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The bulk of the records pertain to the precursor organizations to the VTEEA and not of the VTEEA itself."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"corpname_ssim":["ODU Community Collections","Virginia Technology Engineering Education Association","Virginia Industrial Arts Association"],"names_coll_ssim":["Virginia Technology Engineering Education Association"],"names_ssim":["ODU Community Collections","Virginia Technology Engineering Education Association","Virginia 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After graduation, Armentrout worked in eight school divisions in Virginia as a teacher, elementrary school and high school principal, as well as superintendant of Wythe County Schools.","This collection consists of an Old Dominion College athletic booster pin, bumper sticker, and academic hood, as well as a business card for Albert S. Armentrout, class of 1969.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","ODU University Archives","English"],"collection_title_tesim":["Albert S. Armentrout Collection, 1965/2009"],"collection_ssim":["Albert S. 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Armentrout, class of 1969."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"corpname_ssim":["ODU University Archives"],"names_ssim":["ODU University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:39:17.098Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vino_repositories_3_resources_339"}},{"id":"vino_repositories_3_resources_173","type":"collection","attributes":{"title":"Alexander Brooks \"A.B.\" Jackson Papers, 1965/1981","creator":{"id":"https://arvasarchive.org/catalog/vino_repositories_3_resources_173#creator","type":"document_value","attributes":{"value":"Jackson, A.B. 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Jackson spent most of his childhood inside due to asthma, but showed an interest in art at an early age. During his senior year of high-school, Jackson made a pen and ink drawing of William Lyons Phelps, a revered professor at Yale University, and an acquaintance of Jackson's father. After seeing the drawing, Phelps scheduled a meeting between Jackson and the dean of Yale's art school. Soon after his interview and portfolio review, Jackson was admitted in September, 1946. He received a Bachelor of Fine Arts in painting in 1953, and a Master of Fine Arts in graphic design in 1955.","Jackson worked for three years at the Watson-Manning Advertising Agency in Stratford, Connecticut as a designer before he began to focus on teaching. He worked briefly as an instructor at Southern University in Baton Rouge, Louisiana in 1955, before moving to Norfolk, Virginia in 1956 to teach art at Norfolk State University. Jackson taught there for 10 years, and was chairman for one. In 1967, he joined Old Dominion College (later Old Dominion University) as a full-time professor in the art department and the school's first black faculty member. While at Old Dominion, Jackson participated as a judge in numerous art shows while having several showcases of his own. He was also active in programs for underprivileged youth, including a three year federal Pell grant program to instruct and inspire high-school students of all backgrounds and ethnicities to pursue higher education in 1969.","As an artist, Jackson's work focused primarily on painting and photography, though he also worked with both screen printing processes and sculpture. His work earned him various awards and showcases, in spite of the obstacles that racism presented for him. While Jackson was not a civil rights activist, he believed that art transcended race and was affiliated with the National Association for the Advancement of Colored People.  Jackson was also active in the Norfolk art community and was a member of the Norfolk Fine Arts Committee. He did art criticism feature writing for the Ledger-Star, the Virginian Pilot's sister afternoon edition, as well as Sight and Sound magazine in Norfolk. His work is represented in the permanent collections of Yale University, Dartmouth College, Mint Museum of Fine Arts, and various other corporate and private collections.","In 1978, Jackson published his book, \"As I See Ghent: A Visual Essay\", depicting the Ghent district of Norfolk, Virginia, where Jackson resided. The book is composed primarily of photographs and drawings done by Jackson and focuses on the details of Ghent that Jackson found inspiring. The book is reminiscent of Jackson's series of paintings, entitled \"The Porch People\", in which the subjects are anonymous sitters on their porches in Ghent. Jackson died March 23, 1981, at the age of 55. Following Jackson's death, the Chrysler Museum held a three-site retrospective exhibition of his work. A local television station created a tribute, entitled \"Wow, Look at That,\" one of his trademark catch phrases, to commemorate him.","Note written by Mel Frizzell","The collection was processed and finding aid created by Mel Frizzell, Special Collections Assistant, in 2012.","As I See Ghent : A Visual Essay, Call #: N 6537.J28 A43","The contents of this collection include photographs taken and collected by Alexander Brooks \"A.B.\" Jackson of miscellaneous subjects, as well as photographs of his artwork and excerpts from his poetry. 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Jackson spent most of his childhood inside due to asthma, but showed an interest in art at an early age. During his senior year of high-school, Jackson made a pen and ink drawing of William Lyons Phelps, a revered professor at Yale University, and an acquaintance of Jackson's father. After seeing the drawing, Phelps scheduled a meeting between Jackson and the dean of Yale's art school. Soon after his interview and portfolio review, Jackson was admitted in September, 1946. He received a Bachelor of Fine Arts in painting in 1953, and a Master of Fine Arts in graphic design in 1955.\u003c/p\u003e","\u003cp\u003eJackson worked for three years at the Watson-Manning Advertising Agency in Stratford, Connecticut as a designer before he began to focus on teaching. He worked briefly as an instructor at Southern University in Baton Rouge, Louisiana in 1955, before moving to Norfolk, Virginia in 1956 to teach art at Norfolk State University. Jackson taught there for 10 years, and was chairman for one. In 1967, he joined Old Dominion College (later Old Dominion University) as a full-time professor in the art department and the school's first black faculty member. While at Old Dominion, Jackson participated as a judge in numerous art shows while having several showcases of his own. He was also active in programs for underprivileged youth, including a three year federal Pell grant program to instruct and inspire high-school students of all backgrounds and ethnicities to pursue higher education in 1969.\u003c/p\u003e","\u003cp\u003eAs an artist, Jackson's work focused primarily on painting and photography, though he also worked with both screen printing processes and sculpture. His work earned him various awards and showcases, in spite of the obstacles that racism presented for him. While Jackson was not a civil rights activist, he believed that art transcended race and was affiliated with the National Association for the Advancement of Colored People.  