{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1972\u0026page=11\u0026view=list","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1972\u0026page=10\u0026view=list","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1972\u0026page=12\u0026view=list","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1972\u0026page=6173\u0026view=list"},"meta":{"pages":{"current_page":11,"next_page":12,"prev_page":10,"total_pages":6173,"limit_value":10,"offset_value":100,"total_count":61725,"first_page?":false,"last_page?":false}},"data":[{"id":"viblbv_repositories_2_resources_3405_c02_c1678","type":"File","attributes":{"title":"#1832 - Franklin Company Recreation Park, Franklin County, Virginia, Smithey \u0026 Boynton","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3405_c02_c1678#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3405_c02_c1678","ref_ssm":["viblbv_repositories_2_resources_3405_c02_c1678"],"id":"viblbv_repositories_2_resources_3405_c02_c1678","ead_ssi":"viblbv_repositories_2_resources_3405","_root_":"viblbv_repositories_2_resources_3405","_nest_parent_":"viblbv_repositories_2_resources_3405_c02","parent_ssi":"viblbv_repositories_2_resources_3405_c02","parent_ssim":["viblbv_repositories_2_resources_3405","viblbv_repositories_2_resources_3405_c02"],"parent_ids_ssim":["viblbv_repositories_2_resources_3405","viblbv_repositories_2_resources_3405_c02"],"parent_unittitles_ssm":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records","Series II: Project Files and Drawings"],"parent_unittitles_tesim":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records","Series II: Project Files and Drawings"],"text":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records","Series II: Project Files and Drawings","#1832 - Franklin Company Recreation Park, Franklin County, Virginia, Smithey \u0026 Boynton","box 791"],"title_filing_ssi":"#1832 - Franklin Company Recreation Park, Franklin County, Virginia, Smithey \u0026 Boynton","title_ssm":["#1832 - Franklin Company Recreation Park, Franklin County, Virginia, Smithey \u0026 Boynton"],"title_tesim":["#1832 - Franklin Company Recreation Park, Franklin County, Virginia, Smithey \u0026 Boynton"],"unitdate_other_ssim":["1972-1973"],"normalized_date_ssm":["1972/1973"],"normalized_title_ssm":["#1832 - Franklin Company Recreation Park, Franklin County, Virginia, Smithey \u0026 Boynton"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1690,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1972,1973],"containers_ssim":["box 791"],"_nest_path_":"/components#1/components#1677","timestamp":"2026-05-21T02:27:21.236Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3405","ead_ssi":"viblbv_repositories_2_resources_3405","_root_":"viblbv_repositories_2_resources_3405","_nest_parent_":"viblbv_repositories_2_resources_3405","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3405.xml","title_filing_ssi":"Smithey \u0026 Boynton, Architects \u0026 Engineers Records","title_ssm":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"title_tesim":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"unitdate_ssm":["1922-1985"],"unitdate_inclusive_ssm":["1922-1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1992.027"],"text":["Ms.1992.027","Smithey \u0026 Boynton, Architects \u0026 Engineers Records","Covington (Va.)","Buchanan County (Va.)","Franklin County (Va.)","Christiansburg (Va.)","Wythe County (Va.)","Pulaski County (Va.)","Blacksburg (Va.)","Roanoke (Va.)","Carroll County (Va.)","Virginia, Southwest","Salem (Va.)","Radford (Va.)","Russell County (Va.)","Tazewell County (Va.)","Bedford County (Va.)","Local/Regional History and Appalachian South","Montgomery County (Va.)","Architects -- Virginia","Architectural drawing -- 20th century","The collection is open for research.","Some of this collection has been digitized and is available online.","The collection is arranged into three series: ","Series I: Biographical Information and Organization Records, 1923-1972, is arranged by owner and material type into the following subseries: Subseries A: Smithey \u0026 Tardy; Subseries B: Smithey \u0026 Boynton; and Subseries C: Sample Floor Plans. The Series contains documentation and administrative files on Smithey \u0026 Tardy and Smithey \u0026 Boynton. Materials include professional histories of partners and employees, biographical and personnel information, organization charts, legal and tax files, forms and contracts for clients, and some sample plans for school and residential designs.","Series II: Project Files and Drawings, 1923-1985, is arranged by project number, with unnumbered projects at the end. The materials are for designs or renovations by Smithey \u0026 Boynton with some files from previous or additional architects and engineers. The project files contain a variety of items that vary with each project. Materials may include blueprints, drawings, maps, contracts, correspondence and memos, and other documentation created by the firm or clients. Project files are listed with the project number, project/client name, and location; some also have dates and the name of the architectural or engineering firm.","Series III: Johnson Associates International, February 1968, contains materials on a single project completed by the firm, Farmland Dairies Inc. Processing Plant (Wallington, NJ). Files on this project date from February 1968.","Smithey \u0026 Boynton, Architects \u0026 Engineers, was an architecture firm in Roanoke, Virginia, established in 1935 by Louis Phillipe Smithey and Henry B. Boynton. The firm closed during World War II for a few years while Boynton and Smithey served in the U.S. Army. After Smithey's death in the 1970s, Boynton partnered with Kenneth L. Motley, who began his career as a draftsman with the firm. In 1992, a year following Boynton's death, Motley acquired Smithey \u0026 Boynton and renamed the firm Motley + Associates.","Smithey \u0026 Boynton designed several structures over the years, including the Christ Episcopal Church, the South Roanoke Fire Station, the Shenandoah Life Building, McClanaham Street Office Building, and the American Theater Building, all in Roanoke. The firm also designed Lane Stadium at Virginia Tech and the Lyric Theatre in Blacksburg. The firm became best known for building public schools, even using the same basic layout for numerous schools. Smithey \u0026 Boynton had nearly 150 school design commissions during the period of 1945 thru 1953 in at least 19 counties and 10 cities.","\nHenry B. Boynton was born in West Chicago, Illinois, in 1899 and grew up in Amelia County, Virginia. He graduated from Virginia Polytechnic Institute with a B.S. in Agricultural Engineering in 1921 and a B.S. in Civil Engineering in 1923. Boyton then spent a year at the University of Illinois in Urbana taking architecture classes. He became a registered architect in Virginia in 1930 and later registered in West Virginia, North Carolina, and Pennsylvania.","From 1924 to 1928, Boynton worked as a draftsman at Carneal \u0026 Johnston, Architects \u0026 Engineers, in Richmond, Virginia. In 1929, he joined Louis Phillipe Smithey, Architect \u0026 Engineer, in Roanoke, Virginia, as an associate. In 1935, Boynton and Smithey partnered to form Smithey \u0026 Boynton, Architects \u0026 Engineers, in Roanoke. Boynton became senior partner of the firm when Smithey retired in 1963.","Boynton was affiliated with the Virginia Chapter (later the Virginia Society \u0026 Blue Ridge Chapter) of the American Institute of Architects from 1938 until his death. He served on the board of directors in 1952, 1953, and 1956; as vice-president in 1954; and as president in 1955. He was a member of the State Registration Board for Architects, Professional Engineers, and Land Surveyors, as a Governor's appointee, from 1962 to 1972, serving as President of the Board in 1967. He received a distinguished service award in 1980 and the Noland Award in 1989, both from the Virginia Society \u0026 Blue Ridge Chapter of the AIA.","Boynton served in the Army Corps of Engineers during World War II, rising to the rank of Colonel. He was a member of the Virginia Tech Alumni Board of Directors from 1969 to 1979 and Chair of its Annual Fund Committee from 1973 to 1979. He also served on the Board of the VPI Educational Foundation, Inc., from 1978 to 1982. In 1976, Boynton received the Virginia Tech Alumni Distinguished Service.","Boynton died on September 13, 1991, at the age of 92, at his home in Roanoke.","The son of William Rosser Smithey and Mannie Jane Elizabeth Greene, Louis Philippe Smithey was born in Mecklenburg County, Virginia, on June 7, 1890. He earned his bachelor and master's degrees at Randolph-Macon College in 1909 and 1910, respectively, and was an alumnus member of Phi Beta Kappa there. He was an instructor and special student at Virginia Polytechnic Institute from 1910 to 1914 and a special student at Massachusetts Institute of Technology from 1914 to 1915.","Smithey was a registered architect in Virginia and West Virginia. A fellow of the American Institute of Architects (AIA), he served as president of the Virginia chapter of AIA in 1940. ","Smithey worked as a draftsman and contracting engineer for Virginia Bridge \u0026 Iron Company in Roanoke from 1916 to 1918. After serving in the army in World War I, he was contracting engineer for Virginia Bridge \u0026 Iron Company again in 1919 and 1920. He practiced as Louis P. Smithey from 1920 to 1922, with Matthews H. Tardy as Smithey \u0026 Tardy from 1922 to 1927, and again as Louis P. Smithey from 1927 to 1935. ","The Smithey \u0026 Boynton partnership formed in 1935 with Henry B. Boynton. Prior to World War II, the firm served as consulting architects for the Roanoke City School Board and Roanoke County School Board for approximately eight years and handled school buildings in Franklin County, Montgomery County, Alleghany County, Pulaski County, and the City of Waynesboro.","While the company was closed during World War II, Smithey served in the U.S. Army as Lt. Colonel from 1942 thru 1945. ","Following the war, Smithey \u0026 Boynton were commissioned as architects or consulting architects on public school work in Virginia valued at approximately $31 million, distributed in 25 School Divisions of the state. Smithey retired from professional practice in 1963. ","On June 11, 1938, Smithey married Dorothy Terrill, and they had daughter Nancy Terrill Smithey on March 10, 1940. He and his family lived in Roanoke. Smithey died on August 19, 1966.","The guide to the Smithey \u0026 Boynton, Architects \u0026 Engineers Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Some processing, arrangement, and description of the Smithey \u0026 Boynton, Architects \u0026 Engineers Records was completed between 1992 and 2009. The majority of the arrangement and description was completed between 2010 and 2019.","See the  Henry B. Boynton Papers, Ms1992-002 , also at Virginia Tech Special Collections and University Archives.","The collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026 Boynton, mostly between 1935 and 1957. Materials consist of project files, specifications, framed drawings and photographs, and architectural drawings. Records include designs by Smithey before he collaborated with Boynton, as well as designs by other firms of projects later redesigned by Smithey \u0026 Boynton. A small group of materials also relate to the firm of Johnson Associates International from 1968."," Please note: The list of projects/project files below does NOT include the rolled drawings currently being processed. Contact Special Collections for the current inventory of available drawings and how to access them.","Several oversize and/or framed photographs and drawings have been separated to the Art Collection, and several publications have been separated to the Rare Books Collection.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026 Boynton, mostly between 1935 and 1957.","Please note: This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.","Special Collections and University Archives, Virginia Tech","Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)","Boynton, Henry B., 1899-1991","The materials in the collection are in English."],"unitid_tesim":["Ms.1992.027"],"normalized_title_ssm":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"collection_title_tesim":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"collection_ssim":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Covington (Va.)","Buchanan County (Va.)","Franklin County (Va.)","Christiansburg (Va.)","Wythe County (Va.)","Pulaski County (Va.)","Blacksburg (Va.)","Roanoke (Va.)","Carroll County (Va.)","Virginia, Southwest","Salem (Va.)","Radford (Va.)","Russell County (Va.)","Tazewell County (Va.)","Bedford County (Va.)"],"geogname_ssim":["Covington (Va.)","Buchanan County (Va.)","Franklin County (Va.)","Christiansburg (Va.)","Wythe County (Va.)","Pulaski County (Va.)","Blacksburg (Va.)","Roanoke (Va.)","Carroll County (Va.)","Virginia, Southwest","Salem (Va.)","Radford (Va.)","Russell County (Va.)","Tazewell County (Va.)","Bedford County (Va.)"],"creator_ssm":["Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)"],"creator_ssim":["Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)"],"creator_corpname_ssim":["Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)"],"creators_ssim":["Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)"],"places_ssim":["Covington (Va.)","Buchanan County (Va.)","Franklin County (Va.)","Christiansburg (Va.)","Wythe County (Va.)","Pulaski County (Va.)","Blacksburg (Va.)","Roanoke (Va.)","Carroll County (Va.)","Virginia, Southwest","Salem (Va.)","Radford (Va.)","Russell County (Va.)","Tazewell County (Va.)","Bedford County (Va.)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Smithey \u0026 Boynton, Architects \u0026 Engineers Records were donated to Special Collections and University Archives in 1992 and 1994."],"access_subjects_ssim":["Local/Regional History and Appalachian South","Montgomery County (Va.)","Architects -- Virginia","Architectural drawing -- 20th century"],"access_subjects_ssm":["Local/Regional History and Appalachian South","Montgomery County (Va.)","Architects -- Virginia","Architectural drawing -- 20th century"],"has_online_content_ssim":["false"],"extent_ssm":["ca. 313 Cubic Feet 993 boxes, 5 oversize folders"],"extent_tesim":["ca. 313 Cubic Feet 993 boxes, 5 oversize folders"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/262\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series: \u003c/p\u003e\n","\u003cp\u003eSeries I: Biographical Information and Organization Records, 1923-1972, is arranged by owner and material type into the following subseries: Subseries A: Smithey \u0026amp; Tardy; Subseries B: Smithey \u0026amp; Boynton; and Subseries C: Sample Floor Plans. The Series contains documentation and administrative files on Smithey \u0026amp; Tardy and Smithey \u0026amp; Boynton. Materials include professional histories of partners and employees, biographical and personnel information, organization charts, legal and tax files, forms and contracts for clients, and some sample plans for school and residential designs.\u003c/p\u003e\n","\u003cp\u003eSeries II: Project Files and Drawings, 1923-1985, is arranged by project number, with unnumbered projects at the end. The materials are for designs or renovations by Smithey \u0026amp; Boynton with some files from previous or additional architects and engineers. The project files contain a variety of items that vary with each project. Materials may include blueprints, drawings, maps, contracts, correspondence and memos, and other documentation created by the firm or clients. Project files are listed with the project number, project/client name, and location; some also have dates and the name of the architectural or engineering firm.\u003c/p\u003e\n","\u003cp\u003eSeries III: Johnson Associates International, February 1968, contains materials on a single project completed by the firm, Farmland Dairies Inc. Processing Plant (Wallington, NJ). Files on this project date from February 1968.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into three series: ","Series I: Biographical Information and Organization Records, 1923-1972, is arranged by owner and material type into the following subseries: Subseries A: Smithey \u0026 Tardy; Subseries B: Smithey \u0026 Boynton; and Subseries C: Sample Floor Plans. The Series contains documentation and administrative files on Smithey \u0026 Tardy and Smithey \u0026 Boynton. Materials include professional histories of partners and employees, biographical and personnel information, organization charts, legal and tax files, forms and contracts for clients, and some sample plans for school and residential designs.","Series II: Project Files and Drawings, 1923-1985, is arranged by project number, with unnumbered projects at the end. The materials are for designs or renovations by Smithey \u0026 Boynton with some files from previous or additional architects and engineers. The project files contain a variety of items that vary with each project. Materials may include blueprints, drawings, maps, contracts, correspondence and memos, and other documentation created by the firm or clients. Project files are listed with the project number, project/client name, and location; some also have dates and the name of the architectural or engineering firm.","Series III: Johnson Associates International, February 1968, contains materials on a single project completed by the firm, Farmland Dairies Inc. Processing Plant (Wallington, NJ). Files on this project date from February 1968."],"bioghist_html_tesm":["\u003cp\u003eSmithey \u0026amp; Boynton, Architects \u0026amp; Engineers, was an architecture firm in Roanoke, Virginia, established in 1935 by Louis Phillipe Smithey and Henry B. Boynton. The firm closed during World War II for a few years while Boynton and Smithey served in the U.S. Army. After Smithey's death in the 1970s, Boynton partnered with Kenneth L. Motley, who began his career as a draftsman with the firm. In 1992, a year following Boynton's death, Motley acquired Smithey \u0026amp; Boynton and renamed the firm Motley + Associates.\u003c/p\u003e\n","\u003cp\u003eSmithey \u0026amp; Boynton designed several structures over the years, including the Christ Episcopal Church, the South Roanoke Fire Station, the Shenandoah Life Building, McClanaham Street Office Building, and the American Theater Building, all in Roanoke. The firm also designed Lane Stadium at Virginia Tech and the Lyric Theatre in Blacksburg. The firm became best known for building public schools, even using the same basic layout for numerous schools. Smithey \u0026amp; Boynton had nearly 150 school design commissions during the period of 1945 thru 1953 in at least 19 counties and 10 cities.\u003c/p\u003e","\u003cp\u003e\nHenry B. Boynton was born in West Chicago, Illinois, in 1899 and grew up in Amelia County, Virginia. He graduated from Virginia Polytechnic Institute with a B.S. in Agricultural Engineering in 1921 and a B.S. in Civil Engineering in 1923. Boyton then spent a year at the University of Illinois in Urbana taking architecture classes. He became a registered architect in Virginia in 1930 and later registered in West Virginia, North Carolina, and Pennsylvania.\u003c/p\u003e\n","\u003cp\u003eFrom 1924 to 1928, Boynton worked as a draftsman at Carneal \u0026amp; Johnston, Architects \u0026amp; Engineers, in Richmond, Virginia. In 1929, he joined Louis Phillipe Smithey, Architect \u0026amp; Engineer, in Roanoke, Virginia, as an associate. In 1935, Boynton and Smithey partnered to form Smithey \u0026amp; Boynton, Architects \u0026amp; Engineers, in Roanoke. Boynton became senior partner of the firm when Smithey retired in 1963.\u003c/p\u003e\n","\u003cp\u003eBoynton was affiliated with the Virginia Chapter (later the Virginia Society \u0026amp; Blue Ridge Chapter) of the American Institute of Architects from 1938 until his death. He served on the board of directors in 1952, 1953, and 1956; as vice-president in 1954; and as president in 1955. He was a member of the State Registration Board for Architects, Professional Engineers, and Land Surveyors, as a Governor's appointee, from 1962 to 1972, serving as President of the Board in 1967. He received a distinguished service award in 1980 and the Noland Award in 1989, both from the Virginia Society \u0026amp; Blue Ridge Chapter of the AIA.\u003c/p\u003e\n","\u003cp\u003eBoynton served in the Army Corps of Engineers during World War II, rising to the rank of Colonel. He was a member of the Virginia Tech Alumni Board of Directors from 1969 to 1979 and Chair of its Annual Fund Committee from 1973 to 1979. He also served on the Board of the VPI Educational Foundation, Inc., from 1978 to 1982. In 1976, Boynton received the Virginia Tech Alumni Distinguished Service.\u003c/p\u003e\n","\u003cp\u003eBoynton died on September 13, 1991, at the age of 92, at his home in Roanoke.\u003c/p\u003e","\u003cp\u003eThe son of William Rosser Smithey and Mannie Jane Elizabeth Greene, Louis Philippe Smithey was born in Mecklenburg County, Virginia, on June 7, 1890. He earned his bachelor and master's degrees at Randolph-Macon College in 1909 and 1910, respectively, and was an alumnus member of Phi Beta Kappa there. He was an instructor and special student at Virginia Polytechnic Institute from 1910 to 1914 and a special student at Massachusetts Institute of Technology from 1914 to 1915.\u003c/p\u003e\n","\u003cp\u003eSmithey was a registered architect in Virginia and West Virginia. A fellow of the American Institute of Architects (AIA), he served as president of the Virginia chapter of AIA in 1940. \u003c/p\u003e\n","\u003cp\u003eSmithey worked as a draftsman and contracting engineer for Virginia Bridge \u0026amp; Iron Company in Roanoke from 1916 to 1918. After serving in the army in World War I, he was contracting engineer for Virginia Bridge \u0026amp; Iron Company again in 1919 and 1920. He practiced as Louis P. Smithey from 1920 to 1922, with Matthews H. Tardy as Smithey \u0026amp; Tardy from 1922 to 1927, and again as Louis P. Smithey from 1927 to 1935. \u003c/p\u003e\n","\u003cp\u003eThe Smithey \u0026amp; Boynton partnership formed in 1935 with Henry B. Boynton. Prior to World War II, the firm served as consulting architects for the Roanoke City School Board and Roanoke County School Board for approximately eight years and handled school buildings in Franklin County, Montgomery County, Alleghany County, Pulaski County, and the City of Waynesboro.\u003c/p\u003e\n","\u003cp\u003eWhile the company was closed during World War II, Smithey served in the U.S. Army as Lt. Colonel from 1942 thru 1945. \u003c/p\u003e\n","\u003cp\u003eFollowing the war, Smithey \u0026amp; Boynton were commissioned as architects or consulting architects on public school work in Virginia valued at approximately $31 million, distributed in 25 School Divisions of the state. Smithey retired from professional practice in 1963. \u003c/p\u003e\n","\u003cp\u003eOn June 11, 1938, Smithey married Dorothy Terrill, and they had daughter Nancy Terrill Smithey on March 10, 1940. He and his family lived in Roanoke. Smithey died on August 19, 1966.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Biographical Note - Henry B. Boyton","Biographical Note - Louis Phillipe Smithey"],"bioghist_tesim":["Smithey \u0026 Boynton, Architects \u0026 Engineers, was an architecture firm in Roanoke, Virginia, established in 1935 by Louis Phillipe Smithey and Henry B. Boynton. The firm closed during World War II for a few years while Boynton and Smithey served in the U.S. Army. After Smithey's death in the 1970s, Boynton partnered with Kenneth L. Motley, who began his career as a draftsman with the firm. In 1992, a year following Boynton's death, Motley acquired Smithey \u0026 Boynton and renamed the firm Motley + Associates.","Smithey \u0026 Boynton designed several structures over the years, including the Christ Episcopal Church, the South Roanoke Fire Station, the Shenandoah Life Building, McClanaham Street Office Building, and the American Theater Building, all in Roanoke. The firm also designed Lane Stadium at Virginia Tech and the Lyric Theatre in Blacksburg. The firm became best known for building public schools, even using the same basic layout for numerous schools. Smithey \u0026 Boynton had nearly 150 school design commissions during the period of 1945 thru 1953 in at least 19 counties and 10 cities.","\nHenry B. Boynton was born in West Chicago, Illinois, in 1899 and grew up in Amelia County, Virginia. He graduated from Virginia Polytechnic Institute with a B.S. in Agricultural Engineering in 1921 and a B.S. in Civil Engineering in 1923. Boyton then spent a year at the University of Illinois in Urbana taking architecture classes. He became a registered architect in Virginia in 1930 and later registered in West Virginia, North Carolina, and Pennsylvania.","From 1924 to 1928, Boynton worked as a draftsman at Carneal \u0026 Johnston, Architects \u0026 Engineers, in Richmond, Virginia. In 1929, he joined Louis Phillipe Smithey, Architect \u0026 Engineer, in Roanoke, Virginia, as an associate. In 1935, Boynton and Smithey partnered to form Smithey \u0026 Boynton, Architects \u0026 Engineers, in Roanoke. Boynton became senior partner of the firm when Smithey retired in 1963.","Boynton was affiliated with the Virginia Chapter (later the Virginia Society \u0026 Blue Ridge Chapter) of the American Institute of Architects from 1938 until his death. He served on the board of directors in 1952, 1953, and 1956; as vice-president in 1954; and as president in 1955. He was a member of the State Registration Board for Architects, Professional Engineers, and Land Surveyors, as a Governor's appointee, from 1962 to 1972, serving as President of the Board in 1967. He received a distinguished service award in 1980 and the Noland Award in 1989, both from the Virginia Society \u0026 Blue Ridge Chapter of the AIA.","Boynton served in the Army Corps of Engineers during World War II, rising to the rank of Colonel. He was a member of the Virginia Tech Alumni Board of Directors from 1969 to 1979 and Chair of its Annual Fund Committee from 1973 to 1979. He also served on the Board of the VPI Educational Foundation, Inc., from 1978 to 1982. In 1976, Boynton received the Virginia Tech Alumni Distinguished Service.","Boynton died on September 13, 1991, at the age of 92, at his home in Roanoke.","The son of William Rosser Smithey and Mannie Jane Elizabeth Greene, Louis Philippe Smithey was born in Mecklenburg County, Virginia, on June 7, 1890. He earned his bachelor and master's degrees at Randolph-Macon College in 1909 and 1910, respectively, and was an alumnus member of Phi Beta Kappa there. He was an instructor and special student at Virginia Polytechnic Institute from 1910 to 1914 and a special student at Massachusetts Institute of Technology from 1914 to 1915.","Smithey was a registered architect in Virginia and West Virginia. A fellow of the American Institute of Architects (AIA), he served as president of the Virginia chapter of AIA in 1940. ","Smithey worked as a draftsman and contracting engineer for Virginia Bridge \u0026 Iron Company in Roanoke from 1916 to 1918. After serving in the army in World War I, he was contracting engineer for Virginia Bridge \u0026 Iron Company again in 1919 and 1920. He practiced as Louis P. Smithey from 1920 to 1922, with Matthews H. Tardy as Smithey \u0026 Tardy from 1922 to 1927, and again as Louis P. Smithey from 1927 to 1935. ","The Smithey \u0026 Boynton partnership formed in 1935 with Henry B. Boynton. Prior to World War II, the firm served as consulting architects for the Roanoke City School Board and Roanoke County School Board for approximately eight years and handled school buildings in Franklin County, Montgomery County, Alleghany County, Pulaski County, and the City of Waynesboro.","While the company was closed during World War II, Smithey served in the U.S. Army as Lt. Colonel from 1942 thru 1945. ","Following the war, Smithey \u0026 Boynton were commissioned as architects or consulting architects on public school work in Virginia valued at approximately $31 million, distributed in 25 School Divisions of the state. Smithey retired from professional practice in 1963. ","On June 11, 1938, Smithey married Dorothy Terrill, and they had daughter Nancy Terrill Smithey on March 10, 1940. He and his family lived in Roanoke. Smithey died on August 19, 1966."],"odd_html_tesm":["\u003cp\u003eThe guide to the Smithey \u0026amp; Boynton, Architects \u0026amp; Engineers Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Smithey \u0026 Boynton, Architects \u0026 Engineers Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Smithey \u0026amp; Boynton, Architects \u0026amp; Engineers Records, Ms1992-027, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Smithey \u0026 Boynton, Architects \u0026 Engineers Records, Ms1992-027, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eSome processing, arrangement, and description of the Smithey \u0026amp; Boynton, Architects \u0026amp; Engineers Records was completed between 1992 and 2009. The majority of the arrangement and description was completed between 2010 and 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Some processing, arrangement, and description of the Smithey \u0026 Boynton, Architects \u0026 Engineers Records was completed between 1992 and 2009. The majority of the arrangement and description was completed between 2010 and 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the \u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/1883.oai_ead.xml\" target=\"_blank\"\u003eHenry B. Boynton Papers, Ms1992-002\u003c/a\u003e, also at Virginia Tech Special Collections and University Archives.