{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026page=6\u0026view=compact","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026page=5\u0026view=compact","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026page=7\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026page=5872\u0026view=compact"},"meta":{"pages":{"current_page":6,"next_page":7,"prev_page":5,"total_pages":5872,"limit_value":10,"offset_value":50,"total_count":58718,"first_page?":false,"last_page?":false}},"data":[{"id":"viu_repositories_3_resources_1675_c05_c03_c09","type":"File","attributes":{"title":"18 Items - Correspondence of Harold E. Howland with Publishers Regarding his Article, \"Midnight Ride with William Faulkner\" - 11615","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1675_c05_c03_c09#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1675_c05_c03_c09","ref_ssm":["viu_repositories_3_resources_1675_c05_c03_c09"],"id":"viu_repositories_3_resources_1675_c05_c03_c09","ead_ssi":"viu_repositories_3_resources_1675","_root_":"viu_repositories_3_resources_1675","_nest_parent_":"viu_repositories_3_resources_1675_c05_c03","parent_ssi":"viu_repositories_3_resources_1675_c05_c03","parent_ssim":["viu_repositories_3_resources_1675","viu_repositories_3_resources_1675_c05","viu_repositories_3_resources_1675_c05_c03"],"parent_ids_ssim":["viu_repositories_3_resources_1675","viu_repositories_3_resources_1675_c05","viu_repositories_3_resources_1675_c05_c03"],"parent_unittitles_ssm":["William Faulkner Collection","Series V: Business and Legal Records","Subseries C: Papers of Hal Howland and Records Concerning William Faulkner's Cultural Diplomacy Work and Travel"],"parent_unittitles_tesim":["William Faulkner Collection","Series V: Business and Legal Records","Subseries C: Papers of Hal Howland and Records Concerning William Faulkner's Cultural Diplomacy Work and Travel"],"text":["William Faulkner Collection","Series V: Business and Legal Records","Subseries C: Papers of Hal Howland and Records Concerning William Faulkner's Cultural Diplomacy Work and Travel","18 Items - Correspondence of Harold E. Howland with Publishers Regarding his Article, \"Midnight Ride with William Faulkner\" - 11615","box 129","folder 2"],"title_filing_ssi":"18 Items - Correspondence of Harold E. Howland with Publishers Regarding his Article, \"Midnight Ride with William Faulkner\" - 11615","title_ssm":["18 Items - Correspondence of Harold E. Howland with Publishers Regarding his Article, \"Midnight Ride with William Faulkner\" - 11615"],"title_tesim":["18 Items - Correspondence of Harold E. Howland with Publishers Regarding his Article, \"Midnight Ride with William Faulkner\" - 11615"],"unitdate_inclusive_ssm":["1968-1976"],"normalized_date_ssm":["1968/1976"],"normalized_title_ssm":["18 Items - Correspondence of Harold E. Howland with Publishers Regarding his Article, \"Midnight Ride with William Faulkner\" - 11615"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["William Faulkner Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1797,"parent_access_restrict_tesm":["This collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","We are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026."],"parent_access_terms_tesm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. "],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976],"containers_ssim":["box 129","folder 2"],"_nest_path_":"/components#4/components#2/components#8","timestamp":"2026-06-06T07:07:28.695Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1675","ead_ssi":"viu_repositories_3_resources_1675","_root_":"viu_repositories_3_resources_1675","_nest_parent_":"viu_repositories_3_resources_1675","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1675.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/196837","title_filing_ssi":"Faulkner, William, Collection","title_ssm":["William Faulkner Collection"],"title_tesim":["William Faulkner Collection"],"unitdate_ssm":["1824-2006"],"unitdate_inclusive_ssm":["1824-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16807","Archival Resource Key","/repositories/3/resources/1675"],"text":["MSS 16807","Archival Resource Key","/repositories/3/resources/1675","William Faulkner Collection","Faulkner, William, 1897-1962","American literature--Southern States","American fiction--20th Century","This collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","We are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026.","Material pertaining to individual student records is restricted in accordance with the Family Education Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","The William Faulkner Collection, MSS 16807, also known as \"The William Faulkner Papers,\" centers on the life and work of William Faulkner, a renowned American author and a foundational voice in Southern Gothic Literature.  William Faulkner was born on September 15, 1897, in New Albany, Mississippi, to Murry Falkner and Maud Butler Falkner. Faulkner was primarily raised in Oxford, Mississippi. He left high school shortly after the eleventh grade in 1915 to work at his grandfather's bank. William Faulkner would go on to briefly join the Canadian Royal Air Force from 1918-1919 before coming back to Oxford, Mississippi and holding various jobs throughout Mississippi and New York until he published his first book,  Soldier's Pay , in 1926. He married Lida Estelle Oldham in 1929, and together they had one daughter to survive past infancy, Jill Faulkner, in 1933. Faulkner grew in popularity as an author after the publication of  The Sound and the Fury  in 1929. Though a Mississippi native, William Faulkner moved to Charlottesville, VA, in 1957 to be closer to Jill, her husband, Paul Summers, and their children. It was during this time that Faulkner began work as the University of Virginia's first ever writer-in-residence. Faulkner continued to teach at the University of Virginia in several different positions until his death on July 6, 1962.  ","Source: Materials within the collection.   ","This material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This material contains offensive and harmful language and imagery, including references to outdated terminology for Black individuals, references or imagery involving racism, and references or imagery involving sexual assault, domestic violence, or crimes based on gender or sexual orientation.","This collection was reprocessed during 2024-2026 by archivists Elizabeth Nosari and Kaylin Preslar. The collection was originally described in 180 different catalog records and housed in non-consecutive boxes.\nArchivists worked to bring these disparate parts together to create a single William Faulkner Collection (MSS 16807) and finding aid to improve access and discoverability.","The William Faulkner collection has historically been represented by numerous different manuscript numbers (collection identifiers). MSS 16807 is a new manuscript number which serves to identify the collection as a whole. Original manuscript numbers have been retained in this guide and are noted in the title of each item.","In this example, the original manuscript number is 6074, and \"Series IA, Item 9b\" refers to the item's original location within MSS 6074, prior to reprocessing.","Absalom, Absalom! - Typescript (17 Leaves) - 6074, Series IA, Item 9b, 1936","While original order has been prioritized in the arrangement of Series IV, specific folders related to William Faulkner have been pulled from the rest of Albert Erskine's materials within MSS 10280-d and 10280-e for Subseries A. For ease of researcher use, these materials were pulled so that all of William Faulkner's publication records would be together, and so that the remaining materials within 10280-d and 10280-e relating to other authors would not be included within the William Faulkner collection.","Series III of the William Faulkner Collection contains the personal papers, files, belongings, and related realia of William Faulkner. Materials in the collection range in date from 1824 to 2003 and are divided into eight subseries: William Faulkner's working papers related to his literary works, drawings made by Faulkner, his childhood ephemera and student records, military and flight records, family papers, honors and awards, belongings and related realia, and reminiscences or accounts of William Faulkner.  ","Many of William Faulkner's student and family records differ in the spelling of his last name due to changes made over time by family members and by Faulkner himself. For this reason, Faulkner's student and childhood records will often refer to him as \"William Falkner.\" William Faulkner's family papers are also listed as \"Faulkner/Falkner Family Papers\" for this reason.  ","The Faulkner/Falkner Family Papers are divided into smaller sub-subseries based on the order in which they would fall within Faulkner's family tree and arranged chronologically within each. The first sub-subseries is comprised of Faulkner's extended family, grandparents, parents, and siblings, including John Wesley Thompson, William Clark Falkner, John Wesley Thompson Falkner, Alabama Falkner McLean, Murry Falkner, Maud Butler Falkner, Murry Falkner II, John Wesley Thompson Falkner/Faulkner III, and Dean Swift Falkner. The second sub-subseries within the Faulkner/Falkner Family subseries includes papers belonging to William Faulkner's wife, Estelle Oldham Faulkner, and the Oldham family. The third sub-subseries includes papers belonging to Estelle's son from her first marriage to Cornell Franklin and William Faulkner's stepson, Malcolm Argyle Franklin. Included with Malcolm Argyle Franklin's papers is a small amount of material once belonging to William F. Fielden, which was originally acquired with and has been kept with Franklin's papers. Next, within the subseries are the papers once belonging to William and Estelle Faulkner's daughter Jill Faulkner Summers and the Summers family.","Series IV of the William Faulkner Collection contains William Faulkner's publication records.  Materials in the collection range in date from 1924 to 1986 and are divided into three subseries based on record provenance. The first subseries is comprised of records relating to the original publication of Faulkner's works from Random House, Inc., and Albert Erskine. The second subseries is made up of records from Noel Polk, a Faulkner scholar and editor who worked on posthumous editions and publications of Faulkner's writings. The third and last subseries, Subseries C, contains all publishing-related records not from Random House, Albert Erskine, or Noel Polk. Prominent individuals whose publishing-related correspondence and records are featured in this subseries include William Faulkner's literary agents Harold Ober and Morton Goldman.  ","Series V of the William Faulkner collection contains William Faulkner's business and legal records. Materials within the series range in date from 1922 to 2006 and are divided into four subseries, the first of which includes William Faulkner's contracts and agreements, including a copy of Faulkner's will and legal agreements pertaining to his work and property carried out by his daughter, Jill Faulkner Summers, after his death in 1962. The second subseries includes all papers from William Faulkner's literary agent, Harold Ober, with the exception of Ober's papers relating to William Faulkner's publishing records, which are included in Series IV. Subseries C contains records relating to William Faulkner's cultural diplomacy work and travel. These records include papers gifted to the University of Virginia by Hal Howland, an employee of the United States Foreign Service/State Department.  Subseries C additionally contains records and correspondence relating to William Faulkner's work with the People to People diplomatic program, given as part of a gift from Joseph Blotner, scholar and biographer of William Faulkner.  The final subseries in Series V contains records pertaining to the William Faulkner Foundation. Whenever possible, the original order of each of the previous MSS numbers within Series V has been prioritized in the arrangement of the series.","Series VI of the William Faulkner collection contains photographs and portraits of and pertaining to William Faulkner. The photographs and portraits in this series range in date from 1898 to 2005 and cover a wide range of accession numbers, one of these being Faulkner's original deposit, MSS 6074. Materials within Series VI have been arranged in order of their original accession number to emphasize their provenance and chronologically therein.","Series VII of the William Faulkner collection includes press and publicity materials related to William Faulkner. Materials within the series range in date from 1922 to 2005 and are divided into three subseries. The first subseries consists of news clippings and press coverage articles about William Faulkner, many of which were gifted by Linton Massey and Jill Faulkner Summers. The second subseries contains William Faulkner's publicity films and audio recordings of Faulkner reading his works. The final subseries includes ephemera relating to William Faulkner's publicity films. Within each of these three subseries, materials are arranged chronologically.","Series VIII of the William Faulkner collection contains materials from Faulkner's time working at the University of Virginia, where he was the university's Writer-in-Residence from 1957 to 1958, Consultant on American Literature to the Alderman Library, now Shannon Library, from around 1958 to 1961, and Balch Lecturer in American Literature from 1961 to 1962. The series is divided into three subseries: Audio Recordings from Talks and Lectures, Ephemera Related to Faulkner's Tenure, and Exhibitions about Faulkner at the Library. Materials are then arranged chronologically within each subseries.","Series IX of the William Faulkner collection contains the materials of scholars of William Faulkner and collectors of Faulkner's archival and manuscript materials. Original Faulkner materials collected by some of these individuals, such as Joseph Blotner and Linton R. Massey, have been arranged and integrated into other series of the collection, but materials related specifically to their collecting work and scholarship are included in this series. Materials within this series are organized into subseries based on the corresponding scholar/collector names, which have been arranged in alphabetical order by last name.","Series X of the William Faulkner collection includes typescripts and ephemera from adaptations of William Faulkner works for theatre, film, and television. Materials within Series X are arranged in chronological order.","This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. ","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission.","Because of the assembled nature of these photographs, copyright status varies across the series. Reproduction rights for photographs marked \"for reference use only\" are not owned by the University of Virginia. Copyright is assumed to be held by the original creator of individual items in the series; the University of Virginia is not authorized to grant permission to publish or reproduce these items. Researchers are responsible for securing permission to publish or reproduce photographs from the rights holders.","Albert and Shirley Small Special Collections Library","Faulkner, William, 1897-1962","Materials primarily in English, with some publications in French and German."],"unitid_tesim":["MSS 16807","Archival Resource Key","/repositories/3/resources/1675"],"normalized_title_ssm":["William Faulkner Collection"],"collection_title_tesim":["William Faulkner Collection"],"collection_ssim":["William Faulkner Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Faulkner, William, 1897-1962"],"creator_ssim":["Faulkner, William, 1897-1962"],"creator_persname_ssim":["Faulkner, William, 1897-1962"],"creators_ssim":["Faulkner, William, 1897-1962"],"access_terms_ssm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. "],"access_subjects_ssim":["Faulkner, William, 1897-1962","American literature--Southern States","American fiction--20th Century"],"access_subjects_ssm":["Faulkner, William, 1897-1962","American literature--Southern States","American fiction--20th Century"],"has_online_content_ssim":["false"],"extent_ssm":["115 Cubic Feet"],"extent_tesim":["115 Cubic Feet"],"genreform_ssim":["American literature--Southern States","American fiction--20th Century"],"date_range_isim":[1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.\u003c/p\u003e\n","\u003cp\u003eWe are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026.\u003c/p\u003e","\u003cp\u003eMaterial pertaining to individual student records is restricted in accordance with the Family Education Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","We are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026.","Material pertaining to individual student records is restricted in accordance with the Family Education Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records."],"bioghist_html_tesm":["\u003cp\u003eThe William Faulkner Collection, MSS 16807, also known as \"The William Faulkner Papers,\" centers on the life and work of William Faulkner, a renowned American author and a foundational voice in Southern Gothic Literature.  William Faulkner was born on September 15, 1897, in New Albany, Mississippi, to Murry Falkner and Maud Butler Falkner. Faulkner was primarily raised in Oxford, Mississippi. He left high school shortly after the eleventh grade in 1915 to work at his grandfather's bank. William Faulkner would go on to briefly join the Canadian Royal Air Force from 1918-1919 before coming back to Oxford, Mississippi and holding various jobs throughout Mississippi and New York until he published his first book, \u003cemph render=\"italic\"\u003e\u003ctitle\u003eSoldier's Pay\u003c/title\u003e\u003c/emph\u003e, in 1926. He married Lida Estelle Oldham in 1929, and together they had one daughter to survive past infancy, Jill Faulkner, in 1933. Faulkner grew in popularity as an author after the publication of \u003ctitle\u003e\u003cemph render=\"italic\"\u003eThe Sound and the Fury\u003c/emph\u003e\u003c/title\u003e in 1929. Though a Mississippi native, William Faulkner moved to Charlottesville, VA, in 1957 to be closer to Jill, her husband, Paul Summers, and their children. It was during this time that Faulkner began work as the University of Virginia's first ever writer-in-residence. Faulkner continued to teach at the University of Virginia in several different positions until his death on July 6, 1962.  \u003c/p\u003e\n","\u003cp\u003eSource: Materials within the collection.   \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The William Faulkner Collection, MSS 16807, also known as \"The William Faulkner Papers,\" centers on the life and work of William Faulkner, a renowned American author and a foundational voice in Southern Gothic Literature.  William Faulkner was born on September 15, 1897, in New Albany, Mississippi, to Murry Falkner and Maud Butler Falkner. Faulkner was primarily raised in Oxford, Mississippi. He left high school shortly after the eleventh grade in 1915 to work at his grandfather's bank. William Faulkner would go on to briefly join the Canadian Royal Air Force from 1918-1919 before coming back to Oxford, Mississippi and holding various jobs throughout Mississippi and New York until he published his first book,  Soldier's Pay , in 1926. He married Lida Estelle Oldham in 1929, and together they had one daughter to survive past infancy, Jill Faulkner, in 1933. Faulkner grew in popularity as an author after the publication of  The Sound and the Fury  in 1929. Though a Mississippi native, William Faulkner moved to Charlottesville, VA, in 1957 to be closer to Jill, her husband, Paul Summers, and their children. It was during this time that Faulkner began work as the University of Virginia's first ever writer-in-residence. Faulkner continued to teach at the University of Virginia in several different positions until his death on July 6, 1962.  ","Source: Materials within the collection.   "],"odd_html_tesm":["\u003cp\u003eThis material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThis material contains offensive and harmful language and imagery, including references to outdated terminology for Black individuals, references or imagery involving racism, and references or imagery involving sexual assault, domestic violence, or crimes based on gender or sexual orientation.