Jackson was also active in the Norfolk art community and was a member of the Norfolk Fine Arts Committee. He did art criticism feature writing for the Ledger-Star, the Virginian Pilot's sister afternoon edition, as well as Sight and Sound magazine in Norfolk. His work is represented in the permanent collections of Yale University, Dartmouth College, Mint Museum of Fine Arts, and various other corporate and private collections.\u003c/p\u003e","\u003cp\u003eIn 1978, Jackson published his book, \"As I See Ghent: A Visual Essay\", depicting the Ghent district of Norfolk, Virginia, where Jackson resided. The book is composed primarily of photographs and drawings done by Jackson and focuses on the details of Ghent that Jackson found inspiring. The book is reminiscent of Jackson's series of paintings, entitled \"The Porch People\", in which the subjects are anonymous sitters on their porches in Ghent. Jackson died March 23, 1981, at the age of 55. Following Jackson's death, the Chrysler Museum held a three-site retrospective exhibition of his work. A local television station created a tribute, entitled \"Wow, Look at That,\" one of his trademark catch phrases, to commemorate him.\u003c/p\u003e","\u003cp\u003eNote written by Mel Frizzell\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Alexander Brooks \"A.B.\" Jackson was born in New Haven, Connecticut on April 18, 1925 to an Irish mother and an African American father. Jackson spent most of his childhood inside due to asthma, but showed an interest in art at an early age. During his senior year of high-school, Jackson made a pen and ink drawing of William Lyons Phelps, a revered professor at Yale University, and an acquaintance of Jackson's father. After seeing the drawing, Phelps scheduled a meeting between Jackson and the dean of Yale's art school. Soon after his interview and portfolio review, Jackson was admitted in September, 1946. He received a Bachelor of Fine Arts in painting in 1953, and a Master of Fine Arts in graphic design in 1955.","Jackson worked for three years at the Watson-Manning Advertising Agency in Stratford, Connecticut as a designer before he began to focus on teaching. He worked briefly as an instructor at Southern University in Baton Rouge, Louisiana in 1955, before moving to Norfolk, Virginia in 1956 to teach art at Norfolk State University. Jackson taught there for 10 years, and was chairman for one. In 1967, he joined Old Dominion College (later Old Dominion University) as a full-time professor in the art department and the school's first black faculty member. While at Old Dominion, Jackson participated as a judge in numerous art shows while having several showcases of his own. He was also active in programs for underprivileged youth, including a three year federal Pell grant program to instruct and inspire high-school students of all backgrounds and ethnicities to pursue higher education in 1969.","As an artist, Jackson's work focused primarily on painting and photography, though he also worked with both screen printing processes and sculpture. His work earned him various awards and showcases, in spite of the obstacles that racism presented for him. While Jackson was not a civil rights activist, he believed that art transcended race and was affiliated with the National Association for the Advancement of Colored People.  Jackson was also active in the Norfolk art community and was a member of the Norfolk Fine Arts Committee. He did art criticism feature writing for the Ledger-Star, the Virginian Pilot's sister afternoon edition, as well as Sight and Sound magazine in Norfolk. His work is represented in the permanent collections of Yale University, Dartmouth College, Mint Museum of Fine Arts, and various other corporate and private collections.","In 1978, Jackson published his book, \"As I See Ghent: A Visual Essay\", depicting the Ghent district of Norfolk, Virginia, where Jackson resided. The book is composed primarily of photographs and drawings done by Jackson and focuses on the details of Ghent that Jackson found inspiring. The book is reminiscent of Jackson's series of paintings, entitled \"The Porch People\", in which the subjects are anonymous sitters on their porches in Ghent. Jackson died March 23, 1981, at the age of 55. Following Jackson's death, the Chrysler Museum held a three-site retrospective exhibition of his work. 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Most of the photographs are copies of the original prints."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f6277a16d971a7c7e801cd6250699783\" label=\"Abstract\"\u003eAlexander Brooks \"A.B.\" Jackson began teaching in the Art department in 1967 as the school's first black faculty member. 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Jackson spent most of his childhood inside due to asthma, but showed an interest in art at an early age. During his senior year of high-school, Jackson made a pen and ink drawing of William Lyons Phelps, a revered professor at Yale University, and an acquaintance of Jackson's father. After seeing the drawing, Phelps scheduled a meeting between Jackson and the dean of Yale's art school. Soon after his interview and portfolio review, Jackson was admitted in September, 1946. He received a Bachelor of Fine Arts in painting in 1953, and a Master of Fine Arts in graphic design in 1955.","Jackson worked for three years at the Watson-Manning Advertising Agency in Stratford, Connecticut as a designer before he began to focus on teaching. He worked briefly as an instructor at Southern University in Baton Rouge, Louisiana in 1955, before moving to Norfolk, Virginia in 1956 to teach art at Norfolk State University. Jackson taught there for 10 years, and was chairman for one. In 1967, he joined Old Dominion College (later Old Dominion University) as a full-time professor in the art department and the school's first black faculty member. While at Old Dominion, Jackson participated as a judge in numerous art shows while having several showcases of his own. He was also active in programs for underprivileged youth, including a three year federal Pell grant program to instruct and inspire high-school students of all backgrounds and ethnicities to pursue higher education in 1969.","As an artist, Jackson's work focused primarily on painting and photography, though he also worked with both screen printing processes and sculpture. His work earned him various awards and showcases, in spite of the obstacles that racism presented for him. While Jackson was not a civil rights activist, he believed that art transcended race and was affiliated with the National Association for the Advancement of Colored People.  