{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1973\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=2","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1973\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=1","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1973\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=3","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1973\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=683"},"meta":{"pages":{"current_page":2,"next_page":3,"prev_page":1,"total_pages":683,"limit_value":10,"offset_value":10,"total_count":6830,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_177_c01_c01_c27","type":"File","attributes":{"title":"1970s General, 1970/1979","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_177_c01_c01_c27#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e36 roughly 60x80cm, 2 40x60cm, and 2 30x100cm sized posters; topics include uniting, anti-UDR, financial scandals, the Soviet Union, Pompidou, cantonal elections, racism, personal power, raising fuel prices, petroleum scandal, d'Estaing, women, the Concord, farmers, saving hospitals, European election, and the election of 1978.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_177_c01_c01_c27#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_177_c01_c01_c27","ref_ssm":["vifgm_repositories_2_resources_177_c01_c01_c27"],"id":"vifgm_repositories_2_resources_177_c01_c01_c27","ead_ssi":"vifgm_repositories_2_resources_177","_root_":"vifgm_repositories_2_resources_177","_nest_parent_":"vifgm_repositories_2_resources_177_c01_c01","parent_ssi":"vifgm_repositories_2_resources_177_c01_c01","parent_ssim":["French Communist Party poster collection, 1945/2008","Series 1: Political Posters, 1945/2008","Subseries 1.1: General Position and Party Information, 1945/2008"],"parent_ids_ssim":["vifgm_repositories_2_resources_177","vifgm_repositories_2_resources_177_c01","vifgm_repositories_2_resources_177_c01_c01"],"title_filing_ssi":"1970s General","title_ssm":["1970s General"],"title_tesim":["1970s General"],"normalized_title_ssm":["1970s General, 1970/1979"],"text":["1970s General, 1970/1979","French Communist Party poster collection, 1945/2008","Series 1: Political Posters, 1945/2008","Subseries 1.1: General Position and Party Information, 1945/2008","oversize Shelf 1","folder 3","36 roughly 60x80cm, 2 40x60cm, and 2 30x100cm sized posters; 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topics include uniting, anti-UDR, financial scandals, the Soviet Union, Pompidou, cantonal elections, racism, personal power, raising fuel prices, petroleum scandal, d'Estaing, women, the Concord, farmers, saving hospitals, European election, and the election of 1978.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["36 roughly 60x80cm, 2 40x60cm, and 2 30x100cm sized posters; topics include uniting, anti-UDR, financial scandals, the Soviet Union, Pompidou, cantonal elections, racism, personal power, raising fuel prices, petroleum scandal, d'Estaing, women, the Concord, farmers, saving hospitals, European election, and the election of 1978."],"_nest_path_":"/components#0/components#0/components#26","timestamp":"2026-08-14T22:34:24.402Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_177","ead_ssi":"vifgm_repositories_2_resources_177","_root_":"vifgm_repositories_2_resources_177","_nest_parent_":"vifgm_repositories_2_resources_177","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_177.xml","title_filing_ssi":"French Communist Party poster collection","title_ssm":["French Communist Party poster collection"],"title_tesim":["French Communist Party poster collection"],"unitdate_ssm":["circa 1945-2008"],"unitdate_inclusive_ssm":["circa 1945-2008"],"normalized_date_ssm":["1945/2008"],"normalized_title_ssm":["French Communist Party poster collection, 1945/2008"],"text":["French Communist Party poster collection, 1945/2008","C0168","/repositories/2/resources/177","France -- Politics and government -- 20th century","Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters","There are no access restrictions.","This collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.","Missing Title\n      Series 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC)\n      Series 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)","The French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday.","Processed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010.","The Special Collections Research Center also holds the  that include many documents on communist parties in the United States and internationally.","Substantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.","Series 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups.","Series 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Substantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements.","Map Case 10.3, 25.1-25.5","George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET","English"],"collection_title_tesim":["French Communist Party poster collection, 1945/2008"],"collection_ssim":["French Communist Party poster collection, 1945/2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0168","/repositories/2/resources/177"],"unitid_tesim":["C0168","/repositories/2/resources/177"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["France -- Politics and government -- 20th century"],"geogname_ssim":["France -- Politics and government -- 20th century"],"places_ssim":["France -- Politics and government -- 20th century"],"creator_ssm":["Parti communiste français"],"creator_ssim":["Parti communiste français"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters"],"access_subjects_ssm":["Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters"],"has_online_content_ssim":["false"],"extent_ssm":["1218 posters"],"extent_tesim":["1218 posters"],"genreform_ssim":["Posters","Political posters"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.","Missing Title\n      Series 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC)\n      Series 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)"],"bioghist_html_tesm":["\u003cp\u003eThe French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday."],"prefercite_html_tesm":["\u003cp\u003eFrench Communist Party poster collection, C0168, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["French Communist Party poster collection, C0168, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Francis J. McNamara papers\" href=\"https://aspace.gmu.edu/resources/c0024\"\u003e\u003c/extptr\u003e that include many documents on communist parties in the United States and internationally.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  that include many documents on communist parties in the United States and internationally."],"scopecontent_html_tesm":["\u003cp\u003eSubstantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.\u003c/p\u003e","\u003cp\u003eSeries 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups. \u003c/p\u003e","\u003cp\u003eSeries 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Substantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.","Series 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups.","Series 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_dd4c030cc8b3e2ce4e8ba5cc668cd75b\" label=\"Abstract\"\u003eSubstantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements.\u003c/abstract\u003e\n    "],"abstract_tesim":["Substantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_42e069deeb9ae22cbc4b9fd54458e227\"\u003eMap Case 10.3, 25.1-25.5\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 10.3, 25.1-25.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"names_coll_ssim":["Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":92,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:24.402Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_177_c01_c01_c27"}},{"id":"vifgm_repositories_2_resources_307_c01_c13","type":"File","attributes":{"title":"1971-1972 academic year report for George Mason University, 1973","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_307_c01_c13#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_307_c01_c13","ref_ssm":["vifgm_repositories_2_resources_307_c01_c13"],"id":"vifgm_repositories_2_resources_307_c01_c13","ead_ssi":"vifgm_repositories_2_resources_307","_root_":"vifgm_repositories_2_resources_307","_nest_parent_":"vifgm_repositories_2_resources_307_c01","parent_ssi":"vifgm_repositories_2_resources_307_c01","parent_ssim":["George Mason University Office of the President records, 1949/2013","Series 1: GMC/GMU Annual reports, 1960/1980"],"parent_ids_ssim":["vifgm_repositories_2_resources_307","vifgm_repositories_2_resources_307_c01"],"title_filing_ssi":"1971-1972 academic year report for George Mason University","title_ssm":["1971-1972 academic year report for George Mason University"],"title_tesim":["1971-1972 academic year report for George Mason University"],"normalized_title_ssm":["1971-1972 academic year report for George Mason University, 1973"],"text":["1971-1972 academic year report for George Mason University, 1973","George Mason University Office of the President records, 1949/2013","Series 1: GMC/GMU Annual reports, 1960/1980","box 1","folder 13"],"parent_unittitles_ssm":["George Mason University Office of the President records, 1949/2013","Series 1: GMC/GMU Annual reports, 1960/1980"],"parent_unittitles_tesim":["George Mason University Office of the President records, 1949/2013","Series 1: GMC/GMU Annual reports, 1960/1980"],"normalized_date_ssm":["1973"],"unitdate_other_ssim":["February 21, 1973"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":14,"repository_ssim":["George Mason University"],"collection_ssim":["George Mason University Office of the President records, 1949/2013"],"containers_ssim":["box 1","folder 13"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Restrictions explanation (if needed)"],"parent_access_terms_tesm":["There are no restrictions for personal use of authorized materials. Permission to publish material from George Mason University Office of the President records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"date_range_isim":[1973],"_nest_path_":"/components#0/components#12","timestamp":"2026-08-14T22:34:34.591Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_307","ead_ssi":"vifgm_repositories_2_resources_307","_root_":"vifgm_repositories_2_resources_307","_nest_parent_":"vifgm_repositories_2_resources_307","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_307.xml","title_ssm":["George Mason University Office of the President records"],"title_tesim":["George Mason University Office of the President records"],"unitdate_ssm":["1949-2013"],"unitdate_inclusive_ssm":["1949-2013"],"normalized_date_ssm":["1949/2013"],"normalized_title_ssm":["George Mason University Office of the President records, 1949/2013"],"text":["George Mason University Office of the President records, 1949/2013","R0019","/repositories/2/resources/307","Fairfax County (Va.) -- History","Virginia, Northern","Virginia, Northern -- History","Universities and colleges -- Administration","Universities and colleges -- History","Universities and colleges","Education -- Virginia","University extension -- United States","Regional planning -- Virginia","School integration","Nineteen fifties","Nineteen sixties","Nineteen seventies","Nineteen eighties","Nineteen nineties","Education, Higher","Educational change","Education -- Political aspects -- United States","School boards","Affirmative action programs in education","Twentieth century","Twenty-first century","Two thousands (Decade)","Cultural pluralism","Speeches, addresses, etc.","Educational reports","Correspondence","Series 2-7 contain a number of access-restricted materials noted in the contents list. Restricted materials include personally identifiable information as well as confidential or otherwise sensitive personal information and exchanges. To find out more information regarding resticted material, please contact the University Archivist.","Digital versions are available of two of the","The collection is arranged in eight chronologically ordered series. Each individual series is self-contained and is arranged in order of materials acquisition. Prior to reprocessing in 2020, preexisting materials in series 2-7 were arranged in alphabetical order.","Series 1: GMC/GMU Annual Reports, 1961-1980 (Boxes 1-2)\n      Series 2: Materials from the offices of John Norville Gibson Finley and Robert Reid, 1949-1966 (Boxes 1-3)\n      Series 3: Materials from the office of Lorin Thompson, 1965-1975  (Boxes 1-18)\n      Series 4: Materials from the office Vergil H. Dykstra, 1973-1977 (Boxes 1-6)\n      Series 5: Materials from the office of Robert Krug: 1977-1978  (Boxes 1-2)\n      Series 6: Materials from the office of George W. Johnson, 1978-1996 (Boxes 1-83)\n      Series 7: Materials from the office of Alan G. Merten, 1996-2012 (Boxes 1-78)\n      Series 8: Materials from the office of Ángel Cabrera, 2011-2013 (Box 1)","The institution known today as George Mason University (GMU) began as the University of Virginia (UVA) Extension Division's Northern Virginia University Center in 1949. The Center was administered by Director John N. G. Finley (1899-1971). In 1956, UVA established the University College, a two-year branch college, alongside the Northern Virginia University Center, with Finley serving as director of both institutions. In 1960 UVa officials changed the name of the two-year branch college to George Mason College of the University of Virginia","UVA coalesced its presence in Northern Virginia in 1964 by constructing a permanent campus just south of the then-Town of Fairfax. Robert H. Reid (1913-1970) served as director of George Mason College from 1964-1966.","In 1966 Lorin A. Thompson (1902-1999) became the first and only chancellor of George Mason College and it became a four-year degree-granting institution that same year. George Mason was separated from UVA on April 7, 1972 and become an independent university under the name George Mason University. Thompson was named GMU's first president. He retired from the position in 1973.","Vergil H. Dykstra (1925-2010) was selected as GMU's second president in 1973 and retired from his role in 1977.","Robert C. Krug (1918-2006) became the third president of GMU in 1977 and departed the position in 1978 to return to his former position as Vice President of Academic Affairs.","George W. Johnson (1928-2017) was chosen as the fourth president of GMU in 1978 and served for 18 years, the longest term of any George Mason president to date. He retired in 1996.","Alan G. Merten (1941-2020) was named the fifth president of GMU in 1996 and, after serving for 16 years, retired in 2012.","Ángel Cabrera (1967- ) became the sixth president of GMU in 2012 and served for seven years, departing from the position in 2019.","The materials which make up this collection were initially acquired by SCRC staff and processed by SCRC Archivist and Records Manager, Barbara Haase and SCRC staff beginning in the early-1980s. Additional processing and initial EAD completed by Pushyamethra Kandala in 2001. Reprocessed and EAD completed in 2010 by Greta Kuriger. Reprocessed, inventoried, and finding aid data entry by Lana Mason in 2020. In 2024 University Archivist Robert Vay completed the remaining finding aid data entry and publishing.","Special Collections Research Center also holds the  and the .","For more on the history of George Mason University and its presidents, visit the online exhibit .","The George Mason University Office of the President records contains a broad spectrum of materials originating within, received, or accessed by the George Mason University (GMU) Office of the President. These materials include, but are not limited to, correspondence, studies, reports, speeches, meetings minutes, scrapbooks, audio-visual media and photographs.","The collection contains materials from the institution's beginning in 1949 as a subsidiary of the University of Virginia through the early 2010s. These materials chart the development, both culturally and physically, of the institution through the lens of its directors', chancellor's and presidents' correspondence, reports, and other administrative documents.","In addition to providing information about GMU's academic and physical development, the collection provides a view of the sociocultural development of Northern Virginia and, by extension, the United States. Notable moments and cultural shifts in American history, such as the Civil Rights movement, the Vietnam War, diversity awareness, and the September 11 attacks are referenced within collection materials.","Series 1: Annual Reports contains the George Mason annual reports, compiled by the sitting college director or, later, university president. These reports documented the rate of change during George Mason's first twenty years.","Series 2: Early History contains correspondence, reports, campus development plans, and other documentation produced during George Mason's early years under directors John Norville Gibson Finley and Robert Reid.","Series 3: Lorin A. Thompson contains materials such as correspondence, administrative meetings minutes, Civil Rights Act compliance documents, land acquisition and building plans, memoranda, photographs, scrapbooks, and reports dating from the tenure of Lorin A. Thompson.","Series 4: Vergil H. Dykstra contains materials such as budget reports, administrative meetings minutes, and enrollment statistics from the tenure of Vergil H. Dykstra.","Series 5: Robert C. Krug primarily contains correspondence from the tenure of Robert C. Krug.","Series 6: George W. Johnson contains a wide variety of materials including correspondence, speeches, and reports from the tenure of George W. Johnson.","Series 7: Alan G. Merten contains a wide variety of materials including correspondence, speeches, and reports from the tenure of Alan G. Merten.","Series 8: Ángel Cabrera contains 2013 Spring and Winter Commencements planning documents, Colonial Athletic Association meetings minutes and correspondence, and holiday greetings and event invitation cards from the tenure of Ángel Cabrera.","There are no restrictions for personal use of authorized materials. Permission to publish material from George Mason University Office of the President records must be obtained from the Special Collections Research Center, George Mason University Libraries.","Collection contains a wide range of materials including correspondence, studies, reports, speeches, meeting minutes, scrapbooks, and photographs originating within, received, or accessed by the George Mason University Office of the President.","R81, C1, S1 - R82, C2, S5","George Mason University. Libraries. Special Collections Research Center","George Mason University. Office of the President","George Mason University","Johnson, George W., 1928-2017","Merten, Alan G.","Thompson, Lorin A., 1902-1999","Reid, Robert H., 1913-1970","Krug, Robert C. , 1918-2006","Dykstra, Vergil H., 1925-2010","Cabrera, Angel, 1967-","English"],"collection_title_tesim":["George Mason University Office of the President records, 1949/2013"],"collection_ssim":["George Mason University Office of the President records, 1949/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0019","/repositories/2/resources/307"],"unitid_tesim":["R0019","/repositories/2/resources/307"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Fairfax County (Va.) -- History","Virginia, Northern","Virginia, Northern -- History"],"geogname_ssim":["Fairfax County (Va.) -- History","Virginia, Northern","Virginia, Northern -- History"],"places_ssim":["Fairfax County (Va.) -- History","Virginia, Northern","Virginia, Northern -- History"],"creator_ssm":["George Mason University. Office of the President"],"creator_ssim":["George Mason University. Office of the President"],"creator_persname_ssim":["Johnson, George W., 1928-2017","Merten, Alan G.","Thompson, Lorin A., 1902-1999","Reid, Robert H., 1913-1970","Krug, Robert C. , 1918-2006","Dykstra, Vergil H., 1925-2010","Cabrera, Angel, 1967-"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Office of the President","George Mason University"],"creators_ssim":["Johnson, George W., 1928-2017","Merten, Alan G.","Thompson, Lorin A., 1902-1999","Reid, Robert H., 1913-1970","Krug, Robert C. , 1918-2006","Dykstra, Vergil H., 1925-2010","Cabrera, Angel, 1967-","George Mason University. Libraries. Special Collections Research Center","George Mason University. Office of the President","George Mason University"],"access_terms_ssm":["There are no restrictions for personal use of authorized materials. Permission to publish material from George Mason University Office of the President records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["These materials were and are actively being acquired by George Mason University Special Collections Research Center through the Office of the President."],"access_subjects_ssim":["Universities and colleges -- Administration","Universities and colleges -- History","Universities and colleges","Education -- Virginia","University extension -- United States","Regional planning -- Virginia","School integration","Nineteen fifties","Nineteen sixties","Nineteen seventies","Nineteen eighties","Nineteen nineties","Education, Higher","Educational change","Education -- Political aspects -- United States","School boards","Affirmative action programs in education","Twentieth century","Twenty-first century","Two thousands (Decade)","Cultural pluralism","Speeches, addresses, etc.","Educational reports","Correspondence"],"access_subjects_ssm":["Universities and colleges -- Administration","Universities and colleges -- History","Universities and colleges","Education -- Virginia","University extension -- United States","Regional planning -- Virginia","School integration","Nineteen fifties","Nineteen sixties","Nineteen seventies","Nineteen eighties","Nineteen nineties","Education, Higher","Educational change","Education -- Political aspects -- United States","School boards","Affirmative action programs in education","Twentieth century","Twenty-first century","Two thousands (Decade)","Cultural pluralism","Speeches, addresses, etc.","Educational reports","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["96.5 Linear Feet 193 boxes"],"extent_tesim":["96.5 Linear Feet 193 boxes"],"genreform_ssim":["Correspondence"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSeries 2-7 contain a number of access-restricted materials noted in the contents list. Restricted materials include personally identifiable information as well as confidential or otherwise sensitive personal information and exchanges. To find out more information regarding resticted material, please contact the University Archivist.