{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1971\u0026page=18\u0026view=list","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1971\u0026page=17\u0026view=list","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1971\u0026page=19\u0026view=list","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1971\u0026page=6114\u0026view=list"},"meta":{"pages":{"current_page":18,"next_page":19,"prev_page":17,"total_pages":6114,"limit_value":10,"offset_value":170,"total_count":61136,"first_page?":false,"last_page?":false}},"data":[{"id":"viu_repositories_3_resources_1030_c03_c08","type":"Subseries","attributes":{"title":"1970s","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1030_c03_c08#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1030_c03_c08","ref_ssm":["viu_repositories_3_resources_1030_c03_c08"],"id":"viu_repositories_3_resources_1030_c03_c08","ead_ssi":"viu_repositories_3_resources_1030","_root_":"viu_repositories_3_resources_1030","_nest_parent_":"viu_repositories_3_resources_1030_c03","parent_ssi":"viu_repositories_3_resources_1030_c03","parent_ssim":["viu_repositories_3_resources_1030","viu_repositories_3_resources_1030_c03"],"parent_ids_ssim":["viu_repositories_3_resources_1030","viu_repositories_3_resources_1030_c03"],"parent_unittitles_ssm":["Charles M. Robinson and Principals Architectural Records","Architectural drawings"],"parent_unittitles_tesim":["Charles M. Robinson and Principals Architectural Records","Architectural drawings"],"text":["Charles M. Robinson and Principals Architectural Records","Architectural drawings","1970s"],"title_filing_ssi":"1970s","title_ssm":["1970s"],"title_tesim":["1970s"],"unitdate_inclusive_ssm":["1970-1979"],"normalized_date_ssm":["1970/1979"],"normalized_title_ssm":["1970s"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Charles M. Robinson and Principals Architectural Records"],"has_online_content_ssim":["false"],"child_component_count_isi":161,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":1337,"parent_access_restrict_tesm":["This collection has been minimally processed and is available for research. Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. 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Robinson and Principals Architectural Records","Architecture, Modern -- 20th century -- Designs and plans","Architecture, Domestic -- Designs and plans.","Architects and community -- Virginia.","Architects -- Virginia.","Blueprints (reprographic copies)","architectural drawings (visual works)","design drawings","This collection is open for research.","Some of the architectural works are brittle or torn and need to be handled delicately.","Photographic materials need to be handled with proper gloves.","Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Folder 93 (drawings for Commission No. 15400) is a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.","This collection has been minimally processed and is available for research. Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Due the physical condition of this item, it is housed in a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.","The collection is arranged into four main series: ","Series 1 - Charles M. Robinson records, 1978, 2020, undated","Series 2 -  Office records, 1935-1992, undated","Series 3 - Architectural drawings, 1907-2012","Series 4 - Project photograph files, 1855-1999, undated","Series 2 and 4 are further arranged into large files, and Series 3 is arranged first into subseries, then into files.","The files in Series 2, Office records, are arranged accoring to the significance of the documents to the firm's operations.","In Series 3, Architectural drawings, the subseries are named after each decade, beginning with 1900s and ending with the 2010s. The files below these subseries are project titles arranged in general chronological order grouped together by year.","The files in Series 4, Project photograph files, are arranged alphabetically. ","Charles Morrison Robinson  was born on  March 3, 1867 , in  Hamilton, Loudoun County, Virginia . He was the eldest son of  architect  and builder  James T. Robinson  and  Elizabeth Crockett Robinson . His family relocated to  Welland, Ontario , where he completed his early schooling before beginning architectural training under  D.S. Hopkins  in  Grand Rapids, Michigan , and  John K. Peebles  in  Pittsburgh, Pennsylvania . In  1889 , he formed his first partnership—Smith \u0026 Robinson—in  Altoona, Pennsylvania . He married  Annie Custer  in  1891 , and their son,  Charles Custer Robinson , was born two years later.  ","Following years of practice in Pennsylvania, including partnerships with  George T. Smith ,  R.B. Crockett , and  George Winkler ,  Robinson  returned to  Virginia  in  1906 , establishing Charles M. Robinson, Architect in  Richmond . Robinson became a leading designer for a future comprehensive statewide public school system mandated by Virginia's 1902 Constitution.  ","Between  1906  and  1932 , Robinson's practice produced plans for more than 400 public schools and many university buildings, including commissions in  Richmond ,  Norfolk ,  Newport News ,  Portsmouth , and dozens of rural counties. Robinson's standardized plans were paired with styles ranging from Arts \u0026 Crafts to Collegiate Gothic, Spanish Revival, and Art Deco. His schools featured ample light, logical circulation, and adaptable common spaces. ","In  1908  he won the commission to design the campus of the State Normal School at  Harrisonburg , now James Madison University, designing its first seven buildings and subsequent expansions through 1928. He designed foundational campuses for the institutions now known as the University of Mary Washington, Radford University, and Virginia State University, and oversaw more than sixty major projects for the College of William \u0026 Mary between 1921 and 1931, including the Sunken Garden and numerous residence halls, academic buildings, and the George Preston Blow Gymnasium. ","His practice also extended beyond education. In 1918 he designed the tuberculosis sanitariums (sanatoriums) at  Catawba ,  Burkeville , and  Charlottesville  for the Virginia State Board of Health. In Richmond, he designed civic and commercial structures, including the Times-Dispatch Building, Stuart Circle Hospital, Grace Hospital, St. Elizabeth's Hospital, the Sunday School Building at Ginter Park Methodist Church, and (in partnership with his former apprentice Marcellus Wright, Sr.) the ACCA Shriner Mosque—today the Altria Theater. Residentially, his Laburnum Court development introduced an early twentieth-century model of middle-class housing arranged around a landscaped central park.  ","By the 1920s, Robinson had expanded his firm to include his son Charles Custer Robinson,  Benjamin A. Ruffin , and  John Binford Walford , who became partners in Charles M. Robinson, Architects in 1922. Although Robinson retired to his farm in Hampton in  1926 , he remained professionally active, producing drawings at home and visiting construction sites. Robinson died on  August 20, 1932 , at age 66 in a Norfolk hospital, and the firm was formally dissolved the following day.  ","The practice he founded continued through multiple generations of architects, evolving through successive names—J. Binford Walford, Architect (1932–1946); Walford \u0026 Wright (1946–1962); Wright, Jones \u0026 Wilkerson (1962–1991); Wright, Jones, Wilkerson, Rothschild \u0026 Boynton (1991–1994); and finally Boynton, Rothschild, Rowland (1994–2020). The firm remained active for more than a century before being acquired in 2020.","Reference List:","Arlington County Historical Affairs and Landmark Review Board. (2008, September). Historic District Designation Form. Arlington County Register of Historic Places. https://www.arlingtonva.us/files/sharedassets/public/v/1/projects/documents/wraps_localhistoricdistrictdesignation_wilsonschool_2009.pdf","Ledger-Star, Norfolk, VA. (1932, August 22). Charles M. Robinson Prominent Architect, Dies; Burial Today. Newspapers.com by Ancestry. https://www.newspapers.com/article/ledger-star-charles-m-robinson-prominen/166469428/","Loth, C. (1999). The Virginia Landmarks Register. The University Press of Virginia. https://books.google.com/booksid=NJa_64aH1iMC\u0026q=charles+robinson#v=onepage\u0026q=charles%20robinson\u0026f=false","Morgan, S.W. (2019, September 24). Virginia's Unsung Architect. Richmond Magazine. https://richmondmagazine.com/home/latest/charles-robinson-branch-museum/","Moyer, L. (n.d.). Halls of History. University of Mary Washington Magazine. https://magazine.umw.edu/spring2013/features/halls-of-history/","Preservation Durham. (n.d.). Robinson, Charles M. Open Durham from Preservation Durham. https://www.opendurham.org/people/robinson-charles-m","Robinson, D.B. (n.d.). Charles M. Robinson: A Virginia Architectural History. https://www.charlesmrobinson.com/index.html","United States Department of the Interior National Park Service. (1992, October 31). National Register of Historic Places Multiple Property Documentation Form. Internet rchive Wayback Machine. https://web.archive.org/web/20101111233435/http://www.dhr.virginia.gov/registers/Counties/MultipleCounty/127-0845_PublicSchoolsinRichmondMPS_NPS_final.pdf","Winthrop, R.P. (2015, January 27). Architects of Richmond: Charles M. Robinson. Architecture Richmond. https://architecturerichmond.com/architects-of-richmond-charles-m-robinson/","CONTENT WARNING:\nThis material contains offensive or harmful language. This material contains references to outdated terminology for African Americans, as well as for Native Americans. The terms \"Colored\" and Negro\", in commom parlance when the drawings were created, are used throughout the architectural drawings to refer to Black people. The term \"Indian\" is also used to refer to Native Americans. These terms are primarily found in the titles of architectural drawings. Titles remain as they were found for historical context. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Some items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling. 10/20/23","The commission number for this set of drawings is the same as the number for the \"John W. Daniel School, Newport News Schools, VA, 1913\" drawings. However, there is no indication of the projects being related.","The commission number for this set of drawings is the same as the number for the \"Eastville High School, Northampton County, VA, 1913\" drawings. However, there is no indication of the projects being related.","The Charles M. Robinson and Principals Architectural Records consist of materials about Charles M. Robinson, and the office records, architectural and design plans, and project photograph files of the Charles M. Robinson, Architect firm and successor firms. The materials document the business operations of the firms, as well as their role in developing the city of Richmond, VA, and in developing various institutions and organizations across the state of Virginia. The works in this collection also demonstrate the significance of the firm's activities on communities in these areas. It is divided into four series. ","Series 1, Charles M. Robinson Files (1978, 2020, undated; 1 folder), includes copies of documents about Charles M. Robinson, such as a copy of his Architecture License. There is also a copy of a short essay about Robinson's role in the construction of the ACCA Shrine, now known as the Altria Theater. ","Series 2, Office records (circa 1935-1992, undated; 18 folders), includes office records, which are arranged in decreasing order of their significance/functionality to the firm's operations. Most notably are the lists of commissions, index to the architectural drawings, and the commission notes. These records cover the majority of the timeline following Robinson's death. ","Series 3, Architectural drawings (1907-2012, undated; 3 oversized boxes, 93 flat file folders, 4 tubes, 1457 tube boxes), the largest part of this collection, consists of the firm's architectural drawings and design plans, as well as the drawings and plans Robinson created in his role as the official school board architect for several cities and counties in Virginia, and as an architect for the Virginia State Board of Health. They span more than a century beginning in 1907 and ending in 2012 and represent over 1600 projects.   ","Included are drawings, designs, and plans for educational institutions, hospitals, churches, offices, retail stores, private residences, and plots across the state of Virginia. The series also includes topographic maps and site studies. There are original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. ","Primary, secondary, and post-secondary schools in locations across Virginia are very well represented by the plans in this collection. More well-known post-secondary educational institutions include the College of William and Mary, James Madison University, Raford University, University of Mary Washington, George Mason University, and Virginia Commonwealth University. However, the number of primary and secondary schools represented in the collection is even greater. ","Of particular significance are the designs and plans the firm created for educational institutions for students from underrepresented, historically oppressed, and marginalized groups. These include the Virginia School for the Deaf and Blind, the Virginia State University, the nation's first fully-state supported four-year post-secondary learning institution for Black Americans, and the HBCUs Norfolk State University and Virginia Union University. ","The works that Robinson completed as an architect for the Virginia State Board of Health include plans and designs for the Catawba, Blue Ridge, and Piedmont Tuberculosis sanitoriums (rehabilitation center, hospice, etc.). Robinson's work in this role also affected the lives of people from underrepresented groups, as the Piedmont institution was developed specifically for the care of Black residents of Virginia. ","Series 4, Project photograph files (circa 1855-1999, undated; 9 boxes, 15 folders), includes many of the project photograph files from the architectural firm. Although there are some items from Robinson's time with the firm, the large majority are dated and document the projects from after his death on August 20, 1932. The photograph file index introduces the rest of the series, which includes prints, negatives, photo documentation from John Binford Walford and Oscar Pendleton Wright's photograph albums, and undated presentation photos. ","Dates: 1907 – 2012, bulk date 1907-1995  ","This series consists of architectural rolls that contain drawings, designs, and plans of educational institutions, hospitals, churches, offices, retail stores, and private residences across the state of Virginia. The series also includes rolls that hold topographic maps, plot and general layouts, and site studies. The drawings comprise original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. For a detailed inventory of the drawings, please see the Charles M. Robinson architectural records drawing inventory in the External Documents field.","This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Robinson","Robinson, Charles  M. (Morrison), 1867-1932","Charles Morrison Robinson","James T. Robinson","Elizabeth Crockett Robinson","D.S. Hopkins","John K. Peebles","Annie Custer","Charles Custer Robinson","George T. Smith","R.B. Crockett","George Winkler","Benjamin A. 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The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"acqinfo_ssim":["Purchased from David Robinson, 2021-03-31"],"access_subjects_ssim":["Architecture, Modern -- 20th century -- Designs and plans","Architecture, Domestic -- Designs and plans.","Architects and community -- Virginia.","Architects -- Virginia.","Blueprints (reprographic copies)","architectural drawings (visual works)","design drawings"],"access_subjects_ssm":["Architecture, Modern -- 20th century -- Designs and plans","Architecture, Domestic -- Designs and plans.","Architects and community -- Virginia.","Architects -- Virginia.","Blueprints (reprographic copies)","architectural drawings (visual works)","design drawings"],"has_online_content_ssim":["false"],"extent_ssm":["278.62 Cubic Feet 1768 rolls of architectural drawings housed in 1458 tube boxes, 4 tube rolls, 93 oversized flat file folders, and 2 oversized flat boxes. 11 legal document boxes, 1 oversized flat box, and 9 oversized flat folders of records"],"extent_tesim":["278.62 Cubic Feet 1768 rolls of architectural drawings housed in 1458 tube boxes, 4 tube rolls, 93 oversized flat file folders, and 2 oversized flat boxes. 11 legal document boxes, 1 oversized flat box, and 9 oversized flat folders of records"],"genreform_ssim":["Blueprints (reprographic copies)","architectural drawings (visual works)","design drawings"],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e\n","\u003cp\u003eSome of the architectural works are brittle or torn and need to be handled delicately.\u003c/p\u003e\n","\u003cp\u003ePhotographic materials need to be handled with proper gloves.\u003c/p\u003e","\u003cp\u003ePlease note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.\u003c/p\u003e\n","\u003cp\u003eFolder 93 (drawings for Commission No. 15400) is a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.\u003c/p\u003e\n","\u003cp\u003eTo view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.\u003c/p\u003e\n","\u003cp\u003eAfter viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.\u003c/p\u003e","\u003cp\u003eThis collection has been minimally processed and is available for research. Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.\u003c/p\u003e","\u003cp\u003eDue the physical condition of this item, it is housed in a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.\u003c/p\u003e\n","\u003cp\u003eTo view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.\u003c/p\u003e\n","\u003cp\u003eAfter viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Physical Access","Conditions Governing Access","Physical Access"],"accessrestrict_tesim":["This collection is open for research.","Some of the architectural works are brittle or torn and need to be handled delicately.","Photographic materials need to be handled with proper gloves.","Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Folder 93 (drawings for Commission No. 15400) is a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.","This collection has been minimally processed and is available for research. Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Due the physical condition of this item, it is housed in a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four main series: \u003c/p\u003e\n","\u003cp\u003eSeries 1 - Charles M. Robinson records, 1978, 2020, undated\u003c/p\u003e\n","\u003cp\u003eSeries 2 -  Office records, 1935-1992, undated\u003c/p\u003e\n","\u003cp\u003eSeries 3 - Architectural drawings, 1907-2012\u003c/p\u003e\n","\u003cp\u003eSeries 4 - Project photograph files, 1855-1999, undated\u003c/p\u003e\n","\u003cp\u003eSeries 2 and 4 are further arranged into large files, and Series 3 is arranged first into subseries, then into files.\u003c/p\u003e\n","\u003cp\u003eThe files in Series 2, Office records, are arranged accoring to the significance of the documents to the firm's operations.\u003c/p\u003e\n","\u003cp\u003eIn Series 3, Architectural drawings, the subseries are named after each decade, beginning with 1900s and ending with the 2010s. The files below these subseries are project titles arranged in general chronological order grouped together by year.\u003c/p\u003e\n","\u003cp\u003eThe files in Series 4, Project photograph files, are arranged alphabetically. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four main series: ","Series 1 - Charles M. Robinson records, 1978, 2020, undated","Series 2 -  Office records, 1935-1992, undated","Series 3 - Architectural drawings, 1907-2012","Series 4 - Project photograph files, 1855-1999, undated","Series 2 and 4 are further arranged into large files, and Series 3 is arranged first into subseries, then into files.","The files in Series 2, Office records, are arranged accoring to the significance of the documents to the firm's operations.","In Series 3, Architectural drawings, the subseries are named after each decade, beginning with 1900s and ending with the 2010s. The files below these subseries are project titles arranged in general chronological order grouped together by year.","The files in Series 4, Project photograph files, are arranged alphabetically. "],"bioghist_html_tesm":["\u003cp\u003e\u003cpersname\u003eCharles Morrison Robinson\u003c/persname\u003e was born on \u003cdate\u003eMarch 3, 1867\u003c/date\u003e, in \u003cgeogname\u003eHamilton, Loudoun County, Virginia\u003c/geogname\u003e. He was the eldest son of \u003coccupation\u003earchitect\u003c/occupation\u003e and builder \u003cpersname\u003eJames T. Robinson\u003c/persname\u003e and \u003cpersname\u003eElizabeth Crockett Robinson\u003c/persname\u003e. His family relocated to \u003cgeogname\u003eWelland, Ontario\u003c/geogname\u003e, where he completed his early schooling before beginning architectural training under \u003cpersname\u003eD.S. Hopkins\u003c/persname\u003e in \u003cgeogname\u003eGrand Rapids, Michigan\u003c/geogname\u003e, and \u003cpersname\u003eJohn K. Peebles\u003c/persname\u003e in \u003cgeogname\u003ePittsburgh, Pennsylvania\u003c/geogname\u003e. In \u003cdate\u003e1889\u003c/date\u003e, he formed his first partnership—Smith \u0026amp; Robinson—in \u003cgeogname\u003eAltoona, Pennsylvania\u003c/geogname\u003e. He married \u003cpersname\u003eAnnie Custer\u003c/persname\u003e in \u003cdate\u003e1891\u003c/date\u003e, and their son, \u003cpersname\u003eCharles Custer Robinson\u003c/persname\u003e, was born two years later.  \u003c/p\u003e\n","\u003cp\u003eFollowing years of practice in Pennsylvania, including partnerships with \u003cpersname\u003eGeorge T. Smith\u003c/persname\u003e, \u003cpersname\u003eR.B. Crockett\u003c/persname\u003e, and \u003cpersname\u003eGeorge Winkler\u003c/persname\u003e, \u003cfamname\u003eRobinson\u003c/famname\u003e returned to \u003cgeogname\u003eVirginia\u003c/geogname\u003e in \u003cdate\u003e1906\u003c/date\u003e, establishing Charles M. Robinson, Architect in \u003cgeogname\u003eRichmond\u003c/geogname\u003e. Robinson became a leading designer for a future comprehensive statewide public school system mandated by Virginia's 1902 Constitution.  \u003c/p\u003e\n","\u003cp\u003eBetween \u003cdate\u003e1906\u003c/date\u003e and \u003cdate\u003e1932\u003c/date\u003e, Robinson's practice produced plans for more than 400 public schools and many university buildings, including commissions in \u003cgeogname\u003eRichmond\u003c/geogname\u003e, \u003cgeogname\u003eNorfolk\u003c/geogname\u003e, \u003cgeogname\u003eNewport News\u003c/geogname\u003e, \u003cgeogname\u003ePortsmouth\u003c/geogname\u003e, and dozens of rural counties. Robinson's standardized plans were paired with styles ranging from Arts \u0026amp; Crafts to Collegiate Gothic, Spanish Revival, and Art Deco. His schools featured ample light, logical circulation, and adaptable common spaces. \u003c/p\u003e\n","\u003cp\u003eIn \u003cdate\u003e1908\u003c/date\u003e he won the commission to design the campus of the State Normal School at \u003cgeogname\u003eHarrisonburg\u003c/geogname\u003e, now James Madison University, designing its first seven buildings and subsequent expansions through 1928. He designed foundational campuses for the institutions now known as the University of Mary Washington, Radford University, and Virginia State University, and oversaw more than sixty major projects for the College of William \u0026amp; Mary between 1921 and 1931, including the Sunken Garden and numerous residence halls, academic buildings, and the George Preston Blow Gymnasium. \u003c/p\u003e\n","\u003cp\u003eHis practice also extended beyond education. In 1918 he designed the tuberculosis sanitariums (sanatoriums) at \u003cgeogname\u003eCatawba\u003c/geogname\u003e, \u003cgeogname\u003eBurkeville\u003c/geogname\u003e, and \u003cgeogname\u003eCharlottesville\u003c/geogname\u003e for the Virginia State Board of Health. In Richmond, he designed civic and commercial structures, including the Times-Dispatch Building, Stuart Circle Hospital, Grace Hospital, St. Elizabeth's Hospital, the Sunday School Building at Ginter Park Methodist Church, and (in partnership with his former apprentice Marcellus Wright, Sr.) the ACCA Shriner Mosque—today the Altria Theater. Residentially, his Laburnum Court development introduced an early twentieth-century model of middle-class housing arranged around a landscaped central park.  \u003c/p\u003e\n","\u003cp\u003eBy the 1920s, Robinson had expanded his firm to include his son Charles Custer Robinson, \u003cpersname\u003eBenjamin A. Ruffin\u003c/persname\u003e, and \u003cpersname\u003eJohn Binford Walford\u003c/persname\u003e, who became partners in Charles M. Robinson, Architects in 1922. Although Robinson retired to his farm in Hampton in \u003cdate\u003e1926\u003c/date\u003e, he remained professionally active, producing drawings at home and visiting construction sites. Robinson died on \u003cdate\u003eAugust 20, 1932\u003c/date\u003e, at age 66 in a Norfolk hospital, and the firm was formally dissolved the following day.  \u003c/p\u003e\n","\u003cp\u003eThe practice he founded continued through multiple generations of architects, evolving through successive names—J. Binford Walford, Architect (1932–1946); Walford \u0026amp; Wright (1946–1962); Wright, Jones \u0026amp; Wilkerson (1962–1991); Wright, Jones, Wilkerson, Rothschild \u0026amp; Boynton (1991–1994); and finally Boynton, Rothschild, Rowland (1994–2020). The firm remained active for more than a century before being acquired in 2020.\u003c/p\u003e\n","\u003cp\u003eReference List:\u003c/p\u003e\n","\u003cp\u003eArlington County Historical Affairs and Landmark Review Board. (2008, September). Historic District Designation Form. Arlington County Register of Historic Places. https://www.arlingtonva.us/files/sharedassets/public/v/1/projects/documents/wraps_localhistoricdistrictdesignation_wilsonschool_2009.pdf\u003c/p\u003e\n","\u003cp\u003eLedger-Star, Norfolk, VA. (1932, August 22). Charles M. Robinson Prominent Architect, Dies; Burial Today. Newspapers.com by Ancestry. https://www.newspapers.com/article/ledger-star-charles-m-robinson-prominen/166469428/\u003c/p\u003e\n","\u003cp\u003eLoth, C. (1999). The Virginia Landmarks Register. The University Press of Virginia. https://books.google.com/booksid=NJa_64aH1iMC\u0026amp;q=charles+robinson#v=onepage\u0026amp;q=charles%20robinson\u0026amp;f=false\u003c/p\u003e\n","\u003cp\u003eMorgan, S.W. (2019, September 24). Virginia's Unsung Architect. Richmond Magazine. https://richmondmagazine.com/home/latest/charles-robinson-branch-museum/\u003c/p\u003e\n","\u003cp\u003eMoyer, L. (n.d.). Halls of History. University of Mary Washington Magazine. https://magazine.umw.edu/spring2013/features/halls-of-history/\u003c/p\u003e\n","\u003cp\u003ePreservation Durham. (n.d.). Robinson, Charles M. Open Durham from Preservation Durham. https://www.opendurham.org/people/robinson-charles-m\u003c/p\u003e\n","\u003cp\u003eRobinson, D.B. (n.d.). Charles M. Robinson: A Virginia Architectural History. https://www.charlesmrobinson.com/index.html\u003c/p\u003e\n","\u003cp\u003eUnited States Department of the Interior National Park Service. (1992, October 31). National Register of Historic Places Multiple Property Documentation Form. Internet rchive Wayback Machine. https://web.archive.org/web/20101111233435/http://www.dhr.virginia.gov/registers/Counties/MultipleCounty/127-0845_PublicSchoolsinRichmondMPS_NPS_final.pdf\u003c/p\u003e\n","\u003cp\u003eWinthrop, R.P. (2015, January 27). Architects of Richmond: Charles M. Robinson. Architecture Richmond. https://architecturerichmond.com/architects-of-richmond-charles-m-robinson/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Charles Morrison Robinson  was born on  March 3, 1867 , in  Hamilton, Loudoun County, Virginia . He was the eldest son of  architect  and builder  James T. Robinson  and  Elizabeth Crockett Robinson . His family relocated to  Welland, Ontario , where he completed his early schooling before beginning architectural training under  D.S. Hopkins  in  Grand Rapids, Michigan , and  John K. Peebles  in  Pittsburgh, Pennsylvania . In  1889 , he formed his first partnership—Smith \u0026 Robinson—in  Altoona, Pennsylvania . He married  Annie Custer  in  1891 , and their son,  Charles Custer Robinson , was born two years later.  ","Following years of practice in Pennsylvania, including partnerships with  George T. Smith ,  R.B. Crockett , and  George Winkler ,  Robinson  returned to  Virginia  in  1906 , establishing Charles M. Robinson, Architect in  Richmond . Robinson became a leading designer for a future comprehensive statewide public school system mandated by Virginia's 1902 Constitution.  ","Between  1906  and  1932 , Robinson's practice produced plans for more than 400 public schools and many university buildings, including commissions in  Richmond ,  Norfolk ,  Newport News ,  Portsmouth , and dozens of rural counties. Robinson's standardized plans were paired with styles ranging from Arts \u0026 Crafts to Collegiate Gothic, Spanish Revival, and Art Deco. His schools featured ample light, logical circulation, and adaptable common spaces. ","In  1908  he won the commission to design the campus of the State Normal School at  Harrisonburg , now James Madison University, designing its first seven buildings and subsequent expansions through 1928. He designed foundational campuses for the institutions now known as the University of Mary Washington, Radford University, and Virginia State University, and oversaw more than sixty major projects for the College of William \u0026 Mary between 1921 and 1931, including the Sunken Garden and numerous residence halls, academic buildings, and the George Preston Blow Gymnasium. ","His practice also extended beyond education. In 1918 he designed the tuberculosis sanitariums (sanatoriums) at  Catawba ,  Burkeville , and  Charlottesville  for the Virginia State Board of Health. In Richmond, he designed civic and commercial structures, including the Times-Dispatch Building, Stuart Circle Hospital, Grace Hospital, St. Elizabeth's Hospital, the Sunday School Building at Ginter Park Methodist Church, and (in partnership with his former apprentice Marcellus Wright, Sr.) the ACCA Shriner Mosque—today the Altria Theater. Residentially, his Laburnum Court development introduced an early twentieth-century model of middle-class housing arranged around a landscaped central park.  ","By the 1920s, Robinson had expanded his firm to include his son Charles Custer Robinson,  Benjamin A. Ruffin , and  John Binford Walford , who became partners in Charles M. Robinson, Architects in 1922. Although Robinson retired to his farm in Hampton in  1926 , he remained professionally active, producing drawings at home and visiting construction sites. Robinson died on  August 20, 1932 , at age 66 in a Norfolk hospital, and the firm was formally dissolved the following day.  ","The practice he founded continued through multiple generations of architects, evolving through successive names—J. Binford Walford, Architect (1932–1946); Walford \u0026 Wright (1946–1962); Wright, Jones \u0026 Wilkerson (1962–1991); Wright, Jones, Wilkerson, Rothschild \u0026 Boynton (1991–1994); and finally Boynton, Rothschild, Rowland (1994–2020). The firm remained active for more than a century before being acquired in 2020.","Reference List:","Arlington County Historical Affairs and Landmark Review Board. (2008, September). Historic District Designation Form. Arlington County Register of Historic Places. https://www.arlingtonva.us/files/sharedassets/public/v/1/projects/documents/wraps_localhistoricdistrictdesignation_wilsonschool_2009.pdf","Ledger-Star, Norfolk, VA. (1932, August 22). Charles M. Robinson Prominent Architect, Dies; Burial Today. Newspapers.com by Ancestry. https://www.newspapers.com/article/ledger-star-charles-m-robinson-prominen/166469428/","Loth, C. (1999). The Virginia Landmarks Register. The University Press of Virginia. https://books.google.com/booksid=NJa_64aH1iMC\u0026q=charles+robinson#v=onepage\u0026q=charles%20robinson\u0026f=false","Morgan, S.W. (2019, September 24). Virginia's Unsung Architect. Richmond Magazine. https://richmondmagazine.com/home/latest/charles-robinson-branch-museum/","Moyer, L. (n.d.). Halls of History. University of Mary Washington Magazine. https://magazine.umw.edu/spring2013/features/halls-of-history/","Preservation Durham. (n.d.). Robinson, Charles M. Open Durham from Preservation Durham. https://www.opendurham.org/people/robinson-charles-m","Robinson, D.B. (n.d.). Charles M. Robinson: A Virginia Architectural History. https://www.charlesmrobinson.com/index.html","United States Department of the Interior National Park Service. (1992, October 31). National Register of Historic Places Multiple Property Documentation Form. Internet rchive Wayback Machine. https://web.archive.org/web/20101111233435/http://www.dhr.virginia.gov/registers/Counties/MultipleCounty/127-0845_PublicSchoolsinRichmondMPS_NPS_final.pdf","Winthrop, R.P. (2015, January 27). Architects of Richmond: Charles M. Robinson. Architecture Richmond. https://architecturerichmond.com/architects-of-richmond-charles-m-robinson/"],"odd_html_tesm":["\u003cp\u003eCONTENT WARNING:\nThis material contains offensive or harmful language. This material contains references to outdated terminology for African Americans, as well as for Native Americans. The terms \"Colored\" and Negro\", in commom parlance when the drawings were created, are used throughout the architectural drawings to refer to Black people. The term \"Indian\" is also used to refer to Native Americans. These terms are primarily found in the titles of architectural drawings. Titles remain as they were found for historical context. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eSome items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling. 10/20/23\u003c/p\u003e","\u003cp\u003eThe commission number for this set of drawings is the same as the number for the \"John W. Daniel School, Newport News Schools, VA, 1913\" drawings. However, there is no indication of the projects being related.\u003c/p\u003e","\u003cp\u003eThe commission number for this set of drawings is the same as the number for the \"Eastville High School, Northampton County, VA, 1913\" drawings. However, there is no indication of the projects being related.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Conservation and Preservation","General","General"],"odd_tesim":["CONTENT WARNING:\nThis material contains offensive or harmful language. This material contains references to outdated terminology for African Americans, as well as for Native Americans. The terms \"Colored\" and Negro\", in commom parlance when the drawings were created, are used throughout the architectural drawings to refer to Black people. The term \"Indian\" is also used to refer to Native Americans. These terms are primarily found in the titles of architectural drawings. Titles remain as they were found for historical context. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Some items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling. 10/20/23","The commission number for this set of drawings is the same as the number for the \"John W. Daniel School, Newport News Schools, VA, 1913\" drawings. However, there is no indication of the projects being related.","The commission number for this set of drawings is the same as the number for the \"Eastville High School, Northampton County, VA, 1913\" drawings. However, there is no indication of the projects being related."],"prefercite_html_tesm":["\u003cp\u003eMSS 16518, Charles M. Robinson and Principals Architectural Records, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16518, Charles M. Robinson and Principals Architectural Records, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles M. Robinson and Principals Architectural Records consist of materials about Charles M. Robinson, and the office records, architectural and design plans, and project photograph files of the Charles M. Robinson, Architect firm and successor firms. The materials document the business operations of the firms, as well as their role in developing the city of Richmond, VA, and in developing various institutions and organizations across the state of Virginia. The works in this collection also demonstrate the significance of the firm's activities on communities in these areas. It is divided into four series. \u003c/p\u003e\n","\u003cp\u003eSeries 1, Charles M. Robinson Files (1978, 2020, undated; 1 folder), includes copies of documents about Charles M. Robinson, such as a copy of his Architecture License. There is also a copy of a short essay about Robinson's role in the construction of the ACCA Shrine, now known as the Altria Theater. \u003c/p\u003e\n","\u003cp\u003eSeries 2, Office records (circa 1935-1992, undated; 18 folders), includes office records, which are arranged in decreasing order of their significance/functionality to the firm's operations. Most notably are the lists of commissions, index to the architectural drawings, and the commission notes. These records cover the majority of the timeline following Robinson's death. \u003c/p\u003e\n","\u003cp\u003eSeries 3, Architectural drawings (1907-2012, undated; 3 oversized boxes, 93 flat file folders, 4 tubes, 1457 tube boxes), the largest part of this collection, consists of the firm's architectural drawings and design plans, as well as the drawings and plans Robinson created in his role as the official school board architect for several cities and counties in Virginia, and as an architect for the Virginia State Board of Health. They span more than a century beginning in 1907 and ending in 2012 and represent over 1600 projects.   \u003c/p\u003e\n","\u003cp\u003eIncluded are drawings, designs, and plans for educational institutions, hospitals, churches, offices, retail stores, private residences, and plots across the state of Virginia. The series also includes topographic maps and site studies. There are original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. \u003c/p\u003e\n","\u003cp\u003ePrimary, secondary, and post-secondary schools in locations across Virginia are very well represented by the plans in this collection. More well-known post-secondary educational institutions include the College of William and Mary, James Madison University, Raford University, University of Mary Washington, George Mason University, and Virginia Commonwealth University. However, the number of primary and secondary schools represented in the collection is even greater. \u003c/p\u003e\n","\u003cp\u003eOf particular significance are the designs and plans the firm created for educational institutions for students from underrepresented, historically oppressed, and marginalized groups. These include the Virginia School for the Deaf and Blind, the Virginia State University, the nation's first fully-state supported four-year post-secondary learning institution for Black Americans, and the HBCUs Norfolk State University and Virginia Union University. \u003c/p\u003e\n","\u003cp\u003eThe works that Robinson completed as an architect for the Virginia State Board of Health include plans and designs for the Catawba, Blue Ridge, and Piedmont Tuberculosis sanitoriums (rehabilitation center, hospice, etc.). Robinson's work in this role also affected the lives of people from underrepresented groups, as the Piedmont institution was developed specifically for the care of Black residents of Virginia. \u003c/p\u003e\n","\u003cp\u003eSeries 4, Project photograph files (circa 1855-1999, undated; 9 boxes, 15 folders), includes many of the project photograph files from the architectural firm. Although there are some items from Robinson's time with the firm, the large majority are dated and document the projects from after his death on August 20, 1932. The photograph file index introduces the rest of the series, which includes prints, negatives, photo documentation from John Binford Walford and Oscar Pendleton Wright's photograph albums, and undated presentation photos. \u003c/p\u003e","\u003cp\u003eDates: 1907 – 2012, bulk date 1907-1995  \u003c/p\u003e\n","\u003cp\u003eThis series consists of architectural rolls that contain drawings, designs, and plans of educational institutions, hospitals, churches, offices, retail stores, and private residences across the state of Virginia. The series also includes rolls that hold topographic maps, plot and general layouts, and site studies. The drawings comprise original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. For a detailed inventory of the drawings, please see the Charles M. Robinson architectural records drawing inventory in the External Documents field.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Charles M. Robinson and Principals Architectural Records consist of materials about Charles M. Robinson, and the office records, architectural and design plans, and project photograph files of the Charles M. Robinson, Architect firm and successor firms. The materials document the business operations of the firms, as well as their role in developing the city of Richmond, VA, and in developing various institutions and organizations across the state of Virginia. The works in this collection also demonstrate the significance of the firm's activities on communities in these areas. It is divided into four series. ","Series 1, Charles M. Robinson Files (1978, 2020, undated; 1 folder), includes copies of documents about Charles M. Robinson, such as a copy of his Architecture License. There is also a copy of a short essay about Robinson's role in the construction of the ACCA Shrine, now known as the Altria Theater. ","Series 2, Office records (circa 1935-1992, undated; 18 folders), includes office records, which are arranged in decreasing order of their significance/functionality to the firm's operations. Most notably are the lists of commissions, index to the architectural drawings, and the commission notes. These records cover the majority of the timeline following Robinson's death. ","Series 3, Architectural drawings (1907-2012, undated; 3 oversized boxes, 93 flat file folders, 4 tubes, 1457 tube boxes), the largest part of this collection, consists of the firm's architectural drawings and design plans, as well as the drawings and plans Robinson created in his role as the official school board architect for several cities and counties in Virginia, and as an architect for the Virginia State Board of Health. They span more than a century beginning in 1907 and ending in 2012 and represent over 1600 projects.   ","Included are drawings, designs, and plans for educational institutions, hospitals, churches, offices, retail stores, private residences, and plots across the state of Virginia. The series also includes topographic maps and site studies. There are original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. ","Primary, secondary, and post-secondary schools in locations across Virginia are very well represented by the plans in this collection. More well-known post-secondary educational institutions include the College of William and Mary, James Madison University, Raford University, University of Mary Washington, George Mason University, and Virginia Commonwealth University. However, the number of primary and secondary schools represented in the collection is even greater. ","Of particular significance are the designs and plans the firm created for educational institutions for students from underrepresented, historically oppressed, and marginalized groups. These include the Virginia School for the Deaf and Blind, the Virginia State University, the nation's first fully-state supported four-year post-secondary learning institution for Black Americans, and the HBCUs Norfolk State University and Virginia Union University. ","The works that Robinson completed as an architect for the Virginia State Board of Health include plans and designs for the Catawba, Blue Ridge, and Piedmont Tuberculosis sanitoriums (rehabilitation center, hospice, etc.). Robinson's work in this role also affected the lives of people from underrepresented groups, as the Piedmont institution was developed specifically for the care of Black residents of Virginia. ","Series 4, Project photograph files (circa 1855-1999, undated; 9 boxes, 15 folders), includes many of the project photograph files from the architectural firm. Although there are some items from Robinson's time with the firm, the large majority are dated and document the projects from after his death on August 20, 1932. The photograph file index introduces the rest of the series, which includes prints, negatives, photo documentation from John Binford Walford and Oscar Pendleton Wright's photograph albums, and undated presentation photos. ","Dates: 1907 – 2012, bulk date 1907-1995  ","This series consists of architectural rolls that contain drawings, designs, and plans of educational institutions, hospitals, churches, offices, retail stores, and private residences across the state of Virginia. The series also includes rolls that hold topographic maps, plot and general layouts, and site studies. The drawings comprise original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. For a detailed inventory of the drawings, please see the Charles M. Robinson architectural records drawing inventory in the External Documents field."],"userestrict_html_tesm":["\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"names_ssim":["Albert and Shirley Small Special Collections Library","Robinson","Robinson, Charles  M. (Morrison), 1867-1932","Charles Morrison Robinson","James T. Robinson","Elizabeth Crockett Robinson","D.S. Hopkins","John K. Peebles","Annie Custer","Charles Custer Robinson","George T. Smith","R.B. Crockett","George Winkler","Benjamin A. Ruffin","John Binford Walford"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"famname_ssim":["Robinson"],"names_coll_ssim":["Robinson, Charles  M. (Morrison), 1867-1932"],"persname_ssim":["Robinson, Charles  M. (Morrison), 1867-1932","Charles Morrison Robinson","James T. Robinson","Elizabeth Crockett Robinson","D.S. Hopkins","John K. Peebles","Annie Custer","Charles Custer Robinson","George T. Smith","R.B. Crockett","George Winkler","Benjamin A. Ruffin","John Binford Walford"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1707,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-28T16:05:34.006Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1030_c03_c08"}},{"id":"vifgm_repositories_2_resources_177_c01_c01_c27","type":"File","attributes":{"title":"1970s General","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_177_c01_c01_c27#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e36 roughly 60x80cm, 2 40x60cm, and 2 30x100cm sized posters; topics include uniting, anti-UDR, financial scandals, the Soviet Union, Pompidou, cantonal elections, racism, personal power, raising fuel prices, petroleum scandal, d'Estaing, women, the Concord, farmers, saving hospitals, European election, and the election of 1978.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_177_c01_c01_c27#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_177_c01_c01_c27","ref_ssm":["vifgm_repositories_2_resources_177_c01_c01_c27"],"id":"vifgm_repositories_2_resources_177_c01_c01_c27","ead_ssi":"vifgm_repositories_2_resources_177","_root_":"vifgm_repositories_2_resources_177","_nest_parent_":"vifgm_repositories_2_resources_177_c01_c01","parent_ssi":"vifgm_repositories_2_resources_177_c01_c01","parent_ssim":["vifgm_repositories_2_resources_177","vifgm_repositories_2_resources_177_c01","vifgm_repositories_2_resources_177_c01_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_177","vifgm_repositories_2_resources_177_c01","vifgm_repositories_2_resources_177_c01_c01"],"parent_unittitles_ssm":["French Communist Party poster collection","Series 1: Political Posters","Subseries 1.1: General Position and Party Information"],"parent_unittitles_tesim":["French Communist Party poster collection","Series 1: Political Posters","Subseries 1.1: General Position and Party Information"],"text":["French Communist Party poster collection","Series 1: Political Posters","Subseries 1.1: General Position and Party Information","1970s General","oversize Shelf 1","folder 3","36 roughly 60x80cm, 2 40x60cm, and 2 30x100cm sized posters; topics include uniting, anti-UDR, financial scandals, the Soviet Union, Pompidou, cantonal elections, racism, personal power, raising fuel prices, petroleum scandal, d'Estaing, women, the Concord, farmers, saving hospitals, European election, and the election of 1978."],"title_filing_ssi":"1970s General","title_ssm":["1970s General"],"title_tesim":["1970s General"],"unitdate_other_ssim":["1970-1979"],"normalized_date_ssm":["1970/1979"],"normalized_title_ssm":["1970s General"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["French Communist Party poster collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":29,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"containers_ssim":["oversize Shelf 1","folder 3"],"scopecontent_html_tesm":["\u003cp\u003e36 roughly 60x80cm, 2 40x60cm, and 2 30x100cm sized posters; topics include uniting, anti-UDR, financial scandals, the Soviet Union, Pompidou, cantonal elections, racism, personal power, raising fuel prices, petroleum scandal, d'Estaing, women, the Concord, farmers, saving hospitals, European election, and the election of 1978.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["36 roughly 60x80cm, 2 40x60cm, and 2 30x100cm sized posters; topics include uniting, anti-UDR, financial scandals, the Soviet Union, Pompidou, cantonal elections, racism, personal power, raising fuel prices, petroleum scandal, d'Estaing, women, the Concord, farmers, saving hospitals, European election, and the election of 1978."],"_nest_path_":"/components#0/components#0/components#26","timestamp":"2026-05-21T04:54:03.973Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_177","ead_ssi":"vifgm_repositories_2_resources_177","_root_":"vifgm_repositories_2_resources_177","_nest_parent_":"vifgm_repositories_2_resources_177","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_177.xml","title_filing_ssi":"French Communist Party poster collection","title_ssm":["French Communist Party poster collection"],"title_tesim":["French Communist Party poster collection"],"unitdate_ssm":["circa 1945-2008"],"unitdate_inclusive_ssm":["circa 1945-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0168","/repositories/2/resources/177"],"text":["C0168","/repositories/2/resources/177","French Communist Party poster collection","France -- Politics and government -- 20th century","Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters","There are no access restrictions.","This collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.","Missing Title Series 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC) Series 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)","The French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday.","Processed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010.","The Special Collections Research Center also holds the   that include many documents on communist parties in the United States and internationally.","Substantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.","Series 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups. ","Series 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events. ","This first series consists of five subseries and contains political posters all arranged by size and chronologically. The first subseries contains general position and party information posters. The second subseries contains posters about the programme commun. The third subseries contains posters for the production francais campaign. The fourth subseries contains posters about peace and disarmament. The fifth subseries contains posters for the Jeune Communistes party.","Subseries 1.1 is for general position and party information posters. Many posters that are just \"vote communist\" or describe the party platform. There are also many posters for each election that tell party members how to vote.","5 42x59cm sized posters; targeted toward workers and farmers asking for their support.","11 30x40cm, 7 roughly 60x20cm, 2 roughly 40x50cm, 7 40x60cm sized posters; assortment of posters for the many processes surrounding the formation of the Fifth Republic, including anti-de Gaulle, No to constitutional monarchy, Gaulle is a fascist, attacks on de Gaulle's ministers, no to a military dictator, no to civil war.","11 40x60cm, 2 30x40cm, and 2 roughly 24x59cm sized posters; topics include secularism in schools and government, party positions on current issues, anti-fascism, promoting Maurice Thorez.","4 30x40cm sized posters; posters call for voters to vote against the referendum.","10 30x40cm sized posters; posters are anti-Gaulle and against the referendum.","6 roughly 38x58cm posters, 4 30x50cm sized posters, and 4 42x59cm posters; school, jobs, lodging, and military topics included.","5 30x40cm and 3 40x60cm sized posters; the posters support Mitterand for president during the 1965 election in France.","7 40x60cm sized posters; posters are asking voters to vote communist.","4 40x60cm and 2 roughly 30x25cm sized posters; supports Duclos in the first tour and asks voters to abstain in the second tour.","6 40x60cm sized posters; posters all have the slogan \"Pour vivre mieux\" and deal with taxes, proportional representation, nationalization, tariffs, rent levels, and giving the young a job.","7 40x60cm sized posters; the posters call for voters to support the communists and vote communist in the municipal election of 1971. The posters attack the UDR and address taxes, lodging, salaries, and scandals. Most posters say \"avec les communistes.\"","16 40x60cm sized posters; the posters follow two color schemes, yellow with blue font and variations of blue, red and purple boxes with red, white, and blue font. Topics include minimum wage, government-assisted housing, old age aid, creating jobs, taxes, hours in a work week and paid vacation, equalize salaries, and changing the retirement age.","1 30x40cm and 10 40x60cm sized posters; workers against capitalism, vote no to the referendum of 1972, welcome Brejnev to France, cooperation and friendship with the USSR, election poster for M. Gros (1974), stop inflation, lower prices, and HLM/government housing are the various topics of these posters.","1 40x60cm, 1 about 20x30cm, 8 about 50x68cm, 3 on average 35x50cm, 1 50x50cm, 3 triangle sized posters; topics include Marchais during the 1981 election, European parliamentary elections 1984, who to vote for in the March 6, 1983 election, 1982 cantonal elections, and Citroen and the elections.","7 roughly 35x50cm sized posters; posters to support the Communists during the 1986 election, four posters say \"je vote communiste.\"","2 50x36cm and 5 40x60cm sized posters; each poster says \"ne pas subir, agir\" (do not suffer, act) and topics include unemployment, workers, and the future.","6 roughly 68x48cm sized posters; posters show a person talking about something that concerns them, like social and political issues.","1 roughly 35x50cm, 5 roughly 48x68cm sized posters; posters are for Andre Lajoinie's campaign for president in the 1988 elections.","4 48x63cm sized posters; each poster has the phrase \"Une idee qui monte\" and addresses socio-political issues.","1 35x50cm and 4 48x68cm sized posters; each poster is about money, specifically salaries, minimum wage or social welfare aid.","2 33x70cm, 11 roughly 35x50cm, and 8 roughly 48x68cm sized posters; topics include housing, health care, electoral districts, employment, social aid, agricultural issues, and the June 18, 1989 election.","6 33x46cm, 5 48x60cm, 7 48x68cm, 3 38x60cm, and 1 38x52cm sized posters; topics include supporting the PCF, minimum wage, social security, education, drugs, uniting the party, anti-Balladur, women in politics, and the May 25, 1997 election.","6 roughly 47x67cm sized posters; topics include voting, supporting the party, minimum wage, youth jobs, and a poster supporting Marie-George Buffet.","2 45x60cm, 1 15x68cm, 1 50x58cm, and 11 34x47cm sized posters for Robert Hue's many campaigns.","1 10x40cm, 3 40x60cm, 2 70x100cm, 4 60x80cm, 1 35x100cm, 7 50x70cm, 6 30x40cm, and 4 40x40cm sized posters; topics include candidates, positions, women, USSR, unemployment, immigration, voting rights, and buying power.","26 roughly 60x80cm and 5 60x100cm sized posters; topics include agriculture, workers, scandals, German soldiers in France, general party positions, how to vote, anti-de Gaulle, union and action, miners, women, personal power, halting fascism, and Duclos.","36 roughly 60x80cm, 2 40x60cm, and 2 30x100cm sized posters; topics include uniting, anti-UDR, financial scandals, the Soviet Union, Pompidou, cantonal elections, racism, personal power, raising fuel prices, petroleum scandal, d'Estaing, women, the Concord, farmers, saving hospitals, European election, and the election of 1978.","19 roughly 70x100cm, 8 40x60cm, 1 30x40cm sized posters; topics include anti-Giscard, the Corsican election, women, elections of 1983, June 1984 elections, March 1985 elections, schools, human rights, hospital care, electoral districts, party positions, banks, and schools.","18 roughly 70x100cm, 2 60x80cm, and 9 40x60cm sized posters; topics include free information, retirement, schools, party positions, and unemployment.","1 60x80cm, 13 70x100cm, and 1 50x70cm sized posters; topics include Balladur, Chirac, Euro vote, growth, party positions, and Marie-George Buffet.","8 70x100cm sized posters in the series entitled Place aux idees nouvelles (place of new ideas). 2 70x100cm sized posters from the series entitled une idee qui monte.","4 roughly 60x80cm, 10 70x100cm, and 1 50x70cm sized posters for Robert Hue's campaign.","3 roughly 60x80cm, 8 roughly 70x100cm, and 2 50x70cm sized posters about social security issues, including retirement, social security, and more.","7 roughly 60x80cm sized posters for Mitterand's campaigns.","11 roughly 70x90cm sized posters for Lajoinie's campaigns.","8 roughly 50x70cm, 14 roughly 60x80cm, 2 61x95cm, 1 60x70cm, 14 70x100cm, 1 35x50cm, 2 roughly 40x100cm sized posters that deal with finances, salaries, taxes, and unemployment.","2 roughly 40x60cm, 1 50x70cm, 8 60x80cm, 2 40x100cm and 1 70x100cm sized posters against Giscard's campaign.","1 50x70cm, 11 roughly 60x80cm, and 1 30x40cm sized posters that address rising prices.","1 13x60cm, 1 25x60cm, 2 50x70cm, 6 roughly 60x80cm, and 5 70x100cm sized posters about referendum positions in France.","1 33x100cm, 1 30x40cm, 3 roughly 50x70cm, and 7 roughly 60x80cm sized posters for Marchais's campaign.","4 30x40cm, 19 50x70cm, 1 50x100cm, 26 60x80cm, 9 70x100cm, and 1 100x120cm sized posters calling for support or adherence to the Communist party; also includes phrases like I vote communist and with the communists.","1 30x40cm, 1 50x70cm, 3 60x80cm, and 3 70x100cm sized posters about rent and lodging options.","4 roughly 140x50cm, 8 roughly 160x50cm, 2 185x65cm sized posters of various topics, including who to vote for, protests, publications, and party positions.","3 40x120cm, 2 30x120cm, and 30 80x120cm sized posters; posters tell supporters how to vote, call for support, and address party issues. Specific topics include Marchais, Mitterand, the Olympic games, birth control, union of workers, religion in school, Truman doctrine, Duclos, leaders, and taxes.","Subseries 1.2 contains posters leading up to and calling for support of the union of the left, i.e., the programme commun.","7 roughly 41x59cm, 1 29x42cm, 3 29x53cm, 1 38x48cm, and 1 60x70cm sized posters; these posters call for a union of the left or a programme commun.","21 roughly 60x80cm, 1 95x63cm, 3 48x68cm, 2 58x52cm, and 1 38x58cm sized posters; poster topics support the union of the left, cantonal elections, Mitterand and include phrases like end personal power, union and action, it's possible, and adhere.","1 80x120cm sized poster about the programme commun.","Subseries 1.3 contains posters about \"production francais,\" or the Party's campaign to purchase goods made in France.","10 48x68cm and 1 48x64cm sized posters each calling for the support of French production and limiting imports and outsourcing.","2 roughly 60x80cm, 2 48x67cm, and 5 68x97cm sized posters; topics include creating jobs, keeping money in France, fewer imports, fighting unemployment, and Lajoinie campaign issues.","Subseries 1.4 contains posters that are anti-war or anti-bomb, also posters calling for support of certain countries in conflict or the freedom of certain prisoners.","3 roughly 48x68cm, 4 roughly 30x40cm, and 7 roughly 37x49cm sized posters; general posters for peace and various specific topics, like Hungary, Indochina, Turkey, Cuba, and freeing people from prison.","12 roughly 30x40cm, 12 40x60cm, 2 20x60cm, and 1 29x60cm sized posters; these posters follow the Algerian fight for independence, calling for a cease-fire and independence.","1 30x43cm, 10 roughly 38x58cm, and 1 38x51cm sized posters that deal with ending the Vietnam War.","3 30x40cm and 2 38x60cm sized posters that promote nuclear disarmament.","13 roughly 60x80cm sized posters about the Algerian War.","1 30x80cm, 14 60x80cm, and 1 22x60cm sized posters that deal with the war in Vietnam.","1 22x60cm, 6 roughly 30x75cm, 3 roughly 30x100cm, 25 roughly 60x80cm, and 15 roughly 65x100cm sized posters; topics include helping the poor in Indochina, the Hungarian Revolution, no American bases in France, liberation, peace, Nixon and US aggression, concentration camps in Chili, AIDS, the Kyoto Accords, and disarming. Some posters call for freeing Jacques Duclos, Angela Davis, Mandela, and Vietnamese. Many posters are about conflicts in different areas of the globe, including Cuba, Germany, Indochina, Palestine, Nicaragua, Turkey, the Gulf War, and Rwanda.","3 40x120cm and 10 80x120cm sized posters that call for disarmament and peace in war-torn areas like Indochina, Vietnam, Algeria, and Tunisia. There are also posters against American military forces in France.","Subseries 1.5 contains posters by the Jeune Communists (Young Communists).","3 40x60cm, 1 50x80cm, 1 20x80cm, 4 60x80cm, and 8 65x90cm sized posters; poster topics include schools, voting, anti-globalization, employment, the death penalty, Europe, Palestine, stopping discrimination, and anti-Front National.","This second series consists of six subseries and contains social posters all arranged chronologically. The first subseries contains commemorative and anniversary posters. The second subseries contains posters for the celebration of women, like the Fete des Meres, Journee des Femmes, and May 1st for example. The third subseries contains posters for meetings, programs, television appearances. The fourth subseries contains posters about protests. The fifth subseries contains posters to advertise and celebrate for Congresses, Vente-exposition, and the Fete de l'Humanite. The sixth subseries contains posters to advertise for Communist publications.","Subseries 2.1 is for commemorative and anniversary posters that celebrate the anniversary of important communist events like October 1917, famous communists' birthdays or deaths, and the party's anniversary.","Subseries 2.3 contains posters to advertise for party meetings, programs, television appearances.","2 roughly 39x59cm, 1 48x48cm, 3 34x48cm, and 4 48x67cm sized posters; topics include a meeting with Marchais, a city meeting, invites for a meeting, meeting of Fontenay, meeting with Buffet, and a Grand Bal.","2 40x60cm, 2 roughly 28x40cm, 2 roughly 35x50cm, 1 46x46cm, and 1 35x25cm sized posters; specific television appearances include Marchais, Lajoinie, Marchais's new book promotion, Robert Hue, and a radio show.","5 roughly 35x45cm, 18 roughly 60x80cm, 4 roughly 40x100cm, 15 70x100cm, 1 100x140cm, 2 30x80cm, 1 120x160cm, 3 50x70cm, and 1 17x50cm sized posters; poster topics include large public meetings, large parties, regional debates, television appearances, and student and young worker meetings, as well as meetings with top party leaders to discuss various party issues.","5 40x120cm, 1 76x102cm, and 16 80x120cm sized posters; meetings include those with top leaders of the party, with Marchais, and with women, topics include petrol, the Front Populare, Christmas programs, and referendums.","1 30x40cm, 5 roughly 39x59cm, 1 61x24cm, 2 50x67cm, and 1 45x65cm sized posters to celebrate Thorez's birthday, the revolution of October 1917, the passage of social laws, the anniversary of the party, and the anniversary of the liberation of Paris.","4 roughly 60x100cm, 4 roughly 70x100cm, 15 roughly 60x80cm, 1 40x100cm, 2 50x70cm, and 1 40x56cm sized posters that commemorate social laws, the revolution of October 1917, the French Revolution, the founding of the party, several important Communist figures' birthdays, and the anniversary of World War II events.","21 80x120cm and 4 40x120cm sized posters that commemorate the October Revolution of 1917, the commune of Paris, the births and deaths of famous communists, the anniversary of the party, and other small events.","Subseries 2.2 contains posters celebrating women, like the Fete des Meres, Journee des Femmes, and May 1st for example.","1 20x70cm, 1 40x60cm, 5 roughly 50x70cm, 12 roughly 60x80cm, and 7 65x100cm sized posters that celebrate women, particularly the Fete des Meres, the Journee des Femmes, and May 1st celebrations of the French Communist Party.","1 80x120cm sized poster announcing a meeting for women.","Subseries 2.4 contains posters that advertise for protest marches.","8 roughly 60x80cm, 4 roughly 30x100cm, 2 roughly 45x60cm, 1 35x48cm, and 2 70x100cm sized posters; poster topics include secular schools, the youth against apartheid and Giscard, protests against nuclear weapons and the Front National, and protests for jobs and salaries.","1 40x120cm and 1 80x120cm sized posters; one poster is for a protest in honor of the founder of l'Humanite and the other for the commune of Paris.","Subseries 2.5 contains posters to advertise and celebrate for Congresses, Vente-exposition, and the Fete de l'Humanite. Congresses and Fetes are annual gatherings of party members, similar to a convention or festival. Vente-Expositions are book festivals.","5 40x60cm posters; one poster advertises the 15th Congress and the other four show facsimiles of old posters for the 1985 fete de l'humanite.","6 roughly 39x59cm, 1 32x50cm, 3 28x39cm, 1 35x44cm, 1 64x50cm, 1 68x47cm, and 1 46x61cm sized posters; posters advertise Vente-Expositions for Marxist books, the history of the PCF, art and books, the anniversary of the Paris commune, a Grand Gala du lien, a technology expo, and a night of cinema.","13 roughly 60x80cm, 7 roughly 60x100cm, 1 35x70cm, and 2 roughly 40x80cm sized posters; topics include expositions for Soviet or Marxist books, music celebrations, and Congresses.","9 70x100cm, 1 55x75cm, 1 33x48cm, 1 49x65cm, 1 40x60cm, 1 47x58cm, 2 60x80cm, and 1 34x100cm sized posters advertising for the Fete de l'humanite.","1 40x120cm and 7 80x120cm sized posters; topics include Congresses and Marxist book celebrations.","Subseries 2.6 contains posters to advertise for Communist publications, including book releases by party members and newspapers or journals published by the French Communist Party.","2 30x40cm, 3 roughly 59x39cm, 1 52x38cm, 2 69x48cm, and 1 35x5cm sized posters; the publication advertised include L'Humanite, France Nouvelle, Marchais's L'Espoir au Present, Economie et Politique, Avancees, and Communistes.","6 40x60cm, 12 60x80cm, and 1 70x100cm sized posters; topics include the newspapers L'Humanite, Economie et Politique, and Les Espaces Citoyens; Marchais's books Le Defi Democratique and Espoir au Present; Robert Hue's Communisme: La Mutation; and nights of cinema.","3 40x120cm and 3 80x120cm sized posters; publications include the book for the Fete de l'Humanite, Le Patriote newspaper, and Marchais's L'Espoir au Present and Le Defi Democratique.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Substantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements.","Map Case 10.3, 25.1-25.5","George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET","English"],"unitid_tesim":["C0168","/repositories/2/resources/177"],"normalized_title_ssm":["French Communist Party poster collection"],"collection_title_tesim":["French Communist Party poster collection"],"collection_ssim":["French Communist Party poster collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["France -- Politics and government -- 20th century"],"geogname_ssim":["France -- Politics and government -- 20th century"],"creator_ssm":["Parti communiste français"],"creator_ssim":["Parti communiste français"],"creator_corpname_ssim":["Parti communiste français"],"creators_ssim":["Parti communiste français"],"places_ssim":["France -- Politics and government -- 20th century"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters"],"access_subjects_ssm":["Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters"],"has_online_content_ssim":["false"],"extent_ssm":["1218 posters"],"extent_tesim":["1218 posters"],"genreform_ssim":["Posters","Political posters"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.","Missing Title Series 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC) Series 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)"],"bioghist_html_tesm":["\u003cp\u003eThe French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday."],"prefercite_html_tesm":["\u003cp\u003eFrench Communist Party poster collection, C0168, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["French Communist Party poster collection, C0168, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Francis J. McNamara papers\" href=\"https://aspace.gmu.edu/resources/c0024\"\u003e\u003c/extptr\u003e that include many documents on communist parties in the United States and internationally.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   that include many documents on communist parties in the United States and internationally."],"scopecontent_html_tesm":["\u003cp\u003eSubstantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups. \u003c/p\u003e\n","\u003cp\u003eSeries 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events. \u003c/p\u003e","\u003cp\u003eThis first series consists of five subseries and contains political posters all arranged by size and chronologically. The first subseries contains general position and party information posters. The second subseries contains posters about the programme commun. The third subseries contains posters for the production francais campaign. The fourth subseries contains posters about peace and disarmament. The fifth subseries contains posters for the Jeune Communistes party.\u003c/p\u003e","\u003cp\u003eSubseries 1.1 is for general position and party information posters. Many posters that are just \"vote communist\" or describe the party platform. There are also many posters for each election that tell party members how to vote.\u003c/p\u003e","\u003cp\u003e5 42x59cm sized posters; targeted toward workers and farmers asking for their support.\u003c/p\u003e","\u003cp\u003e11 30x40cm, 7 roughly 60x20cm, 2 roughly 40x50cm, 7 40x60cm sized posters; assortment of posters for the many processes surrounding the formation of the Fifth Republic, including anti-de Gaulle, No to constitutional monarchy, Gaulle is a fascist, attacks on de Gaulle's ministers, no to a military dictator, no to civil war.\u003c/p\u003e","\u003cp\u003e11 40x60cm, 2 30x40cm, and 2 roughly 24x59cm sized posters; topics include secularism in schools and government, party positions on current issues, anti-fascism, promoting Maurice Thorez.\u003c/p\u003e","\u003cp\u003e4 30x40cm sized posters; posters call for voters to vote against the referendum.\u003c/p\u003e","\u003cp\u003e10 30x40cm sized posters; posters are anti-Gaulle and against the referendum.\u003c/p\u003e","\u003cp\u003e6 roughly 38x58cm posters, 4 30x50cm sized posters, and 4 42x59cm posters; school, jobs, lodging, and military topics included.\u003c/p\u003e","\u003cp\u003e5 30x40cm and 3 40x60cm sized posters; the posters support Mitterand for president during the 1965 election in France.\u003c/p\u003e","\u003cp\u003e7 40x60cm sized posters; posters are asking voters to vote communist.\u003c/p\u003e","\u003cp\u003e4 40x60cm and 2 roughly 30x25cm sized posters; supports Duclos in the first tour and asks voters to abstain in the second tour.\u003c/p\u003e","\u003cp\u003e6 40x60cm sized posters; posters all have the slogan \"Pour vivre mieux\" and deal with taxes, proportional representation, nationalization, tariffs, rent levels, and giving the young a job.\u003c/p\u003e","\u003cp\u003e7 40x60cm sized posters; the posters call for voters to support the communists and vote communist in the municipal election of 1971. The posters attack the UDR and address taxes, lodging, salaries, and scandals. Most posters say \"avec les communistes.\"\u003c/p\u003e","\u003cp\u003e16 40x60cm sized posters; the posters follow two color schemes, yellow with blue font and variations of blue, red and purple boxes with red, white, and blue font. Topics include minimum wage, government-assisted housing, old age aid, creating jobs, taxes, hours in a work week and paid vacation, equalize salaries, and changing the retirement age.\u003c/p\u003e","\u003cp\u003e1 30x40cm and 10 40x60cm sized posters; workers against capitalism, vote no to the referendum of 1972, welcome Brejnev to France, cooperation and friendship with the USSR, election poster for M. Gros (1974), stop inflation, lower prices, and HLM/government housing are the various topics of these posters.\u003c/p\u003e","\u003cp\u003e1 40x60cm, 1 about 20x30cm, 8 about 50x68cm, 3 on average 35x50cm, 1 50x50cm, 3 triangle sized posters; topics include Marchais during the 1981 election, European parliamentary elections 1984, who to vote for in the March 6, 1983 election, 1982 cantonal elections, and Citroen and the elections.\u003c/p\u003e","\u003cp\u003e7 roughly 35x50cm sized posters; posters to support the Communists during the 1986 election, four posters say \"je vote communiste.\"\u003c/p\u003e","\u003cp\u003e2 50x36cm and 5 40x60cm sized posters; each poster says \"ne pas subir, agir\" (do not suffer, act) and topics include unemployment, workers, and the future.\u003c/p\u003e","\u003cp\u003e6 roughly 68x48cm sized posters; posters show a person talking about something that concerns them, like social and political issues.\u003c/p\u003e","\u003cp\u003e1 roughly 35x50cm, 5 roughly 48x68cm sized posters; posters are for Andre Lajoinie's campaign for president in the 1988 elections.\u003c/p\u003e","\u003cp\u003e4 48x63cm sized posters; each poster has the phrase \"Une idee qui monte\" and addresses socio-political issues.\u003c/p\u003e","\u003cp\u003e1 35x50cm and 4 48x68cm sized posters; each poster is about money, specifically salaries, minimum wage or social welfare aid.\u003c/p\u003e","\u003cp\u003e2 33x70cm, 11 roughly 35x50cm, and 8 roughly 48x68cm sized posters; topics include housing, health care, electoral districts, employment, social aid, agricultural issues, and the June 18, 1989 election.\u003c/p\u003e","\u003cp\u003e6 33x46cm, 5 48x60cm, 7 48x68cm, 3 38x60cm, and 1 38x52cm sized posters; topics include supporting the PCF, minimum wage, social security, education, drugs, uniting the party, anti-Balladur, women in politics, and the May 25, 1997 election.\u003c/p\u003e","\u003cp\u003e6 roughly 47x67cm sized posters; topics include voting, supporting the party, minimum wage, youth jobs, and a poster supporting Marie-George Buffet.\u003c/p\u003e","\u003cp\u003e2 45x60cm, 1 15x68cm, 1 50x58cm, and 11 34x47cm sized posters for Robert Hue's many campaigns.\u003c/p\u003e","\u003cp\u003e1 10x40cm, 3 40x60cm, 2 70x100cm, 4 60x80cm, 1 35x100cm, 7 50x70cm, 6 30x40cm, and 4 40x40cm sized posters; topics include candidates, positions, women, USSR, unemployment, immigration, voting rights, and buying power.\u003c/p\u003e","\u003cp\u003e26 roughly 60x80cm and 5 60x100cm sized posters; topics include agriculture, workers, scandals, German soldiers in France, general party positions, how to vote, anti-de Gaulle, union and action, miners, women, personal power, halting fascism, and Duclos.\u003c/p\u003e","\u003cp\u003e36 roughly 60x80cm, 2 40x60cm, and 2 30x100cm sized posters; topics include uniting, anti-UDR, financial scandals, the Soviet Union, Pompidou, cantonal elections, racism, personal power, raising fuel prices, petroleum scandal, d'Estaing, women, the Concord, farmers, saving hospitals, European election, and the election of 1978.\u003c/p\u003e","\u003cp\u003e19 roughly 70x100cm, 8 40x60cm, 1 30x40cm sized posters; topics include anti-Giscard, the Corsican election, women, elections of 1983, June 1984 elections, March 1985 elections, schools, human rights, hospital care, electoral districts, party positions, banks, and schools.\u003c/p\u003e","\u003cp\u003e18 roughly 70x100cm, 2 60x80cm, and 9 40x60cm sized posters; topics include free information, retirement, schools, party positions, and unemployment.\u003c/p\u003e","\u003cp\u003e1 60x80cm, 13 70x100cm, and 1 50x70cm sized posters; topics include Balladur, Chirac, Euro vote, growth, party positions, and Marie-George Buffet.\u003c/p\u003e","\u003cp\u003e8 70x100cm sized posters in the series entitled Place aux idees nouvelles (place of new ideas). 2 70x100cm sized posters from the series entitled une idee qui monte.\u003c/p\u003e","\u003cp\u003e4 roughly 60x80cm, 10 70x100cm, and 1 50x70cm sized posters for Robert Hue's campaign.\u003c/p\u003e","\u003cp\u003e3 roughly 60x80cm, 8 roughly 70x100cm, and 2 50x70cm sized posters about social security issues, including retirement, social security, and more.\u003c/p\u003e","\u003cp\u003e7 roughly 60x80cm sized posters for Mitterand's campaigns.\u003c/p\u003e","\u003cp\u003e11 roughly 70x90cm sized posters for Lajoinie's campaigns.\u003c/p\u003e","\u003cp\u003e8 roughly 50x70cm, 14 roughly 60x80cm, 2 61x95cm, 1 60x70cm, 14 70x100cm, 1 35x50cm, 2 roughly 40x100cm sized posters that deal with finances, salaries, taxes, and unemployment.\u003c/p\u003e","\u003cp\u003e2 roughly 40x60cm, 1 50x70cm, 8 60x80cm, 2 40x100cm and 1 70x100cm sized posters against Giscard's campaign.\u003c/p\u003e","\u003cp\u003e1 50x70cm, 11 roughly 60x80cm, and 1 30x40cm sized posters that address rising prices.\u003c/p\u003e","\u003cp\u003e1 13x60cm, 1 25x60cm, 2 50x70cm, 6 roughly 60x80cm, and 5 70x100cm sized posters about referendum positions in France.\u003c/p\u003e","\u003cp\u003e1 33x100cm, 1 30x40cm, 3 roughly 50x70cm, and 7 roughly 60x80cm sized posters for Marchais's campaign.\u003c/p\u003e","\u003cp\u003e4 30x40cm, 19 50x70cm, 1 50x100cm, 26 60x80cm, 9 70x100cm, and 1 100x120cm sized posters calling for support or adherence to the Communist party; also includes phrases like I vote communist and with the communists.\u003c/p\u003e","\u003cp\u003e1 30x40cm, 1 50x70cm, 3 60x80cm, and 3 70x100cm sized posters about rent and lodging options.\u003c/p\u003e","\u003cp\u003e4 roughly 140x50cm, 8 roughly 160x50cm, 2 185x65cm sized posters of various topics, including who to vote for, protests, publications, and party positions.\u003c/p\u003e","\u003cp\u003e3 40x120cm, 2 30x120cm, and 30 80x120cm sized posters; posters tell supporters how to vote, call for support, and address party issues. Specific topics include Marchais, Mitterand, the Olympic games, birth control, union of workers, religion in school, Truman doctrine, Duclos, leaders, and taxes.\u003c/p\u003e","\u003cp\u003eSubseries 1.2 contains posters leading up to and calling for support of the union of the left, i.e., the programme commun.\u003c/p\u003e","\u003cp\u003e7 roughly 41x59cm, 1 29x42cm, 3 29x53cm, 1 38x48cm, and 1 60x70cm sized posters; these posters call for a union of the left or a programme commun.\u003c/p\u003e","\u003cp\u003e21 roughly 60x80cm, 1 95x63cm, 3 48x68cm, 2 58x52cm, and 1 38x58cm sized posters; poster topics support the union of the left, cantonal elections, Mitterand and include phrases like end personal power, union and action, it's possible, and adhere.\u003c/p\u003e","\u003cp\u003e1 80x120cm sized poster about the programme commun.\u003c/p\u003e","\u003cp\u003eSubseries 1.3 contains posters about \"production francais,\" or the Party's campaign to purchase goods made in France.\u003c/p\u003e","\u003cp\u003e10 48x68cm and 1 48x64cm sized posters each calling for the support of French production and limiting imports and outsourcing.\u003c/p\u003e","\u003cp\u003e2 roughly 60x80cm, 2 48x67cm, and 5 68x97cm sized posters; topics include creating jobs, keeping money in France, fewer imports, fighting unemployment, and Lajoinie campaign issues.\u003c/p\u003e","\u003cp\u003eSubseries 1.4 contains posters that are anti-war or anti-bomb, also posters calling for support of certain countries in conflict or the freedom of certain prisoners.\u003c/p\u003e","\u003cp\u003e3 roughly 48x68cm, 4 roughly 30x40cm, and 7 roughly 37x49cm sized posters; general posters for peace and various specific topics, like Hungary, Indochina, Turkey, Cuba, and freeing people from prison.\u003c/p\u003e","\u003cp\u003e12 roughly 30x40cm, 12 40x60cm, 2 20x60cm, and 1 29x60cm sized posters; these posters follow the Algerian fight for independence, calling for a cease-fire and independence.\u003c/p\u003e","\u003cp\u003e1 30x43cm, 10 roughly 38x58cm, and 1 38x51cm sized posters that deal with ending the Vietnam War.\u003c/p\u003e","\u003cp\u003e3 30x40cm and 2 38x60cm sized posters that promote nuclear disarmament.\u003c/p\u003e","\u003cp\u003e13 roughly 60x80cm sized posters about the Algerian War.\u003c/p\u003e","\u003cp\u003e1 30x80cm, 14 60x80cm, and 1 22x60cm sized posters that deal with the war in Vietnam.\u003c/p\u003e","\u003cp\u003e1 22x60cm, 6 roughly 30x75cm, 3 roughly 30x100cm, 25 roughly 60x80cm, and 15 roughly 65x100cm sized posters; topics include helping the poor in Indochina, the Hungarian Revolution, no American bases in France, liberation, peace, Nixon and US aggression, concentration camps in Chili, AIDS, the Kyoto Accords, and disarming. Some posters call for freeing Jacques Duclos, Angela Davis, Mandela, and Vietnamese. Many posters are about conflicts in different areas of the globe, including Cuba, Germany, Indochina, Palestine, Nicaragua, Turkey, the Gulf War, and Rwanda.\u003c/p\u003e","\u003cp\u003e3 40x120cm and 10 80x120cm sized posters that call for disarmament and peace in war-torn areas like Indochina, Vietnam, Algeria, and Tunisia. There are also posters against American military forces in France.\u003c/p\u003e","\u003cp\u003eSubseries 1.5 contains posters by the Jeune Communists (Young Communists).\u003c/p\u003e","\u003cp\u003e3 40x60cm, 1 50x80cm, 1 20x80cm, 4 60x80cm, and 8 65x90cm sized posters; poster topics include schools, voting, anti-globalization, employment, the death penalty, Europe, Palestine, stopping discrimination, and anti-Front National.\u003c/p\u003e","\u003cp\u003eThis second series consists of six subseries and contains social posters all arranged chronologically. The first subseries contains commemorative and anniversary posters. The second subseries contains posters for the celebration of women, like the Fete des Meres, Journee des Femmes, and May 1st for example. The third subseries contains posters for meetings, programs, television appearances. The fourth subseries contains posters about protests. The fifth subseries contains posters to advertise and celebrate for Congresses, Vente-exposition, and the Fete de l'Humanite. The sixth subseries contains posters to advertise for Communist publications.\u003c/p\u003e","\u003cp\u003eSubseries 2.1 is for commemorative and anniversary posters that celebrate the anniversary of important communist events like October 1917, famous communists' birthdays or deaths, and the party's anniversary.\u003c/p\u003e","\u003cp\u003eSubseries 2.3 contains posters to advertise for party meetings, programs, television appearances.\u003c/p\u003e","\u003cp\u003e2 roughly 39x59cm, 1 48x48cm, 3 34x48cm, and 4 48x67cm sized posters; topics include a meeting with Marchais, a city meeting, invites for a meeting, meeting of Fontenay, meeting with Buffet, and a Grand Bal.\u003c/p\u003e","\u003cp\u003e2 40x60cm, 2 roughly 28x40cm, 2 roughly 35x50cm, 1 46x46cm, and 1 35x25cm sized posters; specific television appearances include Marchais, Lajoinie, Marchais's new book promotion, Robert Hue, and a radio show.\u003c/p\u003e","\u003cp\u003e5 roughly 35x45cm, 18 roughly 60x80cm, 4 roughly 40x100cm, 15 70x100cm, 1 100x140cm, 2 30x80cm, 1 120x160cm, 3 50x70cm, and 1 17x50cm sized posters; poster topics include large public meetings, large parties, regional debates, television appearances, and student and young worker meetings, as well as meetings with top party leaders to discuss various party issues.\u003c/p\u003e","\u003cp\u003e5 40x120cm, 1 76x102cm, and 16 80x120cm sized posters; meetings include those with top leaders of the party, with Marchais, and with women, topics include petrol, the Front Populare, Christmas programs, and referendums.\u003c/p\u003e","\u003cp\u003e1 30x40cm, 5 roughly 39x59cm, 1 61x24cm, 2 50x67cm, and 1 45x65cm sized posters to celebrate Thorez's birthday, the revolution of October 1917, the passage of social laws, the anniversary of the party, and the anniversary of the liberation of Paris.\u003c/p\u003e","\u003cp\u003e4 roughly 60x100cm, 4 roughly 70x100cm, 15 roughly 60x80cm, 1 40x100cm, 2 50x70cm, and 1 40x56cm sized posters that commemorate social laws, the revolution of October 1917, the French Revolution, the founding of the party, several important Communist figures' birthdays, and the anniversary of World War II events.\u003c/p\u003e","\u003cp\u003e21 80x120cm and 4 40x120cm sized posters that commemorate the October Revolution of 1917, the commune of Paris, the births and deaths of famous communists, the anniversary of the party, and other small events.\u003c/p\u003e","\u003cp\u003eSubseries 2.2 contains posters celebrating women, like the Fete des Meres, Journee des Femmes, and May 1st for example.\u003c/p\u003e","\u003cp\u003e1 20x70cm, 1 40x60cm, 5 roughly 50x70cm, 12 roughly 60x80cm, and 7 65x100cm sized posters that celebrate women, particularly the Fete des Meres, the Journee des Femmes, and May 1st celebrations of the French Communist Party.\u003c/p\u003e","\u003cp\u003e1 80x120cm sized poster announcing a meeting for women.\u003c/p\u003e","\u003cp\u003eSubseries 2.4 contains posters that advertise for protest marches.\u003c/p\u003e","\u003cp\u003e8 roughly 60x80cm, 4 roughly 30x100cm, 2 roughly 45x60cm, 1 35x48cm, and 2 70x100cm sized posters; poster topics include secular schools, the youth against apartheid and Giscard, protests against nuclear weapons and the Front National, and protests for jobs and salaries.\u003c/p\u003e","\u003cp\u003e1 40x120cm and 1 80x120cm sized posters; one poster is for a protest in honor of the founder of l'Humanite and the other for the commune of Paris.\u003c/p\u003e","\u003cp\u003eSubseries 2.5 contains posters to advertise and celebrate for Congresses, Vente-exposition, and the Fete de l'Humanite. Congresses and Fetes are annual gatherings of party members, similar to a convention or festival. Vente-Expositions are book festivals.\u003c/p\u003e","\u003cp\u003e5 40x60cm posters; one poster advertises the 15th Congress and the other four show facsimiles of old posters for the 1985 fete de l'humanite.\u003c/p\u003e","\u003cp\u003e6 roughly 39x59cm, 1 32x50cm, 3 28x39cm, 1 35x44cm, 1 64x50cm, 1 68x47cm, and 1 46x61cm sized posters; posters advertise Vente-Expositions for Marxist books, the history of the PCF, art and books, the anniversary of the Paris commune, a Grand Gala du lien, a technology expo, and a night of cinema.\u003c/p\u003e","\u003cp\u003e13 roughly 60x80cm, 7 roughly 60x100cm, 1 35x70cm, and 2 roughly 40x80cm sized posters; topics include expositions for Soviet or Marxist books, music celebrations, and Congresses.\u003c/p\u003e","\u003cp\u003e9 70x100cm, 1 55x75cm, 1 33x48cm, 1 49x65cm, 1 40x60cm, 1 47x58cm, 2 60x80cm, and 1 34x100cm sized posters advertising for the Fete de l'humanite.\u003c/p\u003e","\u003cp\u003e1 40x120cm and 7 80x120cm sized posters; topics include Congresses and Marxist book celebrations.\u003c/p\u003e","\u003cp\u003eSubseries 2.6 contains posters to advertise for Communist publications, including book releases by party members and newspapers or journals published by the French Communist Party.\u003c/p\u003e","\u003cp\u003e2 30x40cm, 3 roughly 59x39cm, 1 52x38cm, 2 69x48cm, and 1 35x5cm sized posters; the publication advertised include L'Humanite, France Nouvelle, Marchais's L'Espoir au Present, Economie et Politique, Avancees, and Communistes.\u003c/p\u003e","\u003cp\u003e6 40x60cm, 12 60x80cm, and 1 70x100cm sized posters; topics include the newspapers L'Humanite, Economie et Politique, and Les Espaces Citoyens; Marchais's books Le Defi Democratique and Espoir au Present; Robert Hue's Communisme: La Mutation; and nights of cinema.\u003c/p\u003e","\u003cp\u003e3 40x120cm and 3 80x120cm sized posters; publications include the book for the Fete de l'Humanite, Le Patriote newspaper, and Marchais's L'Espoir au Present and Le Defi Democratique.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Substantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.","Series 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups. ","Series 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events. ","This first series consists of five subseries and contains political posters all arranged by size and chronologically. The first subseries contains general position and party information posters. The second subseries contains posters about the programme commun. The third subseries contains posters for the production francais campaign. The fourth subseries contains posters about peace and disarmament. The fifth subseries contains posters for the Jeune Communistes party.","Subseries 1.1 is for general position and party information posters. Many posters that are just \"vote communist\" or describe the party platform. There are also many posters for each election that tell party members how to vote.","5 42x59cm sized posters; targeted toward workers and farmers asking for their support.","11 30x40cm, 7 roughly 60x20cm, 2 roughly 40x50cm, 7 40x60cm sized posters; assortment of posters for the many processes surrounding the formation of the Fifth Republic, including anti-de Gaulle, No to constitutional monarchy, Gaulle is a fascist, attacks on de Gaulle's ministers, no to a military dictator, no to civil war.","11 40x60cm, 2 30x40cm, and 2 roughly 24x59cm sized posters; topics include secularism in schools and government, party positions on current issues, anti-fascism, promoting Maurice Thorez.","4 30x40cm sized posters; posters call for voters to vote against the referendum.","10 30x40cm sized posters; posters are anti-Gaulle and against the referendum.","6 roughly 38x58cm posters, 4 30x50cm sized posters, and 4 42x59cm posters; school, jobs, lodging, and military topics included.","5 30x40cm and 3 40x60cm sized posters; the posters support Mitterand for president during the 1965 election in France.","7 40x60cm sized posters; posters are asking voters to vote communist.","4 40x60cm and 2 roughly 30x25cm sized posters; supports Duclos in the first tour and asks voters to abstain in the second tour.","6 40x60cm sized posters; posters all have the slogan \"Pour vivre mieux\" and deal with taxes, proportional representation, nationalization, tariffs, rent levels, and giving the young a job.","7 40x60cm sized posters; the posters call for voters to support the communists and vote communist in the municipal election of 1971. The posters attack the UDR and address taxes, lodging, salaries, and scandals. Most posters say \"avec les communistes.\"","16 40x60cm sized posters; the posters follow two color schemes, yellow with blue font and variations of blue, red and purple boxes with red, white, and blue font. Topics include minimum wage, government-assisted housing, old age aid, creating jobs, taxes, hours in a work week and paid vacation, equalize salaries, and changing the retirement age.","1 30x40cm and 10 40x60cm sized posters; workers against capitalism, vote no to the referendum of 1972, welcome Brejnev to France, cooperation and friendship with the USSR, election poster for M. Gros (1974), stop inflation, lower prices, and HLM/government housing are the various topics of these posters.","1 40x60cm, 1 about 20x30cm, 8 about 50x68cm, 3 on average 35x50cm, 1 50x50cm, 3 triangle sized posters; topics include Marchais during the 1981 election, European parliamentary elections 1984, who to vote for in the March 6, 1983 election, 1982 cantonal elections, and Citroen and the elections.","7 roughly 35x50cm sized posters; posters to support the Communists during the 1986 election, four posters say \"je vote communiste.