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See the  Henry B. Boynton Papers, Ms1992-002 , also at Virginia Tech Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026amp; Boynton, mostly between 1935 and 1957. Materials consist of project files, specifications, framed drawings and photographs, and architectural drawings. Records include designs by Smithey before he collaborated with Boynton, as well as designs by other firms of projects later redesigned by Smithey \u0026amp; Boynton. A small group of materials also relate to the firm of Johnson Associates International from 1968.\u003c/p\u003e\n","\u003cp\u003e Please note: The list of projects/project files below does NOT include the rolled drawings currently being processed. Contact Special Collections for the current inventory of available drawings and how to access them.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026 Boynton, mostly between 1935 and 1957. Materials consist of project files, specifications, framed drawings and photographs, and architectural drawings. Records include designs by Smithey before he collaborated with Boynton, as well as designs by other firms of projects later redesigned by Smithey \u0026 Boynton. A small group of materials also relate to the firm of Johnson Associates International from 1968."," Please note: The list of projects/project files below does NOT include the rolled drawings currently being processed. Contact Special Collections for the current inventory of available drawings and how to access them."],"separatedmaterial_html_tesm":["\u003cp\u003eSeveral oversize and/or framed photographs and drawings have been separated to the Art Collection, and several publications have been separated to the Rare Books Collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Several oversize and/or framed photographs and drawings have been separated to the Art Collection, and several publications have been separated to the Rare Books Collection."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8c42bfbc1e1061bf3fafd7635d331ea3\" label=\"Abstract\"\u003eThe collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026amp; Boynton, mostly between 1935 and 1957.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026 Boynton, mostly between 1935 and 1957."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a6eb7e09f425a2b99a2853c5a31e3301\"\u003e\n  \u003cemph render=\"bold\"\u003ePlease note: This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.\u003c/emph\u003e\n\u003c/physloc\u003e"],"physloc_tesim":["Please note: This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information."],"names_coll_ssim":["Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)","Boynton, Henry B., 1899-1991"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)","Boynton, Henry B., 1899-1991"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)"],"persname_ssim":["Boynton, Henry B., 1899-1991"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1817,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:27:21.236Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3405_c02_c1678"}},{"id":"viblbv_repositories_2_resources_3405_c02_c1681","type":"File","attributes":{"title":"#1838 - Franklin County High School gymnasium, Rocky Mount, Virginia, Smithey \u0026 Boynton","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3405_c02_c1681#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3405_c02_c1681","ref_ssm":["viblbv_repositories_2_resources_3405_c02_c1681"],"id":"viblbv_repositories_2_resources_3405_c02_c1681","ead_ssi":"viblbv_repositories_2_resources_3405","_root_":"viblbv_repositories_2_resources_3405","_nest_parent_":"viblbv_repositories_2_resources_3405_c02","parent_ssi":"viblbv_repositories_2_resources_3405_c02","parent_ssim":["viblbv_repositories_2_resources_3405","viblbv_repositories_2_resources_3405_c02"],"parent_ids_ssim":["viblbv_repositories_2_resources_3405","viblbv_repositories_2_resources_3405_c02"],"parent_unittitles_ssm":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records","Series II: Project Files and Drawings"],"parent_unittitles_tesim":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records","Series II: Project Files and Drawings"],"text":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records","Series II: Project Files and Drawings","#1838 - Franklin County High School gymnasium, Rocky Mount, Virginia, Smithey \u0026 Boynton","box 814"],"title_filing_ssi":"#1838 - Franklin County High School gymnasium, Rocky Mount, Virginia, Smithey \u0026 Boynton","title_ssm":["#1838 - Franklin County High School gymnasium, Rocky Mount, Virginia, Smithey \u0026 Boynton"],"title_tesim":["#1838 - Franklin County High School gymnasium, Rocky Mount, Virginia, Smithey \u0026 Boynton"],"unitdate_other_ssim":["1972-1973"],"normalized_date_ssm":["1972/1973"],"normalized_title_ssm":["#1838 - Franklin County High School gymnasium, Rocky Mount, Virginia, Smithey \u0026 Boynton"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1693,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1972,1973],"containers_ssim":["box 814"],"_nest_path_":"/components#1/components#1680","timestamp":"2026-05-21T02:27:21.236Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3405","ead_ssi":"viblbv_repositories_2_resources_3405","_root_":"viblbv_repositories_2_resources_3405","_nest_parent_":"viblbv_repositories_2_resources_3405","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3405.xml","title_filing_ssi":"Smithey \u0026 Boynton, Architects \u0026 Engineers Records","title_ssm":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"title_tesim":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"unitdate_ssm":["1922-1985"],"unitdate_inclusive_ssm":["1922-1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1992.027"],"text":["Ms.1992.027","Smithey \u0026 Boynton, Architects \u0026 Engineers Records","Covington (Va.)","Buchanan County (Va.)","Franklin County (Va.)","Christiansburg (Va.)","Wythe County (Va.)","Pulaski County (Va.)","Blacksburg (Va.)","Roanoke (Va.)","Carroll County (Va.)","Virginia, Southwest","Salem (Va.)","Radford (Va.)","Russell County (Va.)","Tazewell County (Va.)","Bedford County (Va.)","Local/Regional History and Appalachian South","Montgomery County (Va.)","Architects -- Virginia","Architectural drawing -- 20th century","The collection is open for research.","Some of this collection has been digitized and is available online.","The collection is arranged into three series: ","Series I: Biographical Information and Organization Records, 1923-1972, is arranged by owner and material type into the following subseries: Subseries A: Smithey \u0026 Tardy; Subseries B: Smithey \u0026 Boynton; and Subseries C: Sample Floor Plans. The Series contains documentation and administrative files on Smithey \u0026 Tardy and Smithey \u0026 Boynton. Materials include professional histories of partners and employees, biographical and personnel information, organization charts, legal and tax files, forms and contracts for clients, and some sample plans for school and residential designs.","Series II: Project Files and Drawings, 1923-1985, is arranged by project number, with unnumbered projects at the end. The materials are for designs or renovations by Smithey \u0026 Boynton with some files from previous or additional architects and engineers. The project files contain a variety of items that vary with each project. Materials may include blueprints, drawings, maps, contracts, correspondence and memos, and other documentation created by the firm or clients. Project files are listed with the project number, project/client name, and location; some also have dates and the name of the architectural or engineering firm.","Series III: Johnson Associates International, February 1968, contains materials on a single project completed by the firm, Farmland Dairies Inc. Processing Plant (Wallington, NJ). Files on this project date from February 1968.","Smithey \u0026 Boynton, Architects \u0026 Engineers, was an architecture firm in Roanoke, Virginia, established in 1935 by Louis Phillipe Smithey and Henry B. Boynton. The firm closed during World War II for a few years while Boynton and Smithey served in the U.S. Army. After Smithey's death in the 1970s, Boynton partnered with Kenneth L. Motley, who began his career as a draftsman with the firm. In 1992, a year following Boynton's death, Motley acquired Smithey \u0026 Boynton and renamed the firm Motley + Associates.","Smithey \u0026 Boynton designed several structures over the years, including the Christ Episcopal Church, the South Roanoke Fire Station, the Shenandoah Life Building, McClanaham Street Office Building, and the American Theater Building, all in Roanoke. The firm also designed Lane Stadium at Virginia Tech and the Lyric Theatre in Blacksburg. The firm became best known for building public schools, even using the same basic layout for numerous schools. Smithey \u0026 Boynton had nearly 150 school design commissions during the period of 1945 thru 1953 in at least 19 counties and 10 cities.","\nHenry B. Boynton was born in West Chicago, Illinois, in 1899 and grew up in Amelia County, Virginia. He graduated from Virginia Polytechnic Institute with a B.S. in Agricultural Engineering in 1921 and a B.S. in Civil Engineering in 1923. Boyton then spent a year at the University of Illinois in Urbana taking architecture classes. He became a registered architect in Virginia in 1930 and later registered in West Virginia, North Carolina, and Pennsylvania.","From 1924 to 1928, Boynton worked as a draftsman at Carneal \u0026 Johnston, Architects \u0026 Engineers, in Richmond, Virginia. In 1929, he joined Louis Phillipe Smithey, Architect \u0026 Engineer, in Roanoke, Virginia, as an associate. In 1935, Boynton and Smithey partnered to form Smithey \u0026 Boynton, Architects \u0026 Engineers, in Roanoke. Boynton became senior partner of the firm when Smithey retired in 1963.","Boynton was affiliated with the Virginia Chapter (later the Virginia Society \u0026 Blue Ridge Chapter) of the American Institute of Architects from 1938 until his death. He served on the board of directors in 1952, 1953, and 1956; as vice-president in 1954; and as president in 1955. He was a member of the State Registration Board for Architects, Professional Engineers, and Land Surveyors, as a Governor's appointee, from 1962 to 1972, serving as President of the Board in 1967. He received a distinguished service award in 1980 and the Noland Award in 1989, both from the Virginia Society \u0026 Blue Ridge Chapter of the AIA.","Boynton served in the Army Corps of Engineers during World War II, rising to the rank of Colonel. He was a member of the Virginia Tech Alumni Board of Directors from 1969 to 1979 and Chair of its Annual Fund Committee from 1973 to 1979. He also served on the Board of the VPI Educational Foundation, Inc., from 1978 to 1982. In 1976, Boynton received the Virginia Tech Alumni Distinguished Service.","Boynton died on September 13, 1991, at the age of 92, at his home in Roanoke.","The son of William Rosser Smithey and Mannie Jane Elizabeth Greene, Louis Philippe Smithey was born in Mecklenburg County, Virginia, on June 7, 1890. He earned his bachelor and master's degrees at Randolph-Macon College in 1909 and 1910, respectively, and was an alumnus member of Phi Beta Kappa there. He was an instructor and special student at Virginia Polytechnic Institute from 1910 to 1914 and a special student at Massachusetts Institute of Technology from 1914 to 1915.","Smithey was a registered architect in Virginia and West Virginia. A fellow of the American Institute of Architects (AIA), he served as president of the Virginia chapter of AIA in 1940. ","Smithey worked as a draftsman and contracting engineer for Virginia Bridge \u0026 Iron Company in Roanoke from 1916 to 1918. After serving in the army in World War I, he was contracting engineer for Virginia Bridge \u0026 Iron Company again in 1919 and 1920. He practiced as Louis P. Smithey from 1920 to 1922, with Matthews H. Tardy as Smithey \u0026 Tardy from 1922 to 1927, and again as Louis P. Smithey from 1927 to 1935. ","The Smithey \u0026 Boynton partnership formed in 1935 with Henry B. Boynton. Prior to World War II, the firm served as consulting architects for the Roanoke City School Board and Roanoke County School Board for approximately eight years and handled school buildings in Franklin County, Montgomery County, Alleghany County, Pulaski County, and the City of Waynesboro.","While the company was closed during World War II, Smithey served in the U.S. Army as Lt. Colonel from 1942 thru 1945. ","Following the war, Smithey \u0026 Boynton were commissioned as architects or consulting architects on public school work in Virginia valued at approximately $31 million, distributed in 25 School Divisions of the state. Smithey retired from professional practice in 1963. ","On June 11, 1938, Smithey married Dorothy Terrill, and they had daughter Nancy Terrill Smithey on March 10, 1940. He and his family lived in Roanoke. Smithey died on August 19, 1966.","The guide to the Smithey \u0026 Boynton, Architects \u0026 Engineers Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Some processing, arrangement, and description of the Smithey \u0026 Boynton, Architects \u0026 Engineers Records was completed between 1992 and 2009. The majority of the arrangement and description was completed between 2010 and 2019.","See the  Henry B. Boynton Papers, Ms1992-002 , also at Virginia Tech Special Collections and University Archives.","The collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026 Boynton, mostly between 1935 and 1957. Materials consist of project files, specifications, framed drawings and photographs, and architectural drawings. Records include designs by Smithey before he collaborated with Boynton, as well as designs by other firms of projects later redesigned by Smithey \u0026 Boynton. A small group of materials also relate to the firm of Johnson Associates International from 1968."," Please note: The list of projects/project files below does NOT include the rolled drawings currently being processed. Contact Special Collections for the current inventory of available drawings and how to access them.","Several oversize and/or framed photographs and drawings have been separated to the Art Collection, and several publications have been separated to the Rare Books Collection.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026 Boynton, mostly between 1935 and 1957.","Please note: This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.","Special Collections and University Archives, Virginia Tech","Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)","Boynton, Henry B., 1899-1991","The materials in the collection are in English."],"unitid_tesim":["Ms.1992.027"],"normalized_title_ssm":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"collection_title_tesim":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"collection_ssim":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Covington (Va.)","Buchanan County (Va.)","Franklin County (Va.)","Christiansburg (Va.)","Wythe County (Va.)","Pulaski County (Va.)","Blacksburg (Va.)","Roanoke (Va.)","Carroll County (Va.)","Virginia, Southwest","Salem (Va.)","Radford (Va.)","Russell County (Va.)","Tazewell County (Va.)","Bedford County (Va.)"],"geogname_ssim":["Covington (Va.)","Buchanan County (Va.)","Franklin County (Va.)","Christiansburg (Va.)","Wythe County (Va.)","Pulaski County (Va.)","Blacksburg (Va.)","Roanoke (Va.)","Carroll County (Va.)","Virginia, Southwest","Salem (Va.)","Radford (Va.)","Russell County (Va.)","Tazewell County (Va.)","Bedford County (Va.)"],"creator_ssm":["Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)"],"creator_ssim":["Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)"],"creator_corpname_ssim":["Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)"],"creators_ssim":["Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)"],"places_ssim":["Covington (Va.)","Buchanan County (Va.)","Franklin County (Va.)","Christiansburg (Va.)","Wythe County (Va.)","Pulaski County (Va.)","Blacksburg (Va.)","Roanoke (Va.)","Carroll County (Va.)","Virginia, Southwest","Salem (Va.)","Radford (Va.)","Russell County (Va.)","Tazewell County (Va.)","Bedford County (Va.)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Smithey \u0026 Boynton, Architects \u0026 Engineers Records were donated to Special Collections and University Archives in 1992 and 1994."],"access_subjects_ssim":["Local/Regional History and Appalachian South","Montgomery County (Va.)","Architects -- Virginia","Architectural drawing -- 20th century"],"access_subjects_ssm":["Local/Regional History and Appalachian South","Montgomery County (Va.)","Architects -- Virginia","Architectural drawing -- 20th century"],"has_online_content_ssim":["false"],"extent_ssm":["ca. 313 Cubic Feet 993 boxes, 5 oversize folders"],"extent_tesim":["ca. 313 Cubic Feet 993 boxes, 5 oversize folders"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/262\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series: \u003c/p\u003e\n","\u003cp\u003eSeries I: Biographical Information and Organization Records, 1923-1972, is arranged by owner and material type into the following subseries: Subseries A: Smithey \u0026amp; Tardy; Subseries B: Smithey \u0026amp; Boynton; and Subseries C: Sample Floor Plans. The Series contains documentation and administrative files on Smithey \u0026amp; Tardy and Smithey \u0026amp; Boynton. Materials include professional histories of partners and employees, biographical and personnel information, organization charts, legal and tax files, forms and contracts for clients, and some sample plans for school and residential designs.\u003c/p\u003e\n","\u003cp\u003eSeries II: Project Files and Drawings, 1923-1985, is arranged by project number, with unnumbered projects at the end. The materials are for designs or renovations by Smithey \u0026amp; Boynton with some files from previous or additional architects and engineers. The project files contain a variety of items that vary with each project. Materials may include blueprints, drawings, maps, contracts, correspondence and memos, and other documentation created by the firm or clients. Project files are listed with the project number, project/client name, and location; some also have dates and the name of the architectural or engineering firm.\u003c/p\u003e\n","\u003cp\u003eSeries III: Johnson Associates International, February 1968, contains materials on a single project completed by the firm, Farmland Dairies Inc. Processing Plant (Wallington, NJ). Files on this project date from February 1968.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into three series: ","Series I: Biographical Information and Organization Records, 1923-1972, is arranged by owner and material type into the following subseries: Subseries A: Smithey \u0026 Tardy; Subseries B: Smithey \u0026 Boynton; and Subseries C: Sample Floor Plans. The Series contains documentation and administrative files on Smithey \u0026 Tardy and Smithey \u0026 Boynton. Materials include professional histories of partners and employees, biographical and personnel information, organization charts, legal and tax files, forms and contracts for clients, and some sample plans for school and residential designs.","Series II: Project Files and Drawings, 1923-1985, is arranged by project number, with unnumbered projects at the end. The materials are for designs or renovations by Smithey \u0026 Boynton with some files from previous or additional architects and engineers. The project files contain a variety of items that vary with each project. Materials may include blueprints, drawings, maps, contracts, correspondence and memos, and other documentation created by the firm or clients. Project files are listed with the project number, project/client name, and location; some also have dates and the name of the architectural or engineering firm.","Series III: Johnson Associates International, February 1968, contains materials on a single project completed by the firm, Farmland Dairies Inc. Processing Plant (Wallington, NJ). Files on this project date from February 1968."],"bioghist_html_tesm":["\u003cp\u003eSmithey \u0026amp; Boynton, Architects \u0026amp; Engineers, was an architecture firm in Roanoke, Virginia, established in 1935 by Louis Phillipe Smithey and Henry B. Boynton. The firm closed during World War II for a few years while Boynton and Smithey served in the U.S. Army. After Smithey's death in the 1970s, Boynton partnered with Kenneth L. Motley, who began his career as a draftsman with the firm. In 1992, a year following Boynton's death, Motley acquired Smithey \u0026amp; Boynton and renamed the firm Motley + Associates.\u003c/p\u003e\n","\u003cp\u003eSmithey \u0026amp; Boynton designed several structures over the years, including the Christ Episcopal Church, the South Roanoke Fire Station, the Shenandoah Life Building, McClanaham Street Office Building, and the American Theater Building, all in Roanoke. The firm also designed Lane Stadium at Virginia Tech and the Lyric Theatre in Blacksburg. The firm became best known for building public schools, even using the same basic layout for numerous schools. Smithey \u0026amp; Boynton had nearly 150 school design commissions during the period of 1945 thru 1953 in at least 19 counties and 10 cities.\u003c/p\u003e","\u003cp\u003e\nHenry B. Boynton was born in West Chicago, Illinois, in 1899 and grew up in Amelia County, Virginia. He graduated from Virginia Polytechnic Institute with a B.S. in Agricultural Engineering in 1921 and a B.S. in Civil Engineering in 1923. Boyton then spent a year at the University of Illinois in Urbana taking architecture classes. He became a registered architect in Virginia in 1930 and later registered in West Virginia, North Carolina, and Pennsylvania.\u003c/p\u003e\n","\u003cp\u003eFrom 1924 to 1928, Boynton worked as a draftsman at Carneal \u0026amp; Johnston, Architects \u0026amp; Engineers, in Richmond, Virginia. In 1929, he joined Louis Phillipe Smithey, Architect \u0026amp; Engineer, in Roanoke, Virginia, as an associate. In 1935, Boynton and Smithey partnered to form Smithey \u0026amp; Boynton, Architects \u0026amp; Engineers, in Roanoke. Boynton became senior partner of the firm when Smithey retired in 1963.\u003c/p\u003e\n","\u003cp\u003eBoynton was affiliated with the Virginia Chapter (later the Virginia Society \u0026amp; Blue Ridge Chapter) of the American Institute of Architects from 1938 until his death. He served on the board of directors in 1952, 1953, and 1956; as vice-president in 1954; and as president in 1955. He was a member of the State Registration Board for Architects, Professional Engineers, and Land Surveyors, as a Governor's appointee, from 1962 to 1972, serving as President of the Board in 1967. He received a distinguished service award in 1980 and the Noland Award in 1989, both from the Virginia Society \u0026amp; Blue Ridge Chapter of the AIA.\u003c/p\u003e\n","\u003cp\u003eBoynton served in the Army Corps of Engineers during World War II, rising to the rank of Colonel. He was a member of the Virginia Tech Alumni Board of Directors from 1969 to 1979 and Chair of its Annual Fund Committee from 1973 to 1979. He also served on the Board of the VPI Educational Foundation, Inc., from 1978 to 1982. In 1976, Boynton received the Virginia Tech Alumni Distinguished Service.\u003c/p\u003e\n","\u003cp\u003eBoynton died on September 13, 1991, at the age of 92, at his home in Roanoke.\u003c/p\u003e","\u003cp\u003eThe son of William Rosser Smithey and Mannie Jane Elizabeth Greene, Louis Philippe Smithey was born in Mecklenburg County, Virginia, on June 7, 1890. He earned his bachelor and master's degrees at Randolph-Macon College in 1909 and 1910, respectively, and was an alumnus member of Phi Beta Kappa there. He was an instructor and special student at Virginia Polytechnic Institute from 1910 to 1914 and a special student at Massachusetts Institute of Technology from 1914 to 1915.\u003c/p\u003e\n","\u003cp\u003eSmithey was a registered architect in Virginia and West Virginia. A fellow of the American Institute of Architects (AIA), he served as president of the Virginia chapter of AIA in 1940. \u003c/p\u003e\n","\u003cp\u003eSmithey worked as a draftsman and contracting engineer for Virginia Bridge \u0026amp; Iron Company in Roanoke from 1916 to 1918. After serving in the army in World War I, he was contracting engineer for Virginia Bridge \u0026amp; Iron Company again in 1919 and 1920. He practiced as Louis P. Smithey from 1920 to 1922, with Matthews H. Tardy as Smithey \u0026amp; Tardy from 1922 to 1927, and again as Louis P. Smithey from 1927 to 1935. \u003c/p\u003e\n","\u003cp\u003eThe Smithey \u0026amp; Boynton partnership formed in 1935 with Henry B. Boynton. Prior to World War II, the firm served as consulting architects for the Roanoke City School Board and Roanoke County School Board for approximately eight years and handled school buildings in Franklin County, Montgomery County, Alleghany County, Pulaski County, and the City of Waynesboro.\u003c/p\u003e\n","\u003cp\u003eWhile the company was closed during World War II, Smithey served in the U.S. Army as Lt. Colonel from 1942 thru 1945. \u003c/p\u003e\n","\u003cp\u003eFollowing the war, Smithey \u0026amp; Boynton were commissioned as architects or consulting architects on public school work in Virginia valued at approximately $31 million, distributed in 25 School Divisions of the state. Smithey retired from professional practice in 1963. \u003c/p\u003e\n","\u003cp\u003eOn June 11, 1938, Smithey married Dorothy Terrill, and they had daughter Nancy Terrill Smithey on March 10, 1940. He and his family lived in Roanoke. Smithey died on August 19, 1966.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Biographical Note - Henry B. Boyton","Biographical Note - Louis Phillipe Smithey"],"bioghist_tesim":["Smithey \u0026 Boynton, Architects \u0026 Engineers, was an architecture firm in Roanoke, Virginia, established in 1935 by Louis Phillipe Smithey and Henry B. Boynton. The firm closed during World War II for a few years while Boynton and Smithey served in the U.S. Army. After Smithey's death in the 1970s, Boynton partnered with Kenneth L. Motley, who began his career as a draftsman with the firm. In 1992, a year following Boynton's death, Motley acquired Smithey \u0026 Boynton and renamed the firm Motley + Associates.","Smithey \u0026 Boynton designed several structures over the years, including the Christ Episcopal Church, the South Roanoke Fire Station, the Shenandoah Life Building, McClanaham Street Office Building, and the American Theater Building, all in Roanoke. The firm also designed Lane Stadium at Virginia Tech and the Lyric Theatre in Blacksburg. The firm became best known for building public schools, even using the same basic layout for numerous schools. Smithey \u0026 Boynton had nearly 150 school design commissions during the period of 1945 thru 1953 in at least 19 counties and 10 cities.","\nHenry B. Boynton was born in West Chicago, Illinois, in 1899 and grew up in Amelia County, Virginia. He graduated from Virginia Polytechnic Institute with a B.S. in Agricultural Engineering in 1921 and a B.S. in Civil Engineering in 1923. Boyton then spent a year at the University of Illinois in Urbana taking architecture classes. He became a registered architect in Virginia in 1930 and later registered in West Virginia, North Carolina, and Pennsylvania.","From 1924 to 1928, Boynton worked as a draftsman at Carneal \u0026 Johnston, Architects \u0026 Engineers, in Richmond, Virginia. In 1929, he joined Louis Phillipe Smithey, Architect \u0026 Engineer, in Roanoke, Virginia, as an associate. In 1935, Boynton and Smithey partnered to form Smithey \u0026 Boynton, Architects \u0026 Engineers, in Roanoke. Boynton became senior partner of the firm when Smithey retired in 1963.","Boynton was affiliated with the Virginia Chapter (later the Virginia Society \u0026 Blue Ridge Chapter) of the American Institute of Architects from 1938 until his death. He served on the board of directors in 1952, 1953, and 1956; as vice-president in 1954; and as president in 1955. He was a member of the State Registration Board for Architects, Professional Engineers, and Land Surveyors, as a Governor's appointee, from 1962 to 1972, serving as President of the Board in 1967. He received a distinguished service award in 1980 and the Noland Award in 1989, both from the Virginia Society \u0026 Blue Ridge Chapter of the AIA.","Boynton served in the Army Corps of Engineers during World War II, rising to the rank of Colonel. He was a member of the Virginia Tech Alumni Board of Directors from 1969 to 1979 and Chair of its Annual Fund Committee from 1973 to 1979. He also served on the Board of the VPI Educational Foundation, Inc., from 1978 to 1982. In 1976, Boynton received the Virginia Tech Alumni Distinguished Service.","Boynton died on September 13, 1991, at the age of 92, at his home in Roanoke.","The son of William Rosser Smithey and Mannie Jane Elizabeth Greene, Louis Philippe Smithey was born in Mecklenburg County, Virginia, on June 7, 1890. He earned his bachelor and master's degrees at Randolph-Macon College in 1909 and 1910, respectively, and was an alumnus member of Phi Beta Kappa there. He was an instructor and special student at Virginia Polytechnic Institute from 1910 to 1914 and a special student at Massachusetts Institute of Technology from 1914 to 1915.","Smithey was a registered architect in Virginia and West Virginia. A fellow of the American Institute of Architects (AIA), he served as president of the Virginia chapter of AIA in 1940. ","Smithey worked as a draftsman and contracting engineer for Virginia Bridge \u0026 Iron Company in Roanoke from 1916 to 1918. After serving in the army in World War I, he was contracting engineer for Virginia Bridge \u0026 Iron Company again in 1919 and 1920. He practiced as Louis P. Smithey from 1920 to 1922, with Matthews H. Tardy as Smithey \u0026 Tardy from 1922 to 1927, and again as Louis P. Smithey from 1927 to 1935. ","The Smithey \u0026 Boynton partnership formed in 1935 with Henry B. Boynton. Prior to World War II, the firm served as consulting architects for the Roanoke City School Board and Roanoke County School Board for approximately eight years and handled school buildings in Franklin County, Montgomery County, Alleghany County, Pulaski County, and the City of Waynesboro.","While the company was closed during World War II, Smithey served in the U.S. Army as Lt. Colonel from 1942 thru 1945. ","Following the war, Smithey \u0026 Boynton were commissioned as architects or consulting architects on public school work in Virginia valued at approximately $31 million, distributed in 25 School Divisions of the state. Smithey retired from professional practice in 1963. ","On June 11, 1938, Smithey married Dorothy Terrill, and they had daughter Nancy Terrill Smithey on March 10, 1940. He and his family lived in Roanoke. Smithey died on August 19, 1966."],"odd_html_tesm":["\u003cp\u003eThe guide to the Smithey \u0026amp; Boynton, Architects \u0026amp; Engineers Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Smithey \u0026 Boynton, Architects \u0026 Engineers Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Smithey \u0026amp; Boynton, Architects \u0026amp; Engineers Records, Ms1992-027, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Smithey \u0026 Boynton, Architects \u0026 Engineers Records, Ms1992-027, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eSome processing, arrangement, and description of the Smithey \u0026amp; Boynton, Architects \u0026amp; Engineers Records was completed between 1992 and 2009. The majority of the arrangement and description was completed between 2010 and 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Some processing, arrangement, and description of the Smithey \u0026 Boynton, Architects \u0026 Engineers Records was completed between 1992 and 2009. The majority of the arrangement and description was completed between 2010 and 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the \u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/1883.oai_ead.xml\" target=\"_blank\"\u003eHenry B. Boynton Papers, Ms1992-002\u003c/a\u003e, also at Virginia Tech Special Collections and University Archives.