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Series 2-7 contain a number of access-restricted materials noted in the contents list. Restricted materials include personally identifiable information as well as confidential or otherwise sensitive personal information and exchanges. To find out more information regarding resticted material, please contact the University Archivist."],"altformavail_html_tesm":["\u003cp\u003eDigital versions are available of two of the \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~16~16\" title=\"President Thompson scrapbooks.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternate Format Available"],"altformavail_tesim":["Digital versions are available of two of the"],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in eight chronologically ordered series. Each individual series is self-contained and is arranged in order of materials acquisition. Prior to reprocessing in 2020, preexisting materials in series 2-7 were arranged in alphabetical order.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eSeries 1: GMC/GMU Annual Reports, 1961-1980 (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Materials from the offices of John Norville Gibson Finley and Robert Reid, 1949-1966 (Boxes 1-3)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Materials from the office of Lorin Thompson, 1965-1975  (Boxes 1-18)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Materials from the office Vergil H. Dykstra, 1973-1977 (Boxes 1-6)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Materials from the office of Robert Krug: 1977-1978  (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Materials from the office of George W. Johnson, 1978-1996 (Boxes 1-83)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Materials from the office of Alan G. Merten, 1996-2012 (Boxes 1-78)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Materials from the office of Ángel Cabrera, 2011-2013 (Box 1)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in eight chronologically ordered series. Each individual series is self-contained and is arranged in order of materials acquisition. Prior to reprocessing in 2020, preexisting materials in series 2-7 were arranged in alphabetical order.","Series 1: GMC/GMU Annual Reports, 1961-1980 (Boxes 1-2)\n      Series 2: Materials from the offices of John Norville Gibson Finley and Robert Reid, 1949-1966 (Boxes 1-3)\n      Series 3: Materials from the office of Lorin Thompson, 1965-1975  (Boxes 1-18)\n      Series 4: Materials from the office Vergil H. Dykstra, 1973-1977 (Boxes 1-6)\n      Series 5: Materials from the office of Robert Krug: 1977-1978  (Boxes 1-2)\n      Series 6: Materials from the office of George W. Johnson, 1978-1996 (Boxes 1-83)\n      Series 7: Materials from the office of Alan G. Merten, 1996-2012 (Boxes 1-78)\n      Series 8: Materials from the office of Ángel Cabrera, 2011-2013 (Box 1)"],"bioghist_html_tesm":["\u003cp\u003eThe institution known today as George Mason University (GMU) began as the University of Virginia (UVA) Extension Division's Northern Virginia University Center in 1949. The Center was administered by Director John N. G. Finley (1899-1971). In 1956, UVA established the University College, a two-year branch college, alongside the Northern Virginia University Center, with Finley serving as director of both institutions. In 1960 UVa officials changed the name of the two-year branch college to George Mason College of the University of Virginia\u003c/p\u003e","\u003cp\u003eUVA coalesced its presence in Northern Virginia in 1964 by constructing a permanent campus just south of the then-Town of Fairfax. Robert H. Reid (1913-1970) served as director of George Mason College from 1964-1966.\u003c/p\u003e","\u003cp\u003eIn 1966 Lorin A. Thompson (1902-1999) became the first and only chancellor of George Mason College and it became a four-year degree-granting institution that same year. George Mason was separated from UVA on April 7, 1972 and become an independent university under the name George Mason University. Thompson was named GMU's first president. He retired from the position in 1973.\u003c/p\u003e","\u003cp\u003eVergil H. Dykstra (1925-2010) was selected as GMU's second president in 1973 and retired from his role in 1977.\u003c/p\u003e","\u003cp\u003eRobert C. Krug (1918-2006) became the third president of GMU in 1977 and departed the position in 1978 to return to his former position as Vice President of Academic Affairs.\u003c/p\u003e","\u003cp\u003eGeorge W. Johnson (1928-2017) was chosen as the fourth president of GMU in 1978 and served for 18 years, the longest term of any George Mason president to date. He retired in 1996.\u003c/p\u003e","\u003cp\u003eAlan G. Merten (1941-2020) was named the fifth president of GMU in 1996 and, after serving for 16 years, retired in 2012.\u003c/p\u003e","\u003cp\u003eÁngel Cabrera (1967- ) became the sixth president of GMU in 2012 and served for seven years, departing from the position in 2019.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The institution known today as George Mason University (GMU) began as the University of Virginia (UVA) Extension Division's Northern Virginia University Center in 1949. The Center was administered by Director John N. G. Finley (1899-1971). In 1956, UVA established the University College, a two-year branch college, alongside the Northern Virginia University Center, with Finley serving as director of both institutions. In 1960 UVa officials changed the name of the two-year branch college to George Mason College of the University of Virginia","UVA coalesced its presence in Northern Virginia in 1964 by constructing a permanent campus just south of the then-Town of Fairfax. Robert H. Reid (1913-1970) served as director of George Mason College from 1964-1966.","In 1966 Lorin A. Thompson (1902-1999) became the first and only chancellor of George Mason College and it became a four-year degree-granting institution that same year. George Mason was separated from UVA on April 7, 1972 and become an independent university under the name George Mason University. Thompson was named GMU's first president. He retired from the position in 1973.","Vergil H. Dykstra (1925-2010) was selected as GMU's second president in 1973 and retired from his role in 1977.","Robert C. Krug (1918-2006) became the third president of GMU in 1977 and departed the position in 1978 to return to his former position as Vice President of Academic Affairs.","George W. Johnson (1928-2017) was chosen as the fourth president of GMU in 1978 and served for 18 years, the longest term of any George Mason president to date. He retired in 1996.","Alan G. Merten (1941-2020) was named the fifth president of GMU in 1996 and, after serving for 16 years, retired in 2012.","Ángel Cabrera (1967- ) became the sixth president of GMU in 2012 and served for seven years, departing from the position in 2019."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University Office of the President records, R0019, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["George Mason University Office of the President records, R0019, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe materials which make up this collection were initially acquired by SCRC staff and processed by SCRC Archivist and Records Manager, Barbara Haase and SCRC staff beginning in the early-1980s. Additional processing and initial EAD completed by Pushyamethra Kandala in 2001. Reprocessed and EAD completed in 2010 by Greta Kuriger. Reprocessed, inventoried, and finding aid data entry by Lana Mason in 2020. In 2024 University Archivist Robert Vay completed the remaining finding aid data entry and publishing.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The materials which make up this collection were initially acquired by SCRC staff and processed by SCRC Archivist and Records Manager, Barbara Haase and SCRC staff beginning in the early-1980s. Additional processing and initial EAD completed by Pushyamethra Kandala in 2001. Reprocessed and EAD completed in 2010 by Greta Kuriger. Reprocessed, inventoried, and finding aid data entry by Lana Mason in 2020. In 2024 University Archivist Robert Vay completed the remaining finding aid data entry and publishing."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds the \u003cextptr show=\"new\" title=\"George Mason University Office of the Registrar records\" href=\"https://aspace.gmu.edu/resources/r0026\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"George Mason University Office of the Senior Vice President records\" href=\"https://aspace.gmu.edu/resources/r0024\"\u003e\u003c/extptr\u003e.\u003c/p\u003e","\u003cp\u003eFor more on the history of George Mason University and its presidents, visit the online exhibit \u003cextptr show=\"new\" title=\"George Mason University: A History\" href=\"https://masonlibraries.org/masonhistory\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center also holds the  and the .","For more on the history of George Mason University and its presidents, visit the online exhibit ."],"scopecontent_html_tesm":["\u003cp\u003eThe George Mason University Office of the President records contains a broad spectrum of materials originating within, received, or accessed by the George Mason University (GMU) Office of the President. These materials include, but are not limited to, correspondence, studies, reports, speeches, meetings minutes, scrapbooks, audio-visual media and photographs.\u003c/p\u003e","\u003cp\u003eThe collection contains materials from the institution's beginning in 1949 as a subsidiary of the University of Virginia through the early 2010s. These materials chart the development, both culturally and physically, of the institution through the lens of its directors', chancellor's and presidents' correspondence, reports, and other administrative documents. \u003c/p\u003e","\u003cp\u003eIn addition to providing information about GMU's academic and physical development, the collection provides a view of the sociocultural development of Northern Virginia and, by extension, the United States. Notable moments and cultural shifts in American history, such as the Civil Rights movement, the Vietnam War, diversity awareness, and the September 11 attacks are referenced within collection materials.\u003c/p\u003e","\u003cp\u003eSeries 1: Annual Reports contains the George Mason annual reports, compiled by the sitting college director or, later, university president. These reports documented the rate of change during George Mason's first twenty years.\u003c/p\u003e","\u003cp\u003eSeries 2: Early History contains correspondence, reports, campus development plans, and other documentation produced during George Mason's early years under directors John Norville Gibson Finley and Robert Reid.\u003c/p\u003e","\u003cp\u003eSeries 3: Lorin A. Thompson contains materials such as correspondence, administrative meetings minutes, Civil Rights Act compliance documents, land acquisition and building plans, memoranda, photographs, scrapbooks, and reports dating from the tenure of Lorin A. Thompson.\u003c/p\u003e","\u003cp\u003eSeries 4: Vergil H. Dykstra contains materials such as budget reports, administrative meetings minutes, and enrollment statistics from the tenure of Vergil H. Dykstra.\u003c/p\u003e","\u003cp\u003eSeries 5: Robert C. Krug primarily contains correspondence from the tenure of Robert C. Krug.\u003c/p\u003e","\u003cp\u003eSeries 6: George W. Johnson contains a wide variety of materials including correspondence, speeches, and reports from the tenure of George W. Johnson.\u003c/p\u003e","\u003cp\u003eSeries 7: Alan G. Merten contains a wide variety of materials including correspondence, speeches, and reports from the tenure of Alan G. Merten. \u003c/p\u003e","\u003cp\u003eSeries 8: Ángel Cabrera contains 2013 Spring and Winter Commencements planning documents, Colonial Athletic Association meetings minutes and correspondence, and holiday greetings and event invitation cards from the tenure of Ángel Cabrera.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The George Mason University Office of the President records contains a broad spectrum of materials originating within, received, or accessed by the George Mason University (GMU) Office of the President. These materials include, but are not limited to, correspondence, studies, reports, speeches, meetings minutes, scrapbooks, audio-visual media and photographs.","The collection contains materials from the institution's beginning in 1949 as a subsidiary of the University of Virginia through the early 2010s. These materials chart the development, both culturally and physically, of the institution through the lens of its directors', chancellor's and presidents' correspondence, reports, and other administrative documents.","In addition to providing information about GMU's academic and physical development, the collection provides a view of the sociocultural development of Northern Virginia and, by extension, the United States. Notable moments and cultural shifts in American history, such as the Civil Rights movement, the Vietnam War, diversity awareness, and the September 11 attacks are referenced within collection materials.","Series 1: Annual Reports contains the George Mason annual reports, compiled by the sitting college director or, later, university president. These reports documented the rate of change during George Mason's first twenty years.","Series 2: Early History contains correspondence, reports, campus development plans, and other documentation produced during George Mason's early years under directors John Norville Gibson Finley and Robert Reid.","Series 3: Lorin A. Thompson contains materials such as correspondence, administrative meetings minutes, Civil Rights Act compliance documents, land acquisition and building plans, memoranda, photographs, scrapbooks, and reports dating from the tenure of Lorin A. Thompson.","Series 4: Vergil H. Dykstra contains materials such as budget reports, administrative meetings minutes, and enrollment statistics from the tenure of Vergil H. Dykstra.","Series 5: Robert C. Krug primarily contains correspondence from the tenure of Robert C. Krug.","Series 6: George W. Johnson contains a wide variety of materials including correspondence, speeches, and reports from the tenure of George W. Johnson.","Series 7: Alan G. Merten contains a wide variety of materials including correspondence, speeches, and reports from the tenure of Alan G. Merten.","Series 8: Ángel Cabrera contains 2013 Spring and Winter Commencements planning documents, Colonial Athletic Association meetings minutes and correspondence, and holiday greetings and event invitation cards from the tenure of Ángel Cabrera."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions for personal use of authorized materials. Permission to publish material from George Mason University Office of the President records must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions for personal use of authorized materials. Permission to publish material from George Mason University Office of the President records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1fe5f00f5f1196924ca9248e4e7b3524\" label=\"Abstract\"\u003eCollection contains a wide range of materials including correspondence, studies, reports, speeches, meeting minutes, scrapbooks, and photographs originating within, received, or accessed by the George Mason University Office of the President.\u003c/abstract\u003e\n    "],"abstract_tesim":["Collection contains a wide range of materials including correspondence, studies, reports, speeches, meeting minutes, scrapbooks, and photographs originating within, received, or accessed by the George Mason University Office of the President."