Jackson was also active in the Norfolk art community and was a member of the Norfolk Fine Arts Committee. He did art criticism feature writing for the Ledger-Star, the Virginian Pilot's sister afternoon edition, as well as Sight and Sound magazine in Norfolk. His work is represented in the permanent collections of Yale University, Dartmouth College, Mint Museum of Fine Arts, and various other corporate and private collections.","In 1978, Jackson published his book, \"As I See Ghent: A Visual Essay\", depicting the Ghent district of Norfolk, Virginia, where Jackson resided. The book is composed primarily of photographs and drawings done by Jackson and focuses on the details of Ghent that Jackson found inspiring. The book is reminiscent of Jackson's series of paintings, entitled \"The Porch People\", in which the subjects are anonymous sitters on their porches in Ghent. Jackson died March 23, 1981, at the age of 55. Following Jackson's death, the Chrysler Museum held a three-site retrospective exhibition of his work. A local television station created a tribute, entitled \"Wow, Look at That,\" one of his trademark catch phrases, to commemorate him.","Note written by Mel Frizzell","The collection was processed and finding aid created by Mel Frizzell, Special Collections Assistant, in 2012.","As I See Ghent : A Visual Essay, Call #: N 6537.J28 A43","The contents of this collection include photographs taken and collected by Alexander Brooks \"A.B.\" Jackson of miscellaneous subjects, as well as photographs of his artwork and excerpts from his poetry. Most of the photographs are copies of the original prints.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","Alexander Brooks \"A.B.\" Jackson began teaching in the Art department in 1967 as the school's first black faculty member. The contents of this collection include photographs taken and collected by Jackson of miscellaneous subjects, as well as photographs of his artwork and excerpts from his poetry.","ODU University Archives","Old Dominion University. Department of Art","Jackson, A.B. 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Jackson spent most of his childhood inside due to asthma, but showed an interest in art at an early age. During his senior year of high-school, Jackson made a pen and ink drawing of William Lyons Phelps, a revered professor at Yale University, and an acquaintance of Jackson's father. After seeing the drawing, Phelps scheduled a meeting between Jackson and the dean of Yale's art school. Soon after his interview and portfolio review, Jackson was admitted in September, 1946. He received a Bachelor of Fine Arts in painting in 1953, and a Master of Fine Arts in graphic design in 1955.\u003c/p\u003e","\u003cp\u003eJackson worked for three years at the Watson-Manning Advertising Agency in Stratford, Connecticut as a designer before he began to focus on teaching. He worked briefly as an instructor at Southern University in Baton Rouge, Louisiana in 1955, before moving to Norfolk, Virginia in 1956 to teach art at Norfolk State University. Jackson taught there for 10 years, and was chairman for one. In 1967, he joined Old Dominion College (later Old Dominion University) as a full-time professor in the art department and the school's first black faculty member. While at Old Dominion, Jackson participated as a judge in numerous art shows while having several showcases of his own. He was also active in programs for underprivileged youth, including a three year federal Pell grant program to instruct and inspire high-school students of all backgrounds and ethnicities to pursue higher education in 1969.\u003c/p\u003e","\u003cp\u003eAs an artist, Jackson's work focused primarily on painting and photography, though he also worked with both screen printing processes and sculpture. His work earned him various awards and showcases, in spite of the obstacles that racism presented for him. While Jackson was not a civil rights activist, he believed that art transcended race and was affiliated with the National Association for the Advancement of Colored People.  Jackson was also active in the Norfolk art community and was a member of the Norfolk Fine Arts Committee. He did art criticism feature writing for the Ledger-Star, the Virginian Pilot's sister afternoon edition, as well as Sight and Sound magazine in Norfolk. His work is represented in the permanent collections of Yale University, Dartmouth College, Mint Museum of Fine Arts, and various other corporate and private collections.\u003c/p\u003e","\u003cp\u003eIn 1978, Jackson published his book, \"As I See Ghent: A Visual Essay\", depicting the Ghent district of Norfolk, Virginia, where Jackson resided. The book is composed primarily of photographs and drawings done by Jackson and focuses on the details of Ghent that Jackson found inspiring. The book is reminiscent of Jackson's series of paintings, entitled \"The Porch People\", in which the subjects are anonymous sitters on their porches in Ghent. Jackson died March 23, 1981, at the age of 55. Following Jackson's death, the Chrysler Museum held a three-site retrospective exhibition of his work. A local television station created a tribute, entitled \"Wow, Look at That,\" one of his trademark catch phrases, to commemorate him.\u003c/p\u003e","\u003cp\u003eNote written by Mel Frizzell\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Alexander Brooks \"A.B.\" Jackson was born in New Haven, Connecticut on April 18, 1925 to an Irish mother and an African American father. Jackson spent most of his childhood inside due to asthma, but showed an interest in art at an early age. During his senior year of high-school, Jackson made a pen and ink drawing of William Lyons Phelps, a revered professor at Yale University, and an acquaintance of Jackson's father. After seeing the drawing, Phelps scheduled a meeting between Jackson and the dean of Yale's art school. Soon after his interview and portfolio review, Jackson was admitted in September, 1946. He received a Bachelor of Fine Arts in painting in 1953, and a Master of Fine Arts in graphic design in 1955.","Jackson worked for three years at the Watson-Manning Advertising Agency in Stratford, Connecticut as a designer before he began to focus on teaching. He worked briefly as an instructor at Southern University in Baton Rouge, Louisiana in 1955, before moving to Norfolk, Virginia in 1956 to teach art at Norfolk State University. Jackson taught there for 10 years, and was chairman for one. In 1967, he joined Old Dominion College (later Old Dominion University) as a full-time professor in the art department and the school's first black faculty member. While at Old Dominion, Jackson participated as a judge in numerous art shows while having several showcases of his own. He was also active in programs for underprivileged youth, including a three year federal Pell grant program to instruct and inspire high-school students of all backgrounds and ethnicities to pursue higher education in 1969.","As an artist, Jackson's work focused primarily on painting and photography, though he also worked with both screen printing processes and sculpture. His work earned him various awards and showcases, in spite of the obstacles that racism presented for him. While Jackson was not a civil rights activist, he believed that art transcended race and was affiliated with the National Association for the Advancement of Colored People.  