.7\u003c/p\u003e","\u003cp\u003e480.50\u003c/p\u003e","\u003cp\u003e1.1\u003c/p\u003e","\u003cp\u003e2.4\u003c/p\u003e","\u003cp\u003e2.5\u003c/p\u003e","\u003cp\u003e461.29\u003c/p\u003e","\u003cp\u003e645.06\u003c/p\u003e","\u003cp\u003e19.15\u003c/p\u003e","\u003cp\u003e4.1\u003c/p\u003e","\u003cp\u003e1.31\u003c/p\u003e","\u003cp\u003e645.64\u003c/p\u003e","\u003cp\u003e15.2\u003c/p\u003e","\u003cp\u003e15.3\u003c/p\u003e","\u003cp\u003e3.6\u003c/p\u003e","\u003cp\u003e1.2\u003c/p\u003e","\u003cp\u003e5.8\u003c/p\u003e","\u003cp\u003e19.6\u003c/p\u003e","\u003cp\u003e480.53\u003c/p\u003e","\u003cp\u003eThe subseries has reports relating to projects in Reston. The reports contain information from projects such as housing community developments, schools, health clubs, Lake Anne, Lake Thoreau and other projects in Reston.\u003c/p\u003e","\u003cp\u003e12.15\u003c/p\u003e","\u003cp\u003e4.4\u003c/p\u003e","\u003cp\u003e12.4\u003c/p\u003e","\u003cp\u003e12.5\u003c/p\u003e","\u003cp\u003e12.6\u003c/p\u003e","\u003cp\u003e12.7\u003c/p\u003e","\u003cp\u003e12.8\u003c/p\u003e","\u003cp\u003e12.9\u003c/p\u003e","\u003cp\u003e1.6\u003c/p\u003e","\u003cp\u003e1.5\u003c/p\u003e","\u003cp\u003e18.3\u003c/p\u003e","\u003cp\u003e4.3\u003c/p\u003e","\u003cp\u003e2.11\u003c/p\u003e","\u003cp\u003e2.12\u003c/p\u003e","\u003cp\u003e2.8\u003c/p\u003e","\u003cp\u003e3.5\u003c/p\u003e","\u003cp\u003e18.6\u003c/p\u003e","\u003cp\u003e3.7\u003c/p\u003e","\u003cp\u003e4.14\u003c/p\u003e","\u003cp\u003e4.13\u003c/p\u003e","\u003cp\u003e6.1\u003c/p\u003e","\u003cp\u003e2.6\u003c/p\u003e","\u003cp\u003e7.5\u003c/p\u003e","\u003cp\u003e7.6\u003c/p\u003e","\u003cp\u003e3.4\u003c/p\u003e","\u003cp\u003e18.4\u003c/p\u003e","\u003cp\u003e480.20\u003c/p\u003e","\u003cp\u003e1.3\u003c/p\u003e","\u003cp\u003e480.52\u003c/p\u003e","\u003cp\u003e15.5\u003c/p\u003e","\u003cp\u003e1.7\u003c/p\u003e","\u003cp\u003e3.1\u003c/p\u003e","\u003cp\u003e480.2\u003c/p\u003e","\u003cp\u003e12.3\u003c/p\u003e","\u003cp\u003e13.5\u003c/p\u003e","\u003cp\u003e543.8\u003c/p\u003e","\u003cp\u003e19.5\u003c/p\u003e","\u003cp\u003e19.7\u003c/p\u003e","\u003cp\u003eThe information in this series contains material from the transportation committee, board meeting minutes and other meeting information in Reston.\u003c/p\u003e","\u003cp\u003e3.8\u003c/p\u003e","\u003cp\u003e2.2\u003c/p\u003e","\u003cp\u003e2.1\u003c/p\u003e","\u003cp\u003e4.10\u003c/p\u003e","\u003cp\u003e3.13\u003c/p\u003e","\u003cp\u003e3.2\u003c/p\u003e","\u003cp\u003eThe subseries contains publications from Reston or about Reston such as the Restonian Magazine, The Reston Letter, The Reston Times and The Washington Post. Some of the documents are a complete copy of the publication, other documents are only articles from the publications.\u003c/p\u003e","\u003cp\u003e10.9\u003c/p\u003e","\u003cp\u003e12.2\u003c/p\u003e","\u003cp\u003e9.12\u003c/p\u003e","\u003cp\u003e10.27\u003c/p\u003e","\u003cp\u003e247.30\u003c/p\u003e","\u003cp\u003e648.15\u003c/p\u003e","\u003cp\u003e10.24\u003c/p\u003e","\u003cp\u003e648.06\u003c/p\u003e","\u003cp\u003e10.11\u003c/p\u003e","\u003cp\u003e19.8\u003c/p\u003e","\u003cp\u003e1.1\u003c/p\u003e","\u003cp\u003e10.10\u003c/p\u003e","\u003cp\u003e10.8\u003c/p\u003e","\u003cp\u003e648.24\u003c/p\u003e","\u003cp\u003e13.4\u003c/p\u003e","\u003cp\u003e10.18\u003c/p\u003e","\u003cp\u003e648.11\u003c/p\u003e","\u003cp\u003e10.16\u003c/p\u003e","\u003cp\u003e647.08\u003c/p\u003e","\u003cp\u003e10.5\u003c/p\u003e","\u003cp\u003e648.23\u003c/p\u003e","\u003cp\u003e247.29\u003c/p\u003e","\u003cp\u003e648.16\u003c/p\u003e","\u003cp\u003e648.18\u003c/p\u003e","\u003cp\u003e648.08\u003c/p\u003e","\u003cp\u003e19.2\u003c/p\u003e","\u003cp\u003e2.10\u003c/p\u003e","\u003cp\u003e13.3\u003c/p\u003e","\u003cp\u003e13.2\u003c/p\u003e","\u003cp\u003e10.1\u003c/p\u003e","\u003cp\u003e647.07\u003c/p\u003e","\u003cp\u003e647.06\u003c/p\u003e","\u003cp\u003e461.14\u003c/p\u003e","\u003cp\u003e19.9\u003c/p\u003e","\u003cp\u003e477.1\u003c/p\u003e","\u003cp\u003e5.12\u003c/p\u003e","\u003cp\u003e18.8\u003c/p\u003e","\u003cp\u003e10.12\u003c/p\u003e","\u003cp\u003e648.20\u003c/p\u003e","\u003cp\u003e648.22\u003c/p\u003e","\u003cp\u003e10.3\u003c/p\u003e","\u003cp\u003e648.05\u003c/p\u003e","\u003cp\u003e461.12\u003c/p\u003e","\u003cp\u003e247.31\u003c/p\u003e","\u003cp\u003e10.14\u003c/p\u003e","\u003cp\u003e18.2\u003c/p\u003e","\u003cp\u003e18.1\u003c/p\u003e","\u003cp\u003e1.14\u003c/p\u003e","\u003cp\u003e10.2\u003c/p\u003e","\u003cp\u003e10.25\u003c/p\u003e","\u003cp\u003e648.02\u003c/p\u003e","\u003cp\u003e648.26\u003c/p\u003e","\u003cp\u003e648.17\u003c/p\u003e","\u003cp\u003e648.04\u003c/p\u003e","\u003cp\u003e480.42\u003c/p\u003e","\u003cp\u003e15.6\u003c/p\u003e","\u003cp\u003e10.21\u003c/p\u003e","\u003cp\u003e10.7\u003c/p\u003e","\u003cp\u003e648.14\u003c/p\u003e","\u003cp\u003e10.15\u003c/p\u003e","\u003cp\u003e10.17\u003c/p\u003e","\u003cp\u003e648.09\u003c/p\u003e","\u003cp\u003e648.10\u003c/p\u003e","\u003cp\u003e647.11\u003c/p\u003e","\u003cp\u003e10.6\u003c/p\u003e","\u003cp\u003e648.27\u003c/p\u003e","\u003cp\u003e416.17\u003c/p\u003e","\u003cp\u003e19.1\u003c/p\u003e","\u003cp\u003e1.19\u003c/p\u003e","\u003cp\u003e1.20\u003c/p\u003e","\u003cp\u003e1.21\u003c/p\u003e","\u003cp\u003e1.22\u003c/p\u003e","\u003cp\u003e1.23\u003c/p\u003e","\u003cp\u003e1.24\u003c/p\u003e","\u003cp\u003e1.25\u003c/p\u003e","\u003cp\u003e1.26\u003c/p\u003e","\u003cp\u003e1.27\u003c/p\u003e","\u003cp\u003e480.19\u003c/p\u003e","\u003cp\u003e480.43\u003c/p\u003e","\u003cp\u003e480.44\u003c/p\u003e","\u003cp\u003e480.45\u003c/p\u003e","\u003cp\u003e480.41\u003c/p\u003e","\u003cp\u003e480.40\u003c/p\u003e","\u003cp\u003e13.1\u003c/p\u003e","\u003cp\u003e648.28\u003c/p\u003e","\u003cp\u003e12.1\u003c/p\u003e","\u003cp\u003e514.1\u003c/p\u003e","\u003cp\u003e514.2\u003c/p\u003e","\u003cp\u003e514.3\u003c/p\u003e","\u003cp\u003e514.4\u003c/p\u003e","\u003cp\u003e514.5\u003c/p\u003e","\u003cp\u003e514.6\u003c/p\u003e","\u003cp\u003e514.7\u003c/p\u003e","\u003cp\u003e514.8\u003c/p\u003e","\u003cp\u003e514.9\u003c/p\u003e","\u003cp\u003e514.10\u003c/p\u003e","\u003cp\u003e480.6\u003c/p\u003e","\u003cp\u003e480.9\u003c/p\u003e","\u003cp\u003e480.38\u003c/p\u003e","\u003cp\u003e480.47\u003c/p\u003e","\u003cp\u003e18.9\u003c/p\u003e","\u003cp\u003e18.11\u003c/p\u003e","\u003cp\u003e10.13\u003c/p\u003e","\u003cp\u003e648.21\u003c/p\u003e","\u003cp\u003e10.22\u003c/p\u003e","\u003cp\u003e648.19\u003c/p\u003e","\u003cp\u003e648.25\u003c/p\u003e","\u003cp\u003e648.13\u003c/p\u003e","\u003cp\u003e648.07\u003c/p\u003e","\u003cp\u003e648.05\u003c/p\u003e","\u003cp\u003e10.20\u003c/p\u003e","\u003cp\u003e480.16\u003c/p\u003e","\u003cp\u003e647.09\u003c/p\u003e","\u003cp\u003e458.3\u003c/p\u003e","\u003cp\u003e10.23\u003c/p\u003e","\u003cp\u003e648.32\u003c/p\u003e","\u003cp\u003e10.19\u003c/p\u003e","\u003cp\u003e10.4\u003c/p\u003e","\u003cp\u003e648.12\u003c/p\u003e","\u003cp\u003eThe subseries has information pertaining to the marketing of different facilities in Reston. For example the subseries has promotional material from Reston Town Center, Reston neighborhoods, schools and others.\u003c/p\u003e","\u003cp\u003e480.4\u003c/p\u003e","\u003cp\u003e461.24\u003c/p\u003e","\u003cp\u003e9.27\u003c/p\u003e","\u003cp\u003e647.04\u003c/p\u003e","\u003cp\u003e647.03\u003c/p\u003e","\u003cp\u003e647.08\u003c/p\u003e","\u003cp\u003e647.44\u003c/p\u003e","\u003cp\u003e477.2\u003c/p\u003e","\u003cp\u003e647.40\u003c/p\u003e","\u003cp\u003e461.20\u003c/p\u003e","\u003cp\u003e533.7\u003c/p\u003e","\u003cp\u003e9.26\u003c/p\u003e","\u003cp\u003e461.18\u003c/p\u003e","\u003cp\u003e247.37\u003c/p\u003e","\u003cp\u003e9.7\u003c/p\u003e","\u003cp\u003e9.19\u003c/p\u003e","\u003cp\u003e9.17\u003c/p\u003e","\u003cp\u003e9.14\u003c/p\u003e","\u003cp\u003e9.5\u003c/p\u003e","\u003cp\u003e19.14\u003c/p\u003e","\u003cp\u003e477.4\u003c/p\u003e","\u003cp\u003e544.5\u003c/p\u003e","\u003cp\u003e480.21\u003c/p\u003e","\u003cp\u003e247.27\u003c/p\u003e","\u003cp\u003e647.02\u003c/p\u003e","\u003cp\u003e247.40\u003c/p\u003e","\u003cp\u003e9.4\u003c/p\u003e","\u003cp\u003e247.09\u003c/p\u003e","\u003cp\u003e533.6\u003c/p\u003e","\u003cp\u003e647.45\u003c/p\u003e","\u003cp\u003e9.9\u003c/p\u003e","\u003cp\u003e9.15\u003c/p\u003e","\u003cp\u003e9.21\u003c/p\u003e","\u003cp\u003e9.10\u003c/p\u003e","\u003cp\u003e9.11\u003c/p\u003e","\u003cp\u003e19.16\u003c/p\u003e","\u003cp\u003e461.28\u003c/p\u003e","\u003cp\u003e9.2\u003c/p\u003e","\u003cp\u003e480.48\u003c/p\u003e","\u003cp\u003e9.24\u003c/p\u003e","\u003cp\u003e461.26\u003c/p\u003e","\u003cp\u003e477.15\u003c/p\u003e","\u003cp\u003e422.4\u003c/p\u003e","\u003cp\u003e461.10\u003c/p\u003e","\u003cp\u003e461.21\u003c/p\u003e","\u003cp\u003e461.5\u003c/p\u003e","\u003cp\u003e461.6\u003c/p\u003e","\u003cp\u003e9.13\u003c/p\u003e","\u003cp\u003e647.10\u003c/p\u003e","\u003cp\u003e461.27\u003c/p\u003e","\u003cp\u003e461.7\u003c/p\u003e","\u003cp\u003e477.12\u003c/p\u003e","\u003cp\u003e9.16\u003c/p\u003e","\u003cp\u003e477.6\u003c/p\u003e","\u003cp\u003e460.53\u003c/p\u003e","\u003cp\u003e645.03\u003c/p\u003e","\u003cp\u003e480.15\u003c/p\u003e","\u003cp\u003e461.8\u003c/p\u003e","\u003cp\u003e480.8\u003c/p\u003e","\u003cp\u003e9.25\u003c/p\u003e","\u003cp\u003e480.22\u003c/p\u003e","\u003cp\u003e461.30\u003c/p\u003e","\u003cp\u003e9.20\u003c/p\u003e","\u003cp\u003e461.23\u003c/p\u003e","\u003cp\u003e461.1\u003c/p\u003e","\u003cp\u003e9.3\u003c/p\u003e","\u003cp\u003e461.2\u003c/p\u003e","\u003cp\u003e461.3\u003c/p\u003e","\u003cp\u003e461.4\u003c/p\u003e","\u003cp\u003e19.13\u003c/p\u003e","\u003cp\u003e477.13\u003c/p\u003e","\u003cp\u003e461.25\u003c/p\u003e","\u003cp\u003e247.10\u003c/p\u003e","\u003cp\u003e247.11\u003c/p\u003e","\u003cp\u003e247.12\u003c/p\u003e","\u003cp\u003e247.13\u003c/p\u003e","\u003cp\u003e247.14\u003c/p\u003e","\u003cp\u003e247.15\u003c/p\u003e","\u003cp\u003e247.16\u003c/p\u003e","\u003cp\u003e247.17\u003c/p\u003e","\u003cp\u003e247.18\u003c/p\u003e","\u003cp\u003e247.19\u003c/p\u003e","\u003cp\u003e247.20\u003c/p\u003e","\u003cp\u003e247.21\u003c/p\u003e","\u003cp\u003e247.22\u003c/p\u003e","\u003cp\u003e247.23\u003c/p\u003e","\u003cp\u003e247.24\u003c/p\u003e","\u003cp\u003e247.25\u003c/p\u003e","\u003cp\u003e247.26\u003c/p\u003e","\u003cp\u003e247.34\u003c/p\u003e","\u003cp\u003e247.39\u003c/p\u003e","\u003cp\u003e247.38\u003c/p\u003e","\u003cp\u003e647.41\u003c/p\u003e","\u003cp\u003e647.05\u003c/p\u003e","\u003cp\u003e247.32\u003c/p\u003e","\u003cp\u003e247.33\u003c/p\u003e","\u003cp\u003e461.9\u003c/p\u003e","\u003cp\u003e9.1\u003c/p\u003e","\u003cp\u003e477.5\u003c/p\u003e","\u003cp\u003e9.18\u003c/p\u003e","\u003cp\u003e9.8\u003c/p\u003e","\u003cp\u003e4.12\u003c/p\u003e","\u003cp\u003e4.11\u003c/p\u003e","\u003cp\u003e9.23\u003c/p\u003e","\u003cp\u003e648.01\u003c/p\u003e","\u003cp\u003e9.22\u003c/p\u003e","\u003cp\u003e461.22\u003c/p\u003e","\u003cp\u003e247.36\u003c/p\u003e","\u003cp\u003e461.11\u003c/p\u003e","\u003cp\u003e461.13\u003c/p\u003e","\u003cp\u003e9.6\u003c/p\u003e","\u003cp\u003e480.23\u003c/p\u003e","\u003cp\u003e480.27\u003c/p\u003e","\u003cp\u003e247.35\u003c/p\u003e","\u003cp\u003e19.10\u003c/p\u003e","\u003cp\u003e480.3\u003c/p\u003e","\u003cp\u003e647.01\u003c/p\u003e","\u003cp\u003e480.5\u003c/p\u003e","\u003cp\u003e18.10\u003c/p\u003e","\u003cp\u003e1.7\u003c/p\u003e","\u003cp\u003e19.4\u003c/p\u003e","\u003cp\u003e647.47\u003c/p\u003e","\u003cp\u003e18.12\u003c/p\u003e","\u003cp\u003eThe subseries is comprised of material from a scrapbook related to Reston. The documents are photographs, articles and other paperwork. The material is in the original order that it was in the 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","\u003cp\u003e499E.69\u003c/p\u003e","\u003cp\u003e499E.70\u003c/p\u003e","\u003cp\u003e499E.71\u003c/p\u003e","\u003cp\u003e499E.72\u003c/p\u003e","\u003cp\u003e499E.73\u003c/p\u003e","\u003cp\u003e499E.74\u003c/p\u003e","\u003cp\u003e499E.75\u003c/p\u003e","\u003cp\u003e499E.76\u003c/p\u003e","\u003cp\u003e499E.77\u003c/p\u003e","\u003cp\u003e499E.78\u003c/p\u003e","\u003cp\u003e499E.79\u003c/p\u003e","\u003cp\u003e499E.80\u003c/p\u003e","\u003cp\u003e499E.81\u003c/p\u003e","\u003cp\u003e499E.82\u003c/p\u003e","\u003cp\u003e499E.83\u003c/p\u003e","\u003cp\u003e499E.84\u003c/p\u003e","\u003cp\u003e499E.85\u003c/p\u003e","\u003cp\u003e499E.86\u003c/p\u003e","\u003cp\u003e499E.87\u003c/p\u003e","\u003cp\u003e499E.88\u003c/p\u003e","\u003cp\u003e499E.89\u003c/p\u003e","\u003cp\u003e499E.90\u003c/p\u003e","\u003cp\u003e499E.91\u003c/p\u003e","\u003cp\u003e499E.92\u003c/p\u003e","\u003cp\u003e499E.93\u003c/p\u003e","\u003cp\u003e499E.94\u003c/p\u003e","\u003cp\u003e499E.95\u003c/p\u003e","\u003cp\u003e499E.96\u003c/p\u003e","\u003cp\u003e499E.97\u003c/p\u003e","\u003cp\u003e499E.98\u003c/p\u003e","\u003cp\u003e499E.99\u003c/p\u003e","\u003cp\u003e499E.100\u003c/p\u003e","\u003cp\u003e499E.101\u003c/p\u003e","\u003cp\u003e499E.102\u003c/p\u003e","\u003cp\u003e499E.103\u003c/p\u003e","\u003cp\u003e499E.104\u003c/p\u003e","\u003cp\u003e499E.105\u003c/p\u003e","\u003cp\u003e499E.106\u003c/p\u003e","\u003cp\u003e499E.107\u003c/p\u003e","\u003cp\u003e499E.108\u003c/p\u003e","\u003cp\u003e499E.109\u003c/p\u003e","\u003cp\u003e499E.110\u003c/p\u003e","\u003cp\u003e499E.111\u003c/p\u003e","\u003cp\u003e499E.112\u003c/p\u003e","\u003cp\u003e499E.113\u003c/p\u003e","\u003cp\u003e499E.114\u003c/p\u003e","\u003cp\u003e499E.115\u003c/p\u003e","\u003cp\u003e499E.116\u003c/p\u003e","\u003cp\u003e499E.117\u003c/p\u003e","\u003cp\u003e499E.118\u003c/p\u003e","\u003cp\u003e499E.119\u003c/p\u003e","\u003cp\u003e499E.120\u003c/p\u003e","\u003cp\u003e499E.121\u003c/p\u003e","\u003cp\u003e499E.122\u003c/p\u003e","\u003cp\u003e499E.123\u003c/p\u003e","\u003cp\u003e499E.124\u003c/p\u003e","\u003cp\u003e499E.125\u003c/p\u003e","\u003cp\u003e499E.126\u003c/p\u003e","\u003cp\u003e499F.01\u003c/p\u003e","\u003cp\u003e499F.02\u003c/p\u003e","\u003cp\u003e499F.03\u003c/p\u003e","\u003cp\u003e499F.04\u003c/p\u003e","\u003cp\u003e499F.05\u003c/p\u003e","\u003cp\u003e499F.06\u003c/p\u003e","\u003cp\u003e499F.07\u003c/p\u003e","\u003cp\u003e499F.08\u003c/p\u003e","\u003cp\u003e499F.09\u003c/p\u003e","\u003cp\u003e499F.10\u003c/p\u003e","\u003cp\u003e499F.11\u003c/p\u003e","\u003cp\u003e499F.12\u003c/p\u003e","\u003cp\u003e499F.13\u003c/p\u003e","\u003cp\u003e499F.14\u003c/p\u003e","\u003cp\u003e499F.15\u003c/p\u003e","\u003cp\u003e499G.01\u003c/p\u003e","\u003cp\u003e499G.02\u003c/p\u003e","\u003cp\u003e499G.03\u003c/p\u003e","\u003cp\u003e499G.04\u003c/p\u003e","\u003cp\u003e499G.05\u003c/p\u003e","\u003cp\u003e499G.06\u003c/p\u003e","\u003cp\u003e499G.07\u003c/p\u003e","\u003cp\u003e499G.08\u003c/p\u003e","\u003cp\u003e499G.09\u003c/p\u003e","\u003cp\u003e499G.10\u003c/p\u003e","\u003cp\u003e499G.11\u003c/p\u003e","\u003cp\u003e499G.12\u003c/p\u003e","\u003cp\u003e499G.13\u003c/p\u003e","\u003cp\u003e499G.14\u003c/p\u003e","\u003cp\u003e499G.15\u003c/p\u003e","\u003cp\u003e499G.16\u003c/p\u003e","\u003cp\u003e499G.17\u003c/p\u003e","\u003cp\u003e499G.18\u003c/p\u003e","\u003cp\u003e499G.19\u003c/p\u003e","\u003cp\u003e499G.20\u003c/p\u003e","\u003cp\u003e499G.21\u003c/p\u003e","\u003cp\u003e499G.22\u003c/p\u003e","\u003cp\u003e499G.23\u003c/p\u003e","\u003cp\u003e499G.24\u003c/p\u003e","\u003cp\u003e499G.25\u003c/p\u003e","\u003cp\u003e499G.26\u003c/p\u003e","\u003cp\u003e499G.27\u003c/p\u003e","\u003cp\u003e499G.28\u003c/p\u003e","\u003cp\u003e499G.29\u003c/p\u003e","\u003cp\u003e499G.30\u003c/p\u003e","\u003cp\u003e499G.31\u003c/p\u003e","\u003cp\u003e499G.32\u003c/p\u003e","\u003cp\u003e499G.33\u003c/p\u003e","\u003cp\u003e499G.34\u003c/p\u003e","\u003cp\u003e499G.35\u003c/p\u003e","\u003cp\u003e499G.36\u003c/p\u003e","\u003cp\u003e499G.37\u003c/p\u003e","\u003cp\u003e499G.38\u003c/p\u003e","\u003cp\u003e499G.39\u003c/p\u003e","\u003cp\u003e499G.40\u003c/p\u003e","\u003cp\u003e499G.41\u003c/p\u003e","\u003cp\u003e499G.42\u003c/p\u003e","\u003cp\u003e499G.43\u003c/p\u003e","\u003cp\u003e499G.44\u003c/p\u003e","\u003cp\u003e499G.45\u003c/p\u003e","\u003cp\u003e499G.46\u003c/p\u003e","\u003cp\u003e499G.47\u003c/p\u003e","\u003cp\u003e499G.48\u003c/p\u003e","\u003cp\u003e499G.49\u003c/p\u003e","\u003cp\u003e499G.50\u003c/p\u003e","\u003cp\u003e499G.51\u003c/p\u003e","\u003cp\u003e499G.52\u003c/p\u003e","\u003cp\u003e497B.01\u003c/p\u003e","\u003cp\u003e497B.02\u003c/p\u003e","\u003cp\u003e497B.03 and 497D.37\u003c/p\u003e","\u003cp\u003e497B.04 and 497D.01\u003c/p\u003e","\u003cp\u003e497B.05 and 497D.02\u003c/p\u003e","\u003cp\u003e497B.06 and 497D.03\u003c/p\u003e","\u003cp\u003e497B.07 and 497D.04\u003c/p\u003e","\u003cp\u003e497B.08 and 497D.05\u003c/p\u003e","\u003cp\u003e497B.09 and 497D.06\u003c/p\u003e","\u003cp\u003e497B.10 and 497D.07\u003c/p\u003e","\u003cp\u003e497B.11\u003c/p\u003e","\u003cp\u003e497B.12\u003c/p\u003e","\u003cp\u003e497B.13 and 497D.08\u003c/p\u003e","\u003cp\u003e497B.14 and 497D.09\u003c/p\u003e","\u003cp\u003e497B.15 and 497D.10\u003c/p\u003e","\u003cp\u003e497B.16 and 497D.11\u003c/p\u003e","\u003cp\u003e497B.17 and 497D.12\u003c/p\u003e","\u003cp\u003e497B.18 and 497D.13\u003c/p\u003e","\u003cp\u003e497B.19 and 497D.14\u003c/p\u003e","\u003cp\u003e497B.20 and 497D.15\u003c/p\u003e","\u003cp\u003e497B.21 and 497D.16\u003c/p\u003e","\u003cp\u003e497B.22 and 497D.17\u003c/p\u003e","\u003cp\u003e497B.23 and 497D.18\u003c/p\u003e","\u003cp\u003e497B.24 and 497D.19\u003c/p\u003e","\u003cp\u003e497B.25 and 497D.20\u003c/p\u003e","\u003cp\u003e497B.26 and 497D.21\u003c/p\u003e","\u003cp\u003e497B.27 and 497D.22\u003c/p\u003e","\u003cp\u003e497B.28 and 497D.23\u003c/p\u003e","\u003cp\u003e497B.29 and 497D.24\u003c/p\u003e","\u003cp\u003e497B.30 and 497D.25\u003c/p\u003e","\u003cp\u003e497B.31 and 497D.26\u003c/p\u003e","\u003cp\u003e497B.32 and 497D.27\u003c/p\u003e","\u003cp\u003e497B.33 and 497D.28\u003c/p\u003e","\u003cp\u003e497B.34 and 497D.30\u003c/p\u003e","\u003cp\u003e497B.35 and 497D.29\u003c/p\u003e","\u003cp\u003e497B.36 and 497D.31\u003c/p\u003e","\u003cp\u003e497B.37 and 497D.34\u003c/p\u003e","\u003cp\u003e497B.38 and 497D.35\u003c/p\u003e","\u003cp\u003e497B.39 and 497D.32\u003c/p\u003e","\u003cp\u003e497B.40 and 497D.33\u003c/p\u003e","\u003cp\u003e497B.41 and 497D.36\u003c/p\u003e","\u003cp\u003eThe final subseries is general information from Reston. Included in the subseries is A Brief History of Reston, Reston Historic Trust, community theater programs, directories and other areas from Reston.\u003c/p\u003e","\u003cp\u003e480.39\u003c/p\u003e","\u003cp\u003e480.10\u003c/p\u003e","\u003cp\u003e480.29\u003c/p\u003e","\u003cp\u003e477.9\u003c/p\u003e","\u003cp\u003e480.51\u003c/p\u003e","\u003cp\u003e14.3\u003c/p\u003e","\u003cp\u003e14.4\u003c/p\u003e","\u003cp\u003e480.25\u003c/p\u003e","\u003cp\u003e647.46\u003c/p\u003e","\u003cp\u003e477.4\u003c/p\u003e","\u003cp\u003e477.8\u003c/p\u003e","\u003cp\u003e247.28\u003c/p\u003e","\u003cp\u003e480.46\u003c/p\u003e","\u003cp\u003e477.3\u003c/p\u003e","\u003cp\u003e480.14\u003c/p\u003e","\u003cp\u003e480.18\u003c/p\u003e","\u003cp\u003e480.24\u003c/p\u003e","\u003cp\u003e500.1\u003c/p\u003e","\u003cp\u003e5.10\u003c/p\u003e","\u003cp\u003e3.9\u003c/p\u003e","\u003cp\u003e3.11\u003c/p\u003e","\u003cp\u003e3.12\u003c/p\u003e","\u003cp\u003e3.10\u003c/p\u003e","\u003cp\u003e4.8\u003c/p\u003e","\u003cp\u003e4.5\u003c/p\u003e","\u003cp\u003e4.6\u003c/p\u003e","\u003cp\u003e4.2\u003c/p\u003e","\u003cp\u003e12.14\u003c/p\u003e","\u003cp\u003e461.15\u003c/p\u003e","\u003cp\u003e647.42\u003c/p\u003e","\u003cp\u003e533.5\u003c/p\u003e","\u003cp\u003e477.7\u003c/p\u003e","\u003cp\u003e6.4\u003c/p\u003e","\u003cp\u003e13.6\u003c/p\u003e","\u003cp\u003e1.30\u003c/p\u003e","\u003cp\u003e1.2\u003c/p\u003e","\u003cp\u003e500.2\u003c/p\u003e","\u003cp\u003e648.32\u003c/p\u003e","\u003cp\u003e647.43\u003c/p\u003e","\u003cp\u003e643\u003c/p\u003e","\u003cp\u003e643\u003c/p\u003e","\u003cp\u003e643\u003c/p\u003e","\u003cp\u003e643\u003c/p\u003e","\u003cp\u003e643\u003c/p\u003e","\u003cp\u003e643\u003c/p\u003e","\u003cp\u003e643\u003c/p\u003e","\u003cp\u003e643\u003c/p\u003e","\u003cp\u003e643\u003c/p\u003e","\u003cp\u003e643\u003c/p\u003e","\u003cp\u003e643\u003c/p\u003e","\u003cp\u003e643\u003c/p\u003e","\u003cp\u003e643\u003c/p\u003e","\u003cp\u003e643\u003c/p\u003e","\u003cp\u003e643\u003c/p\u003e","\u003cp\u003e15.4\u003c/p\u003e","\u003cp\u003e500.4\u003c/p\u003e","\u003cp\u003e481.1\u003c/p\u003e","\u003cp\u003e481.2\u003c/p\u003e","\u003cp\u003e481.2\u003c/p\u003e","\u003cp\u003e481.2\u003c/p\u003e","\u003cp\u003e481.3\u003c/p\u003e","\u003cp\u003e481.3\u003c/p\u003e","\u003cp\u003e481.3\u003c/p\u003e","\u003cp\u003e481.4\u003c/p\u003e","\u003cp\u003e16.5\u003c/p\u003e","\u003cp\u003e15.7\u003c/p\u003e","\u003cp\u003e15.3\u003c/p\u003e","\u003cp\u003e480.11\u003c/p\u003e","\u003cp\u003e480.13\u003c/p\u003e","\u003cp\u003e533.4\u003c/p\u003e","\u003cp\u003e16.2\u003c/p\u003e","\u003cp\u003e16.1\u003c/p\u003e","\u003cp\u003e16.3\u003c/p\u003e","\u003cp\u003e533.3\u003c/p\u003e","\u003cp\u003e533.1\u003c/p\u003e","\u003cp\u003e533.2\u003c/p\u003e","\u003cp\u003e522.7\u003c/p\u003e","\u003cp\u003e522.8\u003c/p\u003e","\u003cp\u003e19.12\u003c/p\u003e","\u003cp\u003e480.12\u003c/p\u003e","\u003cp\u003e18.7\u003c/p\u003e","\u003cp\u003e1.33\u003c/p\u003e","\u003cp\u003e14.6\u003c/p\u003e","\u003cp\u003e16.4\u003c/p\u003e","\u003cp\u003e522.1\u003c/p\u003e","\u003cp\u003e522.2\u003c/p\u003e","\u003cp\u003e522.3\u003c/p\u003e","\u003cp\u003e1.32\u003c/p\u003e","\u003cp\u003e500.9\u003c/p\u003e","\u003cp\u003e480.31\u003c/p\u003e","\u003cp\u003e544.8\u003c/p\u003e","\u003cp\u003e522.4\u003c/p\u003e","\u003cp\u003e522.5\u003c/p\u003e","\u003cp\u003e14.5\u003c/p\u003e","\u003cp\u003e522.6\u003c/p\u003e","\u003cp\u003e480.17\u003c/p\u003e","\u003cp\u003e480.30\u003c/p\u003e","\u003cp\u003e500.10\u003c/p\u003e","\u003cp\u003eThe material in this series relates to planned communities in the United States other than Reston, such as Columbia, Maryland, Evergreen Mills, Hawaii, Portland and others. The series is comprised of correspondence, plans, reports and other paperwork relating to the development of these communities.\u003c/p\u003e","\u003cp\u003e493.7\u003c/p\u003e","\u003cp\u003e493.6\u003c/p\u003e","\u003cp\u003e487.1\u003c/p\u003e","\u003cp\u003e487.2\u003c/p\u003e","\u003cp\u003e543.8\u003c/p\u003e","\u003cp\u003e544.15\u003c/p\u003e","\u003cp\u003e547.2\u003c/p\u003e","\u003cp\u003e547.3\u003c/p\u003e","\u003cp\u003e547.5\u003c/p\u003e","\u003cp\u003e546.2\u003c/p\u003e","\u003cp\u003e543.4\u003c/p\u003e","\u003cp\u003e543.3\u003c/p\u003e","\u003cp\u003e543.2\u003c/p\u003e","\u003cp\u003e543.1\u003c/p\u003e","\u003cp\u003e72.4\u003c/p\u003e","\u003cp\u003e72.3\u003c/p\u003e","\u003cp\u003e72.2\u003c/p\u003e","\u003cp\u003e72.1\u003c/p\u003e","\u003cp\u003e491.1\u003c/p\u003e","\u003cp\u003e73.5\u003c/p\u003e","\u003cp\u003e73.6\u003c/p\u003e","\u003cp\u003e73.4\u003c/p\u003e","\u003cp\u003e73.1\u003c/p\u003e","\u003cp\u003e73.2\u003c/p\u003e","\u003cp\u003e73.3\u003c/p\u003e","\u003cp\u003e421.3\u003c/p\u003e","\u003cp\u003e500.3\u003c/p\u003e","\u003cp\u003e492.11\u003c/p\u003e","\u003cp\u003e493.4\u003c/p\u003e","\u003cp\u003e493.11\u003c/p\u003e","\u003cp\u003e493.10\u003c/p\u003e","\u003cp\u003e493.9\u003c/p\u003e","\u003cp\u003e492.9\u003c/p\u003e","\u003cp\u003e492.17\u003c/p\u003e","\u003cp\u003e492.10\u003c/p\u003e","\u003cp\u003e544.12\u003c/p\u003e","\u003cp\u003e1.1\u003c/p\u003e","\u003cp\u003e1.3\u003c/p\u003e","\u003cp\u003e1.5\u003c/p\u003e","\u003cp\u003e543.5\u003c/p\u003e","\u003cp\u003e488.16\u003c/p\u003e","\u003cp\u003e421.8\u003c/p\u003e","\u003cp\u003e492.16\u003c/p\u003e","\u003cp\u003e493.3\u003c/p\u003e","\u003cp\u003e493.8\u003c/p\u003e","\u003cp\u003e488.13\u003c/p\u003e","\u003cp\u003e490.2\u003c/p\u003e","\u003cp\u003e420.7\u003c/p\u003e","\u003cp\u003e492.12\u003c/p\u003e","\u003cp\u003e489.10\u003c/p\u003e","\u003cp\u003e493.1\u003c/p\u003e","\u003cp\u003e493.5\u003c/p\u003e","\u003cp\u003e492.15\u003c/p\u003e","\u003cp\u003e492.14\u003c/p\u003e","\u003cp\u003e1.6\u003c/p\u003e","\u003cp\u003e488.14\u003c/p\u003e","\u003cp\u003e493.2\u003c/p\u003e","\u003cp\u003eThe material in this series relates to international planned communities in countries such as France, Great Britain, Israel, China and others. The materials are mostly promotional from the communities and other information regarding the development of the communities. Some of the material is in the foreign language while others are printed in English.\u003c/p\u003e","\u003cp\u003e491.20\u003c/p\u003e","\u003cp\u003e491.13\u003c/p\u003e","\u003cp\u003e421.6\u003c/p\u003e","\u003cp\u003e480.36\u003c/p\u003e","\u003cp\u003e480.37\u003c/p\u003e","\u003cp\u003e480.35\u003c/p\u003e","\u003cp\u003e480.32\u003c/p\u003e","\u003cp\u003e545.2\u003c/p\u003e","\u003cp\u003e545.3\u003c/p\u003e","\u003cp\u003e545.4\u003c/p\u003e","\u003cp\u003e546.1\u003c/p\u003e","\u003cp\u003e13.10\u003c/p\u003e","\u003cp\u003e489.3\u003c/p\u003e","\u003cp\u003e491.15\u003c/p\u003e","\u003cp\u003e544.9\u003c/p\u003e","\u003cp\u003e491.17\u003c/p\u003e","\u003cp\u003e422.3\u003c/p\u003e","\u003cp\u003e480.34\u003c/p\u003e","\u003cp\u003e422.1\u003c/p\u003e","\u003cp\u003e495.4\u003c/p\u003e","\u003cp\u003e421.4\u003c/p\u003e","\u003cp\u003e421.5\u003c/p\u003e","\u003cp\u003e422.2\u003c/p\u003e","\u003cp\u003e488.8\u003c/p\u003e","\u003cp\u003e488.7\u003c/p\u003e","\u003cp\u003e492.8\u003c/p\u003e","\u003cp\u003e492.1\u003c/p\u003e","\u003cp\u003e491.14\u003c/p\u003e","\u003cp\u003e492.6\u003c/p\u003e","\u003cp\u003e492.5\u003c/p\u003e","\u003cp\u003e491.6\u003c/p\u003e","\u003cp\u003e488.2\u003c/p\u003e","\u003cp\u003e480.33\u003c/p\u003e","\u003cp\u003e491.16\u003c/p\u003e","\u003cp\u003e468.01 and 468.02\u003c/p\u003e","\u003cp\u003e491.11\u003c/p\u003e","\u003cp\u003e488.1\u003c/p\u003e","\u003cp\u003e492.2\u003c/p\u003e","\u003cp\u003e491.18\u003c/p\u003e","\u003cp\u003e491.19\u003c/p\u003e","\u003cp\u003e491.10\u003c/p\u003e","\u003cp\u003e491.9\u003c/p\u003e","\u003cp\u003e491.8\u003c/p\u003e","\u003cp\u003e491.7\u003c/p\u003e","\u003cp\u003e491.12\u003c/p\u003e","\u003cp\u003e492.7\u003c/p\u003e","\u003cp\u003e492.4\u003c/p\u003e","\u003cp\u003e492.3\u003c/p\u003e","\u003cp\u003eThe documents are reports from and about different communities, relating financial, environmental and other issues. There are also documents from the Federal government pertaining to the development of the communities.\u003c/p\u003e","\u003cp\u003e491.3\u003c/p\u003e","\u003cp\u003e645.65\u003c/p\u003e","\u003cp\u003e490.1\u003c/p\u003e","\u003cp\u003e489.11\u003c/p\u003e","\u003cp\u003e649.02\u003c/p\u003e","\u003cp\u003e544.6\u003c/p\u003e","\u003cp\u003e490.4\u003c/p\u003e","\u003cp\u003e490.6\u003c/p\u003e","\u003cp\u003e489.5\u003c/p\u003e","\u003cp\u003e649.05\u003c/p\u003e","\u003cp\u003e490.5\u003c/p\u003e","\u003cp\u003e645.02\u003c/p\u003e","\u003cp\u003e489.4\u003c/p\u003e","\u003cp\u003e494.15\u003c/p\u003e","\u003cp\u003e494.13\u003c/p\u003e","\u003cp\u003e645.04\u003c/p\u003e","\u003cp\u003e545.1\u003c/p\u003e","\u003cp\u003e544.11\u003c/p\u003e","\u003cp\u003e492.13\u003c/p\u003e","\u003cp\u003e19.3\u003c/p\u003e","\u003cp\u003e495.8\u003c/p\u003e","\u003cp\u003e489.9\u003c/p\u003e","\u003cp\u003e489.6\u003c/p\u003e","\u003cp\u003e494.1\u003c/p\u003e","\u003cp\u003e544.3\u003c/p\u003e","\u003cp\u003e495.1\u003c/p\u003e","\u003cp\u003e1.2\u003c/p\u003e","\u003cp\u003e496.1\u003c/p\u003e","\u003cp\u003e420.6\u003c/p\u003e","\u003cp\u003e543.7\u003c/p\u003e","\u003cp\u003e543.6\u003c/p\u003e","\u003cp\u003e544.1\u003c/p\u003e","\u003cp\u003e489.7\u003c/p\u003e","\u003cp\u003e491.2\u003c/p\u003e","\u003cp\u003e494.14\u003c/p\u003e","\u003cp\u003e488.18\u003c/p\u003e","\u003cp\u003e420.8\u003c/p\u003e","\u003cp\u003e2.12\u003c/p\u003e","\u003cp\u003e489.8\u003c/p\u003e","\u003cp\u003e494.2\u003c/p\u003e","\u003cp\u003e495.5\u003c/p\u003e","\u003cp\u003e495.6\u003c/p\u003e","\u003cp\u003e495.7\u003c/p\u003e","\u003cp\u003e495.3\u003c/p\u003e","\u003cp\u003e495.2\u003c/p\u003e","\u003cp\u003e491.4\u003c/p\u003e","\u003cp\u003e495.9\u003c/p\u003e","\u003cp\u003e495.10\u003c/p\u003e","\u003cp\u003e490.3\u003c/p\u003e","\u003cp\u003e488.6\u003c/p\u003e","\u003cp\u003e645.05\u003c/p\u003e","\u003cp\u003e500.6\u003c/p\u003e","\u003cp\u003e491.5\u003c/p\u003e","\u003cp\u003e421.1\u003c/p\u003e","\u003cp\u003e649.06\u003c/p\u003e","\u003cp\u003eThe series is small and contains the meeting minutes and other information from the board that created the planned community archive.\u003c/p\u003e","\u003cp\u003e1A.1\u003c/p\u003e","\u003cp\u003e1A.2\u003c/p\u003e","\u003cp\u003e1A.3\u003c/p\u003e","\u003cp\u003e1A.4\u003c/p\u003e","\u003cp\u003e1A.5\u003c/p\u003e","\u003cp\u003e1A.6\u003c/p\u003e","\u003cp\u003e1A.7\u003c/p\u003e","\u003cp\u003e1A.8\u003c/p\u003e","\u003cp\u003e1A.9\u003c/p\u003e","\u003cp\u003e1A.10\u003c/p\u003e","\u003cp\u003e1A.11\u003c/p\u003e","\u003cp\u003e1A.12\u003c/p\u003e","\u003cp\u003e1A.13\u003c/p\u003e","\u003cp\u003e1A.14\u003c/p\u003e","\u003cp\u003e1A.15\u003c/p\u003e","\u003cp\u003e1A.16\u003c/p\u003e","\u003cp\u003e1A.17\u003c/p\u003e","\u003cp\u003e1A.18\u003c/p\u003e","\u003cp\u003e1A.19\u003c/p\u003e","\u003cp\u003e78.4\u003c/p\u003e","\u003cp\u003e78.5\u003c/p\u003e","\u003cp\u003e78.3\u003c/p\u003e","\u003cp\u003e78.12\u003c/p\u003e","\u003cp\u003e78.10\u003c/p\u003e","\u003cp\u003e645.01\u003c/p\u003e","\u003cp\u003e78.6\u003c/p\u003e","\u003cp\u003e78.11\u003c/p\u003e","\u003cp\u003e2.9\u003c/p\u003e","\u003cp\u003e649.01\u003c/p\u003e","\u003cp\u003e78.8\u003c/p\u003e","\u003cp\u003e78.7\u003c/p\u003e","\u003cp\u003e2.7\u003c/p\u003e","\u003cp\u003e2.8\u003c/p\u003e","\u003cp\u003e2.11\u003c/p\u003e","\u003cp\u003e2.15\u003c/p\u003e","\u003cp\u003e2.14\u003c/p\u003e","\u003cp\u003e2.13\u003c/p\u003e","\u003cp\u003e78.1\u003c/p\u003e","\u003cp\u003e78.2\u003c/p\u003e","\u003cp\u003e78.9\u003c/p\u003e","\u003cp\u003eThe series has promotional material from different planned communities such as pamphlets, flyers, articles and others.\u003c/p\u003e","\u003cp\u003e488.4\u003c/p\u003e","\u003cp\u003e488.3\u003c/p\u003e","\u003cp\u003e489.2\u003c/p\u003e","\u003cp\u003e489.1\u003c/p\u003e","\u003cp\u003e547.1\u003c/p\u003e","\u003cp\u003e2.16\u003c/p\u003e","\u003cp\u003e423.1\u003c/p\u003e","\u003cp\u003e548.1\u003c/p\u003e","\u003cp\u003e548.2\u003c/p\u003e","\u003cp\u003e548.3\u003c/p\u003e","\u003cp\u003e548.4\u003c/p\u003e","\u003cp\u003e488.5\u003c/p\u003e","\u003cp\u003e544.13\u003c/p\u003e","\u003cp\u003e645.66\u003c/p\u003e","\u003cp\u003eThe series is comprised of different planned communities brochures, such as Arbor Glenn, Fairfield, Key West, Ridgewood and many others.