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ea4c5eee18e65093e3f6f8ba5816dddc\"\u003eR81, C1, S1 - R82, C2, S5\u003c/physloc\u003e\n    "],"physloc_tesim":["R81, C1, S1 - R82, C2, S5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Office of the President","George Mason University"],"names_coll_ssim":["George Mason University","George Mason University. Office of the President","Johnson, George W., 1928-2017","Merten, Alan G.","Thompson, Lorin A., 1902-1999","Reid, Robert H., 1913-1970","Krug, Robert C. , 1918-2006","Dykstra, Vergil H., 1925-2010","Cabrera, Angel, 1967-"],"persname_ssim":["Johnson, George W., 1928-2017","Merten, Alan G.","Thompson, Lorin A., 1902-1999","Reid, Robert H., 1913-1970","Krug, Robert C. , 1918-2006","Dykstra, Vergil H., 1925-2010","Cabrera, Angel, 1967-"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Office of the President","George Mason University","Johnson, George W., 1928-2017","Merten, Alan G.","Thompson, Lorin A., 1902-1999","Reid, Robert H., 1913-1970","Krug, Robert C. , 1918-2006","Dykstra, Vergil H., 1925-2010","Cabrera, Angel, 1967-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2384,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:34.591Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_307_c01_c13"}},{"id":"vifgm_repositories_2_resources_416_c04_c03_c33","type":"File","attributes":{"title":"1972-1973 Part II - March 1973 - July 1973, 1973","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c04_c03_c33#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_416_c04_c03_c33","ref_ssm":["vifgm_repositories_2_resources_416_c04_c03_c33"],"id":"vifgm_repositories_2_resources_416_c04_c03_c33","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416_c04_c03","parent_ssi":"vifgm_repositories_2_resources_416_c04_c03","parent_ssim":["Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990"],"parent_ids_ssim":["vifgm_repositories_2_resources_416","vifgm_repositories_2_resources_416_c04","vifgm_repositories_2_resources_416_c04_c03"],"title_filing_ssi":"1972-1973 Part II - March 1973 - July 1973","title_ssm":["1972-1973 Part II - March 1973 - July 1973"],"title_tesim":["1972-1973 Part II - March 1973 - July 1973"],"normalized_title_ssm":["1972-1973 Part II - March 1973 - July 1973, 1973"],"text":["1972-1973 Part II - March 1973 - July 1973, 1973","Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990","box 681","folder 2"],"parent_unittitles_ssm":["Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990"],"parent_unittitles_tesim":["Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990"],"normalized_date_ssm":["1973"],"unitdate_other_ssim":["1973"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":7933,"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records, 1949/2010"],"containers_ssim":["box 681","folder 2"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1973],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#3/components#2/components#32","timestamp":"2026-09-04T00:01:18.787Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_filing_ssi":"Arena Stage records","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","/repositories/2/resources/416","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","There are no access restrictions.","to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"accruals_html_tesm":["\u003cp\u003eto this collection are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e\n            ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-09-04T00:01:18.787Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c04_c03_c33"}},{"id":"vifgm_repositories_2_resources_416_c04_c03_c32","type":"File","attributes":{"title":"1972-1973 Part I - July 1972 - February 1973, 1972/1973","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c04_c03_c32#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_416_c04_c03_c32","ref_ssm":["vifgm_repositories_2_resources_416_c04_c03_c32"],"id":"vifgm_repositories_2_resources_416_c04_c03_c32","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416_c04_c03","parent_ssi":"vifgm_repositories_2_resources_416_c04_c03","parent_ssim":["Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990"],"parent_ids_ssim":["vifgm_repositories_2_resources_416","vifgm_repositories_2_resources_416_c04","vifgm_repositories_2_resources_416_c04_c03"],"title_filing_ssi":"1972-1973 Part I - July 1972 - February 1973","title_ssm":["1972-1973 Part I - July 1972 - February 1973"],"title_tesim":["1972-1973 Part I - July 1972 - February 1973"],"normalized_title_ssm":["1972-1973 Part I - July 1972 - February 1973, 1972/1973"],"text":["1972-1973 Part I - July 1972 - February 1973, 1972/1973","Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990","box 681","folder 1"],"parent_unittitles_ssm":["Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990"],"parent_unittitles_tesim":["Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990"],"normalized_date_ssm":["1972/1973"],"unitdate_other_ssim":["1972-1973"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":7932,"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records, 1949/2010"],"containers_ssim":["box 681","folder 1"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1972,1973],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#3/components#2/components#31","timestamp":"2026-09-04T00:01:18.787Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_filing_ssi":"Arena Stage records","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","/repositories/2/resources/416","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","There are no access restrictions.","to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"accruals_html_tesm":["\u003cp\u003eto this collection are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e\n            ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-09-04T00:01:18.787Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c04_c03_c32"}},{"id":"vifgm_repositories_2_resources_133_c01_c249","type":"File","attributes":{"title":"1972-73 Progress Report Duke University Cooperative Oceanographic Program, 1973","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_133_c01_c249#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e Dr. Richard T. Barber and Mr. John G. Newton \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_133_c01_c249#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_133_c01_c249","ref_ssm":["vifgm_repositories_2_resources_133_c01_c249"],"id":"vifgm_repositories_2_resources_133_c01_c249","ead_ssi":"vifgm_repositories_2_resources_133","_root_":"vifgm_repositories_2_resources_133","_nest_parent_":"vifgm_repositories_2_resources_133_c01","parent_ssi":"vifgm_repositories_2_resources_133_c01","parent_ssim":["Carol D. Litchfield microbiology collection","Carol D. 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Litchfield microbiology collection","Carol D. Litchfield Microbiology collection, 1924/1997"],"normalized_date_ssm":["1973"],"unitdate_other_ssim":["1973"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":250,"repository_ssim":["George Mason University"],"collection_ssim":["Carol D. Litchfield microbiology collection"],"containers_ssim":["box 10","volume 25"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1973],"scopecontent_html_tesm":["\u003cp\u003e Dr. Richard T. Barber and Mr. John G. Newton \u003c/p\u003e","\u003cp\u003e Progress Report \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Dr. Richard T. Barber and Mr. John G. Newton","Progress Report"],"_nest_path_":"/components#0/components#248","timestamp":"2026-08-14T22:34:17.521Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_133","ead_ssi":"vifgm_repositories_2_resources_133","_root_":"vifgm_repositories_2_resources_133","_nest_parent_":"vifgm_repositories_2_resources_133","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_133.xml","title_ssm":["Carol D. Litchfield microbiology collection"],"title_tesim":["Carol D. Litchfield microbiology collection"],"unitdate_ssm":["1924 - 1997"],"unitdate_inclusive_ssm":["1924 - 1997"],"normalized_title_ssm":["Carol D. Litchfield microbiology collection"],"text":["Carol D. Litchfield microbiology collection","C0047","/repositories/2/resources/133","New York Bight (N.J. and N.Y.)","Limnology","Sewage disposal in the ocean","Waste disposal in the ocean","Water -- Microbiology","There are no access restrictions.","by topic and geographical location.","Microbiologist and biochemist Carol D. Litchfield was born in Cincinnati, Ohio in 1936. She received a Masters of Science in Microbiology from the University of Cincinnati in 1960 and went on to pursue a Ph.D. in Biochemistry at Texas A and M University. Following a post-doctoral appointment at the University of North Wales, Dr. Litchfield joined the faculty at Rutgers, State University of New Jersey. After ten years at Rutgers, she worked as Head of Environmental Toxicology at Haskell Laboratory, a DuPont laboratory, then as Senior Scientist for its bioremediation subsidiary. Dr. Litchfield then founded her own consulting company and worked for Chester Environmental prior to joining George Mason University in 1993. Dr. Litchfield taught at George Mason University as Associate Professor Emeritus with a focus in microbial ecology and diversity. Dr. Litchifield passed away in 2012.","This collection was processed by Jennifer Munson in February 2009. Finding aid updated by Amanda Menjivar in March 2023.","This collection has additional unprocessed accessions 2015.048, 2018.042, 2019.056, 2020.045 and therefore this finding aid may not be fully up to date. Please contact SCRC for more information.","The Special Collections Research Center also holds other collections for research in related scientific fields in the , , and the .","The Carol D. Litchfield microbiology collection contains journal publications, government studies, microfiche, and research data, both published and personal. This collection features many different areas of microbiology, ranging from research methods and analysis to water quality data influencing policy making. Some highlights in this collection contain the New York Bight Project, which deals with water quality, sludge, and sewage dumping in the New York Bight, the waters between New York and New Jersey. Also within this collection are government manuals, findings, and reports on microbiology, as well as some personal field work, research, and papers by Dr. Litchfield. A few pieces of the collection are in French, German, and Japanese. The majority of this collection dates from the mid-1970s to the end of the 1980s, and the majority of the material contains information on the New York Bight project and other water quality studies and reports.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Carol D. Litchfield microbiology collection contains published reports and government studies as well as a few personal documents and papers encompassing topics such as microbiology of organisms and water quality.","R 21, C 3, S 5 - C 4, S 5","George Mason University. Libraries. Special Collections Research Center","American Petroleum Institute","Association of Ground Water Scientists and Engineers (U.S.)","Marine EcoSystems Analysis Program","United States. Environmental Protection Agency","United States. National Oceanic and Atmospheric Administration","United States. National Technical Information Service","Litchfield, Carol D.","English"],"collection_title_tesim":["Carol D. Litchfield microbiology collection"],"collection_ssim":["Carol D. Litchfield microbiology collection"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0047","/repositories/2/resources/133"],"unitid_tesim":["C0047","/repositories/2/resources/133"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["New York Bight (N.J. and N.Y.)"],"geogname_ssim":["New York Bight (N.J. and N.Y.)"],"places_ssim":["New York Bight (N.J. and N.Y.)"],"creator_ssm":["Litchfield, Carol D."],"creator_ssim":["Litchfield, Carol D."],"creator_persname_ssim":["Litchfield, Carol D."],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Petroleum Institute","Association of Ground Water Scientists and Engineers (U.S.)","Marine EcoSystems Analysis Program","United States. Environmental Protection Agency","United States. National Oceanic and Atmospheric Administration","United States. National Technical Information Service"],"creators_ssim":["Litchfield, Carol D.","George Mason University. Libraries. Special Collections Research Center","American Petroleum Institute","Association of Ground Water Scientists and Engineers (U.S.)","Marine EcoSystems Analysis Program","United States. Environmental Protection Agency","United States. National Oceanic and Atmospheric Administration","United States. National Technical Information Service"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["The collection was first donated by Carol D. Litchfield in 1995 followed by more donations until 2020."],"access_subjects_ssim":["Limnology","Sewage disposal in the ocean","Waste disposal in the ocean","Water -- Microbiology"],"access_subjects_ssm":["Limnology","Sewage disposal in the ocean","Waste disposal in the ocean","Water -- Microbiology"],"has_online_content_ssim":["false"],"extent_ssm":["11 Linear Feet 11 boxes"],"extent_tesim":["11 Linear Feet 11 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eby topic and geographical location.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["by topic and geographical location."],"bioghist_html_tesm":["\u003cp\u003eMicrobiologist and biochemist Carol D. Litchfield was born in Cincinnati, Ohio in 1936. She received a Masters of Science in Microbiology from the University of Cincinnati in 1960 and went on to pursue a Ph.D. in Biochemistry at Texas A and M University. Following a post-doctoral appointment at the University of North Wales, Dr. Litchfield joined the faculty at Rutgers, State University of New Jersey. After ten years at Rutgers, she worked as Head of Environmental Toxicology at Haskell Laboratory, a DuPont laboratory, then as Senior Scientist for its bioremediation subsidiary. Dr. Litchfield then founded her own consulting company and worked for Chester Environmental prior to joining George Mason University in 1993. Dr. Litchfield taught at George Mason University as Associate Professor Emeritus with a focus in microbial ecology and diversity. Dr. Litchifield passed away in 2012.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Microbiologist and biochemist Carol D. Litchfield was born in Cincinnati, Ohio in 1936. She received a Masters of Science in Microbiology from the University of Cincinnati in 1960 and went on to pursue a Ph.D. in Biochemistry at Texas A and M University. Following a post-doctoral appointment at the University of North Wales, Dr. Litchfield joined the faculty at Rutgers, State University of New Jersey. After ten years at Rutgers, she worked as Head of Environmental Toxicology at Haskell Laboratory, a DuPont laboratory, then as Senior Scientist for its bioremediation subsidiary. Dr. Litchfield then founded her own consulting company and worked for Chester Environmental prior to joining George Mason University in 1993. Dr. Litchfield taught at George Mason University as Associate Professor Emeritus with a focus in microbial ecology and diversity. Dr. Litchifield passed away in 2012."],"prefercite_html_tesm":["\u003cp\u003eCarol D. Litchfield Microbiology collection, C0047, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Carol D. Litchfield Microbiology collection, C0047, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003e\nThis collection was processed by Jennifer Munson in February 2009. Finding aid updated by Amanda Menjivar in March 2023.\n\u003c/p\u003e\n","\u003cp\u003e\nThis collection has additional unprocessed accessions 2015.048, 2018.042, 2019.056, 2020.045 and therefore this finding aid may not be fully up to date. Please contact SCRC for more information.\n\u003c/p\u003e\n  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was processed by Jennifer Munson in February 2009. Finding aid updated by Amanda Menjivar in March 2023.","This collection has additional unprocessed accessions 2015.048, 2018.042, 2019.056, 2020.045 and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds other collections for research in related scientific fields in the \u003cextptr show=\"new\" title=\"Clarence E. Larson Science and Technology Oral History collection \" href=\"https://aspace.gmu.edu/resources/c0079\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"Harold J. Morowitz papers\" href=\"https://aspace.gmu.edu/resources/c0049\"\u003e\u003c/extptr\u003e, and the \u003cextptr show=\"new\" title=\"James S. Trefil papers\" href=\"https://aspace.gmu.edu/resources/c0084\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds other collections for research in related scientific fields in the , , and the ."],"scopecontent_html_tesm":["\u003cp\u003eThe Carol D. Litchfield microbiology collection contains journal publications, government studies, microfiche, and research data, both published and personal. This collection features many different areas of microbiology, ranging from research methods and analysis to water quality data influencing policy making. Some highlights in this collection contain the New York Bight Project, which deals with water quality, sludge, and sewage dumping in the New York Bight, the waters between New York and New Jersey. Also within this collection are government manuals, findings, and reports on microbiology, as well as some personal field work, research, and papers by Dr. Litchfield. A few pieces of the collection are in French, German, and Japanese. The majority of this collection dates from the mid-1970s to the end of the 1980s, and the majority of the material contains information on the New York Bight project and other water quality studies and reports.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Carol D. Litchfield microbiology collection contains journal publications, government studies, microfiche, and research data, both published and personal. This collection features many different areas of microbiology, ranging from research methods and analysis to water quality data influencing policy making. Some highlights in this collection contain the New York Bight Project, which deals with water quality, sludge, and sewage dumping in the New York Bight, the waters between New York and New Jersey. Also within this collection are government manuals, findings, and reports on microbiology, as well as some personal field work, research, and papers by Dr. Litchfield. A few pieces of the collection are in French, German, and Japanese. The majority of this collection dates from the mid-1970s to the end of the 1980s, and the majority of the material contains information on the New York Bight project and other water quality studies and reports."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_a02c900effaa84dfe78fc9a0e1d67c34\" label=\"Abstract\"\u003eThe Carol D. Litchfield microbiology collection contains published reports and government studies as well as a few personal documents and papers encompassing topics such as microbiology of organisms and water quality.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Carol D. Litchfield microbiology collection contains published reports and government studies as well as a few personal documents and papers encompassing topics such as microbiology of organisms and water quality."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e27dc37d9de8231d28169bba99d46caa\"\u003eR 21, C 3, S 5 - C 4, S 5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 21, C 3, S 5 - C 4, S 5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Petroleum Institute","Association of Ground Water Scientists and Engineers (U.S.)","Marine EcoSystems Analysis Program","United States. Environmental Protection Agency","United States. National Oceanic and Atmospheric Administration","United States. National Technical Information Service"],"names_coll_ssim":["American Petroleum Institute","Association of Ground Water Scientists and Engineers (U.S.)","Marine EcoSystems Analysis Program","United States. Environmental Protection Agency","United States. National Oceanic and Atmospheric Administration","United States. National Technical Information Service"],"persname_ssim":["Litchfield, Carol D."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American Petroleum Institute","Association of Ground Water Scientists and Engineers (U.S.)","Marine EcoSystems Analysis Program","United States. Environmental Protection Agency","United States. National Oceanic and Atmospheric Administration","United States. National Technical Information Service","Litchfield, Carol D."],"language_ssim":["English"],"total_component_count_is":311,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:17.521Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_133_c01_c249"}},{"id":"vifgm_repositories_2_resources_416_c04_c03_c34","type":"File","attributes":{"title":"1973-1974 Part I - July 1973 - December 1973, 1973","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c04_c03_c34#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_416_c04_c03_c34","ref_ssm":["vifgm_repositories_2_resources_416_c04_c03_c34"],"id":"vifgm_repositories_2_resources_416_c04_c03_c34","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416_c04_c03","parent_ssi":"vifgm_repositories_2_resources_416_c04_c03","parent_ssim":["Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990"],"parent_ids_ssim":["vifgm_repositories_2_resources_416","vifgm_repositories_2_resources_416_c04","vifgm_repositories_2_resources_416_c04_c03"],"title_filing_ssi":"1973-1974 Part I - July 1973 - December 1973","title_ssm":["1973-1974 Part I - July 1973 - December 1973"],"title_tesim":["1973-1974 Part I - July 1973 - December 1973"],"normalized_title_ssm":["1973-1974 Part I - July 1973 - December 1973, 1973"],"text":["1973-1974 Part I - July 1973 - December 1973, 1973","Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990","box 682","folder 1"],"parent_unittitles_ssm":["Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990"],"parent_unittitles_tesim":["Arena Stage records, 1949/2010","Series 4: Oversize materials, 1949","Subseries 4.3: Scrapbooks, 1949/1990"],"normalized_date_ssm":["1973"],"unitdate_other_ssim":["1973"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":7934,"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records, 1949/2010"],"containers_ssim":["box 682","folder 1"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1973],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#3/components#2/components#33","timestamp":"2026-09-04T00:01:18.787Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_filing_ssi":"Arena Stage records","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","/repositories/2/resources/416","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","There are no access restrictions.","to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"accruals_html_tesm":["\u003cp\u003eto this collection are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e\n            ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-09-04T00:01:18.787Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c04_c03_c34"}},{"id":"vifgm_repositories_2_resources_547_c01_c25","type":"File","attributes":{"title":"1973 Metro Memos, 1973","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_547_c01_c25#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_547_c01_c25","ref_ssm":["vifgm_repositories_2_resources_547_c01_c25"],"id":"vifgm_repositories_2_resources_547_c01_c25","ead_ssi":"vifgm_repositories_2_resources_547","_root_":"vifgm_repositories_2_resources_547","_nest_parent_":"vifgm_repositories_2_resources_547_c01","parent_ssi":"vifgm_repositories_2_resources_547_c01","parent_ssim":["Charles Lietwiler transportation collection, 1903/2005","Series 1: Washington Metropolitan Area Transportation Authority, 1959/1997"],"parent_ids_ssim":["vifgm_repositories_2_resources_547","vifgm_repositories_2_resources_547_c01"],"title_filing_ssi":"1973 Metro Memos,","title_ssm":["1973 Metro Memos"],"title_tesim":["1973 Metro Memos"],"normalized_title_ssm":["1973 Metro Memos, 1973"],"text":["1973 Metro Memos, 1973","Charles Lietwiler transportation collection, 1903/2005","Series 1: Washington Metropolitan Area Transportation Authority, 1959/1997","Box 2","Folder 12"],"parent_unittitles_ssm":["Charles Lietwiler transportation collection, 1903/2005","Series 1: Washington Metropolitan Area Transportation Authority, 1959/1997"],"parent_unittitles_tesim":["Charles Lietwiler transportation collection, 1903/2005","Series 1: Washington Metropolitan Area Transportation Authority, 1959/1997"],"normalized_date_ssm":["1973"],"unitdate_other_ssim":["January-November 1973"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":26,"repository_ssim":["George Mason University"],"collection_ssim":["Charles Lietwiler transportation collection, 1903/2005"],"containers_ssim":["Box 2","Folder 12"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1973],"_nest_path_":"/components#0/components#24","timestamp":"2026-08-14T22:35:01.774Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_547","ead_ssi":"vifgm_repositories_2_resources_547","_root_":"vifgm_repositories_2_resources_547","_nest_parent_":"vifgm_repositories_2_resources_547","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_547.xml","title_ssm":["Charles Lietwiler transportation collection"],"title_tesim":["Charles Lietwiler transportation collection"],"unitdate_ssm":["1903 - 2005"],"unitdate_inclusive_ssm":["1903 - 2005"],"normalized_date_ssm":["1903/2005"],"normalized_title_ssm":["Charles Lietwiler transportation collection, 1903/2005"],"text":["Charles Lietwiler transportation collection, 1903/2005","C0324","/repositories/2/resources/547","D.C.