Jackson was also active in the Norfolk art community and was a member of the Norfolk Fine Arts Committee. He did art criticism feature writing for the Ledger-Star, the Virginian Pilot's sister afternoon edition, as well as Sight and Sound magazine in Norfolk. His work is represented in the permanent collections of Yale University, Dartmouth College, Mint Museum of Fine Arts, and various other corporate and private collections.","In 1978, Jackson published his book, \"As I See Ghent: A Visual Essay\", depicting the Ghent district of Norfolk, Virginia, where Jackson resided. The book is composed primarily of photographs and drawings done by Jackson and focuses on the details of Ghent that Jackson found inspiring. The book is reminiscent of Jackson's series of paintings, entitled \"The Porch People\", in which the subjects are anonymous sitters on their porches in Ghent. Jackson died March 23, 1981, at the age of 55. Following Jackson's death, the Chrysler Museum held a three-site retrospective exhibition of his work. A local television station created a tribute, entitled \"Wow, Look at That,\" one of his trademark catch phrases, to commemorate him.","Note written by Mel Frizzell"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed and finding aid created by Mel Frizzell, Special Collections Assistant, in 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed and finding aid created by Mel Frizzell, Special Collections Assistant, in 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eAs I See Ghent : A Visual Essay, Call #: N 6537.J28 A43\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["As I See Ghent : A Visual Essay, Call #: N 6537.J28 A43"],"scopecontent_html_tesm":["\u003cp\u003eThe contents of this collection include photographs taken and collected by Alexander Brooks \"A.B.\" Jackson of miscellaneous subjects, as well as photographs of his artwork and excerpts from his poetry. Most of the photographs are copies of the original prints.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The contents of this collection include photographs taken and collected by Alexander Brooks \"A.B.\" Jackson of miscellaneous subjects, as well as photographs of his artwork and excerpts from his poetry. Most of the photographs are copies of the original prints."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f6277a16d971a7c7e801cd6250699783\" label=\"Abstract\"\u003eAlexander Brooks \"A.B.\" Jackson began teaching in the Art department in 1967 as the school's first black faculty member. The contents of this collection include photographs taken and collected by Jackson of miscellaneous subjects, as well as photographs of his artwork and excerpts from his poetry.\u003c/abstract\u003e\n    "],"abstract_tesim":["Alexander Brooks \"A.B.\" Jackson began teaching in the Art department in 1967 as the school's first black faculty member. The contents of this collection include photographs taken and collected by Jackson of miscellaneous subjects, as well as photographs of his artwork and excerpts from his poetry."],"corpname_ssim":["ODU University Archives","Old Dominion University. Department of Art"],"names_coll_ssim":["Old Dominion University. Department of Art","Jackson, A.B. (Alexander Brooks) (1925-1981)"],"persname_ssim":["Jackson, A.B. (Alexander Brooks) (1925-1981)"],"names_ssim":["ODU University Archives","Old Dominion University. Department of Art","Jackson, A.B. (Alexander Brooks) (1925-1981)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":57,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:39:11.796Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vino_repositories_3_resources_173"}},{"id":"vino_repositories_2_resources_50","type":"collection","attributes":{"title":"Allan Blank Papers, 1958/2009","creator":{"id":"https://arvasarchive.org/catalog/vino_repositories_2_resources_50#creator","type":"document_value","attributes":{"value":"Blank, Allan (1925-2013)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vino_repositories_2_resources_50#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Allan Blank Papers consist primarily of scores (mainly in manuscript and facsimile formats) and materials related directly to his significant compositions and published materials, including programs, reviews and recordings. 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American Association of University Professors (AAUP)","Old Dominion University","American Association of University Professors"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Unknown"],"access_subjects_ssim":["Old Dominion University--Faculty"],"access_subjects_ssm":["Old Dominion University--Faculty"],"has_online_content_ssim":["false"],"extent_ssm":["2.40 Linear Feet","2 record center cartons and 1 Hollinger document case boxes"],"extent_tesim":["2.40 Linear Feet","2 record center cartons and 1 Hollinger document case boxes"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into two series: Series I: ODC/ODU AAUP; and Series II: Virginia Conference and National AAUP.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is organized into two series: Series I: ODC/ODU AAUP; and Series II: Virginia Conference and National AAUP."],"bioghist_html_tesm":["\u003cp\u003eThe purpose of American Association of University Professors (AAUP) is to facilitate a more effective cooperation among teachers and research scholars in universities and colleges, to promote the interests of higher education and research, and to increase the usefulness and advance the standards, ideals, and welfare of the profession. 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It continued to be a presence with the school as it developed into Old Dominion College (ODC) and subsequently Old Dominion University (ODU).","Note written by Sonia Yaco"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], American Association of University Professors (AAUP) Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], American Association of University Professors (AAUP) Records, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed and finding aid created by Sonia Yaco, Special Collections Librarian, in 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed and finding aid created by Sonia Yaco, Special Collections Librarian, in 2010."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://www.aaup.org/\"\u003eAmerican Association of University Professors\u003c/extref\u003e (website)\u003c/p\u003e","\u003cp\u003e\u003cextref href=\"http://aaupva.umwblogs.org/\"\u003eVirginia Conference of The American Associaton of University Professors\u003c/extref\u003e (website)\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["American Association of University Professors (website)","Virginia Conference of The American Associaton of University Professors (website)"],"scopecontent_html_tesm":["\u003cp\u003eThe records of the American Association of University Professors (AAUP) includes meeting minutes, reports, and correspondences. 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Norfolk Branch","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vino_repositories_5_resources_221#abstract_or_scope","type":"document_value","attributes":{"value":"The AAUW is a national organization that promotes education and equity for all women and girls. The Norfolk Branch began as a college club in 1902, then joined the AAUW in 1921. The collection spans the years 1902 to 1999 and includes meeting minutes, annual reports, publications, information about branch activities and scrapbooks.