\"","2 50x36cm and 5 40x60cm sized posters; each poster says \"ne pas subir, agir\" (do not suffer, act) and topics include unemployment, workers, and the future.","6 roughly 68x48cm sized posters; posters show a person talking about something that concerns them, like social and political issues.","1 roughly 35x50cm, 5 roughly 48x68cm sized posters; posters are for Andre Lajoinie's campaign for president in the 1988 elections.","4 48x63cm sized posters; each poster has the phrase \"Une idee qui monte\" and addresses socio-political issues.","1 35x50cm and 4 48x68cm sized posters; each poster is about money, specifically salaries, minimum wage or social welfare aid.","2 33x70cm, 11 roughly 35x50cm, and 8 roughly 48x68cm sized posters; topics include housing, health care, electoral districts, employment, social aid, agricultural issues, and the June 18, 1989 election.","6 33x46cm, 5 48x60cm, 7 48x68cm, 3 38x60cm, and 1 38x52cm sized posters; topics include supporting the PCF, minimum wage, social security, education, drugs, uniting the party, anti-Balladur, women in politics, and the May 25, 1997 election.","6 roughly 47x67cm sized posters; topics include voting, supporting the party, minimum wage, youth jobs, and a poster supporting Marie-George Buffet.","2 45x60cm, 1 15x68cm, 1 50x58cm, and 11 34x47cm sized posters for Robert Hue's many campaigns.","1 10x40cm, 3 40x60cm, 2 70x100cm, 4 60x80cm, 1 35x100cm, 7 50x70cm, 6 30x40cm, and 4 40x40cm sized posters; topics include candidates, positions, women, USSR, unemployment, immigration, voting rights, and buying power.","26 roughly 60x80cm and 5 60x100cm sized posters; topics include agriculture, workers, scandals, German soldiers in France, general party positions, how to vote, anti-de Gaulle, union and action, miners, women, personal power, halting fascism, and Duclos.","36 roughly 60x80cm, 2 40x60cm, and 2 30x100cm sized posters; topics include uniting, anti-UDR, financial scandals, the Soviet Union, Pompidou, cantonal elections, racism, personal power, raising fuel prices, petroleum scandal, d'Estaing, women, the Concord, farmers, saving hospitals, European election, and the election of 1978.","19 roughly 70x100cm, 8 40x60cm, 1 30x40cm sized posters; topics include anti-Giscard, the Corsican election, women, elections of 1983, June 1984 elections, March 1985 elections, schools, human rights, hospital care, electoral districts, party positions, banks, and schools.","18 roughly 70x100cm, 2 60x80cm, and 9 40x60cm sized posters; topics include free information, retirement, schools, party positions, and unemployment.","1 60x80cm, 13 70x100cm, and 1 50x70cm sized posters; topics include Balladur, Chirac, Euro vote, growth, party positions, and Marie-George Buffet.","8 70x100cm sized posters in the series entitled Place aux idees nouvelles (place of new ideas). 2 70x100cm sized posters from the series entitled une idee qui monte.","4 roughly 60x80cm, 10 70x100cm, and 1 50x70cm sized posters for Robert Hue's campaign.","3 roughly 60x80cm, 8 roughly 70x100cm, and 2 50x70cm sized posters about social security issues, including retirement, social security, and more.","7 roughly 60x80cm sized posters for Mitterand's campaigns.","11 roughly 70x90cm sized posters for Lajoinie's campaigns.","8 roughly 50x70cm, 14 roughly 60x80cm, 2 61x95cm, 1 60x70cm, 14 70x100cm, 1 35x50cm, 2 roughly 40x100cm sized posters that deal with finances, salaries, taxes, and unemployment.","2 roughly 40x60cm, 1 50x70cm, 8 60x80cm, 2 40x100cm and 1 70x100cm sized posters against Giscard's campaign.","1 50x70cm, 11 roughly 60x80cm, and 1 30x40cm sized posters that address rising prices.","1 13x60cm, 1 25x60cm, 2 50x70cm, 6 roughly 60x80cm, and 5 70x100cm sized posters about referendum positions in France.","1 33x100cm, 1 30x40cm, 3 roughly 50x70cm, and 7 roughly 60x80cm sized posters for Marchais's campaign.","4 30x40cm, 19 50x70cm, 1 50x100cm, 26 60x80cm, 9 70x100cm, and 1 100x120cm sized posters calling for support or adherence to the Communist party; also includes phrases like I vote communist and with the communists.","1 30x40cm, 1 50x70cm, 3 60x80cm, and 3 70x100cm sized posters about rent and lodging options.","4 roughly 140x50cm, 8 roughly 160x50cm, 2 185x65cm sized posters of various topics, including who to vote for, protests, publications, and party positions.","3 40x120cm, 2 30x120cm, and 30 80x120cm sized posters; posters tell supporters how to vote, call for support, and address party issues. Specific topics include Marchais, Mitterand, the Olympic games, birth control, union of workers, religion in school, Truman doctrine, Duclos, leaders, and taxes.","Subseries 1.2 contains posters leading up to and calling for support of the union of the left, i.e., the programme commun.","7 roughly 41x59cm, 1 29x42cm, 3 29x53cm, 1 38x48cm, and 1 60x70cm sized posters; these posters call for a union of the left or a programme commun.","21 roughly 60x80cm, 1 95x63cm, 3 48x68cm, 2 58x52cm, and 1 38x58cm sized posters; poster topics support the union of the left, cantonal elections, Mitterand and include phrases like end personal power, union and action, it's possible, and adhere.","1 80x120cm sized poster about the programme commun.","Subseries 1.3 contains posters about \"production francais,\" or the Party's campaign to purchase goods made in France.","10 48x68cm and 1 48x64cm sized posters each calling for the support of French production and limiting imports and outsourcing.","2 roughly 60x80cm, 2 48x67cm, and 5 68x97cm sized posters; topics include creating jobs, keeping money in France, fewer imports, fighting unemployment, and Lajoinie campaign issues.","Subseries 1.4 contains posters that are anti-war or anti-bomb, also posters calling for support of certain countries in conflict or the freedom of certain prisoners.","3 roughly 48x68cm, 4 roughly 30x40cm, and 7 roughly 37x49cm sized posters; general posters for peace and various specific topics, like Hungary, Indochina, Turkey, Cuba, and freeing people from prison.","12 roughly 30x40cm, 12 40x60cm, 2 20x60cm, and 1 29x60cm sized posters; these posters follow the Algerian fight for independence, calling for a cease-fire and independence.","1 30x43cm, 10 roughly 38x58cm, and 1 38x51cm sized posters that deal with ending the Vietnam War.","3 30x40cm and 2 38x60cm sized posters that promote nuclear disarmament.","13 roughly 60x80cm sized posters about the Algerian War.","1 30x80cm, 14 60x80cm, and 1 22x60cm sized posters that deal with the war in Vietnam.","1 22x60cm, 6 roughly 30x75cm, 3 roughly 30x100cm, 25 roughly 60x80cm, and 15 roughly 65x100cm sized posters; topics include helping the poor in Indochina, the Hungarian Revolution, no American bases in France, liberation, peace, Nixon and US aggression, concentration camps in Chili, AIDS, the Kyoto Accords, and disarming. Some posters call for freeing Jacques Duclos, Angela Davis, Mandela, and Vietnamese. Many posters are about conflicts in different areas of the globe, including Cuba, Germany, Indochina, Palestine, Nicaragua, Turkey, the Gulf War, and Rwanda.","3 40x120cm and 10 80x120cm sized posters that call for disarmament and peace in war-torn areas like Indochina, Vietnam, Algeria, and Tunisia. There are also posters against American military forces in France.","Subseries 1.5 contains posters by the Jeune Communists (Young Communists).","3 40x60cm, 1 50x80cm, 1 20x80cm, 4 60x80cm, and 8 65x90cm sized posters; poster topics include schools, voting, anti-globalization, employment, the death penalty, Europe, Palestine, stopping discrimination, and anti-Front National.","This second series consists of six subseries and contains social posters all arranged chronologically. The first subseries contains commemorative and anniversary posters. The second subseries contains posters for the celebration of women, like the Fete des Meres, Journee des Femmes, and May 1st for example. The third subseries contains posters for meetings, programs, television appearances. The fourth subseries contains posters about protests. The fifth subseries contains posters to advertise and celebrate for Congresses, Vente-exposition, and the Fete de l'Humanite. The sixth subseries contains posters to advertise for Communist publications.","Subseries 2.1 is for commemorative and anniversary posters that celebrate the anniversary of important communist events like October 1917, famous communists' birthdays or deaths, and the party's anniversary.","Subseries 2.3 contains posters to advertise for party meetings, programs, television appearances.","2 roughly 39x59cm, 1 48x48cm, 3 34x48cm, and 4 48x67cm sized posters; topics include a meeting with Marchais, a city meeting, invites for a meeting, meeting of Fontenay, meeting with Buffet, and a Grand Bal.","2 40x60cm, 2 roughly 28x40cm, 2 roughly 35x50cm, 1 46x46cm, and 1 35x25cm sized posters; specific television appearances include Marchais, Lajoinie, Marchais's new book promotion, Robert Hue, and a radio show.","5 roughly 35x45cm, 18 roughly 60x80cm, 4 roughly 40x100cm, 15 70x100cm, 1 100x140cm, 2 30x80cm, 1 120x160cm, 3 50x70cm, and 1 17x50cm sized posters; poster topics include large public meetings, large parties, regional debates, television appearances, and student and young worker meetings, as well as meetings with top party leaders to discuss various party issues.","5 40x120cm, 1 76x102cm, and 16 80x120cm sized posters; meetings include those with top leaders of the party, with Marchais, and with women, topics include petrol, the Front Populare, Christmas programs, and referendums.","1 30x40cm, 5 roughly 39x59cm, 1 61x24cm, 2 50x67cm, and 1 45x65cm sized posters to celebrate Thorez's birthday, the revolution of October 1917, the passage of social laws, the anniversary of the party, and the anniversary of the liberation of Paris.","4 roughly 60x100cm, 4 roughly 70x100cm, 15 roughly 60x80cm, 1 40x100cm, 2 50x70cm, and 1 40x56cm sized posters that commemorate social laws, the revolution of October 1917, the French Revolution, the founding of the party, several important Communist figures' birthdays, and the anniversary of World War II events.","21 80x120cm and 4 40x120cm sized posters that commemorate the October Revolution of 1917, the commune of Paris, the births and deaths of famous communists, the anniversary of the party, and other small events.","Subseries 2.2 contains posters celebrating women, like the Fete des Meres, Journee des Femmes, and May 1st for example.","1 20x70cm, 1 40x60cm, 5 roughly 50x70cm, 12 roughly 60x80cm, and 7 65x100cm sized posters that celebrate women, particularly the Fete des Meres, the Journee des Femmes, and May 1st celebrations of the French Communist Party.","1 80x120cm sized poster announcing a meeting for women.","Subseries 2.4 contains posters that advertise for protest marches.","8 roughly 60x80cm, 4 roughly 30x100cm, 2 roughly 45x60cm, 1 35x48cm, and 2 70x100cm sized posters; poster topics include secular schools, the youth against apartheid and Giscard, protests against nuclear weapons and the Front National, and protests for jobs and salaries.","1 40x120cm and 1 80x120cm sized posters; one poster is for a protest in honor of the founder of l'Humanite and the other for the commune of Paris.","Subseries 2.5 contains posters to advertise and celebrate for Congresses, Vente-exposition, and the Fete de l'Humanite. Congresses and Fetes are annual gatherings of party members, similar to a convention or festival. Vente-Expositions are book festivals.","5 40x60cm posters; one poster advertises the 15th Congress and the other four show facsimiles of old posters for the 1985 fete de l'humanite.","6 roughly 39x59cm, 1 32x50cm, 3 28x39cm, 1 35x44cm, 1 64x50cm, 1 68x47cm, and 1 46x61cm sized posters; posters advertise Vente-Expositions for Marxist books, the history of the PCF, art and books, the anniversary of the Paris commune, a Grand Gala du lien, a technology expo, and a night of cinema.","13 roughly 60x80cm, 7 roughly 60x100cm, 1 35x70cm, and 2 roughly 40x80cm sized posters; topics include expositions for Soviet or Marxist books, music celebrations, and Congresses.","9 70x100cm, 1 55x75cm, 1 33x48cm, 1 49x65cm, 1 40x60cm, 1 47x58cm, 2 60x80cm, and 1 34x100cm sized posters advertising for the Fete de l'humanite.","1 40x120cm and 7 80x120cm sized posters; topics include Congresses and Marxist book celebrations.","Subseries 2.6 contains posters to advertise for Communist publications, including book releases by party members and newspapers or journals published by the French Communist Party.","2 30x40cm, 3 roughly 59x39cm, 1 52x38cm, 2 69x48cm, and 1 35x5cm sized posters; the publication advertised include L'Humanite, France Nouvelle, Marchais's L'Espoir au Present, Economie et Politique, Avancees, and Communistes.","6 40x60cm, 12 60x80cm, and 1 70x100cm sized posters; topics include the newspapers L'Humanite, Economie et Politique, and Les Espaces Citoyens; Marchais's books Le Defi Democratique and Espoir au Present; Robert Hue's Communisme: La Mutation; and nights of cinema.","3 40x120cm and 3 80x120cm sized posters; publications include the book for the Fete de l'Humanite, Le Patriote newspaper, and Marchais's L'Espoir au Present and Le Defi Democratique."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_dd4c030cc8b3e2ce4e8ba5cc668cd75b\" label=\"Abstract\"\u003eSubstantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements.\u003c/abstract\u003e"],"abstract_tesim":["Substantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_42e069deeb9ae22cbc4b9fd54458e227\"\u003eMap Case 10.3, 25.1-25.5\u003c/physloc\u003e"],"physloc_tesim":["Map Case 10.3, 25.1-25.5"],"names_coll_ssim":["Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":92,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:54:03.973Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_177_c01_c01_c27"}},{"id":"vifgm_vifgm00045_c01_c01_c27","type":"File","attributes":{"title":"1970s General,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00045_c01_c01_c27#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e36 roughly 60x80cm, 2 40x60cm, and 2 30x100cm sized posters; topics include uniting, anti-UDR, financial scandals, the Soviet Union, Pompidou, cantonal elections, racism, personal power, raising fuel prices, petroleum scandal, d'Estaing, women, the Concord, farmers, saving hospitals, European election, and the election of 1978.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00045_c01_c01_c27#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_vifgm00045_c01_c01_c27","ref_ssm":["vifgm_vifgm00045_c01_c01_c27"],"id":"vifgm_vifgm00045_c01_c01_c27","ead_ssi":"vifgm_vifgm00045","_root_":"vifgm_vifgm00045","_nest_parent_":"vifgm_vifgm00045_c01_c01","parent_ssi":"vifgm_vifgm00045_c01_c01","parent_ssim":["vifgm_vifgm00045","vifgm_vifgm00045_c01","vifgm_vifgm00045_c01_c01"],"parent_ids_ssim":["vifgm_vifgm00045","vifgm_vifgm00045_c01","vifgm_vifgm00045_c01_c01"],"parent_unittitles_ssm":["French Communist Party poster collection","Series 1: Political Posters,","Subseries 1.1: General Position and Party Information,"],"parent_unittitles_tesim":["French Communist Party poster collection","Series 1: Political Posters,","Subseries 1.1: General Position and Party Information,"],"text":["French Communist Party poster collection","Series 1: Political Posters,","Subseries 1.1: General Position and Party Information,","1970s General,","Oversize Shelf 1","Folder 3","36 roughly 60x80cm, 2 40x60cm, and 2 30x100cm sized posters; topics include uniting, anti-UDR, financial scandals, the Soviet Union, Pompidou, cantonal elections, racism, personal power, raising fuel prices, petroleum scandal, d'Estaing, women, the Concord, farmers, saving hospitals, European election, and the election of 1978."],"title_filing_ssi":"1970s General,","title_ssm":["1970s General,"],"title_tesim":["1970s General,"],"unitdate_other_ssim":["1970-1979"],"normalized_date_ssm":["1970/1979"],"normalized_title_ssm":["1970s General,"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["French Communist Party poster collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":29,"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"containers_ssim":["Oversize Shelf 1","Folder 3"],"scopecontent_html_tesm":["\u003cp\u003e36 roughly 60x80cm, 2 40x60cm, and 2 30x100cm sized posters; topics include uniting, anti-UDR, financial scandals, the Soviet Union, Pompidou, cantonal elections, racism, personal power, raising fuel prices, petroleum scandal, d'Estaing, women, the Concord, farmers, saving hospitals, European election, and the election of 1978.\u003c/p\u003e"],"scopecontent_tesim":["36 roughly 60x80cm, 2 40x60cm, and 2 30x100cm sized posters; topics include uniting, anti-UDR, financial scandals, the Soviet Union, Pompidou, cantonal elections, racism, personal power, raising fuel prices, petroleum scandal, d'Estaing, women, the Concord, farmers, saving hospitals, European election, and the election of 1978."],"_nest_path_":"/components#0/components#0/components#26","timestamp":"2026-05-21T06:33:36.071Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_vifgm00045","ead_ssi":"vifgm_vifgm00045","_root_":"vifgm_vifgm00045","_nest_parent_":"vifgm_vifgm00045","ead_source_url_ssi":"data/gmu/vifgm00045.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["French Communist Party poster collection"],"title_tesim":["French Communist Party poster collection"],"unitdate_ssm":["circa 1945-2008\n"],"unitdate_inclusive_ssm":["circa 1945-2008\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0168\n"],"text":["C0168\n","French Communist Party poster collection","Human rights--Posters.","Nuclear nonproliferation--Posters.","Social justice--France--20th century--Posters.","Political posters--France--20th century.","Protest posters--France--20th century.","Collection is open to research.\n","This collection is organized into two series by subject with posters further organized into 11 subseries.  Within each series, posters are arranged by size and chronologically.","Series 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC)\n Series 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)\n","\nThe French Communist Party (PCF for short) emerged in 1921 out of the Section Français de l'Internationale Communiste.  The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II.  The group took an active role in Charles de Gaulle's government starting in 1944.  The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s.  They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party.  The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections.  In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued.  Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay.  The party also sought female support by celebrating women's issues and equal rights.  The Party held Congresses every few years as party meetings to discuss and celebrate social issues.  After President Mitterand's term in office, the party began to fracture and supporters disappeared.  The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had.  The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday.\n","Processed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010.\n","Special Collections and Archives also holds the  Francis J. McNamara papers  that include many documents on communist parties in the United States and internationally.","Substantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949.  The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements.  Posters also celebrate important dates, promote the party's publications and advertise party events.  Specific topics include women, fête de l'humanité, communists' births and deaths, protests, book releases, and the newspaper l'Humanité.","Series 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups.\n","Series 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events.\n","This first series consists of five subseries and contains political posters all arranged by size and chronologically.  The first subseries contains general position and party information posters.  The second subseries contains posters about the programme commun.  The third subseries contains posters for the production français campaign. The fourth subseries contains posters about peace and disarmament.  The fifth subseries contains posters for the Jeune Communistes party.\n","Subseries 1.1 is for general position and party information posters.  Many posters that are just \"vote communist\" or describe the party platform. There are also many posters for each election that tell party members how to vote.\n","5 42x59cm sized posters; targeted toward workers and farmers asking for their support.","11 30x40cm, 7 roughly 60x20cm, 2 roughly 40x50cm, 7 40x60cm sized posters; assortment of posters for the many processes surrounding the formation of the Fifth Republic, including anti-de Gaulle, No to constitutional monarchy, Gaulle is a fascist, attacks on de Gaulle's ministers, no to a military dictator, no to civil war.","11 40x60cm, 2 30x40cm, and 2 roughly 24x59cm sized posters; topics include secularism in schools and government, party positions on current issues, anti-fascism, promoting Maurice Thorez.","4 30x40cm sized posters; posters call for voters to vote against the referendum.","10 30x40cm sized posters; posters are anti-Gaulle and against the referendum.","6 roughly 38x58cm posters, 4 30x50cm sized posters, and 4 42x59cm posters; school, jobs, lodging, and military topics included.","5 30x40cm and 3 40x60cm sized posters; the posters support Mitterand for president during the 1965 election in France.","7 40x60cm sized posters; posters are asking voters to vote communist.","4 40x60cm and 2 roughly 30x25cm sized posters; supports Duclos in the first tour and asks voters to abstain in the second tour.","6 40x60cm sized posters; posters all have the slogan \"Pour vivre mieux\" and deal with taxes, proportional representation, nationalization, tariffs, rent levels, and giving the young a job.","7 40x60cm sized posters; the posters call for voters to support the communists and vote communist in the municipal election of 1971. The posters attack the UDR and address taxes, lodging, salaries, and scandals. Most posters say \"avec les communistes.\"","16 40x60cm sized posters; the posters follow two color schemes, yellow with blue font and variations of blue, red and purple boxes with red, white, and blue font. Topics include minimum wage, government-assisted housing, old age aid, creating jobs, taxes, hours in a work week and paid vacation, equalize salaries, and changing the retirement age.","1 30x40cm and 10 40x60cm sized posters; workers against capitalism, vote no to the referendum of 1972, welcome Brejnev to France, cooperation and friendship with the USSR, election poster for M. Gros (1974), stop inflation, lower prices, and HLM/government housing are the various topics of these posters.","1 40x60cm, 1 about 20x30cm, 8 about 50x68cm, 3 on average 35x50cm, 1 50x50cm, 3 triangle sized posters; topics include Marchais during the 1981 election, European parliamentary elections 1984, who to vote for in the March 6, 1983 election, 1982 cantonal elections, and Citroën and the elections.","7 roughly 35x50cm sized posters; posters to support the Communists during the 1986 election, four posters say \"je vote communiste.\"","2 50x36cm and 5 40x60cm sized posters; each poster says \"ne pas subir, agir\" (do not suffer, act) and topics include unemployment, workers, and the future.","6 roughly 68x48cm sized posters; posters show a person talking about something that concerns them, like social and political issues.","1 roughly 35x50cm, 5 roughly 48x68cm sized posters; posters are for André Lajoinie's campaign for president in the 1988 elections.","4 48x63cm sized posters; each poster has the phrase \"Une ideée qui monte\" and addresses socio-political issues.","1 35x50cm and 4 48x68cm sized posters; each poster is about money, specifically salaries, minimum wage or social welfare aid.","2 33x70cm, 11 roughly 35x50cm, and 8 roughly 48x68cm sized posters; topics include housing, health care, electoral districts, employment, social aid, agricultural issues, and the June 18, 1989 election.","6 33x46cm, 5 48x60cm, 7 48x68cm, 3 38x60cm, and 1 38x52cm sized posters; topics include supporting the PCF, minimum wage, social security, education, drugs, uniting the party, anti-Balladur, women in politics, and the May 25, 1997 election.","6 roughly 47x67cm sized posters; topics include voting, supporting the party, minimum wage, youth jobs, and a poster supporting Marie-George Buffet.","2 45x60cm, 1 15x68cm, 1 50x58cm, and 11 34x47cm sized posters for Robert Hue's many campaigns.","1 10x40cm, 3 40x60cm, 2 70x100cm, 4 60x80cm, 1 35x100cm, 7 50x70cm, 6 30x40cm, and 4 40x40cm sized posters; topics include candidates, positions, women, USSR, unemployment, immigration, voting rights, and buying power.","26 roughly 60x80cm and 5 60x100cm sized posters; topics include agriculture, workers, scandals, German soldiers in France, general party positions, how to vote, anti-de Gaulle, union and action, miners, women, personal power, halting fascism, and Duclos.","36 roughly 60x80cm, 2 40x60cm, and 2 30x100cm sized posters; topics include uniting, anti-UDR, financial scandals, the Soviet Union, Pompidou, cantonal elections, racism, personal power, raising fuel prices, petroleum scandal, d'Estaing, women, the Concord, farmers, saving hospitals, European election, and the election of 1978.","19 roughly 70x100cm, 8 40x60cm, 1 30x40cm sized posters; topics include anti-Giscard, the Corsican election, women, elections of 1983, June  1984 elections, March 1985 elections, schools, human rights, hospital care, electoral districts, party positions, banks, and schools.","18 roughly 70x100cm, 2 60x80cm, and 9 40x60cm sized posters; topics include free information, retirement, schools, party positions, and unemployment.","1 60x80cm, 13 70x100cm, and 1 50x70cm sized posters; topics include Balladur, Chirac, Euro vote, growth, party positions, and Marie-George Buffet.","8 70x100cm sized posters in the series entitled Place aux idées nouvelles (place of new ideas).  2 70x100cm sized posters from the series entitled une idée qui monte.","4 roughly 60x80cm, 10 70x100cm, and 1 50x70cm sized posters for Robert Hue's campaign.","3 roughly 60x80cm, 8 roughly 70x100cm, and 2 50x70cm sized posters about social security issues, including retirement, social security, and more.","7 roughly 60x80cm sized posters for Mitterand's campaigns.","11 roughly 70x90cm sized posters for Lajoinie's campaigns.","8 roughly 50x70cm, 14 roughly 60x80cm, 2 61x95cm, 1 60x70cm, 14 70x100cm, 1 35x50cm, 2 roughly 40x100cm sized posters that deal with finances, salaries, taxes, and unemployment.","2 roughly 40x60cm, 1 50x70cm, 8 60x80cm, 2 40x100cm and 1 70x100cm sized posters against Giscard's campaign.","1 50x70cm, 11 roughly 60x80cm, and 1 30x40cm sized posters that address rising prices.","1 13x60cm, 1 25x60cm, 2 50x70cm, 6 roughly 60x80cm, and 5 70x100cm sized posters about referendum positions in France.","1 33x100cm, 1 30x40cm, 3 roughly 50x70cm, and 7 roughly 60x80cm sized posters for Marchais's campaign.","4 30x40cm, 19 50x70cm, 1 50x100cm, 26 60x80cm, 9 70x100cm, and 1 100x120cm sized posters calling for support or adherence to the Communist party; also includes phrases like I vote communist and with the communists.","1 30x40cm, 1 50x70cm, 3 60x80cm, and 3 70x100cm sized posters about rent and lodging options.","4 roughly 140x50cm, 8 roughly 160x50cm, 2 185x65cm sized posters of various topics, including who to vote for, protests, publications, and party positions.","3 40x120cm, 2 30x120cm, and 30 80x120cm sized posters; posters tell supporters how to vote, call for support, and address party issues.  Specific topics include Marchais, Mitterand, the Olympic games, birth control, union of workers, religion in school, Truman doctrine, Duclos, leaders, and taxes. ","Subseries 1.2 contains posters leading up to and calling for support of the union of the left, i.e., the programme commun. \n","7 roughly 41x59cm, 1 29x42cm, 3 29x53cm, 1 38x48cm, and 1 60x70cm sized posters; these posters call for a union of the left or a programme commun.","21 roughly 60x80cm, 1 95x63cm, 3 48x68cm, 2 58x52cm, and 1 38x58cm sized posters; poster topics support the union of the left, cantonal elections, Mitterand and include phrases like end personal power, union and action, it's possible, and adhere.","1 80x120cm sized poster about the programme commun.","Subseries 1.3 contains posters about \"production français,\" or the Party's campaign to purchase goods made in France. \n","10 48x68cm and 1 48x64cm sized posters each calling for the support of French production and limiting imports and outsourcing.","2 roughly 60x80cm, 2 48x67cm, and 5 68x97cm sized posters; topics include creating jobs, keeping money in France, fewer imports, fighting unemployment, and Lajoinie campaign issues.","Subseries 1.4 contains posters that are anti-war or anti-bomb, also posters calling for support of certain countries in conflict or the freedom of certain prisoners. \n","3 roughly 48x68cm, 4 roughly 30x40cm, and 7 roughly 37x49cm sized posters; general posters for peace and various specific topics, like Hungary, Indochina, Turkey, Cuba, and freeing people from prison.","12 roughly 30x40cm, 12 40x60cm, 2 20x60cm, and 1 29x60cm sized posters; these posters follow the Algerian fight for independence, calling for a cease-fire and independence.","1 30x43cm, 10 roughly 38x58cm, and 1 38x51cm sized posters that deal with ending the Vietnam War.","3 30x40cm and 2 38x60cm sized posters that promote nuclear disarmament.","13 roughly 60x80cm sized posters about the Algerian War.","1 30x80cm, 14 60x80cm, and 1 22x60cm sized posters that deal with the war in Vietnam.","1 22x60cm, 6 roughly 30x75cm, 3 roughly 30x100cm, 25 roughly 60x80cm, and 15 roughly 65x100cm sized posters; topics include helping the poor in Indochina, the Hungarian Revolution, no American bases in France, liberation, peace, Nixon and US aggression, concentration camps in Chili, AIDS, the Kyoto Accords, and disarming.  Some posters call for freeing Jacques Duclos, Angela Davis, Mandela, and Vietnamese.  Many posters are about conflicts in different areas of the globe, including Cuba, Germany, Indochina, Palestine, Nicaragua, Turkey, the Gulf War, and Rwanda.","3 40x120cm and 10 80x120cm sized posters that call for disarmament and peace in war-torn areas like Indochina, Vietnam, Algeria, and Tunisia.  There are also posters against American military forces in France.","Subseries 1.5 contains posters by the Jeune Communists (Young Communists). \n","3 40x60cm, 1 50x80cm, 1 20x80cm, 4 60x80cm, and 8 65x90cm sized posters; poster topics include schools, voting, anti-globalization, employment, the death penalty, Europe, Palestine, stopping discrimination, and anti-Front National.","This second series consists of six subseries and contains social posters all arranged chronologically.  The first subseries contains commemorative and anniversary posters.  The second subseries contains posters for the celebration of women, like the Fête des Mères, Journée des Femmes, and May 1st for example.  The third subseries contains posters for meetings, programs, television appearances. The fourth subseries contains posters about protests.  The fifth subseries contains posters to advertise and celebrate for Congresses, Vente-exposition, and the Fête de l'Humanité.  The sixth subseries contains posters to advertise for Communist publications.\n","Subseries 2.1 is for commemorative and anniversary posters that celebrate the anniversary of important communist events like October 1917, famous communists' birthdays or deaths, and the party's anniversary.\n","1 30x40cm, 5 roughly 39x59cm, 1 61x24cm, 2 50x67cm, and 1 45x65cm sized posters to celebrate Thorez's birthday, the revolution of October 1917, the passage of social laws, the anniversary of the party, and the anniversary of the liberation of Paris.","4 roughly 60x100cm, 4 roughly 70x100cm, 15 roughly 60x80cm, 1 40x100cm, 2 50x70cm, and 1 40x56cm sized posters that commemorate social laws, the revolution of October 1917, the French Revolution, the founding of the party, several important Communist figures' birthdays, and the anniversary of World War II events.","21 80x120cm and 4 40x120cm sized posters that commemorate the October Revolution of 1917, the commune of Paris, the births and deaths of famous communists, the anniversary of the party, and other small events.","Subseries 2.2 contains posters celebrating women, like the Fête des Mères, Journée des Femmes, and May 1st for example. \n","1 20x70cm, 1 40x60cm, 5 roughly 50x70cm, 12 roughly 60x80cm, and 7 65x100cm sized posters that celebrate women, particularly the Fête des Mères, the Journée des Femmes, and May 1st celebrations of the French Communist Party.","1 80x120cm sized poster announcing a meeting for women.","Subseries 2.3 contains posters to advertise for party meetings, programs, television appearances. \n","2 roughly 39x59cm, 1 48x48cm, 3 34x48cm, and 4 48x67cm sized posters; topics include a meeting with Marchais, a city meeting, invites for a meeting, meeting of Fontenay, meeting with Buffet, and a Grand Bal.","2 40x60cm, 2 roughly 28x40cm, 2 roughly 35x50cm, 1 46x46cm, and 1 35x25cm sized posters; specific television appearances include Marchais, Lajoinie, Marchais's new book promotion, Robert Hue, and a radio show.","5 roughly 35x45cm, 18 roughly 60x80cm, 4 roughly 40x100cm, 15 70x100cm, 1 100x140cm, 2 30x80cm, 1 120x160cm, 3 50x70cm, and 1 17x50cm sized posters; poster topics include large public meetings, large parties, regional debates, television appearances, and student and young worker meetings, as well as meetings with top party leaders to discuss various party issues.","5 40x120cm, 1 76x102cm, and 16 80x120cm sized posters; meetings include those with top leaders of the party, with Marchais, and with women, topics include petrol, the Front Populare, Christmas programs, and referendums.","Subseries 2.4 contains posters that advertise for protest marches. \n","8 roughly 60x80cm, 4 roughly 30x100cm, 2 roughly 45x60cm, 1 35x48cm, and 2 70x100cm sized posters; poster topics include secular schools, the youth against apartheid  and Giscard, protests against nuclear weapons and the Front National, and protests for jobs and salaries.","1 40x120cm and 1 80x120cm sized posters; one poster is for a protest in honor of the founder of l'Humanité and the other for the commune of Paris.","Subseries 2.5 contains posters to advertise and celebrate for Congresses, Vente-exposition, and the Fête de l'Humanité. Congresses and Fetes are annual gatherings of party members, similar to a convention or festival.  Vente-Expositions are book festivals.\n","5 40x60cm posters; one poster advertises the 15th Congress and the other four show facsimiles of old posters for the 1985 fête de l'humanité.","6 roughly 39x59cm, 1 32x50cm, 3 28x39cm, 1 35x44cm, 1 64x50cm, 1 68x47cm, and 1 46x61cm sized posters; posters advertise Vente-Expositions for Marxist books, the history of the PCF, art and books, the anniversary of the Paris commune, a Grand Gala du lien, a technology expo, and a night of cinema.","13 roughly 60x80cm, 7 roughly 60x100cm, 1 35x70cm, and 2 roughly 40x80cm sized posters; topics include expositions for Soviet or Marxist books, music celebrations, and Congresses.","9 70x100cm, 1 55x75cm, 1 33x48cm, 1 49x65cm, 1 40x60cm, 1 47x58cm, 2 60x80cm, and 1 34x100cm sized posters advertising for the Fête de l'humanité.","1 40x120cm and 7 80x120cm sized posters; topics include Congresses and Marxist book celebrations.","Subseries 2.6 contains posters to advertise for Communist publications, including book releases by party members and newspapers or journals published by the French Communist Party. \n","2 30x40cm, 3 roughly 59x39cm, 1 52x38cm, 2 69x48cm, and 1 35x5cm sized posters; the publication advertised include L'Humanité, France Nouvelle, Marchais's L'Espoir au Present, Economie et Politique, Avancées, and Communistes.","6 40x60cm, 12 60x80cm, and 1 70x100cm sized posters; topics include the newspapers L'Humanité, Economie et Politique, and Les Espaces Citoyens; Marchais's books Le Defi Democratique and Espoir au Present; Robert Hue's Communisme: La Mutation; and nights of cinema.","3 40x120cm and 3 80x120cm sized posters; publications include the book for the Fête de l'Humanité, Le Patriote newspaper, and Marchais's L'Espoir au Present and Le Defi Democratique.","There are no restrictions.\n","Substantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements.\n","George Mason University.  Special Collections and Archives.\n","Parti Communiste Français\n","Parti communiste français.","dabermill à AULNAY SOUS BOIS.","Paris Province Impression (PPI) à BAGNOLET.","ICC J. London à Paris.","French\n"],"unitid_tesim":["C0168\n"],"normalized_title_ssm":["French Communist Party poster collection"],"collection_title_tesim":["French Communist Party poster collection"],"collection_ssim":["French Communist Party poster collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Parti Communiste Français\n"],"creator_ssim":["Parti Communiste Français\n"],"creator_corpname_ssim":["Parti Communiste Français\n"],"creators_ssim":["Parti Communiste Français\n"],"acqinfo_ssim":["Purchased from Thomas Hill in 2009.\n"],"access_subjects_ssim":["Human rights--Posters.","Nuclear nonproliferation--Posters.","Social justice--France--20th century--Posters.","Political posters--France--20th century.","Protest posters--France--20th century."],"access_subjects_ssm":["Human rights--Posters.","Nuclear nonproliferation--Posters.","Social justice--France--20th century--Posters.","Political posters--France--20th century.","Protest posters--France--20th century."],"has_online_content_ssim":["false"],"extent_ssm":["1218 posters"],"extent_tesim":["1218 posters"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions\n"],"accessrestrict_tesim":["Collection is open to research.\n"],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into two series by subject with posters further organized into 11 subseries.  Within each series, posters are arranged by size and chronologically.\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["This collection is organized into two series by subject with posters further organized into 11 subseries.  Within each series, posters are arranged by size and chronologically.","Series 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC)\n Series 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)\n"],"bioghist_html_tesm":["\u003cp\u003e\nThe French Communist Party (PCF for short) emerged in 1921 out of the Section Français de l'Internationale Communiste.  The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II.  The group took an active role in Charles de Gaulle's government starting in 1944.  The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s.  They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party.  The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections.  In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued.  Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay.  The party also sought female support by celebrating women's issues and equal rights.  The Party held Congresses every few years as party meetings to discuss and celebrate social issues.  After President Mitterand's term in office, the party began to fracture and supporters disappeared.  The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had.  The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information\n"],"bioghist_tesim":["\nThe French Communist Party (PCF for short) emerged in 1921 out of the Section Français de l'Internationale Communiste.  The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II.  The group took an active role in Charles de Gaulle's government starting in 1944.  The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s.  They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party.  The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections.  In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued.  Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay.  The party also sought female support by celebrating women's issues and equal rights.  The Party held Congresses every few years as party meetings to discuss and celebrate social issues.  After President Mitterand's term in office, the party began to fracture and supporters disappeared.  The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had.  The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday.\n"],"prefercite_html_tesm":["\u003cp\u003eFrench Communist Party poster collection, Collection #C0168, Special Collections and Archives, George Mason University.\n\u003c/p\u003e"],"prefercite_tesim":["French Communist Party poster collection, Collection #C0168, Special Collections and Archives, George Mason University.\n"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010.\n\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information\n"],"processinfo_tesim":["Processed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010.\n"],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the \u003cextref type=\"simple\" href=\"http://sca.gmu.edu/finding_aids/mcnamara.html\"\u003eFrancis J. McNamara papers\u003c/extref\u003e that include many documents on communist parties in the United States and internationally.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material\n"],"relatedmaterial_tesim":["Special Collections and Archives also holds the  Francis J. McNamara papers  that include many documents on communist parties in the United States and internationally."],"scopecontent_html_tesm":["\u003cp\u003eSubstantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949.  The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements.  Posters also celebrate important dates, promote the party's publications and advertise party events.  Specific topics include women, fête de l'humanité, communists' births and deaths, protests, book releases, and the newspaper l'Humanité.\u003c/p\u003e","\u003cp\u003eSeries 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups.\n\u003c/p\u003e","\u003cp\u003eSeries 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events.\n\u003c/p\u003e","\u003cp\u003eThis first series consists of five subseries and contains political posters all arranged by size and chronologically.  The first subseries contains general position and party information posters.  The second subseries contains posters about the programme commun.  The third subseries contains posters for the production français campaign. The fourth subseries contains posters about peace and disarmament.  The fifth subseries contains posters for the Jeune Communistes party.\n\u003c/p\u003e","\u003cp\u003eSubseries 1.1 is for general position and party information posters.  Many posters that are just \"vote communist\" or describe the party platform. There are also many posters for each election that tell party members how to vote.\n\u003c/p\u003e","\u003cp\u003e5 42x59cm sized posters; targeted toward workers and farmers asking for their support.\u003c/p\u003e","\u003cp\u003e11 30x40cm, 7 roughly 60x20cm, 2 roughly 40x50cm, 7 40x60cm sized posters; assortment of posters for the many processes surrounding the formation of the Fifth Republic, including anti-de Gaulle, No to constitutional monarchy, Gaulle is a fascist, attacks on de Gaulle's ministers, no to a military dictator, no to civil war.\u003c/p\u003e","\u003cp\u003e11 40x60cm, 2 30x40cm, and 2 roughly 24x59cm sized posters; topics include secularism in schools and government, party positions on current issues, anti-fascism, promoting Maurice Thorez.\u003c/p\u003e","\u003cp\u003e4 30x40cm sized posters; posters call for voters to vote against the referendum.\u003c/p\u003e","\u003cp\u003e10 30x40cm sized posters; posters are anti-Gaulle and against the referendum.\u003c/p\u003e","\u003cp\u003e6 roughly 38x58cm posters, 4 30x50cm sized posters, and 4 42x59cm posters; school, jobs, lodging, and military topics included.\u003c/p\u003e","\u003cp\u003e5 30x40cm and 3 40x60cm sized posters; the posters support Mitterand for president during the 1965 election in France.\u003c/p\u003e","\u003cp\u003e7 40x60cm sized posters; posters are asking voters to vote communist.\u003c/p\u003e","\u003cp\u003e4 40x60cm and 2 roughly 30x25cm sized posters; supports Duclos in the first tour and asks voters to abstain in the second tour.\u003c/p\u003e","\u003cp\u003e6 40x60cm sized posters; posters all have the slogan \"Pour vivre mieux\" and deal with taxes, proportional representation, nationalization, tariffs, rent levels, and giving the young a job.\u003c/p\u003e","\u003cp\u003e7 40x60cm sized posters; the posters call for voters to support the communists and vote communist in the municipal election of 1971. The posters attack the UDR and address taxes, lodging, salaries, and scandals. Most posters say \"avec les communistes.\"\u003c/p\u003e","\u003cp\u003e16 40x60cm sized posters; the posters follow two color schemes, yellow with blue font and variations of blue, red and purple boxes with red, white, and blue font. Topics include minimum wage, government-assisted housing, old age aid, creating jobs, taxes, hours in a work week and paid vacation, equalize salaries, and changing the retirement age.\u003c/p\u003e","\u003cp\u003e1 30x40cm and 10 40x60cm sized posters; workers against capitalism, vote no to the referendum of 1972, welcome Brejnev to France, cooperation and friendship with the USSR, election poster for M. Gros (1974), stop inflation, lower prices, and HLM/government housing are the various topics of these posters.\u003c/p\u003e","\u003cp\u003e1 40x60cm, 1 about 20x30cm, 8 about 50x68cm, 3 on average 35x50cm, 1 50x50cm, 3 triangle sized posters; topics include Marchais during the 1981 election, European parliamentary elections 1984, who to vote for in the March 6, 1983 election, 1982 cantonal elections, and Citroën and the elections.\u003c/p\u003e","\u003cp\u003e7 roughly 35x50cm sized posters; posters to support the Communists during the 1986 election, four posters say \"je vote communiste.\"\u003c/p\u003e","\u003cp\u003e2 50x36cm and 5 40x60cm sized posters; each poster says \"ne pas subir, agir\" (do not suffer, act) and topics include unemployment, workers, and the future.\u003c/p\u003e","\u003cp\u003e6 roughly 68x48cm sized posters; posters show a person talking about something that concerns them, like social and political issues.\u003c/p\u003e","\u003cp\u003e1 roughly 35x50cm, 5 roughly 48x68cm sized posters; posters are for André Lajoinie's campaign for president in the 1988 elections.\u003c/p\u003e","\u003cp\u003e4 48x63cm sized posters; each poster has the phrase \"Une ideée qui monte\" and addresses socio-political issues.\u003c/p\u003e","\u003cp\u003e1 35x50cm and 4 48x68cm sized posters; each poster is about money, specifically salaries, minimum wage or social welfare aid.\u003c/p\u003e","\u003cp\u003e2 33x70cm, 11 roughly 35x50cm, and 8 roughly 48x68cm sized posters; topics include housing, health care, electoral districts, employment, social aid, agricultural issues, and the June 18, 1989 election.\u003c/p\u003e","\u003cp\u003e6 33x46cm, 5 48x60cm, 7 48x68cm, 3 38x60cm, and 1 38x52cm sized posters; topics include supporting the PCF, minimum wage, social security, education, drugs, uniting the party, anti-Balladur, women in politics, and the May 25, 1997 election.\u003c/p\u003e","\u003cp\u003e6 roughly 47x67cm sized posters; topics include voting, supporting the party, minimum wage, youth jobs, and a poster supporting Marie-George Buffet.\u003c/p\u003e","\u003cp\u003e2 45x60cm, 1 15x68cm, 1 50x58cm, and 11 34x47cm sized posters for Robert Hue's many campaigns.\u003c/p\u003e","\u003cp\u003e1 10x40cm, 3 40x60cm, 2 70x100cm, 4 60x80cm, 1 35x100cm, 7 50x70cm, 6 30x40cm, and 4 40x40cm sized posters; topics include candidates, positions, women, USSR, unemployment, immigration, voting rights, and buying power.\u003c/p\u003e","\u003cp\u003e26 roughly 60x80cm and 5 60x100cm sized posters; topics include agriculture, workers, scandals, German soldiers in France, general party positions, how to vote, anti-de Gaulle, union and action, miners, women, personal power, halting fascism, and Duclos.\u003c/p\u003e","\u003cp\u003e36 roughly 60x80cm, 2 40x60cm, and 2 30x100cm sized posters; topics include uniting, anti-UDR, financial scandals, the Soviet Union, Pompidou, cantonal elections, racism, personal power, raising fuel prices, petroleum scandal, d'Estaing, women, the Concord, farmers, saving hospitals, European election, and the election of 1978.\u003c/p\u003e","\u003cp\u003e19 roughly 70x100cm, 8 40x60cm, 1 30x40cm sized posters; topics include anti-Giscard, the Corsican election, women, elections of 1983, June  1984 elections, March 1985 elections, schools, human rights, hospital care, electoral districts, party positions, banks, and schools.\u003c/p\u003e","\u003cp\u003e18 roughly 70x100cm, 2 60x80cm, and 9 40x60cm sized posters; topics include free information, retirement, schools, party positions, and unemployment.\u003c/p\u003e","\u003cp\u003e1 60x80cm, 13 70x100cm, and 1 50x70cm sized posters; topics include Balladur, Chirac, Euro vote, growth, party positions, and Marie-George Buffet.\u003c/p\u003e","\u003cp\u003e8 70x100cm sized posters in the series entitled Place aux idées nouvelles (place of new ideas).  2 70x100cm sized posters from the series entitled une idée qui monte.\u003c/p\u003e","\u003cp\u003e4 roughly 60x80cm, 10 70x100cm, and 1 50x70cm sized posters for Robert Hue's campaign.\u003c/p\u003e","\u003cp\u003e3 roughly 60x80cm, 8 roughly 70x100cm, and 2 50x70cm sized posters about social security issues, including retirement, social security, and more.\u003c/p\u003e","\u003cp\u003e7 roughly 60x80cm sized posters for Mitterand's campaigns.\u003c/p\u003e","\u003cp\u003e11 roughly 70x90cm sized posters for Lajoinie's campaigns.\u003c/p\u003e","\u003cp\u003e8 roughly 50x70cm, 14 roughly 60x80cm, 2 61x95cm, 1 60x70cm, 14 70x100cm, 1 35x50cm, 2 roughly 40x100cm sized posters that deal with finances, salaries, taxes, and unemployment.\u003c/p\u003e","\u003cp\u003e2 roughly 40x60cm, 1 50x70cm, 8 60x80cm, 2 40x100cm and 1 70x100cm sized posters against Giscard's campaign.\u003c/p\u003e","\u003cp\u003e1 50x70cm, 11 roughly 60x80cm, and 1 30x40cm sized posters that address rising prices.\u003c/p\u003e","\u003cp\u003e1 13x60cm, 1 25x60cm, 2 50x70cm, 6 roughly 60x80cm, and 5 70x100cm sized posters about referendum positions in France.\u003c/p\u003e","\u003cp\u003e1 33x100cm, 1 30x40cm, 3 roughly 50x70cm, and 7 roughly 60x80cm sized posters for Marchais's campaign.\u003c/p\u003e","\u003cp\u003e4 30x40cm, 19 50x70cm, 1 50x100cm, 26 60x80cm, 9 70x100cm, and 1 100x120cm sized posters calling for support or adherence to the Communist party; also includes phrases like I vote communist and with the communists.\u003c/p\u003e","\u003cp\u003e1 30x40cm, 1 50x70cm, 3 60x80cm, and 3 70x100cm sized posters about rent and lodging options.\u003c/p\u003e","\u003cp\u003e4 roughly 140x50cm, 8 roughly 160x50cm, 2 185x65cm sized posters of various topics, including who to vote for, protests, publications, and party positions.\u003c/p\u003e","\u003cp\u003e3 40x120cm, 2 30x120cm, and 30 80x120cm sized posters; posters tell supporters how to vote, call for support, and address party issues.  Specific topics include Marchais, Mitterand, the Olympic games, birth control, union of workers, religion in school, Truman doctrine, Duclos, leaders, and taxes. \u003c/p\u003e","\u003cp\u003eSubseries 1.2 contains posters leading up to and calling for support of the union of the left, i.e., the programme commun. \n\u003c/p\u003e","\u003cp\u003e7 roughly 41x59cm, 1 29x42cm, 3 29x53cm, 1 38x48cm, and 1 60x70cm sized posters; these posters call for a union of the left or a programme commun.\u003c/p\u003e","\u003cp\u003e21 roughly 60x80cm, 1 95x63cm, 3 48x68cm, 2 58x52cm, and 1 38x58cm sized posters; poster topics support the union of the left, cantonal elections, Mitterand and include phrases like end personal power, union and action, it's possible, and adhere.\u003c/p\u003e","\u003cp\u003e1 80x120cm sized poster about the programme commun.\u003c/p\u003e","\u003cp\u003eSubseries 1.3 contains posters about \"production français,\" or the Party's campaign to purchase goods made in France. \n\u003c/p\u003e","\u003cp\u003e10 48x68cm and 1 48x64cm sized posters each calling for the support of French production and limiting imports and outsourcing.\u003c/p\u003e","\u003cp\u003e2 roughly 60x80cm, 2 48x67cm, and 5 68x97cm sized posters; topics include creating jobs, keeping money in France, fewer imports, fighting unemployment, and Lajoinie campaign issues.\u003c/p\u003e","\u003cp\u003eSubseries 1.4 contains posters that are anti-war or anti-bomb, also posters calling for support of certain countries in conflict or the freedom of certain prisoners. \n\u003c/p\u003e","\u003cp\u003e3 roughly 48x68cm, 4 roughly 30x40cm, and 7 roughly 37x49cm sized posters; general posters for peace and various specific topics, like Hungary, Indochina, Turkey, Cuba, and freeing people from prison.\u003c/p\u003e","\u003cp\u003e12 roughly 30x40cm, 12 40x60cm, 2 20x60cm, and 1 29x60cm sized posters; these posters follow the Algerian fight for independence, calling for a cease-fire and independence.\u003c/p\u003e","\u003cp\u003e1 30x43cm, 10 roughly 38x58cm, and 1 38x51cm sized posters that deal with ending the Vietnam War.\u003c/p\u003e","\u003cp\u003e3 30x40cm and 2 38x60cm sized posters that promote nuclear disarmament.\u003c/p\u003e","\u003cp\u003e13 roughly 60x80cm sized posters about the Algerian War.\u003c/p\u003e","\u003cp\u003e1 30x80cm, 14 60x80cm, and 1 22x60cm sized posters that deal with the war in Vietnam.\u003c/p\u003e","\u003cp\u003e1 22x60cm, 6 roughly 30x75cm, 3 roughly 30x100cm, 25 roughly 60x80cm, and 15 roughly 65x100cm sized posters; topics include helping the poor in Indochina, the Hungarian Revolution, no American bases in France, liberation, peace, Nixon and US aggression, concentration camps in Chili, AIDS, the Kyoto Accords, and disarming.  Some posters call for freeing Jacques Duclos, Angela Davis, Mandela, and Vietnamese.  Many posters are about conflicts in different areas of the globe, including Cuba, Germany, Indochina, Palestine, Nicaragua, Turkey, the Gulf War, and Rwanda.\u003c/p\u003e","\u003cp\u003e3 40x120cm and 10 80x120cm sized posters that call for disarmament and peace in war-torn areas like Indochina, Vietnam, Algeria, and Tunisia.  There are also posters against American military forces in France.\u003c/p\u003e","\u003cp\u003eSubseries 1.5 contains posters by the Jeune Communists (Young Communists). \n\u003c/p\u003e","\u003cp\u003e3 40x60cm, 1 50x80cm, 1 20x80cm, 4 60x80cm, and 8 65x90cm sized posters; poster topics include schools, voting, anti-globalization, employment, the death penalty, Europe, Palestine, stopping discrimination, and anti-Front National.\u003c/p\u003e","\u003cp\u003eThis second series consists of six subseries and contains social posters all arranged chronologically.  The first subseries contains commemorative and anniversary posters.  The second subseries contains posters for the celebration of women, like the Fête des Mères, Journée des Femmes, and May 1st for example.  The third subseries contains posters for meetings, programs, television appearances. The fourth subseries contains posters about protests.  The fifth subseries contains posters to advertise and celebrate for Congresses, Vente-exposition, and the Fête de l'Humanité.  The sixth subseries contains posters to advertise for Communist publications.\n\u003c/p\u003e","\u003cp\u003eSubseries 2.1 is for commemorative and anniversary posters that celebrate the anniversary of important communist events like October 1917, famous communists' birthdays or deaths, and the party's anniversary.\n\u003c/p\u003e","\u003cp\u003e1 30x40cm, 5 roughly 39x59cm, 1 61x24cm, 2 50x67cm, and 1 45x65cm sized posters to celebrate Thorez's birthday, the revolution of October 1917, the passage of social laws, the anniversary of the party, and the anniversary of the liberation of Paris.\u003c/p\u003e","\u003cp\u003e4 roughly 60x100cm, 4 roughly 70x100cm, 15 roughly 60x80cm, 1 40x100cm, 2 50x70cm, and 1 40x56cm sized posters that commemorate social laws, the revolution of October 1917, the French Revolution, the founding of the party, several important Communist figures' birthdays, and the anniversary of World War II events.\u003c/p\u003e","\u003cp\u003e21 80x120cm and 4 40x120cm sized posters that commemorate the October Revolution of 1917, the commune of Paris, the births and deaths of famous communists, the anniversary of the party, and other small events.\u003c/p\u003e","\u003cp\u003eSubseries 2.2 contains posters celebrating women, like the Fête des Mères, Journée des Femmes, and May 1st for example. \n\u003c/p\u003e","\u003cp\u003e1 20x70cm, 1 40x60cm, 5 roughly 50x70cm, 12 roughly 60x80cm, and 7 65x100cm sized posters that celebrate women, particularly the Fête des Mères, the Journée des Femmes, and May 1st celebrations of the French Communist Party.\u003c/p\u003e","\u003cp\u003e1 80x120cm sized poster announcing a meeting for women.\u003c/p\u003e","\u003cp\u003eSubseries 2.3 contains posters to advertise for party meetings, programs, television appearances. \n\u003c/p\u003e","\u003cp\u003e2 roughly 39x59cm, 1 48x48cm, 3 34x48cm, and 4 48x67cm sized posters; topics include a meeting with Marchais, a city meeting, invites for a meeting, meeting of Fontenay, meeting with Buffet, and a Grand Bal.\u003c/p\u003e","\u003cp\u003e2 40x60cm, 2 roughly 28x40cm, 2 roughly 35x50cm, 1 46x46cm, and 1 35x25cm sized posters; specific television appearances include Marchais, Lajoinie, Marchais's new book promotion, Robert Hue, and a radio show.\u003c/p\u003e","\u003cp\u003e5 roughly 35x45cm, 18 roughly 60x80cm, 4 roughly 40x100cm, 15 70x100cm, 1 100x140cm, 2 30x80cm, 1 120x160cm, 3 50x70cm, and 1 17x50cm sized posters; poster topics include large public meetings, large parties, regional debates, television appearances, and student and young worker meetings, as well as meetings with top party leaders to discuss various party issues.\u003c/p\u003e","\u003cp\u003e5 40x120cm, 1 76x102cm, and 16 80x120cm sized posters; meetings include those with top leaders of the party, with Marchais, and with women, topics include petrol, the Front Populare, Christmas programs, and referendums.\u003c/p\u003e","\u003cp\u003eSubseries 2.4 contains posters that advertise for protest marches. \n\u003c/p\u003e","\u003cp\u003e8 roughly 60x80cm, 4 roughly 30x100cm, 2 roughly 45x60cm, 1 35x48cm, and 2 70x100cm sized posters; poster topics include secular schools, the youth against apartheid  and Giscard, protests against nuclear weapons and the Front National, and protests for jobs and salaries.\u003c/p\u003e","\u003cp\u003e1 40x120cm and 1 80x120cm sized posters; one poster is for a protest in honor of the founder of l'Humanité and the other for the commune of Paris.\u003c/p\u003e","\u003cp\u003eSubseries 2.5 contains posters to advertise and celebrate for Congresses, Vente-exposition, and the Fête de l'Humanité. Congresses and Fetes are annual gatherings of party members, similar to a convention or festival.  Vente-Expositions are book festivals.\n\u003c/p\u003e","\u003cp\u003e5 40x60cm posters; one poster advertises the 15th Congress and the other four show facsimiles of old posters for the 1985 fête de l'humanité.\u003c/p\u003e","\u003cp\u003e6 roughly 39x59cm, 1 32x50cm, 3 28x39cm, 1 35x44cm, 1 64x50cm, 1 68x47cm, and 1 46x61cm sized posters; posters advertise Vente-Expositions for Marxist books, the history of the PCF, art and books, the anniversary of the Paris commune, a Grand Gala du lien, a technology expo, and a night of cinema.\u003c/p\u003e","\u003cp\u003e13 roughly 60x80cm, 7 roughly 60x100cm, 1 35x70cm, and 2 roughly 40x80cm sized posters; topics include expositions for Soviet or Marxist books, music celebrations, and Congresses.\u003c/p\u003e","\u003cp\u003e9 70x100cm, 1 55x75cm, 1 33x48cm, 1 49x65cm, 1 40x60cm, 1 47x58cm, 2 60x80cm, and 1 34x100cm sized posters advertising for the Fête de l'humanité.\u003c/p\u003e","\u003cp\u003e1 40x120cm and 7 80x120cm sized posters; topics include Congresses and Marxist book celebrations.\u003c/p\u003e","\u003cp\u003eSubseries 2.6 contains posters to advertise for Communist publications, including book releases by party members and newspapers or journals published by the French Communist Party. \n\u003c/p\u003e","\u003cp\u003e2 30x40cm, 3 roughly 59x39cm, 1 52x38cm, 2 69x48cm, and 1 35x5cm sized posters; the publication advertised include L'Humanité, France Nouvelle, Marchais's L'Espoir au Present, Economie et Politique, Avancées, and Communistes.\u003c/p\u003e","\u003cp\u003e6 40x60cm, 12 60x80cm, and 1 70x100cm sized posters; topics include the newspapers L'Humanité, Economie et Politique, and Les Espaces Citoyens; Marchais's books Le Defi Democratique and Espoir au Present; Robert Hue's Communisme: La Mutation; and nights of cinema.\u003c/p\u003e","\u003cp\u003e3 40x120cm and 3 80x120cm sized posters; publications include the book for the Fête de l'Humanité, Le Patriote newspaper, and Marchais's L'Espoir au Present and Le Defi Democratique.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["Substantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949.  The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements.  Posters also celebrate important dates, promote the party's publications and advertise party events.  Specific topics include women, fête de l'humanité, communists' births and deaths, protests, book releases, and the newspaper l'Humanité.","Series 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups.\n","Series 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events.\n","This first series consists of five subseries and contains political posters all arranged by size and chronologically.  The first subseries contains general position and party information posters.  The second subseries contains posters about the programme commun.  The third subseries contains posters for the production français campaign. The fourth subseries contains posters about peace and disarmament.  The fifth subseries contains posters for the Jeune Communistes party.\n","Subseries 1.1 is for general position and party information posters.  Many posters that are just \"vote communist\" or describe the party platform. There are also many posters for each election that tell party members how to vote.\n","5 42x59cm sized posters; targeted toward workers and farmers asking for their support.","11 30x40cm, 7 roughly 60x20cm, 2 roughly 40x50cm, 7 40x60cm sized posters; assortment of posters for the many processes surrounding the formation of the Fifth Republic, including anti-de Gaulle, No to constitutional monarchy, Gaulle is a fascist, attacks on de Gaulle's ministers, no to a military dictator, no to civil war.","11 40x60cm, 2 30x40cm, and 2 roughly 24x59cm sized posters; topics include secularism in schools and government, party positions on current issues, anti-fascism, promoting Maurice Thorez.","4 30x40cm sized posters; posters call for voters to vote against the referendum.","10 30x40cm sized posters; posters are anti-Gaulle and against the referendum.","6 roughly 38x58cm posters, 4 30x50cm sized posters, and 4 42x59cm posters; school, jobs, lodging, and military topics included.","5 30x40cm and 3 40x60cm sized posters; the posters support Mitterand for president during the 1965 election in France.","7 40x60cm sized posters; posters are asking voters to vote communist.","4 40x60cm and 2 roughly 30x25cm sized posters; supports Duclos in the first tour and asks voters to abstain in the second tour.","6 40x60cm sized posters; posters all have the slogan \"Pour vivre mieux\" and deal with taxes, proportional representation, nationalization, tariffs, rent levels, and giving the young a job.","7 40x60cm sized posters; the posters call for voters to support the communists and vote communist in the municipal election of 1971. The posters attack the UDR and address taxes, lodging, salaries, and scandals. Most posters say \"avec les communistes.\"","16 40x60cm sized posters; the posters follow two color schemes, yellow with blue font and variations of blue, red and purple boxes with red, white, and blue font. Topics include minimum wage, government-assisted housing, old age aid, creating jobs, taxes, hours in a work week and paid vacation, equalize salaries, and changing the retirement age.","1 30x40cm and 10 40x60cm sized posters; workers against capitalism, vote no to the referendum of 1972, welcome Brejnev to France, cooperation and friendship with the USSR, election poster for M. Gros (1974), stop inflation, lower prices, and HLM/government housing are the various topics of these posters.","1 40x60cm, 1 about 20x30cm, 8 about 50x68cm, 3 on average 35x50cm, 1 50x50cm, 3 triangle sized posters; topics include Marchais during the 1981 election, European parliamentary elections 1984, who to vote for in the March 6, 1983 election, 1982 cantonal elections, and Citroën and the elections.","7 roughly 35x50cm sized posters; posters to support the Communists during the 1986 election, four posters say \"je vote communiste.\"","2 50x36cm and 5 40x60cm sized posters; each poster says \"ne pas subir, agir\" (do not suffer, act) and topics include unemployment, workers, and the future.","6 roughly 68x48cm sized posters; posters show a person talking about something that concerns them, like social and political issues.","1 roughly 35x50cm, 5 roughly 48x68cm sized posters; posters are for André Lajoinie's campaign for president in the 1988 elections.","4 48x63cm sized posters; each poster has the phrase \"Une ideée qui monte\" and addresses socio-political issues.","1 35x50cm and 4 48x68cm sized posters; each poster is about money, specifically salaries, minimum wage or social welfare aid.","2 33x70cm, 11 roughly 35x50cm, and 8 roughly 48x68cm sized posters; topics include housing, health care, electoral districts, employment, social aid, agricultural issues, and the June 18, 1989 election.","6 33x46cm, 5 48x60cm, 7 48x68cm, 3 38x60cm, and 1 38x52cm sized posters; topics include supporting the PCF, minimum wage, social security, education, drugs, uniting the party, anti-Balladur, women in politics, and the May 25, 1997 election.","6 roughly 47x67cm sized posters; topics include voting, supporting the party, minimum wage, youth jobs, and a poster supporting Marie-George Buffet.","2 45x60cm, 1 15x68cm, 1 50x58cm, and 11 34x47cm sized posters for Robert Hue's many campaigns.","1 10x40cm, 3 40x60cm, 2 70x100cm, 4 60x80cm, 1 35x100cm, 7 50x70cm, 6 30x40cm, and 4 40x40cm sized posters; topics include candidates, positions, women, USSR, unemployment, immigration, voting rights, and buying power.","26 roughly 60x80cm and 5 60x100cm sized posters; topics include agriculture, workers, scandals, German soldiers in France, general party positions, how to vote, anti-de Gaulle, union and action, miners, women, personal power, halting fascism, and Duclos.","36 roughly 60x80cm, 2 40x60cm, and 2 30x100cm sized posters; topics include uniting, anti-UDR, financial scandals, the Soviet Union, Pompidou, cantonal elections, racism, personal power, raising fuel prices, petroleum scandal, d'Estaing, women, the Concord, farmers, saving hospitals, European election, and the election of 1978.","19 roughly 70x100cm, 8 40x60cm, 1 30x40cm sized posters; topics include anti-Giscard, the Corsican election, women, elections of 1983, June  1984 elections, March 1985 elections, schools, human rights, hospital care, electoral districts, party positions, banks, and schools.","18 roughly 70x100cm, 2 60x80cm, and 9 40x60cm sized posters; topics include free information, retirement, schools, party positions, and unemployment.","1 60x80cm, 13 70x100cm, and 1 50x70cm sized posters; topics include Balladur, Chirac, Euro vote, growth, party positions, and Marie-George Buffet.","8 70x100cm sized posters in the series entitled Place aux idées nouvelles (place of new ideas).  2 70x100cm sized posters from the series entitled une idée qui monte.","4 roughly 60x80cm, 10 70x100cm, and 1 50x70cm sized posters for Robert Hue's campaign.","3 roughly 60x80cm, 8 roughly 70x100cm, and 2 50x70cm sized posters about social security issues, including retirement, social security, and more.","7 roughly 60x80cm sized posters for Mitterand's campaigns.","11 roughly 70x90cm sized posters for Lajoinie's campaigns.","8 roughly 50x70cm, 14 roughly 60x80cm, 2 61x95cm, 1 60x70cm, 14 70x100cm, 1 35x50cm, 2 roughly 40x100cm sized posters that deal with finances, salaries, taxes, and unemployment.","2 roughly 40x60cm, 1 50x70cm, 8 60x80cm, 2 40x100cm and 1 70x100cm sized posters against Giscard's campaign.","1 50x70cm, 11 roughly 60x80cm, and 1 30x40cm sized posters that address rising prices.","1 13x60cm, 1 25x60cm, 2 50x70cm, 6 roughly 60x80cm, and 5 70x100cm sized posters about referendum positions in France.","1 33x100cm, 1 30x40cm, 3 roughly 50x70cm, and 7 roughly 60x80cm sized posters for Marchais's campaign.","4 30x40cm, 19 50x70cm, 1 50x100cm, 26 60x80cm, 9 70x100cm, and 1 100x120cm sized posters calling for support or adherence to the Communist party; also includes phrases like I vote communist and with the communists.","1 30x40cm, 1 50x70cm, 3 60x80cm, and 3 70x100cm sized posters about rent and lodging options.","4 roughly 140x50cm, 8 roughly 160x50cm, 2 185x65cm sized posters of various topics, including who to vote for, protests, publications, and party positions.","3 40x120cm, 2 30x120cm, and 30 80x120cm sized posters; posters tell supporters how to vote, call for support, and address party issues.  Specific topics include Marchais, Mitterand, the Olympic games, birth control, union of workers, religion in school, Truman doctrine, Duclos, leaders, and taxes. ","Subseries 1.2 contains posters leading up to and calling for support of the union of the left, i.e., the programme commun. \n","7 roughly 41x59cm, 1 29x42cm, 3 29x53cm, 1 38x48cm, and 1 60x70cm sized posters; these posters call for a union of the left or a programme commun.","21 roughly 60x80cm, 1 95x63cm, 3 48x68cm, 2 58x52cm, and 1 38x58cm sized posters; poster topics support the union of the left, cantonal elections, Mitterand and include phrases like end personal power, union and action, it's possible, and adhere.","1 80x120cm sized poster about the programme commun.","Subseries 1.3 contains posters about \"production français,\" or the Party's campaign to purchase goods made in France. \n","10 48x68cm and 1 48x64cm sized posters each calling for the support of French production and limiting imports and outsourcing.","2 roughly 60x80cm, 2 48x67cm, and 5 68x97cm sized posters; topics include creating jobs, keeping money in France, fewer imports, fighting unemployment, and Lajoinie campaign issues.","Subseries 1.4 contains posters that are anti-war or anti-bomb, also posters calling for support of certain countries in conflict or the freedom of certain prisoners. \n","3 roughly 48x68cm, 4 roughly 30x40cm, and 7 roughly 37x49cm sized posters; general posters for peace and various specific topics, like Hungary, Indochina, Turkey, Cuba, and freeing people from prison.","12 roughly 30x40cm, 12 40x60cm, 2 20x60cm, and 1 29x60cm sized posters; these posters follow the Algerian fight for independence, calling for a cease-fire and independence.","1 30x43cm, 10 roughly 38x58cm, and 1 38x51cm sized posters that deal with ending the Vietnam War.","3 30x40cm and 2 38x60cm sized posters that promote nuclear disarmament.","13 roughly 60x80cm sized posters about the Algerian War.","1 30x80cm, 14 60x80cm, and 1 22x60cm sized posters that deal with the war in Vietnam.","1 22x60cm, 6 roughly 30x75cm, 3 roughly 30x100cm, 25 roughly 60x80cm, and 15 roughly 65x100cm sized posters; topics include helping the poor in Indochina, the Hungarian Revolution, no American bases in France, liberation, peace, Nixon and US aggression, concentration camps in Chili, AIDS, the Kyoto Accords, and disarming.  Some posters call for freeing Jacques Duclos, Angela Davis, Mandela, and Vietnamese.  Many posters are about conflicts in different areas of the globe, including Cuba, Germany, Indochina, Palestine, Nicaragua, Turkey, the Gulf War, and Rwanda.","3 40x120cm and 10 80x120cm sized posters that call for disarmament and peace in war-torn areas like Indochina, Vietnam, Algeria, and Tunisia.  There are also posters against American military forces in France.","Subseries 1.5 contains posters by the Jeune Communists (Young Communists). \n","3 40x60cm, 1 50x80cm, 1 20x80cm, 4 60x80cm, and 8 65x90cm sized posters; poster topics include schools, voting, anti-globalization, employment, the death penalty, Europe, Palestine, stopping discrimination, and anti-Front National.","This second series consists of six subseries and contains social posters all arranged chronologically.  The first subseries contains commemorative and anniversary posters.  The second subseries contains posters for the celebration of women, like the Fête des Mères, Journée des Femmes, and May 1st for example.  The third subseries contains posters for meetings, programs, television appearances. The fourth subseries contains posters about protests.  The fifth subseries contains posters to advertise and celebrate for Congresses, Vente-exposition, and the Fête de l'Humanité.  The sixth subseries contains posters to advertise for Communist publications.\n","Subseries 2.1 is for commemorative and anniversary posters that celebrate the anniversary of important communist events like October 1917, famous communists' birthdays or deaths, and the party's anniversary.\n","1 30x40cm, 5 roughly 39x59cm, 1 61x24cm, 2 50x67cm, and 1 45x65cm sized posters to celebrate Thorez's birthday, the revolution of October 1917, the passage of social laws, the anniversary of the party, and the anniversary of the liberation of Paris.","4 roughly 60x100cm, 4 roughly 70x100cm, 15 roughly 60x80cm, 1 40x100cm, 2 50x70cm, and 1 40x56cm sized posters that commemorate social laws, the revolution of October 1917, the French Revolution, the founding of the party, several important Communist figures' birthdays, and the anniversary of World War II events.","21 80x120cm and 4 40x120cm sized posters that commemorate the October Revolution of 1917, the commune of Paris, the births and deaths of famous communists, the anniversary of the party, and other small events.","Subseries 2.2 contains posters celebrating women, like the Fête des Mères, Journée des Femmes, and May 1st for example. \n","1 20x70cm, 1 40x60cm, 5 roughly 50x70cm, 12 roughly 60x80cm, and 7 65x100cm sized posters that celebrate women, particularly the Fête des Mères, the Journée des Femmes, and May 1st celebrations of the French Communist Party.","1 80x120cm sized poster announcing a meeting for women.","Subseries 2.3 contains posters to advertise for party meetings, programs, television appearances. \n","2 roughly 39x59cm, 1 48x48cm, 3 34x48cm, and 4 48x67cm sized posters; topics include a meeting with Marchais, a city meeting, invites for a meeting, meeting of Fontenay, meeting with Buffet, and a Grand Bal.","2 40x60cm, 2 roughly 28x40cm, 2 roughly 35x50cm, 1 46x46cm, and 1 35x25cm sized posters; specific television appearances include Marchais, Lajoinie, Marchais's new book promotion, Robert Hue, and a radio show.","5 roughly 35x45cm, 18 roughly 60x80cm, 4 roughly 40x100cm, 15 70x100cm, 1 100x140cm, 2 30x80cm, 1 120x160cm, 3 50x70cm, and 1 17x50cm sized posters; poster topics include large public meetings, large parties, regional debates, television appearances, and student and young worker meetings, as well as meetings with top party leaders to discuss various party issues.","5 40x120cm, 1 76x102cm, and 16 80x120cm sized posters; meetings include those with top leaders of the party, with Marchais, and with women, topics include petrol, the Front Populare, Christmas programs, and referendums.","Subseries 2.4 contains posters that advertise for protest marches. \n","8 roughly 60x80cm, 4 roughly 30x100cm, 2 roughly 45x60cm, 1 35x48cm, and 2 70x100cm sized posters; poster topics include secular schools, the youth against apartheid  and Giscard, protests against nuclear weapons and the Front National, and protests for jobs and salaries.","1 40x120cm and 1 80x120cm sized posters; one poster is for a protest in honor of the founder of l'Humanité and the other for the commune of Paris.","Subseries 2.5 contains posters to advertise and celebrate for Congresses, Vente-exposition, and the Fête de l'Humanité. Congresses and Fetes are annual gatherings of party members, similar to a convention or festival.  Vente-Expositions are book festivals.\n","5 40x60cm posters; one poster advertises the 15th Congress and the other four show facsimiles of old posters for the 1985 fête de l'humanité.","6 roughly 39x59cm, 1 32x50cm, 3 28x39cm, 1 35x44cm, 1 64x50cm, 1 68x47cm, and 1 46x61cm sized posters; posters advertise Vente-Expositions for Marxist books, the history of the PCF, art and books, the anniversary of the Paris commune, a Grand Gala du lien, a technology expo, and a night of cinema.","13 roughly 60x80cm, 7 roughly 60x100cm, 1 35x70cm, and 2 roughly 40x80cm sized posters; topics include expositions for Soviet or Marxist books, music celebrations, and Congresses.","9 70x100cm, 1 55x75cm, 1 33x48cm, 1 49x65cm, 1 40x60cm, 1 47x58cm, 2 60x80cm, and 1 34x100cm sized posters advertising for the Fête de l'humanité.","1 40x120cm and 7 80x120cm sized posters; topics include Congresses and Marxist book celebrations.","Subseries 2.6 contains posters to advertise for Communist publications, including book releases by party members and newspapers or journals published by the French Communist Party. \n","2 30x40cm, 3 roughly 59x39cm, 1 52x38cm, 2 69x48cm, and 1 35x5cm sized posters; the publication advertised include L'Humanité, France Nouvelle, Marchais's L'Espoir au Present, Economie et Politique, Avancées, and Communistes.","6 40x60cm, 12 60x80cm, and 1 70x100cm sized posters; topics include the newspapers L'Humanité, Economie et Politique, and Les Espaces Citoyens; Marchais's books Le Defi Democratique and Espoir au Present; Robert Hue's Communisme: La Mutation; and nights of cinema.","3 40x120cm and 3 80x120cm sized posters; publications include the book for the Fête de l'Humanité, Le Patriote newspaper, and Marchais's L'Espoir au Present and Le Defi Democratique."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["There are no restrictions.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eSubstantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements.\n\u003c/abstract\u003e"],"abstract_tesim":["Substantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements.\n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Parti Communiste Français\n","Parti communiste français.","dabermill à AULNAY SOUS BOIS.","Paris Province Impression (PPI) à BAGNOLET.","ICC J. London à Paris."],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","Parti Communiste Français\n","Parti communiste français.","dabermill à AULNAY SOUS BOIS.","Paris Province Impression (PPI) à BAGNOLET.","ICC J. London à Paris."],"language_ssim":["French\n"],"total_component_count_is":90,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:33:36.071Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_vifgm00045_c01_c01_c27"}},{"id":"viblbv_repositories_2_resources_4262_c01_c07_c25","type":"File","attributes":{"title":"1970s Roanoke AT Club Miscellaneous","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4262_c01_c07_c25#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_4262_c01_c07_c25","ref_ssm":["viblbv_repositories_2_resources_4262_c01_c07_c25"],"id":"viblbv_repositories_2_resources_4262_c01_c07_c25","ead_ssi":"viblbv_repositories_2_resources_4262","_root_":"viblbv_repositories_2_resources_4262","_nest_parent_":"viblbv_repositories_2_resources_4262_c01_c07","parent_ssi":"viblbv_repositories_2_resources_4262_c01_c07","parent_ssim":["viblbv_repositories_2_resources_4262","viblbv_repositories_2_resources_4262_c01","viblbv_repositories_2_resources_4262_c01_c07"],"parent_ids_ssim":["viblbv_repositories_2_resources_4262","viblbv_repositories_2_resources_4262_c01","viblbv_repositories_2_resources_4262_c01_c07"],"parent_unittitles_ssm":["Roanoke Appalachian Trail Club Records","Series I: RATC Management","Subseries G: General Files"],"parent_unittitles_tesim":["Roanoke Appalachian Trail Club Records","Series I: RATC Management","Subseries G: General Files"],"text":["Roanoke Appalachian Trail Club Records","Series I: RATC Management","Subseries G: General Files","1970s Roanoke AT Club Miscellaneous","box 13","folder 25"],"title_filing_ssi":"1970s Roanoke AT Club Miscellaneous","title_ssm":["1970s Roanoke AT Club Miscellaneous"],"title_tesim":["1970s Roanoke AT Club Miscellaneous"],"unitdate_inclusive_ssm":["1971-1977"],"normalized_date_ssm":["1971/1977"],"normalized_title_ssm":["1970s Roanoke AT Club Miscellaneous"],"component_level_isim":[3],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Roanoke Appalachian Trail Club Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":410,"parent_access_restrict_tesm":["The collection is open for research, except Box 22 which contains restricted materials. Restricted folders are identified within the inventory. Contact Special Collections and University Archives for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977],"containers_ssim":["box 13","folder 25"],"_nest_path_":"/components#0/components#6/components#24","timestamp":"2026-05-21T02:40:56.480Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_4262","ead_ssi":"viblbv_repositories_2_resources_4262","_root_":"viblbv_repositories_2_resources_4262","_nest_parent_":"viblbv_repositories_2_resources_4262","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4262.xml","title_filing_ssi":"Roanoke Appalachian Trail Club Records","title_ssm":["Roanoke Appalachian Trail Club Records"],"title_tesim":["Roanoke Appalachian Trail Club Records"],"unitdate_ssm":["[ca. 1840s?], [ca. 1880s]-2025","(bulk 1932-2025)"],"unitdate_inclusive_ssm":["[ca. 1840s?], [ca. 1880s]-2025","(bulk 1932-2025)"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2024.054"],"text":["Ms.2024.054","Roanoke Appalachian Trail Club Records","Appalachian Mountains","Appalachian Trail","Roanoke (Va.)","Virginia, Southwest","Environmental protection","Local/Regional History and Appalachian South","The collection is open for research, except Box 22 which contains restricted materials. Restricted folders are identified within the inventory. Contact Special Collections and University Archives for more information.","These minutes were printed on the back of recycled paper with sensitive private information, and these materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These minutes were printed on the back of recycled paper with sensitive private information, and these materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","Duplicates, blank notepads, empty envelopes, and binders were removed from collection. Some documents with confidential or private information were returned to the Roanoke Appalachian Trail Club.","The Roanoke Appalachian Trail Club Records are arranged into series and subseries by subject, based primarily on the descriptions by the RATC. Original order of files provided by the RATC is maintained where possible. Folder titles are original, except text within brackets [].","Series I: RATC Management, [ca. 1840s?], [ca. 1880s]-2024 (bulk 1932-2016)","This series contains materials created, collected, and maintained by the RATC for its operations. It is divided into eight sub-series based on material type or subject, based on original order provided by the RATC. ","\nSubseries A: RATC Meeting Minutes, 1940-1959, 1968-2004, 2022\n \nSubseries B: RATC By-Laws and Rosters, 1955, 1960, 1972-1993\n \nSubseries C: RATC Newsletters and Hike Schedules, 1939-1942, 1954-2010\n \nSubseries D: Monitoring the Appalachian Trail: Land Tract Files, [ca. 1840s?], [ca. 1880s]-2010 (bulk 1980s-2010) - Please note, many of these documents are photocopies, and the dates are based on the originals.\n \nSubseries E: Acquisitions and Relocations, 1949, 1955, [ca. 1960s]-1997, 2024\n \nSubseries F: Management Plans and Conservation Issues, 1964-1982, 1991-2003, 2010, 2016, 2024\n \nSubseries G: General Files, 1952, 1958, 1971-2014\n \nSubseries H: RATC Historical Materials, 1932-1962, 1977-2000, 2020-[ca. 2024]\n","Series II: RATC Officers and Members, 1939-2025","This series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members. It is divided into eight sub-series by person and in chronological order. Each subseries is organized based on topic, and original order is maintained where possible.","\nSubseries A: Thomas Campbell, 1939-2024 (bulk 1950s-1970s)\n \nSubseries B: Otey Family, 1949-1953, 2024-2025, undated\n \nSubseries C: Dick Clark, 1953-2006 (bulk 1980s-2000s)\n \nSubseries D: Bill Cochran, 1966-2018\n \nSubseries E: Zetta Campbell, 1972-1976, 1993, 2024\n \nSubseries F: Charles Parry, 1972-2024 (bulk 1970s-1990s)\n \nSubseries G: Sigfried and Ursula Kolmstetter, 1972-1996, 2019, 2024\n \nSubseries H: Andy Layne, 1977-1990, undated\n \nSubseries I: Roger Holnback, 1980-2012 (bulk 1990s-2000s)\n \nSubseries J: Linda Akers, [ca. 1983]-1992, 2000-2015, 2022\n","The Appalachian Trail (AT), a hiking trail along the Appalachian Mountains in the United States, was first proposed by Bernard MacKaye in 1921, and two years later, the first section opened in New York State. In 1925, the Appalachian Trail Conference (ATC) formed to help manage the maintenance and conservation of the AT, and in 2005, the ATC was renamed Appalachian Trail Conservancy. As of 2025, the AT spans almost 2,200 miles in 14 states from Maine to Georgia, with 25% of the trail traversing Virginia and 30 local AT clubs affiliated with the ATC.","Local hiking clubs began organizing to build and maintain the AT and joining the ATC in the 1920s and 1930s. In October 1932, Donald S. Gates, a professor at Roanoke College, gathered several hikers and local groups to discuss forming an AT club in the Roanoke area. At a second meeting in October, Myron H. Avery, the chairman of the ATC, and members from the Potomac and Natural Bridge AT Clubs joined them to explain various aspects of their work. ","On November 13, 1932, the Roanoke Appalachian Trail Club (RATC) was officially established with 17 charter members, including the first officers: president Gates, secretary E. B. Coxwell, treasurer Larry Pownall, and trail supervisor David Dick. Grace Pownall was appointed vice president about two (2) weeks later. The ATC initially assigned the RATC 55 miles of the trail to manage, but by the club's first anniversary, the section had expanded to 68.29 miles.","As of 2025, the RATC covers over 120 miles, including McAfee Knob, Dragon's Tooth, and Tinker Cliffs. The organization continues its original mission to maintain and protect the Appalachian Trail; develops and maintains trails, campsites, open shelters, and permanent camps on the AT; collects data about the history, scenery, geology, flora, and fauna of the Appalachian Mountains; prepares maps and guides for hiking, camping, and forest fire prevention; and participates in and advocates for the development of laws and regulations related to the AT and the Appalachian Mountains.","Biographical notes for several RATC members are included in the inventory under Series II.","External Sources: ","Box 13, Folder 48, \"RATC Histories Written in 1980s,\" of this collection","Box 13, Folder 52, \"RATC Histories Written in 1950s,\" of this collection","Box 13, Folder 53, \"RATC History, 1932-1945,\" of this collection","Roanoke Appalachian Trail Club,  https://www.ratc.org/ , accessed May 1, 2024.","By-Laws of the Roanoke Appalachian Trail Club, Inc., Rev. March 12, 2016,  https://www.ratc.org/wp-content/uploads/documents/bylaws.pdf , accessed May 1, 2024.","Diana Christopulos, \"How Three Hiking Clubs Became the Roanoke Appalachian Trail Club,\" RATC.org,  https://www.ratc.org/how-three-hiking-clubs-became-the-roanoke-appalachian-trail-club/ , accessed September 25, 2025.","Appalachian Trail Conservancy,  https://appalachiantrail.org/ , accessed October 3, 2025.","Thomas Healy \"Tom\" Campbell (1899-1986) attended the College of William and Mary from 1915 to 1916 and Richmond College (now University of Richmond) from 1917 to 1919. He married Charlene Lunsford (1902-1986) in 1922, and they had a daughter. In 1965, they both left their employers. Tom retired as Chief Investigator in the Auditor's office of the Norfolk and Western Railway, while Charlene left her employer of 20 years, Roanoke-based retail chain Heironimus.","Tom joined the Roanoke Appalachian Trail Club in 1947, and Charlene followed suit several years later. Each served in several offices for RATC, including Tom as President from 1950-1951. He also served on the Appalachian Trail Conference's Board of Managers from 1950-1975, including fourteen (14) years as Vice Chairman (1961-1975). Tom was also a charter member of the Appalachian National Scenic Trail Advisory Committee.","Sources:","Box 12, Folder 3, \"[Biographical information about Thomas and Charlene Campbell],\" of this collection","\"Thomas Healy Campbell,\" Findagrave.com,  https://www.findagrave.com/memorial/84378864/thomas-healy-campbell , accessed September 18, 2025.","\"Charlene Lunsford Campbell,\" Findagrave.com,  https://www.findagrave.com/memorial/84378830/charlene-campbell , accessed September 18, 2025.","The Spider  (Richmond College yearbook), Vols. 16-17, 1918-1919, available online from the University of Richmond,  https://scholarship.richmond.edu/the-spider/ , accessed September 19, 2025. ","Biographical note by Diana Christopulos, Feb. 18, 2025: \"Marie and John Otey were RATC volunteers in the early 1950s, and they worked on the relocations led by Jimmy Denton near the Blue Ridge Parkway and around Roanoke. They joined in late 1949 and were active 1950-55. John was Assistant Trail Supervisor in 1952, 1953, 1955. He was also active on the Publicity Committee and took numerous photos on the Trail.