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Content Warning"],"odd_tesim":["This material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This material contains offensive and harmful language and imagery, including references to outdated terminology for Black individuals, references or imagery involving racism, and references or imagery involving sexual assault, domestic violence, or crimes based on gender or sexual orientation."],"prefercite_html_tesm":["\u003cp\u003eMSS 16807 William Faulkner collection, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16807 William Faulkner collection, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThis collection was reprocessed during 2024-2026 by archivists Elizabeth Nosari and Kaylin Preslar. The collection was originally described in 180 different catalog records and housed in non-consecutive boxes.\nArchivists worked to bring these disparate parts together to create a single William Faulkner Collection (MSS 16807) and finding aid to improve access and discoverability.\u003c/p\u003e","\u003cp\u003eThe William Faulkner collection has historically been represented by numerous different manuscript numbers (collection identifiers). MSS 16807 is a new manuscript number which serves to identify the collection as a whole. Original manuscript numbers have been retained in this guide and are noted in the title of each item.\u003c/p\u003e","\u003cp\u003eIn this example, the original manuscript number is 6074, and \"Series IA, Item 9b\" refers to the item's original location within MSS 6074, prior to reprocessing.\u003c/p\u003e","\u003cp\u003eAbsalom, Absalom! - Typescript (17 Leaves) - 6074, Series IA, Item 9b, 1936\u003c/p\u003e","\u003cp\u003eWhile original order has been prioritized in the arrangement of Series IV, specific folders related to William Faulkner have been pulled from the rest of Albert Erskine's materials within MSS 10280-d and 10280-e for Subseries A. For ease of researcher use, these materials were pulled so that all of William Faulkner's publication records would be together, and so that the remaining materials within 10280-d and 10280-e relating to other authors would not be included within the William Faulkner collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["This collection was reprocessed during 2024-2026 by archivists Elizabeth Nosari and Kaylin Preslar. The collection was originally described in 180 different catalog records and housed in non-consecutive boxes.\nArchivists worked to bring these disparate parts together to create a single William Faulkner Collection (MSS 16807) and finding aid to improve access and discoverability.","The William Faulkner collection has historically been represented by numerous different manuscript numbers (collection identifiers). MSS 16807 is a new manuscript number which serves to identify the collection as a whole. Original manuscript numbers have been retained in this guide and are noted in the title of each item.","In this example, the original manuscript number is 6074, and \"Series IA, Item 9b\" refers to the item's original location within MSS 6074, prior to reprocessing.","Absalom, Absalom! - Typescript (17 Leaves) - 6074, Series IA, Item 9b, 1936","While original order has been prioritized in the arrangement of Series IV, specific folders related to William Faulkner have been pulled from the rest of Albert Erskine's materials within MSS 10280-d and 10280-e for Subseries A. For ease of researcher use, these materials were pulled so that all of William Faulkner's publication records would be together, and so that the remaining materials within 10280-d and 10280-e relating to other authors would not be included within the William Faulkner collection."],"scopecontent_html_tesm":["\u003cp\u003eSeries III of the William Faulkner Collection contains the personal papers, files, belongings, and related realia of William Faulkner. Materials in the collection range in date from 1824 to 2003 and are divided into eight subseries: William Faulkner's working papers related to his literary works, drawings made by Faulkner, his childhood ephemera and student records, military and flight records, family papers, honors and awards, belongings and related realia, and reminiscences or accounts of William Faulkner.  \u003c/p\u003e\n","\u003cp\u003eMany of William Faulkner's student and family records differ in the spelling of his last name due to changes made over time by family members and by Faulkner himself. For this reason, Faulkner's student and childhood records will often refer to him as \"William Falkner.\" William Faulkner's family papers are also listed as \"Faulkner/Falkner Family Papers\" for this reason.  \u003c/p\u003e","\u003cp\u003eThe Faulkner/Falkner Family Papers are divided into smaller sub-subseries based on the order in which they would fall within Faulkner's family tree and arranged chronologically within each. The first sub-subseries is comprised of Faulkner's extended family, grandparents, parents, and siblings, including John Wesley Thompson, William Clark Falkner, John Wesley Thompson Falkner, Alabama Falkner McLean, Murry Falkner, Maud Butler Falkner, Murry Falkner II, John Wesley Thompson Falkner/Faulkner III, and Dean Swift Falkner. The second sub-subseries within the Faulkner/Falkner Family subseries includes papers belonging to William Faulkner's wife, Estelle Oldham Faulkner, and the Oldham family. The third sub-subseries includes papers belonging to Estelle's son from her first marriage to Cornell Franklin and William Faulkner's stepson, Malcolm Argyle Franklin. Included with Malcolm Argyle Franklin's papers is a small amount of material once belonging to William F. Fielden, which was originally acquired with and has been kept with Franklin's papers. Next, within the subseries are the papers once belonging to William and Estelle Faulkner's daughter Jill Faulkner Summers and the Summers family.\u003c/p\u003e","\u003cp\u003eSeries IV of the William Faulkner Collection contains William Faulkner's publication records.  Materials in the collection range in date from 1924 to 1986 and are divided into three subseries based on record provenance. The first subseries is comprised of records relating to the original publication of Faulkner's works from Random House, Inc., and Albert Erskine. The second subseries is made up of records from Noel Polk, a Faulkner scholar and editor who worked on posthumous editions and publications of Faulkner's writings. The third and last subseries, Subseries C, contains all publishing-related records not from Random House, Albert Erskine, or Noel Polk. Prominent individuals whose publishing-related correspondence and records are featured in this subseries include William Faulkner's literary agents Harold Ober and Morton Goldman.  \u003c/p\u003e","\u003cp\u003eSeries V of the William Faulkner collection contains William Faulkner's business and legal records. Materials within the series range in date from 1922 to 2006 and are divided into four subseries, the first of which includes William Faulkner's contracts and agreements, including a copy of Faulkner's will and legal agreements pertaining to his work and property carried out by his daughter, Jill Faulkner Summers, after his death in 1962. The second subseries includes all papers from William Faulkner's literary agent, Harold Ober, with the exception of Ober's papers relating to William Faulkner's publishing records, which are included in Series IV. Subseries C contains records relating to William Faulkner's cultural diplomacy work and travel. These records include papers gifted to the University of Virginia by Hal Howland, an employee of the United States Foreign Service/State Department.  Subseries C additionally contains records and correspondence relating to William Faulkner's work with the People to People diplomatic program, given as part of a gift from Joseph Blotner, scholar and biographer of William Faulkner.  The final subseries in Series V contains records pertaining to the William Faulkner Foundation. Whenever possible, the original order of each of the previous MSS numbers within Series V has been prioritized in the arrangement of the series.\u003c/p\u003e","\u003cp\u003eSeries VI of the William Faulkner collection contains photographs and portraits of and pertaining to William Faulkner. The photographs and portraits in this series range in date from 1898 to 2005 and cover a wide range of accession numbers, one of these being Faulkner's original deposit, MSS 6074. Materials within Series VI have been arranged in order of their original accession number to emphasize their provenance and chronologically therein.\u003c/p\u003e","\u003cp\u003eSeries VII of the William Faulkner collection includes press and publicity materials related to William Faulkner. Materials within the series range in date from 1922 to 2005 and are divided into three subseries. The first subseries consists of news clippings and press coverage articles about William Faulkner, many of which were gifted by Linton Massey and Jill Faulkner Summers. The second subseries contains William Faulkner's publicity films and audio recordings of Faulkner reading his works. The final subseries includes ephemera relating to William Faulkner's publicity films. Within each of these three subseries, materials are arranged chronologically.\u003c/p\u003e","\u003cp\u003eSeries VIII of the William Faulkner collection contains materials from Faulkner's time working at the University of Virginia, where he was the university's Writer-in-Residence from 1957 to 1958, Consultant on American Literature to the Alderman Library, now Shannon Library, from around 1958 to 1961, and Balch Lecturer in American Literature from 1961 to 1962. The series is divided into three subseries: Audio Recordings from Talks and Lectures, Ephemera Related to Faulkner's Tenure, and Exhibitions about Faulkner at the Library. Materials are then arranged chronologically within each subseries.\u003c/p\u003e","\u003cp\u003eSeries IX of the William Faulkner collection contains the materials of scholars of William Faulkner and collectors of Faulkner's archival and manuscript materials. Original Faulkner materials collected by some of these individuals, such as Joseph Blotner and Linton R. Massey, have been arranged and integrated into other series of the collection, but materials related specifically to their collecting work and scholarship are included in this series. Materials within this series are organized into subseries based on the corresponding scholar/collector names, which have been arranged in alphabetical order by last name.\u003c/p\u003e","\u003cp\u003eSeries X of the William Faulkner collection includes typescripts and ephemera from adaptations of William Faulkner works for theatre, film, and television. Materials within Series X are arranged in chronological order.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Series III of the William Faulkner Collection contains the personal papers, files, belongings, and related realia of William Faulkner. Materials in the collection range in date from 1824 to 2003 and are divided into eight subseries: William Faulkner's working papers related to his literary works, drawings made by Faulkner, his childhood ephemera and student records, military and flight records, family papers, honors and awards, belongings and related realia, and reminiscences or accounts of William Faulkner.  ","Many of William Faulkner's student and family records differ in the spelling of his last name due to changes made over time by family members and by Faulkner himself. For this reason, Faulkner's student and childhood records will often refer to him as \"William Falkner.\" William Faulkner's family papers are also listed as \"Faulkner/Falkner Family Papers\" for this reason.  ","The Faulkner/Falkner Family Papers are divided into smaller sub-subseries based on the order in which they would fall within Faulkner's family tree and arranged chronologically within each. The first sub-subseries is comprised of Faulkner's extended family, grandparents, parents, and siblings, including John Wesley Thompson, William Clark Falkner, John Wesley Thompson Falkner, Alabama Falkner McLean, Murry Falkner, Maud Butler Falkner, Murry Falkner II, John Wesley Thompson Falkner/Faulkner III, and Dean Swift Falkner. The second sub-subseries within the Faulkner/Falkner Family subseries includes papers belonging to William Faulkner's wife, Estelle Oldham Faulkner, and the Oldham family. The third sub-subseries includes papers belonging to Estelle's son from her first marriage to Cornell Franklin and William Faulkner's stepson, Malcolm Argyle Franklin. Included with Malcolm Argyle Franklin's papers is a small amount of material once belonging to William F. Fielden, which was originally acquired with and has been kept with Franklin's papers. Next, within the subseries are the papers once belonging to William and Estelle Faulkner's daughter Jill Faulkner Summers and the Summers family.","Series IV of the William Faulkner Collection contains William Faulkner's publication records.  Materials in the collection range in date from 1924 to 1986 and are divided into three subseries based on record provenance. The first subseries is comprised of records relating to the original publication of Faulkner's works from Random House, Inc., and Albert Erskine. The second subseries is made up of records from Noel Polk, a Faulkner scholar and editor who worked on posthumous editions and publications of Faulkner's writings. The third and last subseries, Subseries C, contains all publishing-related records not from Random House, Albert Erskine, or Noel Polk. Prominent individuals whose publishing-related correspondence and records are featured in this subseries include William Faulkner's literary agents Harold Ober and Morton Goldman.  ","Series V of the William Faulkner collection contains William Faulkner's business and legal records. Materials within the series range in date from 1922 to 2006 and are divided into four subseries, the first of which includes William Faulkner's contracts and agreements, including a copy of Faulkner's will and legal agreements pertaining to his work and property carried out by his daughter, Jill Faulkner Summers, after his death in 1962. The second subseries includes all papers from William Faulkner's literary agent, Harold Ober, with the exception of Ober's papers relating to William Faulkner's publishing records, which are included in Series IV. Subseries C contains records relating to William Faulkner's cultural diplomacy work and travel. These records include papers gifted to the University of Virginia by Hal Howland, an employee of the United States Foreign Service/State Department.  Subseries C additionally contains records and correspondence relating to William Faulkner's work with the People to People diplomatic program, given as part of a gift from Joseph Blotner, scholar and biographer of William Faulkner.  The final subseries in Series V contains records pertaining to the William Faulkner Foundation. Whenever possible, the original order of each of the previous MSS numbers within Series V has been prioritized in the arrangement of the series.","Series VI of the William Faulkner collection contains photographs and portraits of and pertaining to William Faulkner. The photographs and portraits in this series range in date from 1898 to 2005 and cover a wide range of accession numbers, one of these being Faulkner's original deposit, MSS 6074. Materials within Series VI have been arranged in order of their original accession number to emphasize their provenance and chronologically therein.","Series VII of the William Faulkner collection includes press and publicity materials related to William Faulkner. Materials within the series range in date from 1922 to 2005 and are divided into three subseries. The first subseries consists of news clippings and press coverage articles about William Faulkner, many of which were gifted by Linton Massey and Jill Faulkner Summers. The second subseries contains William Faulkner's publicity films and audio recordings of Faulkner reading his works. The final subseries includes ephemera relating to William Faulkner's publicity films. Within each of these three subseries, materials are arranged chronologically.","Series VIII of the William Faulkner collection contains materials from Faulkner's time working at the University of Virginia, where he was the university's Writer-in-Residence from 1957 to 1958, Consultant on American Literature to the Alderman Library, now Shannon Library, from around 1958 to 1961, and Balch Lecturer in American Literature from 1961 to 1962. The series is divided into three subseries: Audio Recordings from Talks and Lectures, Ephemera Related to Faulkner's Tenure, and Exhibitions about Faulkner at the Library. Materials are then arranged chronologically within each subseries.","Series IX of the William Faulkner collection contains the materials of scholars of William Faulkner and collectors of Faulkner's archival and manuscript materials. Original Faulkner materials collected by some of these individuals, such as Joseph Blotner and Linton R. Massey, have been arranged and integrated into other series of the collection, but materials related specifically to their collecting work and scholarship are included in this series. Materials within this series are organized into subseries based on the corresponding scholar/collector names, which have been arranged in alphabetical order by last name.","Series X of the William Faulkner collection includes typescripts and ephemera from adaptations of William Faulkner works for theatre, film, and television. Materials within Series X are arranged in chronological order."],"userestrict_html_tesm":["\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  \u003c/p\u003e\n","\u003cp\u003ePermissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing\u003c/p\u003e\n","\u003cp\u003ePlease note that W.W. Norton holds copyright to all of Faulkner's published works.\u003c/p\u003e\n","\u003cp\u003eIf you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000\u003c/p\u003e\n","\u003cp\u003eFor permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026amp; Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com\u003c/p\u003e\n","\u003cp\u003eFor permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156\u003c/p\u003e\n","\u003cp\u003ePhotocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. \u003c/p\u003e","\u003cp\u003ePhotocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission.\u003c/p\u003e","\u003cp\u003eBecause of the assembled nature of these photographs, copyright status varies across the series. Reproduction rights for photographs marked \"for reference use only\" are not owned by the University of Virginia. Copyright is assumed to be held by the original creator of individual items in the series; the University of Virginia is not authorized to grant permission to publish or reproduce these items. Researchers are responsible for securing permission to publish or reproduce photographs from the rights holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. ","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission.","Because of the assembled nature of these photographs, copyright status varies across the series. Reproduction rights for photographs marked \"for reference use only\" are not owned by the University of Virginia. Copyright is assumed to be held by the original creator of individual items in the series; the University of Virginia is not authorized to grant permission to publish or reproduce these items. Researchers are responsible for securing permission to publish or reproduce photographs from the rights holders."],"names_ssim":["Albert and Shirley Small Special Collections Library","Faulkner, William, 1897-1962"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Faulkner, William, 1897-1962"],"language_ssim":["Materials primarily in English, with some publications in French and German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3366,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-06T07:07:28.695Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1675_c05_c03_c09"}},{"id":"viblbv_repositories_2_resources_1449_c02_c01_c16","type":"File","attributes":{"title":"18 Publications","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1449_c02_c01_c16#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1449_c02_c01_c16","ref_ssm":["viblbv_repositories_2_resources_1449_c02_c01_c16"],"id":"viblbv_repositories_2_resources_1449_c02_c01_c16","ead_ssi":"viblbv_repositories_2_resources_1449","_root_":"viblbv_repositories_2_resources_1449","_nest_parent_":"viblbv_repositories_2_resources_1449_c02_c01","parent_ssi":"viblbv_repositories_2_resources_1449_c02_c01","parent_ssim":["viblbv_repositories_2_resources_1449","viblbv_repositories_2_resources_1449_c02","viblbv_repositories_2_resources_1449_c02_c01"],"parent_ids_ssim":["viblbv_repositories_2_resources_1449","viblbv_repositories_2_resources_1449_c02","viblbv_repositories_2_resources_1449_c02_c01"],"parent_unittitles_ssm":["Arthur M. Squires Papers","B Series, Publications","Box B-1, Publications"],"parent_unittitles_tesim":["Arthur M. Squires Papers","B Series, Publications","Box B-1, Publications"],"text":["Arthur M. Squires Papers","B Series, Publications","Box B-1, Publications","18 Publications","English ."],"title_filing_ssi":"18 Publications","title_ssm":["18 Publications"],"title_tesim":["18 Publications"],"unitdate_other_ssim":["1976"],"normalized_date_ssm":["1976"],"normalized_title_ssm":["18 Publications"],"component_level_isim":[3],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Arthur M. Squires Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":815,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1976],"language_ssim":["English ."],"_nest_path_":"/components#1/components#0/components#15","timestamp":"2026-05-21T02:31:59.589Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1449","ead_ssi":"viblbv_repositories_2_resources_1449","_root_":"viblbv_repositories_2_resources_1449","_nest_parent_":"viblbv_repositories_2_resources_1449","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1449.xml","title_filing_ssi":"Squires, Arthur M., Papers","title_ssm":["Arthur M. Squires Papers"],"title_tesim":["Arthur M. Squires Papers"],"unitdate_ssm":["1888-1987","1940-1987"],"unitdate_bulk_ssim":["1940-1987"],"unitdate_inclusive_ssm":["1888-1987"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1987.006"],"text":["Ms.1987.006","Arthur M. Squires Papers","Faculty and staff","Science and Technology","University History","Photographs","The collection is open for research.","This collection is arranged in six series: A Series-Subject Files; B Series-Publications; C Series-Correspondence Files; D Series-Diaries; E Series-Materials to go with the Walter E. Lobo/M. W. Kellogg Files (transferred to Lobo Papers, Ms1985-014); and F Series: Books for Archives.","Please note: There is no Box 10.","University Distinguished Professor Emeritus (1986-2012) of Chemical Engineering at Virginia Tech. Member, National Academy of Engineering. Fellow, American Academy of Arts and Sciences. ","Educated at University of Missouri (A.B., 1938) and Cornell University (Ph.D., 1947). ","Employment: M.W. Kellogg Company (the Kellex Corporation), 1942-1946, participating in design and startup of gaseous diffusion plant at Oak Ridge as part of the Manhattan Project; Hydrocarbon Research, Inc. of New York City, 1946-1959, architect-engineering firm (research laboratories at Trenton, New Jersey) catering to petroleum, chemical, and steel industries; self-employed consultant, 1959-1967; faculty of chemical engineering, The City College of The City University of New York (1967-1976), Department Chairman (1970-1973), Distinguished University Professor (1974-1976); Frank C. Vilbrandt Professor of Chemical Engineering (1976-1982), University Distinguished Professor (1978-1986), and University Distinguished Professor Emeritus (1986-2012) at Virginia Polytechnic Institute \u0026 State University. ","Consultant for U.S. Bureau of Mines, Office of Coal Research, Electric Power Research Institute, United Nations, Office of Technology Assessment, Oak Ridge National Laboratory, and others. ","Author of  The Tender Ship: Governmental Management of Technological Change  (1986). ","Expert in fluid beds, petroleum refining, hydrocarbon synthesis, coal conversions (gasification, liquefaction, carbonization, combustion), iron ore reduction, low-temperature processes, dust filtration, air pollution control. ","Born 1916. Died 2012.","The guide to the Arthur M. Squires Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Arthur M. Squires Papers was completed in prior to 2002. Additional description, based on the inventory and prior arrangement, was completed in 2010.","The Arthur M. Squires Papers, 1888-1987 (bulk 1940-1987), consist of extensive correspondence, unpublished research reports, lectures, trip reports, reprints, trip diaries (1968-1982), photographs (1979) from his trip to China, daily work books (1959-1981), and subject files spanning entire career. This collection is unprocessed.","Materials in this series were transferred to the Walter E. Lobo Papers, Ms85-014, in November 1987.","Box E-1 was transferred to the Walter E. Lobo Papers, 1929-1955, Ms1985-014 in November 1987. The box contained: ","\"The Improbable Achievement: Chemical Engineering at MIT\"","\"Large Scale Production of Oxygen - Combined Technical Oil Missions Holroyd Report - German Oil Technology\"","\"Guide to Refinery Operating Costs (Process Costimating)\"","\"The German Chemical Industry - A Bibliography of the Chemical, Metallurgical, and Process Industries\"","\"Enriched Air\"","\"List of Process Management's Translations of I. G. Reports - Set No. 46\"","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Please note:  A Series-D Series are located in off-site storage and require 2-3 days notice for retrieval. Please contact Special Collections for more information.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Squires, Arthur M., 1916-2012","The materials in the collection are in English."],"unitid_tesim":["Ms.1987.006"],"normalized_title_ssm":["Arthur M. Squires Papers"],"collection_title_tesim":["Arthur M. Squires Papers"],"collection_ssim":["Arthur M. Squires Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Squires, Arthur M., 1916-2012"],"creator_ssim":["Squires, Arthur M., 1916-2012"],"creator_persname_ssim":["Squires, Arthur M., 1916-2012"],"creators_ssim":["Squires, Arthur M., 1916-2012"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to Special Collections and University Archives in 1987 and 1988."],"access_subjects_ssim":["Faculty and staff","Science and Technology","University History","Photographs"],"access_subjects_ssm":["Faculty and staff","Science and Technology","University History","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["72 Cubic Feet 72 boxes"],"extent_tesim":["72 Cubic Feet 72 boxes"],"genreform_ssim":["Photographs"],"date_range_isim":[1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in six series: A Series-Subject Files; B Series-Publications; C Series-Correspondence Files; D Series-Diaries; E Series-Materials to go with the Walter E. Lobo/M. W. Kellogg Files (transferred to Lobo Papers, Ms1985-014); and F Series: Books for Archives.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003ePlease note: There is no Box 10.\u003c/emph\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in six series: A Series-Subject Files; B Series-Publications; C Series-Correspondence Files; D Series-Diaries; E Series-Materials to go with the Walter E. Lobo/M. W. Kellogg Files (transferred to Lobo Papers, Ms1985-014); and F Series: Books for Archives.","Please note: There is no Box 10."],"bioghist_html_tesm":["\u003cp\u003eUniversity Distinguished Professor Emeritus (1986-2012) of Chemical Engineering at Virginia Tech. Member, National Academy of Engineering. Fellow, American Academy of Arts and Sciences. \u003c/p\u003e\n","\u003cp\u003eEducated at University of Missouri (A.B., 1938) and Cornell University (Ph.D., 1947). \u003c/p\u003e\n","\u003cp\u003eEmployment: M.W. Kellogg Company (the Kellex Corporation), 1942-1946, participating in design and startup of gaseous diffusion plant at Oak Ridge as part of the Manhattan Project; Hydrocarbon Research, Inc. of New York City, 1946-1959, architect-engineering firm (research laboratories at Trenton, New Jersey) catering to petroleum, chemical, and steel industries; self-employed consultant, 1959-1967; faculty of chemical engineering, The City College of The City University of New York (1967-1976), Department Chairman (1970-1973), Distinguished University Professor (1974-1976); Frank C. Vilbrandt Professor of Chemical Engineering (1976-1982), University Distinguished Professor (1978-1986), and University Distinguished Professor Emeritus (1986-2012) at Virginia Polytechnic Institute \u0026amp; State University. \u003c/p\u003e\n","\u003cp\u003eConsultant for U.S. Bureau of Mines, Office of Coal Research, Electric Power Research Institute, United Nations, Office of Technology Assessment, Oak Ridge National Laboratory, and others. \u003c/p\u003e\n","\u003cp\u003eAuthor of \u003cemph render=\"italic\"\u003eThe Tender Ship: Governmental Management of Technological Change\u003c/emph\u003e (1986). \u003c/p\u003e\n","\u003cp\u003eExpert in fluid beds, petroleum refining, hydrocarbon synthesis, coal conversions (gasification, liquefaction, carbonization, combustion), iron ore reduction, low-temperature processes, dust filtration, air pollution control. \u003c/p\u003e\n","\u003cp\u003eBorn 1916. Died 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["University Distinguished Professor Emeritus (1986-2012) of Chemical Engineering at Virginia Tech. Member, National Academy of Engineering. Fellow, American Academy of Arts and Sciences. ","Educated at University of Missouri (A.B., 1938) and Cornell University (Ph.D., 1947). ","Employment: M.W. Kellogg Company (the Kellex Corporation), 1942-1946, participating in design and startup of gaseous diffusion plant at Oak Ridge as part of the Manhattan Project; Hydrocarbon Research, Inc. of New York City, 1946-1959, architect-engineering firm (research laboratories at Trenton, New Jersey) catering to petroleum, chemical, and steel industries; self-employed consultant, 1959-1967; faculty of chemical engineering, The City College of The City University of New York (1967-1976), Department Chairman (1970-1973), Distinguished University Professor (1974-1976); Frank C. Vilbrandt Professor of Chemical Engineering (1976-1982), University Distinguished Professor (1978-1986), and University Distinguished Professor Emeritus (1986-2012) at Virginia Polytechnic Institute \u0026 State University. ","Consultant for U.S. Bureau of Mines, Office of Coal Research, Electric Power Research Institute, United Nations, Office of Technology Assessment, Oak Ridge National Laboratory, and others. ","Author of  The Tender Ship: Governmental Management of Technological Change  (1986). ","Expert in fluid beds, petroleum refining, hydrocarbon synthesis, coal conversions (gasification, liquefaction, carbonization, combustion), iron ore reduction, low-temperature processes, dust filtration, air pollution control. ","Born 1916. Died 2012."],"odd_html_tesm":["\u003cp\u003eThe guide to the Arthur M. Squires Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Arthur M. Squires Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Arthur M. Squires Papers, 1888-1987 (bulk 1940-1987), Ms1987-006, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Arthur M. Squires Papers, 1888-1987 (bulk 1940-1987), Ms1987-006, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Arthur M. Squires Papers was completed in prior to 2002. Additional description, based on the inventory and prior arrangement, was completed in 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Arthur M. Squires Papers was completed in prior to 2002. Additional description, based on the inventory and prior arrangement, was completed in 2010."],"scopecontent_html_tesm":["\u003cp\u003eThe Arthur M. Squires Papers, 1888-1987 (bulk 1940-1987), consist of extensive correspondence, unpublished research reports, lectures, trip reports, reprints, trip diaries (1968-1982), photographs (1979) from his trip to China, daily work books (1959-1981), and subject files spanning entire career. This collection is unprocessed.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eMaterials in this series were transferred to the Walter E. Lobo Papers, Ms85-014, in November 1987.\u003c/emph\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Content"],"scopecontent_tesim":["The Arthur M. Squires Papers, 1888-1987 (bulk 1940-1987), consist of extensive correspondence, unpublished research reports, lectures, trip reports, reprints, trip diaries (1968-1982), photographs (1979) from his trip to China, daily work books (1959-1981), and subject files spanning entire career. This collection is unprocessed.","Materials in this series were transferred to the Walter E. Lobo Papers, Ms85-014, in November 1987."],"separatedmaterial_html_tesm":["\u003cp\u003eBox E-1 was transferred to the Walter E. Lobo Papers, 1929-1955, Ms1985-014 in November 1987. The box contained: \u003c/p\u003e\n","\u003cp\u003e\"The Improbable Achievement: Chemical Engineering at MIT\"\u003c/p\u003e\n","\u003cp\u003e\"Large Scale Production of Oxygen - Combined Technical Oil Missions Holroyd Report - German Oil Technology\"\u003c/p\u003e\n","\u003cp\u003e\"Guide to Refinery Operating Costs (Process Costimating)\"\u003c/p\u003e\n","\u003cp\u003e\"The German Chemical Industry - A Bibliography of the Chemical, Metallurgical, and Process Industries\"\u003c/p\u003e\n","\u003cp\u003e\"Enriched Air\"\u003c/p\u003e\n","\u003cp\u003e\"List of Process Management's Translations of I. G. Reports - Set No. 46\"\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Box E-1 was transferred to the Walter E. Lobo Papers, 1929-1955, Ms1985-014 in November 1987. The box contained: ","\"The Improbable Achievement: Chemical Engineering at MIT\"","\"Large Scale Production of Oxygen - Combined Technical Oil Missions Holroyd Report - German Oil Technology\"","\"Guide to Refinery Operating Costs (Process Costimating)\"","\"The German Chemical Industry - A Bibliography of the Chemical, Metallurgical, and Process Industries\"","\"Enriched Air\"","\"List of Process Management's Translations of I. G. Reports - Set No. 46\""],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_8ada9e8fb68f1484eb84e7a03592017b\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e A Series-D Series are located in off-site storage and require 2-3 days notice for retrieval. Please contact Special Collections for more information.\u003c/physloc\u003e"],"physloc_tesim":["Please note:  A Series-D Series are located in off-site storage and require 2-3 days notice for retrieval. Please contact Special Collections for more information."],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Squires, Arthur M., 1916-2012"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Squires, Arthur M., 1916-2012"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1700,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:31:59.589Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1449_c02_c01_c16"}},{"id":"wvmturhc_repositories_2_resources_1852_c06_c18","type":"File","attributes":{"title":"18. Recent Davissons","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1852_c06_c18#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1852_c06_c18","ref_ssm":["wvmturhc_repositories_2_resources_1852_c06_c18"],"id":"wvmturhc_repositories_2_resources_1852_c06_c18","ead_ssi":"wvmturhc_repositories_2_resources_1852","_root_":"wvmturhc_repositories_2_resources_1852","_nest_parent_":"wvmturhc_repositories_2_resources_1852_c06","parent_ssi":"wvmturhc_repositories_2_resources_1852_c06","parent_ssim":["wvmturhc_repositories_2_resources_1852","wvmturhc_repositories_2_resources_1852_c06"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1852","wvmturhc_repositories_2_resources_1852_c06"],"parent_unittitles_ssm":["Russell L. Davisson, Politician, Papers","Series 6. Genealogy Records B"],"parent_unittitles_tesim":["Russell L. Davisson, Politician, Papers","Series 6. Genealogy Records B"],"text":["Russell L. Davisson, Politician, Papers","Series 6. Genealogy Records B","18. Recent Davissons","Box 3","Folder 36"],"title_filing_ssi":"18. Recent Davissons","title_ssm":["18. Recent Davissons"],"title_tesim":["18. Recent Davissons"],"unitdate_inclusive_ssm":["1960–1992"],"normalized_date_ssm":["1960/1992"],"normalized_title_ssm":["18. Recent Davissons"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Russell L. Davisson, Politician, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":83,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"containers_ssim":["Box 3","Folder 36"],"_nest_path_":"/components#5/components#17","timestamp":"2026-05-21T01:07:24.091Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1852","ead_ssi":"wvmturhc_repositories_2_resources_1852","_root_":"wvmturhc_repositories_2_resources_1852","_nest_parent_":"wvmturhc_repositories_2_resources_1852","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1852.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196027","title_ssm":["Russell L. Davisson, Politician, Papers"],"title_tesim":["Russell L. Davisson, Politician, Papers"],"unitdate_ssm":["1850-2004"],"unitdate_inclusive_ssm":["1850-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3472","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1852"],"text":["A\u0026M 3472","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1852","Russell L. Davisson, Politician, Papers","Genealogy","Welfare - Mingo County.","No special access restriction applies.","Papers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).","Series include:","Series 1. Biographical Information, 2005 (box 1, Folder 1a)  \nSeries 2. Political Correspondence, 1967–1972 (box 1, Folder 1b)  \nSeries 3. Welfare in Mingo County, 1966-1967 (box 1, folders 2-6)  \nSeries 4. Photocopy of \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison, 1982 (box 1, folders 7-10)  \nSeries 5. Genealogy Records A, 1916-1920, 1960-2004 (box 2; box 3, folders 1-18)  \nSeries 6. Genealogy Records B, 1835-1855, 1916-2003 (box 3, folders 19-47)  \nSeries 7. Genealogy Records C Lost Creek Series, 1907, 1952-1992 (box 3, folders 49-55)  \nSeries 8. Subject Files, 1850-1853, 1928-2004 (box 3, folders 56-100; box 4, folders 19-32b)  \nSeries 9. Book Manuscript \"The Davissons\" by Russel L. Davisson, 1992-1993, undated (box 4, folders 1-18)  \nSeries 10. Publications, 1942-1998, undated (box 4, folders 33-40b; box 6)  \nSeries 11. Travel, undated (box 4, folders 41-44)  \nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59)  \nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61)  \nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2)  \nSeries 15. Certificate, 2004 (box 5, folder 3)  \nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5)  \nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)","This series includes an autobiography written by Russell L. Davisson.","This series includes correspondence from Governor Arch Moore to Davisson.","This series includes records regarding investigation into the welfare program of Mingo County. The files contain sworn depositions of those involved, contemporary newspaper accounts, and letters from other politicians concerning the controversy.","This series includes a photocopy of the work, \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison.","This series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.","This series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.","This series includes genealogical records pertaining specifically to Lost Creek, Harrison County, WV.","This series includes inauguration invitations (Arch Moore and Richard Nixon), publications on various topics (including Richard Nixon's inauguration and election), and assorted correspondence.","This series includes page proofs, manuscript excerpts, and other material pertaining to \"The Davissons\" by Russell L. Davisson.","This series includes assorted publications, including a copy of Richard Nixon's Presidential nomination acceptance speech, other political works, and various historical works.","This series includes postcards and pamphlets from a trip to China and a trip to Brussels.","This series includes maps of locations in the United States, Europe, and China.","This series includes political car plates and business cards from China.","This series consists of assorted photographs, including a signed photograph of Russell L. Davisson and Richard Nixon, a portrait of Governor Cecil B. Underwood, and the Davisson Cemetary and other historical sites related to the Davisson family.","This series consists of a Certificate of Appreciation from George Washington's Mount Vernon.","This series consists of various issues of the newsletter, \"Mountain Messenger,\" and of the newsletter of the Washington County Genealogical Society.","This series includes a copy of \"Early Genealogy of the Davisson Family\" on two microfilm reels.