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See the  Henry B. Boynton Papers, Ms1992-002 , also at Virginia Tech Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026amp; Boynton, mostly between 1935 and 1957. Materials consist of project files, specifications, framed drawings and photographs, and architectural drawings. Records include designs by Smithey before he collaborated with Boynton, as well as designs by other firms of projects later redesigned by Smithey \u0026amp; Boynton. A small group of materials also relate to the firm of Johnson Associates International from 1968.\u003c/p\u003e\n","\u003cp\u003e Please note: The list of projects/project files below does NOT include the rolled drawings currently being processed. Contact Special Collections for the current inventory of available drawings and how to access them.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026 Boynton, mostly between 1935 and 1957. Materials consist of project files, specifications, framed drawings and photographs, and architectural drawings. Records include designs by Smithey before he collaborated with Boynton, as well as designs by other firms of projects later redesigned by Smithey \u0026 Boynton. A small group of materials also relate to the firm of Johnson Associates International from 1968."," Please note: The list of projects/project files below does NOT include the rolled drawings currently being processed. Contact Special Collections for the current inventory of available drawings and how to access them."],"separatedmaterial_html_tesm":["\u003cp\u003eSeveral oversize and/or framed photographs and drawings have been separated to the Art Collection, and several publications have been separated to the Rare Books Collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Several oversize and/or framed photographs and drawings have been separated to the Art Collection, and several publications have been separated to the Rare Books Collection."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8c42bfbc1e1061bf3fafd7635d331ea3\" label=\"Abstract\"\u003eThe collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026amp; Boynton, mostly between 1935 and 1957.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026 Boynton, mostly between 1935 and 1957."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a6eb7e09f425a2b99a2853c5a31e3301\"\u003e\n  \u003cemph render=\"bold\"\u003ePlease note: This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.\u003c/emph\u003e\n\u003c/physloc\u003e"],"physloc_tesim":["Please note: This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information."],"names_coll_ssim":["Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)","Boynton, Henry B., 1899-1991"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)","Boynton, Henry B., 1899-1991"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)"],"persname_ssim":["Boynton, Henry B., 1899-1991"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1817,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:27:21.236Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3405_c02_c1681"}},{"id":"viblbv_repositories_2_resources_3405_c02_c1685","type":"File","attributes":{"title":"#1842 - Anath Baptist Church, Montgomery County, Virginia, Smithey \u0026 Boynton","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3405_c02_c1685#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3405_c02_c1685","ref_ssm":["viblbv_repositories_2_resources_3405_c02_c1685"],"id":"viblbv_repositories_2_resources_3405_c02_c1685","ead_ssi":"viblbv_repositories_2_resources_3405","_root_":"viblbv_repositories_2_resources_3405","_nest_parent_":"viblbv_repositories_2_resources_3405_c02","parent_ssi":"viblbv_repositories_2_resources_3405_c02","parent_ssim":["viblbv_repositories_2_resources_3405","viblbv_repositories_2_resources_3405_c02"],"parent_ids_ssim":["viblbv_repositories_2_resources_3405","viblbv_repositories_2_resources_3405_c02"],"parent_unittitles_ssm":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records","Series II: Project Files and Drawings"],"parent_unittitles_tesim":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records","Series II: Project Files and Drawings"],"text":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records","Series II: Project Files and Drawings","#1842 - Anath Baptist Church, Montgomery County, Virginia, Smithey \u0026 Boynton","box 793"],"title_filing_ssi":"#1842 - Anath Baptist Church, Montgomery County, Virginia, Smithey \u0026 Boynton","title_ssm":["#1842 - Anath Baptist Church, Montgomery County, Virginia, Smithey \u0026 Boynton"],"title_tesim":["#1842 - Anath Baptist Church, Montgomery County, Virginia, Smithey \u0026 Boynton"],"unitdate_other_ssim":["1972"],"normalized_date_ssm":["1972"],"normalized_title_ssm":["#1842 - Anath Baptist Church, Montgomery County, Virginia, Smithey \u0026 Boynton"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1697,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1972],"containers_ssim":["box 793"],"_nest_path_":"/components#1/components#1684","timestamp":"2026-05-21T02:27:21.236Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3405","ead_ssi":"viblbv_repositories_2_resources_3405","_root_":"viblbv_repositories_2_resources_3405","_nest_parent_":"viblbv_repositories_2_resources_3405","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3405.xml","title_filing_ssi":"Smithey \u0026 Boynton, Architects \u0026 Engineers Records","title_ssm":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"title_tesim":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"unitdate_ssm":["1922-1985"],"unitdate_inclusive_ssm":["1922-1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1992.027"],"text":["Ms.1992.027","Smithey \u0026 Boynton, Architects \u0026 Engineers Records","Covington (Va.)","Buchanan County (Va.)","Franklin County (Va.)","Christiansburg (Va.)","Wythe County (Va.)","Pulaski County (Va.)","Blacksburg (Va.)","Roanoke (Va.)","Carroll County (Va.)","Virginia, Southwest","Salem (Va.)","Radford (Va.)","Russell County (Va.)","Tazewell County (Va.)","Bedford County (Va.)","Local/Regional History and Appalachian South","Montgomery County (Va.)","Architects -- Virginia","Architectural drawing -- 20th century","The collection is open for research.","Some of this collection has been digitized and is available online.","The collection is arranged into three series: ","Series I: Biographical Information and Organization Records, 1923-1972, is arranged by owner and material type into the following subseries: Subseries A: Smithey \u0026 Tardy; Subseries B: Smithey \u0026 Boynton; and Subseries C: Sample Floor Plans. The Series contains documentation and administrative files on Smithey \u0026 Tardy and Smithey \u0026 Boynton. Materials include professional histories of partners and employees, biographical and personnel information, organization charts, legal and tax files, forms and contracts for clients, and some sample plans for school and residential designs.","Series II: Project Files and Drawings, 1923-1985, is arranged by project number, with unnumbered projects at the end. The materials are for designs or renovations by Smithey \u0026 Boynton with some files from previous or additional architects and engineers. The project files contain a variety of items that vary with each project. Materials may include blueprints, drawings, maps, contracts, correspondence and memos, and other documentation created by the firm or clients. Project files are listed with the project number, project/client name, and location; some also have dates and the name of the architectural or engineering firm.","Series III: Johnson Associates International, February 1968, contains materials on a single project completed by the firm, Farmland Dairies Inc. Processing Plant (Wallington, NJ). Files on this project date from February 1968.","Smithey \u0026 Boynton, Architects \u0026 Engineers, was an architecture firm in Roanoke, Virginia, established in 1935 by Louis Phillipe Smithey and Henry B. Boynton. The firm closed during World War II for a few years while Boynton and Smithey served in the U.S. Army. After Smithey's death in the 1970s, Boynton partnered with Kenneth L. Motley, who began his career as a draftsman with the firm. In 1992, a year following Boynton's death, Motley acquired Smithey \u0026 Boynton and renamed the firm Motley + Associates.","Smithey \u0026 Boynton designed several structures over the years, including the Christ Episcopal Church, the South Roanoke Fire Station, the Shenandoah Life Building, McClanaham Street Office Building, and the American Theater Building, all in Roanoke. The firm also designed Lane Stadium at Virginia Tech and the Lyric Theatre in Blacksburg. The firm became best known for building public schools, even using the same basic layout for numerous schools. Smithey \u0026 Boynton had nearly 150 school design commissions during the period of 1945 thru 1953 in at least 19 counties and 10 cities.","\nHenry B. Boynton was born in West Chicago, Illinois, in 1899 and grew up in Amelia County, Virginia. He graduated from Virginia Polytechnic Institute with a B.S. in Agricultural Engineering in 1921 and a B.S. in Civil Engineering in 1923. Boyton then spent a year at the University of Illinois in Urbana taking architecture classes. He became a registered architect in Virginia in 1930 and later registered in West Virginia, North Carolina, and Pennsylvania.","From 1924 to 1928, Boynton worked as a draftsman at Carneal \u0026 Johnston, Architects \u0026 Engineers, in Richmond, Virginia. In 1929, he joined Louis Phillipe Smithey, Architect \u0026 Engineer, in Roanoke, Virginia, as an associate. In 1935, Boynton and Smithey partnered to form Smithey \u0026 Boynton, Architects \u0026 Engineers, in Roanoke. Boynton became senior partner of the firm when Smithey retired in 1963.","Boynton was affiliated with the Virginia Chapter (later the Virginia Society \u0026 Blue Ridge Chapter) of the American Institute of Architects from 1938 until his death. He served on the board of directors in 1952, 1953, and 1956; as vice-president in 1954; and as president in 1955. He was a member of the State Registration Board for Architects, Professional Engineers, and Land Surveyors, as a Governor's appointee, from 1962 to 1972, serving as President of the Board in 1967. He received a distinguished service award in 1980 and the Noland Award in 1989, both from the Virginia Society \u0026 Blue Ridge Chapter of the AIA.","Boynton served in the Army Corps of Engineers during World War II, rising to the rank of Colonel. He was a member of the Virginia Tech Alumni Board of Directors from 1969 to 1979 and Chair of its Annual Fund Committee from 1973 to 1979. He also served on the Board of the VPI Educational Foundation, Inc., from 1978 to 1982. In 1976, Boynton received the Virginia Tech Alumni Distinguished Service.","Boynton died on September 13, 1991, at the age of 92, at his home in Roanoke.","The son of William Rosser Smithey and Mannie Jane Elizabeth Greene, Louis Philippe Smithey was born in Mecklenburg County, Virginia, on June 7, 1890. He earned his bachelor and master's degrees at Randolph-Macon College in 1909 and 1910, respectively, and was an alumnus member of Phi Beta Kappa there. He was an instructor and special student at Virginia Polytechnic Institute from 1910 to 1914 and a special student at Massachusetts Institute of Technology from 1914 to 1915.","Smithey was a registered architect in Virginia and West Virginia. A fellow of the American Institute of Architects (AIA), he served as president of the Virginia chapter of AIA in 1940. ","Smithey worked as a draftsman and contracting engineer for Virginia Bridge \u0026 Iron Company in Roanoke from 1916 to 1918. After serving in the army in World War I, he was contracting engineer for Virginia Bridge \u0026 Iron Company again in 1919 and 1920. He practiced as Louis P. Smithey from 1920 to 1922, with Matthews H. Tardy as Smithey \u0026 Tardy from 1922 to 1927, and again as Louis P. Smithey from 1927 to 1935. ","The Smithey \u0026 Boynton partnership formed in 1935 with Henry B. Boynton. Prior to World War II, the firm served as consulting architects for the Roanoke City School Board and Roanoke County School Board for approximately eight years and handled school buildings in Franklin County, Montgomery County, Alleghany County, Pulaski County, and the City of Waynesboro.","While the company was closed during World War II, Smithey served in the U.S. Army as Lt. Colonel from 1942 thru 1945. ","Following the war, Smithey \u0026 Boynton were commissioned as architects or consulting architects on public school work in Virginia valued at approximately $31 million, distributed in 25 School Divisions of the state. Smithey retired from professional practice in 1963. ","On June 11, 1938, Smithey married Dorothy Terrill, and they had daughter Nancy Terrill Smithey on March 10, 1940. He and his family lived in Roanoke. Smithey died on August 19, 1966.","The guide to the Smithey \u0026 Boynton, Architects \u0026 Engineers Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Some processing, arrangement, and description of the Smithey \u0026 Boynton, Architects \u0026 Engineers Records was completed between 1992 and 2009. The majority of the arrangement and description was completed between 2010 and 2019.","See the  Henry B. Boynton Papers, Ms1992-002 , also at Virginia Tech Special Collections and University Archives.","The collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026 Boynton, mostly between 1935 and 1957. Materials consist of project files, specifications, framed drawings and photographs, and architectural drawings. Records include designs by Smithey before he collaborated with Boynton, as well as designs by other firms of projects later redesigned by Smithey \u0026 Boynton. A small group of materials also relate to the firm of Johnson Associates International from 1968."," Please note: The list of projects/project files below does NOT include the rolled drawings currently being processed. Contact Special Collections for the current inventory of available drawings and how to access them.","Several oversize and/or framed photographs and drawings have been separated to the Art Collection, and several publications have been separated to the Rare Books Collection.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026 Boynton, mostly between 1935 and 1957.","Please note: This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.","Special Collections and University Archives, Virginia Tech","Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)","Boynton, Henry B., 1899-1991","The materials in the collection are in English."],"unitid_tesim":["Ms.1992.027"],"normalized_title_ssm":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"collection_title_tesim":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"collection_ssim":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Covington (Va.)","Buchanan County (Va.)","Franklin County (Va.)","Christiansburg (Va.)","Wythe County (Va.)","Pulaski County (Va.)","Blacksburg (Va.)","Roanoke (Va.)","Carroll County (Va.)","Virginia, Southwest","Salem (Va.)","Radford (Va.)","Russell County (Va.)","Tazewell County (Va.)","Bedford County (Va.)"],"geogname_ssim":["Covington (Va.)","Buchanan County (Va.)","Franklin County (Va.)","Christiansburg (Va.)","Wythe County (Va.)","Pulaski County (Va.)","Blacksburg (Va.)","Roanoke (Va.)","Carroll County (Va.)","Virginia, Southwest","Salem (Va.)","Radford (Va.)","Russell County (Va.)","Tazewell County (Va.)","Bedford County (Va.)"],"creator_ssm":["Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)"],"creator_ssim":["Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)"],"creator_corpname_ssim":["Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)"],"creators_ssim":["Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)"],"places_ssim":["Covington (Va.)","Buchanan County (Va.)","Franklin County (Va.)","Christiansburg (Va.)","Wythe County (Va.)","Pulaski County (Va.)","Blacksburg (Va.)","Roanoke (Va.)","Carroll County (Va.)","Virginia, Southwest","Salem (Va.)","Radford (Va.)","Russell County (Va.)","Tazewell County (Va.)","Bedford County (Va.)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Smithey \u0026 Boynton, Architects \u0026 Engineers Records were donated to Special Collections and University Archives in 1992 and 1994."],"access_subjects_ssim":["Local/Regional History and Appalachian South","Montgomery County (Va.)","Architects -- Virginia","Architectural drawing -- 20th century"],"access_subjects_ssm":["Local/Regional History and Appalachian South","Montgomery County (Va.)","Architects -- Virginia","Architectural drawing -- 20th century"],"has_online_content_ssim":["false"],"extent_ssm":["ca. 313 Cubic Feet 993 boxes, 5 oversize folders"],"extent_tesim":["ca. 313 Cubic Feet 993 boxes, 5 oversize folders"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/262\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series: \u003c/p\u003e\n","\u003cp\u003eSeries I: Biographical Information and Organization Records, 1923-1972, is arranged by owner and material type into the following subseries: Subseries A: Smithey \u0026amp; Tardy; Subseries B: Smithey \u0026amp; Boynton; and Subseries C: Sample Floor Plans. The Series contains documentation and administrative files on Smithey \u0026amp; Tardy and Smithey \u0026amp; Boynton. Materials include professional histories of partners and employees, biographical and personnel information, organization charts, legal and tax files, forms and contracts for clients, and some sample plans for school and residential designs.\u003c/p\u003e\n","\u003cp\u003eSeries II: Project Files and Drawings, 1923-1985, is arranged by project number, with unnumbered projects at the end. The materials are for designs or renovations by Smithey \u0026amp; Boynton with some files from previous or additional architects and engineers. The project files contain a variety of items that vary with each project. Materials may include blueprints, drawings, maps, contracts, correspondence and memos, and other documentation created by the firm or clients. Project files are listed with the project number, project/client name, and location; some also have dates and the name of the architectural or engineering firm.\u003c/p\u003e\n","\u003cp\u003eSeries III: Johnson Associates International, February 1968, contains materials on a single project completed by the firm, Farmland Dairies Inc. Processing Plant (Wallington, NJ). Files on this project date from February 1968.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into three series: ","Series I: Biographical Information and Organization Records, 1923-1972, is arranged by owner and material type into the following subseries: Subseries A: Smithey \u0026 Tardy; Subseries B: Smithey \u0026 Boynton; and Subseries C: Sample Floor Plans. The Series contains documentation and administrative files on Smithey \u0026 Tardy and Smithey \u0026 Boynton. Materials include professional histories of partners and employees, biographical and personnel information, organization charts, legal and tax files, forms and contracts for clients, and some sample plans for school and residential designs.","Series II: Project Files and Drawings, 1923-1985, is arranged by project number, with unnumbered projects at the end. The materials are for designs or renovations by Smithey \u0026 Boynton with some files from previous or additional architects and engineers. The project files contain a variety of items that vary with each project. Materials may include blueprints, drawings, maps, contracts, correspondence and memos, and other documentation created by the firm or clients. Project files are listed with the project number, project/client name, and location; some also have dates and the name of the architectural or engineering firm.","Series III: Johnson Associates International, February 1968, contains materials on a single project completed by the firm, Farmland Dairies Inc. Processing Plant (Wallington, NJ). Files on this project date from February 1968."],"bioghist_html_tesm":["\u003cp\u003eSmithey \u0026amp; Boynton, Architects \u0026amp; Engineers, was an architecture firm in Roanoke, Virginia, established in 1935 by Louis Phillipe Smithey and Henry B. Boynton. The firm closed during World War II for a few years while Boynton and Smithey served in the U.S. Army. After Smithey's death in the 1970s, Boynton partnered with Kenneth L. Motley, who began his career as a draftsman with the firm. In 1992, a year following Boynton's death, Motley acquired Smithey \u0026amp; Boynton and renamed the firm Motley + Associates.\u003c/p\u003e\n","\u003cp\u003eSmithey \u0026amp; Boynton designed several structures over the years, including the Christ Episcopal Church, the South Roanoke Fire Station, the Shenandoah Life Building, McClanaham Street Office Building, and the American Theater Building, all in Roanoke. The firm also designed Lane Stadium at Virginia Tech and the Lyric Theatre in Blacksburg. The firm became best known for building public schools, even using the same basic layout for numerous schools. Smithey \u0026amp; Boynton had nearly 150 school design commissions during the period of 1945 thru 1953 in at least 19 counties and 10 cities.\u003c/p\u003e","\u003cp\u003e\nHenry B. Boynton was born in West Chicago, Illinois, in 1899 and grew up in Amelia County, Virginia. He graduated from Virginia Polytechnic Institute with a B.S. in Agricultural Engineering in 1921 and a B.S. in Civil Engineering in 1923. Boyton then spent a year at the University of Illinois in Urbana taking architecture classes. He became a registered architect in Virginia in 1930 and later registered in West Virginia, North Carolina, and Pennsylvania.\u003c/p\u003e\n","\u003cp\u003eFrom 1924 to 1928, Boynton worked as a draftsman at Carneal \u0026amp; Johnston, Architects \u0026amp; Engineers, in Richmond, Virginia. In 1929, he joined Louis Phillipe Smithey, Architect \u0026amp; Engineer, in Roanoke, Virginia, as an associate. In 1935, Boynton and Smithey partnered to form Smithey \u0026amp; Boynton, Architects \u0026amp; Engineers, in Roanoke. Boynton became senior partner of the firm when Smithey retired in 1963.\u003c/p\u003e\n","\u003cp\u003eBoynton was affiliated with the Virginia Chapter (later the Virginia Society \u0026amp; Blue Ridge Chapter) of the American Institute of Architects from 1938 until his death. He served on the board of directors in 1952, 1953, and 1956; as vice-president in 1954; and as president in 1955. He was a member of the State Registration Board for Architects, Professional Engineers, and Land Surveyors, as a Governor's appointee, from 1962 to 1972, serving as President of the Board in 1967. He received a distinguished service award in 1980 and the Noland Award in 1989, both from the Virginia Society \u0026amp; Blue Ridge Chapter of the AIA.\u003c/p\u003e\n","\u003cp\u003eBoynton served in the Army Corps of Engineers during World War II, rising to the rank of Colonel. He was a member of the Virginia Tech Alumni Board of Directors from 1969 to 1979 and Chair of its Annual Fund Committee from 1973 to 1979. He also served on the Board of the VPI Educational Foundation, Inc., from 1978 to 1982. In 1976, Boynton received the Virginia Tech Alumni Distinguished Service.\u003c/p\u003e\n","\u003cp\u003eBoynton died on September 13, 1991, at the age of 92, at his home in Roanoke.\u003c/p\u003e","\u003cp\u003eThe son of William Rosser Smithey and Mannie Jane Elizabeth Greene, Louis Philippe Smithey was born in Mecklenburg County, Virginia, on June 7, 1890. He earned his bachelor and master's degrees at Randolph-Macon College in 1909 and 1910, respectively, and was an alumnus member of Phi Beta Kappa there. He was an instructor and special student at Virginia Polytechnic Institute from 1910 to 1914 and a special student at Massachusetts Institute of Technology from 1914 to 1915.\u003c/p\u003e\n","\u003cp\u003eSmithey was a registered architect in Virginia and West Virginia. A fellow of the American Institute of Architects (AIA), he served as president of the Virginia chapter of AIA in 1940. \u003c/p\u003e\n","\u003cp\u003eSmithey worked as a draftsman and contracting engineer for Virginia Bridge \u0026amp; Iron Company in Roanoke from 1916 to 1918. After serving in the army in World War I, he was contracting engineer for Virginia Bridge \u0026amp; Iron Company again in 1919 and 1920. He practiced as Louis P. Smithey from 1920 to 1922, with Matthews H. Tardy as Smithey \u0026amp; Tardy from 1922 to 1927, and again as Louis P. Smithey from 1927 to 1935. \u003c/p\u003e\n","\u003cp\u003eThe Smithey \u0026amp; Boynton partnership formed in 1935 with Henry B. Boynton. Prior to World War II, the firm served as consulting architects for the Roanoke City School Board and Roanoke County School Board for approximately eight years and handled school buildings in Franklin County, Montgomery County, Alleghany County, Pulaski County, and the City of Waynesboro.\u003c/p\u003e\n","\u003cp\u003eWhile the company was closed during World War II, Smithey served in the U.S. Army as Lt. Colonel from 1942 thru 1945. \u003c/p\u003e\n","\u003cp\u003eFollowing the war, Smithey \u0026amp; Boynton were commissioned as architects or consulting architects on public school work in Virginia valued at approximately $31 million, distributed in 25 School Divisions of the state. Smithey retired from professional practice in 1963. \u003c/p\u003e\n","\u003cp\u003eOn June 11, 1938, Smithey married Dorothy Terrill, and they had daughter Nancy Terrill Smithey on March 10, 1940. He and his family lived in Roanoke. Smithey died on August 19, 1966.