\"","John Otway Otey, Jr. (1906-1980) married Goldie Marie Dean Peters (1906-1989) in 1950. John worked as a clerk for Norfolk and Western Railway, while Marie worked as a stenographer or secretary.","Sources:","Box 13, Folder 54, \"[Notes and correspondence about the Otey Family Papers],\" of this collection","U.S. Federal Census, 1940-1950, accessed online from Ancestry.com on September 19, 2025.","\"John Otway Otey Jr.,\" Findagrave.com,  https://www.findagrave.com/memorial/185149412/john-otway-otey , accessed September 19, 2025.","\"Goldie Marie Dean Otey,\" Findagrave.com,  https://www.findagrave.com/memorial/207412197/goldie_marie-otey , accessed September 19, 2025.","\"John Otway Otey\" in the Virginia, U.S., Marriage Records, 1936-2014, Ancestry.com,  https://www.ancestrylibrary.com/search/collections/9279/records/11741905 , accessed September 19, 2025.","Dick Clark has served in numerous positions in the RATC from the 1980s to 2010s, including hikemaster (1984-1994), vice president (1998-2000), president (2000-2003), and counselor (2003-2015).","Clark was appointed by the Roanoke City Council to serve on the Mill Mountain Advisory Committee from 1999 to 2014, and he served as vice chair during his tenure.","Sources:","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Box 3,  Trail Blazer  newsletters, of this collection","Trail Blazer  newsletters, Roanoke Appalachian Trail Club,  https://www.ratc.org/newsletter/ , accessed Oct. 2, 2025.","Matt Chittum, \"Mountain advisers up for an upgrade,\"  The Roanoke Times,  p. B1, April 6, 2014, accessed online from NewsBank on October 2, 2025.","Matt Chittum, \"Fancier Franklin bridge suggested,\"  The Roanoke Times,  p. B1, June 3, 2014, accessed online from NewsBank on October 2, 2025.","William Neal \"Bill\" Cochran (1937-2024) was a journalist who focused on the outdoors, writing for  The Roanoke Times  from 1962 until 2018–two (2) decades after retiring as the newspaper's outdoors editor in 1998. His coverage included many trail hikes with the Roanoke Appalachian Trail Club, conservation issues in Virginia, and outdoor sporting and the Appalachian Trail. Cochran received 10 awards from the Virginia Press Association, was honored by the Virginia General Assembly with the House Joint Resolution 520 \"Commending Bill Cochran\" in 1999, and was the 2009 media inductee in the Virginia Sports Hall of Fame.","Cochran graduated from Lynchburg College (now University of Lynchburg) with a bachelor's degree in English in 1960, and he served in the Virginia National Guard. He married Katherine Gravett in 1965, and they had a son. They operated the Cross Trails Bed and Breakfast near the Appalachian Trail in Catawba from 1995 to 2003 as well as a Christmas tree farm in West Virginia. ","Sources:","Mark Taylor, \"Legendary Roanoke outdoors writer Bill Cochran dies,\"  Cardinal News,  July 1, 2024,  https://cardinalnews.org/2024/07/01/legendary-roanoke-outdoors-writer-bill-cochran-dies/ , accessed September 19, 2025.","Obituary for William N. \"Bill\" Cochran,  The Roanoke Times,  July 7, 2024, available online from Legacy.com,  https://www.legacy.com/us/obituaries/roanoke/name/william-cochran-obituary?id=55481593 , accessed September 19, 2025.","Mark Berman, \"Bill Cochran | 1937-2024: Outdoors editor was 'an institution',\"  The Roanoke Times,  July 2, 2024, p. A1 and A6, accessed online from NewsBank on September 19, 2025.","\"Bill Cochran,\" Virginia Sports Hall of Fame,  https://vasportshof.com/inductee/bill-cochran/ , accessed September 19, 2025.","\"Virginia HJ520 Commending Bill Cochran,\" Policy Engage,  https://trackbill.com/bill/virginia-house-joint-resolution-520-commending-bill-cochran/512861/ , accessed September 19, 2025.","\"William Neal Cochran\" in the Virginia, U.S., Marriage Records, 1936-2014, Ancestry.com,  https://www.ancestrylibrary.com/search/collections/9279/records/12779996 , accessed September 19, 2025.","Zetta Marie Campbell (1930-2024) joined the Roanoke Appalachian Trail Club in 1959. She also served as secretary (1964-1965, 1968-1969, 1983-1984) and editor of the  Trail Blazer  newsletter (1970-1977). Campbell also illustrated the hike schedules in the 1970s and led hikes until at least 2019. She received the Appalachian Trail Park Office's Silver Service Award in 2002.","Sources: ","Box 13, Folder 66, \"1970s - Zetta Campbell Drawings/Hike Scheds,\" of this collection","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Obituary for Zetta Campbell,  The Roanoke Times,  July 5, 2024, p. A6, available online from Legacy.com,  https://www.legacy.com/us/obituaries/roanoke/name/zetta-campbell-obituary?id=55488335 , accessed September 22, 2025.","\"Zetta Marie Campbell\", Findagrave.com,  https://www.findagrave.com/memorial/272121036/zetta_marie-campbell , accessed September 22, 2025.","Charles Parry (1942-2010) joined the Roanoke Appalachian Trail Club in 1972, serving as the Trail Supervisor from 1979 until his death. He received the Appalachian Trail Park Office's Silver Service Award in 2002 and was inducted into the Appalachian Trail Hall of Fame in 2017, the first RATC member to receive this honor.","Parry graduated from the State University of New York College at Oswego (now State University of New York at Oswego) and earned a master's and a Ph.D. in mathematics from Michigan State University around 1969 or 1970. He was a professor of mathematics at Virginia Tech from 1971 until his retirement in 2010, establishing a research program in number theory, helping to design mathematics courses for computer science students, and serving as Math Club adviser. ","Sources: ","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Box 13, Folder 67, \"Charles Parry AT Hall of Fame,\" of this collection","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection","\"Charles Parry honored with emeritus status,\" Virginia Tech News, October 19, 2010,  https://news.vt.edu/content/news_vt_edu/en/articles/2010/10/101910-science-parry.html , accessed September 18, 2025.","\"In memoriam: Charles Parry, emeritus professor of mathematics,\" Virginia Tech News, January 10, 2011,  https://news.vt.edu/articles/2011/01/011011-science-parry.html , accessed September 18, 2025.","Obituary for Charles John Parry,  The Roanoke Times,  December 28, 2010, p. A12, accessed online from NewsBank on September 18, 2025.","Mark Taylor, \"Math teacher devoted himself to AT,\"  The Roanoke Times,  December 28, 2010, accessed online from NewsBank on October 2, 2025.","\"Charles J. Parry,\" Findagrave.com,  https://www.findagrave.com/memorial/232281708/charles-j-parry , accessed September 18, 2025.","Appalachian Trail Hall of Fame, \"2017 Class,\" Appalachian Trail Museum,  https://www.atmuseum.org/2017-class.html , accessed September 18, 2025.","Siegfried and Ursula Kolmstetter joined the RATC in 1971. Siegfried served as vice president (1974) and counselor (1972-1973), while both volunteered as hike leaders for decades. The couple maintained the McAfee Knob section of the AT for over 25 years, until the couple moved out of the area in 1996. Siegfried received the Appalachian Trail Park Office's Silver Service Award in 2002.","At the end of World War II in May 1945, 17-year-old Ursula Edith Walter (1927-2023) was captured by the Russian Army and imprisoned at the Theresienstadt prison camp. Eight (8) months after her imprisonment, she escaped and moved to West Germany, where she met Siegfried J. Kolmstetter (1921-2019). They married in 1952 and had several children. The Kolmstetters immigrated to the U.S. in 1957, settling in Roanoke in 1970. Siegfried was a physician for the Veterans Administration Hospital in Salem from 1970 to 1998. He received the hospital's Hands and Heart Award in 1992.","Sources:","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Obituary for Ursula Edith Kolmstetter,  The Roanoke Times,  January 3, 2024, available online from Legacy.com,  https://www.legacy.com/us/obituaries/roanoke/name/ursula-kolmstetter-obituary?id=53995534 , accessed September 19, 2025.","Dan Casey, \"Physician was caretaker for people, trails,\"  The Roanoke Times,  March 28, 2019, p. 1-2, accessed online from NewsBank on September 22, 2025.","Andy Layne (1912-1991) joined the Roanoke Appalachian Trail Club in 1978. He led numerous hikes and helped with hike scheduling; attended workhikes and backpacking trips; and oversaw a section of the trail. Layne also served in several positions on the RATC Board, including shelter supervisor (1980), vice president (1981), and counselor (1985-1986). On the 10th anniversary of his death, the Andy Layne Trail in the Tinker Cliffs area was dedicated in his memory.","Source:","Box 19, Folder 46, \"[Andy Layne biographical information],\" of this collection","Roger Holnback joined the RATC in 1996 and served in numerous positions, including as president (2006-2009, 2015-2016), vice president (2003-2006, 2016-2017), land management supervisor (2009-2013), and conservation supervisor (2013-2015). He also was an ATC Land Trust coordinator and Roanoke Valley Greenways liaison in the 2000s and 2010s. His wife Lauren Taylor Holnback was also an RATC member.","Holnback served as executive director of the Western Virginia Land Trust (2001-2012), which worked with the City of Roanoke and other groups to place over 11,000 acres of Carvins Cove Natural Reserve under a conservation easement in 2008 and 2009. He was given the Roanoke Valley Cool Cities Coalition's Cool Citizens award in 2012. Later, he was chairman of the Blue Ridge Soil and Water Conservation District and president of the Pathfinders for Greenways. ","Sources:","Box 3,  Trail Blazer  newsletters, of this collection","Trail Blazer  newsletters, Roanoke Appalachian Trail Club,  https://www.ratc.org/newsletter/ , accessed Oct. 2, 2025.","Mason Adams, \"From land and air, teams work to preserve Carvins Cove's aura,\"  The Roanoke Times , January 6, 2011, accessed online from NewsBank on October 2, 2025.","\"Western Virginia Land Trust director steps down,\"  The Roanoke Times , February 10, 2012, accessed online from NewsBank on October 2, 2025.","Danielle Dunaway, \"Cool Citizens awards laud energy-efficient efforts,\"  The Roanoke Times , March 16, 2012, accessed online from NewsBank on October 2, 2025.","Sam Wall, \"Hinchee Park opens in Roanoke County - Hinchee Park opens in Roanoke County,\"  The Roanoke Times , September 29, 2019, accessed online from NewsBank on October 2, 2025.","\"Board and Staff,\" Blue Ridge Soil and Water Conservation District website,  https://www.brswcd.org/team-2 , accessed October 2, 2025.","Linda Akers joined the RATC in 1969 or 1970. She served in numerous positions on the board, including secretary (1981-1982), editor of the  Trail Blazer  (1982-1985), and social chair (1987-1999, 2013-2017). She received the Appalachian Trail Park Office's Silver Service Award in 2002.","Sources:","Box 17, Folder 41, \"[Linda Akers Interview notes by Diana Christopulos],\" of this collection","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection","The guide to the Roanoke Appalachian Trail Club Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Minutes for May 17, 2001, June 21, 2001, July 26, 2001, February 13, 2003, August 2, 2004, and September 13, 2004, have been restricted and moved to Box 22, Folder 1.","Restricted minutes were separated from Box 1, Folder 34.","Additional membership rosters may be found in the club newsletters.","The agenda from January 12, 2004 have been restricted and moved to Box 22, Folder 25.","Restricted minutes were separated from Box 16, Folders 3-5.","Restricted item has been removed to Box 22, Folder 25.","Restricted item moved from Box 19, Folder 14.","The processing, arrangement, and description of the Roanoke Appalachian Trail Club Records was completed in October 2025. Box 16 was completed in March 2026.","Virginia Tech Special Collections and University Archives also has the  M. Rupert Cutler Papers,  which covers many of the same and related environmental issues of the Appalachian Mountains, Roanoke, and Southwest Virginia.","The Roanoke Appalachian Trail Club (RATC) Records document the management of the club from its founding in 1932. The collection includes the club newsletters, board minutes, former officers' and members' records, National Park Service and RATC acquisition information, conservation issues, management plans, histories of the club, scrapbooks, and photographs. ","The collection is divided into two series, I: RATC Management and II: RATC Officers and Members. The first series contains materials created, collected, and maintained by the RATC for its operations. It contains the meeting minutes, primarily about the activities of the Executive Board from 1940 to 1959 and 1968 to 2004. Some of the meeting minutes also record the activities of committees, affiliate organizations, and the annual all-member banquet during those years. There are also by-laws from the 1980s and 1990s and rosters from the 1950s to 1980s. The club newsletters start with the  RATC Bulletin  from 1939 to 1942 and continue with the  Trail Blazer  from 1954 to 2010. These document the club's recent activities, including work with the Appalachian Trail Conference (later Appalachian Trail Conservancy), local non-profits, and government entitities, hike schedules and detailed accounts of club hikes on the Appalachian Trail (AT), and reminiscences of and memorials to past and current members.","The Land Tract Files contain legal records of lands acquired by NPS after 1978 Congressional funding. Most of these materials are photocopies of legal records documenting land acquisitions, including legal judgments, land ownership histories, foreclosure documents, leases and contracts with gas and electric companies, deeds and trusts, wills and genealogies regarding inheritance rights, land surveys and inspection records, appraisals and environmental assessments, financial documents and insurance certificates, photographs, maps, and correspondence with land owners, attorneys, court clerks, and others. Other documents about acquisitions and relocations also illuminate the RATC's work with the Appalachian Trail Conference (also Conservancy), U.S. National Park Service, and U.S. Forest Service to acquire and monitor property and to build and relocate trails.","The first series also contains management and conservation plans, general files, and RATC historical materials. The histories discuss the founding and development of the club as well as large trail relocations and the work of past members and officers. There are also several photo albums from the 1930s-1950s.","The second series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members, about the history and operation of the RATC. These people include club president Thomas Campbell, the Otey family, president Dick Clark, local journalist Bill Cochran, newsletter editor Zetta Campbell, longtime trail supervisor Charles Parry, hike leaders Sigfried and Ursula Kolmstetter, hike leader Andy Layne, president Roger Holnback, and longtime social chair Linda Akers. Documents include correspondence, handwritten notes, additional meeting minutes and newsletters, photographs, newspaper clippings, and more. They also cover land acquisitions, building trails and shelters, group events and conferences, management and land use, and of course hikes on the AT.","\nThe following are common abbreviations or acronyms found in the collection inventory:\n \nAEP - Appalachian Electric Power Company\n \nAPCO - Appalachian Power Company, a subsidiary of AEP\n \nAT - Appalachian Trail\n \nATC - Appalachian Trail Conference or Appalachian Trail Conservancy\n \nRATC - Roanoke Appalachian Trail Club\n \nNPS - United States National Park Service\n \nUSFS or FS - United States Forest Service\n","This series contains materials created, collected, and maintained by the RATC for its operations. It is divided into eight sub-series based on material type or subject, based on original order provided by the RATC.","These minutes are mostly for the RATC Executive Board meetings, but also include some minutes for the annual all-member banquet and various RATC committees.","The January 16, 1953 annual meeting minutes are labeled \"January 16, 1952\". Also includes 1940 membership roster. [Removed from Binder]","Also contains 1957 membership roster, treasurer's reports or audits for 1954-1957, several hike schedules and Trail Blazers for 1957-1959, and attendees' information for the 1958 14th Meeting of the ATC. [Removed from binder.]","Also contains newspaper clippings, drafts of minutes, correspondence, reports, and other materials. [Removed from binder.]","Only includes April 1970 minutes, \"Copy of Minutes for Charles Headland\".","A list at the front of the folder says minutes are missing for January, July, and August 1974. Some of the minutes are handwritten. Also includes typed transcription by Diana Christopulos on October 31, 2022, of the May 1974 minutes.","A list at the front of the folder says minutes are missing for January, June, July, and August 1975. Some of the minutes are handwritten.","A list at the front of the folder says minutes are missing for January, April, May, and August 1976.","Includes minutes for February, March, August, November 1977.","Includes only February and March 1978 minutes, which are handwritten. Also includes typed transcription by Diana Christopulos on October 31, 2022, of the February 1978 minutes with note from Christopulos: \"This is the first meeting after landowners have closed the AT between Va. 311 and Tinker Cliffs.\"","Folder just includes notes that minutes were missing for 1979, and one note was removed from a notebook with minutes for 1974-1983.","Folder just includes a note that minutes were missing for 1974-1979. Looks like the note may have been removed from a notebook with minutes for 1974-1983.","Note from RATC: \"Incredible transition to orderly files with Linda Akers as Secretary and Mary Stewart as President\".","Includes 1980 roster and \"order continues under same leadership\", according to notes from RATC.","A list at the front of the folder says minutes are missing for July, August, and September 1982.","A list at the front of the folder says minutes are missing for May, July, or December 1983 minutes.","Note from RATC: \"Land Management and special meeting\".","There are no minutes after September 1989.","Note from RATC: \"Annual meeting moved to March\".","February and July 1994 minutes are missing.","December 1995 minutes are missing.","Includes \"First annual meeting at Lutheran Church (Linda Akers)\".","Also includes organizational documents, notes, and correspondence. [Removed from Binder.]","Also includes 1990 RATC Ann's Cabin Committee meeting minutes.","Original folder was titled \"1976 RATC Membership Roster N=68\".","This is a draft of the Constitution and By-Laws of the RATC.","Includes proposed and final by-laws for March 6, 1993.","Starting with the Spring 1983 issue, the hike schedules are printed as part of the  Trail Blazer  newsletters. Prior to that time, the hike schedule was inconsistently included with the newsletters. Some newsletters also include membership rosters.","[Removed from binder.]","Some issues also include membership rosters.","Also includes photos from April 1959 and a membership application from May-June 1959.","Also includes backpacking catalogs.","Also includes the Shenandoah-Rockfish Appalachian Trail Club Bulletin, Vol. 1, No. 2, June 18, 1962.","Also includes hike schedules for June 26-December 18, 1966.","The first 2 issues are No. 1, January 1966 and No. 2, February 1966. Then the publication cycle changes to quarterly publications, and the issue numbering restarts with No. 1, Spring 1966 through No. 4, Winter 1966-67. Also includes Hike Schedules for Summer 1966-Winter 1966-1967.","Also includes Hike Schedules for Spring 1967-Winter 1967-68.","Also includes Hike Schedules for Spring 1968-Winter 1968-69.","Also includes Hike Schedules for Spring 1969-Winter 1969-70.","Also includes Hike Schedules for Summer 1970 and Winter 1970-71.","Also includes Hike Schedules for Spring 1971-Winter 1970-71.","Also includes Hike Schedules for Spring 1972-Winter 1972-73.","Also includes Hike Schedules for Spring 1973-Winter 1973-74.","Also includes Hike Schedules for Spring 1974-Summer 1974.","Also includes Hike Schedules for Spring 1975-Winter 1975-76.","Also includes Hike Schedules for Spring 1975 and Fall 1976.","Also includes Hike Schedules for Spring 1977-Winter 1977-78.","Also includes Hike Schedules for Spring 1978-Winter 1978-79.","Spring 1979 is numbered Vol. 39, No. 1; Summer 1979 is Vol. 40, No. 1; Autumn 1979 is Vol. 40, No. 3; and Winter 1979 is Vol. 40, No. 4. Also includes Hike Schedules for Spring 1979-Winter 1979.","Also includes Hike Schedules for Spring 1980-Winter 1980. [Please note: Vol. 40 seems to have been skipped in the numbering system for the Trail Blazer.]","Also includes Hike Schedules for Fall 1981 and Summer [1981?]. The Winter Hike Schedule is included in the Winter 1981 Trail Blazer.","Hike schedules are included with the Trail Blazer issues for Spring 1982, Fall 1982, and Winter 1982.","Also includes minutes of the executive board meeting on July 18, 1986.","Also includes minutes of the executive board meeting on August 26, 1988, and RATC By-laws revised on November 5, 1988.","The December 1990 issue is the Winter 1990-1991 issue.","Starting with Winter 1995, the winter issues switch to the start of the year instead of the end.","The Land Tract Files are also called RATC Green Books and contain legal records of lands acquired by NPS after 1978 Congressional funding. These are bound by tract number. Most of these materials are photocopies of legal records documenting land acquisitions, including legal judgments, land ownership histories, foreclosure documents, leases and contracts with gas and electric companies, deeds and trusts, wills and genealogies regarding inheritance rights, land surveys and inspection records, appraisals and environmental assessments, financial documents and insurance certificates, photographs, maps, and correspondence with land owners, attorneys, court clerks, and others. ","As most of the documents are photocopies, the dates are based on the originals, not on when the photocopies may have been created. Some of the photocopies are also of poor quality and illegible. Some of the legal documents contain social security numbers, and these bound files are restricted.","This series document the RATC's work with the Appalachian Trail Conference (also Conservancy), U.S. National Park Service, and U.S. Forest Service to acquire and monitor property and to build and relocate trails.","Written by Diana Christopulos, RATC Archivist","Also spelled Anne's Cabin.","This is a photocopy.","This is a photocopy.","Includes newspaper clippings and a history of the AT with focus on Virginia and a copy of H 160 approved by the General Assembly of Virginia on March 4, 1971, to allow Virginia to acquire lands and enter into agreements pertaining to the AT.","Mostly relates to the Buhrman Tract.","Contains a handdrawn map by Thomas Campbell from about the 1960s and a transcription and description of the map with history note by Diana Christopulos in 2024.","Also includes the Hiking Schedule for the Southwestern Virginia Relocation.","Includes RATC brochures, 1966 hiking brochure, local management plan maps, a photocopy of the 1997 Memorandum of Understanding for the Appalachian National Scenic Trail between the Roanoke Appalachian Trail Club and the Appalachian Trail Conference, and the RATC 1991 Management Plan for the Appalachian Trail with notes by Diana Christopulos on March 3, 2024.","Includes Spring 1991 Trail Blazer and a phone tree.","The 1996 and 2008 items were printed off the internet in 2022.","Includes letters about donations and gifts.","Probably created by T. J. Kent. Includes list of items in album created in 2023.","Includes list of items in album created in 2023.","Includes list of items in album created in 2023.","[Removed from photograph album.]","Includes press release about the Appalachian Trail Museum's Hall of Fame's class of 2022, including Jim and Molly Denton of Front Royal, Virginia, and interview notes from Diana Christopulos with two of the Denton's three children.","Includes photocopies of documents from 1930s and issues of the Appalachian Trailway News.","Although the histories are from around the 1980s, there are some notes from around the 2020s.","Although the histories are from around the 1980s, there are some notes from around the 2020s.","Includes a transcription of a January 24, 1951 history by L. H. Powell, transcribed by Diana Christopulos on March 20, 2020, but not the original 1951 history by Powell.","Includes notes about T. J. Kent's history notes by Diana Christopulos, RATC Archivist, November 11, 2022, and transcription and annotations of 1933 report of RATC by Christopulos, March 20, 2020.","The second series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members, about the history and operation of the RATC. It is divided into eight sub-series by person and in chronological order. Each subseries is organized based on topic, and original order is maintained where possible.","Also contains a list of files for box.","Includes a letter from Senator Harry F. Byrd, Jr., about legislation.","Includes organizational charts for the ATC.","Majority is correspondence about trail maintenance and relocation projects or suggestions and related maps.","Contains documents regarding Virginia being \"the first state to execute an agreement for the protection and management of the Appalachian Trail.\"","Some documents pertain to property owners and AT relocations.","Documents discuss purchasing the Buhrman tract of land near Fullhardt Knob and relocation of the AT between Tinker Mountain and Fullhardt Knob, potentially through the Buhrman tract.","Includes admittance of the Virginia Tech Outing Club to the ATC and assignment of a portion of AT for the club to maintain.","Includes William L. Gordge, RATC president's correspondence. Includes admittance of the Virginia Tech Outing Club to the ATC and assignment of a portion of AT for the club to maintain.","Includes organizational charts for the ATC.","Includes documents granting land use for relocating AT on Peters Mountain via land owned by Celanese Corporation, Pocahontas Land Corporation, the National Gypsum Company, and individuals.","Majority of documents regard planning in 1957-1958 for the 14th Meeting of the ATC at Mountain Lake Hotel in Mountain Lake (Giles County), Virginia, in 1958.","Both issues contain articles about AT relocations by RATC.","[Removed from binder.]","Includes shelter log.","Includes agendas, minutes, financial documents, and other supporting documents, including documents from committees, ATC, and NPS.","Also includes ATC's The Register newsletter, Vol. 24, No. 6, Spring 2001.","This is a user survey study carried out by the NPS in partnership with the University of Vermont and Penn State University. [Removed from binder.]","Also includes brochures about NPS and the AT.","Also includes tax-related documents and newsletters for other organizations.","Relates to the Greenbrier Pipeline Project that would cross the AT.","This contains the Memorandum of Agreement for the Management of the Appalachian National Scenic Trail between the NPS and U. S. Forest Service.","Appalachian Trailway News article about Jim and Molly Tabor Denton and Tom and Charlene Campbell","Prepared for NPS by Federal Highway Administration's Eastern Federal Lands Highway Division","Includes some non-biking AT printed materials.","Items discuss naming the Sinking Creek shelter as the Sarver Hollow Shelter and its dedication. There are also some documents related to the Sarver Cabin or Sarver Home Site.","Includes a copy of the RATC's \"Amended and Restated Articles of Incorporation\".","Celebrates the 75th anniversary of the ATC.","Celebrates the 75th anniversary of the ATC.","Also contains a report about invasive species on the AT.","Includes undated photographs.","The trail diary includes a letter to Katherine Cochran.","Includes article, \"National Trail Bill Sent to Congress\" by Bill Cochran.","Includes clippings about Audie Murphy's 1972 plane crash and hiking the AT, several relating to Ed Garvey.","Includes 1982 letter to Bill Cochran, a write up on Damascus Trail Days by Bill Cochran, and clippings about trail towns and the RATC celebrating its 50th anniversary.","Includes a letter to Bill Cochran, ca. 1996.","Includes clippings about the McAfee Knob closure from 1978 to 1987, McAfee Knob in general, history of the AT, and AT land acquisition.","Includes clippings about the murders of Susan Ramsey and Robert Mountford in 1981, Molly LaRue and Geoffrey L. Hood in 1990, and the murders of Julianne Williams and Lollie Winans in 1996.","Includes 1970s hike schedules illustrated by Campbell, 1993 article about hike led by Campbell, and a note about Campbell in the RATC from Diana Christopulos, February 16, 2024.","Includes biographical information.","Includes letter and thank you note from 1991.","The Trail Blazer issue contains an article about the Campbell Shelter. The cover is missing, but it is probably the Fall 1989 issue.","Includes Campbell Shelter, Catawba Shelter, New Wilson Creek Shelter, Wapitu Shelter, and Big Pond Shelter Move. The photos in this folder remain in their original groupings.","Includes 1987 ATC Conference at Lynchburg College and Natural Bridge. Please note: there are remnants of a rubberband attached to some photos.","These photos were grouped together but have no identifying information.","The photos in this folder are without identifying information and remain in their original groupings.","The photos in this folder are without identifying information and remain in their original groupings.","Some materials are the papers of Lauren Taylor Holnback and of Eric Nasar from the Trust for AT Lands.","[Removed from binder.]","Also includes management brochures. [Removed from binder.]","[Removed from binder.]","[Removed from binder.]","Topics include the Trail and Land Management Committee and Carvins Cove easement. [Removed from binder.]","Includes memoranda about land tracts.","Includes Tract 476-32.","Includes Tract 477-22, Parcels A and B.","Includes Tracts 478-34, 478-35, 478-36, and 478-37.","Includes monument sets.","Documents concern the Chesapeake Bay Program and Agreement related to the Chesapeake Bay watershed.","Documents relate to the acquisition of the Shell Tract along the Elk River in Tennessee.","Documents relate to the Turner Tract on North Mountain in Virginia.","Documents relate to the Roy and Tillie Wood's home the Woodshole, where AT hikers were invited to stay.","Documents are about attempting to make Blackwater Canyon a national park.","Documents are about the USFS Forest Legacy Program and Virginia's Forest Legacy program.","Includes reports from Griggs and Mullinix of the ATC Land Trust.","Most materials specifically relate to the Western Virginia Land Trust.","Includes information on Andy Layne Trail.","Includes information on Roanoke Greenways and on laws.","[Removed from binder.]","[Removed from binder.]","This collection contains several issues of the  Trail Blazer , the newsletter of the Roanoke Appalachian Trail Club. If there were more than two (2) copies of an issue, the extra copy was separated to the Virginia Tech Special Collections and University Archives' Rare Book Collection.","The following publications were separated to the Rare Book Collection:","Appalachian Trail Guide to Central Virginia,  First Edition, 1994 (Jack Albright, Field Editor).","Parsons, Shireen, and Wilderness Society.  Virginia's Mountain Treasures : The Unprotected Wildlands of the Jefferson National Forest.  The Wilderness Society, 1999.","Trail Lands: The Newsletter of the ATC Land Trust,  Vol. 17, No. 1, Spring 2001.","Audubon Naturalist,  Vol. 20, No. 7, \"What Does Disney's America Mean to Our Region?\", 1994-09.","Daniel D. Chazin, ed.,  Appalachian Trail Data Book 2000,  22nd ed., Harpers Ferry, WV: The Appalachian Trail Conference, 1999.","Karen Deans, ed.,  Conservation Options: A Landowner's Guide,  Washington, D. C.: Land Trust Alliance, 1999.","Benton MacKaye,  The New Exploration: A Philosophy of Regional Planning,  Harpers Ferry, WV: The Appalachian Trail Conference and Urbana-Champaign, Ill.: University of Illinois Press, 1990.","Murray Bookchin,  Our Synthetic Environment,  Rev. Ed., New York City: Harper \u0026 Row, 1974.","Leonard M. Adkins (a member of the RATC),  50 Hikes in Northern Virginia: Walks, Hikes, and Backpacks from the Allegheny Mountains to the Chesapeake Bay,  Woodstock, VT: Backcountry Publications, 1994 (1995 printing).","Steve Nash,  Blue Ridge 2020: An Owner's Manual,  Chapel Hill, N. C., and London: The University of North Carolina Press, 1999.","William Birchard, Jr., and Robert Proudman,  Appalacian Trail: Design, Construction, and Maintenance,  2nd ed., Harpers Ferry, WV: The Appalachian Trail Conference, 2000.","Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Roanoke Appalachian Trail Club (RATC) Records document the management of the club from its founding in 1932. The collection includes the club newsletters, board minutes, former officers' and members' records, NPS and RATC acquisition information, conservation issues, management plans, histories of the club, scrapbooks, and photographs. The RATC continues its original mission to maintain and protect the Appalachian Trail (AT), and the club covers over 120 miles of the AT, including McAfee Knob, Dragon's Tooth, and Tinker Cliffs.","Please note:  This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.","Special Collections and University Archives, Virginia Tech","Roanoke Appalachian Trail Club (Roanoke, Va.)","The materials in the collection are in English."],"unitid_tesim":["Ms.2024.054"],"normalized_title_ssm":["Roanoke Appalachian Trail Club Records"],"collection_title_tesim":["Roanoke Appalachian Trail Club Records"],"collection_ssim":["Roanoke Appalachian Trail Club Records"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Appalachian Mountains","Appalachian Trail","Roanoke (Va.)","Virginia, Southwest"],"geogname_ssim":["Appalachian Mountains","Appalachian Trail","Roanoke (Va.)","Virginia, Southwest"],"creator_ssm":["Roanoke Appalachian Trail Club (Roanoke, Va.)"],"creator_ssim":["Roanoke Appalachian Trail Club (Roanoke, Va.)"],"creator_corpname_ssim":["Roanoke Appalachian Trail Club (Roanoke, Va.)"],"creators_ssim":["Roanoke Appalachian Trail Club (Roanoke, Va.)"],"places_ssim":["Appalachian Mountains","Appalachian Trail","Roanoke (Va.)","Virginia, Southwest"],"access_terms_ssm":["Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to Special Collections and University Archives in several accruals from 2023 to 2025. Future donations are expected."],"access_subjects_ssim":["Environmental protection","Local/Regional History and Appalachian South"],"access_subjects_ssm":["Environmental protection","Local/Regional History and Appalachian South"],"has_online_content_ssim":["false"],"extent_ssm":["27.5 Cubic Feet 23 boxes"],"extent_tesim":["27.5 Cubic Feet 23 boxes"],"date_range_isim":[1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research, except Box 22 which contains restricted materials. Restricted folders are identified within the inventory. Contact Special Collections and University Archives for more information.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese minutes were printed on the back of recycled paper with sensitive private information, and these materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese minutes were printed on the back of recycled paper with sensitive private information, and these materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research, except Box 22 which contains restricted materials. Restricted folders are identified within the inventory. Contact Special Collections and University Archives for more information.","These minutes were printed on the back of recycled paper with sensitive private information, and these materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These minutes were printed on the back of recycled paper with sensitive private information, and these materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years."],"appraisal_html_tesm":["\u003cp\u003eDuplicates, blank notepads, empty envelopes, and binders were removed from collection. Some documents with confidential or private information were returned to the Roanoke Appalachian Trail Club.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal"],"appraisal_tesim":["Duplicates, blank notepads, empty envelopes, and binders were removed from collection. Some documents with confidential or private information were returned to the Roanoke Appalachian Trail Club."],"arrangement_html_tesm":["\u003cp\u003eThe Roanoke Appalachian Trail Club Records are arranged into series and subseries by subject, based primarily on the descriptions by the RATC. Original order of files provided by the RATC is maintained where possible. Folder titles are original, except text within brackets [].\u003c/p\u003e\n","\u003cp\u003eSeries I: RATC Management, [ca. 1840s?], [ca. 1880s]-2024 (bulk 1932-2016)\u003c/p\u003e\n","\u003cp\u003eThis series contains materials created, collected, and maintained by the RATC for its operations. It is divided into eight sub-series based on material type or subject, based on original order provided by the RATC. \u003c/p\u003e\n","\u003cp\u003e\u003clist\u003e\n\u003citem\u003e\nSubseries A: RATC Meeting Minutes, 1940-1959, 1968-2004, 2022\n\u003c/item\u003e\u003citem\u003e\nSubseries B: RATC By-Laws and Rosters, 1955, 1960, 1972-1993\n\u003c/item\u003e\u003citem\u003e\nSubseries C: RATC Newsletters and Hike Schedules, 1939-1942, 1954-2010\n\u003c/item\u003e\u003citem\u003e\nSubseries D: Monitoring the Appalachian Trail: Land Tract Files, [ca. 1840s?], [ca. 1880s]-2010 (bulk 1980s-2010) - Please note, many of these documents are photocopies, and the dates are based on the originals.\n\u003c/item\u003e\u003citem\u003e\nSubseries E: Acquisitions and Relocations, 1949, 1955, [ca. 1960s]-1997, 2024\n\u003c/item\u003e\u003citem\u003e\nSubseries F: Management Plans and Conservation Issues, 1964-1982, 1991-2003, 2010, 2016, 2024\n\u003c/item\u003e\u003citem\u003e\nSubseries G: General Files, 1952, 1958, 1971-2014\n\u003c/item\u003e\u003citem\u003e\nSubseries H: RATC Historical Materials, 1932-1962, 1977-2000, 2020-[ca. 2024]\n\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e\n","\u003cp\u003eSeries II: RATC Officers and Members, 1939-2025\u003c/p\u003e\n","\u003cp\u003eThis series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members. It is divided into eight sub-series by person and in chronological order. Each subseries is organized based on topic, and original order is maintained where possible.\u003c/p\u003e\n","\u003cp\u003e\u003clist\u003e\n\u003citem\u003e\nSubseries A: Thomas Campbell, 1939-2024 (bulk 1950s-1970s)\n\u003c/item\u003e\u003citem\u003e\nSubseries B: Otey Family, 1949-1953, 2024-2025, undated\n\u003c/item\u003e\u003citem\u003e\nSubseries C: Dick Clark, 1953-2006 (bulk 1980s-2000s)\n\u003c/item\u003e\u003citem\u003e\nSubseries D: Bill Cochran, 1966-2018\n\u003c/item\u003e\u003citem\u003e\nSubseries E: Zetta Campbell, 1972-1976, 1993, 2024\n\u003c/item\u003e\u003citem\u003e\nSubseries F: Charles Parry, 1972-2024 (bulk 1970s-1990s)\n\u003c/item\u003e\u003citem\u003e\nSubseries G: Sigfried and Ursula Kolmstetter, 1972-1996, 2019, 2024\n\u003c/item\u003e\u003citem\u003e\nSubseries H: Andy Layne, 1977-1990, undated\n\u003c/item\u003e\u003citem\u003e\nSubseries I: Roger Holnback, 1980-2012 (bulk 1990s-2000s)\n\u003c/item\u003e\u003citem\u003e\nSubseries J: Linda Akers, [ca. 1983]-1992, 2000-2015, 2022\n\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Roanoke Appalachian Trail Club Records are arranged into series and subseries by subject, based primarily on the descriptions by the RATC. Original order of files provided by the RATC is maintained where possible. Folder titles are original, except text within brackets [].","Series I: RATC Management, [ca. 1840s?], [ca. 1880s]-2024 (bulk 1932-2016)","This series contains materials created, collected, and maintained by the RATC for its operations. It is divided into eight sub-series based on material type or subject, based on original order provided by the RATC. ","\nSubseries A: RATC Meeting Minutes, 1940-1959, 1968-2004, 2022\n \nSubseries B: RATC By-Laws and Rosters, 1955, 1960, 1972-1993\n \nSubseries C: RATC Newsletters and Hike Schedules, 1939-1942, 1954-2010\n \nSubseries D: Monitoring the Appalachian Trail: Land Tract Files, [ca. 1840s?], [ca. 1880s]-2010 (bulk 1980s-2010) - Please note, many of these documents are photocopies, and the dates are based on the originals.\n \nSubseries E: Acquisitions and Relocations, 1949, 1955, [ca. 1960s]-1997, 2024\n \nSubseries F: Management Plans and Conservation Issues, 1964-1982, 1991-2003, 2010, 2016, 2024\n \nSubseries G: General Files, 1952, 1958, 1971-2014\n \nSubseries H: RATC Historical Materials, 1932-1962, 1977-2000, 2020-[ca. 2024]\n","Series II: RATC Officers and Members, 1939-2025","This series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members. It is divided into eight sub-series by person and in chronological order. Each subseries is organized based on topic, and original order is maintained where possible.","\nSubseries A: Thomas Campbell, 1939-2024 (bulk 1950s-1970s)\n \nSubseries B: Otey Family, 1949-1953, 2024-2025, undated\n \nSubseries C: Dick Clark, 1953-2006 (bulk 1980s-2000s)\n \nSubseries D: Bill Cochran, 1966-2018\n \nSubseries E: Zetta Campbell, 1972-1976, 1993, 2024\n \nSubseries F: Charles Parry, 1972-2024 (bulk 1970s-1990s)\n \nSubseries G: Sigfried and Ursula Kolmstetter, 1972-1996, 2019, 2024\n \nSubseries H: Andy Layne, 1977-1990, undated\n \nSubseries I: Roger Holnback, 1980-2012 (bulk 1990s-2000s)\n \nSubseries J: Linda Akers, [ca. 1983]-1992, 2000-2015, 2022\n"],"bioghist_html_tesm":["\u003cp\u003eThe Appalachian Trail (AT), a hiking trail along the Appalachian Mountains in the United States, was first proposed by Bernard MacKaye in 1921, and two years later, the first section opened in New York State. In 1925, the Appalachian Trail Conference (ATC) formed to help manage the maintenance and conservation of the AT, and in 2005, the ATC was renamed Appalachian Trail Conservancy. As of 2025, the AT spans almost 2,200 miles in 14 states from Maine to Georgia, with 25% of the trail traversing Virginia and 30 local AT clubs affiliated with the ATC.\u003c/p\u003e\n","\u003cp\u003eLocal hiking clubs began organizing to build and maintain the AT and joining the ATC in the 1920s and 1930s. In October 1932, Donald S. Gates, a professor at Roanoke College, gathered several hikers and local groups to discuss forming an AT club in the Roanoke area. At a second meeting in October, Myron H. Avery, the chairman of the ATC, and members from the Potomac and Natural Bridge AT Clubs joined them to explain various aspects of their work. \u003c/p\u003e\n","\u003cp\u003eOn November 13, 1932, the Roanoke Appalachian Trail Club (RATC) was officially established with 17 charter members, including the first officers: president Gates, secretary E. B. Coxwell, treasurer Larry Pownall, and trail supervisor David Dick. Grace Pownall was appointed vice president about two (2) weeks later. The ATC initially assigned the RATC 55 miles of the trail to manage, but by the club's first anniversary, the section had expanded to 68.29 miles.\u003c/p\u003e\n","\u003cp\u003eAs of 2025, the RATC covers over 120 miles, including McAfee Knob, Dragon's Tooth, and Tinker Cliffs. The organization continues its original mission to maintain and protect the Appalachian Trail; develops and maintains trails, campsites, open shelters, and permanent camps on the AT; collects data about the history, scenery, geology, flora, and fauna of the Appalachian Mountains; prepares maps and guides for hiking, camping, and forest fire prevention; and participates in and advocates for the development of laws and regulations related to the AT and the Appalachian Mountains.\u003c/p\u003e\n","\u003cp\u003eBiographical notes for several RATC members are included in the inventory under Series II.\u003c/p\u003e\n","\u003cp\u003eExternal Sources: \u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 48, \"RATC Histories Written in 1980s,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 52, \"RATC Histories Written in 1950s,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 53, \"RATC History, 1932-1945,\" of this collection\u003c/p\u003e\n","\u003cp\u003eRoanoke Appalachian Trail Club, \u003ca target=\"_blank\" href=\"https://www.ratc.org/\"\u003ehttps://www.ratc.org/\u003c/a\u003e, accessed May 1, 2024.\u003c/p\u003e\n","\u003cp\u003eBy-Laws of the Roanoke Appalachian Trail Club, Inc., Rev. March 12, 2016, \u003ca target=\"_blank\" href=\"https://www.ratc.org/wp-content/uploads/documents/bylaws.pdf\"\u003ehttps://www.ratc.org/wp-content/uploads/documents/bylaws.pdf\u003c/a\u003e, accessed May 1, 2024.\u003c/p\u003e\n","\u003cp\u003eDiana Christopulos, \"How Three Hiking Clubs Became the Roanoke Appalachian Trail Club,\" RATC.org, \u003ca target=\"_blank\" href=\"https://www.ratc.org/how-three-hiking-clubs-became-the-roanoke-appalachian-trail-club/\"\u003ehttps://www.ratc.org/how-three-hiking-clubs-became-the-roanoke-appalachian-trail-club/\u003c/a\u003e, accessed September 25, 2025.\u003c/p\u003e\n","\u003cp\u003eAppalachian Trail Conservancy, \u003ca target=\"_blank\" href=\"https://appalachiantrail.org/\"\u003ehttps://appalachiantrail.org/\u003c/a\u003e, accessed October 3, 2025.\u003c/p\u003e","\u003cp\u003eThomas Healy \"Tom\" Campbell (1899-1986) attended the College of William and Mary from 1915 to 1916 and Richmond College (now University of Richmond) from 1917 to 1919. He married Charlene Lunsford (1902-1986) in 1922, and they had a daughter. In 1965, they both left their employers. Tom retired as Chief Investigator in the Auditor's office of the Norfolk and Western Railway, while Charlene left her employer of 20 years, Roanoke-based retail chain Heironimus.\u003c/p\u003e\n","\u003cp\u003eTom joined the Roanoke Appalachian Trail Club in 1947, and Charlene followed suit several years later. Each served in several offices for RATC, including Tom as President from 1950-1951. He also served on the Appalachian Trail Conference's Board of Managers from 1950-1975, including fourteen (14) years as Vice Chairman (1961-1975). Tom was also a charter member of the Appalachian National Scenic Trail Advisory Committee.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eBox 12, Folder 3, \"[Biographical information about Thomas and Charlene Campbell],\" of this collection\u003c/p\u003e\n","\u003cp\u003e\"Thomas Healy Campbell,\" Findagrave.com, \u003ca target=\"_blank\" href=\"https://www.findagrave.com/memorial/84378864/thomas-healy-campbell\"\u003ehttps://www.findagrave.com/memorial/84378864/thomas-healy-campbell\u003c/a\u003e, accessed September 18, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Charlene Lunsford Campbell,\" Findagrave.com, \u003ca target=\"_blank\" href=\"https://www.findagrave.com/memorial/84378830/charlene-campbell\"\u003ehttps://www.findagrave.com/memorial/84378830/charlene-campbell\u003c/a\u003e, accessed September 18, 2025.\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eThe Spider\u003c/title\u003e (Richmond College yearbook), Vols. 16-17, 1918-1919, available online from the University of Richmond, \u003ca target=\"_blank\" href=\"https://scholarship.richmond.edu/the-spider/\"\u003ehttps://scholarship.richmond.edu/the-spider/\u003c/a\u003e, accessed September 19, 2025. \u003c/p\u003e","\u003cp\u003eBiographical note by Diana Christopulos, Feb. 18, 2025: \"Marie and John Otey were RATC volunteers in the early 1950s, and they worked on the relocations led by Jimmy Denton near the Blue Ridge Parkway and around Roanoke. They joined in late 1949 and were active 1950-55. John was Assistant Trail Supervisor in 1952, 1953, 1955. He was also active on the Publicity Committee and took numerous photos on the Trail.\"\u003c/p\u003e\n","\u003cp\u003eJohn Otway Otey, Jr. (1906-1980) married Goldie Marie Dean Peters (1906-1989) in 1950. John worked as a clerk for Norfolk and Western Railway, while Marie worked as a stenographer or secretary.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 54, \"[Notes and correspondence about the Otey Family Papers],\" of this collection\u003c/p\u003e\n","\u003cp\u003eU.S. Federal Census, 1940-1950, accessed online from Ancestry.com on September 19, 2025.\u003c/p\u003e\n","\u003cp\u003e\"John Otway Otey Jr.,\" Findagrave.com, \u003ca target=\"_blank\" href=\"https://www.findagrave.com/memorial/185149412/john-otway-otey\"\u003ehttps://www.findagrave.com/memorial/185149412/john-otway-otey\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Goldie Marie Dean Otey,\" Findagrave.com, \u003ca target=\"_blank\" href=\"https://www.findagrave.com/memorial/207412197/goldie_marie-otey\"\u003ehttps://www.findagrave.com/memorial/207412197/goldie_marie-otey\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e\n","\u003cp\u003e\"John Otway Otey\" in the Virginia, U.S., Marriage Records, 1936-2014, Ancestry.com, \u003ca target=\"_blank\" href=\"https://www.ancestrylibrary.com/search/collections/9279/records/11741905\"\u003ehttps://www.ancestrylibrary.com/search/collections/9279/records/11741905\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e","\u003cp\u003eDick Clark has served in numerous positions in the RATC from the 1980s to 2010s, including hikemaster (1984-1994), vice president (1998-2000), president (2000-2003), and counselor (2003-2015).\u003c/p\u003e\n","\u003cp\u003eClark was appointed by the Roanoke City Council to serve on the Mill Mountain Advisory Committee from 1999 to 2014, and he served as vice chair during his tenure.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 3, \u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e newsletters, of this collection\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e newsletters, Roanoke Appalachian Trail Club, \u003ca target=\"_blank\" href=\"https://www.ratc.org/newsletter/\"\u003ehttps://www.ratc.org/newsletter/\u003c/a\u003e, accessed Oct. 2, 2025.\u003c/p\u003e\n","\u003cp\u003eMatt Chittum, \"Mountain advisers up for an upgrade,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e p. B1, April 6, 2014, accessed online from NewsBank on October 2, 2025.\u003c/p\u003e\n","\u003cp\u003eMatt Chittum, \"Fancier Franklin bridge suggested,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e p. B1, June 3, 2014, accessed online from NewsBank on October 2, 2025.\u003c/p\u003e","\u003cp\u003eWilliam Neal \"Bill\" Cochran (1937-2024) was a journalist who focused on the outdoors, writing for \u003ctitle render=\"italic\"\u003eThe Roanoke Times\u003c/title\u003e from 1962 until 2018–two (2) decades after retiring as the newspaper's outdoors editor in 1998. His coverage included many trail hikes with the Roanoke Appalachian Trail Club, conservation issues in Virginia, and outdoor sporting and the Appalachian Trail. Cochran received 10 awards from the Virginia Press Association, was honored by the Virginia General Assembly with the House Joint Resolution 520 \"Commending Bill Cochran\" in 1999, and was the 2009 media inductee in the Virginia Sports Hall of Fame.\u003c/p\u003e\n","\u003cp\u003eCochran graduated from Lynchburg College (now University of Lynchburg) with a bachelor's degree in English in 1960, and he served in the Virginia National Guard. He married Katherine Gravett in 1965, and they had a son. They operated the Cross Trails Bed and Breakfast near the Appalachian Trail in Catawba from 1995 to 2003 as well as a Christmas tree farm in West Virginia. \u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eMark Taylor, \"Legendary Roanoke outdoors writer Bill Cochran dies,\" \u003ctitle render=\"italic\"\u003eCardinal News,\u003c/title\u003e July 1, 2024, \u003ca target=\"_blank\" href=\"https://cardinalnews.org/2024/07/01/legendary-roanoke-outdoors-writer-bill-cochran-dies/\"\u003ehttps://cardinalnews.org/2024/07/01/legendary-roanoke-outdoors-writer-bill-cochran-dies/\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e\n","\u003cp\u003eObituary for William N. \"Bill\" Cochran, \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e July 7, 2024, available online from Legacy.com, \u003ca target=\"_blank\" href=\"https://www.legacy.com/us/obituaries/roanoke/name/william-cochran-obituary?id=55481593\"\u003ehttps://www.legacy.com/us/obituaries/roanoke/name/william-cochran-obituary?id=55481593\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e\n","\u003cp\u003eMark Berman, \"Bill Cochran | 1937-2024: Outdoors editor was 'an institution',\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e July 2, 2024, p. A1 and A6, accessed online from NewsBank on September 19, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Bill Cochran,\" Virginia Sports Hall of Fame, \u003ca target=\"_blank\" href=\"https://vasportshof.com/inductee/bill-cochran/\"\u003ehttps://vasportshof.com/inductee/bill-cochran/\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Virginia HJ520 Commending Bill Cochran,\" Policy Engage, \u003ca target=\"_blank\" href=\"https://trackbill.com/bill/virginia-house-joint-resolution-520-commending-bill-cochran/512861/\"\u003ehttps://trackbill.com/bill/virginia-house-joint-resolution-520-commending-bill-cochran/512861/\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e\n","\u003cp\u003e\"William Neal Cochran\" in the Virginia, U.S., Marriage Records, 1936-2014, Ancestry.com, \u003ca target=\"_blank\" href=\"https://www.ancestrylibrary.com/search/collections/9279/records/12779996\"\u003ehttps://www.ancestrylibrary.com/search/collections/9279/records/12779996\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e","\u003cp\u003eZetta Marie Campbell (1930-2024) joined the Roanoke Appalachian Trail Club in 1959. She also served as secretary (1964-1965, 1968-1969, 1983-1984) and editor of the \u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e newsletter (1970-1977). Campbell also illustrated the hike schedules in the 1970s and led hikes until at least 2019. She received the Appalachian Trail Park Office's Silver Service Award in 2002.\u003c/p\u003e\n","\u003cp\u003eSources: \u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 66, \"1970s - Zetta Campbell Drawings/Hike Scheds,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection\u003c/p\u003e\n","\u003cp\u003eObituary for Zetta Campbell, \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e July 5, 2024, p. A6, available online from Legacy.com, \u003ca target=\"_blank\" href=\"https://www.legacy.com/us/obituaries/roanoke/name/zetta-campbell-obituary?id=55488335\"\u003ehttps://www.legacy.com/us/obituaries/roanoke/name/zetta-campbell-obituary?id=55488335\u003c/a\u003e, accessed September 22, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Zetta Marie Campbell\", Findagrave.com, \u003ca target=\"_blank\" href=\"https://www.findagrave.com/memorial/272121036/zetta_marie-campbell\"\u003ehttps://www.findagrave.com/memorial/272121036/zetta_marie-campbell\u003c/a\u003e, accessed September 22, 2025.\u003c/p\u003e","\u003cp\u003eCharles Parry (1942-2010) joined the Roanoke Appalachian Trail Club in 1972, serving as the Trail Supervisor from 1979 until his death. He received the Appalachian Trail Park Office's Silver Service Award in 2002 and was inducted into the Appalachian Trail Hall of Fame in 2017, the first RATC member to receive this honor.\u003c/p\u003e\n","\u003cp\u003eParry graduated from the State University of New York College at Oswego (now State University of New York at Oswego) and earned a master's and a Ph.D. in mathematics from Michigan State University around 1969 or 1970. He was a professor of mathematics at Virginia Tech from 1971 until his retirement in 2010, establishing a research program in number theory, helping to design mathematics courses for computer science students, and serving as Math Club adviser. \u003c/p\u003e\n","\u003cp\u003eSources: \u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 67, \"Charles Parry AT Hall of Fame,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection\u003c/p\u003e\n","\u003cp\u003e\"Charles Parry honored with emeritus status,\" Virginia Tech News, October 19, 2010, \u003ca target=\"_blank\" href=\"https://news.vt.edu/content/news_vt_edu/en/articles/2010/10/101910-science-parry.html\"\u003ehttps://news.vt.edu/content/news_vt_edu/en/articles/2010/10/101910-science-parry.html\u003c/a\u003e, accessed September 18, 2025.\u003c/p\u003e\n","\u003cp\u003e\"In memoriam: Charles Parry, emeritus professor of mathematics,\" Virginia Tech News, January 10, 2011, \u003ca target=\"_blank\" href=\"https://news.vt.edu/articles/2011/01/011011-science-parry.html\"\u003ehttps://news.vt.edu/articles/2011/01/011011-science-parry.html\u003c/a\u003e, accessed September 18, 2025.\u003c/p\u003e\n","\u003cp\u003eObituary for Charles John Parry, \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e December 28, 2010, p. A12, accessed online from NewsBank on September 18, 2025.\u003c/p\u003e\n","\u003cp\u003eMark Taylor, \"Math teacher devoted himself to AT,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e December 28, 2010, accessed online from NewsBank on October 2, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Charles J. Parry,\" Findagrave.com, \u003ca target=\"_blank\" href=\"https://www.findagrave.com/memorial/232281708/charles-j-parry\"\u003ehttps://www.findagrave.com/memorial/232281708/charles-j-parry\u003c/a\u003e, accessed September 18, 2025.\u003c/p\u003e\n","\u003cp\u003eAppalachian Trail Hall of Fame, \"2017 Class,\" Appalachian Trail Museum, \u003ca target=\"_blank\" href=\"https://www.atmuseum.org/2017-class.html\"\u003ehttps://www.atmuseum.org/2017-class.html\u003c/a\u003e, accessed September 18, 2025.\u003c/p\u003e","\u003cp\u003eSiegfried and Ursula Kolmstetter joined the RATC in 1971. Siegfried served as vice president (1974) and counselor (1972-1973), while both volunteered as hike leaders for decades. The couple maintained the McAfee Knob section of the AT for over 25 years, until the couple moved out of the area in 1996. Siegfried received the Appalachian Trail Park Office's Silver Service Award in 2002.\u003c/p\u003e\n","\u003cp\u003eAt the end of World War II in May 1945, 17-year-old Ursula Edith Walter (1927-2023) was captured by the Russian Army and imprisoned at the Theresienstadt prison camp. Eight (8) months after her imprisonment, she escaped and moved to West Germany, where she met Siegfried J. Kolmstetter (1921-2019). They married in 1952 and had several children. The Kolmstetters immigrated to the U.S. in 1957, settling in Roanoke in 1970. Siegfried was a physician for the Veterans Administration Hospital in Salem from 1970 to 1998. He received the hospital's Hands and Heart Award in 1992.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eBox 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection\u003c/p\u003e\n","\u003cp\u003eObituary for Ursula Edith Kolmstetter, \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e January 3, 2024, available online from Legacy.com, \u003ca target=\"_blank\" href=\"https://www.legacy.com/us/obituaries/roanoke/name/ursula-kolmstetter-obituary?id=53995534\"\u003ehttps://www.legacy.com/us/obituaries/roanoke/name/ursula-kolmstetter-obituary?id=53995534\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e\n","\u003cp\u003eDan Casey, \"Physician was caretaker for people, trails,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e March 28, 2019, p. 1-2, accessed online from NewsBank on September 22, 2025.\u003c/p\u003e","\u003cp\u003eAndy Layne (1912-1991) joined the Roanoke Appalachian Trail Club in 1978. He led numerous hikes and helped with hike scheduling; attended workhikes and backpacking trips; and oversaw a section of the trail. Layne also served in several positions on the RATC Board, including shelter supervisor (1980), vice president (1981), and counselor (1985-1986). On the 10th anniversary of his death, the Andy Layne Trail in the Tinker Cliffs area was dedicated in his memory.\u003c/p\u003e\n","\u003cp\u003eSource:\u003c/p\u003e\n","\u003cp\u003eBox 19, Folder 46, \"[Andy Layne biographical information],\" of this collection\u003c/p\u003e","\u003cp\u003eRoger Holnback joined the RATC in 1996 and served in numerous positions, including as president (2006-2009, 2015-2016), vice president (2003-2006, 2016-2017), land management supervisor (2009-2013), and conservation supervisor (2013-2015). He also was an ATC Land Trust coordinator and Roanoke Valley Greenways liaison in the 2000s and 2010s. His wife Lauren Taylor Holnback was also an RATC member.\u003c/p\u003e\n","\u003cp\u003eHolnback served as executive director of the Western Virginia Land Trust (2001-2012), which worked with the City of Roanoke and other groups to place over 11,000 acres of Carvins Cove Natural Reserve under a conservation easement in 2008 and 2009. He was given the Roanoke Valley Cool Cities Coalition's Cool Citizens award in 2012. Later, he was chairman of the Blue Ridge Soil and Water Conservation District and president of the Pathfinders for Greenways. \u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eBox 3, \u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e newsletters, of this collection\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e newsletters, Roanoke Appalachian Trail Club, \u003ca target=\"_blank\" href=\"https://www.ratc.org/newsletter/\"\u003ehttps://www.ratc.org/newsletter/\u003c/a\u003e, accessed Oct. 2, 2025.\u003c/p\u003e\n","\u003cp\u003eMason Adams, \"From land and air, teams work to preserve Carvins Cove's aura,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times\u003c/title\u003e, January 6, 2011, accessed online from NewsBank on October 2, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Western Virginia Land Trust director steps down,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times\u003c/title\u003e, February 10, 2012, accessed online from NewsBank on October 2, 2025.\u003c/p\u003e\n","\u003cp\u003eDanielle Dunaway, \"Cool Citizens awards laud energy-efficient efforts,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times\u003c/title\u003e, March 16, 2012, accessed online from NewsBank on October 2, 2025.\u003c/p\u003e\n","\u003cp\u003eSam Wall, \"Hinchee Park opens in Roanoke County - Hinchee Park opens in Roanoke County,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times\u003c/title\u003e, September 29, 2019, accessed online from NewsBank on October 2, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Board and Staff,\" Blue Ridge Soil and Water Conservation District website, \u003ca target=\"_blank\" href=\"https://www.brswcd.org/team-2\"\u003ehttps://www.brswcd.org/team-2\u003c/a\u003e, accessed October 2, 2025.\u003c/p\u003e","\u003cp\u003eLinda Akers joined the RATC in 1969 or 1970. She served in numerous positions on the board, including secretary (1981-1982), editor of the \u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e (1982-1985), and social chair (1987-1999, 2013-2017). She received the Appalachian Trail Park Office's Silver Service Award in 2002.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eBox 17, Folder 41, \"[Linda Akers Interview notes by Diana Christopulos],\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Biographical Note","Biographical Note","Biographical Note","Biographical Note","Biographical Note","Biographical Note","Biographical Note","Biographical Note","Biographical Note","Biographical Note"],"bioghist_tesim":["The Appalachian Trail (AT), a hiking trail along the Appalachian Mountains in the United States, was first proposed by Bernard MacKaye in 1921, and two years later, the first section opened in New York State. In 1925, the Appalachian Trail Conference (ATC) formed to help manage the maintenance and conservation of the AT, and in 2005, the ATC was renamed Appalachian Trail Conservancy. As of 2025, the AT spans almost 2,200 miles in 14 states from Maine to Georgia, with 25% of the trail traversing Virginia and 30 local AT clubs affiliated with the ATC.","Local hiking clubs began organizing to build and maintain the AT and joining the ATC in the 1920s and 1930s. In October 1932, Donald S. Gates, a professor at Roanoke College, gathered several hikers and local groups to discuss forming an AT club in the Roanoke area. At a second meeting in October, Myron H. Avery, the chairman of the ATC, and members from the Potomac and Natural Bridge AT Clubs joined them to explain various aspects of their work. ","On November 13, 1932, the Roanoke Appalachian Trail Club (RATC) was officially established with 17 charter members, including the first officers: president Gates, secretary E. B. Coxwell, treasurer Larry Pownall, and trail supervisor David Dick. Grace Pownall was appointed vice president about two (2) weeks later. The ATC initially assigned the RATC 55 miles of the trail to manage, but by the club's first anniversary, the section had expanded to 68.29 miles.","As of 2025, the RATC covers over 120 miles, including McAfee Knob, Dragon's Tooth, and Tinker Cliffs. The organization continues its original mission to maintain and protect the Appalachian Trail; develops and maintains trails, campsites, open shelters, and permanent camps on the AT; collects data about the history, scenery, geology, flora, and fauna of the Appalachian Mountains; prepares maps and guides for hiking, camping, and forest fire prevention; and participates in and advocates for the development of laws and regulations related to the AT and the Appalachian Mountains.","Biographical notes for several RATC members are included in the inventory under Series II.","External Sources: ","Box 13, Folder 48, \"RATC Histories Written in 1980s,\" of this collection","Box 13, Folder 52, \"RATC Histories Written in 1950s,\" of this collection","Box 13, Folder 53, \"RATC History, 1932-1945,\" of this collection","Roanoke Appalachian Trail Club,  https://www.ratc.org/ , accessed May 1, 2024.","By-Laws of the Roanoke Appalachian Trail Club, Inc., Rev. March 12, 2016,  https://www.ratc.org/wp-content/uploads/documents/bylaws.pdf , accessed May 1, 2024.","Diana Christopulos, \"How Three Hiking Clubs Became the Roanoke Appalachian Trail Club,\" RATC.org,  https://www.ratc.org/how-three-hiking-clubs-became-the-roanoke-appalachian-trail-club/ , accessed September 25, 2025.","Appalachian Trail Conservancy,  https://appalachiantrail.org/ , accessed October 3, 2025.","Thomas Healy \"Tom\" Campbell (1899-1986) attended the College of William and Mary from 1915 to 1916 and Richmond College (now University of Richmond) from 1917 to 1919. He married Charlene Lunsford (1902-1986) in 1922, and they had a daughter. In 1965, they both left their employers. Tom retired as Chief Investigator in the Auditor's office of the Norfolk and Western Railway, while Charlene left her employer of 20 years, Roanoke-based retail chain Heironimus.","Tom joined the Roanoke Appalachian Trail Club in 1947, and Charlene followed suit several years later. Each served in several offices for RATC, including Tom as President from 1950-1951. He also served on the Appalachian Trail Conference's Board of Managers from 1950-1975, including fourteen (14) years as Vice Chairman (1961-1975). Tom was also a charter member of the Appalachian National Scenic Trail Advisory Committee.","Sources:","Box 12, Folder 3, \"[Biographical information about Thomas and Charlene Campbell],\" of this collection","\"Thomas Healy Campbell,\" Findagrave.com,  https://www.findagrave.com/memorial/84378864/thomas-healy-campbell , accessed September 18, 2025.","\"Charlene Lunsford Campbell,\" Findagrave.com,  https://www.findagrave.com/memorial/84378830/charlene-campbell , accessed September 18, 2025.","The Spider  (Richmond College yearbook), Vols. 16-17, 1918-1919, available online from the University of Richmond,  https://scholarship.richmond.edu/the-spider/ , accessed September 19, 2025. ","Biographical note by Diana Christopulos, Feb. 18, 2025: \"Marie and John Otey were RATC volunteers in the early 1950s, and they worked on the relocations led by Jimmy Denton near the Blue Ridge Parkway and around Roanoke. They joined in late 1949 and were active 1950-55. John was Assistant Trail Supervisor in 1952, 1953, 1955. He was also active on the Publicity Committee and took numerous photos on the Trail.\"","John Otway Otey, Jr. (1906-1980) married Goldie Marie Dean Peters (1906-1989) in 1950. John worked as a clerk for Norfolk and Western Railway, while Marie worked as a stenographer or secretary.","Sources:","Box 13, Folder 54, \"[Notes and correspondence about the Otey Family Papers],\" of this collection","U.S. Federal Census, 1940-1950, accessed online from Ancestry.com on September 19, 2025.","\"John Otway Otey Jr.,\" Findagrave.com,  https://www.findagrave.com/memorial/185149412/john-otway-otey , accessed September 19, 2025.","\"Goldie Marie Dean Otey,\" Findagrave.com,  https://www.findagrave.com/memorial/207412197/goldie_marie-otey , accessed September 19, 2025.","\"John Otway Otey\" in the Virginia, U.S., Marriage Records, 1936-2014, Ancestry.com,  https://www.ancestrylibrary.com/search/collections/9279/records/11741905 , accessed September 19, 2025.","Dick Clark has served in numerous positions in the RATC from the 1980s to 2010s, including hikemaster (1984-1994), vice president (1998-2000), president (2000-2003), and counselor (2003-2015).","Clark was appointed by the Roanoke City Council to serve on the Mill Mountain Advisory Committee from 1999 to 2014, and he served as vice chair during his tenure.","Sources:","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Box 3,  Trail Blazer  newsletters, of this collection","Trail Blazer  newsletters, Roanoke Appalachian Trail Club,  https://www.ratc.org/newsletter/ , accessed Oct. 2, 2025.","Matt Chittum, \"Mountain advisers up for an upgrade,\"  The Roanoke Times,  p. B1, April 6, 2014, accessed online from NewsBank on October 2, 2025.","Matt Chittum, \"Fancier Franklin bridge suggested,\"  The Roanoke Times,  p. B1, June 3, 2014, accessed online from NewsBank on October 2, 2025.","William Neal \"Bill\" Cochran (1937-2024) was a journalist who focused on the outdoors, writing for  The Roanoke Times  from 1962 until 2018–two (2) decades after retiring as the newspaper's outdoors editor in 1998. His coverage included many trail hikes with the Roanoke Appalachian Trail Club, conservation issues in Virginia, and outdoor sporting and the Appalachian Trail. Cochran received 10 awards from the Virginia Press Association, was honored by the Virginia General Assembly with the House Joint Resolution 520 \"Commending Bill Cochran\" in 1999, and was the 2009 media inductee in the Virginia Sports Hall of Fame.","Cochran graduated from Lynchburg College (now University of Lynchburg) with a bachelor's degree in English in 1960, and he served in the Virginia National Guard. He married Katherine Gravett in 1965, and they had a son. They operated the Cross Trails Bed and Breakfast near the Appalachian Trail in Catawba from 1995 to 2003 as well as a Christmas tree farm in West Virginia. ","Sources:","Mark Taylor, \"Legendary Roanoke outdoors writer Bill Cochran dies,\"  Cardinal News,  July 1, 2024,  https://cardinalnews.org/2024/07/01/legendary-roanoke-outdoors-writer-bill-cochran-dies/ , accessed September 19, 2025.","Obituary for William N. \"Bill\" Cochran,  The Roanoke Times,  July 7, 2024, available online from Legacy.com,  https://www.legacy.com/us/obituaries/roanoke/name/william-cochran-obituary?id=55481593 , accessed September 19, 2025.","Mark Berman, \"Bill Cochran | 1937-2024: Outdoors editor was 'an institution',\"  The Roanoke Times,  July 2, 2024, p. A1 and A6, accessed online from NewsBank on September 19, 2025.","\"Bill Cochran,\" Virginia Sports Hall of Fame,  https://vasportshof.com/inductee/bill-cochran/ , accessed September 19, 2025.","\"Virginia HJ520 Commending Bill Cochran,\" Policy Engage,  https://trackbill.com/bill/virginia-house-joint-resolution-520-commending-bill-cochran/512861/ , accessed September 19, 2025.","\"William Neal Cochran\" in the Virginia, U.S., Marriage Records, 1936-2014, Ancestry.com,  https://www.ancestrylibrary.com/search/collections/9279/records/12779996 , accessed September 19, 2025.","Zetta Marie Campbell (1930-2024) joined the Roanoke Appalachian Trail Club in 1959. She also served as secretary (1964-1965, 1968-1969, 1983-1984) and editor of the  Trail Blazer  newsletter (1970-1977). Campbell also illustrated the hike schedules in the 1970s and led hikes until at least 2019. She received the Appalachian Trail Park Office's Silver Service Award in 2002.","Sources: ","Box 13, Folder 66, \"1970s - Zetta Campbell Drawings/Hike Scheds,\" of this collection","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Obituary for Zetta Campbell,  The Roanoke Times,  July 5, 2024, p. A6, available online from Legacy.com,  https://www.legacy.com/us/obituaries/roanoke/name/zetta-campbell-obituary?id=55488335 , accessed September 22, 2025.","\"Zetta Marie Campbell\", Findagrave.com,  https://www.findagrave.com/memorial/272121036/zetta_marie-campbell , accessed September 22, 2025.","Charles Parry (1942-2010) joined the Roanoke Appalachian Trail Club in 1972, serving as the Trail Supervisor from 1979 until his death. He received the Appalachian Trail Park Office's Silver Service Award in 2002 and was inducted into the Appalachian Trail Hall of Fame in 2017, the first RATC member to receive this honor.","Parry graduated from the State University of New York College at Oswego (now State University of New York at Oswego) and earned a master's and a Ph.D. in mathematics from Michigan State University around 1969 or 1970. He was a professor of mathematics at Virginia Tech from 1971 until his retirement in 2010, establishing a research program in number theory, helping to design mathematics courses for computer science students, and serving as Math Club adviser. ","Sources: ","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Box 13, Folder 67, \"Charles Parry AT Hall of Fame,\" of this collection","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection","\"Charles Parry honored with emeritus status,\" Virginia Tech News, October 19, 2010,  https://news.vt.edu/content/news_vt_edu/en/articles/2010/10/101910-science-parry.html , accessed September 18, 2025.","\"In memoriam: Charles Parry, emeritus professor of mathematics,\" Virginia Tech News, January 10, 2011,  https://news.vt.edu/articles/2011/01/011011-science-parry.html , accessed September 18, 2025.","Obituary for Charles John Parry,  The Roanoke Times,  December 28, 2010, p. A12, accessed online from NewsBank on September 18, 2025.","Mark Taylor, \"Math teacher devoted himself to AT,\"  The Roanoke Times,  December 28, 2010, accessed online from NewsBank on October 2, 2025.","\"Charles J. Parry,\" Findagrave.com,  https://www.findagrave.com/memorial/232281708/charles-j-parry , accessed September 18, 2025.","Appalachian Trail Hall of Fame, \"2017 Class,\" Appalachian Trail Museum,  https://www.atmuseum.org/2017-class.html , accessed September 18, 2025.","Siegfried and Ursula Kolmstetter joined the RATC in 1971. Siegfried served as vice president (1974) and counselor (1972-1973), while both volunteered as hike leaders for decades. The couple maintained the McAfee Knob section of the AT for over 25 years, until the couple moved out of the area in 1996. Siegfried received the Appalachian Trail Park Office's Silver Service Award in 2002.","At the end of World War II in May 1945, 17-year-old Ursula Edith Walter (1927-2023) was captured by the Russian Army and imprisoned at the Theresienstadt prison camp. Eight (8) months after her imprisonment, she escaped and moved to West Germany, where she met Siegfried J. Kolmstetter (1921-2019). They married in 1952 and had several children. The Kolmstetters immigrated to the U.S. in 1957, settling in Roanoke in 1970. Siegfried was a physician for the Veterans Administration Hospital in Salem from 1970 to 1998. He received the hospital's Hands and Heart Award in 1992.","Sources:","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Obituary for Ursula Edith Kolmstetter,  The Roanoke Times,  January 3, 2024, available online from Legacy.com,  https://www.legacy.com/us/obituaries/roanoke/name/ursula-kolmstetter-obituary?id=53995534 , accessed September 19, 2025.","Dan Casey, \"Physician was caretaker for people, trails,\"  The Roanoke Times,  March 28, 2019, p. 1-2, accessed online from NewsBank on September 22, 2025.","Andy Layne (1912-1991) joined the Roanoke Appalachian Trail Club in 1978. He led numerous hikes and helped with hike scheduling; attended workhikes and backpacking trips; and oversaw a section of the trail. Layne also served in several positions on the RATC Board, including shelter supervisor (1980), vice president (1981), and counselor (1985-1986). On the 10th anniversary of his death, the Andy Layne Trail in the Tinker Cliffs area was dedicated in his memory.","Source:","Box 19, Folder 46, \"[Andy Layne biographical information],\" of this collection","Roger Holnback joined the RATC in 1996 and served in numerous positions, including as president (2006-2009, 2015-2016), vice president (2003-2006, 2016-2017), land management supervisor (2009-2013), and conservation supervisor (2013-2015). He also was an ATC Land Trust coordinator and Roanoke Valley Greenways liaison in the 2000s and 2010s. His wife Lauren Taylor Holnback was also an RATC member.","Holnback served as executive director of the Western Virginia Land Trust (2001-2012), which worked with the City of Roanoke and other groups to place over 11,000 acres of Carvins Cove Natural Reserve under a conservation easement in 2008 and 2009. He was given the Roanoke Valley Cool Cities Coalition's Cool Citizens award in 2012. Later, he was chairman of the Blue Ridge Soil and Water Conservation District and president of the Pathfinders for Greenways. ","Sources:","Box 3,  Trail Blazer  newsletters, of this collection","Trail Blazer  newsletters, Roanoke Appalachian Trail Club,  https://www.ratc.org/newsletter/ , accessed Oct. 2, 2025.","Mason Adams, \"From land and air, teams work to preserve Carvins Cove's aura,\"  The Roanoke Times , January 6, 2011, accessed online from NewsBank on October 2, 2025.","\"Western Virginia Land Trust director steps down,\"  The Roanoke Times , February 10, 2012, accessed online from NewsBank on October 2, 2025.","Danielle Dunaway, \"Cool Citizens awards laud energy-efficient efforts,\"  The Roanoke Times , March 16, 2012, accessed online from NewsBank on October 2, 2025.","Sam Wall, \"Hinchee Park opens in Roanoke County - Hinchee Park opens in Roanoke County,\"  The Roanoke Times , September 29, 2019, accessed online from NewsBank on October 2, 2025.","\"Board and Staff,\" Blue Ridge Soil and Water Conservation District website,  https://www.brswcd.org/team-2 , accessed October 2, 2025.","Linda Akers joined the RATC in 1969 or 1970. She served in numerous positions on the board, including secretary (1981-1982), editor of the  Trail Blazer  (1982-1985), and social chair (1987-1999, 2013-2017). She received the Appalachian Trail Park Office's Silver Service Award in 2002.","Sources:","Box 17, Folder 41, \"[Linda Akers Interview notes by Diana Christopulos],\" of this collection","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection"],"odd_html_tesm":["\u003cp\u003eThe guide to the Roanoke Appalachian Trail Club Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e","\u003cp\u003eMinutes for May 17, 2001, June 21, 2001, July 26, 2001, February 13, 2003, August 2, 2004, and September 13, 2004, have been restricted and moved to Box 22, Folder 1.\u003c/p\u003e","\u003cp\u003eRestricted minutes were separated from Box 1, Folder 34.\u003c/p\u003e","\u003cp\u003eAdditional membership rosters may be found in the club newsletters.\u003c/p\u003e","\u003cp\u003eThe agenda from January 12, 2004 have been restricted and moved to Box 22, Folder 25.\u003c/p\u003e","\u003cp\u003eRestricted minutes were separated from Box 16, Folders 3-5.\u003c/p\u003e","\u003cp\u003eRestricted item has been removed to Box 22, Folder 25.\u003c/p\u003e","\u003cp\u003eRestricted item moved from Box 19, Folder 14.\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description","Separated Materials","Separated Materials","General","Separated Materials","Separated Materials","Separated Materials","Separated Materials"],"odd_tesim":["The guide to the Roanoke Appalachian Trail Club Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Minutes for May 17, 2001, June 21, 2001, July 26, 2001, February 13, 2003, August 2, 2004, and September 13, 2004, have been restricted and moved to Box 22, Folder 1.","Restricted minutes were separated from Box 1, Folder 34.","Additional membership rosters may be found in the club newsletters.","The agenda from January 12, 2004 have been restricted and moved to Box 22, Folder 25.","Restricted minutes were separated from Box 16, Folders 3-5.","Restricted item has been removed to Box 22, Folder 25.","Restricted item moved from Box 19, Folder 14."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Roanoke Appalachian Trail Club Records, Ms2024-054, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Roanoke Appalachian Trail Club Records, Ms2024-054, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Roanoke Appalachian Trail Club Records was completed in October 2025. Box 16 was completed in March 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Roanoke Appalachian Trail Club Records was completed in October 2025. Box 16 was completed in March 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eVirginia Tech Special Collections and University Archives also has the \u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_3522.xml\"\u003eM. Rupert Cutler Papers,\u003c/a\u003e which covers many of the same and related environmental issues of the Appalachian Mountains, Roanoke, and Southwest Virginia.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["Virginia Tech Special Collections and University Archives also has the  M. Rupert Cutler Papers,  which covers many of the same and related environmental issues of the Appalachian Mountains, Roanoke, and Southwest Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Roanoke Appalachian Trail Club (RATC) Records document the management of the club from its founding in 1932. The collection includes the club newsletters, board minutes, former officers' and members' records, National Park Service and RATC acquisition information, conservation issues, management plans, histories of the club, scrapbooks, and photographs. \u003c/p\u003e\n","\u003cp\u003eThe collection is divided into two series, I: RATC Management and II: RATC Officers and Members. The first series contains materials created, collected, and maintained by the RATC for its operations. It contains the meeting minutes, primarily about the activities of the Executive Board from 1940 to 1959 and 1968 to 2004. Some of the meeting minutes also record the activities of committees, affiliate organizations, and the annual all-member banquet during those years. There are also by-laws from the 1980s and 1990s and rosters from the 1950s to 1980s. The club newsletters start with the \u003ctitle render=\"italic\"\u003eRATC Bulletin\u003c/title\u003e from 1939 to 1942 and continue with the \u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e from 1954 to 2010. These document the club's recent activities, including work with the Appalachian Trail Conference (later Appalachian Trail Conservancy), local non-profits, and government entitities, hike schedules and detailed accounts of club hikes on the Appalachian Trail (AT), and reminiscences of and memorials to past and current members.\u003c/p\u003e\n","\u003cp\u003eThe Land Tract Files contain legal records of lands acquired by NPS after 1978 Congressional funding. Most of these materials are photocopies of legal records documenting land acquisitions, including legal judgments, land ownership histories, foreclosure documents, leases and contracts with gas and electric companies, deeds and trusts, wills and genealogies regarding inheritance rights, land surveys and inspection records, appraisals and environmental assessments, financial documents and insurance certificates, photographs, maps, and correspondence with land owners, attorneys, court clerks, and others. Other documents about acquisitions and relocations also illuminate the RATC's work with the Appalachian Trail Conference (also Conservancy), U.S. National Park Service, and U.S. Forest Service to acquire and monitor property and to build and relocate trails.\u003c/p\u003e\n","\u003cp\u003eThe first series also contains management and conservation plans, general files, and RATC historical materials. The histories discuss the founding and development of the club as well as large trail relocations and the work of past members and officers. There are also several photo albums from the 1930s-1950s.\u003c/p\u003e\n","\u003cp\u003eThe second series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members, about the history and operation of the RATC. These people include club president Thomas Campbell, the Otey family, president Dick Clark, local journalist Bill Cochran, newsletter editor Zetta Campbell, longtime trail supervisor Charles Parry, hike leaders Sigfried and Ursula Kolmstetter, hike leader Andy Layne, president Roger Holnback, and longtime social chair Linda Akers. Documents include correspondence, handwritten notes, additional meeting minutes and newsletters, photographs, newspaper clippings, and more. They also cover land acquisitions, building trails and shelters, group events and conferences, management and land use, and of course hikes on the AT.\u003c/p\u003e\n","\u003cp\u003e\nThe following are common abbreviations or acronyms found in the collection inventory:\n\u003clist\u003e\n\u003citem\u003e\nAEP - Appalachian Electric Power Company\n\u003c/item\u003e\u003citem\u003e\nAPCO - Appalachian Power Company, a subsidiary of AEP\n\u003c/item\u003e\u003citem\u003e\nAT - Appalachian Trail\n\u003c/item\u003e\u003citem\u003e\nATC - Appalachian Trail Conference or Appalachian Trail Conservancy\n\u003c/item\u003e\u003citem\u003e\nRATC - Roanoke Appalachian Trail Club\n\u003c/item\u003e\u003citem\u003e\nNPS - United States National Park Service\n\u003c/item\u003e\u003citem\u003e\nUSFS or FS - United States Forest Service\n\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e","\u003cp\u003eThis series contains materials created, collected, and maintained by the RATC for its operations. It is divided into eight sub-series based on material type or subject, based on original order provided by the RATC.\u003c/p\u003e","\u003cp\u003eThese minutes are mostly for the RATC Executive Board meetings, but also include some minutes for the annual all-member banquet and various RATC committees.\u003c/p\u003e","\u003cp\u003eThe January 16, 1953 annual meeting minutes are labeled \"January 16, 1952\". Also includes 1940 membership roster. [Removed from Binder]\u003c/p\u003e","\u003cp\u003eAlso contains 1957 membership roster, treasurer's reports or audits for 1954-1957, several hike schedules and Trail Blazers for 1957-1959, and attendees' information for the 1958 14th Meeting of the ATC. [Removed from binder.]\u003c/p\u003e","\u003cp\u003eAlso contains newspaper clippings, drafts of minutes, correspondence, reports, and other materials. [Removed from binder.]\u003c/p\u003e","\u003cp\u003eOnly includes April 1970 minutes, \"Copy of Minutes for Charles Headland\".\u003c/p\u003e","\u003cp\u003eA list at the front of the folder says minutes are missing for January, July, and August 1974. Some of the minutes are handwritten. Also includes typed transcription by Diana Christopulos on October 31, 2022, of the May 1974 minutes.\u003c/p\u003e","\u003cp\u003eA list at the front of the folder says minutes are missing for January, June, July, and August 1975. Some of the minutes are handwritten.\u003c/p\u003e","\u003cp\u003eA list at the front of the folder says minutes are missing for January, April, May, and August 1976.\u003c/p\u003e","\u003cp\u003eIncludes minutes for February, March, August, November 1977.\u003c/p\u003e","\u003cp\u003eIncludes only February and March 1978 minutes, which are handwritten. Also includes typed transcription by Diana Christopulos on October 31, 2022, of the February 1978 minutes with note from Christopulos: \"This is the first meeting after landowners have closed the AT between Va. 311 and Tinker Cliffs.\"\u003c/p\u003e","\u003cp\u003eFolder just includes notes that minutes were missing for 1979, and one note was removed from a notebook with minutes for 1974-1983.\u003c/p\u003e","\u003cp\u003eFolder just includes a note that minutes were missing for 1974-1979. Looks like the note may have been removed from a notebook with minutes for 1974-1983.\u003c/p\u003e","\u003cp\u003eNote from RATC: \"Incredible transition to orderly files with Linda Akers as Secretary and Mary Stewart as President\".\u003c/p\u003e","\u003cp\u003eIncludes 1980 roster and \"order continues under same leadership\", according to notes from RATC.\u003c/p\u003e","\u003cp\u003eA list at the front of the folder says minutes are missing for July, August, and September 1982.\u003c/p\u003e","\u003cp\u003eA list at the front of the folder says minutes are missing for May, July, or December 1983 minutes.\u003c/p\u003e","\u003cp\u003eNote from RATC: \"Land Management and special meeting\".\u003c/p\u003e","\u003cp\u003eThere are no minutes after September 1989.\u003c/p\u003e","\u003cp\u003eNote from RATC: \"Annual meeting moved to March\".\u003c/p\u003e","\u003cp\u003eFebruary and July 1994 minutes are missing.\u003c/p\u003e","\u003cp\u003eDecember 1995 minutes are missing.\u003c/p\u003e","\u003cp\u003eIncludes \"First annual meeting at Lutheran Church (Linda Akers)\".\u003c/p\u003e","\u003cp\u003eAlso includes organizational documents, notes, and correspondence. [Removed from Binder.]\u003c/p\u003e","\u003cp\u003eAlso includes 1990 RATC Ann's Cabin Committee meeting minutes.\u003c/p\u003e","\u003cp\u003eOriginal folder was titled \"1976 RATC Membership Roster N=68\".\u003c/p\u003e","\u003cp\u003eThis is a draft of the Constitution and By-Laws of the RATC.\u003c/p\u003e","\u003cp\u003eIncludes proposed and final by-laws for March 6, 1993.\u003c/p\u003e","\u003cp\u003eStarting with the Spring 1983 issue, the hike schedules are printed as part of the \u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e newsletters. Prior to that time, the hike schedule was inconsistently included with the newsletters. Some newsletters also include membership rosters.\u003c/p\u003e","\u003cp\u003e[Removed from binder.]\u003c/p\u003e","\u003cp\u003eSome issues also include membership rosters.\u003c/p\u003e","\u003cp\u003eAlso includes photos from April 1959 and a membership application from May-June 1959.\u003c/p\u003e","\u003cp\u003eAlso includes backpacking catalogs.\u003c/p\u003e","\u003cp\u003eAlso includes the Shenandoah-Rockfish Appalachian Trail Club Bulletin, Vol. 1, No. 2, June 18, 1962.\u003c/p\u003e","\u003cp\u003eAlso includes hike schedules for June 26-December 18, 1966.\u003c/p\u003e","\u003cp\u003eThe first 2 issues are No. 1, January 1966 and No. 2, February 1966. Then the publication cycle changes to quarterly publications, and the issue numbering restarts with No. 1, Spring 1966 through No. 4, Winter 1966-67. Also includes Hike Schedules for Summer 1966-Winter 1966-1967.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1967-Winter 1967-68.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1968-Winter 1968-69.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1969-Winter 1969-70.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Summer 1970 and Winter 1970-71.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1971-Winter 1970-71.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1972-Winter 1972-73.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1973-Winter 1973-74.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1974-Summer 1974.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1975-Winter 1975-76.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1975 and Fall 1976.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1977-Winter 1977-78.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1978-Winter 1978-79.\u003c/p\u003e","\u003cp\u003eSpring 1979 is numbered Vol. 39, No. 1; Summer 1979 is Vol. 40, No. 1; Autumn 1979 is Vol. 40, No. 3; and Winter 1979 is Vol. 40, No. 4. Also includes Hike Schedules for Spring 1979-Winter 1979.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1980-Winter 1980. [Please note: Vol. 40 seems to have been skipped in the numbering system for the Trail Blazer.]\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Fall 1981 and Summer [1981?]. The Winter Hike Schedule is included in the Winter 1981 Trail Blazer.\u003c/p\u003e","\u003cp\u003eHike schedules are included with the Trail Blazer issues for Spring 1982, Fall 1982, and Winter 1982.\u003c/p\u003e","\u003cp\u003eAlso includes minutes of the executive board meeting on July 18, 1986.\u003c/p\u003e","\u003cp\u003eAlso includes minutes of the executive board meeting on August 26, 1988, and RATC By-laws revised on November 5, 1988.\u003c/p\u003e","\u003cp\u003eThe December 1990 issue is the Winter 1990-1991 issue.\u003c/p\u003e","\u003cp\u003eStarting with Winter 1995, the winter issues switch to the start of the year instead of the end.\u003c/p\u003e","\u003cp\u003eThe Land Tract Files are also called RATC Green Books and contain legal records of lands acquired by NPS after 1978 Congressional funding. These are bound by tract number. Most of these materials are photocopies of legal records documenting land acquisitions, including legal judgments, land ownership histories, foreclosure documents, leases and contracts with gas and electric companies, deeds and trusts, wills and genealogies regarding inheritance rights, land surveys and inspection records, appraisals and environmental assessments, financial documents and insurance certificates, photographs, maps, and correspondence with land owners, attorneys, court clerks, and others. \u003c/p\u003e\n","\u003cp\u003eAs most of the documents are photocopies, the dates are based on the originals, not on when the photocopies may have been created. Some of the photocopies are also of poor quality and illegible. Some of the legal documents contain social security numbers, and these bound files are restricted.\u003c/p\u003e","\u003cp\u003eThis series document the RATC's work with the Appalachian Trail Conference (also Conservancy), U.S. National Park Service, and U.S. Forest Service to acquire and monitor property and to build and relocate trails.\u003c/p\u003e","\u003cp\u003eWritten by Diana Christopulos, RATC Archivist\u003c/p\u003e","\u003cp\u003eAlso spelled Anne's Cabin.\u003c/p\u003e","\u003cp\u003eThis is a photocopy.\u003c/p\u003e","\u003cp\u003eThis is a photocopy.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings and a history of the AT with focus on Virginia and a copy of H 160 approved by the General Assembly of Virginia on March 4, 1971, to allow Virginia to acquire lands and enter into agreements pertaining to the AT.