{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026facet.sort=index\u0026page=5734","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026facet.sort=index\u0026page=5733","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026facet.sort=index\u0026page=5735","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026facet.sort=index\u0026page=5739"},"meta":{"pages":{"current_page":5734,"next_page":5735,"prev_page":5733,"total_pages":5739,"limit_value":10,"offset_value":57330,"total_count":57382,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_367_c02_c01_c1247","type":"File","attributes":{"title":"Z, 1971/1974","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_367_c02_c01_c1247#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_367_c02_c01_c1247","ref_ssm":["vifgm_repositories_2_resources_367_c02_c01_c1247"],"id":"vifgm_repositories_2_resources_367_c02_c01_c1247","ead_ssi":"vifgm_repositories_2_resources_367","_root_":"vifgm_repositories_2_resources_367","_nest_parent_":"vifgm_repositories_2_resources_367_c02_c01","parent_ssi":"vifgm_repositories_2_resources_367_c02_c01","parent_ssim":["James M. Buchanan papers, 1800/2014","Series 2: Correspondence, 1951/2014","Subseries 1: Alphabetical correspondence, 1951/2014"],"parent_ids_ssim":["vifgm_repositories_2_resources_367","vifgm_repositories_2_resources_367_c02","vifgm_repositories_2_resources_367_c02_c01"],"title_filing_ssi":"Z","title_ssm":["Z"],"title_tesim":["Z"],"normalized_title_ssm":["Z, 1971/1974"],"text":["Z, 1971/1974","James M. Buchanan papers, 1800/2014","Series 2: Correspondence, 1951/2014","Subseries 1: Alphabetical correspondence, 1951/2014","box 110","folder 1"],"parent_unittitles_ssm":["James M. Buchanan papers, 1800/2014","Series 2: Correspondence, 1951/2014","Subseries 1: Alphabetical correspondence, 1951/2014"],"parent_unittitles_tesim":["James M. Buchanan papers, 1800/2014","Series 2: Correspondence, 1951/2014","Subseries 1: Alphabetical correspondence, 1951/2014"],"normalized_date_ssm":["1971/1974"],"unitdate_inclusive_ssm":["1971-1974"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":1550,"repository_ssim":["George Mason University"],"collection_ssim":["James M. Buchanan papers, 1800/2014"],"containers_ssim":["box 110","folder 1"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Certain materials in the collection are restricted due to FERPA requirements and personally identifiable information. Letters of recommendation are restricted for 40 years from creation. Please see inventory for details.","Most of the materials in Series 9 were digitized. Please reach out to SCRC to access these materials.","There are no other access restrictions.","All If your request requires more research support, we recommend hiring someone to assist you on-site. Remote digitization requests will be evaluated based on the material content and our ability to provide copies."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1971,1972,1973,1974],"_nest_path_":"/components#1/components#0/components#1246","timestamp":"2026-08-14T22:34:42.576Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_367","ead_ssi":"vifgm_repositories_2_resources_367","_root_":"vifgm_repositories_2_resources_367","_nest_parent_":"vifgm_repositories_2_resources_367","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_367.xml","aspace_url_ssi":"C0246","title_ssm":["James M. Buchanan papers"],"title_tesim":["James M. Buchanan papers"],"unitdate_ssm":["circa 1800s, 1930-2014"],"unitdate_inclusive_ssm":["circa 1800s, 1930-2014"],"normalized_date_ssm":["1800/2014"],"normalized_title_ssm":["James M. Buchanan papers, 1800/2014"],"text":["James M. Buchanan papers, 1800/2014","C0246","/repositories/2/resources/367","Economics","Economists -- United States","Nobel Prize winners","Social choice","Correspondence","Manuscripts","Typescripts","Video recordings","Certain materials in the collection are restricted due to FERPA requirements and personally identifiable information. Letters of recommendation are restricted for 40 years from creation. Please see inventory for details.","Most of the materials in Series 9 were digitized. Please reach out to SCRC to access these materials.","There are no other access restrictions.","All If your request requires more research support, we recommend hiring someone to assist you on-site. Remote digitization requests will be evaluated based on the material content and our ability to provide copies.","The collection is arranged in nine series.","Series\n      Series 1: Biographical materials\n      Series 2: Correspondence\n      Series 3: Writings\n      Series 4: Academia\n      Series 5: Professional service\n      Series 6: Betty Tillman papers\n      Series 7: Jo Ann Burgess papers\n      Series 8: Writings by others\n      Series 9: Audiovisual and born-digital materials","James McGill Buchanan, Jr. was born on October 3, 1919 in Gum, Tennessee to Lila Scott (1889-1953) and James McGill Buchanan, Sr. (1888-1979). He had two younger sisters, Lila Scott Buchanan Graue (1922-2020) and Elizabeth Bradley. His paternal grandfather, John P. Buchanan (1847-1930), was a one-term governor of Tennessee from 1891 to 1893. James M. Buchanan attended Buchanan High School. He triple-majored in English, mathematics, and economics at Middle Tennessee State University from 1936 to 1940. He received a Master's of the Arts in economics from the University of Tennessee, Knoxville in 1941. Buchanan then attended the Naval War College and served on the operations staff of Admiral Chester W. Nimitz from 1941 to 1945. In that role, he was stationed in Pearl Harbor, Hawaii, and Guam. He met his wife, Ann Bakke (August 21, 1909-November 14, 2005) in 1943. She was born in Jamestown, North Dakota. She served with the Army Air Transport Command at Hickham Field, Oahu. In 1945 the couple married in San Francisco, California.","From 1946 to 1948 Buchanan attended the University of Chicago, where he graduated with a Ph.D. in economics. After graduation, he taught at the University of Tennessee, Knoxville as an associate professor from 1948 to 1951, and then as a full professor at Florida State University, Tallahassee from 1951 to 1956. In 1955 he was awarded a Fulbright fellowship to study in Italy for a year. In 1956 he was hired at the University of Virginia as the chair of the economics department. It was there that he co-founded the Thomas Jefferson Center for Studies in Political Economy in 1958. That same year, he published Public Principles of Public Debt. In 1962, Buchanan and co-author Gordon Tullock published The Calculus of Consent.","Buchanan worked at the University of California, Los Angeles (UCLA) for one academic year (1968-1969) as a professor of economics. In 1969 he was hired at Virginia Polytechnic Institute (VPI, now known as Virginia Tech), as a University Distinguished Professor. He became general director of the Center for Study of Public Choice, the successor institution to the Thomas Jefferson Center for Political Economy. Buchanan continued to publish books during his time at VPI, including Cost and Choice (1969), Academia in Anarchy with Nicos Devletoglou (1970), The Limits of Liberty (1975), and The Power to Tax with Geoffrey Brennan (1980).","In 1983, Buchanan and the Center for the Study of Public Choice moved from VPI to George Mason University in Fairfax, Virginia. After the move, he split his time between Fairfax and his farm in Blacksburg, Virginia. In 1986, Buchanan was awarded the Nobel Memorial Prize in economics. While at Mason, he published The Reason of Rules (1985), Better than Plowing (1992), and Politics by Principle, Not Interest with Roger Congleton (1998). He formally retired from Mason in September 1999 but continued to work both at Mason and Virginia Tech until his death on January 9, 2013.","Buchanan was known for his contribution to the field of public choice, which uses economic principles to analyze the rules and actions of government and public sector. It was this theory which led to his Nobel award.","Born on March 19, 1927, Betty Jane Hall Tillman (also known as Betty Ross from 1977 to 1984) received an associate's degree from The Jefferson School of Commerce at Charlottesville, Virginia in 1945. She worked for Buchanan at the University of Virginia from August 14, 1961 to August 1969, at VPI from September 1, 1969 to June 1983, and at George Mason University from July 1, 1983 until her retirement in April 2007. Tillman had multiple responsibilities including handling Buchanan's correspondence, scheduling his events, coordinating Liberty Fund conferences, organizing activities at the Center for Study of Public Choice, and assisting graduate students and faculty associated with the Center. At the time of her retirement her position was administrative director of the Center for Study of Public Choice. She had three children. Tillman died on October 2, 2013.","Jo Ann Burgess was born on June 27, 1948. She began work at the Center for the Study of Public Choice at George Mason University in 1989. Previously, Burgess lived around the world working for the State Department and the U.S military. She had four children with her husband, Roger. Burgess had many varied responsibilities at the Center including organizing Buchanan's archival papers, and administrative duties for the Public Choice Society. She edited Buchanan's published work in the 1990s and 2000s, including editing The Collected Works of James Buchanan and The Selected Works of Gordon Tullock for the Liberty Fund. After Tillman's retirement, Burgess took on additional responsibilities related to handling Buchanan's correspondence and scheduling, and additional administrative duties at the Center. Burgess retired in the summer of 2014. She died on March 19, 2020.","This collection was processed by Rebecca Thayer as part of a National Endowment for the Humanities (NEH) grant project from March 2021 to March 2023.","Initial processing of the collection was begun after James M. Buchanan's death in 2013, while the papers were at Buchanan House (also known as Roberts House), where the offices of Buchanan, Betty Tillman, Jo Ann Burgess, and the Center for Study of Public Choice were then located. Processing at this time was done by Greta Suiter, then-Processing Coordinator at the Special Collections Research Center (SCRC), and Solomon Stein, then-economics PhD student at Mason. Stein and Suiter established an initial arrangement scheme and began foldering and sorting materials accordingly. Elizabeth Beckman, then-Processing Coordinator, continued arrangement and refoldering work alongside Stein at Buchanan House from 2014 to 2016. 145 linear feet of materials were ultimately arranged during this time. The following series were created: Correspondence, Academic (Subseries: Courses taken and Courses taught), Conferences (Subseries: Conferences attended and Conferences held), Writings, Articles Read, and Administrative.","Materials were boxed up and brought to Fenwick in Spring 2017. Beckman completed EAD markup of a preliminary finding aid with the processed materials in June 2017. Processing was paused in 2017 to apply for a NEH grant to hire a dedicated processing archivist. The grant was approved to start in 2020 but was delayed for several months due to the COVID-19 pandemic.","Rebecca Thayer was hired in March 2021 to process the collection. She surveyed the arranged part of the collection (145 linear feet) and the unprocessed part (147 linear feet) to create a processing plan. This plan included adjustments to the original arrangement scheme based on material in the unprocessed section of the papers. A large number of the eventual Jo Ann Burgess papers series materials were in the unprocessed section of the collection, although the unprocessed section did contain materials from all series.","The prior arrangement scheme did not preserve Tillman and Burgess' files as discrete series, so it is likely that some materials created by Tillman or Burgess were dispersed into the various other series. Some materials in the correspondence series especially which were obviously correspondence involving only Tillman, Burgess, or Ann Bakke Buchanan, were removed to their respective series and subseries. However, Thayer did not attempt a systematic review of materials in other series such as Professional Services and Academia in order to separate out Tillman and Burgess-created files from Buchanan-created files. This has resulted in some significant overlap between those series and the Betty Tillman papers and Jo Ann Burgess papers series. This does reflect the significant overlap in work responsibilities of Tillman, Burgess, Buchanan, and the Center as seen in the materials.","Processors prior to the NEH grant appear to have filed out materials that were originally grouped in large miscellaneous folders. Buchanan, Tillman, and Burgess do not seem to have created many files with only one or two emails or letters, preferring larger bulk folders. However, in the collection there are now many individual folders with correspondents that seem to have been created from larger files. No additional filing out of material was done under the NEH grant.","Thayer arranged the unprocessed materials and reprocessed the previously arranged materials, combining the two. Mason Graduate Research Assistant Rachel Barton and undergraduate assistants Colin McDonald and Vilma Chicas Garcia assisted with arrangement, reboxing, and inventory creation. Amanda Menjivar, Manuscripts and Archives Librarian, assisted with finding aid data entry and publishing.","The James M. Buchanan papers largely consist of correspondence, writings, and administrative files created between the years 1930-2014. The collection contains 9 series.","Series 1: Biographical materials (circa 1800s, 1944-2012) contains information about James M. Buchanan's life and career. It is further divided into four subseries. Subseries 1.1: Ann Bakke Buchanan papers contains materials created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some addressed to both James and Ann as a couple. Subseries 1.2: Awards contains newspapers clippings, congratulatory letters, photographs, and memorabilia relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics. Subseries 1.3: Education contains study notes, essays, syllabi, and research notes from Buchanan's education, mostly from his PhD study at the University of Chicago. Subseries 1.4: Clippings contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended.","Series 2: Correspondence (1951-2014) contains letters, emails, memoranda, cards, and other forms of written communication, mostly dealing with Buchanan's professional career. Subseries 2.1: Alphabetical correspondence contains the bulk of the correspondence, filed alphabetically by correspondent, subject, or name of an organization. Subseries 2.2: Chronological correspondence is a small amount of unrelated correspondence that was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess.","Series 3: Writings (1946-2012) contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers.","Series 4: Academia (1946-2013) contains correspondence, reports, planning documents, and grant files relating to Buchanan's work at various universities, primarily University of Virginia, Virginia Polytechnic Institute (now Virginia Tech), and George Mason University. Subseries 4.1: Administration contains reports, memoranda, correspondence, photographs, calendars, and planning documents relating to department and university business. Subseries 4.2: Teaching contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Subseries 4.3: Grants contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Subseries 4.4: Thomas Jefferson Center for Studies in Political Economy contains annual reports, photographs, and correspondence from the University of Virginia's Thomas Jefferson Center, which was active from 1958 to 1968. Subseries 4.5: Center for Study of Public Choice contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating to the Center, an academic unit at Virginia Polytechnic Institute from 1968 to 1983 and at George Mason University from 1983 onwards.","Series 5: Professional Service (1958-2013) This series contains materials relating to Buchanan's professional activities outside of his university responsibilities. Subseries 5.1: Conferences and events contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. Subseries 5.2: Consulting and organizations contains annual reports and correspondence relating to Buchanan's work with various organizations outside of his work as a university professor.","Series 6: Betty Tillman papers (1968-2008) contains files created by Betty Tillman, administrative assistant to Buchanan and administrative director of the Center for Study of Public Choice. Subseries 6.1: Correspondence contains letters, emails, memoranda, and cards sent and received by Tillman. Subseries 6.2: Office administration contains planning documents, organizational files, and other materials relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Subseries 6.3: Conferences, events and travel contains correspondence, calendars, schedules, and travel documents relating to events attended by Buchanan, coordinated by Tillman. It also contains materials created by Tillman as the conference coordinator for the Liberty Fund and Center conferences and events.","Series 7: Jo Ann Burgess papers (1972-2014) contains files created by Jo Ann Burgess, administrative assistant and editor to Buchanan and secretary for the Public Choice Society. Subseries 7.1: Correspondence contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan and the Center for Study of Public Choice. Subseries 7.2: Office administration contains correspondence, calendars, notes, program files, and edited drafts created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. Subseries 7.3: Liberty Fund editorial work contains planning documents, correspondence, and drafts created as part of Burgess' work editing The Collected Works of James M. Buchanan and The Selected Works of Gordon Tullock on behalf of the Liberty Fund. Subseries 7.4: Public Choice Society contains correspondence, conference planning documents, and administrative files created as part of Burgess' work as the secretary of the Public Choice Society, a professional organization.","Series 8: Writings by others (1930-2014) contains articles, book drafts, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some writings are about Buchanan and his ideas.","Series 9: Audiovisual and born-digital materials (circa 1970s-2013) contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others and Center for Study of Public Choice events.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The James M. Buchanan papers consist of materials created primarily by economist James M. Buchanan (1919-2013) from the years 1936-2014. There are also materials created by the Center for Study of Public Choice, an academic unit associated with Virginia Tech (1969-1983) and George Mason University (1983-). The papers document Buchanan's career and academic output, primarily in the field of public choice economics and political economy.","R 101 - 102\n\nOS R 1, C 3, S 3-5\nMap Case 24.1","George Mason University. Libraries. Special Collections Research Center","George Mason University. Center for Study of Public Choice","Public Choice Society","Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H.","The bulk of the materials are in English. Additional languages in the collection include German, Italian, French, Spanish, Norwegian, Dutch, Turkish, Japanese, Korean, and Chinese."],"collection_title_tesim":["James M. Buchanan papers, 1800/2014"],"collection_ssim":["James M. Buchanan papers, 1800/2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0246","/repositories/2/resources/367"],"unitid_tesim":["C0246","/repositories/2/resources/367"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"creator_ssim":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"creator_persname_ssim":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Center for Study of Public Choice","Public Choice Society"],"creators_ssim":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Center for Study of Public Choice","Public Choice Society"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Acquired by George Mason University Special Collections Research Center in September 2016. Additional materials acquired in April 2021."],"access_subjects_ssim":["Economics","Economists -- United States","Nobel Prize winners","Social choice","Correspondence","Manuscripts","Typescripts","Video recordings"],"access_subjects_ssm":["Economics","Economists -- United States","Nobel Prize winners","Social choice","Correspondence","Manuscripts","Typescripts","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["270 Linear Feet 546 boxes, one map case"],"extent_tesim":["270 Linear Feet 546 boxes, one map case"],"genreform_ssim":["Correspondence","Manuscripts","Typescripts","Video recordings"],"date_range_isim":[1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003e\nCertain materials in the collection are restricted due to FERPA requirements and personally identifiable information. Letters of recommendation are restricted for 40 years from creation. Please see inventory for details.\n\u003c/p\u003e\n","\u003cp\u003eMost of the materials in Series 9 were digitized. Please reach out to SCRC to access these materials.\u003c/p\u003e\n","\u003cp\u003eThere are no other access restrictions.\u003c/p\u003e\n","\u003cp\u003eAll If your request requires more research support, we recommend hiring someone to assist you on-site. Remote digitization requests will be evaluated based on the material content and our ability to provide copies.\u003c/p\u003e\n  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Certain materials in the collection are restricted due to FERPA requirements and personally identifiable information. Letters of recommendation are restricted for 40 years from creation. Please see inventory for details.","Most of the materials in Series 9 were digitized. Please reach out to SCRC to access these materials.","There are no other access restrictions.","All If your request requires more research support, we recommend hiring someone to assist you on-site. Remote digitization requests will be evaluated based on the material content and our ability to provide copies."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in nine series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Biographical materials\u003c/item\u003e\n      \u003citem\u003eSeries 2: Correspondence\u003c/item\u003e\n      \u003citem\u003eSeries 3: Writings\u003c/item\u003e\n      \u003citem\u003eSeries 4: Academia\u003c/item\u003e\n      \u003citem\u003eSeries 5: Professional service\u003c/item\u003e\n      \u003citem\u003eSeries 6: Betty Tillman papers\u003c/item\u003e\n      \u003citem\u003eSeries 7: Jo Ann Burgess papers\u003c/item\u003e\n      \u003citem\u003eSeries 8: Writings by others\u003c/item\u003e\n      \u003citem\u003eSeries 9: Audiovisual and born-digital materials\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in nine series.","Series\n      Series 1: Biographical materials\n      Series 2: Correspondence\n      Series 3: Writings\n      Series 4: Academia\n      Series 5: Professional service\n      Series 6: Betty Tillman papers\n      Series 7: Jo Ann Burgess papers\n      Series 8: Writings by others\n      Series 9: Audiovisual and born-digital materials"],"bioghist_html_tesm":["\u003cp\u003eJames McGill Buchanan, Jr. was born on October 3, 1919 in Gum, Tennessee to Lila Scott (1889-1953) and James McGill Buchanan, Sr. (1888-1979). He had two younger sisters, Lila Scott Buchanan Graue (1922-2020) and Elizabeth Bradley. His paternal grandfather, John P. Buchanan (1847-1930), was a one-term governor of Tennessee from 1891 to 1893. James M. Buchanan attended Buchanan High School. He triple-majored in English, mathematics, and economics at Middle Tennessee State University from 1936 to 1940. He received a Master's of the Arts in economics from the University of Tennessee, Knoxville in 1941. Buchanan then attended the Naval War College and served on the operations staff of Admiral Chester W. Nimitz from 1941 to 1945. In that role, he was stationed in Pearl Harbor, Hawaii, and Guam. He met his wife, Ann Bakke (August 21, 1909-November 14, 2005) in 1943. She was born in Jamestown, North Dakota. She served with the Army Air Transport Command at Hickham Field, Oahu. In 1945 the couple married in San Francisco, California. \u003c/p\u003e","\u003cp\u003eFrom 1946 to 1948 Buchanan attended the University of Chicago, where he graduated with a Ph.D. in economics. After graduation, he taught at the University of Tennessee, Knoxville as an associate professor from 1948 to 1951, and then as a full professor at Florida State University, Tallahassee from 1951 to 1956. In 1955 he was awarded a Fulbright fellowship to study in Italy for a year. In 1956 he was hired at the University of Virginia as the chair of the economics department. It was there that he co-founded the Thomas Jefferson Center for Studies in Political Economy in 1958. That same year, he published \u003ctitle\u003ePublic Principles of Public Debt\u003c/title\u003e. In 1962, Buchanan and co-author Gordon Tullock published \u003ctitle\u003eThe Calculus of Consent\u003c/title\u003e. \u003c/p\u003e","\u003cp\u003eBuchanan worked at the University of California, Los Angeles (UCLA) for one academic year (1968-1969) as a professor of economics. In 1969 he was hired at Virginia Polytechnic Institute (VPI, now known as Virginia Tech), as a University Distinguished Professor. He became general director of the Center for Study of Public Choice, the successor institution to the Thomas Jefferson Center for Political Economy. Buchanan continued to publish books during his time at VPI, including \u003ctitle\u003eCost and Choice\u003c/title\u003e (1969), \u003ctitle\u003eAcademia in Anarchy\u003c/title\u003e with Nicos Devletoglou (1970), \u003ctitle\u003eThe Limits of Liberty\u003c/title\u003e (1975), and \u003ctitle\u003eThe Power to Tax\u003c/title\u003e with Geoffrey Brennan (1980). \u003c/p\u003e","\u003cp\u003eIn 1983, Buchanan and the Center for the Study of Public Choice moved from VPI to George Mason University in Fairfax, Virginia. After the move, he split his time between Fairfax and his farm in Blacksburg, Virginia. In 1986, Buchanan was awarded the Nobel Memorial Prize in economics. While at Mason, he published \u003ctitle\u003eThe Reason of Rules\u003c/title\u003e (1985), \u003ctitle\u003eBetter than Plowing\u003c/title\u003e (1992), and \u003ctitle\u003ePolitics by Principle, Not Interest\u003c/title\u003e with Roger Congleton (1998). He formally retired from Mason in September 1999 but continued to work both at Mason and Virginia Tech until his death on January 9, 2013. \u003c/p\u003e","\u003cp\u003eBuchanan was known for his contribution to the field of public choice, which uses economic principles to analyze the rules and actions of government and public sector. It was this theory which led to his Nobel award. \u003c/p\u003e","\u003cp\u003eBorn on March 19, 1927, Betty Jane Hall Tillman (also known as Betty Ross from 1977 to 1984) received an associate's degree from The Jefferson School of Commerce at Charlottesville, Virginia in 1945. She worked for Buchanan at the University of Virginia from August 14, 1961 to August 1969, at VPI from September 1, 1969 to June 1983, and at George Mason University from July 1, 1983 until her retirement in April 2007. Tillman had multiple responsibilities including handling Buchanan's correspondence, scheduling his events, coordinating Liberty Fund conferences, organizing activities at the Center for Study of Public Choice, and assisting graduate students and faculty associated with the Center. At the time of her retirement her position was administrative director of the Center for Study of Public Choice. She had three children. Tillman died on October 2, 2013.  \u003c/p\u003e","\u003cp\u003eJo Ann Burgess was born on June 27, 1948. She began work at the Center for the Study of Public Choice at George Mason University in 1989. Previously, Burgess lived around the world working for the State Department and the U.S military. She had four children with her husband, Roger. Burgess had many varied responsibilities at the Center including organizing Buchanan's archival papers, and administrative duties for the Public Choice Society. She edited Buchanan's published work in the 1990s and 2000s, including editing \u003ctitle\u003eThe Collected Works of James Buchanan\u003c/title\u003e and \u003ctitle\u003eThe Selected Works of Gordon Tullock\u003c/title\u003e for the Liberty Fund. After Tillman's retirement, Burgess took on additional responsibilities related to handling Buchanan's correspondence and scheduling, and additional administrative duties at the Center. Burgess retired in the summer of 2014. She died on March 19, 2020.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["James McGill Buchanan, Jr. was born on October 3, 1919 in Gum, Tennessee to Lila Scott (1889-1953) and James McGill Buchanan, Sr. (1888-1979). He had two younger sisters, Lila Scott Buchanan Graue (1922-2020) and Elizabeth Bradley. His paternal grandfather, John P. Buchanan (1847-1930), was a one-term governor of Tennessee from 1891 to 1893. James M. Buchanan attended Buchanan High School. He triple-majored in English, mathematics, and economics at Middle Tennessee State University from 1936 to 1940. He received a Master's of the Arts in economics from the University of Tennessee, Knoxville in 1941. Buchanan then attended the Naval War College and served on the operations staff of Admiral Chester W. Nimitz from 1941 to 1945. In that role, he was stationed in Pearl Harbor, Hawaii, and Guam. He met his wife, Ann Bakke (August 21, 1909-November 14, 2005) in 1943. She was born in Jamestown, North Dakota. She served with the Army Air Transport Command at Hickham Field, Oahu. In 1945 the couple married in San Francisco, California.","From 1946 to 1948 Buchanan attended the University of Chicago, where he graduated with a Ph.D. in economics. After graduation, he taught at the University of Tennessee, Knoxville as an associate professor from 1948 to 1951, and then as a full professor at Florida State University, Tallahassee from 1951 to 1956. In 1955 he was awarded a Fulbright fellowship to study in Italy for a year. In 1956 he was hired at the University of Virginia as the chair of the economics department. It was there that he co-founded the Thomas Jefferson Center for Studies in Political Economy in 1958. That same year, he published Public Principles of Public Debt. In 1962, Buchanan and co-author Gordon Tullock published The Calculus of Consent.","Buchanan worked at the University of California, Los Angeles (UCLA) for one academic year (1968-1969) as a professor of economics. In 1969 he was hired at Virginia Polytechnic Institute (VPI, now known as Virginia Tech), as a University Distinguished Professor. He became general director of the Center for Study of Public Choice, the successor institution to the Thomas Jefferson Center for Political Economy. Buchanan continued to publish books during his time at VPI, including Cost and Choice (1969), Academia in Anarchy with Nicos Devletoglou (1970), The Limits of Liberty (1975), and The Power to Tax with Geoffrey Brennan (1980).","In 1983, Buchanan and the Center for the Study of Public Choice moved from VPI to George Mason University in Fairfax, Virginia. After the move, he split his time between Fairfax and his farm in Blacksburg, Virginia. In 1986, Buchanan was awarded the Nobel Memorial Prize in economics. While at Mason, he published The Reason of Rules (1985), Better than Plowing (1992), and Politics by Principle, Not Interest with Roger Congleton (1998). He formally retired from Mason in September 1999 but continued to work both at Mason and Virginia Tech until his death on January 9, 2013.","Buchanan was known for his contribution to the field of public choice, which uses economic principles to analyze the rules and actions of government and public sector. It was this theory which led to his Nobel award.","Born on March 19, 1927, Betty Jane Hall Tillman (also known as Betty Ross from 1977 to 1984) received an associate's degree from The Jefferson School of Commerce at Charlottesville, Virginia in 1945. She worked for Buchanan at the University of Virginia from August 14, 1961 to August 1969, at VPI from September 1, 1969 to June 1983, and at George Mason University from July 1, 1983 until her retirement in April 2007. Tillman had multiple responsibilities including handling Buchanan's correspondence, scheduling his events, coordinating Liberty Fund conferences, organizing activities at the Center for Study of Public Choice, and assisting graduate students and faculty associated with the Center. At the time of her retirement her position was administrative director of the Center for Study of Public Choice. She had three children. Tillman died on October 2, 2013.","Jo Ann Burgess was born on June 27, 1948. She began work at the Center for the Study of Public Choice at George Mason University in 1989. Previously, Burgess lived around the world working for the State Department and the U.S military. She had four children with her husband, Roger. Burgess had many varied responsibilities at the Center including organizing Buchanan's archival papers, and administrative duties for the Public Choice Society. She edited Buchanan's published work in the 1990s and 2000s, including editing The Collected Works of James Buchanan and The Selected Works of Gordon Tullock for the Liberty Fund. After Tillman's retirement, Burgess took on additional responsibilities related to handling Buchanan's correspondence and scheduling, and additional administrative duties at the Center. Burgess retired in the summer of 2014. She died on March 19, 2020."],"prefercite_html_tesm":["\u003cp\u003eJames M. Buchanan papers, C0246, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["James M. Buchanan papers, C0246, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThis collection was processed by Rebecca Thayer as part of a National Endowment for the Humanities (NEH) grant project from March 2021 to March 2023.