-Metro area","Photography","Transportation -- Virginia, Northern -- Planning -- History -- 20th century","Transportation -- United States","Transportation -- United States -- Planning","Transportation -- Washington Metropolitan Area -- Planning","There are no access restrictions.","This collection is arranged in into six series:","Series\n      Series 1: Washington Metropolitan Area Transit Authority, 1960-1990s (Boxes 1-4)\n      Series 2: United States mass transit, 1932-2000 (Boxes 5-7)\n      Series 3: International mass transit, 1903-1992(Boxes 7-9)\n      Series 4: Slides and photographs, 1950s-2005 (Boxes 10-39)\n      Series 5: Audio and video reels, 1960s-1970s (Box 40)\n      Series 6: Maps and blueprints, 1950s-1960s (Map Cases 35.3 - 35.4)","Charles J. Lietwiler was born in Gallipolis, Ohio on August 22, 1933. He earned a Bachelor of Arts degree in Business Administration from the University of Washington in 1955, and a Master of Arts degree in Business Administration in Transportation from the George Washington University in 1966. Lietwiler served as a regional transit planner throughout his professional career. Within the D.C. Metropolitan area, he held various positions with the federal government, the National Academy of Sciences, and the Metropolitan Planning Association. Lietwiler also worked with the Northern Virginia Transportation Commission where he served as the Senior Transportation Planner beginning in 1965. He took part in the Airlie conferences in 1967, where local officials and transit experts created the D.C. Metro system. Lietwiler performed research for the U.S. Army Reserve Transportation Railway Service, and was an amateur photographer and filmmaker.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio contained in Series 5. Additional time and money may be required to digitize this material for access.","Processing completed by Christopher Babbitt in March 2020. EAD markup completed by Christopher Babbitt in March 2020. Finding aid updated by Amanda Menjivar in October 2022.","Special Collections Research Center holds many other collections related to transportation and planning, such as the  and the  Click  to see all transportation and planning materials held by Special Collections Research Center.","The Charles Lietwiler transportation collection contains Lietwiler's work on the founding of Metro at the Airlie Conferences in 1967. An avid photographer, Lietwiler diligently photographed its construction and opening ceremonies. The collection also represents his work with a variety of other organizations, such as the Northern Virginia Transportation Commission, where he held a senior position. Lietwiler was a well-traveled man, collecting a variety of souvenirs on his trips. A plurality of the collection relates to his work as an amateur photographer and filmmaker.","Series 1: Washington Metropolitan Area Transportation Authority (1960-1990s): This series contains Lietwiler's work on the founding of Metro, including his work at the Airlie Conferences of 1967. Materials include: Analytical reports by various organizations such as the U.S. Department of Transportation, Metrobus and rail schedules, and published materials such as Metro Memos. It also contains Metro-related photographs taken by Lietwiler.","Series 2: United States Mass Transit (1932-2000): This series contains Lietwiler's work with other American transit organizations, including planning materials and analysis reports, as well as published materials, such as the Northern Virginia Transportation Commission Newsletter.","Series 3: International Mass Transit (1903-1992): This series contains published journals and newspapers examining international transportation systems, analytical reports on Japanese rail systems, and maps/brochures collected on Lietwiler's many trips.","Series 4: Slides and Photographs (1950s-1990s): This series contains all non-WMATA related photographs taken by Lietwiler, both personal and transit-related. Transit-related photographs usually depict transit systems embedded in cities and towns, while personal photography showcases nature or family gatherings. This series contains three subseries. Subseries 4.1: United States mass transit photographs. Subseries 4.2: International mass transit photographs. Subseries 4.3: Personal photos.","Series 5: Audio and Video reels (1960s-1970s): This series contains Lietwiler's work as an amateur filmmaker, mostly from his personal travels.","Series 6: Maps and Blueprints (1950s-1960s): This series contains 56 maps of Washington, D.C., 26 blueprints, and 41 topographical maps of Pittsburgh, Pennsylvania.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains Washington Metropolitan Area Transportation Authority (WMATA) materials relating to the foundation and construction of the Metro, information regarding American and international mass transit systems, and photographs taken by Charles Lietwiler.","R 72, C 1, S 1 - R 72, C 2, S 3\n\n\nMap Cases 35.3 - 35.4","George Mason University. Libraries. Special Collections Research Center","Northern Virginia Transportation Commission","Washington Metropolitan Area Transit Authority","Lietwiler, Charles","English"],"collection_title_tesim":["Charles Lietwiler transportation collection, 1903/2005"],"collection_ssim":["Charles Lietwiler transportation collection, 1903/2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0324","/repositories/2/resources/547"],"unitid_tesim":["C0324","/repositories/2/resources/547"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["D.C.-Metro area"],"geogname_ssim":["D.C.-Metro area"],"places_ssim":["D.C.-Metro area"],"creator_ssm":["Lietwiler, Charles"],"creator_ssim":["Lietwiler, Charles"],"creator_persname_ssim":["Lietwiler, Charles"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Northern Virginia Transportation Commission","Washington Metropolitan Area Transit Authority"],"creators_ssim":["Lietwiler, Charles","George Mason University. Libraries. Special Collections Research Center","Northern Virginia Transportation Commission","Washington Metropolitan Area Transit Authority"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Northern Virginia Transportation Commission on September 20, 2018."],"access_subjects_ssim":["Photography","Transportation -- Virginia, Northern -- Planning -- History -- 20th century","Transportation -- United States","Transportation -- United States -- Planning","Transportation -- Washington Metropolitan Area -- Planning"],"access_subjects_ssm":["Photography","Transportation -- Virginia, Northern -- Planning -- History -- 20th century","Transportation -- United States","Transportation -- United States -- Planning","Transportation -- Washington Metropolitan Area -- Planning"],"has_online_content_ssim":["false"],"extent_ssm":["33.0 Linear Feet 40 boxes, 2 map cases"],"extent_tesim":["33.0 Linear Feet 40 boxes, 2 map cases"],"date_range_isim":[1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in into six series:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Washington Metropolitan Area Transit Authority, 1960-1990s (Boxes 1-4)\u003c/item\u003e\n      \u003citem\u003eSeries 2: United States mass transit, 1932-2000 (Boxes 5-7)\u003c/item\u003e\n      \u003citem\u003eSeries 3: International mass transit, 1903-1992(Boxes 7-9)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Slides and photographs, 1950s-2005 (Boxes 10-39)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audio and video reels, 1960s-1970s (Box 40)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Maps and blueprints, 1950s-1960s (Map Cases 35.3 - 35.4)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in into six series:","Series\n      Series 1: Washington Metropolitan Area Transit Authority, 1960-1990s (Boxes 1-4)\n      Series 2: United States mass transit, 1932-2000 (Boxes 5-7)\n      Series 3: International mass transit, 1903-1992(Boxes 7-9)\n      Series 4: Slides and photographs, 1950s-2005 (Boxes 10-39)\n      Series 5: Audio and video reels, 1960s-1970s (Box 40)\n      Series 6: Maps and blueprints, 1950s-1960s (Map Cases 35.3 - 35.4)"],"bioghist_html_tesm":["\u003cp\u003eCharles J. Lietwiler was born in Gallipolis, Ohio on August 22, 1933. He earned a Bachelor of Arts degree in Business Administration from the University of Washington in 1955, and a Master of Arts degree in Business Administration in Transportation from the George Washington University in 1966. Lietwiler served as a regional transit planner throughout his professional career. Within the D.C. Metropolitan area, he held various positions with the federal government, the National Academy of Sciences, and the Metropolitan Planning Association. Lietwiler also worked with the Northern Virginia Transportation Commission where he served as the Senior Transportation Planner beginning in 1965. He took part in the Airlie conferences in 1967, where local officials and transit experts created the D.C. Metro system. Lietwiler performed research for the U.S. Army Reserve Transportation Railway Service, and was an amateur photographer and filmmaker.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Charles J. Lietwiler was born in Gallipolis, Ohio on August 22, 1933. He earned a Bachelor of Arts degree in Business Administration from the University of Washington in 1955, and a Master of Arts degree in Business Administration in Transportation from the George Washington University in 1966. Lietwiler served as a regional transit planner throughout his professional career. Within the D.C. Metropolitan area, he held various positions with the federal government, the National Academy of Sciences, and the Metropolitan Planning Association. Lietwiler also worked with the Northern Virginia Transportation Commission where he served as the Senior Transportation Planner beginning in 1965. He took part in the Airlie conferences in 1967, where local officials and transit experts created the D.C. Metro system. Lietwiler performed research for the U.S. Army Reserve Transportation Railway Service, and was an amateur photographer and filmmaker."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio contained in Series 5. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Technical requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio contained in Series 5. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eCharles Lietwiler transportation collection, C0324, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Charles Lietwiler transportation collection, C0324, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Christopher Babbitt in March 2020. EAD markup completed by Christopher Babbitt in March 2020. Finding aid updated by Amanda Menjivar in October 2022.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Christopher Babbitt in March 2020. EAD markup completed by Christopher Babbitt in March 2020. Finding aid updated by Amanda Menjivar in October 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds many other collections related to transportation and planning, such as the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/mertz.html\" title=\"William L. Mertz transportation collection\" show=\"new\"\u003e\u003c/extptr\u003e and the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/apta.html\" title=\"American Public Transportation records.\" show=\"new\"\u003e\u003c/extptr\u003e Click \u003cextptr href=\"https://scrc.gmu.edu/collections-subject.php#TRANSPORTATION\" title=\"here\" show=\"new\"\u003e\u003c/extptr\u003e to see all transportation and planning materials held by Special Collections Research Center.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds many other collections related to transportation and planning, such as the  and the  Click  to see all transportation and planning materials held by Special Collections Research Center."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles Lietwiler transportation collection contains Lietwiler's work on the founding of Metro at the Airlie Conferences in 1967. An avid photographer, Lietwiler diligently photographed its construction and opening ceremonies. The collection also represents his work with a variety of other organizations, such as the Northern Virginia Transportation Commission, where he held a senior position. Lietwiler was a well-traveled man, collecting a variety of souvenirs on his trips. A plurality of the collection relates to his work as an amateur photographer and filmmaker.\u003c/p\u003e","\u003cp\u003eSeries 1: Washington Metropolitan Area Transportation Authority (1960-1990s): This series contains Lietwiler's work on the founding of Metro, including his work at the Airlie Conferences of 1967. Materials include: Analytical reports by various organizations such as the U.S. Department of Transportation, Metrobus and rail schedules, and published materials such as Metro Memos. It also contains Metro-related photographs taken by Lietwiler.\u003c/p\u003e","\u003cp\u003eSeries 2: United States Mass Transit (1932-2000): This series contains Lietwiler's work with other American transit organizations, including planning materials and analysis reports, as well as published materials, such as the Northern Virginia Transportation Commission Newsletter.\u003c/p\u003e","\u003cp\u003eSeries 3: International Mass Transit (1903-1992): This series contains published journals and newspapers examining international transportation systems, analytical reports on Japanese rail systems, and maps/brochures collected on Lietwiler's many trips.\u003c/p\u003e","\u003cp\u003eSeries 4: Slides and Photographs (1950s-1990s): This series contains all non-WMATA related photographs taken by Lietwiler, both personal and transit-related. Transit-related photographs usually depict transit systems embedded in cities and towns, while personal photography showcases nature or family gatherings. This series contains three subseries. Subseries 4.1: United States mass transit photographs. Subseries 4.2: International mass transit photographs. Subseries 4.3: Personal photos.\u003c/p\u003e","\u003cp\u003eSeries 5: Audio and Video reels (1960s-1970s): This series contains Lietwiler's work as an amateur filmmaker, mostly from his personal travels.\u003c/p\u003e","\u003cp\u003eSeries 6: Maps and Blueprints (1950s-1960s): This series contains 56 maps of Washington, D.C., 26 blueprints, and 41 topographical maps of Pittsburgh, Pennsylvania.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Charles Lietwiler transportation collection contains Lietwiler's work on the founding of Metro at the Airlie Conferences in 1967. An avid photographer, Lietwiler diligently photographed its construction and opening ceremonies. The collection also represents his work with a variety of other organizations, such as the Northern Virginia Transportation Commission, where he held a senior position. Lietwiler was a well-traveled man, collecting a variety of souvenirs on his trips. A plurality of the collection relates to his work as an amateur photographer and filmmaker.","Series 1: Washington Metropolitan Area Transportation Authority (1960-1990s): This series contains Lietwiler's work on the founding of Metro, including his work at the Airlie Conferences of 1967. Materials include: Analytical reports by various organizations such as the U.S. Department of Transportation, Metrobus and rail schedules, and published materials such as Metro Memos. It also contains Metro-related photographs taken by Lietwiler.","Series 2: United States Mass Transit (1932-2000): This series contains Lietwiler's work with other American transit organizations, including planning materials and analysis reports, as well as published materials, such as the Northern Virginia Transportation Commission Newsletter.","Series 3: International Mass Transit (1903-1992): This series contains published journals and newspapers examining international transportation systems, analytical reports on Japanese rail systems, and maps/brochures collected on Lietwiler's many trips.","Series 4: Slides and Photographs (1950s-1990s): This series contains all non-WMATA related photographs taken by Lietwiler, both personal and transit-related. Transit-related photographs usually depict transit systems embedded in cities and towns, while personal photography showcases nature or family gatherings. This series contains three subseries. Subseries 4.1: United States mass transit photographs. Subseries 4.2: International mass transit photographs. Subseries 4.3: Personal photos.","Series 5: Audio and Video reels (1960s-1970s): This series contains Lietwiler's work as an amateur filmmaker, mostly from his personal travels.","Series 6: Maps and Blueprints (1950s-1960s): This series contains 56 maps of Washington, D.C., 26 blueprints, and 41 topographical maps of Pittsburgh, Pennsylvania."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThis collection contains Washington Metropolitan Area Transportation Authority (WMATA) materials relating to the foundation and construction of the Metro, information regarding American and international mass transit systems, and photographs taken by Charles Lietwiler.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains Washington Metropolitan Area Transportation Authority (WMATA) materials relating to the foundation and construction of the Metro, information regarding American and international mass transit systems, and photographs taken by Charles Lietwiler."