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vino_repositories_5_resources_221#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vino_repositories_5_resources_221","ead_ssi":"vino_repositories_5_resources_221","_root_":"vino_repositories_5_resources_221","_nest_parent_":"vino_repositories_5_resources_221","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_221.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/221","title_filing_ssi":"American Association of University Women Norfolk Branch","title_ssm":["American Association of University Women, Norfolk Branch (AAUW) Records"],"title_tesim":["American Association of University Women, Norfolk Branch (AAUW) Records"],"unitdate_ssm":["circa 1902-2000, undated","Date acquired: 04/28/2000"],"unitdate_inclusive_ssm":["circa 1902-2000, undated"],"unitdate_other_ssim":["Date acquired: 04/28/2000"],"normalized_date_ssm":["1902/2000"],"normalized_title_ssm":["American Association of University Women, Norfolk Branch (AAUW) Records, 1902/2000"],"text":["American Association of University Women, Norfolk Branch (AAUW) Records, 1902/2000","MG 74","/repositories/5/resources/221","Women college teachers--Virginia--Norfolk","American Association of University Women. Norfolk Branch--History","Open to researchers without restrictions.","The collection is organized into twelve series: Series I: History; Series II: Organization; Series III: Minutes; Series IV: Reports; Series V: Issues/Activities; Series VI: Annual Conventions; Series VII: Handbooks; Series VIII: Yearbooks; Series IX: Publications; Series X: Miscellaneous; Series XI: Promotional Materials; and Series: XII. Scrapbooks.","The roots of the Norfolk branch of the American Association of University Women (AAUW) can be traced to December 10, 1902, when ten women met in Norfolk, Virginia. to form the College Club of Norfolk. The purpose of this group was to support higher education for women. The requirement for membership was a minimum of one year of college at any Association of Collegiate Alumnae (ACA) approved college. In 1918, the College Club of Norfolk united with the Southern Association of College Women (SACW) and became part of the AAUW as a result of the 1921 merge of the SACW and the ACA. In 1922 the first national convention of the AAUW was held in Kansas City, Missouri and a representative from the Norfolk branch was in attendance.","One of first projects for the branch was creating a scholarship for women to attend an approved college. In 1909, Miss Nettie Sterling of Gloucester, Virginia received the first scholarship. In 1922, Miss Cherry Nottingham, referred to as the \"Branch's intellectual core,\" joined the AAUW and in later years this scholarship became known as the Cherry Nottingham scholarship.","In the 1920s, the Norfolk branch of the AAUW joined national AAUW efforts to purchase a gram of radium to present to Madame Curie as a gift of American women on the occasion of Curie's visit to the United States.","The Norfolk branch of the AAUW was among the first racially integrated women's organizations. Other major interests of the branch over the years have been pre-schools, nurseries, daycare centers, poverty, school integration, civil rights, and international relations. 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In 1918, the College Club of Norfolk united with the Southern Association of College Women (SACW) and became part of the AAUW as a result of the 1921 merge of the SACW and the ACA. In 1922 the first national convention of the AAUW was held in Kansas City, Missouri and a representative from the Norfolk branch was in attendance.","One of first projects for the branch was creating a scholarship for women to attend an approved college. In 1909, Miss Nettie Sterling of Gloucester, Virginia received the first scholarship. In 1922, Miss Cherry Nottingham, referred to as the \"Branch's intellectual core,\" joined the AAUW and in later years this scholarship became known as the Cherry Nottingham scholarship.","In the 1920s, the Norfolk branch of the AAUW joined national AAUW efforts to purchase a gram of radium to present to Madame Curie as a gift of American women on the occasion of Curie's visit to the United States.","The Norfolk branch of the AAUW was among the first racially integrated women's organizations. Other major interests of the branch over the years have been pre-schools, nurseries, daycare centers, poverty, school integration, civil rights, and international relations. Men are also admitted to the Norfolk branch of the AAUW on the basis of their educational qualifications.","More information about the American Association of University Women, Norfolk Branch can be found on their website.","Note written by Tonia Graves"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Norfolk Branch of the American Association of University Women Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Norfolk Branch of the American Association of University Women Papers, Special Collections and University Archives, Old Dominion University Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains information about the history and organization of the American Association of University Women, Norfolk Branch. Included in the records are meeting minutes, newspaper clippings, scrapbooks, conference brochures, branch reports, and other publications by and about the organization.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains information about the history and organization of the American Association of University Women, Norfolk Branch. Included in the records are meeting minutes, newspaper clippings, scrapbooks, conference brochures, branch reports, and other publications by and about the organization."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f23cf0b741ac77fea6b75e62e2c12da9\" label=\"Abstract\"\u003eThe AAUW is a national organization that promotes education and equity for all women and girls. The Norfolk Branch began as a college club in 1902, then joined the AAUW in 1921. The collection spans the years 1902 to 1999 and includes meeting minutes, annual reports, publications, information about branch activities and scrapbooks.\u003c/abstract\u003e\n    "],"abstract_tesim":["The AAUW is a national organization that promotes education and equity for all women and girls. The Norfolk Branch began as a college club in 1902, then joined the AAUW in 1921. The collection spans the years 1902 to 1999 and includes meeting minutes, annual reports, publications, information about branch activities and scrapbooks."],"corpname_ssim":["ODU Community Collections","American Association of University Women. Norfolk Branch"],"names_ssim":["ODU Community Collections","American Association of University Women. Norfolk Branch"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":234,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:39:29.346Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_221","ead_ssi":"vino_repositories_5_resources_221","_root_":"vino_repositories_5_resources_221","_nest_parent_":"vino_repositories_5_resources_221","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_221.