\u003c/p\u003e","\u003cp\u003eMostly relates to the Buhrman Tract.\u003c/p\u003e","\u003cp\u003eContains a handdrawn map by Thomas Campbell from about the 1960s and a transcription and description of the map with history note by Diana Christopulos in 2024.\u003c/p\u003e","\u003cp\u003eAlso includes the Hiking Schedule for the Southwestern Virginia Relocation.\u003c/p\u003e","\u003cp\u003eIncludes RATC brochures, 1966 hiking brochure, local management plan maps, a photocopy of the 1997 Memorandum of Understanding for the Appalachian National Scenic Trail between the Roanoke Appalachian Trail Club and the Appalachian Trail Conference, and the RATC 1991 Management Plan for the Appalachian Trail with notes by Diana Christopulos on March 3, 2024.\u003c/p\u003e","\u003cp\u003eIncludes Spring 1991 Trail Blazer and a phone tree.\u003c/p\u003e","\u003cp\u003eThe 1996 and 2008 items were printed off the internet in 2022.\u003c/p\u003e","\u003cp\u003eIncludes letters about donations and gifts.\u003c/p\u003e","\u003cp\u003eProbably created by T. J. Kent. Includes list of items in album created in 2023.\u003c/p\u003e","\u003cp\u003eIncludes list of items in album created in 2023.\u003c/p\u003e","\u003cp\u003eIncludes list of items in album created in 2023.\u003c/p\u003e","\u003cp\u003e[Removed from photograph album.]\u003c/p\u003e","\u003cp\u003eIncludes press release about the Appalachian Trail Museum's Hall of Fame's class of 2022, including Jim and Molly Denton of Front Royal, Virginia, and interview notes from Diana Christopulos with two of the Denton's three children.\u003c/p\u003e","\u003cp\u003eIncludes photocopies of documents from 1930s and issues of the Appalachian Trailway News.\u003c/p\u003e","\u003cp\u003eAlthough the histories are from around the 1980s, there are some notes from around the 2020s.\u003c/p\u003e","\u003cp\u003eAlthough the histories are from around the 1980s, there are some notes from around the 2020s.\u003c/p\u003e","\u003cp\u003eIncludes a transcription of a January 24, 1951 history by L. H. Powell, transcribed by Diana Christopulos on March 20, 2020, but not the original 1951 history by Powell.\u003c/p\u003e","\u003cp\u003eIncludes notes about T. J. Kent's history notes by Diana Christopulos, RATC Archivist, November 11, 2022, and transcription and annotations of 1933 report of RATC by Christopulos, March 20, 2020.\u003c/p\u003e","\u003cp\u003eThe second series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members, about the history and operation of the RATC. It is divided into eight sub-series by person and in chronological order. Each subseries is organized based on topic, and original order is maintained where possible.\u003c/p\u003e","\u003cp\u003eAlso contains a list of files for box.\u003c/p\u003e","\u003cp\u003eIncludes a letter from Senator Harry F. Byrd, Jr., about legislation.\u003c/p\u003e","\u003cp\u003eIncludes organizational charts for the ATC.\u003c/p\u003e","\u003cp\u003eMajority is correspondence about trail maintenance and relocation projects or suggestions and related maps.\u003c/p\u003e","\u003cp\u003eContains documents regarding Virginia being \"the first state to execute an agreement for the protection and management of the Appalachian Trail.\"\u003c/p\u003e","\u003cp\u003eSome documents pertain to property owners and AT relocations.\u003c/p\u003e","\u003cp\u003eDocuments discuss purchasing the Buhrman tract of land near Fullhardt Knob and relocation of the AT between Tinker Mountain and Fullhardt Knob, potentially through the Buhrman tract.\u003c/p\u003e","\u003cp\u003eIncludes admittance of the Virginia Tech Outing Club to the ATC and assignment of a portion of AT for the club to maintain.\u003c/p\u003e","\u003cp\u003eIncludes William L. Gordge, RATC president's correspondence. Includes admittance of the Virginia Tech Outing Club to the ATC and assignment of a portion of AT for the club to maintain.\u003c/p\u003e","\u003cp\u003eIncludes organizational charts for the ATC.\u003c/p\u003e","\u003cp\u003eIncludes documents granting land use for relocating AT on Peters Mountain via land owned by Celanese Corporation, Pocahontas Land Corporation, the National Gypsum Company, and individuals.\u003c/p\u003e","\u003cp\u003eMajority of documents regard planning in 1957-1958 for the 14th Meeting of the ATC at Mountain Lake Hotel in Mountain Lake (Giles County), Virginia, in 1958.\u003c/p\u003e","\u003cp\u003eBoth issues contain articles about AT relocations by RATC.\u003c/p\u003e","\u003cp\u003e[Removed from binder.]\u003c/p\u003e","\u003cp\u003eIncludes shelter log.\u003c/p\u003e","\u003cp\u003eIncludes agendas, minutes, financial documents, and other supporting documents, including documents from committees, ATC, and NPS.\u003c/p\u003e","\u003cp\u003eAlso includes ATC's The Register newsletter, Vol. 24, No. 6, Spring 2001.\u003c/p\u003e","\u003cp\u003eThis is a user survey study carried out by the NPS in partnership with the University of Vermont and Penn State University. [Removed from binder.]\u003c/p\u003e","\u003cp\u003eAlso includes brochures about NPS and the AT.\u003c/p\u003e","\u003cp\u003eAlso includes tax-related documents and newsletters for other organizations.\u003c/p\u003e","\u003cp\u003eRelates to the Greenbrier Pipeline Project that would cross the AT.\u003c/p\u003e","\u003cp\u003eThis contains the Memorandum of Agreement for the Management of the Appalachian National Scenic Trail between the NPS and U. S. Forest Service.\u003c/p\u003e","\u003cp\u003eAppalachian Trailway News article about Jim and Molly Tabor Denton and Tom and Charlene Campbell\u003c/p\u003e","\u003cp\u003ePrepared for NPS by Federal Highway Administration's Eastern Federal Lands Highway Division\u003c/p\u003e","\u003cp\u003eIncludes some non-biking AT printed materials.\u003c/p\u003e","\u003cp\u003eItems discuss naming the Sinking Creek shelter as the Sarver Hollow Shelter and its dedication. There are also some documents related to the Sarver Cabin or Sarver Home Site.\u003c/p\u003e","\u003cp\u003eIncludes a copy of the RATC's \"Amended and Restated Articles of Incorporation\".\u003c/p\u003e","\u003cp\u003eCelebrates the 75th anniversary of the ATC.\u003c/p\u003e","\u003cp\u003eCelebrates the 75th anniversary of the ATC.\u003c/p\u003e","\u003cp\u003eAlso contains a report about invasive species on the AT.\u003c/p\u003e","\u003cp\u003eIncludes undated photographs.\u003c/p\u003e","\u003cp\u003eThe trail diary includes a letter to Katherine Cochran.\u003c/p\u003e","\u003cp\u003eIncludes article, \"National Trail Bill Sent to Congress\" by Bill Cochran.\u003c/p\u003e","\u003cp\u003eIncludes clippings about Audie Murphy's 1972 plane crash and hiking the AT, several relating to Ed Garvey.\u003c/p\u003e","\u003cp\u003eIncludes 1982 letter to Bill Cochran, a write up on Damascus Trail Days by Bill Cochran, and clippings about trail towns and the RATC celebrating its 50th anniversary.\u003c/p\u003e","\u003cp\u003eIncludes a letter to Bill Cochran, ca. 1996.\u003c/p\u003e","\u003cp\u003eIncludes clippings about the McAfee Knob closure from 1978 to 1987, McAfee Knob in general, history of the AT, and AT land acquisition.\u003c/p\u003e","\u003cp\u003eIncludes clippings about the murders of Susan Ramsey and Robert Mountford in 1981, Molly LaRue and Geoffrey L. Hood in 1990, and the murders of Julianne Williams and Lollie Winans in 1996.\u003c/p\u003e","\u003cp\u003eIncludes 1970s hike schedules illustrated by Campbell, 1993 article about hike led by Campbell, and a note about Campbell in the RATC from Diana Christopulos, February 16, 2024.\u003c/p\u003e","\u003cp\u003eIncludes biographical information.\u003c/p\u003e","\u003cp\u003eIncludes letter and thank you note from 1991.\u003c/p\u003e","\u003cp\u003eThe Trail Blazer issue contains an article about the Campbell Shelter. The cover is missing, but it is probably the Fall 1989 issue.\u003c/p\u003e","\u003cp\u003eIncludes Campbell Shelter, Catawba Shelter, New Wilson Creek Shelter, Wapitu Shelter, and Big Pond Shelter Move. The photos in this folder remain in their original groupings.\u003c/p\u003e","\u003cp\u003eIncludes 1987 ATC Conference at Lynchburg College and Natural Bridge. Please note: there are remnants of a rubberband attached to some photos.\u003c/p\u003e","\u003cp\u003eThese photos were grouped together but have no identifying information.\u003c/p\u003e","\u003cp\u003eThe photos in this folder are without identifying information and remain in their original groupings.\u003c/p\u003e","\u003cp\u003eThe photos in this folder are without identifying information and remain in their original groupings.\u003c/p\u003e","\u003cp\u003eSome materials are the papers of Lauren Taylor Holnback and of Eric Nasar from the Trust for AT Lands.\u003c/p\u003e","\u003cp\u003e[Removed from binder.]\u003c/p\u003e","\u003cp\u003eAlso includes management brochures. [Removed from binder.]\u003c/p\u003e","\u003cp\u003e[Removed from binder.]\u003c/p\u003e","\u003cp\u003e[Removed from binder.]\u003c/p\u003e","\u003cp\u003eTopics include the Trail and Land Management Committee and Carvins Cove easement. [Removed from binder.]\u003c/p\u003e","\u003cp\u003eIncludes memoranda about land tracts.\u003c/p\u003e","\u003cp\u003eIncludes Tract 476-32.\u003c/p\u003e","\u003cp\u003eIncludes Tract 477-22, Parcels A and B.\u003c/p\u003e","\u003cp\u003eIncludes Tracts 478-34, 478-35, 478-36, and 478-37.\u003c/p\u003e","\u003cp\u003eIncludes monument sets.\u003c/p\u003e","\u003cp\u003eDocuments concern the Chesapeake Bay Program and Agreement related to the Chesapeake Bay watershed.\u003c/p\u003e","\u003cp\u003eDocuments relate to the acquisition of the Shell Tract along the Elk River in Tennessee.\u003c/p\u003e","\u003cp\u003eDocuments relate to the Turner Tract on North Mountain in Virginia.\u003c/p\u003e","\u003cp\u003eDocuments relate to the Roy and Tillie Wood's home the Woodshole, where AT hikers were invited to stay.\u003c/p\u003e","\u003cp\u003eDocuments are about attempting to make Blackwater Canyon a national park.\u003c/p\u003e","\u003cp\u003eDocuments are about the USFS Forest Legacy Program and Virginia's Forest Legacy program.\u003c/p\u003e","\u003cp\u003eIncludes reports from Griggs and Mullinix of the ATC Land Trust.\u003c/p\u003e","\u003cp\u003eMost materials specifically relate to the Western Virginia Land Trust.\u003c/p\u003e","\u003cp\u003eIncludes information on Andy Layne Trail.\u003c/p\u003e","\u003cp\u003eIncludes information on Roanoke Greenways and on laws.\u003c/p\u003e","\u003cp\u003e[Removed from binder.]\u003c/p\u003e","\u003cp\u003e[Removed from binder.]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Roanoke Appalachian Trail Club (RATC) Records document the management of the club from its founding in 1932. The collection includes the club newsletters, board minutes, former officers' and members' records, National Park Service and RATC acquisition information, conservation issues, management plans, histories of the club, scrapbooks, and photographs. ","The collection is divided into two series, I: RATC Management and II: RATC Officers and Members. The first series contains materials created, collected, and maintained by the RATC for its operations. It contains the meeting minutes, primarily about the activities of the Executive Board from 1940 to 1959 and 1968 to 2004. Some of the meeting minutes also record the activities of committees, affiliate organizations, and the annual all-member banquet during those years. There are also by-laws from the 1980s and 1990s and rosters from the 1950s to 1980s. The club newsletters start with the  RATC Bulletin  from 1939 to 1942 and continue with the  Trail Blazer  from 1954 to 2010. These document the club's recent activities, including work with the Appalachian Trail Conference (later Appalachian Trail Conservancy), local non-profits, and government entitities, hike schedules and detailed accounts of club hikes on the Appalachian Trail (AT), and reminiscences of and memorials to past and current members.","The Land Tract Files contain legal records of lands acquired by NPS after 1978 Congressional funding. Most of these materials are photocopies of legal records documenting land acquisitions, including legal judgments, land ownership histories, foreclosure documents, leases and contracts with gas and electric companies, deeds and trusts, wills and genealogies regarding inheritance rights, land surveys and inspection records, appraisals and environmental assessments, financial documents and insurance certificates, photographs, maps, and correspondence with land owners, attorneys, court clerks, and others. Other documents about acquisitions and relocations also illuminate the RATC's work with the Appalachian Trail Conference (also Conservancy), U.S. National Park Service, and U.S. Forest Service to acquire and monitor property and to build and relocate trails.","The first series also contains management and conservation plans, general files, and RATC historical materials. The histories discuss the founding and development of the club as well as large trail relocations and the work of past members and officers. There are also several photo albums from the 1930s-1950s.","The second series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members, about the history and operation of the RATC. These people include club president Thomas Campbell, the Otey family, president Dick Clark, local journalist Bill Cochran, newsletter editor Zetta Campbell, longtime trail supervisor Charles Parry, hike leaders Sigfried and Ursula Kolmstetter, hike leader Andy Layne, president Roger Holnback, and longtime social chair Linda Akers. Documents include correspondence, handwritten notes, additional meeting minutes and newsletters, photographs, newspaper clippings, and more. They also cover land acquisitions, building trails and shelters, group events and conferences, management and land use, and of course hikes on the AT.","\nThe following are common abbreviations or acronyms found in the collection inventory:\n \nAEP - Appalachian Electric Power Company\n \nAPCO - Appalachian Power Company, a subsidiary of AEP\n \nAT - Appalachian Trail\n \nATC - Appalachian Trail Conference or Appalachian Trail Conservancy\n \nRATC - Roanoke Appalachian Trail Club\n \nNPS - United States National Park Service\n \nUSFS or FS - United States Forest Service\n","This series contains materials created, collected, and maintained by the RATC for its operations. It is divided into eight sub-series based on material type or subject, based on original order provided by the RATC.","These minutes are mostly for the RATC Executive Board meetings, but also include some minutes for the annual all-member banquet and various RATC committees.","The January 16, 1953 annual meeting minutes are labeled \"January 16, 1952\". Also includes 1940 membership roster. [Removed from Binder]","Also contains 1957 membership roster, treasurer's reports or audits for 1954-1957, several hike schedules and Trail Blazers for 1957-1959, and attendees' information for the 1958 14th Meeting of the ATC. [Removed from binder.]","Also contains newspaper clippings, drafts of minutes, correspondence, reports, and other materials. [Removed from binder.]","Only includes April 1970 minutes, \"Copy of Minutes for Charles Headland\".","A list at the front of the folder says minutes are missing for January, July, and August 1974. Some of the minutes are handwritten. Also includes typed transcription by Diana Christopulos on October 31, 2022, of the May 1974 minutes.","A list at the front of the folder says minutes are missing for January, June, July, and August 1975. Some of the minutes are handwritten.","A list at the front of the folder says minutes are missing for January, April, May, and August 1976.","Includes minutes for February, March, August, November 1977.","Includes only February and March 1978 minutes, which are handwritten. Also includes typed transcription by Diana Christopulos on October 31, 2022, of the February 1978 minutes with note from Christopulos: \"This is the first meeting after landowners have closed the AT between Va. 311 and Tinker Cliffs.\"","Folder just includes notes that minutes were missing for 1979, and one note was removed from a notebook with minutes for 1974-1983.","Folder just includes a note that minutes were missing for 1974-1979. Looks like the note may have been removed from a notebook with minutes for 1974-1983.","Note from RATC: \"Incredible transition to orderly files with Linda Akers as Secretary and Mary Stewart as President\".","Includes 1980 roster and \"order continues under same leadership\", according to notes from RATC.","A list at the front of the folder says minutes are missing for July, August, and September 1982.","A list at the front of the folder says minutes are missing for May, July, or December 1983 minutes.","Note from RATC: \"Land Management and special meeting\".","There are no minutes after September 1989.","Note from RATC: \"Annual meeting moved to March\".","February and July 1994 minutes are missing.","December 1995 minutes are missing.","Includes \"First annual meeting at Lutheran Church (Linda Akers)\".","Also includes organizational documents, notes, and correspondence. [Removed from Binder.]","Also includes 1990 RATC Ann's Cabin Committee meeting minutes.","Original folder was titled \"1976 RATC Membership Roster N=68\".","This is a draft of the Constitution and By-Laws of the RATC.","Includes proposed and final by-laws for March 6, 1993.","Starting with the Spring 1983 issue, the hike schedules are printed as part of the  Trail Blazer  newsletters. Prior to that time, the hike schedule was inconsistently included with the newsletters. Some newsletters also include membership rosters.","[Removed from binder.]","Some issues also include membership rosters.","Also includes photos from April 1959 and a membership application from May-June 1959.","Also includes backpacking catalogs.","Also includes the Shenandoah-Rockfish Appalachian Trail Club Bulletin, Vol. 1, No. 2, June 18, 1962.","Also includes hike schedules for June 26-December 18, 1966.","The first 2 issues are No. 1, January 1966 and No. 2, February 1966. Then the publication cycle changes to quarterly publications, and the issue numbering restarts with No. 1, Spring 1966 through No. 4, Winter 1966-67. Also includes Hike Schedules for Summer 1966-Winter 1966-1967.","Also includes Hike Schedules for Spring 1967-Winter 1967-68.","Also includes Hike Schedules for Spring 1968-Winter 1968-69.","Also includes Hike Schedules for Spring 1969-Winter 1969-70.","Also includes Hike Schedules for Summer 1970 and Winter 1970-71.","Also includes Hike Schedules for Spring 1971-Winter 1970-71.","Also includes Hike Schedules for Spring 1972-Winter 1972-73.","Also includes Hike Schedules for Spring 1973-Winter 1973-74.","Also includes Hike Schedules for Spring 1974-Summer 1974.","Also includes Hike Schedules for Spring 1975-Winter 1975-76.","Also includes Hike Schedules for Spring 1975 and Fall 1976.","Also includes Hike Schedules for Spring 1977-Winter 1977-78.","Also includes Hike Schedules for Spring 1978-Winter 1978-79.","Spring 1979 is numbered Vol. 39, No. 1; Summer 1979 is Vol. 40, No. 1; Autumn 1979 is Vol. 40, No. 3; and Winter 1979 is Vol. 40, No. 4. Also includes Hike Schedules for Spring 1979-Winter 1979.","Also includes Hike Schedules for Spring 1980-Winter 1980. [Please note: Vol. 40 seems to have been skipped in the numbering system for the Trail Blazer.]","Also includes Hike Schedules for Fall 1981 and Summer [1981?]. The Winter Hike Schedule is included in the Winter 1981 Trail Blazer.","Hike schedules are included with the Trail Blazer issues for Spring 1982, Fall 1982, and Winter 1982.","Also includes minutes of the executive board meeting on July 18, 1986.","Also includes minutes of the executive board meeting on August 26, 1988, and RATC By-laws revised on November 5, 1988.","The December 1990 issue is the Winter 1990-1991 issue.","Starting with Winter 1995, the winter issues switch to the start of the year instead of the end.","The Land Tract Files are also called RATC Green Books and contain legal records of lands acquired by NPS after 1978 Congressional funding. These are bound by tract number. Most of these materials are photocopies of legal records documenting land acquisitions, including legal judgments, land ownership histories, foreclosure documents, leases and contracts with gas and electric companies, deeds and trusts, wills and genealogies regarding inheritance rights, land surveys and inspection records, appraisals and environmental assessments, financial documents and insurance certificates, photographs, maps, and correspondence with land owners, attorneys, court clerks, and others. ","As most of the documents are photocopies, the dates are based on the originals, not on when the photocopies may have been created. Some of the photocopies are also of poor quality and illegible. Some of the legal documents contain social security numbers, and these bound files are restricted.","This series document the RATC's work with the Appalachian Trail Conference (also Conservancy), U.S. National Park Service, and U.S. Forest Service to acquire and monitor property and to build and relocate trails.","Written by Diana Christopulos, RATC Archivist","Also spelled Anne's Cabin.","This is a photocopy.","This is a photocopy.","Includes newspaper clippings and a history of the AT with focus on Virginia and a copy of H 160 approved by the General Assembly of Virginia on March 4, 1971, to allow Virginia to acquire lands and enter into agreements pertaining to the AT.","Mostly relates to the Buhrman Tract.","Contains a handdrawn map by Thomas Campbell from about the 1960s and a transcription and description of the map with history note by Diana Christopulos in 2024.","Also includes the Hiking Schedule for the Southwestern Virginia Relocation.","Includes RATC brochures, 1966 hiking brochure, local management plan maps, a photocopy of the 1997 Memorandum of Understanding for the Appalachian National Scenic Trail between the Roanoke Appalachian Trail Club and the Appalachian Trail Conference, and the RATC 1991 Management Plan for the Appalachian Trail with notes by Diana Christopulos on March 3, 2024.","Includes Spring 1991 Trail Blazer and a phone tree.","The 1996 and 2008 items were printed off the internet in 2022.","Includes letters about donations and gifts.","Probably created by T. J. Kent. Includes list of items in album created in 2023.","Includes list of items in album created in 2023.","Includes list of items in album created in 2023.","[Removed from photograph album.]","Includes press release about the Appalachian Trail Museum's Hall of Fame's class of 2022, including Jim and Molly Denton of Front Royal, Virginia, and interview notes from Diana Christopulos with two of the Denton's three children.","Includes photocopies of documents from 1930s and issues of the Appalachian Trailway News.","Although the histories are from around the 1980s, there are some notes from around the 2020s.","Although the histories are from around the 1980s, there are some notes from around the 2020s.","Includes a transcription of a January 24, 1951 history by L. H. Powell, transcribed by Diana Christopulos on March 20, 2020, but not the original 1951 history by Powell.","Includes notes about T. J. Kent's history notes by Diana Christopulos, RATC Archivist, November 11, 2022, and transcription and annotations of 1933 report of RATC by Christopulos, March 20, 2020.","The second series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members, about the history and operation of the RATC. It is divided into eight sub-series by person and in chronological order. Each subseries is organized based on topic, and original order is maintained where possible.","Also contains a list of files for box.","Includes a letter from Senator Harry F. Byrd, Jr., about legislation.","Includes organizational charts for the ATC.","Majority is correspondence about trail maintenance and relocation projects or suggestions and related maps.","Contains documents regarding Virginia being \"the first state to execute an agreement for the protection and management of the Appalachian Trail.\"","Some documents pertain to property owners and AT relocations.","Documents discuss purchasing the Buhrman tract of land near Fullhardt Knob and relocation of the AT between Tinker Mountain and Fullhardt Knob, potentially through the Buhrman tract.","Includes admittance of the Virginia Tech Outing Club to the ATC and assignment of a portion of AT for the club to maintain.","Includes William L. Gordge, RATC president's correspondence. Includes admittance of the Virginia Tech Outing Club to the ATC and assignment of a portion of AT for the club to maintain.","Includes organizational charts for the ATC.","Includes documents granting land use for relocating AT on Peters Mountain via land owned by Celanese Corporation, Pocahontas Land Corporation, the National Gypsum Company, and individuals.","Majority of documents regard planning in 1957-1958 for the 14th Meeting of the ATC at Mountain Lake Hotel in Mountain Lake (Giles County), Virginia, in 1958.","Both issues contain articles about AT relocations by RATC.","[Removed from binder.]","Includes shelter log.","Includes agendas, minutes, financial documents, and other supporting documents, including documents from committees, ATC, and NPS.","Also includes ATC's The Register newsletter, Vol. 24, No. 6, Spring 2001.","This is a user survey study carried out by the NPS in partnership with the University of Vermont and Penn State University. [Removed from binder.]","Also includes brochures about NPS and the AT.","Also includes tax-related documents and newsletters for other organizations.","Relates to the Greenbrier Pipeline Project that would cross the AT.","This contains the Memorandum of Agreement for the Management of the Appalachian National Scenic Trail between the NPS and U. S. Forest Service.","Appalachian Trailway News article about Jim and Molly Tabor Denton and Tom and Charlene Campbell","Prepared for NPS by Federal Highway Administration's Eastern Federal Lands Highway Division","Includes some non-biking AT printed materials.","Items discuss naming the Sinking Creek shelter as the Sarver Hollow Shelter and its dedication. There are also some documents related to the Sarver Cabin or Sarver Home Site.","Includes a copy of the RATC's \"Amended and Restated Articles of Incorporation\".","Celebrates the 75th anniversary of the ATC.","Celebrates the 75th anniversary of the ATC.","Also contains a report about invasive species on the AT.","Includes undated photographs.","The trail diary includes a letter to Katherine Cochran.","Includes article, \"National Trail Bill Sent to Congress\" by Bill Cochran.","Includes clippings about Audie Murphy's 1972 plane crash and hiking the AT, several relating to Ed Garvey.","Includes 1982 letter to Bill Cochran, a write up on Damascus Trail Days by Bill Cochran, and clippings about trail towns and the RATC celebrating its 50th anniversary.","Includes a letter to Bill Cochran, ca. 1996.","Includes clippings about the McAfee Knob closure from 1978 to 1987, McAfee Knob in general, history of the AT, and AT land acquisition.","Includes clippings about the murders of Susan Ramsey and Robert Mountford in 1981, Molly LaRue and Geoffrey L. Hood in 1990, and the murders of Julianne Williams and Lollie Winans in 1996.","Includes 1970s hike schedules illustrated by Campbell, 1993 article about hike led by Campbell, and a note about Campbell in the RATC from Diana Christopulos, February 16, 2024.","Includes biographical information.","Includes letter and thank you note from 1991.","The Trail Blazer issue contains an article about the Campbell Shelter. The cover is missing, but it is probably the Fall 1989 issue.","Includes Campbell Shelter, Catawba Shelter, New Wilson Creek Shelter, Wapitu Shelter, and Big Pond Shelter Move. The photos in this folder remain in their original groupings.","Includes 1987 ATC Conference at Lynchburg College and Natural Bridge. Please note: there are remnants of a rubberband attached to some photos.","These photos were grouped together but have no identifying information.","The photos in this folder are without identifying information and remain in their original groupings.","The photos in this folder are without identifying information and remain in their original groupings.","Some materials are the papers of Lauren Taylor Holnback and of Eric Nasar from the Trust for AT Lands.","[Removed from binder.]","Also includes management brochures. [Removed from binder.]","[Removed from binder.]","[Removed from binder.]","Topics include the Trail and Land Management Committee and Carvins Cove easement. [Removed from binder.]","Includes memoranda about land tracts.","Includes Tract 476-32.","Includes Tract 477-22, Parcels A and B.","Includes Tracts 478-34, 478-35, 478-36, and 478-37.","Includes monument sets.","Documents concern the Chesapeake Bay Program and Agreement related to the Chesapeake Bay watershed.","Documents relate to the acquisition of the Shell Tract along the Elk River in Tennessee.","Documents relate to the Turner Tract on North Mountain in Virginia.","Documents relate to the Roy and Tillie Wood's home the Woodshole, where AT hikers were invited to stay.","Documents are about attempting to make Blackwater Canyon a national park.","Documents are about the USFS Forest Legacy Program and Virginia's Forest Legacy program.","Includes reports from Griggs and Mullinix of the ATC Land Trust.","Most materials specifically relate to the Western Virginia Land Trust.","Includes information on Andy Layne Trail.","Includes information on Roanoke Greenways and on laws.","[Removed from binder.]","[Removed from binder.]"],"separatedmaterial_html_tesm":["\u003cp\u003eThis collection contains several issues of the \u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e, the newsletter of the Roanoke Appalachian Trail Club. If there were more than two (2) copies of an issue, the extra copy was separated to the Virginia Tech Special Collections and University Archives' Rare Book Collection.\u003c/p\u003e\n","\u003cp\u003eThe following publications were separated to the Rare Book Collection:\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eAppalachian Trail Guide to Central Virginia,\u003c/title\u003e First Edition, 1994 (Jack Albright, Field Editor).\u003c/p\u003e\n","\u003cp\u003eParsons, Shireen, and Wilderness Society. \u003ctitle render=\"italic\"\u003eVirginia's Mountain Treasures : The Unprotected Wildlands of the Jefferson National Forest.\u003c/title\u003e The Wilderness Society, 1999.\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eTrail Lands: The Newsletter of the ATC Land Trust,\u003c/title\u003e Vol. 17, No. 1, Spring 2001.\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eAudubon Naturalist,\u003c/title\u003e Vol. 20, No. 7, \"What Does Disney's America Mean to Our Region?\", 1994-09.\u003c/p\u003e\n","\u003cp\u003eDaniel D. Chazin, ed., \u003ctitle render=\"italic\"\u003eAppalachian Trail Data Book 2000,\u003c/title\u003e 22nd ed., Harpers Ferry, WV: The Appalachian Trail Conference, 1999.\u003c/p\u003e\n","\u003cp\u003eKaren Deans, ed., \u003ctitle render=\"italic\"\u003eConservation Options: A Landowner's Guide,\u003c/title\u003e Washington, D. C.: Land Trust Alliance, 1999.\u003c/p\u003e\n","\u003cp\u003eBenton MacKaye, \u003ctitle render=\"italic\"\u003eThe New Exploration: A Philosophy of Regional Planning,\u003c/title\u003e Harpers Ferry, WV: The Appalachian Trail Conference and Urbana-Champaign, Ill.: University of Illinois Press, 1990.\u003c/p\u003e\n","\u003cp\u003eMurray Bookchin, \u003ctitle render=\"italic\"\u003eOur Synthetic Environment,\u003c/title\u003e Rev. Ed., New York City: Harper \u0026amp; Row, 1974.\u003c/p\u003e\n","\u003cp\u003eLeonard M. Adkins (a member of the RATC), \u003ctitle render=\"italic\"\u003e50 Hikes in Northern Virginia: Walks, Hikes, and Backpacks from the Allegheny Mountains to the Chesapeake Bay,\u003c/title\u003e Woodstock, VT: Backcountry Publications, 1994 (1995 printing).\u003c/p\u003e\n","\u003cp\u003eSteve Nash, \u003ctitle render=\"italic\"\u003eBlue Ridge 2020: An Owner's Manual,\u003c/title\u003e Chapel Hill, N. C., and London: The University of North Carolina Press, 1999.\u003c/p\u003e\n","\u003cp\u003eWilliam Birchard, Jr., and Robert Proudman, \u003ctitle render=\"italic\"\u003eAppalacian Trail: Design, Construction, and Maintenance,\u003c/title\u003e 2nd ed., Harpers Ferry, WV: The Appalachian Trail Conference, 2000.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["This collection contains several issues of the  Trail Blazer , the newsletter of the Roanoke Appalachian Trail Club. If there were more than two (2) copies of an issue, the extra copy was separated to the Virginia Tech Special Collections and University Archives' Rare Book Collection.","The following publications were separated to the Rare Book Collection:","Appalachian Trail Guide to Central Virginia,  First Edition, 1994 (Jack Albright, Field Editor).","Parsons, Shireen, and Wilderness Society.  Virginia's Mountain Treasures : The Unprotected Wildlands of the Jefferson National Forest.  The Wilderness Society, 1999.","Trail Lands: The Newsletter of the ATC Land Trust,  Vol. 17, No. 1, Spring 2001.","Audubon Naturalist,  Vol. 20, No. 7, \"What Does Disney's America Mean to Our Region?\", 1994-09.","Daniel D. Chazin, ed.,  Appalachian Trail Data Book 2000,  22nd ed., Harpers Ferry, WV: The Appalachian Trail Conference, 1999.","Karen Deans, ed.,  Conservation Options: A Landowner's Guide,  Washington, D. C.: Land Trust Alliance, 1999.","Benton MacKaye,  The New Exploration: A Philosophy of Regional Planning,  Harpers Ferry, WV: The Appalachian Trail Conference and Urbana-Champaign, Ill.: University of Illinois Press, 1990.","Murray Bookchin,  Our Synthetic Environment,  Rev. Ed., New York City: Harper \u0026 Row, 1974.","Leonard M. Adkins (a member of the RATC),  50 Hikes in Northern Virginia: Walks, Hikes, and Backpacks from the Allegheny Mountains to the Chesapeake Bay,  Woodstock, VT: Backcountry Publications, 1994 (1995 printing).","Steve Nash,  Blue Ridge 2020: An Owner's Manual,  Chapel Hill, N. C., and London: The University of North Carolina Press, 1999.","William Birchard, Jr., and Robert Proudman,  Appalacian Trail: Design, Construction, and Maintenance,  2nd ed., Harpers Ferry, WV: The Appalachian Trail Conference, 2000."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a6e4fd39692d03baeae59292f8f5e256\" label=\"Abstract\"\u003eThe Roanoke Appalachian Trail Club (RATC) Records document the management of the club from its founding in 1932. The collection includes the club newsletters, board minutes, former officers' and members' records, NPS and RATC acquisition information, conservation issues, management plans, histories of the club, scrapbooks, and photographs. The RATC continues its original mission to maintain and protect the Appalachian Trail (AT), and the club covers over 120 miles of the AT, including McAfee Knob, Dragon's Tooth, and Tinker Cliffs.\u003c/abstract\u003e"],"abstract_tesim":["The Roanoke Appalachian Trail Club (RATC) Records document the management of the club from its founding in 1932. The collection includes the club newsletters, board minutes, former officers' and members' records, NPS and RATC acquisition information, conservation issues, management plans, histories of the club, scrapbooks, and photographs. The RATC continues its original mission to maintain and protect the Appalachian Trail (AT), and the club covers over 120 miles of the AT, including McAfee Knob, Dragon's Tooth, and Tinker Cliffs."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_79fb534a401c2d4d2312154f7e8ad227\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.\u003c/physloc\u003e"],"physloc_tesim":["Please note:  This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information."],"names_coll_ssim":["Roanoke Appalachian Trail Club (Roanoke, Va.)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Roanoke Appalachian Trail Club (Roanoke, Va.)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Roanoke Appalachian Trail Club (Roanoke, Va.)"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":740,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:40:56.480Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4262_c01_c07_c25"}},{"id":"vihdsc_repositories_2_resources_38_c06_c18","type":"Item","attributes":{"title":"1970s (Vols 10/29)","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihdsc_repositories_2_resources_38_c06_c18#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihdsc_repositories_2_resources_38_c06_c18","ref_ssm":["vihdsc_repositories_2_resources_38_c06_c18"],"id":"vihdsc_repositories_2_resources_38_c06_c18","ead_ssi":"vihdsc_repositories_2_resources_38","_root_":"vihdsc_repositories_2_resources_38","_nest_parent_":"vihdsc_repositories_2_resources_38_c06","parent_ssi":"vihdsc_repositories_2_resources_38_c06","parent_ssim":["vihdsc_repositories_2_resources_38","vihdsc_repositories_2_resources_38_c06"],"parent_ids_ssim":["vihdsc_repositories_2_resources_38","vihdsc_repositories_2_resources_38_c06"],"parent_unittitles_ssm":["Elizabeth Carrington Eggleston Papers","Series 6: Jotting Books"],"parent_unittitles_tesim":["Elizabeth Carrington Eggleston Papers","Series 6: Jotting Books"],"text":["Elizabeth Carrington Eggleston Papers","Series 6: Jotting Books","1970s (Vols 10/29)","English ."],"title_filing_ssi":"1970s (Vols 10/29)","title_ssm":["1970s (Vols 10/29)"],"title_tesim":["1970s (Vols 10/29)"],"unitdate_inclusive_ssm":["1970/1979"],"normalized_date_ssm":["1970/1979"],"normalized_title_ssm":["1970s (Vols 10/29)"],"component_level_isim":[2],"repository_ssim":["Hampden-Sydney College"],"collection_ssim":["Elizabeth Carrington Eggleston Papers"],"extent_ssm":["20 Volumes"],"extent_tesim":["20 Volumes"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":75,"parent_access_restrict_tesm":["Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request."],"parent_access_terms_tesm":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine despite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.The materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.This collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"language_ssim":["English ."],"_nest_path_":"/components#5/components#17","timestamp":"2026-05-21T04:18:20.185Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihdsc_repositories_2_resources_38","ead_ssi":"vihdsc_repositories_2_resources_38","_root_":"vihdsc_repositories_2_resources_38","_nest_parent_":"vihdsc_repositories_2_resources_38","ead_source_url_ssi":"data/oai/HSC/repositories_2_resources_38.xml","aspace_url_ssi":"http://archivespace.hsc.edu:8081/ark:/45832/10961","title_filing_ssi":"Elizabeth Carrington Eggleston Papers","title_ssm":["Elizabeth Carrington Eggleston Papers"],"title_tesim":["Elizabeth Carrington Eggleston Papers"],"unitdate_ssm":["1899/1994"],"unitdate_inclusive_ssm":["1899/1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.000128"],"text":["SC.000128","Elizabeth Carrington Eggleston Papers","Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request.","Inventoried collection of correspondence, poems, essays, mementos, and personal effects of Elizabeth Carrington Eggleston, daughter of former Hampden-Sydney College President Joseph DuPuy Eggleston, including numerous \"jotting books\" or commonplace books that Eggleston kept throughout her life.","Elizabeth Eggleston's \"Jotting Books\" are notebooks containing diary entries, personal information, and drafts of various poems, essays, and letters. They are arranged chronologically, though certain volumes (2, 4-14, 41, 42 108-110, 113) are unaccounted for.","The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine despite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials. The materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. This collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.","Hampden-Sydney College Archives \u0026 Special Collections","English \n.    "],"unitid_tesim":["SC.000128"],"normalized_title_ssm":["Elizabeth Carrington Eggleston Papers"],"collection_title_tesim":["Elizabeth Carrington Eggleston Papers"],"collection_ssim":["Elizabeth Carrington Eggleston Papers"],"repository_ssm":["Hampden-Sydney College"],"repository_ssim":["Hampden-Sydney College"],"access_terms_ssm":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine despite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials. The materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. This collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"has_online_content_ssim":["false"],"extent_ssm":["8.5 Linear Feet 7 Hollinger Boxes; 149 Volumes Jotting Books; 1 Binder"],"extent_tesim":["8.5 Linear Feet 7 Hollinger Boxes; 149 Volumes Jotting Books; 1 Binder"],"date_range_isim":[1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access to Materials"],"accessrestrict_tesim":["Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request."],"scopecontent_html_tesm":["\u003cp\u003eInventoried collection of correspondence, poems, essays, mementos, and personal effects of Elizabeth Carrington Eggleston, daughter of former Hampden-Sydney College President Joseph DuPuy Eggleston, including numerous \"jotting books\" or commonplace books that Eggleston kept throughout her life.\u003c/p\u003e","\u003cp\u003eElizabeth Eggleston's \"Jotting Books\" are notebooks containing diary entries, personal information, and drafts of various poems, essays, and letters.\u003cbr\u003e\u003cbr\u003eThey are arranged chronologically, though certain volumes (2, 4-14, 41, 42 108-110, 113) are unaccounted for.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents"],"scopecontent_tesim":["Inventoried collection of correspondence, poems, essays, mementos, and personal effects of Elizabeth Carrington Eggleston, daughter of former Hampden-Sydney College President Joseph DuPuy Eggleston, including numerous \"jotting books\" or commonplace books that Eggleston kept throughout her life.","Elizabeth Eggleston's \"Jotting Books\" are notebooks containing diary entries, personal information, and drafts of various poems, essays, and letters. They are arranged chronologically, though certain volumes (2, 4-14, 41, 42 108-110, 113) are unaccounted for."],"userestrict_html_tesm":["\u003cp\u003eThe nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine despite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.\u003cbr\u003e\u003cbr\u003eThe materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.\u003cbr\u003e\u003cbr\u003eThis collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.\u003c/p\u003e"],"userestrict_heading_ssm":["Use of These Materials"],"userestrict_tesim":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine despite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials. The materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. This collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"names_ssim":["Hampden-Sydney College Archives \u0026 Special Collections"],"corpname_ssim":["Hampden-Sydney College Archives \u0026 Special Collections"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":77,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:18:20.185Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihdsc_repositories_2_resources_38_c06_c18"}},{"id":"viblbv_repositories_2_resources_4262_c01_c06_c19","type":"File","attributes":{"title":"1970s Wilderness and AT Corridor Protection","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4262_c01_c06_c19#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_4262_c01_c06_c19","ref_ssm":["viblbv_repositories_2_resources_4262_c01_c06_c19"],"id":"viblbv_repositories_2_resources_4262_c01_c06_c19","ead_ssi":"viblbv_repositories_2_resources_4262","_root_":"viblbv_repositories_2_resources_4262","_nest_parent_":"viblbv_repositories_2_resources_4262_c01_c06","parent_ssi":"viblbv_repositories_2_resources_4262_c01_c06","parent_ssim":["viblbv_repositories_2_resources_4262","viblbv_repositories_2_resources_4262_c01","viblbv_repositories_2_resources_4262_c01_c06"],"parent_ids_ssim":["viblbv_repositories_2_resources_4262","viblbv_repositories_2_resources_4262_c01","viblbv_repositories_2_resources_4262_c01_c06"],"parent_unittitles_ssm":["Roanoke Appalachian Trail Club Records","Series I: RATC Management","Subseries F: Management Plans and Conservation Issues"],"parent_unittitles_tesim":["Roanoke Appalachian Trail Club Records","Series I: RATC Management","Subseries F: Management Plans and Conservation Issues"],"text":["Roanoke Appalachian Trail Club Records","Series I: RATC Management","Subseries F: Management Plans and Conservation Issues","1970s Wilderness and AT Corridor Protection","box 11","folder 62"],"title_filing_ssi":"1970s Wilderness and AT Corridor Protection","title_ssm":["1970s Wilderness and AT Corridor Protection"],"title_tesim":["1970s Wilderness and AT Corridor Protection"],"unitdate_inclusive_ssm":["1964-1976, undated"],"normalized_date_ssm":["1964/1976"],"normalized_title_ssm":["1970s Wilderness and AT Corridor Protection"],"component_level_isim":[3],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Roanoke Appalachian Trail Club Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":382,"parent_access_restrict_tesm":["The collection is open for research, except Box 22 which contains restricted materials. Restricted folders are identified within the inventory. Contact Special Collections and University Archives for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"containers_ssim":["box 11","folder 62"],"_nest_path_":"/components#0/components#5/components#18","timestamp":"2026-05-21T02:40:56.480Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_4262","ead_ssi":"viblbv_repositories_2_resources_4262","_root_":"viblbv_repositories_2_resources_4262","_nest_parent_":"viblbv_repositories_2_resources_4262","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4262.xml","title_filing_ssi":"Roanoke Appalachian Trail Club Records","title_ssm":["Roanoke Appalachian Trail Club Records"],"title_tesim":["Roanoke Appalachian Trail Club Records"],"unitdate_ssm":["[ca. 1840s?], [ca. 1880s]-2025","(bulk 1932-2025)"],"unitdate_inclusive_ssm":["[ca. 1840s?], [ca. 1880s]-2025","(bulk 1932-2025)"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2024.054"],"text":["Ms.2024.054","Roanoke Appalachian Trail Club Records","Appalachian Mountains","Appalachian Trail","Roanoke (Va.)","Virginia, Southwest","Environmental protection","Local/Regional History and Appalachian South","The collection is open for research, except Box 22 which contains restricted materials. Restricted folders are identified within the inventory. Contact Special Collections and University Archives for more information.","These minutes were printed on the back of recycled paper with sensitive private information, and these materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These minutes were printed on the back of recycled paper with sensitive private information, and these materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","Duplicates, blank notepads, empty envelopes, and binders were removed from collection. Some documents with confidential or private information were returned to the Roanoke Appalachian Trail Club.","The Roanoke Appalachian Trail Club Records are arranged into series and subseries by subject, based primarily on the descriptions by the RATC. Original order of files provided by the RATC is maintained where possible. Folder titles are original, except text within brackets [].","Series I: RATC Management, [ca. 1840s?], [ca. 1880s]-2024 (bulk 1932-2016)","This series contains materials created, collected, and maintained by the RATC for its operations. It is divided into eight sub-series based on material type or subject, based on original order provided by the RATC. ","\nSubseries A: RATC Meeting Minutes, 1940-1959, 1968-2004, 2022\n \nSubseries B: RATC By-Laws and Rosters, 1955, 1960, 1972-1993\n \nSubseries C: RATC Newsletters and Hike Schedules, 1939-1942, 1954-2010\n \nSubseries D: Monitoring the Appalachian Trail: Land Tract Files, [ca. 1840s?], [ca. 1880s]-2010 (bulk 1980s-2010) - Please note, many of these documents are photocopies, and the dates are based on the originals.\n \nSubseries E: Acquisitions and Relocations, 1949, 1955, [ca. 1960s]-1997, 2024\n \nSubseries F: Management Plans and Conservation Issues, 1964-1982, 1991-2003, 2010, 2016, 2024\n \nSubseries G: General Files, 1952, 1958, 1971-2014\n \nSubseries H: RATC Historical Materials, 1932-1962, 1977-2000, 2020-[ca. 2024]\n","Series II: RATC Officers and Members, 1939-2025","This series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members. It is divided into eight sub-series by person and in chronological order. Each subseries is organized based on topic, and original order is maintained where possible.","\nSubseries A: Thomas Campbell, 1939-2024 (bulk 1950s-1970s)\n \nSubseries B: Otey Family, 1949-1953, 2024-2025, undated\n \nSubseries C: Dick Clark, 1953-2006 (bulk 1980s-2000s)\n \nSubseries D: Bill Cochran, 1966-2018\n \nSubseries E: Zetta Campbell, 1972-1976, 1993, 2024\n \nSubseries F: Charles Parry, 1972-2024 (bulk 1970s-1990s)\n \nSubseries G: Sigfried and Ursula Kolmstetter, 1972-1996, 2019, 2024\n \nSubseries H: Andy Layne, 1977-1990, undated\n \nSubseries I: Roger Holnback, 1980-2012 (bulk 1990s-2000s)\n \nSubseries J: Linda Akers, [ca. 1983]-1992, 2000-2015, 2022\n","The Appalachian Trail (AT), a hiking trail along the Appalachian Mountains in the United States, was first proposed by Bernard MacKaye in 1921, and two years later, the first section opened in New York State. In 1925, the Appalachian Trail Conference (ATC) formed to help manage the maintenance and conservation of the AT, and in 2005, the ATC was renamed Appalachian Trail Conservancy. As of 2025, the AT spans almost 2,200 miles in 14 states from Maine to Georgia, with 25% of the trail traversing Virginia and 30 local AT clubs affiliated with the ATC.","Local hiking clubs began organizing to build and maintain the AT and joining the ATC in the 1920s and 1930s. In October 1932, Donald S. Gates, a professor at Roanoke College, gathered several hikers and local groups to discuss forming an AT club in the Roanoke area. At a second meeting in October, Myron H. Avery, the chairman of the ATC, and members from the Potomac and Natural Bridge AT Clubs joined them to explain various aspects of their work. ","On November 13, 1932, the Roanoke Appalachian Trail Club (RATC) was officially established with 17 charter members, including the first officers: president Gates, secretary E. B. Coxwell, treasurer Larry Pownall, and trail supervisor David Dick. Grace Pownall was appointed vice president about two (2) weeks later. The ATC initially assigned the RATC 55 miles of the trail to manage, but by the club's first anniversary, the section had expanded to 68.29 miles.","As of 2025, the RATC covers over 120 miles, including McAfee Knob, Dragon's Tooth, and Tinker Cliffs. The organization continues its original mission to maintain and protect the Appalachian Trail; develops and maintains trails, campsites, open shelters, and permanent camps on the AT; collects data about the history, scenery, geology, flora, and fauna of the Appalachian Mountains; prepares maps and guides for hiking, camping, and forest fire prevention; and participates in and advocates for the development of laws and regulations related to the AT and the Appalachian Mountains.","Biographical notes for several RATC members are included in the inventory under Series II.","External Sources: ","Box 13, Folder 48, \"RATC Histories Written in 1980s,\" of this collection","Box 13, Folder 52, \"RATC Histories Written in 1950s,\" of this collection","Box 13, Folder 53, \"RATC History, 1932-1945,\" of this collection","Roanoke Appalachian Trail Club,  https://www.ratc.org/ , accessed May 1, 2024.","By-Laws of the Roanoke Appalachian Trail Club, Inc., Rev. March 12, 2016,  https://www.ratc.org/wp-content/uploads/documents/bylaws.pdf , accessed May 1, 2024.","Diana Christopulos, \"How Three Hiking Clubs Became the Roanoke Appalachian Trail Club,\" RATC.org,  https://www.ratc.org/how-three-hiking-clubs-became-the-roanoke-appalachian-trail-club/ , accessed September 25, 2025.","Appalachian Trail Conservancy,  https://appalachiantrail.org/ , accessed October 3, 2025.","Thomas Healy \"Tom\" Campbell (1899-1986) attended the College of William and Mary from 1915 to 1916 and Richmond College (now University of Richmond) from 1917 to 1919. He married Charlene Lunsford (1902-1986) in 1922, and they had a daughter. In 1965, they both left their employers. Tom retired as Chief Investigator in the Auditor's office of the Norfolk and Western Railway, while Charlene left her employer of 20 years, Roanoke-based retail chain Heironimus.","Tom joined the Roanoke Appalachian Trail Club in 1947, and Charlene followed suit several years later. Each served in several offices for RATC, including Tom as President from 1950-1951. He also served on the Appalachian Trail Conference's Board of Managers from 1950-1975, including fourteen (14) years as Vice Chairman (1961-1975). Tom was also a charter member of the Appalachian National Scenic Trail Advisory Committee.","Sources:","Box 12, Folder 3, \"[Biographical information about Thomas and Charlene Campbell],\" of this collection","\"Thomas Healy Campbell,\" Findagrave.com,  https://www.findagrave.com/memorial/84378864/thomas-healy-campbell , accessed September 18, 2025.","\"Charlene Lunsford Campbell,\" Findagrave.com,  https://www.findagrave.com/memorial/84378830/charlene-campbell , accessed September 18, 2025.","The Spider  (Richmond College yearbook), Vols. 16-17, 1918-1919, available online from the University of Richmond,  https://scholarship.richmond.edu/the-spider/ , accessed September 19, 2025. ","Biographical note by Diana Christopulos, Feb. 18, 2025: \"Marie and John Otey were RATC volunteers in the early 1950s, and they worked on the relocations led by Jimmy Denton near the Blue Ridge Parkway and around Roanoke. They joined in late 1949 and were active 1950-55. John was Assistant Trail Supervisor in 1952, 1953, 1955. He was also active on the Publicity Committee and took numerous photos on the Trail.\"","John Otway Otey, Jr. (1906-1980) married Goldie Marie Dean Peters (1906-1989) in 1950. John worked as a clerk for Norfolk and Western Railway, while Marie worked as a stenographer or secretary.","Sources:","Box 13, Folder 54, \"[Notes and correspondence about the Otey Family Papers],\" of this collection","U.S. Federal Census, 1940-1950, accessed online from Ancestry.com on September 19, 2025.","\"John Otway Otey Jr.,\" Findagrave.com,  https://www.findagrave.com/memorial/185149412/john-otway-otey , accessed September 19, 2025.","\"Goldie Marie Dean Otey,\" Findagrave.com,  https://www.findagrave.com/memorial/207412197/goldie_marie-otey , accessed September 19, 2025.","\"John Otway Otey\" in the Virginia, U.S., Marriage Records, 1936-2014, Ancestry.com,  https://www.ancestrylibrary.com/search/collections/9279/records/11741905 , accessed September 19, 2025.","Dick Clark has served in numerous positions in the RATC from the 1980s to 2010s, including hikemaster (1984-1994), vice president (1998-2000), president (2000-2003), and counselor (2003-2015).","Clark was appointed by the Roanoke City Council to serve on the Mill Mountain Advisory Committee from 1999 to 2014, and he served as vice chair during his tenure.","Sources:","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Box 3,  Trail Blazer  newsletters, of this collection","Trail Blazer  newsletters, Roanoke Appalachian Trail Club,  https://www.ratc.org/newsletter/ , accessed Oct. 2, 2025.","Matt Chittum, \"Mountain advisers up for an upgrade,\"  The Roanoke Times,  p. B1, April 6, 2014, accessed online from NewsBank on October 2, 2025.","Matt Chittum, \"Fancier Franklin bridge suggested,\"  The Roanoke Times,  p. B1, June 3, 2014, accessed online from NewsBank on October 2, 2025.","William Neal \"Bill\" Cochran (1937-2024) was a journalist who focused on the outdoors, writing for  The Roanoke Times  from 1962 until 2018–two (2) decades after retiring as the newspaper's outdoors editor in 1998. His coverage included many trail hikes with the Roanoke Appalachian Trail Club, conservation issues in Virginia, and outdoor sporting and the Appalachian Trail. Cochran received 10 awards from the Virginia Press Association, was honored by the Virginia General Assembly with the House Joint Resolution 520 \"Commending Bill Cochran\" in 1999, and was the 2009 media inductee in the Virginia Sports Hall of Fame.","Cochran graduated from Lynchburg College (now University of Lynchburg) with a bachelor's degree in English in 1960, and he served in the Virginia National Guard. He married Katherine Gravett in 1965, and they had a son. They operated the Cross Trails Bed and Breakfast near the Appalachian Trail in Catawba from 1995 to 2003 as well as a Christmas tree farm in West Virginia. ","Sources:","Mark Taylor, \"Legendary Roanoke outdoors writer Bill Cochran dies,\"  Cardinal News,  July 1, 2024,  https://cardinalnews.org/2024/07/01/legendary-roanoke-outdoors-writer-bill-cochran-dies/ , accessed September 19, 2025.","Obituary for William N. \"Bill\" Cochran,  The Roanoke Times,  July 7, 2024, available online from Legacy.com,  https://www.legacy.com/us/obituaries/roanoke/name/william-cochran-obituary?id=55481593 , accessed September 19, 2025.","Mark Berman, \"Bill Cochran | 1937-2024: Outdoors editor was 'an institution',\"  The Roanoke Times,  July 2, 2024, p. A1 and A6, accessed online from NewsBank on September 19, 2025.","\"Bill Cochran,\" Virginia Sports Hall of Fame,  https://vasportshof.com/inductee/bill-cochran/ , accessed September 19, 2025.","\"Virginia HJ520 Commending Bill Cochran,\" Policy Engage,  https://trackbill.com/bill/virginia-house-joint-resolution-520-commending-bill-cochran/512861/ , accessed September 19, 2025.","\"William Neal Cochran\" in the Virginia, U.S., Marriage Records, 1936-2014, Ancestry.com,  https://www.ancestrylibrary.com/search/collections/9279/records/12779996 , accessed September 19, 2025.","Zetta Marie Campbell (1930-2024) joined the Roanoke Appalachian Trail Club in 1959. She also served as secretary (1964-1965, 1968-1969, 1983-1984) and editor of the  Trail Blazer  newsletter (1970-1977). Campbell also illustrated the hike schedules in the 1970s and led hikes until at least 2019. She received the Appalachian Trail Park Office's Silver Service Award in 2002.","Sources: ","Box 13, Folder 66, \"1970s - Zetta Campbell Drawings/Hike Scheds,\" of this collection","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Obituary for Zetta Campbell,  The Roanoke Times,  July 5, 2024, p. A6, available online from Legacy.com,  https://www.legacy.com/us/obituaries/roanoke/name/zetta-campbell-obituary?id=55488335 , accessed September 22, 2025.","\"Zetta Marie Campbell\", Findagrave.com,  https://www.findagrave.com/memorial/272121036/zetta_marie-campbell , accessed September 22, 2025.","Charles Parry (1942-2010) joined the Roanoke Appalachian Trail Club in 1972, serving as the Trail Supervisor from 1979 until his death. He received the Appalachian Trail Park Office's Silver Service Award in 2002 and was inducted into the Appalachian Trail Hall of Fame in 2017, the first RATC member to receive this honor.","Parry graduated from the State University of New York College at Oswego (now State University of New York at Oswego) and earned a master's and a Ph.D. in mathematics from Michigan State University around 1969 or 1970. He was a professor of mathematics at Virginia Tech from 1971 until his retirement in 2010, establishing a research program in number theory, helping to design mathematics courses for computer science students, and serving as Math Club adviser. ","Sources: ","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Box 13, Folder 67, \"Charles Parry AT Hall of Fame,\" of this collection","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection","\"Charles Parry honored with emeritus status,\" Virginia Tech News, October 19, 2010,  https://news.vt.edu/content/news_vt_edu/en/articles/2010/10/101910-science-parry.html , accessed September 18, 2025.","\"In memoriam: Charles Parry, emeritus professor of mathematics,\" Virginia Tech News, January 10, 2011,  https://news.vt.edu/articles/2011/01/011011-science-parry.html , accessed September 18, 2025.","Obituary for Charles John Parry,  The Roanoke Times,  December 28, 2010, p. A12, accessed online from NewsBank on September 18, 2025.","Mark Taylor, \"Math teacher devoted himself to AT,\"  The Roanoke Times,  December 28, 2010, accessed online from NewsBank on October 2, 2025.","\"Charles J. Parry,\" Findagrave.com,  https://www.findagrave.com/memorial/232281708/charles-j-parry , accessed September 18, 2025.","Appalachian Trail Hall of Fame, \"2017 Class,\" Appalachian Trail Museum,  https://www.atmuseum.org/2017-class.html , accessed September 18, 2025.","Siegfried and Ursula Kolmstetter joined the RATC in 1971. Siegfried served as vice president (1974) and counselor (1972-1973), while both volunteered as hike leaders for decades. The couple maintained the McAfee Knob section of the AT for over 25 years, until the couple moved out of the area in 1996. Siegfried received the Appalachian Trail Park Office's Silver Service Award in 2002.","At the end of World War II in May 1945, 17-year-old Ursula Edith Walter (1927-2023) was captured by the Russian Army and imprisoned at the Theresienstadt prison camp. Eight (8) months after her imprisonment, she escaped and moved to West Germany, where she met Siegfried J. Kolmstetter (1921-2019). They married in 1952 and had several children. The Kolmstetters immigrated to the U.S. in 1957, settling in Roanoke in 1970. Siegfried was a physician for the Veterans Administration Hospital in Salem from 1970 to 1998. He received the hospital's Hands and Heart Award in 1992.","Sources:","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Obituary for Ursula Edith Kolmstetter,  The Roanoke Times,  January 3, 2024, available online from Legacy.com,  https://www.legacy.com/us/obituaries/roanoke/name/ursula-kolmstetter-obituary?id=53995534 , accessed September 19, 2025.","Dan Casey, \"Physician was caretaker for people, trails,\"  The Roanoke Times,  March 28, 2019, p. 1-2, accessed online from NewsBank on September 22, 2025.","Andy Layne (1912-1991) joined the Roanoke Appalachian Trail Club in 1978. He led numerous hikes and helped with hike scheduling; attended workhikes and backpacking trips; and oversaw a section of the trail. Layne also served in several positions on the RATC Board, including shelter supervisor (1980), vice president (1981), and counselor (1985-1986). On the 10th anniversary of his death, the Andy Layne Trail in the Tinker Cliffs area was dedicated in his memory.","Source:","Box 19, Folder 46, \"[Andy Layne biographical information],\" of this collection","Roger Holnback joined the RATC in 1996 and served in numerous positions, including as president (2006-2009, 2015-2016), vice president (2003-2006, 2016-2017), land management supervisor (2009-2013), and conservation supervisor (2013-2015). He also was an ATC Land Trust coordinator and Roanoke Valley Greenways liaison in the 2000s and 2010s. His wife Lauren Taylor Holnback was also an RATC member.","Holnback served as executive director of the Western Virginia Land Trust (2001-2012), which worked with the City of Roanoke and other groups to place over 11,000 acres of Carvins Cove Natural Reserve under a conservation easement in 2008 and 2009. He was given the Roanoke Valley Cool Cities Coalition's Cool Citizens award in 2012. Later, he was chairman of the Blue Ridge Soil and Water Conservation District and president of the Pathfinders for Greenways. ","Sources:","Box 3,  Trail Blazer  newsletters, of this collection","Trail Blazer  newsletters, Roanoke Appalachian Trail Club,  https://www.ratc.org/newsletter/ , accessed Oct. 2, 2025.","Mason Adams, \"From land and air, teams work to preserve Carvins Cove's aura,\"  The Roanoke Times , January 6, 2011, accessed online from NewsBank on October 2, 2025.","\"Western Virginia Land Trust director steps down,\"  The Roanoke Times , February 10, 2012, accessed online from NewsBank on October 2, 2025.","Danielle Dunaway, \"Cool Citizens awards laud energy-efficient efforts,\"  The Roanoke Times , March 16, 2012, accessed online from NewsBank on October 2, 2025.","Sam Wall, \"Hinchee Park opens in Roanoke County - Hinchee Park opens in Roanoke County,\"  The Roanoke Times , September 29, 2019, accessed online from NewsBank on October 2, 2025.","\"Board and Staff,\" Blue Ridge Soil and Water Conservation District website,  https://www.brswcd.org/team-2 , accessed October 2, 2025.","Linda Akers joined the RATC in 1969 or 1970. She served in numerous positions on the board, including secretary (1981-1982), editor of the  Trail Blazer  (1982-1985), and social chair (1987-1999, 2013-2017). She received the Appalachian Trail Park Office's Silver Service Award in 2002.","Sources:","Box 17, Folder 41, \"[Linda Akers Interview notes by Diana Christopulos],\" of this collection","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection","The guide to the Roanoke Appalachian Trail Club Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Minutes for May 17, 2001, June 21, 2001, July 26, 2001, February 13, 2003, August 2, 2004, and September 13, 2004, have been restricted and moved to Box 22, Folder 1.","Restricted minutes were separated from Box 1, Folder 34.","Additional membership rosters may be found in the club newsletters.","The agenda from January 12, 2004 have been restricted and moved to Box 22, Folder 25.","Restricted minutes were separated from Box 16, Folders 3-5.","Restricted item has been removed to Box 22, Folder 25.","Restricted item moved from Box 19, Folder 14.","The processing, arrangement, and description of the Roanoke Appalachian Trail Club Records was completed in October 2025. Box 16 was completed in March 2026.","Virginia Tech Special Collections and University Archives also has the  M. Rupert Cutler Papers,  which covers many of the same and related environmental issues of the Appalachian Mountains, Roanoke, and Southwest Virginia.","The Roanoke Appalachian Trail Club (RATC) Records document the management of the club from its founding in 1932. The collection includes the club newsletters, board minutes, former officers' and members' records, National Park Service and RATC acquisition information, conservation issues, management plans, histories of the club, scrapbooks, and photographs. ","The collection is divided into two series, I: RATC Management and II: RATC Officers and Members. The first series contains materials created, collected, and maintained by the RATC for its operations. It contains the meeting minutes, primarily about the activities of the Executive Board from 1940 to 1959 and 1968 to 2004. Some of the meeting minutes also record the activities of committees, affiliate organizations, and the annual all-member banquet during those years. There are also by-laws from the 1980s and 1990s and rosters from the 1950s to 1980s. The club newsletters start with the  RATC Bulletin  from 1939 to 1942 and continue with the  Trail Blazer  from 1954 to 2010. These document the club's recent activities, including work with the Appalachian Trail Conference (later Appalachian Trail Conservancy), local non-profits, and government entitities, hike schedules and detailed accounts of club hikes on the Appalachian Trail (AT), and reminiscences of and memorials to past and current members.","The Land Tract Files contain legal records of lands acquired by NPS after 1978 Congressional funding. Most of these materials are photocopies of legal records documenting land acquisitions, including legal judgments, land ownership histories, foreclosure documents, leases and contracts with gas and electric companies, deeds and trusts, wills and genealogies regarding inheritance rights, land surveys and inspection records, appraisals and environmental assessments, financial documents and insurance certificates, photographs, maps, and correspondence with land owners, attorneys, court clerks, and others. Other documents about acquisitions and relocations also illuminate the RATC's work with the Appalachian Trail Conference (also Conservancy), U.S. National Park Service, and U.S. Forest Service to acquire and monitor property and to build and relocate trails.","The first series also contains management and conservation plans, general files, and RATC historical materials. The histories discuss the founding and development of the club as well as large trail relocations and the work of past members and officers. There are also several photo albums from the 1930s-1950s.","The second series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members, about the history and operation of the RATC. These people include club president Thomas Campbell, the Otey family, president Dick Clark, local journalist Bill Cochran, newsletter editor Zetta Campbell, longtime trail supervisor Charles Parry, hike leaders Sigfried and Ursula Kolmstetter, hike leader Andy Layne, president Roger Holnback, and longtime social chair Linda Akers. Documents include correspondence, handwritten notes, additional meeting minutes and newsletters, photographs, newspaper clippings, and more. They also cover land acquisitions, building trails and shelters, group events and conferences, management and land use, and of course hikes on the AT.","\nThe following are common abbreviations or acronyms found in the collection inventory:\n \nAEP - Appalachian Electric Power Company\n \nAPCO - Appalachian Power Company, a subsidiary of AEP\n \nAT - Appalachian Trail\n \nATC - Appalachian Trail Conference or Appalachian Trail Conservancy\n \nRATC - Roanoke Appalachian Trail Club\n \nNPS - United States National Park Service\n \nUSFS or FS - United States Forest Service\n","This series contains materials created, collected, and maintained by the RATC for its operations. It is divided into eight sub-series based on material type or subject, based on original order provided by the RATC.","These minutes are mostly for the RATC Executive Board meetings, but also include some minutes for the annual all-member banquet and various RATC committees.","The January 16, 1953 annual meeting minutes are labeled \"January 16, 1952\". Also includes 1940 membership roster. [Removed from Binder]","Also contains 1957 membership roster, treasurer's reports or audits for 1954-1957, several hike schedules and Trail Blazers for 1957-1959, and attendees' information for the 1958 14th Meeting of the ATC. [Removed from binder.]","Also contains newspaper clippings, drafts of minutes, correspondence, reports, and other materials. [Removed from binder.]","Only includes April 1970 minutes, \"Copy of Minutes for Charles Headland\".","A list at the front of the folder says minutes are missing for January, July, and August 1974. Some of the minutes are handwritten. Also includes typed transcription by Diana Christopulos on October 31, 2022, of the May 1974 minutes.","A list at the front of the folder says minutes are missing for January, June, July, and August 1975. Some of the minutes are handwritten.","A list at the front of the folder says minutes are missing for January, April, May, and August 1976.","Includes minutes for February, March, August, November 1977.","Includes only February and March 1978 minutes, which are handwritten. Also includes typed transcription by Diana Christopulos on October 31, 2022, of the February 1978 minutes with note from Christopulos: \"This is the first meeting after landowners have closed the AT between Va. 311 and Tinker Cliffs.\"","Folder just includes notes that minutes were missing for 1979, and one note was removed from a notebook with minutes for 1974-1983.","Folder just includes a note that minutes were missing for 1974-1979. Looks like the note may have been removed from a notebook with minutes for 1974-1983.","Note from RATC: \"Incredible transition to orderly files with Linda Akers as Secretary and Mary Stewart as President\".","Includes 1980 roster and \"order continues under same leadership\", according to notes from RATC.","A list at the front of the folder says minutes are missing for July, August, and September 1982.","A list at the front of the folder says minutes are missing for May, July, or December 1983 minutes.","Note from RATC: \"Land Management and special meeting\".","There are no minutes after September 1989.","Note from RATC: \"Annual meeting moved to March\".","February and July 1994 minutes are missing.","December 1995 minutes are missing.","Includes \"First annual meeting at Lutheran Church (Linda Akers)\".","Also includes organizational documents, notes, and correspondence. [Removed from Binder.]","Also includes 1990 RATC Ann's Cabin Committee meeting minutes.","Original folder was titled \"1976 RATC Membership Roster N=68\".","This is a draft of the Constitution and By-Laws of the RATC.","Includes proposed and final by-laws for March 6, 1993.","Starting with the Spring 1983 issue, the hike schedules are printed as part of the  Trail Blazer  newsletters. Prior to that time, the hike schedule was inconsistently included with the newsletters. Some newsletters also include membership rosters.","[Removed from binder.]","Some issues also include membership rosters.","Also includes photos from April 1959 and a membership application from May-June 1959.","Also includes backpacking catalogs.","Also includes the Shenandoah-Rockfish Appalachian Trail Club Bulletin, Vol. 1, No. 2, June 18, 1962.","Also includes hike schedules for June 26-December 18, 1966.","The first 2 issues are No. 1, January 1966 and No. 2, February 1966. Then the publication cycle changes to quarterly publications, and the issue numbering restarts with No. 1, Spring 1966 through No. 4, Winter 1966-67. Also includes Hike Schedules for Summer 1966-Winter 1966-1967.","Also includes Hike Schedules for Spring 1967-Winter 1967-68.","Also includes Hike Schedules for Spring 1968-Winter 1968-69.","Also includes Hike Schedules for Spring 1969-Winter 1969-70.","Also includes Hike Schedules for Summer 1970 and Winter 1970-71.","Also includes Hike Schedules for Spring 1971-Winter 1970-71.","Also includes Hike Schedules for Spring 1972-Winter 1972-73.","Also includes Hike Schedules for Spring 1973-Winter 1973-74.","Also includes Hike Schedules for Spring 1974-Summer 1974.","Also includes Hike Schedules for Spring 1975-Winter 1975-76.","Also includes Hike Schedules for Spring 1975 and Fall 1976.","Also includes Hike Schedules for Spring 1977-Winter 1977-78.","Also includes Hike Schedules for Spring 1978-Winter 1978-79.","Spring 1979 is numbered Vol. 39, No. 1; Summer 1979 is Vol. 40, No. 1; Autumn 1979 is Vol. 40, No. 3; and Winter 1979 is Vol. 40, No. 4. Also includes Hike Schedules for Spring 1979-Winter 1979.","Also includes Hike Schedules for Spring 1980-Winter 1980. [Please note: Vol. 40 seems to have been skipped in the numbering system for the Trail Blazer.]","Also includes Hike Schedules for Fall 1981 and Summer [1981?]. The Winter Hike Schedule is included in the Winter 1981 Trail Blazer.","Hike schedules are included with the Trail Blazer issues for Spring 1982, Fall 1982, and Winter 1982.","Also includes minutes of the executive board meeting on July 18, 1986.","Also includes minutes of the executive board meeting on August 26, 1988, and RATC By-laws revised on November 5, 1988.","The December 1990 issue is the Winter 1990-1991 issue.","Starting with Winter 1995, the winter issues switch to the start of the year instead of the end.","The Land Tract Files are also called RATC Green Books and contain legal records of lands acquired by NPS after 1978 Congressional funding. These are bound by tract number. Most of these materials are photocopies of legal records documenting land acquisitions, including legal judgments, land ownership histories, foreclosure documents, leases and contracts with gas and electric companies, deeds and trusts, wills and genealogies regarding inheritance rights, land surveys and inspection records, appraisals and environmental assessments, financial documents and insurance certificates, photographs, maps, and correspondence with land owners, attorneys, court clerks, and others. ","As most of the documents are photocopies, the dates are based on the originals, not on when the photocopies may have been created. Some of the photocopies are also of poor quality and illegible. Some of the legal documents contain social security numbers, and these bound files are restricted.","This series document the RATC's work with the Appalachian Trail Conference (also Conservancy), U.S. National Park Service, and U.S. Forest Service to acquire and monitor property and to build and relocate trails.","Written by Diana Christopulos, RATC Archivist","Also spelled Anne's Cabin.","This is a photocopy.","This is a photocopy.","Includes newspaper clippings and a history of the AT with focus on Virginia and a copy of H 160 approved by the General Assembly of Virginia on March 4, 1971, to allow Virginia to acquire lands and enter into agreements pertaining to the AT.","Mostly relates to the Buhrman Tract.","Contains a handdrawn map by Thomas Campbell from about the 1960s and a transcription and description of the map with history note by Diana Christopulos in 2024.","Also includes the Hiking Schedule for the Southwestern Virginia Relocation.","Includes RATC brochures, 1966 hiking brochure, local management plan maps, a photocopy of the 1997 Memorandum of Understanding for the Appalachian National Scenic Trail between the Roanoke Appalachian Trail Club and the Appalachian Trail Conference, and the RATC 1991 Management Plan for the Appalachian Trail with notes by Diana Christopulos on March 3, 2024.","Includes Spring 1991 Trail Blazer and a phone tree.","The 1996 and 2008 items were printed off the internet in 2022.","Includes letters about donations and gifts.","Probably created by T. J. Kent. Includes list of items in album created in 2023.","Includes list of items in album created in 2023.","Includes list of items in album created in 2023.","[Removed from photograph album.]","Includes press release about the Appalachian Trail Museum's Hall of Fame's class of 2022, including Jim and Molly Denton of Front Royal, Virginia, and interview notes from Diana Christopulos with two of the Denton's three children.","Includes photocopies of documents from 1930s and issues of the Appalachian Trailway News.","Although the histories are from around the 1980s, there are some notes from around the 2020s.","Although the histories are from around the 1980s, there are some notes from around the 2020s.","Includes a transcription of a January 24, 1951 history by L. H. Powell, transcribed by Diana Christopulos on March 20, 2020, but not the original 1951 history by Powell.","Includes notes about T. J. Kent's history notes by Diana Christopulos, RATC Archivist, November 11, 2022, and transcription and annotations of 1933 report of RATC by Christopulos, March 20, 2020.","The second series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members, about the history and operation of the RATC. It is divided into eight sub-series by person and in chronological order. Each subseries is organized based on topic, and original order is maintained where possible.","Also contains a list of files for box.","Includes a letter from Senator Harry F. Byrd, Jr., about legislation.","Includes organizational charts for the ATC.","Majority is correspondence about trail maintenance and relocation projects or suggestions and related maps.","Contains documents regarding Virginia being \"the first state to execute an agreement for the protection and management of the Appalachian Trail.\"","Some documents pertain to property owners and AT relocations.","Documents discuss purchasing the Buhrman tract of land near Fullhardt Knob and relocation of the AT between Tinker Mountain and Fullhardt Knob, potentially through the Buhrman tract.","Includes admittance of the Virginia Tech Outing Club to the ATC and assignment of a portion of AT for the club to maintain.","Includes William L. Gordge, RATC president's correspondence. Includes admittance of the Virginia Tech Outing Club to the ATC and assignment of a portion of AT for the club to maintain.","Includes organizational charts for the ATC.","Includes documents granting land use for relocating AT on Peters Mountain via land owned by Celanese Corporation, Pocahontas Land Corporation, the National Gypsum Company, and individuals.","Majority of documents regard planning in 1957-1958 for the 14th Meeting of the ATC at Mountain Lake Hotel in Mountain Lake (Giles County), Virginia, in 1958.","Both issues contain articles about AT relocations by RATC.","[Removed from binder.]","Includes shelter log.","Includes agendas, minutes, financial documents, and other supporting documents, including documents from committees, ATC, and NPS.","Also includes ATC's The Register newsletter, Vol. 24, No. 6, Spring 2001.","This is a user survey study carried out by the NPS in partnership with the University of Vermont and Penn State University. [Removed from binder.]","Also includes brochures about NPS and the AT.","Also includes tax-related documents and newsletters for other organizations.","Relates to the Greenbrier Pipeline Project that would cross the AT.","This contains the Memorandum of Agreement for the Management of the Appalachian National Scenic Trail between the NPS and U. S. Forest Service.","Appalachian Trailway News article about Jim and Molly Tabor Denton and Tom and Charlene Campbell","Prepared for NPS by Federal Highway Administration's Eastern Federal Lands Highway Division","Includes some non-biking AT printed materials.","Items discuss naming the Sinking Creek shelter as the Sarver Hollow Shelter and its dedication. There are also some documents related to the Sarver Cabin or Sarver Home Site.","Includes a copy of the RATC's \"Amended and Restated Articles of Incorporation\".","Celebrates the 75th anniversary of the ATC.","Celebrates the 75th anniversary of the ATC.","Also contains a report about invasive species on the AT.","Includes undated photographs.","The trail diary includes a letter to Katherine Cochran.","Includes article, \"National Trail Bill Sent to Congress\" by Bill Cochran.","Includes clippings about Audie Murphy's 1972 plane crash and hiking the AT, several relating to Ed Garvey.","Includes 1982 letter to Bill Cochran, a write up on Damascus Trail Days by Bill Cochran, and clippings about trail towns and the RATC celebrating its 50th anniversary.","Includes a letter to Bill Cochran, ca. 1996.","Includes clippings about the McAfee Knob closure from 1978 to 1987, McAfee Knob in general, history of the AT, and AT land acquisition.","Includes clippings about the murders of Susan Ramsey and Robert Mountford in 1981, Molly LaRue and Geoffrey L. Hood in 1990, and the murders of Julianne Williams and Lollie Winans in 1996.","Includes 1970s hike schedules illustrated by Campbell, 1993 article about hike led by Campbell, and a note about Campbell in the RATC from Diana Christopulos, February 16, 2024.","Includes biographical information.","Includes letter and thank you note from 1991.","The Trail Blazer issue contains an article about the Campbell Shelter. The cover is missing, but it is probably the Fall 1989 issue.","Includes Campbell Shelter, Catawba Shelter, New Wilson Creek Shelter, Wapitu Shelter, and Big Pond Shelter Move. The photos in this folder remain in their original groupings.","Includes 1987 ATC Conference at Lynchburg College and Natural Bridge. Please note: there are remnants of a rubberband attached to some photos.","These photos were grouped together but have no identifying information.","The photos in this folder are without identifying information and remain in their original groupings.","The photos in this folder are without identifying information and remain in their original groupings.","Some materials are the papers of Lauren Taylor Holnback and of Eric Nasar from the Trust for AT Lands.","[Removed from binder.]","Also includes management brochures. [Removed from binder.]","[Removed from binder.]","[Removed from binder.]","Topics include the Trail and Land Management Committee and Carvins Cove easement. [Removed from binder.]","Includes memoranda about land tracts.","Includes Tract 476-32.","Includes Tract 477-22, Parcels A and B.","Includes Tracts 478-34, 478-35, 478-36, and 478-37.","Includes monument sets.","Documents concern the Chesapeake Bay Program and Agreement related to the Chesapeake Bay watershed.","Documents relate to the acquisition of the Shell Tract along the Elk River in Tennessee.","Documents relate to the Turner Tract on North Mountain in Virginia.","Documents relate to the Roy and Tillie Wood's home the Woodshole, where AT hikers were invited to stay.","Documents are about attempting to make Blackwater Canyon a national park.","Documents are about the USFS Forest Legacy Program and Virginia's Forest Legacy program.","Includes reports from Griggs and Mullinix of the ATC Land Trust.","Most materials specifically relate to the Western Virginia Land Trust.","Includes information on Andy Layne Trail.","Includes information on Roanoke Greenways and on laws.","[Removed from binder.]","[Removed from binder.]","This collection contains several issues of the  Trail Blazer , the newsletter of the Roanoke Appalachian Trail Club. If there were more than two (2) copies of an issue, the extra copy was separated to the Virginia Tech Special Collections and University Archives' Rare Book Collection.","The following publications were separated to the Rare Book Collection:","Appalachian Trail Guide to Central Virginia,  First Edition, 1994 (Jack Albright, Field Editor).","Parsons, Shireen, and Wilderness Society.  Virginia's Mountain Treasures : The Unprotected Wildlands of the Jefferson National Forest.  The Wilderness Society, 1999.","Trail Lands: The Newsletter of the ATC Land Trust,  Vol. 17, No. 1, Spring 2001.","Audubon Naturalist,  Vol. 20, No. 7, \"What Does Disney's America Mean to Our Region?\", 1994-09.","Daniel D. Chazin, ed.,  Appalachian Trail Data Book 2000,  22nd ed., Harpers Ferry, WV: The Appalachian Trail Conference, 1999.","Karen Deans, ed.,  Conservation Options: A Landowner's Guide,  Washington, D. C.: Land Trust Alliance, 1999.","Benton MacKaye,  The New Exploration: A Philosophy of Regional Planning,  Harpers Ferry, WV: The Appalachian Trail Conference and Urbana-Champaign, Ill.: University of Illinois Press, 1990.","Murray Bookchin,  Our Synthetic Environment,  Rev. Ed., New York City: Harper \u0026 Row, 1974.","Leonard M. Adkins (a member of the RATC),  50 Hikes in Northern Virginia: Walks, Hikes, and Backpacks from the Allegheny Mountains to the Chesapeake Bay,  Woodstock, VT: Backcountry Publications, 1994 (1995 printing).","Steve Nash,  Blue Ridge 2020: An Owner's Manual,  Chapel Hill, N. C., and London: The University of North Carolina Press, 1999.","William Birchard, Jr., and Robert Proudman,  Appalacian Trail: Design, Construction, and Maintenance,  2nd ed., Harpers Ferry, WV: The Appalachian Trail Conference, 2000.","Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Roanoke Appalachian Trail Club (RATC) Records document the management of the club from its founding in 1932. The collection includes the club newsletters, board minutes, former officers' and members' records, NPS and RATC acquisition information, conservation issues, management plans, histories of the club, scrapbooks, and photographs. The RATC continues its original mission to maintain and protect the Appalachian Trail (AT), and the club covers over 120 miles of the AT, including McAfee Knob, Dragon's Tooth, and Tinker Cliffs.","Please note:  This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.","Special Collections and University Archives, Virginia Tech","Roanoke Appalachian Trail Club (Roanoke, Va.)","The materials in the collection are in English."],"unitid_tesim":["Ms.2024.054"],"normalized_title_ssm":["Roanoke Appalachian Trail Club Records"],"collection_title_tesim":["Roanoke Appalachian Trail Club Records"],"collection_ssim":["Roanoke Appalachian Trail Club Records"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Appalachian Mountains","Appalachian Trail","Roanoke (Va.)","Virginia, Southwest"],"geogname_ssim":["Appalachian Mountains","Appalachian Trail","Roanoke (Va.)","Virginia, Southwest"],"creator_ssm":["Roanoke Appalachian Trail Club (Roanoke, Va.)"],"creator_ssim":["Roanoke Appalachian Trail Club (Roanoke, Va.)"],"creator_corpname_ssim":["Roanoke Appalachian Trail Club (Roanoke, Va.)"],"creators_ssim":["Roanoke Appalachian Trail Club (Roanoke, Va.)"],"places_ssim":["Appalachian Mountains","Appalachian Trail","Roanoke (Va.)","Virginia, Southwest"],"access_terms_ssm":["Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to Special Collections and University Archives in several accruals from 2023 to 2025. Future donations are expected."],"access_subjects_ssim":["Environmental protection","Local/Regional History and Appalachian South"],"access_subjects_ssm":["Environmental protection","Local/Regional History and Appalachian South"],"has_online_content_ssim":["false"],"extent_ssm":["27.5 Cubic Feet 23 boxes"],"extent_tesim":["27.5 Cubic Feet 23 boxes"],"date_range_isim":[1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research, except Box 22 which contains restricted materials. Restricted folders are identified within the inventory. Contact Special Collections and University Archives for more information.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese minutes were printed on the back of recycled paper with sensitive private information, and these materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese minutes were printed on the back of recycled paper with sensitive private information, and these materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research, except Box 22 which contains restricted materials. Restricted folders are identified within the inventory. Contact Special Collections and University Archives for more information.","These minutes were printed on the back of recycled paper with sensitive private information, and these materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These minutes were printed on the back of recycled paper with sensitive private information, and these materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years."],"appraisal_html_tesm":["\u003cp\u003eDuplicates, blank notepads, empty envelopes, and binders were removed from collection. Some documents with confidential or private information were returned to the Roanoke Appalachian Trail Club.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal"],"appraisal_tesim":["Duplicates, blank notepads, empty envelopes, and binders were removed from collection. Some documents with confidential or private information were returned to the Roanoke Appalachian Trail Club."],"arrangement_html_tesm":["\u003cp\u003eThe Roanoke Appalachian Trail Club Records are arranged into series and subseries by subject, based primarily on the descriptions by the RATC. Original order of files provided by the RATC is maintained where possible. Folder titles are original, except text within brackets [].\u003c/p\u003e\n","\u003cp\u003eSeries I: RATC Management, [ca. 1840s?], [ca. 1880s]-2024 (bulk 1932-2016)\u003c/p\u003e\n","\u003cp\u003eThis series contains materials created, collected, and maintained by the RATC for its operations. It is divided into eight sub-series based on material type or subject, based on original order provided by the RATC. \u003c/p\u003e\n","\u003cp\u003e\u003clist\u003e\n\u003citem\u003e\nSubseries A: RATC Meeting Minutes, 1940-1959, 1968-2004, 2022\n\u003c/item\u003e\u003citem\u003e\nSubseries B: RATC By-Laws and Rosters, 1955, 1960, 1972-1993\n\u003c/item\u003e\u003citem\u003e\nSubseries C: RATC Newsletters and Hike Schedules, 1939-1942, 1954-2010\n\u003c/item\u003e\u003citem\u003e\nSubseries D: Monitoring the Appalachian Trail: Land Tract Files, [ca. 1840s?], [ca. 1880s]-2010 (bulk 1980s-2010) - Please note, many of these documents are photocopies, and the dates are based on the originals.\n\u003c/item\u003e\u003citem\u003e\nSubseries E: Acquisitions and Relocations, 1949, 1955, [ca. 1960s]-1997, 2024\n\u003c/item\u003e\u003citem\u003e\nSubseries F: Management Plans and Conservation Issues, 1964-1982, 1991-2003, 2010, 2016, 2024\n\u003c/item\u003e\u003citem\u003e\nSubseries G: General Files, 1952, 1958, 1971-2014\n\u003c/item\u003e\u003citem\u003e\nSubseries H: RATC Historical Materials, 1932-1962, 1977-2000, 2020-[ca. 2024]\n\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e\n","\u003cp\u003eSeries II: RATC Officers and Members, 1939-2025\u003c/p\u003e\n","\u003cp\u003eThis series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members. It is divided into eight sub-series by person and in chronological order. Each subseries is organized based on topic, and original order is maintained where possible.