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ac7d219b7a43e34bd672980dfe90dff9\"\u003e\nR 72, C 1, S 1 - R 72, C 2, S 3\n\n\nMap Cases 35.3 - 35.4\n\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 1, S 1 - R 72, C 2, S 3\n\n\nMap Cases 35.3 - 35.4"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Northern Virginia Transportation Commission","Washington Metropolitan Area Transit Authority"],"names_coll_ssim":["Northern Virginia Transportation Commission","Washington Metropolitan Area Transit Authority"],"persname_ssim":["Lietwiler, Charles"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Northern Virginia Transportation Commission","Washington Metropolitan Area Transit Authority","Lietwiler, Charles"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":425,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:01.774Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_547_c01_c25"}},{"id":"vifgm_repositories_2_resources_307_c04_c04","type":"File","attributes":{"title":"1974-1976 biennial budget correspondence and documents - Office of the Comptroller financial report, 1973/1975","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_307_c04_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_307_c04_c04","ref_ssm":["vifgm_repositories_2_resources_307_c04_c04"],"id":"vifgm_repositories_2_resources_307_c04_c04","ead_ssi":"vifgm_repositories_2_resources_307","_root_":"vifgm_repositories_2_resources_307","_nest_parent_":"vifgm_repositories_2_resources_307_c04","parent_ssi":"vifgm_repositories_2_resources_307_c04","parent_ssim":["George Mason University Office of the President records, 1949/2013","Series 4: Materials from the office of Virgil H. Dykstra, 1973-1977, 1973/1977"],"parent_ids_ssim":["vifgm_repositories_2_resources_307","vifgm_repositories_2_resources_307_c04"],"title_filing_ssi":"1974-1976 biennial budget correspondence and documents - Office of the Comptroller financial report","title_ssm":["1974-1976 biennial budget correspondence and documents - Office of the Comptroller financial report"],"title_tesim":["1974-1976 biennial budget correspondence and documents - Office of the Comptroller financial report"],"normalized_title_ssm":["1974-1976 biennial budget correspondence and documents - Office of the Comptroller financial report, 1973/1975"],"text":["1974-1976 biennial budget correspondence and documents - Office of the Comptroller financial report, 1973/1975","George Mason University Office of the President records, 1949/2013","Series 4: Materials from the office of Virgil H. Dykstra, 1973-1977, 1973/1977","box 1","folder 4"],"parent_unittitles_ssm":["George Mason University Office of the President records, 1949/2013","Series 4: Materials from the office of Virgil H. Dykstra, 1973-1977, 1973/1977"],"parent_unittitles_tesim":["George Mason University Office of the President records, 1949/2013","Series 4: Materials from the office of Virgil H. Dykstra, 1973-1977, 1973/1977"],"normalized_date_ssm":["1973/1975"],"unitdate_inclusive_ssm":["1973-1975"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":258,"repository_ssim":["George Mason University"],"collection_ssim":["George Mason University Office of the President records, 1949/2013"],"containers_ssim":["box 1","folder 4"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Series 2-7 contain a number of access-restricted materials noted in the contents list. Restricted materials include personally identifiable information as well as confidential or otherwise sensitive personal information and exchanges. To find out more information regarding resticted material, please contact the University Archivist."],"parent_access_terms_tesm":["There are no restrictions for personal use of authorized materials. Permission to publish material from George Mason University Office of the President records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"date_range_isim":[1973,1974,1975],"_nest_path_":"/components#3/components#3","timestamp":"2026-08-14T22:34:34.591Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_307","ead_ssi":"vifgm_repositories_2_resources_307","_root_":"vifgm_repositories_2_resources_307","_nest_parent_":"vifgm_repositories_2_resources_307","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_307.xml","title_ssm":["George Mason University Office of the President records"],"title_tesim":["George Mason University Office of the President records"],"unitdate_ssm":["1949-2013"],"unitdate_inclusive_ssm":["1949-2013"],"normalized_date_ssm":["1949/2013"],"normalized_title_ssm":["George Mason University Office of the President records, 1949/2013"],"text":["George Mason University Office of the President records, 1949/2013","R0019","/repositories/2/resources/307","Fairfax County (Va.) -- History","Virginia, Northern","Virginia, Northern -- History","Universities and colleges -- Administration","Universities and colleges -- History","Universities and colleges","Education -- Virginia","University extension -- United States","Regional planning -- Virginia","School integration","Nineteen fifties","Nineteen sixties","Nineteen seventies","Nineteen eighties","Nineteen nineties","Education, Higher","Educational change","Education -- Political aspects -- United States","School boards","Affirmative action programs in education","Twentieth century","Twenty-first century","Two thousands (Decade)","Cultural pluralism","Speeches, addresses, etc.","Educational reports","Correspondence","Series 2-7 contain a number of access-restricted materials noted in the contents list. Restricted materials include personally identifiable information as well as confidential or otherwise sensitive personal information and exchanges. To find out more information regarding resticted material, please contact the University Archivist.","Digital versions are available of two of the","The collection is arranged in eight chronologically ordered series. Each individual series is self-contained and is arranged in order of materials acquisition. Prior to reprocessing in 2020, preexisting materials in series 2-7 were arranged in alphabetical order.","Series 1: GMC/GMU Annual Reports, 1961-1980 (Boxes 1-2)\n      Series 2: Materials from the offices of John Norville Gibson Finley and Robert Reid, 1949-1966 (Boxes 1-3)\n      Series 3: Materials from the office of Lorin Thompson, 1965-1975  (Boxes 1-18)\n      Series 4: Materials from the office Vergil H. Dykstra, 1973-1977 (Boxes 1-6)\n      Series 5: Materials from the office of Robert Krug: 1977-1978  (Boxes 1-2)\n      Series 6: Materials from the office of George W. Johnson, 1978-1996 (Boxes 1-83)\n      Series 7: Materials from the office of Alan G. Merten, 1996-2012 (Boxes 1-78)\n      Series 8: Materials from the office of Ángel Cabrera, 2011-2013 (Box 1)","The institution known today as George Mason University (GMU) began as the University of Virginia (UVA) Extension Division's Northern Virginia University Center in 1949. The Center was administered by Director John N. G. Finley (1899-1971). In 1956, UVA established the University College, a two-year branch college, alongside the Northern Virginia University Center, with Finley serving as director of both institutions. In 1960 UVa officials changed the name of the two-year branch college to George Mason College of the University of Virginia","UVA coalesced its presence in Northern Virginia in 1964 by constructing a permanent campus just south of the then-Town of Fairfax. Robert H. Reid (1913-1970) served as director of George Mason College from 1964-1966.","In 1966 Lorin A. Thompson (1902-1999) became the first and only chancellor of George Mason College and it became a four-year degree-granting institution that same year. George Mason was separated from UVA on April 7, 1972 and become an independent university under the name George Mason University. Thompson was named GMU's first president. He retired from the position in 1973.","Vergil H. Dykstra (1925-2010) was selected as GMU's second president in 1973 and retired from his role in 1977.","Robert C. Krug (1918-2006) became the third president of GMU in 1977 and departed the position in 1978 to return to his former position as Vice President of Academic Affairs.","George W. Johnson (1928-2017) was chosen as the fourth president of GMU in 1978 and served for 18 years, the longest term of any George Mason president to date. He retired in 1996.","Alan G. Merten (1941-2020) was named the fifth president of GMU in 1996 and, after serving for 16 years, retired in 2012.","Ángel Cabrera (1967- ) became the sixth president of GMU in 2012 and served for seven years, departing from the position in 2019.","The materials which make up this collection were initially acquired by SCRC staff and processed by SCRC Archivist and Records Manager, Barbara Haase and SCRC staff beginning in the early-1980s. Additional processing and initial EAD completed by Pushyamethra Kandala in 2001. Reprocessed and EAD completed in 2010 by Greta Kuriger. Reprocessed, inventoried, and finding aid data entry by Lana Mason in 2020. In 2024 University Archivist Robert Vay completed the remaining finding aid data entry and publishing.","Special Collections Research Center also holds the  and the .","For more on the history of George Mason University and its presidents, visit the online exhibit .","The George Mason University Office of the President records contains a broad spectrum of materials originating within, received, or accessed by the George Mason University (GMU) Office of the President. These materials include, but are not limited to, correspondence, studies, reports, speeches, meetings minutes, scrapbooks, audio-visual media and photographs.","The collection contains materials from the institution's beginning in 1949 as a subsidiary of the University of Virginia through the early 2010s. These materials chart the development, both culturally and physically, of the institution through the lens of its directors', chancellor's and presidents' correspondence, reports, and other administrative documents.","In addition to providing information about GMU's academic and physical development, the collection provides a view of the sociocultural development of Northern Virginia and, by extension, the United States. Notable moments and cultural shifts in American history, such as the Civil Rights movement, the Vietnam War, diversity awareness, and the September 11 attacks are referenced within collection materials.","Series 1: Annual Reports contains the George Mason annual reports, compiled by the sitting college director or, later, university president. These reports documented the rate of change during George Mason's first twenty years.","Series 2: Early History contains correspondence, reports, campus development plans, and other documentation produced during George Mason's early years under directors John Norville Gibson Finley and Robert Reid.","Series 3: Lorin A. Thompson contains materials such as correspondence, administrative meetings minutes, Civil Rights Act compliance documents, land acquisition and building plans, memoranda, photographs, scrapbooks, and reports dating from the tenure of Lorin A. Thompson.","Series 4: Vergil H. Dykstra contains materials such as budget reports, administrative meetings minutes, and enrollment statistics from the tenure of Vergil H. Dykstra.","Series 5: Robert C. Krug primarily contains correspondence from the tenure of Robert C. Krug.","Series 6: George W. Johnson contains a wide variety of materials including correspondence, speeches, and reports from the tenure of George W. Johnson.","Series 7: Alan G. Merten contains a wide variety of materials including correspondence, speeches, and reports from the tenure of Alan G. Merten.","Series 8: Ángel Cabrera contains 2013 Spring and Winter Commencements planning documents, Colonial Athletic Association meetings minutes and correspondence, and holiday greetings and event invitation cards from the tenure of Ángel Cabrera.","There are no restrictions for personal use of authorized materials. Permission to publish material from George Mason University Office of the President records must be obtained from the Special Collections Research Center, George Mason University Libraries.","Collection contains a wide range of materials including correspondence, studies, reports, speeches, meeting minutes, scrapbooks, and photographs originating within, received, or accessed by the George Mason University Office of the President.","R81, C1, S1 - R82, C2, S5","George Mason University. Libraries. Special Collections Research Center","George Mason University. Office of the President","George Mason University","Johnson, George W., 1928-2017","Merten, Alan G.","Thompson, Lorin A., 1902-1999","Reid, Robert H., 1913-1970","Krug, Robert C. , 1918-2006","Dykstra, Vergil H., 1925-2010","Cabrera, Angel, 1967-","English"],"collection_title_tesim":["George Mason University Office of the President records, 1949/2013"],"collection_ssim":["George Mason University Office of the President records, 1949/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0019","/repositories/2/resources/307"],"unitid_tesim":["R0019","/repositories/2/resources/307"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Fairfax County (Va.) -- History","Virginia, Northern","Virginia, Northern -- History"],"geogname_ssim":["Fairfax County (Va.) -- History","Virginia, Northern","Virginia, Northern -- History"],"places_ssim":["Fairfax County (Va.) -- History","Virginia, Northern","Virginia, Northern -- History"],"creator_ssm":["George Mason University. Office of the President"],"creator_ssim":["George Mason University. Office of the President"],"creator_persname_ssim":["Johnson, George W., 1928-2017","Merten, Alan G.","Thompson, Lorin A., 1902-1999","Reid, Robert H., 1913-1970","Krug, Robert C. , 1918-2006","Dykstra, Vergil H., 1925-2010","Cabrera, Angel, 1967-"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Office of the President","George Mason University"],"creators_ssim":["Johnson, George W., 1928-2017","Merten, Alan G.","Thompson, Lorin A., 1902-1999","Reid, Robert H., 1913-1970","Krug, Robert C. , 1918-2006","Dykstra, Vergil H., 1925-2010","Cabrera, Angel, 1967-","George Mason University. Libraries. Special Collections Research Center","George Mason University. Office of the President","George Mason University"],"access_terms_ssm":["There are no restrictions for personal use of authorized materials. Permission to publish material from George Mason University Office of the President records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["These materials were and are actively being acquired by George Mason University Special Collections Research Center through the Office of the President."],"access_subjects_ssim":["Universities and colleges -- Administration","Universities and colleges -- History","Universities and colleges","Education -- Virginia","University extension -- United States","Regional planning -- Virginia","School integration","Nineteen fifties","Nineteen sixties","Nineteen seventies","Nineteen eighties","Nineteen nineties","Education, Higher","Educational change","Education -- Political aspects -- United States","School boards","Affirmative action programs in education","Twentieth century","Twenty-first century","Two thousands (Decade)","Cultural pluralism","Speeches, addresses, etc.","Educational reports","Correspondence"],"access_subjects_ssm":["Universities and colleges -- Administration","Universities and colleges -- History","Universities and colleges","Education -- Virginia","University extension -- United States","Regional planning -- Virginia","School integration","Nineteen fifties","Nineteen sixties","Nineteen seventies","Nineteen eighties","Nineteen nineties","Education, Higher","Educational change","Education -- Political aspects -- United States","School boards","Affirmative action programs in education","Twentieth century","Twenty-first century","Two thousands (Decade)","Cultural pluralism","Speeches, addresses, etc.","Educational reports","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["96.5 Linear Feet 193 boxes"],"extent_tesim":["96.5 Linear Feet 193 boxes"],"genreform_ssim":["Correspondence"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSeries 2-7 contain a number of access-restricted materials noted in the contents list. Restricted materials include personally identifiable information as well as confidential or otherwise sensitive personal information and exchanges. To find out more information regarding resticted material, please contact the University Archivist.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Series 2-7 contain a number of access-restricted materials noted in the contents list. Restricted materials include personally identifiable information as well as confidential or otherwise sensitive personal information and exchanges. To find out more information regarding resticted material, please contact the University Archivist."],"altformavail_html_tesm":["\u003cp\u003eDigital versions are available of two of the \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~16~16\" title=\"President Thompson scrapbooks.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternate Format Available"],"altformavail_tesim":["Digital versions are available of two of the"],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in eight chronologically ordered series. Each individual series is self-contained and is arranged in order of materials acquisition. Prior to reprocessing in 2020, preexisting materials in series 2-7 were arranged in alphabetical order.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eSeries 1: GMC/GMU Annual Reports, 1961-1980 (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Materials from the offices of John Norville Gibson Finley and Robert Reid, 1949-1966 (Boxes 1-3)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Materials from the office of Lorin Thompson, 1965-1975  (Boxes 1-18)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Materials from the office Vergil H. Dykstra, 1973-1977 (Boxes 1-6)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Materials from the office of Robert Krug: 1977-1978  (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Materials from the office of George W. Johnson, 1978-1996 (Boxes 1-83)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Materials from the office of Alan G. Merten, 1996-2012 (Boxes 1-78)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Materials from the office of Ángel Cabrera, 2011-2013 (Box 1)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in eight chronologically ordered series. Each individual series is self-contained and is arranged in order of materials acquisition. Prior to reprocessing in 2020, preexisting materials in series 2-7 were arranged in alphabetical order.","Series 1: GMC/GMU Annual Reports, 1961-1980 (Boxes 1-2)\n      Series 2: Materials from the offices of John Norville Gibson Finley and Robert Reid, 1949-1966 (Boxes 1-3)\n      Series 3: Materials from the office of Lorin Thompson, 1965-1975  (Boxes 1-18)\n      Series 4: Materials from the office Vergil H. Dykstra, 1973-1977 (Boxes 1-6)\n      Series 5: Materials from the office of Robert Krug: 1977-1978  (Boxes 1-2)\n      Series 6: Materials from the office of George W. Johnson, 1978-1996 (Boxes 1-83)\n      Series 7: Materials from the office of Alan G. Merten, 1996-2012 (Boxes 1-78)\n      Series 8: Materials from the office of Ángel Cabrera, 2011-2013 (Box 1)"],"bioghist_html_tesm":["\u003cp\u003eThe institution known today as George Mason University (GMU) began as the University of Virginia (UVA) Extension Division's Northern Virginia University Center in 1949. The Center was administered by Director John N. G. Finley (1899-1971). In 1956, UVA established the University College, a two-year branch college, alongside the Northern Virginia University Center, with Finley serving as director of both institutions. In 1960 UVa officials changed the name of the two-year branch college to George Mason College of the University of Virginia\u003c/p\u003e","\u003cp\u003eUVA coalesced its presence in Northern Virginia in 1964 by constructing a permanent campus just south of the then-Town of Fairfax. Robert H. Reid (1913-1970) served as director of George Mason College from 1964-1966.\u003c/p\u003e","\u003cp\u003eIn 1966 Lorin A. Thompson (1902-1999) became the first and only chancellor of George Mason College and it became a four-year degree-granting institution that same year. George Mason was separated from UVA on April 7, 1972 and become an independent university under the name George Mason University. Thompson was named GMU's first president. He retired from the position in 1973.\u003c/p\u003e","\u003cp\u003eVergil H. Dykstra (1925-2010) was selected as GMU's second president in 1973 and retired from his role in 1977.\u003c/p\u003e","\u003cp\u003eRobert C. Krug (1918-2006) became the third president of GMU in 1977 and departed the position in 1978 to return to his former position as Vice President of Academic Affairs.\u003c/p\u003e","\u003cp\u003eGeorge W. Johnson (1928-2017) was chosen as the fourth president of GMU in 1978 and served for 18 years, the longest term of any George Mason president to date. He retired in 1996.\u003c/p\u003e","\u003cp\u003eAlan G. Merten (1941-2020) was named the fifth president of GMU in 1996 and, after serving for 16 years, retired in 2012.\u003c/p\u003e","\u003cp\u003eÁngel Cabrera (1967- ) became the sixth president of GMU in 2012 and served for seven years, departing from the position in 2019.