\u003c/p\u003e","\u003cp\u003eInitial processing of the collection was begun after James M. Buchanan's death in 2013, while the papers were at Buchanan House (also known as Roberts House), where the offices of Buchanan, Betty Tillman, Jo Ann Burgess, and the Center for Study of Public Choice were then located. Processing at this time was done by Greta Suiter, then-Processing Coordinator at the Special Collections Research Center (SCRC), and Solomon Stein, then-economics PhD student at Mason. Stein and Suiter established an initial arrangement scheme and began foldering and sorting materials accordingly. Elizabeth Beckman, then-Processing Coordinator, continued arrangement and refoldering work alongside Stein at Buchanan House from 2014 to 2016. 145 linear feet of materials were ultimately arranged during this time. The following series were created: Correspondence, Academic (Subseries: Courses taken and Courses taught), Conferences (Subseries: Conferences attended and Conferences held), Writings, Articles Read, and Administrative.\u003c/p\u003e","\u003cp\u003eMaterials were boxed up and brought to Fenwick in Spring 2017. Beckman completed EAD markup of a preliminary finding aid with the processed materials in June 2017. Processing was paused in 2017 to apply for a NEH grant to hire a dedicated processing archivist. The grant was approved to start in 2020 but was delayed for several months due to the COVID-19 pandemic.\u003c/p\u003e","\u003cp\u003eRebecca Thayer was hired in March 2021 to process the collection. She surveyed the arranged part of the collection (145 linear feet) and the unprocessed part (147 linear feet) to create a processing plan. This plan included adjustments to the original arrangement scheme based on material in the unprocessed section of the papers. A large number of the eventual Jo Ann Burgess papers series materials were in the unprocessed section of the collection, although the unprocessed section did contain materials from all series. \u003c/p\u003e","\u003cp\u003eThe prior arrangement scheme did not preserve Tillman and Burgess' files as discrete series, so it is likely that some materials created by Tillman or Burgess were dispersed into the various other series. Some materials in the correspondence series especially which were obviously correspondence involving only Tillman, Burgess, or Ann Bakke Buchanan, were removed to their respective series and subseries. However, Thayer did not attempt a systematic review of materials in other series such as Professional Services and Academia in order to separate out Tillman and Burgess-created files from Buchanan-created files. This has resulted in some significant overlap between those series and the Betty Tillman papers and Jo Ann Burgess papers series. This does reflect the significant overlap in work responsibilities of Tillman, Burgess, Buchanan, and the Center as seen in the materials. \u003c/p\u003e","\u003cp\u003eProcessors prior to the NEH grant appear to have filed out materials that were originally grouped in large miscellaneous folders. Buchanan, Tillman, and Burgess do not seem to have created many files with only one or two emails or letters, preferring larger bulk folders. However, in the collection there are now many individual folders with correspondents that seem to have been created from larger files. No additional filing out of material was done under the NEH grant.\u003c/p\u003e","\u003cp\u003eThayer arranged the unprocessed materials and reprocessed the previously arranged materials, combining the two. Mason Graduate Research Assistant Rachel Barton and undergraduate assistants Colin McDonald and Vilma Chicas Garcia assisted with arrangement, reboxing, and inventory creation. Amanda Menjivar, Manuscripts and Archives Librarian, assisted with finding aid data entry and publishing.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was processed by Rebecca Thayer as part of a National Endowment for the Humanities (NEH) grant project from March 2021 to March 2023.","Initial processing of the collection was begun after James M. Buchanan's death in 2013, while the papers were at Buchanan House (also known as Roberts House), where the offices of Buchanan, Betty Tillman, Jo Ann Burgess, and the Center for Study of Public Choice were then located. Processing at this time was done by Greta Suiter, then-Processing Coordinator at the Special Collections Research Center (SCRC), and Solomon Stein, then-economics PhD student at Mason. Stein and Suiter established an initial arrangement scheme and began foldering and sorting materials accordingly. Elizabeth Beckman, then-Processing Coordinator, continued arrangement and refoldering work alongside Stein at Buchanan House from 2014 to 2016. 145 linear feet of materials were ultimately arranged during this time. The following series were created: Correspondence, Academic (Subseries: Courses taken and Courses taught), Conferences (Subseries: Conferences attended and Conferences held), Writings, Articles Read, and Administrative.","Materials were boxed up and brought to Fenwick in Spring 2017. Beckman completed EAD markup of a preliminary finding aid with the processed materials in June 2017. Processing was paused in 2017 to apply for a NEH grant to hire a dedicated processing archivist. The grant was approved to start in 2020 but was delayed for several months due to the COVID-19 pandemic.","Rebecca Thayer was hired in March 2021 to process the collection. She surveyed the arranged part of the collection (145 linear feet) and the unprocessed part (147 linear feet) to create a processing plan. This plan included adjustments to the original arrangement scheme based on material in the unprocessed section of the papers. A large number of the eventual Jo Ann Burgess papers series materials were in the unprocessed section of the collection, although the unprocessed section did contain materials from all series.","The prior arrangement scheme did not preserve Tillman and Burgess' files as discrete series, so it is likely that some materials created by Tillman or Burgess were dispersed into the various other series. Some materials in the correspondence series especially which were obviously correspondence involving only Tillman, Burgess, or Ann Bakke Buchanan, were removed to their respective series and subseries. However, Thayer did not attempt a systematic review of materials in other series such as Professional Services and Academia in order to separate out Tillman and Burgess-created files from Buchanan-created files. This has resulted in some significant overlap between those series and the Betty Tillman papers and Jo Ann Burgess papers series. This does reflect the significant overlap in work responsibilities of Tillman, Burgess, Buchanan, and the Center as seen in the materials.","Processors prior to the NEH grant appear to have filed out materials that were originally grouped in large miscellaneous folders. Buchanan, Tillman, and Burgess do not seem to have created many files with only one or two emails or letters, preferring larger bulk folders. However, in the collection there are now many individual folders with correspondents that seem to have been created from larger files. No additional filing out of material was done under the NEH grant.","Thayer arranged the unprocessed materials and reprocessed the previously arranged materials, combining the two. Mason Graduate Research Assistant Rachel Barton and undergraduate assistants Colin McDonald and Vilma Chicas Garcia assisted with arrangement, reboxing, and inventory creation. Amanda Menjivar, Manuscripts and Archives Librarian, assisted with finding aid data entry and publishing."],"scopecontent_html_tesm":["\u003cp\u003eThe James M. Buchanan papers largely consist of correspondence, writings, and administrative files created between the years 1930-2014. The collection contains 9 series.\u003c/p\u003e","\u003cp\u003eSeries 1: Biographical materials (circa 1800s, 1944-2012) contains information about James M. Buchanan's life and career. It is further divided into four subseries. Subseries 1.1: Ann Bakke Buchanan papers contains materials created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some addressed to both James and Ann as a couple. Subseries 1.2: Awards contains newspapers clippings, congratulatory letters, photographs, and memorabilia relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics. Subseries 1.3: Education contains study notes, essays, syllabi, and research notes from Buchanan's education, mostly from his PhD study at the University of Chicago. Subseries 1.4: Clippings contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended.\u003c/p\u003e","\u003cp\u003eSeries 2: Correspondence (1951-2014) contains letters, emails, memoranda, cards, and other forms of written communication, mostly dealing with Buchanan's professional career. Subseries 2.1: Alphabetical correspondence contains the bulk of the correspondence, filed alphabetically by correspondent, subject, or name of an organization. Subseries 2.2: Chronological correspondence is a small amount of unrelated correspondence that was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess.\u003c/p\u003e","\u003cp\u003eSeries 3: Writings (1946-2012) contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers.\u003c/p\u003e","\u003cp\u003eSeries 4: Academia (1946-2013) contains correspondence, reports, planning documents, and grant files relating to Buchanan's work at various universities, primarily University of Virginia, Virginia Polytechnic Institute (now Virginia Tech), and George Mason University. Subseries 4.1: Administration contains reports, memoranda, correspondence, photographs, calendars, and planning documents relating to department and university business. Subseries 4.2: Teaching contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Subseries 4.3: Grants contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Subseries 4.4: Thomas Jefferson Center for Studies in Political Economy contains annual reports, photographs, and correspondence from the University of Virginia's Thomas Jefferson Center, which was active from 1958 to 1968. Subseries 4.5: Center for Study of Public Choice contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating to the Center, an academic unit at Virginia Polytechnic Institute from 1968 to 1983 and at George Mason University from 1983 onwards.\u003c/p\u003e","\u003cp\u003eSeries 5: Professional Service (1958-2013) This series contains materials relating to Buchanan's professional activities outside of his university responsibilities. Subseries 5.1: Conferences and events contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. Subseries 5.2: Consulting and organizations contains annual reports and correspondence relating to Buchanan's work with various organizations outside of his work as a university professor. \u003c/p\u003e","\u003cp\u003eSeries 6: Betty Tillman papers (1968-2008) contains files created by Betty Tillman, administrative assistant to Buchanan and administrative director of the Center for Study of Public Choice. Subseries 6.1: Correspondence contains letters, emails, memoranda, and cards sent and received by Tillman. Subseries 6.2: Office administration contains planning documents, organizational files, and other materials relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Subseries 6.3: Conferences, events and travel contains correspondence, calendars, schedules, and travel documents relating to events attended by Buchanan, coordinated by Tillman. It also contains materials created by Tillman as the conference coordinator for the Liberty Fund and Center conferences and events.\u003c/p\u003e","\u003cp\u003eSeries 7: Jo Ann Burgess papers (1972-2014) contains files created by Jo Ann Burgess, administrative assistant and editor to Buchanan and secretary for the Public Choice Society. Subseries 7.1: Correspondence contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan and the Center for Study of Public Choice. Subseries 7.2: Office administration contains correspondence, calendars, notes, program files, and edited drafts created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. Subseries 7.3: Liberty Fund editorial work contains planning documents, correspondence, and drafts created as part of Burgess' work editing \u003citalic\u003eThe Collected Works of James M. Buchanan\u003c/italic\u003e and \u003citalic\u003eThe Selected Works of Gordon Tullock\u003c/italic\u003e on behalf of the Liberty Fund. Subseries 7.4: Public Choice Society contains correspondence, conference planning documents, and administrative files created as part of Burgess' work as the secretary of the Public Choice Society, a professional organization. \u003c/p\u003e","\u003cp\u003eSeries 8: Writings by others (1930-2014) contains articles, book drafts, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some writings are about Buchanan and his ideas. \u003c/p\u003e","\u003cp\u003eSeries 9: Audiovisual and born-digital materials (circa 1970s-2013) contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others and Center for Study of Public Choice events.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The James M. Buchanan papers largely consist of correspondence, writings, and administrative files created between the years 1930-2014. The collection contains 9 series.","Series 1: Biographical materials (circa 1800s, 1944-2012) contains information about James M. Buchanan's life and career. It is further divided into four subseries. Subseries 1.1: Ann Bakke Buchanan papers contains materials created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some addressed to both James and Ann as a couple. Subseries 1.2: Awards contains newspapers clippings, congratulatory letters, photographs, and memorabilia relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics. Subseries 1.3: Education contains study notes, essays, syllabi, and research notes from Buchanan's education, mostly from his PhD study at the University of Chicago. Subseries 1.4: Clippings contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended.","Series 2: Correspondence (1951-2014) contains letters, emails, memoranda, cards, and other forms of written communication, mostly dealing with Buchanan's professional career. Subseries 2.1: Alphabetical correspondence contains the bulk of the correspondence, filed alphabetically by correspondent, subject, or name of an organization. Subseries 2.2: Chronological correspondence is a small amount of unrelated correspondence that was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess.","Series 3: Writings (1946-2012) contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers.","Series 4: Academia (1946-2013) contains correspondence, reports, planning documents, and grant files relating to Buchanan's work at various universities, primarily University of Virginia, Virginia Polytechnic Institute (now Virginia Tech), and George Mason University. Subseries 4.1: Administration contains reports, memoranda, correspondence, photographs, calendars, and planning documents relating to department and university business. Subseries 4.2: Teaching contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Subseries 4.3: Grants contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Subseries 4.4: Thomas Jefferson Center for Studies in Political Economy contains annual reports, photographs, and correspondence from the University of Virginia's Thomas Jefferson Center, which was active from 1958 to 1968. Subseries 4.5: Center for Study of Public Choice contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating to the Center, an academic unit at Virginia Polytechnic Institute from 1968 to 1983 and at George Mason University from 1983 onwards.","Series 5: Professional Service (1958-2013) This series contains materials relating to Buchanan's professional activities outside of his university responsibilities. Subseries 5.1: Conferences and events contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. Subseries 5.2: Consulting and organizations contains annual reports and correspondence relating to Buchanan's work with various organizations outside of his work as a university professor.","Series 6: Betty Tillman papers (1968-2008) contains files created by Betty Tillman, administrative assistant to Buchanan and administrative director of the Center for Study of Public Choice. Subseries 6.1: Correspondence contains letters, emails, memoranda, and cards sent and received by Tillman. Subseries 6.2: Office administration contains planning documents, organizational files, and other materials relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Subseries 6.3: Conferences, events and travel contains correspondence, calendars, schedules, and travel documents relating to events attended by Buchanan, coordinated by Tillman. It also contains materials created by Tillman as the conference coordinator for the Liberty Fund and Center conferences and events.","Series 7: Jo Ann Burgess papers (1972-2014) contains files created by Jo Ann Burgess, administrative assistant and editor to Buchanan and secretary for the Public Choice Society. Subseries 7.1: Correspondence contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan and the Center for Study of Public Choice. Subseries 7.2: Office administration contains correspondence, calendars, notes, program files, and edited drafts created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. Subseries 7.3: Liberty Fund editorial work contains planning documents, correspondence, and drafts created as part of Burgess' work editing The Collected Works of James M. Buchanan and The Selected Works of Gordon Tullock on behalf of the Liberty Fund. Subseries 7.4: Public Choice Society contains correspondence, conference planning documents, and administrative files created as part of Burgess' work as the secretary of the Public Choice Society, a professional organization.","Series 8: Writings by others (1930-2014) contains articles, book drafts, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some writings are about Buchanan and his ideas.","Series 9: Audiovisual and born-digital materials (circa 1970s-2013) contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others and Center for Study of Public Choice events."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_0bc2473150c319436276a1da8ef369a9\" label=\"Abstract\"\u003eThe James M. Buchanan papers consist of materials created primarily by economist James M. Buchanan (1919-2013) from the years 1936-2014. There are also materials created by the Center for Study of Public Choice, an academic unit associated with Virginia Tech (1969-1983) and George Mason University (1983-). The papers document Buchanan's career and academic output, primarily in the field of public choice economics and political economy.\u003c/abstract\u003e\n    "],"abstract_tesim":["The James M. Buchanan papers consist of materials created primarily by economist James M. Buchanan (1919-2013) from the years 1936-2014. There are also materials created by the Center for Study of Public Choice, an academic unit associated with Virginia Tech (1969-1983) and George Mason University (1983-). The papers document Buchanan's career and academic output, primarily in the field of public choice economics and political economy."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b0c53c39bdb12bf69a095c3db88292a9\"\u003e\nR 101 - 102\n\nOS R 1, C 3, S 3-5\nMap Case 24.1\u003c/physloc\u003e\n    "],"physloc_tesim":["R 101 - 102\n\nOS R 1, C 3, S 3-5\nMap Case 24.1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Center for Study of Public Choice","Public Choice Society"],"names_coll_ssim":["George Mason University. Center for Study of Public Choice","Public Choice Society"],"persname_ssim":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Center for Study of Public Choice","Public Choice Society","Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"language_ssim":["The bulk of the materials are in English. Additional languages in the collection include German, Italian, French, Spanish, Norwegian, Dutch, Turkish, Japanese, Korean, and Chinese."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8943,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:42.576Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_367_c02_c01_c1247"}},{"id":"wvmturhc_repositories_2_resources_965_c02_c06_c5020","type":"File","attributes":{"title":"Z, 1973/1976","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_965_c02_c06_c5020#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_965_c02_c06_c5020","ref_ssm":["wvmturhc_repositories_2_resources_965_c02_c06_c5020"],"id":"wvmturhc_repositories_2_resources_965_c02_c06_c5020","ead_ssi":"wvmturhc_repositories_2_resources_965","_root_":"wvmturhc_repositories_2_resources_965","_nest_parent_":"wvmturhc_repositories_2_resources_965_c02_c06","parent_ssi":"wvmturhc_repositories_2_resources_965_c02_c06","parent_ssim":["Governor Arch A. Moore Jr. papers, 1950/1989","II. Gubernatorial papers, 1969/1977","F. Correspondence"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_965","wvmturhc_repositories_2_resources_965_c02","wvmturhc_repositories_2_resources_965_c02_c06"],"title_filing_ssi":"Z","title_ssm":["Z"],"title_tesim":["Z"],"normalized_title_ssm":["Z, 1973/1976"],"text":["Z, 1973/1976","Governor Arch A. Moore Jr. papers, 1950/1989","II. Gubernatorial papers, 1969/1977","F. Correspondence","1 of 2","Box II.F. - 334","Folder 18","English."],"parent_unittitles_ssm":["Governor Arch A. Moore Jr. papers, 1950/1989","II. Gubernatorial papers, 1969/1977","F. Correspondence"],"parent_unittitles_tesim":["Governor Arch A. Moore Jr. papers, 1950/1989","II. Gubernatorial papers, 1969/1977","F. Correspondence"],"normalized_date_ssm":["1973/1976"],"unitdate_inclusive_ssm":["1973-1976"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":13867,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Governor Arch A. Moore Jr. papers, 1950/1989"],"physdesc_tesim":["1 of 2"],"containers_ssim":["Box II.F. - 334","Folder 18"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The bulk of the Gubernatorial papers subgroup is closed for processing. Access may be granted at the discretion of the curator."],"parent_access_terms_tesm":["Correspondence in this series may contain sensitive personally identifiable information. Patrons must sign the WVRHC Agreement for the Use of Confidential Materials."],"language_ssim":["English."],"date_range_isim":[1973,1974,1975,1976],"_nest_path_":"/components#1/components#5/components#5019","timestamp":"2026-09-01T16:09:34.240Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_965","ead_ssi":"wvmturhc_repositories_2_resources_965","_root_":"wvmturhc_repositories_2_resources_965","_nest_parent_":"wvmturhc_repositories_2_resources_965","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_965.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/173832","title_ssm":["Governor Arch A. Moore Jr. papers"],"title_tesim":["Governor Arch A. Moore Jr. papers"],"unitdate_ssm":["1950-1989"],"unitdate_inclusive_ssm":["1950-1989"],"normalized_date_ssm":["1950/1989"],"normalized_title_ssm":["Governor Arch A. Moore Jr. papers, 1950/1989"],"text":["Governor Arch A. Moore Jr. papers, 1950/1989","A\u0026M 2862","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/965","United States -- Politics and government","United States -- Politics and government -- 20th century","West Virginia -- Politics and government","United States. Congress -- Archives","Vietnam War, 1961-1975","Emigration and immigration law -- United States","Civil rights -- United States -- History","Interstate Highway System","Politicians -- United States","The Arch A. Moore Jr. congressional papers are processed and open for research.","Processing of the Arch A. Moore Jr. gubernatorial papers is currently in progress, and materials will be made available as processed. Permission to access certain unprocessed materials may be given at the curator's discretion. Researchers collecting summary data may submit an Access Request Form.","The papers are arranged into three subgroups - Congressional papers, Gubernatorial papers, and Personal papers - , and each subgroup is further arranged into series.","Arch Alfred Moore Jr. served three terms as Governor of West Virginia (1969-1977, 1985-1989). He was an unsuccessful candidate for reelection for governor in 1988. Previously, he was elected as a Republican to five terms in the United States House of Representatives, serving from January 3, 1957-January 3, 1969. He was not a candidate for reelection to the Ninety-first Congress in 1968. He died on January 7, 2015, in Charleston, WV.","Arch Moore was born in Moundsville, WV, on April 16, 1923, to Arch Alfred Moore Sr. and Genevieve Elizabeth Jones. He graduated from Moundsville High School and worked in various jobs, including as a timekeeper for the Bechtel Corporation.","In 1943, he was drafted into the military and selected for Officers Training School and the Army Specialized Training Program (ASTP), which put soldiers into accelerated courses in various disciplines. He was placed at Lafayette College (near Allentown, PA), to study engineering and train as a soldier. Following D-Day on June 6, 1944, the Army terminated the ASTP. Moore was assigned to Company G, 334th Regiment of the 84th Infantry Division and sent to Europe where he served as a combat sergeant. In a battle in November 1944, 33 of his 36-man platoon died, and Sgt. Moore was severely wounded when a bullet ripped through the side of his face. He was transferred to Liege, Belgium, where his face was reconstructed, and he used public speaking as part of his physical therapy. He was awarded a Bronze Star and Purple Heart for his service and was shipped home in March 1946.","Moore enrolled at West Virginia University in Morgantown, WV, in June 1946, entering school as a junior with the credits transferred from Lafayette College. He majored in political science and became a well-known figure on campus through involvement with extra-curricular activities. He was a member and president of the Beta Theta Pi fraternity, wrote the first WVU student body constitution, and served as student body president. He organized fundraising for the Mountaineer Mascot statue and started Mountaineer Day, which later became Mountaineer Week. After completing his bachelor's degree, Moore enrolled at WVU College of Law.","While at WVU, Moore met Sadie Shelley Riley (known as Shelley), an undergraduate student from Uniontown, PA. In August 1949, Shelley and Arch married. Shelley worked in the film section of WVU Library, and Arch finished his law degree in May 1951. They then moved to Moundsville where Arch practiced law with his uncle Everett Moore, a politician and prominent attorney.","Arch and Shelley had three children together, Arch A. (Kim) Moore III, Shelley Wellons, and Lucy St. Clair. Daughter Shelley would go on to serve in the U.S. House of Representatives (2001-2014) and the U.S Senate (2015-present).","In 1952, Moore began his political career when he won his uncle's former seat in the West Virginia House of Delegates. After serving two years, he became the 1954 Republican nominee for the First District congressional seat, but he lost to sitting Congressman Robert Mollohan. In 1956, Mollohan left Congress to run for governor, and Moore won the seat over Democratic candidate C. Lee Spillers in a close race. Moore went on to serve six terms in Congress, 1957-1969, winning as a Republican in a predominantly Democratic state. Moore's district expanded after the 1960 census resulted in eliminating a West Virginia congressional district. Moore defeated Congressman Cleve Bailey to represent the new 13-county district.","In the House of Representatives, Moore served on the Judiciary Committee (1957-1969); the Select Small Business Committee (1957-1969); and the National Republican Congressional Committee (1957-1969) and Committee on Committees (1959-1969). He also served on several subcommittees, including the Immigration and Nationality Subcommittee (1959-1969); the Special Subcommittee on State Taxation and Interstate Commerce (1961-1969); and the Distribution Problems Affecting Small Businesses Subcommittee (1957-1967). Moore also served as the ranking Republican on the Select House Committee to investigate Representative Adam Clayton Powell in 1967.","During his congressional career, he supported civil rights and public works bills and was involved in several significant pieces of legislation. As a member of the Judiciary Committee, he worked on The Criminal Justice Act of 1963, The Civil Rights Acts of 1957 and 1964, and The Immigration and Nationality Act of 1965. He made numerous international trips, in particular visiting Vietnam several times during the war. During one such trip in 1966 the helicopter he was riding in was struck by a bullet, disabling the rotors and forcing it to land.","After six terms in Congress, Moore ran for governor of West Virginia and was elected in 1968. He served two consecutive terms (1969-1977) and one nonconsecutive (1985-1989), making him the only person to serve three terms as governor of West Virginia. His tenure was characterized by extensive road building and investments in public education, welfare, and mental health.","Shelley Moore also made impacts as First Lady, championing issues related to mental health, education, and libraries. She opened the Governor's Mansion to public tours and founded the West Virginia Mansion Preservation Foundation in 1985, raising funds to redecorate and preserve the building. She was active in numerous organizations, including the Girl Scouts, the Junior League of Wheeling, the American Red Cross, and the Montgomery (Maryland) County Cerebral Palsy Association. She was the longest serving first lady of West Virginia.","During his first term, Moore made headlines for firing more than 2,000 highway workers who went on strike, and he played a key negotiating role when thousands of miners went on strike over black lung benefits, leading to the disease's designation as a mining disability. In 1970, the Governor's Succession Amendment was ratified to the West Virginia constitution, allowing Moore to be the first governor to succeed himself since the 1870s. In 1972, he ran a heavily publicized election in which he defeated Jay Rockefeller.","As Governor, Arch made significant changes to the welfare and education systems, increasing monthly payments for about 20,000 families with dependent children and beginning payments for thousands of blind, aged, and disabled individuals. He supported legislation to open public kindergartens for five-year-old children, adopting the national trend in West Virginia. In an effort to bring more tourists to the state, he was instrumental in building Charleston's Cultural Center.","With funds from the state Roads Development Amendment, federal support through the Appalachian Regional Commission, and money remaining from the 1964 road bond, Moore was able to undertake one of the state's largest highway expansion projects. By the end of Moore's terms, part or all of Interstates 64, 68, and 79, as well as the West Virginia Turnpike, would be completed. Construction of the New River Gorge Bridge also began, and once finished, it would be at the time the world's longest single-span arch bridge.","Moore's tenure as governor also engendered criticisms and corruption charges. He faced disapproval for abruptly reducing a $100 million settlement with Pittston Coal Company to $1 million for cleanup charges for the 1972 Buffalo Creek disaster. In 1975, Moore and an aide were indicted on charges of extortion but were acquitted. Toward the end of his third term, more corruption charges were filed, and in 1990, Moore was found guilty of federal charges of mail fraud, tax fraud, extortion, and obstruction of justice. He served three years of a five-year prison term and was released in 1993. Though he pled guilty, he later maintained his innocence.","Arch Moore died January 7, 2015, in Charleston, WV, at the age of 91.","Sources:","Crouser, Brad. Arch: The Life of Governor Arch A. Moore, Jr. West Virginia: Woodland Press, LLC, 2006.","Grimes, Richard S. \"Arch Moore.\" e-WV: The West Virginia Encyclopedia. Accessed January 24, 2019.","Gutman, David. \"Shelley Riley Moore, former first lady of West Virginia, dies.