\u003c/p\u003e\n","\u003cp\u003e\u003clist\u003e\n\u003citem\u003e\nSubseries A: Thomas Campbell, 1939-2024 (bulk 1950s-1970s)\n\u003c/item\u003e\u003citem\u003e\nSubseries B: Otey Family, 1949-1953, 2024-2025, undated\n\u003c/item\u003e\u003citem\u003e\nSubseries C: Dick Clark, 1953-2006 (bulk 1980s-2000s)\n\u003c/item\u003e\u003citem\u003e\nSubseries D: Bill Cochran, 1966-2018\n\u003c/item\u003e\u003citem\u003e\nSubseries E: Zetta Campbell, 1972-1976, 1993, 2024\n\u003c/item\u003e\u003citem\u003e\nSubseries F: Charles Parry, 1972-2024 (bulk 1970s-1990s)\n\u003c/item\u003e\u003citem\u003e\nSubseries G: Sigfried and Ursula Kolmstetter, 1972-1996, 2019, 2024\n\u003c/item\u003e\u003citem\u003e\nSubseries H: Andy Layne, 1977-1990, undated\n\u003c/item\u003e\u003citem\u003e\nSubseries I: Roger Holnback, 1980-2012 (bulk 1990s-2000s)\n\u003c/item\u003e\u003citem\u003e\nSubseries J: Linda Akers, [ca. 1983]-1992, 2000-2015, 2022\n\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Roanoke Appalachian Trail Club Records are arranged into series and subseries by subject, based primarily on the descriptions by the RATC. Original order of files provided by the RATC is maintained where possible. Folder titles are original, except text within brackets [].","Series I: RATC Management, [ca. 1840s?], [ca. 1880s]-2024 (bulk 1932-2016)","This series contains materials created, collected, and maintained by the RATC for its operations. It is divided into eight sub-series based on material type or subject, based on original order provided by the RATC. ","\nSubseries A: RATC Meeting Minutes, 1940-1959, 1968-2004, 2022\n \nSubseries B: RATC By-Laws and Rosters, 1955, 1960, 1972-1993\n \nSubseries C: RATC Newsletters and Hike Schedules, 1939-1942, 1954-2010\n \nSubseries D: Monitoring the Appalachian Trail: Land Tract Files, [ca. 1840s?], [ca. 1880s]-2010 (bulk 1980s-2010) - Please note, many of these documents are photocopies, and the dates are based on the originals.\n \nSubseries E: Acquisitions and Relocations, 1949, 1955, [ca. 1960s]-1997, 2024\n \nSubseries F: Management Plans and Conservation Issues, 1964-1982, 1991-2003, 2010, 2016, 2024\n \nSubseries G: General Files, 1952, 1958, 1971-2014\n \nSubseries H: RATC Historical Materials, 1932-1962, 1977-2000, 2020-[ca. 2024]\n","Series II: RATC Officers and Members, 1939-2025","This series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members. It is divided into eight sub-series by person and in chronological order. Each subseries is organized based on topic, and original order is maintained where possible.","\nSubseries A: Thomas Campbell, 1939-2024 (bulk 1950s-1970s)\n \nSubseries B: Otey Family, 1949-1953, 2024-2025, undated\n \nSubseries C: Dick Clark, 1953-2006 (bulk 1980s-2000s)\n \nSubseries D: Bill Cochran, 1966-2018\n \nSubseries E: Zetta Campbell, 1972-1976, 1993, 2024\n \nSubseries F: Charles Parry, 1972-2024 (bulk 1970s-1990s)\n \nSubseries G: Sigfried and Ursula Kolmstetter, 1972-1996, 2019, 2024\n \nSubseries H: Andy Layne, 1977-1990, undated\n \nSubseries I: Roger Holnback, 1980-2012 (bulk 1990s-2000s)\n \nSubseries J: Linda Akers, [ca. 1983]-1992, 2000-2015, 2022\n"],"bioghist_html_tesm":["\u003cp\u003eThe Appalachian Trail (AT), a hiking trail along the Appalachian Mountains in the United States, was first proposed by Bernard MacKaye in 1921, and two years later, the first section opened in New York State. In 1925, the Appalachian Trail Conference (ATC) formed to help manage the maintenance and conservation of the AT, and in 2005, the ATC was renamed Appalachian Trail Conservancy. As of 2025, the AT spans almost 2,200 miles in 14 states from Maine to Georgia, with 25% of the trail traversing Virginia and 30 local AT clubs affiliated with the ATC.\u003c/p\u003e\n","\u003cp\u003eLocal hiking clubs began organizing to build and maintain the AT and joining the ATC in the 1920s and 1930s. In October 1932, Donald S. Gates, a professor at Roanoke College, gathered several hikers and local groups to discuss forming an AT club in the Roanoke area. At a second meeting in October, Myron H. Avery, the chairman of the ATC, and members from the Potomac and Natural Bridge AT Clubs joined them to explain various aspects of their work. \u003c/p\u003e\n","\u003cp\u003eOn November 13, 1932, the Roanoke Appalachian Trail Club (RATC) was officially established with 17 charter members, including the first officers: president Gates, secretary E. B. Coxwell, treasurer Larry Pownall, and trail supervisor David Dick. Grace Pownall was appointed vice president about two (2) weeks later. The ATC initially assigned the RATC 55 miles of the trail to manage, but by the club's first anniversary, the section had expanded to 68.29 miles.\u003c/p\u003e\n","\u003cp\u003eAs of 2025, the RATC covers over 120 miles, including McAfee Knob, Dragon's Tooth, and Tinker Cliffs. The organization continues its original mission to maintain and protect the Appalachian Trail; develops and maintains trails, campsites, open shelters, and permanent camps on the AT; collects data about the history, scenery, geology, flora, and fauna of the Appalachian Mountains; prepares maps and guides for hiking, camping, and forest fire prevention; and participates in and advocates for the development of laws and regulations related to the AT and the Appalachian Mountains.\u003c/p\u003e\n","\u003cp\u003eBiographical notes for several RATC members are included in the inventory under Series II.\u003c/p\u003e\n","\u003cp\u003eExternal Sources: \u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 48, \"RATC Histories Written in 1980s,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 52, \"RATC Histories Written in 1950s,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 53, \"RATC History, 1932-1945,\" of this collection\u003c/p\u003e\n","\u003cp\u003eRoanoke Appalachian Trail Club, \u003ca target=\"_blank\" href=\"https://www.ratc.org/\"\u003ehttps://www.ratc.org/\u003c/a\u003e, accessed May 1, 2024.\u003c/p\u003e\n","\u003cp\u003eBy-Laws of the Roanoke Appalachian Trail Club, Inc., Rev. March 12, 2016, \u003ca target=\"_blank\" href=\"https://www.ratc.org/wp-content/uploads/documents/bylaws.pdf\"\u003ehttps://www.ratc.org/wp-content/uploads/documents/bylaws.pdf\u003c/a\u003e, accessed May 1, 2024.\u003c/p\u003e\n","\u003cp\u003eDiana Christopulos, \"How Three Hiking Clubs Became the Roanoke Appalachian Trail Club,\" RATC.org, \u003ca target=\"_blank\" href=\"https://www.ratc.org/how-three-hiking-clubs-became-the-roanoke-appalachian-trail-club/\"\u003ehttps://www.ratc.org/how-three-hiking-clubs-became-the-roanoke-appalachian-trail-club/\u003c/a\u003e, accessed September 25, 2025.\u003c/p\u003e\n","\u003cp\u003eAppalachian Trail Conservancy, \u003ca target=\"_blank\" href=\"https://appalachiantrail.org/\"\u003ehttps://appalachiantrail.org/\u003c/a\u003e, accessed October 3, 2025.\u003c/p\u003e","\u003cp\u003eThomas Healy \"Tom\" Campbell (1899-1986) attended the College of William and Mary from 1915 to 1916 and Richmond College (now University of Richmond) from 1917 to 1919. He married Charlene Lunsford (1902-1986) in 1922, and they had a daughter. In 1965, they both left their employers. Tom retired as Chief Investigator in the Auditor's office of the Norfolk and Western Railway, while Charlene left her employer of 20 years, Roanoke-based retail chain Heironimus.\u003c/p\u003e\n","\u003cp\u003eTom joined the Roanoke Appalachian Trail Club in 1947, and Charlene followed suit several years later. Each served in several offices for RATC, including Tom as President from 1950-1951. He also served on the Appalachian Trail Conference's Board of Managers from 1950-1975, including fourteen (14) years as Vice Chairman (1961-1975). Tom was also a charter member of the Appalachian National Scenic Trail Advisory Committee.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eBox 12, Folder 3, \"[Biographical information about Thomas and Charlene Campbell],\" of this collection\u003c/p\u003e\n","\u003cp\u003e\"Thomas Healy Campbell,\" Findagrave.com, \u003ca target=\"_blank\" href=\"https://www.findagrave.com/memorial/84378864/thomas-healy-campbell\"\u003ehttps://www.findagrave.com/memorial/84378864/thomas-healy-campbell\u003c/a\u003e, accessed September 18, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Charlene Lunsford Campbell,\" Findagrave.com, \u003ca target=\"_blank\" href=\"https://www.findagrave.com/memorial/84378830/charlene-campbell\"\u003ehttps://www.findagrave.com/memorial/84378830/charlene-campbell\u003c/a\u003e, accessed September 18, 2025.\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eThe Spider\u003c/title\u003e (Richmond College yearbook), Vols. 16-17, 1918-1919, available online from the University of Richmond, \u003ca target=\"_blank\" href=\"https://scholarship.richmond.edu/the-spider/\"\u003ehttps://scholarship.richmond.edu/the-spider/\u003c/a\u003e, accessed September 19, 2025. \u003c/p\u003e","\u003cp\u003eBiographical note by Diana Christopulos, Feb. 18, 2025: \"Marie and John Otey were RATC volunteers in the early 1950s, and they worked on the relocations led by Jimmy Denton near the Blue Ridge Parkway and around Roanoke. They joined in late 1949 and were active 1950-55. John was Assistant Trail Supervisor in 1952, 1953, 1955. He was also active on the Publicity Committee and took numerous photos on the Trail.\"\u003c/p\u003e\n","\u003cp\u003eJohn Otway Otey, Jr. (1906-1980) married Goldie Marie Dean Peters (1906-1989) in 1950. John worked as a clerk for Norfolk and Western Railway, while Marie worked as a stenographer or secretary.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 54, \"[Notes and correspondence about the Otey Family Papers],\" of this collection\u003c/p\u003e\n","\u003cp\u003eU.S. Federal Census, 1940-1950, accessed online from Ancestry.com on September 19, 2025.\u003c/p\u003e\n","\u003cp\u003e\"John Otway Otey Jr.,\" Findagrave.com, \u003ca target=\"_blank\" href=\"https://www.findagrave.com/memorial/185149412/john-otway-otey\"\u003ehttps://www.findagrave.com/memorial/185149412/john-otway-otey\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Goldie Marie Dean Otey,\" Findagrave.com, \u003ca target=\"_blank\" href=\"https://www.findagrave.com/memorial/207412197/goldie_marie-otey\"\u003ehttps://www.findagrave.com/memorial/207412197/goldie_marie-otey\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e\n","\u003cp\u003e\"John Otway Otey\" in the Virginia, U.S., Marriage Records, 1936-2014, Ancestry.com, \u003ca target=\"_blank\" href=\"https://www.ancestrylibrary.com/search/collections/9279/records/11741905\"\u003ehttps://www.ancestrylibrary.com/search/collections/9279/records/11741905\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e","\u003cp\u003eDick Clark has served in numerous positions in the RATC from the 1980s to 2010s, including hikemaster (1984-1994), vice president (1998-2000), president (2000-2003), and counselor (2003-2015).\u003c/p\u003e\n","\u003cp\u003eClark was appointed by the Roanoke City Council to serve on the Mill Mountain Advisory Committee from 1999 to 2014, and he served as vice chair during his tenure.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 3, \u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e newsletters, of this collection\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e newsletters, Roanoke Appalachian Trail Club, \u003ca target=\"_blank\" href=\"https://www.ratc.org/newsletter/\"\u003ehttps://www.ratc.org/newsletter/\u003c/a\u003e, accessed Oct. 2, 2025.\u003c/p\u003e\n","\u003cp\u003eMatt Chittum, \"Mountain advisers up for an upgrade,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e p. B1, April 6, 2014, accessed online from NewsBank on October 2, 2025.\u003c/p\u003e\n","\u003cp\u003eMatt Chittum, \"Fancier Franklin bridge suggested,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e p. B1, June 3, 2014, accessed online from NewsBank on October 2, 2025.\u003c/p\u003e","\u003cp\u003eWilliam Neal \"Bill\" Cochran (1937-2024) was a journalist who focused on the outdoors, writing for \u003ctitle render=\"italic\"\u003eThe Roanoke Times\u003c/title\u003e from 1962 until 2018–two (2) decades after retiring as the newspaper's outdoors editor in 1998. His coverage included many trail hikes with the Roanoke Appalachian Trail Club, conservation issues in Virginia, and outdoor sporting and the Appalachian Trail. Cochran received 10 awards from the Virginia Press Association, was honored by the Virginia General Assembly with the House Joint Resolution 520 \"Commending Bill Cochran\" in 1999, and was the 2009 media inductee in the Virginia Sports Hall of Fame.\u003c/p\u003e\n","\u003cp\u003eCochran graduated from Lynchburg College (now University of Lynchburg) with a bachelor's degree in English in 1960, and he served in the Virginia National Guard. He married Katherine Gravett in 1965, and they had a son. They operated the Cross Trails Bed and Breakfast near the Appalachian Trail in Catawba from 1995 to 2003 as well as a Christmas tree farm in West Virginia. \u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eMark Taylor, \"Legendary Roanoke outdoors writer Bill Cochran dies,\" \u003ctitle render=\"italic\"\u003eCardinal News,\u003c/title\u003e July 1, 2024, \u003ca target=\"_blank\" href=\"https://cardinalnews.org/2024/07/01/legendary-roanoke-outdoors-writer-bill-cochran-dies/\"\u003ehttps://cardinalnews.org/2024/07/01/legendary-roanoke-outdoors-writer-bill-cochran-dies/\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e\n","\u003cp\u003eObituary for William N. \"Bill\" Cochran, \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e July 7, 2024, available online from Legacy.com, \u003ca target=\"_blank\" href=\"https://www.legacy.com/us/obituaries/roanoke/name/william-cochran-obituary?id=55481593\"\u003ehttps://www.legacy.com/us/obituaries/roanoke/name/william-cochran-obituary?id=55481593\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e\n","\u003cp\u003eMark Berman, \"Bill Cochran | 1937-2024: Outdoors editor was 'an institution',\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e July 2, 2024, p. A1 and A6, accessed online from NewsBank on September 19, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Bill Cochran,\" Virginia Sports Hall of Fame, \u003ca target=\"_blank\" href=\"https://vasportshof.com/inductee/bill-cochran/\"\u003ehttps://vasportshof.com/inductee/bill-cochran/\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Virginia HJ520 Commending Bill Cochran,\" Policy Engage, \u003ca target=\"_blank\" href=\"https://trackbill.com/bill/virginia-house-joint-resolution-520-commending-bill-cochran/512861/\"\u003ehttps://trackbill.com/bill/virginia-house-joint-resolution-520-commending-bill-cochran/512861/\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e\n","\u003cp\u003e\"William Neal Cochran\" in the Virginia, U.S., Marriage Records, 1936-2014, Ancestry.com, \u003ca target=\"_blank\" href=\"https://www.ancestrylibrary.com/search/collections/9279/records/12779996\"\u003ehttps://www.ancestrylibrary.com/search/collections/9279/records/12779996\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e","\u003cp\u003eZetta Marie Campbell (1930-2024) joined the Roanoke Appalachian Trail Club in 1959. She also served as secretary (1964-1965, 1968-1969, 1983-1984) and editor of the \u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e newsletter (1970-1977). Campbell also illustrated the hike schedules in the 1970s and led hikes until at least 2019. She received the Appalachian Trail Park Office's Silver Service Award in 2002.\u003c/p\u003e\n","\u003cp\u003eSources: \u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 66, \"1970s - Zetta Campbell Drawings/Hike Scheds,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection\u003c/p\u003e\n","\u003cp\u003eObituary for Zetta Campbell, \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e July 5, 2024, p. A6, available online from Legacy.com, \u003ca target=\"_blank\" href=\"https://www.legacy.com/us/obituaries/roanoke/name/zetta-campbell-obituary?id=55488335\"\u003ehttps://www.legacy.com/us/obituaries/roanoke/name/zetta-campbell-obituary?id=55488335\u003c/a\u003e, accessed September 22, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Zetta Marie Campbell\", Findagrave.com, \u003ca target=\"_blank\" href=\"https://www.findagrave.com/memorial/272121036/zetta_marie-campbell\"\u003ehttps://www.findagrave.com/memorial/272121036/zetta_marie-campbell\u003c/a\u003e, accessed September 22, 2025.\u003c/p\u003e","\u003cp\u003eCharles Parry (1942-2010) joined the Roanoke Appalachian Trail Club in 1972, serving as the Trail Supervisor from 1979 until his death. He received the Appalachian Trail Park Office's Silver Service Award in 2002 and was inducted into the Appalachian Trail Hall of Fame in 2017, the first RATC member to receive this honor.\u003c/p\u003e\n","\u003cp\u003eParry graduated from the State University of New York College at Oswego (now State University of New York at Oswego) and earned a master's and a Ph.D. in mathematics from Michigan State University around 1969 or 1970. He was a professor of mathematics at Virginia Tech from 1971 until his retirement in 2010, establishing a research program in number theory, helping to design mathematics courses for computer science students, and serving as Math Club adviser. \u003c/p\u003e\n","\u003cp\u003eSources: \u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 67, \"Charles Parry AT Hall of Fame,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection\u003c/p\u003e\n","\u003cp\u003e\"Charles Parry honored with emeritus status,\" Virginia Tech News, October 19, 2010, \u003ca target=\"_blank\" href=\"https://news.vt.edu/content/news_vt_edu/en/articles/2010/10/101910-science-parry.html\"\u003ehttps://news.vt.edu/content/news_vt_edu/en/articles/2010/10/101910-science-parry.html\u003c/a\u003e, accessed September 18, 2025.\u003c/p\u003e\n","\u003cp\u003e\"In memoriam: Charles Parry, emeritus professor of mathematics,\" Virginia Tech News, January 10, 2011, \u003ca target=\"_blank\" href=\"https://news.vt.edu/articles/2011/01/011011-science-parry.html\"\u003ehttps://news.vt.edu/articles/2011/01/011011-science-parry.html\u003c/a\u003e, accessed September 18, 2025.\u003c/p\u003e\n","\u003cp\u003eObituary for Charles John Parry, \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e December 28, 2010, p. A12, accessed online from NewsBank on September 18, 2025.\u003c/p\u003e\n","\u003cp\u003eMark Taylor, \"Math teacher devoted himself to AT,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e December 28, 2010, accessed online from NewsBank on October 2, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Charles J. Parry,\" Findagrave.com, \u003ca target=\"_blank\" href=\"https://www.findagrave.com/memorial/232281708/charles-j-parry\"\u003ehttps://www.findagrave.com/memorial/232281708/charles-j-parry\u003c/a\u003e, accessed September 18, 2025.\u003c/p\u003e\n","\u003cp\u003eAppalachian Trail Hall of Fame, \"2017 Class,\" Appalachian Trail Museum, \u003ca target=\"_blank\" href=\"https://www.atmuseum.org/2017-class.html\"\u003ehttps://www.atmuseum.org/2017-class.html\u003c/a\u003e, accessed September 18, 2025.\u003c/p\u003e","\u003cp\u003eSiegfried and Ursula Kolmstetter joined the RATC in 1971. Siegfried served as vice president (1974) and counselor (1972-1973), while both volunteered as hike leaders for decades. The couple maintained the McAfee Knob section of the AT for over 25 years, until the couple moved out of the area in 1996. Siegfried received the Appalachian Trail Park Office's Silver Service Award in 2002.\u003c/p\u003e\n","\u003cp\u003eAt the end of World War II in May 1945, 17-year-old Ursula Edith Walter (1927-2023) was captured by the Russian Army and imprisoned at the Theresienstadt prison camp. Eight (8) months after her imprisonment, she escaped and moved to West Germany, where she met Siegfried J. Kolmstetter (1921-2019). They married in 1952 and had several children. The Kolmstetters immigrated to the U.S. in 1957, settling in Roanoke in 1970. Siegfried was a physician for the Veterans Administration Hospital in Salem from 1970 to 1998. He received the hospital's Hands and Heart Award in 1992.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eBox 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection\u003c/p\u003e\n","\u003cp\u003eObituary for Ursula Edith Kolmstetter, \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e January 3, 2024, available online from Legacy.com, \u003ca target=\"_blank\" href=\"https://www.legacy.com/us/obituaries/roanoke/name/ursula-kolmstetter-obituary?id=53995534\"\u003ehttps://www.legacy.com/us/obituaries/roanoke/name/ursula-kolmstetter-obituary?id=53995534\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e\n","\u003cp\u003eDan Casey, \"Physician was caretaker for people, trails,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e March 28, 2019, p. 1-2, accessed online from NewsBank on September 22, 2025.\u003c/p\u003e","\u003cp\u003eAndy Layne (1912-1991) joined the Roanoke Appalachian Trail Club in 1978. He led numerous hikes and helped with hike scheduling; attended workhikes and backpacking trips; and oversaw a section of the trail. Layne also served in several positions on the RATC Board, including shelter supervisor (1980), vice president (1981), and counselor (1985-1986). On the 10th anniversary of his death, the Andy Layne Trail in the Tinker Cliffs area was dedicated in his memory.\u003c/p\u003e\n","\u003cp\u003eSource:\u003c/p\u003e\n","\u003cp\u003eBox 19, Folder 46, \"[Andy Layne biographical information],\" of this collection\u003c/p\u003e","\u003cp\u003eRoger Holnback joined the RATC in 1996 and served in numerous positions, including as president (2006-2009, 2015-2016), vice president (2003-2006, 2016-2017), land management supervisor (2009-2013), and conservation supervisor (2013-2015). He also was an ATC Land Trust coordinator and Roanoke Valley Greenways liaison in the 2000s and 2010s. His wife Lauren Taylor Holnback was also an RATC member.\u003c/p\u003e\n","\u003cp\u003eHolnback served as executive director of the Western Virginia Land Trust (2001-2012), which worked with the City of Roanoke and other groups to place over 11,000 acres of Carvins Cove Natural Reserve under a conservation easement in 2008 and 2009. He was given the Roanoke Valley Cool Cities Coalition's Cool Citizens award in 2012. Later, he was chairman of the Blue Ridge Soil and Water Conservation District and president of the Pathfinders for Greenways. \u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eBox 3, \u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e newsletters, of this collection\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e newsletters, Roanoke Appalachian Trail Club, \u003ca target=\"_blank\" href=\"https://www.ratc.org/newsletter/\"\u003ehttps://www.ratc.org/newsletter/\u003c/a\u003e, accessed Oct. 2, 2025.\u003c/p\u003e\n","\u003cp\u003eMason Adams, \"From land and air, teams work to preserve Carvins Cove's aura,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times\u003c/title\u003e, January 6, 2011, accessed online from NewsBank on October 2, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Western Virginia Land Trust director steps down,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times\u003c/title\u003e, February 10, 2012, accessed online from NewsBank on October 2, 2025.\u003c/p\u003e\n","\u003cp\u003eDanielle Dunaway, \"Cool Citizens awards laud energy-efficient efforts,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times\u003c/title\u003e, March 16, 2012, accessed online from NewsBank on October 2, 2025.\u003c/p\u003e\n","\u003cp\u003eSam Wall, \"Hinchee Park opens in Roanoke County - Hinchee Park opens in Roanoke County,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times\u003c/title\u003e, September 29, 2019, accessed online from NewsBank on October 2, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Board and Staff,\" Blue Ridge Soil and Water Conservation District website, \u003ca target=\"_blank\" href=\"https://www.brswcd.org/team-2\"\u003ehttps://www.brswcd.org/team-2\u003c/a\u003e, accessed October 2, 2025.\u003c/p\u003e","\u003cp\u003eLinda Akers joined the RATC in 1969 or 1970. She served in numerous positions on the board, including secretary (1981-1982), editor of the \u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e (1982-1985), and social chair (1987-1999, 2013-2017). She received the Appalachian Trail Park Office's Silver Service Award in 2002.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eBox 17, Folder 41, \"[Linda Akers Interview notes by Diana Christopulos],\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Biographical Note","Biographical Note","Biographical Note","Biographical Note","Biographical Note","Biographical Note","Biographical Note","Biographical Note","Biographical Note","Biographical Note"],"bioghist_tesim":["The Appalachian Trail (AT), a hiking trail along the Appalachian Mountains in the United States, was first proposed by Bernard MacKaye in 1921, and two years later, the first section opened in New York State. In 1925, the Appalachian Trail Conference (ATC) formed to help manage the maintenance and conservation of the AT, and in 2005, the ATC was renamed Appalachian Trail Conservancy. As of 2025, the AT spans almost 2,200 miles in 14 states from Maine to Georgia, with 25% of the trail traversing Virginia and 30 local AT clubs affiliated with the ATC.","Local hiking clubs began organizing to build and maintain the AT and joining the ATC in the 1920s and 1930s. In October 1932, Donald S. Gates, a professor at Roanoke College, gathered several hikers and local groups to discuss forming an AT club in the Roanoke area. At a second meeting in October, Myron H. Avery, the chairman of the ATC, and members from the Potomac and Natural Bridge AT Clubs joined them to explain various aspects of their work. ","On November 13, 1932, the Roanoke Appalachian Trail Club (RATC) was officially established with 17 charter members, including the first officers: president Gates, secretary E. B. Coxwell, treasurer Larry Pownall, and trail supervisor David Dick. Grace Pownall was appointed vice president about two (2) weeks later. The ATC initially assigned the RATC 55 miles of the trail to manage, but by the club's first anniversary, the section had expanded to 68.29 miles.","As of 2025, the RATC covers over 120 miles, including McAfee Knob, Dragon's Tooth, and Tinker Cliffs. The organization continues its original mission to maintain and protect the Appalachian Trail; develops and maintains trails, campsites, open shelters, and permanent camps on the AT; collects data about the history, scenery, geology, flora, and fauna of the Appalachian Mountains; prepares maps and guides for hiking, camping, and forest fire prevention; and participates in and advocates for the development of laws and regulations related to the AT and the Appalachian Mountains.","Biographical notes for several RATC members are included in the inventory under Series II.","External Sources: ","Box 13, Folder 48, \"RATC Histories Written in 1980s,\" of this collection","Box 13, Folder 52, \"RATC Histories Written in 1950s,\" of this collection","Box 13, Folder 53, \"RATC History, 1932-1945,\" of this collection","Roanoke Appalachian Trail Club,  https://www.ratc.org/ , accessed May 1, 2024.","By-Laws of the Roanoke Appalachian Trail Club, Inc., Rev. March 12, 2016,  https://www.ratc.org/wp-content/uploads/documents/bylaws.pdf , accessed May 1, 2024.","Diana Christopulos, \"How Three Hiking Clubs Became the Roanoke Appalachian Trail Club,\" RATC.org,  https://www.ratc.org/how-three-hiking-clubs-became-the-roanoke-appalachian-trail-club/ , accessed September 25, 2025.","Appalachian Trail Conservancy,  https://appalachiantrail.org/ , accessed October 3, 2025.","Thomas Healy \"Tom\" Campbell (1899-1986) attended the College of William and Mary from 1915 to 1916 and Richmond College (now University of Richmond) from 1917 to 1919. He married Charlene Lunsford (1902-1986) in 1922, and they had a daughter. In 1965, they both left their employers. Tom retired as Chief Investigator in the Auditor's office of the Norfolk and Western Railway, while Charlene left her employer of 20 years, Roanoke-based retail chain Heironimus.","Tom joined the Roanoke Appalachian Trail Club in 1947, and Charlene followed suit several years later. Each served in several offices for RATC, including Tom as President from 1950-1951. He also served on the Appalachian Trail Conference's Board of Managers from 1950-1975, including fourteen (14) years as Vice Chairman (1961-1975). Tom was also a charter member of the Appalachian National Scenic Trail Advisory Committee.","Sources:","Box 12, Folder 3, \"[Biographical information about Thomas and Charlene Campbell],\" of this collection","\"Thomas Healy Campbell,\" Findagrave.com,  https://www.findagrave.com/memorial/84378864/thomas-healy-campbell , accessed September 18, 2025.","\"Charlene Lunsford Campbell,\" Findagrave.com,  https://www.findagrave.com/memorial/84378830/charlene-campbell , accessed September 18, 2025.","The Spider  (Richmond College yearbook), Vols. 16-17, 1918-1919, available online from the University of Richmond,  https://scholarship.richmond.edu/the-spider/ , accessed September 19, 2025. ","Biographical note by Diana Christopulos, Feb. 18, 2025: \"Marie and John Otey were RATC volunteers in the early 1950s, and they worked on the relocations led by Jimmy Denton near the Blue Ridge Parkway and around Roanoke. They joined in late 1949 and were active 1950-55. John was Assistant Trail Supervisor in 1952, 1953, 1955. He was also active on the Publicity Committee and took numerous photos on the Trail.\"","John Otway Otey, Jr. (1906-1980) married Goldie Marie Dean Peters (1906-1989) in 1950. John worked as a clerk for Norfolk and Western Railway, while Marie worked as a stenographer or secretary.","Sources:","Box 13, Folder 54, \"[Notes and correspondence about the Otey Family Papers],\" of this collection","U.S. Federal Census, 1940-1950, accessed online from Ancestry.com on September 19, 2025.","\"John Otway Otey Jr.,\" Findagrave.com,  https://www.findagrave.com/memorial/185149412/john-otway-otey , accessed September 19, 2025.","\"Goldie Marie Dean Otey,\" Findagrave.com,  https://www.findagrave.com/memorial/207412197/goldie_marie-otey , accessed September 19, 2025.","\"John Otway Otey\" in the Virginia, U.S., Marriage Records, 1936-2014, Ancestry.com,  https://www.ancestrylibrary.com/search/collections/9279/records/11741905 , accessed September 19, 2025.","Dick Clark has served in numerous positions in the RATC from the 1980s to 2010s, including hikemaster (1984-1994), vice president (1998-2000), president (2000-2003), and counselor (2003-2015).","Clark was appointed by the Roanoke City Council to serve on the Mill Mountain Advisory Committee from 1999 to 2014, and he served as vice chair during his tenure.","Sources:","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Box 3,  Trail Blazer  newsletters, of this collection","Trail Blazer  newsletters, Roanoke Appalachian Trail Club,  https://www.ratc.org/newsletter/ , accessed Oct. 2, 2025.","Matt Chittum, \"Mountain advisers up for an upgrade,\"  The Roanoke Times,  p. B1, April 6, 2014, accessed online from NewsBank on October 2, 2025.","Matt Chittum, \"Fancier Franklin bridge suggested,\"  The Roanoke Times,  p. B1, June 3, 2014, accessed online from NewsBank on October 2, 2025.","William Neal \"Bill\" Cochran (1937-2024) was a journalist who focused on the outdoors, writing for  The Roanoke Times  from 1962 until 2018–two (2) decades after retiring as the newspaper's outdoors editor in 1998. His coverage included many trail hikes with the Roanoke Appalachian Trail Club, conservation issues in Virginia, and outdoor sporting and the Appalachian Trail. Cochran received 10 awards from the Virginia Press Association, was honored by the Virginia General Assembly with the House Joint Resolution 520 \"Commending Bill Cochran\" in 1999, and was the 2009 media inductee in the Virginia Sports Hall of Fame.","Cochran graduated from Lynchburg College (now University of Lynchburg) with a bachelor's degree in English in 1960, and he served in the Virginia National Guard. He married Katherine Gravett in 1965, and they had a son. They operated the Cross Trails Bed and Breakfast near the Appalachian Trail in Catawba from 1995 to 2003 as well as a Christmas tree farm in West Virginia. ","Sources:","Mark Taylor, \"Legendary Roanoke outdoors writer Bill Cochran dies,\"  Cardinal News,  July 1, 2024,  https://cardinalnews.org/2024/07/01/legendary-roanoke-outdoors-writer-bill-cochran-dies/ , accessed September 19, 2025.","Obituary for William N. \"Bill\" Cochran,  The Roanoke Times,  July 7, 2024, available online from Legacy.com,  https://www.legacy.com/us/obituaries/roanoke/name/william-cochran-obituary?id=55481593 , accessed September 19, 2025.","Mark Berman, \"Bill Cochran | 1937-2024: Outdoors editor was 'an institution',\"  The Roanoke Times,  July 2, 2024, p. A1 and A6, accessed online from NewsBank on September 19, 2025.","\"Bill Cochran,\" Virginia Sports Hall of Fame,  https://vasportshof.com/inductee/bill-cochran/ , accessed September 19, 2025.","\"Virginia HJ520 Commending Bill Cochran,\" Policy Engage,  https://trackbill.com/bill/virginia-house-joint-resolution-520-commending-bill-cochran/512861/ , accessed September 19, 2025.","\"William Neal Cochran\" in the Virginia, U.S., Marriage Records, 1936-2014, Ancestry.com,  https://www.ancestrylibrary.com/search/collections/9279/records/12779996 , accessed September 19, 2025.","Zetta Marie Campbell (1930-2024) joined the Roanoke Appalachian Trail Club in 1959. She also served as secretary (1964-1965, 1968-1969, 1983-1984) and editor of the  Trail Blazer  newsletter (1970-1977). Campbell also illustrated the hike schedules in the 1970s and led hikes until at least 2019. She received the Appalachian Trail Park Office's Silver Service Award in 2002.","Sources: ","Box 13, Folder 66, \"1970s - Zetta Campbell Drawings/Hike Scheds,\" of this collection","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Obituary for Zetta Campbell,  The Roanoke Times,  July 5, 2024, p. A6, available online from Legacy.com,  https://www.legacy.com/us/obituaries/roanoke/name/zetta-campbell-obituary?id=55488335 , accessed September 22, 2025.","\"Zetta Marie Campbell\", Findagrave.com,  https://www.findagrave.com/memorial/272121036/zetta_marie-campbell , accessed September 22, 2025.","Charles Parry (1942-2010) joined the Roanoke Appalachian Trail Club in 1972, serving as the Trail Supervisor from 1979 until his death. He received the Appalachian Trail Park Office's Silver Service Award in 2002 and was inducted into the Appalachian Trail Hall of Fame in 2017, the first RATC member to receive this honor.","Parry graduated from the State University of New York College at Oswego (now State University of New York at Oswego) and earned a master's and a Ph.D. in mathematics from Michigan State University around 1969 or 1970. He was a professor of mathematics at Virginia Tech from 1971 until his retirement in 2010, establishing a research program in number theory, helping to design mathematics courses for computer science students, and serving as Math Club adviser. ","Sources: ","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Box 13, Folder 67, \"Charles Parry AT Hall of Fame,\" of this collection","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection","\"Charles Parry honored with emeritus status,\" Virginia Tech News, October 19, 2010,  https://news.vt.edu/content/news_vt_edu/en/articles/2010/10/101910-science-parry.html , accessed September 18, 2025.","\"In memoriam: Charles Parry, emeritus professor of mathematics,\" Virginia Tech News, January 10, 2011,  https://news.vt.edu/articles/2011/01/011011-science-parry.html , accessed September 18, 2025.","Obituary for Charles John Parry,  The Roanoke Times,  December 28, 2010, p. A12, accessed online from NewsBank on September 18, 2025.","Mark Taylor, \"Math teacher devoted himself to AT,\"  The Roanoke Times,  December 28, 2010, accessed online from NewsBank on October 2, 2025.","\"Charles J. Parry,\" Findagrave.com,  https://www.findagrave.com/memorial/232281708/charles-j-parry , accessed September 18, 2025.","Appalachian Trail Hall of Fame, \"2017 Class,\" Appalachian Trail Museum,  https://www.atmuseum.org/2017-class.html , accessed September 18, 2025.","Siegfried and Ursula Kolmstetter joined the RATC in 1971. Siegfried served as vice president (1974) and counselor (1972-1973), while both volunteered as hike leaders for decades. The couple maintained the McAfee Knob section of the AT for over 25 years, until the couple moved out of the area in 1996. Siegfried received the Appalachian Trail Park Office's Silver Service Award in 2002.","At the end of World War II in May 1945, 17-year-old Ursula Edith Walter (1927-2023) was captured by the Russian Army and imprisoned at the Theresienstadt prison camp. Eight (8) months after her imprisonment, she escaped and moved to West Germany, where she met Siegfried J. Kolmstetter (1921-2019). They married in 1952 and had several children. The Kolmstetters immigrated to the U.S. in 1957, settling in Roanoke in 1970. Siegfried was a physician for the Veterans Administration Hospital in Salem from 1970 to 1998. He received the hospital's Hands and Heart Award in 1992.","Sources:","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Obituary for Ursula Edith Kolmstetter,  The Roanoke Times,  January 3, 2024, available online from Legacy.com,  https://www.legacy.com/us/obituaries/roanoke/name/ursula-kolmstetter-obituary?id=53995534 , accessed September 19, 2025.","Dan Casey, \"Physician was caretaker for people, trails,\"  The Roanoke Times,  March 28, 2019, p. 1-2, accessed online from NewsBank on September 22, 2025.","Andy Layne (1912-1991) joined the Roanoke Appalachian Trail Club in 1978. He led numerous hikes and helped with hike scheduling; attended workhikes and backpacking trips; and oversaw a section of the trail. Layne also served in several positions on the RATC Board, including shelter supervisor (1980), vice president (1981), and counselor (1985-1986). On the 10th anniversary of his death, the Andy Layne Trail in the Tinker Cliffs area was dedicated in his memory.","Source:","Box 19, Folder 46, \"[Andy Layne biographical information],\" of this collection","Roger Holnback joined the RATC in 1996 and served in numerous positions, including as president (2006-2009, 2015-2016), vice president (2003-2006, 2016-2017), land management supervisor (2009-2013), and conservation supervisor (2013-2015). He also was an ATC Land Trust coordinator and Roanoke Valley Greenways liaison in the 2000s and 2010s. His wife Lauren Taylor Holnback was also an RATC member.","Holnback served as executive director of the Western Virginia Land Trust (2001-2012), which worked with the City of Roanoke and other groups to place over 11,000 acres of Carvins Cove Natural Reserve under a conservation easement in 2008 and 2009. He was given the Roanoke Valley Cool Cities Coalition's Cool Citizens award in 2012. Later, he was chairman of the Blue Ridge Soil and Water Conservation District and president of the Pathfinders for Greenways. ","Sources:","Box 3,  Trail Blazer  newsletters, of this collection","Trail Blazer  newsletters, Roanoke Appalachian Trail Club,  https://www.ratc.org/newsletter/ , accessed Oct. 2, 2025.","Mason Adams, \"From land and air, teams work to preserve Carvins Cove's aura,\"  The Roanoke Times , January 6, 2011, accessed online from NewsBank on October 2, 2025.","\"Western Virginia Land Trust director steps down,\"  The Roanoke Times , February 10, 2012, accessed online from NewsBank on October 2, 2025.","Danielle Dunaway, \"Cool Citizens awards laud energy-efficient efforts,\"  The Roanoke Times , March 16, 2012, accessed online from NewsBank on October 2, 2025.","Sam Wall, \"Hinchee Park opens in Roanoke County - Hinchee Park opens in Roanoke County,\"  The Roanoke Times , September 29, 2019, accessed online from NewsBank on October 2, 2025.","\"Board and Staff,\" Blue Ridge Soil and Water Conservation District website,  https://www.brswcd.org/team-2 , accessed October 2, 2025.","Linda Akers joined the RATC in 1969 or 1970. She served in numerous positions on the board, including secretary (1981-1982), editor of the  Trail Blazer  (1982-1985), and social chair (1987-1999, 2013-2017). She received the Appalachian Trail Park Office's Silver Service Award in 2002.","Sources:","Box 17, Folder 41, \"[Linda Akers Interview notes by Diana Christopulos],\" of this collection","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection"],"odd_html_tesm":["\u003cp\u003eThe guide to the Roanoke Appalachian Trail Club Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e","\u003cp\u003eMinutes for May 17, 2001, June 21, 2001, July 26, 2001, February 13, 2003, August 2, 2004, and September 13, 2004, have been restricted and moved to Box 22, Folder 1.\u003c/p\u003e","\u003cp\u003eRestricted minutes were separated from Box 1, Folder 34.\u003c/p\u003e","\u003cp\u003eAdditional membership rosters may be found in the club newsletters.\u003c/p\u003e","\u003cp\u003eThe agenda from January 12, 2004 have been restricted and moved to Box 22, Folder 25.\u003c/p\u003e","\u003cp\u003eRestricted minutes were separated from Box 16, Folders 3-5.\u003c/p\u003e","\u003cp\u003eRestricted item has been removed to Box 22, Folder 25.\u003c/p\u003e","\u003cp\u003eRestricted item moved from Box 19, Folder 14.\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description","Separated Materials","Separated Materials","General","Separated Materials","Separated Materials","Separated Materials","Separated Materials"],"odd_tesim":["The guide to the Roanoke Appalachian Trail Club Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Minutes for May 17, 2001, June 21, 2001, July 26, 2001, February 13, 2003, August 2, 2004, and September 13, 2004, have been restricted and moved to Box 22, Folder 1.","Restricted minutes were separated from Box 1, Folder 34.","Additional membership rosters may be found in the club newsletters.","The agenda from January 12, 2004 have been restricted and moved to Box 22, Folder 25.","Restricted minutes were separated from Box 16, Folders 3-5.","Restricted item has been removed to Box 22, Folder 25.","Restricted item moved from Box 19, Folder 14."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Roanoke Appalachian Trail Club Records, Ms2024-054, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Roanoke Appalachian Trail Club Records, Ms2024-054, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Roanoke Appalachian Trail Club Records was completed in October 2025. Box 16 was completed in March 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Roanoke Appalachian Trail Club Records was completed in October 2025. Box 16 was completed in March 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eVirginia Tech Special Collections and University Archives also has the \u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_3522.xml\"\u003eM. Rupert Cutler Papers,\u003c/a\u003e which covers many of the same and related environmental issues of the Appalachian Mountains, Roanoke, and Southwest Virginia.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["Virginia Tech Special Collections and University Archives also has the  M. Rupert Cutler Papers,  which covers many of the same and related environmental issues of the Appalachian Mountains, Roanoke, and Southwest Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Roanoke Appalachian Trail Club (RATC) Records document the management of the club from its founding in 1932. The collection includes the club newsletters, board minutes, former officers' and members' records, National Park Service and RATC acquisition information, conservation issues, management plans, histories of the club, scrapbooks, and photographs. \u003c/p\u003e\n","\u003cp\u003eThe collection is divided into two series, I: RATC Management and II: RATC Officers and Members. The first series contains materials created, collected, and maintained by the RATC for its operations. It contains the meeting minutes, primarily about the activities of the Executive Board from 1940 to 1959 and 1968 to 2004. Some of the meeting minutes also record the activities of committees, affiliate organizations, and the annual all-member banquet during those years. There are also by-laws from the 1980s and 1990s and rosters from the 1950s to 1980s. The club newsletters start with the \u003ctitle render=\"italic\"\u003eRATC Bulletin\u003c/title\u003e from 1939 to 1942 and continue with the \u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e from 1954 to 2010. These document the club's recent activities, including work with the Appalachian Trail Conference (later Appalachian Trail Conservancy), local non-profits, and government entitities, hike schedules and detailed accounts of club hikes on the Appalachian Trail (AT), and reminiscences of and memorials to past and current members.\u003c/p\u003e\n","\u003cp\u003eThe Land Tract Files contain legal records of lands acquired by NPS after 1978 Congressional funding. Most of these materials are photocopies of legal records documenting land acquisitions, including legal judgments, land ownership histories, foreclosure documents, leases and contracts with gas and electric companies, deeds and trusts, wills and genealogies regarding inheritance rights, land surveys and inspection records, appraisals and environmental assessments, financial documents and insurance certificates, photographs, maps, and correspondence with land owners, attorneys, court clerks, and others. Other documents about acquisitions and relocations also illuminate the RATC's work with the Appalachian Trail Conference (also Conservancy), U.S. National Park Service, and U.S. Forest Service to acquire and monitor property and to build and relocate trails.\u003c/p\u003e\n","\u003cp\u003eThe first series also contains management and conservation plans, general files, and RATC historical materials. The histories discuss the founding and development of the club as well as large trail relocations and the work of past members and officers. There are also several photo albums from the 1930s-1950s.\u003c/p\u003e\n","\u003cp\u003eThe second series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members, about the history and operation of the RATC. These people include club president Thomas Campbell, the Otey family, president Dick Clark, local journalist Bill Cochran, newsletter editor Zetta Campbell, longtime trail supervisor Charles Parry, hike leaders Sigfried and Ursula Kolmstetter, hike leader Andy Layne, president Roger Holnback, and longtime social chair Linda Akers. Documents include correspondence, handwritten notes, additional meeting minutes and newsletters, photographs, newspaper clippings, and more. They also cover land acquisitions, building trails and shelters, group events and conferences, management and land use, and of course hikes on the AT.\u003c/p\u003e\n","\u003cp\u003e\nThe following are common abbreviations or acronyms found in the collection inventory:\n\u003clist\u003e\n\u003citem\u003e\nAEP - Appalachian Electric Power Company\n\u003c/item\u003e\u003citem\u003e\nAPCO - Appalachian Power Company, a subsidiary of AEP\n\u003c/item\u003e\u003citem\u003e\nAT - Appalachian Trail\n\u003c/item\u003e\u003citem\u003e\nATC - Appalachian Trail Conference or Appalachian Trail Conservancy\n\u003c/item\u003e\u003citem\u003e\nRATC - Roanoke Appalachian Trail Club\n\u003c/item\u003e\u003citem\u003e\nNPS - United States National Park Service\n\u003c/item\u003e\u003citem\u003e\nUSFS or FS - United States Forest Service\n\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e","\u003cp\u003eThis series contains materials created, collected, and maintained by the RATC for its operations. It is divided into eight sub-series based on material type or subject, based on original order provided by the RATC.\u003c/p\u003e","\u003cp\u003eThese minutes are mostly for the RATC Executive Board meetings, but also include some minutes for the annual all-member banquet and various RATC committees.\u003c/p\u003e","\u003cp\u003eThe January 16, 1953 annual meeting minutes are labeled \"January 16, 1952\". Also includes 1940 membership roster. [Removed from Binder]\u003c/p\u003e","\u003cp\u003eAlso contains 1957 membership roster, treasurer's reports or audits for 1954-1957, several hike schedules and Trail Blazers for 1957-1959, and attendees' information for the 1958 14th Meeting of the ATC. [Removed from binder.]\u003c/p\u003e","\u003cp\u003eAlso contains newspaper clippings, drafts of minutes, correspondence, reports, and other materials. [Removed from binder.]\u003c/p\u003e","\u003cp\u003eOnly includes April 1970 minutes, \"Copy of Minutes for Charles Headland\".\u003c/p\u003e","\u003cp\u003eA list at the front of the folder says minutes are missing for January, July, and August 1974. Some of the minutes are handwritten. Also includes typed transcription by Diana Christopulos on October 31, 2022, of the May 1974 minutes.\u003c/p\u003e","\u003cp\u003eA list at the front of the folder says minutes are missing for January, June, July, and August 1975. Some of the minutes are handwritten.\u003c/p\u003e","\u003cp\u003eA list at the front of the folder says minutes are missing for January, April, May, and August 1976.\u003c/p\u003e","\u003cp\u003eIncludes minutes for February, March, August, November 1977.\u003c/p\u003e","\u003cp\u003eIncludes only February and March 1978 minutes, which are handwritten. Also includes typed transcription by Diana Christopulos on October 31, 2022, of the February 1978 minutes with note from Christopulos: \"This is the first meeting after landowners have closed the AT between Va. 311 and Tinker Cliffs.\"\u003c/p\u003e","\u003cp\u003eFolder just includes notes that minutes were missing for 1979, and one note was removed from a notebook with minutes for 1974-1983.\u003c/p\u003e","\u003cp\u003eFolder just includes a note that minutes were missing for 1974-1979. Looks like the note may have been removed from a notebook with minutes for 1974-1983.\u003c/p\u003e","\u003cp\u003eNote from RATC: \"Incredible transition to orderly files with Linda Akers as Secretary and Mary Stewart as President\".\u003c/p\u003e","\u003cp\u003eIncludes 1980 roster and \"order continues under same leadership\", according to notes from RATC.\u003c/p\u003e","\u003cp\u003eA list at the front of the folder says minutes are missing for July, August, and September 1982.\u003c/p\u003e","\u003cp\u003eA list at the front of the folder says minutes are missing for May, July, or December 1983 minutes.\u003c/p\u003e","\u003cp\u003eNote from RATC: \"Land Management and special meeting\".\u003c/p\u003e","\u003cp\u003eThere are no minutes after September 1989.\u003c/p\u003e","\u003cp\u003eNote from RATC: \"Annual meeting moved to March\".\u003c/p\u003e","\u003cp\u003eFebruary and July 1994 minutes are missing.\u003c/p\u003e","\u003cp\u003eDecember 1995 minutes are missing.\u003c/p\u003e","\u003cp\u003eIncludes \"First annual meeting at Lutheran Church (Linda Akers)\".\u003c/p\u003e","\u003cp\u003eAlso includes organizational documents, notes, and correspondence. [Removed from Binder.]\u003c/p\u003e","\u003cp\u003eAlso includes 1990 RATC Ann's Cabin Committee meeting minutes.\u003c/p\u003e","\u003cp\u003eOriginal folder was titled \"1976 RATC Membership Roster N=68\".\u003c/p\u003e","\u003cp\u003eThis is a draft of the Constitution and By-Laws of the RATC.\u003c/p\u003e","\u003cp\u003eIncludes proposed and final by-laws for March 6, 1993.\u003c/p\u003e","\u003cp\u003eStarting with the Spring 1983 issue, the hike schedules are printed as part of the \u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e newsletters. Prior to that time, the hike schedule was inconsistently included with the newsletters. Some newsletters also include membership rosters.\u003c/p\u003e","\u003cp\u003e[Removed from binder.]\u003c/p\u003e","\u003cp\u003eSome issues also include membership rosters.\u003c/p\u003e","\u003cp\u003eAlso includes photos from April 1959 and a membership application from May-June 1959.\u003c/p\u003e","\u003cp\u003eAlso includes backpacking catalogs.\u003c/p\u003e","\u003cp\u003eAlso includes the Shenandoah-Rockfish Appalachian Trail Club Bulletin, Vol. 1, No. 2, June 18, 1962.\u003c/p\u003e","\u003cp\u003eAlso includes hike schedules for June 26-December 18, 1966.\u003c/p\u003e","\u003cp\u003eThe first 2 issues are No. 1, January 1966 and No. 2, February 1966. Then the publication cycle changes to quarterly publications, and the issue numbering restarts with No. 1, Spring 1966 through No. 4, Winter 1966-67. Also includes Hike Schedules for Summer 1966-Winter 1966-1967.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1967-Winter 1967-68.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1968-Winter 1968-69.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1969-Winter 1969-70.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Summer 1970 and Winter 1970-71.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1971-Winter 1970-71.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1972-Winter 1972-73.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1973-Winter 1973-74.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1974-Summer 1974.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1975-Winter 1975-76.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1975 and Fall 1976.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1977-Winter 1977-78.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1978-Winter 1978-79.\u003c/p\u003e","\u003cp\u003eSpring 1979 is numbered Vol. 39, No. 1; Summer 1979 is Vol. 40, No. 1; Autumn 1979 is Vol. 40, No. 3; and Winter 1979 is Vol. 40, No. 4. Also includes Hike Schedules for Spring 1979-Winter 1979.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1980-Winter 1980. [Please note: Vol. 40 seems to have been skipped in the numbering system for the Trail Blazer.]\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Fall 1981 and Summer [1981?]. The Winter Hike Schedule is included in the Winter 1981 Trail Blazer.\u003c/p\u003e","\u003cp\u003eHike schedules are included with the Trail Blazer issues for Spring 1982, Fall 1982, and Winter 1982.\u003c/p\u003e","\u003cp\u003eAlso includes minutes of the executive board meeting on July 18, 1986.\u003c/p\u003e","\u003cp\u003eAlso includes minutes of the executive board meeting on August 26, 1988, and RATC By-laws revised on November 5, 1988.\u003c/p\u003e","\u003cp\u003eThe December 1990 issue is the Winter 1990-1991 issue.\u003c/p\u003e","\u003cp\u003eStarting with Winter 1995, the winter issues switch to the start of the year instead of the end.\u003c/p\u003e","\u003cp\u003eThe Land Tract Files are also called RATC Green Books and contain legal records of lands acquired by NPS after 1978 Congressional funding. These are bound by tract number. Most of these materials are photocopies of legal records documenting land acquisitions, including legal judgments, land ownership histories, foreclosure documents, leases and contracts with gas and electric companies, deeds and trusts, wills and genealogies regarding inheritance rights, land surveys and inspection records, appraisals and environmental assessments, financial documents and insurance certificates, photographs, maps, and correspondence with land owners, attorneys, court clerks, and others. \u003c/p\u003e\n","\u003cp\u003eAs most of the documents are photocopies, the dates are based on the originals, not on when the photocopies may have been created. Some of the photocopies are also of poor quality and illegible. Some of the legal documents contain social security numbers, and these bound files are restricted.\u003c/p\u003e","\u003cp\u003eThis series document the RATC's work with the Appalachian Trail Conference (also Conservancy), U.S. National Park Service, and U.S. Forest Service to acquire and monitor property and to build and relocate trails.\u003c/p\u003e","\u003cp\u003eWritten by Diana Christopulos, RATC Archivist\u003c/p\u003e","\u003cp\u003eAlso spelled Anne's Cabin.\u003c/p\u003e","\u003cp\u003eThis is a photocopy.\u003c/p\u003e","\u003cp\u003eThis is a photocopy.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings and a history of the AT with focus on Virginia and a copy of H 160 approved by the General Assembly of Virginia on March 4, 1971, to allow Virginia to acquire lands and enter into agreements pertaining to the AT.\u003c/p\u003e","\u003cp\u003eMostly relates to the Buhrman Tract.\u003c/p\u003e","\u003cp\u003eContains a handdrawn map by Thomas Campbell from about the 1960s and a transcription and description of the map with history note by Diana Christopulos in 2024.\u003c/p\u003e","\u003cp\u003eAlso includes the Hiking Schedule for the Southwestern Virginia Relocation.\u003c/p\u003e","\u003cp\u003eIncludes RATC brochures, 1966 hiking brochure, local management plan maps, a photocopy of the 1997 Memorandum of Understanding for the Appalachian National Scenic Trail between the Roanoke Appalachian Trail Club and the Appalachian Trail Conference, and the RATC 1991 Management Plan for the Appalachian Trail with notes by Diana Christopulos on March 3, 2024.\u003c/p\u003e","\u003cp\u003eIncludes Spring 1991 Trail Blazer and a phone tree.\u003c/p\u003e","\u003cp\u003eThe 1996 and 2008 items were printed off the internet in 2022.\u003c/p\u003e","\u003cp\u003eIncludes letters about donations and gifts.\u003c/p\u003e","\u003cp\u003eProbably created by T. J. Kent. Includes list of items in album created in 2023.\u003c/p\u003e","\u003cp\u003eIncludes list of items in album created in 2023.\u003c/p\u003e","\u003cp\u003eIncludes list of items in album created in 2023.\u003c/p\u003e","\u003cp\u003e[Removed from photograph album.]\u003c/p\u003e","\u003cp\u003eIncludes press release about the Appalachian Trail Museum's Hall of Fame's class of 2022, including Jim and Molly Denton of Front Royal, Virginia, and interview notes from Diana Christopulos with two of the Denton's three children.\u003c/p\u003e","\u003cp\u003eIncludes photocopies of documents from 1930s and issues of the Appalachian Trailway News.\u003c/p\u003e","\u003cp\u003eAlthough the histories are from around the 1980s, there are some notes from around the 2020s.\u003c/p\u003e","\u003cp\u003eAlthough the histories are from around the 1980s, there are some notes from around the 2020s.\u003c/p\u003e","\u003cp\u003eIncludes a transcription of a January 24, 1951 history by L. H. Powell, transcribed by Diana Christopulos on March 20, 2020, but not the original 1951 history by Powell.\u003c/p\u003e","\u003cp\u003eIncludes notes about T. J. Kent's history notes by Diana Christopulos, RATC Archivist, November 11, 2022, and transcription and annotations of 1933 report of RATC by Christopulos, March 20, 2020.\u003c/p\u003e","\u003cp\u003eThe second series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members, about the history and operation of the RATC. It is divided into eight sub-series by person and in chronological order. Each subseries is organized based on topic, and original order is maintained where possible.\u003c/p\u003e","\u003cp\u003eAlso contains a list of files for box.\u003c/p\u003e","\u003cp\u003eIncludes a letter from Senator Harry F. Byrd, Jr., about legislation.\u003c/p\u003e","\u003cp\u003eIncludes organizational charts for the ATC.\u003c/p\u003e","\u003cp\u003eMajority is correspondence about trail maintenance and relocation projects or suggestions and related maps.\u003c/p\u003e","\u003cp\u003eContains documents regarding Virginia being \"the first state to execute an agreement for the protection and management of the Appalachian Trail.\"\u003c/p\u003e","\u003cp\u003eSome documents pertain to property owners and AT relocations.\u003c/p\u003e","\u003cp\u003eDocuments discuss purchasing the Buhrman tract of land near Fullhardt Knob and relocation of the AT between Tinker Mountain and Fullhardt Knob, potentially through the Buhrman tract.\u003c/p\u003e","\u003cp\u003eIncludes admittance of the Virginia Tech Outing Club to the ATC and assignment of a portion of AT for the club to maintain.\u003c/p\u003e","\u003cp\u003eIncludes William L. Gordge, RATC president's correspondence. Includes admittance of the Virginia Tech Outing Club to the ATC and assignment of a portion of AT for the club to maintain.\u003c/p\u003e","\u003cp\u003eIncludes organizational charts for the ATC.\u003c/p\u003e","\u003cp\u003eIncludes documents granting land use for relocating AT on Peters Mountain via land owned by Celanese Corporation, Pocahontas Land Corporation, the National Gypsum Company, and individuals.\u003c/p\u003e","\u003cp\u003eMajority of documents regard planning in 1957-1958 for the 14th Meeting of the ATC at Mountain Lake Hotel in Mountain Lake (Giles County), Virginia, in 1958.\u003c/p\u003e","\u003cp\u003eBoth issues contain articles about AT relocations by RATC.\u003c/p\u003e","\u003cp\u003e[Removed from binder.]\u003c/p\u003e","\u003cp\u003eIncludes shelter log.\u003c/p\u003e","\u003cp\u003eIncludes agendas, minutes, financial documents, and other supporting documents, including documents from committees, ATC, and NPS.\u003c/p\u003e","\u003cp\u003eAlso includes ATC's The Register newsletter, Vol. 24, No. 6, Spring 2001.\u003c/p\u003e","\u003cp\u003eThis is a user survey study carried out by the NPS in partnership with the University of Vermont and Penn State University. [Removed from binder.]\u003c/p\u003e","\u003cp\u003eAlso includes brochures about NPS and the AT.\u003c/p\u003e","\u003cp\u003eAlso includes tax-related documents and newsletters for other organizations.\u003c/p\u003e","\u003cp\u003eRelates to the Greenbrier Pipeline Project that would cross the AT.\u003c/p\u003e","\u003cp\u003eThis contains the Memorandum of Agreement for the Management of the Appalachian National Scenic Trail between the NPS and U. S. Forest Service.\u003c/p\u003e","\u003cp\u003eAppalachian Trailway News article about Jim and Molly Tabor Denton and Tom and Charlene Campbell\u003c/p\u003e","\u003cp\u003ePrepared for NPS by Federal Highway Administration's Eastern Federal Lands Highway Division\u003c/p\u003e","\u003cp\u003eIncludes some non-biking AT printed materials.\u003c/p\u003e","\u003cp\u003eItems discuss naming the Sinking Creek shelter as the Sarver Hollow Shelter and its dedication. There are also some documents related to the Sarver Cabin or Sarver Home Site.\u003c/p\u003e","\u003cp\u003eIncludes a copy of the RATC's \"Amended and Restated Articles of Incorporation\".\u003c/p\u003e","\u003cp\u003eCelebrates the 75th anniversary of the ATC.\u003c/p\u003e","\u003cp\u003eCelebrates the 75th anniversary of the ATC.\u003c/p\u003e","\u003cp\u003eAlso contains a report about invasive species on the AT.\u003c/p\u003e","\u003cp\u003eIncludes undated photographs.\u003c/p\u003e","\u003cp\u003eThe trail diary includes a letter to Katherine Cochran.\u003c/p\u003e","\u003cp\u003eIncludes article, \"National Trail Bill Sent to Congress\" by Bill Cochran.\u003c/p\u003e","\u003cp\u003eIncludes clippings about Audie Murphy's 1972 plane crash and hiking the AT, several relating to Ed Garvey.\u003c/p\u003e","\u003cp\u003eIncludes 1982 letter to Bill Cochran, a write up on Damascus Trail Days by Bill Cochran, and clippings about trail towns and the RATC celebrating its 50th anniversary.\u003c/p\u003e","\u003cp\u003eIncludes a letter to Bill Cochran, ca. 1996.\u003c/p\u003e","\u003cp\u003eIncludes clippings about the McAfee Knob closure from 1978 to 1987, McAfee Knob in general, history of the AT, and AT land acquisition.\u003c/p\u003e","\u003cp\u003eIncludes clippings about the murders of Susan Ramsey and Robert Mountford in 1981, Molly LaRue and Geoffrey L. Hood in 1990, and the murders of Julianne Williams and Lollie Winans in 1996.\u003c/p\u003e","\u003cp\u003eIncludes 1970s hike schedules illustrated by Campbell, 1993 article about hike led by Campbell, and a note about Campbell in the RATC from Diana Christopulos, February 16, 2024.\u003c/p\u003e","\u003cp\u003eIncludes biographical information.\u003c/p\u003e","\u003cp\u003eIncludes letter and thank you note from 1991.\u003c/p\u003e","\u003cp\u003eThe Trail Blazer issue contains an article about the Campbell Shelter. The cover is missing, but it is probably the Fall 1989 issue.\u003c/p\u003e","\u003cp\u003eIncludes Campbell Shelter, Catawba Shelter, New Wilson Creek Shelter, Wapitu Shelter, and Big Pond Shelter Move. The photos in this folder remain in their original groupings.\u003c/p\u003e","\u003cp\u003eIncludes 1987 ATC Conference at Lynchburg College and Natural Bridge. Please note: there are remnants of a rubberband attached to some photos.\u003c/p\u003e","\u003cp\u003eThese photos were grouped together but have no identifying information.\u003c/p\u003e","\u003cp\u003eThe photos in this folder are without identifying information and remain in their original groupings.\u003c/p\u003e","\u003cp\u003eThe photos in this folder are without identifying information and remain in their original groupings.\u003c/p\u003e","\u003cp\u003eSome materials are the papers of Lauren Taylor Holnback and of Eric Nasar from the Trust for AT Lands.\u003c/p\u003e","\u003cp\u003e[Removed from binder.]\u003c/p\u003e","\u003cp\u003eAlso includes management brochures. [Removed from binder.]\u003c/p\u003e","\u003cp\u003e[Removed from binder.]\u003c/p\u003e","\u003cp\u003e[Removed from binder.]\u003c/p\u003e","\u003cp\u003eTopics include the Trail and Land Management Committee and Carvins Cove easement. [Removed from binder.]\u003c/p\u003e","\u003cp\u003eIncludes memoranda about land tracts.\u003c/p\u003e","\u003cp\u003eIncludes Tract 476-32.\u003c/p\u003e","\u003cp\u003eIncludes Tract 477-22, Parcels A and B.\u003c/p\u003e","\u003cp\u003eIncludes Tracts 478-34, 478-35, 478-36, and 478-37.\u003c/p\u003e","\u003cp\u003eIncludes monument sets.\u003c/p\u003e","\u003cp\u003eDocuments concern the Chesapeake Bay Program and Agreement related to the Chesapeake Bay watershed.\u003c/p\u003e","\u003cp\u003eDocuments relate to the acquisition of the Shell Tract along the Elk River in Tennessee.\u003c/p\u003e","\u003cp\u003eDocuments relate to the Turner Tract on North Mountain in Virginia.\u003c/p\u003e","\u003cp\u003eDocuments relate to the Roy and Tillie Wood's home the Woodshole, where AT hikers were invited to stay.\u003c/p\u003e","\u003cp\u003eDocuments are about attempting to make Blackwater Canyon a national park.\u003c/p\u003e","\u003cp\u003eDocuments are about the USFS Forest Legacy Program and Virginia's Forest Legacy program.\u003c/p\u003e","\u003cp\u003eIncludes reports from Griggs and Mullinix of the ATC Land Trust.\u003c/p\u003e","\u003cp\u003eMost materials specifically relate to the Western Virginia Land Trust.\u003c/p\u003e","\u003cp\u003eIncludes information on Andy Layne Trail.\u003c/p\u003e","\u003cp\u003eIncludes information on Roanoke Greenways and on laws.\u003c/p\u003e","\u003cp\u003e[Removed from binder.]\u003c/p\u003e","\u003cp\u003e[Removed from binder.]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Roanoke Appalachian Trail Club (RATC) Records document the management of the club from its founding in 1932. The collection includes the club newsletters, board minutes, former officers' and members' records, National Park Service and RATC acquisition information, conservation issues, management plans, histories of the club, scrapbooks, and photographs. ","The collection is divided into two series, I: RATC Management and II: RATC Officers and Members. The first series contains materials created, collected, and maintained by the RATC for its operations. It contains the meeting minutes, primarily about the activities of the Executive Board from 1940 to 1959 and 1968 to 2004. Some of the meeting minutes also record the activities of committees, affiliate organizations, and the annual all-member banquet during those years. There are also by-laws from the 1980s and 1990s and rosters from the 1950s to 1980s. The club newsletters start with the  RATC Bulletin  from 1939 to 1942 and continue with the  Trail Blazer  from 1954 to 2010. These document the club's recent activities, including work with the Appalachian Trail Conference (later Appalachian Trail Conservancy), local non-profits, and government entitities, hike schedules and detailed accounts of club hikes on the Appalachian Trail (AT), and reminiscences of and memorials to past and current members.","The Land Tract Files contain legal records of lands acquired by NPS after 1978 Congressional funding. Most of these materials are photocopies of legal records documenting land acquisitions, including legal judgments, land ownership histories, foreclosure documents, leases and contracts with gas and electric companies, deeds and trusts, wills and genealogies regarding inheritance rights, land surveys and inspection records, appraisals and environmental assessments, financial documents and insurance certificates, photographs, maps, and correspondence with land owners, attorneys, court clerks, and others. Other documents about acquisitions and relocations also illuminate the RATC's work with the Appalachian Trail Conference (also Conservancy), U.S. National Park Service, and U.S. Forest Service to acquire and monitor property and to build and relocate trails.","The first series also contains management and conservation plans, general files, and RATC historical materials. The histories discuss the founding and development of the club as well as large trail relocations and the work of past members and officers. There are also several photo albums from the 1930s-1950s.","The second series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members, about the history and operation of the RATC. These people include club president Thomas Campbell, the Otey family, president Dick Clark, local journalist Bill Cochran, newsletter editor Zetta Campbell, longtime trail supervisor Charles Parry, hike leaders Sigfried and Ursula Kolmstetter, hike leader Andy Layne, president Roger Holnback, and longtime social chair Linda Akers. Documents include correspondence, handwritten notes, additional meeting minutes and newsletters, photographs, newspaper clippings, and more. They also cover land acquisitions, building trails and shelters, group events and conferences, management and land use, and of course hikes on the AT.","\nThe following are common abbreviations or acronyms found in the collection inventory:\n \nAEP - Appalachian Electric Power Company\n \nAPCO - Appalachian Power Company, a subsidiary of AEP\n \nAT - Appalachian Trail\n \nATC - Appalachian Trail Conference or Appalachian Trail Conservancy\n \nRATC - Roanoke Appalachian Trail Club\n \nNPS - United States National Park Service\n \nUSFS or FS - United States Forest Service\n","This series contains materials created, collected, and maintained by the RATC for its operations. It is divided into eight sub-series based on material type or subject, based on original order provided by the RATC.","These minutes are mostly for the RATC Executive Board meetings, but also include some minutes for the annual all-member banquet and various RATC committees.","The January 16, 1953 annual meeting minutes are labeled \"January 16, 1952\". Also includes 1940 membership roster. [Removed from Binder]","Also contains 1957 membership roster, treasurer's reports or audits for 1954-1957, several hike schedules and Trail Blazers for 1957-1959, and attendees' information for the 1958 14th Meeting of the ATC. [Removed from binder.]","Also contains newspaper clippings, drafts of minutes, correspondence, reports, and other materials. [Removed from binder.]","Only includes April 1970 minutes, \"Copy of Minutes for Charles Headland\".","A list at the front of the folder says minutes are missing for January, July, and August 1974. Some of the minutes are handwritten. Also includes typed transcription by Diana Christopulos on October 31, 2022, of the May 1974 minutes.","A list at the front of the folder says minutes are missing for January, June, July, and August 1975. Some of the minutes are handwritten.","A list at the front of the folder says minutes are missing for January, April, May, and August 1976.","Includes minutes for February, March, August, November 1977.","Includes only February and March 1978 minutes, which are handwritten. Also includes typed transcription by Diana Christopulos on October 31, 2022, of the February 1978 minutes with note from Christopulos: \"This is the first meeting after landowners have closed the AT between Va. 311 and Tinker Cliffs.\"","Folder just includes notes that minutes were missing for 1979, and one note was removed from a notebook with minutes for 1974-1983.","Folder just includes a note that minutes were missing for 1974-1979. Looks like the note may have been removed from a notebook with minutes for 1974-1983.","Note from RATC: \"Incredible transition to orderly files with Linda Akers as Secretary and Mary Stewart as President\".","Includes 1980 roster and \"order continues under same leadership\", according to notes from RATC.","A list at the front of the folder says minutes are missing for July, August, and September 1982.","A list at the front of the folder says minutes are missing for May, July, or December 1983 minutes.","Note from RATC: \"Land Management and special meeting\".","There are no minutes after September 1989.","Note from RATC: \"Annual meeting moved to March\".","February and July 1994 minutes are missing.","December 1995 minutes are missing.","Includes \"First annual meeting at Lutheran Church (Linda Akers)\".","Also includes organizational documents, notes, and correspondence. [Removed from Binder.]","Also includes 1990 RATC Ann's Cabin Committee meeting minutes.","Original folder was titled \"1976 RATC Membership Roster N=68\".","This is a draft of the Constitution and By-Laws of the RATC.","Includes proposed and final by-laws for March 6, 1993.","Starting with the Spring 1983 issue, the hike schedules are printed as part of the  Trail Blazer  newsletters. Prior to that time, the hike schedule was inconsistently included with the newsletters. Some newsletters also include membership rosters.","[Removed from binder.]","Some issues also include membership rosters.","Also includes photos from April 1959 and a membership application from May-June 1959.","Also includes backpacking catalogs.","Also includes the Shenandoah-Rockfish Appalachian Trail Club Bulletin, Vol. 1, No. 2, June 18, 1962.","Also includes hike schedules for June 26-December 18, 1966.","The first 2 issues are No. 1, January 1966 and No. 2, February 1966. Then the publication cycle changes to quarterly publications, and the issue numbering restarts with No. 1, Spring 1966 through No. 4, Winter 1966-67. Also includes Hike Schedules for Summer 1966-Winter 1966-1967.","Also includes Hike Schedules for Spring 1967-Winter 1967-68.","Also includes Hike Schedules for Spring 1968-Winter 1968-69.","Also includes Hike Schedules for Spring 1969-Winter 1969-70.","Also includes Hike Schedules for Summer 1970 and Winter 1970-71.","Also includes Hike Schedules for Spring 1971-Winter 1970-71.","Also includes Hike Schedules for Spring 1972-Winter 1972-73.","Also includes Hike Schedules for Spring 1973-Winter 1973-74.","Also includes Hike Schedules for Spring 1974-Summer 1974.","Also includes Hike Schedules for Spring 1975-Winter 1975-76.","Also includes Hike Schedules for Spring 1975 and Fall 1976.","Also includes Hike Schedules for Spring 1977-Winter 1977-78.","Also includes Hike Schedules for Spring 1978-Winter 1978-79.","Spring 1979 is numbered Vol. 39, No. 1; Summer 1979 is Vol. 40, No. 1; Autumn 1979 is Vol. 40, No. 3; and Winter 1979 is Vol. 40, No. 4. Also includes Hike Schedules for Spring 1979-Winter 1979.","Also includes Hike Schedules for Spring 1980-Winter 1980. [Please note: Vol. 40 seems to have been skipped in the numbering system for the Trail Blazer.]","Also includes Hike Schedules for Fall 1981 and Summer [1981?]. The Winter Hike Schedule is included in the Winter 1981 Trail Blazer.","Hike schedules are included with the Trail Blazer issues for Spring 1982, Fall 1982, and Winter 1982.","Also includes minutes of the executive board meeting on July 18, 1986.","Also includes minutes of the executive board meeting on August 26, 1988, and RATC By-laws revised on November 5, 1988.","The December 1990 issue is the Winter 1990-1991 issue.","Starting with Winter 1995, the winter issues switch to the start of the year instead of the end.","The Land Tract Files are also called RATC Green Books and contain legal records of lands acquired by NPS after 1978 Congressional funding. These are bound by tract number. Most of these materials are photocopies of legal records documenting land acquisitions, including legal judgments, land ownership histories, foreclosure documents, leases and contracts with gas and electric companies, deeds and trusts, wills and genealogies regarding inheritance rights, land surveys and inspection records, appraisals and environmental assessments, financial documents and insurance certificates, photographs, maps, and correspondence with land owners, attorneys, court clerks, and others. ","As most of the documents are photocopies, the dates are based on the originals, not on when the photocopies may have been created. Some of the photocopies are also of poor quality and illegible. Some of the legal documents contain social security numbers, and these bound files are restricted.","This series document the RATC's work with the Appalachian Trail Conference (also Conservancy), U.S. National Park Service, and U.S. Forest Service to acquire and monitor property and to build and relocate trails.","Written by Diana Christopulos, RATC Archivist","Also spelled Anne's Cabin.","This is a photocopy.","This is a photocopy.","Includes newspaper clippings and a history of the AT with focus on Virginia and a copy of H 160 approved by the General Assembly of Virginia on March 4, 1971, to allow Virginia to acquire lands and enter into agreements pertaining to the AT.","Mostly relates to the Buhrman Tract.","Contains a handdrawn map by Thomas Campbell from about the 1960s and a transcription and description of the map with history note by Diana Christopulos in 2024.","Also includes the Hiking Schedule for the Southwestern Virginia Relocation.","Includes RATC brochures, 1966 hiking brochure, local management plan maps, a photocopy of the 1997 Memorandum of Understanding for the Appalachian National Scenic Trail between the Roanoke Appalachian Trail Club and the Appalachian Trail Conference, and the RATC 1991 Management Plan for the Appalachian Trail with notes by Diana Christopulos on March 3, 2024.","Includes Spring 1991 Trail Blazer and a phone tree.","The 1996 and 2008 items were printed off the internet in 2022.","Includes letters about donations and gifts.","Probably created by T. J. Kent. Includes list of items in album created in 2023.","Includes list of items in album created in 2023.","Includes list of items in album created in 2023.","[Removed from photograph album.]","Includes press release about the Appalachian Trail Museum's Hall of Fame's class of 2022, including Jim and Molly Denton of Front Royal, Virginia, and interview notes from Diana Christopulos with two of the Denton's three children.","Includes photocopies of documents from 1930s and issues of the Appalachian Trailway News.","Although the histories are from around the 1980s, there are some notes from around the 2020s.","Although the histories are from around the 1980s, there are some notes from around the 2020s.","Includes a transcription of a January 24, 1951 history by L. H. Powell, transcribed by Diana Christopulos on March 20, 2020, but not the original 1951 history by Powell.","Includes notes about T. J. Kent's history notes by Diana Christopulos, RATC Archivist, November 11, 2022, and transcription and annotations of 1933 report of RATC by Christopulos, March 20, 2020.","The second series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members, about the history and operation of the RATC. It is divided into eight sub-series by person and in chronological order. Each subseries is organized based on topic, and original order is maintained where possible.","Also contains a list of files for box.","Includes a letter from Senator Harry F. Byrd, Jr., about legislation.","Includes organizational charts for the ATC.","Majority is correspondence about trail maintenance and relocation projects or suggestions and related maps.","Contains documents regarding Virginia being \"the first state to execute an agreement for the protection and management of the Appalachian Trail.\"","Some documents pertain to property owners and AT relocations.","Documents discuss purchasing the Buhrman tract of land near Fullhardt Knob and relocation of the AT between Tinker Mountain and Fullhardt Knob, potentially through the Buhrman tract.","Includes admittance of the Virginia Tech Outing Club to the ATC and assignment of a portion of AT for the club to maintain.","Includes William L. Gordge, RATC president's correspondence. Includes admittance of the Virginia Tech Outing Club to the ATC and assignment of a portion of AT for the club to maintain.","Includes organizational charts for the ATC.","Includes documents granting land use for relocating AT on Peters Mountain via land owned by Celanese Corporation, Pocahontas Land Corporation, the National Gypsum Company, and individuals.","Majority of documents regard planning in 1957-1958 for the 14th Meeting of the ATC at Mountain Lake Hotel in Mountain Lake (Giles County), Virginia, in 1958.","Both issues contain articles about AT relocations by RATC.","[Removed from binder.]","Includes shelter log.","Includes agendas, minutes, financial documents, and other supporting documents, including documents from committees, ATC, and NPS.","Also includes ATC's The Register newsletter, Vol. 24, No. 6, Spring 2001.","This is a user survey study carried out by the NPS in partnership with the University of Vermont and Penn State University. [Removed from binder.]","Also includes brochures about NPS and the AT.","Also includes tax-related documents and newsletters for other organizations.","Relates to the Greenbrier Pipeline Project that would cross the AT.","This contains the Memorandum of Agreement for the Management of the Appalachian National Scenic Trail between the NPS and U. S. Forest Service.","Appalachian Trailway News article about Jim and Molly Tabor Denton and Tom and Charlene Campbell","Prepared for NPS by Federal Highway Administration's Eastern Federal Lands Highway Division","Includes some non-biking AT printed materials.","Items discuss naming the Sinking Creek shelter as the Sarver Hollow Shelter and its dedication. There are also some documents related to the Sarver Cabin or Sarver Home Site.","Includes a copy of the RATC's \"Amended and Restated Articles of Incorporation\".","Celebrates the 75th anniversary of the ATC.","Celebrates the 75th anniversary of the ATC.","Also contains a report about invasive species on the AT.","Includes undated photographs.","The trail diary includes a letter to Katherine Cochran.","Includes article, \"National Trail Bill Sent to Congress\" by Bill Cochran.","Includes clippings about Audie Murphy's 1972 plane crash and hiking the AT, several relating to Ed Garvey.","Includes 1982 letter to Bill Cochran, a write up on Damascus Trail Days by Bill Cochran, and clippings about trail towns and the RATC celebrating its 50th anniversary.","Includes a letter to Bill Cochran, ca. 1996.","Includes clippings about the McAfee Knob closure from 1978 to 1987, McAfee Knob in general, history of the AT, and AT land acquisition.","Includes clippings about the murders of Susan Ramsey and Robert Mountford in 1981, Molly LaRue and Geoffrey L. Hood in 1990, and the murders of Julianne Williams and Lollie Winans in 1996.","Includes 1970s hike schedules illustrated by Campbell, 1993 article about hike led by Campbell, and a note about Campbell in the RATC from Diana Christopulos, February 16, 2024.","Includes biographical information.","Includes letter and thank you note from 1991.","The Trail Blazer issue contains an article about the Campbell Shelter. The cover is missing, but it is probably the Fall 1989 issue.","Includes Campbell Shelter, Catawba Shelter, New Wilson Creek Shelter, Wapitu Shelter, and Big Pond Shelter Move. The photos in this folder remain in their original groupings.","Includes 1987 ATC Conference at Lynchburg College and Natural Bridge. Please note: there are remnants of a rubberband attached to some photos.","These photos were grouped together but have no identifying information.","The photos in this folder are without identifying information and remain in their original groupings.","The photos in this folder are without identifying information and remain in their original groupings.","Some materials are the papers of Lauren Taylor Holnback and of Eric Nasar from the Trust for AT Lands.","[Removed from binder.]","Also includes management brochures. [Removed from binder.]","[Removed from binder.]","[Removed from binder.]","Topics include the Trail and Land Management Committee and Carvins Cove easement. [Removed from binder.]","Includes memoranda about land tracts.","Includes Tract 476-32.","Includes Tract 477-22, Parcels A and B.","Includes Tracts 478-34, 478-35, 478-36, and 478-37.","Includes monument sets.","Documents concern the Chesapeake Bay Program and Agreement related to the Chesapeake Bay watershed.","Documents relate to the acquisition of the Shell Tract along the Elk River in Tennessee.","Documents relate to the Turner Tract on North Mountain in Virginia.","Documents relate to the Roy and Tillie Wood's home the Woodshole, where AT hikers were invited to stay.","Documents are about attempting to make Blackwater Canyon a national park.","Documents are about the USFS Forest Legacy Program and Virginia's Forest Legacy program.","Includes reports from Griggs and Mullinix of the ATC Land Trust.","Most materials specifically relate to the Western Virginia Land Trust.","Includes information on Andy Layne Trail.","Includes information on Roanoke Greenways and on laws.","[Removed from binder.]","[Removed from binder.]"],"separatedmaterial_html_tesm":["\u003cp\u003eThis collection contains several issues of the \u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e, the newsletter of the Roanoke Appalachian Trail Club. If there were more than two (2) copies of an issue, the extra copy was separated to the Virginia Tech Special Collections and University Archives' Rare Book Collection.\u003c/p\u003e\n","\u003cp\u003eThe following publications were separated to the Rare Book Collection:\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eAppalachian Trail Guide to Central Virginia,\u003c/title\u003e First Edition, 1994 (Jack Albright, Field Editor).\u003c/p\u003e\n","\u003cp\u003eParsons, Shireen, and Wilderness Society. \u003ctitle render=\"italic\"\u003eVirginia's Mountain Treasures : The Unprotected Wildlands of the Jefferson National Forest.\u003c/title\u003e The Wilderness Society, 1999.\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eTrail Lands: The Newsletter of the ATC Land Trust,\u003c/title\u003e Vol. 17, No. 1, Spring 2001.\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eAudubon Naturalist,\u003c/title\u003e Vol. 20, No. 7, \"What Does Disney's America Mean to Our Region?\", 1994-09.\u003c/p\u003e\n","\u003cp\u003eDaniel D. Chazin, ed., \u003ctitle render=\"italic\"\u003eAppalachian Trail Data Book 2000,\u003c/title\u003e 22nd ed., Harpers Ferry, WV: The Appalachian Trail Conference, 1999.\u003c/p\u003e\n","\u003cp\u003eKaren Deans, ed., \u003ctitle render=\"italic\"\u003eConservation Options: A Landowner's Guide,\u003c/title\u003e Washington, D. C.: Land Trust Alliance, 1999.\u003c/p\u003e\n","\u003cp\u003eBenton MacKaye, \u003ctitle render=\"italic\"\u003eThe New Exploration: A Philosophy of Regional Planning,\u003c/title\u003e Harpers Ferry, WV: The Appalachian Trail Conference and Urbana-Champaign, Ill.: University of Illinois Press, 1990.\u003c/p\u003e\n","\u003cp\u003eMurray Bookchin, \u003ctitle render=\"italic\"\u003eOur Synthetic Environment,\u003c/title\u003e Rev. Ed., New York City: Harper \u0026amp; Row, 1974.\u003c/p\u003e\n","\u003cp\u003eLeonard M. Adkins (a member of the RATC), \u003ctitle render=\"italic\"\u003e50 Hikes in Northern Virginia: Walks, Hikes, and Backpacks from the Allegheny Mountains to the Chesapeake Bay,\u003c/title\u003e Woodstock, VT: Backcountry Publications, 1994 (1995 printing).\u003c/p\u003e\n","\u003cp\u003eSteve Nash, \u003ctitle render=\"italic\"\u003eBlue Ridge 2020: An Owner's Manual,\u003c/title\u003e Chapel Hill, N. C., and London: The University of North Carolina Press, 1999.\u003c/p\u003e\n","\u003cp\u003eWilliam Birchard, Jr., and Robert Proudman, \u003ctitle render=\"italic\"\u003eAppalacian Trail: Design, Construction, and Maintenance,\u003c/title\u003e 2nd ed., Harpers Ferry, WV: The Appalachian Trail Conference, 2000.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["This collection contains several issues of the  Trail Blazer , the newsletter of the Roanoke Appalachian Trail Club. If there were more than two (2) copies of an issue, the extra copy was separated to the Virginia Tech Special Collections and University Archives' Rare Book Collection.","The following publications were separated to the Rare Book Collection:","Appalachian Trail Guide to Central Virginia,  First Edition, 1994 (Jack Albright, Field Editor).","Parsons, Shireen, and Wilderness Society.  Virginia's Mountain Treasures : The Unprotected Wildlands of the Jefferson National Forest.  The Wilderness Society, 1999.","Trail Lands: The Newsletter of the ATC Land Trust,  Vol. 17, No. 1, Spring 2001.","Audubon Naturalist,  Vol. 20, No. 7, \"What Does Disney's America Mean to Our Region?\", 1994-09.","Daniel D. Chazin, ed.,  Appalachian Trail Data Book 2000,  22nd ed., Harpers Ferry, WV: The Appalachian Trail Conference, 1999.","Karen Deans, ed.,  Conservation Options: A Landowner's Guide,  Washington, D. C.: Land Trust Alliance, 1999.","Benton MacKaye,  The New Exploration: A Philosophy of Regional Planning,  Harpers Ferry, WV: The Appalachian Trail Conference and Urbana-Champaign, Ill.: University of Illinois Press, 1990.","Murray Bookchin,  Our Synthetic Environment,  Rev. Ed., New York City: Harper \u0026 Row, 1974.","Leonard M. Adkins (a member of the RATC),  50 Hikes in Northern Virginia: Walks, Hikes, and Backpacks from the Allegheny Mountains to the Chesapeake Bay,  Woodstock, VT: Backcountry Publications, 1994 (1995 printing).","Steve Nash,  Blue Ridge 2020: An Owner's Manual,  Chapel Hill, N. C., and London: The University of North Carolina Press, 1999.","William Birchard, Jr., and Robert Proudman,  Appalacian Trail: Design, Construction, and Maintenance,  2nd ed., Harpers Ferry, WV: The Appalachian Trail Conference, 2000."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a6e4fd39692d03baeae59292f8f5e256\" label=\"Abstract\"\u003eThe Roanoke Appalachian Trail Club (RATC) Records document the management of the club from its founding in 1932. The collection includes the club newsletters, board minutes, former officers' and members' records, NPS and RATC acquisition information, conservation issues, management plans, histories of the club, scrapbooks, and photographs. The RATC continues its original mission to maintain and protect the Appalachian Trail (AT), and the club covers over 120 miles of the AT, including McAfee Knob, Dragon's Tooth, and Tinker Cliffs.\u003c/abstract\u003e"],"abstract_tesim":["The Roanoke Appalachian Trail Club (RATC) Records document the management of the club from its founding in 1932. The collection includes the club newsletters, board minutes, former officers' and members' records, NPS and RATC acquisition information, conservation issues, management plans, histories of the club, scrapbooks, and photographs. The RATC continues its original mission to maintain and protect the Appalachian Trail (AT), and the club covers over 120 miles of the AT, including McAfee Knob, Dragon's Tooth, and Tinker Cliffs."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_79fb534a401c2d4d2312154f7e8ad227\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.\u003c/physloc\u003e"],"physloc_tesim":["Please note:  This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information."],"names_coll_ssim":["Roanoke Appalachian Trail Club (Roanoke, Va.)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Roanoke Appalachian Trail Club (Roanoke, Va.)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Roanoke Appalachian Trail Club (Roanoke, Va.)"