\u003c/p\u003e","\u003cp\u003eSeries eight is titled Newspapers. The series is comprised of copies of The Reston Connection, the Reston Times, the Reston Observer, and the Reston Flier. All four newspapers largely covered local and area events. For example there are articles about Reston Association elections, local residents and also local and area sports teams. The collection of Connection papers is dated from 1981 to 1995 with about half of 2004 as well, and is contained in boxes 76 to 106 and 242 to 246. The Reston Times newspapers are dated from 1965 to 1999 with about half of 2004 as well, and are contained in boxes 358 to 456. The collections of the Reston Observer (2004 and 2006, Box 356) and Reston Flier newspapers (1971-72, Box 357) are relatively small.\u003c/p\u003e","\u003cp\u003eSubseries 8.1: The Reston Connection, 1981-1995, 2004 The Reston Connection, one of the town's main local newspapers, contains articles mostly about local and area events. For example there are articles about Reston Association elections, local residents and also local and area sports teams.\u003c/p\u003e","\u003cp\u003eSubseries 8.2: The Reston Times The Reston Times is the oldest active newspaper in Reston, Virginia. It covers local and area events in Reston along with neighboring Herndon and other surrounding areas. Among the topics the Reston Times covers is politics, sports, local events and features on local residents.\u003c/p\u003e","\u003cp\u003eSubseries 8.3: The Reston Observer The Reston Observer is a local newspaper that covers local events in Reston including politics, sports and feature stories. It claims on its front page that the Observer is \"the Newspaper Everybody Reads.\"\u003c/p\u003e","\u003cp\u003eSubseries 8.4: The Reston Flier The Reston Flier was a small news magazine that covered local events in Reston for a short period in the early-1970s.\u003c/p\u003e","\u003cp\u003eThe series contains photographs, slides, negatives, cassettes, CD's and videos relating to planned communities.\u003c/p\u003e","\u003cp\u003eThe subseries contains photographs of aerial shots of Reston, many of the photographs were taken by Abbie Edwards and various photographs of the Reston community.\u003c/p\u003e","\u003cp\u003e460.48\u003c/p\u003e","\u003cp\u003e460.49\u003c/p\u003e","\u003cp\u003e460.51\u003c/p\u003e","\u003cp\u003e460.52\u003c/p\u003e","\u003cp\u003e460.44\u003c/p\u003e","\u003cp\u003e460.45\u003c/p\u003e","\u003cp\u003e460.46\u003c/p\u003e","\u003cp\u003e460.47\u003c/p\u003e","\u003cp\u003e460.40\u003c/p\u003e","\u003cp\u003e460.16\u003c/p\u003e","\u003cp\u003e460.17\u003c/p\u003e","\u003cp\u003e460.10\u003c/p\u003e","\u003cp\u003e460.8\u003c/p\u003e","\u003cp\u003e460.18\u003c/p\u003e","\u003cp\u003e460.11\u003c/p\u003e","\u003cp\u003e645.25\u003c/p\u003e","\u003cp\u003e11.11\u003c/p\u003e","\u003cp\u003e645.53\u003c/p\u003e","\u003cp\u003e460.19\u003c/p\u003e","\u003cp\u003e460.20\u003c/p\u003e","\u003cp\u003e451.4\u003c/p\u003e","\u003cp\u003e451.3\u003c/p\u003e","\u003cp\u003e451.2\u003c/p\u003e","\u003cp\u003e451.1\u003c/p\u003e","\u003cp\u003e11.8\u003c/p\u003e","\u003cp\u003e11.10\u003c/p\u003e","\u003cp\u003e11.9\u003c/p\u003e","\u003cp\u003e2.6\u003c/p\u003e","\u003cp\u003e645.34\u003c/p\u003e","\u003cp\u003e645.33\u003c/p\u003e","\u003cp\u003e645.08\u003c/p\u003e","\u003cp\u003e645.09\u003c/p\u003e","\u003cp\u003e645.10\u003c/p\u003e","\u003cp\u003e645.11\u003c/p\u003e","\u003cp\u003e645.12\u003c/p\u003e","\u003cp\u003e645.13\u003c/p\u003e","\u003cp\u003e645.15\u003c/p\u003e","\u003cp\u003e645.16\u003c/p\u003e","\u003cp\u003e645.17\u003c/p\u003e","\u003cp\u003e645.18\u003c/p\u003e","\u003cp\u003e645.19\u003c/p\u003e","\u003cp\u003e645.20\u003c/p\u003e","\u003cp\u003e645.21\u003c/p\u003e","\u003cp\u003e645.22\u003c/p\u003e","\u003cp\u003e645.23\u003c/p\u003e","\u003cp\u003e645.24\u003c/p\u003e","\u003cp\u003e645.26\u003c/p\u003e","\u003cp\u003e645.27\u003c/p\u003e","\u003cp\u003e645.28\u003c/p\u003e","\u003cp\u003e645.29\u003c/p\u003e","\u003cp\u003e645.30\u003c/p\u003e","\u003cp\u003e645.31\u003c/p\u003e","\u003cp\u003e645.32\u003c/p\u003e","\u003cp\u003e645.45\u003c/p\u003e","\u003cp\u003e645.46\u003c/p\u003e","\u003cp\u003e645.47\u003c/p\u003e","\u003cp\u003e645.48\u003c/p\u003e","\u003cp\u003e645.49\u003c/p\u003e","\u003cp\u003e645.50\u003c/p\u003e","\u003cp\u003e645.51\u003c/p\u003e","\u003cp\u003e645.55\u003c/p\u003e","\u003cp\u003e645.56\u003c/p\u003e","\u003cp\u003e645.57\u003c/p\u003e","\u003cp\u003e645.58\u003c/p\u003e","\u003cp\u003e645.59\u003c/p\u003e","\u003cp\u003e645.61\u003c/p\u003e","\u003cp\u003e645.62\u003c/p\u003e","\u003cp\u003e645.63\u003c/p\u003e","\u003cp\u003e645.60\u003c/p\u003e","\u003cp\u003e461.19\u003c/p\u003e","\u003cp\u003e645.14\u003c/p\u003e","\u003cp\u003e11.1\u003c/p\u003e","\u003cp\u003e460.1\u003c/p\u003e","\u003cp\u003e460.12\u003c/p\u003e","\u003cp\u003e460.13\u003c/p\u003e","\u003cp\u003e645.52\u003c/p\u003e","\u003cp\u003e460.9\u003c/p\u003e","\u003cp\u003e460.39\u003c/p\u003e","\u003cp\u003e460.38\u003c/p\u003e","\u003cp\u003e460.42\u003c/p\u003e","\u003cp\u003e460.43\u003c/p\u003e","\u003cp\u003e460.41\u003c/p\u003e","\u003cp\u003e460.4\u003c/p\u003e","\u003cp\u003e460.3\u003c/p\u003e","\u003cp\u003e480.1\u003c/p\u003e","\u003cp\u003e645.54\u003c/p\u003e","\u003cp\u003e460.37\u003c/p\u003e","\u003cp\u003e460.26\u003c/p\u003e","\u003cp\u003e460.27\u003c/p\u003e","\u003cp\u003e460.28\u003c/p\u003e","\u003cp\u003e460.29\u003c/p\u003e","\u003cp\u003e460.30\u003c/p\u003e","\u003cp\u003e460.31\u003c/p\u003e","\u003cp\u003e460.32\u003c/p\u003e","\u003cp\u003e460.33\u003c/p\u003e","\u003cp\u003e460.34\u003c/p\u003e","\u003cp\u003e460.35\u003c/p\u003e","\u003cp\u003e460.36\u003c/p\u003e","\u003cp\u003e460.22\u003c/p\u003e","\u003cp\u003e460.23\u003c/p\u003e","\u003cp\u003e460.24\u003c/p\u003e","\u003cp\u003e460.25\u003c/p\u003e","\u003cp\u003e460.21\u003c/p\u003e","\u003cp\u003e460.14\u003c/p\u003e","\u003cp\u003e460.15\u003c/p\u003e","\u003cp\u003e460.6\u003c/p\u003e","\u003cp\u003e460.7\u003c/p\u003e","\u003cp\u003e460.2\u003c/p\u003e","\u003cp\u003e460.5\u003c/p\u003e","\u003cp\u003e645.07\u003c/p\u003e","\u003cp\u003eThe subseries is comprised mostly of residential views of Reston, such as apartment buildings, Dulles airport, shopping centers and other places around 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subseries is comprised of interviews with individuals involved in the development of Reston and the CD's are a variety of Reston related information.\u003c/p\u003e","\u003cp\u003e14.2\u003c/p\u003e","\u003cp\u003eThis is a small subseries contained of negatives of various views from around Reston.\u003c/p\u003e","\u003cp\u003eThe subseries contains programs about planned communities. The majority of the videos are interviews from WETA. The videotapes include interviews with Robert Simon, Martha Pennino and others. There are also taped events, such as the Reston Festival and different programs, for example \"The Rise of New Towns\". There are additional WETA videotapes in series 11.\u003c/p\u003e","\u003cp\u003e26.1\u003c/p\u003e","\u003cp\u003e26.2\u003c/p\u003e","\u003cp\u003e26.3\u003c/p\u003e","\u003cp\u003e26.4\u003c/p\u003e","\u003cp\u003e26.5\u003c/p\u003e","\u003cp\u003e26.6\u003c/p\u003e","\u003cp\u003e26.7\u003c/p\u003e","\u003cp\u003e26.8\u003c/p\u003e","\u003cp\u003e26.9\u003c/p\u003e","\u003cp\u003e26.10\u003c/p\u003e","\u003cp\u003e26.11\u003c/p\u003e","\u003cp\u003e26.12\u003c/p\u003e","\u003cp\u003e27.1\u003c/p\u003e","\u003cp\u003e27.2\u003c/p\u003e","\u003cp\u003e27.3\u003c/p\u003e","\u003cp\u003e27.4\u003c/p\u003e","\u003cp\u003e27.5\u003c/p\u003e","\u003cp\u003e27.6\u003c/p\u003e","\u003cp\u003e27.7\u003c/p\u003e","\u003cp\u003e27.8\u003c/p\u003e","\u003cp\u003e27.9\u003c/p\u003e","\u003cp\u003e27.10\u003c/p\u003e","\u003cp\u003e27.11\u003c/p\u003e","\u003cp\u003e27.12\u003c/p\u003e","\u003cp\u003e49.2\u003c/p\u003e","\u003cp\u003e49.3\u003c/p\u003e","\u003cp\u003e49.4\u003c/p\u003e","\u003cp\u003e49.4\u003c/p\u003e","\u003cp\u003e38.6\u003c/p\u003e","\u003cp\u003e39.1\u003c/p\u003e","\u003cp\u003e41.1\u003c/p\u003e","\u003cp\u003e38.5\u003c/p\u003e","\u003cp\u003e40.1\u003c/p\u003e","\u003cp\u003e40.2\u003c/p\u003e","\u003cp\u003e39.2\u003c/p\u003e","\u003cp\u003e39.3\u003c/p\u003e","\u003cp\u003e39.3\u003c/p\u003e","\u003cp\u003e39.3\u003c/p\u003e","\u003cp\u003e41.5\u003c/p\u003e","\u003cp\u003e44.2\u003c/p\u003e","\u003cp\u003e30.2\u003c/p\u003e","\u003cp\u003e30.4\u003c/p\u003e","\u003cp\u003e30.5\u003c/p\u003e","\u003cp\u003e47.2\u003c/p\u003e","\u003cp\u003e42.1\u003c/p\u003e","\u003cp\u003e42.1\u003c/p\u003e","\u003cp\u003e44.6\u003c/p\u003e","\u003cp\u003e44.7\u003c/p\u003e","\u003cp\u003e48.5\u003c/p\u003e","\u003cp\u003e48.6\u003c/p\u003e","\u003cp\u003e45.2\u003c/p\u003e","\u003cp\u003e49.1\u003c/p\u003e","\u003cp\u003e45.3\u003c/p\u003e","\u003cp\u003e43.3\u003c/p\u003e","\u003cp\u003e43.4\u003c/p\u003e","\u003cp\u003e43.5\u003c/p\u003e","\u003cp\u003e43.6\u003c/p\u003e","\u003cp\u003e39.4\u003c/p\u003e","\u003cp\u003e45.4\u003c/p\u003e","\u003cp\u003e45.5\u003c/p\u003e","\u003cp\u003e45.6\u003c/p\u003e","\u003cp\u003e46.1\u003c/p\u003e","\u003cp\u003e47.4\u003c/p\u003e","\u003cp\u003e47.5\u003c/p\u003e","\u003cp\u003e50.1\u003c/p\u003e","\u003cp\u003e47.3\u003c/p\u003e","\u003cp\u003e47\u003c/p\u003e","\u003cp\u003e37.5\u003c/p\u003e","\u003cp\u003e29.4\u003c/p\u003e","\u003cp\u003e29.5\u003c/p\u003e","\u003cp\u003e49.6\u003c/p\u003e","\u003cp\u003e47.1\u003c/p\u003e","\u003cp\u003e47.1\u003c/p\u003e","\u003cp\u003e44.3\u003c/p\u003e","\u003cp\u003e44.4\u003c/p\u003e","\u003cp\u003e44.3\u003c/p\u003e","\u003cp\u003e35.6\u003c/p\u003e","\u003cp\u003e36.1\u003c/p\u003e","\u003cp\u003e35.1\u003c/p\u003e","\u003cp\u003e35.2\u003c/p\u003e","\u003cp\u003e35.3\u003c/p\u003e","\u003cp\u003e35.4\u003c/p\u003e","\u003cp\u003e35.5\u003c/p\u003e","\u003cp\u003e43.1\u003c/p\u003e","\u003cp\u003e33.5\u003c/p\u003e","\u003cp\u003e33.6\u003c/p\u003e","\u003cp\u003e29.3\u003c/p\u003e","\u003cp\u003e28.3\u003c/p\u003e","\u003cp\u003e34.1\u003c/p\u003e","\u003cp\u003e34.2\u003c/p\u003e","\u003cp\u003e42.2\u003c/p\u003e","\u003cp\u003e46.3\u003c/p\u003e","\u003cp\u003e46.4\u003c/p\u003e","\u003cp\u003e46.5\u003c/p\u003e","\u003cp\u003e31.3\u003c/p\u003e","\u003cp\u003e32.4\u003c/p\u003e","\u003cp\u003e32.5\u003c/p\u003e","\u003cp\u003e32.6\u003c/p\u003e","\u003cp\u003e33.1\u003c/p\u003e","\u003cp\u003e33.2\u003c/p\u003e","\u003cp\u003e33.3\u003c/p\u003e","\u003cp\u003e33.4\u003c/p\u003e","\u003cp\u003e37.1\u003c/p\u003e","\u003cp\u003e37.2\u003c/p\u003e","\u003cp\u003e37.3\u003c/p\u003e","\u003cp\u003e28.6.\nAccess copy on DVD in Box 457.\u003c/p\u003e","\u003cp\u003e29.1 \nAccess copy on DVD in Box 457.\u003c/p\u003e","\u003cp\u003e29.2 \nAccess copy on DVD in Box 457.\u003c/p\u003e","\u003cp\u003e31.4 \nAccess copy on DVD in Box 457.\u003c/p\u003e","\u003cp\u003e40.5\u003c/p\u003e","\u003cp\u003e40.6\u003c/p\u003e","\u003cp\u003e43.2\u003c/p\u003e","\u003cp\u003e34.4\u003c/p\u003e","\u003cp\u003e34.5\u003c/p\u003e","\u003cp\u003e32.3\u003c/p\u003e","\u003cp\u003e32.3\u003c/p\u003e","\u003cp\u003e40.4\u003c/p\u003e","\u003cp\u003e41.4\u003c/p\u003e","\u003cp\u003e38.3\u003c/p\u003e","\u003cp\u003e38.4\u003c/p\u003e","\u003cp\u003e31.5 \nAccess copy on DVD in Box 457.\u003c/p\u003e","\u003cp\u003e31.6 \nAccess copy on DVD in Box 457.\u003c/p\u003e","\u003cp\u003e32.1 \nAccess copy on DVD in Box 457.\u003c/p\u003e","\u003cp\u003e32.2 \nAccess copy on DVD in Box 457.\u003c/p\u003e","\u003cp\u003e32\u003c/p\u003e","\u003cp\u003e44.1\u003c/p\u003e","\u003cp\u003e28.4\u003c/p\u003e","\u003cp\u003e28.5\u003c/p\u003e","\u003cp\u003e31.1\u003c/p\u003e","\u003cp\u003e29.6\u003c/p\u003e","\u003cp\u003e30.1\u003c/p\u003e","\u003cp\u003e30.2\u003c/p\u003e","\u003cp\u003e48.4\u003c/p\u003e","\u003cp\u003e48.1\u003c/p\u003e","\u003cp\u003e48.2\u003c/p\u003e","\u003cp\u003e48.3\u003c/p\u003e","\u003cp\u003e50.2\u003c/p\u003e","\u003cp\u003e50.6\u003c/p\u003e","\u003cp\u003e50.3\u003c/p\u003e","\u003cp\u003e50.4\u003c/p\u003e","\u003cp\u003e50.5\u003c/p\u003e","\u003cp\u003e41.3\u003c/p\u003e","\u003cp\u003e37.6\u003c/p\u003e","\u003cp\u003e38.1\u003c/p\u003e","\u003cp\u003e38.2\u003c/p\u003e","\u003cp\u003e36.2\u003c/p\u003e","\u003cp\u003e36.3\u003c/p\u003e","\u003cp\u003e36.4\u003c/p\u003e","\u003cp\u003e36.5\u003c/p\u003e","\u003cp\u003e36.6\u003c/p\u003e","\u003cp\u003eAccess copy on DVD in Box 457.  41 minutes, 25 seconds.\u003c/p\u003e","\u003cp\u003eAccess copy on DVD in Box 457.  2 hours.\u003c/p\u003e","\u003cp\u003eAccess copy on DVD in Box 457.\u003c/p\u003e","\u003cp\u003eAccess copy on DVD in Box 457.\u003c/p\u003e","\u003cp\u003eAccess copy on DVD in Box 457. 1 hour, 06 minutes.\u003c/p\u003e","\u003cp\u003e1 of 3.\u003c/p\u003e","\u003cp\u003e2 of 3.\u003c/p\u003e","\u003cp\u003e3 of 3.\u003c/p\u003e","\u003cp\u003eMartha Pennino and other officials speaking on the Wiehle Avenue Bridge dedicated to Pennino.\nAlso available in a digital format.\u003c/p\u003e","\u003cp\u003eVideo produced by Chuck Blore and Don Richman Incorporated.\u003c/p\u003e","\u003cp\u003eThe information in this series covers a variety of topics relating to planned communities, such as the Department of Housing and Urban Development, newsclippings, Virginia government and other paperwork.\u003c/p\u003e","\u003cp\u003e494.11\u003c/p\u003e","\u003cp\u003e494.10\u003c/p\u003e","\u003cp\u003e494.12\u003c/p\u003e","\u003cp\u003e490.7\u003c/p\u003e","\u003cp\u003e488.11\u003c/p\u003e","\u003cp\u003e488.17\u003c/p\u003e","\u003cp\u003e544.14\u003c/p\u003e","\u003cp\u003e488.10\u003c/p\u003e","\u003cp\u003e546.3\u003c/p\u003e","\u003cp\u003e2.1\u003c/p\u003e","\u003cp\u003e645.67\u003c/p\u003e","\u003cp\u003e494.9\u003c/p\u003e","\u003cp\u003e494.7\u003c/p\u003e","\u003cp\u003e494.3\u003c/p\u003e","\u003cp\u003e488.12\u003c/p\u003e","\u003cp\u003e494.16\u003c/p\u003e","\u003cp\u003e488.9\u003c/p\u003e","\u003cp\u003e544.2\u003c/p\u003e","\u003cp\u003e547.4\u003c/p\u003e","\u003cp\u003e544.4\u003c/p\u003e","\u003cp\u003e546.4\u003c/p\u003e","\u003cp\u003e546.5\u003c/p\u003e","\u003cp\u003e500.8\u003c/p\u003e","\u003cp\u003e500.7\u003c/p\u003e","\u003cp\u003e494.8\u003c/p\u003e","\u003cp\u003e494.4\u003c/p\u003e","\u003cp\u003e494.6\u003c/p\u003e","\u003cp\u003e421.2\u003c/p\u003e","\u003cp\u003e544.7\u003c/p\u003e","\u003cp\u003e488.15\u003c/p\u003e","\u003cp\u003e532.3a\u003c/p\u003e","\u003cp\u003e532.3b\u003c/p\u003e","\u003cp\u003e532.2\u003c/p\u003e","\u003cp\u003e494.5\u003c/p\u003e","\u003cp\u003e617\u003c/p\u003e","\u003cp\u003e421.7\u003c/p\u003e","\u003cp\u003e1.10\u003c/p\u003e","\u003cp\u003e1.9\u003c/p\u003e","\u003cp\u003e1.6\u003c/p\u003e","\u003cp\u003e1.4\u003c/p\u003e","\u003cp\u003e1.8\u003c/p\u003e","\u003cp\u003e1.2\u003c/p\u003e","\u003cp\u003e1.5\u003c/p\u003e","\u003cp\u003e1.3\u003c/p\u003e","\u003cp\u003e1.1\u003c/p\u003e","\u003cp\u003e1.07\u003c/p\u003e","\u003cp\u003eThis series contains photographs, brochures and posters related to planned communities such as Lake Anne Village Center, Beacon Hill and others. The majority of the series is comprised of architectural drawings, blueprints, floor plans, topography and designs for buildings, such as Reston First Village Center, Reston Town Center and two individual homes, one in Arlington, Virginia and the other in McLean, Virginia.\u003c/p\u003e","\u003cp\u003e458\u003c/p\u003e","\u003cp\u003e11.2\u003c/p\u003e","\u003cp\u003e11.3\u003c/p\u003e","\u003cp\u003e11.4\u003c/p\u003e","\u003cp\u003e11.5\u003c/p\u003e","\u003cp\u003e11.6\u003c/p\u003e","\u003cp\u003e11.7\u003c/p\u003e","\u003cp\u003e76\u003c/p\u003e","\u003cp\u003e76\u003c/p\u003e","\u003cp\u003e76\u003c/p\u003e","\u003cp\u003e76\u003c/p\u003e","\u003cp\u003e76\u003c/p\u003e","\u003cp\u003e76\u003c/p\u003e","\u003cp\u003e76\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e79\u003c/p\u003e","\u003cp\u003e19\u003c/p\u003e","\u003cp\u003e472\u003c/p\u003e","\u003cp\u003e398\u003c/p\u003e","\u003cp\u003eAccess copy on DVD in Box 457.\u003c/p\u003e","\u003cp\u003eAccess copy on DVD in Box 457.\u003c/p\u003e","\u003cp\u003eAccess copy on DVD in Box 457.\u003c/p\u003e","\u003cp\u003eAccess copy on DVD in Box 457.\u003c/p\u003e","\u003cp\u003eAccess copy on DVD in Box 457.\u003c/p\u003e","\u003cp\u003eAccess copy on DVD in Box 457.  1 hour, 37 minutes, 30 seconds.\u003c/p\u003e","\u003cp\u003eAccess copy on DVD in Box 457. 1 hour, 30 minutes, 15 seconds.\u003c/p\u003e","\u003cp\u003eAccess copy on DVD in Box 457. 1 hour, 46 minutes, 11 seconds.\u003c/p\u003e","\u003cp\u003eAccess copy on DVD in Box 457. 1 hour, 32 minutes, 20 seconds.\u003c/p\u003e","\u003cp\u003eAccess copy on DVD in Box 457. 2 hours, 18 minutes, 01 seconds.\u003c/p\u003e","\u003cp\u003eAccess copy on DVD in Box 457.  1 hour, 32 minutes, 04 seconds.\u003c/p\u003e","\u003cp\u003eAccess copy on DVD in Box 457.\u003c/p\u003e","\u003cp\u003eAccess copy on DVD in Box 457.\u003c/p\u003e","\u003cp\u003eAccess copy on DVD in Box 457.  1 hour, 17 minutes, 22 seconds.\u003c/p\u003e","\u003cp\u003eAccess copy on DVD in Box 457.  1 hour, 25 minutes, 12 seconds.\u003c/p\u003e","\u003cp\u003eAccess copy on DVD in Box 457.  1 hour, 33 minutes, 20 seconds.\u003c/p\u003e","\u003cp\u003eAccess copy on DVD in Box 457.  1 hour, 19 minutes, 52 seconds.\u003c/p\u003e","\u003cp\u003eAccess copy on DVD in Box 457.\u003c/p\u003e","\u003cp\u003eAccess copy on DVD in Box 457.\u003c/p\u003e","\u003cp\u003e75\u003c/p\u003e","\u003cp\u003e75\u003c/p\u003e","\u003cp\u003eThis binder contains multiple advertisement clippings, pamphlets, and fliers from the late-1970s and early-1980s. Among them are ads promoting land and house sales, government and private sector jobs moving to Reston, and Reston's mix of natural beauty and industry. Copies of the Reston Residential Land Sales newsletter are also included in this binder.\u003c/p\u003e","\u003cp\u003eThis binder contains multiple advertisement clippings from the early days of Reston. Among them are ads promoting land and house sales, Reston's attractive system of public transportation and the many amenities it had such as golf, tennis, horseback riding, among others. One ad also claims that \"Reston was concerned with the environment before environment became a concern.\"\u003c/p\u003e","\u003cp\u003eThis binder contains multiple advertisement clippings from the 1980s. Among them are ads promoting Reston as a unique place, close to D.C. but much different than its central city. These ads call attention to Reston's natural surroundings, low population density and the availability of sporting activities. Some ads also highlight Reston's 50,000th resident and the city's 25 year anniversary.\u003c/p\u003e","\u003cp\u003eThis binder contains multiple advertisement clippings from the early days of Reston. Among them are ads promoting land and house sales, the large amount of acreage and townhomes available in Reston and the many amenities it has such as golf, tennis, horseback riding, among others. Many ads in this binder also call attention to the nearby Wolf Trap ampitheatre.\u003c/p\u003e","\u003cp\u003eThis binder contains multiple advertisement clippings from the late-1970s and early-1980s. Among them are ads promoting homes, low energy costs, good schools and the amount of foliage in Reston. One ad even calls attention to the fact that Reston was then the home of many Washington Redskins players and coaches. Also included in this binder are development plans for Reston's Center for Industry and Government and Commuter Bus system. There are also Reston Residential Land Sales and Industrial Land sales newsletters in this binder.\u003c/p\u003e","\u003cp\u003eThis binder contains multiple advertisement clippings from the early-1980s. Among them are ads promoting homes, community and the neighborhood feel in Reston. Several ads also tout the creation of Dulles Toll Road, called \"Reston expressway,\" selling a \"20-minute\" commute into DC.\u003c/p\u003e","\u003cp\u003eThis binder contains extra copies of large advertisements from the 1980s that are included in the unmarked black binders on this same shelf.\u003c/p\u003e","\u003cp\u003eThis binder contains extra copies of advertisements from the 1980s that are included in the unmarked black binders on this same shelf.\u003c/p\u003e","\u003cp\u003eThis binder is labeled \"The Master Plan\" for the building of the Reston Town Center in Reston, Va. It includes a map of the region and model photos of businesses in the Town Center including several of the Hyatt hotel planned for the Center. This binder also includes future growth projections for the city of Reston.\u003c/p\u003e","\u003cp\u003eThis binder is also labeled \"The Master Plan\" for the building of the Reston Town Center in Reston, Va. It includes inspirations for the Town Center such as Rossyln and Ballston, Va.; plus maps of the region and model photos of businesses in the Town Center including several of the Hyatt hotel planned for the Center along with the Offices at Fountain Square. This binder also includes future growth projections for the city of Reston.\u003c/p\u003e","\u003cp\u003eThis binder is also labeled \"The Master Plan\" for the building of the Reston Town Center in Reston, Va. It includes maps of the region and model photos of businesses in the Town Center including several of the Hyatt hotel planned for the Center along with the Offices at Fountain Square. This binder also includes future growth projections for the city of Reston.\u003c/p\u003e","\u003cp\u003eThis binder contains multiple advertisement clippings from the very early days of Reston. Among them are ads promoting homes and the sporting and outdoor activities in Reston. Several ads also point to the proximity of Reston to D.C. via new roads such as Route 7 and the retention of wilderness and nature in Reston.\u003c/p\u003e","\u003cp\u003eThis binder includes housing and office purchases, broker information and contract prices from Reston in the early- to mid-1980s.\u003c/p\u003e","\u003cp\u003eThis binder includes housing purchases (townhomes, single family dwellings, condos, etc.), broker information and contract prices from Reston throughout the 1980s.\u003c/p\u003e","\u003cp\u003eThis binder includes housing and office purchases, broker information and contract prices from Reston in the mid- to late-1980s.\u003c/p\u003e","\u003cp\u003e4 sets of maps (including one duplicate) showing plans for the Hunter Mill District and the Northern Virginia Stream Restoration project.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The collection consists of a variety of materials relating to planned communities across the United States with a particular emphasis on the planned community of Reston, Virginia and international communities as well. The collection includes correspondence, reports, promotional material, community brochures, newspapers, videos, slides, photographs and architectural drawings and blueprints. ","Series one is titled Reston and is divided into nine subseries. The information in this series contains correspondence, finance, plans, reports, meetings, publications, marketing, a scrapbook and general information. All of the information relates to the community of Reston in Virginia. There is additional Reston information in series nine, ten and eleven. The series is dated from 1961-2006 and is contained in boxes 1-42. ","Series two is titled United States Planned Communities. The material in this series relates to planned communities in the United States other than Reston, such as Columbia, Maryland, Evergreen Mills, Hawaii, Portland and others. The series is comprised of correspondence, plans, reports and other paperwork relating to the development of these communities. The series dated from 1970 to 1996 and is contained in boxes 42-53. ","Series three is titled International Planned Communities. The material in this series relates to international planned communities in countries such as France, Great Britain, Israel, China and others. The materials are mostly promotional from the communities and other information regarding the development of the communities. Some of the material is in the foreign language while others are printed in English. The series is dated from 1960 to 1990 and is contained in boxes 53-56. ","Series four is titled Reports. The documents are reports from and about different communities, relating financial, environmental and other issues. There are also documents from the Federal government pertaining to the development of the communities. The series is dated from 1965 to 2001 and is contained in boxes 56-61. ","Series five is titled Planed Community Archive Board. The series is small and contains the meeting minutes and other information from the board that created the planned community archive. The series dated from 1985 to 2001 and is contained in boxes 61-64. ","Series six is titled Promotional Material. The series has promotional material from different planned communities such as pamphlets, flyers, articles and others. The series dated from 1966 to 1990 and is contained in boxes 64-66. ","Series seven is titled Brochures. The series is comprised of different planned communities brochures, such as Arbor Glenn, Fairfield, Key West, Ridgewood and many others. The series dated in the 1990s and is contained in boxes 66-75. ","Series eight is titled Newspapers. The series is comprised of copies of The Connection a newspaper from Reston. The Connection, the local newspaper has articles mostly about local events. For example there are articles about Reston Association elections, local residents and also the Washington Redskins. There are additional copies in series ten. The series is dated from 1981 to 1996 and is contained in boxes 76 to 106. ","Series nine is titled Media and is divided into five subseries. The series contains photographs, slides, negatives, cassettes, CDs and videos relating to planned communities. The series is dated from 1960 to 2004 and contained in boxes 107-232. ","Series ten is titled General Information. The information in this series covers a variety of topics relating to planned communities, such as the Department of Housing and Urban Development, newsclippings, Virginia government and other paperwork. The series is dated from 1960 to 2005 and is contained in boxes 233-246. ","Series eleven is titled Oversize. This series contains photographs, brochures and posters related to planned communities such as Lake Anne Village Center, Beacon Hill and others. The majority of the series is comprised of architectural drawings, blueprints, floor plans, topography and designs for buildings, such as Reston First Village Center, Reston Town Center and two individual homes, one in Arlington, Virginia and the other in McLean, Virginia. The series is dated from 1960 to 2004 and is contained in boxes 247-351 with additional plans in 3 mapcases. ","The information in this series contains correspondence, finance, plans, reports, meetings, publications, marketing, a scrapbook and general information. All of the information relates to the community of Reston in Virginia.","The subseries contains correspondence relating to the development of Reston. The information includes correspondence about the Lake Anne Dam, interoffice correspondence, community facilities and other projects in Reston.","2.10","19.11","3.3","7.2","5.3","5.2","5.1","5.4","5.5","5.7","5.6","6.2","6.3","7.1","7.3","7.7","1.12","480.54","1.13","13.8","477.10","499D.01","499D.02","499D.03","499D.04","499D.05","499D.06","499D.07","15.1","2.3","2.7","2.9","The information in this subseries is financial information from Reston such as sale agreements, loans, statements and other paperwork relating to the financial aspects of Reston.","5.11","5.13","3.14","3.15","4.7","16.6","5.9","13.7","1.3","74.1","74.2","74.3","The plans in this subseries are from Reston and include projects such as Reston Town Center, Lake Anne, Reston Twentieth Anniversary Celebrations and others.","5.14","7.4","6.5","6.6","16.7","480.50","1.1","2.4","2.5","461.29","645.06","19.15","4.1","1.31","645.64","15.2","15.3","3.6","1.2","5.8","19.6","480.53","The subseries has reports relating to projects in Reston. The reports contain information from projects such as housing community developments, schools, health clubs, Lake Anne, Lake Thoreau and other projects in Reston.","12.15","4.4","12.4","12.5","12.6","12.7","12.8","12.9","1.6","1.5","18.3","4.3","2.11","2.12","2.8","3.5","18.6","3.7","4.14","4.13","6.1","2.6","7.5","7.6","3.4","18.4","480.20","1.3","480.52","15.5","1.7","3.1","480.2","12.3","13.5","543.8","19.5","19.7","The information in this series contains material from the transportation committee, board meeting minutes and other meeting information in Reston.","3.8","2.2","2.1","4.10","3.13","3.2","The subseries contains publications from Reston or about Reston such as the Restonian Magazine, The Reston Letter, The Reston Times and The Washington Post. Some of the documents are a complete copy of the publication, other documents are only articles from the publications.","10.9","12.2","9.12","10.27","247.30","648.15","10.24","648.06","10.11","19.8","1.1","10.10","10.8","648.24","13.4","10.18","648.11","10.16","647.08","10.5","648.23","247.29","648.16","648.18","648.08","19.2","2.10","13.3","13.2","10.1","647.07","647.06","461.14","19.9","477.1","5.12","18.8","10.12","648.20","648.22","10.3","648.05","461.12","247.31","10.14","18.2","18.1","1.14","10.2","10.25","648.02","648.26","648.17","648.04","480.42","15.6","10.21","10.7","648.14","10.15","10.17","648.09","648.10","647.11","10.6","648.27","416.17","19.1","1.19","1.20","1.21","1.22","1.23","1.24","1.25","1.26","1.27","480.19","480.43","480.44","480.45","480.41","480.40","13.1","648.28","12.1","514.1","514.2","514.3","514.4","514.5","514.6","514.7","514.8","514.9","514.10","480.6","480.9","480.38","480.47","18.9","18.11","10.13","648.21","10.22","648.19","648.25","648.13","648.07","648.05","10.20","480.16","647.09","458.3","10.23","648.32","10.19","10.4","648.12","The subseries has information pertaining to the marketing of different facilities in Reston. For example the subseries has promotional material from Reston Town Center, Reston neighborhoods, schools and