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Davison family - genealogy.","Davison family - Genealogy","Davisson, Russell Lee, 1922-","English"],"unitid_tesim":["A\u0026M 3472","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1852"],"normalized_title_ssm":["Russell L. Davisson, Politician, Papers"],"collection_title_tesim":["Russell L. Davisson, Politician, Papers"],"collection_ssim":["Russell L. Davisson, Politician, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Davisson, Russell Lee, 1922-"],"creator_ssim":["Davisson, Russell Lee, 1922-"],"creator_persname_ssim":["Davisson, Russell Lee, 1922-"],"creators_ssim":["Davisson, Russell Lee, 1922-"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Genealogy","Welfare - Mingo County."],"access_subjects_ssm":["Genealogy","Welfare - Mingo County."],"has_online_content_ssim":["false"],"extent_ssm":["4 Linear Feet Summary: 3 ft. 11 1/2 in. (3 document cases, 5 in. each); (1 document case, 2 1/2 in.); (2 records cartons, 15 in. each)"],"extent_tesim":["4 Linear Feet Summary: 3 ft. 11 1/2 in. (3 document cases, 5 in. each); (1 document case, 2 1/2 in.); (2 records cartons, 15 in. each)"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Russell L. Davisson, Politician, Papers, A\u0026amp;M 3472, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Russell L. Davisson, Politician, Papers, A\u0026M 3472, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003c/p\u003e\n","\u003cp\u003eSeries 1. Biographical Information, 2005 (box 1, Folder 1a) \u003clb\u003e\u003c/lb\u003e\nSeries 2. Political Correspondence, 1967–1972 (box 1, Folder 1b) \u003clb\u003e\u003c/lb\u003e\nSeries 3. Welfare in Mingo County, 1966-1967 (box 1, folders 2-6) \u003clb\u003e\u003c/lb\u003e\nSeries 4. Photocopy of \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison, 1982 (box 1, folders 7-10) \u003clb\u003e\u003c/lb\u003e\nSeries 5. Genealogy Records A, 1916-1920, 1960-2004 (box 2; box 3, folders 1-18) \u003clb\u003e\u003c/lb\u003e\nSeries 6. Genealogy Records B, 1835-1855, 1916-2003 (box 3, folders 19-47) \u003clb\u003e\u003c/lb\u003e\nSeries 7. Genealogy Records C Lost Creek Series, 1907, 1952-1992 (box 3, folders 49-55) \u003clb\u003e\u003c/lb\u003e\nSeries 8. Subject Files, 1850-1853, 1928-2004 (box 3, folders 56-100; box 4, folders 19-32b) \u003clb\u003e\u003c/lb\u003e\nSeries 9. Book Manuscript \"The Davissons\" by Russel L. Davisson, 1992-1993, undated (box 4, folders 1-18) \u003clb\u003e\u003c/lb\u003e\nSeries 10. Publications, 1942-1998, undated (box 4, folders 33-40b; box 6) \u003clb\u003e\u003c/lb\u003e\nSeries 11. Travel, undated (box 4, folders 41-44) \u003clb\u003e\u003c/lb\u003e\nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59) \u003clb\u003e\u003c/lb\u003e\nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61) \u003clb\u003e\u003c/lb\u003e\nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2) \u003clb\u003e\u003c/lb\u003e\nSeries 15. Certificate, 2004 (box 5, folder 3) \u003clb\u003e\u003c/lb\u003e\nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5) \u003clb\u003e\u003c/lb\u003e\nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e","\u003cp\u003eThis series includes an autobiography written by Russell L. Davisson.\u003c/p\u003e","\u003cp\u003eThis series includes correspondence from Governor Arch Moore to Davisson.\u003c/p\u003e","\u003cp\u003eThis series includes records regarding investigation into the welfare program of Mingo County. The files contain sworn depositions of those involved, contemporary newspaper accounts, and letters from other politicians concerning the controversy.\u003c/p\u003e","\u003cp\u003eThis series includes a photocopy of the work, \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison.\u003c/p\u003e","\u003cp\u003eThis series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.\u003c/p\u003e","\u003cp\u003eThis series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.\u003c/p\u003e","\u003cp\u003eThis series includes genealogical records pertaining specifically to Lost Creek, Harrison County, WV.\u003c/p\u003e","\u003cp\u003eThis series includes inauguration invitations (Arch Moore and Richard Nixon), publications on various topics (including Richard Nixon's inauguration and election), and assorted correspondence.\u003c/p\u003e","\u003cp\u003eThis series includes page proofs, manuscript excerpts, and other material pertaining to \"The Davissons\" by Russell L. Davisson.\u003c/p\u003e","\u003cp\u003eThis series includes assorted publications, including a copy of Richard Nixon's Presidential nomination acceptance speech, other political works, and various historical works.\u003c/p\u003e","\u003cp\u003eThis series includes postcards and pamphlets from a trip to China and a trip to Brussels.\u003c/p\u003e","\u003cp\u003eThis series includes maps of locations in the United States, Europe, and China.\u003c/p\u003e","\u003cp\u003eThis series includes political car plates and business cards from China.\u003c/p\u003e","\u003cp\u003eThis series consists of assorted photographs, including a signed photograph of Russell L. Davisson and Richard Nixon, a portrait of Governor Cecil B. Underwood, and the Davisson Cemetary and other historical sites related to the Davisson family.\u003c/p\u003e","\u003cp\u003eThis series consists of a Certificate of Appreciation from George Washington's Mount Vernon.\u003c/p\u003e","\u003cp\u003eThis series consists of various issues of the newsletter, \"Mountain Messenger,\" and of the newsletter of the Washington County Genealogical Society.\u003c/p\u003e","\u003cp\u003eThis series includes a copy of \"Early Genealogy of the Davisson Family\" on two microfilm reels.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).","Series include:","Series 1. Biographical Information, 2005 (box 1, Folder 1a)  \nSeries 2. Political Correspondence, 1967–1972 (box 1, Folder 1b)  \nSeries 3. Welfare in Mingo County, 1966-1967 (box 1, folders 2-6)  \nSeries 4. Photocopy of \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison, 1982 (box 1, folders 7-10)  \nSeries 5. Genealogy Records A, 1916-1920, 1960-2004 (box 2; box 3, folders 1-18)  \nSeries 6. Genealogy Records B, 1835-1855, 1916-2003 (box 3, folders 19-47)  \nSeries 7. Genealogy Records C Lost Creek Series, 1907, 1952-1992 (box 3, folders 49-55)  \nSeries 8. Subject Files, 1850-1853, 1928-2004 (box 3, folders 56-100; box 4, folders 19-32b)  \nSeries 9. Book Manuscript \"The Davissons\" by Russel L. Davisson, 1992-1993, undated (box 4, folders 1-18)  \nSeries 10. Publications, 1942-1998, undated (box 4, folders 33-40b; box 6)  \nSeries 11. Travel, undated (box 4, folders 41-44)  \nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59)  \nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61)  \nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2)  \nSeries 15. Certificate, 2004 (box 5, folder 3)  \nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5)  \nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)","This series includes an autobiography written by Russell L. Davisson.","This series includes correspondence from Governor Arch Moore to Davisson.","This series includes records regarding investigation into the welfare program of Mingo County. The files contain sworn depositions of those involved, contemporary newspaper accounts, and letters from other politicians concerning the controversy.","This series includes a photocopy of the work, \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison.","This series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.","This series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.","This series includes genealogical records pertaining specifically to Lost Creek, Harrison County, WV.","This series includes inauguration invitations (Arch Moore and Richard Nixon), publications on various topics (including Richard Nixon's inauguration and election), and assorted correspondence.","This series includes page proofs, manuscript excerpts, and other material pertaining to \"The Davissons\" by Russell L. Davisson.","This series includes assorted publications, including a copy of Richard Nixon's Presidential nomination acceptance speech, other political works, and various historical works.","This series includes postcards and pamphlets from a trip to China and a trip to Brussels.","This series includes maps of locations in the United States, Europe, and China.","This series includes political car plates and business cards from China.","This series consists of assorted photographs, including a signed photograph of Russell L. Davisson and Richard Nixon, a portrait of Governor Cecil B. Underwood, and the Davisson Cemetary and other historical sites related to the Davisson family.","This series consists of a Certificate of Appreciation from George Washington's Mount Vernon.","This series consists of various issues of the newsletter, \"Mountain Messenger,\" and of the newsletter of the Washington County Genealogical Society.","This series includes a copy of \"Early Genealogy of the Davisson Family\" on two microfilm reels."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b58e0d0847733239cec6066aace5060d\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Davison family - genealogy.","Davison family - Genealogy","Davisson, Russell Lee, 1922-"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Davison family - genealogy.","Davison family - Genealogy","Davisson, Russell Lee, 1922-"],"famname_ssim":["Davison family - genealogy.","Davison family - Genealogy"],"persname_ssim":["Davisson, Russell Lee, 1922-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":235,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:07:24.091Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1852_c06_c18"}},{"id":"viu_repositories_3_resources_837_c02","type":"File","attributes":{"title":"18th century British literature","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_837_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_837_c02","ref_ssm":["viu_repositories_3_resources_837_c02"],"id":"viu_repositories_3_resources_837_c02","ead_ssi":"viu_repositories_3_resources_837","_root_":"viu_repositories_3_resources_837","_nest_parent_":"viu_repositories_3_resources_837","parent_ssi":"viu_repositories_3_resources_837","parent_ssim":["viu_repositories_3_resources_837"],"parent_ids_ssim":["viu_repositories_3_resources_837"],"parent_unittitles_ssm":["Maurice Lévy papers"],"parent_unittitles_tesim":["Maurice Lévy papers"],"text":["Maurice Lévy papers","18th century British literature","box 3"],"title_filing_ssi":"18th century British literature","title_ssm":["18th century British literature"],"title_tesim":["18th century British literature"],"unitdate_inclusive_ssm":["1974-2009"],"normalized_date_ssm":["1974/2009"],"normalized_title_ssm":["18th century British literature"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Maurice Lévy papers"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":29,"parent_access_restrict_tesm":["The collection is open for research use."],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"containers_ssim":["box 3"],"_nest_path_":"/components#1","timestamp":"2026-05-20T23:27:13.031Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_837","ead_ssi":"viu_repositories_3_resources_837","_root_":"viu_repositories_3_resources_837","_nest_parent_":"viu_repositories_3_resources_837","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_837.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/133356","title_filing_ssi":"Lévy, Maurice, papers","title_ssm":["Maurice Lévy papers"],"title_tesim":["Maurice Lévy papers"],"unitdate_ssm":["1952-2012"],"unitdate_inclusive_ssm":["1952-2012"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 15822","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/837"],"text":["MSS 15822","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/837","Maurice Lévy papers","Gothic fiction (Literary genre)","letters (correspondence)","The collection is open for research use.","The collection has been arranged by five subject areas and then chronologically within each subject.","Maurice Lévy was born in Constantine, Algeria on July 9, 1929. Lévy wrote his dissertation on English gothic literature, making extensive use of the University of Virginia's Sadleir-Black Collection of Gothic Literature and quickly became known as a pre-eminent scholar on the subject. In 2009, Lévy contacted UVa to donate his personal collection of French Gothic translations. Lévy died in 2012.","Source: UVa Today, Caliban volume 31","The Maurice Lévy papers (1952-2012; 3.25 cubic feet) document the research, professional career, and personal life of Maurice Lévy. The bulk of the collection consists of research papers and publications, with subjects ranging from gothic literature to William Faulkner to H.P. Lovecraft. The collection also contains conference talks given by Lévy, correspondence with universities and grant agencies, publications from Lévy's organization CERLI (Centre d'Études et de Recherches sur les Littératures de l'Imaginaire), and a few photographs of Lévy with family members.","This addition to the MSS 15822 Maurice Lévy papers contains a manuscript titled \"Tell About the South\" by Nicole Moulinoux. This bound volume of interview transcriptions was compiled in 1993 from Moulinoux's conversations with prominent Southern writers in Charlottesville, VA, including George Garrett, whose papers (MSS 13272) are held at the Small Special Collections Library. ","The volume contains transcripts from interviews with the following writers: Reynolds Price, Shelby Foote, Margaret Walker, Cleanth Brooks, Ernest Gaines, Eudora Welty, Andrew Lytle, George Garrett, and Mary Lee Settle. ","Albert and Shirley Small Special Collections Library","Lévy, Maurice, 1929-","Materials are primarily in French, with a substantial minority in English."],"unitid_tesim":["MSS 15822","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/837"],"normalized_title_ssm":["Maurice Lévy papers"],"collection_title_tesim":["Maurice Lévy papers"],"collection_ssim":["Maurice Lévy papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Lévy, Maurice, 1929-"],"creator_ssim":["Lévy, Maurice, 1929-"],"creator_persname_ssim":["Lévy, Maurice, 1929-"],"creators_ssim":["Lévy, Maurice, 1929-"],"acqinfo_ssim":["This collection was a gift from Ellen Lévy to the Small Special Collections Library at the University of Virginia Library in 2014"],"access_subjects_ssim":["Gothic fiction (Literary genre)","letters (correspondence)"],"access_subjects_ssm":["Gothic fiction (Literary genre)","letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Cubic Feet 6 legal document boxes, 1 legal half-width document box"],"extent_tesim":["3.25 Cubic Feet 6 legal document boxes, 1 legal half-width document box"],"genreform_ssim":["letters (correspondence)"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe collection has been arranged by five subject areas and then chronologically within each subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection has been arranged by five subject areas and then chronologically within each subject."],"bioghist_html_tesm":["\u003cp\u003eMaurice Lévy was born in Constantine, Algeria on July 9, 1929. Lévy wrote his dissertation on English gothic literature, making extensive use of the University of Virginia's Sadleir-Black Collection of Gothic Literature and quickly became known as a pre-eminent scholar on the subject. In 2009, Lévy contacted UVa to donate his personal collection of French Gothic translations. Lévy died in 2012.\u003c/p\u003e\n","\u003cp\u003eSource: UVa Today, Caliban volume 31\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Maurice Lévy was born in Constantine, Algeria on July 9, 1929. Lévy wrote his dissertation on English gothic literature, making extensive use of the University of Virginia's Sadleir-Black Collection of Gothic Literature and quickly became known as a pre-eminent scholar on the subject. In 2009, Lévy contacted UVa to donate his personal collection of French Gothic translations. Lévy died in 2012.","Source: UVa Today, Caliban volume 31"],"prefercite_html_tesm":["\u003cp\u003eMSS 15822, Maurice Lévy papers, Albert and Shirley Small Special Collections Library, University of Virginia\u003c/p\u003e"],"prefercite_tesim":["MSS 15822, Maurice Lévy papers, Albert and Shirley Small Special Collections Library, University of Virginia"],"scopecontent_html_tesm":["\u003cp\u003eThe Maurice Lévy papers (1952-2012; 3.25 cubic feet) document the research, professional career, and personal life of Maurice Lévy. The bulk of the collection consists of research papers and publications, with subjects ranging from gothic literature to William Faulkner to H.P. Lovecraft. The collection also contains conference talks given by Lévy, correspondence with universities and grant agencies, publications from Lévy's organization CERLI (Centre d'Études et de Recherches sur les Littératures de l'Imaginaire), and a few photographs of Lévy with family members.\u003c/p\u003e","\u003cp\u003eThis addition to the MSS 15822 Maurice Lévy papers contains a manuscript titled \"Tell About the South\" by Nicole Moulinoux. This bound volume of interview transcriptions was compiled in 1993 from Moulinoux's conversations with prominent Southern writers in Charlottesville, VA, including George Garrett, whose papers (MSS 13272) are held at the Small Special Collections Library. \u003c/p\u003e\n","\u003cp\u003eThe volume contains transcripts from interviews with the following writers: Reynolds Price, Shelby Foote, Margaret Walker, Cleanth Brooks, Ernest Gaines, Eudora Welty, Andrew Lytle, George Garrett, and Mary Lee Settle. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents Note","Scope and Contents"],"scopecontent_tesim":["The Maurice Lévy papers (1952-2012; 3.25 cubic feet) document the research, professional career, and personal life of Maurice Lévy. The bulk of the collection consists of research papers and publications, with subjects ranging from gothic literature to William Faulkner to H.P. Lovecraft. The collection also contains conference talks given by Lévy, correspondence with universities and grant agencies, publications from Lévy's organization CERLI (Centre d'Études et de Recherches sur les Littératures de l'Imaginaire), and a few photographs of Lévy with family members.","This addition to the MSS 15822 Maurice Lévy papers contains a manuscript titled \"Tell About the South\" by Nicole Moulinoux. This bound volume of interview transcriptions was compiled in 1993 from Moulinoux's conversations with prominent Southern writers in Charlottesville, VA, including George Garrett, whose papers (MSS 13272) are held at the Small Special Collections Library. ","The volume contains transcripts from interviews with the following writers: Reynolds Price, Shelby Foote, Margaret Walker, Cleanth Brooks, Ernest Gaines, Eudora Welty, Andrew Lytle, George Garrett, and Mary Lee Settle. "],"names_ssim":["Albert and Shirley Small Special Collections Library","Lévy, Maurice, 1929-"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Lévy, Maurice, 1929-"],"language_ssim":["Materials are primarily in French, with a substantial minority in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":72,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:27:13.031Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_837_c02"}},{"id":"viblbv_repositories_2_resources_1974_c04_c73","type":"File","attributes":{"title":"18th Virginia Cavalry","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c73#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1974_c04_c73","ref_ssm":["viblbv_repositories_2_resources_1974_c04_c73"],"id":"viblbv_repositories_2_resources_1974_c04_c73","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974_c04","parent_ssi":"viblbv_repositories_2_resources_1974_c04","parent_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_ids_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_unittitles_ssm":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"parent_unittitles_tesim":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"text":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records","18th Virginia Cavalry","box 41","folder 8"],"title_filing_ssi":"18th Virginia Cavalry","title_ssm":["18th Virginia Cavalry"],"title_tesim":["18th Virginia Cavalry"],"unitdate_inclusive_ssm":["n.d., 1973-, 1979, 2003"],"normalized_date_ssm":["1973/2003"],"normalized_title_ssm":["18th Virginia Cavalry"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["James I. Robertson Jr. Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":419,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"containers_ssim":["box 41","folder 8"],"_nest_path_":"/components#3/components#72","timestamp":"2026-05-21T02:15:46.743Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1974","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1974.xml","title_filing_ssi":"Robertson, James I., Papers","title_ssm":["James I. Robertson Jr. Papers"],"title_tesim":["James I. Robertson Jr. Papers"],"unitdate_ssm":["1849-2011"],"unitdate_inclusive_ssm":["1849-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1994.021"],"text":["Ms.1994.021","James I. Robertson Jr. Papers","Virginia","Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History","Collection is open to research.","Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. ","American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. ","The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.","The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","Introduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865","with corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House","with corrections by Richard Harwell","with corrections by Richard Harwell","with corrections by Beth Brown","with corrections by Richard Harwell","with corrections by Ed Raus","with corrections by Robert Krick and Ed Raus","with corrections by Richard Harwell","with corrections by Dennis Frye","with corrections by Richard Harwell","with corrections by author","with corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown","with corrections by Beth Brown and Chris Calkins","with author's final corrections; 4 folders","with publisher's final corrections; 2 folders","with publisher's comments","with corrections by author","with corrections by Ludwell Johnson (chapters 1-5 only)","with corrections by Charles Roland","with corrections by Gary Gallagher","with publisher's comments; 2 folders","incorporating publisher's revisions","with publisher's comments; 2 folders","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by unidentified person","with corrections by unidentified person","limited edition signed print by Brian Kraus","The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr.","The materials in the collection are in English."],"unitid_tesim":["Ms.1994.021"],"normalized_title_ssm":["James I. Robertson Jr. Papers"],"collection_title_tesim":["James I. Robertson Jr. Papers"],"collection_ssim":["James I. Robertson Jr. Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Virginia"],"geogname_ssim":["Virginia"],"creator_ssm":["Robertson, James I., Jr."],"creator_ssim":["Robertson, James I., Jr."],"creator_persname_ssim":["Robertson, James I., Jr."],"creators_ssim":["Robertson, James I., Jr."],"places_ssim":["Virginia"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Robertson Papers were donated by James I. and Elizabeth Robertson in several accessions from 1992 until 2016."],"access_subjects_ssim":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"access_subjects_ssm":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"has_online_content_ssim":["false"],"extent_ssm":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"extent_tesim":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries I: Writings, 1981-2004\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for \u003ctitle render=\"italic\"\u003eJackson \u0026amp; Lee\u003c/title\u003e, for example, contains only a typescript draft of a single chapter. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries II: General Materials, 1862-1996\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries III: Virginia County Records, 1852-2005\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries IV: Virginia Unit Records, 1849-2011\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries V: Oversize Materials, [1982?]-2000, n.d.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. "],"bioghist_html_tesm":["\u003cp\u003eAmerican Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. \u003c/p\u003e\n","\u003cp\u003eRobertson has authored many award-winning scholarly books on Civil War-related topics, including \u003ctitle render=\"italic\"\u003eSoldiers Blue and Gray\u003c/title\u003e (1988) (nominated for the Pulitzer Prize in History), \u003ctitle render=\"italic\"\u003eCivil War Virginia: Battleground for a Nation\u003c/title\u003e (1991), \u003ctitle render=\"italic\"\u003eGeneral A. P. Hill: The Story of a Confederate Warrior\u003c/title\u003e; and \u003ctitle render=\"italic\"\u003eStonewall Jackson: The Man, the Soldier, the Legend\u003c/title\u003e (1997). He has also written two books for younger readers: \u003ctitle render=\"italic\"\u003eCivil War! America Becomes One Nation\u003c/title\u003e (1992) and \u003ctitle render=\"italic\"\u003eStanding Like a Stone Wall: the Life of General Thomas J. Jackson\u003c/title\u003e (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. "],"odd_html_tesm":["\u003cp\u003eThe guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eAccession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.\u003c/p\u003e","\u003cp\u003eIntroduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865\u003c/p\u003e","\u003cp\u003ewith corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Beth Brown\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Ed Raus\u003c/p\u003e","\u003cp\u003ewith corrections by Robert Krick and Ed Raus\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Dennis Frye\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown\u003c/p\u003e","\u003cp\u003ewith corrections by Beth Brown and Chris Calkins\u003c/p\u003e","\u003cp\u003ewith author's final corrections; 4 folders\u003c/p\u003e","\u003cp\u003ewith publisher's final corrections; 2 folders\u003c/p\u003e","\u003cp\u003ewith publisher's comments\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by Ludwell Johnson (chapters 1-5 only)\u003c/p\u003e","\u003cp\u003ewith corrections by Charles Roland\u003c/p\u003e","\u003cp\u003ewith corrections by Gary Gallagher\u003c/p\u003e","\u003cp\u003ewith publisher's comments; 2 folders\u003c/p\u003e","\u003cp\u003eincorporating publisher's revisions\u003c/p\u003e","\u003cp\u003ewith publisher's comments; 2 folders\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by unidentified person\u003c/p\u003e","\u003cp\u003ewith corrections by unidentified person\u003c/p\u003e","\u003cp\u003elimited edition signed print by Brian Kraus\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","Introduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865","with corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House","with corrections by Richard Harwell","with corrections by Richard Harwell","with corrections by Beth Brown","with corrections by Richard Harwell","with corrections by Ed Raus","with corrections by Robert Krick and Ed Raus","with corrections by Richard Harwell","with corrections by Dennis Frye","with corrections by Richard Harwell","with corrections by author","with corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown","with corrections by Beth Brown and Chris Calkins","with author's final corrections; 4 folders","with publisher's final corrections; 2 folders","with publisher's comments","with corrections by author","with corrections by Ludwell Johnson (chapters 1-5 only)","with corrections by Charles Roland","with corrections by Gary Gallagher","with publisher's comments; 2 folders","incorporating publisher's revisions","with publisher's comments; 2 folders","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by unidentified person","with corrections by unidentified person","limited edition signed print by Brian Kraus"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:\u003c/p\u003e\n","\u003cp\u003eBarringer, Paul B. \u003ctitle render=\"italic\"\u003eNarrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968\u003c/title\u003e ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eEchoes of 1861-1961\u003c/title\u003e ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eThe Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table\u003c/title\u003e ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eWilshin, Francis. \u003ctitle render=\"italic\"\u003eManassas (Bull Run) National Battlefield Park, Virginia\u003c/title\u003e (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_591a58887f476736372340a2230c0d66\" label=\"Abstract\"\u003eThis collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park."],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Robertson, James I., Jr."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":516,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:15:46.743Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c73"}},{"id":"viblbv_repositories_2_resources_1974_c04_c105","type":"File","attributes":{"title":"18th Virginia Infantry","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c105#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1974_c04_c105","ref_ssm":["viblbv_repositories_2_resources_1974_c04_c105"],"id":"viblbv_repositories_2_resources_1974_c04_c105","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974_c04","parent_ssi":"viblbv_repositories_2_resources_1974_c04","parent_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_ids_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_unittitles_ssm":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"parent_unittitles_tesim":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"text":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records","18th Virginia Infantry","box 41","folder 40"],"title_filing_ssi":"18th Virginia Infantry","title_ssm":["18th Virginia Infantry"],"title_tesim":["18th Virginia Infantry"],"unitdate_inclusive_ssm":["n.d., 1861-1865, 1968, 1981, 1983, 1995-2001"],"normalized_date_ssm":["1861/2001"],"normalized_title_ssm":["18th Virginia Infantry"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["James I. Robertson Jr. Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":451,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"containers_ssim":["box 41","folder 40"],"_nest_path_":"/components#3/components#104","timestamp":"2026-05-21T02:15:46.743Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1974","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1974.xml","title_filing_ssi":"Robertson, James I., Papers","title_ssm":["James I. Robertson Jr. Papers"],"title_tesim":["James I. Robertson Jr. Papers"],"unitdate_ssm":["1849-2011"],"unitdate_inclusive_ssm":["1849-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1994.021"],"text":["Ms.1994.021","James I. Robertson Jr. Papers","Virginia","Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History","Collection is open to research.","Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. ","American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. ","The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.","The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","Introduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865","with corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House","with corrections by Richard Harwell","with corrections by Richard Harwell","with corrections by Beth Brown","with corrections by Richard Harwell","with corrections by Ed Raus","with corrections by Robert Krick and Ed Raus","with corrections by Richard Harwell","with corrections by Dennis Frye","with corrections by Richard Harwell","with corrections by author","with corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown","with corrections by Beth Brown and Chris Calkins","with author's final corrections; 4 folders","with publisher's final corrections; 2 folders","with publisher's comments","with corrections by author","with corrections by Ludwell Johnson (chapters 1-5 only)","with corrections by Charles Roland","with corrections by Gary Gallagher","with publisher's comments; 2 folders","incorporating publisher's revisions","with publisher's comments; 2 folders","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by unidentified person","with corrections by unidentified person","limited edition signed print by Brian Kraus","The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr.","The materials in the collection are in English."],"unitid_tesim":["Ms.1994.021"],"normalized_title_ssm":["James I. Robertson Jr. Papers"],"collection_title_tesim":["James I. Robertson Jr. Papers"],"collection_ssim":["James I. Robertson Jr. Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Virginia"],"geogname_ssim":["Virginia"],"creator_ssm":["Robertson, James I., Jr."],"creator_ssim":["Robertson, James I., Jr."],"creator_persname_ssim":["Robertson, James I., Jr."],"creators_ssim":["Robertson, James I., Jr."],"places_ssim":["Virginia"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Robertson Papers were donated by James I. and Elizabeth Robertson in several accessions from 1992 until 2016."],"access_subjects_ssim":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"access_subjects_ssm":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"has_online_content_ssim":["false"],"extent_ssm":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"extent_tesim":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries I: Writings, 1981-2004\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for \u003ctitle render=\"italic\"\u003eJackson \u0026amp; Lee\u003c/title\u003e, for example, contains only a typescript draft of a single chapter. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries II: General Materials, 1862-1996\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries III: Virginia County Records, 1852-2005\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries IV: Virginia Unit Records, 1849-2011\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries V: Oversize Materials, [1982?]-2000, n.d.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. "],"bioghist_html_tesm":["\u003cp\u003eAmerican Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. \u003c/p\u003e\n","\u003cp\u003eRobertson has authored many award-winning scholarly books on Civil War-related topics, including \u003ctitle render=\"italic\"\u003eSoldiers Blue and Gray\u003c/title\u003e (1988) (nominated for the Pulitzer Prize in History), \u003ctitle render=\"italic\"\u003eCivil War Virginia: Battleground for a Nation\u003c/title\u003e (1991), \u003ctitle render=\"italic\"\u003eGeneral A. P. Hill: The Story of a Confederate Warrior\u003c/title\u003e; and \u003ctitle render=\"italic\"\u003eStonewall Jackson: The Man, the Soldier, the Legend\u003c/title\u003e (1997). He has also written two books for younger readers: \u003ctitle render=\"italic\"\u003eCivil War! America Becomes One Nation\u003c/title\u003e (1992) and \u003ctitle render=\"italic\"\u003eStanding Like a Stone Wall: the Life of General Thomas J. Jackson\u003c/title\u003e (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. "],"odd_html_tesm":["\u003cp\u003eThe guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eAccession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.\u003c/p\u003e","\u003cp\u003eIntroduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865\u003c/p\u003e","\u003cp\u003ewith corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Beth Brown\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Ed Raus\u003c/p\u003e","\u003cp\u003ewith corrections by Robert Krick and Ed Raus\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Dennis Frye\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown\u003c/p\u003e","\u003cp\u003ewith corrections by Beth Brown and Chris Calkins\u003c/p\u003e","\u003cp\u003ewith author's final corrections; 4 folders\u003c/p\u003e","\u003cp\u003ewith publisher's final corrections; 2 folders\u003c/p\u003e","\u003cp\u003ewith publisher's comments\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by Ludwell Johnson (chapters 1-5 only)\u003c/p\u003e","\u003cp\u003ewith corrections by Charles Roland\u003c/p\u003e","\u003cp\u003ewith corrections by Gary Gallagher\u003c/p\u003e","\u003cp\u003ewith publisher's comments; 2 folders\u003c/p\u003e","\u003cp\u003eincorporating publisher's revisions\u003c/p\u003e","\u003cp\u003ewith publisher's comments; 2 folders\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by unidentified person\u003c/p\u003e","\u003cp\u003ewith corrections by unidentified person\u003c/p\u003e","\u003cp\u003elimited edition signed print by Brian Kraus\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","Introduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865","with corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House","with corrections by Richard Harwell","with corrections by Richard Harwell","with corrections by Beth Brown","with corrections by Richard Harwell","with corrections by Ed Raus","with corrections by Robert Krick and Ed Raus","with corrections by Richard Harwell","with corrections by Dennis Frye","with corrections by Richard Harwell","with corrections by author","with corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown","with corrections by Beth Brown and Chris Calkins","with author's final corrections; 4 folders","with publisher's final corrections; 2 folders","with publisher's comments","with corrections by author","with corrections by Ludwell Johnson (chapters 1-5 only)","with corrections by Charles Roland","with corrections by Gary Gallagher","with publisher's comments; 2 folders","incorporating publisher's revisions","with publisher's comments; 2 folders","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by unidentified person","with corrections by unidentified person","limited edition signed print by Brian Kraus"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:\u003c/p\u003e\n","\u003cp\u003eBarringer, Paul B. \u003ctitle render=\"italic\"\u003eNarrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968\u003c/title\u003e ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eEchoes of 1861-1961\u003c/title\u003e ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eThe Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table\u003c/title\u003e ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eWilshin, Francis. \u003ctitle render=\"italic\"\u003eManassas (Bull Run) National Battlefield Park, Virginia\u003c/title\u003e (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_591a58887f476736372340a2230c0d66\" label=\"Abstract\"\u003eThis collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park."],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Robertson, James I., Jr."