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":740,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:40:56.480Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4262_c01_c06_c19"}},{"id":"vifgm_repositories_2_resources_547_c04_c224","type":"File","attributes":{"title":"1971/1972 Europe trip (3 of 3),","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_547_c04_c224#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_547_c04_c224","ref_ssm":["vifgm_repositories_2_resources_547_c04_c224"],"id":"vifgm_repositories_2_resources_547_c04_c224","ead_ssi":"vifgm_repositories_2_resources_547","_root_":"vifgm_repositories_2_resources_547","_nest_parent_":"vifgm_repositories_2_resources_547_c04","parent_ssi":"vifgm_repositories_2_resources_547_c04","parent_ssim":["vifgm_repositories_2_resources_547","vifgm_repositories_2_resources_547_c04"],"parent_ids_ssim":["vifgm_repositories_2_resources_547","vifgm_repositories_2_resources_547_c04"],"parent_unittitles_ssm":["Charles Lietwiler transportation collection","Series 4: Photographs and slides,"],"parent_unittitles_tesim":["Charles Lietwiler transportation collection","Series 4: Photographs and slides,"],"text":["Charles Lietwiler transportation collection","Series 4: Photographs and slides,","1971/1972 Europe trip (3 of 3),","Box 28"],"title_filing_ssi":"1971/1972 Europe trip (3 of 3),","title_ssm":["1971/1972 Europe trip (3 of 3),"],"title_tesim":["1971/1972 Europe trip (3 of 3),"],"unitdate_other_ssim":["1971-1972"],"normalized_date_ssm":["1971/1972"],"normalized_title_ssm":["1971/1972 Europe trip (3 of 3),"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Charles Lietwiler transportation collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":369,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1971,1972],"containers_ssim":["Box 28"],"_nest_path_":"/components#3/components#223","timestamp":"2026-06-05T07:17:54.608Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_547","ead_ssi":"vifgm_repositories_2_resources_547","_root_":"vifgm_repositories_2_resources_547","_nest_parent_":"vifgm_repositories_2_resources_547","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_547.xml","title_ssm":["Charles Lietwiler transportation collection"],"title_tesim":["Charles Lietwiler transportation collection"],"unitdate_ssm":["1903 - 2005"],"unitdate_inclusive_ssm":["1903 - 2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0324","/repositories/2/resources/547"],"text":["C0324","/repositories/2/resources/547","Charles Lietwiler transportation collection","D.C.-Metro area","Photography","Transportation -- Virginia, Northern -- Planning -- History -- 20th century","Transportation -- United States","Transportation -- United States -- Planning","Transportation -- Washington Metropolitan Area -- Planning","There are no access restrictions.","This collection is arranged in into six series:","Series Series 1: Washington Metropolitan Area Transit Authority, 1960-1990s (Boxes 1-4) Series 2: United States mass transit, 1932-2000 (Boxes 5-7) Series 3: International mass transit, 1903-1992(Boxes 7-9) Series 4: Slides and photographs, 1950s-2005 (Boxes 10-39) Series 5: Audio and video reels, 1960s-1970s (Box 40) Series 6: Maps and blueprints, 1950s-1960s (Map Cases 35.3 - 35.4)","Charles J. Lietwiler was born in Gallipolis, Ohio on August 22, 1933. He earned a Bachelor of Arts degree in Business Administration from the University of Washington in 1955, and a Master of Arts degree in Business Administration in Transportation from the George Washington University in 1966. Lietwiler served as a regional transit planner throughout his professional career. Within the D.C. Metropolitan area, he held various positions with the federal government, the National Academy of Sciences, and the Metropolitan Planning Association. Lietwiler also worked with the Northern Virginia Transportation Commission where he served as the Senior Transportation Planner beginning in 1965. He took part in the Airlie conferences in 1967, where local officials and transit experts created the D.C. Metro system. Lietwiler performed research for the U.S. Army Reserve Transportation Railway Service, and was an amateur photographer and filmmaker.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio contained in Series 5. Additional time and money may be required to digitize this material for access.","Processing completed by Christopher Babbitt in March 2020. EAD markup completed by Christopher Babbitt in March 2020. Finding aid updated by Amanda Menjivar in October 2022.","Special Collections Research Center holds many other collections related to transportation and planning, such as the   and the   Click   to see all transportation and planning materials held by Special Collections Research Center.","The Charles Lietwiler transportation collection contains Lietwiler's work on the founding of Metro at the Airlie Conferences in 1967. An avid photographer, Lietwiler diligently photographed its construction and opening ceremonies. The collection also represents his work with a variety of other organizations, such as the Northern Virginia Transportation Commission, where he held a senior position. Lietwiler was a well-traveled man, collecting a variety of souvenirs on his trips. A plurality of the collection relates to his work as an amateur photographer and filmmaker.","Series 1: Washington Metropolitan Area Transportation Authority (1960-1990s): This series contains Lietwiler's work on the founding of Metro, including his work at the Airlie Conferences of 1967. Materials include: Analytical reports by various organizations such as the U.S. Department of Transportation, Metrobus and rail schedules, and published materials such as Metro Memos. It also contains Metro-related photographs taken by Lietwiler.","Series 2: United States Mass Transit (1932-2000): This series contains Lietwiler's work with other American transit organizations, including planning materials and analysis reports, as well as published materials, such as the Northern Virginia Transportation Commission Newsletter.","Series 3: International Mass Transit (1903-1992): This series contains published journals and newspapers examining international transportation systems, analytical reports on Japanese rail systems, and maps/brochures collected on Lietwiler's many trips.","Series 4: Slides and Photographs (1950s-1990s): This series contains all non-WMATA related photographs taken by Lietwiler, both personal and transit-related. Transit-related photographs usually depict transit systems embedded in cities and towns, while personal photography showcases nature or family gatherings. This series contains three subseries. Subseries 4.1: United States mass transit photographs. Subseries 4.2: International mass transit photographs. Subseries 4.3: Personal photos.","Series 5: Audio and Video reels (1960s-1970s): This series contains Lietwiler's work as an amateur filmmaker, mostly from his personal travels.","Series 6: Maps and Blueprints (1950s-1960s): This series contains 56 maps of Washington, D.C., 26 blueprints, and 41 topographical maps of Pittsburgh, Pennsylvania.","This series contains Lietwiler's work regarding the foundation and planning of the Metro, as well as photographs taken of its construction and opening.","This series contains materials relating to United States Mass Transit and Lietwiler's work on domestic transit associations, such as the Northern Virginia Transportation Commission.","This series contains documents and publications pertaining to international transit systems.","This series contains Lietwiler's many photographs. Images in this series are both transit-related and personal.","Box includes slides pertaining to the following: Metro construction and opening slides (4) and Northern Virginia transit slides (2).","Box includes slides pertaining to the following: Manhattan, New York (1) and New York City (5).","Box includes slides pertaining to the following: American Northeast Transit Slides (4), New York trip (1), and Lexington, Kentucky and Massachusetts transit(1).","Box includes slides pertaining to the following: Philadelphia (3) and Baltimore (2).","Box includes slides pertaining to the following: California (2), San Diego (3), and Santa Fe to San Diego (1).","Box includes slides pertaining to the following: San Francisco (4), Sacramento, California (1), Portland, Oregon (1).","Box includes slides pertaining to the following: Southern California and New Mexico (1), Long Beach, California (1), Los Angeles (3), Hollywood (1).","Box includes slides pertaining to the following: San Francisco (3), Seattle, Washington (1), Canadian transit slides (1), 1988 Europe trip (1)","Box includes slides pertaining to the following: Seattle, Tacoma, Portland, Sacramento mass transit; Seattle, Washington transit; San Francisco, San Jose, Los Angeles mass transit, St. Louis, Denver, San Francisco, Baltimore mass transit, and West Coast mass transit.","Box includes slides pertaining to the following: Virginia Railway Express stations (2) and Netherlands mass transit (1).","Slides and photographs of mass transit systems throughout the world, primarily Asia, the South Pacific region, and Europe.","Box includes slides pertaining to the following: 1988 Europe trip (2), Canada (2), and Unknown ceremony (2).","Box includes slides pertaining to the following: Brazil, Columbia, and Panama (2); England (1); Switzerland (1); Greece (1); Unidentifiable (1).","Box includes slides pertaining to the following: Australia and New Zealand (1), Japanese World Fair (2), India (1), and Hong Kong (2).","This series contains non-transit related photographs taken by Lietwiler as part of his passion for photography.","Box includes slides pertaining to the following: construction slides (1), personal slides (1), and other slides (1).","Box includes slides pertaining to the following: Hawaii (2), Desk shots (1), Lietwiler family gathering (1), Nature (1), and the Reinhart collection (1)","Box includes slides pertaining to the following: Botanical Museum of Harvard (1), Home garden (1), Lietwiler family gathering (1), Hawaii (1), and personal photos (2).","This series contains film and audio taken by Lietwiler for hobby-related purposes. "," The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio contained in Series 5. Additional time and money may be required to digitize this material for access.","This series contains blueprints and topographical maps of Pittsburgh, Pennsylvania and Washington, D.C.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains Washington Metropolitan Area Transportation Authority (WMATA) materials relating to the foundation and construction of the Metro, information regarding American and international mass transit systems, and photographs taken by Charles Lietwiler.","\nR 72, C 1, S 1 - R 72, C 2, S 3\n\n\nMap Cases 35.3 - 35.4\n","George Mason University. Libraries. Special Collections Research Center","Northern Virginia Transportation Commission","Washington Metropolitan Area Transit Authority","Lietwiler, Charles","English"],"unitid_tesim":["C0324","/repositories/2/resources/547"],"normalized_title_ssm":["Charles Lietwiler transportation collection"],"collection_title_tesim":["Charles Lietwiler transportation collection"],"collection_ssim":["Charles Lietwiler transportation collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["D.C.-Metro area"],"geogname_ssim":["D.C.-Metro area"],"creator_ssm":["Lietwiler, Charles"],"creator_ssim":["Lietwiler, Charles"],"creator_persname_ssim":["Lietwiler, Charles"],"creators_ssim":["Lietwiler, Charles"],"places_ssim":["D.C.-Metro area"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Northern Virginia Transportation Commission on September 20, 2018."],"access_subjects_ssim":["Photography","Transportation -- Virginia, Northern -- Planning -- History -- 20th century","Transportation -- United States","Transportation -- United States -- Planning","Transportation -- Washington Metropolitan Area -- Planning"],"access_subjects_ssm":["Photography","Transportation -- Virginia, Northern -- Planning -- History -- 20th century","Transportation -- United States","Transportation -- United States -- Planning","Transportation -- Washington Metropolitan Area -- Planning"],"has_online_content_ssim":["false"],"extent_ssm":["33.0 Linear Feet 40 boxes, 2 map cases"],"extent_tesim":["33.0 Linear Feet 40 boxes, 2 map cases"],"date_range_isim":[1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in into six series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Washington Metropolitan Area Transit Authority, 1960-1990s (Boxes 1-4)\u003c/item\u003e\n      \u003citem\u003eSeries 2: United States mass transit, 1932-2000 (Boxes 5-7)\u003c/item\u003e\n      \u003citem\u003eSeries 3: International mass transit, 1903-1992(Boxes 7-9)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Slides and photographs, 1950s-2005 (Boxes 10-39)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audio and video reels, 1960s-1970s (Box 40)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Maps and blueprints, 1950s-1960s (Map Cases 35.3 - 35.4)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in into six series:","Series Series 1: Washington Metropolitan Area Transit Authority, 1960-1990s (Boxes 1-4) Series 2: United States mass transit, 1932-2000 (Boxes 5-7) Series 3: International mass transit, 1903-1992(Boxes 7-9) Series 4: Slides and photographs, 1950s-2005 (Boxes 10-39) Series 5: Audio and video reels, 1960s-1970s (Box 40) Series 6: Maps and blueprints, 1950s-1960s (Map Cases 35.3 - 35.4)"],"bioghist_html_tesm":["\u003cp\u003eCharles J. Lietwiler was born in Gallipolis, Ohio on August 22, 1933. He earned a Bachelor of Arts degree in Business Administration from the University of Washington in 1955, and a Master of Arts degree in Business Administration in Transportation from the George Washington University in 1966. Lietwiler served as a regional transit planner throughout his professional career. Within the D.C. Metropolitan area, he held various positions with the federal government, the National Academy of Sciences, and the Metropolitan Planning Association. Lietwiler also worked with the Northern Virginia Transportation Commission where he served as the Senior Transportation Planner beginning in 1965. He took part in the Airlie conferences in 1967, where local officials and transit experts created the D.C. Metro system. Lietwiler performed research for the U.S. Army Reserve Transportation Railway Service, and was an amateur photographer and filmmaker.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Charles J. Lietwiler was born in Gallipolis, Ohio on August 22, 1933. He earned a Bachelor of Arts degree in Business Administration from the University of Washington in 1955, and a Master of Arts degree in Business Administration in Transportation from the George Washington University in 1966. Lietwiler served as a regional transit planner throughout his professional career. Within the D.C. Metropolitan area, he held various positions with the federal government, the National Academy of Sciences, and the Metropolitan Planning Association. Lietwiler also worked with the Northern Virginia Transportation Commission where he served as the Senior Transportation Planner beginning in 1965. He took part in the Airlie conferences in 1967, where local officials and transit experts created the D.C. Metro system. Lietwiler performed research for the U.S. Army Reserve Transportation Railway Service, and was an amateur photographer and filmmaker."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio contained in Series 5. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Technical requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio contained in Series 5. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eCharles Lietwiler transportation collection, C0324, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Charles Lietwiler transportation collection, C0324, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Christopher Babbitt in March 2020. EAD markup completed by Christopher Babbitt in March 2020. Finding aid updated by Amanda Menjivar in October 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Christopher Babbitt in March 2020. EAD markup completed by Christopher Babbitt in March 2020. Finding aid updated by Amanda Menjivar in October 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds many other collections related to transportation and planning, such as the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/mertz.html\" title=\"William L. Mertz transportation collection\" show=\"new\"\u003e\u003c/extptr\u003e and the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/apta.html\" title=\"American Public Transportation records.\" show=\"new\"\u003e\u003c/extptr\u003e Click \u003cextptr href=\"https://scrc.gmu.edu/collections-subject.php#TRANSPORTATION\" title=\"here\" show=\"new\"\u003e\u003c/extptr\u003e to see all transportation and planning materials held by Special Collections Research Center.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds many other collections related to transportation and planning, such as the   and the   Click   to see all transportation and planning materials held by Special Collections Research Center."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles Lietwiler transportation collection contains Lietwiler's work on the founding of Metro at the Airlie Conferences in 1967. An avid photographer, Lietwiler diligently photographed its construction and opening ceremonies. The collection also represents his work with a variety of other organizations, such as the Northern Virginia Transportation Commission, where he held a senior position. Lietwiler was a well-traveled man, collecting a variety of souvenirs on his trips. A plurality of the collection relates to his work as an amateur photographer and filmmaker.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Washington Metropolitan Area Transportation Authority (1960-1990s): This series contains Lietwiler's work on the founding of Metro, including his work at the Airlie Conferences of 1967. Materials include: Analytical reports by various organizations such as the U.S. Department of Transportation, Metrobus and rail schedules, and published materials such as Metro Memos. It also contains Metro-related photographs taken by Lietwiler.\u003c/p\u003e\n","\u003cp\u003eSeries 2: United States Mass Transit (1932-2000): This series contains Lietwiler's work with other American transit organizations, including planning materials and analysis reports, as well as published materials, such as the Northern Virginia Transportation Commission Newsletter.\u003c/p\u003e\n","\u003cp\u003eSeries 3: International Mass Transit (1903-1992): This series contains published journals and newspapers examining international transportation systems, analytical reports on Japanese rail systems, and maps/brochures collected on Lietwiler's many trips.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Slides and Photographs (1950s-1990s): This series contains all non-WMATA related photographs taken by Lietwiler, both personal and transit-related. Transit-related photographs usually depict transit systems embedded in cities and towns, while personal photography showcases nature or family gatherings. This series contains three subseries. Subseries 4.1: United States mass transit photographs. Subseries 4.2: International mass transit photographs. Subseries 4.3: Personal photos.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Audio and Video reels (1960s-1970s): This series contains Lietwiler's work as an amateur filmmaker, mostly from his personal travels.\u003c/p\u003e\n","\u003cp\u003eSeries 6: Maps and Blueprints (1950s-1960s): This series contains 56 maps of Washington, D.C., 26 blueprints, and 41 topographical maps of Pittsburgh, Pennsylvania.\u003c/p\u003e","\u003cp\u003eThis series contains Lietwiler's work regarding the foundation and planning of the Metro, as well as photographs taken of its construction and opening.\u003c/p\u003e","\u003cp\u003eThis series contains materials relating to United States Mass Transit and Lietwiler's work on domestic transit associations, such as the Northern Virginia Transportation Commission.\u003c/p\u003e","\u003cp\u003eThis series contains documents and publications pertaining to international transit systems.\u003c/p\u003e","\u003cp\u003eThis series contains Lietwiler's many photographs. Images in this series are both transit-related and personal.\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: Metro construction and opening slides (4) and Northern Virginia transit slides (2).\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: Manhattan, New York (1) and New York City (5).\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: American Northeast Transit Slides (4), New York trip (1), and Lexington, Kentucky and Massachusetts transit(1).\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: Philadelphia (3) and Baltimore (2).\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: California (2), San Diego (3), and Santa Fe to San Diego (1).\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: San Francisco (4), Sacramento, California (1), Portland, Oregon (1).\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: Southern California and New Mexico (1), Long Beach, California (1), Los Angeles (3), Hollywood (1).\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: San Francisco (3), Seattle, Washington (1), Canadian transit slides (1), 1988 Europe trip (1)\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: Seattle, Tacoma, Portland, Sacramento mass transit; Seattle, Washington transit; San Francisco, San Jose, Los Angeles mass transit, St. Louis, Denver, San Francisco, Baltimore mass transit, and West Coast mass transit.\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: Virginia Railway Express stations (2) and Netherlands mass transit (1).\u003c/p\u003e","\u003cp\u003eSlides and photographs of mass transit systems throughout the world, primarily Asia, the South Pacific region, and Europe.\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: 1988 Europe trip (2), Canada (2), and Unknown ceremony (2).\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: Brazil, Columbia, and Panama (2); England (1); Switzerland (1); Greece (1); Unidentifiable (1).\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: Australia and New Zealand (1), Japanese World Fair (2), India (1), and Hong Kong (2).\u003c/p\u003e","\u003cp\u003eThis series contains non-transit related photographs taken by Lietwiler as part of his passion for photography.\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: construction slides (1), personal slides (1), and other slides (1).\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: Hawaii (2), Desk shots (1), Lietwiler family gathering (1), Nature (1), and the Reinhart collection (1)\u003c/p\u003e","\u003cp\u003eBox includes slides pertaining to the following: Botanical Museum of Harvard (1), Home garden (1), Lietwiler family gathering (1), Hawaii (1), and personal photos (2).\u003c/p\u003e","\u003cp\u003eThis series contains film and audio taken by Lietwiler for hobby-related purposes. \u003c/p\u003e\n","\u003cp\u003e The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio contained in Series 5. Additional time and money may be required to digitize this material for access.\u003c/p\u003e","\u003cp\u003eThis series contains blueprints and topographical maps of Pittsburgh, Pennsylvania and Washington, D.C.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Charles Lietwiler transportation collection contains Lietwiler's work on the founding of Metro at the Airlie Conferences in 1967. An avid photographer, Lietwiler diligently photographed its construction and opening ceremonies. The collection also represents his work with a variety of other organizations, such as the Northern Virginia Transportation Commission, where he held a senior position. Lietwiler was a well-traveled man, collecting a variety of souvenirs on his trips. A plurality of the collection relates to his work as an amateur photographer and filmmaker.","Series 1: Washington Metropolitan Area Transportation Authority (1960-1990s): This series contains Lietwiler's work on the founding of Metro, including his work at the Airlie Conferences of 1967. Materials include: Analytical reports by various organizations such as the U.S. Department of Transportation, Metrobus and rail schedules, and published materials such as Metro Memos. It also contains Metro-related photographs taken by Lietwiler.","Series 2: United States Mass Transit (1932-2000): This series contains Lietwiler's work with other American transit organizations, including planning materials and analysis reports, as well as published materials, such as the Northern Virginia Transportation Commission Newsletter.","Series 3: International Mass Transit (1903-1992): This series contains published journals and newspapers examining international transportation systems, analytical reports on Japanese rail systems, and maps/brochures collected on Lietwiler's many trips.","Series 4: Slides and Photographs (1950s-1990s): This series contains all non-WMATA related photographs taken by Lietwiler, both personal and transit-related. Transit-related photographs usually depict transit systems embedded in cities and towns, while personal photography showcases nature or family gatherings. This series contains three subseries. Subseries 4.1: United States mass transit photographs. Subseries 4.2: International mass transit photographs. Subseries 4.3: Personal photos.","Series 5: Audio and Video reels (1960s-1970s): This series contains Lietwiler's work as an amateur filmmaker, mostly from his personal travels.","Series 6: Maps and Blueprints (1950s-1960s): This series contains 56 maps of Washington, D.C., 26 blueprints, and 41 topographical maps of Pittsburgh, Pennsylvania.","This series contains Lietwiler's work regarding the foundation and planning of the Metro, as well as photographs taken of its construction and opening.","This series contains materials relating to United States Mass Transit and Lietwiler's work on domestic transit associations, such as the Northern Virginia Transportation Commission.","This series contains documents and publications pertaining to international transit systems.","This series contains Lietwiler's many photographs. Images in this series are both transit-related and personal.","Box includes slides pertaining to the following: Metro construction and opening slides (4) and Northern Virginia transit slides (2).","Box includes slides pertaining to the following: Manhattan, New York (1) and New York City (5).","Box includes slides pertaining to the following: American Northeast Transit Slides (4), New York trip (1), and Lexington, Kentucky and Massachusetts transit(1).","Box includes slides pertaining to the following: Philadelphia (3) and Baltimore (2).","Box includes slides pertaining to the following: California (2), San Diego (3), and Santa Fe to San Diego (1).","Box includes slides pertaining to the following: San Francisco (4), Sacramento, California (1), Portland, Oregon (1).","Box includes slides pertaining to the following: Southern California and New Mexico (1), Long Beach, California (1), Los Angeles (3), Hollywood (1).","Box includes slides pertaining to the following: San Francisco (3), Seattle, Washington (1), Canadian transit slides (1), 1988 Europe trip (1)","Box includes slides pertaining to the following: Seattle, Tacoma, Portland, Sacramento mass transit; Seattle, Washington transit; San Francisco, San Jose, Los Angeles mass transit, St. Louis, Denver, San Francisco, Baltimore mass transit, and West Coast mass transit.","Box includes slides pertaining to the following: Virginia Railway Express stations (2) and Netherlands mass transit (1).","Slides and photographs of mass transit systems throughout the world, primarily Asia, the South Pacific region, and Europe.","Box includes slides pertaining to the following: 1988 Europe trip (2), Canada (2), and Unknown ceremony (2).","Box includes slides pertaining to the following: Brazil, Columbia, and Panama (2); England (1); Switzerland (1); Greece (1); Unidentifiable (1).","Box includes slides pertaining to the following: Australia and New Zealand (1), Japanese World Fair (2), India (1), and Hong Kong (2).","This series contains non-transit related photographs taken by Lietwiler as part of his passion for photography.","Box includes slides pertaining to the following: construction slides (1), personal slides (1), and other slides (1).","Box includes slides pertaining to the following: Hawaii (2), Desk shots (1), Lietwiler family gathering (1), Nature (1), and the Reinhart collection (1)","Box includes slides pertaining to the following: Botanical Museum of Harvard (1), Home garden (1), Lietwiler family gathering (1), Hawaii (1), and personal photos (2).","This series contains film and audio taken by Lietwiler for hobby-related purposes. "," The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio contained in Series 5. Additional time and money may be required to digitize this material for access.","This series contains blueprints and topographical maps of Pittsburgh, Pennsylvania and Washington, D.C."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThis collection contains Washington Metropolitan Area Transportation Authority (WMATA) materials relating to the foundation and construction of the Metro, information regarding American and international mass transit systems, and photographs taken by Charles Lietwiler.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains Washington Metropolitan Area Transportation Authority (WMATA) materials relating to the foundation and construction of the Metro, information regarding American and international mass transit systems, and photographs taken by Charles Lietwiler."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ac7d219b7a43e34bd672980dfe90dff9\"\u003e\nR 72, C 1, S 1 - R 72, C 2, S 3\n\n\nMap Cases 35.3 - 35.4\n\u003c/physloc\u003e"],"physloc_tesim":["\nR 72, C 1, S 1 - R 72, C 2, S 3\n\n\nMap Cases 35.3 - 35.4\n"],"names_coll_ssim":["Northern Virginia Transportation Commission","Washington Metropolitan Area Transit Authority"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Northern Virginia Transportation Commission","Washington Metropolitan Area Transit Authority","Lietwiler, Charles"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Northern Virginia Transportation Commission","Washington Metropolitan Area Transit Authority"],"persname_ssim":["Lietwiler, Charles"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":425,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T07:17:54.608Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_547_c04_c224"}},{"id":"vifgm_arenastage_c04_c03_c31","type":"File","attributes":{"title":"1971-1972 (Large) - September 1971 - July 1972,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_arenastage_c04_c03_c31#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_arenastage_c04_c03_c31#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_arenastage_c04_c03_c31","ref_ssm":["vifgm_arenastage_c04_c03_c31"],"id":"vifgm_arenastage_c04_c03_c31","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage_c04_c03","parent_ssi":"vifgm_arenastage_c04_c03","parent_ssim":["vifgm_arenastage","vifgm_arenastage_c04","vifgm_arenastage_c04_c03"],"parent_ids_ssim":["vifgm_arenastage","vifgm_arenastage_c04","vifgm_arenastage_c04_c03"],"parent_unittitles_ssm":["Arena Stage records","Series 4: Oversize materials,","Subseries 4.3: Scrapbooks,"],"parent_unittitles_tesim":["Arena Stage records","Series 4: Oversize materials,","Subseries 4.3: Scrapbooks,"],"text":["Arena Stage records","Series 4: Oversize materials,","Subseries 4.3: Scrapbooks,","1971-1972 (Large) - September 1971 - July 1972,","Box 680","Folder 1",""],"title_filing_ssi":"1971-1972 (Large) - September 1971 - July 1972, \n","title_ssm":["1971-1972 (Large) - September 1971 - July 1972,"],"title_tesim":["1971-1972 (Large) - September 1971 - July 1972,"],"unitdate_other_ssim":["1971-1972\n"],"normalized_date_ssm":["1971/1972"],"normalized_title_ssm":["1971-1972 (Large) - September 1971 - July 1972,"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":7931,"parent_access_restrict_tesm":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1971,1972],"containers_ssim":["Box 680","Folder 1"],"scopecontent_html_tesm":["\u003cp/\u003e"],"scopecontent_tesim":[""],"_nest_path_":"/components#3/components#2/components#30","timestamp":"2026-05-21T06:25:23.142Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_arenastage","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage","ead_source_url_ssi":"data/gmu/arenastage.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/arenastage.html","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949-2010"],"unitdate_inclusive_ssm":["1949-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017"],"text":["C0017","Arena Stage records","Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings.","Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.","Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","","","","","","","","","","","","","","Contains a letter from Annette Bening.\n","","","","","Contains headshots and a letter from Olympia Dukakis.\n","","","","","","","","Contains a letter from Rosemary Harris.\n","","","","","Contains letters, headshots, and a CV from John Lithgow.\n","","","","","","","","","","","","","","","","\nContains letters from Sigourney Weaver.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. ","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes information about and architectural plans for Arena's various buildings over the years.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various 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Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)","English\n            "],"unitid_tesim":["C0017"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage"],"creator_ssim":["Arena Stage"],"creator_corpname_ssim":["Arena Stage"],"creators_ssim":["Arena Stage"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Arena Stage in 2000-2011."],"access_subjects_ssim":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["739 boxes"],"extent_tesim":["739 boxes"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.  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December 5, 1997\" show=\"new\" href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  \u003c/p\u003e","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational 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subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range 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subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth 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1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\nContains letters from Sigourney 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3: Casting information contains notes on casting for productions arranged alphabetically by 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subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena 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2: Communications and Marketing includes records produced by the Communications and Marketing departments. 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3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized 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subseries contains research on various playwrights, both living and dead, whose work has been performed at 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subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. 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subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the 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subseries contains documents collected from throughout the runs of various 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subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. 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subseries contains production photos collected in 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series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at 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subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\n\u003c/p\u003e","\u003cp\u003eReel 2 of 3\n\u003c/p\u003e","\u003cp\u003eReel 3 of 3\n\u003c/p\u003e","\u003cp\u003ePartially 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- Vinegar\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\n\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eTape 3\n\u003c/p\u003e","\u003cp\u003eTape 4\n\u003c/p\u003e","\u003cp\u003eTape 5\n\u003c/p\u003e","\u003cp\u003eTape 6\n\u003c/p\u003e","\u003cp\u003eReel #168\n\u003c/p\u003e","\u003cp\u003eReel #169\n\u003c/p\u003e","\u003cp\u003eReel #170\n\u003c/p\u003e","\u003cp\u003e3 copies\n\u003c/p\u003e","\u003cp\u003e2 copies\n\u003c/p\u003e","\u003cp\u003e2 copies\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","","","","","","","","","","","","","","Contains a letter from Annette Bening.\n","","","","","Contains headshots and a letter from Olympia Dukakis.\n","","","","","","","","Contains a letter from Rosemary Harris.\n","","","","","Contains letters, headshots, and a CV from John Lithgow.\n","","","","","","","","","","","","","","","","\nContains letters from Sigourney Weaver.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. 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Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1971,1972],"containers_ssim":["box 680","folder 1"],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#3/components#2/components#30","timestamp":"2026-05-21T05:06:20.076Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"text":["C0017","/repositories/2/resources/416","Arena Stage records","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_corpname_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access note"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e\n","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e\n","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e","\u003cp\u003eThis subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\u003c/p\u003e","\u003cp\u003eContains letters from Sigourney Weaver.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eThis subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e","\u003cp\u003eSub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.\u003c/p\u003e","\u003cp\u003eCaucasian Chalk Circle is available in digital format.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eThis subseries includes information about and architectural plans for Arena's various buildings over the years.\u003c/p\u003e","\u003cp\u003eThis series is comprised of records related to the artistic development and performance of Arena's plays.\u003c/p\u003e","\u003cp\u003eThis subseries documents literary, historical and background research done by Arena's literary department for various plays.\u003c/p\u003e","\u003cp\u003eThis subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.\u003c/p\u003e","\u003cp\u003eThis subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents collected from throughout the runs of various productions.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eThis subseries contains production photos collected in books.\u003c/p\u003e","\u003cp\u003eThis subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e","\u003cp\u003eThis subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eThis series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.\u003c/p\u003e","\u003cp\u003eThis subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.\u003c/p\u003e","\u003cp\u003eThis subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.\u003c/p\u003e","\u003cp\u003eModel sits on top of map case\u003c/p\u003e","\u003cp\u003eThis subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\u003c/p\u003e","\u003cp\u003eReel 2 of 3\u003c/p\u003e","\u003cp\u003eReel 3 of 3\u003c/p\u003e","\u003cp\u003ePartially Unraveling\u003c/p\u003e","\u003cp\u003eVinegar\u003c/p\u003e","\u003cp\u003eUnraveling - Vinegar\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003eTape 3\u003c/p\u003e","\u003cp\u003eTape 4\u003c/p\u003e","\u003cp\u003eTape 5\u003c/p\u003e","\u003cp\u003eTape 6\u003c/p\u003e","\u003cp\u003eReel #168\u003c/p\u003e","\u003cp\u003eReel #169\u003c/p\u003e","\u003cp\u003eReel #170\u003c/p\u003e","\u003cp\u003e3 copies \nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope 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note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e"],"physloc_tesim":["\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:06:20.076Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c04_c03_c31"}},{"id":"viw_repositories_2_resources_8527_c14_c03_c08_c04","type":"Item","attributes":{"title":"1971 (2 CDs)","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8527_c14_c03_c08_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8527_c14_c03_c08_c04","ref_ssm":["viw_repositories_2_resources_8527_c14_c03_c08_c04"],"id":"viw_repositories_2_resources_8527_c14_c03_c08_c04","ead_ssi":"viw_repositories_2_resources_8527","_root_":"viw_repositories_2_resources_8527","_nest_parent_":"viw_repositories_2_resources_8527_c14_c03_c08","parent_ssi":"viw_repositories_2_resources_8527_c14_c03_c08","parent_ssim":["viw_repositories_2_resources_8527","viw_repositories_2_resources_8527_c14","viw_repositories_2_resources_8527_c14_c03","viw_repositories_2_resources_8527_c14_c03_c08"],"parent_ids_ssim":["viw_repositories_2_resources_8527","viw_repositories_2_resources_8527_c14","viw_repositories_2_resources_8527_c14_c03","viw_repositories_2_resources_8527_c14_c03_c08"],"parent_unittitles_ssm":["Carl A. \"Pappy\" Fehr papers","Series 14: Audio Recordings","Compact Discs","Data Discs"],"parent_unittitles_tesim":["Carl A. \"Pappy\" Fehr papers","Series 14: Audio Recordings","Compact Discs","Data Discs"],"text":["Carl A. \"Pappy\" Fehr papers","Series 14: Audio Recordings","Compact Discs","Data Discs","1971 (2 CDs)","Box Series 14, Subseries 3, Box 8"],"title_filing_ssi":"1971 (2 CDs)","title_ssm":["1971 (2 CDs)"],"title_tesim":["1971 (2 CDs)"],"unitdate_inclusive_ssm":["1971 May 8"],"normalized_date_ssm":["1971"],"normalized_title_ssm":["1971 (2 CDs)"],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Carl A. \"Pappy\" Fehr papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1972,"parent_access_restrict_tesm":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1971],"containers_ssim":["Box Series 14, Subseries 3, Box 8"],"_nest_path_":"/components#13/components#2/components#7/components#3","timestamp":"2026-05-20T22:52:45.698Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8527","ead_ssi":"viw_repositories_2_resources_8527","_root_":"viw_repositories_2_resources_8527","_nest_parent_":"viw_repositories_2_resources_8527","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8527.xml","title_filing_ssi":"Carl A. \"Pappy\" Fehr papers","title_ssm":["Carl A. \"Pappy\" Fehr papers"],"title_tesim":["Carl A. \"Pappy\" Fehr papers"],"unitdate_ssm":["1907-2012","1945-1974"],"unitdate_bulk_ssim":["1945-1974"],"unitdate_inclusive_ssm":["1907-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 6.017","/repositories/2/resources/8527"],"text":["UA 6.017","/repositories/2/resources/8527","Carl A. \"Pappy\" Fehr papers","College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.","Subseries is arranged by date and then alphabetically.","Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta."," Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.","Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.","See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)","The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings."," Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. ","This series includes concert programs representing Dr. Fehr's directorship of William \u0026 Mary's choral program; The Common Glory and The Founders outdoor summer pageants; and the Williamsburg Baptist Church choir. The series includes William \u0026 Mary choral programs of the regular academic year, as well as programs for special event and guest performances. In addition to correspondence and other records pertaining to choral media performances, the series also includes an inventory of concert programs tape recorded between 1949 and 1973.","The Choral Program Statements series consists of Dr. Fehr's formal and informal statements of the place of a choral program in a liberal arts college; standards governing choral member selection, appearance, and conduct; and admittance and dismissal procedures, as well as Dr. Fehr's communications on these matters with choral members and others.","This series contains materials on Dr. Fehr's professional management of the choral program, including his directorial and production notes, a concert planning notebook, and his reflections on concert program logistics, as well as a series of blueprints for staging concert performances. The series also contains student applications, auditions, rehearsal schedules, and concert tickets lists for special guests, as well as documents pertaining to choral business matters.","This series includes choral records such as choir and chorus rosters and directories and a series of spring choir tour journals.","This series documents Choir/Chorus activities, such as the annual Choir banquet. It includes Choir/Chorus communications, such as bulletins and Choir alumni newsletters. Also included are special choral events including the \"Fehr-well Fest,\" the concert celebrating Dr. Fehr's retirement, materials related to the celebration of the Fehrs' 50th wedding anniversary, the 1965 World's Fair concert, and Staying Connected: The Carl Fehr Project, an event organized to bring Choir alumni together to rehouse the Carl A. \"Pappy\" Fehr Papers.","This series includes Choir/Chorus publicity and promotional materials including brochures, posters, postcards, and magazine articles featuring Dr. Fehr and the choral program.","One poster used by the choir that says \"Don't Worry if it Sounds Bad: It's Contemporary.\"","This series includes Music Department documents collected over the course of Dr. Fehr's faculty appointment. The series also includes information on the department's history, Dr. Fehr's instructional materials, class schedules and exams, as well as documentation of the student assistant program and the Fehr Music Scholarship program. The series also includes Dr. Fehr's philosophy of teaching and his policy on classroom discipline, as well as his documents on music theory and practice.","This series includes Dr. Fehr's professional qualifications and performance evaluations, employment applications, awards and honors, academic records, and a copy of his Ph.D. dissertation. Also includes is biographical material including an oral history interview conducted with Dr. Fehr by the College of William and Mary in 1975-1976. The series includes some material from his Texas years as well.","Scope and Contents Certificate of Membership in American Choral Directors Association Wisdom Award of Honor Conferred on Dr. Carl A. Fehr by The Wisdom Society, 1970 Alice Knippa Fehr's Certificate of Baptism Carl A. Fehr's Certificate of Baptism, 1907 Austin High School Diploma, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, 1928 Masters of Arts Diploma, University of Texas, 1930 Austin High School Diploma, Carl A. Fehr Columbia University Doctor of Education Diploma, Carl A. Fehr, December 1950 Concordia Teachers College Diploma, Carl A. Fehr, 1931 Certificate of appreciation to Carl A. Fehr from the Williamsburg Baptist Church, May 1968 (mounted) Certificate of appreciation to Carl A. Fehr, Two Thousand Men of Achievement diploma, London, February 1973 Certificate of merit from the Dictionary of International Biography, vol. ix, August 1972 Certificate of appreciation, Virginia State Bar, May 1959 Black and white sketch of Dr. Carl A. Fehr adapted from a photograph, 1960s Water color sketch of Dr. Carl A. Fehr in a clown suit, 1960s Choir and Chorus formal document of congratulations to Dr. Carl A. Fehr for excellence in directing the choral program, 1945-1970","This is a series of news clippings focusing on Dr. Fehr's career, William and Mary choral members, concert publicity, and critical reviews.","This series is composed of collected sheet music organized by type and including a variety of sheet music. Box 2 holds organ studies and organ anthologies; Box 3 and 4 are entirely organ anthologies; Box 5-7 holds organ sheet music; Box 7-9 holds vocal music; Box 10 includes Christmas Choral Programs as well as religious, secular, and hand-copied music; Box 11 holds correspondence, concert programs, and Christmas music; Boxes 12-17 include a variety of music related to William and Mary, Christmas, The Common Glory, and many others.","Instrumental Parts Accompaniments Correspondence and Publications","This series includes Dr. Fehr's collection of published materials related to areas of personal interest other than music, such as technology topics and a collection of William and Mary student body literature dating from the 1960s and 1970s.","The correspondence series dates from the years of Dr. Fehr's career at William and Mary (1945-1974) as well as his retirement years. Included in the series is William and Mary interdepartmental correspondence, colleague correspondence, correspondence with choral members, parties outside the university community, and other correspondents.","The photographs series visually documents the College of William and Mary choral program from 1945 through 1974, as well as alumni choral events during Dr. Fehr's retirement years. The series documents separately The Common Glory program, the William and Mary choral program by decade, portraits of Dr. Fehr, family and friends (1920s-1980s), and Dr. Fehr's career with the public school system in Austin, Texas. In addition to color and black and white photographs, a small number of color slides and photographic negatives can also be found in this series. Note that each photograph was given an individual number that begins with the letters \"FP.\"","Pasted onto the back of this mounting is a black and white picture of an unidentified young woman","The Common Glory Choir at The Governor's Palace in Colonial Williamsburg","The Common Glory Choir at The Governor's Palace in Colonial Williamsburg","There are two copies of this item.","William and Mary Choir in the Chapel in the Wren Building","William and Mary Choir in the Chapel in the Wren Building","William and Mary Choir in robes, W. Warren Sprouse, Director","William and Mary Choir in performance","William and Mary Choir, Wren Building (possible duplicate)","Virginia All East Chorus, Highland Springs, Virginia","Colored photo of William and Mary Choir in formal attire in Wren Building, with Dr. Fehr","William and Mary Choir in performance, with Dr. Fehr","William and Mary Choir, with Dr. Fehr","Color Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams","Black \u0026 White Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams","Black \u0026 White Photo of the William and Mary Choir, 1960-1961. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1960. Photographer - Thomas L. Williams. Possible duplicate","Color Photo of the William and Mary Choir, 1961. Photographer - Thomas L. Williams, '61","Color Photo of the William and Mary Choir, 1962. Photographer - Thomas L. Williams. '62","Color Photo of the William and Mary Choir, 1962-1963. Photographer - Thomas L. Williams","Black and White Photo of the William and Mary Choir with Dr. Fehr 1962","Color Photo of the William and Mary Chorus, 1962-1963. Photographer - Thomas L. Williams","Color Photo of the William and Mary Chorus, 1963-1964. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1963. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1963-1964. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams","Black and White Photo of the William and Mary Chorus, 1964-1965. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1965-1966. Photographer - Thomas L. Williams; duplicate copy available","Color Photo of the William and Mary Choir on Virginia Day at the World's Fair in Queens, New York, May 13, 1965.","Color Photo of the William and Mary Chorus, 1965-1966. Photographer - Thomas L. Williams Duplicate copy available","Color Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Duplicate copy included","Color Photo of the William and Mary Chorus, 1966-1967. Photographer - Thomas L. Williams Higher quality available in FP 236","Color Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Higher quality than similar shot in FP 220.2","Color Photo of the William and Mary Chorus, 1967-1968. Photographer - Thomas L. Williams Duplicate included","Color Photo of the William and Mary Choir, 1967-1968. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams. Photo taken in Sunken Garden. multiple duplicates available including black and white 8x10","Color Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams Duplicate included","Color Photo of the William and Mary Chorus, 1969-1970. Photographer - Thomas L. Williams","The William and Mary Choir in formal attire at the Wren Building, with Dr. Fehr, 1969-1970; Photographer: Thomas L Williams Duplicate Included","William and Mary Chorus in formal attire, with Dr. Fehr. Photographer: Thomas L Williams","William and Mary Chorus in formal attire, with Dr. Fehr. 1969 - 1970. Photographer: Thomas L. Williams.","Black and White photo of  the William and Mary Choir in formal attire in Wren Building, with Dr. Fehr, 1960s","The William and Mary Choir with Dr. Fehr at the Wren Building, 1969-1970. Photographer: Thomas L. Williams.","Color photo of the William and Mary Choir with Dr. Fehr in front of Jefferson Hall, 1970-1971. Photographer: Thomas L. Williams","The William and Mary Chorus in formal attire on campus with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Chorus in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire in front of Swem with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","The William and Mary Chorus in formal attire in front of the Wren Building with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","The Charter Day Convocation and Parents Day, Saturday February 13, 1971. Rector Ernest Goodrich, Chancellor Professor W. Melville Jones, Dr. Fehr and President Davis Y. Paschall, February 13, 1971 Duplicate Included.","The William and Mary Choir in formal attire by the sundial in front of the Swem Library, with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","William and Mary Chorus in formal attire in front of Swem Library, 1972-1973 (color, matted with caption); Photographer: Thomas L Williams. Duplicate noted on back.","One color photograph of the William and Mary Choir on tour at the party of a William and Mary alum in April 1973. Some of the students identified include Tom Terry, Cabot Wade, and Keith Savage. An envelope identifying some of the people in the photograph is included.","William and Mary Chorus in formal attire in front of The Wren Building with Dr. Fehr, 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Black and white copy and duplicate included.","William and Mary Chorus in formal attire 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Duplicate included","William and Mary Choir in formal attire in front of Swem Library with Dr. Fehr, 1970's (black and white on board.)","The William and Mary Choir in performance, 1970s (Black and white on paper.","Black and white photo of Dr. Fehr conducting a vocal performance, 1970s.","Black and white photo of Dr. Fehr directing a vocal performance, 1970s.","The William and Mary Choir in performance, 1970s.","The William and Mary Choir in performance, 1970's. Black and White.","The William and Mary Choral Group in rehearsal directed by Dr. Fehr, 1970s.","Black and white photo of Dr. Fehr directing the William and mary Choral Group in rehearsal, 1970s.","The William and Mary Choir rehearsing, with Dr. Fehr (center, back riser) 1970s","William and Mary Choral Group members rehearsing at the piano, 1970s","Black and White photo of Carl A. Fehr with William and Mary Chorus","Dr. Fehr with the Alumni Choir in performance, 1983; color photo","Austin High School Glee Club in Candlelight performance, Christmas 1944","Scope and Contents The William and Mary Male Musical Group with string instruments, 1901. Handwritten notations on back \" Front Row - (left to right) Elizabeth Tyler Miller- 1. Alfred Hart Miler (Capt. MLH) College of William and Mary Williamsburg Virginia, 1901 2. ? 3. John Arthur Hundley ( an irristible wanderer) 4. ? 5. \"Shorty\" Corbett Back Row 6. J.M. Dummoriut ( Dairy Farms) 7. Marvin Burton (Dentist) 8. George Joluison 9. Oscar Shumaker 10. Abraham B. Marchiant 11. E. Stanley Brinkley (Superintendent of Norfolk Schools) 12. J. W. Gossman","The Common Glory Choir in the Roal Theater","The Common Glory Choir cast memeber Barbara Blum 1951","The Common Glory Choir cast memebrs : Suzanne Roberts, Frances Amon, Barbara Blum, Lillian Baker \u0026 Shirley Thompson","The Common Glory Choir in June 1954. Photographer: Jack White","The Common Glory Choir in 1954; Sticker on back \"The Common Glory Williamsburg Va.\" James Mays.","Photographer: Douglas B. Green II","Photographer: Jack White","The Common Glory \"Wagon\" Summer 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026 Mary, Williamsburg, VA.","The Common Glory Choir \"Wagon\" 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026 Mary, Williamsburg, VA.","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","Color photo of the Common Glory Choir from the 1950s in Colonial dress.","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s in Colonial Williamsburg.","The Common Glory Choir (developed June 22, 1957) duplicate included","The Common Glory Choir (developed June 22 1957) duplicate included","The Common Glory Choir ( Developed June 22, 1957) duplicate included","Official Photograph of The Common Glory Choir in Colonial Dress; Photographer Jack White.","The Common Glory Choir in Colonial dress from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s in Colonial dress. Photographer: Douglas B. Green II","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; Colonial Dress.  Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","Dr. Fehr with Common Glory Choir cast members from the 1950s.","duplicate included","The Common Glory Choir from the 1950s; assembled in \"C G \" formation. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","The Common Glory Choir in the Summer of 1967. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","The Common Glory Choir in Colonial Dress. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","A reproduction of  a sketch of the Common Glory Choir; undated. Signed by H. Day.","Black and White photograph of the College Mace; presented to William and Mary by alumni and students on February 8, 1923. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 Stamped by the NEWS BUREAU College of William and Mary, Williamsburg, Virginia","The William and Mary Choir, Spring 1946; 1945-1946 School Year. Photographer: Von Dubell Studio Williamsburg, Virginia","The William and Mary Choir, Graduation","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1940s","The William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA","The William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA","The William and Mary Choir Spring 1946. Von Dubell Studios Williamsburg, VA","The William and Mary Choir in the Wren Chapel 1946. Von Dubell Studios Williamsburg, VA","Note on back dated May 15, 1947, from Marilyn. \"To my favorite pappy - next to my own. Thanks for such an enjoyable year. Don't forget that Austin and San Antonio aren't too far apart. Good luck this summer -\"","marked as a duplicate; large version in Box #1","Teachers College Chorus, Columbia University, Fall 1949. Photo by Elvira Kohl.","The William and Mary Choir with Dr. Fehr and a costumed musician. Photographer: Colonial Williasmburg Photograph by Thomas L. Williams.","The Library on the right and flanking it Rogers Hall and the Marshall-Wythe Building. Von Dubell Studios, Williamsburg, VA","Marked as William and Mary cover. Von Stubell Studio, Williamsburg, Va","The Brafferton Building on the campus of William and Mary. Thomas L. Williams, Colonial Williamsburg; Williamsburg, Virginia","The William and Mary Choir in the balcony of the Wren Chapel, 1940s. Von Stubell Studio, Williamsburg, VA.","A side view of the William and Mary Choir in the Wren Chapel. Photo Service, 207 Griffin Ave. Williamsburg, Va.","The William and Mary Choir in performance with Dr, Fehr","The William and Mary Concert Choir; From the studio of Douglas B. Greeen II; 761 Scotland Street; Williamsbrug, Virginia","The William and Mary Choir in the Wren Chapel; Von Dubell Stdios, Williamsburg, VA","The William and Mary Choir in the Wren Chapel; front and side view","The William and Mary Girls Chorus in formal attire","The William and Mary Choir, Carl A. Fehr, Director","The William and Mary Choir in the Wren Chapel; W. Warren Sprouse, Director, 1950","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance; From the studio of Douglas B. Green II; 781 Scotland Street; Williamsburg, Virginia","Thw William and Mary Choir in rehearsal","Autographed picture of Anne with note. \" Pappy - Thanks so much for all that you have done for me.\"","Note on back \" To the \"sweetest\" Pappy with thanks for everything. Much Love.\" Jackie (Jones) Myers. June 1952","Fifth Annual Virginia All-West Chorus; Martinsville, Virginia. Remsen Studios, Box 296, Martinsville, Virginia","The William and Mary Choir in formal attire","The William and Mary Choir in the Wren Chapel","The Wiliam and Mary Chorus in formal attire","The William and Mary Choir in the Wren Chapel","The William and Mary Choir in formal attire in the Wren Building. Jack White, 316 Monroe Hall, College of William and Mary, Williamsburg, VA","The William and Mary Choir in formal attire","The William and Mary Choir in front of the Wren Building for the Marshall-Wythe-Blackstrong Celebration","The William and Mary Choir in formal attire with Dr. Fehr duplicate included","The William and Mary Choir in Formal Attire in the Spring of 1954 duplicate included","The William and Mary Choir in Formal Attire in the Wren Chapel, 1955","The William and Mary Choir , Christmas Concert, 1955","News Bureau release: Scholars - At the College of William and Mary in Virginia where Phi Beta Kappa was founded, new initiates of the honorary scholastic society pause on the steps of the College's Phi Beta Kappa Hall for a chat with John C. Kerby-Miller (left) of Newport News, an alumnus of the University of California. Among the 13 William and Mary students who were initiated during the Spring ceremonies were (left to right) Robert Gilliland Forrest of Norfolk, Virginia; Jane Courtney Kesler of Virginia Beach, Virginia; Robert Wallace Stevens of Norfolk, Virginia; and Mary Ann Lyman of Longmeadow, Massachusetts. duplicate included","The William and Mary Choir in Formal Attire","The William and Mary Choir in the Wren Building with Dr. Fehr in the Spring of 1954","The William and Mary Choir in Formal Attire with Dr. Fehr, 1956-57","The William and Mary Choir in Concert in the Wren Building duplicate included","The William and Mary Choir in Formal Procession on campus","The William and Mary Choir performing at a special ceremony","The William and Mary Choir performing with Dr. Fehr","The William and Mary Choir performing with Dr. Fehr","Choral Performance at the Yorktown Celebration","The William and Mary Choir rehearsing with dr. Fehr in a wooded area on campus","The William and Mary Choir in rehearsal","The William and Mary Choir in a Candlelight performance with Dr. Fehr duplicate included","The William and Mary Choir in performance directed by Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir inperformance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir iChristmas Party with Dr. Fehr (front left, standing)","The William and Mary Choir during the Boston Trip; photo by Saunders Miller","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with dr. Fehr; photo by Saunders Miller","The William and Mary Chorus in Performance","The William and Mary Choir in performance, Christmas","The William and Mary Choir in performance with Dr. Fehr in the Spring of 1959","The William and Mary Choir in performance with Dr. Fehr in the Spring of 1959","The William and Mary Choir in performance","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in Graduation Procession","William and Mary Graduation Ceremony","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. duplicate in smaller size","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr","The William and Mary Choir with Dr. Fehr","The William and Mary Choir with Dr. Fehr. Photographer Thomas L. Williams","The William and Mary Choir in Candlelight Performance. Photograoher Charles G. Kagey, Colonial Williamsburg","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance. Photographer- Peter Vance Clark","The William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark","The William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","The William and Mary Choir in Formal Attire","The William and Mary Choir on Spring Choir Tour; Photo by Saunders Miller.","The William and Mary Choir Spring Choir Tour","The William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.","The William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.","The William and Mary Choir on Spring Tour","The William and Mary Choir on Spring Tour","The William and Mary Choir on Spring Tour","The William and Mary Choir on tour. Photo by Saunders Miller.","The William and Mary Choir on tour. Photo by Saunders Miller.","The William and Mary Choir rehearsing. Photo by Saunders Miller.","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","William and Mary Choir members on Spring Tour, in rehearsal. Photo by Jack White.","William and Mary Choir on Spring Tour, in rehearsal with Dr. Fehr. duplicate included","William and Mary Choir with Dr. Fehr","William and Mary Choir in formal attire in the Wren Building with Dr. Fehr","William and Mary Choir directed by Dr. Fehr in the Wren Chapel","William and Mary Choir in formal attire in the Wren Chapel with Dr. Fehr","William and Mary Choir in the Wren Building with Dr. Fehr","William and Mary Choir in formal attire with Dr. Fehr in the Wren Building duplicate included","William and Mary Choir with Dr. Fehr in the Wren Building","William and Mary Choir in performance in the Wren Building","Scope and Contents William and Mary Choir in formal attire in the Wren Building noted as \"duplicate\"","William and Mary Choir in formal attire","William and Mary Choir in rehearsals. Official Photograph , The Common Glory","William and Mary Choir in rehearsals with Dr. Fehr","William and Mary Choir in rehearsal with Dr. Fehr","William and Mary Choir members behind the scenes","William and Mary Choir members behind the scene","The William and Mary Choir members building sets. Photo by Saunders Miller","William and Mary Choir members building sets. Photo by Saunders Miller","William and Mary Choir in rehearsal","Dr. Fehr rehearsing the William and Mary Choir","The William and Mary Choir rehearsing with Dr. Fehr before a performance","The William and Mary Choir rehearsing with Dr. Fehr before a performance","Dr. Fehr opening a gift from the William and Mary Choir before a performance","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir in Performance","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir in formal attire with Dr. Fehr duplicate included","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir members (women) at exterior of back of Wren Building duplicate included","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir performing, directed by Dr. Fehr","The William and Mary Choir performing, directed by Dr. Fehr duplicate included","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance, directed by Dr. Fehr","Dr. Fehr directing the William and Mary Choir during a recording session. Photo by Saunders Miller","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance, directed by Dr. Fehr. Photo by Peter Vance Clark","The William and Mary Choir in performance, directed by Dr. Fehr.","The William and Mary Choir in performance directed by Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in candlelight performance .","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Chorus Christmas Concert with Dr. Fehr directing.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Chorus informal attire.","The William and Mary Chorus in formal attire with Dr. Fehr. duplicate included","The William and Mary Chorus in formal attire Dr. Fehr. duplicate included","The William and Mary Choir in formal attire","The William and Mary Chorus in formal attire. duplicate included","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance duplicate included","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark","The William and Mary Choir in Christmas performance","The William and Mary Choir in performance in Wren Choir Loft. Photo by Von Dubell Studio.","The William and Mary Choir in performance","The William and Mary Choir in performance in Wren Building","William and Mary Graduation in Wren Courtyard","The William and Mary Choir in formal attire with Dr. Fehr in the Wren Building.","The William and Mary Choir with Dr. Fehr in the Wren chapel","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Chorus in formal attire with Dr. Fehr","The William and Mary Chorus in formal attire with Dr. Fehr in the Wren Chapel; photograph by Jack White duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr in the Wren Building. Photograph by Jack White. duplicate included","The William and Mary Choir waiting to perform","The William and Mary Choir in candlelight performance in the Wren Building","The William and Mary Choir in candlelight performance in the Wren Building","The William and Mary Choir in candlelight performance in the Wren Building duplicate included","The William and Mary Choir in performance in the Wren Building. Photograph by Photo Service.","The William and Mary Choir in performance in the Wren Building duplicate included","The William and Mary Chorus in the Wren Building","The William and Mary Choir in Christmas candlelight performance in the Wren Building","The William and Mary Chorus in the Wren Building","The William and Mary Chorus in the Wren Building. Noteation on Back: \"The Chorus (number two of two)\"","The William and Mary Chorus in the Wren Building","The William and Mary Choir-male members only- in formal attire","The William and Mary Choir in formal attire.","The William and Mary Choir in candlelight performance","The William and Mary Choir in candlelight performance","Scope and Contents The William and Mary Choir in candlelight performance; select ensemble to be featured in \"Laudate Dominum\" by Mozart","The William and Mary Choir in performance with Dr. Fehr","Anne Myers, Statesville, N.C. Soloist in \"hear Ye, Israel, \" Mendelssohn.","Joan Roger. La Follette, Tenn. Soloist in \"Let Us Break Bread Togerther.\" Second photo - full length, not duplicate but same information","William and Mary formal ceremony at the Wren Building","New York, New York","View of a burning building on the Campus of the College of William and Mary; possibly the fire in Phi Beta Kappa Hall in 1952","Ceremony at Phi Beta Kappa Hall on the College of William and Mary. Photographer: Thomas L. Williams","The rebuilt Phi Beta Kappa Hall on the campus of the College of William and Mary. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, in performance in the Wren Building.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Girls Chorus with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in Christmas 1960 performance. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as black and white duplicate","The William and Mary Girls Chorus in formal attire with Dr. Carl A. Fehr. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Chorus in formal attire in the Wren Building.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in graduation procession.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in inauguration procession of Dr. Davis Y. Paschall, President of William and Mary. Photographer: Thomas L. Williams. Photo from the Library of Carl A. Fehr","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chrus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director, Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. noted as black and white duplicates (2)","The William and Mary Tour Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Carl A. Fehr, Director, in the Wren Chapel. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire in Boston.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in Boston.","The William and Mary Choir performing The Messiah with  Dr. Carl A. Fehr, Director. Photographer: Robert E. Gatten","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chorus with Dr. Fehr in formal attire .Photographer: Thomas L. Williams. several matted duplicates in Box 2","The William and Mary Choir performing The Messiah, under the direction of Dr. Carl A. Fehr. Photographer: Robert E. Gatten","The William and Mary Choir performing on Chate Day, Saturday February 12, 1966.  Photographer: Robert E. Gatten","Scope and Contents Chorus performing at the Matoaka Amphitheatre after William and Mary Graduation. Notation on back: \"To Pappy: For a Happy Birthday!! from \"Schue\" Lynwood Shumata\"","The William and Mary Tour Choir in Danville, Virginia.","William R. Heins when he was in Elementary School playing the Tuba. Class of 1966.","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams duplicate included","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: David Koenig","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams duplicate included","The William and Mary Choir television coverage, Christmas 1967. Photographer: David Koenig","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped Septemeber 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","Dr. Fehrwatching television monitor of the William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir Candlelight Performance, Christmas 1967. Photographer: Charles G. Kagey, Colonial Williamsburg duplicate included","The William and Mary Chorus in formal attire in the Dodge Room. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Fehr in formal attire. marked as a duplicate","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir with Dr. Fehr in formal attire.","The William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","Scope and Contents The William and Mary Chorus with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams. multiple duplicates available in legal size with mat and black and white","The William and Mary Chorus rehearsing with Dr. Fehr. Photographer: Alan WohllebenThomas L. Williams.","The William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire at the back of the wren Building. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire. duplicate included","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Fehr. duplicate included","The William and Mary Chorus with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire in Swem Library. duplicate included","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams duplicate included","date on front is May 1971","The William and Mary Choir with candles","Photograph by Alan Wohlleben","Photos of negatives from a William and Mary Choir Performance. Note on back reads: \"Dr. Fehr I couldn't find the other negatives that you wanteed. I am in the process of moving to an apartment; I think I just misplaced them. When I find them I print them up. Weke's and Jim Rees's pictures see you later (alligator) Michael .....","The William and Mary Choir with Dr. Fehr in the Wren Building in formal attire. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams","William and Mary Formal ceremony with the William and Mary Choir. Photo by Susan Lohwasser","William and Mary Formal ceremony with the William and Mary Choir. Photo by Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire in the Wren Building","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Peter Vance Clark.","The William and Mary Choir with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams copy of FP 264.10","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams Similar copies to FP 264.14 and FP 264.15","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams possible copy of FP 264.13 and similar to FP 264.15","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in rehearsal. Date on front of photo indicates December 1967","Scope and Contents The William and Mary Choir rehearsing \"The Messiah\" with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams duplicate included","The William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams","Display of Album cover and record of the long playing album, \"William and Mary Choir, Williamsburg, Virginia . Dr. Carl A. Fehr, Director.\" Photographer : W. N. Schill Studio. Album produced by RCA Victor.","William and Mary Choir in formal attire behind the Wren Building with Dr. Fehr Black and White duplicate","Dr. Fehr (left) receiving a 25th Anniversary Plaque from a choir member. Photographer: Thomas L. Williams, Williamsburg, Virginia.","Dr. Fehr center) with his wife during the 25th Anniversary celebration as Director of the William and Mary Choral groups. Photographer: Thomas L. Williams, Williamsburg, Virginia. duplicate included","William and Mary Choir in formal attire in the Sunken Garden with Dr. Fehr. Photographer: Thomas L. Williamsn","William and Mary Choir in Graduation Procession with Dr. Fehr","William and Mary Chorus in formal attire with Dr, Fehr in front of Barrett Hall. Photographer: Thomas L. Williams Black and White duplicate","The William and Mary Choir with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Chorus with Dr. Fehr in formal attire in front of the Wren Building. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire by the sundal in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate and color duplicate, no mat","The William and Mary Chorus with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Choir in performance with Dr. Fehr at the Charter Day Convocation at Phi Beta Kappa Auditorium. Library. Photographer: Thomas L. Williams duplicate included","The William and Mary Choral Group in performance. Photographer: Alan Wohlleben.","The William and Mary Chorus in performance. Photographer: Alan Wohlleben.","The William and Mary Choir in performance with Dr. Fehr. Photographer: Alan Wohlleben.","The William and Mary Choir soloist in performance. Photographer: Allan E. White","The William and Mary Choir in performance. Photographer: Alan Wohlleben.","The William and Mary Choir in performance with Dr. Fehr. Photographer: Allan E. White","duplicate included","The William and Mary Choi and Orchestra (foreground) in performance with Dr. Fehr. Photographer: Alan Wohlleben.","The William and Mary Choir in performance. Photographer: Mike Lang","Dr. Fehr directing the William and Mary Choral Groups. Photographer: Mike Lang","The William and Mary Choir and Orchestra in performance; Dr. Fehr conducting","The William and Mary Choir waiting to perform. Photographer: Alan Wohlleben","The William and Mary Chorus in performance. Photographer: Allan E. White","The William and Mary Choir in performance (note on back indicates men in The Messiah.)","The William and Mary Choir and Chorus waiting to perform.. Photographer:  Alan Wohlleben","The Wililam and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in candlelight performance","The William and Mary Choir in candlelight performance","Soloist performs with the William and Mary Choir in candlelight performance","The William and Mary Choral group in Candlelight performance","The William and Mary Choir member waiting to perform. Photographer: Alan Wohlleben.","Dr. Fehr with William and Mary Choir members waiting to perform duplicate included","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with  Dr. Fehr.","The William and Mary Choir in formal attire with Dr. Fehr.","The William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with Dr. Fehr at the Wren Building.","The William and Mary Chorus in formal attire with Dr. Fehr.","The William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with  Dr. Fehr. Photographer: Thomas L. Williams (color) includes Black \u0026 white duplicate","William and Mary Choir member in rehearsal. Photography by Mike Lang","William and Mary Choir members in rehearsal. Photography by Mike Lang","William and Mary Choir members studying music. Photography by Mike Lang","Dr. Fehr with Choir member. Photograph by Alan Wohlleben","Dr. Fehr with choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","duplicate included","duplicate included","Photography by Mike Lang","Choral Group Rehearsal with Dr. Fehr. Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Stamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"","Stamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"","Photography by Michael Lang","Photography by Michael Lang","Note on back: Kymmell","String section of William and Mary Orchestra in performance; Photgraph by Alan Wohlleben.","The William and Mary Choir and Orchestra in performance, directed by Dr. Fehr","Picture of Dr. Fehr in formal attire at a William and Mary reception; photograph by Alan  Wohlleben","Note on back: \"To Pappy, Lots of Love---Virginia Carr Gingie\"","Note on back: \"Dearest Pappy, You have truly brought to me the thrill and challenge of music. I hope that I can spread that enthusiasm to my students. You set many wonderful traditions that I will treasure; and whereever I go I will always be a \"Fehr\"student, indebted to you for guiding my career in teaching. Love always, Kathleen (S.E.!) Jones","Note on back: \" To Pappy, Who has given me so much......his time, his patience; his wealth of knowledge, musical and personal; his shoulder; his tissues.. not to mention the guidance and friendship received from him by everyone, and given in such a way that each is made to feel singular and important. How can I thank you, Pappy, for two wonderful years in Choir except to give my love in return for all the unselfish caring you have given me? It's a tiney gift, but you can keep it forever. Kathy (I also owe you for 1/2 a box of tissues, 42 pictures, 2 tapes, 2 keys, and an incalculable amount of wear to your \"wet paint\" cushions.)\"","Note: To Pappy - with much love and gratitude always. Kathy\"","Dr. Fehr conducting the Alumni Choir for a capacity crowd; Photographer Thomas L. Williams","duplicate included","Photo by Neal Douglass, Austin, TX","Photo by Neal Douglass, Austin, TX","Photo by Neal Douglass","smaller duplicate included","Note on back: \"To the best \"scouts\" in the world - may Texas beat A\u0026M next year! Care Edward 12/1/31\" Boone Photo Company, Austin Texas","duplicate included; photo by Neal Douglass, Austin, TX","Notation on back: News Release Bureau, College of William and Mary, Williamsburg, VA","duplicate included","duplicate included","duplicate included","Dr. Fehr with The Common Glory cast; Robert Luartis, Kathryn Gray, John Warner, Bill Kerr, Glenn Branch","duplicate included","Photographer: Thomas L. Williams, Williamsburg, VA","Stamped on back \"Jan 21 1957\"","Photographer: Von Dubell Studio, Williamsburg, VA","uplicate included","Ode to the Virginian Voyage. Norfolk Symphony Composer Schenkman with Dr. Fehr","Ode to the Virginian Voyage. Edgar Schenkman, Norfolk Symphony Conductor (left); Randall Thompson, Compser(center) with Dr. Fehr. several duplicate included","Photo by Saunders Miller","Photo by Saunders Miller","duplicate included","color photo","Dr. Fehr with Ann Lond (?) in DawnVe, VA","Photographer: Thomas L. Williams, Williamsburg, Va; duplicate included","Photographer: Thomas L. Williams, Williamsburg, VA; duplicate included","Photographer: Thomas L. Williams","Thomas L. Williams, Photographer","Photographer: Thomas L. Williams; duplicate included","Thomas L. Williams, photographer; duplicate included","Photographer: Thomas L. Williams","Thomas L. Williams, Photographer","Dr. Carl A. Fehr at the podium, in performance, with pianist; photo by John White","Humorous sketch of Dr. Carl A. Fehr with caption \"Y'all know thet ah stress neatness! Y'all must look nice, people,\" Signed  \"Tweet 1962\"","Photographer: Thomas L. Williams; small copy included","Photographer: Thomas L. Williams","Photographer: Thomas L. Williams for 1971 Brochure","Dr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce, January 1971 duplicate included","Dr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce;  Photographer: Thomas L. Williams","Dr. Carl A. Fehr (l.) with Thomas Wood (r.) at Williamsburg Chamber of Commerce presentation of the Drumbeater Award to Dr. Fehr","duplicate included","Thomas L. Williams, Photographer duplicate included","date on back \"1-9-53\"? duplicate included","Carl A. Fehr with military officials at the ceremony during which W\u0026M Choir receives George Washington Freedom Medal from the Freedom Foundation, Valley Forge, Pennsylvania","Scope and Contents W\u0026M Choir on stage at official ceremony for receiving the George Washington Freedom Medal from the Freedom Foundation","Photo by Mike Long","Photo by Mike Long","Carl A. Fehr with Mr. and Mrs. Robert Kreiling, taken at the home of Mr. and Mrs. C. Warren Smith, Jr. in York, Pennsylvania, on Saturday evening April 20, 1974 after the concert at York College.","small duplicate included","Mounted photo of a scenic view of French rural landscape, vineyard by John Fehr, Dr. Fehr's nephew, April 1973. Gift at Christmas 1973.","duplicate included","duplicate included","Photo by Neal Douglass, Austin, Texas","Photo by Neal Douglass","duplicate included","duplicate included","Photo by Alfred Rosenthal, Austin Daily Tribune","Duplicate included","duplicate included","duplicate included","Candlelight performance; photo by Neal Douglass","duplicate included","duplicate included","duplicate included","Left to Right: Bill Chandler, Mary Va. Bussey, Bettie George, Joe Lane; photo by Neal Douglass","Photo by Alfred Rosenthal; Austin Daily Tribune","Phot by Dan Weisser","Autographed picture (to Dr. Fehr) of Roger Wagner; \" Best wished and kind regards to my old friend Carl Fehr.\"","Autographed picture (to Dr. Fehr) of Roger Wagner; \" To my old friend Carl Fehr who taught me all I know about choral direction.\"","Black and white photographs of Dr. Fehr, his wife, and the William and Mary Choir on tour.","Photo with signed Brochure from the Annual Dinner Meeting in Williamsburg","This series includes a collection of reel-to-reel tape recordings of William and Mary Choir/Chorus concert performances conducted by Dr. Fehr between 1947 and 1973. The reel-to-reel tapes were reformatted for access and preservation purposes to data discs and CD Audio discs in 2006-2007. The collection also includes phonograph albums of William and Mary choral performances (1940s-1960s), \"The Common Glory\" (1957), and a miscellaneous collection of phonograph records, such as recordings for vocal exercises and recordings of All-State and Northrop High School choral performances. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.","3 records","3 copies.\nSide 1: A Slumber Song of the Madonna. Sung by Anne Howard Dunn\nSide 2: Come Unto Him from The Messiah, Handel. Sung by Anne Howard Dunn","Two albums. Photograph of the Wren Building on the cover. 4 Record Set Record 1, Side 1 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 1, Side 2 I Wonder as I Wander, arr. Niles-Horton (Ann Howard Dunn, Soloist) Record 2, Side 1 Dry Bones, Gearhart Record 2, Side 2 Ol' Man River, Jerome Kern (Warren Sprouse, Soloist) Record 3, Side 1 Sicut Cervus, Palestrina Record 3, Side 2 A Mighty Fortress is our God, Luther (arr. Meuller) Record 4, Side 1 Madame Jeanette, Murray Record 4, Side 2 Kde su Kravy Moje, Slovak folk tune, arr. Schimmerling.","Two copies of album. 4 Record Set Record 1, Side 1 The Creation: Part 1, Richter Record 2, Side 2 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 2, Side 1 The Creation, Part 2, Richter The Lord's Prayer, Wilson Record 2, Side 2 Go 'Way From My Window, Niles (Soloist Shirley May Thompson) Record 3, Side 1 My Lord, What Mornin', spiritual Record 3, Side 2 Agnus Dei, Pergolesi Record 4, Side 1 I Got Rhythm, Gershwin Etude For Chorus, Wihtol Record 4, Side 2 Skip to My Lou, arr. Wilson Ezekiel Saw de Wheel, Spiritual","Two copies. Sung by The Choir of \"The Common Glory,\" 1953 Side 1 Music from \"The Common Glory\" (A Musical Synopsis), Special Narration by Allen R. Matthews. Side 2 In These Delightful Peasant Groves, Purcell Let go, Why Do You Stay Me, Bennett Miserere Mei, Byrd Yonder! Yonder, folk melody Ballad of Brotherhood, J. Wagner","Two copies. Side 1 Missa Brevis, Zoltan Kodaly Side 2 Missa Brevis, Zoltan Kodaly Miserere Mei, William Byrd Come, Soothing Death, J.S. Bach The Silver Swan, Orlando Gibbons Let Go, Why Do You Stay Me, John Bennet Yonder! Yonder, Russian folk melody In These Delightful, Pleasant Groves, Henry Purcell When Day is Done, Robert Katcher Ballad of Brotherhood, Joseph Wagner","Two copies. Side 1 Te Deum, Verdi Hodie Christus Natus Est, Sweelinck Psalm of Praise, Chase (William Gatling, Soloist) Exultate Deo, Poulenc Side 2 For Everything There is a Season, Rozsa Listen to the Angels Shoutin', Negro Spiritual Sinner Please, Don't Let this Harvest Pass, Negro Spiritual (Joyce Gwaltney, Soloist) 'Dis Train, Negro Folk Song Oh Lemuel, Foster","Two copies. The photograph on the cover was taken at the Jefferson Hotel in Richmond, Virginia. The photograph was taken in the fall of 1953 when the Choir was in Richmond to perform for an association of Virginia teachers (according to Lavinia Phillips '57, to SCRC staff on 5/2/2011). Side 1 Alma Mater William and Mary Hymn Miserere Mei, Byrd Crucifixus, Lotti Come, Soothing Death, Bach Side 2 Nightfall in Sky, Robertson Shenandoah, arr. Bartholomew Yonder! Yonder! Folk Melody, (William T. Gatling, Jr. Soloist). Ballad of Brotherhood, J. Wagner, (Lavinia Pretz, Soloist).","Two copies. Side 1 Christ Lag in Todesbanden, Cantata No. 4, Bach Wondrous Love, Southern Folk-Hymn Gloria in Excelsis, Jolley Side 2 Mass in G Major, Poulenc The Last Words of David, Thompson Madame Jeanette, Murray Poor Wayfaring Stranger, White Spiritual Hear the Singing, Berger","Two copies. Side 1 William and Mary Hymn, The William and Mary Choir Side 2 Alma Mater, The William and Mary Choir","Two copies. Side 1 Mass in G, Schubert Benedictus, Liszt Side 2 Te Deum, Kodaly Exultate Deo, Scarlatti Waltzing Mathilda, Australian song Go 'Way From my Window, Niles Elijah Rock, traditional spiritual.","Two copies. Side 1 Te Deum, Verdi Quatre Motets pour le Temps de Noel, Poulene Mary's Boy Child, Spiritual Side 2 Shenandoah, traditional Greensleeves, English folk song Someone's in the Kitchen with Dinah, American folk song I Got Rhythm, Gershwin Regina Coeli from \"Cavalleria Rusticana,\" Mascagni Chorus and Finale from \"Die Mestersinger von Nurnberg,\" Wagner Coronation Scene from \"Boris Godunov,\" Mussorgsky","Two copies. Side 1 Serenity, Ives At the Cry of the First Bird, Fletcher To Saint Cecilia, Dello Joio Chanson Epique, Ravel Side 2 He's Gone Away, Southern Mountain Song Laughing Song, George Selections from Porgy and Bess, Gershwin Hosanna, Lockwood Carol of the Drum, Czech Carol","Two copies. Side 1 A Canticle of Christmas, Giannini (Eugene Galusha, soloist, and Sue Sager and Carolyn Washer, Accompanists) Side 2 The Holly and the Ivy, Traditional carol The Twelve Days of Christmas, Old English Song Choral Fantasy on Old Carols, Holst The Angels and The Shepherds, Kodaly (The William and Mary Chorus) The March of the Wise Men, Gaul Silent Night, Holy Night, Gruber (Sue Sanger, Accompanist)","Two copies. Side 1 Rejoice, Beloved Christians, Buxtehude Misericordias Domini For Double Choir, Durante Come, Soothing Death, Bach Side 2 Holy Radiant Light, Gretchaninoff Brazilian Psalm, Berger Prelude, Schuman Bim-Bam, A Folk Song Every Night When the Sun Goes In, Appalachian Folk Song (Phyllis Atwood, Soloist) Oh, Dear! What Can the Matter Be? Kubik The William and Mary Hymn and Alma Mater","This phonographic record has been digitized. At least 72 hours advanced notice required for access.","Two copies. Side 1 Jesu, Joy of Man's Desiring, Bach Lord Most Holy, Davis Gloria, Poulenc Side 2 Jehovah, Hear Our Prayer, Nelson What Child is This, English tune Der Abend, Brahms Naechtens, Brahms Zum Schluss, Brahms Selections from Showboat, Kern Tee Roo (in mountain style), American Folk-Song Sketch Lullaby, Brahms","Two copies. Side 1 Psalm 100, Schuetz Agnus Dei, Pergolesi Sicut Cervus, Palestrina Exultate Deo, Pelestrina In the Beginning, Copland, Dorothy Tudor, Soloist Side 2 Fragments from the Mass: Diemer Kyrie, Gloria, Credo, Sanctus, Agnus Dei Ave Maria, Kodaly Peace Come to Me, Murray, The William and Mary Chorus, (Jane Anne Bruer, accompanist) Go, Down Death, Scott (Bongos played by Michaelle Hatcher) Dry Bones, arr. Gearhart Lorena, Webster Seeing Nellie Home, Fletcher Aura Lee, Poulton De Animal a-Comin', Negro Spiritual Stonewall Jackson's Way, Confederate Tune","Two copies. This album is a recording of the Parents Day concert. Side 1 Cantate Domino, Lodivico da Viadana Ave Maria, Tomas Luis da Victoria Exaltabo Te, Domine G.P. da Palestrina No Man Liveth to Himself, Heinrich Schuetz The Heart Replies, Harry Robert Wilson Sea Charm, Frederick Piket Valse, Ernst Toch Side 2 Cantate Domino, Hans Leo Hassler Peace Comes to Me, Lyn Murray Jack and Jill, J. Michael Diack Horos Tou Zalongu, Greek folk song Catulli Carmina, Carl Orff A Jubilant Song, Norman Dello Joio The William and Mary Hymn and Alma Mater, arr. by Carl. A. Fehr","2 copies. Sue Sager Accompanist Side 1Messe de Minuit Midnight Mass for Christmas based on French Carols: Charpentier Kyrie Gloria Credo Sanctus Agnus Dei Side 2 Carol of the New Prince, Sitton Balulalow, Chapman Kolyada, Anonymous, Russian Fantasia on O Little Town of Bethlehem, McCollin Lo, How a Rose E'er Blooming, Praetorius A New Christmas Morning, Hallelujah, MacGimsey The Holy Infant's Lullaby, Dello Joio A Christmas Carol Sequence, Arr. Fehr","Northrop High School concert, including concert choir, advanced girls' choir, swing choir, and madrigal singers.","Northrop High School Advanced Treble Choir and Charisma Choir. Dedication on back of album reads: To Pappy, With affection \u0026 fond memories. Bill 9-27-'79.