\" Charleston Gazette-Mail. September 13, 2014.","Powell, Bob. \"Governor Moore fires striking highway workers.\" West Virginia Public Broadcasting. March 14, 1969.","Roberts, Sam. \"Arch Moore, Trailblazing West Virginia Governor, Dies at 91.\" The New York Times. January 8, 2015.","U.S. National Park Service. \"New River Gorge Bridge - New River Gorge National River.\" Accessed January 24, 2019.","The collection is stored off-site. Researchers should contact the West Virginia \u0026 Regional History Center prior to visiting to ensure materials are available.","The Governor Arch A. Moore Jr. papers are in process. The contents of this finding aid will be revised as progress is made on the collection.","Processed 2017-ongoing, by Danielle Emerling, Ashley Brooker, Alison McCauley, Shannon Rowe, Lydia Strickling","Congressman Nick Joe Rahall papers, 1977-2015","Senator John D. (Jay) Rockefeller papers, 1985-2014","Congressman Harley O. Staggers Sr. papers, 1948-1980","The Arch A. Moore Jr. papers document his career in the U.S. House of Representatives and his three terms as governor of West Virginia. A small number of materials relate to his personal law practice. Record formats include papers, audiovisual materials, photographs, maps, and memorabilia.","The first subgroup, Congressional papers, contains press, legislative, and constituent services materials from his tenure in Congress, 1957-1969.","The second subgroup, Gubernatorial papers, is composed of correspondence, photographs, staff files, and department files from Moore's three terms as governor of West Virginia.","The third subgroup, Personal papers, consists of materials relating to Moore's personal law practice.","Materials may contain sensitive or private information. Researchers may use data collected from these materials in the statistical aggregate or as an example to illustrate a theme. No identifying information should point to specific individuals or families mentioned in the files.","Materials produced by public servants while carrying out official duties are not copyrighted. Materials created outside of official duties, including diaries, personal correspondence, and campaign materials, are protected by copyright. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required from the copyright holder. For more information, please contact the West Virginia \u0026 Regional History Center.","Arch Alfred Moore Jr. (b. 1923) served two consecutive terms as Governor of West Virginia from 1969-1977 and a third term from 1985-1989. He was an unsuccessful candidate for reelection for governor in 1988. Previously, he was elected as a Republican to five terms in the United States House of Representatives, serving from January 3, 1957-January 3, 1969. He was not a candidate for reelection to the Ninety-first Congress in 1968. He died on January 7, 2015, in Charleston, WV. The Arch A. Moore Jr. papers document his service as governor of West Virginia and in the U.S. Congress.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Moore, Arch A., Jr. (Arch Alfred), 1923-2015","Materials entirely in English"],"collection_title_tesim":["Governor Arch A. Moore Jr. papers, 1950/1989"],"collection_ssim":["Governor Arch A. Moore Jr. papers, 1950/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2862","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/965"],"unitid_tesim":["A\u0026M 2862","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/965"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["United States -- Politics and government","United States -- Politics and government -- 20th century","West Virginia -- Politics and government"],"geogname_ssim":["United States -- Politics and government","United States -- Politics and government -- 20th century","West Virginia -- Politics and government"],"places_ssim":["United States -- Politics and government","United States -- Politics and government -- 20th century","West Virginia -- Politics and government"],"creator_ssm":["Moore, Arch A., Jr. (Arch Alfred), 1923-2015"],"creator_ssim":["Moore, Arch A., Jr. (Arch Alfred), 1923-2015"],"creator_persname_ssim":["Moore, Arch A., Jr. (Arch Alfred), 1923-2015"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Moore, Arch A., Jr. (Arch Alfred), 1923-2015","West Virginia and Regional History Center"],"access_terms_ssm":["Materials may contain sensitive or private information. Researchers may use data collected from these materials in the statistical aggregate or as an example to illustrate a theme. No identifying information should point to specific individuals or families mentioned in the files.","Materials produced by public servants while carrying out official duties are not copyrighted. Materials created outside of official duties, including diaries, personal correspondence, and campaign materials, are protected by copyright. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required from the copyright holder. For more information, please contact the West Virginia \u0026 Regional History Center."],"acqinfo_ssim":["Gift of Arch A. Moore Jr."],"access_subjects_ssim":["United States. Congress -- Archives","Vietnam War, 1961-1975","Emigration and immigration law -- United States","Civil rights -- United States -- History","Interstate Highway System","Politicians -- United States"],"access_subjects_ssm":["United States. Congress -- Archives","Vietnam War, 1961-1975","Emigration and immigration law -- United States","Civil rights -- United States -- History","Interstate Highway System","Politicians -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["2411 Linear Feet 2411 Records cartons"],"extent_tesim":["2411 Linear Feet 2411 Records cartons"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eThe Arch A. Moore Jr. congressional papers are processed and open for research. \u003c/p\u003e","\u003cp\u003eProcessing of the Arch A. Moore Jr. gubernatorial papers is currently in progress, and materials will be made available as processed. Permission to access certain unprocessed materials may be given at the curator's discretion. Researchers collecting summary data may submit an \u003ca href=\"https://wvu.libwizard.com/id/16c4c4750a7ec55c850fdcbbf951f60e\" target=\"_blank\"\u003eAccess Request Form\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Arch A. Moore Jr. congressional papers are processed and open for research.","Processing of the Arch A. Moore Jr. gubernatorial papers is currently in progress, and materials will be made available as processed. Permission to access certain unprocessed materials may be given at the curator's discretion. Researchers collecting summary data may submit an Access Request Form."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged into three subgroups - Congressional papers, Gubernatorial papers, and Personal papers - , and each subgroup is further arranged into series.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The papers are arranged into three subgroups - Congressional papers, Gubernatorial papers, and Personal papers - , and each subgroup is further arranged into series."],"bioghist_html_tesm":["\u003cp\u003eArch Alfred Moore Jr. served three terms as Governor of West Virginia (1969-1977, 1985-1989). He was an unsuccessful candidate for reelection for governor in 1988. Previously, he was elected as a Republican to five terms in the United States House of Representatives, serving from January 3, 1957-January 3, 1969. He was not a candidate for reelection to the Ninety-first Congress in 1968. He died on January 7, 2015, in Charleston, WV. \u003c/p\u003e","\u003cp\u003eArch Moore was born in Moundsville, WV, on April 16, 1923, to Arch Alfred Moore Sr. and Genevieve Elizabeth Jones. He graduated from Moundsville High School and worked in various jobs, including as a timekeeper for the Bechtel Corporation. \u003c/p\u003e","\u003cp\u003eIn 1943, he was drafted into the military and selected for Officers Training School and the Army Specialized Training Program (ASTP), which put soldiers into accelerated courses in various disciplines. He was placed at Lafayette College (near Allentown, PA), to study engineering and train as a soldier. Following D-Day on June 6, 1944, the Army terminated the ASTP. Moore was assigned to Company G, 334th Regiment of the 84th Infantry Division and sent to Europe where he served as a combat sergeant. In a battle in November 1944, 33 of his 36-man platoon died, and Sgt. Moore was severely wounded when a bullet ripped through the side of his face. He was transferred to Liege, Belgium, where his face was reconstructed, and he used public speaking as part of his physical therapy. He was awarded a Bronze Star and Purple Heart for his service and was shipped home in March 1946. \u003c/p\u003e","\u003cp\u003eMoore enrolled at West Virginia University in Morgantown, WV, in June 1946, entering school as a junior with the credits transferred from Lafayette College. He majored in political science and became a well-known figure on campus through involvement with extra-curricular activities. He was a member and president of the Beta Theta Pi fraternity, wrote the first WVU student body constitution, and served as student body president. He organized fundraising for the Mountaineer Mascot statue and started Mountaineer Day, which later became Mountaineer Week. After completing his bachelor's degree, Moore enrolled at WVU College of Law. \u003c/p\u003e","\u003cp\u003eWhile at WVU, Moore met Sadie Shelley Riley (known as Shelley), an undergraduate student from Uniontown, PA. In August 1949, Shelley and Arch married. Shelley worked in the film section of WVU Library, and Arch finished his law degree in May 1951. They then moved to Moundsville where Arch practiced law with his uncle Everett Moore, a politician and prominent attorney. \u003c/p\u003e","\u003cp\u003eArch and Shelley had three children together, Arch A. (Kim) Moore III, Shelley Wellons, and Lucy St. Clair. Daughter Shelley would go on to serve in the U.S. House of Representatives (2001-2014) and the U.S Senate (2015-present). \u003c/p\u003e","\u003cp\u003eIn 1952, Moore began his political career when he won his uncle's former seat in the West Virginia House of Delegates. After serving two years, he became the 1954 Republican nominee for the First District congressional seat, but he lost to sitting Congressman Robert Mollohan. In 1956, Mollohan left Congress to run for governor, and Moore won the seat over Democratic candidate C. Lee Spillers in a close race. Moore went on to serve six terms in Congress, 1957-1969, winning as a Republican in a predominantly Democratic state. Moore's district expanded after the 1960 census resulted in eliminating a West Virginia congressional district. Moore defeated Congressman Cleve Bailey to represent the new 13-county district. \u003c/p\u003e","\u003cp\u003eIn the House of Representatives, Moore served on the Judiciary Committee (1957-1969); the Select Small Business Committee (1957-1969); and the National Republican Congressional Committee (1957-1969) and Committee on Committees (1959-1969). He also served on several subcommittees, including the Immigration and Nationality Subcommittee (1959-1969); the Special Subcommittee on State Taxation and Interstate Commerce (1961-1969); and the Distribution Problems Affecting Small Businesses Subcommittee (1957-1967). Moore also served as the ranking Republican on the Select House Committee to investigate Representative Adam Clayton Powell in 1967. \u003c/p\u003e","\u003cp\u003eDuring his congressional career, he supported civil rights and public works bills and was involved in several significant pieces of legislation. As a member of the Judiciary Committee, he worked on The Criminal Justice Act of 1963, The Civil Rights Acts of 1957 and 1964, and The Immigration and Nationality Act of 1965. He made numerous international trips, in particular visiting Vietnam several times during the war. During one such trip in 1966 the helicopter he was riding in was struck by a bullet, disabling the rotors and forcing it to land. \u003c/p\u003e","\u003cp\u003eAfter six terms in Congress, Moore ran for governor of West Virginia and was elected in 1968. He served two consecutive terms (1969-1977) and one nonconsecutive (1985-1989), making him the only person to serve three terms as governor of West Virginia. His tenure was characterized by extensive road building and investments in public education, welfare, and mental health.  \u003c/p\u003e","\u003cp\u003eShelley Moore also made impacts as First Lady, championing issues related to mental health, education, and libraries. She opened the Governor's Mansion to public tours and founded the West Virginia Mansion Preservation Foundation in 1985, raising funds to redecorate and preserve the building. She was active in numerous organizations, including the Girl Scouts, the Junior League of Wheeling, the American Red Cross, and the Montgomery (Maryland) County Cerebral Palsy Association. She was the longest serving first lady of West Virginia. \u003c/p\u003e","\u003cp\u003eDuring his first term, Moore made headlines for firing more than 2,000 highway workers who went on strike, and he played a key negotiating role when thousands of miners went on strike over black lung benefits, leading to the disease's designation as a mining disability. In 1970, the Governor's Succession Amendment was ratified to the West Virginia constitution, allowing Moore to be the first governor to succeed himself since the 1870s. In 1972, he ran a heavily publicized election in which he defeated Jay Rockefeller.  \u003c/p\u003e","\u003cp\u003eAs Governor, Arch made significant changes to the welfare and education systems, increasing monthly payments for about 20,000 families with dependent children and beginning payments for thousands of blind, aged, and disabled individuals. He supported legislation to open public kindergartens for five-year-old children, adopting the national trend in West Virginia. In an effort to bring more tourists to the state, he was instrumental in building Charleston's Cultural Center. \u003c/p\u003e","\u003cp\u003eWith funds from the state Roads Development Amendment, federal support through the Appalachian Regional Commission, and money remaining from the 1964 road bond, Moore was able to undertake one of the state's largest highway expansion projects. By the end of Moore's terms, part or all of Interstates 64, 68, and 79, as well as the West Virginia Turnpike, would be completed. Construction of the New River Gorge Bridge also began, and once finished, it would be at the time the world's longest single-span arch bridge. \u003c/p\u003e","\u003cp\u003eMoore's tenure as governor also engendered criticisms and corruption charges. He faced disapproval for abruptly reducing a $100 million settlement with Pittston Coal Company to $1 million for cleanup charges for the 1972 Buffalo Creek disaster. In 1975, Moore and an aide were indicted on charges of extortion but were acquitted. Toward the end of his third term, more corruption charges were filed, and in 1990, Moore was found guilty of federal charges of mail fraud, tax fraud, extortion, and obstruction of justice. He served three years of a five-year prison term and was released in 1993. Though he pled guilty, he later maintained his innocence. \u003c/p\u003e","\u003cp\u003eArch Moore died January 7, 2015, in Charleston, WV, at the age of 91.\u003c/p\u003e","\u003cp\u003eSources: \u003c/p\u003e","\u003cp\u003eCrouser, Brad. Arch: The Life of Governor Arch A. Moore, Jr. West Virginia: Woodland Press, LLC, 2006. \u003c/p\u003e","\u003cp\u003eGrimes, Richard S. \"\u003ca href=\"https://www.wvencyclopedia.org/entries/1973\" target=\"_blank\"\u003eArch Moore.\u003c/a\u003e\" e-WV: The West Virginia Encyclopedia. Accessed January 24, 2019. \u003c/p\u003e","\u003cp\u003eGutman, David. \"\u003ca href=\"https://www.wvgazettemail.com/obituaries/shelley-riley-moore-former-first-lady-of-west-virginia-dies/article_1bf553b0-0cf9-562b-b316-e442b26cfedd.html\" target=\"_blank\"\u003eShelley Riley Moore, former first lady of West Virginia, dies.\u003c/a\u003e\" Charleston Gazette-Mail. September 13, 2014.\u003c/p\u003e","\u003cp\u003ePowell, Bob. \"\u003ca href=\"http://wvpublic.org/post/march-14-1969-governor-moore-fires-striking-highway-workers#stream/0\" target=\"_blank\"\u003eGovernor Moore fires striking highway workers.\u003c/a\u003e\" West Virginia Public Broadcasting. March 14, 1969.  \u003c/p\u003e","\u003cp\u003eRoberts, Sam. \"\u003ca href=\"https://www.nytimes.com/2015/01/09/us/arch-moore-91-w-virginia-trail-blazer-dies.html\" target=\"_blank\"\u003eArch Moore, Trailblazing West Virginia Governor, Dies at 91.\u003c/a\u003e\" The New York Times. January 8, 2015.  \u003c/p\u003e","\u003cp\u003eU.S. National Park Service. \"\u003ca href=\"https://www.nps.gov/neri/planyourvisit/nrgbridge.htm\" target=\"_blank\"\u003eNew River Gorge Bridge - New River Gorge National River.\u003c/a\u003e\" Accessed January 24, 2019. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Arch Alfred Moore Jr. served three terms as Governor of West Virginia (1969-1977, 1985-1989). He was an unsuccessful candidate for reelection for governor in 1988. Previously, he was elected as a Republican to five terms in the United States House of Representatives, serving from January 3, 1957-January 3, 1969. He was not a candidate for reelection to the Ninety-first Congress in 1968. He died on January 7, 2015, in Charleston, WV.","Arch Moore was born in Moundsville, WV, on April 16, 1923, to Arch Alfred Moore Sr. and Genevieve Elizabeth Jones. He graduated from Moundsville High School and worked in various jobs, including as a timekeeper for the Bechtel Corporation.","In 1943, he was drafted into the military and selected for Officers Training School and the Army Specialized Training Program (ASTP), which put soldiers into accelerated courses in various disciplines. He was placed at Lafayette College (near Allentown, PA), to study engineering and train as a soldier. Following D-Day on June 6, 1944, the Army terminated the ASTP. Moore was assigned to Company G, 334th Regiment of the 84th Infantry Division and sent to Europe where he served as a combat sergeant. In a battle in November 1944, 33 of his 36-man platoon died, and Sgt. Moore was severely wounded when a bullet ripped through the side of his face. He was transferred to Liege, Belgium, where his face was reconstructed, and he used public speaking as part of his physical therapy. He was awarded a Bronze Star and Purple Heart for his service and was shipped home in March 1946.","Moore enrolled at West Virginia University in Morgantown, WV, in June 1946, entering school as a junior with the credits transferred from Lafayette College. He majored in political science and became a well-known figure on campus through involvement with extra-curricular activities. He was a member and president of the Beta Theta Pi fraternity, wrote the first WVU student body constitution, and served as student body president. He organized fundraising for the Mountaineer Mascot statue and started Mountaineer Day, which later became Mountaineer Week. After completing his bachelor's degree, Moore enrolled at WVU College of Law.","While at WVU, Moore met Sadie Shelley Riley (known as Shelley), an undergraduate student from Uniontown, PA. In August 1949, Shelley and Arch married. Shelley worked in the film section of WVU Library, and Arch finished his law degree in May 1951. They then moved to Moundsville where Arch practiced law with his uncle Everett Moore, a politician and prominent attorney.","Arch and Shelley had three children together, Arch A. (Kim) Moore III, Shelley Wellons, and Lucy St. Clair. Daughter Shelley would go on to serve in the U.S. House of Representatives (2001-2014) and the U.S Senate (2015-present).","In 1952, Moore began his political career when he won his uncle's former seat in the West Virginia House of Delegates. After serving two years, he became the 1954 Republican nominee for the First District congressional seat, but he lost to sitting Congressman Robert Mollohan. In 1956, Mollohan left Congress to run for governor, and Moore won the seat over Democratic candidate C. Lee Spillers in a close race. Moore went on to serve six terms in Congress, 1957-1969, winning as a Republican in a predominantly Democratic state. Moore's district expanded after the 1960 census resulted in eliminating a West Virginia congressional district. Moore defeated Congressman Cleve Bailey to represent the new 13-county district.","In the House of Representatives, Moore served on the Judiciary Committee (1957-1969); the Select Small Business Committee (1957-1969); and the National Republican Congressional Committee (1957-1969) and Committee on Committees (1959-1969). He also served on several subcommittees, including the Immigration and Nationality Subcommittee (1959-1969); the Special Subcommittee on State Taxation and Interstate Commerce (1961-1969); and the Distribution Problems Affecting Small Businesses Subcommittee (1957-1967). Moore also served as the ranking Republican on the Select House Committee to investigate Representative Adam Clayton Powell in 1967.","During his congressional career, he supported civil rights and public works bills and was involved in several significant pieces of legislation. As a member of the Judiciary Committee, he worked on The Criminal Justice Act of 1963, The Civil Rights Acts of 1957 and 1964, and The Immigration and Nationality Act of 1965. He made numerous international trips, in particular visiting Vietnam several times during the war. During one such trip in 1966 the helicopter he was riding in was struck by a bullet, disabling the rotors and forcing it to land.","After six terms in Congress, Moore ran for governor of West Virginia and was elected in 1968. He served two consecutive terms (1969-1977) and one nonconsecutive (1985-1989), making him the only person to serve three terms as governor of West Virginia. His tenure was characterized by extensive road building and investments in public education, welfare, and mental health.","Shelley Moore also made impacts as First Lady, championing issues related to mental health, education, and libraries. She opened the Governor's Mansion to public tours and founded the West Virginia Mansion Preservation Foundation in 1985, raising funds to redecorate and preserve the building. She was active in numerous organizations, including the Girl Scouts, the Junior League of Wheeling, the American Red Cross, and the Montgomery (Maryland) County Cerebral Palsy Association. She was the longest serving first lady of West Virginia.","During his first term, Moore made headlines for firing more than 2,000 highway workers who went on strike, and he played a key negotiating role when thousands of miners went on strike over black lung benefits, leading to the disease's designation as a mining disability. In 1970, the Governor's Succession Amendment was ratified to the West Virginia constitution, allowing Moore to be the first governor to succeed himself since the 1870s. In 1972, he ran a heavily publicized election in which he defeated Jay Rockefeller.","As Governor, Arch made significant changes to the welfare and education systems, increasing monthly payments for about 20,000 families with dependent children and beginning payments for thousands of blind, aged, and disabled individuals. He supported legislation to open public kindergartens for five-year-old children, adopting the national trend in West Virginia. In an effort to bring more tourists to the state, he was instrumental in building Charleston's Cultural Center.","With funds from the state Roads Development Amendment, federal support through the Appalachian Regional Commission, and money remaining from the 1964 road bond, Moore was able to undertake one of the state's largest highway expansion projects. By the end of Moore's terms, part or all of Interstates 64, 68, and 79, as well as the West Virginia Turnpike, would be completed. Construction of the New River Gorge Bridge also began, and once finished, it would be at the time the world's longest single-span arch bridge.","Moore's tenure as governor also engendered criticisms and corruption charges. He faced disapproval for abruptly reducing a $100 million settlement with Pittston Coal Company to $1 million for cleanup charges for the 1972 Buffalo Creek disaster. In 1975, Moore and an aide were indicted on charges of extortion but were acquitted. Toward the end of his third term, more corruption charges were filed, and in 1990, Moore was found guilty of federal charges of mail fraud, tax fraud, extortion, and obstruction of justice. He served three years of a five-year prison term and was released in 1993. Though he pled guilty, he later maintained his innocence.","Arch Moore died January 7, 2015, in Charleston, WV, at the age of 91.","Sources:","Crouser, Brad. Arch: The Life of Governor Arch A. Moore, Jr. West Virginia: Woodland Press, LLC, 2006.","Grimes, Richard S. \"Arch Moore.\" e-WV: The West Virginia Encyclopedia. Accessed January 24, 2019.","Gutman, David. \"Shelley Riley Moore, former first lady of West Virginia, dies.\" Charleston Gazette-Mail. September 13, 2014.","Powell, Bob. \"Governor Moore fires striking highway workers.\" West Virginia Public Broadcasting. March 14, 1969.","Roberts, Sam. \"Arch Moore, Trailblazing West Virginia Governor, Dies at 91.\" The New York Times. January 8, 2015.","U.S. National Park Service. \"New River Gorge Bridge - New River Gorge National River.\" Accessed January 24, 2019."],"phystech_html_tesm":["\u003cp\u003eThe collection is stored off-site. Researchers should contact the West Virginia \u0026amp; Regional History Center prior to visiting to ensure materials are available.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The collection is stored off-site. Researchers should contact the West Virginia \u0026 Regional History Center prior to visiting to ensure materials are available."],"prefercite_html_tesm":["\u003cp\u003eA\u0026amp;M 2862, Governor Arch A. Moore Jr. Papers, West Virginia and Regional History Center, West Virginia University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["A\u0026M 2862, Governor Arch A. Moore Jr. Papers, West Virginia and Regional History Center, West Virginia University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe Governor Arch A. Moore Jr. papers are in process. The contents of this finding aid will be revised as progress is made on the collection.\u003c/p\u003e","\u003cp\u003eProcessed 2017-ongoing, by Danielle Emerling, Ashley Brooker, Alison McCauley, Shannon Rowe, Lydia Strickling\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Governor Arch A. Moore Jr. papers are in process. The contents of this finding aid will be revised as progress is made on the collection.","Processed 2017-ongoing, by Danielle Emerling, Ashley Brooker, Alison McCauley, Shannon Rowe, Lydia Strickling"],"relatedmaterial_html_tesm":["\u003cp\u003e\nCongressman Nick Joe Rahall papers, 1977-2015\n\u003c/p\u003e\n","\u003cp\u003e\nSenator John D. (Jay) Rockefeller papers, 1985-2014\n\u003c/p\u003e\n","\u003cp\u003e\nCongressman Harley O. Staggers Sr. papers, 1948-1980\n\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Congressman Nick Joe Rahall papers, 1977-2015","Senator John D. (Jay) Rockefeller papers, 1985-2014","Congressman Harley O. Staggers Sr. papers, 1948-1980"],"scopecontent_html_tesm":["\u003cp\u003eThe Arch A. Moore Jr. papers document his career in the U.S. House of Representatives and his three terms as governor of West Virginia. A small number of materials relate to his personal law practice. Record formats include papers, audiovisual materials, photographs, maps, and memorabilia.\u003c/p\u003e","\u003cp\u003eThe first subgroup, Congressional papers, contains press, legislative, and constituent services materials from his tenure in Congress, 1957-1969.\u003c/p\u003e","\u003cp\u003eThe second subgroup, Gubernatorial papers, is composed of correspondence, photographs, staff files, and department files from Moore's three terms as governor of West Virginia.\u003c/p\u003e","\u003cp\u003eThe third subgroup, Personal papers, consists of materials relating to Moore's personal law practice. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Arch A. Moore Jr. papers document his career in the U.S. House of Representatives and his three terms as governor of West Virginia. A small number of materials relate to his personal law practice. Record formats include papers, audiovisual materials, photographs, maps, and memorabilia.","The first subgroup, Congressional papers, contains press, legislative, and constituent services materials from his tenure in Congress, 1957-1969.","The second subgroup, Gubernatorial papers, is composed of correspondence, photographs, staff files, and department files from Moore's three terms as governor of West Virginia.","The third subgroup, Personal papers, consists of materials relating to Moore's personal law practice."],"userestrict_html_tesm":["\u003cp\u003eMaterials may contain sensitive or private information. Researchers may use data collected from these materials in the statistical aggregate or as an example to illustrate a theme. No identifying information should point to specific individuals or families mentioned in the files.\u003c/p\u003e","\u003cp\u003eMaterials produced by public servants while carrying out official duties are not copyrighted. Materials created outside of official duties, including diaries, personal correspondence, and campaign materials, are protected by copyright. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required from the copyright holder. For more information, please contact the West Virginia \u0026amp; Regional History Center.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials may contain sensitive or private information. Researchers may use data collected from these materials in the statistical aggregate or as an example to illustrate a theme. No identifying information should point to specific individuals or families mentioned in the files.","Materials produced by public servants while carrying out official duties are not copyrighted. Materials created outside of official duties, including diaries, personal correspondence, and campaign materials, are protected by copyright. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required from the copyright holder. For more information, please contact the West Virginia \u0026 Regional History Center."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a03b6405a27157686ee6f33db05971da\"\u003eArch Alfred Moore Jr. (b. 1923) served two consecutive terms as Governor of West Virginia from 1969-1977 and a third term from 1985-1989. He was an unsuccessful candidate for reelection for governor in 1988. Previously, he was elected as a Republican to five terms in the United States House of Representatives, serving from January 3, 1957-January 3, 1969. He was not a candidate for reelection to the Ninety-first Congress in 1968. He died on January 7, 2015, in Charleston, WV. The Arch A. Moore Jr. papers document his service as governor of West Virginia and in the U.S. Congress.\u003c/abstract\u003e\n    "],"abstract_tesim":["Arch Alfred Moore Jr. (b. 1923) served two consecutive terms as Governor of West Virginia from 1969-1977 and a third term from 1985-1989. He was an unsuccessful candidate for reelection for governor in 1988. Previously, he was elected as a Republican to five terms in the United States House of Representatives, serving from January 3, 1957-January 3, 1969. He was not a candidate for reelection to the Ninety-first Congress in 1968. He died on January 7, 2015, in Charleston, WV. The Arch A. Moore Jr. papers document his service as governor of West Virginia and in the U.S. Congress."