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The institution known today as George Mason University (GMU) began as the University of Virginia (UVA) Extension Division's Northern Virginia University Center in 1949. The Center was administered by Director John N. G. Finley (1899-1971). In 1956, UVA established the University College, a two-year branch college, alongside the Northern Virginia University Center, with Finley serving as director of both institutions. In 1960 UVa officials changed the name of the two-year branch college to George Mason College of the University of Virginia","UVA coalesced its presence in Northern Virginia in 1964 by constructing a permanent campus just south of the then-Town of Fairfax. Robert H. Reid (1913-1970) served as director of George Mason College from 1964-1966.","In 1966 Lorin A. Thompson (1902-1999) became the first and only chancellor of George Mason College and it became a four-year degree-granting institution that same year. George Mason was separated from UVA on April 7, 1972 and become an independent university under the name George Mason University. Thompson was named GMU's first president. He retired from the position in 1973.","Vergil H. Dykstra (1925-2010) was selected as GMU's second president in 1973 and retired from his role in 1977.","Robert C. Krug (1918-2006) became the third president of GMU in 1977 and departed the position in 1978 to return to his former position as Vice President of Academic Affairs.","George W. Johnson (1928-2017) was chosen as the fourth president of GMU in 1978 and served for 18 years, the longest term of any George Mason president to date. He retired in 1996.","Alan G. Merten (1941-2020) was named the fifth president of GMU in 1996 and, after serving for 16 years, retired in 2012.","Ángel Cabrera (1967- ) became the sixth president of GMU in 2012 and served for seven years, departing from the position in 2019."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University Office of the President records, R0019, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["George Mason University Office of the President records, R0019, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe materials which make up this collection were initially acquired by SCRC staff and processed by SCRC Archivist and Records Manager, Barbara Haase and SCRC staff beginning in the early-1980s. Additional processing and initial EAD completed by Pushyamethra Kandala in 2001. Reprocessed and EAD completed in 2010 by Greta Kuriger. Reprocessed, inventoried, and finding aid data entry by Lana Mason in 2020. In 2024 University Archivist Robert Vay completed the remaining finding aid data entry and publishing.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The materials which make up this collection were initially acquired by SCRC staff and processed by SCRC Archivist and Records Manager, Barbara Haase and SCRC staff beginning in the early-1980s. Additional processing and initial EAD completed by Pushyamethra Kandala in 2001. Reprocessed and EAD completed in 2010 by Greta Kuriger. Reprocessed, inventoried, and finding aid data entry by Lana Mason in 2020. In 2024 University Archivist Robert Vay completed the remaining finding aid data entry and publishing."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds the \u003cextptr show=\"new\" title=\"George Mason University Office of the Registrar records\" href=\"https://aspace.gmu.edu/resources/r0026\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"George Mason University Office of the Senior Vice President records\" href=\"https://aspace.gmu.edu/resources/r0024\"\u003e\u003c/extptr\u003e.\u003c/p\u003e","\u003cp\u003eFor more on the history of George Mason University and its presidents, visit the online exhibit \u003cextptr show=\"new\" title=\"George Mason University: A History\" href=\"https://masonlibraries.org/masonhistory\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center also holds the  and the .","For more on the history of George Mason University and its presidents, visit the online exhibit ."],"scopecontent_html_tesm":["\u003cp\u003eThe George Mason University Office of the President records contains a broad spectrum of materials originating within, received, or accessed by the George Mason University (GMU) Office of the President. These materials include, but are not limited to, correspondence, studies, reports, speeches, meetings minutes, scrapbooks, audio-visual media and photographs.\u003c/p\u003e","\u003cp\u003eThe collection contains materials from the institution's beginning in 1949 as a subsidiary of the University of Virginia through the early 2010s. These materials chart the development, both culturally and physically, of the institution through the lens of its directors', chancellor's and presidents' correspondence, reports, and other administrative documents. \u003c/p\u003e","\u003cp\u003eIn addition to providing information about GMU's academic and physical development, the collection provides a view of the sociocultural development of Northern Virginia and, by extension, the United States. Notable moments and cultural shifts in American history, such as the Civil Rights movement, the Vietnam War, diversity awareness, and the September 11 attacks are referenced within collection materials.\u003c/p\u003e","\u003cp\u003eSeries 1: Annual Reports contains the George Mason annual reports, compiled by the sitting college director or, later, university president. These reports documented the rate of change during George Mason's first twenty years.\u003c/p\u003e","\u003cp\u003eSeries 2: Early History contains correspondence, reports, campus development plans, and other documentation produced during George Mason's early years under directors John Norville Gibson Finley and Robert Reid.\u003c/p\u003e","\u003cp\u003eSeries 3: Lorin A. Thompson contains materials such as correspondence, administrative meetings minutes, Civil Rights Act compliance documents, land acquisition and building plans, memoranda, photographs, scrapbooks, and reports dating from the tenure of Lorin A. Thompson.\u003c/p\u003e","\u003cp\u003eSeries 4: Vergil H. Dykstra contains materials such as budget reports, administrative meetings minutes, and enrollment statistics from the tenure of Vergil H. Dykstra.\u003c/p\u003e","\u003cp\u003eSeries 5: Robert C. Krug primarily contains correspondence from the tenure of Robert C. Krug.\u003c/p\u003e","\u003cp\u003eSeries 6: George W. Johnson contains a wide variety of materials including correspondence, speeches, and reports from the tenure of George W. Johnson.\u003c/p\u003e","\u003cp\u003eSeries 7: Alan G. Merten contains a wide variety of materials including correspondence, speeches, and reports from the tenure of Alan G. Merten. \u003c/p\u003e","\u003cp\u003eSeries 8: Ángel Cabrera contains 2013 Spring and Winter Commencements planning documents, Colonial Athletic Association meetings minutes and correspondence, and holiday greetings and event invitation cards from the tenure of Ángel Cabrera.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The George Mason University Office of the President records contains a broad spectrum of materials originating within, received, or accessed by the George Mason University (GMU) Office of the President. These materials include, but are not limited to, correspondence, studies, reports, speeches, meetings minutes, scrapbooks, audio-visual media and photographs.","The collection contains materials from the institution's beginning in 1949 as a subsidiary of the University of Virginia through the early 2010s. These materials chart the development, both culturally and physically, of the institution through the lens of its directors', chancellor's and presidents' correspondence, reports, and other administrative documents.","In addition to providing information about GMU's academic and physical development, the collection provides a view of the sociocultural development of Northern Virginia and, by extension, the United States. Notable moments and cultural shifts in American history, such as the Civil Rights movement, the Vietnam War, diversity awareness, and the September 11 attacks are referenced within collection materials.","Series 1: Annual Reports contains the George Mason annual reports, compiled by the sitting college director or, later, university president. These reports documented the rate of change during George Mason's first twenty years.","Series 2: Early History contains correspondence, reports, campus development plans, and other documentation produced during George Mason's early years under directors John Norville Gibson Finley and Robert Reid.","Series 3: Lorin A. Thompson contains materials such as correspondence, administrative meetings minutes, Civil Rights Act compliance documents, land acquisition and building plans, memoranda, photographs, scrapbooks, and reports dating from the tenure of Lorin A. Thompson.","Series 4: Vergil H. Dykstra contains materials such as budget reports, administrative meetings minutes, and enrollment statistics from the tenure of Vergil H. Dykstra.","Series 5: Robert C. Krug primarily contains correspondence from the tenure of Robert C. Krug.","Series 6: George W. Johnson contains a wide variety of materials including correspondence, speeches, and reports from the tenure of George W. Johnson.","Series 7: Alan G. Merten contains a wide variety of materials including correspondence, speeches, and reports from the tenure of Alan G. Merten.","Series 8: Ángel Cabrera contains 2013 Spring and Winter Commencements planning documents, Colonial Athletic Association meetings minutes and correspondence, and holiday greetings and event invitation cards from the tenure of Ángel Cabrera."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions for personal use of authorized materials. Permission to publish material from George Mason University Office of the President records must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions for personal use of authorized materials. Permission to publish material from George Mason University Office of the President records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1fe5f00f5f1196924ca9248e4e7b3524\" label=\"Abstract\"\u003eCollection contains a wide range of materials including correspondence, studies, reports, speeches, meeting minutes, scrapbooks, and photographs originating within, received, or accessed by the George Mason University Office of the President.\u003c/abstract\u003e\n    "],"abstract_tesim":["Collection contains a wide range of materials including correspondence, studies, reports, speeches, meeting minutes, scrapbooks, and photographs originating within, received, or accessed by the George Mason University Office of the President."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ea4c5eee18e65093e3f6f8ba5816dddc\"\u003eR81, C1, S1 - R82, C2, S5\u003c/physloc\u003e\n    "],"physloc_tesim":["R81, C1, S1 - R82, C2, S5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Office of the President","George Mason University"],"names_coll_ssim":["George Mason University","George Mason University. Office of the President","Johnson, George W., 1928-2017","Merten, Alan G.","Thompson, Lorin A., 1902-1999","Reid, Robert H., 1913-1970","Krug, Robert C. , 1918-2006","Dykstra, Vergil H., 1925-2010","Cabrera, Angel, 1967-"],"persname_ssim":["Johnson, George W., 1928-2017","Merten, Alan G.","Thompson, Lorin A., 1902-1999","Reid, Robert H., 1913-1970","Krug, Robert C. , 1918-2006","Dykstra, Vergil H., 1925-2010","Cabrera, Angel, 1967-"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Office of the President","George Mason University","Johnson, George W., 1928-2017","Merten, Alan G.","Thompson, Lorin A., 1902-1999","Reid, Robert H., 1913-1970","Krug, Robert C. , 1918-2006","Dykstra, Vergil H., 1925-2010","Cabrera, Angel, 1967-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2384,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:34.591Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_307_c04_c04"}},{"id":"vifgm_repositories_2_resources_307_c03_c43","type":"File","attributes":{"title":"1974-1976 Budget Advisory Board tour plans, 1973","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_307_c03_c43#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_307_c03_c43","ref_ssm":["vifgm_repositories_2_resources_307_c03_c43"],"id":"vifgm_repositories_2_resources_307_c03_c43","ead_ssi":"vifgm_repositories_2_resources_307","_root_":"vifgm_repositories_2_resources_307","_nest_parent_":"vifgm_repositories_2_resources_307_c03","parent_ssi":"vifgm_repositories_2_resources_307_c03","parent_ssim":["George Mason University Office of the President records, 1949/2013","Series 3: Materials from the office of Lorin Thompson, 1965-1975, 1965/1975"],"parent_ids_ssim":["vifgm_repositories_2_resources_307","vifgm_repositories_2_resources_307_c03"],"title_filing_ssi":"1974-1976 Budget Advisory Board tour plans","title_ssm":["1974-1976 Budget Advisory Board tour plans"],"title_tesim":["1974-1976 Budget Advisory Board tour plans"],"normalized_title_ssm":["1974-1976 Budget Advisory Board tour plans, 1973"],"text":["1974-1976 Budget Advisory Board tour plans, 1973","George Mason University Office of the President records, 1949/2013","Series 3: Materials from the office of Lorin Thompson, 1965-1975, 1965/1975","box 4","folder 13"],"parent_unittitles_ssm":["George Mason University Office of the President records, 1949/2013","Series 3: Materials from the office of Lorin Thompson, 1965-1975, 1965/1975"],"parent_unittitles_tesim":["George Mason University Office of the President records, 1949/2013","Series 3: Materials from the office of Lorin Thompson, 1965-1975, 1965/1975"],"normalized_date_ssm":["1973"],"unitdate_other_ssim":["May 21, 1973"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":113,"repository_ssim":["George Mason University"],"collection_ssim":["George Mason University Office of the President records, 1949/2013"],"containers_ssim":["box 4","folder 13"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Series 2-7 contain a number of access-restricted materials noted in the contents list. Restricted materials include personally identifiable information as well as confidential or otherwise sensitive personal information and exchanges. To find out more information regarding resticted material, please contact the University Archivist."],"parent_access_terms_tesm":["There are no restrictions for personal use of authorized materials. Permission to publish material from George Mason University Office of the President records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"date_range_isim":[1973],"_nest_path_":"/components#2/components#42","timestamp":"2026-08-14T22:34:34.591Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_307","ead_ssi":"vifgm_repositories_2_resources_307","_root_":"vifgm_repositories_2_resources_307","_nest_parent_":"vifgm_repositories_2_resources_307","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_307.xml","title_ssm":["George Mason University Office of the President records"],"title_tesim":["George Mason University Office of the President records"],"unitdate_ssm":["1949-2013"],"unitdate_inclusive_ssm":["1949-2013"],"normalized_date_ssm":["1949/2013"],"normalized_title_ssm":["George Mason University Office of the President records, 1949/2013"],"text":["George Mason University Office of the President records, 1949/2013","R0019","/repositories/2/resources/307","Fairfax County (Va.) -- History","Virginia, Northern","Virginia, Northern -- History","Universities and colleges -- Administration","Universities and colleges -- History","Universities and colleges","Education -- Virginia","University extension -- United States","Regional planning -- Virginia","School integration","Nineteen fifties","Nineteen sixties","Nineteen seventies","Nineteen eighties","Nineteen nineties","Education, Higher","Educational change","Education -- Political aspects -- United States","School boards","Affirmative action programs in education","Twentieth century","Twenty-first century","Two thousands (Decade)","Cultural pluralism","Speeches, addresses, etc.","Educational reports","Correspondence","Series 2-7 contain a number of access-restricted materials noted in the contents list. Restricted materials include personally identifiable information as well as confidential or otherwise sensitive personal information and exchanges. To find out more information regarding resticted material, please contact the University Archivist.","Digital versions are available of two of the","The collection is arranged in eight chronologically ordered series. Each individual series is self-contained and is arranged in order of materials acquisition. Prior to reprocessing in 2020, preexisting materials in series 2-7 were arranged in alphabetical order.","Series 1: GMC/GMU Annual Reports, 1961-1980 (Boxes 1-2)\n      Series 2: Materials from the offices of John Norville Gibson Finley and Robert Reid, 1949-1966 (Boxes 1-3)\n      Series 3: Materials from the office of Lorin Thompson, 1965-1975  (Boxes 1-18)\n      Series 4: Materials from the office Vergil H. Dykstra, 1973-1977 (Boxes 1-6)\n      Series 5: Materials from the office of Robert Krug: 1977-1978  (Boxes 1-2)\n      Series 6: Materials from the office of George W. Johnson, 1978-1996 (Boxes 1-83)\n      Series 7: Materials from the office of Alan G. Merten, 1996-2012 (Boxes 1-78)\n      Series 8: Materials from the office of Ángel Cabrera, 2011-2013 (Box 1)","The institution known today as George Mason University (GMU) began as the University of Virginia (UVA) Extension Division's Northern Virginia University Center in 1949. The Center was administered by Director John N. G. Finley (1899-1971). In 1956, UVA established the University College, a two-year branch college, alongside the Northern Virginia University Center, with Finley serving as director of both institutions. In 1960 UVa officials changed the name of the two-year branch college to George Mason College of the University of Virginia","UVA coalesced its presence in Northern Virginia in 1964 by constructing a permanent campus just south of the then-Town of Fairfax. Robert H. Reid (1913-1970) served as director of George Mason College from 1964-1966.","In 1966 Lorin A. Thompson (1902-1999) became the first and only chancellor of George Mason College and it became a four-year degree-granting institution that same year. George Mason was separated from UVA on April 7, 1972 and become an independent university under the name George Mason University. Thompson was named GMU's first president. He retired from the position in 1973.","Vergil H. Dykstra (1925-2010) was selected as GMU's second president in 1973 and retired from his role in 1977.","Robert C. Krug (1918-2006) became the third president of GMU in 1977 and departed the position in 1978 to return to his former position as Vice President of Academic Affairs.","George W. Johnson (1928-2017) was chosen as the fourth president of GMU in 1978 and served for 18 years, the longest term of any George Mason president to date. He retired in 1996.","Alan G. Merten (1941-2020) was named the fifth president of GMU in 1996 and, after serving for 16 years, retired in 2012.","Ángel Cabrera (1967- ) became the sixth president of GMU in 2012 and served for seven years, departing from the position in 2019.","The materials which make up this collection were initially acquired by SCRC staff and processed by SCRC Archivist and Records Manager, Barbara Haase and SCRC staff beginning in the early-1980s. Additional processing and initial EAD completed by Pushyamethra Kandala in 2001. Reprocessed and EAD completed in 2010 by Greta Kuriger. Reprocessed, inventoried, and finding aid data entry by Lana Mason in 2020. In 2024 University Archivist Robert Vay completed the remaining finding aid data entry and publishing.","Special Collections Research Center also holds the  and the .","For more on the history of George Mason University and its presidents, visit the online exhibit .","The George Mason University Office of the President records contains a broad spectrum of materials originating within, received, or accessed by the George Mason University (GMU) Office of the President. These materials include, but are not limited to, correspondence, studies, reports, speeches, meetings minutes, scrapbooks, audio-visual media and photographs.","The collection contains materials from the institution's beginning in 1949 as a subsidiary of the University of Virginia through the early 2010s. These materials chart the development, both culturally and physically, of the institution through the lens of its directors', chancellor's and presidents' correspondence, reports, and other administrative documents.","In