others.","480.4","461.24","9.27","647.04","647.03","647.08","647.44","477.2","647.40","461.20","533.7","9.26","461.18","247.37","9.7","9.19","9.17","9.14","9.5","19.14","477.4","544.5","480.21","247.27","647.02","247.40","9.4","247.09","533.6","647.45","9.9","9.15","9.21","9.10","9.11","19.16","461.28","9.2","480.48","9.24","461.26","477.15","422.4","461.10","461.21","461.5","461.6","9.13","647.10","461.27","461.7","477.12","9.16","477.6","460.53","645.03","480.15","461.8","480.8","9.25","480.22","461.30","9.20","461.23","461.1","9.3","461.2","461.3","461.4","19.13","477.13","461.25","247.10","247.11","247.12","247.13","247.14","247.15","247.16","247.17","247.18","247.19","247.20","247.21","247.22","247.23","247.24","247.25","247.26","247.34","247.39","247.38","647.41","647.05","247.32","247.33","461.9","9.1","477.5","9.18","9.8","4.12","4.11","9.23","648.01","9.22","461.22","247.36","461.11","461.13","9.6","480.23","480.27","247.35","19.10","480.3","647.01","480.5","18.10","1.7","19.4","647.47","18.12","The subseries is comprised of material from a scrapbook related to Reston. The documents are photographs, articles and other paperwork. The material is in the original order that it was in the scrapbook.","497A.01","497A.02","497A.03","497A.04","497A.05","497A.06","497A.07","497A.08","497A.09","497A.10","497A.11","497A.12","497A.13","497A.14","497A.15","497A.16","497A.17","497A.18","497A.18","497A.19","497A.20","497A.21","497A.22","497A.23","497A.24","497A.25","497A.26","497A.27","497A.28","497A.29","497A.30","497A.32","497A.33","497A.33","497A.34","497A.35","497A.36","497A.37","497A.39","497A.39","497C.01","497C.02","497C.03","497C.04","497C.05","497C.06","497C.07","497C.08","497C.09","497C.10","497C.11","497e.01","497e.02","497e.02","497e.04","497e.05","497e.06","497e.07","497e.08","497e.09","497e.10","497e.11","497e.12","497e.13","497e.14","497e.15","497e.16","497f.01","497f.02","497f.03","497f.04","497f.05","497f.06","497f.07","497f.08","497f.09","497f.10","497f.11","497f.12","497f.13","497f.14","497f.15","497f.16","497f.17","497f.18","497f.19","497f.20","497f.21","497f.22","497f.23","497f.24","497f.25","497f.26","497f.27","497f.28","497f.29","497f.30","497f.31","497f.32","497f.33","497f.34","497f.35","497f.36","497f.37","497f.38","497f.39","497f.40","497f.41","497f.42","497f.43","497f.44","497f.45","497f.46","497f.47","497f.48","497f.49","497f.50","497f.51","497f.52","497f.53","497f.54","497f.55","497f.56","497f.57","497f.58","497f.59","497f.60","497f.61","497f.62","497f.63","497f.64","497f.65","497f.66","497f.67","497f.68","497f.69","497f.70","497f.71","497f.72","497f.73","497f.74","497f.75","497f.76","497f.77","497f.78","497f.79","497f.80","497f.81","497f.82","497f.83","497f.84","497f.85","497f.86","497f.87","498A.01","498A.02","498A.03","498A.04","498A.05","498A.06","498A.07","498A.08","498A.09","498A.10","498A.11","498A.12","498A.13","498A.14","498A.15","498A.16","498A.17","498A.18","498B.01","498B.02","498B.03","498B.04","498B.05","498B.06","498B.07","498B.08","498B.09","498B.10","498B.11","498B.12","498B.13","498B.14","498B.15","498B.16","498B.17","498B.18","498B.19","498B.20","498B.21","498B.22","498B.23","498B.24","498B.25","498B.26","498B.27","498B.28","498B.29","498B.30","498B.31","498B.32","498B.33","498B.34","498B.35","498B.36","498B.37","498B.38","498B.39","498B.40","498B.41","498B.42","498B.43","498B.44","498B.45","498B.46","498B.47","498B.48","498B.49","498B.50","498B.51","498B.52","498B.53","498B.54","498B.55","498B.56","498B.57","498B.58","498B.59","498B.60","498B.61","498B.62","498B.63","498B.64","498B.65","498B.66","498B.67","498B.68","498B.69","498B.70","498B.71","498B.72","498B.73","498B.74","498B.75","498B.76","498B.77","498B.78","498B.79","498B.80","498B.81","498B.82","498B.83","498B.84","498B.85","498B.86","498B.87","498B.88","498B.89","498B.90","498B.91","498B.92","498B.93","498C.01","498C.02","498C.03","498C.04","498C.05","498C.06","498C.07","498C.08","498C.09","498C.10","498C.11","498C.12","498C.13","498C.14","498C.15","498C.16","498C.17","498C.18","498C.19","498C.21","498C.22","498C.23","498C.24","498C.25","498C.26","498C.27","498C.28","498C.29","498C.30","498C.31","498C.32","498C.33","498C.34","498C.35","498C.36","498C.37","498C.38","498C.39","498C.40","498C.41","498C.42","498C.43","498C.44","498C.45","498C.46","498D.01","498D.03","498D.04","498D.05","498D.06","498D.07","498D.08","498D.09","498D.10","498D.11","498D.12","498D.13","498D.14","498D.15","498D.16","498D.017","498D.19","498D.20","498D.21","498D.22","498D.23","498D.24","498D.25","498D.26","498D.27","498D.28","498D.29","498E.01","498E.02","498E.03","498E.04","498E.05","498E.06","498E.07","498E.08","498E.09","498E.10","498E.11","498E.12","498E.13","498E.14","498E.15","498E.16","498E.17","498E.18","498E.19","498E.20","498E.21","498E.22","498E.23","498E.24","498E.25","498E.26","498E.27","498E.28","498E.29","498E.30","498E.31","498E.32","498E.33","498E.34","498E.35","498E.36","498E.37","498E.38","498E.39","498E.40","498E.41","498E.42","498E.43","498E.44","498E.45","498E.46","498E.46","498E.47","498E.48","498E.49","498E.50","498E.51","498E.52","498E.53","498E.54","498E.53","498E.56","498E.57","498E.59","498F.01","498F.02","498F.03","498F.04","498F.05","498F.06","498F.07","498F.08","498F.09","498F.10","498F.11","498F.12","498F.13","498F.14","498F.15","498F.16","498F.17","498F.18","498F.19","498F.20","498F.21","498F.22","498F.23","498F.24","498F.25","498F.26","498F.27","498F.28","498F.29","498F.30","498F.31","498F.32","498F.33","498F.34","498F.35","498F.36","498F.37","498F.38","498F.39","498F.40","498F.41","498F.42","498F.43","498F.44","498F.45","498F.46","498F.47","498F.48","498F.49","498F.50","498F.51","498F.52","498F.53","498F.54","498F.55","498F.56","498F.57","498F.58","498F.59","498F.60","498F.61","498F.62","498F.63","498F.64","498F.65","498F.66","498F.67","498F.68","498F.69","498F.70","498F.71","498F.72","498F.73","498F.74","498F.75","498G.01","498G.02","498G.03","498G.04","498G.05","498G.06","498G.07","498G.08","498G.09","498G.10","498G.11","498G.12","498G.13","498G.14","498G.15","498G.16","498G.17","498G.18","498G.19","498G.20","498G.21","498G.22","498G.23","498G.24","498G.25","498G.26","498G.27","498G.28","498G.29","498G.30","499A.01","499A.02","499A.03","499A.04","499A.05","499A.06","499A.07","499A.08","499A.09","499A.10","499A.11","499A.12","499A.13","499A.14","499A.15","499A.16","499A.17","499A.18","499A.19","499A.20","499A.21","499A.22","499A.23","499A.24","499A.25","499A.26","499A.27","499A.28","499A.29","499A.30","499A.31","499A.36","499A.37","499A.38","499A.39","499A.32","499A.33","499A.34","499A.35","499A.40","499A.41","499A.42","499A.43","499A.44","499A.45","499A.46","499A.47","499B.01","499B.02","499B.03","499B.04","499B.05","499B.06","499B.07","499B.08","499B.09","499B.10","499B.11","499B.12","499B.13","499B.14","499B.15","499B.16","499B.17","499B.18","499B.19","499B.20","499B.21","499B.22","499B.23","499B.24","499B.25","499B.10","499B.27","499B.28","499B.29","499B.30","499B.31","499B.32","499B.33","499B.34","499B.35","499B.36","499B.37","499B.38","499B.39","499B.40","499B.41","499B.42","499B.43","499B.44","499B.45","499B.46","499B.47","499B.48","499B.49","499B.50","499B.51","499B.52","499B.53","499C.01","499C.02","499C.03","499C.01","499C.05","499C.06","499E.01","499E.02","499E.03","499E.04","499E.05","499E.06","499E.07","499E.08","499E.09","499E.10","499E.11","499E.12","499E.13","499E.14","499E.15","499E.16","499E.17","499E.18","499E.19","499E.20","499E.21","499E.22","499E.23","499E.24","499E.25","499E.26","499E.27","499E.28","499E.29","499E.30","499E.31","499E.32","499E.33","499E.34","499E.35","499E.36","499E.37","499E.38","499E.39","499E.40","499E.41","499E.42","499E.43","499E.44","499E.45","499E.46","499E.47","499E.48","499E.49","499E.50","499E.51","499E.52","499E.53","499E.54","499E.55","499E.56","499E.57","499E.58","499E.59","499E.60","499E.61","499E.62","499E.63","499E.64","499E.65","499E.66","499E.67","499E.68","499E.69","499E.70","499E.71","499E.72","499E.73","499E.74","499E.75","499E.76","499E.77","499E.78","499E.79","499E.80","499E.81","499E.82","499E.83","499E.84","499E.85","499E.86","499E.87","499E.88","499E.89","499E.90","499E.91","499E.92","499E.93","499E.94","499E.95","499E.96","499E.97","499E.98","499E.99","499E.100","499E.101","499E.102","499E.103","499E.104","499E.105","499E.106","499E.107","499E.108","499E.109","499E.110","499E.111","499E.112","499E.113","499E.114","499E.115","499E.116","499E.117","499E.118","499E.119","499E.120","499E.121","499E.122","499E.123","499E.124","499E.125","499E.126","499F.01","499F.02","499F.03","499F.04","499F.05","499F.06","499F.07","499F.08","499F.09","499F.10","499F.11","499F.12","499F.13","499F.14","499F.15","499G.01","499G.02","499G.03","499G.04","499G.05","499G.06","499G.07","499G.08","499G.09","499G.10","499G.11","499G.12","499G.13","499G.14","499G.15","499G.16","499G.17","499G.18","499G.19","499G.20","499G.21","499G.22","499G.23","499G.24","499G.25","499G.26","499G.27","499G.28","499G.29","499G.30","499G.31","499G.32","499G.33","499G.34","499G.35","499G.36","499G.37","499G.38","499G.39","499G.40","499G.41","499G.42","499G.43","499G.44","499G.45","499G.46","499G.47","499G.48","499G.49","499G.50","499G.51","499G.52","497B.01","497B.02","497B.03 and 497D.37","497B.04 and 497D.01","497B.05 and 497D.02","497B.06 and 497D.03","497B.07 and 497D.04","497B.08 and 497D.05","497B.09 and 497D.06","497B.10 and 497D.07","497B.11","497B.12","497B.13 and 497D.08","497B.14 and 497D.09","497B.15 and 497D.10","497B.16 and 497D.11","497B.17 and 497D.12","497B.18 and 497D.13","497B.19 and 497D.14","497B.20 and 497D.15","497B.21 and 497D.16","497B.22 and 497D.17","497B.23 and 497D.18","497B.24 and 497D.19","497B.25 and 497D.20","497B.26 and 497D.21","497B.27 and 497D.22","497B.28 and 497D.23","497B.29 and 497D.24","497B.30 and 497D.25","497B.31 and 497D.26","497B.32 and 497D.27","497B.33 and 497D.28","497B.34 and 497D.30","497B.35 and 497D.29","497B.36 and 497D.31","497B.37 and 497D.34","497B.38 and 497D.35","497B.39 and 497D.32","497B.40 and 497D.33","497B.41 and 497D.36","The final subseries is general information from Reston. Included in the subseries is A Brief History of Reston, Reston Historic Trust, community theater programs, directories and other areas from Reston.","480.39","480.10","480.29","477.9","480.51","14.3","14.4","480.25","647.46","477.4","477.8","247.28","480.46","477.3","480.14","480.18","480.24","500.1","5.10","3.9","3.11","3.12","3.10","4.8","4.5","4.6","4.2","12.14","461.15","647.42","533.5","477.7","6.4","13.6","1.30","1.2","500.2","648.32","647.43","643","643","643","643","643","643","643","643","643","643","643","643","643","643","643","15.4","500.4","481.1","481.2","481.2","481.2","481.3","481.3","481.3","481.4","16.5","15.7","15.3","480.11","480.13","533.4","16.2","16.1","16.3","533.3","533.1","533.2","522.7","522.8","19.12","480.12","18.7","1.33","14.6","16.4","522.1","522.2","522.3","1.32","500.9","480.31","544.8","522.4","522.5","14.5","522.6","480.17","480.30","500.10","The material in this series relates to planned communities in the United States other than Reston, such as Columbia, Maryland, Evergreen Mills, Hawaii, Portland and others. The series is comprised of correspondence, plans, reports and other paperwork relating to the development of these communities.","493.7","493.6","487.1","487.2","543.8","544.15","547.2","547.3","547.5","546.2","543.4","543.3","543.2","543.1","72.4","72.3","72.2","72.1","491.1","73.5","73.6","73.4","73.1","73.2","73.3","421.3","500.3","492.11","493.4","493.11","493.10","493.9","492.9","492.17","492.10","544.12","1.1","1.3","1.5","543.5","488.16","421.8","492.16","493.3","493.8","488.13","490.2","420.7","492.12","489.10","493.1","493.5","492.15","492.14","1.6","488.14","493.2","The material in this series relates to international planned communities in countries such as France, Great Britain, Israel, China and others. The materials are mostly promotional from the communities and other information regarding the development of the communities. Some of the material is in the foreign language while others are printed in English.","491.20","491.13","421.6","480.36","480.37","480.35","480.32","545.2","545.3","545.4","546.1","13.10","489.3","491.15","544.9","491.17","422.3","480.34","422.1","495.4","421.4","421.5","422.2","488.8","488.7","492.8","492.1","491.14","492.6","492.5","491.6","488.2","480.33","491.16","468.01 and 468.02","491.11","488.1","492.2","491.18","491.19","491.10","491.9","491.8","491.7","491.12","492.7","492.4","492.3","The documents are reports from and about different communities, relating financial, environmental and other issues. There are also documents from the Federal government pertaining to the development of the communities.","491.3","645.65","490.1","489.11","649.02","544.6","490.4","490.6","489.5","649.05","490.5","645.02","489.4","494.15","494.13","645.04","545.1","544.11","492.13","19.3","495.8","489.9","489.6","494.1","544.3","495.1","1.2","496.1","420.6","543.7","543.6","544.1","489.7","491.2","494.14","488.18","420.8","2.12","489.8","494.2","495.5","495.6","495.7","495.3","495.2","491.4","495.9","495.10","490.3","488.6","645.05","500.6","491.5","421.1","649.06","The series is small and contains the meeting minutes and other information from the board that created the planned community archive.","1A.1","1A.2","1A.3","1A.4","1A.5","1A.6","1A.7","1A.8","1A.9","1A.10","1A.11","1A.12","1A.13","1A.14","1A.15","1A.16","1A.17","1A.18","1A.19","78.4","78.5","78.3","78.12","78.10","645.01","78.6","78.11","2.9","649.01","78.8","78.7","2.7","2.8","2.11","2.15","2.14","2.13","78.1","78.2","78.9","The series has promotional material from different planned communities such as pamphlets, flyers, articles and others.","488.4","488.3","489.2","489.1","547.1","2.16","423.1","548.1","548.2","548.3","548.4","488.5","544.13","645.66","The series is comprised of different planned communities brochures, such as Arbor Glenn, Fairfield, Key West, Ridgewood and many others.","Series eight is titled Newspapers. The series is comprised of copies of The Reston Connection, the Reston Times, the Reston Observer, and the Reston Flier. All four newspapers largely covered local and area events. For example there are articles about Reston Association elections, local residents and also local and area sports teams. The collection of Connection papers is dated from 1981 to 1995 with about half of 2004 as well, and is contained in boxes 76 to 106 and 242 to 246. The Reston Times newspapers are dated from 1965 to 1999 with about half of 2004 as well, and are contained in boxes 358 to 456. The collections of the Reston Observer (2004 and 2006, Box 356) and Reston Flier newspapers (1971-72, Box 357) are relatively small.","Subseries 8.1: The Reston Connection, 1981-1995, 2004 The Reston Connection, one of the town's main local newspapers, contains articles mostly about local and area events. For example there are articles about Reston Association elections, local residents and also local and area sports teams.","Subseries 8.2: The Reston Times The Reston Times is the oldest active newspaper in Reston, Virginia. It covers local and area events in Reston along with neighboring Herndon and other surrounding areas. Among the topics the Reston Times covers is politics, sports, local events and features on local residents.","Subseries 8.3: The Reston Observer The Reston Observer is a local newspaper that covers local events in Reston including politics, sports and feature stories. It claims on its front page that the Observer is \"the Newspaper Everybody Reads.\"","Subseries 8.4: The Reston Flier The Reston Flier was a small news magazine that covered local events in Reston for a short period in the early-1970s.","The series contains photographs, slides, negatives, cassettes, CD's and videos relating to planned communities.","The subseries contains photographs of aerial shots of Reston, many of the photographs were taken by Abbie Edwards and various photographs of the Reston community.","460.48","460.49","460.51","460.52","460.44","460.45","460.46","460.47","460.40","460.16","460.17","460.10","460.8","460.18","460.11","645.25","11.11","645.53","460.19","460.20","451.4","451.3","451.2","451.1","11.8","11.10","11.9","2.6","645.34","645.33","645.08","645.09","645.10","645.11","645.12","645.13","645.15","645.16","645.17","645.18","645.19","645.20","645.21","645.22","645.23","645.24","645.26","645.27","645.28","645.29","645.30","645.31","645.32","645.45","645.46","645.47","645.48","645.49","645.50","645.51","645.55","645.56","645.57","645.58","645.59","645.61","645.62","645.63","645.60","461.19","645.14","11.1","460.1","460.12","460.13","645.52","460.9","460.39","460.38","460.42","460.43","460.41","460.4","460.3","480.1","645.54","460.37","460.26","460.27","460.28","460.29","460.30","460.31","460.32","460.33","460.34","460.35","460.36","460.22","460.23","460.24","460.25","460.21","460.14","460.15","460.6","460.7","460.2","460.5","645.07","The subseries is comprised mostly of residential views of Reston, such as apartment buildings, Dulles airport, shopping centers and other places around Reston.","647.39","549","550","550","550","550","550","550","550","551","552","552","552","552","552","553","553","553","554","554","554","554","554","554","554","554","554","555","555","556","556","556","556","556","556","556","556","556","556","556","556","556","556","556","556","557","557","557","557","557","557","557","557","558","559","559","559","559","559","559","560","560","560","560","560","561","562","562","562","562","563","564","565","566","567","567","567","568","569","569","570","571","571","571","572","573","574","574","574","574","574","575","575","575","575","575","575","575","575","575","575","576","577","577","577","577","578","579","580","581","581","581","581","581","581","581","581","581","582","583","584","584","584","584","584","584","584","584","584","585","586","587","588","588","588","588","588","588","588","588","588","589","590","591","591","592","593","594","595","596","597","597","597","597","597","597","597","597","597","597","597","597","598","599","600","601","601","601","602","602","602","602","602","602","602","602","602","602","603","604","605","606","606","606","607","608","609","610","610","610","611","612","613","614","615","616","618","619","621","622","622","622","623","623","624","625","625","626","627","628","629","630","631","633","634","635","636","636","636","636","636","636","636","636","637","The subseries is comprised of interviews with individuals involved in the development of Reston and the CD's are a variety of Reston related information.","14.2","This is a small subseries contained of negatives of various views from around Reston.","The subseries contains programs about planned communities. The majority of the videos are interviews from WETA. The videotapes include interviews with Robert Simon, Martha Pennino and others. There are also taped events, such as the Reston Festival and different programs, for example \"The Rise of New Towns\". There are additional WETA videotapes in series 11.","26.1","26.2","26.3","26.4","26.5","26.6","26.7","26.8","26.9","26.10","26.11","26.12","27.1","27.2","27.3","27.4","27.5","27.6","27.7","27.8","27.9","27.10","27.11","27.12","49.2","49.3","49.4","49.4","38.6","39.1","41.1","38.5","40.1","40.2","39.2","39.3","39.3","39.3","41.5","44.2","30.2","30.4","30.5","47.2","42.1","42.1","44.6","44.7","48.5","48.6","45.2","49.1","45.3","43.3","43.4","43.5","43.6","39.4","45.4","45.5","45.6","46.1","47.4","47.5","50.1","47.3","47","37.5","29.4","29.5","49.6","47.1","47.1","44.3","44.4","44.3","35.6","36.1","35.1","35.2","35.3","35.4","35.5","43.1","33.5","33.6","29.3","28.3","34.1","34.2","42.2","46.3","46.4","46.5","31.3","32.4","32.5","32.6","33.1","33.2","33.3","33.4","37.1","37.2","37.3","28.6.\nAccess copy on DVD in Box 457.","29.1 \nAccess copy on DVD in Box 457.","29.2 \nAccess copy on DVD in Box 457.","31.4 \nAccess copy on DVD in Box 457.","40.5","40.6","43.2","34.4","34.5","32.3","32.3","40.4","41.4","38.3","38.4","31.5 \nAccess copy on DVD in Box 457.","31.6 \nAccess copy on DVD in Box 457.","32.1 \nAccess copy on DVD in Box 457.","32.2 \nAccess copy on DVD in Box 457.","32","44.1","28.4","28.5","31.1","29.6","30.1","30.2","48.4","48.1","48.2","48.3","50.2","50.6","50.3","50.4","50.5","41.3","37.6","38.1","38.2","36.2","36.3","36.4","36.5","36.6","Access copy on DVD in Box 457.  41 minutes, 25 seconds.","Access copy on DVD in Box 457.  2 hours.","Access copy on DVD in Box 457.","Access copy on DVD in Box 457.","Access copy on DVD in Box 457. 1 hour, 06 minutes.","1 of 3.","2 of 3.","3 of 3.","Martha Pennino and other officials speaking on the Wiehle Avenue Bridge dedicated to Pennino.\nAlso available in a digital format.","Video produced by Chuck Blore and Don Richman Incorporated.","The information in this series covers a variety of topics relating to planned communities, such as the Department of Housing and Urban Development, newsclippings, Virginia government and other paperwork.","494.11","494.10","494.12","490.7","488.11","488.17","544.14","488.10","546.3","2.1","645.67","494.9","494.7","494.3","488.12","494.16","488.9","544.2","547.4","544.4","546.4","546.5","500.8","500.7","494.8","494.4","494.6","421.2","544.7","488.15","532.3a","532.3b","532.2","494.5","617","421.7","1.10","1.9","1.6","1.4","1.8","1.2","1.5","1.3","1.1","1.07","This series contains photographs, brochures and posters related to planned communities such as Lake Anne Village Center, Beacon Hill and others. The majority of the series is comprised of architectural drawings, blueprints, floor plans, topography and designs for buildings, such as Reston First Village Center, Reston Town Center and two individual homes, one in Arlington, Virginia and the other in McLean, Virginia.","458","11.2","11.3","11.4","11.5","11.6","11.7","76","76","76","76","76","76","76","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","79","19","472","398","Access copy on DVD in Box 457.","Access copy on DVD in Box 457.","Access copy on DVD in Box 457.","Access copy on DVD in Box 457.","Access copy on DVD in Box 457.","Access copy on DVD in Box 457.  1 hour, 37 minutes, 30 seconds.","Access copy on DVD in Box 457. 1 hour, 30 minutes, 15 seconds.","Access copy on DVD in Box 457. 1 hour, 46 minutes, 11 seconds.","Access copy on DVD in Box 457. 1 hour, 32 minutes, 20 seconds.","Access copy on DVD in Box 457. 2 hours, 18 minutes, 01 seconds.","Access copy on DVD in Box 457.  1 hour, 32 minutes, 04 seconds.","Access copy on DVD in Box 457.","Access copy on DVD in Box 457.","Access copy on DVD in Box 457.  1 hour, 17 minutes, 22 seconds.","Access copy on DVD in Box 457.  1 hour, 25 minutes, 12 seconds.","Access copy on DVD in Box 457.  1 hour, 33 minutes, 20 seconds.","Access copy on DVD in Box 457.  1 hour, 19 minutes, 52 seconds.","Access copy on DVD in Box 457.","Access copy on DVD in Box 457.","75","75","This binder contains multiple advertisement clippings, pamphlets, and fliers from the late-1970s and early-1980s. Among them are ads promoting land and house sales, government and private sector jobs moving to Reston, and Reston's mix of natural beauty and industry. Copies of the Reston Residential Land Sales newsletter are also included in this binder.","This binder contains multiple advertisement clippings from the early days of Reston. Among them are ads promoting land and house sales, Reston's attractive system of public transportation and the many amenities it had such as golf, tennis, horseback riding, among others. One ad also claims that \"Reston was concerned with the environment before environment became a concern.\"","This binder contains multiple advertisement clippings from the 1980s. Among them are ads promoting Reston as a unique place, close to D.C. but much different than its central city. These ads call attention to Reston's natural surroundings, low population density and the availability of sporting activities. Some ads also highlight Reston's 50,000th resident and the city's 25 year anniversary.","This binder contains multiple advertisement clippings from the early days of Reston. Among them are ads promoting land and house sales, the large amount of acreage and townhomes available in Reston and the many amenities it has such as golf, tennis, horseback riding, among others. Many ads in this binder also call attention to the nearby Wolf Trap ampitheatre.","This binder contains multiple advertisement clippings from the late-1970s and early-1980s. Among them are ads promoting homes, low energy costs, good schools and the amount of foliage in Reston. One ad even calls attention to the fact that Reston was then the home of many Washington Redskins players and coaches. Also included in this binder are development plans for Reston's Center for Industry and Government and Commuter Bus system. There are also Reston Residential Land Sales and Industrial Land sales newsletters in this binder.","This binder contains multiple advertisement clippings from the early-1980s. Among them are ads promoting homes, community and the neighborhood feel in Reston. Several ads also tout the creation of Dulles Toll Road, called \"Reston expressway,\" selling a \"20-minute\" commute into DC.","This binder contains extra copies of large advertisements from the 1980s that are included in the unmarked black binders on this same shelf.","This binder contains extra copies of advertisements from the 1980s that are included in the unmarked black binders on this same shelf.","This binder is labeled \"The Master Plan\" for the building of the Reston Town Center in Reston, Va. It includes a map of the region and model photos of businesses in the Town Center including several of the Hyatt hotel planned for the Center. This binder also includes future growth projections for the city of Reston.","This binder is also labeled \"The Master Plan\" for the building of the Reston Town Center in Reston, Va. It includes inspirations for the Town Center such as Rossyln and Ballston, Va.; plus maps of the region and model photos of businesses in the Town Center including several of the Hyatt hotel planned for the Center along with the Offices at Fountain Square. This binder also includes future growth projections for the city of Reston.","This binder is also labeled \"The Master Plan\" for the building of the Reston Town Center in Reston, Va. It includes maps of the region and model photos of businesses in the Town Center including several of the Hyatt hotel planned for the Center along with the Offices at Fountain Square. This binder also includes future growth projections for the city of Reston.","This binder contains multiple advertisement clippings from the very early days of Reston. Among them are ads promoting homes and the sporting and outdoor activities in Reston. Several ads also point to the proximity of Reston to D.C. via new roads such as Route 7 and the retention of wilderness and nature in Reston.","This binder includes housing and office purchases, broker information and contract prices from Reston in the early- to mid-1980s.","This binder includes housing purchases (townhomes, single family dwellings, condos, etc.), broker information and contract prices from Reston throughout the 1980s.","This binder includes housing and office purchases, broker information and contract prices from Reston in the mid- to late-1980s.","4 sets of maps (including one duplicate) showing plans for the Hunter Mill District and the Northern Virginia Stream Restoration project."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_70cec0c4afedbb7445e50aa301bab120\" label=\"Abstract\"\u003eThe collection consists of a variety of materials relating to planned communities across the United States with a particular emphasis on the planned community of Reston, Virginia, and international communities as well. The collection includes correspondence, reports, promotional material, community brochures, newspapers, videotapes, slides, photographs and architectural drawings and blueprints. The collection is divided into 11 series in 351 boxes and 3 mapcases and is dated from 1960 to 2009.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of a variety of materials relating to planned communities across the United States with a particular emphasis on the planned community of Reston, Virginia, and international communities as well. The collection includes correspondence, reports, promotional material, community brochures, newspapers, videotapes, slides, photographs and architectural drawings and blueprints. The collection is divided into 11 series in 351 boxes and 3 mapcases and is dated from 1960 to 2009."