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/221","title_filing_ssi":"American Association of University Women Norfolk Branch","title_ssm":["American Association of University Women, Norfolk Branch (AAUW) Records"],"title_tesim":["American Association of University Women, Norfolk Branch (AAUW) Records"],"unitdate_ssm":["circa 1902-2000, undated","Date acquired: 04/28/2000"],"unitdate_inclusive_ssm":["circa 1902-2000, undated"],"unitdate_other_ssim":["Date acquired: 04/28/2000"],"normalized_date_ssm":["1902/2000"],"normalized_title_ssm":["American Association of University Women, Norfolk Branch (AAUW) Records, 1902/2000"],"text":["American Association of University Women, Norfolk Branch (AAUW) Records, 1902/2000","MG 74","/repositories/5/resources/221","Women college teachers--Virginia--Norfolk","American Association of University Women. Norfolk Branch--History","Open to researchers without restrictions.","The collection is organized into twelve series: Series I: History; Series II: Organization; Series III: Minutes; Series IV: Reports; Series V: Issues/Activities; Series VI: Annual Conventions; Series VII: Handbooks; Series VIII: Yearbooks; Series IX: Publications; Series X: Miscellaneous; Series XI: Promotional Materials; and Series: XII. Scrapbooks.","The roots of the Norfolk branch of the American Association of University Women (AAUW) can be traced to December 10, 1902, when ten women met in Norfolk, Virginia. to form the College Club of Norfolk. The purpose of this group was to support higher education for women. The requirement for membership was a minimum of one year of college at any Association of Collegiate Alumnae (ACA) approved college. In 1918, the College Club of Norfolk united with the Southern Association of College Women (SACW) and became part of the AAUW as a result of the 1921 merge of the SACW and the ACA. In 1922 the first national convention of the AAUW was held in Kansas City, Missouri and a representative from the Norfolk branch was in attendance.","One of first projects for the branch was creating a scholarship for women to attend an approved college. In 1909, Miss Nettie Sterling of Gloucester, Virginia received the first scholarship. In 1922, Miss Cherry Nottingham, referred to as the \"Branch's intellectual core,\" joined the AAUW and in later years this scholarship became known as the Cherry Nottingham scholarship.","In the 1920s, the Norfolk branch of the AAUW joined national AAUW efforts to purchase a gram of radium to present to Madame Curie as a gift of American women on the occasion of Curie's visit to the United States.","The Norfolk branch of the AAUW was among the first racially integrated women's organizations. Other major interests of the branch over the years have been pre-schools, nurseries, daycare centers, poverty, school integration, civil rights, and international relations. Men are also admitted to the Norfolk branch of the AAUW on the basis of their educational qualifications.","More information about the American Association of University Women, Norfolk Branch can be found on their website.","Note written by Tonia Graves","The collection contains information about the history and organization of the American Association of University Women, Norfolk Branch. Included in the records are meeting minutes, newspaper clippings, scrapbooks, conference brochures, branch reports, and other publications by and about the organization.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","The AAUW is a national organization that promotes education and equity for all women and girls. The Norfolk Branch began as a college club in 1902, then joined the AAUW in 1921. The collection spans the years 1902 to 1999 and includes meeting minutes, annual reports, publications, information about branch activities and scrapbooks.","ODU Community Collections","American Association of University Women. Norfolk Branch","English"],"collection_title_tesim":["American Association of University Women, Norfolk Branch (AAUW) Records, 1902/2000"],"collection_ssim":["American Association of University Women, Norfolk Branch (AAUW) Records, 1902/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 74","/repositories/5/resources/221"],"unitid_tesim":["MG 74","/repositories/5/resources/221"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["American Association of University Women. Norfolk Branch"],"creator_ssim":["American Association of University Women. Norfolk Branch"],"creator_corpname_ssim":["ODU Community Collections","American Association of University Women. Norfolk Branch"],"creators_ssim":["ODU Community Collections","American Association of University Women. Norfolk Branch"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Mary Wright Thrasher","Gift. Accession #A2000-4"],"access_subjects_ssim":["Women college teachers--Virginia--Norfolk","American Association of University Women. Norfolk Branch--History"],"access_subjects_ssm":["Women college teachers--Virginia--Norfolk","American Association of University Women. Norfolk Branch--History"],"has_online_content_ssim":["false"],"extent_ssm":["14.80 Linear Feet","13 Hollinger document cases and 9 oversized boxes boxes"],"extent_tesim":["14.80 Linear Feet","13 Hollinger document cases and 9 oversized boxes boxes"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into twelve series: Series I: History; Series II: Organization; Series III: Minutes; Series IV: Reports; Series V: Issues/Activities; Series VI: Annual Conventions; Series VII: Handbooks; Series VIII: Yearbooks; Series IX: Publications; Series X: Miscellaneous; Series XI: Promotional Materials; and Series: XII. Scrapbooks.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is organized into twelve series: Series I: History; Series II: Organization; Series III: Minutes; Series IV: Reports; Series V: Issues/Activities; Series VI: Annual Conventions; Series VII: Handbooks; Series VIII: Yearbooks; Series IX: Publications; Series X: Miscellaneous; Series XI: Promotional Materials; and Series: XII. Scrapbooks."],"bioghist_html_tesm":["\u003cp\u003eThe roots of the Norfolk branch of the American Association of University Women (AAUW) can be traced to December 10, 1902, when ten women met in Norfolk, Virginia. to form the College Club of Norfolk. The purpose of this group was to support higher education for women. The requirement for membership was a minimum of one year of college at any Association of Collegiate Alumnae (ACA) approved college. In 1918, the College Club of Norfolk united with the Southern Association of College Women (SACW) and became part of the AAUW as a result of the 1921 merge of the SACW and the ACA. In 1922 the first national convention of the AAUW was held in Kansas City, Missouri and a representative from the Norfolk branch was in attendance.\u003c/p\u003e","\u003cp\u003eOne of first projects for the branch was creating a scholarship for women to attend an approved college. In 1909, Miss Nettie Sterling of Gloucester, Virginia received the first scholarship. In 1922, Miss Cherry Nottingham, referred to as the \"Branch's intellectual core,\" joined the AAUW and in later years this scholarship became known as the Cherry Nottingham scholarship.