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":516,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:15:46.743Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c105"}},{"id":"viblbv_repositories_2_resources_3405_c02_c1722","type":"File","attributes":{"title":"#1913 - Hermitage Home Infirmary - addition, Richmond, Virginia, Smithey \u0026 Boynton","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3405_c02_c1722#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3405_c02_c1722","ref_ssm":["viblbv_repositories_2_resources_3405_c02_c1722"],"id":"viblbv_repositories_2_resources_3405_c02_c1722","ead_ssi":"viblbv_repositories_2_resources_3405","_root_":"viblbv_repositories_2_resources_3405","_nest_parent_":"viblbv_repositories_2_resources_3405_c02","parent_ssi":"viblbv_repositories_2_resources_3405_c02","parent_ssim":["viblbv_repositories_2_resources_3405","viblbv_repositories_2_resources_3405_c02"],"parent_ids_ssim":["viblbv_repositories_2_resources_3405","viblbv_repositories_2_resources_3405_c02"],"parent_unittitles_ssm":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records","Series II: Project Files and Drawings"],"parent_unittitles_tesim":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records","Series II: Project Files and Drawings"],"text":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records","Series II: Project Files and Drawings","#1913 - Hermitage Home Infirmary - addition, Richmond, Virginia, Smithey \u0026 Boynton","box 863"],"title_filing_ssi":"#1913 - Hermitage Home Infirmary - addition, Richmond, Virginia, Smithey \u0026 Boynton","title_ssm":["#1913 - Hermitage Home Infirmary - addition, Richmond, Virginia, Smithey \u0026 Boynton"],"title_tesim":["#1913 - Hermitage Home Infirmary - addition, Richmond, Virginia, Smithey \u0026 Boynton"],"unitdate_other_ssim":["1974-1976"],"normalized_date_ssm":["1974/1976"],"normalized_title_ssm":["#1913 - Hermitage Home Infirmary - addition, Richmond, Virginia, Smithey \u0026 Boynton"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1734,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1974,1975,1976],"containers_ssim":["box 863"],"_nest_path_":"/components#1/components#1721","timestamp":"2026-05-21T02:27:21.236Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3405","ead_ssi":"viblbv_repositories_2_resources_3405","_root_":"viblbv_repositories_2_resources_3405","_nest_parent_":"viblbv_repositories_2_resources_3405","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3405.xml","title_filing_ssi":"Smithey \u0026 Boynton, Architects \u0026 Engineers Records","title_ssm":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"title_tesim":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"unitdate_ssm":["1922-1985"],"unitdate_inclusive_ssm":["1922-1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1992.027"],"text":["Ms.1992.027","Smithey \u0026 Boynton, Architects \u0026 Engineers Records","Covington (Va.)","Buchanan County (Va.)","Franklin County (Va.)","Christiansburg (Va.)","Wythe County (Va.)","Pulaski County (Va.)","Blacksburg (Va.)","Roanoke (Va.)","Carroll County (Va.)","Virginia, Southwest","Salem (Va.)","Radford (Va.)","Russell County (Va.)","Tazewell County (Va.)","Bedford County (Va.)","Local/Regional History and Appalachian South","Montgomery County (Va.)","Architects -- Virginia","Architectural drawing -- 20th century","The collection is open for research.","Some of this collection has been digitized and is available online.","The collection is arranged into three series: ","Series I: Biographical Information and Organization Records, 1923-1972, is arranged by owner and material type into the following subseries: Subseries A: Smithey \u0026 Tardy; Subseries B: Smithey \u0026 Boynton; and Subseries C: Sample Floor Plans. The Series contains documentation and administrative files on Smithey \u0026 Tardy and Smithey \u0026 Boynton. Materials include professional histories of partners and employees, biographical and personnel information, organization charts, legal and tax files, forms and contracts for clients, and some sample plans for school and residential designs.","Series II: Project Files and Drawings, 1923-1985, is arranged by project number, with unnumbered projects at the end. The materials are for designs or renovations by Smithey \u0026 Boynton with some files from previous or additional architects and engineers. The project files contain a variety of items that vary with each project. Materials may include blueprints, drawings, maps, contracts, correspondence and memos, and other documentation created by the firm or clients. Project files are listed with the project number, project/client name, and location; some also have dates and the name of the architectural or engineering firm.","Series III: Johnson Associates International, February 1968, contains materials on a single project completed by the firm, Farmland Dairies Inc. Processing Plant (Wallington, NJ). Files on this project date from February 1968.","Smithey \u0026 Boynton, Architects \u0026 Engineers, was an architecture firm in Roanoke, Virginia, established in 1935 by Louis Phillipe Smithey and Henry B. Boynton. The firm closed during World War II for a few years while Boynton and Smithey served in the U.S. Army. After Smithey's death in the 1970s, Boynton partnered with Kenneth L. Motley, who began his career as a draftsman with the firm. In 1992, a year following Boynton's death, Motley acquired Smithey \u0026 Boynton and renamed the firm Motley + Associates.","Smithey \u0026 Boynton designed several structures over the years, including the Christ Episcopal Church, the South Roanoke Fire Station, the Shenandoah Life Building, McClanaham Street Office Building, and the American Theater Building, all in Roanoke. The firm also designed Lane Stadium at Virginia Tech and the Lyric Theatre in Blacksburg. The firm became best known for building public schools, even using the same basic layout for numerous schools. Smithey \u0026 Boynton had nearly 150 school design commissions during the period of 1945 thru 1953 in at least 19 counties and 10 cities.","\nHenry B. Boynton was born in West Chicago, Illinois, in 1899 and grew up in Amelia County, Virginia. He graduated from Virginia Polytechnic Institute with a B.S. in Agricultural Engineering in 1921 and a B.S. in Civil Engineering in 1923. Boyton then spent a year at the University of Illinois in Urbana taking architecture classes. He became a registered architect in Virginia in 1930 and later registered in West Virginia, North Carolina, and Pennsylvania.","From 1924 to 1928, Boynton worked as a draftsman at Carneal \u0026 Johnston, Architects \u0026 Engineers, in Richmond, Virginia. In 1929, he joined Louis Phillipe Smithey, Architect \u0026 Engineer, in Roanoke, Virginia, as an associate. In 1935, Boynton and Smithey partnered to form Smithey \u0026 Boynton, Architects \u0026 Engineers, in Roanoke. Boynton became senior partner of the firm when Smithey retired in 1963.","Boynton was affiliated with the Virginia Chapter (later the Virginia Society \u0026 Blue Ridge Chapter) of the American Institute of Architects from 1938 until his death. He served on the board of directors in 1952, 1953, and 1956; as vice-president in 1954; and as president in 1955. He was a member of the State Registration Board for Architects, Professional Engineers, and Land Surveyors, as a Governor's appointee, from 1962 to 1972, serving as President of the Board in 1967. He received a distinguished service award in 1980 and the Noland Award in 1989, both from the Virginia Society \u0026 Blue Ridge Chapter of the AIA.","Boynton served in the Army Corps of Engineers during World War II, rising to the rank of Colonel. He was a member of the Virginia Tech Alumni Board of Directors from 1969 to 1979 and Chair of its Annual Fund Committee from 1973 to 1979. He also served on the Board of the VPI Educational Foundation, Inc., from 1978 to 1982. In 1976, Boynton received the Virginia Tech Alumni Distinguished Service.","Boynton died on September 13, 1991, at the age of 92, at his home in Roanoke.","The son of William Rosser Smithey and Mannie Jane Elizabeth Greene, Louis Philippe Smithey was born in Mecklenburg County, Virginia, on June 7, 1890. He earned his bachelor and master's degrees at Randolph-Macon College in 1909 and 1910, respectively, and was an alumnus member of Phi Beta Kappa there. He was an instructor and special student at Virginia Polytechnic Institute from 1910 to 1914 and a special student at Massachusetts Institute of Technology from 1914 to 1915.","Smithey was a registered architect in Virginia and West Virginia. A fellow of the American Institute of Architects (AIA), he served as president of the Virginia chapter of AIA in 1940. ","Smithey worked as a draftsman and contracting engineer for Virginia Bridge \u0026 Iron Company in Roanoke from 1916 to 1918. After serving in the army in World War I, he was contracting engineer for Virginia Bridge \u0026 Iron Company again in 1919 and 1920. He practiced as Louis P. Smithey from 1920 to 1922, with Matthews H. Tardy as Smithey \u0026 Tardy from 1922 to 1927, and again as Louis P. Smithey from 1927 to 1935. ","The Smithey \u0026 Boynton partnership formed in 1935 with Henry B. Boynton. Prior to World War II, the firm served as consulting architects for the Roanoke City School Board and Roanoke County School Board for approximately eight years and handled school buildings in Franklin County, Montgomery County, Alleghany County, Pulaski County, and the City of Waynesboro.","While the company was closed during World War II, Smithey served in the U.S. Army as Lt. Colonel from 1942 thru 1945. ","Following the war, Smithey \u0026 Boynton were commissioned as architects or consulting architects on public school work in Virginia valued at approximately $31 million, distributed in 25 School Divisions of the state. Smithey retired from professional practice in 1963. ","On June 11, 1938, Smithey married Dorothy Terrill, and they had daughter Nancy Terrill Smithey on March 10, 1940. He and his family lived in Roanoke. Smithey died on August 19, 1966.","The guide to the Smithey \u0026 Boynton, Architects \u0026 Engineers Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Some processing, arrangement, and description of the Smithey \u0026 Boynton, Architects \u0026 Engineers Records was completed between 1992 and 2009. The majority of the arrangement and description was completed between 2010 and 2019.","See the  Henry B. Boynton Papers, Ms1992-002 , also at Virginia Tech Special Collections and University Archives.","The collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026 Boynton, mostly between 1935 and 1957. Materials consist of project files, specifications, framed drawings and photographs, and architectural drawings. Records include designs by Smithey before he collaborated with Boynton, as well as designs by other firms of projects later redesigned by Smithey \u0026 Boynton. A small group of materials also relate to the firm of Johnson Associates International from 1968."," Please note: The list of projects/project files below does NOT include the rolled drawings currently being processed. Contact Special Collections for the current inventory of available drawings and how to access them.","Several oversize and/or framed photographs and drawings have been separated to the Art Collection, and several publications have been separated to the Rare Books Collection.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026 Boynton, mostly between 1935 and 1957.","Please note: This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.","Special Collections and University Archives, Virginia Tech","Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)","Boynton, Henry B., 1899-1991","The materials in the collection are in English."],"unitid_tesim":["Ms.1992.027"],"normalized_title_ssm":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"collection_title_tesim":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"collection_ssim":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Covington (Va.)","Buchanan County (Va.)","Franklin County (Va.)","Christiansburg (Va.)","Wythe County (Va.)","Pulaski County (Va.)","Blacksburg (Va.)","Roanoke (Va.)","Carroll County (Va.)","Virginia, Southwest","Salem (Va.)","Radford (Va.)","Russell County (Va.)","Tazewell County (Va.)","Bedford County (Va.)"],"geogname_ssim":["Covington (Va.)","Buchanan County (Va.)","Franklin County (Va.)","Christiansburg (Va.)","Wythe County (Va.)","Pulaski County (Va.)","Blacksburg (Va.)","Roanoke (Va.)","Carroll County (Va.)","Virginia, Southwest","Salem (Va.)","Radford (Va.)","Russell County (Va.)","Tazewell County (Va.)","Bedford County (Va.)"],"creator_ssm":["Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)"],"creator_ssim":["Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)"],"creator_corpname_ssim":["Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)"],"creators_ssim":["Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)"],"places_ssim":["Covington (Va.)","Buchanan County (Va.)","Franklin County (Va.)","Christiansburg (Va.)","Wythe County (Va.)","Pulaski County (Va.)","Blacksburg (Va.)","Roanoke (Va.)","Carroll County (Va.)","Virginia, Southwest","Salem (Va.)","Radford (Va.)","Russell County (Va.)","Tazewell County (Va.)","Bedford County (Va.)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Smithey \u0026 Boynton, Architects \u0026 Engineers Records were donated to Special Collections and University Archives in 1992 and 1994."],"access_subjects_ssim":["Local/Regional History and Appalachian South","Montgomery County (Va.)","Architects -- Virginia","Architectural drawing -- 20th century"],"access_subjects_ssm":["Local/Regional History and Appalachian South","Montgomery County (Va.)","Architects -- Virginia","Architectural drawing -- 20th century"],"has_online_content_ssim":["false"],"extent_ssm":["ca. 313 Cubic Feet 993 boxes, 5 oversize folders"],"extent_tesim":["ca. 313 Cubic Feet 993 boxes, 5 oversize folders"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/262\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series: \u003c/p\u003e\n","\u003cp\u003eSeries I: Biographical Information and Organization Records, 1923-1972, is arranged by owner and material type into the following subseries: Subseries A: Smithey \u0026amp; Tardy; Subseries B: Smithey \u0026amp; Boynton; and Subseries C: Sample Floor Plans. The Series contains documentation and administrative files on Smithey \u0026amp; Tardy and Smithey \u0026amp; Boynton. Materials include professional histories of partners and employees, biographical and personnel information, organization charts, legal and tax files, forms and contracts for clients, and some sample plans for school and residential designs.\u003c/p\u003e\n","\u003cp\u003eSeries II: Project Files and Drawings, 1923-1985, is arranged by project number, with unnumbered projects at the end. The materials are for designs or renovations by Smithey \u0026amp; Boynton with some files from previous or additional architects and engineers. The project files contain a variety of items that vary with each project. Materials may include blueprints, drawings, maps, contracts, correspondence and memos, and other documentation created by the firm or clients. Project files are listed with the project number, project/client name, and location; some also have dates and the name of the architectural or engineering firm.\u003c/p\u003e\n","\u003cp\u003eSeries III: Johnson Associates International, February 1968, contains materials on a single project completed by the firm, Farmland Dairies Inc. Processing Plant (Wallington, NJ). Files on this project date from February 1968.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into three series: ","Series I: Biographical Information and Organization Records, 1923-1972, is arranged by owner and material type into the following subseries: Subseries A: Smithey \u0026 Tardy; Subseries B: Smithey \u0026 Boynton; and Subseries C: Sample Floor Plans. The Series contains documentation and administrative files on Smithey \u0026 Tardy and Smithey \u0026 Boynton. Materials include professional histories of partners and employees, biographical and personnel information, organization charts, legal and tax files, forms and contracts for clients, and some sample plans for school and residential designs.","Series II: Project Files and Drawings, 1923-1985, is arranged by project number, with unnumbered projects at the end. The materials are for designs or renovations by Smithey \u0026 Boynton with some files from previous or additional architects and engineers. The project files contain a variety of items that vary with each project. Materials may include blueprints, drawings, maps, contracts, correspondence and memos, and other documentation created by the firm or clients. Project files are listed with the project number, project/client name, and location; some also have dates and the name of the architectural or engineering firm.","Series III: Johnson Associates International, February 1968, contains materials on a single project completed by the firm, Farmland Dairies Inc. Processing Plant (Wallington, NJ). Files on this project date from February 1968."],"bioghist_html_tesm":["\u003cp\u003eSmithey \u0026amp; Boynton, Architects \u0026amp; Engineers, was an architecture firm in Roanoke, Virginia, established in 1935 by Louis Phillipe Smithey and Henry B. Boynton. The firm closed during World War II for a few years while Boynton and Smithey served in the U.S. Army. After Smithey's death in the 1970s, Boynton partnered with Kenneth L. Motley, who began his career as a draftsman with the firm. In 1992, a year following Boynton's death, Motley acquired Smithey \u0026amp; Boynton and renamed the firm Motley + Associates.\u003c/p\u003e\n","\u003cp\u003eSmithey \u0026amp; Boynton designed several structures over the years, including the Christ Episcopal Church, the South Roanoke Fire Station, the Shenandoah Life Building, McClanaham Street Office Building, and the American Theater Building, all in Roanoke. The firm also designed Lane Stadium at Virginia Tech and the Lyric Theatre in Blacksburg. The firm became best known for building public schools, even using the same basic layout for numerous schools. Smithey \u0026amp; Boynton had nearly 150 school design commissions during the period of 1945 thru 1953 in at least 19 counties and 10 cities.\u003c/p\u003e","\u003cp\u003e\nHenry B. Boynton was born in West Chicago, Illinois, in 1899 and grew up in Amelia County, Virginia. He graduated from Virginia Polytechnic Institute with a B.S. in Agricultural Engineering in 1921 and a B.S. in Civil Engineering in 1923. Boyton then spent a year at the University of Illinois in Urbana taking architecture classes. He became a registered architect in Virginia in 1930 and later registered in West Virginia, North Carolina, and Pennsylvania.\u003c/p\u003e\n","\u003cp\u003eFrom 1924 to 1928, Boynton worked as a draftsman at Carneal \u0026amp; Johnston, Architects \u0026amp; Engineers, in Richmond, Virginia. In 1929, he joined Louis Phillipe Smithey, Architect \u0026amp; Engineer, in Roanoke, Virginia, as an associate. In 1935, Boynton and Smithey partnered to form Smithey \u0026amp; Boynton, Architects \u0026amp; Engineers, in Roanoke. Boynton became senior partner of the firm when Smithey retired in 1963.\u003c/p\u003e\n","\u003cp\u003eBoynton was affiliated with the Virginia Chapter (later the Virginia Society \u0026amp; Blue Ridge Chapter) of the American Institute of Architects from 1938 until his death. He served on the board of directors in 1952, 1953, and 1956; as vice-president in 1954; and as president in 1955. He was a member of the State Registration Board for Architects, Professional Engineers, and Land Surveyors, as a Governor's appointee, from 1962 to 1972, serving as President of the Board in 1967. He received a distinguished service award in 1980 and the Noland Award in 1989, both from the Virginia Society \u0026amp; Blue Ridge Chapter of the AIA.\u003c/p\u003e\n","\u003cp\u003eBoynton served in the Army Corps of Engineers during World War II, rising to the rank of Colonel. He was a member of the Virginia Tech Alumni Board of Directors from 1969 to 1979 and Chair of its Annual Fund Committee from 1973 to 1979. He also served on the Board of the VPI Educational Foundation, Inc., from 1978 to 1982. In 1976, Boynton received the Virginia Tech Alumni Distinguished Service.\u003c/p\u003e\n","\u003cp\u003eBoynton died on September 13, 1991, at the age of 92, at his home in Roanoke.\u003c/p\u003e","\u003cp\u003eThe son of William Rosser Smithey and Mannie Jane Elizabeth Greene, Louis Philippe Smithey was born in Mecklenburg County, Virginia, on June 7, 1890. He earned his bachelor and master's degrees at Randolph-Macon College in 1909 and 1910, respectively, and was an alumnus member of Phi Beta Kappa there. He was an instructor and special student at Virginia Polytechnic Institute from 1910 to 1914 and a special student at Massachusetts Institute of Technology from 1914 to 1915.\u003c/p\u003e\n","\u003cp\u003eSmithey was a registered architect in Virginia and West Virginia. A fellow of the American Institute of Architects (AIA), he served as president of the Virginia chapter of AIA in 1940. \u003c/p\u003e\n","\u003cp\u003eSmithey worked as a draftsman and contracting engineer for Virginia Bridge \u0026amp; Iron Company in Roanoke from 1916 to 1918. After serving in the army in World War I, he was contracting engineer for Virginia Bridge \u0026amp; Iron Company again in 1919 and 1920. He practiced as Louis P. Smithey from 1920 to 1922, with Matthews H. Tardy as Smithey \u0026amp; Tardy from 1922 to 1927, and again as Louis P. Smithey from 1927 to 1935. \u003c/p\u003e\n","\u003cp\u003eThe Smithey \u0026amp; Boynton partnership formed in 1935 with Henry B. Boynton. Prior to World War II, the firm served as consulting architects for the Roanoke City School Board and Roanoke County School Board for approximately eight years and handled school buildings in Franklin County, Montgomery County, Alleghany County, Pulaski County, and the City of Waynesboro.\u003c/p\u003e\n","\u003cp\u003eWhile the company was closed during World War II, Smithey served in the U.S. Army as Lt. Colonel from 1942 thru 1945. \u003c/p\u003e\n","\u003cp\u003eFollowing the war, Smithey \u0026amp; Boynton were commissioned as architects or consulting architects on public school work in Virginia valued at approximately $31 million, distributed in 25 School Divisions of the state. Smithey retired from professional practice in 1963. \u003c/p\u003e\n","\u003cp\u003eOn June 11, 1938, Smithey married Dorothy Terrill, and they had daughter Nancy Terrill Smithey on March 10, 1940. He and his family lived in Roanoke. Smithey died on August 19, 1966.