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bcaba6e260c7d94bb96d278e52d6ccee\"\u003eMap Case 3.2, 9.2, 12.2-13.3, 14.1, 14.5, 19.4-19.5, 29.1, 32.1-32.3\nOS R4, C3, S3-S7\nOS R6, C5, S1-S6\u003c/physloc\u003e"],"physloc_tesim":["Map Case 3.2, 9.2, 12.2-13.3, 14.1, 14.5, 19.4-19.5, 29.1, 32.1-32.3\nOS R4, C3, S3-S7\nOS R6, C5, S1-S6"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Planned Community Archives","Nicoson, William, 1932-2013","Pennino, Martha, 1918-2004","Simon, Robert E., Jr. (Robert Edward), 1914-2015"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Planned Community Archives"],"names_coll_ssim":["Nicoson, William, 1932-2013","Pennino, Martha, 1918-2004","Simon, Robert E., Jr. (Robert Edward), 1914-2015"],"persname_ssim":["Nicoson, William, 1932-2013","Pennino, Martha, 1918-2004","Simon, Robert E., Jr. (Robert Edward), 1914-2015"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5493,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:36:53.241Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_1_c09_c02_c129_c35"}},{"id":"vifgm_repositories_2_resources_190_c02_c01_c23","type":"Item","attributes":{"title":"Berenberg, Ben","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c02_c01_c23#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e2 cassette tapes\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c02_c01_c23#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_190_c02_c01_c23","ref_ssm":["vifgm_repositories_2_resources_190_c02_c01_c23"],"id":"vifgm_repositories_2_resources_190_c02_c01_c23","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190_c02_c01","parent_ssi":"vifgm_repositories_2_resources_190_c02_c01","parent_ssim":["vifgm_repositories_2_resources_190","vifgm_repositories_2_resources_190_c02","vifgm_repositories_2_resources_190_c02_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_190","vifgm_repositories_2_resources_190_c02","vifgm_repositories_2_resources_190_c02_c01"],"parent_unittitles_ssm":["Works Progress Administration oral histories collection","Series 2: Audio Recordings","Subseries 2.1: Oral history interviews"],"parent_unittitles_tesim":["Works Progress Administration oral histories collection","Series 2: Audio Recordings","Subseries 2.1: Oral history interviews"],"text":["Works Progress Administration oral histories collection","Series 2: Audio Recordings","Subseries 2.1: Oral history interviews","Berenberg, Ben","box 13","2 cassette tapes"],"title_filing_ssi":"Berenberg, Ben","title_ssm":["Berenberg, Ben"],"title_tesim":["Berenberg, Ben"],"unitdate_other_ssim":["August 16, 1977"],"normalized_date_ssm":["1977"],"normalized_title_ssm":["Berenberg, Ben"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Works Progress Administration oral histories collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":313,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1977],"containers_ssim":["box 13"],"scopecontent_html_tesm":["\u003cp\u003e2 cassette tapes\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["2 cassette tapes"],"_nest_path_":"/components#1/components#0/components#22","timestamp":"2026-05-21T05:31:11.400Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_190","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_190.xml","title_filing_ssi":"Works Progress Administration oral histories","title_ssm":["Works Progress Administration oral histories collection"],"title_tesim":["Works Progress Administration oral histories collection"],"unitdate_ssm":["1961-1984"],"unitdate_inclusive_ssm":["1961-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0153","/repositories/2/resources/190"],"text":["C0153","/repositories/2/resources/190","Works Progress Administration oral histories collection","Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories","There are no access restrictions.","Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  .","This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)","The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.","The Special Collections Research Center also holds the  .","This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration","English"],"unitid_tesim":["C0153","/repositories/2/resources/190"],"normalized_title_ssm":["Works Progress Administration oral histories collection"],"collection_title_tesim":["Works Progress Administration oral histories collection"],"collection_ssim":["Works Progress Administration oral histories collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_corpname_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creators_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Institute on the Federal Theatre Project and New Deal Culture."],"access_subjects_ssim":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"access_subjects_ssm":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["16 Linear Feet 43 boxes"],"extent_tesim":["16 Linear Feet 43 boxes"],"genreform_ssim":["Sound recordings","Oral histories"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eMost of the oral histories from this collection were digitized through a Council on Library \u0026amp; Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit \u003cextptr show=\"new\" title=\"https://vwpa.gmu.edu/audiocollection/\" href=\"https://vwpa.gmu.edu/audiocollection/\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.\u003c/p\u003e\n","\u003cp\u003eOrganized into two series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Transcripts, 1961-1984 (Boxes 1-11)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Audio Recordings, 1938-1984 (Boxes 12-41)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)"],"bioghist_html_tesm":["\u003cp\u003eThe interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture."],"prefercite_html_tesm":["\u003cp\u003eWorks Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Works Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Federal Theatre Project collection\" href=\"https://aspace.gmu.edu/resources/c0002\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSeries 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e","\u003cp\u003eWidow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eCostume designer with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress who auditioned for Negro Unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and director, San Francisco Federal Music Project.\u003c/p\u003e","\u003cp\u003eTechnician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.\u003c/p\u003e","\u003cp\u003eDancer with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Federal Dance Project, New York City.\u003c/p\u003e","\u003cp\u003eWorked with the Radio Division of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eStage manager with the Manhattan City Projects, New York City.\u003c/p\u003e","\u003cp\u003eDancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSet designer for various New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eSon-in-law of Hallie Flanagan; writer and critic of modern drama.\u003c/p\u003e","\u003cp\u003eStep-daughter of Hallie Flanagan.\u003c/p\u003e","\u003cp\u003eArtist, muralist. Unidentified interviewer may have residual rights to interview.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter who worked with the National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eNovelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.\u003c/p\u003e","\u003cp\u003eCostume designer with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eComposer, musician; wrote Swing It for New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, muralist with New York City Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePhilip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.\u003c/p\u003e","\u003cp\u003eCorrespondence and notes from untaped interview.\u003c/p\u003e","\u003cp\u003eCostume designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eRobert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of marionette unit of Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Children's unit of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist, muralist with Federal Art Project.\u003c/p\u003e","\u003cp\u003e[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePersonnel administrator with New York City and Florida Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.\u003c/p\u003e","\u003cp\u003eArtist, New York. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eActor, stage manager with Portland, Oregon Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with Federal Dance Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and theater critic.\u003c/p\u003e","\u003cp\u003eDirector of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWith Children's Theatre unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster, Illinois Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDistrict supervisor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSupervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project. Permission to quote required.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePlaywright whose work, Swamp Mud, was produced in Birmingham, Alabama.\u003c/p\u003e","\u003cp\u003eWorks Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.\u003c/p\u003e","\u003cp\u003eSculptor with the Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress with Roslyn, New York unit of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and director with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York Federal Theatre Project unit.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eFinance administrator, Works Progress Administration arts projects, Washington, D.C.\u003c/p\u003e","\u003cp\u003eActor with Popular Price Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusic director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay adapter and choreographer with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant to Hallie Flanagan at Smith College; playwright.\u003c/p\u003e","\u003cp\u003ePlaywright with Chicago Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked in Herbert Hoover's and Harry Hopkins's press offices.\u003c/p\u003e","\u003cp\u003eStudent of Hallie Flanagan; expert in children's theater.\u003c/p\u003e","\u003cp\u003eDirector of Vaudeville unit, Los Angeles, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Roslyn, New York unit of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit and Children's unit, Chicago, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Southwest Experimental unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Hallie Flanagan, national office, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.\u003c/p\u003e","\u003cp\u003eLighting designer with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Miami unit, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, Illinois Writers' Project.\u003c/p\u003e","\u003cp\u003eProducer and Theatrical Director, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and technical assistant with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and founder of Chicago Repertory Group, 1933.\u003c/p\u003e","\u003cp\u003eAdministrator, Bureau of research and Publications of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eState director of the Illinois Federal Music Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, some of whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArt director with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff composer and arranger with Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and researcher with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWriter, critic, producer, designer with the New York theaters in the 1930s.\u003c/p\u003e","\u003cp\u003eProducer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eParticipated in the Resettlement Administration.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSon of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eLighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eTheatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist and promotion officer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of information with the New York City  Federal Music Project.\u003c/p\u003e","\u003cp\u003eActor with the San Francisco  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSongwriter and composer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.\u003c/p\u003e","\u003cp\u003eActress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStagehand with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, Chicago and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.\u003c/p\u003e","\u003cp\u003eStage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Service Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.\u003c/p\u003e","\u003cp\u003eActress with the Negro unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.\u003c/p\u003e","\u003cp\u003eActor with the several units of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.\u003c/p\u003e","\u003cp\u003eAdministrator with the New Orleans and Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose Model Tenements was produced by the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTeacher and conductor with New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eInterviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.\u003c/p\u003e","\u003cp\u003eDancer with the Children's unit and Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppet artist with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor with the Vermont Federal Music Project.\u003c/p\u003e","\u003cp\u003eFather of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the Florida Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Jacksonville and Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMarionette artist with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and researcher with the National Play Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]\u003c/p\u003e","\u003cp\u003eCostume designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff member with the Educational Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMember of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.\u003c/p\u003e","\u003cp\u003eSet designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Negro unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Indiana Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and student of Hallie Flanagan at Vassar College. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of casting with the Talent Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of the Vaudeville productions, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.\u003c/p\u003e","\u003cp\u003eConductor with the Michigan Works Progress Administration Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eWith the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.\u003c/p\u003e","\u003cp\u003eActor with the Children's unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eResearcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer with the Yiddish unit,New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eRadio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActress and director with the marionette unit of the Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in New York and San Francisco; write with the Federal Writers Project.\u003c/p\u003e","\u003cp\u003eAdministrator and legal counsel for the National Service Bureau, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eHallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.\u003c/p\u003e","\u003cp\u003eActor with the Cleveland, Ohio Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer for various productions, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and director with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.\u003c/p\u003e","\u003cp\u003eMuralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor with the Negro unit, Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePlaywright and director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Experimental unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Philip Barber, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAudience member, New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eComposer, New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.\u003c/p\u003e","\u003cp\u003eActor with the Children's and Negro units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster with the Federal Music Project Illinois Symphony.\u003c/p\u003e","\u003cp\u003eComposer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.\u003c/p\u003e","\u003cp\u003ePublicist with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.\u003c/p\u003e","\u003cp\u003eDirector, Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with Composers's Forum and Copying Project of the Federal Music Project.\u003c/p\u003e","\u003cp\u003eChoreographer, New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, New York City Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eSongwriter whose works were performed by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the New Hampshire Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in Chicago whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage Manager with the Mercury Theatre, New York.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the National Youth Administration and the Works Progress Administration in Iowa.\u003c/p\u003e","\u003cp\u003eAdministrator, National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the Resettlement Administration.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eDirector with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.\u003c/p\u003e","\u003cp\u003eLighting director and technician with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the Marionette unit of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Children's theater, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and New York Federal Art Project.\u003c/p\u003e","\u003cp\u003eWorked with the GSA; recovered many Federal Art Project works and murals.\u003c/p\u003e","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSubseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes; Hatch-Billops collection\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003eFour 5\" reel-to-reel audio tape recordings\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes.\nAccess copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes with Jack Wilson\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes, 3 with Max Pollock and Frances Ward\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes; with \"Clebanoff\"\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape; \"not an interview\"\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; see also Leuning, Otto\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Alan Kayes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Virgil Thompson\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; Harry Lessin\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eWhite tape with no label. Unidentified interview with male interviewee and female interviewer.\u003c/p\u003e","\u003cp\u003eWhite tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e12 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eSubseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003e2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City\u003c/p\u003e","\u003cp\u003eOne 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School\u003c/p\u003e","\u003cp\u003e1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003eTwo 7\" reel to reels\u003c/p\u003e","\u003cp\u003e1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eBible story script produced by Mike Lodick; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e","\u003cp\u003e1 cassette tape; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_b566e0d872c9f59cfe34a69bcda2f059\" label=\"Abstract\"\u003eCollection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\u003c/abstract\u003e"],"abstract_tesim":["Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project."],"names_coll_ssim":["Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":673,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:11.400Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c02_c01_c23"}},{"id":"vifgm_repositories_2_resources_190_c02_c01_c24","type":"Item","attributes":{"title":"Berman, Harold","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c02_c01_c24#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e2 cassette tapes\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c02_c01_c24#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_190_c02_c01_c24","ref_ssm":["vifgm_repositories_2_resources_190_c02_c01_c24"],"id":"vifgm_repositories_2_resources_190_c02_c01_c24","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190_c02_c01","parent_ssi":"vifgm_repositories_2_resources_190_c02_c01","parent_ssim":["vifgm_repositories_2_resources_190","vifgm_repositories_2_resources_190_c02","vifgm_repositories_2_resources_190_c02_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_190","vifgm_repositories_2_resources_190_c02","vifgm_repositories_2_resources_190_c02_c01"],"parent_unittitles_ssm":["Works Progress Administration oral histories collection","Series 2: Audio Recordings","Subseries 2.1: Oral history interviews"],"parent_unittitles_tesim":["Works Progress Administration oral histories collection","Series 2: Audio Recordings","Subseries 2.1: Oral history interviews"],"text":["Works Progress Administration oral histories collection","Series 2: Audio Recordings","Subseries 2.1: Oral history interviews","Berman, Harold","box 13","2 cassette tapes"],"title_filing_ssi":"Berman, Harold","title_ssm":["Berman, Harold"],"title_tesim":["Berman, Harold"],"unitdate_other_ssim":["November 16, 1977"],"normalized_date_ssm":["1977"],"normalized_title_ssm":["Berman, Harold"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Works Progress Administration oral histories collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":314,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1977],"containers_ssim":["box 13"],"scopecontent_html_tesm":["\u003cp\u003e2 cassette tapes\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["2 cassette tapes"],"_nest_path_":"/components#1/components#0/components#23","timestamp":"2026-05-21T05:31:11.400Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_190","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_190.xml","title_filing_ssi":"Works Progress Administration oral histories","title_ssm":["Works Progress Administration oral histories collection"],"title_tesim":["Works Progress Administration oral histories collection"],"unitdate_ssm":["1961-1984"],"unitdate_inclusive_ssm":["1961-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0153","/repositories/2/resources/190"],"text":["C0153","/repositories/2/resources/190","Works Progress Administration oral histories collection","Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories","There are no access restrictions.","Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  .","This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)","The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.","The Special Collections Research Center also holds the  .","This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration","English"],"unitid_tesim":["C0153","/repositories/2/resources/190"],"normalized_title_ssm":["Works Progress Administration oral histories collection"],"collection_title_tesim":["Works Progress Administration oral histories collection"],"collection_ssim":["Works Progress Administration oral histories collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_corpname_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creators_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Institute on the Federal Theatre Project and New Deal Culture."],"access_subjects_ssim":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"access_subjects_ssm":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["16 Linear Feet 43 boxes"],"extent_tesim":["16 Linear Feet 43 boxes"],"genreform_ssim":["Sound recordings","Oral histories"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eMost of the oral histories from this collection were digitized through a Council on Library \u0026amp; Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit \u003cextptr show=\"new\" title=\"https://vwpa.gmu.edu/audiocollection/\" href=\"https://vwpa.gmu.edu/audiocollection/\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.\u003c/p\u003e\n","\u003cp\u003eOrganized into two series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Transcripts, 1961-1984 (Boxes 1-11)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Audio Recordings, 1938-1984 (Boxes 12-41)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)"],"bioghist_html_tesm":["\u003cp\u003eThe interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture."],"prefercite_html_tesm":["\u003cp\u003eWorks Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Works Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Federal Theatre Project collection\" href=\"https://aspace.gmu.edu/resources/c0002\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSeries 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e","\u003cp\u003eWidow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eCostume designer with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress who auditioned for Negro Unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and director, San Francisco Federal Music Project.\u003c/p\u003e","\u003cp\u003eTechnician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.\u003c/p\u003e","\u003cp\u003eDancer with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Federal Dance Project, New York City.\u003c/p\u003e","\u003cp\u003eWorked with the Radio Division of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eStage manager with the Manhattan City Projects, New York City.\u003c/p\u003e","\u003cp\u003eDancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSet designer for various New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eSon-in-law of Hallie Flanagan; writer and critic of modern drama.\u003c/p\u003e","\u003cp\u003eStep-daughter of Hallie Flanagan.\u003c/p\u003e","\u003cp\u003eArtist, muralist. Unidentified interviewer may have residual rights to interview.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter who worked with the National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eNovelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.\u003c/p\u003e","\u003cp\u003eCostume designer with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eComposer, musician; wrote Swing It for New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, muralist with New York City Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePhilip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.\u003c/p\u003e","\u003cp\u003eCorrespondence and notes from untaped interview.\u003c/p\u003e","\u003cp\u003eCostume designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eRobert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of marionette unit of Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Children's unit of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist, muralist with Federal Art Project.\u003c/p\u003e","\u003cp\u003e[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePersonnel administrator with New York City and Florida Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.\u003c/p\u003e","\u003cp\u003eArtist, New York. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eActor, stage manager with Portland, Oregon Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with Federal Dance Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and theater critic.\u003c/p\u003e","\u003cp\u003eDirector of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWith Children's Theatre unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster, Illinois Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDistrict supervisor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSupervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project. Permission to quote required.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePlaywright whose work, Swamp Mud, was produced in Birmingham, Alabama.\u003c/p\u003e","\u003cp\u003eWorks Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.\u003c/p\u003e","\u003cp\u003eSculptor with the Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress with Roslyn, New York unit of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and director with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York Federal Theatre Project unit.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eFinance administrator, Works Progress Administration arts projects, Washington, D.C.\u003c/p\u003e","\u003cp\u003eActor with Popular Price Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusic director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay adapter and choreographer with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant to Hallie Flanagan at Smith College; playwright.\u003c/p\u003e","\u003cp\u003ePlaywright with Chicago Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked in Herbert Hoover's and Harry Hopkins's press offices.\u003c/p\u003e","\u003cp\u003eStudent of Hallie Flanagan; expert in children's theater.\u003c/p\u003e","\u003cp\u003eDirector of Vaudeville unit, Los Angeles, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Roslyn, New York unit of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit and Children's unit, Chicago, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Southwest Experimental unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Hallie Flanagan, national office, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.\u003c/p\u003e","\u003cp\u003eLighting designer with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Miami unit, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, Illinois Writers' Project.\u003c/p\u003e","\u003cp\u003eProducer and Theatrical Director, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and technical assistant with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and founder of Chicago Repertory Group, 1933.\u003c/p\u003e","\u003cp\u003eAdministrator, Bureau of research and Publications of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eState director of the Illinois Federal Music Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, some of whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArt director with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff composer and arranger with Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and researcher with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWriter, critic, producer, designer with the New York theaters in the 1930s.\u003c/p\u003e","\u003cp\u003eProducer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eParticipated in the Resettlement Administration.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSon of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eLighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eTheatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist and promotion officer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of information with the New York City  Federal Music Project.\u003c/p\u003e","\u003cp\u003eActor with the San Francisco  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSongwriter and composer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.\u003c/p\u003e","\u003cp\u003eActress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStagehand with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, Chicago and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.\u003c/p\u003e","\u003cp\u003eStage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Service Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.\u003c/p\u003e","\u003cp\u003eActress with the Negro unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.\u003c/p\u003e","\u003cp\u003eActor with the several units of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.\u003c/p\u003e","\u003cp\u003eAdministrator with the New Orleans and Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose Model Tenements was produced by the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTeacher and conductor with New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eInterviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.