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e4349904be92faa67b3f2fffb7a642a9\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Moore, Arch A., Jr. (Arch Alfred), 1923-2015"],"names_coll_ssim":["Moore, Arch A., Jr. (Arch Alfred), 1923-2015"],"names_ssim":["West Virginia and Regional History Center","Moore, Arch A., Jr. (Arch Alfred), 1923-2015"],"language_ssim":["Materials entirely in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":17113,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-09-01T16:09:34.240Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_965_c02_c06_c5020"}},{"id":"wvmturhc_repositories_2_resources_965_c02_c06_c5021","type":"File","attributes":{"title":"Z, 1973/1976","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_965_c02_c06_c5021#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_965_c02_c06_c5021","ref_ssm":["wvmturhc_repositories_2_resources_965_c02_c06_c5021"],"id":"wvmturhc_repositories_2_resources_965_c02_c06_c5021","ead_ssi":"wvmturhc_repositories_2_resources_965","_root_":"wvmturhc_repositories_2_resources_965","_nest_parent_":"wvmturhc_repositories_2_resources_965_c02_c06","parent_ssi":"wvmturhc_repositories_2_resources_965_c02_c06","parent_ssim":["Governor Arch A. Moore Jr. papers, 1950/1989","II. Gubernatorial papers, 1969/1977","F. Correspondence"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_965","wvmturhc_repositories_2_resources_965_c02","wvmturhc_repositories_2_resources_965_c02_c06"],"title_filing_ssi":"Z","title_ssm":["Z"],"title_tesim":["Z"],"normalized_title_ssm":["Z, 1973/1976"],"text":["Z, 1973/1976","Governor Arch A. Moore Jr. papers, 1950/1989","II. Gubernatorial papers, 1969/1977","F. Correspondence","2 of 2","Box II.F. - 334","Folder 19","English."],"parent_unittitles_ssm":["Governor Arch A. Moore Jr. papers, 1950/1989","II. Gubernatorial papers, 1969/1977","F. Correspondence"],"parent_unittitles_tesim":["Governor Arch A. Moore Jr. papers, 1950/1989","II. Gubernatorial papers, 1969/1977","F. Correspondence"],"normalized_date_ssm":["1973/1976"],"unitdate_inclusive_ssm":["1973-1976"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":13868,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Governor Arch A. Moore Jr. papers, 1950/1989"],"physdesc_tesim":["2 of 2"],"containers_ssim":["Box II.F. - 334","Folder 19"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The bulk of the Gubernatorial papers subgroup is closed for processing. Access may be granted at the discretion of the curator."],"parent_access_terms_tesm":["Correspondence in this series may contain sensitive personally identifiable information. Patrons must sign the WVRHC Agreement for the Use of Confidential Materials."],"language_ssim":["English."],"date_range_isim":[1973,1974,1975,1976],"_nest_path_":"/components#1/components#5/components#5020","timestamp":"2026-09-01T16:09:34.240Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_965","ead_ssi":"wvmturhc_repositories_2_resources_965","_root_":"wvmturhc_repositories_2_resources_965","_nest_parent_":"wvmturhc_repositories_2_resources_965","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_965.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/173832","title_ssm":["Governor Arch A. Moore Jr. papers"],"title_tesim":["Governor Arch A. Moore Jr. papers"],"unitdate_ssm":["1950-1989"],"unitdate_inclusive_ssm":["1950-1989"],"normalized_date_ssm":["1950/1989"],"normalized_title_ssm":["Governor Arch A. Moore Jr. papers, 1950/1989"],"text":["Governor Arch A. Moore Jr. papers, 1950/1989","A\u0026M 2862","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/965","United States -- Politics and government","United States -- Politics and government -- 20th century","West Virginia -- Politics and government","United States. Congress -- Archives","Vietnam War, 1961-1975","Emigration and immigration law -- United States","Civil rights -- United States -- History","Interstate Highway System","Politicians -- United States","The Arch A. Moore Jr. congressional papers are processed and open for research.","Processing of the Arch A. Moore Jr. gubernatorial papers is currently in progress, and materials will be made available as processed. Permission to access certain unprocessed materials may be given at the curator's discretion. Researchers collecting summary data may submit an Access Request Form.","The papers are arranged into three subgroups - Congressional papers, Gubernatorial papers, and Personal papers - , and each subgroup is further arranged into series.","Arch Alfred Moore Jr. served three terms as Governor of West Virginia (1969-1977, 1985-1989). He was an unsuccessful candidate for reelection for governor in 1988. Previously, he was elected as a Republican to five terms in the United States House of Representatives, serving from January 3, 1957-January 3, 1969. He was not a candidate for reelection to the Ninety-first Congress in 1968. He died on January 7, 2015, in Charleston, WV.","Arch Moore was born in Moundsville, WV, on April 16, 1923, to Arch Alfred Moore Sr. and Genevieve Elizabeth Jones. He graduated from Moundsville High School and worked in various jobs, including as a timekeeper for the Bechtel Corporation.","In 1943, he was drafted into the military and selected for Officers Training School and the Army Specialized Training Program (ASTP), which put soldiers into accelerated courses in various disciplines. He was placed at Lafayette College (near Allentown, PA), to study engineering and train as a soldier. Following D-Day on June 6, 1944, the Army terminated the ASTP. Moore was assigned to Company G, 334th Regiment of the 84th Infantry Division and sent to Europe where he served as a combat sergeant. In a battle in November 1944, 33 of his 36-man platoon died, and Sgt. Moore was severely wounded when a bullet ripped through the side of his face. He was transferred to Liege, Belgium, where his face was reconstructed, and he used public speaking as part of his physical therapy. He was awarded a Bronze Star and Purple Heart for his service and was shipped home in March 1946.","Moore enrolled at West Virginia University in Morgantown, WV, in June 1946, entering school as a junior with the credits transferred from Lafayette College. He majored in political science and became a well-known figure on campus through involvement with extra-curricular activities. He was a member and president of the Beta Theta Pi fraternity, wrote the first WVU student body constitution, and served as student body president. He organized fundraising for the Mountaineer Mascot statue and started Mountaineer Day, which later became Mountaineer Week. After completing his bachelor's degree, Moore enrolled at WVU College of Law.","While at WVU, Moore met Sadie Shelley Riley (known as Shelley), an undergraduate student from Uniontown, PA. In August 1949, Shelley and Arch married. Shelley worked in the film section of WVU Library, and Arch finished his law degree in May 1951. They then moved to Moundsville where Arch practiced law with his uncle Everett Moore, a politician and prominent attorney.","Arch and Shelley had three children together, Arch A. (Kim) Moore III, Shelley Wellons, and Lucy St. Clair. Daughter Shelley would go on to serve in the U.S. House of Representatives (2001-2014) and the U.S Senate (2015-present).","In 1952, Moore began his political career when he won his uncle's former seat in the West Virginia House of Delegates. After serving two years, he became the 1954 Republican nominee for the First District congressional seat, but he lost to sitting Congressman Robert Mollohan. In 1956, Mollohan left Congress to run for governor, and Moore won the seat over Democratic candidate C. Lee Spillers in a close race. Moore went on to serve six terms in Congress, 1957-1969, winning as a Republican in a predominantly Democratic state. Moore's district expanded after the 1960 census resulted in eliminating a West Virginia congressional district. Moore defeated Congressman Cleve Bailey to represent the new 13-county district.","In the House of Representatives, Moore served on the Judiciary Committee (1957-1969); the Select Small Business Committee (1957-1969); and the National Republican Congressional Committee (1957-1969) and Committee on Committees (1959-1969). He also served on several subcommittees, including the Immigration and Nationality Subcommittee (1959-1969); the Special Subcommittee on State Taxation and Interstate Commerce (1961-1969); and the Distribution Problems Affecting Small Businesses Subcommittee (1957-1967). Moore also served as the ranking Republican on the Select House Committee to investigate Representative Adam Clayton Powell in 1967.","During his congressional career, he supported civil rights and public works bills and was involved in several significant pieces of legislation. As a member of the Judiciary Committee, he worked on The Criminal Justice Act of 1963, The Civil Rights Acts of 1957 and 1964, and The Immigration and Nationality Act of 1965. He made numerous international trips, in particular visiting Vietnam several times during the war. During one such trip in 1966 the helicopter he was riding in was struck by a bullet, disabling the rotors and forcing it to land.","After six terms in Congress, Moore ran for governor of West Virginia and was elected in 1968. He served two consecutive terms (1969-1977) and one nonconsecutive (1985-1989), making him the only person to serve three terms as governor of West Virginia. His tenure was characterized by extensive road building and investments in public education, welfare, and mental health.","Shelley Moore also made impacts as First Lady, championing issues related to mental health, education, and libraries. She opened the Governor's Mansion to public tours and founded the West Virginia Mansion Preservation Foundation in 1985, raising funds to redecorate and preserve the building. She was active in numerous organizations, including the Girl Scouts, the Junior League of Wheeling, the American Red Cross, and the Montgomery (Maryland) County Cerebral Palsy Association. She was the longest serving first lady of West Virginia.","During his first term, Moore made headlines for firing more than 2,000 highway workers who went on strike, and he played a key negotiating role when thousands of miners went on strike over black lung benefits, leading to the disease's designation as a mining disability. In 1970, the Governor's Succession Amendment was ratified to the West Virginia constitution, allowing Moore to be the first governor to succeed himself since the 1870s. In 1972, he ran a heavily publicized election in which he defeated Jay Rockefeller.","As Governor, Arch made significant changes to the welfare and education systems, increasing monthly payments for about 20,000 families with dependent children and beginning payments for thousands of blind, aged, and disabled individuals. He supported legislation to open public kindergartens for five-year-old children, adopting the national trend in West Virginia. In an effort to bring more tourists to the state, he was instrumental in building Charleston's Cultural Center.","With funds from the state Roads Development Amendment, federal support through the Appalachian Regional Commission, and money remaining from the 1964 road bond, Moore was able to undertake one of the state's largest highway expansion projects. By the end of Moore's terms, part or all of Interstates 64, 68, and 79, as well as the West Virginia Turnpike, would be completed. Construction of the New River Gorge Bridge also began, and once finished, it would be at the time the world's longest single-span arch bridge.","Moore's tenure as governor also engendered criticisms and corruption charges. He faced disapproval for abruptly reducing a $100 million settlement with Pittston Coal Company to $1 million for cleanup charges for the 1972 Buffalo Creek disaster. In 1975, Moore and an aide were indicted on charges of extortion but were acquitted. Toward the end of his third term, more corruption charges were filed, and in 1990, Moore was found guilty of federal charges of mail fraud, tax fraud, extortion, and obstruction of justice. He served three years of a five-year prison term and was released in 1993. Though he pled guilty, he later maintained his innocence.","Arch Moore died January 7, 2015, in Charleston, WV, at the age of 91.","Sources:","Crouser, Brad. Arch: The Life of Governor Arch A. Moore, Jr. West Virginia: Woodland Press, LLC, 2006.","Grimes, Richard S. \"Arch Moore.\" e-WV: The West Virginia Encyclopedia. Accessed January 24, 2019.","Gutman, David. \"Shelley Riley Moore, former first lady of West Virginia, dies.\" Charleston Gazette-Mail. September 13, 2014.","Powell, Bob. \"Governor Moore fires striking highway workers.\" West Virginia Public Broadcasting. March 14, 1969.","Roberts, Sam. \"Arch Moore, Trailblazing West Virginia Governor, Dies at 91.\" The New York Times. January 8, 2015.","U.S. National Park Service. \"New River Gorge Bridge - New River Gorge National River.\" Accessed January 24, 2019.","The collection is stored off-site. Researchers should contact the West Virginia \u0026 Regional History Center prior to visiting to ensure materials are available.","The Governor Arch A. Moore Jr. papers are in process. The contents of this finding aid will be revised as progress is made on the collection.","Processed 2017-ongoing, by Danielle Emerling, Ashley Brooker, Alison McCauley, Shannon Rowe, Lydia Strickling","Congressman Nick Joe Rahall papers, 1977-2015","Senator John D. (Jay) Rockefeller papers, 1985-2014","Congressman Harley O. Staggers Sr. papers, 1948-1980","The Arch A. Moore Jr. papers document his career in the U.S. House of Representatives and his three terms as governor of West Virginia. A small number of materials relate to his personal law practice. Record formats include papers, audiovisual materials, photographs, maps, and memorabilia.","The first subgroup, Congressional papers, contains press, legislative, and constituent services materials from his tenure in Congress, 1957-1969.","The second subgroup, Gubernatorial papers, is composed of correspondence, photographs, staff files, and department files from Moore's three terms as governor of West Virginia.","The third subgroup, Personal papers, consists of materials relating to Moore's personal law practice.","Materials may contain sensitive or private information. Researchers may use data collected from these materials in the statistical aggregate or as an example to illustrate a theme. No identifying information should point to specific individuals or families mentioned in the files.","Materials produced by public servants while carrying out official duties are not copyrighted. Materials created outside of official duties, including diaries, personal correspondence, and campaign materials, are protected by copyright. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required from the copyright holder. For more information, please contact the West Virginia \u0026 Regional History Center.","Arch Alfred Moore Jr. (b. 1923) served two consecutive terms as Governor of West Virginia from 1969-1977 and a third term from 1985-1989. He was an unsuccessful candidate for reelection for governor in 1988. Previously, he was elected as a Republican to five terms in the United States House of Representatives, serving from January 3, 1957-January 3, 1969. He was not a candidate for reelection to the Ninety-first Congress in 1968. He died on January 7, 2015, in Charleston, WV. The Arch A. Moore Jr. papers document his service as governor of West Virginia and in the U.S. Congress.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Moore, Arch A., Jr. (Arch Alfred), 1923-2015","Materials entirely in English"],"collection_title_tesim":["Governor Arch A. Moore Jr. papers, 1950/1989"],"collection_ssim":["Governor Arch A. Moore Jr. papers, 1950/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2862","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/965"],"unitid_tesim":["A\u0026M 2862","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/965"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["United States -- Politics and government","United States -- Politics and government -- 20th century","West Virginia -- Politics and government"],"geogname_ssim":["United States -- Politics and government","United States -- Politics and government -- 20th century","West Virginia -- Politics and government"],"places_ssim":["United States -- Politics and government","United States -- Politics and government -- 20th century","West Virginia -- Politics and government"],"creator_ssm":["Moore, Arch A., Jr. (Arch Alfred), 1923-2015"],"creator_ssim":["Moore, Arch A., Jr. (Arch Alfred), 1923-2015"],"creator_persname_ssim":["Moore, Arch A., Jr. (Arch Alfred), 1923-2015"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Moore, Arch A., Jr. (Arch Alfred), 1923-2015","West Virginia and Regional History Center"],"access_terms_ssm":["Materials may contain sensitive or private information. Researchers may use data collected from these materials in the statistical aggregate or as an example to illustrate a theme. No identifying information should point to specific individuals or families mentioned in the files.","Materials produced by public servants while carrying out official duties are not copyrighted. Materials created outside of official duties, including diaries, personal correspondence, and campaign materials, are protected by copyright. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required from the copyright holder. For more information, please contact the West Virginia \u0026 Regional History Center."],"acqinfo_ssim":["Gift of Arch A. Moore Jr."],"access_subjects_ssim":["United States. Congress -- Archives","Vietnam War, 1961-1975","Emigration and immigration law -- United States","Civil rights -- United States -- History","Interstate Highway System","Politicians -- United States"],"access_subjects_ssm":["United States. Congress -- Archives","Vietnam War, 1961-1975","Emigration and immigration law -- United States","Civil rights -- United States -- History","Interstate Highway System","Politicians -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["2411 Linear Feet 2411 Records cartons"],"extent_tesim":["2411 Linear Feet 2411 Records cartons"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eThe Arch A. Moore Jr. congressional papers are processed and open for research. \u003c/p\u003e","\u003cp\u003eProcessing of the Arch A. Moore Jr. gubernatorial papers is currently in progress, and materials will be made available as processed. Permission to access certain unprocessed materials may be given at the curator's discretion. Researchers collecting summary data may submit an \u003ca href=\"https://wvu.libwizard.com/id/16c4c4750a7ec55c850fdcbbf951f60e\" target=\"_blank\"\u003eAccess Request Form\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Arch A. Moore Jr. congressional papers are processed and open for research.","Processing of the Arch A. Moore Jr. gubernatorial papers is currently in progress, and materials will be made available as processed. Permission to access certain unprocessed materials may be given at the curator's discretion. Researchers collecting summary data may submit an Access Request Form."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged into three subgroups - Congressional papers, Gubernatorial papers, and Personal papers - , and each subgroup is further arranged into series.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The papers are arranged into three subgroups - Congressional papers, Gubernatorial papers, and Personal papers - , and each subgroup is further arranged into series."],"bioghist_html_tesm":["\u003cp\u003eArch Alfred Moore Jr. served three terms as Governor of West Virginia (1969-1977, 1985-1989). He was an unsuccessful candidate for reelection for governor in 1988. Previously, he was elected as a Republican to five terms in the United States House of Representatives, serving from January 3, 1957-January 3, 1969. He was not a candidate for reelection to the Ninety-first Congress in 1968. He died on January 7, 2015, in Charleston, WV. \u003c/p\u003e","\u003cp\u003eArch Moore was born in Moundsville, WV, on April 16, 1923, to Arch Alfred Moore Sr. and Genevieve Elizabeth Jones. He graduated from Moundsville High School and worked in various jobs, including as a timekeeper for the Bechtel Corporation. \u003c/p\u003e","\u003cp\u003eIn 1943, he was drafted into the military and selected for Officers Training School and the Army Specialized Training Program (ASTP), which put soldiers into accelerated courses in various disciplines. He was placed at Lafayette College (near Allentown, PA), to study engineering and train as a soldier. Following D-Day on June 6, 1944, the Army terminated the ASTP. Moore was assigned to Company G, 334th Regiment of the 84th Infantry Division and sent to Europe where he served as a combat sergeant. In a battle in November 1944, 33 of his 36-man platoon died, and Sgt. Moore was severely wounded when a bullet ripped through the side of his face. He was transferred to Liege, Belgium, where his face was reconstructed, and he used public speaking as part of his physical therapy. He was awarded a Bronze Star and Purple Heart for his service and was shipped home in March 1946. \u003c/p\u003e","\u003cp\u003eMoore enrolled at West Virginia University in Morgantown, WV, in June 1946, entering school as a junior with the credits transferred from Lafayette College. He majored in political science and became a well-known figure on campus through involvement with extra-curricular activities. He was a member and president of the Beta Theta Pi fraternity, wrote the first WVU student body constitution, and served as student body president. He organized fundraising for the Mountaineer Mascot statue and started Mountaineer Day, which later became Mountaineer Week. After completing his bachelor's degree, Moore enrolled at WVU College of Law. \u003c/p\u003e","\u003cp\u003eWhile at WVU, Moore met Sadie Shelley Riley (known as Shelley), an undergraduate student from Uniontown, PA. In August 1949, Shelley and Arch married. Shelley worked in the film section of WVU Library, and Arch finished his law degree in May 1951. They then moved to Moundsville where Arch practiced law with his uncle Everett Moore, a politician and prominent attorney. \u003c/p\u003e","\u003cp\u003eArch and Shelley had three children together, Arch A. (Kim) Moore III, Shelley Wellons, and Lucy St. Clair. Daughter Shelley would go on to serve in the U.S. House of Representatives (2001-2014) and the U.S Senate (2015-present). \u003c/p\u003e","\u003cp\u003eIn 1952, Moore began his political career when he won his uncle's former seat in the West Virginia House of Delegates. After serving two years, he became the 1954 Republican nominee for the First District congressional seat, but he lost to sitting Congressman Robert Mollohan. In 1956, Mollohan left Congress to run for governor, and Moore won the seat over Democratic candidate C. Lee Spillers in a close race. Moore went on to serve six terms in Congress, 1957-1969, winning as a Republican in a predominantly Democratic state. Moore's district expanded after the 1960 census resulted in eliminating a West Virginia congressional district. Moore defeated Congressman Cleve Bailey to represent the new 13-county district. \u003c/p\u003e","\u003cp\u003eIn the House of Representatives, Moore served on the Judiciary Committee (1957-1969); the Select Small Business Committee (1957-1969); and the National Republican Congressional Committee (1957-1969) and Committee on Committees (1959-1969). He also served on several subcommittees, including the Immigration and Nationality Subcommittee (1959-1969); the Special Subcommittee on State Taxation and Interstate Commerce (1961-1969); and the Distribution Problems Affecting Small Businesses Subcommittee (1957-1967). Moore also served as the ranking Republican on the Select House Committee to investigate Representative Adam Clayton Powell in 1967. \u003c/p\u003e","\u003cp\u003eDuring his congressional career, he supported civil rights and public works bills and was involved in several significant pieces of legislation. As a member of the Judiciary Committee, he worked on The Criminal Justice Act of 1963, The Civil Rights Acts of 1957 and 1964, and The Immigration and Nationality Act of 1965. He made numerous international trips, in particular visiting Vietnam several times during the war. During one such trip in 1966 the helicopter he was riding in was struck by a bullet, disabling the rotors and forcing it to land. \u003c/p\u003e","\u003cp\u003eAfter six terms in Congress, Moore ran for governor of West Virginia and was elected in 1968. He served two consecutive terms (1969-1977) and one nonconsecutive (1985-1989), making him the only person to serve three terms as governor of West Virginia. His tenure was characterized by extensive road building and investments in public education, welfare, and mental health.  \u003c/p\u003e","\u003cp\u003eShelley Moore also made impacts as First Lady, championing issues related to mental health, education, and libraries. She opened the Governor's Mansion to public tours and founded the West Virginia Mansion Preservation Foundation in 1985, raising funds to redecorate and preserve the building. She was active in numerous organizations, including the Girl Scouts, the Junior League of Wheeling, the American Red Cross, and the Montgomery (Maryland) County Cerebral Palsy Association. She was the longest serving first lady of West Virginia. \u003c/p\u003e","\u003cp\u003eDuring his first term, Moore made headlines for firing more than 2,000 highway workers who went on strike, and he played a key negotiating role when thousands of miners went on strike over black lung benefits, leading to the disease's designation as a mining disability. In 1970, the Governor's Succession Amendment was ratified to the West Virginia constitution, allowing Moore to be the first governor to succeed himself since the 1870s. In 1972, he ran a heavily publicized election in which he defeated Jay Rockefeller.  \u003c/p\u003e","\u003cp\u003eAs Governor, Arch made significant changes to the welfare and education systems, increasing monthly payments for about 20,000 families with dependent children and beginning payments for thousands of blind, aged, and disabled individuals. He supported legislation to open public kindergartens for five-year-old children, adopting the national trend in West Virginia. In an effort to bring more tourists to the state, he was instrumental in building Charleston's Cultural Center. \u003c/p\u003e","\u003cp\u003eWith funds from the state Roads Development Amendment, federal support through the Appalachian Regional Commission, and money remaining from the 1964 road bond, Moore was able to undertake one of the state's largest highway expansion projects. By the end of Moore's terms, part or all of Interstates 64, 68, and 79, as well as the West Virginia Turnpike, would be completed. Construction of the New River Gorge Bridge also began, and once finished, it would be at the time the world's longest single-span arch bridge. \u003c/p\u003e","\u003cp\u003eMoore's tenure as governor also engendered criticisms and corruption charges. He faced disapproval for abruptly reducing a $100 million settlement with Pittston Coal Company to $1 million for cleanup charges for the 1972 Buffalo Creek disaster. In 1975, Moore and an aide were indicted on charges of extortion but were acquitted. Toward the end of his third term, more corruption charges were filed, and in 1990, Moore was found guilty of federal charges of mail fraud, tax fraud, extortion, and obstruction of justice. He served three years of a five-year prison term and was released in 1993. Though he pled guilty, he later maintained his innocence. \u003c/p\u003e","\u003cp\u003eArch Moore died January 7, 2015, in Charleston, WV, at the age of 91.\u003c/p\u003e","\u003cp\u003eSources: \u003c/p\u003e","\u003cp\u003eCrouser, Brad. Arch: The Life of Governor Arch A. Moore, Jr. West Virginia: Woodland Press, LLC, 2006. \u003c/p\u003e","\u003cp\u003eGrimes, Richard S. \"\u003ca href=\"https://www.wvencyclopedia.org/entries/1973\" target=\"_blank\"\u003eArch Moore.\u003c/a\u003e\" e-WV: The West Virginia Encyclopedia. Accessed January 24, 2019. \u003c/p\u003e","\u003cp\u003eGutman, David. \"\u003ca href=\"https://www.wvgazettemail.com/obituaries/shelley-riley-moore-former-first-lady-of-west-virginia-dies/article_1bf553b0-0cf9-562b-b316-e442b26cfedd.html\" target=\"_blank\"\u003eShelley Riley Moore, former first lady of West Virginia, dies.\u003c/a\u003e\" Charleston Gazette-Mail. September 13, 2014.\u003c/p\u003e","\u003cp\u003ePowell, Bob. \"\u003ca href=\"http://wvpublic.org/post/march-14-1969-governor-moore-fires-striking-highway-workers#stream/0\" target=\"_blank\"\u003eGovernor Moore fires striking highway workers.\u003c/a\u003e\" West Virginia Public Broadcasting. March 14, 1969.  \u003c/p\u003e","\u003cp\u003eRoberts, Sam. \"\u003ca href=\"https://www.nytimes.com/2015/01/09/us/arch-moore-91-w-virginia-trail-blazer-dies.html\" target=\"_blank\"\u003eArch Moore, Trailblazing West Virginia Governor, Dies at 91.\u003c/a\u003e\" The New York Times. January 8, 2015.  \u003c/p\u003e","\u003cp\u003eU.S. National Park Service. \"\u003ca href=\"https://www.nps.gov/neri/planyourvisit/nrgbridge.htm\" target=\"_blank\"\u003eNew River Gorge Bridge - New River Gorge National River.\u003c/a\u003e\" Accessed January 24, 2019. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Arch Alfred Moore Jr. served three terms as Governor of West Virginia (1969-1977, 1985-1989). He was an unsuccessful candidate for reelection for governor in 1988. Previously, he was elected as a Republican to five terms in the United States House of Representatives, serving from January 3, 1957-January 3, 1969. He was not a candidate for reelection to the Ninety-first Congress in 1968. He died on January 7, 2015, in Charleston, WV.","Arch Moore was born in Moundsville, WV, on April 16, 1923, to Arch Alfred Moore Sr. and Genevieve Elizabeth Jones. He graduated from Moundsville High School and worked in various jobs, including as a timekeeper for the Bechtel Corporation.","In 1943, he was drafted into the military and selected for Officers Training School and the Army Specialized Training Program (ASTP), which put soldiers into accelerated courses in various disciplines. He was placed at Lafayette College (near Allentown, PA), to study engineering and train as a soldier. Following D-Day on June 6, 1944, the Army terminated the ASTP. Moore was assigned to Company G, 334th Regiment of the 84th Infantry Division and sent to Europe where he served as a combat sergeant. In a battle in November 1944, 33 of his 36-man platoon died, and Sgt. Moore was severely wounded when a bullet ripped through the side of his face. He was transferred to Liege, Belgium, where his face was reconstructed, and he used public speaking as part of his physical therapy. He was awarded a Bronze Star and Purple Heart for his service and was shipped home in March 1946.","Moore enrolled at West Virginia University in Morgantown, WV, in June 1946, entering school as a junior with the credits transferred from Lafayette College. He majored in political science and became a well-known figure on campus through involvement with extra-curricular activities. He was a member and president of the Beta Theta Pi fraternity, wrote the first WVU student body constitution, and served as student body president. He organized fundraising for the Mountaineer Mascot statue and started Mountaineer Day, which later became Mountaineer Week. After completing his bachelor's degree, Moore enrolled at WVU College of Law.","While at WVU, Moore met Sadie Shelley Riley (known as Shelley), an undergraduate student from Uniontown, PA. In August 1949, Shelley and Arch married. Shelley worked in the film section of WVU Library, and Arch finished his law degree in May 1951. They then moved to Moundsville where Arch practiced law with his uncle Everett Moore, a politician and prominent attorney.","Arch and Shelley had three children together, Arch A. (Kim) Moore III, Shelley Wellons, and Lucy St. Clair. Daughter Shelley would go on to serve in the U.S. House of Representatives (2001-2014) and the U.S Senate (2015-present).","In 1952, Moore began his political career when he won his uncle's former seat in the West Virginia House of Delegates. After serving two years, he became the 1954 Republican nominee for the First District congressional seat, but he lost to sitting Congressman Robert Mollohan. In 1956, Mollohan left Congress to run for governor, and Moore won the seat over Democratic candidate C. Lee Spillers in a close race. Moore went on to serve six terms in Congress, 1957-1969, winning as a Republican in a predominantly Democratic state. Moore's district expanded after the 1960 census resulted in eliminating a West Virginia congressional district. Moore defeated Congressman Cleve Bailey to represent the new 13-county district.","In the House of Representatives, Moore served on the Judiciary Committee (1957-1969); the Select Small Business Committee (1957-1969); and the National Republican Congressional Committee (1957-1969) and Committee on Committees (1959-1969). He also served on several subcommittees, including the Immigration and Nationality Subcommittee (1959-1969); the Special Subcommittee on State Taxation and Interstate Commerce (1961-1969); and the Distribution Problems Affecting Small Businesses Subcommittee (1957-1967). Moore also served as the ranking Republican on the Select House Committee to investigate Representative Adam Clayton Powell in 1967.","During his congressional career, he supported civil rights and public works bills and was involved in several significant pieces of legislation. As a member of the Judiciary Committee, he worked on The Criminal Justice Act of 1963, The Civil Rights Acts of 1957 and 1964, and The Immigration and Nationality Act of 1965. He made numerous international trips, in particular visiting Vietnam several times during the war. During one such trip in 1966 the helicopter he was riding in was struck by a bullet, disabling the rotors and forcing it to land.","After six terms in Congress, Moore ran for governor of West Virginia and was elected in 1968. He served two consecutive terms (1969-1977) and one nonconsecutive (1985-1989), making him the only person to serve three terms as governor of West Virginia. His tenure was characterized by extensive road building and investments in public education, welfare, and mental health.","Shelley Moore also made impacts as First Lady, championing issues related to mental health, education, and libraries. She opened the Governor's Mansion to public tours and founded the West Virginia Mansion Preservation Foundation in 1985, raising funds to redecorate and preserve the building. She was active in numerous organizations, including the Girl Scouts, the Junior League of Wheeling, the American Red Cross, and the Montgomery (Maryland) County Cerebral Palsy Association. She was the longest serving first lady of West Virginia.","During his first term, Moore made headlines for firing more than 2,000 highway workers who went on strike, and he played a key negotiating role when thousands of miners went on strike over black lung benefits, leading to the disease's designation as a mining disability. In 1970, the Governor's Succession Amendment was ratified to the West Virginia constitution, allowing Moore to be the first governor to succeed himself since the 1870s. In 1972, he ran a heavily publicized election in which he defeated Jay Rockefeller.","As Governor, Arch made significant changes to the welfare and education systems, increasing monthly payments for about 20,000 families with dependent children and beginning payments for thousands of blind, aged, and disabled individuals. He supported legislation to open public kindergartens for five-year-old children, adopting the national trend in West Virginia. In an effort to bring more tourists to the state, he was instrumental in building Charleston's Cultural Center.","With funds from the state Roads Development Amendment, federal support through the Appalachian Regional Commission, and money remaining from the 1964 road bond, Moore was able to undertake one of the state's largest highway expansion projects. By the end of Moore's terms, part or all of Interstates 64, 68, and 79, as well as the West Virginia Turnpike, would be completed. Construction of the New River Gorge Bridge also began, and once finished, it would be at the time the world's longest single-span arch bridge.","Moore's tenure as governor also engendered criticisms and corruption charges. He faced disapproval for abruptly reducing a $100 million settlement with Pittston Coal Company to $1 million for cleanup charges for the 1972 Buffalo Creek disaster. In 1975, Moore and an aide were indicted on charges of extortion but were acquitted. Toward the end of his third term, more corruption charges were filed, and in 1990, Moore was found guilty of federal charges of mail fraud, tax fraud, extortion, and obstruction of justice. He served three years of a five-year prison term and was released in 1993. Though he pled guilty, he later maintained his innocence.","Arch Moore died January 7, 2015, in Charleston, WV, at the age of 91.","Sources:","Crouser, Brad. Arch: The Life of Governor Arch A. Moore, Jr. West Virginia: Woodland Press, LLC, 2006.","Grimes, Richard S. \"Arch Moore.