addition to providing information about GMU's academic and physical development, the collection provides a view of the sociocultural development of Northern Virginia and, by extension, the United States. Notable moments and cultural shifts in American history, such as the Civil Rights movement, the Vietnam War, diversity awareness, and the September 11 attacks are referenced within collection materials.","Series 1: Annual Reports contains the George Mason annual reports, compiled by the sitting college director or, later, university president. These reports documented the rate of change during George Mason's first twenty years.","Series 2: Early History contains correspondence, reports, campus development plans, and other documentation produced during George Mason's early years under directors John Norville Gibson Finley and Robert Reid.","Series 3: Lorin A. Thompson contains materials such as correspondence, administrative meetings minutes, Civil Rights Act compliance documents, land acquisition and building plans, memoranda, photographs, scrapbooks, and reports dating from the tenure of Lorin A. Thompson.","Series 4: Vergil H. Dykstra contains materials such as budget reports, administrative meetings minutes, and enrollment statistics from the tenure of Vergil H. Dykstra.","Series 5: Robert C. Krug primarily contains correspondence from the tenure of Robert C. Krug.","Series 6: George W. Johnson contains a wide variety of materials including correspondence, speeches, and reports from the tenure of George W. Johnson.","Series 7: Alan G. Merten contains a wide variety of materials including correspondence, speeches, and reports from the tenure of Alan G. Merten.","Series 8: Ángel Cabrera contains 2013 Spring and Winter Commencements planning documents, Colonial Athletic Association meetings minutes and correspondence, and holiday greetings and event invitation cards from the tenure of Ángel Cabrera.","There are no restrictions for personal use of authorized materials. Permission to publish material from George Mason University Office of the President records must be obtained from the Special Collections Research Center, George Mason University Libraries.","Collection contains a wide range of materials including correspondence, studies, reports, speeches, meeting minutes, scrapbooks, and photographs originating within, received, or accessed by the George Mason University Office of the President.","R81, C1, S1 - R82, C2, S5","George Mason University. Libraries. Special Collections Research Center","George Mason University. Office of the President","George Mason University","Johnson, George W., 1928-2017","Merten, Alan G.","Thompson, Lorin A., 1902-1999","Reid, Robert H., 1913-1970","Krug, Robert C. , 1918-2006","Dykstra, Vergil H., 1925-2010","Cabrera, Angel, 1967-","English"],"collection_title_tesim":["George Mason University Office of the President records, 1949/2013"],"collection_ssim":["George Mason University Office of the President records, 1949/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0019","/repositories/2/resources/307"],"unitid_tesim":["R0019","/repositories/2/resources/307"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Fairfax County (Va.) -- History","Virginia, Northern","Virginia, Northern -- History"],"geogname_ssim":["Fairfax County (Va.) -- History","Virginia, Northern","Virginia, Northern -- History"],"places_ssim":["Fairfax County (Va.) -- History","Virginia, Northern","Virginia, Northern -- History"],"creator_ssm":["George Mason University. Office of the President"],"creator_ssim":["George Mason University. Office of the President"],"creator_persname_ssim":["Johnson, George W., 1928-2017","Merten, Alan G.","Thompson, Lorin A., 1902-1999","Reid, Robert H., 1913-1970","Krug, Robert C. , 1918-2006","Dykstra, Vergil H., 1925-2010","Cabrera, Angel, 1967-"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Office of the President","George Mason University"],"creators_ssim":["Johnson, George W., 1928-2017","Merten, Alan G.","Thompson, Lorin A., 1902-1999","Reid, Robert H., 1913-1970","Krug, Robert C. , 1918-2006","Dykstra, Vergil H., 1925-2010","Cabrera, Angel, 1967-","George Mason University. Libraries. Special Collections Research Center","George Mason University. Office of the President","George Mason University"],"access_terms_ssm":["There are no restrictions for personal use of authorized materials. Permission to publish material from George Mason University Office of the President records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["These materials were and are actively being acquired by George Mason University Special Collections Research Center through the Office of the President."],"access_subjects_ssim":["Universities and colleges -- Administration","Universities and colleges -- History","Universities and colleges","Education -- Virginia","University extension -- United States","Regional planning -- Virginia","School integration","Nineteen fifties","Nineteen sixties","Nineteen seventies","Nineteen eighties","Nineteen nineties","Education, Higher","Educational change","Education -- Political aspects -- United States","School boards","Affirmative action programs in education","Twentieth century","Twenty-first century","Two thousands (Decade)","Cultural pluralism","Speeches, addresses, etc.","Educational reports","Correspondence"],"access_subjects_ssm":["Universities and colleges -- Administration","Universities and colleges -- History","Universities and colleges","Education -- Virginia","University extension -- United States","Regional planning -- Virginia","School integration","Nineteen fifties","Nineteen sixties","Nineteen seventies","Nineteen eighties","Nineteen nineties","Education, Higher","Educational change","Education -- Political aspects -- United States","School boards","Affirmative action programs in education","Twentieth century","Twenty-first century","Two thousands (Decade)","Cultural pluralism","Speeches, addresses, etc.","Educational reports","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["96.5 Linear Feet 193 boxes"],"extent_tesim":["96.5 Linear Feet 193 boxes"],"genreform_ssim":["Correspondence"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSeries 2-7 contain a number of access-restricted materials noted in the contents list. Restricted materials include personally identifiable information as well as confidential or otherwise sensitive personal information and exchanges. To find out more information regarding resticted material, please contact the University Archivist.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Series 2-7 contain a number of access-restricted materials noted in the contents list. Restricted materials include personally identifiable information as well as confidential or otherwise sensitive personal information and exchanges. To find out more information regarding resticted material, please contact the University Archivist."],"altformavail_html_tesm":["\u003cp\u003eDigital versions are available of two of the \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~16~16\" title=\"President Thompson scrapbooks.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternate Format Available"],"altformavail_tesim":["Digital versions are available of two of the"],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in eight chronologically ordered series. Each individual series is self-contained and is arranged in order of materials acquisition. Prior to reprocessing in 2020, preexisting materials in series 2-7 were arranged in alphabetical order.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eSeries 1: GMC/GMU Annual Reports, 1961-1980 (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Materials from the offices of John Norville Gibson Finley and Robert Reid, 1949-1966 (Boxes 1-3)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Materials from the office of Lorin Thompson, 1965-1975  (Boxes 1-18)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Materials from the office Vergil H. Dykstra, 1973-1977 (Boxes 1-6)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Materials from the office of Robert Krug: 1977-1978  (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Materials from the office of George W. Johnson, 1978-1996 (Boxes 1-83)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Materials from the office of Alan G. Merten, 1996-2012 (Boxes 1-78)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Materials from the office of Ángel Cabrera, 2011-2013 (Box 1)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in eight chronologically ordered series. Each individual series is self-contained and is arranged in order of materials acquisition. Prior to reprocessing in 2020, preexisting materials in series 2-7 were arranged in alphabetical order.","Series 1: GMC/GMU Annual Reports, 1961-1980 (Boxes 1-2)\n      Series 2: Materials from the offices of John Norville Gibson Finley and Robert Reid, 1949-1966 (Boxes 1-3)\n      Series 3: Materials from the office of Lorin Thompson, 1965-1975  (Boxes 1-18)\n      Series 4: Materials from the office Vergil H. Dykstra, 1973-1977 (Boxes 1-6)\n      Series 5: Materials from the office of Robert Krug: 1977-1978  (Boxes 1-2)\n      Series 6: Materials from the office of George W. Johnson, 1978-1996 (Boxes 1-83)\n      Series 7: Materials from the office of Alan G. Merten, 1996-2012 (Boxes 1-78)\n      Series 8: Materials from the office of Ángel Cabrera, 2011-2013 (Box 1)"],"bioghist_html_tesm":["\u003cp\u003eThe institution known today as George Mason University (GMU) began as the University of Virginia (UVA) Extension Division's Northern Virginia University Center in 1949. The Center was administered by Director John N. G. Finley (1899-1971). In 1956, UVA established the University College, a two-year branch college, alongside the Northern Virginia University Center, with Finley serving as director of both institutions. In 1960 UVa officials changed the name of the two-year branch college to George Mason College of the University of Virginia\u003c/p\u003e","\u003cp\u003eUVA coalesced its presence in Northern Virginia in 1964 by constructing a permanent campus just south of the then-Town of Fairfax. Robert H. Reid (1913-1970) served as director of George Mason College from 1964-1966.\u003c/p\u003e","\u003cp\u003eIn 1966 Lorin A. Thompson (1902-1999) became the first and only chancellor of George Mason College and it became a four-year degree-granting institution that same year. George Mason was separated from UVA on April 7, 1972 and become an independent university under the name George Mason University. Thompson was named GMU's first president. He retired from the position in 1973.\u003c/p\u003e","\u003cp\u003eVergil H. Dykstra (1925-2010) was selected as GMU's second president in 1973 and retired from his role in 1977.\u003c/p\u003e","\u003cp\u003eRobert C. Krug (1918-2006) became the third president of GMU in 1977 and departed the position in 1978 to return to his former position as Vice President of Academic Affairs.\u003c/p\u003e","\u003cp\u003eGeorge W. Johnson (1928-2017) was chosen as the fourth president of GMU in 1978 and served for 18 years, the longest term of any George Mason president to date. He retired in 1996.\u003c/p\u003e","\u003cp\u003eAlan G. Merten (1941-2020) was named the fifth president of GMU in 1996 and, after serving for 16 years, retired in 2012.\u003c/p\u003e","\u003cp\u003eÁngel Cabrera (1967- ) became the sixth president of GMU in 2012 and served for seven years, departing from the position in 2019.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The institution known today as George Mason University (GMU) began as the University of Virginia (UVA) Extension Division's Northern Virginia University Center in 1949. The Center was administered by Director John N. G. Finley (1899-1971). In 1956, UVA established the University College, a two-year branch college, alongside the Northern Virginia University Center, with Finley serving as director of both institutions. In 1960 UVa officials changed the name of the two-year branch college to George Mason College of the University of Virginia","UVA coalesced its presence in Northern Virginia in 1964 by constructing a permanent campus just south of the then-Town of Fairfax. Robert H. Reid (1913-1970) served as director of George Mason College from 1964-1966.","In 1966 Lorin A. Thompson (1902-1999) became the first and only chancellor of George Mason College and it became a four-year degree-granting institution that same year. George Mason was separated from UVA on April 7, 1972 and become an independent university under the name George Mason University. Thompson was named GMU's first president. He retired from the position in 1973.","Vergil H. Dykstra (1925-2010) was selected as GMU's second president in 1973 and retired from his role in 1977.","Robert C. Krug (1918-2006) became the third president of GMU in 1977 and departed the position in 1978 to return to his former position as Vice President of Academic Affairs.","George W. Johnson (1928-2017) was chosen as the fourth president of GMU in 1978 and served for 18 years, the longest term of any George Mason president to date. He retired in 1996.","Alan G. Merten (1941-2020) was named the fifth president of GMU in 1996 and, after serving for 16 years, retired in 2012.","Ángel Cabrera (1967- ) became the sixth president of GMU in 2012 and served for seven years, departing from the position in 2019."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University Office of the President records, R0019, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["George Mason University Office of the President records, R0019, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe materials which make up this collection were initially acquired by SCRC staff and processed by SCRC Archivist and Records Manager, Barbara Haase and SCRC staff beginning in the early-1980s. Additional processing and initial EAD completed by Pushyamethra Kandala in 2001. Reprocessed and EAD completed in 2010 by Greta Kuriger. Reprocessed, inventoried, and finding aid data entry by Lana Mason in 2020. In 2024 University Archivist Robert Vay completed the remaining finding aid data entry and publishing.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The materials which make up this collection were initially acquired by SCRC staff and processed by SCRC Archivist and Records Manager, Barbara Haase and SCRC staff beginning in the early-1980s. Additional processing and initial EAD completed by Pushyamethra Kandala in 2001. Reprocessed and EAD completed in 2010 by Greta Kuriger. Reprocessed, inventoried, and finding aid data entry by Lana Mason in 2020. In 2024 University Archivist Robert Vay completed the remaining finding aid data entry and publishing."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds the \u003cextptr show=\"new\" title=\"George Mason University Office of the Registrar records\" href=\"https://aspace.gmu.edu/resources/r0026\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"George Mason University Office of the Senior Vice President records\" href=\"https://aspace.gmu.edu/resources/r0024\"\u003e\u003c/extptr\u003e.\u003c/p\u003e","\u003cp\u003eFor more on the history of George Mason University and its presidents, visit the online exhibit \u003cextptr show=\"new\" title=\"George Mason University: A History\" href=\"https://masonlibraries.org/masonhistory\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center also holds the  and the .","For more on the history of George Mason University and its presidents, visit the online exhibit ."],"scopecontent_html_tesm":["\u003cp\u003eThe George Mason University Office of the President records contains a broad spectrum of materials originating within, received, or accessed by the George Mason University (GMU) Office of the President. These materials include, but are not limited to, correspondence, studies, reports, speeches, meetings minutes, scrapbooks, audio-visual media and photographs.\u003c/p\u003e","\u003cp\u003eThe collection contains materials from the institution's beginning in 1949 as a subsidiary of the University of Virginia through the early 2010s. These materials chart the development, both culturally and physically, of the institution through the lens of its directors', chancellor's and presidents' correspondence, reports, and other administrative documents. \u003c/p\u003e","\u003cp\u003eIn addition to providing information about GMU's academic and physical development, the collection provides a view of the sociocultural development of Northern Virginia and, by extension, the United States. Notable moments and cultural shifts in American history, such as the Civil Rights movement, the Vietnam War, diversity awareness, and the September 11 attacks are referenced within collection materials.\u003c/p\u003e","\u003cp\u003eSeries 1: Annual Reports contains the George Mason annual reports, compiled by the sitting college director or, later, university president. These reports documented the rate of change during George Mason's first twenty years.\u003c/p\u003e","\u003cp\u003eSeries 2: Early History contains correspondence, reports, campus development plans, and other documentation produced during George Mason's early years under directors John Norville Gibson Finley and Robert Reid.\u003c/p\u003e","\u003cp\u003eSeries 3: Lorin A. Thompson contains materials such as correspondence, administrative meetings minutes, Civil Rights Act compliance documents, land acquisition and building plans, memoranda, photographs, scrapbooks, and reports dating from the tenure of Lorin A. Thompson.\u003c/p\u003e","\u003cp\u003eSeries 4: Vergil H. Dykstra contains materials such as budget reports, administrative meetings minutes, and enrollment statistics from the tenure of Vergil H. Dykstra.\u003c/p\u003e","\u003cp\u003eSeries 5: Robert C. Krug primarily contains correspondence from the tenure of Robert C. Krug.\u003c/p\u003e","\u003cp\u003eSeries 6: George W. Johnson contains a wide variety of materials including correspondence, speeches, and reports from the tenure of George W. Johnson.\u003c/p\u003e","\u003cp\u003eSeries 7: Alan G. Merten contains a wide variety of materials including correspondence, speeches, and reports from the tenure of Alan G. Merten. \u003c/p\u003e","\u003cp\u003eSeries 8: Ángel Cabrera contains 2013 Spring and Winter Commencements planning documents, Colonial Athletic Association meetings minutes and correspondence, and holiday greetings and event invitation cards from the tenure of Ángel Cabrera.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The George Mason University Office of the President records contains a broad spectrum of materials originating within, received, or accessed by the George Mason University (GMU) Office of the President. These materials include, but are not limited to, correspondence, studies, reports, speeches, meetings minutes, scrapbooks, audio-visual media and photographs.","The collection contains materials from the institution's beginning in 1949 as a subsidiary of the University of Virginia through the early 2010s. These materials chart the development, both culturally and physically, of the institution through the lens of its directors', chancellor's and presidents' correspondence, reports, and other administrative documents.","In addition to providing information about GMU's academic and physical development, the collection provides a view of the sociocultural development of Northern Virginia and, by extension, the United States. Notable moments and cultural shifts in American history, such as the Civil Rights movement, the Vietnam War, diversity awareness, and the September 11 attacks are referenced within collection materials.","Series 1: Annual Reports contains the George Mason annual reports, compiled by the sitting college director or, later, university president. These reports documented the rate of change during George Mason's first twenty years.","Series 2: Early History contains correspondence, reports, campus development plans, and other documentation produced during George Mason's early years under directors John Norville Gibson Finley and Robert Reid.","Series 3: Lorin A. Thompson contains materials such as correspondence, administrative meetings minutes, Civil Rights Act compliance documents, land acquisition and building plans, memoranda, photographs, scrapbooks, and reports dating from the tenure of Lorin A. Thompson.","Series 4: Vergil H. Dykstra contains materials such as budget reports, administrative meetings minutes, and enrollment statistics from the tenure of Vergil H. Dykstra.","Series 5: Robert C. Krug primarily contains correspondence from the tenure of Robert C. Krug.","Series 6: George W. Johnson contains a wide variety of materials including correspondence, speeches, and reports from the tenure of George W. Johnson.","Series 7: Alan G. Merten contains a wide variety of materials including correspondence, speeches, and reports from the tenure of Alan G. Merten.","Series 8: Ángel Cabrera contains 2013 Spring and Winter Commencements planning documents, Colonial Athletic Association meetings minutes and correspondence, and holiday greetings and event invitation cards from the tenure of Ángel Cabrera."