\u003c/p\u003e","\u003cp\u003eDancer with the Children's unit and Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppet artist with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor with the Vermont Federal Music Project.\u003c/p\u003e","\u003cp\u003eFather of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the Florida Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Jacksonville and Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMarionette artist with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and researcher with the National Play Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]\u003c/p\u003e","\u003cp\u003eCostume designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff member with the Educational Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMember of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.\u003c/p\u003e","\u003cp\u003eSet designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Negro unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Indiana Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and student of Hallie Flanagan at Vassar College. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of casting with the Talent Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of the Vaudeville productions, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.\u003c/p\u003e","\u003cp\u003eConductor with the Michigan Works Progress Administration Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eWith the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.\u003c/p\u003e","\u003cp\u003eActor with the Children's unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eResearcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer with the Yiddish unit,New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eRadio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActress and director with the marionette unit of the Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in New York and San Francisco; write with the Federal Writers Project.\u003c/p\u003e","\u003cp\u003eAdministrator and legal counsel for the National Service Bureau, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eHallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.\u003c/p\u003e","\u003cp\u003eActor with the Cleveland, Ohio Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer for various productions, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and director with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.\u003c/p\u003e","\u003cp\u003eMuralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor with the Negro unit, Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePlaywright and director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Experimental unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Philip Barber, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAudience member, New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eComposer, New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.\u003c/p\u003e","\u003cp\u003eActor with the Children's and Negro units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster with the Federal Music Project Illinois Symphony.\u003c/p\u003e","\u003cp\u003eComposer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.\u003c/p\u003e","\u003cp\u003ePublicist with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.\u003c/p\u003e","\u003cp\u003eDirector, Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with Composers's Forum and Copying Project of the Federal Music Project.\u003c/p\u003e","\u003cp\u003eChoreographer, New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, New York City Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eSongwriter whose works were performed by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the New Hampshire Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in Chicago whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage Manager with the Mercury Theatre, New York.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the National Youth Administration and the Works Progress Administration in Iowa.\u003c/p\u003e","\u003cp\u003eAdministrator, National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the Resettlement Administration.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eDirector with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.\u003c/p\u003e","\u003cp\u003eLighting director and technician with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the Marionette unit of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Children's theater, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and New York Federal Art Project.\u003c/p\u003e","\u003cp\u003eWorked with the GSA; recovered many Federal Art Project works and murals.\u003c/p\u003e","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSubseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes; Hatch-Billops collection\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003eFour 5\" reel-to-reel audio tape recordings\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes.\nAccess copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes with Jack Wilson\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes, 3 with Max Pollock and Frances Ward\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes; with \"Clebanoff\"\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape; \"not an interview\"\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; see also Leuning, Otto\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Alan Kayes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Virgil Thompson\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; Harry Lessin\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eWhite tape with no label. Unidentified interview with male interviewee and female interviewer.\u003c/p\u003e","\u003cp\u003eWhite tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e12 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eSubseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003e2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City\u003c/p\u003e","\u003cp\u003eOne 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School\u003c/p\u003e","\u003cp\u003e1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003eTwo 7\" reel to reels\u003c/p\u003e","\u003cp\u003e1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eBible story script produced by Mike Lodick; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e","\u003cp\u003e1 cassette tape; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_b566e0d872c9f59cfe34a69bcda2f059\" label=\"Abstract\"\u003eCollection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\u003c/abstract\u003e"],"abstract_tesim":["Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project."],"names_coll_ssim":["Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":673,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:11.400Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c02_c01_c24"}},{"id":"vifgm_repositories_2_resources_190_c02_c01_c25","type":"Item","attributes":{"title":"Berman, Harold","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c02_c01_c25#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e1 cassette tape\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c02_c01_c25#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_190_c02_c01_c25","ref_ssm":["vifgm_repositories_2_resources_190_c02_c01_c25"],"id":"vifgm_repositories_2_resources_190_c02_c01_c25","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190_c02_c01","parent_ssi":"vifgm_repositories_2_resources_190_c02_c01","parent_ssim":["vifgm_repositories_2_resources_190","vifgm_repositories_2_resources_190_c02","vifgm_repositories_2_resources_190_c02_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_190","vifgm_repositories_2_resources_190_c02","vifgm_repositories_2_resources_190_c02_c01"],"parent_unittitles_ssm":["Works Progress Administration oral histories collection","Series 2: Audio Recordings","Subseries 2.1: Oral history interviews"],"parent_unittitles_tesim":["Works Progress Administration oral histories collection","Series 2: Audio Recordings","Subseries 2.1: Oral history interviews"],"text":["Works Progress Administration oral histories collection","Series 2: Audio Recordings","Subseries 2.1: Oral history interviews","Berman, Harold","box 14","1 cassette tape"],"title_filing_ssi":"Berman, Harold","title_ssm":["Berman, Harold"],"title_tesim":["Berman, Harold"],"unitdate_other_ssim":["November 16, 1977"],"normalized_date_ssm":["1977"],"normalized_title_ssm":["Berman, Harold"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Works Progress Administration oral histories collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":315,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1977],"containers_ssim":["box 14"],"scopecontent_html_tesm":["\u003cp\u003e1 cassette tape\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["1 cassette tape"],"_nest_path_":"/components#1/components#0/components#24","timestamp":"2026-05-21T05:31:11.400Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_190","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_190.xml","title_filing_ssi":"Works Progress Administration oral histories","title_ssm":["Works Progress Administration oral histories collection"],"title_tesim":["Works Progress Administration oral histories collection"],"unitdate_ssm":["1961-1984"],"unitdate_inclusive_ssm":["1961-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0153","/repositories/2/resources/190"],"text":["C0153","/repositories/2/resources/190","Works Progress Administration oral histories collection","Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories","There are no access restrictions.","Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  .","This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)","The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.","The Special Collections Research Center also holds the  .","This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration","English"],"unitid_tesim":["C0153","/repositories/2/resources/190"],"normalized_title_ssm":["Works Progress Administration oral histories collection"],"collection_title_tesim":["Works Progress Administration oral histories collection"],"collection_ssim":["Works Progress Administration oral histories collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_corpname_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creators_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Institute on the Federal Theatre Project and New Deal Culture."],"access_subjects_ssim":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"access_subjects_ssm":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["16 Linear Feet 43 boxes"],"extent_tesim":["16 Linear Feet 43 boxes"],"genreform_ssim":["Sound recordings","Oral histories"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eMost of the oral histories from this collection were digitized through a Council on Library \u0026amp; Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit \u003cextptr show=\"new\" title=\"https://vwpa.gmu.edu/audiocollection/\" href=\"https://vwpa.gmu.edu/audiocollection/\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.\u003c/p\u003e\n","\u003cp\u003eOrganized into two series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Transcripts, 1961-1984 (Boxes 1-11)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Audio Recordings, 1938-1984 (Boxes 12-41)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)"],"bioghist_html_tesm":["\u003cp\u003eThe interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture."],"prefercite_html_tesm":["\u003cp\u003eWorks Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Works Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Federal Theatre Project collection\" href=\"https://aspace.gmu.edu/resources/c0002\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSeries 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e","\u003cp\u003eWidow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eCostume designer with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress who auditioned for Negro Unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and director, San Francisco Federal Music Project.\u003c/p\u003e","\u003cp\u003eTechnician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.\u003c/p\u003e","\u003cp\u003eDancer with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Federal Dance Project, New York City.\u003c/p\u003e","\u003cp\u003eWorked with the Radio Division of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eStage manager with the Manhattan City Projects, New York City.\u003c/p\u003e","\u003cp\u003eDancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSet designer for various New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eSon-in-law of Hallie Flanagan; writer and critic of modern drama.\u003c/p\u003e","\u003cp\u003eStep-daughter of Hallie Flanagan.\u003c/p\u003e","\u003cp\u003eArtist, muralist. Unidentified interviewer may have residual rights to interview.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter who worked with the National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eNovelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.\u003c/p\u003e","\u003cp\u003eCostume designer with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eComposer, musician; wrote Swing It for New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, muralist with New York City Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePhilip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.\u003c/p\u003e","\u003cp\u003eCorrespondence and notes from untaped interview.\u003c/p\u003e","\u003cp\u003eCostume designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eRobert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of marionette unit of Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Children's unit of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist, muralist with Federal Art Project.\u003c/p\u003e","\u003cp\u003e[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePersonnel administrator with New York City and Florida Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.\u003c/p\u003e","\u003cp\u003eArtist, New York. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eActor, stage manager with Portland, Oregon Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with Federal Dance Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and theater critic.\u003c/p\u003e","\u003cp\u003eDirector of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWith Children's Theatre unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster, Illinois Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDistrict supervisor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSupervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project. Permission to quote required.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePlaywright whose work, Swamp Mud, was produced in Birmingham, Alabama.\u003c/p\u003e","\u003cp\u003eWorks Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.\u003c/p\u003e","\u003cp\u003eSculptor with the Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress with Roslyn, New York unit of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and director with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York Federal Theatre Project unit.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eFinance administrator, Works Progress Administration arts projects, Washington, D.C.\u003c/p\u003e","\u003cp\u003eActor with Popular Price Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusic director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay adapter and choreographer with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant to Hallie Flanagan at Smith College; playwright.\u003c/p\u003e","\u003cp\u003ePlaywright with Chicago Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked in Herbert Hoover's and Harry Hopkins's press offices.\u003c/p\u003e","\u003cp\u003eStudent of Hallie Flanagan; expert in children's theater.\u003c/p\u003e","\u003cp\u003eDirector of Vaudeville unit, Los Angeles, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Roslyn, New York unit of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit and Children's unit, Chicago, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Southwest Experimental unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Hallie Flanagan, national office, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.\u003c/p\u003e","\u003cp\u003eLighting designer with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Miami unit, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, Illinois Writers' Project.\u003c/p\u003e","\u003cp\u003eProducer and Theatrical Director, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and technical assistant with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and founder of Chicago Repertory Group, 1933.\u003c/p\u003e","\u003cp\u003eAdministrator, Bureau of research and Publications of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eState director of the Illinois Federal Music Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, some of whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArt director with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff composer and arranger with Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and researcher with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWriter, critic, producer, designer with the New York theaters in the 1930s.\u003c/p\u003e","\u003cp\u003eProducer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eParticipated in the Resettlement Administration.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSon of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eLighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eTheatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist and promotion officer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of information with the New York City  Federal Music Project.\u003c/p\u003e","\u003cp\u003eActor with the San Francisco  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSongwriter and composer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.\u003c/p\u003e","\u003cp\u003eActress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStagehand with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, Chicago and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.\u003c/p\u003e","\u003cp\u003eStage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Service Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.\u003c/p\u003e","\u003cp\u003eActress with the Negro unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.\u003c/p\u003e","\u003cp\u003eActor with the several units of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.\u003c/p\u003e","\u003cp\u003eAdministrator with the New Orleans and Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose Model Tenements was produced by the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTeacher and conductor with New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eInterviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.\u003c/p\u003e","\u003cp\u003eDancer with the Children's unit and Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppet artist with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor with the Vermont Federal Music Project.\u003c/p\u003e","\u003cp\u003eFather of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the Florida Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Jacksonville and Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMarionette artist with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and researcher with the National Play Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]\u003c/p\u003e","\u003cp\u003eCostume designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff member with the Educational Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMember of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.\u003c/p\u003e","\u003cp\u003eSet designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Negro unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Indiana Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and student of Hallie Flanagan at Vassar College. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of casting with the Talent Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of the Vaudeville productions, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.\u003c/p\u003e","\u003cp\u003eConductor with the Michigan Works Progress Administration Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eWith the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.\u003c/p\u003e","\u003cp\u003eActor with the Children's unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eResearcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer with the Yiddish unit,New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eRadio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActress and director with the marionette unit of the Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in New York and San Francisco; write with the Federal Writers Project.\u003c/p\u003e","\u003cp\u003eAdministrator and legal counsel for the National Service Bureau, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eHallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.\u003c/p\u003e","\u003cp\u003eActor with the Cleveland, Ohio Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer for various productions, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and director with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.\u003c/p\u003e","\u003cp\u003eMuralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor with the Negro unit, Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePlaywright and director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Experimental unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Philip Barber, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAudience member, New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eComposer, New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.\u003c/p\u003e","\u003cp\u003eActor with the Children's and Negro units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster with the Federal Music Project Illinois Symphony.\u003c/p\u003e","\u003cp\u003eComposer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.\u003c/p\u003e","\u003cp\u003ePublicist with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.\u003c/p\u003e","\u003cp\u003eDirector, Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with Composers's Forum and Copying Project of the Federal Music Project.\u003c/p\u003e","\u003cp\u003eChoreographer, New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, New York City Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eSongwriter whose works were performed by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the New Hampshire Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in Chicago whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage Manager with the Mercury Theatre, New York.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the National Youth Administration and the Works Progress Administration in Iowa.\u003c/p\u003e","\u003cp\u003eAdministrator, National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the Resettlement Administration.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eDirector with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.\u003c/p\u003e","\u003cp\u003eLighting director and technician with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the Marionette unit of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Children's theater, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and New York Federal Art Project.\u003c/p\u003e","\u003cp\u003eWorked with the GSA; recovered many Federal Art Project works and murals.\u003c/p\u003e","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSubseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes; Hatch-Billops collection\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003eFour 5\" reel-to-reel audio tape recordings\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes.\nAccess copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes with Jack Wilson\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes, 3 with Max Pollock and Frances Ward\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes; with \"Clebanoff\"\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape; \"not an interview\"\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; see also Leuning, Otto\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Alan Kayes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Virgil Thompson\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; Harry Lessin\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eWhite tape with no label. Unidentified interview with male interviewee and female interviewer.\u003c/p\u003e","\u003cp\u003eWhite tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e12 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eSubseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003e2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City\u003c/p\u003e","\u003cp\u003eOne 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School\u003c/p\u003e","\u003cp\u003e1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003eTwo 7\" reel to reels\u003c/p\u003e","\u003cp\u003e1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eBible story script produced by Mike Lodick; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e","\u003cp\u003e1 cassette tape; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope 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Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_b566e0d872c9f59cfe34a69bcda2f059\" label=\"Abstract\"\u003eCollection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.