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Biographical Note - Henry B. Boyton","Biographical Note - Louis Phillipe Smithey"],"bioghist_tesim":["Smithey \u0026 Boynton, Architects \u0026 Engineers, was an architecture firm in Roanoke, Virginia, established in 1935 by Louis Phillipe Smithey and Henry B. Boynton. The firm closed during World War II for a few years while Boynton and Smithey served in the U.S. Army. After Smithey's death in the 1970s, Boynton partnered with Kenneth L. Motley, who began his career as a draftsman with the firm. In 1992, a year following Boynton's death, Motley acquired Smithey \u0026 Boynton and renamed the firm Motley + Associates.","Smithey \u0026 Boynton designed several structures over the years, including the Christ Episcopal Church, the South Roanoke Fire Station, the Shenandoah Life Building, McClanaham Street Office Building, and the American Theater Building, all in Roanoke. The firm also designed Lane Stadium at Virginia Tech and the Lyric Theatre in Blacksburg. The firm became best known for building public schools, even using the same basic layout for numerous schools. Smithey \u0026 Boynton had nearly 150 school design commissions during the period of 1945 thru 1953 in at least 19 counties and 10 cities.","\nHenry B. Boynton was born in West Chicago, Illinois, in 1899 and grew up in Amelia County, Virginia. He graduated from Virginia Polytechnic Institute with a B.S. in Agricultural Engineering in 1921 and a B.S. in Civil Engineering in 1923. Boyton then spent a year at the University of Illinois in Urbana taking architecture classes. He became a registered architect in Virginia in 1930 and later registered in West Virginia, North Carolina, and Pennsylvania.","From 1924 to 1928, Boynton worked as a draftsman at Carneal \u0026 Johnston, Architects \u0026 Engineers, in Richmond, Virginia. In 1929, he joined Louis Phillipe Smithey, Architect \u0026 Engineer, in Roanoke, Virginia, as an associate. In 1935, Boynton and Smithey partnered to form Smithey \u0026 Boynton, Architects \u0026 Engineers, in Roanoke. Boynton became senior partner of the firm when Smithey retired in 1963.","Boynton was affiliated with the Virginia Chapter (later the Virginia Society \u0026 Blue Ridge Chapter) of the American Institute of Architects from 1938 until his death. He served on the board of directors in 1952, 1953, and 1956; as vice-president in 1954; and as president in 1955. He was a member of the State Registration Board for Architects, Professional Engineers, and Land Surveyors, as a Governor's appointee, from 1962 to 1972, serving as President of the Board in 1967. He received a distinguished service award in 1980 and the Noland Award in 1989, both from the Virginia Society \u0026 Blue Ridge Chapter of the AIA.","Boynton served in the Army Corps of Engineers during World War II, rising to the rank of Colonel. He was a member of the Virginia Tech Alumni Board of Directors from 1969 to 1979 and Chair of its Annual Fund Committee from 1973 to 1979. He also served on the Board of the VPI Educational Foundation, Inc., from 1978 to 1982. In 1976, Boynton received the Virginia Tech Alumni Distinguished Service.","Boynton died on September 13, 1991, at the age of 92, at his home in Roanoke.","The son of William Rosser Smithey and Mannie Jane Elizabeth Greene, Louis Philippe Smithey was born in Mecklenburg County, Virginia, on June 7, 1890. He earned his bachelor and master's degrees at Randolph-Macon College in 1909 and 1910, respectively, and was an alumnus member of Phi Beta Kappa there. He was an instructor and special student at Virginia Polytechnic Institute from 1910 to 1914 and a special student at Massachusetts Institute of Technology from 1914 to 1915.","Smithey was a registered architect in Virginia and West Virginia. A fellow of the American Institute of Architects (AIA), he served as president of the Virginia chapter of AIA in 1940. ","Smithey worked as a draftsman and contracting engineer for Virginia Bridge \u0026 Iron Company in Roanoke from 1916 to 1918. After serving in the army in World War I, he was contracting engineer for Virginia Bridge \u0026 Iron Company again in 1919 and 1920. He practiced as Louis P. Smithey from 1920 to 1922, with Matthews H. Tardy as Smithey \u0026 Tardy from 1922 to 1927, and again as Louis P. Smithey from 1927 to 1935. ","The Smithey \u0026 Boynton partnership formed in 1935 with Henry B. Boynton. Prior to World War II, the firm served as consulting architects for the Roanoke City School Board and Roanoke County School Board for approximately eight years and handled school buildings in Franklin County, Montgomery County, Alleghany County, Pulaski County, and the City of Waynesboro.","While the company was closed during World War II, Smithey served in the U.S. Army as Lt. Colonel from 1942 thru 1945. ","Following the war, Smithey \u0026 Boynton were commissioned as architects or consulting architects on public school work in Virginia valued at approximately $31 million, distributed in 25 School Divisions of the state. Smithey retired from professional practice in 1963. ","On June 11, 1938, Smithey married Dorothy Terrill, and they had daughter Nancy Terrill Smithey on March 10, 1940. He and his family lived in Roanoke. Smithey died on August 19, 1966."],"odd_html_tesm":["\u003cp\u003eThe guide to the Smithey \u0026amp; Boynton, Architects \u0026amp; Engineers Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Smithey \u0026 Boynton, Architects \u0026 Engineers Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Smithey \u0026amp; Boynton, Architects \u0026amp; Engineers Records, Ms1992-027, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Smithey \u0026 Boynton, Architects \u0026 Engineers Records, Ms1992-027, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eSome processing, arrangement, and description of the Smithey \u0026amp; Boynton, Architects \u0026amp; Engineers Records was completed between 1992 and 2009. The majority of the arrangement and description was completed between 2010 and 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Some processing, arrangement, and description of the Smithey \u0026 Boynton, Architects \u0026 Engineers Records was completed between 1992 and 2009. The majority of the arrangement and description was completed between 2010 and 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the \u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/1883.oai_ead.xml\" target=\"_blank\"\u003eHenry B. Boynton Papers, Ms1992-002\u003c/a\u003e, also at Virginia Tech Special Collections and University Archives.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See the  Henry B. Boynton Papers, Ms1992-002 , also at Virginia Tech Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026amp; Boynton, mostly between 1935 and 1957. Materials consist of project files, specifications, framed drawings and photographs, and architectural drawings. Records include designs by Smithey before he collaborated with Boynton, as well as designs by other firms of projects later redesigned by Smithey \u0026amp; Boynton. A small group of materials also relate to the firm of Johnson Associates International from 1968.\u003c/p\u003e\n","\u003cp\u003e Please note: The list of projects/project files below does NOT include the rolled drawings currently being processed. Contact Special Collections for the current inventory of available drawings and how to access them.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026 Boynton, mostly between 1935 and 1957. Materials consist of project files, specifications, framed drawings and photographs, and architectural drawings. Records include designs by Smithey before he collaborated with Boynton, as well as designs by other firms of projects later redesigned by Smithey \u0026 Boynton. A small group of materials also relate to the firm of Johnson Associates International from 1968."," Please note: The list of projects/project files below does NOT include the rolled drawings currently being processed. Contact Special Collections for the current inventory of available drawings and how to access them."],"separatedmaterial_html_tesm":["\u003cp\u003eSeveral oversize and/or framed photographs and drawings have been separated to the Art Collection, and several publications have been separated to the Rare Books Collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Several oversize and/or framed photographs and drawings have been separated to the Art Collection, and several publications have been separated to the Rare Books Collection."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8c42bfbc1e1061bf3fafd7635d331ea3\" label=\"Abstract\"\u003eThe collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026amp; Boynton, mostly between 1935 and 1957.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026 Boynton, mostly between 1935 and 1957."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a6eb7e09f425a2b99a2853c5a31e3301\"\u003e\n  \u003cemph render=\"bold\"\u003ePlease note: This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.\u003c/emph\u003e\n\u003c/physloc\u003e"],"physloc_tesim":["Please note: This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information."],"names_coll_ssim":["Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)","Boynton, Henry B., 1899-1991"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)","Boynton, Henry B., 1899-1991"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)"],"persname_ssim":["Boynton, Henry B., 1899-1991"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1817,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:27:21.236Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3405_c02_c1685"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c09_c01","type":"File","attributes":{"title":"1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c09_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c09_c01","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c09_c01"],"id":"viw_repositories_2_resources_9853_c01_c01_c09_c01","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01_c09","parent_ssi":"viw_repositories_2_resources_9853_c01_c01_c09","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c09"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c09"],"parent_unittitles_ssm":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard"],"parent_unittitles_tesim":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard"],"text":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1860-1876, Harper's Artists: W. Homer, T. Nast, S. Eytinge, W.L. Sheppard","1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\"","Box 9","folder 9"],"title_filing_ssi":"1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\"","title_ssm":["1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\""],"title_tesim":["1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\""],"unitdate_inclusive_ssm":["1859-2007"],"normalized_date_ssm":["1859/2007"],"normalized_title_ssm":["1860-1876, \"'The' War \u0026 Aftermath and Freedom of Blacks\""],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":20,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"containers_ssim":["Box 9","folder 9"],"_nest_path_":"/components#0/components#0/components#8/components#0","timestamp":"2026-05-21T07:21:03Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:21:03Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c09_c01"}},{"id":"viblbv_repositories_2_resources_3065_c03_c04_c28","type":"File","attributes":{"title":"1890 College (Va. State)","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3065_c03_c04_c28#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3065_c03_c04_c28","ref_ssm":["viblbv_repositories_2_resources_3065_c03_c04_c28"],"id":"viblbv_repositories_2_resources_3065_c03_c04_c28","ead_ssi":"viblbv_repositories_2_resources_3065","_root_":"viblbv_repositories_2_resources_3065","_nest_parent_":"viblbv_repositories_2_resources_3065_c03_c04","parent_ssi":"viblbv_repositories_2_resources_3065_c03_c04","parent_ssim":["viblbv_repositories_2_resources_3065","viblbv_repositories_2_resources_3065_c03","viblbv_repositories_2_resources_3065_c03_c04"],"parent_ids_ssim":["viblbv_repositories_2_resources_3065","viblbv_repositories_2_resources_3065_c03","viblbv_repositories_2_resources_3065_c03_c04"],"parent_unittitles_ssm":["Records of the Virginia Cooperative Extension","Series III. Bob Swain Records","Historical Financial Budgets, Records, and Reports"],"parent_unittitles_tesim":["Records of the Virginia Cooperative Extension","Series III. Bob Swain Records","Historical Financial Budgets, Records, and Reports"],"text":["Records of the Virginia Cooperative Extension","Series III. Bob Swain Records","Historical Financial Budgets, Records, and Reports","1890 College (Va. State)","box 14","folder 28"],"title_filing_ssi":"1890 College (Va. State)","title_ssm":["1890 College (Va. State)"],"title_tesim":["1890 College (Va. State)"],"unitdate_bulk_ssim":["1970-1977"],"normalized_title_ssm":["1890 College (Va. State)"],"component_level_isim":[3],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Records of the Virginia Cooperative Extension"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":423,"parent_access_restrict_tesm":["The collection is open for research, except for boxes 22 and 23 which are restricted for confidentiality and personally identifiable information."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977],"containers_ssim":["box 14","folder 28"],"_nest_path_":"/components#2/components#3/components#27","timestamp":"2026-05-21T02:43:59.002Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3065","ead_ssi":"viblbv_repositories_2_resources_3065","_root_":"viblbv_repositories_2_resources_3065","_nest_parent_":"viblbv_repositories_2_resources_3065","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3065.xml","title_filing_ssi":"Virginia Cooperative Extension, Records of the","title_ssm":["Records of the Virginia Cooperative Extension"],"title_tesim":["Records of the Virginia Cooperative Extension"],"unitdate_ssm":["1862-1997"],"unitdate_inclusive_ssm":["1862-1997"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["RG.26"],"text":["RG.26","Records of the Virginia Cooperative Extension","University Archives","Agricultural extension work","University Archives","University History","The collection is open for research, except for boxes 22 and 23 which are restricted for confidentiality and personally identifiable information.","Restricted due to confidentiality and personally identifiable information.","Duplicate budget books were removed from this collection and destroyed.","The Records of the Virginia cooperative Extension are organized into the following series:","Series I. Rural Communities, 1993-1994 Series II. Reports and and Statistics, 1926-1949 Series III. Bob Swain Records, 1907-1990 Series IV. Extension Administration Records, 1994-1997 Series V. Joint Legistlative Audit and Review Commission (JLARC), 1962-1993 Series VI. Virginia Association of Extenison Secretaries, 1958-1993 Series VII. Lucy Is Still Here papers, 1980-1989 Series VIII. Slides, 1980-1989 Series IX. Office of the Director, Edwin J. Jones, Records is arranged by material type, with most of original order retained, into two subseries:\n Subseries A: Administrative Documents. This includes meeting minutes, USDA budgets, newspaper clippings, and speeches. Materials are organized by type. Folders are arranged alphabetically by folder title. Subseries B: District Financial Records. These are divided into three subgroups; Records by date, organized chronologically; Records by District, arranged alphabetically by county name with the individual folders organized chronologically; 1995 Budget restoration, including newspaper articles, correspondence, and budget reports, arranged alphabetically.","This series is arranged into two subseries by material type. ","Subseries A: Administrative Documents. This includes meeting minutes, USDA budgets, newspaper clippings, and speeches. Materials are organized by type. Folders are arranged alphabetically by folder title."," Subseries B: District Financial Records. These are divided into three subgroups; Records by date, organized chronologically; Records by District, arranged alphabetically by county name with the individual folders organized chronologically; 1995 Budget restoration, including newspaper articles, correspondence, and budget reports, arranged alphabetically.","For the most part, the original order is retained.","\"Extension work at the university can trace its roots to 1906, when an extension program was established in Virginia. After the Smith-Lever Act of 1914 was passed, overall administration of extension, or demonstration, work was transferred to Virginia Polytechnic Institute (VPI), with Hampton Institute (later Hampton University) as a division initially serving Black communities. At that time, it became the Agricultural Extension Service, also called the Cooperative Extension Service. In 1930, Virginia State College (later Virginia State University (VSU)) took over the extension responsibilities of Hampton Institute.","In 1966, the Virginia General Assembly established the VPI Extension Division, which combined the Cooperative Extension Service, General Extension Division, State Technical Services, and Continuing Education Center. After passage of the 1977 U. S. Farm Bill, VSU's extension program became an equal partner to VT's program, rather than a division reporting to VT. In 1995, the Division became the Virginia Cooperative Extension and Agricultural Experiment Station Division, often shortened to the Virginia Cooperative Extension (VCE), still operated jointly by VT and VSU today.\"","Edwin Jones became the director of Virginia Cooperative Extension and associate dean of the College of Agriculture and Life Sciences in April 2011. Prior to that he served as associate director and state program leader for Agriculture, Natural Resources, and Community and Rural Development; associate state program leader for Agriculture, Natural Resources, and Community and Rural Development; assistant department head and department extension leader in forestry; and as extension wildlife specialist and professor of forestry at NC State University. He has also served as extension wildlife specialist at Mississippi State University. Jones earned a bachelor's degree in zoology from the University of Washington, and master of science and a doctoral degree from Virginia Tech in fisheries and wildlife science. He has held leadership positions in the Extension Disaster Education Network, the National Association of Community Development Extension Professionals, and the Southern Region Program Leader Network.","The guide to the Records of the Virginia Cooperative Extension by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ ).","Audiovisual materials require special equipment to access. Special Collections and University Archives has equipment for accessing DVDs and  VHS tapes. Other audiovisual materials in this collection may not be accessible due to format.","Initial minimal description of the Records of the Virginia Cooperative Extension was completed in August 2019. The processing, arrangement, and description was completed in December 2019. Series IX. Office of the Director, Edwin J. Jones, Records was integrated in July 2021.","Additional unprocessed records and ephemera are available upon request. Please contact Special Collections and University Archives staff for more information.","This collection contains the administrative records of the Virginia Cooperative Extension, including correspondence, reports, financial documents, slides, videos, and the records of Bob Swain. ","The records are divided into eight seires. The first series, Rural Communities, contains videotapes from Rural Communities and notes. Series II, Reports and Statistics, includes statistical and narrative doruments, annual reports, plans of work, and progress reports. ","The third series, Bob Swain records, are subdivided chronologically. This series includes budgets, financial statements and reports, allotment estimates, salaries, expenditures, legistlative documents, treasurer's statements, interest on federal funds, and extension donations. ","Series four, Extension Administration Records, is restricted due to the contents containing perosnal information. The fifth series, JLARC, contains action reports, correspondence, news and media, recordings and other documents relating to the Joint Legislative Audit and Review Commission from 1862 to 1993. Series six, Virginia Association of Extension Secretaries, contains correspondence, meeting notes, newsletters, and other documents from 1958-1993. The seventh series contains papers from the presentation Lucy is Still Here, and the last series, Slides, contain slides from New 4-H leader orientation and inflation.","Additional audiovisual tapes and reels are available, and a separate inventory is online.","Memorandum of Agreement between CES, Soil Conservation Soceity of America and the Va. Resource Education Council","Payroll reimbursements, Budget purposal, extension staff support, group statistics, outreach service consideration","This series includes administrative and financial documents relating to Virginia Cooperative Extension. Materials date from 1915 to 1997. Administrative documents contain the USDA administrative expectations for Cooperative extension programs and VCE specific policies. Other materials include publications, meeting minutes, photographs of newly trained extension workers, newspaper clippings, and a study of Virginia Cooperative Extension completed by the Virginia Department of Planning and Budget. A report about Seaman A. Knapp, produced by his college, is also a part of the contents. District Financial Records contain documents relating to the budget, appropriations, and employment, separated into three subgroups. Records by Date, containing budget requests, is organized by year, from 1968 to 1982 and 1994. Records by District contain budget requests, correspondence regarding appropriations and employment opportunities. The materials are organized by district and further by unit, either a county or city, following the Virginia Cooperative Extension assignment of local offices. ","To learn more about local offices are organined, see: \n https://ext.vt.edu/offices.html","\nThe 1995 Budget Restoration contains news articles specific to the VCE budget restoration efforts, letters of support, thank you letters, and signed county resolutions.","Publications have been separated to the Rare Book Collection.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains the administrative records of the Virginia Cooperative Extension, including correspondence, reports, financial documents, slides, videos, and the records of Bob Swain and Edwin J. Jones. The collection also documents the VCE's role in Joint Legislative Audit and Review Commission, Virginia Association of Extension Secretaries, and their work within rural communities.","Special Collections and University Archives, Virginia Tech","Virginia Cooperative Extension (1995-)","Virginia Cooperative Extension Service","Virginia Polytechnic Institute and State University. Extension Division","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","The materials in the collection are in English."],"unitid_tesim":["RG.26"],"normalized_title_ssm":["Records of the Virginia Cooperative Extension"],"collection_title_tesim":["Records of the Virginia Cooperative Extension"],"collection_ssim":["Records of the Virginia Cooperative Extension"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Virginia Cooperative Extension (1995-)","Virginia Cooperative Extension Service","Virginia Cooperative Extension Service","Virginia Cooperative Extension (1995-)","Virginia Polytechnic Institute and State University. Extension Division"],"creator_ssim":["Virginia Cooperative Extension (1995-)","Virginia Cooperative Extension Service","Virginia Cooperative Extension Service","Virginia Cooperative Extension (1995-)","Virginia Polytechnic Institute and State University. Extension Division"],"creator_corpname_ssim":["Virginia Cooperative Extension (1995-)","Virginia Cooperative Extension Service","Virginia Cooperative Extension Service","Virginia Cooperative Extension (1995-)","Virginia Polytechnic Institute and State University. Extension Division"],"creators_ssim":["Virginia Cooperative Extension (1995-)","Virginia Cooperative Extension Service","Virginia Cooperative Extension Service","Virginia Cooperative Extension (1995-)","Virginia Polytechnic Institute and State University. Extension Division"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Records of the Virginia Cooperative Extension were transferred to Special Collections and University Archives in 2015 and 2016. Series IX. Office of the Director, Edwin J. Jones, Records were tranferred in June 2021."],"access_subjects_ssim":["University Archives","Agricultural extension work","University Archives","University History"],"access_subjects_ssm":["University Archives","Agricultural extension work","University Archives","University History"],"has_online_content_ssim":["false"],"extent_ssm":["29.32 Cubic Feet 35 boxes"],"extent_tesim":["29.32 Cubic Feet 35 boxes"],"date_range_isim":[1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research, except for boxes 22 and 23 which are restricted for confidentiality and personally identifiable information.\u003c/p\u003e","\u003cp\u003eRestricted due to confidentiality and personally identifiable information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research, except for boxes 22 and 23 which are restricted for confidentiality and personally identifiable information.","Restricted due to confidentiality and personally identifiable information."],"appraisal_html_tesm":["\u003cp\u003eDuplicate budget books were removed from this collection and destroyed.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal"],"appraisal_tesim":["Duplicate budget books were removed from this collection and destroyed."],"arrangement_html_tesm":["\u003cp\u003eThe Records of the Virginia cooperative Extension are organized into the following series:\u003c/p\u003e\n","\u003cp\u003e\u003clist\u003e\n\u003citem\u003eSeries I. Rural Communities, 1993-1994\u003c/item\u003e\n\u003citem\u003eSeries II. Reports and and Statistics, 1926-1949\u003c/item\u003e\n\u003citem\u003eSeries III. Bob Swain Records, 1907-1990\u003c/item\u003e\n\u003citem\u003eSeries IV. Extension Administration Records, 1994-1997\u003c/item\u003e\n\u003citem\u003eSeries V. Joint Legistlative Audit and Review Commission (JLARC), 1962-1993\u003c/item\u003e\n\u003citem\u003eSeries VI. Virginia Association of Extenison Secretaries, 1958-1993\u003c/item\u003e\n\u003citem\u003eSeries VII. Lucy Is Still Here papers, 1980-1989\u003c/item\u003e\n\u003citem\u003eSeries VIII. Slides, 1980-1989\u003c/item\u003e\n\u003citem\u003eSeries IX. Office of the Director, Edwin J. Jones, Records is arranged by material type, with most of original order retained, into two subseries:\n\u003clist\u003e\n\u003citem\u003eSubseries A: Administrative Documents. This includes meeting minutes, USDA budgets, newspaper clippings, and speeches. Materials are organized by type. Folders are arranged alphabetically by folder title.\u003c/item\u003e\n\u003citem\u003eSubseries B: District Financial Records. These are divided into three subgroups; Records by date, organized chronologically; Records by District, arranged alphabetically by county name with the individual folders organized chronologically; 1995 Budget restoration, including newspaper articles, correspondence, and budget reports, arranged alphabetically.\u003c/item\u003e\n\u003c/list\u003e\n\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e","\u003cp\u003eThis series is arranged into two subseries by material type. \u003c/p\u003e","\u003cp\u003eSubseries A: Administrative Documents. This includes meeting minutes, USDA budgets, newspaper clippings, and speeches. Materials are organized by type. Folders are arranged alphabetically by folder title.\u003c/p\u003e","\u003cp\u003e Subseries B: District Financial Records. These are divided into three subgroups; Records by date, organized chronologically; Records by District, arranged alphabetically by county name with the individual folders organized chronologically; 1995 Budget restoration, including newspaper articles, correspondence, and budget reports, arranged alphabetically.\u003c/p\u003e","\u003cp\u003eFor the most part, the original order is retained.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["The Records of the Virginia cooperative Extension are organized into the following series:","Series I. Rural Communities, 1993-1994 Series II. Reports and and Statistics, 1926-1949 Series III. Bob Swain Records, 1907-1990 Series IV. Extension Administration Records, 1994-1997 Series V. Joint Legistlative Audit and Review Commission (JLARC), 1962-1993 Series VI. Virginia Association of Extenison Secretaries, 1958-1993 Series VII. Lucy Is Still Here papers, 1980-1989 Series VIII. Slides, 1980-1989 Series IX. Office of the Director, Edwin J. Jones, Records is arranged by material type, with most of original order retained, into two subseries:\n Subseries A: Administrative Documents. This includes meeting minutes, USDA budgets, newspaper clippings, and speeches. Materials are organized by type. Folders are arranged alphabetically by folder title. Subseries B: District Financial Records. These are divided into three subgroups; Records by date, organized chronologically; Records by District, arranged alphabetically by county name with the individual folders organized chronologically; 1995 Budget restoration, including newspaper articles, correspondence, and budget reports, arranged alphabetically.","This series is arranged into two subseries by material type. ","Subseries A: Administrative Documents. This includes meeting minutes, USDA budgets, newspaper clippings, and speeches. Materials are organized by type. Folders are arranged alphabetically by folder title."," Subseries B: District Financial Records. These are divided into three subgroups; Records by date, organized chronologically; Records by District, arranged alphabetically by county name with the individual folders organized chronologically; 1995 Budget restoration, including newspaper articles, correspondence, and budget reports, arranged alphabetically.","For the most part, the original order is retained."],"bioghist_html_tesm":["\u003cp\u003e\"Extension work at the university can trace its roots to 1906, when an extension program was established in Virginia. After the Smith-Lever Act of 1914 was passed, overall administration of extension, or demonstration, work was transferred to Virginia Polytechnic Institute (VPI), with Hampton Institute (later Hampton University) as a division initially serving Black communities. At that time, it became the Agricultural Extension Service, also called the Cooperative Extension Service. In 1930, Virginia State College (later Virginia State University (VSU)) took over the extension responsibilities of Hampton Institute.