\"","Side 1 The William and Mary Fight Song, arr. Varner The William and Mary Alma Mater Side 2 The William and Mary Victor March, arr. Varner The William and Mary Hymn","Side 1 no. 8P-0944 Side 2 8P-0944","The following reel-to-reel audiotapes were reformatted to digital audio. The quality of these audio recordings varies. In some cases, the audio was copied from the phonograph album to reel-to-reel audiotapes by the donor then digitized by the repository. In these cases the recording digitized directly from the phonograph album generally provides a superior audio source. 1971 Christmas Concert, A Festival of Music, Reels 1-2 1971 William and Mary Choir, Tour Choir, 1971 1972 Tour Choir (2 CDs) 1972 April 17, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 5-6, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 6, 1972 (2 CDs) 1972 William and Mary Chior, Choir Banquet, May 9, 1972, Reels 1-3 (3 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles, Christmas Concert, 1972 (2 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles,Christmas Concert, 1972 1973 April 28, 1973 (2 CDs) 1973 May 8, 1973, Reels 1-3 1973 Spring 1973 (2 CDs) 1973 Unknown, 1973, Reel 1 1973 William and Mary Choir and Chorus with College-Community Symphony Orchestra, Christmas Concert, Reels 1-2 1974 April 19, 1974 (2 CDs) 1974 William and Mary Choir and Chorus, May 1, 1974, Reel 1 1974 William and Mary Choir and Chorus, May 3, 1974, Reels 1-2 1974 Fehr-Well Fest, Rehearsal, May 4, 1974 (2 CDs) 1974 Fehr-Well Fest, May 4, 1974 (3 CDs) 1974 Fehr-Well Fest, May 6, 1974 (2 CDs) 1976 Unknown, 1976 1983 June 11, 1983 (2 CDs)","Box also includes CDs of digitized reels","Digitized on CD","Digitized on CDs","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","The contents of this series are the digitized reel-to-reel audiotapes of sub-series 2 in both Data Disc and Compact Disc form.","1953 Spring Concert, Girls Chorus (2 CDs) 1953 May 18, 1953 1953 The Common Glory Choir, August 24, 1953 (3 CDs) First half of box are Data Disks, second half of box are Compact Disks starting from Sub-Series 2 Reel to Reel","First full box of Compact Disks","(3 CDs)","(4 CDs)","Scope and Contents Reel 1 of 4 Track 1: America the Beautiful / arr. Fehr Track 2: Jubilate Deo / Gabrieli Track 3: Benedictus / Liszt Track 4: Komm, Jesu, Komm (Motet for double choir) / Bach Track 5: Evensong at 12:30 / Haydn Track 6: Eloquence / Haydn Reel 2 of 4 Track 1: Eloquence / Haydn Track 2: Evensong / Haydn Track 3: God's Trombones: Poems by James Weldon Johnson based upon American Negro Folk Sermons. I. Opening: A Prayer, II. The Creation, III. Go Down Death, IV. The Judgement Day, V. Closing: A Prayer / arr. Roy Ringwald (with narration) Track 4: Tee Roo / Kubik Reel 3 of 4 Track 1: Didn't My Lord Deliver Daniel--Spiritual / Gottlieb Track 2: The Silver Moon is Shining / Italian Folk Tune Track 3: Tee Roo / Kubik Track 4: Regina Coeli from \"Cavalleria Rusticana\" / Mascagni (soloist) Track 5: Chorus and Finale from \"Die Meistersinger von Nurnberg\" / Wagner Reel 4 of 4 Track 1: Coronation Scene from \"Boris Godounov\" / Moussorgsky (soloist) Track 2: Alleluia Encore Track 3: Dis Train--Spiritual / Jester Hairston Track 4: I Got Rhythm / Gershwin Track 5: Flurry, William and Mary Hymn, Alma Mater / arr. Fehr","(2 CDs)","(4 CDs)","(3 CDs)","(4 CDs)","(4 CDs)","(4 CDs)","(1 CD)","(2 CDs)","(2 CDs)","Reels 1-2 (2 CDs)","Reels 1-3 (3 CDs)","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Announcement Track 3: Chichester Psalms: Movement I / Bernstein Track 4: Chichester Psalms: Movement II / Bernstein Track 5: Chichester Psalms: Movement III / Bernstein Track 6: Stabat Mater / Dohnanyi Track 7: Roll Jordan Roll / Spiritual CD 2 of 4 Track 1: Stabat Mater / Dohnanyi Track 2: Stabat Mater / Dohnanyi Track 3: Barbara Allen / English Folk Song Track 4: Roll Jordan Roll / Spiritual Track 5: Announcement Track 6: Seeing Nellie Home (Gentlemen's Choir) CD 3 of 4 Track 1: Announcement Track 2: St. Louis Blues Track 3: Misa Criolla / Ramirez Track 4: The Fantasticks / Schmidt CD 4 of 4 Track 1: Annoucement Track 2: Fehr Remarks Track 3: The Choral Fantasia / Beethoven Track 4: Elegisher Gesang - Elegy / Beethoven Track 5: Fehr Remarks Track 6: Acknowledgment of Seniors Track 7: Hallelujah from \"The Mount of Olives\" / Beethoven Track 8: Flurry/Hymn/Alma Mater / arr. Fehr","CD 1 of 3 Track 1: America, the Beautiful / Fehr Track 2: Dixit Maria / Hassler Track 3: O Saviour Rend the Skies in Twain / Brahms Track 4: Chichester Psalms: Movement I / Bernstein Track 5: Chichester Psalms: Movement II / Bernstein CD 2 of 3 Track 1: Misa Criolla: Kyrie/Gloria/Credo / Ramirez Track 2: Misa Criolla: Sanctus / Ramirez Track 3: Misa Criolla: Agnus Dei / Ramirez Track 4: Barbara Allen / English Folk Song Track 5: Roll Jordan Roll / Spiritual Track 6: Seeing Nellie Home (Gentlemen's Choir) Track 7: St. Louis Blues CD 3 of 3 Track 1: The Choral Fantasia / Beethoven Track 2: Elegisher Gesang - Elegy / Beethoven Track 3: Hallelujah from the \"Mount of Olives\" / Beethoven","CD 1 of 3 Track 1: Pinkham Track 2: Pinkham Track 3: Pinkham Track 4: Pfautsch Track 5: Martinu Track 6: Kodaly Track 7: Mechem Track 8: Mechem Track 9: Mechem Track 10: Mechem CD 2 of 3 Track 1: Traditional French Track 2: Old English Song Track 3: French Carol Track 4: MacGimsey Track 5: Traditional English Track 6: Setting of Old Russian Chant Track 7: English Carol Track 8: Walton CD 3 of 3 Track 1: Jolley/Fehr","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Now Thank We All Our God Track 3: Sweet Little Jesus Boy Track 4: Oh! Lemuel Track 5: Clap Yo' Hands Track 6: The Patriotic Sequence","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham Track 7: Schicksalslied / Brahms Track 8: Schicksalslied / Brahms CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Sweet Little Jesus Boy/Clap Yo' Hands/Oh! Lemuel Track 3: The Patriotic Sequence Track 4: Flurry/Hymn/Alma Mater","CD 1 od 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Lord Have Mercy Track 6: Unidentified Track 7: Unidentified Track 8: Schicksalslied / Brahms Track 9: Schicksalslied / Brahms CD 2 of 2 Track 1: Nursery Rhymes / Hunter (Womens Chorus) Track 2: Nursery Rhymes / Hunter (Womens Chorus) Track 3: Selections from the Music Man (Womens Chorus) Track 4: March and Chorus from \"Carmen\" / Bizet Track 5: Bridal Chorus from \"Lohengrin\" / Wagner Track 6: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 7: (Introduction of next song) Track 8: San Sereni / Puerto Rican Singing Game Track 9: (Introduction of next song) Track 10: Song of the Russian Plains / Knipper Track 11: (Introduction of next song) Track 12: Clap Yo' Hands","(2 CDs)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Unidentified Piece Track 6: Unidentified Piece Track 7: Unidentified Piece CD 2 of 2 Track 1: Schicksalslied / Brahms Track 2: Schicksalslied / Brahms Track 3: Nursery Rhymes / Hunter (Women's Chorus) Track 4: Nursery Rhymes / Hunter (Women's Chorus) Track 5: Selections from the Music Man / Willson (Women's Chorus)","Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\"/ Pinkham Track 7: Schicksalslied / Brahms Track 8: San Sereni / Puerto Ricaon Singing Game Track 9: He's Got The Whole World In His Hands / Spiritual Track 10: Song of the Russian Plains / Knipper Track 11: March and Chorus from \"Carmen\" / Bizet","(1 of 3 CDs) CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner","(2 of 3 CDs 1 duplicate) CD 2 of 3 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 4: Valse / Toch Track 5: Go Down Death / Scott Track 6: A Jubilant Song / Dello Joio Track 7: Long Time Ago Track 8: Dem Bones / Spiritual Track 9: Song of the Russian Plains Track 10: Clap Yo' Hands / Gershwin Track 11: Flurry/Hymn/Alma Mater","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner Track 7: In the Beginning / Copland CD 2 of 3 Track 1: Te Deum for Double Choir Track 2: Horos Tou Zalongu / Greek Folk Dance Track 3: Koom Bah Yah / African Spiritual Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Valse / Toch Track 6: Go Down Death CD 3 of 3 Track 1: A Jubilant Song / Dello Joio Track 2: Long Time Ago / Hairston, Jester (Added song; not in program) Track 3: Dem Bones / Spiritual (Added song; not in program) Track 4: Song of the Russian Plains / Knipper (Added song; not in program) Track 5: Clap Yo' Hands / Gershwin (Added song; not in program) Track 6: Flurry/Hymn/Alma Mater (Added song; not in program)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer Track 5: How Excellent Thy Name, Hallelujah from Saul / Handel Track 6: Te Deum for Double Choir / Verdi Track 7: Open Thy Heart / Bizet Track 8: Jack and Jill, Diack Track 9: Preludes to Eternity / Liszt CD 2 of 2 (Disk labeled Reel 2 of 2 contains duplicate of 1 of 2)","CD 1 of 4 Track 1: America, the Beautiful Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer CD 2 of 4 Track 1: How Excellent Thy Name, Hallelujah from Saul / Handel Track 2: Te Deum for Double Choir / Verdi Track 3: Open Thy Heart / Bizet Track 4: Jack and Jill, Diack Track 5: Preludes to Eternity / Liszt CD 3 of 4 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Valse / Toch Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Mary's Boy Child / Spiritual Track 6: Dem Bones / Spiritual CD 4 of 4 Track 1: Jubilant Song / Dello Joio Track 2: Flurry/Hymn/Alma Mater","Reels 1-3 (3 CDs)","(2 CDs)","(2 CDs)","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei CD 2 of 4 Track 1: Gloria / Poulenc Track 2: Der Abend/Naechtens/Zum Schluss / Brahms CD 3 of 4 Track 1: Sea Charm / Piket Track 2: Shenandoah / Traditional Chantey Track 3: Buffalo Gals / American Folk Song Track 4: It Is Good to Be Merry / Berger CD 4 of 4 Track 1: Jesus, Jesus Rest Your Head / American Carol Track 2: Sourwood Mountain / American Mountain Song Track 3: Someone's in the Kitchen with Dinah / American Folk Song Track 4: Chester / Billings Track 5: Alleluia / Old German Melody","Reels 1-3","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei (?) Track 6: Gloria: Gloria/Laudamus Te/Domine Deus/Domine fili unigenit / Poulenc Track 7: Gloria: Dominus Deus, Agnus Dei / Poulenc Track 8: Gloria: Qui sedes ad dexteram Patris / Poulenc CD 2 is not in the box.","CD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Awake the Trumpet's Lofty Sound from Samson / Handel Track 6: We Hurry with Tired, Unfaltering Footsteps / Bach Track 7: Laetatus Sum from the Latin Bible, Psalm 121 / Porpora Track 8: Gloria: Gloria/Laudamus Te / Poulenc Track 9: Gloria: Domine Deus / Poulenc Track 10: Gloria: Domine fili Unigenite/Dominus Deus/Agnus Dei / Poulenc Track 11: Gloria: Qui sedes ad dexteram Patris / Poulenc","Reels 1-2 (2CDs)","Reels 1-2 (2 CDs)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz Track 5: Schicksalslied / Brahms Track 6: To Saint Cecilia / Dello Joio CD 2 of 2 Track 1: Tell Me Where is Fancy Bred / Phillips Track 2: Go 'Way From My Window / Niles Track 3: Nightfall in Skye / Roberton Track 4: Great Day / arr. Martin Track 5: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart, Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 6: Sourwood Mountain / American Folksong Track 7: Bye Bye Blues / Fred Hamm, Dave Bennett, Bert Lown, and Chauncey Gray Track 8: A Mighty Fortress is Our God / Martin Luther Track 9: Lullabye / Brahms Track 10: William and Mary Hymn and Alma Mater / arr. Fehr","CD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Scheutz Track 5: Cantante Domino / Hassler Track 6: My Spirit, Be Joyful from Cantata No 146 / Bach Track 7: Ave Maria / Poulenc Track 8: Pueri Hebraeorum for Double Chorus / Thompson Track 9: Schicksalslied / Brahms CD 2 of 3 Track 1: To Saint Cecilia / Dello Joio Track 2: Come Ye Sons of Art / Purcell CD 3 of 3 Track 1: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart / Foster, arr. Fehr Track 2: Songs of the Old South (continued): Long Live the Merry Heart (continued), Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 3: Pappy talking about Choir / Fehr Track 4: The Lord Bless You and Keep You; A Mighty Fortress is Our God / John Rutter; Martin Luther Track 5: Lullaby/ Brahms Track 6: William and Mary Hymn and Alma Mater / arr. Fehr","CD 1 of 2 Track 1: Pappy Talking / Fehr Track 2: Gloria Patri / Greatorex Track 3: Sicut Cervus / Palestrina Track 4: Madame Jeanette / Murray Track 5: Alleluia / Thompson CD 2 of 2 Track 1: Pappy Talking / Fehr Track 2: Alleluia / Thompson Track 3: A Mighty Fortress is Our God / arr. Mueller Track 4: Hallelujah from \"The Mount of Olives\" / Beethoven Track 5: William and Mary Hymn and Alma Mater / arr. Fehr Track 6: The Eyes of Texas / Sinclair","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Pappy talking about program line-up Track 3: Jauchzet dem Herrn / Pachabel Track 4: Misericordias Domini / Durante Track 5: Song of Praise / Scheutz Track 6: Cantante Domino / Hassler Track 7: My Spirit, Be Joyful from Cantata No 146 / Bach Track 8: Ave Maria / Poulenc Track 9: Pueri Hebraeorum for Double Chorus / Thompson Track 10: Pappy introducing To Saint Cecilia / Fehr Track 11: Intro to Saint Cecilia / Tracey Russell Track 12: To Saint Cecilia / Dello Joio CD 2 of 4 Track 1: Member of Chorus introducing two pieces Track 2: Medley of the musical Oliver Track 3: Hey Look Me over from the musical Wildcat Track 4: Songs of the Old South / Foster Track 5: Songs of the Old South, continued / Foster Track 6: Encore: Go'way from my window / Niles Track 7: Encore: Great Day / arr. Martin CD 3 of 4 Track 1: Pappy introducing Tracey Russell Track 2: Unidentified Piano Pieces / Russell Track 3: Pappy introducing the Alumni Choir Track 4: Sicut Cervuz (Alumni Choir) / Palestrina Track 5: Madame Jeanette (Alumni Choir) / Murray Track 6: Alleluia (Alumni Choir) / Thompson Track 7: A Mighty Fortress is Our God / arr. Mueller Track 8: Hallelujah from \"The Mount of Olives\" / Beethoven Track 9: Dr. Donald Truesdell, Chair of Music speaking Track 10: Agamemnon \"Aggie\" Vissos, class of 1975, chair of reunion committee CD 4 of 4 Track 1: Dennis Cogle, class of 1949, introducing Wilford Kale Track 2: Agamemnon \"Aggie Vassos, class of 1975 Track 3: For Alice Fehr We Made the Tray for You (1974 Choir) Track 4: Alice Fehr accepting the tray Track 5: Agamemnon \"Aggie\" Vassos, class of 1975 Track 6: Forsake Me Not / Ieryle Track 7: Keith Savage, class of 1975, introducing Pappy Track 8: Pappy acknowledging those involved with organizing Fehr Fest Track 9: Flurry/Hymn/Alma Mater / arr. Fehr Track 10: Agamemnon \"Aggie\" Vassos, class of 1975 Track 11: Agamemnon \"Aggie\" Vassos, class of 1975","CD 1 of 4 Track 1: Old One Hundred (Doxology) Track 2: Grace / Shelburne Track 3: Head table introductions Track 4: Tribute to Dr. Fehr by Al Haak Track 5: William and Mary President Address / Thomas A. Graves, Jr. Track 6: Pappy Fehr presenting senior awards Track 7: Unidentified female senior speaking Track 8: Next year's Choir President Address / Ann Spielman Track 9: Introduction to choir awards / Fehr CD 2 of 4 Track 1: Fehr presenting awards to choir members Track 2: Keith Savage tribute to Alice Fehr Track 3: Musical tribute to Alice Fehr based on \"America, the Beautiful\"/ arr. Fehr and choir members Track 4: Alice Fehr thanking the choir Track 5: Fehr acknowledging Kathy Moriarity, accompianist and choir officers Track 6: Keith Savage introducing officers by name and remembering 1973-1974 year Track 7: Jane Koenig's special gag awards CD 3 of 4 Track 1: Jane Koenig's special gag awards, continued Track 2: Keith Savage organizing parody of a concert Track 3: Choir singing parody/changing words of \"America the Beautiful\", \"To Saint Cecilia\" \"Happy Birthday\" for someone, \"Songs of the Old South\" medley, encores: \"Bye Bye Blues\" \"Go Away from my Window\" \"A Mighty Fortress is our Fehr\"/ soloists, Jane Koenig and Kevin Walters CD 4 of 4 Track 1: continuation of \"A Mighty Fortress is Our Fehr\" Track 2: Poem about Pappy / Anne Woolley Track 3: Gift Presentation (possibly of quilt held in SCRC) / Keith Savage Track 4: Remarks from Pappy (not mic'ed; difficult to hear) Track 5: Lord Bless You and Keep You","(Choir Alumni Dennis and Jean Cogle's Daughter) CD 1 of 1 Track 1: Prenuptial Music Track 2: Prelude No 1 (We Pray Now to the Holy Spirit) / Buxtehude Track 3: Unknown Track 4: Unknown Track 5: Rhosymedre / Hymn Track 6: Unknown Track 7: Jesu, Joy of Man's Desiring / Bach Track 8: Bell Track 9: Trumpet Voluntary / Purcell Track 10: Water Music Medley / Handel Track 11: Wedding March / Wagner Various other pieces","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Ave Maria / Victoria Track 3: Hallelujah from \"The Mount of Olives\" / Beethoven Track 4: Now Thank Wel","This series contains audio cassette tapes of concerts by the William and Mary Choir from 1972-1973.","One audio cassette tape of the Christmas Concert featuring the William and Mary Choir, with director Carl A. Fehr.","One audio cassette tape of the Spring Tour of the William and Mary Choir, with director Carl A. Fehr.","The artifact series includes Dr. Fehr's performance attire, items used to plan stage performances, and humorous props to reinforce Dr. Fehr's disciplinary rules. This series also includes the surviving large plastic bus banner used to identify the Choir on its annual spring tour.","Tin Tray with Image of William and Mary Choir College Year 1954-1955. Tray measures 4.69 in. (height) x 6.625 in. (width) x 0.375 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6777 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.01.","Tin Tray with Image of William and Mary Choir College Year Unknown. Tray measures 4.69 in. (height) x 6.63 in. (width) x 0.38 in. (depth). In good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6778 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.02.","Black metal trivet with saying, \"WHEN YOU ARE AS GREAT AS I AM IT IS DIFFICULT TO BE HUMBLE.\" Trivet measures 4.88 in. (height) x 4.88 in. (width) x 0.38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6779 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.03.","Tooled leather rectangle with handle used to protect paper. 12.75 in. (length) x 9.125 in (width) x 1 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6827 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.28","Wooden shield-shaped plaque with brass plate and brass lyre. Plate reads: PRESENTED TO CARL A. FEHR 1945-1970 FOR OUTSTANDING WORK IN CHORAL MUSIC AT WILLIAM AND MARY Nu Sigma (Greek letters) CHAPTER Phi Mu Alpha (Greek letters) SINFONIA. Label on back: MARK'S TROPHY CENTER Hampton, Va. 11.75 in. (length) x 9.75 in. (width) x 2.5 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6828 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.29","Walnut plaque with rounded cut-out corners with black plate and brass letters. Plate reads: AMERICAN CHORAL DIRECTORS ASSOCIATION in MEMORY AND APPRECIATION CARL FEHR Charter Member presented at the 1996 SOUTHERN DIVISION CONVENTION MARCH 1,1996 NORFOLK, VIRGINIA. Sticker on back: GENUINE WALNUT Barhill MADE IN THE U.S.A. 10.125 in. (length) x 8 in. (width) x .875 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6829 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.30","Large neon orange comb with jagged teeth embossed with \"Rat Fink Comb\". used in rehearsal antics. Comb measures 1.75 in. (height) x 8 in. (width) x 0.13 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6780 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.04.","Clear Handled Hairbrush, undated. Used in rehearsal antics. Hairbrush measures 1.13 in. (height) x 8.13 in. (width) x 1.25 in. (depth). In good condition with stained bristles. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6781 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.05.","Metal proofs of medals given to students. In good condition. Images available. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6782 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.06.","Wig with short, curly light brown hair. Hair length approximately 2 to 4 inches. Nylon mesh cap with black tag printed with: MADE IN HONG KONG. Worn by Pappy during rehearsals to demonstrate short hair rule for men and remind members of the importance of neatness. Wig measures 4.5 in. (height) x 7.5 in. (width) x 12 in. (length). Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/3843/6231. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 4. UA2003.001.07.","Hand puppet of Pappy in gown with glasses, tie, and jacket. Undated. Used for entertainment. Puppet measures 11.75 in. (height) x 7 in. (width) x 2.5 in. (depth). In good condition with some soil and stains. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6791 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.08.","Figure made of bent pipe cleaners with pom pom feet and felt hands and shoes. Head has long, fine orange hair and body has a sign that says, \"Keep America Beautiful, Get a Haircut!!!\" Used for decorative purposes. Doll measures 10 in. (height) x 4.5 in. (width) x 3 in. (depth). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6792 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.09.","Empty wine bottle with white, purple and grey label imprinted with, \"SLY FOX BRAND 100% PURE AMERICAN Grape Wine 14% ALCOHOL BY VOLUME BOTTLED BY VIRGINIA WINE CELLARS NORTH GARDEN, VA.\" Embossed in glass bottle, \"4/5 QUART\" Used for refreshment purposes. Bottle measures 11.25 in. (height) x 3 in. (width) x 9.88 in. (circumference). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6793. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.10.","Wooden paddle with Greek letters Phi, Mu, Alpha carved into wood. Signatures (front) : \"Howard L. Church, Ed Doe, Peter J. Wilhousky, Raymond, Burrows, Theodore Passaris, Arthur Kronenberger '49, Robert A. Brighton, REDER, Ernest E. Harris, Walter O. Dahlin, Robert D. Nesbitt, Charles C. Taylor, Ralph Whitworth, Howard Armstrong, George Boma, Robby Lowry, Herbert T. Norris.\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6794 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11. (back)Signatures on back: \"Harry R. Wilson, Joe Wilson, Al Pustir, Charles Raustond, Karl D. Kostoff,John C. Snowden, James Dillard, George E. Yokum, Harold B. Leelty, Frederick E. Bieler, Dan Grant, Julian (?), Howard (?) '49, George Wilcox, '49, Howard Edgar '49, Curt Drake '49, Leonard (?) '49, Bruno Laskko '49, Clarence Gander '49, Clyde (?) '49, Stephen F(?) '49, Ronald Hodges, Kenneth Schultz '49, Robert Hawkins '49, Wm Del. Wait '49,Robert H. Emery '49, James B. (?)\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6795 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11.","93 Cardboard cutouts stapled onto a small wooden cube. 48 Male Figures (Black), 48 Female Figures (Black, White and Red. Used for stage arrangement. Figures measure 4 in. (height) x 1 in. (width). Heights vary slightly. In good condition some figures have been bent and repaired with Scotch tape. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6798. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.14.","Cardboard people cutouts on wood platform. Used for stage arrangement. In good condition with some soiled and bent figures. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6797. Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6, 7, 8. UA2003.001.13.","Walnut director's baton with silver band engraved, \"CARL A. FEHR 4-25-70.\" Used for musical direction. Baton measures 20 in. (length). In good condition with some tarnish. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6796 Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.12.","13.125 in. length of quarter-round moulding, painted black used for holding accompanist's sheet music. Stick measures .5 in. (height) x 20.375 in. (width) x .5 in. (depth). In good condition with some gouges and chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6806 . Gift of Thomas terry, Class of 1974. Located in the Carl Fehr Papers UA Series 16, Box 6. UA2003.001.17.","Cut to a point on one end and to a wedge on another. Stamped in red ink with a property label: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185. Used for propping grand piano's wing (lid) in order to keep it lower and improve accompanist's sight. Known as \"the short stick.\" Prop measures 13.125 in. (height) x .75 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6807. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.18","Blocks for simulating risers in order to aid in stage layout. 68 small, unfinished cube-shaped blocks used as bases for cardboard figures. 26 Brown and 12 Black blocks for simulating or propping up model risers. Produced for Dr. Fehr by Tom Madsen. Blocks measure68 UNFINISHED 1 x 1 x .375 AND .625 (length) x .625 (width) x.75 (depth); 15 BROWN 3.125 in. (length) x 1.5 in. (width) x .5 (depth); 5 BROWN 3.75 (length) x 1.375 (width)x 1 (depth); 6 BROWN 3.125 (length) x 1.5 (width) x 1.5 (depth); 6 BLACK 3.375 in. (length) 1 in. (width) x .5 in. (depth); 4 BLACK 3 in. (lenght) x 1 in. (width) x 1 in. (depth); 2 BLACK 3.125 in. (length) x 1.5 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6799. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Series 15, Box 7.UA2003.001.15.","Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced for Dr. Fehr by Tom Madsen. Used for stage arrangement. Blocks measure 6 BLACK 2.375 in (length) x 4.375 in. (width) x 1.5 (depth); 4 GRAY 4.5 in. (length) x 3 in. (width) x 1.5 in. (depth). Blocks in good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6800 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.16.","14 Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced fo Dr. Fehr by Tom Madsen. Used in stage arrangements. Blocks measure 8 BROWN 3.25 in. (length) x 4.375 in. (width) x 1.5 in. (depth); 6 WHITE 3.25 in (lenth) x 4.375 in. (width) x 1.5 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6801 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.27.","5 Four of the shirts are size 32 and one is a size 30. The names Lynn Irvin (Lynne Ellen Irvin, BS '75) and Kandice Kahl (Kandice E. Kahl, BS '73) are legible on the inside collar of two of the shirts; the other names are illegible. Ruffled Collar and cuffs, pearlized buttons. Full length sleeves. Used as costume. Shirts measure 24 in. (length) x 15 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6811 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA 6.017), Box 9. UA2003.001.20.","Scope and Contents Men's dress shirt, 15.5\" Collar 34\" Sleeve. Shirt buttoned up with two buttons in back. Removable-style collar (not attached). Stamp on front of shirt reading \"10 55 4907 32 I 152 34 ALL COTTON WPL 8489\" and a union stamp. Used as costume. Shirt measures 18 in. x 32 in. (width). In fair condition with some soil and stains. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6809 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6810 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 9. UA2003.001.19.","William and Mary Choir vinyl banner. One of two banners put on Greyhound buses for Choir tours. \"THE WILLIAM AND MARY CHOIR\" in hand-painted red, while \"WILLIAMSBURG, VA\" followed in black. Banner was duct-taped to bus. 22 in. (width) x 216 in. (height). Back of banner features star pattern. In fair condition, with paint chips missing from several letters, visible wrinkling, and minor patched tears. A hole was cut from the bottom of the banner to fit over the rear wheel of the bus, which measures 32 in. (width) and 4.5 in (height). Gift of Thomas Terry, Class of 1974. Located in the Carl A. Fehr Papers (UA6.017) Series 15, Box 10. UA 2003.001.38","\"Manufactured by the Capital Flag Company, Austin, Texas\" imprinted on the binding. Red, white, blue state flag of Texas. Two grommets for hanging. Texas was Pappy's home state. 35 1/2 in. (width) x 22 1/2 in. (height). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6830 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017) Series 15, Box 11. UA2003.001.32","Black morning jacket. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6835 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12. UA2003.001.34","Two items: Dark blue tuxedo jacket with satin lapels (UA2003.001.33a) and dark blue tuxedo trousers with satin leg stripes (UA2003.001.33b). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6833 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6832 . Image of trousers http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6834 . Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12.","Carl A. \"Pappy\" Fehr's Mortarboard cap. Part of his academic Regalia. Black and green velvet. Size 7. Used for academic regalia. Mortarboard measures 9.5 in. (length) x 9.5 in.(width). In fair condition, somewhat bent at the edges. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6815 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.24.","Cotrell \u0026 Leonard brand. \"CAF\" embroidered in collar. Black polyester and velvet. Used for academic regalia. In fair condition however it is frayed and faded with seams coming apart in some places. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6816 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Box 13. UA2003.001.25.","Bowtie used for Academic Regalia. Bowtie measures 12.75 in. (length) x 3.25 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6817 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.26.","Off-white tuxedo shirt; Arrow brand, \"New Nassau\" style. 15 1/2 x 33 collar. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6836. Gift of Thomas Terry, Class of 1974. Located in Carol Fehr Papers (UA6.017), Series 15, Box 14. UA2003.001.35","Black tuxedo trousers with satin leg stripes. \"Genuine Tropical 'North Cool'\" Includes identification numbers, three sets: C16679 X5784  2835. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6837 . http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6838 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.36","Striped charcoal gray and black morning trousers. Image avalible at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6839, http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6840 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.37","Scope and Contents Exotica-brand men's tuxedo shirt, 15 1/2\" Collar 33\" Sleeves. Wing Collar. Stains on right and left shoulders. Used as costume. Shirt measures 32.5 in. (length) x 17 in. (width). In fair condition with some soil and stains.  Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6812 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.21.","One black cardboard cutout replica of a grand piano that was used by Carl A. \"Pappy\" Fehr, director of the William and Mary Choir, to help design how the choir would appear on stage. The piano was painted black and there are three legs, with each leg glued to to the main body of the piano. Piano measures 4in. x 6 3/4 in. The piano is in fair condition with some chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6802 It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.479.01.","One paper drawing depicting Carl A. \"Pappy\" Fehr, with a baton in his right hand, directing the William and Mary Choirs. The figure is attached to a wooden block and held together by a staple. Dr. Fehr is featured in a black tuxedo. The figure was used by Dr. Fehr to help design how the choir would appear on stage during performances. Figure measures 3/4in. x 2 3/4 in. Stand is 3/4in. x .5in The figure is in good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6803. http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6804 . It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.480.01.","One wooden ink stamp that was used by the Women's Glee Club at the College of William and Mary. The stamp once belonged to Carl A. \"Pappy\" Fehr, director of the William and Mary Choirs.The top half of the stamp features a black handle made of wood with the word \"Front\" written in white. The bottom half of the stamp is made of wood with a metal nameplate attached to the wood. There is a yellow piece of paper with \"WOMEN'S GLEE CLUB\" written in black that is placed in the nameplate. Stamp measures 2 3/4in. x 2 5/8 in. The stamp is in fair condition with some rust and a bent top border for the nameplate. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6808 . It was donated by Thomas Terry, Class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.481.01.","One vial containing some soil that was taken from the ground in Austin, Texas by Carl A. \"Pappy\" Fehr while the William and Mary Choir was at a performance there. There is a piece of tape wrapped around the vial with \"Sacred Soil from Austin, Texas\" written across it in red and black ink.. Vial measures 3 in. (length) x 1 in. (width). The vial is in good condition but the label is starting to fade. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6805. Gift of Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.482.1.","Rubber stamp with wooden handle and stamped sample as lable. Stamp reads: THE WILLIAM AND MARY CHORUS WILLIAMSBURG, VIRGINIA (treble clef) . Handle imprinted with RAY BROWN WILLIAMSBURG, VA. Used for office purposes. Stamp measures 3.125 in (length) x 2 in. (width) x 1.125 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6823 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.1.","Small rubber stamp with wooden round wooden handle. Rubber reads in script: Library of Carl A. Fehr. Used for office purposes. Stamp measures 3 (length) x1.5 in. (width) x.75 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6825 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.6.","Rubber stamp with wooden handle and stamped label. Rubber stamp reads: \" W \u0026M Alumni CHOIR REUNION JUNE 10-12, 1983.\" Measures 2.5 in. (length) x 2.125 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6822 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.5.","Rubber stamp with wooden handle and stamped label. Rubber stamp reads: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185 with large eighth note. Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.25 (length) x1.875 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6826.Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.2.","Rubber stamp with wooden handle and stamped lable. Stamp reads: VIA AIR MAIL. Handle imprinted with SOSSCO AT RICHMOND, VA. Measures 2.875 (length) x1.875 (width) x.625 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6824 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.9.","Rubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA 23185 Handle reads: SOSSCO AT RICHMOND, VA. Measures 3in. (length) x3in.(width)x1in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6818. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.3.","Rubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.125in.(length)x2.5in.(width)x1in.(depth). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6821 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.4.","Small rubber stamp with wooden handle. Rubber reads: CARL A. FEHR. Measures 1.5in.(length)x1in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6820 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.7.","Small rubber stamp with wooden handle. Rubber reads: \"FEHR\" Measures 1.5in.(length)x.5in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6819 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.8.","Scope and Contents Cotton patchwork quilt with 72 signature panels, each with an embroidered signature of a student in the 1973-1974 Choir. Each student embroidered their own signature or obtained help if less skilled in needlework. Signature blocks use 5 different fabric patterns: orange floral, light blue floral, medium blue floral, yellow solid, and green solid. Center green block embroidered in light yellow \"College of William \u0026 Mary\" in a circle around an embroidered gold eighth note with \"the choir\" embroidered in green over top. Lower right corner green panel has \"to Pappy from the Choir 1973-74\" embroidered in light green, gold, and light yellow. Backed with a pink and purple floral cream cotton cloth. Ann Spielman Woolley (Class of 1974) organized the project and created quilt, using a sewing machine on top of a box because she did not have a sewing table. Quilt measures 53.125\" (width) x 65\" (height)  x .75\" (depth). Excellent condition. Gift of Mark and Ann Woolley. UA 2008.008.01","Watercolor of the choir standing on the yard-side (East side) steps of the Wren building. The glass covering the painting reads \"Carl A. Fehr\" and was taken from Dr. Fehr's office window. Painting covered in wax paper to make image clearer (according to Tom Terry). Green matting and light-colored wooden frame. Window measures 25.5 in (length) x 15.5 in (width). In fair condition with some bubbling of the wax paper. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6813. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA2003.001.22.","Portrait of Carl A. \"Pappy\" Fehr in blue mononchrome (medium uncertain) on canvas. Silver-painted, wooden frame. Ann Chancellor created the portrait, with Fehr in concert as the choir director. Portrait was presented to Fehr on April 1, 1970 to commemorate his 25th anniversary of leading the choir. Back of frame signed in pencil, \"To Pappy Fehr from T. Thorne 1970.\" See page 8 of Fehr's 25th Anniversary scrapbook for more about the portrait presentation. Portrait measures 36 in. (length) x 28.5 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6814 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers. UA 2003.001.23","Choir and Chorus postcards presented by Carl Fehr in 1992. Wooden frame. Collection titled and inscribed on top: \"The William and Mary Choir and Chorus 1954-1974. 'The Choir was our image maker in song that inspired so many on campus, throughout Virginia, and states beyond - all under the direction of the beloved Dr. Carl A. (Pappy) Fehr.' President Davis Y. Pascall.\" Hand written on back: Karen McCluney 11/92 S Dan Olson Nov. 92. According to Tom Terry '74, \"Pappy had these postcards made from the official choir pictures, and he used them for promotional things, They were in the letters that he would send to the freshmen, welcoming them to the College, He used them for publicity when we would go on tour, sending them to, say, churches ahead of our arrival for promotional purposes. His wife worked for a company here in Williamsburg that made poostcards. ...Maybe Miller Photography, I'm not sure of the company name. Pappy had boxes and boxes of these. I have boxes and boxes of these. He went through them after he retired; went through and gave a wad of them to the Alumni Association. At the Alumni House they made one of these to put on their wall, and then they made one also for Pappy, So there shoud be one of these also in the Alumni House.\" 37.125 in. (height) x 25.25 in. (width) x .75 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6831 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Oversize. UA 2003.001.31","The series contains scrapbooks compiled by choral members documenting their annual activities and special events (1945-1983), as well as a leather-bound compilation of choral member testimonials to Dr. Fehr on his retirement from William and Mary inscribed \"To Pappy from his Children.\"","W \u0026 M Choir Scrapbook primarily newspaper articles about The Choir and The Common Glory.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music","Fehr, Carl A.","English"],"unitid_tesim":["UA 6.017","/repositories/2/resources/8527"],"normalized_title_ssm":["Carl A. \"Pappy\" Fehr papers"],"collection_title_tesim":["Carl A. \"Pappy\" Fehr papers"],"collection_ssim":["Carl A. \"Pappy\" Fehr papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Fehr, Carl A.","Dept. of Music"],"creator_ssim":["Fehr, Carl A.","Dept. of Music"],"creator_persname_ssim":["Fehr, Carl A."],"creator_corpname_ssim":["Dept. of Music"],"creators_ssim":["Fehr, Carl A.","Dept. of Music"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2003.1 received 2/20/2003 from Thomas Terry (class of 1974); Acc. 2007.010, 7 cubic feet, received 5/31/2007 from Thomas Terry; Acc. 2007.65, 1 box of music scores, received from G. Lindsey Florence (class of 1967) 9/7/2007; Acc. 2008.08 received 1/18/2008 from Mark '77 and Ann (Spielman) '75 Woolley. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"access_subjects_ssm":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["66.00 Linear Feet"],"extent_tesim":["66.00 Linear Feet"],"genreform_ssim":["Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.\u003c/p\u003e","\u003cp\u003eSubseries is arranged by date and then alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:","Arrangement"],"arrangement_tesim":["The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.","Subseries is arranged by date and then alphabetically."],"bioghist_html_tesm":["\u003cp\u003eDr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta.\u003c/p\u003e\n","\u003cp\u003e Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta."," Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr."],"prefercite_html_tesm":["\u003cp\u003eCarl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Carl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.\u003c/p\u003e\n","\u003cp\u003e Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. \u003c/p\u003e","\u003cp\u003eThis series includes concert programs representing Dr. Fehr's directorship of William \u0026amp; Mary's choral program; The Common Glory and The Founders outdoor summer pageants; and the Williamsburg Baptist Church choir. The series includes William \u0026amp; Mary choral programs of the regular academic year, as well as programs for special event and guest performances. In addition to correspondence and other records pertaining to choral media performances, the series also includes an inventory of concert programs tape recorded between 1949 and 1973.\u003c/p\u003e","\u003cp\u003eThe Choral Program Statements series consists of Dr. Fehr's formal and informal statements of the place of a choral program in a liberal arts college; standards governing choral member selection, appearance, and conduct; and admittance and dismissal procedures, as well as Dr. Fehr's communications on these matters with choral members and others.\u003c/p\u003e","\u003cp\u003eThis series contains materials on Dr. Fehr's professional management of the choral program, including his directorial and production notes, a concert planning notebook, and his reflections on concert program logistics, as well as a series of blueprints for staging concert performances. The series also contains student applications, auditions, rehearsal schedules, and concert tickets lists for special guests, as well as documents pertaining to choral business matters.\u003c/p\u003e","\u003cp\u003eThis series includes choral records such as choir and chorus rosters and directories and a series of spring choir tour journals.\u003c/p\u003e","\u003cp\u003eThis series documents Choir/Chorus activities, such as the annual Choir banquet. It includes Choir/Chorus communications, such as bulletins and Choir alumni newsletters. Also included are special choral events including the \"Fehr-well Fest,\" the concert celebrating Dr. Fehr's retirement, materials related to the celebration of the Fehrs' 50th wedding anniversary, the 1965 World's Fair concert, and Staying Connected: The Carl Fehr Project, an event organized to bring Choir alumni together to rehouse the Carl A. \"Pappy\" Fehr Papers.\u003c/p\u003e","\u003cp\u003eThis series includes Choir/Chorus publicity and promotional materials including brochures, posters, postcards, and magazine articles featuring Dr. Fehr and the choral program.\u003c/p\u003e","\u003cp\u003eOne poster used by the choir that says \"Don't Worry if it Sounds Bad: It's Contemporary.\"\u003c/p\u003e","\u003cp\u003eThis series includes Music Department documents collected over the course of Dr. Fehr's faculty appointment. The series also includes information on the department's history, Dr. Fehr's instructional materials, class schedules and exams, as well as documentation of the student assistant program and the Fehr Music Scholarship program. The series also includes Dr. Fehr's philosophy of teaching and his policy on classroom discipline, as well as his documents on music theory and practice.\u003c/p\u003e","\u003cp\u003eThis series includes Dr. Fehr's professional qualifications and performance evaluations, employment applications, awards and honors, academic records, and a copy of his Ph.D. dissertation. Also includes is biographical material including an oral history interview conducted with Dr. Fehr by the College of William and Mary in 1975-1976. The series includes some material from his Texas years as well.\u003c/p\u003e","\u003cp\u003eScope and Contents Certificate of Membership in American Choral Directors Association Wisdom Award of Honor Conferred on Dr. Carl A. Fehr by The Wisdom Society, 1970 Alice Knippa Fehr's Certificate of Baptism Carl A. Fehr's Certificate of Baptism, 1907 Austin High School Diploma, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, 1928 Masters of Arts Diploma, University of Texas, 1930 Austin High School Diploma, Carl A. Fehr Columbia University Doctor of Education Diploma, Carl A. Fehr, December 1950 Concordia Teachers College Diploma, Carl A. Fehr, 1931 Certificate of appreciation to Carl A. Fehr from the Williamsburg Baptist Church, May 1968 (mounted) Certificate of appreciation to Carl A. Fehr, Two Thousand Men of Achievement diploma, London, February 1973 Certificate of merit from the Dictionary of International Biography, vol. ix, August 1972 Certificate of appreciation, Virginia State Bar, May 1959 Black and white sketch of Dr. Carl A. Fehr adapted from a photograph, 1960s Water color sketch of Dr. Carl A. Fehr in a clown suit, 1960s Choir and Chorus formal document of congratulations to Dr. Carl A. Fehr for excellence in directing the choral program, 1945-1970\u003c/p\u003e","\u003cp\u003eThis is a series of news clippings focusing on Dr. Fehr's career, William and Mary choral members, concert publicity, and critical reviews.\u003c/p\u003e","\u003cp\u003eThis series is composed of collected sheet music organized by type and including a variety of sheet music. Box 2 holds organ studies and organ anthologies; Box 3 and 4 are entirely organ anthologies; Box 5-7 holds organ sheet music; Box 7-9 holds vocal music; Box 10 includes Christmas Choral Programs as well as religious, secular, and hand-copied music; Box 11 holds correspondence, concert programs, and Christmas music; Boxes 12-17 include a variety of music related to William and Mary, Christmas, The Common Glory, and many others.\u003c/p\u003e","\u003cp\u003eInstrumental Parts Accompaniments Correspondence and Publications\u003c/p\u003e","\u003cp\u003eThis series includes Dr. Fehr's collection of published materials related to areas of personal interest other than music, such as technology topics and a collection of William and Mary student body literature dating from the 1960s and 1970s.\u003c/p\u003e","\u003cp\u003eThe correspondence series dates from the years of Dr. Fehr's career at William and Mary (1945-1974) as well as his retirement years. Included in the series is William and Mary interdepartmental correspondence, colleague correspondence, correspondence with choral members, parties outside the university community, and other correspondents.\u003c/p\u003e","\u003cp\u003eThe photographs series visually documents the College of William and Mary choral program from 1945 through 1974, as well as alumni choral events during Dr. Fehr's retirement years. The series documents separately The Common Glory program, the William and Mary choral program by decade, portraits of Dr. Fehr, family and friends (1920s-1980s), and Dr. Fehr's career with the public school system in Austin, Texas. In addition to color and black and white photographs, a small number of color slides and photographic negatives can also be found in this series. Note that each photograph was given an individual number that begins with the letters \"FP.\"\u003c/p\u003e","\u003cp\u003ePasted onto the back of this mounting is a black and white picture of an unidentified young woman\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir at The Governor's Palace in Colonial Williamsburg\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir at The Governor's Palace in Colonial Williamsburg\u003c/p\u003e","\u003cp\u003eThere are two copies of this item.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in the Chapel in the Wren Building\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in the Chapel in the Wren Building\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in robes, W. Warren Sprouse, Director\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir, Wren Building (possible duplicate)\u003c/p\u003e","\u003cp\u003eVirginia All East Chorus, Highland Springs, Virginia\u003c/p\u003e","\u003cp\u003eColored photo of William and Mary Choir in formal attire in Wren Building, with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in performance, with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir, with Dr. Fehr\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eBlack \u0026amp; White Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eBlack \u0026amp; White Photo of the William and Mary Choir, 1960-1961. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1960. Photographer - Thomas L. Williams. Possible duplicate\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1961. Photographer - Thomas L. Williams, '61\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1962. Photographer - Thomas L. Williams. '62\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1962-1963. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eBlack and White Photo of the William and Mary Choir with Dr. Fehr 1962\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1962-1963. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1963-1964. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1963. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1963-1964. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eBlack and White Photo of the William and Mary Chorus, 1964-1965. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1965-1966. Photographer - Thomas L. Williams; duplicate copy available\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir on Virginia Day at the World's Fair in Queens, New York, May 13, 1965.\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1965-1966. Photographer - Thomas L. Williams Duplicate copy available\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Duplicate copy included\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1966-1967. Photographer - Thomas L. Williams Higher quality available in FP 236\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Higher quality than similar shot in FP 220.2\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1967-1968. Photographer - Thomas L. Williams Duplicate included\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1967-1968. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams. Photo taken in Sunken Garden. multiple duplicates available including black and white 8x10\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams Duplicate included\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1969-1970. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire at the Wren Building, with Dr. Fehr, 1969-1970; Photographer: Thomas L Williams Duplicate Included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire, with Dr. Fehr. Photographer: Thomas L Williams\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire, with Dr. Fehr. 1969 - 1970. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eBlack and White photo of  the William and Mary Choir in formal attire in Wren Building, with Dr. Fehr, 1960s\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr at the Wren Building, 1969-1970. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eColor photo of the William and Mary Choir with Dr. Fehr in front of Jefferson Hall, 1970-1971. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire on campus with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire in front of Swem with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire in front of the Wren Building with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.\u003c/p\u003e","\u003cp\u003eThe Charter Day Convocation and Parents Day, Saturday February 13, 1971. Rector Ernest Goodrich, Chancellor Professor W. Melville Jones, Dr. Fehr and President Davis Y. Paschall, February 13, 1971 Duplicate Included.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire by the sundial in front of the Swem Library, with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire in front of Swem Library, 1972-1973 (color, matted with caption); Photographer: Thomas L Williams. Duplicate noted on back.\u003c/p\u003e","\u003cp\u003eOne color photograph of the William and Mary Choir on tour at the party of a William and Mary alum in April 1973. Some of the students identified include Tom Terry, Cabot Wade, and Keith Savage. An envelope identifying some of the people in the photograph is included.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire in front of The Wren Building with Dr. Fehr, 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Black and white copy and duplicate included.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Duplicate included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire in front of Swem Library with Dr. Fehr, 1970's (black and white on board.)\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, 1970s (Black and white on paper.\u003c/p\u003e","\u003cp\u003eBlack and white photo of Dr. Fehr conducting a vocal performance, 1970s.\u003c/p\u003e","\u003cp\u003eBlack and white photo of Dr. Fehr directing a vocal performance, 1970s.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, 1970s.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, 1970's. Black and White.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choral Group in rehearsal directed by Dr. Fehr, 1970s.\u003c/p\u003e","\u003cp\u003eBlack and white photo of Dr. Fehr directing the William and mary Choral Group in rehearsal, 1970s.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing, with Dr. Fehr (center, back riser) 1970s\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choral Group members rehearsing at the piano, 1970s\u003c/p\u003e","\u003cp\u003eBlack and White photo of Carl A. Fehr with William and Mary Chorus\u003c/p\u003e","\u003cp\u003eDr. Fehr with the Alumni Choir in performance, 1983; color photo\u003c/p\u003e","\u003cp\u003eAustin High School Glee Club in Candlelight performance, Christmas 1944\u003c/p\u003e","\u003cp\u003eScope and Contents The William and Mary Male Musical Group with string instruments, 1901. Handwritten notations on back \" Front Row - (left to right) Elizabeth Tyler Miller- 1. Alfred Hart Miler (Capt. MLH) College of William and Mary Williamsburg Virginia, 1901 2. ? 3. John Arthur Hundley ( an irristible wanderer) 4. ? 5. \"Shorty\" Corbett Back Row 6. J.M. Dummoriut ( Dairy Farms) 7. Marvin Burton (Dentist) 8. George Joluison 9. Oscar Shumaker 10. Abraham B. Marchiant 11. E. Stanley Brinkley (Superintendent of Norfolk Schools) 12. J. W. Gossman\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in the Roal Theater\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir cast memeber Barbara Blum 1951\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir cast memebrs : Suzanne Roberts, Frances Amon, Barbara Blum, Lillian Baker \u0026amp; Shirley Thompson\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in June 1954. Photographer: Jack White\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in 1954; Sticker on back \"The Common Glory Williamsburg Va.\" James Mays.\u003c/p\u003e","\u003cp\u003ePhotographer: Douglas B. Green II\u003c/p\u003e","\u003cp\u003ePhotographer: Jack White\u003c/p\u003e","\u003cp\u003eThe Common Glory \"Wagon\" Summer 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026amp; Mary, Williamsburg, VA.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir \"Wagon\" 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026amp; Mary, Williamsburg, VA.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eColor photo of the Common Glory Choir from the 1950s in Colonial dress.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s in Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir (developed June 22, 1957) duplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir (developed June 22 1957) duplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir ( Developed June 22, 1957) duplicate included\u003c/p\u003e","\u003cp\u003eOfficial Photograph of The Common Glory Choir in Colonial Dress; Photographer Jack White.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in Colonial dress from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s in Colonial dress. Photographer: Douglas B. Green II\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s; Colonial Dress.  Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eDr. Fehr with Common Glory Choir cast members from the 1950s.\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s; assembled in \"C G \" formation. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in the Summer of 1967. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in Colonial Dress. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included\u003c/p\u003e","\u003cp\u003eA reproduction of  a sketch of the Common Glory Choir; undated. Signed by H. Day.\u003c/p\u003e","\u003cp\u003eBlack and White photograph of the College Mace; presented to William and Mary by alumni and students on February 8, 1923. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 Stamped by the NEWS BUREAU College of William and Mary, Williamsburg, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Spring 1946; 1945-1946 School Year. Photographer: Von Dubell Studio Williamsburg, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Graduation\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1940s\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir Spring 1946. Von Dubell Studios Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel 1946. Von Dubell Studios Williamsburg, VA\u003c/p\u003e","\u003cp\u003eNote on back dated May 15, 1947, from Marilyn. \"To my favorite pappy - next to my own. Thanks for such an enjoyable year. Don't forget that Austin and San Antonio aren't too far apart. Good luck this summer -\"\u003c/p\u003e","\u003cp\u003emarked as a duplicate; large version in Box #1\u003c/p\u003e","\u003cp\u003eTeachers College Chorus, Columbia University, Fall 1949. Photo by Elvira Kohl.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr and a costumed musician. Photographer: Colonial Williasmburg Photograph by Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe Library on the right and flanking it Rogers Hall and the Marshall-Wythe Building. Von Dubell Studios, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eMarked as William and Mary cover. Von Stubell Studio, Williamsburg, Va\u003c/p\u003e","\u003cp\u003eThe Brafferton Building on the campus of William and Mary. Thomas L. Williams, Colonial Williamsburg; Williamsburg, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the balcony of the Wren Chapel, 1940s. Von Stubell Studio, Williamsburg, VA.\u003c/p\u003e","\u003cp\u003eA side view of the William and Mary Choir in the Wren Chapel. Photo Service, 207 Griffin Ave. Williamsburg, Va.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr, Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Concert Choir; From the studio of Douglas B. Greeen II; 761 Scotland Street; Williamsbrug, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel; Von Dubell Stdios, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel; front and side view\u003c/p\u003e","\u003cp\u003eThe William and Mary Girls Chorus in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Carl A. Fehr, Director\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel; W. Warren Sprouse, Director, 1950\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance; From the studio of Douglas B. Green II; 781 Scotland Street; Williamsburg, Virginia\u003c/p\u003e","\u003cp\u003eThw William and Mary Choir in rehearsal\u003c/p\u003e","\u003cp\u003eAutographed picture of Anne with note. \" Pappy - Thanks so much for all that you have done for me.\"\u003c/p\u003e","\u003cp\u003eNote on back \" To the \"sweetest\" Pappy with thanks for everything. Much Love.\" Jackie (Jones) Myers. June 1952\u003c/p\u003e","\u003cp\u003eFifth Annual Virginia All-West Chorus; Martinsville, Virginia. Remsen Studios, Box 296, Martinsville, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel\u003c/p\u003e","\u003cp\u003eThe Wiliam and Mary Chorus in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire in the Wren Building. Jack White, 316 Monroe Hall, College of William and Mary, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in front of the Wren Building for the Marshall-Wythe-Blackstrong Celebration\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire in the Spring of 1954 duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire in the Wren Chapel, 1955\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir , Christmas Concert, 1955\u003c/p\u003e","\u003cp\u003eNews Bureau release: Scholars - At the College of William and Mary in Virginia where Phi Beta Kappa was founded, new initiates of the honorary scholastic society pause on the steps of the College's Phi Beta Kappa Hall for a chat with John C. Kerby-Miller (left) of Newport News, an alumnus of the University of California. Among the 13 William and Mary students who were initiated during the Spring ceremonies were (left to right) Robert Gilliland Forrest of Norfolk, Virginia; Jane Courtney Kesler of Virginia Beach, Virginia; Robert Wallace Stevens of Norfolk, Virginia; and Mary Ann Lyman of Longmeadow, Massachusetts. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Building with Dr. Fehr in the Spring of 1954\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire with Dr. Fehr, 1956-57\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Concert in the Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Procession on campus\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing at a special ceremony\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing with Dr. Fehr\u003c/p\u003e","\u003cp\u003eChoral Performance at the Yorktown Celebration\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with dr. Fehr in a wooded area on campus\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in rehearsal\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in a Candlelight performance with Dr. Fehr duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance directed by Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir inperformance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir iChristmas Party with Dr. Fehr (front left, standing)\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir during the Boston Trip; photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with dr. Fehr; photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, Christmas\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr in the Spring of 1959\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr in the Spring of 1959\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Graduation Procession\u003c/p\u003e","\u003cp\u003eWilliam and Mary Graduation Ceremony\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. duplicate in smaller size\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr. Photographer Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photograoher Charles G. Kagey, Colonial Williamsburg\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photographer- Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir on Spring Tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on Spring Choir Tour; Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir Spring Choir Tour\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on Spring Tour\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on Spring Tour\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on Spring Tour\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir on Spring Tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir on Spring Tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members on Spring Tour, in rehearsal. Photo by Jack White.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir on Spring Tour, in rehearsal with Dr. Fehr. duplicate included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire in the Wren Building with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir directed by Dr. Fehr in the Wren Chapel\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire in the Wren Chapel with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in the Wren Building with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire with Dr. Fehr in the Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir with Dr. Fehr in the Wren Building\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in performance in the Wren Building\u003c/p\u003e","\u003cp\u003eScope and Contents William and Mary Choir in formal attire in the Wren Building noted as \"duplicate\"\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in rehearsals. Official Photograph , The Common Glory\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in rehearsals with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in rehearsal with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members behind the scenes\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members behind the scene\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members building sets. Photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members building sets. Photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in rehearsal\u003c/p\u003e","\u003cp\u003eDr. Fehr rehearsing the William and Mary Choir\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with Dr. Fehr before a performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with Dr. Fehr before a performance\u003c/p\u003e","\u003cp\u003eDr. Fehr opening a gift from the William and Mary Choir before a performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members (women) at exterior of back of Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing, directed by Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing, directed by Dr. Fehr duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, directed by Dr. Fehr\u003c/p\u003e","\u003cp\u003eDr. Fehr directing the William and Mary Choir during a recording session. Photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, directed by Dr. Fehr. Photo by Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, directed by Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance directed by Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance .\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus Christmas Concert with Dr. Fehr directing.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus informal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire Dr. Fehr. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Christmas performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance in Wren Choir Loft. Photo by Von Dubell Studio.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance in Wren Building\u003c/p\u003e","\u003cp\u003eWilliam and Mary Graduation in Wren Courtyard\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr in the Wren Building.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in the Wren chapel\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr in the Wren Chapel; photograph by Jack White duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr in the Wren Building. Photograph by Jack White. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir waiting to perform\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance in the Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance in the Wren Building. Photograph by Photo Service.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance in the Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Christmas candlelight performance in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in the Wren Building. Noteation on Back: \"The Chorus (number two of two)\"\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir-male members only- in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eScope and Contents The William and Mary Choir in candlelight performance; select ensemble to be featured in \"Laudate Dominum\" by Mozart\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eAnne Myers, Statesville, N.C. Soloist in \"hear Ye, Israel, \" Mendelssohn.\u003c/p\u003e","\u003cp\u003eJoan Roger. La Follette, Tenn. Soloist in \"Let Us Break Bread Togerther.\" Second photo - full length, not duplicate but same information\u003c/p\u003e","\u003cp\u003eWilliam and Mary formal ceremony at the Wren Building\u003c/p\u003e","\u003cp\u003eNew York, New York\u003c/p\u003e","\u003cp\u003eView of a burning building on the Campus of the College of William and Mary; possibly the fire in Phi Beta Kappa Hall in 1952\u003c/p\u003e","\u003cp\u003eCeremony at Phi Beta Kappa Hall on the College of William and Mary. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe rebuilt Phi Beta Kappa Hall on the campus of the College of William and Mary. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, in performance in the Wren Building.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Girls Chorus with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Christmas 1960 performance. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Girls Chorus in formal attire with Dr. Carl A. Fehr. Photographer: Thomas L. Williams. marked as a duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire in the Wren Building.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in graduation procession.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in inauguration procession of Dr. Davis Y. Paschall, President of William and Mary. Photographer: Thomas L. Williams. Photo from the Library of Carl A. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chrus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director, Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as a duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. noted as black and white duplicates (2)\u003c/p\u003e","\u003cp\u003eThe William and Mary Tour Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Carl A. Fehr, Director, in the Wren Chapel. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire in Boston.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in Boston.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing The Messiah with  Dr. Carl A. Fehr, Director. Photographer: Robert E. Gatten\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire .Photographer: Thomas L. Williams. several matted duplicates in Box 2\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing The Messiah, under the direction of Dr. Carl A. Fehr. Photographer: Robert E. Gatten\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing on Chate Day, Saturday February 12, 1966.  Photographer: Robert E. Gatten\u003c/p\u003e","\u003cp\u003eScope and Contents Chorus performing at the Matoaka Amphitheatre after William and Mary Graduation. Notation on back: \"To Pappy: For a Happy Birthday!! from \"Schue\" Lynwood Shumata\"\u003c/p\u003e","\u003cp\u003eThe William and Mary Tour Choir in Danville, Virginia.\u003c/p\u003e","\u003cp\u003eWilliam R. Heins when he was in Elementary School playing the Tuba. Class of 1966.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: David Koenig\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photographer: David Koenig\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped Septemeber 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eDr. Fehrwatching television monitor of the William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir Candlelight Performance, Christmas 1967. Photographer: Charles G. Kagey, Colonial Williamsburg duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire in the Dodge Room. Photographer: Thomas L. Williams. marked as a duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. marked as a duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eScope and Contents The William and Mary Chorus with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams. multiple duplicates available in legal size with mat and black and white\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus rehearsing with Dr. Fehr. Photographer: Alan WohllebenThomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire at the back of the wren Building. Photographer: Thomas L. Williams. marked as a black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire in Swem Library. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003edate on front is May 1971\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with candles\u003c/p\u003e","\u003cp\u003ePhotograph by Alan Wohlleben\u003c/p\u003e","\u003cp\u003ePhotos of negatives from a William and Mary Choir Performance. Note on back reads: \"Dr. Fehr I couldn't find the other negatives that you wanteed. I am in the process of moving to an apartment; I think I just misplaced them. When I find them I print them up. Weke's and Jim Rees's pictures see you later (alligator) Michael .....\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in the Wren Building in formal attire. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eWilliam and Mary Formal ceremony with the William and Mary Choir. Photo by Susan Lohwasser\u003c/p\u003e","\u003cp\u003eWilliam and Mary Formal ceremony with the William and Mary Choir. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Peter Vance Clark.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams copy of FP 264.10\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams Similar copies to FP 264.14 and FP 264.15\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams possible copy of FP 264.13 and similar to FP 264.15\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in rehearsal. Date on front of photo indicates December 1967\u003c/p\u003e","\u003cp\u003eScope and Contents The William and Mary Choir rehearsing \"The Messiah\" with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eDisplay of Album cover and record of the long playing album, \"William and Mary Choir, Williamsburg, Virginia . Dr. Carl A. Fehr, Director.\" Photographer : W. N. Schill Studio. Album produced by RCA Victor.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire behind the Wren Building with Dr. Fehr Black and White duplicate\u003c/p\u003e","\u003cp\u003eDr. Fehr (left) receiving a 25th Anniversary Plaque from a choir member. Photographer: Thomas L. Williams, Williamsburg, Virginia.\u003c/p\u003e","\u003cp\u003eDr. Fehr center) with his wife during the 25th Anniversary celebration as Director of the William and Mary Choral groups. Photographer: Thomas L. Williams, Williamsburg, Virginia. duplicate included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire in the Sunken Garden with Dr. Fehr. Photographer: Thomas L. Williamsn\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in Graduation Procession with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire with Dr, Fehr in front of Barrett Hall. Photographer: Thomas L. Williams Black and White duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire in front of the Wren Building. Photographer: Thomas L. Williams black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire by the sundal in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate and color duplicate, no mat\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr at the Charter Day Convocation at Phi Beta Kappa Auditorium. Library. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choral Group in performance. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in performance. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir soloist in performance. Photographer: Allan E. White\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Allan E. White\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choi and Orchestra (foreground) in performance with Dr. Fehr. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance. Photographer: Mike Lang\u003c/p\u003e","\u003cp\u003eDr. Fehr directing the William and Mary Choral Groups. Photographer: Mike Lang\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir and Orchestra in performance; Dr. Fehr conducting\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir waiting to perform. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in performance. Photographer: Allan E. White\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance (note on back indicates men in The Messiah.)\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir and Chorus waiting to perform.. Photographer:  Alan Wohlleben\u003c/p\u003e","\u003cp\u003eThe Wililam and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eSoloist performs with the William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choral group in Candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir member waiting to perform. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eDr. Fehr with William and Mary Choir members waiting to perform duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with  Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr at the Wren Building.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with  Dr. Fehr. Photographer: Thomas L. Williams (color) includes Black \u0026amp; white duplicate\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir member in rehearsal. Photography by Mike Lang\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members in rehearsal. Photography by Mike Lang\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members studying music. Photography by Mike Lang\u003c/p\u003e","\u003cp\u003eDr. Fehr with Choir member. Photograph by Alan Wohlleben\u003c/p\u003e","\u003cp\u003eDr. Fehr with choir members during rehearsal. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members during rehearsal. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members during rehearsal. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members during rehearsal. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003eChoral Group Rehearsal with Dr. Fehr. Photography by Mike Lang\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003eStamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"\u003c/p\u003e","\u003cp\u003eStamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"\u003c/p\u003e","\u003cp\u003ePhotography by Michael Lang\u003c/p\u003e","\u003cp\u003ePhotography by Michael Lang\u003c/p\u003e","\u003cp\u003eNote on back: Kymmell\u003c/p\u003e","\u003cp\u003eString section of William and Mary Orchestra in performance; Photgraph by Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir and Orchestra in performance, directed by Dr. Fehr\u003c/p\u003e","\u003cp\u003ePicture of Dr. Fehr in formal attire at a William and Mary reception; photograph by Alan  Wohlleben\u003c/p\u003e","\u003cp\u003eNote on back: \"To Pappy, Lots of Love---Virginia Carr Gingie\"\u003c/p\u003e","\u003cp\u003eNote on back: \"Dearest Pappy, You have truly brought to me the thrill and challenge of music. I hope that I can spread that enthusiasm to my students. You set many wonderful traditions that I will treasure; and whereever I go I will always be a \"Fehr\"student, indebted to you for guiding my career in teaching. Love always, Kathleen (S.E.!) Jones\u003c/p\u003e","\u003cp\u003eNote on back: \" To Pappy, Who has given me so much......his time, his patience; his wealth of knowledge, musical and personal; his shoulder; his tissues.. not to mention the guidance and friendship received from him by everyone, and given in such a way that each is made to feel singular and important. How can I thank you, Pappy, for two wonderful years in Choir except to give my love in return for all the unselfish caring you have given me? It's a tiney gift, but you can keep it forever. Kathy (I also owe you for 1/2 a box of tissues, 42 pictures, 2 tapes, 2 keys, and an incalculable amount of wear to your \"wet paint\" cushions.)\"\u003c/p\u003e","\u003cp\u003eNote: To Pappy - with much love and gratitude always. Kathy\"\u003c/p\u003e","\u003cp\u003eDr. Fehr conducting the Alumni Choir for a capacity crowd; Photographer Thomas L. Williams\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass, Austin, TX\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass, Austin, TX\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass\u003c/p\u003e","\u003cp\u003esmaller duplicate included\u003c/p\u003e","\u003cp\u003eNote on back: \"To the best \"scouts\" in the world - may Texas beat A\u0026amp;M next year! Care Edward 12/1/31\" Boone Photo Company, Austin Texas\u003c/p\u003e","\u003cp\u003eduplicate included; photo by Neal Douglass, Austin, TX\u003c/p\u003e","\u003cp\u003eNotation on back: News Release Bureau, College of William and Mary, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eDr. Fehr with The Common Glory cast; Robert Luartis, Kathryn Gray, John Warner, Bill Kerr, Glenn Branch\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eStamped on back \"Jan 21 1957\"\u003c/p\u003e","\u003cp\u003ePhotographer: Von Dubell Studio, Williamsburg, VA\u003c/p\u003e","\u003cp\u003euplicate included\u003c/p\u003e","\u003cp\u003eOde to the Virginian Voyage. Norfolk Symphony Composer Schenkman with Dr. Fehr\u003c/p\u003e","\u003cp\u003eOde to the Virginian Voyage. Edgar Schenkman, Norfolk Symphony Conductor (left); Randall Thompson, Compser(center) with Dr. Fehr. several duplicate included\u003c/p\u003e","\u003cp\u003ePhoto by Saunders Miller\u003c/p\u003e","\u003cp\u003ePhoto by Saunders Miller\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ecolor photo\u003c/p\u003e","\u003cp\u003eDr. Fehr with Ann Lond (?) in DawnVe, VA\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams, Williamsburg, Va; duplicate included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams, Williamsburg, VA; duplicate included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThomas L. Williams, Photographer\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams; duplicate included\u003c/p\u003e","\u003cp\u003eThomas L. Williams, photographer; duplicate included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThomas L. Williams, Photographer\u003c/p\u003e","\u003cp\u003eDr. Carl A. Fehr at the podium, in performance, with pianist; photo by John White\u003c/p\u003e","\u003cp\u003eHumorous sketch of Dr. Carl A. Fehr with caption \"Y'all know thet ah stress neatness! Y'all must look nice, people,\" Signed  \"Tweet 1962\"\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams; small copy included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams for 1971 Brochure\u003c/p\u003e","\u003cp\u003eDr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce, January 1971 duplicate included\u003c/p\u003e","\u003cp\u003eDr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce;  Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eDr. Carl A. Fehr (l.) with Thomas Wood (r.) at Williamsburg Chamber of Commerce presentation of the Drumbeater Award to Dr. Fehr\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eThomas L. Williams, Photographer duplicate included\u003c/p\u003e","\u003cp\u003edate on back \"1-9-53\"? duplicate included\u003c/p\u003e","\u003cp\u003eCarl A. Fehr with military officials at the ceremony during which W\u0026amp;M Choir receives George Washington Freedom Medal from the Freedom Foundation, Valley Forge, Pennsylvania\u003c/p\u003e","\u003cp\u003eScope and Contents W\u0026amp;M Choir on stage at official ceremony for receiving the George Washington Freedom Medal from the Freedom Foundation\u003c/p\u003e","\u003cp\u003ePhoto by Mike Long\u003c/p\u003e","\u003cp\u003ePhoto by Mike Long\u003c/p\u003e","\u003cp\u003eCarl A. Fehr with Mr. and Mrs. Robert Kreiling, taken at the home of Mr. and Mrs. C. Warren Smith, Jr. in York, Pennsylvania, on Saturday evening April 20, 1974 after the concert at York College.\u003c/p\u003e","\u003cp\u003esmall duplicate included\u003c/p\u003e","\u003cp\u003eMounted photo of a scenic view of French rural landscape, vineyard by John Fehr, Dr. Fehr's nephew, April 1973. Gift at Christmas 1973.\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass, Austin, Texas\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhoto by Alfred Rosenthal, Austin Daily Tribune\u003c/p\u003e","\u003cp\u003eDuplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eCandlelight performance; photo by Neal Douglass\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eLeft to Right: Bill Chandler, Mary Va. Bussey, Bettie George, Joe Lane; photo by Neal Douglass\u003c/p\u003e","\u003cp\u003ePhoto by Alfred Rosenthal; Austin Daily Tribune\u003c/p\u003e","\u003cp\u003ePhot by Dan Weisser\u003c/p\u003e","\u003cp\u003eAutographed picture (to Dr. Fehr) of Roger Wagner; \" Best wished and kind regards to my old friend Carl Fehr.\"\u003c/p\u003e","\u003cp\u003eAutographed picture (to Dr. Fehr) of Roger Wagner; \" To my old friend Carl Fehr who taught me all I know about choral direction.\"\u003c/p\u003e","\u003cp\u003eBlack and white photographs of Dr. Fehr, his wife, and the William and Mary Choir on tour.\u003c/p\u003e","\u003cp\u003ePhoto with signed Brochure from the Annual Dinner Meeting in Williamsburg\u003c/p\u003e","\u003cp\u003eThis series includes a collection of reel-to-reel tape recordings of William and Mary Choir/Chorus concert performances conducted by Dr. Fehr between 1947 and 1973. The reel-to-reel tapes were reformatted for access and preservation purposes to data discs and CD Audio discs in 2006-2007. The collection also includes phonograph albums of William and Mary choral performances (1940s-1960s), \"The Common Glory\" (1957), and a miscellaneous collection of phonograph records, such as recordings for vocal exercises and recordings of All-State and Northrop High School choral performances. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.\u003c/p\u003e","\u003cp\u003e3 records\u003c/p\u003e","\u003cp\u003e3 copies.\nSide 1: A Slumber Song of the Madonna. Sung by Anne Howard Dunn\nSide 2: Come Unto Him from The Messiah, Handel. Sung by Anne Howard Dunn\u003c/p\u003e","\u003cp\u003eTwo albums. Photograph of the Wren Building on the cover. 4 Record Set Record 1, Side 1 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 1, Side 2 I Wonder as I Wander, arr. Niles-Horton (Ann Howard Dunn, Soloist) Record 2, Side 1 Dry Bones, Gearhart Record 2, Side 2 Ol' Man River, Jerome Kern (Warren Sprouse, Soloist) Record 3, Side 1 Sicut Cervus, Palestrina Record 3, Side 2 A Mighty Fortress is our God, Luther (arr. Meuller) Record 4, Side 1 Madame Jeanette, Murray Record 4, Side 2 Kde su Kravy Moje, Slovak folk tune, arr. Schimmerling.\u003c/p\u003e","\u003cp\u003eTwo copies of album. 4 Record Set Record 1, Side 1 The Creation: Part 1, Richter Record 2, Side 2 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 2, Side 1 The Creation, Part 2, Richter The Lord's Prayer, Wilson Record 2, Side 2 Go 'Way From My Window, Niles (Soloist Shirley May Thompson) Record 3, Side 1 My Lord, What Mornin', spiritual Record 3, Side 2 Agnus Dei, Pergolesi Record 4, Side 1 I Got Rhythm, Gershwin Etude For Chorus, Wihtol Record 4, Side 2 Skip to My Lou, arr. Wilson Ezekiel Saw de Wheel, Spiritual\u003c/p\u003e","\u003cp\u003eTwo copies. Sung by The Choir of \"The Common Glory,\" 1953 Side 1 Music from \"The Common Glory\" (A Musical Synopsis), Special Narration by Allen R. Matthews. Side 2 In These Delightful Peasant Groves, Purcell Let go, Why Do You Stay Me, Bennett Miserere Mei, Byrd Yonder! Yonder, folk melody Ballad of Brotherhood, J. Wagner\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Missa Brevis, Zoltan Kodaly Side 2 Missa Brevis, Zoltan Kodaly Miserere Mei, William Byrd Come, Soothing Death, J.S. Bach The Silver Swan, Orlando Gibbons Let Go, Why Do You Stay Me, John Bennet Yonder! Yonder, Russian folk melody In These Delightful, Pleasant Groves, Henry Purcell When Day is Done, Robert Katcher Ballad of Brotherhood, Joseph Wagner\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Te Deum, Verdi Hodie Christus Natus Est, Sweelinck Psalm of Praise, Chase (William Gatling, Soloist) Exultate Deo, Poulenc Side 2 For Everything There is a Season, Rozsa Listen to the Angels Shoutin', Negro Spiritual Sinner Please, Don't Let this Harvest Pass, Negro Spiritual (Joyce Gwaltney, Soloist) 'Dis Train, Negro Folk Song Oh Lemuel, Foster\u003c/p\u003e","\u003cp\u003eTwo copies. The photograph on the cover was taken at the Jefferson Hotel in Richmond, Virginia. The photograph was taken in the fall of 1953 when the Choir was in Richmond to perform for an association of Virginia teachers (according to Lavinia Phillips '57, to SCRC staff on 5/2/2011). Side 1 Alma Mater William and Mary Hymn Miserere Mei, Byrd Crucifixus, Lotti Come, Soothing Death, Bach Side 2 Nightfall in Sky, Robertson Shenandoah, arr. Bartholomew Yonder! Yonder! Folk Melody, (William T. Gatling, Jr. Soloist). Ballad of Brotherhood, J. Wagner, (Lavinia Pretz, Soloist).\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Christ Lag in Todesbanden, Cantata No. 4, Bach Wondrous Love, Southern Folk-Hymn Gloria in Excelsis, Jolley Side 2 Mass in G Major, Poulenc The Last Words of David, Thompson Madame Jeanette, Murray Poor Wayfaring Stranger, White Spiritual Hear the Singing, Berger\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 William and Mary Hymn, The William and Mary Choir Side 2 Alma Mater, The William and Mary Choir\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Mass in G, Schubert Benedictus, Liszt Side 2 Te Deum, Kodaly Exultate Deo, Scarlatti Waltzing Mathilda, Australian song Go 'Way From my Window, Niles Elijah Rock, traditional spiritual.