\u003c/abstract\u003e"],"abstract_tesim":["Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project."],"names_coll_ssim":["Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":673,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:11.400Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c02_c01_c25"}},{"id":"vifgm_repositories_2_resources_90_c01_c01_c05","type":"Item","attributes":{"title":"Biographical write-up of Conkle for \"Notable Names in American Theatre,\"","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_90_c01_c01_c05#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003efacsimile\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_90_c01_c01_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_90_c01_c01_c05","ref_ssm":["vifgm_repositories_2_resources_90_c01_c01_c05"],"id":"vifgm_repositories_2_resources_90_c01_c01_c05","ead_ssi":"vifgm_repositories_2_resources_90","_root_":"vifgm_repositories_2_resources_90","_nest_parent_":"vifgm_repositories_2_resources_90_c01_c01","parent_ssi":"vifgm_repositories_2_resources_90_c01_c01","parent_ssim":["vifgm_repositories_2_resources_90","vifgm_repositories_2_resources_90_c01","vifgm_repositories_2_resources_90_c01_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_90","vifgm_repositories_2_resources_90_c01","vifgm_repositories_2_resources_90_c01_c01"],"parent_unittitles_ssm":["E. P. Conkle papers","Series 1: Correspondence and Biographical Material","Personal"],"parent_unittitles_tesim":["E. P. Conkle papers","Series 1: Correspondence and Biographical Material","Personal"],"text":["E. P. Conkle papers","Series 1: Correspondence and Biographical Material","Personal","Biographical write-up of Conkle for \"Notable Names in American Theatre,\"","facsimile"],"title_filing_ssi":"Biographical write-up of Conkle for \"Notable Names in American Theatre,\"","title_ssm":["Biographical write-up of Conkle for \"Notable Names in American Theatre,\""],"title_tesim":["Biographical write-up of Conkle for \"Notable Names in American Theatre,\""],"unitdate_other_ssim":["1977"],"normalized_date_ssm":["1977"],"normalized_title_ssm":["Biographical write-up of Conkle for \"Notable Names in American Theatre,\""],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["E. P. Conkle papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":7,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1977],"scopecontent_html_tesm":["\u003cp\u003efacsimile\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["facsimile"],"_nest_path_":"/components#0/components#0/components#4","timestamp":"2026-05-21T05:14:16.259Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_90","ead_ssi":"vifgm_repositories_2_resources_90","_root_":"vifgm_repositories_2_resources_90","_nest_parent_":"vifgm_repositories_2_resources_90","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_90.xml","title_filing_ssi":"E. P. Conkle papers","title_ssm":["E. P. Conkle papers"],"title_tesim":["E. P. Conkle papers"],"unitdate_ssm":["1928-1994"],"unitdate_inclusive_ssm":["1928-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0157","/repositories/2/resources/90"],"text":["C0157","/repositories/2/resources/90","E. P. Conkle papers","Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence","There are no access restrictions.","This collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.","Series Series 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1) Series 2: Book Manuscripts, undated (Box 1) Series 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6) Series 4: Poetry, 1939-1973 (Box 6) Series 5: Short Stories, 1939-1973 (Box 7) Series 6: Miscellaneous, 1931-1992 (Box 7)","Ellsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. ","In addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. ","Processed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.","The Special Collections Research Center also holds the  .","Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. ","Series 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. ","Series 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. ","Series 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" ","Series 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. ","Series 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" ","Series 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. ","This series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile; address of the Works Progress Administration in heading","facsimile","facsimile; note in margin indicates \"Los Angeles Production,\"","This series contains typed and annotated manuscripts of books written by E. P. Conkle.","Austin, Texas; typed manuscript, 292 pages, includes cover with title","typed manuscript, 292 pages, no cover","University of Texas, Austin; typed manuscript with annotations, 135 pages","Austin, Texas; typed manuscript with revisions, 266 pages","This is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"","University of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"","University of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"","University of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.","University of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3","University of Texas, Austin; two copies of the play script, 121 pages each","Texas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan","two annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each","Austin, Texas","Austin, Texas; facsimile of typescript","cast: Clyte Cedars and Arlie Askew; place: Clyte's place","123 pages","University of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages","two typed manuscripts","University of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages","84 pages","University of Texas, Austin; two typed copies, one marked \"Final / 1971\"","two copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein","University of Texas, Austin; two copies, 113 pages each","This collection contains typed and annotated poems written by E. P. Conkle.","several copies, including one 8 page typed copy with corrections","Austin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"","two typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"","University of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"","University of Texas, Austin; typed manuscripts with revisions","small format type scripts","This collection contains typed and annotated short stories written by E. P. Conkle.","University of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"","University of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"","This collection contains various items including essays and term papers Conkle wrote as a student.","35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated","list of University of Texas graduate students and the titles of their theses and dissertations arranged by date","University of Texas, Austin; revised three-page essay on education written by Conkle","two pages listing titles of plays by Conkle and four lines of verse, untitled","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973).","George Mason University. Libraries. Special Collections Research Center","Conkle, E. P. (Ellsworth Prouty)","English"],"unitid_tesim":["C0157","/repositories/2/resources/90"],"normalized_title_ssm":["E. P. Conkle papers"],"collection_title_tesim":["E. P. Conkle papers"],"collection_ssim":["E. P. Conkle papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Conkle, E. P. (Ellsworth Prouty)"],"creator_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"creator_persname_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"creators_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Virginia McNeal Conkle in 1994."],"access_subjects_ssim":["Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence"],"access_subjects_ssm":["Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["3.5 Linear Feet 7 boxes"],"extent_tesim":["3.5 Linear Feet 7 boxes"],"genreform_ssim":["Poetry","Manuscripts","Correspondence"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Book Manuscripts, undated (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Poetry, 1939-1973 (Box 6)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Short Stories, 1939-1973 (Box 7)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Miscellaneous, 1931-1992 (Box 7)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.","Series Series 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1) Series 2: Book Manuscripts, undated (Box 1) Series 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6) Series 4: Poetry, 1939-1973 (Box 6) Series 5: Short Stories, 1939-1973 (Box 7) Series 6: Miscellaneous, 1931-1992 (Box 7)"],"bioghist_html_tesm":["\u003cp\u003eEllsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. \u003c/p\u003e\n","\u003cp\u003eIn addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Ellsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. ","In addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. "],"prefercite_html_tesm":["\u003cp\u003eE. P. Conkle papers, C0157, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["E. P. Conkle papers, C0157, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Jay Bradford Fowler, Jr. papers\" href=\"https://aspace.gmu.edu/resources/c0046\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eIncluded in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. \u003c/p\u003e\n","\u003cp\u003eSeries 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. \u003c/p\u003e\n","\u003cp\u003eSeries 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" \u003c/p\u003e\n","\u003cp\u003eSeries 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. \u003c/p\u003e\n","\u003cp\u003eSeries 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" \u003c/p\u003e\n","\u003cp\u003eSeries 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. \u003c/p\u003e","\u003cp\u003eThis series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile; address of the Works Progress Administration in heading\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile; note in margin indicates \"Los Angeles Production,\"\u003c/p\u003e","\u003cp\u003eThis series contains typed and annotated manuscripts of books written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed manuscript, 292 pages, includes cover with title\u003c/p\u003e","\u003cp\u003etyped manuscript, 292 pages, no cover\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; typed manuscript with annotations, 135 pages\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed manuscript with revisions, 266 pages\u003c/p\u003e","\u003cp\u003eThis is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the play script, 121 pages each\u003c/p\u003e","\u003cp\u003eTexas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan\u003c/p\u003e","\u003cp\u003etwo annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each\u003c/p\u003e","\u003cp\u003eAustin, Texas\u003c/p\u003e","\u003cp\u003eAustin, Texas; facsimile of typescript\u003c/p\u003e","\u003cp\u003ecast: Clyte Cedars and Arlie Askew; place: Clyte's place\u003c/p\u003e","\u003cp\u003e123 pages\u003c/p\u003e","\u003cp\u003eUniversity of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages\u003c/p\u003e","\u003cp\u003etwo typed manuscripts\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages\u003c/p\u003e","\u003cp\u003e84 pages\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two typed copies, one marked \"Final / 1971\"\u003c/p\u003e","\u003cp\u003etwo copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies, 113 pages each\u003c/p\u003e","\u003cp\u003eThis collection contains typed and annotated poems written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eseveral copies, including one 8 page typed copy with corrections\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"\u003c/p\u003e","\u003cp\u003etwo typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; typed manuscripts with revisions\u003c/p\u003e","\u003cp\u003esmall format type scripts\u003c/p\u003e","\u003cp\u003eThis collection contains typed and annotated short stories written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"\u003c/p\u003e","\u003cp\u003eThis collection contains various items including essays and term papers Conkle wrote as a student.\u003c/p\u003e","\u003cp\u003e35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated\u003c/p\u003e","\u003cp\u003elist of University of Texas graduate students and the titles of their theses and dissertations arranged by date\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; revised three-page essay on education written by Conkle\u003c/p\u003e","\u003cp\u003etwo pages listing titles of plays by Conkle and four lines of verse, untitled\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. ","Series 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. ","Series 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. ","Series 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" ","Series 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. ","Series 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" ","Series 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. ","This series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile; address of the Works Progress Administration in heading","facsimile","facsimile; note in margin indicates \"Los Angeles Production,\"","This series contains typed and annotated manuscripts of books written by E. P. Conkle.","Austin, Texas; typed manuscript, 292 pages, includes cover with title","typed manuscript, 292 pages, no cover","University of Texas, Austin; typed manuscript with annotations, 135 pages","Austin, Texas; typed manuscript with revisions, 266 pages","This is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"","University of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"","University of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"","University of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.","University of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3","University of Texas, Austin; two copies of the play script, 121 pages each","Texas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan","two annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each","Austin, Texas","Austin, Texas; facsimile of typescript","cast: Clyte Cedars and Arlie Askew; place: Clyte's place","123 pages","University of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages","two typed manuscripts","University of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages","84 pages","University of Texas, Austin; two typed copies, one marked \"Final / 1971\"","two copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein","University of Texas, Austin; two copies, 113 pages each","This collection contains typed and annotated poems written by E. P. Conkle.","several copies, including one 8 page typed copy with corrections","Austin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"","two typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"","University of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"","University of Texas, Austin; typed manuscripts with revisions","small format type scripts","This collection contains typed and annotated short stories written by E. P. Conkle.","University of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"","University of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"","This collection contains various items including essays and term papers Conkle wrote as a student.","35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated","list of University of Texas graduate students and the titles of their theses and dissertations arranged by date","University of Texas, Austin; revised three-page essay on education written by Conkle","two pages listing titles of plays by Conkle and four lines of verse, untitled"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4cc520ef016e4cf4b96e754985251fb\" label=\"Abstract\"\u003eIncluded in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973).\u003c/abstract\u003e"],"abstract_tesim":["Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973)."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Conkle, E. P. (Ellsworth Prouty)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"persname_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":63,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:14:16.259Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_90_c01_c01_c05"}},{"id":"vifgm_conkle_c01_c01_c05","type":"Item","attributes":{"title":"Biographical write-up of Conkle for \"Notable Names in American Theatre,\"","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_conkle_c01_c01_c05#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003efacsimile\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_conkle_c01_c01_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_conkle_c01_c01_c05","ref_ssm":["vifgm_conkle_c01_c01_c05"],"id":"vifgm_conkle_c01_c01_c05","ead_ssi":"vifgm_conkle","_root_":"vifgm_conkle","_nest_parent_":"vifgm_conkle_c01_c01","parent_ssi":"vifgm_conkle_c01_c01","parent_ssim":["vifgm_conkle","vifgm_conkle_c01","vifgm_conkle_c01_c01"],"parent_ids_ssim":["vifgm_conkle","vifgm_conkle_c01","vifgm_conkle_c01_c01"],"parent_unittitles_ssm":["E. P. Conkle papers","Series 1: Correspondence and Biographical Material,","Personal,"],"parent_unittitles_tesim":["E. P. Conkle papers","Series 1: Correspondence and Biographical Material,","Personal,"],"text":["E. P. Conkle papers","Series 1: Correspondence and Biographical Material,","Personal,","Biographical write-up of Conkle for \"Notable Names in American Theatre,\"","facsimile"],"title_filing_ssi":"Biographical write-up of Conkle for \"Notable Names in American Theatre,\"","title_ssm":["Biographical write-up of Conkle for \"Notable Names in American Theatre,\""],"title_tesim":["Biographical write-up of Conkle for \"Notable Names in American Theatre,\""],"unitdate_other_ssim":["1977"],"normalized_date_ssm":["1977"],"normalized_title_ssm":["Biographical write-up of Conkle for \"Notable Names in American Theatre,\""],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["E. P. Conkle papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":7,"date_range_isim":[1977],"scopecontent_html_tesm":["\u003cp\u003efacsimile\u003c/p\u003e"],"scopecontent_tesim":["facsimile"],"_nest_path_":"/components#0/components#0/components#4","timestamp":"2026-05-21T06:45:26.642Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_conkle","ead_ssi":"vifgm_conkle","_root_":"vifgm_conkle","_nest_parent_":"vifgm_conkle","ead_source_url_ssi":"data/gmu/conkle.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/conkle.html","title_ssm":["E. P. Conkle papers"],"title_tesim":["E. P. Conkle papers"],"unitdate_ssm":["1928-1994\n"],"unitdate_inclusive_ssm":["1928-1994\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0157\n"],"text":["C0157\n","E. P. Conkle papers","American drama--20th century.","American poetry--20th century.","Short stories, American--20th century.","There are no access restrictions.\n","This collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.\n","Series 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1)\n Series 2: Book Manuscripts, undated (Box 1)\n Series 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6)\n Series 4: Poetry, 1939-1973 (Box 6)\n Series 5: Short Stories, 1939-1973 (Box 7)\n Series 6: Miscellaneous, 1931-1992 (Box 7)\n","Ellsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. \n","In addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. \n","Processed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.\n","Special Collections and Archives also holds the   as well as collections on the Federal Theatre Project.\n","Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa.  The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. \n","Series 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.\n","Series 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy.\n","Series 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\"\n","Series 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More.\n","Series 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" \n","Series 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. \n","This series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. \n","","","","facsimile","facsimile","facsimile","facsimile","","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile; address of the Works Progress Administration in heading","facsimile","facsimile; note in margin indicates \"Los Angeles Production,\"","This series contains typed and annotated manuscripts of books written by E. P. Conkle. \n","Austin, Texas; typed manuscript, 292 pages, includes cover with title\n\t","typed manuscript, 292 pages, no cover\n\t","University of Texas, Austin; typed manuscript with annotations, 135 pages\n\t","Austin, Texas; typed manuscript with revisions, 266 pages\n\t","This is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"\n","University of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"\n\t","University of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"\n\t","University of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.\n\t","University of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"\n\t","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3\n\t","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3\n\t","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3\n\t","University of Texas, Austin; two copies of the play script, 121 pages each\n\t","","Texas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan\n\t","two annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each\n\t","Austin, Texas\n\t","Austin, Texas; facsimile of typescript","cast: Clyte Cedars and Arlie Askew; place: Clyte's place","","123 pages\n\t","University of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages\n\t","two typed manuscripts\n\t","University of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages\n\t","84 pages\n\t","University of Texas, Austin; two typed copies, one marked \"Final / 1971\"\n\t","two copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein\n\t","University of Texas, Austin; two copies, 113 pages each\n\t","This collection contains typed and annotated poems written by E. P. Conkle. \n","several copies, including one 8 page typed copy with corrections\n\t","Austin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"\n\t","two typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"\n\t","University of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"\n\t","University of Texas, Austin; typed manuscripts with revisions\n\t","small format type scripts\n\t","This collection contains typed and annotated short stories written by E. P. Conkle. \n","University of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"\n\t","University of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"\n\t","This collection contains various items including essays and term papers Conkle wrote as a student. \n","","35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated","list of University of Texas graduate students and the titles of their theses and dissertations arranged by date","University of Texas, Austin; revised three-page essay on education written by Conkle","","two pages listing titles of plays by Conkle and four lines of verse, untitled","There are no restrictions on personal use. Permission to publish material from the E. P. Conkle papers must be obtained from the Special Collections Research Center, George Mason University Libraries.\n","Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). \n","George Mason University.  Special Collections and Archives.\n","E. P. (Ellsworth Prouty) Conkle\n","Conkle, E. P. (Ellsworth Prouty)","English\n"],"unitid_tesim":["C0157\n"],"normalized_title_ssm":["E. P. Conkle papers"],"collection_title_tesim":["E. P. Conkle papers"],"collection_ssim":["E. P. Conkle papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["E. P. (Ellsworth Prouty) Conkle\n"],"creator_ssim":["E. P. (Ellsworth Prouty) Conkle\n"],"creator_persname_ssim":["E. P. (Ellsworth Prouty) Conkle\n"],"creators_ssim":["E. P. (Ellsworth Prouty) Conkle\n"],"acqinfo_ssim":["Donated by Virginia McNeal Conkle in 1994.\n"],"access_subjects_ssim":["American drama--20th century.","American poetry--20th century.","Short stories, American--20th century."],"access_subjects_ssm":["American drama--20th century.","American poetry--20th century.","Short stories, American--20th century."],"has_online_content_ssim":["false"],"extent_ssm":["3.5 linear ft.; 7 boxes"],"extent_tesim":["3.5 linear ft.; 7 boxes"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions\n"],"accessrestrict_tesim":["There are no access restrictions.\n"],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.\n\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Book Manuscripts, undated (Box 1)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6)\n\u003c/item\u003e\n        \u003citem\u003eSeries 4: Poetry, 1939-1973 (Box 6)\n\u003c/item\u003e\n        \u003citem\u003eSeries 5: Short Stories, 1939-1973 (Box 7)\n\u003c/item\u003e\n        \u003citem\u003eSeries 6: Miscellaneous, 1931-1992 (Box 7)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["This collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.\n","Series 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1)\n Series 2: Book Manuscripts, undated (Box 1)\n Series 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6)\n Series 4: Poetry, 1939-1973 (Box 6)\n Series 5: Short Stories, 1939-1973 (Box 7)\n Series 6: Miscellaneous, 1931-1992 (Box 7)\n"],"bioghist_html_tesm":["\u003cp\u003eEllsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. \n\u003c/p\u003e","\u003cp\u003eIn addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. \n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Ellsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. \n","In addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. \n"],"prefercite_html_tesm":["\u003cp\u003eE. P. Conkle papers, C0157, Special Collections and Archives, George Mason University Libraries.\n\u003c/p\u003e"],"prefercite_tesim":["E. P. Conkle papers, C0157, Special Collections and Archives, George Mason University Libraries.\n"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.\n\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information\n"],"processinfo_tesim":["Processed by Special Collections and Archives staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.\n"],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the \u003cextptr type=\"simple\" title=\"Jay Bradford Fowler, Jr. papers\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/fowler.html\"\u003e\u003c/extptr\u003e as well as collections on the Federal Theatre Project.\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material\n"],"relatedmaterial_tesim":["Special Collections and Archives also holds the   as well as collections on the Federal Theatre Project.\n"],"scopecontent_html_tesm":["\u003cp\u003eIncluded in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa.  The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. \n\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.\n\u003c/p\u003e","\u003cp\u003eSeries 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy.\n\u003c/p\u003e","\u003cp\u003eSeries 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\"\n\u003c/p\u003e","\u003cp\u003eSeries 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More.\n\u003c/p\u003e","\u003cp\u003eSeries 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" \n\u003c/p\u003e","\u003cp\u003eSeries 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. \n\u003c/p\u003e","\u003cp\u003eThis series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. \n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile; address of the Works Progress Administration in heading\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile; note in margin indicates \"Los Angeles Production,\"\u003c/p\u003e","\u003cp\u003eThis series contains typed and annotated manuscripts of books written by E. P. Conkle. \n\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed manuscript, 292 pages, includes cover with title\n\t\u003c/p\u003e","\u003cp\u003etyped manuscript, 292 pages, no cover\n\t\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; typed manuscript with annotations, 135 pages\n\t\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed manuscript with revisions, 266 pages\n\t\u003c/p\u003e","\u003cp\u003eThis is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"\n\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"\n\t\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"\n\t\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.\n\t\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"\n\t\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3\n\t\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3\n\t\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3\n\t\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the play script, 121 pages each\n\t\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eTexas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan\n\t\u003c/p\u003e","\u003cp\u003etwo annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each\n\t\u003c/p\u003e","\u003cp\u003eAustin, Texas\n\t\u003c/p\u003e","\u003cp\u003eAustin, Texas; facsimile of typescript\u003c/p\u003e","\u003cp\u003ecast: Clyte Cedars and Arlie Askew; place: Clyte's place\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e123 pages\n\t\u003c/p\u003e","\u003cp\u003eUniversity of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages\n\t\u003c/p\u003e","\u003cp\u003etwo typed manuscripts\n\t\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages\n\t\u003c/p\u003e","\u003cp\u003e84 pages\n\t\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two typed copies, one marked \"Final / 1971\"\n\t\u003c/p\u003e","\u003cp\u003etwo copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein\n\t\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies, 113 pages each\n\t\u003c/p\u003e","\u003cp\u003eThis collection contains typed and annotated poems written by E. P. Conkle. \n\u003c/p\u003e","\u003cp\u003eseveral copies, including one 8 page typed copy with corrections\n\t\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"\n\t\u003c/p\u003e","\u003cp\u003etwo typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"\n\t\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"\n\t\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; typed manuscripts with revisions\n\t\u003c/p\u003e","\u003cp\u003esmall format type scripts\n\t\u003c/p\u003e","\u003cp\u003eThis collection contains typed and annotated short stories written by E. P. Conkle. \n\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"\n\t\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"\n\t\u003c/p\u003e","\u003cp\u003eThis collection contains various items including essays and term papers Conkle wrote as a student. \n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated\u003c/p\u003e","\u003cp\u003elist of University of Texas graduate students and the titles of their theses and dissertations arranged by date\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; revised three-page essay on education written by Conkle\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003etwo pages listing titles of plays by Conkle and four lines of verse, untitled\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa.  The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. \n","Series 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.\n","Series 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy.\n","Series 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\"\n","Series 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More.\n","Series 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" \n","Series 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. \n","This series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. \n","","","","facsimile","facsimile","facsimile","facsimile","","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile; address of the Works Progress Administration in heading","facsimile","facsimile; note in margin indicates \"Los Angeles Production,\"","This series contains typed and annotated manuscripts of books written by E. P. Conkle. \n","Austin, Texas; typed manuscript, 292 pages, includes cover with title\n\t","typed manuscript, 292 pages, no cover\n\t","University of Texas, Austin; typed manuscript with annotations, 135 pages\n\t","Austin, Texas; typed manuscript with revisions, 266 pages\n\t","This is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"\n","University of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"\n\t","University of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"\n\t","University of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.\n\t","University of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"\n\t","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3\n\t","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3\n\t","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3\n\t","University of Texas, Austin; two copies of the play script, 121 pages each\n\t","","Texas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan\n\t","two annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each\n\t","Austin, Texas\n\t","Austin, Texas; facsimile of typescript","cast: Clyte Cedars and Arlie Askew; place: Clyte's place","","123 pages\n\t","University of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages\n\t","two typed manuscripts\n\t","University of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages\n\t","84 pages\n\t","University of Texas, Austin; two typed copies, one marked \"Final / 1971\"\n\t","two copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein\n\t","University of Texas, Austin; two copies, 113 pages each\n\t","This collection contains typed and annotated poems written by E. P. Conkle. \n","several copies, including one 8 page typed copy with corrections\n\t","Austin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"\n\t","two typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"\n\t","University of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"\n\t","University of Texas, Austin; typed manuscripts with revisions\n\t","small format type scripts\n\t","This collection contains typed and annotated short stories written by E. P. Conkle. \n","University of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"\n\t","University of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"\n\t","This collection contains various items including essays and term papers Conkle wrote as a student. \n","","35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated","list of University of Texas graduate students and the titles of their theses and dissertations arranged by date","University of Texas, Austin; revised three-page essay on education written by Conkle","","two pages listing titles of plays by Conkle and four lines of verse, untitled"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the E. P. Conkle papers must be obtained from the Special Collections Research Center, George Mason University Libraries.