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Biographical Note - Henry B. Boyton","Biographical Note - Louis Phillipe Smithey"],"bioghist_tesim":["Smithey \u0026 Boynton, Architects \u0026 Engineers, was an architecture firm in Roanoke, Virginia, established in 1935 by Louis Phillipe Smithey and Henry B. Boynton. The firm closed during World War II for a few years while Boynton and Smithey served in the U.S. Army. After Smithey's death in the 1970s, Boynton partnered with Kenneth L. Motley, who began his career as a draftsman with the firm. In 1992, a year following Boynton's death, Motley acquired Smithey \u0026 Boynton and renamed the firm Motley + Associates.","Smithey \u0026 Boynton designed several structures over the years, including the Christ Episcopal Church, the South Roanoke Fire Station, the Shenandoah Life Building, McClanaham Street Office Building, and the American Theater Building, all in Roanoke. The firm also designed Lane Stadium at Virginia Tech and the Lyric Theatre in Blacksburg. The firm became best known for building public schools, even using the same basic layout for numerous schools. Smithey \u0026 Boynton had nearly 150 school design commissions during the period of 1945 thru 1953 in at least 19 counties and 10 cities.","\nHenry B. Boynton was born in West Chicago, Illinois, in 1899 and grew up in Amelia County, Virginia. He graduated from Virginia Polytechnic Institute with a B.S. in Agricultural Engineering in 1921 and a B.S. in Civil Engineering in 1923. Boyton then spent a year at the University of Illinois in Urbana taking architecture classes. He became a registered architect in Virginia in 1930 and later registered in West Virginia, North Carolina, and Pennsylvania.","From 1924 to 1928, Boynton worked as a draftsman at Carneal \u0026 Johnston, Architects \u0026 Engineers, in Richmond, Virginia. In 1929, he joined Louis Phillipe Smithey, Architect \u0026 Engineer, in Roanoke, Virginia, as an associate. In 1935, Boynton and Smithey partnered to form Smithey \u0026 Boynton, Architects \u0026 Engineers, in Roanoke. Boynton became senior partner of the firm when Smithey retired in 1963.","Boynton was affiliated with the Virginia Chapter (later the Virginia Society \u0026 Blue Ridge Chapter) of the American Institute of Architects from 1938 until his death. He served on the board of directors in 1952, 1953, and 1956; as vice-president in 1954; and as president in 1955. He was a member of the State Registration Board for Architects, Professional Engineers, and Land Surveyors, as a Governor's appointee, from 1962 to 1972, serving as President of the Board in 1967. He received a distinguished service award in 1980 and the Noland Award in 1989, both from the Virginia Society \u0026 Blue Ridge Chapter of the AIA.","Boynton served in the Army Corps of Engineers during World War II, rising to the rank of Colonel. He was a member of the Virginia Tech Alumni Board of Directors from 1969 to 1979 and Chair of its Annual Fund Committee from 1973 to 1979. He also served on the Board of the VPI Educational Foundation, Inc., from 1978 to 1982. In 1976, Boynton received the Virginia Tech Alumni Distinguished Service.","Boynton died on September 13, 1991, at the age of 92, at his home in Roanoke.","The son of William Rosser Smithey and Mannie Jane Elizabeth Greene, Louis Philippe Smithey was born in Mecklenburg County, Virginia, on June 7, 1890. He earned his bachelor and master's degrees at Randolph-Macon College in 1909 and 1910, respectively, and was an alumnus member of Phi Beta Kappa there. He was an instructor and special student at Virginia Polytechnic Institute from 1910 to 1914 and a special student at Massachusetts Institute of Technology from 1914 to 1915.","Smithey was a registered architect in Virginia and West Virginia. A fellow of the American Institute of Architects (AIA), he served as president of the Virginia chapter of AIA in 1940. ","Smithey worked as a draftsman and contracting engineer for Virginia Bridge \u0026 Iron Company in Roanoke from 1916 to 1918. After serving in the army in World War I, he was contracting engineer for Virginia Bridge \u0026 Iron Company again in 1919 and 1920. He practiced as Louis P. Smithey from 1920 to 1922, with Matthews H. Tardy as Smithey \u0026 Tardy from 1922 to 1927, and again as Louis P. Smithey from 1927 to 1935. ","The Smithey \u0026 Boynton partnership formed in 1935 with Henry B. Boynton. Prior to World War II, the firm served as consulting architects for the Roanoke City School Board and Roanoke County School Board for approximately eight years and handled school buildings in Franklin County, Montgomery County, Alleghany County, Pulaski County, and the City of Waynesboro.","While the company was closed during World War II, Smithey served in the U.S. Army as Lt. Colonel from 1942 thru 1945. ","Following the war, Smithey \u0026 Boynton were commissioned as architects or consulting architects on public school work in Virginia valued at approximately $31 million, distributed in 25 School Divisions of the state. Smithey retired from professional practice in 1963. ","On June 11, 1938, Smithey married Dorothy Terrill, and they had daughter Nancy Terrill Smithey on March 10, 1940. He and his family lived in Roanoke. Smithey died on August 19, 1966."],"odd_html_tesm":["\u003cp\u003eThe guide to the Smithey \u0026amp; Boynton, Architects \u0026amp; Engineers Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Smithey \u0026 Boynton, Architects \u0026 Engineers Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Smithey \u0026amp; Boynton, Architects \u0026amp; Engineers Records, Ms1992-027, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Smithey \u0026 Boynton, Architects \u0026 Engineers Records, Ms1992-027, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eSome processing, arrangement, and description of the Smithey \u0026amp; Boynton, Architects \u0026amp; Engineers Records was completed between 1992 and 2009. The majority of the arrangement and description was completed between 2010 and 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Some processing, arrangement, and description of the Smithey \u0026 Boynton, Architects \u0026 Engineers Records was completed between 1992 and 2009. The majority of the arrangement and description was completed between 2010 and 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the \u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/1883.oai_ead.xml\" target=\"_blank\"\u003eHenry B. Boynton Papers, Ms1992-002\u003c/a\u003e, also at Virginia Tech Special Collections and University Archives.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See the  Henry B. Boynton Papers, Ms1992-002 , also at Virginia Tech Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026amp; Boynton, mostly between 1935 and 1957. Materials consist of project files, specifications, framed drawings and photographs, and architectural drawings. Records include designs by Smithey before he collaborated with Boynton, as well as designs by other firms of projects later redesigned by Smithey \u0026amp; Boynton. A small group of materials also relate to the firm of Johnson Associates International from 1968.\u003c/p\u003e\n","\u003cp\u003e Please note: The list of projects/project files below does NOT include the rolled drawings currently being processed. Contact Special Collections for the current inventory of available drawings and how to access them.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026 Boynton, mostly between 1935 and 1957. Materials consist of project files, specifications, framed drawings and photographs, and architectural drawings. Records include designs by Smithey before he collaborated with Boynton, as well as designs by other firms of projects later redesigned by Smithey \u0026 Boynton. A small group of materials also relate to the firm of Johnson Associates International from 1968."," Please note: The list of projects/project files below does NOT include the rolled drawings currently being processed. Contact Special Collections for the current inventory of available drawings and how to access them."],"separatedmaterial_html_tesm":["\u003cp\u003eSeveral oversize and/or framed photographs and drawings have been separated to the Art Collection, and several publications have been separated to the Rare Books Collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Several oversize and/or framed photographs and drawings have been separated to the Art Collection, and several publications have been separated to the Rare Books Collection."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8c42bfbc1e1061bf3fafd7635d331ea3\" label=\"Abstract\"\u003eThe collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026amp; Boynton, mostly between 1935 and 1957.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026 Boynton, mostly between 1935 and 1957."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a6eb7e09f425a2b99a2853c5a31e3301\"\u003e\n  \u003cemph render=\"bold\"\u003ePlease note: This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.\u003c/emph\u003e\n\u003c/physloc\u003e"],"physloc_tesim":["Please note: This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information."],"names_coll_ssim":["Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)","Boynton, Henry B., 1899-1991"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)","Boynton, Henry B., 1899-1991"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)"],"persname_ssim":["Boynton, Henry B., 1899-1991"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1817,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:27:21.236Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3405_c02_c1722"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c11_c06","type":"File","attributes":{"title":"\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c11_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c11_c06","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c11_c06"],"id":"viw_repositories_2_resources_9853_c01_c01_c11_c06","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01_c11","parent_ssi":"viw_repositories_2_resources_9853_c01_c01_c11","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c11"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c11"],"parent_unittitles_ssm":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas"],"parent_unittitles_tesim":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas"],"text":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas","\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\"","Box 11","folder 31"],"title_filing_ssi":"\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\"","title_ssm":["\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\""],"title_tesim":["\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\""],"unitdate_inclusive_ssm":["1914-2008"],"normalized_date_ssm":["1914/2008"],"normalized_title_ssm":["\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\""],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":44,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"containers_ssim":["Box 11","folder 31"],"_nest_path_":"/components#0/components#0/components#10/components#5","timestamp":"2026-05-21T07:21:03Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:21:03Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c11_c06"}},{"id":"wvmturhc_repositories_2_resources_1523_c02_c69","type":"File","attributes":{"title":"1920 Voter Survey (includes questionnaires completed by women who voted in 1920, lists of West Virginian women who voted in 1920, clippings, photos, correspondence regarding 1920 voters, letters, cards, among other records)","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1523_c02_c69#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1523_c02_c69","ref_ssm":["wvmturhc_repositories_2_resources_1523_c02_c69"],"id":"wvmturhc_repositories_2_resources_1523_c02_c69","ead_ssi":"wvmturhc_repositories_2_resources_1523","_root_":"wvmturhc_repositories_2_resources_1523","_nest_parent_":"wvmturhc_repositories_2_resources_1523_c02","parent_ssi":"wvmturhc_repositories_2_resources_1523_c02","parent_ssim":["wvmturhc_repositories_2_resources_1523","wvmturhc_repositories_2_resources_1523_c02"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1523","wvmturhc_repositories_2_resources_1523_c02"],"parent_unittitles_ssm":["Marian McQuade Papers","Series 2. Centenarians (Boxes 7-11, 12-13, 15-16)"],"parent_unittitles_tesim":["Marian McQuade Papers","Series 2. Centenarians (Boxes 7-11, 12-13, 15-16)"],"text":["Marian McQuade Papers","Series 2. Centenarians (Boxes 7-11, 12-13, 15-16)","1920 Voter Survey (includes questionnaires completed by women who voted in 1920, lists of West Virginian women who voted in 1920, clippings, photos, correspondence regarding 1920 voters, letters, cards, among other records)","Box 16","Folder 1-7"],"title_filing_ssi":"1920 Voter Survey (includes questionnaires completed by women who voted in 1920, lists of West Virginian women who voted in 1920, clippings, photos, correspondence regarding 1920 voters, letters, cards, among other records)","title_ssm":["1920 Voter Survey (includes questionnaires completed by women who voted in 1920, lists of West Virginian women who voted in 1920, clippings, photos, correspondence regarding 1920 voters, letters, cards, among other records)"],"title_tesim":["1920 Voter Survey (includes questionnaires completed by women who voted in 1920, lists of West Virginian women who voted in 1920, clippings, photos, correspondence regarding 1920 voters, letters, cards, among other records)"],"unitdate_inclusive_ssm":["1970–1988"],"normalized_date_ssm":["1970/1988"],"normalized_title_ssm":["1920 Voter Survey (includes questionnaires completed by women who voted in 1920, lists of West Virginian women who voted in 1920, clippings, photos, correspondence regarding 1920 voters, letters, cards, among other records)"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Marian McQuade Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":512,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"containers_ssim":["Box 16","Folder 1-7"],"_nest_path_":"/components#1/components#68","timestamp":"2026-05-21T00:44:25.654Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1523","ead_ssi":"wvmturhc_repositories_2_resources_1523","_root_":"wvmturhc_repositories_2_resources_1523","_nest_parent_":"wvmturhc_repositories_2_resources_1523","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1523.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195802","title_ssm":["Marian McQuade Papers"],"title_tesim":["Marian McQuade Papers"],"unitdate_ssm":["1853-1872, 1917-1995"],"unitdate_inclusive_ssm":["1853-1872, 1917-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3222","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1523"],"text":["A\u0026M 3222","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1523","Marian McQuade Papers","Centenarians","Coal mines and mining","Grandparents day.","No special access restriction applies.","Marian (Herndon) McQuade (1917/01/18–2008/09/26) was the founder of National Grandparents Day. She served on the West Virginia Commission on Aging and the Nursing Home Licensing Board. For many years, she helped with the Past 80 Party, which was held annually in Richwood, WV. Jim Comstock, editor of 'The News Leader' and the West Virginia Hillbilly, originated the Past 80 Party.","McQuade campaigned in West Virginia and later nationwide to set aside a day for grandparents. West Virginia became the first state with a special day to honor grandparents when Gov. Arch Moore proclaimed May 27, 1973 as Grandparents Day. In September 1978, the White House called McQuade to inform her that President Jimmy Carter had signed a bill designating the Sunday after Labor Day as National Grandparents Day beginning in 1979.","(Adapted from \"Marian McQuade.\" Marian McQuade – Wikipedia. March 25, 2020. Accessed November 12, 2020. https://en.wikipedia.org/wiki/Marian_McQuade.)","These records document Marian McQuade's efforts to establish and promote a national holiday honoring grandparents, to be called Grandparent's Day (established by Presidential Proclamation in\n1979).  Also included are records documenting centenarians in West Virginia collected by Marian McQuade.  Finally, miscellaneous publications and artifacts relating to coal mining are included\nfrom Joseph McQuade, Marian McQuade's husband, who was a leader in the coal industry in West Virginia.","Series include: \nSeries 1. Grandparents Day (1955-1995) [box 1/folder 1 - box 7/folder 15, box 11/folder 4 - box 12/folder 11, box 13/folder 23 - box 14; box 16/folder 19 - box 18]. \nSeries 2. Centenarians (1959-1994) [box 7/folder 16 - box 11/folder 3, box 12/folder 12 - box 13/folder 22, box 15 - box 16/folder 7]. \nSeries 3. Joseph McQuade Papers (1853-1872, 1917-1994) [box 16/folder 8-18, box 19 - 21].","Documents efforts to establish and promote \tGrandparent's Day.  Most records prior to the 1979 Presidential Proclamation are attempts to lobby governors to issue state proclamations.  Many records after 1979 are related to promotional \tefforts.  Correspondents include governors, senators, congressmen, hospitals, nursing homes, radio stations, public relations staff, etc.  Includes certificates, clippings, drawings (by children), greeting cards, letters, lists, newsletters, magazines, moving pictures (video), photographs, plaques, poems, posters, proclamations, programs, reports, ribbons, sound recordings (cassettes), and speeches.","Marian McQuade regularly visited nursing homes, and when she discovered a 105-year-old man, she became interested in \"researching\" 100-year-olds in West Virginia (according to her speech in box 7, folder 13).  The records in this series document her inquiries in this area.  One can find lists of centenarians by date of birth, WV county, etc. during the 1970's and 80's.\nDetailed information on individual centenarians can be found in the \"Individual Centenarian Information\" subseries.  Includes survey of women who voted in the 1920 election.  Includes certificates, clippings, greeting cards, letters, lists, moving\tpictures (video\ncassette), photographs, sound recordings (cassettes).","Includes miscellaneous publications related to the coal industry, such as labor contracts, reports, handbooks, etc; clippings about Joseph McQuade; and coal mining artifacts.","A signature of President Bill Clinton was separated to A\u0026M 0435, Rare Signatures.","A copy of the book \"Grandparent's Day and Marian McQuade\" (1982) was separated to the non-circulating book collection of the West Virginia Collection.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Much of this collection documents the efforts of Marian McQuade as the founder of Grandparents Day including information she collected on centenarians of West Virginia. There are also miscellaneous publications and artifacts belonging to her husband, Joseph McQuade, that pertain to coal mining.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","McQuade, Marian, 1917-2008","McQuade, Joseph","English"],"unitid_tesim":["A\u0026M 3222","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1523"],"normalized_title_ssm":["Marian McQuade Papers"],"collection_title_tesim":["Marian McQuade Papers"],"collection_ssim":["Marian McQuade Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["McQuade, Marian, 1917-2008"],"creator_ssim":["McQuade, Marian, 1917-2008"],"creator_persname_ssim":["McQuade, Marian, 1917-2008"],"creators_ssim":["McQuade, Marian, 1917-2008"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Centenarians","Coal mines and mining","Grandparents day."],"access_subjects_ssm":["Centenarians","Coal mines and mining","Grandparents day."],"has_online_content_ssim":["false"],"extent_ssm":["25 Linear Feet 24 ft. 11 1/2 in. (1 document case, 5 in.); (1 document case, 2 1/2 in.); (19 record cartons, 15 in. each); (1 small flat storage box, 3 in.); (1 tape box, 4 in.)"],"extent_tesim":["25 Linear Feet 24 ft. 11 1/2 in. (1 document case, 5 in.); (1 document case, 2 1/2 in.); (19 record cartons, 15 in. each); (1 small flat storage box, 3 in.); (1 tape box, 4 in.)"],"date_range_isim":[1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eMarian (Herndon) McQuade (1917/01/18–2008/09/26) was the founder of National Grandparents Day. She served on the West Virginia Commission on Aging and the Nursing Home Licensing Board. For many years, she helped with the Past 80 Party, which was held annually in Richwood, WV. Jim Comstock, editor of 'The News Leader' and the West Virginia Hillbilly, originated the Past 80 Party.\u003c/p\u003e\n","\u003cp\u003eMcQuade campaigned in West Virginia and later nationwide to set aside a day for grandparents. West Virginia became the first state with a special day to honor grandparents when Gov. Arch Moore proclaimed May 27, 1973 as Grandparents Day. In September 1978, the White House called McQuade to inform her that President Jimmy Carter had signed a bill designating the Sunday after Labor Day as National Grandparents Day beginning in 1979.\u003c/p\u003e\n","\u003cp\u003e(Adapted from \"Marian McQuade.