\" e-WV: The West Virginia Encyclopedia. Accessed January 24, 2019.","Gutman, David. \"Shelley Riley Moore, former first lady of West Virginia, dies.\" Charleston Gazette-Mail. September 13, 2014.","Powell, Bob. \"Governor Moore fires striking highway workers.\" West Virginia Public Broadcasting. March 14, 1969.","Roberts, Sam. \"Arch Moore, Trailblazing West Virginia Governor, Dies at 91.\" The New York Times. January 8, 2015.","U.S. National Park Service. \"New River Gorge Bridge - New River Gorge National River.\" Accessed January 24, 2019."],"phystech_html_tesm":["\u003cp\u003eThe collection is stored off-site. Researchers should contact the West Virginia \u0026amp; Regional History Center prior to visiting to ensure materials are available.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The collection is stored off-site. Researchers should contact the West Virginia \u0026 Regional History Center prior to visiting to ensure materials are available."],"prefercite_html_tesm":["\u003cp\u003eA\u0026amp;M 2862, Governor Arch A. Moore Jr. Papers, West Virginia and Regional History Center, West Virginia University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["A\u0026M 2862, Governor Arch A. Moore Jr. Papers, West Virginia and Regional History Center, West Virginia University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe Governor Arch A. Moore Jr. papers are in process. The contents of this finding aid will be revised as progress is made on the collection.\u003c/p\u003e","\u003cp\u003eProcessed 2017-ongoing, by Danielle Emerling, Ashley Brooker, Alison McCauley, Shannon Rowe, Lydia Strickling\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Governor Arch A. Moore Jr. papers are in process. The contents of this finding aid will be revised as progress is made on the collection.","Processed 2017-ongoing, by Danielle Emerling, Ashley Brooker, Alison McCauley, Shannon Rowe, Lydia Strickling"],"relatedmaterial_html_tesm":["\u003cp\u003e\nCongressman Nick Joe Rahall papers, 1977-2015\n\u003c/p\u003e\n","\u003cp\u003e\nSenator John D. (Jay) Rockefeller papers, 1985-2014\n\u003c/p\u003e\n","\u003cp\u003e\nCongressman Harley O. Staggers Sr. papers, 1948-1980\n\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Congressman Nick Joe Rahall papers, 1977-2015","Senator John D. (Jay) Rockefeller papers, 1985-2014","Congressman Harley O. Staggers Sr. papers, 1948-1980"],"scopecontent_html_tesm":["\u003cp\u003eThe Arch A. Moore Jr. papers document his career in the U.S. House of Representatives and his three terms as governor of West Virginia. A small number of materials relate to his personal law practice. Record formats include papers, audiovisual materials, photographs, maps, and memorabilia.\u003c/p\u003e","\u003cp\u003eThe first subgroup, Congressional papers, contains press, legislative, and constituent services materials from his tenure in Congress, 1957-1969.\u003c/p\u003e","\u003cp\u003eThe second subgroup, Gubernatorial papers, is composed of correspondence, photographs, staff files, and department files from Moore's three terms as governor of West Virginia.\u003c/p\u003e","\u003cp\u003eThe third subgroup, Personal papers, consists of materials relating to Moore's personal law practice. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Arch A. Moore Jr. papers document his career in the U.S. House of Representatives and his three terms as governor of West Virginia. A small number of materials relate to his personal law practice. Record formats include papers, audiovisual materials, photographs, maps, and memorabilia.","The first subgroup, Congressional papers, contains press, legislative, and constituent services materials from his tenure in Congress, 1957-1969.","The second subgroup, Gubernatorial papers, is composed of correspondence, photographs, staff files, and department files from Moore's three terms as governor of West Virginia.","The third subgroup, Personal papers, consists of materials relating to Moore's personal law practice."],"userestrict_html_tesm":["\u003cp\u003eMaterials may contain sensitive or private information. Researchers may use data collected from these materials in the statistical aggregate or as an example to illustrate a theme. No identifying information should point to specific individuals or families mentioned in the files.\u003c/p\u003e","\u003cp\u003eMaterials produced by public servants while carrying out official duties are not copyrighted. Materials created outside of official duties, including diaries, personal correspondence, and campaign materials, are protected by copyright. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required from the copyright holder. For more information, please contact the West Virginia \u0026amp; Regional History Center.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials may contain sensitive or private information. Researchers may use data collected from these materials in the statistical aggregate or as an example to illustrate a theme. No identifying information should point to specific individuals or families mentioned in the files.","Materials produced by public servants while carrying out official duties are not copyrighted. Materials created outside of official duties, including diaries, personal correspondence, and campaign materials, are protected by copyright. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required from the copyright holder. For more information, please contact the West Virginia \u0026 Regional History Center."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a03b6405a27157686ee6f33db05971da\"\u003eArch Alfred Moore Jr. (b. 1923) served two consecutive terms as Governor of West Virginia from 1969-1977 and a third term from 1985-1989. He was an unsuccessful candidate for reelection for governor in 1988. Previously, he was elected as a Republican to five terms in the United States House of Representatives, serving from January 3, 1957-January 3, 1969. He was not a candidate for reelection to the Ninety-first Congress in 1968. He died on January 7, 2015, in Charleston, WV. The Arch A. Moore Jr. papers document his service as governor of West Virginia and in the U.S. Congress.\u003c/abstract\u003e\n    "],"abstract_tesim":["Arch Alfred Moore Jr. (b. 1923) served two consecutive terms as Governor of West Virginia from 1969-1977 and a third term from 1985-1989. He was an unsuccessful candidate for reelection for governor in 1988. Previously, he was elected as a Republican to five terms in the United States House of Representatives, serving from January 3, 1957-January 3, 1969. He was not a candidate for reelection to the Ninety-first Congress in 1968. He died on January 7, 2015, in Charleston, WV. The Arch A. Moore Jr. papers document his service as governor of West Virginia and in the U.S. Congress."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e4349904be92faa67b3f2fffb7a642a9\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Moore, Arch A., Jr. (Arch Alfred), 1923-2015"],"names_coll_ssim":["Moore, Arch A., Jr. (Arch Alfred), 1923-2015"],"names_ssim":["West Virginia and Regional History Center","Moore, Arch A., Jr. (Arch Alfred), 1923-2015"],"language_ssim":["Materials entirely in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":17113,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-09-01T16:09:34.240Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_965_c02_c06_c5021"}},{"id":"wvmturhc_repositories_2_resources_965_c02_c06_c5019","type":"File","attributes":{"title":"Z, 1973/1977","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_965_c02_c06_c5019#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_965_c02_c06_c5019","ref_ssm":["wvmturhc_repositories_2_resources_965_c02_c06_c5019"],"id":"wvmturhc_repositories_2_resources_965_c02_c06_c5019","ead_ssi":"wvmturhc_repositories_2_resources_965","_root_":"wvmturhc_repositories_2_resources_965","_nest_parent_":"wvmturhc_repositories_2_resources_965_c02_c06","parent_ssi":"wvmturhc_repositories_2_resources_965_c02_c06","parent_ssim":["Governor Arch A. Moore Jr. papers, 1950/1989","II. Gubernatorial papers, 1969/1977","F. Correspondence"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_965","wvmturhc_repositories_2_resources_965_c02","wvmturhc_repositories_2_resources_965_c02_c06"],"title_filing_ssi":"Z","title_ssm":["Z"],"title_tesim":["Z"],"normalized_title_ssm":["Z, 1973/1977"],"text":["Z, 1973/1977","Governor Arch A. Moore Jr. papers, 1950/1989","II. Gubernatorial papers, 1969/1977","F. Correspondence","Box II.F. - 334","Folder 17","English."],"parent_unittitles_ssm":["Governor Arch A. Moore Jr. papers, 1950/1989","II. Gubernatorial papers, 1969/1977","F. Correspondence"],"parent_unittitles_tesim":["Governor Arch A. Moore Jr. papers, 1950/1989","II. Gubernatorial papers, 1969/1977","F. Correspondence"],"normalized_date_ssm":["1973/1977"],"unitdate_inclusive_ssm":["1973-1977"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":13866,"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Governor Arch A. Moore Jr. papers, 1950/1989"],"containers_ssim":["Box II.F. - 334","Folder 17"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The bulk of the Gubernatorial papers subgroup is closed for processing. Access may be granted at the discretion of the curator."],"parent_access_terms_tesm":["Correspondence in this series may contain sensitive personally identifiable information. Patrons must sign the WVRHC Agreement for the Use of Confidential Materials."],"language_ssim":["English."],"date_range_isim":[1973,1974,1975,1976,1977],"_nest_path_":"/components#1/components#5/components#5018","timestamp":"2026-09-01T16:09:34.240Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_965","ead_ssi":"wvmturhc_repositories_2_resources_965","_root_":"wvmturhc_repositories_2_resources_965","_nest_parent_":"wvmturhc_repositories_2_resources_965","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_965.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/173832","title_ssm":["Governor Arch A. Moore Jr. papers"],"title_tesim":["Governor Arch A. Moore Jr. papers"],"unitdate_ssm":["1950-1989"],"unitdate_inclusive_ssm":["1950-1989"],"normalized_date_ssm":["1950/1989"],"normalized_title_ssm":["Governor Arch A. Moore Jr. papers, 1950/1989"],"text":["Governor Arch A. Moore Jr. papers, 1950/1989","A\u0026M 2862","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/965","United States -- Politics and government","United States -- Politics and government -- 20th century","West Virginia -- Politics and government","United States. Congress -- Archives","Vietnam War, 1961-1975","Emigration and immigration law -- United States","Civil rights -- United States -- History","Interstate Highway System","Politicians -- United States","The Arch A. Moore Jr. congressional papers are processed and open for research.","Processing of the Arch A. Moore Jr. gubernatorial papers is currently in progress, and materials will be made available as processed. Permission to access certain unprocessed materials may be given at the curator's discretion. Researchers collecting summary data may submit an Access Request Form.","The papers are arranged into three subgroups - Congressional papers, Gubernatorial papers, and Personal papers - , and each subgroup is further arranged into series.","Arch Alfred Moore Jr. served three terms as Governor of West Virginia (1969-1977, 1985-1989). He was an unsuccessful candidate for reelection for governor in 1988. Previously, he was elected as a Republican to five terms in the United States House of Representatives, serving from January 3, 1957-January 3, 1969. He was not a candidate for reelection to the Ninety-first Congress in 1968. He died on January 7, 2015, in Charleston, WV.","Arch Moore was born in Moundsville, WV, on April 16, 1923, to Arch Alfred Moore Sr. and Genevieve Elizabeth Jones. He graduated from Moundsville High School and worked in various jobs, including as a timekeeper for the Bechtel Corporation.","In 1943, he was drafted into the military and selected for Officers Training School and the Army Specialized Training Program (ASTP), which put soldiers into accelerated courses in various disciplines. He was placed at Lafayette College (near Allentown, PA), to study engineering and train as a soldier. Following D-Day on June 6, 1944, the Army terminated the ASTP. Moore was assigned to Company G, 334th Regiment of the 84th Infantry Division and sent to Europe where he served as a combat sergeant. In a battle in November 1944, 33 of his 36-man platoon died, and Sgt. Moore was severely wounded when a bullet ripped through the side of his face. He was transferred to Liege, Belgium, where his face was reconstructed, and he used public speaking as part of his physical therapy. He was awarded a Bronze Star and Purple Heart for his service and was shipped home in March 1946.","Moore enrolled at West Virginia University in Morgantown, WV, in June 1946, entering school as a junior with the credits transferred from Lafayette College. He majored in political science and became a well-known figure on campus through involvement with extra-curricular activities. He was a member and president of the Beta Theta Pi fraternity, wrote the first WVU student body constitution, and served as student body president. He organized fundraising for the Mountaineer Mascot statue and started Mountaineer Day, which later became Mountaineer Week. After completing his bachelor's degree, Moore enrolled at WVU College of Law.","While at WVU, Moore met Sadie Shelley Riley (known as Shelley), an undergraduate student from Uniontown, PA. In August 1949, Shelley and Arch married. Shelley worked in the film section of WVU Library, and Arch finished his law degree in May 1951. They then moved to Moundsville where Arch practiced law with his uncle Everett Moore, a politician and prominent attorney.","Arch and Shelley had three children together, Arch A. (Kim) Moore III, Shelley Wellons, and Lucy St. Clair. Daughter Shelley would go on to serve in the U.S. House of Representatives (2001-2014) and the U.S Senate (2015-present).","In 1952, Moore began his political career when he won his uncle's former seat in the West Virginia House of Delegates. After serving two years, he became the 1954 Republican nominee for the First District congressional seat, but he lost to sitting Congressman Robert Mollohan. In 1956, Mollohan left Congress to run for governor, and Moore won the seat over Democratic candidate C. Lee Spillers in a close race. Moore went on to serve six terms in Congress, 1957-1969, winning as a Republican in a predominantly Democratic state. Moore's district expanded after the 1960 census resulted in eliminating a West Virginia congressional district. Moore defeated Congressman Cleve Bailey to represent the new 13-county district.","In the House of Representatives, Moore served on the Judiciary Committee (1957-1969); the Select Small Business Committee (1957-1969); and the National Republican Congressional Committee (1957-1969) and Committee on Committees (1959-1969). He also served on several subcommittees, including the Immigration and Nationality Subcommittee (1959-1969); the Special Subcommittee on State Taxation and Interstate Commerce (1961-1969); and the Distribution Problems Affecting Small Businesses Subcommittee (1957-1967). Moore also served as the ranking Republican on the Select House Committee to investigate Representative Adam Clayton Powell in 1967.","During his congressional career, he supported civil rights and public works bills and was involved in several significant pieces of legislation. As a member of the Judiciary Committee, he worked on The Criminal Justice Act of 1963, The Civil Rights Acts of 1957 and 1964, and The Immigration and Nationality Act of 1965. He made numerous international trips, in particular visiting Vietnam several times during the war. During one such trip in 1966 the helicopter he was riding in was struck by a bullet, disabling the rotors and forcing it to land.","After six terms in Congress, Moore ran for governor of West Virginia and was elected in 1968. He served two consecutive terms (1969-1977) and one nonconsecutive (1985-1989), making him the only person to serve three terms as governor of West Virginia. His tenure was characterized by extensive road building and investments in public education, welfare, and mental health.","Shelley Moore also made impacts as First Lady, championing issues related to mental health, education, and libraries. She opened the Governor's Mansion to public tours and founded the West Virginia Mansion Preservation Foundation in 1985, raising funds to redecorate and preserve the building. She was active in numerous organizations, including the Girl Scouts, the Junior League of Wheeling, the American Red Cross, and the Montgomery (Maryland) County Cerebral Palsy Association. She was the longest serving first lady of West Virginia.","During his first term, Moore made headlines for firing more than 2,000 highway workers who went on strike, and he played a key negotiating role when thousands of miners went on strike over black lung benefits, leading to the disease's designation as a mining disability. In 1970, the Governor's Succession Amendment was ratified to the West Virginia constitution, allowing Moore to be the first governor to succeed himself since the 1870s. In 1972, he ran a heavily publicized election in which he defeated Jay Rockefeller.","As Governor, Arch made significant changes to the welfare and education systems, increasing monthly payments for about 20,000 families with dependent children and beginning payments for thousands of blind, aged, and disabled individuals. He supported legislation to open public kindergartens for five-year-old children, adopting the national trend in West Virginia. In an effort to bring more tourists to the state, he was instrumental in building Charleston's Cultural Center.","With funds from the state Roads Development Amendment, federal support through the Appalachian Regional Commission, and money remaining from the 1964 road bond, Moore was able to undertake one of the state's largest highway expansion projects. By the end of Moore's terms, part or all of Interstates 64, 68, and 79, as well as the West Virginia Turnpike, would be completed. Construction of the New River Gorge Bridge also began, and once finished, it would be at the time the world's longest single-span arch bridge.","Moore's tenure as governor also engendered criticisms and corruption charges. He faced disapproval for abruptly reducing a $100 million settlement with Pittston Coal Company to $1 million for cleanup charges for the 1972 Buffalo Creek disaster. In 1975, Moore and an aide were indicted on charges of extortion but were acquitted. Toward the end of his third term, more corruption charges were filed, and in 1990, Moore was found guilty of federal charges of mail fraud, tax fraud, extortion, and obstruction of justice. He served three years of a five-year prison term and was released in 1993. Though he pled guilty, he later maintained his innocence.","Arch Moore died January 7, 2015, in Charleston, WV, at the age of 91.","Sources:","Crouser, Brad. Arch: The Life of Governor Arch A. Moore, Jr. West Virginia: Woodland Press, LLC, 2006.","Grimes, Richard S. \"Arch Moore.\" e-WV: The West Virginia Encyclopedia. Accessed January 24, 2019.","Gutman, David. \"Shelley Riley Moore, former first lady of West Virginia, dies.\" Charleston Gazette-Mail. September 13, 2014.","Powell, Bob. \"Governor Moore fires striking highway workers.\" West Virginia Public Broadcasting. March 14, 1969.","Roberts, Sam. \"Arch Moore, Trailblazing West Virginia Governor, Dies at 91.\" The New York Times. January 8, 2015.","U.S. National Park Service. \"New River Gorge Bridge - New River Gorge National River.\" Accessed January 24, 2019.","The collection is stored off-site. Researchers should contact the West Virginia \u0026 Regional History Center prior to visiting to ensure materials are available.","The Governor Arch A. Moore Jr. papers are in process. The contents of this finding aid will be revised as progress is made on the collection.","Processed 2017-ongoing, by Danielle Emerling, Ashley Brooker, Alison McCauley, Shannon Rowe, Lydia Strickling","Congressman Nick Joe Rahall papers, 1977-2015","Senator John D. (Jay) Rockefeller papers, 1985-2014","Congressman Harley O. Staggers Sr. papers, 1948-1980","The Arch A. Moore Jr. papers document his career in the U.S. House of Representatives and his three terms as governor of West Virginia. A small number of materials relate to his personal law practice. Record formats include papers, audiovisual materials, photographs, maps, and memorabilia.","The first subgroup, Congressional papers, contains press, legislative, and constituent services materials from his tenure in Congress, 1957-1969.","The second subgroup, Gubernatorial papers, is composed of correspondence, photographs, staff files, and department files from Moore's three terms as governor of West Virginia.","The third subgroup, Personal papers, consists of materials relating to Moore's personal law practice.","Materials may contain sensitive or private information. Researchers may use data collected from these materials in the statistical aggregate or as an example to illustrate a theme. No identifying information should point to specific individuals or families mentioned in the files.","Materials produced by public servants while carrying out official duties are not copyrighted. Materials created outside of official duties, including diaries, personal correspondence, and campaign materials, are protected by copyright. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required from the copyright holder. For more information, please contact the West Virginia \u0026 Regional History Center.","Arch Alfred Moore Jr. (b. 1923) served two consecutive terms as Governor of West Virginia from 1969-1977 and a third term from 1985-1989. He was an unsuccessful candidate for reelection for governor in 1988. Previously, he was elected as a Republican to five terms in the United States House of Representatives, serving from January 3, 1957-January 3, 1969. He was not a candidate for reelection to the Ninety-first Congress in 1968. He died on January 7, 2015, in Charleston, WV. The Arch A. Moore Jr. papers document his service as governor of West Virginia and in the U.S. Congress.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Moore, Arch A., Jr. (Arch Alfred), 1923-2015","Materials entirely in English"],"collection_title_tesim":["Governor Arch A. Moore Jr. papers, 1950/1989"],"collection_ssim":["Governor Arch A. Moore Jr. papers, 1950/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2862","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/965"],"unitid_tesim":["A\u0026M 2862","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/965"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["United States -- Politics and government","United States -- Politics and government -- 20th century","West Virginia -- Politics and government"],"geogname_ssim":["United States -- Politics and government","United States -- Politics and government -- 20th century","West Virginia -- Politics and government"],"places_ssim":["United States -- Politics and government","United States -- Politics and government -- 20th century","West Virginia -- Politics and government"],"creator_ssm":["Moore, Arch A., Jr. (Arch Alfred), 1923-2015"],"creator_ssim":["Moore, Arch A., Jr. (Arch Alfred), 1923-2015"],"creator_persname_ssim":["Moore, Arch A., Jr. (Arch Alfred), 1923-2015"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Moore, Arch A., Jr. (Arch Alfred), 1923-2015","West Virginia and Regional History Center"],"access_terms_ssm":["Materials may contain sensitive or private information. Researchers may use data collected from these materials in the statistical aggregate or as an example to illustrate a theme. No identifying information should point to specific individuals or families mentioned in the files.","Materials produced by public servants while carrying out official duties are not copyrighted. Materials created outside of official duties, including diaries, personal correspondence, and campaign materials, are protected by copyright. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required from the copyright holder. For more information, please contact the West Virginia \u0026 Regional History Center."],"acqinfo_ssim":["Gift of Arch A. Moore Jr."],"access_subjects_ssim":["United States. Congress -- Archives","Vietnam War, 1961-1975","Emigration and immigration law -- United States","Civil rights -- United States -- History","Interstate Highway System","Politicians -- United States"],"access_subjects_ssm":["United States. Congress -- Archives","Vietnam War, 1961-1975","Emigration and immigration law -- United States","Civil rights -- United States -- History","Interstate Highway System","Politicians -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["2411 Linear Feet 2411 Records cartons"],"extent_tesim":["2411 Linear Feet 2411 Records cartons"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eThe Arch A. Moore Jr. congressional papers are processed and open for research. \u003c/p\u003e","\u003cp\u003eProcessing of the Arch A. Moore Jr. gubernatorial papers is currently in progress, and materials will be made available as processed. Permission to access certain unprocessed materials may be given at the curator's discretion. Researchers collecting summary data may submit an \u003ca href=\"https://wvu.libwizard.com/id/16c4c4750a7ec55c850fdcbbf951f60e\" target=\"_blank\"\u003eAccess Request Form\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Arch A. Moore Jr. congressional papers are processed and open for research.","Processing of the Arch A. Moore Jr. gubernatorial papers is currently in progress, and materials will be made available as processed. Permission to access certain unprocessed materials may be given at the curator's discretion. Researchers collecting summary data may submit an Access Request Form."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged into three subgroups - Congressional papers, Gubernatorial papers, and Personal papers - , and each subgroup is further arranged into series.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The papers are arranged into three subgroups - Congressional papers, Gubernatorial papers, and Personal papers - , and each subgroup is further arranged into series."],"bioghist_html_tesm":["\u003cp\u003eArch Alfred Moore Jr. served three terms as Governor of West Virginia (1969-1977, 1985-1989). He was an unsuccessful candidate for reelection for governor in 1988. Previously, he was elected as a Republican to five terms in the United States House of Representatives, serving from January 3, 1957-January 3, 1969. He was not a candidate for reelection to the Ninety-first Congress in 1968. He died on January 7, 2015, in Charleston, WV. \u003c/p\u003e","\u003cp\u003eArch Moore was born in Moundsville, WV, on April 16, 1923, to Arch Alfred Moore Sr. and Genevieve Elizabeth Jones. He graduated from Moundsville High School and worked in various jobs, including as a timekeeper for the Bechtel Corporation. \u003c/p\u003e","\u003cp\u003eIn 1943, he was drafted into the military and selected for Officers Training School and the Army Specialized Training Program (ASTP), which put soldiers into accelerated courses in various disciplines. He was placed at Lafayette College (near Allentown, PA), to study engineering and train as a soldier. Following D-Day on June 6, 1944, the Army terminated the ASTP. Moore was assigned to Company G, 334th Regiment of the 84th Infantry Division and sent to Europe where he served as a combat sergeant. In a battle in November 1944, 33 of his 36-man platoon died, and Sgt. Moore was severely wounded when a bullet ripped through the side of his face. He was transferred to Liege, Belgium, where his face was reconstructed, and he used public speaking as part of his physical therapy. He was awarded a Bronze Star and Purple Heart for his service and was shipped home in March 1946. \u003c/p\u003e","\u003cp\u003eMoore enrolled at West Virginia University in Morgantown, WV, in June 1946, entering school as a junior with the credits transferred from Lafayette College. He majored in political science and became a well-known figure on campus through involvement with extra-curricular activities. He was a member and president of the Beta Theta Pi fraternity, wrote the first WVU student body constitution, and served as student body president. He organized fundraising for the Mountaineer Mascot statue and started Mountaineer Day, which later became Mountaineer Week. After completing his bachelor's degree, Moore enrolled at WVU College of Law. \u003c/p\u003e","\u003cp\u003eWhile at WVU, Moore met Sadie Shelley Riley (known as Shelley), an undergraduate student from Uniontown, PA. In August 1949, Shelley and Arch married. Shelley worked in the film section of WVU Library, and Arch finished his law degree in May 1951. They then moved to Moundsville where Arch practiced law with his uncle Everett Moore, a politician and prominent attorney. \u003c/p\u003e","\u003cp\u003eArch and Shelley had three children together, Arch A. (Kim) Moore III, Shelley Wellons, and Lucy St. Clair. Daughter Shelley would go on to serve in the U.S. House of Representatives (2001-2014) and the U.S Senate (2015-present). \u003c/p\u003e","\u003cp\u003eIn 1952, Moore began his political career when he won his uncle's former seat in the West Virginia House of Delegates. After serving two years, he became the 1954 Republican nominee for the First District congressional seat, but he lost to sitting Congressman Robert Mollohan. In 1956, Mollohan left Congress to run for governor, and Moore won the seat over Democratic candidate C. Lee Spillers in a close race. Moore went on to serve six terms in Congress, 1957-1969, winning as a Republican in a predominantly Democratic state. Moore's district expanded after the 1960 census resulted in eliminating a West Virginia congressional district. Moore defeated Congressman Cleve Bailey to represent the new 13-county district. \u003c/p\u003e","\u003cp\u003eIn the House of Representatives, Moore served on the Judiciary Committee (1957-1969); the Select Small Business Committee (1957-1969); and the National Republican Congressional Committee (1957-1969) and Committee on Committees (1959-1969). He also served on several subcommittees, including the Immigration and Nationality Subcommittee (1959-1969); the Special Subcommittee on State Taxation and Interstate Commerce (1961-1969); and the Distribution Problems Affecting Small Businesses Subcommittee (1957-1967). Moore also served as the ranking Republican on the Select House Committee to investigate Representative Adam Clayton Powell in 1967. \u003c/p\u003e","\u003cp\u003eDuring his congressional career, he supported civil rights and public works bills and was involved in several significant pieces of legislation. As a member of the Judiciary Committee, he worked on The Criminal Justice Act of 1963, The Civil Rights Acts of 1957 and 1964, and The Immigration and Nationality Act of 1965. He made numerous international trips, in particular visiting Vietnam several times during the war. During one such trip in 1966 the helicopter he was riding in was struck by a bullet, disabling the rotors and forcing it to land. \u003c/p\u003e","\u003cp\u003eAfter six terms in Congress, Moore ran for governor of West Virginia and was elected in 1968. He served two consecutive terms (1969-1977) and one nonconsecutive (1985-1989), making him the only person to serve three terms as governor of West Virginia. His tenure was characterized by extensive road building and investments in public education, welfare, and mental health.  \u003c/p\u003e","\u003cp\u003eShelley Moore also made impacts as First Lady, championing issues related to mental health, education, and libraries. She opened the Governor's Mansion to public tours and founded the West Virginia Mansion Preservation Foundation in 1985, raising funds to redecorate and preserve the building. She was active in numerous organizations, including the Girl Scouts, the Junior League of Wheeling, the American Red Cross, and the Montgomery (Maryland) County Cerebral Palsy Association. She was the longest serving first lady of West Virginia. \u003c/p\u003e","\u003cp\u003eDuring his first term, Moore made headlines for firing more than 2,000 highway workers who went on strike, and he played a key negotiating role when thousands of miners went on strike over black lung benefits, leading to the disease's designation as a mining disability. In 1970, the Governor's Succession Amendment was ratified to the West Virginia constitution, allowing Moore to be the first governor to succeed himself since the 1870s. In 1972, he ran a heavily publicized election in which he defeated Jay Rockefeller.  \u003c/p\u003e","\u003cp\u003eAs Governor, Arch made significant changes to the welfare and education systems, increasing monthly payments for about 20,000 families with dependent children and beginning payments for thousands of blind, aged, and disabled individuals. He supported legislation to open public kindergartens for five-year-old children, adopting the national trend in West Virginia. In an effort to bring more tourists to the state, he was instrumental in building Charleston's Cultural Center. \u003c/p\u003e","\u003cp\u003eWith funds from the state Roads Development Amendment, federal support through the Appalachian Regional Commission, and money remaining from the 1964 road bond, Moore was able to undertake one of the state's largest highway expansion projects. By the end of Moore's terms, part or all of Interstates 64, 68, and 79, as well as the West Virginia Turnpike, would be completed. Construction of the New River Gorge Bridge also began, and once finished, it would be at the time the world's longest single-span arch bridge. \u003c/p\u003e","\u003cp\u003eMoore's tenure as governor also engendered criticisms and corruption charges. He faced disapproval for abruptly reducing a $100 million settlement with Pittston Coal Company to $1 million for cleanup charges for the 1972 Buffalo Creek disaster. In 1975, Moore and an aide were indicted on charges of extortion but were acquitted. Toward the end of his third term, more corruption charges were filed, and in 1990, Moore was found guilty of federal charges of mail fraud, tax fraud, extortion, and obstruction of justice. He served three years of a five-year prison term and was released in 1993. Though he pled guilty, he later maintained his innocence. \u003c/p\u003e","\u003cp\u003eArch Moore died January 7, 2015, in Charleston, WV, at the age of 91.\u003c/p\u003e","\u003cp\u003eSources: \u003c/p\u003e","\u003cp\u003eCrouser, Brad. Arch: The Life of Governor Arch A. Moore, Jr. West Virginia: Woodland Press, LLC, 2006. \u003c/p\u003e","\u003cp\u003eGrimes, Richard S. \"\u003ca href=\"https://www.wvencyclopedia.org/entries/1973\" target=\"_blank\"\u003eArch Moore.\u003c/a\u003e\" e-WV: The West Virginia Encyclopedia. Accessed January 24, 2019. \u003c/p\u003e","\u003cp\u003eGutman, David. \"\u003ca href=\"https://www.wvgazettemail.com/obituaries/shelley-riley-moore-former-first-lady-of-west-virginia-dies/article_1bf553b0-0cf9-562b-b316-e442b26cfedd.html\" target=\"_blank\"\u003eShelley Riley Moore, former first lady of West Virginia, dies.\u003c/a\u003e\" Charleston Gazette-Mail. September 13, 2014.\u003c/p\u003e","\u003cp\u003ePowell, Bob. \"\u003ca href=\"http://wvpublic.org/post/march-14-1969-governor-moore-fires-striking-highway-workers#stream/0\" target=\"_blank\"\u003eGovernor Moore fires striking highway workers.\u003c/a\u003e\" West Virginia Public Broadcasting. March 14, 1969.  \u003c/p\u003e","\u003cp\u003eRoberts, Sam. \"\u003ca href=\"https://www.nytimes.com/2015/01/09/us/arch-moore-91-w-virginia-trail-blazer-dies.html\" target=\"_blank\"\u003eArch Moore, Trailblazing West Virginia Governor, Dies at 91.\u003c/a\u003e\" The New York Times. January 8, 2015.  \u003c/p\u003e","\u003cp\u003eU.S. National Park Service. \"\u003ca href=\"https://www.nps.gov/neri/planyourvisit/nrgbridge.htm\" target=\"_blank\"\u003eNew River Gorge Bridge - New River Gorge National River.\u003c/a\u003e\" Accessed January 24, 2019. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Arch Alfred Moore Jr. served three terms as Governor of West Virginia (1969-1977, 1985-1989). He was an unsuccessful candidate for reelection for governor in 1988. Previously, he was elected as a Republican to five terms in the United States House of Representatives, serving from January 3, 1957-January 3, 1969. He was not a candidate for reelection to the Ninety-first Congress in 1968. He died on January 7, 2015, in Charleston, WV.","Arch Moore was born in Moundsville, WV, on April 16, 1923, to Arch Alfred Moore Sr. and Genevieve Elizabeth Jones. He graduated from Moundsville High School and worked in various jobs, including as a timekeeper for the Bechtel Corporation.","In 1943, he was drafted into the military and selected for Officers Training School and the Army Specialized Training Program (ASTP), which put soldiers into accelerated courses in various disciplines. He was placed at Lafayette College (near Allentown, PA), to study engineering and train as a soldier. Following D-Day on June 6, 1944, the Army terminated the ASTP. Moore was assigned to Company G, 334th Regiment of the 84th Infantry Division and sent to Europe where he served as a combat sergeant. In a battle in November 1944, 33 of his 36-man platoon died, and Sgt. Moore was severely wounded when a bullet ripped through the side of his face. He was transferred to Liege, Belgium, where his face was reconstructed, and he used public speaking as part of his physical therapy. He was awarded a Bronze Star and Purple Heart for his service and was shipped home in March 1946.","Moore enrolled at West Virginia University in Morgantown, WV, in June 1946, entering school as a junior with the credits transferred from Lafayette College. He majored in political science and became a well-known figure on campus through involvement with extra-curricular activities. He was a member and president of the Beta Theta Pi fraternity, wrote the first WVU student body constitution, and served as student body president. He organized fundraising for the Mountaineer Mascot statue and started Mountaineer Day, which later became Mountaineer Week. After completing his bachelor's degree, Moore enrolled at WVU College of Law.","While at WVU, Moore met Sadie Shelley Riley (known as Shelley), an undergraduate student from Uniontown, PA. In August 1949, Shelley and Arch married. Shelley worked in the film section of WVU Library, and Arch finished his law degree in May 1951. They then moved to Moundsville where Arch practiced law with his uncle Everett Moore, a politician and prominent attorney.","Arch and Shelley had three children together, Arch A. (Kim) Moore III, Shelley Wellons, and Lucy St. Clair. Daughter Shelley would go on to serve in the U.S. House of Representatives (2001-2014) and the U.S Senate (2015-present).","In 1952, Moore began his political career when he won his uncle's former seat in the West Virginia House of Delegates. After serving two years, he became the 1954 Republican nominee for the First District congressional seat, but he lost to sitting Congressman Robert Mollohan. In 1956, Mollohan left Congress to run for governor, and Moore won the seat over Democratic candidate C. Lee Spillers in a close race. Moore went on to serve six terms in Congress, 1957-1969, winning as a Republican in a predominantly Democratic state. Moore's district expanded after the 1960 census resulted in eliminating a West Virginia congressional district. Moore defeated Congressman Cleve Bailey to represent the new 13-county district.","In the House of Representatives, Moore served on the Judiciary Committee (1957-1969); the Select Small Business Committee (1957-1969); and the National Republican Congressional Committee (1957-1969) and Committee on Committees (1959-1969). He also served on several subcommittees, including the Immigration and Nationality Subcommittee (1959-1969); the Special Subcommittee on State Taxation and Interstate Commerce (1961-1969); and the Distribution Problems Affecting Small Businesses Subcommittee (1957-1967). Moore also served as the ranking Republican on the Select House Committee to investigate Representative Adam Clayton Powell in 1967.","During his congressional career, he supported civil rights and public works bills and was involved in several significant pieces of legislation. As a member of the Judiciary Committee, he worked on The Criminal Justice Act of 1963, The Civil Rights Acts of 1957 and 1964, and The Immigration and Nationality Act of 1965. He made numerous international trips, in particular visiting Vietnam several times during the war. During one such trip in 1966 the helicopter he was riding in was struck by a bullet, disabling the rotors and forcing it to land.","After six terms in Congress, Moore ran for governor of West Virginia and was elected in 1968. He served two consecutive terms (1969-1977) and one nonconsecutive (1985-1989), making him the only person to serve three terms as governor of West Virginia. His tenure was characterized by extensive road building and investments in public education, welfare, and mental health.","Shelley Moore also made impacts as First Lady, championing issues related to mental health, education, and libraries. She opened the Governor's Mansion to public tours and founded the West Virginia Mansion Preservation Foundation in 1985, raising funds to redecorate and preserve the building. She was active in numerous organizations, including the Girl Scouts, the Junior League of Wheeling, the American Red Cross, and the Montgomery (Maryland) County Cerebral Palsy Association. She was the longest serving first lady of West Virginia.","During his first term, Moore made headlines for firing more than 2,000 highway workers who went on strike, and he played a key negotiating role when thousands of miners went on strike over black lung benefits, leading to the disease's designation as a mining disability. In 1970, the Governor's Succession Amendment was ratified to the West Virginia constitution, allowing Moore to be the first governor to succeed himself since the 1870s. In 1972, he ran a heavily publicized election in which he defeated Jay Rockefeller.","As Governor, Arch made significant changes to the welfare and education systems, increasing monthly payments for about 20,000 families with dependent children and beginning payments for thousands of blind, aged, and disabled individuals. He supported legislation to open public kindergartens for five-year-old children, adopting the national trend in West Virginia. In an effort to bring more tourists to the state, he was instrumental in building Charleston's Cultural Center.","With funds from the state Roads Development Amendment, federal support through the Appalachian Regional Commission, and money remaining from the 1964 road bond, Moore was able to undertake one of the state's largest highway expansion projects. By the end of Moore's terms, part or all of Interstates 64, 68, and 79, as well as the West Virginia Turnpike, would be completed. Construction of the New River Gorge Bridge also began, and once finished, it would be at the time the world's longest single-span arch bridge.","Moore's tenure as governor also engendered criticisms and corruption charges. He faced disapproval for abruptly reducing a $100 million settlement with Pittston Coal Company to $1 million for cleanup charges for the 1972 Buffalo Creek disaster. In 1975, Moore and an aide were indicted on charges of extortion but were acquitted. Toward the end of his third term, more corruption charges were filed, and in 1990, Moore was found guilty of federal charges of mail fraud, tax fraud, extortion, and obstruction of justice. He served three years of a five-year prison term and was released in 1993. Though he pled guilty, he later maintained his innocence.","Arch Moore died January 7, 2015, in Charleston, WV, at the age of 91.","Sources:","Crouser, Brad. Arch: The Life of Governor Arch A. Moore, Jr. West Virginia: Woodland Press, LLC, 2006.","Grimes, Richard S. \"Arch Moore.\" e-WV: The West Virginia Encyclopedia. Accessed January 24, 2019.","Gutman, David. \"Shelley Riley Moore, former first lady of West Virginia, dies.\" Charleston Gazette-Mail. September 13, 2014.","Powell, Bob. \"Governor Moore fires striking highway workers.\" West Virginia Public Broadcasting. March 14, 1969.","Roberts, Sam. \"Arch Moore, Trailblazing West Virginia Governor, Dies at 91.\" The New York Times. January 8, 2015.","U.S. National Park Service. \"New River Gorge Bridge - New River Gorge National River.\" Accessed January 24, 2019."],"phystech_html_tesm":["\u003cp\u003eThe collection is stored off-site. Researchers should contact the West Virginia \u0026amp; Regional History Center prior to visiting to ensure materials are available.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The collection is stored off-site. Researchers should contact the West Virginia \u0026 Regional History Center prior to visiting to ensure materials are available."],"prefercite_html_tesm":["\u003cp\u003eA\u0026amp;M 2862, Governor Arch A. Moore Jr. Papers, West Virginia and Regional History Center, West Virginia University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["A\u0026M 2862, Governor Arch A. Moore Jr. Papers, West Virginia and Regional History Center, West Virginia University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe Governor Arch A. Moore Jr. papers are in process. The contents of this finding aid will be revised as progress is made on the collection.\u003c/p\u003e","\u003cp\u003eProcessed 2017-ongoing, by Danielle Emerling, Ashley Brooker, Alison McCauley, Shannon Rowe, Lydia Strickling\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Governor Arch A. Moore Jr. papers are in process. The contents of this finding aid will be revised as progress is made on the collection.","Processed 2017-ongoing, by Danielle Emerling, Ashley Brooker, Alison McCauley, Shannon Rowe, Lydia Strickling"],"relatedmaterial_html_tesm":["\u003cp\u003e\nCongressman Nick Joe Rahall papers, 1977-2015\n\u003c/p\u003e\n","\u003cp\u003e\nSenator John D. (Jay) Rockefeller papers, 1985-2014\n\u003c/p\u003e\n","\u003cp\u003e\nCongressman Harley O. Staggers Sr. papers, 1948-1980\n\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Congressman Nick Joe Rahall papers, 1977-2015","Senator John D. (Jay) Rockefeller papers, 1985-2014","Congressman Harley O. Staggers Sr. papers, 1948-1980"],"scopecontent_html_tesm":["\u003cp\u003eThe Arch A. Moore Jr. papers document his career in the U.S. House of Representatives and his three terms as governor of West Virginia. A small number of materials relate to his personal law practice. Record formats include papers, audiovisual materials, photographs, maps, and memorabilia.\u003c/p\u003e","\u003cp\u003eThe first subgroup, Congressional papers, contains press, legislative, and constituent services materials from his tenure in Congress, 1957-1969.\u003c/p\u003e","\u003cp\u003eThe second subgroup, Gubernatorial papers, is composed of correspondence, photographs, staff files, and department files from Moore's three terms as governor of West Virginia.\u003c/p\u003e","\u003cp\u003eThe third subgroup, Personal papers, consists of materials relating to Moore's personal law practice. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Arch A. Moore Jr. papers document his career in the U.S. House of Representatives and his three terms as governor of West Virginia. A small number of materials relate to his personal law practice. Record formats include papers, audiovisual materials, photographs, maps, and memorabilia.","The first subgroup, Congressional papers, contains press, legislative, and constituent services materials from his tenure in Congress, 1957-1969.","The second subgroup, Gubernatorial papers, is composed of correspondence, photographs, staff files, and department files from Moore's three terms as governor of West Virginia.","The third subgroup, Personal papers, consists of materials relating to Moore's personal law practice."],"userestrict_html_tesm":["\u003cp\u003eMaterials may contain sensitive or private information. Researchers may use data collected from these materials in the statistical aggregate or as an example to illustrate a theme. No identifying information should point to specific individuals or families mentioned in the files.\u003c/p\u003e","\u003cp\u003eMaterials produced by public servants while carrying out official duties are not copyrighted. Materials created outside of official duties, including diaries, personal correspondence, and campaign materials, are protected by copyright. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required from the copyright holder. For more information, please contact the West Virginia \u0026amp; Regional History Center.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials may contain sensitive or private information. Researchers may use data collected from these materials in the statistical aggregate or as an example to illustrate a theme. No identifying information should point to specific individuals or families mentioned in the files.","Materials produced by public servants while carrying out official duties are not copyrighted. Materials created outside of official duties, including diaries, personal correspondence, and campaign materials, are protected by copyright. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required from the copyright holder. For more information, please contact the West Virginia \u0026 Regional History Center."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a03b6405a27157686ee6f33db05971da\"\u003eArch Alfred Moore Jr. (b. 1923) served two consecutive terms as Governor of West Virginia from 1969-1977 and a third term from 1985-1989. He was an unsuccessful candidate for reelection for governor in 1988. Previously, he was elected as a Republican to five terms in the United States House of Representatives, serving from January 3, 1957-January 3, 1969. He was not a candidate for reelection to the Ninety-first Congress in 1968. He died on January 7, 2015, in Charleston, WV. The Arch A. Moore Jr. papers document his service as governor of West Virginia and in the U.S. Congress.\u003c/abstract\u003e\n    "],"abstract_tesim":["Arch Alfred Moore Jr. (b. 1923) served two consecutive terms as Governor of West Virginia from 1969-1977 and a third term from 1985-1989. He was an unsuccessful candidate for reelection for governor in 1988. Previously, he was elected as a Republican to five terms in the United States House of Representatives, serving from January 3, 1957-January 3, 1969. He was not a candidate for reelection to the Ninety-first Congress in 1968. He died on January 7, 2015, in Charleston, WV. The Arch A. Moore Jr. papers document his service as governor of West Virginia and in the U.S. Congress."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e4349904be92faa67b3f2fffb7a642a9\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Moore, Arch A., Jr. (Arch Alfred), 1923-2015"],"names_coll_ssim":["Moore, Arch A., Jr. (Arch Alfred), 1923-2015"],"names_ssim":["West Virginia and Regional History Center","Moore, Arch A., Jr. (Arch Alfred), 1923-2015"],"language_ssim":["Materials entirely in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":17113,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-09-01T16:09:34.240Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_965_c02_c06_c5019"}},{"id":"vifgm_repositories_2_resources_374_c01_c66","type":"File","attributes":{"title":"Zahradeen/Adams, 1973/1974","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_374_c01_c66#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_374_c01_c66","ref_ssm":["vifgm_repositories_2_resources_374_c01_c66"],"id":"vifgm_repositories_2_resources_374_c01_c66","ead_ssi":"vifgm_repositories_2_resources_374","_root_":"vifgm_repositories_2_resources_374","_nest_parent_":"vifgm_repositories_2_resources_374_c01","parent_ssi":"vifgm_repositories_2_resources_374_c01","parent_ssim":["John N. Paden papers, 1938/2010","Series 1: Correspondence, 1960/2005"],"parent_ids_ssim":["vifgm_repositories_2_resources_374","vifgm_repositories_2_resources_374_c01"],"title_filing_ssi":"Zahradeen/Adams","title_ssm":["Zahradeen/Adams"],"title_tesim":["Zahradeen/Adams"],"normalized_title_ssm":["Zahradeen/Adams, 1973/1974"],"text":["Zahradeen/Adams, 1973/1974","John N. Paden papers, 1938/2010","Series 1: Correspondence, 1960/2005","box 4","folder 6"],"parent_unittitles_ssm":["John N. Paden papers, 1938/2010","Series 1: Correspondence, 1960/2005"],"parent_unittitles_tesim":["John N. Paden papers, 1938/2010","Series 1: Correspondence, 1960/2005"],"normalized_date_ssm":["1973/1974"],"unitdate_other_ssim":["1973-1974"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":67,"repository_ssim":["George Mason University"],"collection_ssim":["John N. Paden papers, 1938/2010"],"containers_ssim":["box 4","folder 6"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1973,1974],"_nest_path_":"/components#0/components#65","timestamp":"2026-08-14T22:34:46.203Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_374","ead_ssi":"vifgm_repositories_2_resources_374","_root_":"vifgm_repositories_2_resources_374","_nest_parent_":"vifgm_repositories_2_resources_374","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_374.xml","title_ssm":["John N. Paden papers"],"title_tesim":["John N. Paden papers"],"unitdate_ssm":["1938 - 2010"],"unitdate_inclusive_ssm":["1938 - 2010"],"normalized_date_ssm":["1938/2010"],"normalized_title_ssm":["John N. Paden papers, 1938/2010"],"text":["John N. Paden papers, 1938/2010","C0194","/repositories/2/resources/374","Africa","Nigeria","International relations","Photography -- Negatives","Photographs","Sound recordings","Correspondence","Slides","There are no access restrictions.","Series\n      Series 1: Correspondence, 1971-1998 (Boxes 1-4)\n      Series 2: Research, 1950s-2010 (Boxes 4-85)\n      Series 3: Publications, 1959-2010 (Boxes 85-104, 111-129)\n      Series 4: Maps, 1949-1980s (Box 104)\n      Series 5: Audio/Visual, 1938-1985 (Boxes 105-109, 133)\n      Series 6: Oversize, 1949-1997 (110, 130, Map Case)\n      Series 7: Realia, undated (Boxes 131-132)","Dr. John N. Paden is a Clarence Robinson Professor of International Studies at George Mason University. He received his BA in philosophy from Occidental College, his MA in philosophy, politics, and economics from Oxford University as a Rhodes Scholar, and his PhD in politics from Harvard University.","A professor at Mason for 25 years, Dr. Paden currently teaches comparative government, international development, and conflict resolution. He is a co-founder of the GMU graduate program in International Commerce and Policy (ICP). He is also co-founder and co-director of the GMU Center for Asia Pacific Economic Cooperation (CAPEC), under the Office of the Provost. He has been involved in scholarly exchanges between the US and China for the past 25 years, and has served as Director of the SPP/ICP summer graduate program in China, focusing on socio-economic changes and cross-cultural trade strategies. He also participated in the SPP/ICP summer trade programs in Oxford and Geneva. He helped develop undergraduate minors at GMU in Asia Pacific Studies, Islamic Studies, and Afro-American and African Studies. He has served as Director of African Studies at Northwestern University, Professor of Public Administration at Ahmadu Bello University (Zaria, Nigeria), and Dean, Faculty of Social and Management Sciences, at Bayero University (Kano, Nigeria).","Since 2002, Dr. Paden has served on a senior level task force at the Brookings Institution on \"US policy toward the Islamic world.\" Dr. Paden's work includes an extensive list of publications, including highly acclaimed textbooks about Africa. His most recent book, Post-election Conflict Management in Nigeria: The Challenge of National Unity, was published in 2012 by the George Mason University School of Conflict Analysis and Resolution.","Processed by Blyth McManus in 2014. EAD markup completed by Blyth McManus in 2014. Finding aid updated by Amanda Menjivar in March 2023.","This collection has additional unprocessed accessions 2018.009, 2018.028, 2018.036, 2018.043, 2019.037, 2022.034-C, 2023.014-C, 2023.027-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information.","The Special Collections Research Center also holds the papers of many other George Mason University professors, as well as materials pertaining to International Relations, including the , the , and the . Other collections containing photographs or slides of Nigeria include the , the , and the .","The collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component.","Series 1, Correspondence: Includes correspondence relating to book reviews, various publications, research projects, conferences, travel arrangements, publishing matters related to Dr. Paden's works, and letters of recommendation for students. Organized alphabetically by subject and then chronologically.","Series 2, Research: Published papers and documents, conference papers, and related materials. Research for Dr. Paden's dissertation is included and often separated by him into chapters and appendices, which include illustrations, maps, and tables. Major topics represented are politics, development, and economics; Hausa language and Hausa language education; Islam in Africa; African studies; Arabic literature; research for his book Black Africa; and broad information on Northern Nigeria. Materials are organized by subject and then chronologically. Materials from his former wife Ann are included and marked as such when known. Her research contains extensive information on family, childbirth, children, home health care and medicine, food, and issues specific to women. Series also includes index cards containing original research, most from the 1960s - 1970s. Materials are organized by type, subject, and then chronologically.","Series 3, Publications: Includes books, journals, newspapers, catalogs from publishing houses, and various ephemera. Contents relate mainly to Nigeria, but also included are items relating to other African nations as well as to the US and UK. Collection includes more than twenty different newspapers which were published in Nigeria, but primarily written in English. Major publications are the New Nigerian, Nigerian Citizen, and This Day. Newspapers range from the 1960s-2010. Magazines both political and popular are included. The series also contains travel-related publications from the 1970s, including airline schedules, tourist information, and many site-specific or event-specific brochures, some of which are interesting historical documents in their own right. The majority of travel brochures come from California, Chicago and Illinois, Michigan, Minnesota, and Texas, but some are from other regions of the US and overseas. Organized by subject and then chronologically.","Series 4: Maps. Includes maps of various African nations, primarily Nigeria. Organized by region and then chronologically. A greater quantity of maps may be found in Series 6, Oversize.","Series 5: Audio/Visual. Reel to reel audio tapes, audio cassette tapes, photographs, negatives. Audio recordings include radio interviews and other audio information relating to Nigeria in the 1960s. Photographs are primarily research-related images, the majority from Dr. Paden's trip to Africa in the 1960s, and include group portraits, images of Nigerian life, events, and royalty, and some personal family photographs dating from the 1930s. Slides are variously labeled by former wife Ann Paden as political rallies; crowd scenes; Hausa; Fulani; activities; Sallah; Malams; \"Audo and the Padens;\" images of Kano City, Morocco, Spain, and England; general landscape; friends; and the house in Nigeria which Dr. Paden and his former wife occupied. Not all of the subjects listed appear to be in the extant slide collection. Materials are organized by medium, then by subject, and then chronologically.","Series 6: Oversized. Maps, posters, a small amount of printed matter, one large photograph, and one large charcoal sketch. Includes maps up to wall size of Nigeria, other nations, and world regions. In addition to basic maps showing cities, states, and regions, series also includes maps illustrating demography, transportation, topography, concentration of religious groups, location of tribal areas, and other specialized information. Includes posters relating to politics, cultural ideals, and university education. A few posters reflect popular culture of the 1970s. Materials range from the 1950s-2000s. Materials are organized by medium, then by subject, and then chronologically.","Series 7: Regalia. Includes a percussion instrument called a \"yomkwo,\" or Nigerian raft zither, of the style made by the Birom (Berom) people of the Jos plateau. A yomkwo is a flat instrument made of reeds and grasses with a rattle attached to the back. Also included are eight Qur'an (Koran) boards, made of wood and other natural materials, in the style of the Hausa peoples. Six have Arabic writing on them. One is undecorated. Used for memorization of the Koran, often in conjunction with the drinking ink tradition. Materials are unidentified wood and ink. Paddle-shaped, about 8\"-12\"L x 6\"-8\"W. All regalia is undated.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component. Documents are primarily in English but occasionally in German, French, Arabic, or Hausa.","Map Case 14.2-14.4","George Mason University. Libraries. Special Collections Research Center","Paden, John N.","English"],"collection_title_tesim":["John N. Paden papers, 1938/2010"],"collection_ssim":["John N. Paden papers, 1938/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0194","/repositories/2/resources/374"],"unitid_tesim":["C0194","/repositories/2/resources/374"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Africa","Nigeria"],"geogname_ssim":["Africa","Nigeria"],"places_ssim":["Africa","Nigeria"],"creator_ssm":["Paden, John N."],"creator_ssim":["Paden, John N."],"creator_persname_ssim":["Paden, John N."],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Paden, John N.","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by John N. Paden in 2011. Multiple subsequent donations have followed."],"access_subjects_ssim":["International relations","Photography -- Negatives","Photographs","Sound recordings","Correspondence","Slides"],"access_subjects_ssm":["International relations","Photography -- Negatives","Photographs","Sound recordings","Correspondence","Slides"],"has_online_content_ssim":["false"],"extent_ssm":["66 Linear Feet 133 boxes"],"extent_tesim":["66 Linear Feet 133 boxes"],"genreform_ssim":["Photographs","Sound recordings","Correspondence","Slides"],"date_range_isim":[1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence, 1971-1998 (Boxes 1-4)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Research, 1950s-2010 (Boxes 4-85)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Publications, 1959-2010 (Boxes 85-104, 111-129)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Maps, 1949-1980s (Box 104)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audio/Visual, 1938-1985 (Boxes 105-109, 133)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Oversize, 1949-1997 (110, 130, Map Case)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Realia, undated (Boxes 131-132)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series\n      Series 1: Correspondence, 1971-1998 (Boxes 1-4)\n      Series 2: Research, 1950s-2010 (Boxes 4-85)\n      Series 3: Publications, 1959-2010 (Boxes 85-104, 111-129)\n      Series 4: Maps, 1949-1980s (Box 104)\n      Series 5: Audio/Visual, 1938-1985 (Boxes 105-109, 133)\n      Series 6: Oversize, 1949-1997 (110, 130, Map Case)\n      Series 7: Realia, undated (Boxes 131-132)"],"bioghist_html_tesm":["\u003cp\u003eDr. John N. Paden is a Clarence Robinson Professor of International Studies at George Mason University. He received his BA in philosophy from Occidental College, his MA in philosophy, politics, and economics from Oxford University as a Rhodes Scholar, and his PhD in politics from Harvard University. \u003c/p\u003e","\u003cp\u003e A professor at Mason for 25 years, Dr. Paden currently teaches comparative government, international development, and conflict resolution. He is a co-founder of the GMU graduate program in International Commerce and Policy (ICP). He is also co-founder and co-director of the GMU Center for Asia Pacific Economic Cooperation (CAPEC), under the Office of the Provost. He has been involved in scholarly exchanges between the US and China for the past 25 years, and has served as Director of the SPP/ICP summer graduate program in China, focusing on socio-economic changes and cross-cultural trade strategies. He also participated in the SPP/ICP summer trade programs in Oxford and Geneva. He helped develop undergraduate minors at GMU in Asia Pacific Studies, Islamic Studies, and Afro-American and African Studies. He has served as Director of African Studies at Northwestern University, Professor of Public Administration at Ahmadu Bello University (Zaria, Nigeria), and Dean, Faculty of Social and Management Sciences, at Bayero University (Kano, Nigeria). \u003c/p\u003e","\u003cp\u003e Since 2002, Dr. Paden has served on a senior level task force at the Brookings Institution on \"US policy toward the Islamic world.