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the E. P. Conkle papers must be obtained from the Special Collections Research Center, George Mason University Libraries.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eIncluded in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). \n\u003c/abstract\u003e"],"abstract_tesim":["Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). \n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","E. P. (Ellsworth Prouty) Conkle\n","Conkle, E. P. (Ellsworth Prouty)"],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n"],"persname_ssim":["E. P. (Ellsworth Prouty) Conkle\n","Conkle, E. P. (Ellsworth Prouty)"],"language_ssim":["English\n"],"total_component_count_is":63,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:45:26.642Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_conkle_c01_c01_c05"}},{"id":"vifgm_repositories_2_resources_190_c02_c01_c360_c01","type":"Item","attributes":{"title":"Black MacBeth","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c02_c01_c360_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c02_c01_c360_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_190_c02_c01_c360_c01","ref_ssm":["vifgm_repositories_2_resources_190_c02_c01_c360_c01"],"id":"vifgm_repositories_2_resources_190_c02_c01_c360_c01","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190_c02_c01_c360","parent_ssi":"vifgm_repositories_2_resources_190_c02_c01_c360","parent_ssim":["vifgm_repositories_2_resources_190","vifgm_repositories_2_resources_190_c02","vifgm_repositories_2_resources_190_c02_c01","vifgm_repositories_2_resources_190_c02_c01_c360"],"parent_ids_ssim":["vifgm_repositories_2_resources_190","vifgm_repositories_2_resources_190_c02","vifgm_repositories_2_resources_190_c02_c01","vifgm_repositories_2_resources_190_c02_c01_c360"],"parent_unittitles_ssm":["Works Progress Administration oral histories collection","Series 2: Audio Recordings","Subseries 2.1: Oral history interviews","Subseries 2.2: Plays, radio interviews, conferences"],"parent_unittitles_tesim":["Works Progress Administration oral histories collection","Series 2: Audio Recordings","Subseries 2.1: Oral history interviews","Subseries 2.2: Plays, radio interviews, conferences"],"text":["Works Progress Administration oral histories collection","Series 2: Audio Recordings","Subseries 2.1: Oral history interviews","Subseries 2.2: Plays, radio interviews, conferences","Black MacBeth","box 35","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City"],"title_filing_ssi":"Black MacBeth","title_ssm":["Black MacBeth"],"title_tesim":["Black MacBeth"],"unitdate_other_ssim":["May 29, 1977"],"normalized_date_ssm":["1977"],"normalized_title_ssm":["Black MacBeth"],"component_level_isim":[4],"repository_ssim":["George Mason University"],"collection_ssim":["Works Progress Administration oral histories collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":651,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1977],"containers_ssim":["box 35"],"scopecontent_html_tesm":["\u003cp\u003e2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City"],"_nest_path_":"/components#1/components#0/components#359/components#0","timestamp":"2026-05-21T05:31:11.400Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_190","ead_ssi":"vifgm_repositories_2_resources_190","_root_":"vifgm_repositories_2_resources_190","_nest_parent_":"vifgm_repositories_2_resources_190","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_190.xml","title_filing_ssi":"Works Progress Administration oral histories","title_ssm":["Works Progress Administration oral histories collection"],"title_tesim":["Works Progress Administration oral histories collection"],"unitdate_ssm":["1961-1984"],"unitdate_inclusive_ssm":["1961-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0153","/repositories/2/resources/190"],"text":["C0153","/repositories/2/resources/190","Works Progress Administration oral histories collection","Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories","There are no access restrictions.","Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  .","This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)","The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.","The Special Collections Research Center also holds the  .","This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Collection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","Federal Art Project","Federal Music Project (U.S.)","Federal Theatre Project (U.S.)","Federal Writers' Project","United States. Works Progress Administration","English"],"unitid_tesim":["C0153","/repositories/2/resources/190"],"normalized_title_ssm":["Works Progress Administration oral histories collection"],"collection_title_tesim":["Works Progress Administration oral histories collection"],"collection_ssim":["Works Progress Administration oral histories collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creator_corpname_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"creators_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Institute on the Federal Theatre Project and New Deal Culture."],"access_subjects_ssim":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"access_subjects_ssm":["Theater -- United States","Dance -- United States","Acting","New Deal, 1933-1939","Performing arts","Theater","Theater -- United States -- History -- 20th century","Sound recordings","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["16 Linear Feet 43 boxes"],"extent_tesim":["16 Linear Feet 43 boxes"],"genreform_ssim":["Sound recordings","Oral histories"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eMost of the oral histories from this collection were digitized through a Council on Library \u0026amp; Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit \u003cextptr show=\"new\" title=\"https://vwpa.gmu.edu/audiocollection/\" href=\"https://vwpa.gmu.edu/audiocollection/\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Most of the oral histories from this collection were digitized through a Council on Library \u0026 Information Resources (CLIR) grant in 2019. To access the digitized recordings and learn more about the project, please visit  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.\u003c/p\u003e\n","\u003cp\u003eOrganized into two series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Transcripts, 1961-1984 (Boxes 1-11)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Audio Recordings, 1938-1984 (Boxes 12-41)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in two series based on format - transcripts and recordings. Series 2 is divided into two subseries by content - oral histories; plays, radio interviews, and conferences.","Organized into two series:","Series Series 1: Transcripts, 1961-1984 (Boxes 1-11) Series 2: Audio Recordings, 1938-1984 (Boxes 12-41)"],"bioghist_html_tesm":["\u003cp\u003eThe interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The interviews in the WPA Oral Histories Collection were conducted from between 1961 and 1984. The majority of the interviews were done in the 1970s and 1980s by Lorraine Brown and John O'Connor as part of the Institute on the Federal Theatre Project and New Deal Culture. Cassettes of cast recordings and conferences were also created by the Institute on the Federal Theatre Project and New Deal Culture."],"prefercite_html_tesm":["\u003cp\u003eWorks Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Works Progress Administration oral histories collection, C0153, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Series 2 added in November 2013 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in March 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Federal Theatre Project collection\" href=\"https://aspace.gmu.edu/resources/c0002\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSeries 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.\u003c/p\u003e","\u003cp\u003eWidow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eCostume designer with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress who auditioned for Negro Unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and director, San Francisco Federal Music Project.\u003c/p\u003e","\u003cp\u003eTechnician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.\u003c/p\u003e","\u003cp\u003eDancer with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Federal Dance Project, New York City.\u003c/p\u003e","\u003cp\u003eWorked with the Radio Division of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eStage manager with the Manhattan City Projects, New York City.\u003c/p\u003e","\u003cp\u003eDancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSet designer for various New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eSon-in-law of Hallie Flanagan; writer and critic of modern drama.\u003c/p\u003e","\u003cp\u003eStep-daughter of Hallie Flanagan.\u003c/p\u003e","\u003cp\u003eArtist, muralist. Unidentified interviewer may have residual rights to interview.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter who worked with the National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eNovelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.\u003c/p\u003e","\u003cp\u003eCostume designer with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eComposer, musician; wrote Swing It for New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, muralist with New York City Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePhilip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.\u003c/p\u003e","\u003cp\u003eCorrespondence and notes from untaped interview.\u003c/p\u003e","\u003cp\u003eCostume designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eRobert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of marionette unit of Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with Federal Art Project. Permission for publication required.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Children's unit of New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist, muralist with Federal Art Project.\u003c/p\u003e","\u003cp\u003e[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePersonnel administrator with New York City and Florida Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eArtist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.\u003c/p\u003e","\u003cp\u003eArtist, New York. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eActor, stage manager with Portland, Oregon Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with Federal Dance Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and theater critic.\u003c/p\u003e","\u003cp\u003eDirector of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWith Children's Theatre unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster, Illinois Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDistrict supervisor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSupervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project. Permission to quote required.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit, Boston Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003ePlaywright whose work, Swamp Mud, was produced in Birmingham, Alabama.\u003c/p\u003e","\u003cp\u003eWorks Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.\u003c/p\u003e","\u003cp\u003eSculptor with the Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress with Roslyn, New York unit of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and director with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York Federal Theatre Project unit.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eFinance administrator, Works Progress Administration arts projects, Washington, D.C.\u003c/p\u003e","\u003cp\u003eActor with Popular Price Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusic director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the dance unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay adapter and choreographer with Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant to Hallie Flanagan at Smith College; playwright.\u003c/p\u003e","\u003cp\u003ePlaywright with Chicago Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked in Herbert Hoover's and Harry Hopkins's press offices.\u003c/p\u003e","\u003cp\u003eStudent of Hallie Flanagan; expert in children's theater.\u003c/p\u003e","\u003cp\u003eDirector of Vaudeville unit, Los Angeles, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Roslyn, New York unit of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eMusical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of Negro unit and Children's unit, Chicago, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Southwest Experimental unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Hallie Flanagan, national office, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.\u003c/p\u003e","\u003cp\u003eLighting designer with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Miami unit, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with Children's Theatre, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with Radio Division, Illinois Writers' Project.\u003c/p\u003e","\u003cp\u003eProducer and Theatrical Director, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and technical assistant with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor and founder of Chicago Repertory Group, 1933.\u003c/p\u003e","\u003cp\u003eAdministrator, Bureau of research and Publications of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eState director of the Illinois Federal Music Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, some of whose works were produced by various Federal Theatre Project units.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.\u003c/p\u003e","\u003cp\u003eMusical director with the Los Angeles and San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArt director with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff composer and arranger with Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and researcher with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.\u003c/p\u003e","\u003cp\u003ePlay reader and playwright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eWriter, critic, producer, designer with the New York theaters in the 1930s.\u003c/p\u003e","\u003cp\u003eProducer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eParticipated in the Resettlement Administration.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eSon of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eLighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eTheatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist and promotion officer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of information with the New York City  Federal Music Project.\u003c/p\u003e","\u003cp\u003eActor with the San Francisco  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSongwriter and composer with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.\u003c/p\u003e","\u003cp\u003eActress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStagehand with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright with the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, Chicago and New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.\u003c/p\u003e","\u003cp\u003eStage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.\u003c/p\u003e","\u003cp\u003ePlaywright whose works were produced by the New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the National Service Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.\u003c/p\u003e","\u003cp\u003eActress with the Negro unit, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette Project, New York City  Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.\u003c/p\u003e","\u003cp\u003eActor with the several units of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.\u003c/p\u003e","\u003cp\u003eAdministrator with the New Orleans and Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer with New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose Model Tenements was produced by the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the Dance Project, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTeacher and conductor with New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eInterviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.\u003c/p\u003e","\u003cp\u003eDancer with the Children's unit and Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppet artist with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConductor with the Vermont Federal Music Project.\u003c/p\u003e","\u003cp\u003eFather of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the Florida Federal Theatre Project.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Jacksonville and Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMarionette artist with the San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright and researcher with the National Play Bureau of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]\u003c/p\u003e","\u003cp\u003eCostume designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Tampa Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStaff member with the Educational Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMember of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.\u003c/p\u003e","\u003cp\u003eSet designer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Negro unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eDirector with the Indiana Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer and choreographer with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress and student of Hallie Flanagan at Vassar College. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of casting with the Talent Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector of the Vaudeville productions, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.\u003c/p\u003e","\u003cp\u003eConductor with the Michigan Works Progress Administration Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eActor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eWith the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.\u003c/p\u003e","\u003cp\u003eActor with the Children's unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eResearcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eChoreographer with the Yiddish unit,New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eRadio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eActress and director with the marionette unit of the Miami Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in New York and San Francisco; write with the Federal Writers Project.\u003c/p\u003e","\u003cp\u003eAdministrator and legal counsel for the National Service Bureau, Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eHallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.\u003c/p\u003e","\u003cp\u003eActor with the Cleveland, Ohio Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer for various productions, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and director with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.\u003c/p\u003e","\u003cp\u003eMuralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eAdministrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActor with the Negro unit, Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003ePlaywright and director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDirector with the Experimental unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActress with the Radio Division, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Philip Barber, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAssistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAudience member, New York City Federal Theatre Project productions.\u003c/p\u003e","\u003cp\u003eComposer, New York City Federal Music Project.\u003c/p\u003e","\u003cp\u003eDirector of the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWriter and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eActress, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePublicist, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.\u003c/p\u003e","\u003cp\u003eActor with the Children's and Negro units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eConcertmaster with the Federal Music Project Illinois Symphony.\u003c/p\u003e","\u003cp\u003eComposer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.\u003c/p\u003e","\u003cp\u003ePublicist with the Negro unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.\u003c/p\u003e","\u003cp\u003ePlaywright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.\u003c/p\u003e","\u003cp\u003eDirector, Denver Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with Composers's Forum and Copying Project of the Federal Music Project.\u003c/p\u003e","\u003cp\u003eChoreographer, New York City Federal Theatre Project. This is an untaped interview.\u003c/p\u003e","\u003cp\u003eArtist, New York City Federal Art Project. Permission of interviewer required for publication.\u003c/p\u003e","\u003cp\u003eSongwriter whose works were performed by New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eComposer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSet designer, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the Anglo-Jewish unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eActor with the New Hampshire Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright in Chicago whose work was produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage Manager with the Mercury Theatre, New York.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Classical unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMusical director with the Negro and Classical units, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the National Youth Administration and the Works Progress Administration in Iowa.\u003c/p\u003e","\u003cp\u003eAdministrator, National Play Bureau, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eWorked with the Resettlement Administration.\u003c/p\u003e","\u003cp\u003eActor with the Roslyn, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eDancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.\u003c/p\u003e","\u003cp\u003ePlaywright based in Chicago whose works were produced by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator, Atlanta Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eDirector with the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eMuralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.\u003c/p\u003e","\u003cp\u003eLighting director and technician with the Chicago Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eAdministrator with the Marionette unit of the New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePuppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatrical director with the Seattle Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eStage manager with the Children's theater, New York City Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eArtist with the Illinois and New York Federal Art Project.\u003c/p\u003e","\u003cp\u003eWorked with the GSA; recovered many Federal Art Project works and murals.\u003c/p\u003e","\u003cp\u003eSeries 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSubseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes; Hatch-Billops collection\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003eFour 5\" reel-to-reel audio tape recordings\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes.\nAccess copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes with Jack Wilson\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes, 3 with Max Pollock and Frances Ward\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes; with \"Clebanoff\"\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape; \"not an interview\"\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; see also Leuning, Otto\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 7\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Alan Kayes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 tapes, 1 with Virgil Thompson\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e5 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes; Harry Lessin\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e6 cassette tapes\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eTwo 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eWhite tape with no label. Unidentified interview with male interviewee and female interviewer.\u003c/p\u003e","\u003cp\u003eWhite tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e12 cassette tapes\u003c/p\u003e","\u003cp\u003e9 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003eThree 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003eOne 5\" reel-to-reel audio tape recording\u003c/p\u003e","\u003cp\u003e2 cassette tapes. Access copy available on CD in box 43.\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e4 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eSubseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003e2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City\u003c/p\u003e","\u003cp\u003eOne 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School\u003c/p\u003e","\u003cp\u003e1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e3 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003e2 cassette tapes: as performed by the Theatre of St. John's Church in New York City\u003c/p\u003e","\u003cp\u003eTwo 7\" reel to reels\u003c/p\u003e","\u003cp\u003e1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes\u003c/p\u003e","\u003cp\u003e1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes\u003c/p\u003e","\u003cp\u003e1 cassette tape\u003c/p\u003e","\u003cp\u003e8 cassette tapes\u003c/p\u003e","\u003cp\u003e7 cassette tapes\u003c/p\u003e","\u003cp\u003e2 cassette tapes\u003c/p\u003e","\u003cp\u003eBible story script produced by Mike Lodick; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e","\u003cp\u003e1 cassette tape; 30 minutes\u003c/p\u003e","\u003cp\u003eOne 7\" reel to reel\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection consists of oral history interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. These include the Federal Art Project, Federal Music Project, and Federal Writers Project. ","Series 1: Transcripts consists of typewritten and handwritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Series 1: Transcripts consists of handwritten and typewritten photocopies of transcripts of oral histories created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Some folders also contain correspondence and photographs of the interviewee. This series is arranged alphabetically by last name of interviewee.","Widow of playwright Hughes Allison, whose work was produced by the Federal Theatre Project.","Stage manager and director with the Negro unit, New York City Federal Theatre Project.","Costume designer with the San Francisco Federal Theatre Project.","Actress who auditioned for Negro Unit, New York City Federal Theatre Project.","Composer and director, San Francisco Federal Music Project.","Technician, marionette artist, and actor with the Classical unit, New York City Federal Theatre Project.","Conductor, Federal Music Project's Virginia Symphony Orchestra and North Carolina-Virginia Symphony.","Dancer and assistant to Charles Weidman, with New York City Federal Dance Theatre.","Dancer with the Negro unit, New York City Federal Theatre Project.","Administrative director of the New York City Federal Theatre Project.","Dancer with Federal Dance Project, New York City.","Worked with the Radio Division of Federal Theatre Project. This is an untaped interview.","Stage manager with the Manhattan City Projects, New York City.","Dancer and actor with New York City Federal Theatre Project units.\nAvailable in digital format.","Set designer for various New York City Federal Theatre Project productions.","Son-in-law of Hallie Flanagan; writer and critic of modern drama.","Step-daughter of Hallie Flanagan.","Artist, muralist. Unidentified interviewer may have residual rights to interview.","Actor with Children's Theatre and Living Newspaper units of New York City Federal Theatre Project.","Writer who worked with the National Play Bureau, New York City Federal Theatre Project.","Novelist, film writer, journalist, New York City, Los Angeles. Approval of Sylviane Bessie required.","Costume designer with San Francisco Federal Theatre Project.","Administrator with New York City Federal Theatre Project Radio Division; also worked as publicist with New York City Federal Theatre Project. This is an untaped interview.","Composer, musician; wrote Swing It for New York City Federal Theatre Project.","Playwright whose play, Battle Hymn, written with Michael Gold, was produced by various Federal Theatre Project units.","Artist, muralist with New York City Federal Art Project. Permission for publication required.","Philip Bolton is the son of Harold (director and choreographer with New York City Federal Theatre Project) and Rhoda Rammelkamp Bolton (costume designer, New York City Federal Theatre Project). This is an untaped interview from a visit Philip made to the Research Center. Includes some information about Harold.","Correspondence and notes from untaped interview.","Costume designer with New York City Federal Theatre Project.","Director of Play Bureau; in charge of exhibits; head of Play Reading Bureau within the National Office of Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project. This is an untaped interview.","Robert Breen was a Director and actor with the Chicago Federal Theatre Project and Wilva Davis Breen was an actress with the Chicago Federal Theatre Project.","Actor with Los Angeles Federal Theatre Project.","Director of marionette unit of Los Angeles Federal Theatre Project.","Artist with Federal Art Project. Permission for publication required.","Playwright whose work was produced by Seattle Federal Theatre Project; also a writer with Boston Federal Theatre Project.","Actor with Children's unit of New York City Federal Theatre Project.","Sound technician with Living Newspaper unit of New York City Federal Theatre Project.