\" Marian McQuade – Wikipedia. March 25, 2020. Accessed November 12, 2020. https://en.wikipedia.org/wiki/Marian_McQuade.)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Marian (Herndon) McQuade (1917/01/18–2008/09/26) was the founder of National Grandparents Day. She served on the West Virginia Commission on Aging and the Nursing Home Licensing Board. For many years, she helped with the Past 80 Party, which was held annually in Richwood, WV. Jim Comstock, editor of 'The News Leader' and the West Virginia Hillbilly, originated the Past 80 Party.","McQuade campaigned in West Virginia and later nationwide to set aside a day for grandparents. West Virginia became the first state with a special day to honor grandparents when Gov. Arch Moore proclaimed May 27, 1973 as Grandparents Day. In September 1978, the White House called McQuade to inform her that President Jimmy Carter had signed a bill designating the Sunday after Labor Day as National Grandparents Day beginning in 1979.","(Adapted from \"Marian McQuade.\" Marian McQuade – Wikipedia. March 25, 2020. Accessed November 12, 2020. https://en.wikipedia.org/wiki/Marian_McQuade.)"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Marian McQuade Papers, A\u0026amp;M 3222, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Marian McQuade Papers, A\u0026M 3222, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThese records document Marian McQuade's efforts to establish and promote a national holiday honoring grandparents, to be called Grandparent's Day (established by Presidential Proclamation in\n1979).  Also included are records documenting centenarians in West Virginia collected by Marian McQuade.  Finally, miscellaneous publications and artifacts relating to coal mining are included\nfrom Joseph McQuade, Marian McQuade's husband, who was a leader in the coal industry in West Virginia.\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003clb\u003e\u003c/lb\u003e\nSeries 1. Grandparents Day (1955-1995) [box 1/folder 1 - box 7/folder 15, box 11/folder 4 - box 12/folder 11, box 13/folder 23 - box 14; box 16/folder 19 - box 18].\u003clb\u003e\u003c/lb\u003e\nSeries 2. Centenarians (1959-1994) [box 7/folder 16 - box 11/folder 3, box 12/folder 12 - box 13/folder 22, box 15 - box 16/folder 7].\u003clb\u003e\u003c/lb\u003e\nSeries 3. Joseph McQuade Papers (1853-1872, 1917-1994) [box 16/folder 8-18, box 19 - 21].\u003c/p\u003e","\u003cp\u003eDocuments efforts to establish and promote \tGrandparent's Day.  Most records prior to the 1979 Presidential Proclamation are attempts to lobby governors to issue state proclamations.  Many records after 1979 are related to promotional \tefforts.  Correspondents include governors, senators, congressmen, hospitals, nursing homes, radio stations, public relations staff, etc.  Includes certificates, clippings, drawings (by children), greeting cards, letters, lists, newsletters, magazines, moving pictures (video), photographs, plaques, poems, posters, proclamations, programs, reports, ribbons, sound recordings (cassettes), and speeches.\u003c/p\u003e","\u003cp\u003eMarian McQuade regularly visited nursing homes, and when she discovered a 105-year-old man, she became interested in \"researching\" 100-year-olds in West Virginia (according to her speech in box 7, folder 13).  The records in this series document her inquiries in this area.  One can find lists of centenarians by date of birth, WV county, etc. during the 1970's and 80's.\nDetailed information on individual centenarians can be found in the \"Individual Centenarian Information\" subseries.  Includes survey of women who voted in the 1920 election.  Includes certificates, clippings, greeting cards, letters, lists, moving\tpictures (video\ncassette), photographs, sound recordings (cassettes).\u003c/p\u003e","\u003cp\u003eIncludes miscellaneous publications related to the coal industry, such as labor contracts, reports, handbooks, etc; clippings about Joseph McQuade; and coal mining artifacts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["These records document Marian McQuade's efforts to establish and promote a national holiday honoring grandparents, to be called Grandparent's Day (established by Presidential Proclamation in\n1979).  Also included are records documenting centenarians in West Virginia collected by Marian McQuade.  Finally, miscellaneous publications and artifacts relating to coal mining are included\nfrom Joseph McQuade, Marian McQuade's husband, who was a leader in the coal industry in West Virginia.","Series include: \nSeries 1. Grandparents Day (1955-1995) [box 1/folder 1 - box 7/folder 15, box 11/folder 4 - box 12/folder 11, box 13/folder 23 - box 14; box 16/folder 19 - box 18]. \nSeries 2. Centenarians (1959-1994) [box 7/folder 16 - box 11/folder 3, box 12/folder 12 - box 13/folder 22, box 15 - box 16/folder 7]. \nSeries 3. Joseph McQuade Papers (1853-1872, 1917-1994) [box 16/folder 8-18, box 19 - 21].","Documents efforts to establish and promote \tGrandparent's Day.  Most records prior to the 1979 Presidential Proclamation are attempts to lobby governors to issue state proclamations.  Many records after 1979 are related to promotional \tefforts.  Correspondents include governors, senators, congressmen, hospitals, nursing homes, radio stations, public relations staff, etc.  Includes certificates, clippings, drawings (by children), greeting cards, letters, lists, newsletters, magazines, moving pictures (video), photographs, plaques, poems, posters, proclamations, programs, reports, ribbons, sound recordings (cassettes), and speeches.","Marian McQuade regularly visited nursing homes, and when she discovered a 105-year-old man, she became interested in \"researching\" 100-year-olds in West Virginia (according to her speech in box 7, folder 13).  The records in this series document her inquiries in this area.  One can find lists of centenarians by date of birth, WV county, etc. during the 1970's and 80's.\nDetailed information on individual centenarians can be found in the \"Individual Centenarian Information\" subseries.  Includes survey of women who voted in the 1920 election.  Includes certificates, clippings, greeting cards, letters, lists, moving\tpictures (video\ncassette), photographs, sound recordings (cassettes).","Includes miscellaneous publications related to the coal industry, such as labor contracts, reports, handbooks, etc; clippings about Joseph McQuade; and coal mining artifacts."],"separatedmaterial_html_tesm":["\u003cp\u003eA signature of President Bill Clinton was separated to A\u0026amp;M 0435, Rare Signatures.\u003c/p\u003e\n","\u003cp\u003eA copy of the book \"Grandparent's Day and Marian McQuade\" (1982) was separated to the non-circulating book collection of the West Virginia Collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A signature of President Bill Clinton was separated to A\u0026M 0435, Rare Signatures.","A copy of the book \"Grandparent's Day and Marian McQuade\" (1982) was separated to the non-circulating book collection of the West Virginia Collection."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_21dbb30be4eaf8ef639f749f79329892\"\u003eMuch of this collection documents the efforts of Marian McQuade as the founder of Grandparents Day including information she collected on centenarians of West Virginia. There are also miscellaneous publications and artifacts belonging to her husband, Joseph McQuade, that pertain to coal mining.\u003c/abstract\u003e"],"abstract_tesim":["Much of this collection documents the efforts of Marian McQuade as the founder of Grandparents Day including information she collected on centenarians of West Virginia. There are also miscellaneous publications and artifacts belonging to her husband, Joseph McQuade, that pertain to coal mining."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ec1bfe00ae5ec9d37996fc1c4995a5db\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","McQuade, Marian, 1917-2008","McQuade, Joseph"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["McQuade, Joseph","McQuade, Marian, 1917-2008"],"persname_ssim":["McQuade, Marian, 1917-2008","McQuade, Joseph"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":558,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:44:25.654Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1523_c02_c69"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c12_c01","type":"File","attributes":{"title":"\"1930-1945, Depression \u0026 WWII and the Urbanization continues\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c12_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c12_c01","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c12_c01"],"id":"viw_repositories_2_resources_9853_c01_c01_c12_c01","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01_c12","parent_ssi":"viw_repositories_2_resources_9853_c01_c01_c12","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c12"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c12"],"parent_unittitles_ssm":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1930-1945, Animated Movies, The Comic Book, Tarzan, Mandrake, Sunflower St., Will Eisner, Al Hirschfeld\""],"parent_unittitles_tesim":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1930-1945, Animated Movies, The Comic Book, Tarzan, Mandrake, Sunflower St., Will Eisner, Al Hirschfeld\""],"text":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1930-1945, Animated Movies, The Comic Book, Tarzan, Mandrake, Sunflower St., Will Eisner, Al Hirschfeld\"","\"1930-1945, Depression \u0026 WWII and the Urbanization continues\"","Box 12","folder 36"],"title_filing_ssi":"\"1930-1945, Depression \u0026 WWII and the Urbanization continues\"","title_ssm":["\"1930-1945, Depression \u0026 WWII and the Urbanization continues\""],"title_tesim":["\"1930-1945, Depression \u0026 WWII and the Urbanization continues\""],"unitdate_inclusive_ssm":["1929-2008"],"normalized_date_ssm":["1929/2008"],"normalized_title_ssm":["\"1930-1945, Depression \u0026 WWII and the Urbanization continues\""],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":50,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"containers_ssim":["Box 12","folder 36"],"_nest_path_":"/components#0/components#0/components#11/components#0","timestamp":"2026-05-21T07:21:03Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:21:03Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c12_c01"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":310},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026f%5Brepository%5D%5B%5D=Alexandria+Library\u0026view=compact"}},{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":9626},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026view=compact"}},{"attributes":{"label":"Edgar Cayce Foundation","value":"Edgar Cayce Foundation","hits":56},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026f%5Brepository%5D%5B%5D=Edgar+Cayce+Foundation\u0026view=compact"}},{"attributes":{"label":"Fairfax County Public Library","value":"Fairfax County Public Library","hits":1001},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026f%5Brepository%5D%5B%5D=Fairfax+County+Public+Library\u0026view=compact"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":10392},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026view=compact"}},{"attributes":{"label":"Hampden-Sydney College","value":"Hampden-Sydney College","hits":297},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026f%5Brepository%5D%5B%5D=Hampden-Sydney+College\u0026view=compact"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":1820},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026f%5Brepository%5D%5B%5D=James+Madison+University\u0026view=compact"}},{"attributes":{"label":"Library of Virginia","value":"Library of Virginia","hits":49},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026f%5Brepository%5D%5B%5D=Library+of+Virginia\u0026view=compact"}},{"attributes":{"label":"Longwood University","value":"Longwood University","hits":152},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026f%5Brepository%5D%5B%5D=Longwood+University\u0026view=compact"}},{"attributes":{"label":"Old Dominion University","value":"Old Dominion University","hits":5124},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University\u0026view=compact"}},{"attributes":{"label":"Randolph-Macon College","value":"Randolph-Macon College","hits":63},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026f%5Brepository%5D%5B%5D=Randolph-Macon+College\u0026view=compact"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1976\u0026view=compact"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"Are You a Mountaineer Fan?\" Poster","value":"\"Are You a Mountaineer Fan?\" Poster","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Are+You+a+Mountaineer+Fan%3F%22+Poster\u0026f%5Bdate_range%5D%5B%5D=1976\u0026view=compact"}},{"attributes":{"label":"\"Arts in Virginia\" (PB-04)","value":"\"Arts in Virginia\" (PB-04)","hits":4},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Arts+in+Virginia%22+%28PB-04%29\u0026f%5Bdate_range%5D%5B%5D=1976\u0026view=compact"}},{"attributes":{"label":"\"Colonel John Bowman Treasure Map\" (typescript), a Hand Drawn Map of Western Virginia, and a Map of Marshall County","value":"\"Colonel John Bowman Treasure Map\" (typescript), a Hand Drawn Map of Western Virginia, and a Map of Marshall County","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Colonel+John+Bowman+Treasure+Map%22+%28typescript%29%2C+a+Hand+Drawn+Map+of+Western+Virginia%2C+and+a+Map+of+Marshall+County\u0026f%5Bdate_range%5D%5B%5D=1976\u0026view=compact"}},{"attributes":{"label":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\"","value":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\"","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22More+Than+the+Sum+of+Our+Body+Parts%3A+An+Exhibit+by+CARY%2C+1992-1993%22\u0026f%5Bdate_range%5D%5B%5D=1976\u0026view=compact"}},{"attributes":{"label":"201st National Guard Regiment Histories","value":"201st National Guard Regiment Histories","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=201st+National+Guard+Regiment+Histories\u0026f%5Bdate_range%5D%5B%5D=1976\u0026view=compact"}},{"attributes":{"label":"4-H Project, West Virginia Flowers and Trees and Other Records","value":"4-H Project, West Virginia Flowers and Trees and Other Records","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=4-H+Project%2C+West+Virginia+Flowers+and+Trees+and+Other+Records\u0026f%5Bdate_range%5D%5B%5D=1976\u0026view=compact"}},{"attributes":{"label":"8th Evacuation Hospital collection","value":"8th Evacuation Hospital collection","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=8th+Evacuation+Hospital+collection\u0026f%5Bdate_range%5D%5B%5D=1976\u0026view=compact"}},{"attributes":{"label":"A New and Accurate Map of the County of Patrick, Virginia","value":"A New and Accurate Map of the County of Patrick, Virginia","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=A+New+and+Accurate+Map+of+the+County+of+Patrick%2C+Virginia\u0026f%5Bdate_range%5D%5B%5D=1976\u0026view=compact"}},{"attributes":{"label":"A Settlement Map of Franklin County, Virginia, giving the Names and Locations of Many of the Early Settlers from 1786 to 1886","value":"A Settlement Map of Franklin County, Virginia, giving the Names and Locations of Many of the Early Settlers from 1786 to 1886","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=A+Settlement+Map+of+Franklin+County%2C+Virginia%2C+giving+the+Names+and+Locations+of+Many+of+the+Early+Settlers+from+1786+to+1886\u0026f%5Bdate_range%5D%5B%5D=1976\u0026view=compact"}},{"attributes":{"label":"A. Christian Compton Papers","value":"A. Christian Compton Papers","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=A.+Christian+Compton+Papers\u0026f%5Bdate_range%5D%5B%5D=1976\u0026view=compact"}},{"attributes":{"label":"A. E. Dick Howard papers","value":"A. E. Dick Howard papers","hits":9},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=A.+E.+Dick+Howard+papers\u0026f%5Bdate_range%5D%5B%5D=1976\u0026view=compact"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/collection_ssim.json?f%5Bdate_range%5D%5B%5D=1976\u0026view=compact"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"0","value":"0","hits":4},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026f%5Bdate_range%5D%5B%5D=0\u0026view=compact"}},{"attributes":{"label":"994","value":"994","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026f%5Bdate_range%5D%5B%5D=994\u0026view=compact"}},{"attributes":{"label":"995","value":"995","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026f%5Bdate_range%5D%5B%5D=995\u0026view=compact"}},{"attributes":{"label":"996","value":"996","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026f%5Bdate_range%5D%5B%5D=996\u0026view=compact"}},{"attributes":{"label":"997","value":"997","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026f%5Bdate_range%5D%5B%5D=997\u0026view=compact"}},{"attributes":{"label":"998","value":"998","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026f%5Bdate_range%5D%5B%5D=998\u0026view=compact"}},{"attributes":{"label":"999","value":"999","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026f%5Bdate_range%5D%5B%5D=999\u0026view=compact"}},{"attributes":{"label":"1000","value":"1000","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026f%5Bdate_range%5D%5B%5D=1000\u0026view=compact"}},{"attributes":{"label":"1001","value":"1001","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026f%5Bdate_range%5D%5B%5D=1001\u0026view=compact"}},{"attributes":{"label":"1002","value":"1002","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026f%5Bdate_range%5D%5B%5D=1002\u0026view=compact"}},{"attributes":{"label":"1003","value":"1003","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026f%5Bdate_range%5D%5B%5D=1003\u0026view=compact"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/date_range_isim.json?f%5Bdate_range%5D%5B%5D=1976\u0026view=compact"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"201st National Guard Regiment","value":"201st National Guard Regiment","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=201st+National+Guard+Regiment\u0026f%5Bdate_range%5D%5B%5D=1976\u0026view=compact"}},{"attributes":{"label":"4-H","value":"4-H","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=4-H\u0026f%5Bdate_range%5D%5B%5D=1976\u0026view=compact"}},{"attributes":{"label":"4-H All Stars. Virginia Chapter","value":"4-H All Stars. Virginia Chapter","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=4-H+All+Stars.+Virginia+Chapter\u0026f%5Bdate_range%5D%5B%5D=1976\u0026view=compact"}},{"attributes":{"label":"A. M. \u0026 W. L. Janney","value":"A. M. \u0026 W. L. Janney","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=A.+M.+%26+W.+L.+Janney\u0026f%5Bdate_range%5D%5B%5D=1976\u0026view=compact"}},{"attributes":{"label":"Aaron Siskind Foundation","value":"Aaron Siskind Foundation","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Aaron+Siskind+Foundation\u0026f%5Bdate_range%5D%5B%5D=1976\u0026view=compact"}},{"attributes":{"label":"Aaron, Reid S. (Reid Stanley), 1918-1944","value":"Aaron, Reid S. (Reid Stanley), 1918-1944","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Aaron%2C+Reid+S.+%28Reid+Stanley%29%2C+1918-1944\u0026f%5Bdate_range%5D%5B%5D=1976\u0026view=compact"}},{"attributes":{"label":"Abate, Kathy","value":"Abate, Kathy","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Abate%2C+Kathy\u0026f%5Bdate_range%5D%5B%5D=1976\u0026view=compact"}},{"attributes":{"label":"Abbott, Carl (1944-)","value":"Abbott, Carl (1944-)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Abbott%2C+Carl+%281944-%29\u0026f%5Bdate_range%5D%5B%5D=1976\u0026view=compact"}},{"attributes":{"label":"Adagio Press","value":"Adagio Press","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Adagio+Press\u0026f%5Bdate_range%5D%5B%5D=1976\u0026view=compact"}},{"attributes":{"label":"Adam, William R. (William Robert), 1918-1992","value":"Adam, William R. (William Robert), 1918-1992","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Adam%2C+William+R.+%28William+Robert%29%2C+1918-1992\u0026f%5Bdate_range%5D%5B%5D=1976\u0026view=compact"}},{"attributes":{"label":"Adams, Elizabeth Kent","value":"Adams, Elizabeth Kent","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Adams%2C+Elizabeth+Kent\u0026f%5Bdate_range%5D%5B%5D=1976\u0026view=compact"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/creator_ssim.json?f%5Bdate_range%5D%5B%5D=1976\u0026view=compact"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"\n                     Brockenbrough, Edwin C.","value":"\n                     Brockenbrough, Edwin 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