\u003c/p\u003e","\u003cp\u003eIn the 1920s, the Norfolk branch of the AAUW joined national AAUW efforts to purchase a gram of radium to present to Madame Curie as a gift of American women on the occasion of Curie's visit to the United States.\u003c/p\u003e","\u003cp\u003eThe Norfolk branch of the AAUW was among the first racially integrated women's organizations. Other major interests of the branch over the years have been pre-schools, nurseries, daycare centers, poverty, school integration, civil rights, and international relations. Men are also admitted to the Norfolk branch of the AAUW on the basis of their educational qualifications.\u003c/p\u003e","\u003cp\u003eMore information about the \u003cextref href=\"http://aauw-va.aauw.net/branches/norfolk/\"\u003eAmerican Association of University Women, Norfolk Branch\u003c/extref\u003e can be found on their website.\u003c/p\u003e","\u003cp\u003eNote written by Tonia Graves\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The roots of the Norfolk branch of the American Association of University Women (AAUW) can be traced to December 10, 1902, when ten women met in Norfolk, Virginia. to form the College Club of Norfolk. The purpose of this group was to support higher education for women. The requirement for membership was a minimum of one year of college at any Association of Collegiate Alumnae (ACA) approved college. In 1918, the College Club of Norfolk united with the Southern Association of College Women (SACW) and became part of the AAUW as a result of the 1921 merge of the SACW and the ACA. In 1922 the first national convention of the AAUW was held in Kansas City, Missouri and a representative from the Norfolk branch was in attendance.","One of first projects for the branch was creating a scholarship for women to attend an approved college. In 1909, Miss Nettie Sterling of Gloucester, Virginia received the first scholarship. In 1922, Miss Cherry Nottingham, referred to as the \"Branch's intellectual core,\" joined the AAUW and in later years this scholarship became known as the Cherry Nottingham scholarship.","In the 1920s, the Norfolk branch of the AAUW joined national AAUW efforts to purchase a gram of radium to present to Madame Curie as a gift of American women on the occasion of Curie's visit to the United States.","The Norfolk branch of the AAUW was among the first racially integrated women's organizations. Other major interests of the branch over the years have been pre-schools, nurseries, daycare centers, poverty, school integration, civil rights, and international relations. Men are also admitted to the Norfolk branch of the AAUW on the basis of their educational qualifications.","More information about the American Association of University Women, Norfolk Branch can be found on their website.","Note written by Tonia Graves"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Norfolk Branch of the American Association of University Women Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Norfolk Branch of the American Association of University Women Papers, Special Collections and University Archives, Old Dominion University Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains information about the history and organization of the American Association of University Women, Norfolk Branch. Included in the records are meeting minutes, newspaper clippings, scrapbooks, conference brochures, branch reports, and other publications by and about the organization.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains information about the history and organization of the American Association of University Women, Norfolk Branch. Included in the records are meeting minutes, newspaper clippings, scrapbooks, conference brochures, branch reports, and other publications by and about the organization."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f23cf0b741ac77fea6b75e62e2c12da9\" label=\"Abstract\"\u003eThe AAUW is a national organization that promotes education and equity for all women and girls. The Norfolk Branch began as a college club in 1902, then joined the AAUW in 1921. The collection spans the years 1902 to 1999 and includes meeting minutes, annual reports, publications, information about branch activities and scrapbooks.\u003c/abstract\u003e\n    "],"abstract_tesim":["The AAUW is a national organization that promotes education and equity for all women and girls. The Norfolk Branch began as a college club in 1902, then joined the AAUW in 1921. The collection spans the years 1902 to 1999 and includes meeting minutes, annual reports, publications, information about branch activities and scrapbooks."],"corpname_ssim":["ODU Community Collections","American Association of University Women. Norfolk Branch"],"names_ssim":["ODU Community Collections","American Association of University Women. Norfolk Branch"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":234,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:39:29.346Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vino_repositories_5_resources_221"}},{"id":"vino_repositories_2_resources_334","type":"collection","attributes":{"title":"Archive of Virginia Composers, 1931/1979","creator":{"id":"https://arvasarchive.org/catalog/vino_repositories_2_resources_334#creator","type":"document_value","attributes":{"value":"Strong, Fred (1952-)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vino_repositories_2_resources_334#abstract_or_scope","type":"document_value","attributes":{"value":"Includes biographical information, taped interviews, audio recordings on vinyl discs, open reel and cassette tapes, copies of published works, original and photocopies of manuscripts (including sheet music), as well as other material related to the Archive of Virginia Composers.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vino_repositories_2_resources_334#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vino_repositories_2_resources_334","ead_ssi":"vino_repositories_2_resources_334","_root_":"vino_repositories_2_resources_334","_nest_parent_":"vino_repositories_2_resources_334","ead_source_url_ssi":"data/oai/ODU/repositories_2_resources_334.xml","title_filing_ssi":"Virginia Composers, Archive of","title_ssm":["Archive of Virginia Composers"],"title_tesim":["Archive of Virginia Composers"],"unitdate_ssm":["1931-1979, undated","Date acquired: 10/18/2016"],"unitdate_inclusive_ssm":["1931-1979, undated"],"unitdate_other_ssim":["Date acquired: 10/18/2016"],"normalized_date_ssm":["1931/1979"],"normalized_title_ssm":["Archive of Virginia Composers, 1931/1979"],"text":["Archive of Virginia Composers, 1931/1979","DCR MG 4","/repositories/2/resources/334","Neoclassicism (Music)","Instrumental music.","Vocal Music--20th century","Composers--United States--Virginia","Open to researchers without restrictions.","The collection is arranged into five series. Series I: Organizational Records; Series II: Composers Inventory and Ephemera; Series III: Scores; Series IV: Oversize