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions for personal use of authorized materials. Permission to publish material from George Mason University Office of the President records must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions for personal use of authorized materials. Permission to publish material from George Mason University Office of the President records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1fe5f00f5f1196924ca9248e4e7b3524\" label=\"Abstract\"\u003eCollection contains a wide range of materials including correspondence, studies, reports, speeches, meeting minutes, scrapbooks, and photographs originating within, received, or accessed by the George Mason University Office of the President.\u003c/abstract\u003e\n    "],"abstract_tesim":["Collection contains a wide range of materials including correspondence, studies, reports, speeches, meeting minutes, scrapbooks, and photographs originating within, received, or accessed by the George Mason University Office of the President."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ea4c5eee18e65093e3f6f8ba5816dddc\"\u003eR81, C1, S1 - R82, C2, S5\u003c/physloc\u003e\n    "],"physloc_tesim":["R81, C1, S1 - R82, C2, S5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Office of the President","George Mason University"],"names_coll_ssim":["George Mason University","George Mason University. Office of the President","Johnson, George W., 1928-2017","Merten, Alan G.","Thompson, Lorin A., 1902-1999","Reid, Robert H., 1913-1970","Krug, Robert C. , 1918-2006","Dykstra, Vergil H., 1925-2010","Cabrera, Angel, 1967-"],"persname_ssim":["Johnson, George W., 1928-2017","Merten, Alan G.","Thompson, Lorin A., 1902-1999","Reid, Robert H., 1913-1970","Krug, Robert C. , 1918-2006","Dykstra, Vergil H., 1925-2010","Cabrera, Angel, 1967-"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Office of the President","George Mason University","Johnson, George W., 1928-2017","Merten, Alan G.","Thompson, Lorin A., 1902-1999","Reid, Robert H., 1913-1970","Krug, Robert C. , 1918-2006","Dykstra, Vergil H., 1925-2010","Cabrera, Angel, 1967-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2384,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:34.591Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_307_c03_c43"}},{"id":"vifgm_repositories_2_resources_206_c481","type":"File","attributes":{"title":"1974-76 Budget, 1973/1974","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_206_c481#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_206_c481","ref_ssm":["vifgm_repositories_2_resources_206_c481"],"id":"vifgm_repositories_2_resources_206_c481","ead_ssi":"vifgm_repositories_2_resources_206","_root_":"vifgm_repositories_2_resources_206","_nest_parent_":"vifgm_repositories_2_resources_206","parent_ssi":"vifgm_repositories_2_resources_206","parent_ssim":["George Mason University Facilities records, 1952/2003"],"parent_ids_ssim":["vifgm_repositories_2_resources_206"],"title_filing_ssi":"1974-76 Budget","title_ssm":["1974-76 Budget"],"title_tesim":["1974-76 Budget"],"normalized_title_ssm":["1974-76 Budget, 1973/1974"],"text":["1974-76 Budget, 1973/1974","George Mason University Facilities records, 1952/2003","box 42","folder 5"],"parent_unittitles_ssm":["George Mason University Facilities records, 1952/2003"],"parent_unittitles_tesim":["George Mason University Facilities records, 1952/2003"],"normalized_date_ssm":["1973/1974"],"unitdate_inclusive_ssm":["1973-1974"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":481,"repository_ssim":["George Mason University"],"collection_ssim":["George Mason University Facilities records, 1952/2003"],"containers_ssim":["box 42","folder 5"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["A small amount of student records that are restricted under FERPA, were found in the collection at its acquisition. It has been ascertained that these records do not belong with these materials. They have been withdrawn from the collection, and restrictions have been noted."],"parent_access_terms_tesm":["None."],"date_range_isim":[1973,1974],"_nest_path_":"/components#480","timestamp":"2026-08-14T22:34:31.450Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_206","ead_ssi":"vifgm_repositories_2_resources_206","_root_":"vifgm_repositories_2_resources_206","_nest_parent_":"vifgm_repositories_2_resources_206","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_206.xml","title_ssm":["George Mason University Facilities records"],"title_tesim":["George Mason University Facilities records"],"unitdate_ssm":["1952-2003"],"unitdate_inclusive_ssm":["1952-2003"],"normalized_date_ssm":["1952/2003"],"normalized_title_ssm":["George Mason University Facilities records, 1952/2003"],"text":["George Mason University Facilities records, 1952/2003","R0017","/repositories/2/resources/206","A small amount of student records that are restricted under FERPA, were found in the collection at its acquisition. It has been ascertained that these records do not belong with these materials. They have been withdrawn from the collection, and restrictions have been noted.","Selected digital versions are available through the .","Organized at the individual file level by building/road/project or contractor and by physical format.","George Mason University began operation under the name \"University College of the University of Virginia\" in the fall of 1957 in an 8-room former elementary school in Bailey's Crossroads. The original student body consisted of 17 young men and women from local high schools. The college was renamed \"George Mason College\" in late 1959 and moved to its first permanent campus at Fairfax during the fall of 1964. George Mason College became independent from the University of Virginia on April 7, 1972 and was renamed George Mason University. In 1979 George Mason's acquisition of the International School of Law in Arlington was approved by the Virginia Legislature, creating the George Mason University School of Law (now known as the Antonin Scalia Law School) upon the Arlington Campus (know known as Mason Square Campus). Today's Science and Technology Campus near Manassas, Virginia was established in 1997, and Mason Korea, located in the Incheon Global Campus, began operations in 2014. Enrollment at all campuses combined totaled over 40,000 in 2024.","George Mason University Facilities and Campus Operations operates, maintains, repairs, replaces, renews, and secures all buildings, grounds, utilities, and other infrastructure belonging to George Mason University. This responsibility changed considerably over the years as the university grew from a four-building branch college in 1964 to a university boasting nearly 150 during the early 2000s.","Processed by Joey Romeo in August 2012. EAD markup completed by Joey Romeo and Michelle Page in September 2012. Metadata cleanup in May/June 2025 by Annie Waddell and Robert Vay.","This collection contains records created or acquired by the George Mason University Facilities division (now known as George Mason University Facilities and Campus Operations) from 1952 to 2003. The majority of the records cover the years 1967 to 1994. The materials were originally housed in the university's Facilities Management Office and used to document construction, repair, upgrades,improvements,and maintenance of the physical campuses at Fairfax, Manassas, Arlington, Virginia. The records include aerial photos, blue prints, microfilms, project manuals, change orders, and other project-related documents pertaining to management of George Mason University physical campuses.  Records in this group document construction, mantenance and expansion of student residence halls as well as campus libraries, administrative and academic buildings, athletic facilities, roads, and other university properties.","None.","This collection contains records created or collected by the George Mason University Facilities Management unit from the 1952 to 2003.  More specifically, it contains photos, blue prints, microfilms, project manuals, change orders, and other project-related documents pertaining to the management of the Fairfax, Arlington (now known as Mason Square), and Prince William (now known as the Science and Technology) Campuses.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Facilities","English"],"collection_title_tesim":["George Mason University Facilities records, 1952/2003"],"collection_ssim":["George Mason University Facilities records, 1952/2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0017","/repositories/2/resources/206"],"unitid_tesim":["R0017","/repositories/2/resources/206"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Facilities"],"creator_ssim":["George Mason University. Facilities"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Facilities"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Facilities"],"access_terms_ssm":["None."],"acqinfo_ssim":["Transferred by George Mason University Facilities Management to Special Collections Research Center in 2008."],"has_online_content_ssim":["false"],"extent_ssm":["70 Linear Feet (140 boxes)"],"extent_tesim":["70 Linear Feet (140 boxes)"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eA small amount of student records that are restricted under FERPA, were found in the collection at its acquisition. It has been ascertained that these records do not belong with these materials. They have been withdrawn from the collection, and restrictions have been noted.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["A small amount of student records that are restricted under FERPA, were found in the collection at its acquisition. It has been ascertained that these records do not belong with these materials. They have been withdrawn from the collection, and restrictions have been noted."],"altformavail_html_tesm":["\u003cp\u003eSelected digital versions are available through the \u003cextptr href=\"http://mars.gmu.edu/handle/1920/2996\" title=\"George Mason University Facilities Planning Documents, 1960-2007\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternate Format Available"],"altformavail_tesim":["Selected digital versions are available through the ."],"arrangement_html_tesm":["\u003cp\u003eOrganized at the individual file level by building/road/project or contractor and by physical format.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized at the individual file level by building/road/project or contractor and by physical format."],"bioghist_html_tesm":["\u003cp\u003eGeorge Mason University began operation under the name \"University College of the University of Virginia\" in the fall of 1957 in an 8-room former elementary school in Bailey's Crossroads. The original student body consisted of 17 young men and women from local high schools. The college was renamed \"George Mason College\" in late 1959 and moved to its first permanent campus at Fairfax during the fall of 1964. George Mason College became independent from the University of Virginia on April 7, 1972 and was renamed George Mason University. In 1979 George Mason's acquisition of the International School of Law in Arlington was approved by the Virginia Legislature, creating the George Mason University School of Law (now known as the Antonin Scalia Law School) upon the Arlington Campus (know known as Mason Square Campus). Today's Science and Technology Campus near Manassas, Virginia was established in 1997, and Mason Korea, located in the Incheon Global Campus, began operations in 2014. Enrollment at all campuses combined totaled over 40,000 in 2024.\u003c/p\u003e","\u003cp\u003eGeorge Mason University Facilities and Campus Operations operates, maintains, repairs, replaces, renews, and secures all buildings, grounds, utilities, and other infrastructure belonging to George Mason University. This responsibility changed considerably over the years as the university grew from a four-building branch college in 1964 to a university boasting nearly 150 during the early 2000s.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["George Mason University began operation under the name \"University College of the University of Virginia\" in the fall of 1957 in an 8-room former elementary school in Bailey's Crossroads. The original student body consisted of 17 young men and women from local high schools. The college was renamed \"George Mason College\" in late 1959 and moved to its first permanent campus at Fairfax during the fall of 1964. George Mason College became independent from the University of Virginia on April 7, 1972 and was renamed George Mason University. In 1979 George Mason's acquisition of the International School of Law in Arlington was approved by the Virginia Legislature, creating the George Mason University School of Law (now known as the Antonin Scalia Law School) upon the Arlington Campus (know known as Mason Square Campus). Today's Science and Technology Campus near Manassas, Virginia was established in 1997, and Mason Korea, located in the Incheon Global Campus, began operations in 2014. Enrollment at all campuses combined totaled over 40,000 in 2024.","George Mason University Facilities and Campus Operations operates, maintains, repairs, replaces, renews, and secures all buildings, grounds, utilities, and other infrastructure belonging to George Mason University. This responsibility changed considerably over the years as the university grew from a four-building branch college in 1964 to a university boasting nearly 150 during the early 2000s."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University Facilities records, # R0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["George Mason University Facilities records, # R0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Joey Romeo in August 2012. EAD markup completed by Joey Romeo and Michelle Page in September 2012. Metadata cleanup in May/June 2025 by Annie Waddell and Robert Vay.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Joey Romeo in August 2012. EAD markup completed by Joey Romeo and Michelle Page in September 2012. Metadata cleanup in May/June 2025 by Annie Waddell and Robert Vay."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains records created or acquired by the George Mason University Facilities division (now known as George Mason University Facilities and Campus Operations) from 1952 to 2003. The majority of the records cover the years 1967 to 1994. The materials were originally housed in the university's Facilities Management Office and used to document construction, repair, upgrades,improvements,and maintenance of the physical campuses at Fairfax, Manassas, Arlington, Virginia. The records include aerial photos, blue prints, microfilms, project manuals, change orders, and other project-related documents pertaining to management of George Mason University physical campuses.  Records in this group document construction, mantenance and expansion of student residence halls as well as campus libraries, administrative and academic buildings, athletic facilities, roads, and other university properties.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains records created or acquired by the George Mason University Facilities division (now known as George Mason University Facilities and Campus Operations) from 1952 to 2003. The majority of the records cover the years 1967 to 1994. The materials were originally housed in the university's Facilities Management Office and used to document construction, repair, upgrades,improvements,and maintenance of the physical campuses at Fairfax, Manassas, Arlington, Virginia. The records include aerial photos, blue prints, microfilms, project manuals, change orders, and other project-related documents pertaining to management of George Mason University physical campuses.  Records in this group document construction, mantenance and expansion of student residence halls as well as campus libraries, administrative and academic buildings, athletic facilities, roads, and other university properties."],"userestrict_html_tesm":["\u003cp\u003eNone.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["None."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7543aee6c7852142b11e3a84c8193d1e\" label=\"Abstract\"\u003eThis collection contains records created or collected by the George Mason University Facilities Management unit from the 1952 to 2003.  More specifically, it contains photos, blue prints, microfilms, project manuals, change orders, and other project-related documents pertaining to the management of the Fairfax, Arlington (now known as Mason Square), and Prince William (now known as the Science and Technology) Campuses.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains records created or collected by the George Mason University Facilities Management unit from the 1952 to 2003.  More specifically, it contains photos, blue prints, microfilms, project manuals, change orders, and other project-related documents pertaining to the management of the Fairfax, Arlington (now known as Mason Square), and Prince William (now known as the Science and Technology) Campuses."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Facilities"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Facilities"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2284,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:31.450Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_206_c481"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"George Mason University","value":"George Mason University","hits":6830},"links":{"remove":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1973\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1973\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Abraham Anson papers, 1939/2005","value":"Abraham Anson papers, 1939/2005","hits":38},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Abraham+Anson+papers%2C+1939%2F2005\u0026f%5Bdate_range%5D%5B%5D=1973\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Agnes Wolf papers, 1966/2006","value":"Agnes Wolf papers, 1966/2006","hits":7},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Agnes+Wolf+papers%2C+1966%2F2006\u0026f%5Bdate_range%5D%5B%5D=1973\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Alan Bowne papers, 1964/1991, bulk 1980/1989","value":"Alan Bowne papers, 1964/1991, bulk 1980/1989","hits":4},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Alan+Bowne+papers%2C+1964%2F1991%2C+bulk+1980%2F1989\u0026f%5Bdate_range%5D%5B%5D=1973\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Alexander Haight family collection, 1764/1976","value":"Alexander Haight family collection, 1764/1976","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Alexander+Haight+family+collection%2C+1764%2F1976\u0026f%5Bdate_range%5D%5B%5D=1973\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"American Political Items Collectors collection","value":"American Political Items Collectors collection","hits":7},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=American+Political+Items+Collectors+collection\u0026f%5Bdate_range%5D%5B%5D=1973\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"American Public Transportation Association records, 1898/1999","value":"American Public Transportation Association records, 1898/1999","hits":286},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=American+Public+Transportation+Association+records%2C+1898%2F1999\u0026f%5Bdate_range%5D%5B%5D=1973\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"American Theatre Association records","value":"American Theatre Association records","hits":52},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=American+Theatre+Association+records\u0026f%5Bdate_range%5D%5B%5D=1973\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Amy Federman performing arts collection, 1963/2012","value":"Amy Federman performing arts collection, 1963/2012","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Amy+Federman+performing+arts+collection%2C+1963%2F2012\u0026f%5Bdate_range%5D%5B%5D=1973\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Arden B. 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