\" Dr. Paden's work includes an extensive list of publications, including highly acclaimed textbooks about Africa. His most recent book, Post-election Conflict Management in Nigeria: The Challenge of National Unity, was published in 2012 by the George Mason University School of Conflict Analysis and Resolution. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Dr. John N. Paden is a Clarence Robinson Professor of International Studies at George Mason University. He received his BA in philosophy from Occidental College, his MA in philosophy, politics, and economics from Oxford University as a Rhodes Scholar, and his PhD in politics from Harvard University.","A professor at Mason for 25 years, Dr. Paden currently teaches comparative government, international development, and conflict resolution. He is a co-founder of the GMU graduate program in International Commerce and Policy (ICP). He is also co-founder and co-director of the GMU Center for Asia Pacific Economic Cooperation (CAPEC), under the Office of the Provost. He has been involved in scholarly exchanges between the US and China for the past 25 years, and has served as Director of the SPP/ICP summer graduate program in China, focusing on socio-economic changes and cross-cultural trade strategies. He also participated in the SPP/ICP summer trade programs in Oxford and Geneva. He helped develop undergraduate minors at GMU in Asia Pacific Studies, Islamic Studies, and Afro-American and African Studies. He has served as Director of African Studies at Northwestern University, Professor of Public Administration at Ahmadu Bello University (Zaria, Nigeria), and Dean, Faculty of Social and Management Sciences, at Bayero University (Kano, Nigeria).","Since 2002, Dr. Paden has served on a senior level task force at the Brookings Institution on \"US policy toward the Islamic world.\" Dr. Paden's work includes an extensive list of publications, including highly acclaimed textbooks about Africa. His most recent book, Post-election Conflict Management in Nigeria: The Challenge of National Unity, was published in 2012 by the George Mason University School of Conflict Analysis and Resolution."],"prefercite_html_tesm":["\u003cp\u003eJohn N. Paden papers, C0194, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["John N. Paden papers, C0194, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Blyth McManus in 2014. EAD markup completed by Blyth McManus in 2014. Finding aid updated by Amanda Menjivar in March 2023.\u003c/p\u003e","\u003cp\u003eThis collection has additional unprocessed accessions 2018.009, 2018.028, 2018.036, 2018.043, 2019.037, 2022.034-C, 2023.014-C, 2023.027-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Blyth McManus in 2014. EAD markup completed by Blyth McManus in 2014. Finding aid updated by Amanda Menjivar in March 2023.","This collection has additional unprocessed accessions 2018.009, 2018.028, 2018.036, 2018.043, 2019.037, 2022.034-C, 2023.014-C, 2023.027-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the papers of many other George Mason University professors, as well as materials pertaining to International Relations, including the \u003cextptr show=\"new\" title=\"John W. Burton papers\" href=\"https://aspace.gmu.edu/resources/c0006\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"Henry O. Lampe papers\" href=\"https://aspace.gmu.edu/resources/c0092\"\u003e\u003c/extptr\u003e, and the \u003cextptr show=\"new\" title=\"Maxwell Harway papers\" href=\"https://aspace.gmu.edu/resources/c0120\"\u003e\u003c/extptr\u003e. Other collections containing photographs or slides of Nigeria include the \u003cextptr show=\"new\" title=\"Kjell Sandved nature collection\" href=\"https://aspace.gmu.edu/resources/c0020\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"Oliver F. Atkins photograph collection\" href=\"https://aspace.gmu.edu/resources/c0036\"\u003e\u003c/extptr\u003e, and the \u003cextptr show=\"new\" title=\"Edith McChesney Ker papers\" href=\"https://aspace.gmu.edu/resources/c0077\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the papers of many other George Mason University professors, as well as materials pertaining to International Relations, including the , the , and the . Other collections containing photographs or slides of Nigeria include the , the , and the ."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component.\u003c/p\u003e","\u003cp\u003eSeries 1, Correspondence: Includes correspondence relating to book reviews, various publications, research projects, conferences, travel arrangements, publishing matters related to Dr. Paden's works, and letters of recommendation for students. Organized alphabetically by subject and then chronologically.\u003c/p\u003e","\u003cp\u003eSeries 2, Research: Published papers and documents, conference papers, and related materials. Research for Dr. Paden's dissertation is included and often separated by him into chapters and appendices, which include illustrations, maps, and tables. Major topics represented are politics, development, and economics; Hausa language and Hausa language education; Islam in Africa; African studies; Arabic literature; research for his book Black Africa; and broad information on Northern Nigeria. Materials are organized by subject and then chronologically. Materials from his former wife Ann are included and marked as such when known. Her research contains extensive information on family, childbirth, children, home health care and medicine, food, and issues specific to women. Series also includes index cards containing original research, most from the 1960s - 1970s. Materials are organized by type, subject, and then chronologically.\u003c/p\u003e","\u003cp\u003eSeries 3, Publications: Includes books, journals, newspapers, catalogs from publishing houses, and various ephemera. Contents relate mainly to Nigeria, but also included are items relating to other African nations as well as to the US and UK. Collection includes more than twenty different newspapers which were published in Nigeria, but primarily written in English. Major publications are the New Nigerian, Nigerian Citizen, and This Day. Newspapers range from the 1960s-2010. Magazines both political and popular are included. The series also contains travel-related publications from the 1970s, including airline schedules, tourist information, and many site-specific or event-specific brochures, some of which are interesting historical documents in their own right. The majority of travel brochures come from California, Chicago and Illinois, Michigan, Minnesota, and Texas, but some are from other regions of the US and overseas. Organized by subject and then chronologically.\u003c/p\u003e","\u003cp\u003eSeries 4: Maps. Includes maps of various African nations, primarily Nigeria. Organized by region and then chronologically. A greater quantity of maps may be found in Series 6, Oversize.\u003c/p\u003e","\u003cp\u003eSeries 5: Audio/Visual. Reel to reel audio tapes, audio cassette tapes, photographs, negatives. Audio recordings include radio interviews and other audio information relating to Nigeria in the 1960s. Photographs are primarily research-related images, the majority from Dr. Paden's trip to Africa in the 1960s, and include group portraits, images of Nigerian life, events, and royalty, and some personal family photographs dating from the 1930s. Slides are variously labeled by former wife Ann Paden as political rallies; crowd scenes; Hausa; Fulani; activities; Sallah; Malams; \"Audo and the Padens;\" images of Kano City, Morocco, Spain, and England; general landscape; friends; and the house in Nigeria which Dr. Paden and his former wife occupied. Not all of the subjects listed appear to be in the extant slide collection. Materials are organized by medium, then by subject, and then chronologically.\u003c/p\u003e","\u003cp\u003eSeries 6: Oversized. Maps, posters, a small amount of printed matter, one large photograph, and one large charcoal sketch. Includes maps up to wall size of Nigeria, other nations, and world regions. In addition to basic maps showing cities, states, and regions, series also includes maps illustrating demography, transportation, topography, concentration of religious groups, location of tribal areas, and other specialized information. Includes posters relating to politics, cultural ideals, and university education. A few posters reflect popular culture of the 1970s. Materials range from the 1950s-2000s. Materials are organized by medium, then by subject, and then chronologically.\u003c/p\u003e","\u003cp\u003eSeries 7: Regalia. Includes a percussion instrument called a \"yomkwo,\" or Nigerian raft zither, of the style made by the Birom (Berom) people of the Jos plateau. A yomkwo is a flat instrument made of reeds and grasses with a rattle attached to the back. Also included are eight Qur'an (Koran) boards, made of wood and other natural materials, in the style of the Hausa peoples. Six have Arabic writing on them. One is undecorated. Used for memorization of the Koran, often in conjunction with the drinking ink tradition. Materials are unidentified wood and ink. Paddle-shaped, about 8\"-12\"L x 6\"-8\"W. All regalia is undated.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component.","Series 1, Correspondence: Includes correspondence relating to book reviews, various publications, research projects, conferences, travel arrangements, publishing matters related to Dr. Paden's works, and letters of recommendation for students. Organized alphabetically by subject and then chronologically.","Series 2, Research: Published papers and documents, conference papers, and related materials. Research for Dr. Paden's dissertation is included and often separated by him into chapters and appendices, which include illustrations, maps, and tables. Major topics represented are politics, development, and economics; Hausa language and Hausa language education; Islam in Africa; African studies; Arabic literature; research for his book Black Africa; and broad information on Northern Nigeria. Materials are organized by subject and then chronologically. Materials from his former wife Ann are included and marked as such when known. Her research contains extensive information on family, childbirth, children, home health care and medicine, food, and issues specific to women. Series also includes index cards containing original research, most from the 1960s - 1970s. Materials are organized by type, subject, and then chronologically.","Series 3, Publications: Includes books, journals, newspapers, catalogs from publishing houses, and various ephemera. Contents relate mainly to Nigeria, but also included are items relating to other African nations as well as to the US and UK. Collection includes more than twenty different newspapers which were published in Nigeria, but primarily written in English. Major publications are the New Nigerian, Nigerian Citizen, and This Day. Newspapers range from the 1960s-2010. Magazines both political and popular are included. The series also contains travel-related publications from the 1970s, including airline schedules, tourist information, and many site-specific or event-specific brochures, some of which are interesting historical documents in their own right. The majority of travel brochures come from California, Chicago and Illinois, Michigan, Minnesota, and Texas, but some are from other regions of the US and overseas. Organized by subject and then chronologically.","Series 4: Maps. Includes maps of various African nations, primarily Nigeria. Organized by region and then chronologically. A greater quantity of maps may be found in Series 6, Oversize.","Series 5: Audio/Visual. Reel to reel audio tapes, audio cassette tapes, photographs, negatives. Audio recordings include radio interviews and other audio information relating to Nigeria in the 1960s. Photographs are primarily research-related images, the majority from Dr. Paden's trip to Africa in the 1960s, and include group portraits, images of Nigerian life, events, and royalty, and some personal family photographs dating from the 1930s. Slides are variously labeled by former wife Ann Paden as political rallies; crowd scenes; Hausa; Fulani; activities; Sallah; Malams; \"Audo and the Padens;\" images of Kano City, Morocco, Spain, and England; general landscape; friends; and the house in Nigeria which Dr. Paden and his former wife occupied. Not all of the subjects listed appear to be in the extant slide collection. Materials are organized by medium, then by subject, and then chronologically.","Series 6: Oversized. Maps, posters, a small amount of printed matter, one large photograph, and one large charcoal sketch. Includes maps up to wall size of Nigeria, other nations, and world regions. In addition to basic maps showing cities, states, and regions, series also includes maps illustrating demography, transportation, topography, concentration of religious groups, location of tribal areas, and other specialized information. Includes posters relating to politics, cultural ideals, and university education. A few posters reflect popular culture of the 1970s. Materials range from the 1950s-2000s. Materials are organized by medium, then by subject, and then chronologically.","Series 7: Regalia. Includes a percussion instrument called a \"yomkwo,\" or Nigerian raft zither, of the style made by the Birom (Berom) people of the Jos plateau. A yomkwo is a flat instrument made of reeds and grasses with a rattle attached to the back. Also included are eight Qur'an (Koran) boards, made of wood and other natural materials, in the style of the Hausa peoples. Six have Arabic writing on them. One is undecorated. Used for memorization of the Koran, often in conjunction with the drinking ink tradition. Materials are unidentified wood and ink. Paddle-shaped, about 8\"-12\"L x 6\"-8\"W. All regalia is undated."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d7cf21fd633056d99cc49216099af681\" label=\"Abstract\"\u003eThe collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component. Documents are primarily in English but occasionally in German, French, Arabic, or Hausa.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection includes periodicals, pamphlets, reports, conference proceedings, photographs, maps, printed ephemera, and manuscripts related to Sub-Saharan Africa, with particular emphasis on Nigeria, but embracing political and social history, biography, economics, sociology, languages, culture, and religions of the entire region. The role of Islam in the region is an important component. Documents are primarily in English but occasionally in German, French, Arabic, or Hausa."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_9cbe2a0631748a606696c3a0fed6eba3\"\u003eMap Case 14.2-14.4\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 14.2-14.4"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Paden, John N."],"names_coll_ssim":["Paden, John N."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Paden, John N."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1043,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:46.203Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_374_c01_c66"}},{"id":"viblbv_repositories_2_resources_3294_c04_c17","type":"File","attributes":{"title":"Zallen \"Redrawing the Boundaries of Molecular Biology: The Case of Photosynthesis\", 1952/1993","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3294_c04_c17#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3294_c04_c17","ref_ssm":["viblbv_repositories_2_resources_3294_c04_c17"],"id":"viblbv_repositories_2_resources_3294_c04_c17","ead_ssi":"viblbv_repositories_2_resources_3294","_root_":"viblbv_repositories_2_resources_3294","_nest_parent_":"viblbv_repositories_2_resources_3294_c04","parent_ssi":"viblbv_repositories_2_resources_3294_c04","parent_ssim":["Doris Zallen Papers, 1952/2016","Series IV. Background Information on Published Papers, 1980/2008"],"parent_ids_ssim":["viblbv_repositories_2_resources_3294","viblbv_repositories_2_resources_3294_c04"],"title_filing_ssi":"Zallen \"Redrawing the Boundaries of Molecular Biology: The Case of Photosynthesis\"","title_ssm":["Zallen \"Redrawing the Boundaries of Molecular Biology: The Case of Photosynthesis\""],"title_tesim":["Zallen \"Redrawing the Boundaries of Molecular Biology: The Case of Photosynthesis\""],"normalized_title_ssm":["Zallen \"Redrawing the Boundaries of Molecular Biology: The Case of Photosynthesis\", 1952/1993"],"text":["Zallen \"Redrawing the Boundaries of Molecular Biology: The Case of Photosynthesis\", 1952/1993","Doris Zallen Papers, 1952/2016","Series IV. Background Information on Published Papers, 1980/2008","box 9","folder 1"],"parent_unittitles_ssm":["Doris Zallen Papers, 1952/2016","Series IV. Background Information on Published Papers, 1980/2008"],"parent_unittitles_tesim":["Doris Zallen Papers, 1952/2016","Series IV. Background Information on Published Papers, 1980/2008"],"normalized_date_ssm":["1952/1993"],"unitdate_inclusive_ssm":["1952-1993"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":224,"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Doris Zallen Papers, 1952/2016"],"containers_ssim":["box 9","folder 1"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"_nest_path_":"/components#3/components#16","timestamp":"2026-08-14T22:31:39.599Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3294","ead_ssi":"viblbv_repositories_2_resources_3294","_root_":"viblbv_repositories_2_resources_3294","_nest_parent_":"viblbv_repositories_2_resources_3294","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3294.xml","title_filing_ssi":"Zallen, Doris, Papers","title_ssm":["Doris Zallen Papers"],"title_tesim":["Doris Zallen Papers"],"unitdate_ssm":["1952-2016"],"unitdate_inclusive_ssm":["1952-2016"],"normalized_date_ssm":["1952/2016"],"normalized_title_ssm":["Doris Zallen Papers, 1952/2016"],"text":["Doris Zallen Papers, 1952/2016","Ms.2018.032","Faculty and staff","Science and Technology","University History","University Archives","The collection is open for research.","The Doris Zallen Papers are organized into the following series:\n\nSeries I. Recombinant DNA Advisory Committee (NIH) Service, 1990-1999\nSeries II. Professional papers, 1960-2016\nSeries III. Book Reviews, 1982-2010\nSeries IV. Background Information on Published Papers, 1980-2008\nSeries V. Ethics Advisory Board, 1979\nSeries VI. Liverpool School, 1952-2012","Doris Zallen received her bachelor's degree from Brooklyn College and completed her graduate and doctoral work at Harvard Univeristy. Zallen focused her research on the social, ethical, and policy issues of genetic technologies. She came to Virginia Tech in 1983 and retired as professor of Science and Technology Studies and Humanities in 2015. Zallen published three books and created the Choices and Challenges Forum series at Virginia Tech. In 1991 Zallen interviewed David Weatherall who sparked Zallen's research on the prevention of Rh disease and the role the Liverpool School played in that medical advance.","The guide to the Doris Zallen Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your- work/public-domain/cc0/).","The processing, arrangement, and description of the Doris Zallen Papers was completed in October 2018. Additional processing, arrangement, and description of an addition was completed in May 2019 and January 2020.","See also the following collections:","Choices and Challenges Forum Records, RG 15/27/1, Special Collections and University Archives, Virginia Tech.\nPhilip M. Sheppard Papers, Mss.Ms.Coll.65, American Philosophical Society.\nD36/A-J - Sir Cyril Astley Clarke Papers - 1926-2000\n, Special Collections \u0026 Archives, University of Liverpool.","The Doris Zallen Papers, Ms2018-032, contain content from Doris Zallen's professional work with genetic research, discussions, and testing from 1960 to 2016.","The records are divided into six series including: I. Recombinant DNA Advisory Committee Service, 1990-1999; II. Professional Papers, 1960-2016; III. Book Reviews, 1962-2010; IV. Background information on Published Papers, 1980-2008; V. Ethics and Advisory Board, 1979; and VI. Liverpool School, 1952-2012.","In the first series, Recombinant DNA Advisory Committee Service, 1990-1999, each folder relates to the Recombinant Advisory Committee. They include meeting notes, correspondence within the organization, and notes from conferences.","The second series, Professional Papers, 1960-2016, outlines Doris Zallen's academia starting with her education at Brooklyn College, Harvard University, and the University of Rochester. This series includes manuscripts from her teaching and research careers at Nazareth College of Rochester and Virginia Tech. Zallen's professional papers include research, summaries of sabbaticals and other leaves, consulting, teaching awards, and student and faculty correspondence.","Series III, Book Reviews, 1962-2010, includes book reviews from other scholars about Zallen's research: \"Science and Morality\", \"Does it Run In the Family?,\" and \"To Test or Not to Test?\" This series also includes a poster from a discusion led by Zallen about genetic testing and images from \"Does it Run In the Family?\"","The fourth series, Background information on Published Papers, 1980-2008, contains published and unpublished articles by Doris Zallen and other scholars about genes from 1980 to 2008.","The fifth series, Ethics and Advisory Board, 1979, consists of the report, conclusions, and appendix from the Human in Vitro Fertilization and Embryo Transfer study.","The last series, Liverpool School, 1952-2012, consists of background information, publications, interviews, and pictures from Zallen's research of the prevention of Rh disease.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Doris Zallen Papers, Ms2018-032, contains meeting notes from the Recombinant DNA Advisory Committee, Doris Zallen's professional papers, book reviews, and background on Zallen's published papers from 1960 to 2016. Doris Zallen attended Brooklyn College and Harvard University before becaming a professor of Science and Technolgy Studies and Humanities in the College of Liberal Arts and Human Science at Virginia Tech. This collection follows Zallen's acadamic work from the undergraduate to graduate level, post-doctoral appointments, and her genetic research and teaching. Included in this collection is Zallens research on the Liverpool School which providedresearches the medical advance of the prevention of Rh disease.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Liberal Arts \u0026 Human Sciences","Virginia Polytechnic Institute and State University (1970-)","The materials in the collection are in English."],"collection_title_tesim":["Doris Zallen Papers, 1952/2016"],"collection_ssim":["Doris Zallen Papers, 1952/2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2018.032"],"unitid_tesim":["Ms.2018.032"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Liberal Arts \u0026 Human Sciences","Virginia Polytechnic Institute and State University (1970-)"],"creators_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Liberal Arts \u0026 Human Sciences","Virginia Polytechnic Institute and State University (1970-)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Doris Zallen Papers were donated to Special Collections and University Archives in July 2018. Additions were donated in March 2019 and December 2019."],"access_subjects_ssim":["Faculty and staff","Science and Technology","University History","University Archives"],"access_subjects_ssm":["Faculty and staff","Science and Technology","University History","University Archives"],"has_online_content_ssim":["false"],"extent_ssm":["10 Cubic Feet 13 boxes"],"extent_tesim":["10 Cubic Feet 13 boxes"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Doris Zallen Papers are organized into the following series:\n\u003clist\u003e\n\u003citem\u003eSeries I. Recombinant DNA Advisory Committee (NIH) Service, 1990-1999\u003c/item\u003e\n\u003citem\u003eSeries II. Professional papers, 1960-2016\u003c/item\u003e\n\u003citem\u003eSeries III. Book Reviews, 1982-2010\u003c/item\u003e\n\u003citem\u003eSeries IV. Background Information on Published Papers, 1980-2008\u003c/item\u003e\n\u003citem\u003eSeries V. Ethics Advisory Board, 1979\u003c/item\u003e\n\u003citem\u003eSeries VI. Liverpool School, 1952-2012\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Doris Zallen Papers are organized into the following series:\n\nSeries I. Recombinant DNA Advisory Committee (NIH) Service, 1990-1999\nSeries II. Professional papers, 1960-2016\nSeries III. Book Reviews, 1982-2010\nSeries IV. Background Information on Published Papers, 1980-2008\nSeries V. Ethics Advisory Board, 1979\nSeries VI. Liverpool School, 1952-2012"],"bioghist_html_tesm":["\u003cp\u003eDoris Zallen received her bachelor's degree from Brooklyn College and completed her graduate and doctoral work at Harvard Univeristy. Zallen focused her research on the social, ethical, and policy issues of genetic technologies. She came to Virginia Tech in 1983 and retired as professor of Science and Technology Studies and Humanities in 2015. Zallen published three books and created the Choices and Challenges Forum series at Virginia Tech. In 1991 Zallen interviewed David Weatherall who sparked Zallen's research on the prevention of Rh disease and the role the Liverpool School played in that medical advance.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Doris Zallen received her bachelor's degree from Brooklyn College and completed her graduate and doctoral work at Harvard Univeristy. Zallen focused her research on the social, ethical, and policy issues of genetic technologies. She came to Virginia Tech in 1983 and retired as professor of Science and Technology Studies and Humanities in 2015. Zallen published three books and created the Choices and Challenges Forum series at Virginia Tech. In 1991 Zallen interviewed David Weatherall who sparked Zallen's research on the prevention of Rh disease and the role the Liverpool School played in that medical advance."],"odd_html_tesm":["\u003cp\u003eThe guide to the Doris Zallen Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Doris Zallen Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your- work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Doris Zallen Papers, Ms2018-032, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Doris Zallen Papers, Ms2018-032, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Doris Zallen Papers was completed in October 2018. Additional processing, arrangement, and description of an addition was completed in May 2019 and January 2020.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Doris Zallen Papers was completed in October 2018. Additional processing, arrangement, and description of an addition was completed in May 2019 and January 2020."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also the following collections:\u003c/p\u003e","\u003cp\u003e\u003clist\u003e\n\u003citem\u003e\u003ca show=\"new\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_3289.xml\"\u003eChoices and Challenges Forum Records, RG 15/27/1\u003c/a\u003e, Special Collections and University Archives, Virginia Tech.\u003c/item\u003e\n\u003citem\u003e\u003ca show=\"new\" href=\"https://search.amphilsoc.org/collections/view?docId=ead/Mss.Ms.Coll.65-ead.xml\"\u003ePhilip M. Sheppard Papers, Mss.Ms.Coll.65\u003c/a\u003e, American Philosophical Society.\u003c/item\u003e\n\u003citem\u003e\u003ca show=\"new\" href=\"https://sca-archives.liverpool.ac.uk/Record/22803\"\u003eD36/A-J - Sir Cyril Astley Clarke Papers - 1926-2000\n\u003c/a\u003e, Special Collections \u0026amp; Archives, University of Liverpool.\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also the following collections:","Choices and Challenges Forum Records, RG 15/27/1, Special Collections and University Archives, Virginia Tech.\nPhilip M. Sheppard Papers, Mss.Ms.Coll.65, American Philosophical Society.\nD36/A-J - Sir Cyril Astley Clarke Papers - 1926-2000\n, Special Collections \u0026 Archives, University of Liverpool."],"scopecontent_html_tesm":["\u003cp\u003eThe Doris Zallen Papers, Ms2018-032, contain content from Doris Zallen's professional work with genetic research, discussions, and testing from 1960 to 2016. \u003c/p\u003e","\u003cp\u003eThe records are divided into six series including: I. Recombinant DNA Advisory Committee Service, 1990-1999; II. Professional Papers, 1960-2016; III. Book Reviews, 1962-2010; IV. Background information on Published Papers, 1980-2008; V. Ethics and Advisory Board, 1979; and VI. Liverpool School, 1952-2012.\u003c/p\u003e","\u003cp\u003eIn the first series, Recombinant DNA Advisory Committee Service, 1990-1999, each folder relates to the Recombinant Advisory Committee. They include meeting notes, correspondence within the organization, and notes from conferences. \u003c/p\u003e","\u003cp\u003eThe second series, Professional Papers, 1960-2016, outlines Doris Zallen's academia starting with her education at Brooklyn College, Harvard University, and the University of Rochester. This series includes manuscripts from her teaching and research careers at Nazareth College of Rochester and Virginia Tech. Zallen's professional papers include research, summaries of sabbaticals and other leaves, consulting, teaching awards, and student and faculty correspondence.\u003c/p\u003e","\u003cp\u003eSeries III, Book Reviews, 1962-2010, includes book reviews from other scholars about Zallen's research: \"Science and Morality\", \"Does it Run In the Family?,\" and \"To Test or Not to Test?\" This series also includes a poster from a discusion led by Zallen about genetic testing and images from \"Does it Run In the Family?\"\u003c/p\u003e","\u003cp\u003eThe fourth series, Background information on Published Papers, 1980-2008, contains published and unpublished articles by Doris Zallen and other scholars about genes from 1980 to 2008.\u003c/p\u003e","\u003cp\u003eThe fifth series, Ethics and Advisory Board, 1979, consists of the report, conclusions, and appendix from the Human in Vitro Fertilization and Embryo Transfer study.\u003c/p\u003e","\u003cp\u003eThe last series, Liverpool School, 1952-2012, consists of background information, publications, interviews, and pictures from Zallen's research of the prevention of Rh disease.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Doris Zallen Papers, Ms2018-032, contain content from Doris Zallen's professional work with genetic research, discussions, and testing from 1960 to 2016.","The records are divided into six series including: I. Recombinant DNA Advisory Committee Service, 1990-1999; II. Professional Papers, 1960-2016; III. Book Reviews, 1962-2010; IV. Background information on Published Papers, 1980-2008; V. Ethics and Advisory Board, 1979; and VI. Liverpool School, 1952-2012.","In the first series, Recombinant DNA Advisory Committee Service, 1990-1999, each folder relates to the Recombinant Advisory Committee. They include meeting notes, correspondence within the organization, and notes from conferences.","The second series, Professional Papers, 1960-2016, outlines Doris Zallen's academia starting with her education at Brooklyn College, Harvard University, and the University of Rochester. This series includes manuscripts from her teaching and research careers at Nazareth College of Rochester and Virginia Tech. Zallen's professional papers include research, summaries of sabbaticals and other leaves, consulting, teaching awards, and student and faculty correspondence.","Series III, Book Reviews, 1962-2010, includes book reviews from other scholars about Zallen's research: \"Science and Morality\", \"Does it Run In the Family?,\" and \"To Test or Not to Test?