Scores; and Series IV: Audio. Materials within each series are arranged alphabetically by subject, composer name, or title.","The Archive of Virginia Composers was the idea of former Old Dominion University music major Fred Strong. He had been recording interviews with local composers to air on the radio and decided to donate these recordings to the Norfolk Public Library, where he met Audrey Hays, head of the Feldman Fine Arts and Audio-Visual Department. Between the two of them, the idea of creating an archive of Virginia composers developed, and in 1976, funds were secured and the project proceeded. According to an official statement, \"The Archive of Virginia Composers was begun by a matching grant from the Virginia Commission for the Arts and Humanities and the Norfolk Public Library System for the purpose of accumulating biographical, historical, and musical information on all serious Virginia composers (living and deceased), so that we may act as a reference source to the public at large. By doing this, we hope to spur an abundance of interest toward their music which could result in more performances, commissions, etc., thereby making their livelihood more rewarding, and their value more substantial.\"","The collection was processed by Madeline Dietrich, Music Special Collections and Research Specialist, from February 2021 through April 2022.","The Archive of Virginia Composers is a collection of scores and recordings of musical works by Virginia composers collected by the Norfolk Public Library between 1975 and 1979. The purpose of the archive was to bring these materials together into a single repository where they could be promoted and preserved. Thirty-four composers are represented; materials include biographical information, taped interviews, audio recordings on vinyl discs, open reel and cassette tapes, copies of published works, original and photocopies of manuscripts (including sheet music), photographs, programs, newspapers, and magazine articles. Additionally, the collection includes extensive correspondence relating to the history and development of the archive. The music itself consists of chamber works, major works for large ensembles, and sacred works (typically single-movement pieces intended for a church choir). Of these, the majority are representative of conventional styles, with some dating back to the 1930s. Other works represent exploratory compositional techniques of the 1970s.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","Includes biographical information, taped interviews, audio recordings on vinyl discs, open reel and cassette tapes, copies of published works, original and photocopies of manuscripts (including sheet music), as well as other material related to the Archive of Virginia Composers.","ODU Diehn Composers Room Collection","Strong, Fred (1952-)","Hays, Audrey","Diehn, Fr. L. (Friedrich Ludwig) (1910-1995)","Ross, Walter (1936-)","English"],"collection_title_tesim":["Archive of Virginia Composers, 1931/1979"],"collection_ssim":["Archive of Virginia Composers, 1931/1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["DCR MG 4","/repositories/2/resources/334"],"unitid_tesim":["DCR MG 4","/repositories/2/resources/334"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Strong, Fred (1952-)","Hays, Audrey"],"creator_ssim":["Strong, Fred (1952-)","Hays, Audrey"],"creator_persname_ssim":["Strong, Fred (1952-)","Hays, Audrey","Diehn, Fr. L. (Friedrich Ludwig) (1910-1995)","Ross, Walter (1936-)"],"creator_corpname_ssim":["ODU Diehn Composers Room Collection"],"creators_ssim":["Strong, Fred (1952-)","Hays, Audrey","Diehn, Fr. L. 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Between the two of them, the idea of creating an archive of Virginia composers developed, and in 1976, funds were secured and the project proceeded. According to an official statement, \"The Archive of Virginia Composers was begun by a matching grant from the Virginia Commission for the Arts and Humanities and the Norfolk Public Library System for the purpose of accumulating biographical, historical, and musical information on all serious Virginia composers (living and deceased), so that we may act as a reference source to the public at large. By doing this, we hope to spur an abundance of interest toward their music which could result in more performances, commissions, etc., thereby making their livelihood more rewarding, and their value more substantial.\"\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Archive of Virginia Composers was the idea of former Old Dominion University music major Fred Strong. He had been recording interviews with local composers to air on the radio and decided to donate these recordings to the Norfolk Public Library, where he met Audrey Hays, head of the Feldman Fine Arts and Audio-Visual Department. Between the two of them, the idea of creating an archive of Virginia composers developed, and in 1976, funds were secured and the project proceeded. According to an official statement, \"The Archive of Virginia Composers was begun by a matching grant from the Virginia Commission for the Arts and Humanities and the Norfolk Public Library System for the purpose of accumulating biographical, historical, and musical information on all serious Virginia composers (living and deceased), so that we may act as a reference source to the public at large. By doing this, we hope to spur an abundance of interest toward their music which could result in more performances, commissions, etc., thereby making their livelihood more rewarding, and their value more substantial.\""],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Archive of Virginia Composers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Archive of Virginia Composers, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed by Madeline Dietrich, Music Special Collections and Research Specialist, from February 2021 through April 2022.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed by Madeline Dietrich, Music Special Collections and Research Specialist, from February 2021 through April 2022."],"scopecontent_html_tesm":["\u003cp\u003eThe Archive of Virginia Composers is a collection of scores and recordings of musical works by Virginia composers collected by the Norfolk Public Library between 1975 and 1979. The purpose of the archive was to bring these materials together into a single repository where they could be promoted and preserved. Thirty-four composers are represented; materials include biographical information, taped interviews, audio recordings on vinyl discs, open reel and cassette tapes, copies of published works, original and photocopies of manuscripts (including sheet music), photographs, programs, newspapers, and magazine articles. Additionally, the collection includes extensive correspondence relating to the history and development of the archive. The music itself consists of chamber works, major works for large ensembles, and sacred works (typically single-movement pieces intended for a church choir). Of these, the majority are representative of conventional styles, with some dating back to the 1930s. 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