\u003c/p\u003e\n","\u003cp\u003eIn 1966, the Virginia General Assembly established the VPI Extension Division, which combined the Cooperative Extension Service, General Extension Division, State Technical Services, and Continuing Education Center. After passage of the 1977 U. S. Farm Bill, VSU's extension program became an equal partner to VT's program, rather than a division reporting to VT. In 1995, the Division became the Virginia Cooperative Extension and Agricultural Experiment Station Division, often shortened to the Virginia Cooperative Extension (VCE), still operated jointly by VT and VSU today.\"\u003c/p\u003e","\u003cp\u003eEdwin Jones became the director of Virginia Cooperative Extension and associate dean of the College of Agriculture and Life Sciences in April 2011. Prior to that he served as associate director and state program leader for Agriculture, Natural Resources, and Community and Rural Development; associate state program leader for Agriculture, Natural Resources, and Community and Rural Development; assistant department head and department extension leader in forestry; and as extension wildlife specialist and professor of forestry at NC State University. He has also served as extension wildlife specialist at Mississippi State University. Jones earned a bachelor's degree in zoology from the University of Washington, and master of science and a doctoral degree from Virginia Tech in fisheries and wildlife science. He has held leadership positions in the Extension Disaster Education Network, the National Association of Community Development Extension Professionals, and the Southern Region Program Leader Network.\u003c/p\u003e"],"bioghist_heading_ssm":["Adminsitrative History","Biographical Note"],"bioghist_tesim":["\"Extension work at the university can trace its roots to 1906, when an extension program was established in Virginia. After the Smith-Lever Act of 1914 was passed, overall administration of extension, or demonstration, work was transferred to Virginia Polytechnic Institute (VPI), with Hampton Institute (later Hampton University) as a division initially serving Black communities. At that time, it became the Agricultural Extension Service, also called the Cooperative Extension Service. In 1930, Virginia State College (later Virginia State University (VSU)) took over the extension responsibilities of Hampton Institute.","In 1966, the Virginia General Assembly established the VPI Extension Division, which combined the Cooperative Extension Service, General Extension Division, State Technical Services, and Continuing Education Center. After passage of the 1977 U. S. Farm Bill, VSU's extension program became an equal partner to VT's program, rather than a division reporting to VT. In 1995, the Division became the Virginia Cooperative Extension and Agricultural Experiment Station Division, often shortened to the Virginia Cooperative Extension (VCE), still operated jointly by VT and VSU today.\"","Edwin Jones became the director of Virginia Cooperative Extension and associate dean of the College of Agriculture and Life Sciences in April 2011. Prior to that he served as associate director and state program leader for Agriculture, Natural Resources, and Community and Rural Development; associate state program leader for Agriculture, Natural Resources, and Community and Rural Development; assistant department head and department extension leader in forestry; and as extension wildlife specialist and professor of forestry at NC State University. He has also served as extension wildlife specialist at Mississippi State University. Jones earned a bachelor's degree in zoology from the University of Washington, and master of science and a doctoral degree from Virginia Tech in fisheries and wildlife science. He has held leadership positions in the Extension Disaster Education Network, the National Association of Community Development Extension Professionals, and the Southern Region Program Leader Network."],"odd_html_tesm":["\u003cp\u003eThe guide to the Records of the Virginia Cooperative Extension by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Records of the Virginia Cooperative Extension by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ )."],"phystech_html_tesm":["\u003cp\u003eAudiovisual materials require special equipment to access. Special Collections and University Archives has equipment for accessing DVDs and  VHS tapes. Other audiovisual materials in this collection may not be accessible due to format.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["Audiovisual materials require special equipment to access. Special Collections and University Archives has equipment for accessing DVDs and  VHS tapes. Other audiovisual materials in this collection may not be accessible due to format."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Records of the Virginia Cooperative Extension, RG 26, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Records of the Virginia Cooperative Extension, RG 26, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eInitial minimal description of the Records of the Virginia Cooperative Extension was completed in August 2019. The processing, arrangement, and description was completed in December 2019. Series IX. Office of the Director, Edwin J. Jones, Records was integrated in July 2021.\u003c/p\u003e","\u003cp\u003eAdditional unprocessed records and ephemera are available upon request. Please contact Special Collections and University Archives staff for more information.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Initial minimal description of the Records of the Virginia Cooperative Extension was completed in August 2019. The processing, arrangement, and description was completed in December 2019. Series IX. Office of the Director, Edwin J. Jones, Records was integrated in July 2021.","Additional unprocessed records and ephemera are available upon request. Please contact Special Collections and University Archives staff for more information."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the administrative records of the Virginia Cooperative Extension, including correspondence, reports, financial documents, slides, videos, and the records of Bob Swain. \u003c/p\u003e\n","\u003cp\u003eThe records are divided into eight seires. The first series, Rural Communities, contains videotapes from Rural Communities and notes. Series II, Reports and Statistics, includes statistical and narrative doruments, annual reports, plans of work, and progress reports. \u003c/p\u003e\n","\u003cp\u003eThe third series, Bob Swain records, are subdivided chronologically. This series includes budgets, financial statements and reports, allotment estimates, salaries, expenditures, legistlative documents, treasurer's statements, interest on federal funds, and extension donations. \u003c/p\u003e\n","\u003cp\u003eSeries four, Extension Administration Records, is restricted due to the contents containing perosnal information. The fifth series, JLARC, contains action reports, correspondence, news and media, recordings and other documents relating to the Joint Legislative Audit and Review Commission from 1862 to 1993. Series six, Virginia Association of Extension Secretaries, contains correspondence, meeting notes, newsletters, and other documents from 1958-1993. The seventh series contains papers from the presentation Lucy is Still Here, and the last series, Slides, contain slides from New 4-H leader orientation and inflation.\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://docs.google.com/spreadsheets/d/1JbWX1Eu9BoB2VT-m186O11E22abIGsafgUw_RlnBses/edit?usp=sharing\" target=\"_blank\"\u003eAdditional audiovisual tapes and reels are available, and a separate inventory is online.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eMemorandum of Agreement between CES, Soil Conservation Soceity of America and the Va. Resource Education Council\u003c/p\u003e","\u003cp\u003ePayroll reimbursements, Budget purposal, extension staff support, group statistics, outreach service consideration\u003c/p\u003e","\u003cp\u003eThis series includes administrative and financial documents relating to Virginia Cooperative Extension. Materials date from 1915 to 1997. Administrative documents contain the USDA administrative expectations for Cooperative extension programs and VCE specific policies. Other materials include publications, meeting minutes, photographs of newly trained extension workers, newspaper clippings, and a study of Virginia Cooperative Extension completed by the Virginia Department of Planning and Budget. A report about Seaman A. Knapp, produced by his college, is also a part of the contents. District Financial Records contain documents relating to the budget, appropriations, and employment, separated into three subgroups. Records by Date, containing budget requests, is organized by year, from 1968 to 1982 and 1994. Records by District contain budget requests, correspondence regarding appropriations and employment opportunities. The materials are organized by district and further by unit, either a county or city, following the Virginia Cooperative Extension assignment of local offices. \u003c/p\u003e\n","\u003cp\u003eTo learn more about local offices are organined, see: \n\u003ca href=\"https://ext.vt.edu/offices.html\" target=\"_blank\"\u003ehttps://ext.vt.edu/offices.html\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe 1995 Budget Restoration contains news articles specific to the VCE budget restoration efforts, letters of support, thank you letters, and signed county resolutions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Content"],"scopecontent_tesim":["This collection contains the administrative records of the Virginia Cooperative Extension, including correspondence, reports, financial documents, slides, videos, and the records of Bob Swain. ","The records are divided into eight seires. The first series, Rural Communities, contains videotapes from Rural Communities and notes. Series II, Reports and Statistics, includes statistical and narrative doruments, annual reports, plans of work, and progress reports. ","The third series, Bob Swain records, are subdivided chronologically. This series includes budgets, financial statements and reports, allotment estimates, salaries, expenditures, legistlative documents, treasurer's statements, interest on federal funds, and extension donations. ","Series four, Extension Administration Records, is restricted due to the contents containing perosnal information. The fifth series, JLARC, contains action reports, correspondence, news and media, recordings and other documents relating to the Joint Legislative Audit and Review Commission from 1862 to 1993. Series six, Virginia Association of Extension Secretaries, contains correspondence, meeting notes, newsletters, and other documents from 1958-1993. The seventh series contains papers from the presentation Lucy is Still Here, and the last series, Slides, contain slides from New 4-H leader orientation and inflation.","Additional audiovisual tapes and reels are available, and a separate inventory is online.","Memorandum of Agreement between CES, Soil Conservation Soceity of America and the Va. Resource Education Council","Payroll reimbursements, Budget purposal, extension staff support, group statistics, outreach service consideration","This series includes administrative and financial documents relating to Virginia Cooperative Extension. Materials date from 1915 to 1997. Administrative documents contain the USDA administrative expectations for Cooperative extension programs and VCE specific policies. Other materials include publications, meeting minutes, photographs of newly trained extension workers, newspaper clippings, and a study of Virginia Cooperative Extension completed by the Virginia Department of Planning and Budget. A report about Seaman A. Knapp, produced by his college, is also a part of the contents. District Financial Records contain documents relating to the budget, appropriations, and employment, separated into three subgroups. Records by Date, containing budget requests, is organized by year, from 1968 to 1982 and 1994. Records by District contain budget requests, correspondence regarding appropriations and employment opportunities. The materials are organized by district and further by unit, either a county or city, following the Virginia Cooperative Extension assignment of local offices. ","To learn more about local offices are organined, see: \n https://ext.vt.edu/offices.html","\nThe 1995 Budget Restoration contains news articles specific to the VCE budget restoration efforts, letters of support, thank you letters, and signed county resolutions."],"separatedmaterial_html_tesm":["\u003cp\u003ePublications have been separated to the Rare Book Collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Publications have been separated to the Rare Book Collection."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f96017f76b4b7ca63792328cd56b5110\"\u003eThis collection contains the administrative records of the Virginia Cooperative Extension, including correspondence, reports, financial documents, slides, videos, and the records of Bob Swain and Edwin J. Jones. The collection also documents the VCE's role in Joint Legislative Audit and Review Commission, Virginia Association of Extension Secretaries, and their work within rural communities.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains the administrative records of the Virginia Cooperative Extension, including correspondence, reports, financial documents, slides, videos, and the records of Bob Swain and Edwin J. Jones. The collection also documents the VCE's role in Joint Legislative Audit and Review Commission, Virginia Association of Extension Secretaries, and their work within rural communities."],"names_coll_ssim":["Virginia Cooperative Extension (1995-)","Virginia Cooperative Extension Service","Virginia Cooperative Extension (1995-)","Virginia Cooperative Extension Service","Virginia Polytechnic Institute and State University. Extension Division","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Cooperative Extension (1995-)","Virginia Cooperative Extension Service","Virginia Polytechnic Institute and State University. Extension Division","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Cooperative Extension (1995-)","Virginia Cooperative Extension Service","Virginia Polytechnic Institute and State University. Extension Division","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":926,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:43:59.002Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3065_c03_c04_c28"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c11_c01","type":"File","attributes":{"title":"\"1897-1914 World Power Ascension and Separate but Equal\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c11_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c11_c01","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c11_c01"],"id":"viw_repositories_2_resources_9853_c01_c01_c11_c01","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01_c11","parent_ssi":"viw_repositories_2_resources_9853_c01_c01_c11","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c11"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c11"],"parent_unittitles_ssm":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas"],"parent_unittitles_tesim":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas"],"text":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas","\"1897-1914 World Power Ascension and Separate but Equal\"","Box 11","folder 26"],"title_filing_ssi":"\"1897-1914 World Power Ascension and Separate but Equal\"","title_ssm":["\"1897-1914 World Power Ascension and Separate but Equal\""],"title_tesim":["\"1897-1914 World Power Ascension and Separate but Equal\""],"unitdate_inclusive_ssm":["1900-2008"],"normalized_date_ssm":["1900/2008"],"normalized_title_ssm":["\"1897-1914 World Power Ascension and Separate but Equal\""],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":39,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"containers_ssim":["Box 11","folder 26"],"_nest_path_":"/components#0/components#0/components#10/components#0","timestamp":"2026-05-21T07:21:03Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:21:03Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c11_c01"}},{"id":"viu_repositories_3_resources_1675_c05_c03_c09","type":"File","attributes":{"title":"18 Items - Correspondence of Harold E. Howland with Publishers Regarding his Article, \"Midnight Ride with William Faulkner\" - 11615","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1675_c05_c03_c09#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1675_c05_c03_c09","ref_ssm":["viu_repositories_3_resources_1675_c05_c03_c09"],"id":"viu_repositories_3_resources_1675_c05_c03_c09","ead_ssi":"viu_repositories_3_resources_1675","_root_":"viu_repositories_3_resources_1675","_nest_parent_":"viu_repositories_3_resources_1675_c05_c03","parent_ssi":"viu_repositories_3_resources_1675_c05_c03","parent_ssim":["viu_repositories_3_resources_1675","viu_repositories_3_resources_1675_c05","viu_repositories_3_resources_1675_c05_c03"],"parent_ids_ssim":["viu_repositories_3_resources_1675","viu_repositories_3_resources_1675_c05","viu_repositories_3_resources_1675_c05_c03"],"parent_unittitles_ssm":["William Faulkner Collection","Series V: Business and Legal Records","Subseries C: Papers of Hal Howland and Records Concerning William Faulkner's Cultural Diplomacy Work and Travel"],"parent_unittitles_tesim":["William Faulkner Collection","Series V: Business and Legal Records","Subseries C: Papers of Hal Howland and Records Concerning William Faulkner's Cultural Diplomacy Work and Travel"],"text":["William Faulkner Collection","Series V: Business and Legal Records","Subseries C: Papers of Hal Howland and Records Concerning William Faulkner's Cultural Diplomacy Work and Travel","18 Items - Correspondence of Harold E. Howland with Publishers Regarding his Article, \"Midnight Ride with William Faulkner\" - 11615","box 129","folder 2"],"title_filing_ssi":"18 Items - Correspondence of Harold E. Howland with Publishers Regarding his Article, \"Midnight Ride with William Faulkner\" - 11615","title_ssm":["18 Items - Correspondence of Harold E. Howland with Publishers Regarding his Article, \"Midnight Ride with William Faulkner\" - 11615"],"title_tesim":["18 Items - Correspondence of Harold E. Howland with Publishers Regarding his Article, \"Midnight Ride with William Faulkner\" - 11615"],"unitdate_inclusive_ssm":["1968-1976"],"normalized_date_ssm":["1968/1976"],"normalized_title_ssm":["18 Items - Correspondence of Harold E. Howland with Publishers Regarding his Article, \"Midnight Ride with William Faulkner\" - 11615"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["William Faulkner Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1797,"parent_access_restrict_tesm":["This collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","We are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026."],"parent_access_terms_tesm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. "],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976],"containers_ssim":["box 129","folder 2"],"_nest_path_":"/components#4/components#2/components#8","timestamp":"2026-06-06T07:07:28.695Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1675","ead_ssi":"viu_repositories_3_resources_1675","_root_":"viu_repositories_3_resources_1675","_nest_parent_":"viu_repositories_3_resources_1675","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1675.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/196837","title_filing_ssi":"Faulkner, William, Collection","title_ssm":["William Faulkner Collection"],"title_tesim":["William Faulkner Collection"],"unitdate_ssm":["1824-2006"],"unitdate_inclusive_ssm":["1824-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16807","Archival Resource Key","/repositories/3/resources/1675"],"text":["MSS 16807","Archival Resource Key","/repositories/3/resources/1675","William Faulkner Collection","Faulkner, William, 1897-1962","American literature--Southern States","American fiction--20th Century","This collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","We are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026.","Material pertaining to individual student records is restricted in accordance with the Family Education Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","The William Faulkner Collection, MSS 16807, also known as \"The William Faulkner Papers,\" centers on the life and work of William Faulkner, a renowned American author and a foundational voice in Southern Gothic Literature.  William Faulkner was born on September 15, 1897, in New Albany, Mississippi, to Murry Falkner and Maud Butler Falkner. Faulkner was primarily raised in Oxford, Mississippi. He left high school shortly after the eleventh grade in 1915 to work at his grandfather's bank. William Faulkner would go on to briefly join the Canadian Royal Air Force from 1918-1919 before coming back to Oxford, Mississippi and holding various jobs throughout Mississippi and New York until he published his first book,  Soldier's Pay , in 1926. He married Lida Estelle Oldham in 1929, and together they had one daughter to survive past infancy, Jill Faulkner, in 1933. Faulkner grew in popularity as an author after the publication of  The Sound and the Fury  in 1929. Though a Mississippi native, William Faulkner moved to Charlottesville, VA, in 1957 to be closer to Jill, her husband, Paul Summers, and their children. It was during this time that Faulkner began work as the University of Virginia's first ever writer-in-residence. Faulkner continued to teach at the University of Virginia in several different positions until his death on July 6, 1962.  ","Source: Materials within the collection.   ","This material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This material contains offensive and harmful language and imagery, including references to outdated terminology for Black individuals, references or imagery involving racism, and references or imagery involving sexual assault, domestic violence, or crimes based on gender or sexual orientation.","This collection was reprocessed during 2024-2026 by archivists Elizabeth Nosari and Kaylin Preslar. The collection was originally described in 180 different catalog records and housed in non-consecutive boxes.\nArchivists worked to bring these disparate parts together to create a single William Faulkner Collection (MSS 16807) and finding aid to improve access and discoverability.","The William Faulkner collection has historically been represented by numerous different manuscript numbers (collection identifiers). MSS 16807 is a new manuscript number which serves to identify the collection as a whole. Original manuscript numbers have been retained in this guide and are noted in the title of each item.","In this example, the original manuscript number is 6074, and \"Series IA, Item 9b\" refers to the item's original location within MSS 6074, prior to reprocessing.","Absalom, Absalom! - Typescript (17 Leaves) - 6074, Series IA, Item 9b, 1936","While original order has been prioritized in the arrangement of Series IV, specific folders related to William Faulkner have been pulled from the rest of Albert Erskine's materials within MSS 10280-d and 10280-e for Subseries A. For ease of researcher use, these materials were pulled so that all of William Faulkner's publication records would be together, and so that the remaining materials within 10280-d and 10280-e relating to other authors would not be included within the William Faulkner collection.","Series III of the William Faulkner Collection contains the personal papers, files, belongings, and related realia of William Faulkner. Materials in the collection range in date from 1824 to 2003 and are divided into eight subseries: William Faulkner's working papers related to his literary works, drawings made by Faulkner, his childhood ephemera and student records, military and flight records, family papers, honors and awards, belongings and related realia, and reminiscences or accounts of William Faulkner.  ","Many of William Faulkner's student and family records differ in the spelling of his last name due to changes made over time by family members and by Faulkner himself. For this reason, Faulkner's student and childhood records will often refer to him as \"William Falkner.\" William Faulkner's family papers are also listed as \"Faulkner/Falkner Family Papers\" for this reason.  ","The Faulkner/Falkner Family Papers are divided into smaller sub-subseries based on the order in which they would fall within Faulkner's family tree and arranged chronologically within each. The first sub-subseries is comprised of Faulkner's extended family, grandparents, parents, and siblings, including John Wesley Thompson, William Clark Falkner, John Wesley Thompson Falkner, Alabama Falkner McLean, Murry Falkner, Maud Butler Falkner, Murry Falkner II, John Wesley Thompson Falkner/Faulkner III, and Dean Swift Falkner. The second sub-subseries within the Faulkner/Falkner Family subseries includes papers belonging to William Faulkner's wife, Estelle Oldham Faulkner, and the Oldham family. The third sub-subseries includes papers belonging to Estelle's son from her first marriage to Cornell Franklin and William Faulkner's stepson, Malcolm Argyle Franklin. Included with Malcolm Argyle Franklin's papers is a small amount of material once belonging to William F. Fielden, which was originally acquired with and has been kept with Franklin's papers. Next, within the subseries are the papers once belonging to William and Estelle Faulkner's daughter Jill Faulkner Summers and the Summers family.","Series IV of the William Faulkner Collection contains William Faulkner's publication records.  Materials in the collection range in date from 1924 to 1986 and are divided into three subseries based on record provenance. The first subseries is comprised of records relating to the original publication of Faulkner's works from Random House, Inc., and Albert Erskine. The second subseries is made up of records from Noel Polk, a Faulkner scholar and editor who worked on posthumous editions and publications of Faulkner's writings. The third and last subseries, Subseries C, contains all publishing-related records not from Random House, Albert Erskine, or Noel Polk. Prominent individuals whose publishing-related correspondence and records are featured in this subseries include William Faulkner's literary agents Harold Ober and Morton Goldman.  ","Series V of the William Faulkner collection contains William Faulkner's business and legal records. Materials within the series range in date from 1922 to 2006 and are divided into four subseries, the first of which includes William Faulkner's contracts and agreements, including a copy of Faulkner's will and legal agreements pertaining to his work and property carried out by his daughter, Jill Faulkner Summers, after his death in 1962. The second subseries includes all papers from William Faulkner's literary agent, Harold Ober, with the exception of Ober's papers relating to William Faulkner's publishing records, which are included in Series IV. Subseries C contains records relating to William Faulkner's cultural diplomacy work and travel. These records include papers gifted to the University of Virginia by Hal Howland, an employee of the United States Foreign Service/State Department.  Subseries C additionally contains records and correspondence relating to William Faulkner's work with the People to People diplomatic program, given as part of a gift from Joseph Blotner, scholar and biographer of William Faulkner.  