\" This series also includes a poster from a discusion led by Zallen about genetic testing and images from \"Does it Run In the Family?\"","The fourth series, Background information on Published Papers, 1980-2008, contains published and unpublished articles by Doris Zallen and other scholars about genes from 1980 to 2008.","The fifth series, Ethics and Advisory Board, 1979, consists of the report, conclusions, and appendix from the Human in Vitro Fertilization and Embryo Transfer study.","The last series, Liverpool School, 1952-2012, consists of background information, publications, interviews, and pictures from Zallen's research of the prevention of Rh disease."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45f780eb9474c90671b364abacec9cdc\" label=\"Abstract\"\u003eThe Doris Zallen Papers, Ms2018-032, contains meeting notes from the Recombinant DNA Advisory Committee, Doris Zallen's professional papers, book reviews, and background on Zallen's published papers from 1960 to 2016. Doris Zallen attended Brooklyn College and Harvard University before becaming a professor of Science and Technolgy Studies and Humanities in the College of Liberal Arts and Human Science at Virginia Tech. This collection follows Zallen's acadamic work from the undergraduate to graduate level, post-doctoral appointments, and her genetic research and teaching. Included in this collection is Zallens research on the Liverpool School which providedresearches the medical advance of the prevention of Rh disease.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Doris Zallen Papers, Ms2018-032, contains meeting notes from the Recombinant DNA Advisory Committee, Doris Zallen's professional papers, book reviews, and background on Zallen's published papers from 1960 to 2016. Doris Zallen attended Brooklyn College and Harvard University before becaming a professor of Science and Technolgy Studies and Humanities in the College of Liberal Arts and Human Science at Virginia Tech. This collection follows Zallen's acadamic work from the undergraduate to graduate level, post-doctoral appointments, and her genetic research and teaching. Included in this collection is Zallens research on the Liverpool School which providedresearches the medical advance of the prevention of Rh disease."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Liberal Arts \u0026 Human Sciences","Virginia Polytechnic Institute and State University (1970-)"],"names_coll_ssim":["Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Liberal Arts \u0026 Human Sciences","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Liberal Arts \u0026 Human Sciences","Virginia Polytechnic Institute and State University (1970-)"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":281,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:31:39.599Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3294_c04_c17"}},{"id":"vifgm_repositories_2_resources_416_c02_c03_c1545","type":"File","attributes":{"title":"Zalmen, Or the Madness of God, 1973/1974","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c02_c03_c1545#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_416_c02_c03_c1545","ref_ssm":["vifgm_repositories_2_resources_416_c02_c03_c1545"],"id":"vifgm_repositories_2_resources_416_c02_c03_c1545","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416_c02_c03","parent_ssi":"vifgm_repositories_2_resources_416_c02_c03","parent_ssim":["Arena Stage records, 1949/2010","Series 2: Production files, 1950/2010","Subseries 2.3: Production files, 1950/2001"],"parent_ids_ssim":["vifgm_repositories_2_resources_416","vifgm_repositories_2_resources_416_c02","vifgm_repositories_2_resources_416_c02_c03"],"title_filing_ssi":"Zalmen, Or the Madness of God","title_ssm":["Zalmen, Or the Madness of God"],"title_tesim":["Zalmen, Or the Madness of God"],"normalized_title_ssm":["Zalmen, Or the Madness of God, 1973/1974"],"text":["Zalmen, Or the Madness of God, 1973/1974","Arena Stage records, 1949/2010","Series 2: Production files, 1950/2010","Subseries 2.3: Production files, 1950/2001","box 528","folder 4"],"parent_unittitles_ssm":["Arena Stage records, 1949/2010","Series 2: Production files, 1950/2010","Subseries 2.3: Production files, 1950/2001"],"parent_unittitles_tesim":["Arena Stage records, 1949/2010","Series 2: Production files, 1950/2010","Subseries 2.3: Production files, 1950/2001"],"normalized_date_ssm":["1973/1974"],"unitdate_other_ssim":["1973-1974"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":6350,"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records, 1949/2010"],"containers_ssim":["box 528","folder 4"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1973,1974],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#1/components#2/components#1544","timestamp":"2026-09-04T00:01:18.787Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_filing_ssi":"Arena Stage records","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","/repositories/2/resources/416","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","There are no access restrictions.","to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"accruals_html_tesm":["\u003cp\u003eto this collection are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e\n            ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-09-04T00:01:18.787Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c02_c03_c1545"}},{"id":"vifgm_repositories_2_resources_416_c03_c01_c417","type":"File","attributes":{"title":"Zalmen, or the Madness of God, 1973/1974","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c03_c01_c417#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_416_c03_c01_c417","ref_ssm":["vifgm_repositories_2_resources_416_c03_c01_c417"],"id":"vifgm_repositories_2_resources_416_c03_c01_c417","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416_c03_c01","parent_ssi":"vifgm_repositories_2_resources_416_c03_c01","parent_ssim":["Arena Stage records, 1949/2010","Series 3: Photographs, 1950/2005","Subseries 3.1: Production photographs, 1950/2005"],"parent_ids_ssim":["vifgm_repositories_2_resources_416","vifgm_repositories_2_resources_416_c03","vifgm_repositories_2_resources_416_c03_c01"],"title_filing_ssi":"Zalmen, or the Madness of God","title_ssm":["Zalmen, or the Madness of God"],"title_tesim":["Zalmen, or the Madness of God"],"normalized_title_ssm":["Zalmen, or the Madness of God, 1973/1974"],"text":["Zalmen, or the Madness of God, 1973/1974","Arena Stage records, 1949/2010","Series 3: Photographs, 1950/2005","Subseries 3.1: Production photographs, 1950/2005","box 613","folder 9"],"parent_unittitles_ssm":["Arena Stage records, 1949/2010","Series 3: Photographs, 1950/2005","Subseries 3.1: Production photographs, 1950/2005"],"parent_unittitles_tesim":["Arena Stage records, 1949/2010","Series 3: Photographs, 1950/2005","Subseries 3.1: Production photographs, 1950/2005"],"normalized_date_ssm":["1973/1974"],"unitdate_other_ssim":["1973-1974"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":7500,"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records, 1949/2010"],"containers_ssim":["box 613","folder 9"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1973,1974],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#2/components#0/components#416","timestamp":"2026-09-04T00:01:18.787Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_filing_ssi":"Arena Stage records","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","/repositories/2/resources/416","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","There are no access restrictions.","to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"accruals_html_tesm":["\u003cp\u003eto this collection are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e\n            ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-09-04T00:01:18.787Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c03_c01_c417"}},{"id":"vifgm_repositories_2_resources_416_c02_c03_c1547","type":"File","attributes":{"title":"Zalmen, Or the Madness of God (1 of 7), 1973/1974","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c02_c03_c1547#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_416_c02_c03_c1547","ref_ssm":["vifgm_repositories_2_resources_416_c02_c03_c1547"],"id":"vifgm_repositories_2_resources_416_c02_c03_c1547","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416_c02_c03","parent_ssi":"vifgm_repositories_2_resources_416_c02_c03","parent_ssim":["Arena Stage records, 1949/2010","Series 2: Production files, 1950/2010","Subseries 2.3: Production files, 1950/2001"],"parent_ids_ssim":["vifgm_repositories_2_resources_416","vifgm_repositories_2_resources_416_c02","vifgm_repositories_2_resources_416_c02_c03"],"title_filing_ssi":"Zalmen, Or the Madness of God (1 of 7)","title_ssm":["Zalmen, Or the Madness of God (1 of 7)"],"title_tesim":["Zalmen, Or the Madness of God (1 of 7)"],"normalized_title_ssm":["Zalmen, Or the Madness of God (1 of 7), 1973/1974"],"text":["Zalmen, Or the Madness of God (1 of 7), 1973/1974","Arena Stage records, 1949/2010","Series 2: Production files, 1950/2010","Subseries 2.3: Production files, 1950/2001","box 528","folder 6"],"parent_unittitles_ssm":["Arena Stage records, 1949/2010","Series 2: Production files, 1950/2010","Subseries 2.3: Production files, 1950/2001"],"parent_unittitles_tesim":["Arena Stage records, 1949/2010","Series 2: Production files, 1950/2010","Subseries 2.3: Production files, 1950/2001"],"normalized_date_ssm":["1973/1974"],"unitdate_other_ssim":["1973-1974"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":6352,"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records, 1949/2010"],"containers_ssim":["box 528","folder 6"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1973,1974],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#1/components#2/components#1546","timestamp":"2026-09-04T00:01:18.787Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_filing_ssi":"Arena Stage records","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","/repositories/2/resources/416","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","There are no access restrictions.","to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"accruals_html_tesm":["\u003cp\u003eto this collection are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e\n            ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-09-04T00:01:18.787Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c02_c03_c1547"}},{"id":"vifgm_repositories_2_resources_416_c02_c03_c1548","type":"File","attributes":{"title":"Zalmen, Or the Madness of God (2 of 7), 1973/1974","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c02_c03_c1548#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_416_c02_c03_c1548","ref_ssm":["vifgm_repositories_2_resources_416_c02_c03_c1548"],"id":"vifgm_repositories_2_resources_416_c02_c03_c1548","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416_c02_c03","parent_ssi":"vifgm_repositories_2_resources_416_c02_c03","parent_ssim":["Arena Stage records, 1949/2010","Series 2: Production files, 1950/2010","Subseries 2.3: Production files, 1950/2001"],"parent_ids_ssim":["vifgm_repositories_2_resources_416","vifgm_repositories_2_resources_416_c02","vifgm_repositories_2_resources_416_c02_c03"],"title_filing_ssi":"Zalmen, Or the Madness of God (2 of 7)","title_ssm":["Zalmen, Or the Madness of God (2 of 7)"],"title_tesim":["Zalmen, Or the Madness of God (2 of 7)"],"normalized_title_ssm":["Zalmen, Or the Madness of God (2 of 7), 1973/1974"],"text":["Zalmen, Or the Madness of God (2 of 7), 1973/1974","Arena Stage records, 1949/2010","Series 2: Production files, 1950/2010","Subseries 2.3: Production files, 1950/2001","box 528","folder 7"],"parent_unittitles_ssm":["Arena Stage records, 1949/2010","Series 2: Production files, 1950/2010","Subseries 2.3: Production files, 1950/2001"],"parent_unittitles_tesim":["Arena Stage records, 1949/2010","Series 2: Production files, 1950/2010","Subseries 2.3: Production files, 1950/2001"],"normalized_date_ssm":["1973/1974"],"unitdate_other_ssim":["1973-1974"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":6353,"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records, 1949/2010"],"containers_ssim":["box 528","folder 7"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1973,1974],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#1/components#2/components#1547","timestamp":"2026-09-04T00:01:18.787Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_filing_ssi":"Arena Stage records","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","/repositories/2/resources/416","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","There are no access restrictions.","to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"accruals_html_tesm":["\u003cp\u003eto this collection are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e\n            ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-09-04T00:01:18.787Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c02_c03_c1548"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":271},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Brepository%5D%5B%5D=Alexandria+Library"}},{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":10639},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"Edgar Cayce Foundation","value":"Edgar Cayce Foundation","hits":51},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Brepository%5D%5B%5D=Edgar+Cayce+Foundation"}},{"attributes":{"label":"Fairfax County Public Library","value":"Fairfax County Public Library","hits":413},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Brepository%5D%5B%5D=Fairfax+County+Public+Library"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":7249},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Hampden-Sydney College","value":"Hampden-Sydney College","hits":286},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Brepository%5D%5B%5D=Hampden-Sydney+College"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":1686},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Brepository%5D%5B%5D=James+Madison+University"}},{"attributes":{"label":"Jones Memorial Library","value":"Jones Memorial Library","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Brepository%5D%5B%5D=Jones+Memorial+Library"}},{"attributes":{"label":"Library of Virginia","value":"Library of Virginia","hits":47},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Brepository%5D%5B%5D=Library+of+Virginia"}},{"attributes":{"label":"Longwood University","value":"Longwood University","hits":157},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Brepository%5D%5B%5D=Longwood+University"}},{"attributes":{"label":"Old Dominion University","value":"Old Dominion University","hits":5266},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1974\u0026facet.sort=index"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"Arts in Virginia\" (PB-04), 1960/1993","value":"\"Arts in Virginia\" (PB-04), 1960/1993","hits":5},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Arts+in+Virginia%22+%28PB-04%29%2C+1960%2F1993\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"\"Colonel John Bowman Treasure Map\" (typescript), a Hand Drawn Map of Western Virginia, and a Map of Marshall County, 1963/1980","value":"\"Colonel John Bowman Treasure Map\" (typescript), a Hand Drawn Map of Western Virginia, and a Map of Marshall County, 1963/1980","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Colonel+John+Bowman+Treasure+Map%22+%28typescript%29%2C+a+Hand+Drawn+Map+of+Western+Virginia%2C+and+a+Map+of+Marshall+County%2C+1963%2F1980\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000","value":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22More+Than+the+Sum+of+Our+Body+Parts%3A+An+Exhibit+by+CARY%2C+1992-1993%22%2C+1934%2F2000\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"1x1 Japan Exhibition Materials, 1965-2024, 2024","value":"1x1 Japan Exhibition Materials, 1965-2024, 2024","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=1x1+Japan+Exhibition+Materials%2C+1965-2024%2C+2024\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"201st National Guard Regiment Histories, 1949/1991","value":"201st National Guard Regiment Histories, 1949/1991","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=201st+National+Guard+Regiment+Histories%2C+1949%2F1991\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"4-H Project, West Virginia Flowers and Trees and Other Records, 1933/1979","value":"4-H Project, West Virginia Flowers and Trees and Other Records, 1933/1979","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=4-H+Project%2C+West+Virginia+Flowers+and+Trees+and+Other+Records%2C+1933%2F1979\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"8th Evacuation Hospital collection, 1941/2011","value":"8th Evacuation Hospital collection, 1941/2011","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=8th+Evacuation+Hospital+collection%2C+1941%2F2011\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"A Settlement Map of Wythe County, Virginia, Giving the Names and Locations of Many of the Early Adventurers in the Territory from 1745 to 1858 (historical map) (2 copies), 1974","value":"A Settlement Map of Wythe County, Virginia, Giving the Names and Locations of Many of the Early Adventurers in the Territory from 1745 to 1858 (historical map) (2 copies), 1974","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=A+Settlement+Map+of+Wythe+County%2C+Virginia%2C+Giving+the+Names+and+Locations+of+Many+of+the+Early+Adventurers+in+the+Territory+from+1745+to+1858+%28historical+map%29+%282+copies%29%2C+1974\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"A. Christian Compton Papers, 1960/1999","value":"A. Christian Compton Papers, 1960/1999","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=A.+Christian+Compton+Papers%2C+1960%2F1999\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"A. E. Dick Howard papers on the Virginia Commission on Constitutional Revision, 1968/1971","value":"A. E. Dick Howard papers on the Virginia Commission on Constitutional Revision, 1968/1971","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=A.+E.+Dick+Howard+papers+on+the+Virginia+Commission+on+Constitutional+Revision%2C+1968%2F1971\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"A. E. Dick Howard papers, 1928/2017","value":"A. E. Dick Howard papers, 1928/2017","hits":14},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=A.+E.+Dick+Howard+papers%2C+1928%2F2017\u0026f%5Bdate_range%5D%5B%5D=1974"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/collection_ssim.json?f%5Bdate_range%5D%5B%5D=1974\u0026facet.sort=index"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"0","value":"0","hits":4},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bdate_range%5D%5B%5D=0"}},{"attributes":{"label":"994","value":"994","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bdate_range%5D%5B%5D=994"}},{"attributes":{"label":"995","value":"995","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bdate_range%5D%5B%5D=995"}},{"attributes":{"label":"996","value":"996","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bdate_range%5D%5B%5D=996"}},{"attributes":{"label":"997","value":"997","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bdate_range%5D%5B%5D=997"}},{"attributes":{"label":"998","value":"998","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bdate_range%5D%5B%5D=998"}},{"attributes":{"label":"999","value":"999","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bdate_range%5D%5B%5D=999"}},{"attributes":{"label":"1000","value":"1000","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bdate_range%5D%5B%5D=1000"}},{"attributes":{"label":"1001","value":"1001","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bdate_range%5D%5B%5D=1001"}},{"attributes":{"label":"1002","value":"1002","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bdate_range%5D%5B%5D=1002"}},{"attributes":{"label":"1003","value":"1003","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bdate_range%5D%5B%5D=1003"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/date_range_isim.json?f%5Bdate_range%5D%5B%5D=1974\u0026facet.sort=index"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"201st National Guard Regiment","value":"201st National Guard Regiment","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=201st+National+Guard+Regiment\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"4-H","value":"4-H","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=4-H\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"4-H All Stars. Virginia Chapter","value":"4-H All Stars. Virginia Chapter","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=4-H+All+Stars.+Virginia+Chapter\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"Aaron Siskind Foundation","value":"Aaron Siskind Foundation","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Aaron+Siskind+Foundation\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"Aaron, Reid S. (Reid Stanley), 1918-1944","value":"Aaron, Reid S. (Reid Stanley), 1918-1944","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Aaron%2C+Reid+S.+%28Reid+Stanley%29%2C+1918-1944\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"Abbott, Carl (1944-)","value":"Abbott, Carl (1944-)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Abbott%2C+Carl+%281944-%29\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"Adagio Press","value":"Adagio Press","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Adagio+Press\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"Adam, William R. (William Robert), 1918-1992","value":"Adam, William R. (William Robert), 1918-1992","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Adam%2C+William+R.+%28William+Robert%29%2C+1918-1992\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"Adams, Clifford L. (1915-1999)","value":"Adams, Clifford L. (1915-1999)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Adams%2C+Clifford+L.+%281915-1999%29\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"Adams, Elizabeth Kent","value":"Adams, Elizabeth Kent","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Adams%2C+Elizabeth+Kent\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"Adams, Linda Friend, 1943-2008","value":"Adams, Linda Friend, 1943-2008","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Adams%2C+Linda+Friend%2C+1943-2008\u0026f%5Bdate_range%5D%5B%5D=1974"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/creator_ssim.json?f%5Bdate_range%5D%5B%5D=1974\u0026facet.sort=index"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":".38 Special (Musical group)","value":".38 Special (Musical group)","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bnames%5D%5B%5D=.38+Special+%28Musical+group%29"}},{"attributes":{"label":"10,000 Maniacs (Musical group)","value":"10,000 Maniacs (Musical group)","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bnames%5D%5B%5D=10%2C000+Maniacs+%28Musical+group%29"}},{"attributes":{"label":"201st National Guard Regiment","value":"201st National Guard Regiment","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bnames%5D%5B%5D=201st+National+Guard+Regiment"}},{"attributes":{"label":"4-H","value":"4-H","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bnames%5D%5B%5D=4-H"}},{"attributes":{"label":"4-H All Stars. Virginia Chapter","value":"4-H All Stars. Virginia Chapter","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bnames%5D%5B%5D=4-H+All+Stars.+Virginia+Chapter"}},{"attributes":{"label":"4-H Clubs - West Virginia.","value":"4-H Clubs - West Virginia.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bnames%5D%5B%5D=4-H+Clubs+-+West+Virginia."}},{"attributes":{"label":"4-H Project. West Virginia Flowers and Trees","value":"4-H Project. West Virginia Flowers and Trees","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bnames%5D%5B%5D=4-H+Project.+West+Virginia+Flowers+and+Trees"}},{"attributes":{"label":"A.\n                  A.","value":"A.\n                  A.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bnames%5D%5B%5D=A.%0A++++++++++++++++++A."}},{"attributes":{"label":"A. A. Pickard","value":"A. A. Pickard","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bnames%5D%5B%5D=A.+A.+Pickard"}},{"attributes":{"label":"A. C. Bhaktivedanta Swami Prabhupada, 1896-1977","value":"A. C. Bhaktivedanta Swami Prabhupada, 1896-1977","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bnames%5D%5B%5D=A.+C.+Bhaktivedanta+Swami+Prabhupada%2C+1896-1977"}},{"attributes":{"label":"A. C. Gibson","value":"A. C. Gibson","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bnames%5D%5B%5D=A.+C.+Gibson"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/names_ssim.json?f%5Bdate_range%5D%5B%5D=1974\u0026facet.sort=index"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"Accomack County (Va.)--History","value":"Accomack County (Va.)--History","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bplaces%5D%5B%5D=Accomack+County+%28Va.%29--History"}},{"attributes":{"label":"Afghanistan","value":"Afghanistan","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bplaces%5D%5B%5D=Afghanistan"}},{"attributes":{"label":"Africa","value":"Africa","hits":4},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bplaces%5D%5B%5D=Africa"}},{"attributes":{"label":"Africa -- Slides","value":"Africa -- Slides","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bplaces%5D%5B%5D=Africa+--+Slides"}},{"attributes":{"label":"Africa, East--Maps","value":"Africa, East--Maps","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bplaces%5D%5B%5D=Africa%2C+East--Maps"}},{"attributes":{"label":"Africa--Description and travel","value":"Africa--Description and travel","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bplaces%5D%5B%5D=Africa--Description+and+travel"}},{"attributes":{"label":"African American Women Authors","value":"African American Women Authors","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bplaces%5D%5B%5D=African+American+Women+Authors"}},{"attributes":{"label":"African American neighborhoods -- Virginia -- Alexandria.","value":"African American neighborhoods -- Virginia -- Alexandria.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bplaces%5D%5B%5D=African+American+neighborhoods+--+Virginia+--+Alexandria."}},{"attributes":{"label":"Aguaruna indigenous group","value":"Aguaruna indigenous group","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bplaces%5D%5B%5D=Aguaruna+indigenous+group"}},{"attributes":{"label":"Alabama--History--19th century","value":"Alabama--History--19th century","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bplaces%5D%5B%5D=Alabama--History--19th+century"}},{"attributes":{"label":"Alaska--Description and travel--20th century","value":"Alaska--Description and travel--20th century","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Bplaces%5D%5B%5D=Alaska--Description+and+travel--20th+century"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/geogname_ssim.json?f%5Bdate_range%5D%5B%5D=1974\u0026facet.sort=index"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"16th Street Baptist Church Bombing, Birmingham, Ala., 1963","value":"16th Street Baptist Church Bombing, Birmingham, Ala., 1963","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=16th+Street+Baptist+Church+Bombing%2C+Birmingham%2C+Ala.%2C+1963\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"4-H clubs","value":"4-H clubs","hits":4},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=4-H+clubs\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"4-H clubs -- West Virginia","value":"4-H clubs -- West Virginia","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=4-H+clubs+--+West+Virginia\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"AIDS (Disease)","value":"AIDS (Disease)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=AIDS+%28Disease%29\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"AIDS (Disease)--Research--United States","value":"AIDS (Disease)--Research--United States","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=AIDS+%28Disease%29--Research--United+States\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"Abolition of slavery","value":"Abolition of slavery","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Abolition+of+slavery\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"Abortion -- Law and legislation -- United States","value":"Abortion -- Law and legislation -- United States","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Abortion+--+Law+and+legislation+--+United+States\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"Abortions","value":"Abortions","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Abortions\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"Abstractions","value":"Abstractions","hits":19},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Abstractions\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"Abstracts (summaries)","value":"Abstracts (summaries)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Abstracts+%28summaries%29\u0026f%5Bdate_range%5D%5B%5D=1974"}},{"attributes":{"label":"Abused children -- Services for -- Virginia -- Periodicals","value":"Abused children -- Services for -- Virginia -- Periodicals","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Abused+children+--+Services+for+--+Virginia+--+Periodicals\u0026f%5Bdate_range%5D%5B%5D=1974"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/access_subjects_ssim.json?f%5Bdate_range%5D%5B%5D=1974\u0026facet.sort=index"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Audio tape","value":"Audio tape","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Blevel%5D%5B%5D=Audio+tape"}},{"attributes":{"label":"Binder ","value":"Binder ","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Blevel%5D%5B%5D=Binder+"}},{"attributes":{"label":"Box","value":"Box","hits":733},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Blevel%5D%5B%5D=Box"}},{"attributes":{"label":"Box ","value":"Box ","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Blevel%5D%5B%5D=Box+"}},{"attributes":{"label":"Class","value":"Class","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Blevel%5D%5B%5D=Class"}},{"attributes":{"label":"Collection","value":"Collection","hits":3346},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Blevel%5D%5B%5D=Collection"}},{"attributes":{"label":"File","value":"File","hits":41918},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Blevel%5D%5B%5D=File"}},{"attributes":{"label":"Folder","value":"Folder","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Blevel%5D%5B%5D=Folder"}},{"attributes":{"label":"Item","value":"Item","hits":5819},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Blevel%5D%5B%5D=Item"}},{"attributes":{"label":"Partial box","value":"Partial box","hits":8},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Blevel%5D%5B%5D=Partial+box"}},{"attributes":{"label":"Record Group","value":"Record Group","hits":55},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Blevel%5D%5B%5D=Record+Group"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/level_ssim.json?f%5Bdate_range%5D%5B%5D=1974\u0026facet.sort=index"}},{"type":"facet","id":"access","attributes":{"label":"Access","items":[{"attributes":{"label":"Online access","value":"online","hits":41},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1974"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/access.json?f%5Bdate_range%5D%5B%5D=1974\u0026facet.sort=index"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026facet.sort=index\u0026page=5734\u0026search_field=all_fields"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026facet.sort=index\u0026page=5734\u0026search_field=keyword"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026facet.sort=index\u0026page=5734\u0026search_field=name"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026facet.sort=index\u0026page=5734\u0026search_field=place"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026facet.sort=index\u0026page=5734\u0026search_field=subject"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026facet.sort=index\u0026page=5734\u0026search_field=title"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026facet.sort=index\u0026page=5734\u0026search_field=container"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026facet.sort=index\u0026page=5734\u0026search_field=identifier"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026facet.sort=index\u0026page=5734\u0026sort=score+desc%2C+title_sort+asc"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026facet.sort=index\u0026page=5734\u0026sort=date_sort+asc"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026facet.sort=index\u0026page=5734\u0026sort=date_sort+desc"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026facet.sort=index\u0026page=5734\u0026sort=creator_sort+asc"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026facet.sort=index\u0026page=5734\u0026sort=creator_sort+desc"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026facet.sort=index\u0026page=5734\u0026sort=title_sort+asc"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026facet.sort=index\u0026page=5734\u0026sort=title_sort+desc"}}]}