\nAvailable in digital format.","Publicist with New York City Federal Theatre Project.","Artist, muralist with Federal Art Project.","[see Mesa, Fernando] Playwright whose work, Reward, was produced by the Tampa Federal Theatre Project.","Director of Lafayette Theatre's Negro unit of New York City Federal Theatre Project. This is an untaped interview.","Personnel administrator with New York City and Florida Federal Theatre Project units.","Artist, administrator with Ohio Federal Art Project. Permission with interviewer required for publication.","Artist, New York. Permission to quote over 100 words required.","Actor, stage manager with Portland, Oregon Federal Theatre Project.","Playwright whose work was produced by Denver Federal Theatre Project.","Publicist with Federal Dance Theatre, New York City Federal Theatre Project.","Writer and theater critic.","Director of marionette units, San Francisco and Los Angeles Federal Theatre Project; costume designer.","Choreographer and dancer with Federal Dance Project, New York City Federal Theatre Project.","Artist with the Illinois and District of Columbia Federal Art Project. Permission of interviewer required for publication.","With Children's Theatre unit, New York City Federal Theatre Project.","Assistant stage manager with Classical unit, New York City Federal Theatre Project.","Concertmaster, Illinois Symphony Orchestra.","Director of Play Bureau, New York City Federal Theatre Project.","Director of Play Bureau, New York City Federal Theatre Project.","District supervisor with San Francisco Federal Theatre Project.","Supervisor of copyists unit of Philadelphia Federal Music Project; conductor of Philadelphia Orchestra.","Director of Negro unit, Boston Federal Theatre Project. Permission to quote required.","Director of Negro unit, Boston Federal Theatre Project.","Playwright whose works were produced by various Federal Theatre Project units.","Actor with New York City Federal Theatre Project.","Actor with Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Playwright whose work, Swamp Mud, was produced in Birmingham, Alabama.","Works Progress Adminstration administrative assistant and secretary, Washington, D.C. and New York.","Sculptor with the Federal Art Project. Permission of interviewer required for publication.","Administrative assistant to Ellen Woodward, Works Progress Administration's head of Woman's and Professional Division, Washington, D.C. Federal Theatre Project. This is an untaped interview.","Actress with Roslyn, New York unit of Federal Theatre Project.","Actress, dancer, playwright, and marionette manipulator with San Francisco Federal Theatre Project.","Actor and director with Radio Division, New York City Federal Theatre Project.","Worked with various productions of Federal Theatre Project in California. Permission of interviewer required for publication.","Actor with the Roslyn, New York Federal Theatre Project unit.","Writer with Radio Division, New York City Federal Theatre Project.","Finance administrator, Works Progress Administration arts projects, Washington, D.C.","Actor with Popular Price Theatre, New York City Federal Theatre Project.","Music director with the Negro unit, New York City Federal Theatre Project.","Dancer and choreographer with the dance unit, New York City Federal Theatre Project.","Dancer with the dance unit, New York City Federal Theatre Project.","Play adapter and choreographer with Classical unit, New York City Federal Theatre Project.","Assistant to Hallie Flanagan at Smith College; playwright.","Playwright with Chicago Federal Theatre Project. Permission to quote over 100 words required.","Assistant stage manager with Negro unit, New York City Federal Theatre Project.","Worked in Herbert Hoover's and Harry Hopkins's press offices.","Student of Hallie Flanagan; expert in children's theater.","Director of Vaudeville unit, Los Angeles, Federal Theatre Project.","Set designer with the Roslyn, New York unit of the Federal Theatre Project.","Actress with the Children's Theatre, New York City Federal Theatre Project.","Set designer with the Los Angeles Federal Theatre Project.","Actress with the Los Angeles Federal Theatre Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Musical composer and director with various units, New York City Federal Theatre Project and Federal Music Project.","Director of Negro unit and Children's unit, Chicago, Federal Theatre Project.","Director of Southwest Experimental unit, Los Angeles Federal Theatre Project.","Administrative assistant to Hallie Flanagan, national office, Federal Theatre Project.","Director, Midwest Federal Theatre Project; administrator for Federal Arts Projects in Chicago and Washington, D.C.","Lighting designer with the Negro and Classical units, New York City Federal Theatre Project.","Administrator with the National Play Bureau; playwright, play reader, New York City Federal Theatre Project.","Director of Miami unit, Federal Theatre Project.","Actor with San Francisco Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.\nAvailable in digital format.","Actor with Children's Theatre, New York City Federal Theatre Project.","Writer with Radio Division, Illinois Writers' Project.","Producer and Theatrical Director, New York City Federal Theatre Project.","Wife of Ralph Freud, theatrical director and actor with Los Angeles Federal Theatre Project.","Theatrical director and actor with Los Angeles and San Francisco Federal Theatre Project.","Playwright and technical assistant with the Detroit Federal Theatre Project.","Dancer and assistant to Doris Humphrey with the Dance Project, New York City Federal Theatre Project.","Actor, New York City Federal Theatre Project.","Writer and Publicist with Federal Writers Project and the Negro unit, New York City Federal Theatre Project; play reader with Federal Theatre Project Play Bureau.","Dancer with the Dance Project, New York City Federal Theatre Project.","Actor and founder of Chicago Repertory Group, 1933.","Administrator, Bureau of research and Publications of Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actress and dancer with the Vaudeville unit, Los Angeles Federal Theatre Project.","Actor with the Los Angeles Federal Theatre Project; director with the Seattle Federal Theatre Project.","State director of the Illinois Federal Music Project.","Publicist with New York City Federal Theatre Project; director, Department of Information, Federal Theatre Project.","Theatrical director with the Atlanta, Tampa, and Chicago units of the Federal Theatre Project.","Playwright, some of whose works were produced by various Federal Theatre Project units.","Musical director with the Los Angeles and San Francisco Federal Theatre Project. Permission to quote more than 100 words required.","Musical director with the Los Angeles and San Francisco Federal Theatre Project.","Art director with the Atlanta Federal Theatre Project.","Staff composer and arranger with Federal Theatre Project.","Stage manager and publicity director with the Living Newspaper unit, New York City Federal Theatre Project.","Writer and researcher with the Living Newspaper unit, New York City Federal Theatre Project.","Play reader and playwright with the New York City Federal Theatre Project. Permission required for commercial use.","Play reader and playwright with the New York City  Federal Theatre Project.","Muralist with the Federal Art Project and SECT in New York and Ohio. Permission of interviewer required for publication.","Writer, critic, producer, designer with the New York theaters in the 1930s.","Producer and administrator with the Negro and Classical units, New York City  Federal Theatre Project.\nAvailable in digital format.","Participated in the Resettlement Administration.\nAvailable in digital format.","Son of Edith Isaacs, editor of Theatre Arts Magazine; friend of Federal Theatre Project. This is an untaped interview.","Lighting designer with the Los Angeles Federal Theatre Project. This is an untaped interview.","Theatrical director familiar with the Los Angeles and New York City  Federal Theatre Project.","Publicist and promotion officer with the New York City  Federal Theatre Project.","Director of information with the New York City  Federal Music Project.","Actor with the San Francisco  Federal Theatre Project.","Songwriter and composer with the New York City  Federal Theatre Project.","Choreographer and dancer with the Dance Project, Los Angeles Federal Theatre Project. Galea, Manuel.","Actress with the San Bernardino/Riverside and Los Angeles Federal Theatre Project.","Stagehand with the New York City  Federal Theatre Project.","Playwright with the New York City  Federal Theatre Project.","Administrative director, Chicago and New York City  Federal Theatre Project.","Concertmaster of the Grand Rapids, Michigan Federal Theatre Project orchestra.","Stage manager, administrator, theatrical director with the New York City  Federal Theatre Project, Washington, D.C., and Seattle, WA.","Playwright whose works were produced by the New York City  Federal Theatre Project.","Actress with the San Francisco and Oakland Federal Theatre Project. This is an untaped interview.","Dancer with the Dance Project, New York City  Federal Theatre Project.","Actress with the Classical unit, New York City  Federal Theatre Project.","Administrator with the National Service Bureau of the Federal Theatre Project.","Director of Bureau of Research and Publication, New York City  Federal Theatre Project. Bound with the January 4, 1976 transcript.","Actress with the Negro unit, New York City  Federal Theatre Project.","Puppeteer with the Marionette Project, New York City  Federal Theatre Project.","Publicist with New York City and Chicago Federal Theatre Project. Interview not to be used for gain or profit without the consent of the interviewee.","Actor with the several units of the New York City Federal Theatre Project.","Lyricist whose work was featured in the New York City Federal Theatre Project production of Sing For Your Supper.","Administrator with the New Orleans and Atlanta Federal Theatre Project.","Actor with New York City Federal Theatre Project.","Set designer with New York City Federal Theatre Project.","Playwright whose Model Tenements was produced by the Chicago Federal Theatre Project.","Dancer with the Dance Project, Los Angeles Federal Theatre Project.","Teacher and conductor with New York City Federal Music Project.","Interviewee's husband, Gerhardt Lindemulder, was a director with the Federal Theatre Project in Louisiana and Florida.","Dancer with the Children's unit and Dance Project, New York City Federal Theatre Project.","Puppet artist with the Marionette unit, New York City Federal Theatre Project.","Actor with the Living Newspaper unit, New York City Federal Theatre Project.","Conductor with the Vermont Federal Music Project.","Father of Sidney Lumet, child actor with the Yiddish unit, New York City Federal Theatre Project.","Administrative director with the Florida Federal Theatre Project.\nAvailable in digital format.","Actor with the Chicago Federal Theatre Project.","Actor with the Jacksonville and Miami Federal Theatre Project.","Marionette artist with the San Francisco Federal Theatre Project.","Playwright whose work was produced by New York City Federal Theatre Project.","Actress with the Classical unit, New York City Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Actor with the Atlanta Federal Theatre Project.","Playwright and researcher with the National Play Bureau of the Federal Theatre Project.","Publicist with the New York City Federal Theatre Project.","Actress and researcher with the Los Angeles Federal Theatre Project; researcher with the Seattle Federal Theatre Project. [see also Donald Murray]","Costume designer with the New York City Federal Theatre Project.","Stage manager with the Tampa Federal Theatre Project.","Staff member with the Educational Division, New York City Federal Theatre Project.","Administrative director with the West Coast units of Federal Theatre Project; deputy National Director of Federal Theatre Project.","Member of the Seattle Negro Repertory Theatre in the 1930s. Closed to any government agency.","Set designer with the New York City Federal Theatre Project.","Worked with the New York City Federal Theatre Project. This is an untaped interview.","Director with the Federal Theatre Project in the South; later with the Detroit Federal Theatre Project.","Theatrical director with the Negro unit, New York City Federal Theatre Project.","Actor, director, writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Director with the Negro unit, Los Angeles Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Writer and playwright who submitted work to the Negro unit, New York City Federal Theatre Project.This is an untaped interview.","Director with the Indiana Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Dancer and choreographer with the Chicago Federal Theatre Project.","Actor with the Chicago Federal Theatre Project.","Writer with the Southwest Experimental unit of the Los Angeles Federal Theatre Project.","Actress and student of Hallie Flanagan at Vassar College. This is an untaped interview.","Actor; director with Suitcase Theatre; assistant director with the Classical unit, New York City Federal Theatre Project.","Director of casting with the Talent Bureau, New York City Federal Theatre Project.","Dancer with the New York City Federal Theatre Project.","Director of the Vaudeville productions, Los Angeles Federal Theatre Project.","Actor in Yiddish theater and New York University repertory groups during the Federal Theatre Project era.","Conductor with the Michigan Works Progress Administration Symphony Orchestra.","Actor with the Los Angeles and Portland, Oregon Federal Theatre Project units. This is an untaped interview.","With the Works Progress Administration in Connecticut; also with the Civilian Conservation Corps; founded the Plymouth Playhouse; worked briefly on the set of Faustus.","Actor with the Children's unit, New York City Federal Theatre Project.","Researcher of the Chinese theater, Research Department, San Francisco Federal Theatre Project.","Choreographer with the Yiddish unit,New York City Federal Theatre Project.","Radio script writer, Radio Division, New York City Federal Theatre Project.This is an untaped interview.","Artist, muralist with the Federal Art Project in New York, New Jersey, and California. Permission of interviewer required for publication.","Actress and director with the marionette unit of the Miami Federal Theatre Project.","Playwright in New York and San Francisco; write with the Federal Writers Project.","Administrator and legal counsel for the National Service Bureau, Federal Theatre Project.","Hallie Flanagan's assistant who collected Flanagan's papers which were donated to the Theatre Collection, New York Public Library.","Actor with the Cleveland, Ohio Federal Theatre Project.","Composer for various productions, New York City Federal Theatre Project.","Writer and director with the Radio Division, New York City Federal Theatre Project.","Actress with the New York City Federal Theatre Project.","Playwright, play reader with the Playwriting Bureau, New York City Federal Theatre Project. Prior consent required for publication.","Muralist with the Massachusetts and New York Federal Art Project. Permission of interviewer required for publication.","Administrator, Playwriting Bureau, Federal Theatre Project. Permission of interviewee required; copyright conditions.","Playwright in New York City whose works were produced by Federal Theatre Project.This is an untaped interview.","Actor with the Negro unit, Federal Theatre Project. This is an untaped interview.","Playwright and director with the Seattle Federal Theatre Project.","Director with the Experimental unit, New York City Federal Theatre Project.","Administrative assistant with the Negro and Classical units, New York City Federal Theatre Project.","Actress with the Radio Division, New York City Federal Theatre Project.","Administrator, Delaware Federal Theatre Project; with Federal Theatre Project national office, Washington, DC; with the San Francisco World's Fair, 1939.","Administrative assistant to Philip Barber, New York City Federal Theatre Project.","Assistant stage manager with the Living Newspaper unit, New York City Federal Theatre Project.","Administrative assistant to Jasper Deeter, first director of the Pennsylvania/New Jersey Federal Theatre Project.","Audience member, New York City Federal Theatre Project productions.","Composer, New York City Federal Music Project.","Director of the Anglo-Jewish unit, New York City Federal Theatre Project.","Puppeteer with the Marionette unit, New York City Federal Theatre Project.","Actor with the Classical unit, New York City Federal Theatre Project.","Writer and playwright in New York City at the time of the Federal Theatre Project. This is an untaped interview.","Actress, New York City Federal Theatre Project.","Publicist, New York City Federal Theatre Project.","Actor with the Chicago, Peoria, and Miami Federal Theatre Project; worked with sets and costumes in Chicago.","Actor with the Children's and Negro units, New York City Federal Theatre Project.","Concertmaster with the Federal Music Project Illinois Symphony.","Composer with the New York City Federal Theatre Project; wrote the score for Federal Theatre Project's Created Equal.","Publicist with the Negro unit, New York City Federal Theatre Project.","Administrative director, New Jersey Federal Theatre Project; director of repertory unit, Roslyn, New York City Federal Theatre Project. Written permission of interviewee required for publication.","Playwright in New York City whose work was produced by the Federal Theatre Project. Permission to quote required by interviewee.","Director, Denver Federal Theatre Project.","Worked with Composers's Forum and Copying Project of the Federal Music Project.","Choreographer, New York City Federal Theatre Project. This is an untaped interview.","Artist, New York City Federal Art Project. Permission of interviewer required for publication.","Songwriter whose works were performed by New York City Federal Theatre Project.","Administrator with Iowa Federal Theatre Project; assistant to E.C. Mabie, regional director for the Midwest Federal Theatre Project.","Actor with the Seattle Federal Theatre Project.","Playwright whose work was produced by the Federal Theatre Project.","Composer and arranger with the Vaudeville unit, Los Angeles Federal Theatre Project.","Set designer, Los Angeles Federal Theatre Project.","Actor with the Anglo-Jewish unit, New York City Federal Theatre Project.","Actor with the New Hampshire Federal Theatre Project.","Puppeteer in New York City familiar with the Marionette and Children's units, New York City Federal Theatre Project.","Playwright in Chicago whose work was produced by the Federal Theatre Project.","Administrator, director, actor, and playwright involved with the Seattle and Tacoma Federal Theatre Project, and the Des Moines Federal Theatre Project.","Stage Manager with the Mercury Theatre, New York.","Theatrical director with the Classical unit, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Musical director with the Negro and Classical units, New York City Federal Theatre Project.","Worked with the National Youth Administration and the Works Progress Administration in Iowa.","Administrator, National Play Bureau, New York City Federal Theatre Project.","Worked with the Resettlement Administration.","Actor with the Roslyn, New York City Federal Theatre Project.","Dancer with Tamiris's group, Dance Project, New York City Federal Theatre Project.","Playwright based in Chicago whose works were produced by the Federal Theatre Project. Permission to quote over 100 words required.","Playwright based in Chicago whose works were produced by the Federal Theatre Project.","Stage manager, actor, and lighting technician with the Los Angeles Federal Theatre Project.","Stage manager, actor, and lighting technician, Los Angeles Federal Theatre Project.","Administrator, Atlanta Federal Theatre Project.","Lawyer who represented Orson Welles and John Houseman.\nAvailable in digital format.","Director with the New York City Federal Theatre Project.","Muralist with the Illinois Federal Art Project. Permission needed to quote over 100 words.","Lighting director and technician with the Chicago Federal Theatre Project.","Administrator with the Marionette unit of the New York City Federal Theatre Project.","Puppeteer and lighting designer with the Marionette unit, New York City Federal Theatre Project.","Theatrical director with the Seattle Federal Theatre Project.","Stage manager with the Children's theater, New York City Federal Theatre Project.","Artist with the Illinois and New York Federal Art Project.","Worked with the GSA; recovered many Federal Art Project works and murals.","Series 2: Audio Recordings consists of two subseries: Oral history interviews, and Plays, radio interviews, conferences. Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University. Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","Subseries 2.1: Oral history interviews contains audio cassette tapes and reel-to-reel recordings. This subseries is arranged alphabetically by last name of interviewee. The oral histories were created between 1961 and 1984 by the Research Center on the Federal Theatre Project at George Mason University.","1 cassette tape","6 cassette tapes; Hatch-Billops collection","1 cassette tape","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","3 cassette tapes","2 cassette tapes. See also box 30 [need to change] tape with Salinger and Gordon Onstad on side 1 and Richard Bales on side 2.","4 cassette tapes","2 cassette tapes","9 cassette tapes","Four 5\" reel-to-reel audio tape recordings","2 cassette tapes","4 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","4 cassette tapes","8 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","4 cassette tapes.\nAccess copy available on CD in box 43.","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","1 cassette tape","4 cassette tapes","One 5\" reel-to-reel audio tape recording: Brown describes interviews with Vincent Sherman and Harry Lessin","4 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","7 cassette tapes","4 cassette tapes","2 cassette tapes","3 cassette tapes","5 cassette tapes (3 of which are from an interview with his son; these are possibly from 1974)","One 7\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 tapes (Herman Clebanoff also listed on Albert Goldberg tape)","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","8 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","5 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","7 cassette tapes","2 cassette tapes","4 cassette tapes","3 cassette tapes","4 cassette tapes","6 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","4 cassette tapes","1 cassette tape","6 cassette tapes","3 cassette tapes","3 cassette tapes","3 cassette tapes","5 cassette tapes","1 cassette tape","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","3 cassette tapes","1 cassette tapes","1 cassette tape","4 cassette tapes","1 cassette tape","5 cassette tapes","2 cassette tapes","2 cassette tapes with Jack Wilson","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","5 cassette tapes, 3 with Max Pollock and Frances Ward","2 cassette tapes","1 cassette tape","One 7\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","5 tapes including \"Negro songs of protest\" collected by Gellert\nAvailable in digital format - 3 CDs","2 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","2 tapes; with \"Clebanoff\"","3 cassette tapes","1 cassette tape; \"not an interview\"","4 cassette tapes","2 cassette tapes","3 cassette tapes","Three 5\" reel-to-reel audio tape recording","7 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","6 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","1 cassette tape of John Houseman speaking on the Federal Theatre at the University of Wisconsin Federal Theatre seminar","2 cassette tapes","1 cassette tape","4 cassette tapes","3 cassette tapes","3 cassette tapes; \"In memory of the life of Russell Jelliffe (1891-1980)\"","2 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes; see also Leuning, Otto","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","3 cassette tapes","1 cassette tape","4 cassette tapes","4 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","6 cassette tapes","Three 5\" reel-to-reel audio tape recording","5 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","4 cassette tapes","4 cassette tapes","Two 7\" reel-to-reel audio tape recording","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 tapes, 1 with Alan Kayes","1 cassette tape","5 cassette tapes","3 cassette tapes","1 cassette tape","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","6 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","2 tapes, 1 with Virgil Thompson","One 5\" reel-to-reel audio tape recording","6 cassette tapes: 2 from January 5, 1976, 2 from October 18, 1977, 2 from June 1, 1979","4 cassette tapes","2 cassette tapes","3 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","4 cassette tapes","1 cassette tape","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","4 cassette tapes","One 5\" reel-to-reel audio tape recording","5 cassette tapes","1 cassette tape","5 cassette tapes","1 cassette tape","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","2 cassette tapes","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","2 cassette tapes","5 cassette tapes","3 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","4 cassette tapes","7 cassette tapes, \"Schnitzer and M. Cisney\"\nAvailable in digital format - 2 CDs","One 5\" reel-to-reel audio tape recording","6 cassette tapes","3 cassette tapes","2 cassette tapes","1 cassette tape","3 cassette tapes","One 5\" reel-to-reel audio tape recording","1 cassette tape","1 cassette tape","2 cassette tapes","2 cassette tapes","6 cassette tapes","2 cassette tapes; Harry Lessin","6 cassette tapes","4 cassette tapes","2 cassette tapes","4 cassette tapes","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes","2 cassette tapes","Three 5\" reel-to-reel audio tape recording","8 cassette tapes","1 cassette tape. Smith to 124; Siegmeister 129 to end; Siegmeister II; then a strange tone.","2 cassette tapes","2 cassette tapes","2 cassette tapes","1 cassette tape","One 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","4 cassette tapes","2 cassette tapes","4 cassette tapes","1 cassette tape","3 cassette tapes","2 cassette tapes","One 5\" reel-to-reel audio tape recording","2 cassette tapes","4 cassette tapes","1 cassette tape","4 cassette tapes","2 cassette tapes","1 cassette tape","6 cassette tapes\nAvailable in digital format.","3 cassette tapes","2 cassette tapes","Two 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","White tape with no label. Unidentified interview with male interviewee and female interviewer.","White tape with a Memorex label, side 2 has been crossed out and replaced with a 3. Tape contains approximately 3 minutes of an interview with an unidentified man.","One 5\" reel-to-reel audio tape recording. Handwritten on box \"George Kondolf\" (strikethrough) \"erase\".","3 cassette tapes","1 cassette tape","1 cassette tape","2 cassette tapes","12 cassette tapes","9 cassette tapes","1 cassette tape","1 cassette tape","One 5\" reel-to-reel audio tape recording","2 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes","2 cassette tapes","3 cassette tapes. Access copy available on CD in box 43.","Three 5\" reel-to-reel audio tape recording","One 5\" reel-to-reel audio tape recording","2 cassette tapes. Access copy available on CD in box 43.","4 cassette tapes","4 cassette tapes","2 cassette tapes","Subseries 2.2: Plays, radio interviews, conferences contains audio cassette tapes and reel-to-reel recordings of various federal theatre performances, interviews, and conferences that date from 1938 to 1984 and is arranged alphabetically by title.","2 cassette tapes: Roundtable discussion with Leonard de Paur, John Silvera, Tommy Anderson and Ted Browne in New York City","One 5\" reel to reel: collection of Black Federal Theatre interviews for a talk by Lorraine Brown","3 cassette tapes","1 cassette tape: 10 minutes, Kathleen Sykora, Mary Peterson, Goodman School","1 cassette tape: Ezell with Bowers, Krulak, John O'Connor, Walsh, and Wheeler","2 cassette tapes","1 cassette tape: Radio Theatre of the Air, Pittsburgh Theatre Company, written and produced by Ronald Hankerson, voices and characters by Mark Harlow, Wilson Hutton, M.M. Melosi","3 cassette tapes","3 cassette tapes","3 cassette tapes","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","2 cassette tapes: as performed by the Theatre of St. John's Church in New York City","Two 7\" reel to reels","1 cassette tape: WEEL radio program on the Federal Theatre Project Oral History program, interview with John O'Connor and selections from Oral History tapes","1 cassette tape: Radio interview on WPRW with Diane Bowers and Madalee Week; 8 minutes","1 cassette tape","8 cassette tapes","7 cassette tapes","2 cassette tapes","Bible story script produced by Mike Lodick; 30 minutes","One 7\" reel to reel","1 cassette tape; 30 minutes","One 7\" reel to reel"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_b566e0d872c9f59cfe34a69bcda2f059\" label=\"Abstract\"\u003eCollection includes transcripts and recordings of oral interviews with persons who were associated with various Works Progress Administration (WPA) projects in the 1930s. 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Works Progress Administration"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":673,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:11.400Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_190_c02_c01_c360_c01"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"George Mason University","value":"George Mason University","hits":177},"links":{"remove":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1977\u0026f%5Blevel%5D%5B%5D=Item\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1977\u0026f%5Blevel%5D%5B%5D=Item\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Alexander Haight family collection","value":"Alexander Haight family collection","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Alexander+Haight+family+collection\u0026f%5Bdate_range%5D%5B%5D=1977\u0026f%5Blevel%5D%5B%5D=Item\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"E. 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