The final subseries in Series V contains records pertaining to the William Faulkner Foundation. Whenever possible, the original order of each of the previous MSS numbers within Series V has been prioritized in the arrangement of the series.","Series VI of the William Faulkner collection contains photographs and portraits of and pertaining to William Faulkner. The photographs and portraits in this series range in date from 1898 to 2005 and cover a wide range of accession numbers, one of these being Faulkner's original deposit, MSS 6074. Materials within Series VI have been arranged in order of their original accession number to emphasize their provenance and chronologically therein.","Series VII of the William Faulkner collection includes press and publicity materials related to William Faulkner. Materials within the series range in date from 1922 to 2005 and are divided into three subseries. The first subseries consists of news clippings and press coverage articles about William Faulkner, many of which were gifted by Linton Massey and Jill Faulkner Summers. The second subseries contains William Faulkner's publicity films and audio recordings of Faulkner reading his works. The final subseries includes ephemera relating to William Faulkner's publicity films. Within each of these three subseries, materials are arranged chronologically.","Series VIII of the William Faulkner collection contains materials from Faulkner's time working at the University of Virginia, where he was the university's Writer-in-Residence from 1957 to 1958, Consultant on American Literature to the Alderman Library, now Shannon Library, from around 1958 to 1961, and Balch Lecturer in American Literature from 1961 to 1962. The series is divided into three subseries: Audio Recordings from Talks and Lectures, Ephemera Related to Faulkner's Tenure, and Exhibitions about Faulkner at the Library. Materials are then arranged chronologically within each subseries.","Series IX of the William Faulkner collection contains the materials of scholars of William Faulkner and collectors of Faulkner's archival and manuscript materials. Original Faulkner materials collected by some of these individuals, such as Joseph Blotner and Linton R. Massey, have been arranged and integrated into other series of the collection, but materials related specifically to their collecting work and scholarship are included in this series. Materials within this series are organized into subseries based on the corresponding scholar/collector names, which have been arranged in alphabetical order by last name.","Series X of the William Faulkner collection includes typescripts and ephemera from adaptations of William Faulkner works for theatre, film, and television. Materials within Series X are arranged in chronological order.","This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. ","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission.","Because of the assembled nature of these photographs, copyright status varies across the series. Reproduction rights for photographs marked \"for reference use only\" are not owned by the University of Virginia. Copyright is assumed to be held by the original creator of individual items in the series; the University of Virginia is not authorized to grant permission to publish or reproduce these items. Researchers are responsible for securing permission to publish or reproduce photographs from the rights holders.","Albert and Shirley Small Special Collections Library","Faulkner, William, 1897-1962","Materials primarily in English, with some publications in French and German."],"unitid_tesim":["MSS 16807","Archival Resource Key","/repositories/3/resources/1675"],"normalized_title_ssm":["William Faulkner Collection"],"collection_title_tesim":["William Faulkner Collection"],"collection_ssim":["William Faulkner Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Faulkner, William, 1897-1962"],"creator_ssim":["Faulkner, William, 1897-1962"],"creator_persname_ssim":["Faulkner, William, 1897-1962"],"creators_ssim":["Faulkner, William, 1897-1962"],"access_terms_ssm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. "],"access_subjects_ssim":["Faulkner, William, 1897-1962","American literature--Southern States","American fiction--20th Century"],"access_subjects_ssm":["Faulkner, William, 1897-1962","American literature--Southern States","American fiction--20th Century"],"has_online_content_ssim":["false"],"extent_ssm":["115 Cubic Feet"],"extent_tesim":["115 Cubic Feet"],"genreform_ssim":["American literature--Southern States","American fiction--20th Century"],"date_range_isim":[1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.\u003c/p\u003e\n","\u003cp\u003eWe are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026.\u003c/p\u003e","\u003cp\u003eMaterial pertaining to individual student records is restricted in accordance with the Family Education Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","We are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026.","Material pertaining to individual student records is restricted in accordance with the Family Education Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records."],"bioghist_html_tesm":["\u003cp\u003eThe William Faulkner Collection, MSS 16807, also known as \"The William Faulkner Papers,\" centers on the life and work of William Faulkner, a renowned American author and a foundational voice in Southern Gothic Literature.  William Faulkner was born on September 15, 1897, in New Albany, Mississippi, to Murry Falkner and Maud Butler Falkner. Faulkner was primarily raised in Oxford, Mississippi. He left high school shortly after the eleventh grade in 1915 to work at his grandfather's bank. William Faulkner would go on to briefly join the Canadian Royal Air Force from 1918-1919 before coming back to Oxford, Mississippi and holding various jobs throughout Mississippi and New York until he published his first book, \u003cemph render=\"italic\"\u003e\u003ctitle\u003eSoldier's Pay\u003c/title\u003e\u003c/emph\u003e, in 1926. He married Lida Estelle Oldham in 1929, and together they had one daughter to survive past infancy, Jill Faulkner, in 1933. Faulkner grew in popularity as an author after the publication of \u003ctitle\u003e\u003cemph render=\"italic\"\u003eThe Sound and the Fury\u003c/emph\u003e\u003c/title\u003e in 1929. Though a Mississippi native, William Faulkner moved to Charlottesville, VA, in 1957 to be closer to Jill, her husband, Paul Summers, and their children. It was during this time that Faulkner began work as the University of Virginia's first ever writer-in-residence. Faulkner continued to teach at the University of Virginia in several different positions until his death on July 6, 1962.  \u003c/p\u003e\n","\u003cp\u003eSource: Materials within the collection.   \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The William Faulkner Collection, MSS 16807, also known as \"The William Faulkner Papers,\" centers on the life and work of William Faulkner, a renowned American author and a foundational voice in Southern Gothic Literature.  William Faulkner was born on September 15, 1897, in New Albany, Mississippi, to Murry Falkner and Maud Butler Falkner. Faulkner was primarily raised in Oxford, Mississippi. He left high school shortly after the eleventh grade in 1915 to work at his grandfather's bank. William Faulkner would go on to briefly join the Canadian Royal Air Force from 1918-1919 before coming back to Oxford, Mississippi and holding various jobs throughout Mississippi and New York until he published his first book,  Soldier's Pay , in 1926. He married Lida Estelle Oldham in 1929, and together they had one daughter to survive past infancy, Jill Faulkner, in 1933. Faulkner grew in popularity as an author after the publication of  The Sound and the Fury  in 1929. Though a Mississippi native, William Faulkner moved to Charlottesville, VA, in 1957 to be closer to Jill, her husband, Paul Summers, and their children. It was during this time that Faulkner began work as the University of Virginia's first ever writer-in-residence. Faulkner continued to teach at the University of Virginia in several different positions until his death on July 6, 1962.  ","Source: Materials within the collection.   "],"odd_html_tesm":["\u003cp\u003eThis material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThis material contains offensive and harmful language and imagery, including references to outdated terminology for Black individuals, references or imagery involving racism, and references or imagery involving sexual assault, domestic violence, or crimes based on gender or sexual orientation.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Content Warning"],"odd_tesim":["This material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This material contains offensive and harmful language and imagery, including references to outdated terminology for Black individuals, references or imagery involving racism, and references or imagery involving sexual assault, domestic violence, or crimes based on gender or sexual orientation."],"prefercite_html_tesm":["\u003cp\u003eMSS 16807 William Faulkner collection, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16807 William Faulkner collection, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThis collection was reprocessed during 2024-2026 by archivists Elizabeth Nosari and Kaylin Preslar. The collection was originally described in 180 different catalog records and housed in non-consecutive boxes.\nArchivists worked to bring these disparate parts together to create a single William Faulkner Collection (MSS 16807) and finding aid to improve access and discoverability.\u003c/p\u003e","\u003cp\u003eThe William Faulkner collection has historically been represented by numerous different manuscript numbers (collection identifiers). MSS 16807 is a new manuscript number which serves to identify the collection as a whole. Original manuscript numbers have been retained in this guide and are noted in the title of each item.\u003c/p\u003e","\u003cp\u003eIn this example, the original manuscript number is 6074, and \"Series IA, Item 9b\" refers to the item's original location within MSS 6074, prior to reprocessing.\u003c/p\u003e","\u003cp\u003eAbsalom, Absalom! - Typescript (17 Leaves) - 6074, Series IA, Item 9b, 1936\u003c/p\u003e","\u003cp\u003eWhile original order has been prioritized in the arrangement of Series IV, specific folders related to William Faulkner have been pulled from the rest of Albert Erskine's materials within MSS 10280-d and 10280-e for Subseries A. For ease of researcher use, these materials were pulled so that all of William Faulkner's publication records would be together, and so that the remaining materials within 10280-d and 10280-e relating to other authors would not be included within the William Faulkner collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["This collection was reprocessed during 2024-2026 by archivists Elizabeth Nosari and Kaylin Preslar. The collection was originally described in 180 different catalog records and housed in non-consecutive boxes.\nArchivists worked to bring these disparate parts together to create a single William Faulkner Collection (MSS 16807) and finding aid to improve access and discoverability.","The William Faulkner collection has historically been represented by numerous different manuscript numbers (collection identifiers). MSS 16807 is a new manuscript number which serves to identify the collection as a whole. Original manuscript numbers have been retained in this guide and are noted in the title of each item.","In this example, the original manuscript number is 6074, and \"Series IA, Item 9b\" refers to the item's original location within MSS 6074, prior to reprocessing.","Absalom, Absalom! - Typescript (17 Leaves) - 6074, Series IA, Item 9b, 1936","While original order has been prioritized in the arrangement of Series IV, specific folders related to William Faulkner have been pulled from the rest of Albert Erskine's materials within MSS 10280-d and 10280-e for Subseries A. For ease of researcher use, these materials were pulled so that all of William Faulkner's publication records would be together, and so that the remaining materials within 10280-d and 10280-e relating to other authors would not be included within the William Faulkner collection."],"scopecontent_html_tesm":["\u003cp\u003eSeries III of the William Faulkner Collection contains the personal papers, files, belongings, and related realia of William Faulkner. Materials in the collection range in date from 1824 to 2003 and are divided into eight subseries: William Faulkner's working papers related to his literary works, drawings made by Faulkner, his childhood ephemera and student records, military and flight records, family papers, honors and awards, belongings and related realia, and reminiscences or accounts of William Faulkner.  \u003c/p\u003e\n","\u003cp\u003eMany of William Faulkner's student and family records differ in the spelling of his last name due to changes made over time by family members and by Faulkner himself. For this reason, Faulkner's student and childhood records will often refer to him as \"William Falkner.\" William Faulkner's family papers are also listed as \"Faulkner/Falkner Family Papers\" for this reason.  \u003c/p\u003e","\u003cp\u003eThe Faulkner/Falkner Family Papers are divided into smaller sub-subseries based on the order in which they would fall within Faulkner's family tree and arranged chronologically within each. The first sub-subseries is comprised of Faulkner's extended family, grandparents, parents, and siblings, including John Wesley Thompson, William Clark Falkner, John Wesley Thompson Falkner, Alabama Falkner McLean, Murry Falkner, Maud Butler Falkner, Murry Falkner II, John Wesley Thompson Falkner/Faulkner III, and Dean Swift Falkner. The second sub-subseries within the Faulkner/Falkner Family subseries includes papers belonging to William Faulkner's wife, Estelle Oldham Faulkner, and the Oldham family. The third sub-subseries includes papers belonging to Estelle's son from her first marriage to Cornell Franklin and William Faulkner's stepson, Malcolm Argyle Franklin. Included with Malcolm Argyle Franklin's papers is a small amount of material once belonging to William F. Fielden, which was originally acquired with and has been kept with Franklin's papers. Next, within the subseries are the papers once belonging to William and Estelle Faulkner's daughter Jill Faulkner Summers and the Summers family.\u003c/p\u003e","\u003cp\u003eSeries IV of the William Faulkner Collection contains William Faulkner's publication records.  Materials in the collection range in date from 1924 to 1986 and are divided into three subseries based on record provenance. The first subseries is comprised of records relating to the original publication of Faulkner's works from Random House, Inc., and Albert Erskine. The second subseries is made up of records from Noel Polk, a Faulkner scholar and editor who worked on posthumous editions and publications of Faulkner's writings. The third and last subseries, Subseries C, contains all publishing-related records not from Random House, Albert Erskine, or Noel Polk. Prominent individuals whose publishing-related correspondence and records are featured in this subseries include William Faulkner's literary agents Harold Ober and Morton Goldman.  \u003c/p\u003e","\u003cp\u003eSeries V of the William Faulkner collection contains William Faulkner's business and legal records. Materials within the series range in date from 1922 to 2006 and are divided into four subseries, the first of which includes William Faulkner's contracts and agreements, including a copy of Faulkner's will and legal agreements pertaining to his work and property carried out by his daughter, Jill Faulkner Summers, after his death in 1962. The second subseries includes all papers from William Faulkner's literary agent, Harold Ober, with the exception of Ober's papers relating to William Faulkner's publishing records, which are included in Series IV. Subseries C contains records relating to William Faulkner's cultural diplomacy work and travel. These records include papers gifted to the University of Virginia by Hal Howland, an employee of the United States Foreign Service/State Department.  Subseries C additionally contains records and correspondence relating to William Faulkner's work with the People to People diplomatic program, given as part of a gift from Joseph Blotner, scholar and biographer of William Faulkner.  The final subseries in Series V contains records pertaining to the William Faulkner Foundation. Whenever possible, the original order of each of the previous MSS numbers within Series V has been prioritized in the arrangement of the series.\u003c/p\u003e","\u003cp\u003eSeries VI of the William Faulkner collection contains photographs and portraits of and pertaining to William Faulkner. The photographs and portraits in this series range in date from 1898 to 2005 and cover a wide range of accession numbers, one of these being Faulkner's original deposit, MSS 6074. Materials within Series VI have been arranged in order of their original accession number to emphasize their provenance and chronologically therein.\u003c/p\u003e","\u003cp\u003eSeries VII of the William Faulkner collection includes press and publicity materials related to William Faulkner. Materials within the series range in date from 1922 to 2005 and are divided into three subseries. The first subseries consists of news clippings and press coverage articles about William Faulkner, many of which were gifted by Linton Massey and Jill Faulkner Summers. The second subseries contains William Faulkner's publicity films and audio recordings of Faulkner reading his works. The final subseries includes ephemera relating to William Faulkner's publicity films. Within each of these three subseries, materials are arranged chronologically.\u003c/p\u003e","\u003cp\u003eSeries VIII of the William Faulkner collection contains materials from Faulkner's time working at the University of Virginia, where he was the university's Writer-in-Residence from 1957 to 1958, Consultant on American Literature to the Alderman Library, now Shannon Library, from around 1958 to 1961, and Balch Lecturer in American Literature from 1961 to 1962. The series is divided into three subseries: Audio Recordings from Talks and Lectures, Ephemera Related to Faulkner's Tenure, and Exhibitions about Faulkner at the Library. Materials are then arranged chronologically within each subseries.\u003c/p\u003e","\u003cp\u003eSeries IX of the William Faulkner collection contains the materials of scholars of William Faulkner and collectors of Faulkner's archival and manuscript materials. Original Faulkner materials collected by some of these individuals, such as Joseph Blotner and Linton R. Massey, have been arranged and integrated into other series of the collection, but materials related specifically to their collecting work and scholarship are included in this series. Materials within this series are organized into subseries based on the corresponding scholar/collector names, which have been arranged in alphabetical order by last name.\u003c/p\u003e","\u003cp\u003eSeries X of the William Faulkner collection includes typescripts and ephemera from adaptations of William Faulkner works for theatre, film, and television. Materials within Series X are arranged in chronological order.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Series III of the William Faulkner Collection contains the personal papers, files, belongings, and related realia of William Faulkner. Materials in the collection range in date from 1824 to 2003 and are divided into eight subseries: William Faulkner's working papers related to his literary works, drawings made by Faulkner, his childhood ephemera and student records, military and flight records, family papers, honors and awards, belongings and related realia, and reminiscences or accounts of William Faulkner.  ","Many of William Faulkner's student and family records differ in the spelling of his last name due to changes made over time by family members and by Faulkner himself. For this reason, Faulkner's student and childhood records will often refer to him as \"William Falkner.\" William Faulkner's family papers are also listed as \"Faulkner/Falkner Family Papers\" for this reason.  ","The Faulkner/Falkner Family Papers are divided into smaller sub-subseries based on the order in which they would fall within Faulkner's family tree and arranged chronologically within each. The first sub-subseries is comprised of Faulkner's extended family, grandparents, parents, and siblings, including John Wesley Thompson, William Clark Falkner, John Wesley Thompson Falkner, Alabama Falkner McLean, Murry Falkner, Maud Butler Falkner, Murry Falkner II, John Wesley Thompson Falkner/Faulkner III, and Dean Swift Falkner. The second sub-subseries within the Faulkner/Falkner Family subseries includes papers belonging to William Faulkner's wife, Estelle Oldham Faulkner, and the Oldham family. The third sub-subseries includes papers belonging to Estelle's son from her first marriage to Cornell Franklin and William Faulkner's stepson, Malcolm Argyle Franklin. Included with Malcolm Argyle Franklin's papers is a small amount of material once belonging to William F. Fielden, which was originally acquired with and has been kept with Franklin's papers. Next, within the subseries are the papers once belonging to William and Estelle Faulkner's daughter Jill Faulkner Summers and the Summers family.","Series IV of the William Faulkner Collection contains William Faulkner's publication records.  Materials in the collection range in date from 1924 to 1986 and are divided into three subseries based on record provenance. The first subseries is comprised of records relating to the original publication of Faulkner's works from Random House, Inc., and Albert Erskine. The second subseries is made up of records from Noel Polk, a Faulkner scholar and editor who worked on posthumous editions and publications of Faulkner's writings. The third and last subseries, Subseries C, contains all publishing-related records not from Random House, Albert Erskine, or Noel Polk. Prominent individuals whose publishing-related correspondence and records are featured in this subseries include William Faulkner's literary agents Harold Ober and Morton Goldman.  ","Series V of the William Faulkner collection contains William Faulkner's business and legal records. Materials within the series range in date from 1922 to 2006 and are divided into four subseries, the first of which includes William Faulkner's contracts and agreements, including a copy of Faulkner's will and legal agreements pertaining to his work and property carried out by his daughter, Jill Faulkner Summers, after his death in 1962. The second subseries includes all papers from William Faulkner's literary agent, Harold Ober, with the exception of Ober's papers relating to William Faulkner's publishing records, which are included in Series IV. Subseries C contains records relating to William Faulkner's cultural diplomacy work and travel. These records include papers gifted to the University of Virginia by Hal Howland, an employee of the United States Foreign Service/State Department.  Subseries C additionally contains records and correspondence relating to William Faulkner's work with the People to People diplomatic program, given as part of a gift from Joseph Blotner, scholar and biographer of William Faulkner.  The final subseries in Series V contains records pertaining to the William Faulkner Foundation. Whenever possible, the original order of each of the previous MSS numbers within Series V has been prioritized in the arrangement of the series.","Series VI of the William Faulkner collection contains photographs and portraits of and pertaining to William Faulkner. The photographs and portraits in this series range in date from 1898 to 2005 and cover a wide range of accession numbers, one of these being Faulkner's original deposit, MSS 6074. Materials within Series VI have been arranged in order of their original accession number to emphasize their provenance and chronologically therein.","Series VII of the William Faulkner collection includes press and publicity materials related to William Faulkner. Materials within the series range in date from 1922 to 2005 and are divided into three subseries. The first subseries consists of news clippings and press coverage articles about William Faulkner, many of which were gifted by Linton Massey and Jill Faulkner Summers. The second subseries contains William Faulkner's publicity films and audio recordings of Faulkner reading his works. The final subseries includes ephemera relating to William Faulkner's publicity films. Within each of these three subseries, materials are arranged chronologically.","Series VIII of the William Faulkner collection contains materials from Faulkner's time working at the University of Virginia, where he was the university's Writer-in-Residence from 1957 to 1958, Consultant on American Literature to the Alderman Library, now Shannon Library, from around 1958 to 1961, and Balch Lecturer in American Literature from 1961 to 1962. The series is divided into three subseries: Audio Recordings from Talks and Lectures, Ephemera Related to Faulkner's Tenure, and Exhibitions about Faulkner at the Library. Materials are then arranged chronologically within each subseries.","Series IX of the William Faulkner collection contains the materials of scholars of William Faulkner and collectors of Faulkner's archival and manuscript materials. Original Faulkner materials collected by some of these individuals, such as Joseph Blotner and Linton R. Massey, have been arranged and integrated into other series of the collection, but materials related specifically to their collecting work and scholarship are included in this series. Materials within this series are organized into subseries based on the corresponding scholar/collector names, which have been arranged in alphabetical order by last name.","Series X of the William Faulkner collection includes typescripts and ephemera from adaptations of William Faulkner works for theatre, film, and television. Materials within Series X are arranged in chronological order."],"userestrict_html_tesm":["\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  \u003c/p\u003e\n","\u003cp\u003ePermissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing\u003c/p\u003e\n","\u003cp\u003ePlease note that W.W. Norton holds copyright to all of Faulkner's published works.\u003c/p\u003e\n","\u003cp\u003eIf you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000\u003c/p\u003e\n","\u003cp\u003eFor permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026amp; Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com\u003c/p\u003e\n","\u003cp\u003eFor permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156\u003c/p\u003e\n","\u003cp\u003ePhotocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. \u003c/p\u003e","\u003cp\u003ePhotocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission.\u003c/p\u003e","\u003cp\u003eBecause of the assembled nature of these photographs, copyright status varies across the series. Reproduction rights for photographs marked \"for reference use only\" are not owned by the University of Virginia. Copyright is assumed to be held by the original creator of individual items in the series; the University of Virginia is not authorized to grant permission to publish or reproduce these items. Researchers are responsible for securing permission to publish or reproduce photographs from the rights holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. ","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission.","Because of the assembled nature of these photographs, copyright status varies across the series. Reproduction rights for photographs marked \"for reference use only\" are not owned by the University of Virginia. Copyright is assumed to be held by the original creator of individual items in the series; the University of Virginia is not authorized to grant permission to publish or reproduce these items. Researchers are responsible for securing permission to publish or reproduce photographs from the rights holders."],"names_ssim":["Albert and Shirley Small Special Collections Library","Faulkner, William, 1897-1962"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Faulkner, William, 1897-1962"],"language_ssim":["Materials primarily in English, with some publications in French and German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3366,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-06T07:07:28.695Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1675_c05_c03_c09"}},{"id":"vihdsc_repositories_2_resources_2_c11_c288","type":"Item","attributes":{"title":"18 medals pinned into fabric within a wooden frame | XXX, Cyrillic","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihdsc_repositories_2_resources_2_c11_c288#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihdsc_repositories_2_resources_2_c11_c288","ref_ssm":["vihdsc_repositories_2_resources_2_c11_c288"],"id":"vihdsc_repositories_2_resources_2_c11_c288","ead_ssi":"vihdsc_repositories_2_resources_2","_root_":"vihdsc_repositories_2_resources_2","_nest_parent_":"vihdsc_repositories_2_resources_2_c11","parent_ssi":"vihdsc_repositories_2_resources_2_c11","parent_ssim":["vihdsc_repositories_2_resources_2","vihdsc_repositories_2_resources_2_c11"],"parent_ids_ssim":["vihdsc_repositories_2_resources_2","vihdsc_repositories_2_resources_2_c11"],"parent_unittitles_ssm":["Samuel Vaughan Wilson Papers","Series XI: Memorabilia and Oversize items"],"parent_unittitles_tesim":["Samuel Vaughan Wilson Papers","Series XI: Memorabilia and Oversize items"],"text":["Samuel Vaughan Wilson Papers","Series XI: Memorabilia and Oversize items","18 medals pinned into fabric within a wooden frame | XXX, Cyrillic","Location Room 400"],"title_filing_ssi":"18 medals pinned into fabric within a wooden frame | XXX, Cyrillic","title_ssm":["18 medals pinned into fabric within a wooden frame | XXX, Cyrillic"],"title_tesim":["18 medals pinned into fabric within a wooden frame | XXX, Cyrillic"],"unitdate_inclusive_ssm":["1945/1975"],"normalized_date_ssm":["1945/1975"],"normalized_title_ssm":["18 medals pinned into fabric within a wooden frame | XXX, Cyrillic"],"component_level_isim":[2],"repository_ssim":["Hampden-Sydney College"],"collection_ssim":["Samuel Vaughan Wilson Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":4005,"parent_access_restrict_tesm":["Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request."],"parent_access_terms_tesm":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.","The materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.","This collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975],"containers_ssim":["Location Room 400"],"_nest_path_":"/components#10/components#287","timestamp":"2026-05-21T04:20:05.810Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihdsc_repositories_2_resources_2","ead_ssi":"vihdsc_repositories_2_resources_2","_root_":"vihdsc_repositories_2_resources_2","_nest_parent_":"vihdsc_repositories_2_resources_2","ead_source_url_ssi":"data/oai/HSC/repositories_2_resources_2.xml","aspace_url_ssi":"http://archivespace.hsc.edu:8081/ark:/45832/41","title_filing_ssi":"Samuel Vaughan Wilson Papers","title_ssm":["Samuel Vaughan Wilson Papers"],"title_tesim":["Samuel Vaughan Wilson Papers"],"unitdate_ssm":["1945/2017"],"unitdate_inclusive_ssm":["1945/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.000101"],"text":["SC.000101","Samuel Vaughan Wilson Papers","Prince Edward County (Va.)","Hampden-Sydney College","United States Army","Military history","Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request.","This collection is divided into 11 Series:  \n01: Wilson genealogy, family papers, and biographical material, 1780/2017 \n02: Miscellaneous subjects related to Wilson's life and career \n03: World War II and Vietnam \n04: Wilson correspondence and other papers \n05: Speeches and writings \n06: Financial papers \n07: Miscellaneous writings and publications \n08: Teaching and course materials \n09: Photographs and scrapbooks \n10: Audiovisual materials \n11: Memorabilia and oversize items","General Samuel Vaughan Wilson was a highly decorated veteran of World War II, Cold War intelligence officer, commander in Vietnam, and president of Hampden-Sydney College for eight years. Wilson spent more than 35 years working for the United States military, eventually rising to the rank of lieutenant general. Over the course of his career, General Wilson worked for the Central Intelligence Agency and the Defense Intelligence Agency and played a prominent role in formulating the army's counter-insurgency (COIN) doctrine.  ","Wilson was born September 23, 1923 in Rice, Virginia. He was the son of Jasper Dennis \"Cap'n Jack\" Wilson (1879-1959) and Helen Wilson (1893-1955). Sam's family had deep roots in rural Virginia and the Prince Edward County area. After graduating from high school in 1940, and inspired by a speech by Winston Churchill, Sam enlisted in the Virginia National Guard, though he lied about his age in order to enter the service (originally as a bugler). He quickly rose through the ranks, becoming a second lieutenant by the age of 18.","During World War II, Sam volunteered for the 5307th Composite Unit (Provisional), better known as \"Merrill's Marauders.\" The Marauders gained fame in what was then Burma. The 3,000 man force fought Japanese troops behind the lines with the help of English, Indian, and Burmese forces. The Marauders suffered more than 95% casualties. Sam was among those who were wounded, killed, or who fell ill in the tropical and mountainous conditions. He served only a few months in the Marauders, but his experiences were formative. He won the respect of his men for his scouting missions, which often found him miles ahead of Japanese forces. For his conduct, Sam was awarded the Distinguished Service Cross, but he had to wait years to get it. Later, Sam served as a historical advisor to the 1962 Sam Fuller film Merrill's Marauders and had a speaking role in the movie.","After the war, Sam joined the ranks of U.S. intelligence, tasked with containing communism and maintaining the balance of power in Europe. Sam was a student at Columbia University, where, as an officer in OSS (Office of Strategic Services), he studied Russia and Russian history. He became fluent in Russian and German and later spoke other languages as well. Despite his intelligence and accomplishments, Sam never obtained a college degree, though later in life he received various honorary degrees.","In the 1950s, now a major, Wilson worked in Germany as a spy, a job that not only put his life in danger, but placed extraordinary pressure on his family, who traveled with him. Nevertheless, by the 1950s, Sam's career had established a pattern: he would travel across the globe, while also working for long stretches in the United States. Over the course of his career, he served at various military posts, including Fort Bragg, Fort Leavenworth, and Fort Benning.","In the early 1960s, Colonel Wilson worked with Ed Lansdale in Washington, D.C., to formulate the United States' counterinsurgeny doctrine. In Vietnam, Sam would help implement this doctrine. Sam believed the war against communism could not be won in Vietnam without the support of the local population. Winning the \"hearts and minds\" of civilians, therefore, was essential to victory. Eventually, Sam was put in charge of pacification efforts in Long An province in 1967. He served in that capacity for several months before returning to the States in late 1967 to teach Special Forces at Fort Bragg. Decades later, Sam served as a commentator for Ken Burns's critically acclaimed documentary on the Vietnam War.","Sam continued to rise in the ranks, earning promotion to major general and then lieutenant general before retiring in 1977. He spent extended periods of time in the 1970s in the Soviet Union as an intelligence officer. He also developed close relationships with men in government such as George H. W. Bush and Donald Rumsfeld. Sam's last post was as director of the Defense Intelligence Agency. His decision to retire was not just for his benefit, but done out of concern for the health of his wife, Brenda.","After retiring from the military, at the behest of his friend Earl \"Frosty\" Lockwood, Sam worked as a consultant for the small, D.C. area intelligence firm Betac. Despite pressure from some admirers, Sam mostly kept out of politics and avoided calls for running for office. He spent most of his time on his farm and taught college courses on politics and government at Longwood University and HSC. A man of faith, he also taught Sunday School in the Farmville area. A warm and outgoing man who liked to tell stories, Sam was an accomplished musician, who liked to play piano and guitar for the many visitors to the farm.  ","In 1992, Sam was chosen to be president of Hampden-Sydney College and served in the position until 2000. As president, one of Sam's first accomplishments was refurbishing campus buildings that had fallen into disrepair. He also was responsible for significantly growing the HSC endowment. In 1996, HSC gained national attention for its decision, after a long and highly publicized debate, the college chose to remain an all-male college. Sam was also responsible for bringing many celebrities to campus for major events. In 1993, HSC held a symposium on the Vietnam War attended by General William Westmoreland, film director Oliver Stone, and journalist Morley Safer, among others. Other celebrities that visited during Sam's tenure included actor James Earl Jones, authors Doris Goodwin and Tom Clancy, and controversial former military officer and aspiring politician Oliver North.","After retiring from the presidency, Sam continued to teach and remain active in the Farmville area. He worked with HSC undergraduate Drew Prehmus to complete the biography \"General Sam.\" Sam died on June 10, 2017 of lung cancer at the age of 93. ","Sam was married twice, the first time to Frances Brenda Downing (1926-1987), whom Sam met while stationed at Fort Benning shortly after the war. They had four children: Sam Jr. (1946-), Susi (1949- ), Jackson (1952-), and David (1957-). After the death of Brenda in 1987, Sam remarried to Susi Wilson (born Virginia Howton), who was herself a native of the South and an officer in the U.S. military.","This record contains a folder forwarded from General Sam Wilson's son, Jack, who was a frequent editor and collaborator with his father. This record was emailed as a zipped file to General Wilson's wife, Susi, who then forwarded them via email to Ryan Pemberton, head of the Wilson Center, who then emailed them to the H-SC Archives. Once unzipped, a logical disk image of the files was created. Bulk Extractor Reports were run to identify sensitive information, and saved in a separate folder. The three folders found here represent the unzipped file folder as received, the logical disk image of file folder created with FTK Imager, and the Bulk Extractor Reports Created after scanning all files. MD5 Checksums for each folder are also included.","This folder contains additional born-digital items provided for the Samuel Vaughan Wilson Papers by General Sam's widow, Susi. The contents of this folder were downloaded from a dropbox account owned by Susi Wilson on 10/01/2021. The contents have not been examined at the item level.   This record was downloaded as a zip file from Dropbox. Once unzipped, a logical disk image of the files was created.  Bulk Extractor and Brunnhilde Reports were run to identify sensitive information, and saved in a separate folder. The three folders found here represent the unzipped file folder as received, the logical disk image of file folder created with FTK Imager, and the Bulk Extractor and Brunnhilde Reports created after scanning all files.","This item contains additional born-digital items provided for the Samuel Vaughan Wilson Papers by Colonel Greg Eanes, USAF. The contents of this archival item were copied on 2021-10-19 from an external hard drive donated by Colonel Eanes on 2019-11-05. The contents have not been examined at the item level.","A logical copy of the hard drive was made on 2021-10-19. Bulk Extractor and Brunnhilde reports were run to identify sensitive information, and saved in a separate folder. A virus scan was also run on the contents of the external hard drive. The two folders found in this bag represent the logical copy of the external hard drive (including checksum), and the Bulk Extractor, Brunnhilde, and Virus Scan reports created after scanning the directory. ","This text was prepared by Sarah E. Almond of Hampden-Sydney College Archives \u0026 Special Collections on 2021-10-19.","Processed by: Colin E. Woodward, 2019/2021; machine-readable finding aid created by: Colin E. Woodward, 2021 July; additions to finding aid by: Sarah Almond, 2021 October-2022 February.","This collection contains the entirety of General Samuel Vaughan Wilson's personal and professional papers, as donated to Hampden-Sydney College by his widow in 2019. Topics include the Vietnam and Second World Wars, the development of the United States of America's intelligence and counter-intelligence communities, military strategy, and Wilson's role as president of Hampden-Sydney College from 1992 until 2000.","The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.","The materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.","This collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.","Hampden-Sydney College Archives \u0026 Special Collections","Wilson, Samuel (Samuel Vaughan)","English \n.    "],"unitid_tesim":["SC.000101"],"normalized_title_ssm":["Samuel Vaughan Wilson Papers"],"collection_title_tesim":["Samuel Vaughan Wilson Papers"],"collection_ssim":["Samuel Vaughan Wilson Papers"],"repository_ssm":["Hampden-Sydney College"],"repository_ssim":["Hampden-Sydney College"],"geogname_ssm":["Prince Edward County (Va.)","Hampden-Sydney College"],"geogname_ssim":["Prince Edward County (Va.)","Hampden-Sydney College"],"places_ssim":["Prince Edward County (Va.)","Hampden-Sydney College"],"access_terms_ssm":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.","The materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.","This collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"access_subjects_ssim":["United States Army","Military history"],"access_subjects_ssm":["United States Army","Military history"],"has_online_content_ssim":["false"],"extent_ssm":["140 Linear Feet 270 boxes"],"extent_tesim":["140 Linear Feet 270 boxes"],"genreform_ssim":["Military history"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access to Materials"],"accessrestrict_tesim":["Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into 11 Series: \u003cbr\u003e\n\u003cbr\u003e\n01: Wilson genealogy, family papers, and biographical material, 1780/2017\u003cbr\u003e\n02: Miscellaneous subjects related to Wilson's life and career\u003cbr\u003e\n03: World War II and Vietnam\u003cbr\u003e\n04: Wilson correspondence and other papers\u003cbr\u003e\n05: Speeches and writings\u003cbr\u003e\n06: Financial papers\u003cbr\u003e\n07: Miscellaneous writings and publications\u003cbr\u003e\n08: Teaching and course materials\u003cbr\u003e\n09: Photographs and scrapbooks\u003cbr\u003e\n10: Audiovisual materials\u003cbr\u003e\n11: Memorabilia and oversize items\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into 11 Series:  \n01: Wilson genealogy, family papers, and biographical material, 1780/2017 \n02: Miscellaneous subjects related to Wilson's life and career \n03: World War II and Vietnam \n04: Wilson correspondence and other papers \n05: Speeches and writings \n06: Financial papers \n07: Miscellaneous writings and publications \n08: Teaching and course materials \n09: Photographs and scrapbooks \n10: Audiovisual materials \n11: Memorabilia and oversize items"],"bioghist_html_tesm":["\u003cp\u003eGeneral Samuel Vaughan Wilson was a highly decorated veteran of World War II, Cold War intelligence officer, commander in Vietnam, and president of Hampden-Sydney College for eight years. Wilson spent more than 35 years working for the United States military, eventually rising to the rank of lieutenant general. Over the course of his career, General Wilson worked for the Central Intelligence Agency and the Defense Intelligence Agency and played a prominent role in formulating the army's counter-insurgency (COIN) doctrine.  \u003c/p\u003e\n","\u003cp\u003eWilson was born September 23, 1923 in Rice, Virginia. He was the son of Jasper Dennis \"Cap'n Jack\" Wilson (1879-1959) and Helen Wilson (1893-1955). Sam's family had deep roots in rural Virginia and the Prince Edward County area. After graduating from high school in 1940, and inspired by a speech by Winston Churchill, Sam enlisted in the Virginia National Guard, though he lied about his age in order to enter the service (originally as a bugler). He quickly rose through the ranks, becoming a second lieutenant by the age of 18.\u003c/p\u003e\n","\u003cp\u003eDuring World War II, Sam volunteered for the 5307th Composite Unit (Provisional), better known as \"Merrill's Marauders.\" The Marauders gained fame in what was then Burma. The 3,000 man force fought Japanese troops behind the lines with the help of English, Indian, and Burmese forces. The Marauders suffered more than 95% casualties. Sam was among those who were wounded, killed, or who fell ill in the tropical and mountainous conditions. He served only a few months in the Marauders, but his experiences were formative. He won the respect of his men for his scouting missions, which often found him miles ahead of Japanese forces. For his conduct, Sam was awarded the Distinguished Service Cross, but he had to wait years to get it. Later, Sam served as a historical advisor to the 1962 Sam Fuller film Merrill's Marauders and had a speaking role in the movie.\u003c/p\u003e\n","\u003cp\u003eAfter the war, Sam joined the ranks of U.S. intelligence, tasked with containing communism and maintaining the balance of power in Europe. Sam was a student at Columbia University, where, as an officer in OSS (Office of Strategic Services), he studied Russia and Russian history. He became fluent in Russian and German and later spoke other languages as well. Despite his intelligence and accomplishments, Sam never obtained a college degree, though later in life he received various honorary degrees.\u003c/p\u003e\n","\u003cp\u003eIn the 1950s, now a major, Wilson worked in Germany as a spy, a job that not only put his life in danger, but placed extraordinary pressure on his family, who traveled with him. Nevertheless, by the 1950s, Sam's career had established a pattern: he would travel across the globe, while also working for long stretches in the United States. Over the course of his career, he served at various military posts, including Fort Bragg, Fort Leavenworth, and Fort Benning.\u003c/p\u003e\n","\u003cp\u003eIn the early 1960s, Colonel Wilson worked with Ed Lansdale in Washington, D.C., to formulate the United States' counterinsurgeny doctrine. In Vietnam, Sam would help implement this doctrine. Sam believed the war against communism could not be won in Vietnam without the support of the local population. Winning the \"hearts and minds\" of civilians, therefore, was essential to victory. Eventually, Sam was put in charge of pacification efforts in Long An province in 1967. He served in that capacity for several months before returning to the States in late 1967 to teach Special Forces at Fort Bragg. Decades later, Sam served as a commentator for Ken Burns's critically acclaimed documentary on the Vietnam War.\u003c/p\u003e\n","\u003cp\u003eSam continued to rise in the ranks, earning promotion to major general and then lieutenant general before retiring in 1977. He spent extended periods of time in the 1970s in the Soviet Union as an intelligence officer. He also developed close relationships with men in government such as George H. W. Bush and Donald Rumsfeld. Sam's last post was as director of the Defense Intelligence Agency. His decision to retire was not just for his benefit, but done out of concern for the health of his wife, Brenda.\u003c/p\u003e\n","\u003cp\u003eAfter retiring from the military, at the behest of his friend Earl \"Frosty\" Lockwood, Sam worked as a consultant for the small, D.C. area intelligence firm Betac. Despite pressure from some admirers, Sam mostly kept out of politics and avoided calls for running for office. He spent most of his time on his farm and taught college courses on politics and government at Longwood University and HSC. A man of faith, he also taught Sunday School in the Farmville area. A warm and outgoing man who liked to tell stories, Sam was an accomplished musician, who liked to play piano and guitar for the many visitors to the farm.  \u003c/p\u003e\n","\u003cp\u003eIn 1992, Sam was chosen to be president of Hampden-Sydney College and served in the position until 2000. As president, one of Sam's first accomplishments was refurbishing campus buildings that had fallen into disrepair. He also was responsible for significantly growing the HSC endowment. In 1996, HSC gained national attention for its decision, after a long and highly publicized debate, the college chose to remain an all-male college. Sam was also responsible for bringing many celebrities to campus for major events. In 1993, HSC held a symposium on the Vietnam War attended by General William Westmoreland, film director Oliver Stone, and journalist Morley Safer, among others. Other celebrities that visited during Sam's tenure included actor James Earl Jones, authors Doris Goodwin and Tom Clancy, and controversial former military officer and aspiring politician Oliver North.\u003c/p\u003e\n","\u003cp\u003eAfter retiring from the presidency, Sam continued to teach and remain active in the Farmville area. He worked with HSC undergraduate Drew Prehmus to complete the biography \"General Sam.\" Sam died on June 10, 2017 of lung cancer at the age of 93. \u003c/p\u003e\n","\u003cp\u003eSam was married twice, the first time to Frances Brenda Downing (1926-1987), whom Sam met while stationed at Fort Benning shortly after the war. They had four children: Sam Jr. (1946-), Susi (1949- ), Jackson (1952-), and David (1957-). After the death of Brenda in 1987, Sam remarried to Susi Wilson (born Virginia Howton), who was herself a native of the South and an officer in the U.S. military.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["General Samuel Vaughan Wilson was a highly decorated veteran of World War II, Cold War intelligence officer, commander in Vietnam, and president of Hampden-Sydney College for eight years. Wilson spent more than 35 years working for the United States military, eventually rising to the rank of lieutenant general. Over the course of his career, General Wilson worked for the Central Intelligence Agency and the Defense Intelligence Agency and played a prominent role in formulating the army's counter-insurgency (COIN) doctrine.  ","Wilson was born September 23, 1923 in Rice, Virginia. He was the son of Jasper Dennis \"Cap'n Jack\" Wilson (1879-1959) and Helen Wilson (1893-1955). Sam's family had deep roots in rural Virginia and the Prince Edward County area. After graduating from high school in 1940, and inspired by a speech by Winston Churchill, Sam enlisted in the Virginia National Guard, though he lied about his age in order to enter the service (originally as a bugler). He quickly rose through the ranks, becoming a second lieutenant by the age of 18.","During World War II, Sam volunteered for the 5307th Composite Unit (Provisional), better known as \"Merrill's Marauders.\" The Marauders gained fame in what was then Burma. The 3,000 man force fought Japanese troops behind the lines with the help of English, Indian, and Burmese forces. The Marauders suffered more than 95% casualties. Sam was among those who were wounded, killed, or who fell ill in the tropical and mountainous conditions. He served only a few months in the Marauders, but his experiences were formative. He won the respect of his men for his scouting missions, which often found him miles ahead of Japanese forces. For his conduct, Sam was awarded the Distinguished Service Cross, but he had to wait years to get it. Later, Sam served as a historical advisor to the 1962 Sam Fuller film Merrill's Marauders and had a speaking role in the movie.","After the war, Sam joined the ranks of U.S. intelligence, tasked with containing communism and maintaining the balance of power in Europe. Sam was a student at Columbia University, where, as an officer in OSS (Office of Strategic Services), he studied Russia and Russian history. He became fluent in Russian and German and later spoke other languages as well. Despite his intelligence and accomplishments, Sam never obtained a college degree, though later in life he received various honorary degrees.","In the 1950s, now a major, Wilson worked in Germany as a spy, a job that not only put his life in danger, but placed extraordinary pressure on his family, who traveled with him. Nevertheless, by the 1950s, Sam's career had established a pattern: he would travel across the globe, while also working for long stretches in the United States. Over the course of his career, he served at various military posts, including Fort Bragg, Fort Leavenworth, and Fort Benning.","In the early 1960s, Colonel Wilson worked with Ed Lansdale in Washington, D.C., to formulate the United States' counterinsurgeny doctrine. In Vietnam, Sam would help implement this doctrine. Sam believed the war against communism could not be won in Vietnam without the support of the local population. Winning the \"hearts and minds\" of civilians, therefore, was essential to victory. Eventually, Sam was put in charge of pacification efforts in Long An province in 1967. He served in that capacity for several months before returning to the States in late 1967 to teach Special Forces at Fort Bragg. Decades later, Sam served as a commentator for Ken Burns's critically acclaimed documentary on the Vietnam War.","Sam continued to rise in the ranks, earning promotion to major general and then lieutenant general before retiring in 1977. He spent extended periods of time in the 1970s in the Soviet Union as an intelligence officer. He also developed close relationships with men in government such as George H. W. Bush and Donald Rumsfeld. Sam's last post was as director of the Defense Intelligence Agency. His decision to retire was not just for his benefit, but done out of concern for the health of his wife, Brenda.","After retiring from the military, at the behest of his friend Earl \"Frosty\" Lockwood, Sam worked as a consultant for the small, D.C. area intelligence firm Betac. Despite pressure from some admirers, Sam mostly kept out of politics and avoided calls for running for office. He spent most of his time on his farm and taught college courses on politics and government at Longwood University and HSC. A man of faith, he also taught Sunday School in the Farmville area. A warm and outgoing man who liked to tell stories, Sam was an accomplished musician, who liked to play piano and guitar for the many visitors to the farm.  ","In 1992, Sam was chosen to be president of Hampden-Sydney College and served in the position until 2000. As president, one of Sam's first accomplishments was refurbishing campus buildings that had fallen into disrepair. He also was responsible for significantly growing the HSC endowment. In 1996, HSC gained national attention for its decision, after a long and highly publicized debate, the college chose to remain an all-male college. Sam was also responsible for bringing many celebrities to campus for major events. In 1993, HSC held a symposium on the Vietnam War attended by General William Westmoreland, film director Oliver Stone, and journalist Morley Safer, among others. Other celebrities that visited during Sam's tenure included actor James Earl Jones, authors Doris Goodwin and Tom Clancy, and controversial former military officer and aspiring politician Oliver North.","After retiring from the presidency, Sam continued to teach and remain active in the Farmville area. He worked with HSC undergraduate Drew Prehmus to complete the biography \"General Sam.\" Sam died on June 10, 2017 of lung cancer at the age of 93. ","Sam was married twice, the first time to Frances Brenda Downing (1926-1987), whom Sam met while stationed at Fort Benning shortly after the war. They had four children: Sam Jr. (1946-), Susi (1949- ), Jackson (1952-), and David (1957-). After the death of Brenda in 1987, Sam remarried to Susi Wilson (born Virginia Howton), who was herself a native of the South and an officer in the U.S. military."],"custodhist_html_tesm":["\u003cp\u003eThis record contains a folder forwarded from General Sam Wilson's son, Jack, who was a frequent editor and collaborator with his father. This record was emailed as a zipped file to General Wilson's wife, Susi, who then forwarded them via email to Ryan Pemberton, head of the Wilson Center, who then emailed them to the H-SC Archives. Once unzipped, a logical disk image of the files was created. Bulk Extractor Reports were run to identify sensitive information, and saved in a separate folder. The three folders found here represent the unzipped file folder as received, the logical disk image of file folder created with FTK Imager, and the Bulk Extractor Reports Created after scanning all files. MD5 Checksums for each folder are also included.\u003c/p\u003e","\u003cp\u003eThis folder contains additional born-digital items provided for the Samuel Vaughan Wilson Papers by General Sam's widow, Susi. The contents of this folder were downloaded from a dropbox account owned by Susi Wilson on 10/01/2021. The contents have not been examined at the item level.   This record was downloaded as a zip file from Dropbox. Once unzipped, a logical disk image of the files was created.  Bulk Extractor and Brunnhilde Reports were run to identify sensitive information, and saved in a separate folder. The three folders found here represent the unzipped file folder as received, the logical disk image of file folder created with FTK Imager, and the Bulk Extractor and Brunnhilde Reports created after scanning all files.\u003c/p\u003e","\u003cp\u003eThis item contains additional born-digital items provided for the Samuel Vaughan Wilson Papers by Colonel Greg Eanes, USAF. The contents of this archival item were copied on 2021-10-19 from an external hard drive donated by Colonel Eanes on 2019-11-05. The contents have not been examined at the item level.\u003c/p\u003e\n","\u003cp\u003eA logical copy of the hard drive was made on 2021-10-19. Bulk Extractor and Brunnhilde reports were run to identify sensitive information, and saved in a separate folder. A virus scan was also run on the contents of the external hard drive. The two folders found in this bag represent the logical copy of the external hard drive (including checksum), and the Bulk Extractor, Brunnhilde, and Virus Scan reports created after scanning the directory. \u003c/p\u003e\n","\u003cp\u003eThis text was prepared by Sarah E. Almond of Hampden-Sydney College Archives \u0026amp; Special Collections on 2021-10-19.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History","Custodial History","Custodial History"],"custodhist_tesim":["This record contains a folder forwarded from General Sam Wilson's son, Jack, who was a frequent editor and collaborator with his father. This record was emailed as a zipped file to General Wilson's wife, Susi, who then forwarded them via email to Ryan Pemberton, head of the Wilson Center, who then emailed them to the H-SC Archives. Once unzipped, a logical disk image of the files was created. Bulk Extractor Reports were run to identify sensitive information, and saved in a separate folder. The three folders found here represent the unzipped file folder as received, the logical disk image of file folder created with FTK Imager, and the Bulk Extractor Reports Created after scanning all files. MD5 Checksums for each folder are also included.","This folder contains additional born-digital items provided for the Samuel Vaughan Wilson Papers by General Sam's widow, Susi. The contents of this folder were downloaded from a dropbox account owned by Susi Wilson on 10/01/2021. The contents have not been examined at the item level.   This record was downloaded as a zip file from Dropbox. Once unzipped, a logical disk image of the files was created.  Bulk Extractor and Brunnhilde Reports were run to identify sensitive information, and saved in a separate folder. The three folders found here represent the unzipped file folder as received, the logical disk image of file folder created with FTK Imager, and the Bulk Extractor and Brunnhilde Reports created after scanning all files.","This item contains additional born-digital items provided for the Samuel Vaughan Wilson Papers by Colonel Greg Eanes, USAF. The contents of this archival item were copied on 2021-10-19 from an external hard drive donated by Colonel Eanes on 2019-11-05. The contents have not been examined at the item level.","A logical copy of the hard drive was made on 2021-10-19. Bulk Extractor and Brunnhilde reports were run to identify sensitive information, and saved in a separate folder. A virus scan was also run on the contents of the external hard drive. The two folders found in this bag represent the logical copy of the external hard drive (including checksum), and the Bulk Extractor, Brunnhilde, and Virus Scan reports created after scanning the directory. ","This text was prepared by Sarah E. Almond of Hampden-Sydney College Archives \u0026 Special Collections on 2021-10-19."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Samuel Vaughan Wilson Papers, SC 000101, Hampden-Sydney College Archives\nand Special Collections, Hampden-Sydney, VA\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Samuel Vaughan Wilson Papers, SC 000101, Hampden-Sydney College Archives\nand Special Collections, Hampden-Sydney, VA"],"processinfo_html_tesm":["\u003cp\u003eProcessed by: Colin E. Woodward, 2019/2021; machine-readable finding aid created by: Colin E. Woodward, 2021 July; additions to finding aid by: Sarah Almond, 2021 October-2022 February.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by: Colin E. Woodward, 2019/2021; machine-readable finding aid created by: Colin E. Woodward, 2021 July; additions to finding aid by: Sarah Almond, 2021 October-2022 February."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the entirety of General Samuel Vaughan Wilson's personal and professional papers, as donated to Hampden-Sydney College by his widow in 2019. Topics include the Vietnam and Second World Wars, the development of the United States of America's intelligence and counter-intelligence communities, military strategy, and Wilson's role as president of Hampden-Sydney College from 1992 until 2000.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains the entirety of General Samuel Vaughan Wilson's personal and professional papers, as donated to Hampden-Sydney College by his widow in 2019. Topics include the Vietnam and Second World Wars, the development of the United States of America's intelligence and counter-intelligence communities, military strategy, and Wilson's role as president of Hampden-Sydney College from 1992 until 2000."],"userestrict_html_tesm":["\u003cp\u003eThe nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.\u003c/p\u003e\n","\u003cp\u003eThe materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.\u003c/p\u003e\n","\u003cp\u003eThis collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.\u003c/p\u003e"],"userestrict_heading_ssm":["Use of these materials"],"userestrict_tesim":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other\ninformation about restrictions may be difficult or even impossible to determine depsite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.","The materials from our collections are made available for use in research, teaching, and private study,\npursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials,\nincluding but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.","This collection may contain materials with sensitive or confidential information that is protected under\nfederal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certaininformation pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"names_ssim":["Hampden-Sydney College Archives \u0026 Special Collections","Wilson, Samuel (Samuel Vaughan)"],"corpname_ssim":["Hampden-Sydney College Archives \u0026 Special Collections"],"names_coll_ssim":["Wilson, Samuel (Samuel Vaughan)"],"persname_ssim":["Wilson, Samuel (Samuel Vaughan)"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4080,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:20:05.810Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihdsc_repositories_2_resources_2_c11_c288"}},{"id":"wvmturhc_repositories_2_resources_1852_c06_c18","type":"File","attributes":{"title":"18. 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Genealogy Records B"],"text":["Russell L. Davisson, Politician, Papers","Series 6. Genealogy Records B","18. Recent Davissons","Box 3","Folder 36"],"title_filing_ssi":"18. Recent Davissons","title_ssm":["18. Recent Davissons"],"title_tesim":["18. Recent Davissons"],"unitdate_inclusive_ssm":["1960–1992"],"normalized_date_ssm":["1960/1992"],"normalized_title_ssm":["18. Recent Davissons"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Russell L. Davisson, Politician, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":83,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"containers_ssim":["Box 3","Folder 36"],"_nest_path_":"/components#5/components#17","timestamp":"2026-05-21T01:07:24.091Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1852","ead_ssi":"wvmturhc_repositories_2_resources_1852","_root_":"wvmturhc_repositories_2_resources_1852","_nest_parent_":"wvmturhc_repositories_2_resources_1852","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1852.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196027","title_ssm":["Russell L. Davisson, Politician, Papers"],"title_tesim":["Russell L. Davisson, Politician, Papers"],"unitdate_ssm":["1850-2004"],"unitdate_inclusive_ssm":["1850-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3472","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1852"],"text":["A\u0026M 3472","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1852","Russell L. Davisson, Politician, Papers","Genealogy","Welfare - Mingo County.","No special access restriction applies.","Papers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).","Series include:","Series 1. Biographical Information, 2005 (box 1, Folder 1a)  \nSeries 2. Political Correspondence, 1967–1972 (box 1, Folder 1b)  \nSeries 3. Welfare in Mingo County, 1966-1967 (box 1, folders 2-6)  \nSeries 4. Photocopy of \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison, 1982 (box 1, folders 7-10)  \nSeries 5. Genealogy Records A, 1916-1920, 1960-2004 (box 2; box 3, folders 1-18)  \nSeries 6. Genealogy Records B, 1835-1855, 1916-2003 (box 3, folders 19-47)  \nSeries 7. Genealogy Records C Lost Creek Series, 1907, 1952-1992 (box 3, folders 49-55)  \nSeries 8. Subject Files, 1850-1853, 1928-2004 (box 3, folders 56-100; box 4, folders 19-32b)  \nSeries 9. Book Manuscript \"The Davissons\" by Russel L. Davisson, 1992-1993, undated (box 4, folders 1-18)  \nSeries 10. Publications, 1942-1998, undated (box 4, folders 33-40b; box 6)  \nSeries 11. Travel, undated (box 4, folders 41-44)  \nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59)  \nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61)  \nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2)  \nSeries 15. Certificate, 2004 (box 5, folder 3)  \nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5)  \nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)","This series includes an autobiography written by Russell L. Davisson.","This series includes correspondence from Governor Arch Moore to Davisson.","This series includes records regarding investigation into the welfare program of Mingo County. The files contain sworn depositions of those involved, contemporary newspaper accounts, and letters from other politicians concerning the controversy.","This series includes a photocopy of the work, \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison.","This series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.","This series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.","This series includes genealogical records pertaining specifically to Lost Creek, Harrison County, WV.","This series includes inauguration invitations (Arch Moore and Richard Nixon), publications on various topics (including Richard Nixon's inauguration and election), and assorted correspondence.","This series includes page proofs, manuscript excerpts, and other material pertaining to \"The Davissons\" by Russell L. Davisson.","This series includes assorted publications, including a copy of Richard Nixon's Presidential nomination acceptance speech, other political works, and various historical works.","This series includes postcards and pamphlets from a trip to China and a trip to Brussels.","This series includes maps of locations in the United States, Europe, and China.","This series includes political car plates and business cards from China.","This series consists of assorted photographs, including a signed photograph of Russell L. Davisson and Richard Nixon, a portrait of Governor Cecil B. Underwood, and the Davisson Cemetary and other historical sites related to the Davisson family.","This series consists of a Certificate of Appreciation from George Washington's Mount Vernon.","This series consists of various issues of the newsletter, \"Mountain Messenger,\" and of the newsletter of the Washington County Genealogical Society.","This series includes a copy of \"Early Genealogy of the Davisson Family\" on two microfilm reels.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Davison family - genealogy.","Davison family - Genealogy","Davisson, Russell Lee, 1922-","English"],"unitid_tesim":["A\u0026M 3472","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1852"],"normalized_title_ssm":["Russell L. Davisson, Politician, Papers"],"collection_title_tesim":["Russell L. Davisson, Politician, Papers"],"collection_ssim":["Russell L. Davisson, Politician, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Davisson, Russell Lee, 1922-"],"creator_ssim":["Davisson, Russell Lee, 1922-"],"creator_persname_ssim":["Davisson, Russell Lee, 1922-"],"creators_ssim":["Davisson, Russell Lee, 1922-"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Genealogy","Welfare - Mingo County."],"access_subjects_ssm":["Genealogy","Welfare - Mingo County."],"has_online_content_ssim":["false"],"extent_ssm":["4 Linear Feet Summary: 3 ft. 11 1/2 in. (3 document cases, 5 in. each); (1 document case, 2 1/2 in.); (2 records cartons, 15 in. each)"],"extent_tesim":["4 Linear Feet Summary: 3 ft. 11 1/2 in. (3 document cases, 5 in. each); (1 document case, 2 1/2 in.); (2 records cartons, 15 in. each)"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Russell L. Davisson, Politician, Papers, A\u0026amp;M 3472, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Russell L. Davisson, Politician, Papers, A\u0026M 3472, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003c/p\u003e\n","\u003cp\u003eSeries 1. Biographical Information, 2005 (box 1, Folder 1a) \u003clb\u003e\u003c/lb\u003e\nSeries 2. Political Correspondence, 1967–1972 (box 1, Folder 1b) \u003clb\u003e\u003c/lb\u003e\nSeries 3. Welfare in Mingo County, 1966-1967 (box 1, folders 2-6) \u003clb\u003e\u003c/lb\u003e\nSeries 4. Photocopy of \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison, 1982 (box 1, folders 7-10) \u003clb\u003e\u003c/lb\u003e\nSeries 5. Genealogy Records A, 1916-1920, 1960-2004 (box 2; box 3, folders 1-18) \u003clb\u003e\u003c/lb\u003e\nSeries 6. Genealogy Records B, 1835-1855, 1916-2003 (box 3, folders 19-47) \u003clb\u003e\u003c/lb\u003e\nSeries 7. Genealogy Records C Lost Creek Series, 1907, 1952-1992 (box 3, folders 49-55) \u003clb\u003e\u003c/lb\u003e\nSeries 8. Subject Files, 1850-1853, 1928-2004 (box 3, folders 56-100; box 4, folders 19-32b) \u003clb\u003e\u003c/lb\u003e\nSeries 9. Book Manuscript \"The Davissons\" by Russel L. Davisson, 1992-1993, undated (box 4, folders 1-18) \u003clb\u003e\u003c/lb\u003e\nSeries 10. Publications, 1942-1998, undated (box 4, folders 33-40b; box 6) \u003clb\u003e\u003c/lb\u003e\nSeries 11. Travel, undated (box 4, folders 41-44) \u003clb\u003e\u003c/lb\u003e\nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59) \u003clb\u003e\u003c/lb\u003e\nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61) \u003clb\u003e\u003c/lb\u003e\nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2) \u003clb\u003e\u003c/lb\u003e\nSeries 15. Certificate, 2004 (box 5, folder 3) \u003clb\u003e\u003c/lb\u003e\nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5) \u003clb\u003e\u003c/lb\u003e\nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e","\u003cp\u003eThis series includes an autobiography written by Russell L. Davisson.\u003c/p\u003e","\u003cp\u003eThis series includes correspondence from Governor Arch Moore to Davisson.\u003c/p\u003e","\u003cp\u003eThis series includes records regarding investigation into the welfare program of Mingo County. The files contain sworn depositions of those involved, contemporary newspaper accounts, and letters from other politicians concerning the controversy.\u003c/p\u003e","\u003cp\u003eThis series includes a photocopy of the work, \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison.\u003c/p\u003e","\u003cp\u003eThis series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.\u003c/p\u003e","\u003cp\u003eThis series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.\u003c/p\u003e","\u003cp\u003eThis series includes genealogical records pertaining specifically to Lost Creek, Harrison County, WV.\u003c/p\u003e","\u003cp\u003eThis series includes inauguration invitations (Arch Moore and Richard Nixon), publications on various topics (including Richard Nixon's inauguration and election), and assorted correspondence.\u003c/p\u003e","\u003cp\u003eThis series includes page proofs, manuscript excerpts, and other material pertaining to \"The Davissons\" by Russell L. Davisson.\u003c/p\u003e","\u003cp\u003eThis series includes assorted publications, including a copy of Richard Nixon's Presidential nomination acceptance speech, other political works, and various historical works.\u003c/p\u003e","\u003cp\u003eThis series includes postcards and pamphlets from a trip to China and a trip to Brussels.\u003c/p\u003e","\u003cp\u003eThis series includes maps of locations in the United States, Europe, and China.\u003c/p\u003e","\u003cp\u003eThis series includes political car plates and business cards from China.\u003c/p\u003e","\u003cp\u003eThis series consists of assorted photographs, including a signed photograph of Russell L. Davisson and Richard Nixon, a portrait of Governor Cecil B. Underwood, and the Davisson Cemetary and other historical sites related to the Davisson family.\u003c/p\u003e","\u003cp\u003eThis series consists of a Certificate of Appreciation from George Washington's Mount Vernon.\u003c/p\u003e","\u003cp\u003eThis series consists of various issues of the newsletter, \"Mountain Messenger,\" and of the newsletter of the Washington County Genealogical Society.\u003c/p\u003e","\u003cp\u003eThis series includes a copy of \"Early Genealogy of the Davisson Family\" on two microfilm reels.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).","Series include:","Series 1. Biographical Information, 2005 (box 1, Folder 1a)  \nSeries 2. Political Correspondence, 1967–1972 (box 1, Folder 1b)  \nSeries 3. Welfare in Mingo County, 1966-1967 (box 1, folders 2-6)  \nSeries 4. Photocopy of \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison, 1982 (box 1, folders 7-10)  \nSeries 5. Genealogy Records A, 1916-1920, 1960-2004 (box 2; box 3, folders 1-18)  \nSeries 6. Genealogy Records B, 1835-1855, 1916-2003 (box 3, folders 19-47)  \nSeries 7. Genealogy Records C Lost Creek Series, 1907, 1952-1992 (box 3, folders 49-55)  \nSeries 8. Subject Files, 1850-1853, 1928-2004 (box 3, folders 56-100; box 4, folders 19-32b)  \nSeries 9. Book Manuscript \"The Davissons\" by Russel L. Davisson, 1992-1993, undated (box 4, folders 1-18)  \nSeries 10. Publications, 1942-1998, undated (box 4, folders 33-40b; box 6)  \nSeries 11. Travel, undated (box 4, folders 41-44)  \nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59)  \nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61)  \nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2)  \nSeries 15. Certificate, 2004 (box 5, folder 3)  \nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5)  \nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)","This series includes an autobiography written by Russell L. Davisson.","This series includes correspondence from Governor Arch Moore to Davisson.","This series includes records regarding investigation into the welfare program of Mingo County. The files contain sworn depositions of those involved, contemporary newspaper accounts, and letters from other politicians concerning the controversy.","This series includes a photocopy of the work, \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison.","This series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.","This series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.","This series includes genealogical records pertaining specifically to Lost Creek, Harrison County, WV.","This series includes inauguration invitations (Arch Moore and Richard Nixon), publications on various topics (including Richard Nixon's inauguration and election), and assorted correspondence.","This series includes page proofs, manuscript excerpts, and other material pertaining to \"The Davissons\" by Russell L. Davisson.","This series includes assorted publications, including a copy of Richard Nixon's Presidential nomination acceptance speech, other political works, and various historical works.","This series includes postcards and pamphlets from a trip to China and a trip to Brussels.","This series includes maps of locations in the United States, Europe, and China.","This series includes political car plates and business cards from China.","This series consists of assorted photographs, including a signed photograph of Russell L. Davisson and Richard Nixon, a portrait of Governor Cecil B. Underwood, and the Davisson Cemetary and other historical sites related to the Davisson family.","This series consists of a Certificate of Appreciation from George Washington's Mount Vernon.","This series consists of various issues of the newsletter, \"Mountain Messenger,\" and of the newsletter of the Washington County Genealogical Society.","This series includes a copy of \"Early Genealogy of the Davisson Family\" on two microfilm reels."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b58e0d0847733239cec6066aace5060d\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Davison family - genealogy.","Davison family - Genealogy","Davisson, Russell Lee, 1922-"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Davison family - genealogy.","Davison family - Genealogy","Davisson, Russell Lee, 1922-"],"famname_ssim":["Davison family - genealogy.","Davison family - Genealogy"],"persname_ssim":["Davisson, Russell Lee, 1922-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":235,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:07:24.091Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1852_c06_c18"}},{"id":"viu_repositories_4_resources_719_c26_c08_c26","type":"Item","attributes":{"title":"18th Annual Career Service Awards Program, National Civil Service League, Cabinet Room Reception, Washington, D.C","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_719_c26_c08_c26#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_4_resources_719_c26_c08_c26","ref_ssm":["viu_repositories_4_resources_719_c26_c08_c26"],"id":"viu_repositories_4_resources_719_c26_c08_c26","ead_ssi":"viu_repositories_4_resources_719","_root_":"viu_repositories_4_resources_719","_nest_parent_":"viu_repositories_4_resources_719_c26_c08","parent_ssi":"viu_repositories_4_resources_719_c26_c08","parent_ssim":["viu_repositories_4_resources_719","viu_repositories_4_resources_719_c26","viu_repositories_4_resources_719_c26_c08"],"parent_ids_ssim":["viu_repositories_4_resources_719","viu_repositories_4_resources_719_c26","viu_repositories_4_resources_719_c26_c08"],"parent_unittitles_ssm":["Mortimer M. Caplin papers and memorabilia","Addendum to the Mortimer C. Caplin Collection [c]","Binder 8 - Speeches"],"parent_unittitles_tesim":["Mortimer M. Caplin papers and memorabilia","Addendum to the Mortimer C. Caplin Collection [c]","Binder 8 - Speeches"],"text":["Mortimer M. Caplin papers and memorabilia","Addendum to the Mortimer C. Caplin Collection [c]","Binder 8 - Speeches","18th Annual Career Service Awards Program, National Civil Service League, Cabinet Room Reception, Washington, D.C","box MSS 04-5c, Box 2"],"title_filing_ssi":"18th Annual Career Service Awards Program, National Civil Service League, Cabinet Room Reception, Washington, D.C","title_ssm":["18th Annual Career Service Awards Program, National Civil Service League, Cabinet Room Reception, Washington, D.C"],"title_tesim":["18th Annual Career Service Awards Program, National Civil Service League, Cabinet Room Reception, Washington, D.C"],"unitdate_other_ssim":["4/28/1972"],"normalized_date_ssm":["1972"],"normalized_title_ssm":["18th Annual Career Service Awards Program, National Civil Service League, Cabinet Room Reception, Washington, D.C"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Mortimer M. Caplin papers and memorabilia"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":606,"date_range_isim":[1972],"containers_ssim":["box MSS 04-5c, Box 2"],"_nest_path_":"/components#25/components#7/components#25","timestamp":"2026-05-24T23:24:18.661Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_4_resources_719","ead_ssi":"viu_repositories_4_resources_719","_root_":"viu_repositories_4_resources_719","_nest_parent_":"viu_repositories_4_resources_719","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_719.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/106848","title_ssm":["Mortimer M. Caplin papers and memorabilia"],"title_tesim":["Mortimer M. Caplin papers and memorabilia"],"unitdate_ssm":["1930-2014"],"unitdate_inclusive_ssm":["1930-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.04.5","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/719"],"text":["MSS.04.5","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/719","Mortimer M. Caplin papers and memorabilia","Memorabilia","Scrapbooks","photographs","Speeches presented by Mortimer  Caplin during his tenure as Commissioner of Internal Revenue from 1961-1964. Annotated notes, outlines, press releases, and speech transcripts. Five bound books, including an index.","Three bound volumes of photocopied articles written by Mortimer M. Caplin. Please refer to document entitled \"Selected Bibliography of Mortimer M. Caplin, Vol. I-III\" for an index of contents.","Binders and bound volumes containing, photographs, correspondence, articles, and other memorabilia associated with Mortimer M. Caplin. Includes seven-book collection covering Mr. Caplin's tenure as IRS Commissioner, 1961-1964. Also of interest is a collection of correspondence relative to Mr. Caplin's role in President Kennedy's 1960 Taxation Tax Force and appointment as IRS Commission, Nov. 1960-Jan. 1961.","Addendum (c) to the Mortimer M. Caplin collection consists of 20 binders (4 cartons, 1 archival box, 4 linear ft.) that contain drafts of texts to Mr. Caplin speeches dated 1964-1986, and 2003-2014.  It seems that the binders between 1987 and 2002 had been lost in one of Mr. Caplin's office moves.  This collection has a copy of the 1992 Report on The Future of the Arts at the University of Virginia and a framed collage that recognizes Mr. Caplin's  association and generosity to the University of Virginia Law School.\nIndexes to the each of the binders have been scanned.","There is an additional address by Mortimer M. Caplin at a Luncheon Meeting of the Corporate Counsel Institute","This collection reflects Mortimer M. Caplin's (Law 1940) life during his years as a student at the University of Virginia and as Commissioner of the Internal Revenue Service. It consists primarily of awards, photographs, certificates, articles, interviews, and newspaper clippings.","This first installment of the Mortimer M. Caplin Collection consists of memorabilia: three signed letters of President John F. Kennedy, photographs, certificates, resolutions, plaques.  was received by Special Collections in September 2004","(5 photos, copies of originals)","(2 photos, copies of originals)","(Copy of original)","This collection includes Mortimer Caplin's four bound volumes of his speeches (1961-1964), three bound volumes of articles written by Caplin, several scrapbooks that cover his career as IRS Commissioner, some correspondence, photographs, certificates, and several  books and bound  government documents.","Has a duplicate photograph","(3 photographs)","(2 folders)","On the Shelf","Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law","United States. Department of Treasury. Internal Revenue Service","Caplin, Mortimer M., 1916-2019","English"],"unitid_tesim":["MSS.04.5","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/719"],"normalized_title_ssm":["Mortimer M. Caplin papers and memorabilia"],"collection_title_tesim":["Mortimer M. Caplin papers and memorabilia"],"collection_ssim":["Mortimer M. Caplin papers and memorabilia"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Memorabilia"],"geogname_ssim":["Memorabilia"],"creator_ssm":["Caplin, Mortimer M., 1916-2019"],"creator_ssim":["Caplin, Mortimer M., 1916-2019"],"creator_persname_ssim":["Caplin, Mortimer M., 1916-2019"],"creators_ssim":["Caplin, Mortimer M., 1916-2019"],"places_ssim":["Memorabilia"],"acqinfo_ssim":["This collection was donated to Special Collections by Mortimer M. 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Annotated notes, outlines, press releases, and speech transcripts. Five bound books, including an index.\u003c/p\u003e","\u003cp\u003eThree bound volumes of photocopied articles written by Mortimer M. Caplin. Please refer to document entitled \"Selected Bibliography of Mortimer M. Caplin, Vol. I-III\" for an index of contents.\u003c/p\u003e","\u003cp\u003eBinders and bound volumes containing, photographs, correspondence, articles, and other memorabilia associated with Mortimer M. Caplin. Includes seven-book collection covering Mr. Caplin's tenure as IRS Commissioner, 1961-1964. Also of interest is a collection of correspondence relative to Mr. Caplin's role in President Kennedy's 1960 Taxation Tax Force and appointment as IRS Commission, Nov. 1960-Jan. 1961.\u003c/p\u003e","\u003cp\u003eAddendum (c) to the Mortimer M. Caplin collection consists of 20 binders (4 cartons, 1 archival box, 4 linear ft.) that contain drafts of texts to Mr. Caplin speeches dated 1964-1986, and 2003-2014.  It seems that the binders between 1987 and 2002 had been lost in one of Mr. Caplin's office moves.  This collection has a copy of the 1992 Report on The Future of the Arts at the University of Virginia and a framed collage that recognizes Mr. Caplin's  association and generosity to the University of Virginia Law School.\nIndexes to the each of the binders have been scanned.\u003c/p\u003e","\u003cp\u003eThere is an additional address by Mortimer M. Caplin at a Luncheon Meeting of the Corporate Counsel Institute\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General"],"odd_tesim":["Speeches presented by Mortimer  Caplin during his tenure as Commissioner of Internal Revenue from 1961-1964. Annotated notes, outlines, press releases, and speech transcripts. Five bound books, including an index.","Three bound volumes of photocopied articles written by Mortimer M. Caplin. Please refer to document entitled \"Selected Bibliography of Mortimer M. 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This collection has a copy of the 1992 Report on The Future of the Arts at the University of Virginia and a framed collage that recognizes Mr. Caplin's  association and generosity to the University of Virginia Law School.\nIndexes to the each of the binders have been scanned.","There is an additional address by Mortimer M. Caplin at a Luncheon Meeting of the Corporate Counsel Institute"],"scopecontent_html_tesm":["\u003cp\u003eThis collection reflects Mortimer M. Caplin's (Law 1940) life during his years as a student at the University of Virginia and as Commissioner of the Internal Revenue Service. It consists primarily of awards, photographs, certificates, articles, interviews, and newspaper clippings.\u003c/p\u003e","\u003cp\u003eThis first installment of the Mortimer M. Caplin Collection consists of memorabilia: three signed letters of President John F. 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