\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Te Deum, Verdi Quatre Motets pour le Temps de Noel, Poulene Mary's Boy Child, Spiritual Side 2 Shenandoah, traditional Greensleeves, English folk song Someone's in the Kitchen with Dinah, American folk song I Got Rhythm, Gershwin Regina Coeli from \"Cavalleria Rusticana,\" Mascagni Chorus and Finale from \"Die Mestersinger von Nurnberg,\" Wagner Coronation Scene from \"Boris Godunov,\" Mussorgsky\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Serenity, Ives At the Cry of the First Bird, Fletcher To Saint Cecilia, Dello Joio Chanson Epique, Ravel Side 2 He's Gone Away, Southern Mountain Song Laughing Song, George Selections from Porgy and Bess, Gershwin Hosanna, Lockwood Carol of the Drum, Czech Carol\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 A Canticle of Christmas, Giannini (Eugene Galusha, soloist, and Sue Sager and Carolyn Washer, Accompanists) Side 2 The Holly and the Ivy, Traditional carol The Twelve Days of Christmas, Old English Song Choral Fantasy on Old Carols, Holst The Angels and The Shepherds, Kodaly (The William and Mary Chorus) The March of the Wise Men, Gaul Silent Night, Holy Night, Gruber (Sue Sanger, Accompanist)\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Rejoice, Beloved Christians, Buxtehude Misericordias Domini For Double Choir, Durante Come, Soothing Death, Bach Side 2 Holy Radiant Light, Gretchaninoff Brazilian Psalm, Berger Prelude, Schuman Bim-Bam, A Folk Song Every Night When the Sun Goes In, Appalachian Folk Song (Phyllis Atwood, Soloist) Oh, Dear! What Can the Matter Be? Kubik The William and Mary Hymn and Alma Mater\u003c/p\u003e\n","\u003cp\u003eThis phonographic record has been digitized. At least 72 hours advanced notice required for access.\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Jesu, Joy of Man's Desiring, Bach Lord Most Holy, Davis Gloria, Poulenc Side 2 Jehovah, Hear Our Prayer, Nelson What Child is This, English tune Der Abend, Brahms Naechtens, Brahms Zum Schluss, Brahms Selections from Showboat, Kern Tee Roo (in mountain style), American Folk-Song Sketch Lullaby, Brahms\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Psalm 100, Schuetz Agnus Dei, Pergolesi Sicut Cervus, Palestrina Exultate Deo, Pelestrina In the Beginning, Copland, Dorothy Tudor, Soloist Side 2 Fragments from the Mass: Diemer Kyrie, Gloria, Credo, Sanctus, Agnus Dei Ave Maria, Kodaly Peace Come to Me, Murray, The William and Mary Chorus, (Jane Anne Bruer, accompanist) Go, Down Death, Scott (Bongos played by Michaelle Hatcher) Dry Bones, arr. Gearhart Lorena, Webster Seeing Nellie Home, Fletcher Aura Lee, Poulton De Animal a-Comin', Negro Spiritual Stonewall Jackson's Way, Confederate Tune\u003c/p\u003e","\u003cp\u003eTwo copies. This album is a recording of the Parents Day concert. Side 1 Cantate Domino, Lodivico da Viadana Ave Maria, Tomas Luis da Victoria Exaltabo Te, Domine G.P. da Palestrina No Man Liveth to Himself, Heinrich Schuetz The Heart Replies, Harry Robert Wilson Sea Charm, Frederick Piket Valse, Ernst Toch Side 2 Cantate Domino, Hans Leo Hassler Peace Comes to Me, Lyn Murray Jack and Jill, J. Michael Diack Horos Tou Zalongu, Greek folk song Catulli Carmina, Carl Orff A Jubilant Song, Norman Dello Joio The William and Mary Hymn and Alma Mater, arr. by Carl. A. Fehr\u003c/p\u003e","\u003cp\u003e2 copies. Sue Sager Accompanist Side 1Messe de Minuit Midnight Mass for Christmas based on French Carols: Charpentier Kyrie Gloria Credo Sanctus Agnus Dei Side 2 Carol of the New Prince, Sitton Balulalow, Chapman Kolyada, Anonymous, Russian Fantasia on O Little Town of Bethlehem, McCollin Lo, How a Rose E'er Blooming, Praetorius A New Christmas Morning, Hallelujah, MacGimsey The Holy Infant's Lullaby, Dello Joio A Christmas Carol Sequence, Arr. Fehr\u003c/p\u003e","\u003cp\u003eNorthrop High School concert, including concert choir, advanced girls' choir, swing choir, and madrigal singers.\u003c/p\u003e","\u003cp\u003eNorthrop High School Advanced Treble Choir and Charisma Choir. Dedication on back of album reads: To Pappy, With affection \u0026amp; fond memories. Bill 9-27-'79.\"\u003c/p\u003e","\u003cp\u003eSide 1 The William and Mary Fight Song, arr. Varner The William and Mary Alma Mater Side 2 The William and Mary Victor March, arr. Varner The William and Mary Hymn\u003c/p\u003e","\u003cp\u003eSide 1 no. 8P-0944 Side 2 8P-0944\u003c/p\u003e","\u003cp\u003eThe following reel-to-reel audiotapes were reformatted to digital audio. The quality of these audio recordings varies. In some cases, the audio was copied from the phonograph album to reel-to-reel audiotapes by the donor then digitized by the repository. In these cases the recording digitized directly from the phonograph album generally provides a superior audio source. 1971 Christmas Concert, A Festival of Music, Reels 1-2 1971 William and Mary Choir, Tour Choir, 1971 1972 Tour Choir (2 CDs) 1972 April 17, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 5-6, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 6, 1972 (2 CDs) 1972 William and Mary Chior, Choir Banquet, May 9, 1972, Reels 1-3 (3 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles, Christmas Concert, 1972 (2 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles,Christmas Concert, 1972 1973 April 28, 1973 (2 CDs) 1973 May 8, 1973, Reels 1-3 1973 Spring 1973 (2 CDs) 1973 Unknown, 1973, Reel 1 1973 William and Mary Choir and Chorus with College-Community Symphony Orchestra, Christmas Concert, Reels 1-2 1974 April 19, 1974 (2 CDs) 1974 William and Mary Choir and Chorus, May 1, 1974, Reel 1 1974 William and Mary Choir and Chorus, May 3, 1974, Reels 1-2 1974 Fehr-Well Fest, Rehearsal, May 4, 1974 (2 CDs) 1974 Fehr-Well Fest, May 4, 1974 (3 CDs) 1974 Fehr-Well Fest, May 6, 1974 (2 CDs) 1976 Unknown, 1976 1983 June 11, 1983 (2 CDs)\u003c/p\u003e","\u003cp\u003eBox also includes CDs of digitized reels\u003c/p\u003e","\u003cp\u003eDigitized on CD\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eThe contents of this series are the digitized reel-to-reel audiotapes of sub-series 2 in both Data Disc and Compact Disc form.\u003c/p\u003e","\u003cp\u003e1953 Spring Concert, Girls Chorus (2 CDs) 1953 May 18, 1953 1953 The Common Glory Choir, August 24, 1953 (3 CDs) First half of box are Data Disks, second half of box are Compact Disks starting from Sub-Series 2 Reel to Reel\u003c/p\u003e","\u003cp\u003eFirst full box of Compact Disks\u003c/p\u003e","\u003cp\u003e(3 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003eScope and Contents Reel 1 of 4 Track 1: America the Beautiful / arr. Fehr Track 2: Jubilate Deo / Gabrieli Track 3: Benedictus / Liszt Track 4: Komm, Jesu, Komm (Motet for double choir) / Bach Track 5: Evensong at 12:30 / Haydn Track 6: Eloquence / Haydn Reel 2 of 4 Track 1: Eloquence / Haydn Track 2: Evensong / Haydn Track 3: God's Trombones: Poems by James Weldon Johnson based upon American Negro Folk Sermons. I. Opening: A Prayer, II. The Creation, III. Go Down Death, IV. The Judgement Day, V. Closing: A Prayer / arr. Roy Ringwald (with narration) Track 4: Tee Roo / Kubik Reel 3 of 4 Track 1: Didn't My Lord Deliver Daniel--Spiritual / Gottlieb Track 2: The Silver Moon is Shining / Italian Folk Tune Track 3: Tee Roo / Kubik Track 4: Regina Coeli from \"Cavalleria Rusticana\" / Mascagni (soloist) Track 5: Chorus and Finale from \"Die Meistersinger von Nurnberg\" / Wagner Reel 4 of 4 Track 1: Coronation Scene from \"Boris Godounov\" / Moussorgsky (soloist) Track 2: Alleluia Encore Track 3: Dis Train--Spiritual / Jester Hairston Track 4: I Got Rhythm / Gershwin Track 5: Flurry, William and Mary Hymn, Alma Mater / arr. Fehr\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003e(3 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003e(1 CD)\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003eReels 1-2 (2 CDs)\u003c/p\u003e","\u003cp\u003eReels 1-3 (3 CDs)\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Announcement Track 3: Chichester Psalms: Movement I / Bernstein Track 4: Chichester Psalms: Movement II / Bernstein Track 5: Chichester Psalms: Movement III / Bernstein Track 6: Stabat Mater / Dohnanyi Track 7: Roll Jordan Roll / Spiritual CD 2 of 4 Track 1: Stabat Mater / Dohnanyi Track 2: Stabat Mater / Dohnanyi Track 3: Barbara Allen / English Folk Song Track 4: Roll Jordan Roll / Spiritual Track 5: Announcement Track 6: Seeing Nellie Home (Gentlemen's Choir) CD 3 of 4 Track 1: Announcement Track 2: St. Louis Blues Track 3: Misa Criolla / Ramirez Track 4: The Fantasticks / Schmidt CD 4 of 4 Track 1: Annoucement Track 2: Fehr Remarks Track 3: The Choral Fantasia / Beethoven Track 4: Elegisher Gesang - Elegy / Beethoven Track 5: Fehr Remarks Track 6: Acknowledgment of Seniors Track 7: Hallelujah from \"The Mount of Olives\" / Beethoven Track 8: Flurry/Hymn/Alma Mater / arr. Fehr\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / Fehr Track 2: Dixit Maria / Hassler Track 3: O Saviour Rend the Skies in Twain / Brahms Track 4: Chichester Psalms: Movement I / Bernstein Track 5: Chichester Psalms: Movement II / Bernstein CD 2 of 3 Track 1: Misa Criolla: Kyrie/Gloria/Credo / Ramirez Track 2: Misa Criolla: Sanctus / Ramirez Track 3: Misa Criolla: Agnus Dei / Ramirez Track 4: Barbara Allen / English Folk Song Track 5: Roll Jordan Roll / Spiritual Track 6: Seeing Nellie Home (Gentlemen's Choir) Track 7: St. Louis Blues CD 3 of 3 Track 1: The Choral Fantasia / Beethoven Track 2: Elegisher Gesang - Elegy / Beethoven Track 3: Hallelujah from the \"Mount of Olives\" / Beethoven\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: Pinkham Track 2: Pinkham Track 3: Pinkham Track 4: Pfautsch Track 5: Martinu Track 6: Kodaly Track 7: Mechem Track 8: Mechem Track 9: Mechem Track 10: Mechem CD 2 of 3 Track 1: Traditional French Track 2: Old English Song Track 3: French Carol Track 4: MacGimsey Track 5: Traditional English Track 6: Setting of Old Russian Chant Track 7: English Carol Track 8: Walton CD 3 of 3 Track 1: Jolley/Fehr\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Now Thank We All Our God Track 3: Sweet Little Jesus Boy Track 4: Oh! Lemuel Track 5: Clap Yo' Hands Track 6: The Patriotic Sequence\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham Track 7: Schicksalslied / Brahms Track 8: Schicksalslied / Brahms CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Sweet Little Jesus Boy/Clap Yo' Hands/Oh! Lemuel Track 3: The Patriotic Sequence Track 4: Flurry/Hymn/Alma Mater\u003c/p\u003e","\u003cp\u003eCD 1 od 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Lord Have Mercy Track 6: Unidentified Track 7: Unidentified Track 8: Schicksalslied / Brahms Track 9: Schicksalslied / Brahms CD 2 of 2 Track 1: Nursery Rhymes / Hunter (Womens Chorus) Track 2: Nursery Rhymes / Hunter (Womens Chorus) Track 3: Selections from the Music Man (Womens Chorus) Track 4: March and Chorus from \"Carmen\" / Bizet Track 5: Bridal Chorus from \"Lohengrin\" / Wagner Track 6: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 7: (Introduction of next song) Track 8: San Sereni / Puerto Rican Singing Game Track 9: (Introduction of next song) Track 10: Song of the Russian Plains / Knipper Track 11: (Introduction of next song) Track 12: Clap Yo' Hands\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Unidentified Piece Track 6: Unidentified Piece Track 7: Unidentified Piece CD 2 of 2 Track 1: Schicksalslied / Brahms Track 2: Schicksalslied / Brahms Track 3: Nursery Rhymes / Hunter (Women's Chorus) Track 4: Nursery Rhymes / Hunter (Women's Chorus) Track 5: Selections from the Music Man / Willson (Women's Chorus)\u003c/p\u003e","\u003cp\u003eTrack 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\"/ Pinkham Track 7: Schicksalslied / Brahms Track 8: San Sereni / Puerto Ricaon Singing Game Track 9: He's Got The Whole World In His Hands / Spiritual Track 10: Song of the Russian Plains / Knipper Track 11: March and Chorus from \"Carmen\" / Bizet\u003c/p\u003e","\u003cp\u003e(1 of 3 CDs) CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner\u003c/p\u003e","\u003cp\u003e(2 of 3 CDs 1 duplicate) CD 2 of 3 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 4: Valse / Toch Track 5: Go Down Death / Scott Track 6: A Jubilant Song / Dello Joio Track 7: Long Time Ago Track 8: Dem Bones / Spiritual Track 9: Song of the Russian Plains Track 10: Clap Yo' Hands / Gershwin Track 11: Flurry/Hymn/Alma Mater\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner Track 7: In the Beginning / Copland CD 2 of 3 Track 1: Te Deum for Double Choir Track 2: Horos Tou Zalongu / Greek Folk Dance Track 3: Koom Bah Yah / African Spiritual Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Valse / Toch Track 6: Go Down Death CD 3 of 3 Track 1: A Jubilant Song / Dello Joio Track 2: Long Time Ago / Hairston, Jester (Added song; not in program) Track 3: Dem Bones / Spiritual (Added song; not in program) Track 4: Song of the Russian Plains / Knipper (Added song; not in program) Track 5: Clap Yo' Hands / Gershwin (Added song; not in program) Track 6: Flurry/Hymn/Alma Mater (Added song; not in program)\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer Track 5: How Excellent Thy Name, Hallelujah from Saul / Handel Track 6: Te Deum for Double Choir / Verdi Track 7: Open Thy Heart / Bizet Track 8: Jack and Jill, Diack Track 9: Preludes to Eternity / Liszt CD 2 of 2 (Disk labeled Reel 2 of 2 contains duplicate of 1 of 2)\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: America, the Beautiful Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer CD 2 of 4 Track 1: How Excellent Thy Name, Hallelujah from Saul / Handel Track 2: Te Deum for Double Choir / Verdi Track 3: Open Thy Heart / Bizet Track 4: Jack and Jill, Diack Track 5: Preludes to Eternity / Liszt CD 3 of 4 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Valse / Toch Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Mary's Boy Child / Spiritual Track 6: Dem Bones / Spiritual CD 4 of 4 Track 1: Jubilant Song / Dello Joio Track 2: Flurry/Hymn/Alma Mater\u003c/p\u003e","\u003cp\u003eReels 1-3 (3 CDs)\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei CD 2 of 4 Track 1: Gloria / Poulenc Track 2: Der Abend/Naechtens/Zum Schluss / Brahms CD 3 of 4 Track 1: Sea Charm / Piket Track 2: Shenandoah / Traditional Chantey Track 3: Buffalo Gals / American Folk Song Track 4: It Is Good to Be Merry / Berger CD 4 of 4 Track 1: Jesus, Jesus Rest Your Head / American Carol Track 2: Sourwood Mountain / American Mountain Song Track 3: Someone's in the Kitchen with Dinah / American Folk Song Track 4: Chester / Billings Track 5: Alleluia / Old German Melody\u003c/p\u003e","\u003cp\u003eReels 1-3\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei (?) Track 6: Gloria: Gloria/Laudamus Te/Domine Deus/Domine fili unigenit / Poulenc Track 7: Gloria: Dominus Deus, Agnus Dei / Poulenc Track 8: Gloria: Qui sedes ad dexteram Patris / Poulenc CD 2 is not in the box.\u003c/p\u003e","\u003cp\u003eCD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Awake the Trumpet's Lofty Sound from Samson / Handel Track 6: We Hurry with Tired, Unfaltering Footsteps / Bach Track 7: Laetatus Sum from the Latin Bible, Psalm 121 / Porpora Track 8: Gloria: Gloria/Laudamus Te / Poulenc Track 9: Gloria: Domine Deus / Poulenc Track 10: Gloria: Domine fili Unigenite/Dominus Deus/Agnus Dei / Poulenc Track 11: Gloria: Qui sedes ad dexteram Patris / Poulenc\u003c/p\u003e","\u003cp\u003eReels 1-2 (2CDs)\u003c/p\u003e","\u003cp\u003eReels 1-2 (2 CDs)\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz Track 5: Schicksalslied / Brahms Track 6: To Saint Cecilia / Dello Joio CD 2 of 2 Track 1: Tell Me Where is Fancy Bred / Phillips Track 2: Go 'Way From My Window / Niles Track 3: Nightfall in Skye / Roberton Track 4: Great Day / arr. Martin Track 5: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart, Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 6: Sourwood Mountain / American Folksong Track 7: Bye Bye Blues / Fred Hamm, Dave Bennett, Bert Lown, and Chauncey Gray Track 8: A Mighty Fortress is Our God / Martin Luther Track 9: Lullabye / Brahms Track 10: William and Mary Hymn and Alma Mater / arr. Fehr\u003c/p\u003e","\u003cp\u003eCD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Scheutz Track 5: Cantante Domino / Hassler Track 6: My Spirit, Be Joyful from Cantata No 146 / Bach Track 7: Ave Maria / Poulenc Track 8: Pueri Hebraeorum for Double Chorus / Thompson Track 9: Schicksalslied / Brahms CD 2 of 3 Track 1: To Saint Cecilia / Dello Joio Track 2: Come Ye Sons of Art / Purcell CD 3 of 3 Track 1: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart / Foster, arr. Fehr Track 2: Songs of the Old South (continued): Long Live the Merry Heart (continued), Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 3: Pappy talking about Choir / Fehr Track 4: The Lord Bless You and Keep You; A Mighty Fortress is Our God / John Rutter; Martin Luther Track 5: Lullaby/ Brahms Track 6: William and Mary Hymn and Alma Mater / arr. Fehr\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: Pappy Talking / Fehr Track 2: Gloria Patri / Greatorex Track 3: Sicut Cervus / Palestrina Track 4: Madame Jeanette / Murray Track 5: Alleluia / Thompson CD 2 of 2 Track 1: Pappy Talking / Fehr Track 2: Alleluia / Thompson Track 3: A Mighty Fortress is Our God / arr. Mueller Track 4: Hallelujah from \"The Mount of Olives\" / Beethoven Track 5: William and Mary Hymn and Alma Mater / arr. Fehr Track 6: The Eyes of Texas / Sinclair\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Pappy talking about program line-up Track 3: Jauchzet dem Herrn / Pachabel Track 4: Misericordias Domini / Durante Track 5: Song of Praise / Scheutz Track 6: Cantante Domino / Hassler Track 7: My Spirit, Be Joyful from Cantata No 146 / Bach Track 8: Ave Maria / Poulenc Track 9: Pueri Hebraeorum for Double Chorus / Thompson Track 10: Pappy introducing To Saint Cecilia / Fehr Track 11: Intro to Saint Cecilia / Tracey Russell Track 12: To Saint Cecilia / Dello Joio CD 2 of 4 Track 1: Member of Chorus introducing two pieces Track 2: Medley of the musical Oliver Track 3: Hey Look Me over from the musical Wildcat Track 4: Songs of the Old South / Foster Track 5: Songs of the Old South, continued / Foster Track 6: Encore: Go'way from my window / Niles Track 7: Encore: Great Day / arr. Martin CD 3 of 4 Track 1: Pappy introducing Tracey Russell Track 2: Unidentified Piano Pieces / Russell Track 3: Pappy introducing the Alumni Choir Track 4: Sicut Cervuz (Alumni Choir) / Palestrina Track 5: Madame Jeanette (Alumni Choir) / Murray Track 6: Alleluia (Alumni Choir) / Thompson Track 7: A Mighty Fortress is Our God / arr. Mueller Track 8: Hallelujah from \"The Mount of Olives\" / Beethoven Track 9: Dr. Donald Truesdell, Chair of Music speaking Track 10: Agamemnon \"Aggie\" Vissos, class of 1975, chair of reunion committee CD 4 of 4 Track 1: Dennis Cogle, class of 1949, introducing Wilford Kale Track 2: Agamemnon \"Aggie Vassos, class of 1975 Track 3: For Alice Fehr We Made the Tray for You (1974 Choir) Track 4: Alice Fehr accepting the tray Track 5: Agamemnon \"Aggie\" Vassos, class of 1975 Track 6: Forsake Me Not / Ieryle Track 7: Keith Savage, class of 1975, introducing Pappy Track 8: Pappy acknowledging those involved with organizing Fehr Fest Track 9: Flurry/Hymn/Alma Mater / arr. Fehr Track 10: Agamemnon \"Aggie\" Vassos, class of 1975 Track 11: Agamemnon \"Aggie\" Vassos, class of 1975\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: Old One Hundred (Doxology) Track 2: Grace / Shelburne Track 3: Head table introductions Track 4: Tribute to Dr. Fehr by Al Haak Track 5: William and Mary President Address / Thomas A. Graves, Jr. Track 6: Pappy Fehr presenting senior awards Track 7: Unidentified female senior speaking Track 8: Next year's Choir President Address / Ann Spielman Track 9: Introduction to choir awards / Fehr CD 2 of 4 Track 1: Fehr presenting awards to choir members Track 2: Keith Savage tribute to Alice Fehr Track 3: Musical tribute to Alice Fehr based on \"America, the Beautiful\"/ arr. Fehr and choir members Track 4: Alice Fehr thanking the choir Track 5: Fehr acknowledging Kathy Moriarity, accompianist and choir officers Track 6: Keith Savage introducing officers by name and remembering 1973-1974 year Track 7: Jane Koenig's special gag awards CD 3 of 4 Track 1: Jane Koenig's special gag awards, continued Track 2: Keith Savage organizing parody of a concert Track 3: Choir singing parody/changing words of \"America the Beautiful\", \"To Saint Cecilia\" \"Happy Birthday\" for someone, \"Songs of the Old South\" medley, encores: \"Bye Bye Blues\" \"Go Away from my Window\" \"A Mighty Fortress is our Fehr\"/ soloists, Jane Koenig and Kevin Walters CD 4 of 4 Track 1: continuation of \"A Mighty Fortress is Our Fehr\" Track 2: Poem about Pappy / Anne Woolley Track 3: Gift Presentation (possibly of quilt held in SCRC) / Keith Savage Track 4: Remarks from Pappy (not mic'ed; difficult to hear) Track 5: Lord Bless You and Keep You\u003c/p\u003e","\u003cp\u003e(Choir Alumni Dennis and Jean Cogle's Daughter) CD 1 of 1 Track 1: Prenuptial Music Track 2: Prelude No 1 (We Pray Now to the Holy Spirit) / Buxtehude Track 3: Unknown Track 4: Unknown Track 5: Rhosymedre / Hymn Track 6: Unknown Track 7: Jesu, Joy of Man's Desiring / Bach Track 8: Bell Track 9: Trumpet Voluntary / Purcell Track 10: Water Music Medley / Handel Track 11: Wedding March / Wagner Various other pieces\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Ave Maria / Victoria Track 3: Hallelujah from \"The Mount of Olives\" / Beethoven Track 4: Now Thank Wel\u003c/p\u003e","\u003cp\u003eThis series contains audio cassette tapes of concerts by the William and Mary Choir from 1972-1973.\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of the Christmas Concert featuring the William and Mary Choir, with director Carl A. Fehr.\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of the Spring Tour of the William and Mary Choir, with director Carl A. Fehr.\u003c/p\u003e","\u003cp\u003eThe artifact series includes Dr. Fehr's performance attire, items used to plan stage performances, and humorous props to reinforce Dr. Fehr's disciplinary rules. This series also includes the surviving large plastic bus banner used to identify the Choir on its annual spring tour.\u003c/p\u003e","\u003cp\u003eTin Tray with Image of William and Mary Choir College Year 1954-1955. Tray measures 4.69 in. (height) x 6.625 in. (width) x 0.375 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6777 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.01.\u003c/p\u003e","\u003cp\u003eTin Tray with Image of William and Mary Choir College Year Unknown. Tray measures 4.69 in. (height) x 6.63 in. (width) x 0.38 in. (depth). In good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6778 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.02.\u003c/p\u003e","\u003cp\u003eBlack metal trivet with saying, \"WHEN YOU ARE AS GREAT AS I AM IT IS DIFFICULT TO BE HUMBLE.\" Trivet measures 4.88 in. (height) x 4.88 in. (width) x 0.38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6779 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.03.\u003c/p\u003e","\u003cp\u003eTooled leather rectangle with handle used to protect paper. 12.75 in. (length) x 9.125 in (width) x 1 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6827 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.28\u003c/p\u003e","\u003cp\u003eWooden shield-shaped plaque with brass plate and brass lyre. Plate reads: PRESENTED TO CARL A. FEHR 1945-1970 FOR OUTSTANDING WORK IN CHORAL MUSIC AT WILLIAM AND MARY Nu Sigma (Greek letters) CHAPTER Phi Mu Alpha (Greek letters) SINFONIA. Label on back: MARK'S TROPHY CENTER Hampton, Va. 11.75 in. (length) x 9.75 in. (width) x 2.5 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6828 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.29\u003c/p\u003e","\u003cp\u003eWalnut plaque with rounded cut-out corners with black plate and brass letters. Plate reads: AMERICAN CHORAL DIRECTORS ASSOCIATION in MEMORY AND APPRECIATION CARL FEHR Charter Member presented at the 1996 SOUTHERN DIVISION CONVENTION MARCH 1,1996 NORFOLK, VIRGINIA. Sticker on back: GENUINE WALNUT Barhill MADE IN THE U.S.A. 10.125 in. (length) x 8 in. (width) x .875 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6829 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.30\u003c/p\u003e","\u003cp\u003eLarge neon orange comb with jagged teeth embossed with \"Rat Fink Comb\". used in rehearsal antics. Comb measures 1.75 in. (height) x 8 in. (width) x 0.13 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6780 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.04.\u003c/p\u003e","\u003cp\u003eClear Handled Hairbrush, undated. Used in rehearsal antics. Hairbrush measures 1.13 in. (height) x 8.13 in. (width) x 1.25 in. (depth). In good condition with stained bristles. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6781 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.05.\u003c/p\u003e","\u003cp\u003eMetal proofs of medals given to students. In good condition. Images available. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6782 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.06.\u003c/p\u003e","\u003cp\u003eWig with short, curly light brown hair. Hair length approximately 2 to 4 inches. Nylon mesh cap with black tag printed with: MADE IN HONG KONG. Worn by Pappy during rehearsals to demonstrate short hair rule for men and remind members of the importance of neatness. Wig measures 4.5 in. (height) x 7.5 in. (width) x 12 in. (length). Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/3843/6231. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 4. UA2003.001.07.\u003c/p\u003e","\u003cp\u003eHand puppet of Pappy in gown with glasses, tie, and jacket. Undated. Used for entertainment. Puppet measures 11.75 in. (height) x 7 in. (width) x 2.5 in. (depth). In good condition with some soil and stains. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6791 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.08.\u003c/p\u003e","\u003cp\u003eFigure made of bent pipe cleaners with pom pom feet and felt hands and shoes. Head has long, fine orange hair and body has a sign that says, \"Keep America Beautiful, Get a Haircut!!!\" Used for decorative purposes. Doll measures 10 in. (height) x 4.5 in. (width) x 3 in. (depth). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6792 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.09.\u003c/p\u003e","\u003cp\u003eEmpty wine bottle with white, purple and grey label imprinted with, \"SLY FOX BRAND 100% PURE AMERICAN Grape Wine 14% ALCOHOL BY VOLUME BOTTLED BY VIRGINIA WINE CELLARS NORTH GARDEN, VA.\" Embossed in glass bottle, \"4/5 QUART\" Used for refreshment purposes. Bottle measures 11.25 in. (height) x 3 in. (width) x 9.88 in. (circumference). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6793. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.10.\u003c/p\u003e","\u003cp\u003eWooden paddle with Greek letters Phi, Mu, Alpha carved into wood. Signatures (front) : \"Howard L. Church, Ed Doe, Peter J. Wilhousky, Raymond, Burrows, Theodore Passaris, Arthur Kronenberger '49, Robert A. Brighton, REDER, Ernest E. Harris, Walter O. Dahlin, Robert D. Nesbitt, Charles C. Taylor, Ralph Whitworth, Howard Armstrong, George Boma, Robby Lowry, Herbert T. Norris.\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6794 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11. (back)Signatures on back: \"Harry R. Wilson, Joe Wilson, Al Pustir, Charles Raustond, Karl D. Kostoff,John C. Snowden, James Dillard, George E. Yokum, Harold B. Leelty, Frederick E. Bieler, Dan Grant, Julian (?), Howard (?) '49, George Wilcox, '49, Howard Edgar '49, Curt Drake '49, Leonard (?) '49, Bruno Laskko '49, Clarence Gander '49, Clyde (?) '49, Stephen F(?) '49, Ronald Hodges, Kenneth Schultz '49, Robert Hawkins '49, Wm Del. Wait '49,Robert H. Emery '49, James B. (?)\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6795 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11.\u003c/p\u003e","\u003cp\u003e93 Cardboard cutouts stapled onto a small wooden cube. 48 Male Figures (Black), 48 Female Figures (Black, White and Red. Used for stage arrangement. Figures measure 4 in. (height) x 1 in. (width). Heights vary slightly. In good condition some figures have been bent and repaired with Scotch tape. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6798. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.14.\u003c/p\u003e","\u003cp\u003eCardboard people cutouts on wood platform. Used for stage arrangement. In good condition with some soiled and bent figures. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6797. Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6, 7, 8. UA2003.001.13.\u003c/p\u003e","\u003cp\u003eWalnut director's baton with silver band engraved, \"CARL A. FEHR 4-25-70.\" Used for musical direction. Baton measures 20 in. (length). In good condition with some tarnish. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6796 Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.12.\u003c/p\u003e","\u003cp\u003e13.125 in. length of quarter-round moulding, painted black used for holding accompanist's sheet music. Stick measures .5 in. (height) x 20.375 in. (width) x .5 in. (depth). In good condition with some gouges and chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6806 . Gift of Thomas terry, Class of 1974. Located in the Carl Fehr Papers UA Series 16, Box 6. UA2003.001.17.\u003c/p\u003e","\u003cp\u003eCut to a point on one end and to a wedge on another. Stamped in red ink with a property label: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185. Used for propping grand piano's wing (lid) in order to keep it lower and improve accompanist's sight. Known as \"the short stick.\" Prop measures 13.125 in. (height) x .75 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6807. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.18\u003c/p\u003e","\u003cp\u003eBlocks for simulating risers in order to aid in stage layout. 68 small, unfinished cube-shaped blocks used as bases for cardboard figures. 26 Brown and 12 Black blocks for simulating or propping up model risers. Produced for Dr. Fehr by Tom Madsen. Blocks measure68 UNFINISHED 1 x 1 x .375 AND .625 (length) x .625 (width) x.75 (depth); 15 BROWN 3.125 in. (length) x 1.5 in. (width) x .5 (depth); 5 BROWN 3.75 (length) x 1.375 (width)x 1 (depth); 6 BROWN 3.125 (length) x 1.5 (width) x 1.5 (depth); 6 BLACK 3.375 in. (length) 1 in. (width) x .5 in. (depth); 4 BLACK 3 in. (lenght) x 1 in. (width) x 1 in. (depth); 2 BLACK 3.125 in. (length) x 1.5 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6799. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Series 15, Box 7.UA2003.001.15.\u003c/p\u003e","\u003cp\u003eBlocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced for Dr. Fehr by Tom Madsen. Used for stage arrangement. Blocks measure 6 BLACK 2.375 in (length) x 4.375 in. (width) x 1.5 (depth); 4 GRAY 4.5 in. (length) x 3 in. (width) x 1.5 in. (depth). Blocks in good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6800 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.16.\u003c/p\u003e","\u003cp\u003e14 Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced fo Dr. Fehr by Tom Madsen. Used in stage arrangements. Blocks measure 8 BROWN 3.25 in. (length) x 4.375 in. (width) x 1.5 in. (depth); 6 WHITE 3.25 in (lenth) x 4.375 in. (width) x 1.5 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6801 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.27.\u003c/p\u003e","\u003cp\u003e5 Four of the shirts are size 32 and one is a size 30. The names Lynn Irvin (Lynne Ellen Irvin, BS '75) and Kandice Kahl (Kandice E. Kahl, BS '73) are legible on the inside collar of two of the shirts; the other names are illegible. Ruffled Collar and cuffs, pearlized buttons. Full length sleeves. Used as costume. Shirts measure 24 in. (length) x 15 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6811 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA 6.017), Box 9. UA2003.001.20.\u003c/p\u003e","\u003cp\u003eScope and Contents Men's dress shirt, 15.5\" Collar 34\" Sleeve. Shirt buttoned up with two buttons in back. Removable-style collar (not attached). Stamp on front of shirt reading \"10 55 4907 32 I 152 34 ALL COTTON WPL 8489\" and a union stamp. Used as costume. Shirt measures 18 in. x 32 in. (width). In fair condition with some soil and stains. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6809 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6810 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 9. UA2003.001.19.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir vinyl banner. One of two banners put on Greyhound buses for Choir tours. \"THE WILLIAM AND MARY CHOIR\" in hand-painted red, while \"WILLIAMSBURG, VA\" followed in black. Banner was duct-taped to bus. 22 in. (width) x 216 in. (height). Back of banner features star pattern. In fair condition, with paint chips missing from several letters, visible wrinkling, and minor patched tears. A hole was cut from the bottom of the banner to fit over the rear wheel of the bus, which measures 32 in. (width) and 4.5 in (height). Gift of Thomas Terry, Class of 1974. Located in the Carl A. Fehr Papers (UA6.017) Series 15, Box 10. UA 2003.001.38\u003c/p\u003e","\u003cp\u003e\"Manufactured by the Capital Flag Company, Austin, Texas\" imprinted on the binding. Red, white, blue state flag of Texas. Two grommets for hanging. Texas was Pappy's home state. 35 1/2 in. (width) x 22 1/2 in. (height). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6830 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017) Series 15, Box 11. UA2003.001.32\u003c/p\u003e","\u003cp\u003eBlack morning jacket. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6835 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12. UA2003.001.34\u003c/p\u003e","\u003cp\u003eTwo items: Dark blue tuxedo jacket with satin lapels (UA2003.001.33a) and dark blue tuxedo trousers with satin leg stripes (UA2003.001.33b). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6833 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6832 . Image of trousers http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6834 . Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12.\u003c/p\u003e","\u003cp\u003eCarl A. \"Pappy\" Fehr's Mortarboard cap. Part of his academic Regalia. Black and green velvet. Size 7. Used for academic regalia. Mortarboard measures 9.5 in. (length) x 9.5 in.(width). In fair condition, somewhat bent at the edges. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6815 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.24.\u003c/p\u003e","\u003cp\u003eCotrell \u0026amp; Leonard brand. \"CAF\" embroidered in collar. Black polyester and velvet. Used for academic regalia. In fair condition however it is frayed and faded with seams coming apart in some places. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6816 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Box 13. UA2003.001.25.\u003c/p\u003e","\u003cp\u003eBowtie used for Academic Regalia. Bowtie measures 12.75 in. (length) x 3.25 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6817 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.26.\u003c/p\u003e","\u003cp\u003eOff-white tuxedo shirt; Arrow brand, \"New Nassau\" style. 15 1/2 x 33 collar. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6836. Gift of Thomas Terry, Class of 1974. Located in Carol Fehr Papers (UA6.017), Series 15, Box 14. UA2003.001.35\u003c/p\u003e","\u003cp\u003eBlack tuxedo trousers with satin leg stripes. \"Genuine Tropical 'North Cool'\" Includes identification numbers, three sets: C16679 X5784  2835. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6837 . http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6838 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.36\u003c/p\u003e","\u003cp\u003eStriped charcoal gray and black morning trousers. Image avalible at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6839, http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6840 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.37\u003c/p\u003e","\u003cp\u003eScope and Contents Exotica-brand men's tuxedo shirt, 15 1/2\" Collar 33\" Sleeves. Wing Collar. Stains on right and left shoulders. Used as costume. Shirt measures 32.5 in. (length) x 17 in. (width). In fair condition with some soil and stains.  Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6812 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.21.\u003c/p\u003e","\u003cp\u003eOne black cardboard cutout replica of a grand piano that was used by Carl A. \"Pappy\" Fehr, director of the William and Mary Choir, to help design how the choir would appear on stage. The piano was painted black and there are three legs, with each leg glued to to the main body of the piano. Piano measures 4in. x 6 3/4 in. The piano is in fair condition with some chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6802 It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.479.01.\u003c/p\u003e","\u003cp\u003eOne paper drawing depicting Carl A. \"Pappy\" Fehr, with a baton in his right hand, directing the William and Mary Choirs. The figure is attached to a wooden block and held together by a staple. Dr. Fehr is featured in a black tuxedo. The figure was used by Dr. Fehr to help design how the choir would appear on stage during performances. Figure measures 3/4in. x 2 3/4 in. Stand is 3/4in. x .5in The figure is in good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6803. http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6804 . It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.480.01.\u003c/p\u003e","\u003cp\u003eOne wooden ink stamp that was used by the Women's Glee Club at the College of William and Mary. The stamp once belonged to Carl A. \"Pappy\" Fehr, director of the William and Mary Choirs.The top half of the stamp features a black handle made of wood with the word \"Front\" written in white. The bottom half of the stamp is made of wood with a metal nameplate attached to the wood. There is a yellow piece of paper with \"WOMEN'S GLEE CLUB\" written in black that is placed in the nameplate. Stamp measures 2 3/4in. x 2 5/8 in. The stamp is in fair condition with some rust and a bent top border for the nameplate. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6808 . It was donated by Thomas Terry, Class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.481.01.\u003c/p\u003e","\u003cp\u003eOne vial containing some soil that was taken from the ground in Austin, Texas by Carl A. \"Pappy\" Fehr while the William and Mary Choir was at a performance there. There is a piece of tape wrapped around the vial with \"Sacred Soil from Austin, Texas\" written across it in red and black ink.. Vial measures 3 in. (length) x 1 in. (width). The vial is in good condition but the label is starting to fade. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6805. Gift of Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.482.1.\u003c/p\u003e","\u003cp\u003eRubber stamp with wooden handle and stamped sample as lable. Stamp reads: THE WILLIAM AND MARY CHORUS WILLIAMSBURG, VIRGINIA (treble clef) . Handle imprinted with RAY BROWN WILLIAMSBURG, VA. Used for office purposes. Stamp measures 3.125 in (length) x 2 in. (width) x 1.125 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6823 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.1.\u003c/p\u003e","\u003cp\u003eSmall rubber stamp with wooden round wooden handle. Rubber reads in script: Library of Carl A. Fehr. Used for office purposes. Stamp measures 3 (length) x1.5 in. (width) x.75 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6825 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.6.\u003c/p\u003e","\u003cp\u003eRubber stamp with wooden handle and stamped label. Rubber stamp reads: \" W \u0026amp;M Alumni CHOIR REUNION JUNE 10-12, 1983.\" Measures 2.5 in. (length) x 2.125 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6822 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.5.\u003c/p\u003e","\u003cp\u003eRubber stamp with wooden handle and stamped label. Rubber stamp reads: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185 with large eighth note. Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.25 (length) x1.875 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6826.Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.2.\u003c/p\u003e","\u003cp\u003eRubber stamp with wooden handle and stamped lable. Stamp reads: VIA AIR MAIL. Handle imprinted with SOSSCO AT RICHMOND, VA. Measures 2.875 (length) x1.875 (width) x.625 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6824 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.9.\u003c/p\u003e","\u003cp\u003eRubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA 23185 Handle reads: SOSSCO AT RICHMOND, VA. Measures 3in. (length) x3in.(width)x1in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6818. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.3.\u003c/p\u003e","\u003cp\u003eRubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.125in.(length)x2.5in.(width)x1in.(depth). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6821 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.4.\u003c/p\u003e","\u003cp\u003eSmall rubber stamp with wooden handle. Rubber reads: CARL A. FEHR. Measures 1.5in.(length)x1in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6820 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.7.\u003c/p\u003e","\u003cp\u003eSmall rubber stamp with wooden handle. Rubber reads: \"FEHR\" Measures 1.5in.(length)x.5in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6819 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.8.\u003c/p\u003e","\u003cp\u003eScope and Contents Cotton patchwork quilt with 72 signature panels, each with an embroidered signature of a student in the 1973-1974 Choir. Each student embroidered their own signature or obtained help if less skilled in needlework. Signature blocks use 5 different fabric patterns: orange floral, light blue floral, medium blue floral, yellow solid, and green solid. Center green block embroidered in light yellow \"College of William \u0026amp; Mary\" in a circle around an embroidered gold eighth note with \"the choir\" embroidered in green over top. Lower right corner green panel has \"to Pappy from the Choir 1973-74\" embroidered in light green, gold, and light yellow. Backed with a pink and purple floral cream cotton cloth. Ann Spielman Woolley (Class of 1974) organized the project and created quilt, using a sewing machine on top of a box because she did not have a sewing table. Quilt measures 53.125\" (width) x 65\" (height)  x .75\" (depth). Excellent condition. Gift of Mark and Ann Woolley. UA 2008.008.01\u003c/p\u003e","\u003cp\u003eWatercolor of the choir standing on the yard-side (East side) steps of the Wren building. The glass covering the painting reads \"Carl A. Fehr\" and was taken from Dr. Fehr's office window. Painting covered in wax paper to make image clearer (according to Tom Terry). Green matting and light-colored wooden frame. Window measures 25.5 in (length) x 15.5 in (width). In fair condition with some bubbling of the wax paper. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6813. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA2003.001.22.\u003c/p\u003e","\u003cp\u003ePortrait of Carl A. \"Pappy\" Fehr in blue mononchrome (medium uncertain) on canvas. Silver-painted, wooden frame. Ann Chancellor created the portrait, with Fehr in concert as the choir director. Portrait was presented to Fehr on April 1, 1970 to commemorate his 25th anniversary of leading the choir. Back of frame signed in pencil, \"To Pappy Fehr from T. Thorne 1970.\" See page 8 of Fehr's 25th Anniversary scrapbook for more about the portrait presentation. Portrait measures 36 in. (length) x 28.5 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6814 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers. UA 2003.001.23\u003c/p\u003e","\u003cp\u003eChoir and Chorus postcards presented by Carl Fehr in 1992. Wooden frame. Collection titled and inscribed on top: \"The William and Mary Choir and Chorus 1954-1974. 'The Choir was our image maker in song that inspired so many on campus, throughout Virginia, and states beyond - all under the direction of the beloved Dr. Carl A. (Pappy) Fehr.' President Davis Y. Pascall.\" Hand written on back: Karen McCluney 11/92 S Dan Olson Nov. 92. According to Tom Terry '74, \"Pappy had these postcards made from the official choir pictures, and he used them for promotional things, They were in the letters that he would send to the freshmen, welcoming them to the College, He used them for publicity when we would go on tour, sending them to, say, churches ahead of our arrival for promotional purposes. His wife worked for a company here in Williamsburg that made poostcards. ...Maybe Miller Photography, I'm not sure of the company name. Pappy had boxes and boxes of these. I have boxes and boxes of these. He went through them after he retired; went through and gave a wad of them to the Alumni Association. At the Alumni House they made one of these to put on their wall, and then they made one also for Pappy, So there shoud be one of these also in the Alumni House.\" 37.125 in. (height) x 25.25 in. (width) x .75 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6831 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Oversize. UA 2003.001.31\u003c/p\u003e","\u003cp\u003eThe series contains scrapbooks compiled by choral members documenting their annual activities and special events (1945-1983), as well as a leather-bound compilation of choral member testimonials to Dr. Fehr on his retirement from William and Mary inscribed \"To Pappy from his Children.\"\u003c/p\u003e","\u003cp\u003eW \u0026amp; M Choir Scrapbook primarily newspaper articles about The Choir and The Common Glory.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings."," Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. ","This series includes concert programs representing Dr. Fehr's directorship of William \u0026 Mary's choral program; The Common Glory and The Founders outdoor summer pageants; and the Williamsburg Baptist Church choir. The series includes William \u0026 Mary choral programs of the regular academic year, as well as programs for special event and guest performances. In addition to correspondence and other records pertaining to choral media performances, the series also includes an inventory of concert programs tape recorded between 1949 and 1973.","The Choral Program Statements series consists of Dr. Fehr's formal and informal statements of the place of a choral program in a liberal arts college; standards governing choral member selection, appearance, and conduct; and admittance and dismissal procedures, as well as Dr. Fehr's communications on these matters with choral members and others.","This series contains materials on Dr. Fehr's professional management of the choral program, including his directorial and production notes, a concert planning notebook, and his reflections on concert program logistics, as well as a series of blueprints for staging concert performances. The series also contains student applications, auditions, rehearsal schedules, and concert tickets lists for special guests, as well as documents pertaining to choral business matters.","This series includes choral records such as choir and chorus rosters and directories and a series of spring choir tour journals.","This series documents Choir/Chorus activities, such as the annual Choir banquet. It includes Choir/Chorus communications, such as bulletins and Choir alumni newsletters. Also included are special choral events including the \"Fehr-well Fest,\" the concert celebrating Dr. Fehr's retirement, materials related to the celebration of the Fehrs' 50th wedding anniversary, the 1965 World's Fair concert, and Staying Connected: The Carl Fehr Project, an event organized to bring Choir alumni together to rehouse the Carl A. \"Pappy\" Fehr Papers.","This series includes Choir/Chorus publicity and promotional materials including brochures, posters, postcards, and magazine articles featuring Dr. Fehr and the choral program.","One poster used by the choir that says \"Don't Worry if it Sounds Bad: It's Contemporary.\"","This series includes Music Department documents collected over the course of Dr. Fehr's faculty appointment. The series also includes information on the department's history, Dr. Fehr's instructional materials, class schedules and exams, as well as documentation of the student assistant program and the Fehr Music Scholarship program. The series also includes Dr. Fehr's philosophy of teaching and his policy on classroom discipline, as well as his documents on music theory and practice.","This series includes Dr. Fehr's professional qualifications and performance evaluations, employment applications, awards and honors, academic records, and a copy of his Ph.D. dissertation. Also includes is biographical material including an oral history interview conducted with Dr. Fehr by the College of William and Mary in 1975-1976. The series includes some material from his Texas years as well.","Scope and Contents Certificate of Membership in American Choral Directors Association Wisdom Award of Honor Conferred on Dr. Carl A. Fehr by The Wisdom Society, 1970 Alice Knippa Fehr's Certificate of Baptism Carl A. Fehr's Certificate of Baptism, 1907 Austin High School Diploma, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, 1928 Masters of Arts Diploma, University of Texas, 1930 Austin High School Diploma, Carl A. Fehr Columbia University Doctor of Education Diploma, Carl A. Fehr, December 1950 Concordia Teachers College Diploma, Carl A. Fehr, 1931 Certificate of appreciation to Carl A. Fehr from the Williamsburg Baptist Church, May 1968 (mounted) Certificate of appreciation to Carl A. Fehr, Two Thousand Men of Achievement diploma, London, February 1973 Certificate of merit from the Dictionary of International Biography, vol. ix, August 1972 Certificate of appreciation, Virginia State Bar, May 1959 Black and white sketch of Dr. Carl A. Fehr adapted from a photograph, 1960s Water color sketch of Dr. Carl A. Fehr in a clown suit, 1960s Choir and Chorus formal document of congratulations to Dr. Carl A. Fehr for excellence in directing the choral program, 1945-1970","This is a series of news clippings focusing on Dr. Fehr's career, William and Mary choral members, concert publicity, and critical reviews.","This series is composed of collected sheet music organized by type and including a variety of sheet music. Box 2 holds organ studies and organ anthologies; Box 3 and 4 are entirely organ anthologies; Box 5-7 holds organ sheet music; Box 7-9 holds vocal music; Box 10 includes Christmas Choral Programs as well as religious, secular, and hand-copied music; Box 11 holds correspondence, concert programs, and Christmas music; Boxes 12-17 include a variety of music related to William and Mary, Christmas, The Common Glory, and many others.","Instrumental Parts Accompaniments Correspondence and Publications","This series includes Dr. Fehr's collection of published materials related to areas of personal interest other than music, such as technology topics and a collection of William and Mary student body literature dating from the 1960s and 1970s.","The correspondence series dates from the years of Dr. Fehr's career at William and Mary (1945-1974) as well as his retirement years. Included in the series is William and Mary interdepartmental correspondence, colleague correspondence, correspondence with choral members, parties outside the university community, and other correspondents.","The photographs series visually documents the College of William and Mary choral program from 1945 through 1974, as well as alumni choral events during Dr. Fehr's retirement years. The series documents separately The Common Glory program, the William and Mary choral program by decade, portraits of Dr. Fehr, family and friends (1920s-1980s), and Dr. Fehr's career with the public school system in Austin, Texas. In addition to color and black and white photographs, a small number of color slides and photographic negatives can also be found in this series. Note that each photograph was given an individual number that begins with the letters \"FP.\"","Pasted onto the back of this mounting is a black and white picture of an unidentified young woman","The Common Glory Choir at The Governor's Palace in Colonial Williamsburg","The Common Glory Choir at The Governor's Palace in Colonial Williamsburg","There are two copies of this item.","William and Mary Choir in the Chapel in the Wren Building","William and Mary Choir in the Chapel in the Wren Building","William and Mary Choir in robes, W. Warren Sprouse, Director","William and Mary Choir in performance","William and Mary Choir, Wren Building (possible duplicate)","Virginia All East Chorus, Highland Springs, Virginia","Colored photo of William and Mary Choir in formal attire in Wren Building, with Dr. Fehr","William and Mary Choir in performance, with Dr. Fehr","William and Mary Choir, with Dr. Fehr","Color Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams","Black \u0026 White Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams","Black \u0026 White Photo of the William and Mary Choir, 1960-1961. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1960. Photographer - Thomas L. Williams. Possible duplicate","Color Photo of the William and Mary Choir, 1961. Photographer - Thomas L. Williams, '61","Color Photo of the William and Mary Choir, 1962. Photographer - Thomas L. Williams. '62","Color Photo of the William and Mary Choir, 1962-1963. Photographer - Thomas L. Williams","Black and White Photo of the William and Mary Choir with Dr. Fehr 1962","Color Photo of the William and Mary Chorus, 1962-1963. Photographer - Thomas L. Williams","Color Photo of the William and Mary Chorus, 1963-1964. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1963. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1963-1964. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams","Black and White Photo of the William and Mary Chorus, 1964-1965. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1965-1966. Photographer - Thomas L. Williams; duplicate copy available","Color Photo of the William and Mary Choir on Virginia Day at the World's Fair in Queens, New York, May 13, 1965.","Color Photo of the William and Mary Chorus, 1965-1966. Photographer - Thomas L. Williams Duplicate copy available","Color Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Duplicate copy included","Color Photo of the William and Mary Chorus, 1966-1967. Photographer - Thomas L. Williams Higher quality available in FP 236","Color Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Higher quality than similar shot in FP 220.2","Color Photo of the William and Mary Chorus, 1967-1968. Photographer - Thomas L. Williams Duplicate included","Color Photo of the William and Mary Choir, 1967-1968. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams. Photo taken in Sunken Garden. multiple duplicates available including black and white 8x10","Color Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams Duplicate included","Color Photo of the William and Mary Chorus, 1969-1970. Photographer - Thomas L. Williams","The William and Mary Choir in formal attire at the Wren Building, with Dr. Fehr, 1969-1970; Photographer: Thomas L Williams Duplicate Included","William and Mary Chorus in formal attire, with Dr. Fehr. Photographer: Thomas L Williams","William and Mary Chorus in formal attire, with Dr. Fehr. 1969 - 1970. Photographer: Thomas L. Williams.","Black and White photo of  the William and Mary Choir in formal attire in Wren Building, with Dr. Fehr, 1960s","The William and Mary Choir with Dr. Fehr at the Wren Building, 1969-1970. Photographer: Thomas L. Williams.","Color photo of the William and Mary Choir with Dr. Fehr in front of Jefferson Hall, 1970-1971. Photographer: Thomas L. Williams","The William and Mary Chorus in formal attire on campus with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Chorus in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire in front of Swem with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","The William and Mary Chorus in formal attire in front of the Wren Building with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","The Charter Day Convocation and Parents Day, Saturday February 13, 1971. Rector Ernest Goodrich, Chancellor Professor W. Melville Jones, Dr. Fehr and President Davis Y. Paschall, February 13, 1971 Duplicate Included.","The William and Mary Choir in formal attire by the sundial in front of the Swem Library, with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","William and Mary Chorus in formal attire in front of Swem Library, 1972-1973 (color, matted with caption); Photographer: Thomas L Williams. Duplicate noted on back.","One color photograph of the William and Mary Choir on tour at the party of a William and Mary alum in April 1973. Some of the students identified include Tom Terry, Cabot Wade, and Keith Savage. An envelope identifying some of the people in the photograph is included.","William and Mary Chorus in formal attire in front of The Wren Building with Dr. Fehr, 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Black and white copy and duplicate included.","William and Mary Chorus in formal attire 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Duplicate included","William and Mary Choir in formal attire in front of Swem Library with Dr. Fehr, 1970's (black and white on board.)","The William and Mary Choir in performance, 1970s (Black and white on paper.","Black and white photo of Dr. Fehr conducting a vocal performance, 1970s.","Black and white photo of Dr. Fehr directing a vocal performance, 1970s.","The William and Mary Choir in performance, 1970s.","The William and Mary Choir in performance, 1970's. Black and White.","The William and Mary Choral Group in rehearsal directed by Dr. Fehr, 1970s.","Black and white photo of Dr. Fehr directing the William and mary Choral Group in rehearsal, 1970s.","The William and Mary Choir rehearsing, with Dr. Fehr (center, back riser) 1970s","William and Mary Choral Group members rehearsing at the piano, 1970s","Black and White photo of Carl A. Fehr with William and Mary Chorus","Dr. Fehr with the Alumni Choir in performance, 1983; color photo","Austin High School Glee Club in Candlelight performance, Christmas 1944","Scope and Contents The William and Mary Male Musical Group with string instruments, 1901. Handwritten notations on back \" Front Row - (left to right) Elizabeth Tyler Miller- 1. Alfred Hart Miler (Capt. MLH) College of William and Mary Williamsburg Virginia, 1901 2. ? 3. John Arthur Hundley ( an irristible wanderer) 4. ? 5. \"Shorty\" Corbett Back Row 6. J.M. Dummoriut ( Dairy Farms) 7. Marvin Burton (Dentist) 8. George Joluison 9. Oscar Shumaker 10. Abraham B. Marchiant 11. E. Stanley Brinkley (Superintendent of Norfolk Schools) 12. J. W. Gossman","The Common Glory Choir in the Roal Theater","The Common Glory Choir cast memeber Barbara Blum 1951","The Common Glory Choir cast memebrs : Suzanne Roberts, Frances Amon, Barbara Blum, Lillian Baker \u0026 Shirley Thompson","The Common Glory Choir in June 1954. Photographer: Jack White","The Common Glory Choir in 1954; Sticker on back \"The Common Glory Williamsburg Va.\" James Mays.","Photographer: Douglas B. Green II","Photographer: Jack White","The Common Glory \"Wagon\" Summer 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026 Mary, Williamsburg, VA.","The Common Glory Choir \"Wagon\" 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026 Mary, Williamsburg, VA.","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","Color photo of the Common Glory Choir from the 1950s in Colonial dress.","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s in Colonial Williamsburg.","The Common Glory Choir (developed June 22, 1957) duplicate included","The Common Glory Choir (developed June 22 1957) duplicate included","The Common Glory Choir ( Developed June 22, 1957) duplicate included","Official Photograph of The Common Glory Choir in Colonial Dress; Photographer Jack White.","The Common Glory Choir in Colonial dress from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s in Colonial dress. Photographer: Douglas B. Green II","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; Colonial Dress.  Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","Dr. Fehr with Common Glory Choir cast members from the 1950s.","duplicate included","The Common Glory Choir from the 1950s; assembled in \"C G \" formation. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","The Common Glory Choir in the Summer of 1967. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","The Common Glory Choir in Colonial Dress. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","A reproduction of  a sketch of the Common Glory Choir; undated. Signed by H. Day.","Black and White photograph of the College Mace; presented to William and Mary by alumni and students on February 8, 1923. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 Stamped by the NEWS BUREAU College of William and Mary, Williamsburg, Virginia","The William and Mary Choir, Spring 1946; 1945-1946 School Year. Photographer: Von Dubell Studio Williamsburg, Virginia","The William and Mary Choir, Graduation","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1940s","The William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA","The William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA","The William and Mary Choir Spring 1946. Von Dubell Studios Williamsburg, VA","The William and Mary Choir in the Wren Chapel 1946. Von Dubell Studios Williamsburg, VA","Note on back dated May 15, 1947, from Marilyn. \"To my favorite pappy - next to my own. Thanks for such an enjoyable year. Don't forget that Austin and San Antonio aren't too far apart. Good luck this summer -\"","marked as a duplicate; large version in Box #1","Teachers College Chorus, Columbia University, Fall 1949. Photo by Elvira Kohl.","The William and Mary Choir with Dr. Fehr and a costumed musician. Photographer: Colonial Williasmburg Photograph by Thomas L. Williams.","The Library on the right and flanking it Rogers Hall and the Marshall-Wythe Building. Von Dubell Studios, Williamsburg, VA","Marked as William and Mary cover. Von Stubell Studio, Williamsburg, Va","The Brafferton Building on the campus of William and Mary. Thomas L. Williams, Colonial Williamsburg; Williamsburg, Virginia","The William and Mary Choir in the balcony of the Wren Chapel, 1940s. Von Stubell Studio, Williamsburg, VA.","A side view of the William and Mary Choir in the Wren Chapel. Photo Service, 207 Griffin Ave. Williamsburg, Va.","The William and Mary Choir in performance with Dr, Fehr","The William and Mary Concert Choir; From the studio of Douglas B. Greeen II; 761 Scotland Street; Williamsbrug, Virginia","The William and Mary Choir in the Wren Chapel; Von Dubell Stdios, Williamsburg, VA","The William and Mary Choir in the Wren Chapel; front and side view","The William and Mary Girls Chorus in formal attire","The William and Mary Choir, Carl A. Fehr, Director","The William and Mary Choir in the Wren Chapel; W. Warren Sprouse, Director, 1950","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance; From the studio of Douglas B. Green II; 781 Scotland Street; Williamsburg, Virginia","Thw William and Mary Choir in rehearsal","Autographed picture of Anne with note. \" Pappy - Thanks so much for all that you have done for me.\"","Note on back \" To the \"sweetest\" Pappy with thanks for everything. Much Love.\" Jackie (Jones) Myers. June 1952","Fifth Annual Virginia All-West Chorus; Martinsville, Virginia. Remsen Studios, Box 296, Martinsville, Virginia","The William and Mary Choir in formal attire","The William and Mary Choir in the Wren Chapel","The Wiliam and Mary Chorus in formal attire","The William and Mary Choir in the Wren Chapel","The William and Mary Choir in formal attire in the Wren Building. Jack White, 316 Monroe Hall, College of William and Mary, Williamsburg, VA","The William and Mary Choir in formal attire","The William and Mary Choir in front of the Wren Building for the Marshall-Wythe-Blackstrong Celebration","The William and Mary Choir in formal attire with Dr. Fehr duplicate included","The William and Mary Choir in Formal Attire in the Spring of 1954 duplicate included","The William and Mary Choir in Formal Attire in the Wren Chapel, 1955","The William and Mary Choir , Christmas Concert, 1955","News Bureau release: Scholars - At the College of William and Mary in Virginia where Phi Beta Kappa was founded, new initiates of the honorary scholastic society pause on the steps of the College's Phi Beta Kappa Hall for a chat with John C. Kerby-Miller (left) of Newport News, an alumnus of the University of California. Among the 13 William and Mary students who were initiated during the Spring ceremonies were (left to right) Robert Gilliland Forrest of Norfolk, Virginia; Jane Courtney Kesler of Virginia Beach, Virginia; Robert Wallace Stevens of Norfolk, Virginia; and Mary Ann Lyman of Longmeadow, Massachusetts. duplicate included","The William and Mary Choir in Formal Attire","The William and Mary Choir in the Wren Building with Dr. Fehr in the Spring of 1954","The William and Mary Choir in Formal Attire with Dr. Fehr, 1956-57","The William and Mary Choir in Concert in the Wren Building duplicate included","The William and Mary Choir in Formal Procession on campus","The William and Mary Choir performing at a special ceremony","The William and Mary Choir performing with Dr. Fehr","The William and Mary Choir performing with Dr. Fehr","Choral Performance at the Yorktown Celebration","The William and Mary Choir rehearsing with dr. Fehr in a wooded area on campus","The William and Mary Choir in rehearsal","The William and Mary Choir in a Candlelight performance with Dr. Fehr duplicate included","The William and Mary Choir in performance directed by Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir inperformance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir iChristmas Party with Dr. Fehr (front left, standing)","The William and Mary Choir during the Boston Trip; photo by Saunders Miller","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with dr. Fehr; photo by Saunders Miller","The William and Mary Chorus in Performance","The William and Mary Choir in performance, Christmas","The William and Mary Choir in performance with Dr. Fehr in the Spring of 1959","The William and Mary Choir in performance with Dr. Fehr in the Spring of 1959","The William and Mary Choir in performance","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in Graduation Procession","William and Mary Graduation Ceremony","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. duplicate in smaller size","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr","The William and Mary Choir with Dr. Fehr","The William and Mary Choir with Dr. Fehr. Photographer Thomas L. Williams","The William and Mary Choir in Candlelight Performance. Photograoher Charles G. Kagey, Colonial Williamsburg","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance. Photographer- Peter Vance Clark","The William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark","The William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","The William and Mary Choir in Formal Attire","The William and Mary Choir on Spring Choir Tour; Photo by Saunders Miller.","The William and Mary Choir Spring Choir Tour","The William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.","The William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.","The William and Mary Choir on Spring Tour","The William and Mary Choir on Spring Tour","The William and Mary Choir on Spring Tour","The William and Mary Choir on tour. Photo by Saunders Miller.","The William and Mary Choir on tour. Photo by Saunders Miller.","The William and Mary Choir rehearsing. Photo by Saunders Miller.","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","William and Mary Choir members on Spring Tour, in rehearsal. Photo by Jack White.","William and Mary Choir on Spring Tour, in rehearsal with Dr. Fehr. duplicate included","William and Mary Choir with Dr. Fehr","William and Mary Choir in formal attire in the Wren Building with Dr. Fehr","William and Mary Choir directed by Dr. Fehr in the Wren Chapel","William and Mary Choir in formal attire in the Wren Chapel with Dr. Fehr","William and Mary Choir in the Wren Building with Dr. Fehr","William and Mary Choir in formal attire with Dr. Fehr in the Wren Building duplicate included","William and Mary Choir with Dr. Fehr in the Wren Building","William and Mary Choir in performance in the Wren Building","Scope and Contents William and Mary Choir in formal attire in the Wren Building noted as \"duplicate\"","William and Mary Choir in formal attire","William and Mary Choir in rehearsals. Official Photograph , The Common Glory","William and Mary Choir in rehearsals with Dr. Fehr","William and Mary Choir in rehearsal with Dr. Fehr","William and Mary Choir members behind the scenes","William and Mary Choir members behind the scene","The William and Mary Choir members building sets. Photo by Saunders Miller","William and Mary Choir members building sets. Photo by Saunders Miller","William and Mary Choir in rehearsal","Dr. Fehr rehearsing the William and Mary Choir","The William and Mary Choir rehearsing with Dr. Fehr before a performance","The William and Mary Choir rehearsing with Dr. Fehr before a performance","Dr. Fehr opening a gift from the William and Mary Choir before a performance","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir in Performance","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir in formal attire with Dr. Fehr duplicate included","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir members (women) at exterior of back of Wren Building duplicate included","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir performing, directed by Dr. Fehr","The William and Mary Choir performing, directed by Dr. Fehr duplicate included","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance, directed by Dr. Fehr","Dr. Fehr directing the William and Mary Choir during a recording session. Photo by Saunders Miller","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance, directed by Dr. Fehr. Photo by Peter Vance Clark","The William and Mary Choir in performance, directed by Dr. Fehr.","The William and Mary Choir in performance directed by Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in candlelight performance .","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Chorus Christmas Concert with Dr. Fehr directing.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Chorus informal attire.","The William and Mary Chorus in formal attire with Dr. Fehr. duplicate included","The William and Mary Chorus in formal attire Dr. Fehr. duplicate included","The William and Mary Choir in formal attire","The William and Mary Chorus in formal attire. duplicate included","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance duplicate included","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark","The William and Mary Choir in Christmas performance","The William and Mary Choir in performance in Wren Choir Loft. Photo by Von Dubell Studio.","The William and Mary Choir in performance","The William and Mary Choir in performance in Wren Building","William and Mary Graduation in Wren Courtyard","The William and Mary Choir in formal attire with Dr. Fehr in the Wren Building.","The William and Mary Choir with Dr. Fehr in the Wren chapel","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Chorus in formal attire with Dr. Fehr","The William and Mary Chorus in formal attire with Dr. Fehr in the Wren Chapel; photograph by Jack White duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr in the Wren Building. Photograph by Jack White. duplicate included","The William and Mary Choir waiting to perform","The William and Mary Choir in candlelight performance in the Wren Building","The William and Mary Choir in candlelight performance in the Wren Building","The William and Mary Choir in candlelight performance in the Wren Building duplicate included","The William and Mary Choir in performance in the Wren Building. Photograph by Photo Service.","The William and Mary Choir in performance in the Wren Building duplicate included","The William and Mary Chorus in the Wren Building","The William and Mary Choir in Christmas candlelight performance in the Wren Building","The William and Mary Chorus in the Wren Building","The William and Mary Chorus in the Wren Building. Noteation on Back: \"The Chorus (number two of two)\"","The William and Mary Chorus in the Wren Building","The William and Mary Choir-male members only- in formal attire","The William and Mary Choir in formal attire.","The William and Mary Choir in candlelight performance","The William and Mary Choir in candlelight performance","Scope and Contents The William and Mary Choir in candlelight performance; select ensemble to be featured in \"Laudate Dominum\" by Mozart","The William and Mary Choir in performance with Dr. Fehr","Anne Myers, Statesville, N.C. Soloist in \"hear Ye, Israel, \" Mendelssohn.","Joan Roger. La Follette, Tenn. Soloist in \"Let Us Break Bread Togerther.\" Second photo - full length, not duplicate but same information","William and Mary formal ceremony at the Wren Building","New York, New York","View of a burning building on the Campus of the College of William and Mary; possibly the fire in Phi Beta Kappa Hall in 1952","Ceremony at Phi Beta Kappa Hall on the College of William and Mary. Photographer: Thomas L. Williams","The rebuilt Phi Beta Kappa Hall on the campus of the College of William and Mary. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, in performance in the Wren Building.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Girls Chorus with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in Christmas 1960 performance. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as black and white duplicate","The William and Mary Girls Chorus in formal attire with Dr. Carl A. Fehr. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Chorus in formal attire in the Wren Building.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in graduation procession.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in inauguration procession of Dr. Davis Y. Paschall, President of William and Mary. Photographer: Thomas L. Williams. Photo from the Library of Carl A. Fehr","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chrus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director, Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. noted as black and white duplicates (2)","The William and Mary Tour Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Carl A. Fehr, Director, in the Wren Chapel. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire in Boston.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in Boston.","The William and Mary Choir performing The Messiah with  Dr. Carl A. Fehr, Director. Photographer: Robert E. Gatten","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chorus with Dr. Fehr in formal attire .Photographer: Thomas L. Williams. several matted duplicates in Box 2","The William and Mary Choir performing The Messiah, under the direction of Dr. Carl A. Fehr. Photographer: Robert E. Gatten","The William and Mary Choir performing on Chate Day, Saturday February 12, 1966.  Photographer: Robert E. Gatten","Scope and Contents Chorus performing at the Matoaka Amphitheatre after William and Mary Graduation. Notation on back: \"To Pappy: For a Happy Birthday!! from \"Schue\" Lynwood Shumata\"","The William and Mary Tour Choir in Danville, Virginia.","William R. Heins when he was in Elementary School playing the Tuba. Class of 1966.","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams duplicate included","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: David Koenig","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams duplicate included","The William and Mary Choir television coverage, Christmas 1967. Photographer: David Koenig","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped Septemeber 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","Dr. Fehrwatching television monitor of the William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir Candlelight Performance, Christmas 1967. Photographer: Charles G. Kagey, Colonial Williamsburg duplicate included","The William and Mary Chorus in formal attire in the Dodge Room. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Fehr in formal attire. marked as a duplicate","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir with Dr. Fehr in formal attire.","The William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","Scope and Contents The William and Mary Chorus with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams. multiple duplicates available in legal size with mat and black and white","The William and Mary Chorus rehearsing with Dr. Fehr. Photographer: Alan WohllebenThomas L. Williams.","The William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire at the back of the wren Building. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire. duplicate included","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Fehr. duplicate included","The William and Mary Chorus with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire in Swem Library. duplicate included","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams duplicate included","date on front is May 1971","The William and Mary Choir with candles","Photograph by Alan Wohlleben","Photos of negatives from a William and Mary Choir Performance. Note on back reads: \"Dr. Fehr I couldn't find the other negatives that you wanteed. I am in the process of moving to an apartment; I think I just misplaced them. When I find them I print them up. Weke's and Jim Rees's pictures see you later (alligator) Michael .....","The William and Mary Choir with Dr. Fehr in the Wren Building in formal attire. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams","William and Mary Formal ceremony with the William and Mary Choir. Photo by Susan Lohwasser","William and Mary Formal ceremony with the William and Mary Choir. Photo by Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire in the Wren Building","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Peter Vance Clark.","The William and Mary Choir with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams copy of FP 264.10","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams Similar copies to FP 264.14 and FP 264.15","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams possible copy of FP 264.13 and similar to FP 264.15","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in rehearsal. Date on front of photo indicates December 1967","Scope and Contents The William and Mary Choir rehearsing \"The Messiah\" with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams duplicate included","The William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams","Display of Album cover and record of the long playing album, \"William and Mary Choir, Williamsburg, Virginia . Dr. Carl A. Fehr, Director.\" Photographer : W. N. Schill Studio. Album produced by RCA Victor.","William and Mary Choir in formal attire behind the Wren Building with Dr. Fehr Black and White duplicate","Dr. Fehr (left) receiving a 25th Anniversary Plaque from a choir member. Photographer: Thomas L. Williams, Williamsburg, Virginia.","Dr. Fehr center) with his wife during the 25th Anniversary celebration as Director of the William and Mary Choral groups. Photographer: Thomas L. Williams, Williamsburg, Virginia. duplicate included","William and Mary Choir in formal attire in the Sunken Garden with Dr. Fehr. Photographer: Thomas L. Williamsn","William and Mary Choir in Graduation Procession with Dr. Fehr","William and Mary Chorus in formal attire with Dr, Fehr in front of Barrett Hall. Photographer: Thomas L. Williams Black and White duplicate","The William and Mary Choir with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Chorus with Dr. Fehr in formal attire in front of the Wren Building. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire by the sundal in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate and color duplicate, no mat","The William and Mary Chorus with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Choir in performance with Dr. Fehr at the Charter Day Convocation at Phi Beta Kappa Auditorium. Library. Photographer: Thomas L. Williams duplicate included","The William and Mary Choral Group in performance. Photographer: Alan Wohlleben.","The William and Mary Chorus in performance. Photographer: Alan Wohlleben.","The William and Mary Choir in performance with Dr. Fehr. Photographer: Alan Wohlleben.","The William and Mary Choir soloist in performance. Photographer: Allan E. White","The William and Mary Choir in performance. Photographer: Alan Wohlleben.","The William and Mary Choir in performance with Dr. Fehr. Photographer: Allan E. White","duplicate included","The William and Mary Choi and Orchestra (foreground) in performance with Dr. Fehr. Photographer: Alan Wohlleben.","The William and Mary Choir in performance. Photographer: Mike Lang","Dr. Fehr directing the William and Mary Choral Groups. Photographer: Mike Lang","The William and Mary Choir and Orchestra in performance; Dr. Fehr conducting","The William and Mary Choir waiting to perform. Photographer: Alan Wohlleben","The William and Mary Chorus in performance. Photographer: Allan E. White","The William and Mary Choir in performance (note on back indicates men in The Messiah.)","The William and Mary Choir and Chorus waiting to perform.. Photographer:  Alan Wohlleben","The Wililam and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in candlelight performance","The William and Mary Choir in candlelight performance","Soloist performs with the William and Mary Choir in candlelight performance","The William and Mary Choral group in Candlelight performance","The William and Mary Choir member waiting to perform. Photographer: Alan Wohlleben.","Dr. Fehr with William and Mary Choir members waiting to perform duplicate included","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with  Dr. Fehr.","The William and Mary Choir in formal attire with Dr. Fehr.","The William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with Dr. Fehr at the Wren Building.","The William and Mary Chorus in formal attire with Dr. Fehr.","The William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with  Dr. Fehr. Photographer: Thomas L. Williams (color) includes Black \u0026 white duplicate","William and Mary Choir member in rehearsal. Photography by Mike Lang","William and Mary Choir members in rehearsal. Photography by Mike Lang","William and Mary Choir members studying music. Photography by Mike Lang","Dr. Fehr with Choir member. Photograph by Alan Wohlleben","Dr. Fehr with choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","duplicate included","duplicate included","Photography by Mike Lang","Choral Group Rehearsal with Dr. Fehr. Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Stamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"","Stamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"","Photography by Michael Lang","Photography by Michael Lang","Note on back: Kymmell","String section of William and Mary Orchestra in performance; Photgraph by Alan Wohlleben.","The William and Mary Choir and Orchestra in performance, directed by Dr. Fehr","Picture of Dr. Fehr in formal attire at a William and Mary reception; photograph by Alan  Wohlleben","Note on back: \"To Pappy, Lots of Love---Virginia Carr Gingie\"","Note on back: \"Dearest Pappy, You have truly brought to me the thrill and challenge of music. I hope that I can spread that enthusiasm to my students. You set many wonderful traditions that I will treasure; and whereever I go I will always be a \"Fehr\"student, indebted to you for guiding my career in teaching. Love always, Kathleen (S.E.!) Jones","Note on back: \" To Pappy, Who has given me so much......his time, his patience; his wealth of knowledge, musical and personal; his shoulder; his tissues.. not to mention the guidance and friendship received from him by everyone, and given in such a way that each is made to feel singular and important. How can I thank you, Pappy, for two wonderful years in Choir except to give my love in return for all the unselfish caring you have given me? It's a tiney gift, but you can keep it forever. Kathy (I also owe you for 1/2 a box of tissues, 42 pictures, 2 tapes, 2 keys, and an incalculable amount of wear to your \"wet paint\" cushions.)\"","Note: To Pappy - with much love and gratitude always. Kathy\"","Dr. Fehr conducting the Alumni Choir for a capacity crowd; Photographer Thomas L. Williams","duplicate included","Photo by Neal Douglass, Austin, TX","Photo by Neal Douglass, Austin, TX","Photo by Neal Douglass","smaller duplicate included","Note on back: \"To the best \"scouts\" in the world - may Texas beat A\u0026M next year! Care Edward 12/1/31\" Boone Photo Company, Austin Texas","duplicate included; photo by Neal Douglass, Austin, TX","Notation on back: News Release Bureau, College of William and Mary, Williamsburg, VA","duplicate included","duplicate included","duplicate included","Dr. Fehr with The Common Glory cast; Robert Luartis, Kathryn Gray, John Warner, Bill Kerr, Glenn Branch","duplicate included","Photographer: Thomas L. Williams, Williamsburg, VA","Stamped on back \"Jan 21 1957\"","Photographer: Von Dubell Studio, Williamsburg, VA","uplicate included","Ode to the Virginian Voyage. Norfolk Symphony Composer Schenkman with Dr. Fehr","Ode to the Virginian Voyage. Edgar Schenkman, Norfolk Symphony Conductor (left); Randall Thompson, Compser(center) with Dr. Fehr. several duplicate included","Photo by Saunders Miller","Photo by Saunders Miller","duplicate included","color photo","Dr. Fehr with Ann Lond (?) in DawnVe, VA","Photographer: Thomas L. Williams, Williamsburg, Va; duplicate included","Photographer: Thomas L. Williams, Williamsburg, VA; duplicate included","Photographer: Thomas L. Williams","Thomas L. Williams, Photographer","Photographer: Thomas L. Williams; duplicate included","Thomas L. Williams, photographer; duplicate included","Photographer: Thomas L. Williams","Thomas L. Williams, Photographer","Dr. Carl A. Fehr at the podium, in performance, with pianist; photo by John White","Humorous sketch of Dr. Carl A. Fehr with caption \"Y'all know thet ah stress neatness! Y'all must look nice, people,\" Signed  \"Tweet 1962\"","Photographer: Thomas L. Williams; small copy included","Photographer: Thomas L. Williams","Photographer: Thomas L. Williams for 1971 Brochure","Dr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce, January 1971 duplicate included","Dr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce;  Photographer: Thomas L. Williams","Dr. Carl A. Fehr (l.) with Thomas Wood (r.) at Williamsburg Chamber of Commerce presentation of the Drumbeater Award to Dr. Fehr","duplicate included","Thomas L. Williams, Photographer duplicate included","date on back \"1-9-53\"? duplicate included","Carl A. Fehr with military officials at the ceremony during which W\u0026M Choir receives George Washington Freedom Medal from the Freedom Foundation, Valley Forge, Pennsylvania","Scope and Contents W\u0026M Choir on stage at official ceremony for receiving the George Washington Freedom Medal from the Freedom Foundation","Photo by Mike Long","Photo by Mike Long","Carl A. Fehr with Mr. and Mrs. Robert Kreiling, taken at the home of Mr. and Mrs. C. Warren Smith, Jr. in York, Pennsylvania, on Saturday evening April 20, 1974 after the concert at York College.","small duplicate included","Mounted photo of a scenic view of French rural landscape, vineyard by John Fehr, Dr. Fehr's nephew, April 1973. Gift at Christmas 1973.","duplicate included","duplicate included","Photo by Neal Douglass, Austin, Texas","Photo by Neal Douglass","duplicate included","duplicate included","Photo by Alfred Rosenthal, Austin Daily Tribune","Duplicate included","duplicate included","duplicate included","Candlelight performance; photo by Neal Douglass","duplicate included","duplicate included","duplicate included","Left to Right: Bill Chandler, Mary Va. Bussey, Bettie George, Joe Lane; photo by Neal Douglass","Photo by Alfred Rosenthal; Austin Daily Tribune","Phot by Dan Weisser","Autographed picture (to Dr. Fehr) of Roger Wagner; \" Best wished and kind regards to my old friend Carl Fehr.\"","Autographed picture (to Dr. Fehr) of Roger Wagner; \" To my old friend Carl Fehr who taught me all I know about choral direction.\"","Black and white photographs of Dr. Fehr, his wife, and the William and Mary Choir on tour.","Photo with signed Brochure from the Annual Dinner Meeting in Williamsburg","This series includes a collection of reel-to-reel tape recordings of William and Mary Choir/Chorus concert performances conducted by Dr. Fehr between 1947 and 1973. The reel-to-reel tapes were reformatted for access and preservation purposes to data discs and CD Audio discs in 2006-2007. The collection also includes phonograph albums of William and Mary choral performances (1940s-1960s), \"The Common Glory\" (1957), and a miscellaneous collection of phonograph records, such as recordings for vocal exercises and recordings of All-State and Northrop High School choral performances. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.","3 records","3 copies.\nSide 1: A Slumber Song of the Madonna. Sung by Anne Howard Dunn\nSide 2: Come Unto Him from The Messiah, Handel. Sung by Anne Howard Dunn","Two albums. Photograph of the Wren Building on the cover. 4 Record Set Record 1, Side 1 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 1, Side 2 I Wonder as I Wander, arr. Niles-Horton (Ann Howard Dunn, Soloist) Record 2, Side 1 Dry Bones, Gearhart Record 2, Side 2 Ol' Man River, Jerome Kern (Warren Sprouse, Soloist) Record 3, Side 1 Sicut Cervus, Palestrina Record 3, Side 2 A Mighty Fortress is our God, Luther (arr. Meuller) Record 4, Side 1 Madame Jeanette, Murray Record 4, Side 2 Kde su Kravy Moje, Slovak folk tune, arr. Schimmerling.","Two copies of album. 4 Record Set Record 1, Side 1 The Creation: Part 1, Richter Record 2, Side 2 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 2, Side 1 The Creation, Part 2, Richter The Lord's Prayer, Wilson Record 2, Side 2 Go 'Way From My Window, Niles (Soloist Shirley May Thompson) Record 3, Side 1 My Lord, What Mornin', spiritual Record 3, Side 2 Agnus Dei, Pergolesi Record 4, Side 1 I Got Rhythm, Gershwin Etude For Chorus, Wihtol Record 4, Side 2 Skip to My Lou, arr. Wilson Ezekiel Saw de Wheel, Spiritual","Two copies. Sung by The Choir of \"The Common Glory,\" 1953 Side 1 Music from \"The Common Glory\" (A Musical Synopsis), Special Narration by Allen R. Matthews. Side 2 In These Delightful Peasant Groves, Purcell Let go, Why Do You Stay Me, Bennett Miserere Mei, Byrd Yonder! Yonder, folk melody Ballad of Brotherhood, J. Wagner","Two copies. Side 1 Missa Brevis, Zoltan Kodaly Side 2 Missa Brevis, Zoltan Kodaly Miserere Mei, William Byrd Come, Soothing Death, J.S. Bach The Silver Swan, Orlando Gibbons Let Go, Why Do You Stay Me, John Bennet Yonder! Yonder, Russian folk melody In These Delightful, Pleasant Groves, Henry Purcell When Day is Done, Robert Katcher Ballad of Brotherhood, Joseph Wagner","Two copies. Side 1 Te Deum, Verdi Hodie Christus Natus Est, Sweelinck Psalm of Praise, Chase (William Gatling, Soloist) Exultate Deo, Poulenc Side 2 For Everything There is a Season, Rozsa Listen to the Angels Shoutin', Negro Spiritual Sinner Please, Don't Let this Harvest Pass, Negro Spiritual (Joyce Gwaltney, Soloist) 'Dis Train, Negro Folk Song Oh Lemuel, Foster","Two copies. The photograph on the cover was taken at the Jefferson Hotel in Richmond, Virginia. The photograph was taken in the fall of 1953 when the Choir was in Richmond to perform for an association of Virginia teachers (according to Lavinia Phillips '57, to SCRC staff on 5/2/2011). Side 1 Alma Mater William and Mary Hymn Miserere Mei, Byrd Crucifixus, Lotti Come, Soothing Death, Bach Side 2 Nightfall in Sky, Robertson Shenandoah, arr. Bartholomew Yonder! Yonder! Folk Melody, (William T. Gatling, Jr. Soloist). Ballad of Brotherhood, J. Wagner, (Lavinia Pretz, Soloist).","Two copies. Side 1 Christ Lag in Todesbanden, Cantata No. 4, Bach Wondrous Love, Southern Folk-Hymn Gloria in Excelsis, Jolley Side 2 Mass in G Major, Poulenc The Last Words of David, Thompson Madame Jeanette, Murray Poor Wayfaring Stranger, White Spiritual Hear the Singing, Berger","Two copies. Side 1 William and Mary Hymn, The William and Mary Choir Side 2 Alma Mater, The William and Mary Choir","Two copies. Side 1 Mass in G, Schubert Benedictus, Liszt Side 2 Te Deum, Kodaly Exultate Deo, Scarlatti Waltzing Mathilda, Australian song Go 'Way From my Window, Niles Elijah Rock, traditional spiritual.","Two copies. Side 1 Te Deum, Verdi Quatre Motets pour le Temps de Noel, Poulene Mary's Boy Child, Spiritual Side 2 Shenandoah, traditional Greensleeves, English folk song Someone's in the Kitchen with Dinah, American folk song I Got Rhythm, Gershwin Regina Coeli from \"Cavalleria Rusticana,\" Mascagni Chorus and Finale from \"Die Mestersinger von Nurnberg,\" Wagner Coronation Scene from \"Boris Godunov,\" Mussorgsky","Two copies. Side 1 Serenity, Ives At the Cry of the First Bird, Fletcher To Saint Cecilia, Dello Joio Chanson Epique, Ravel Side 2 He's Gone Away, Southern Mountain Song Laughing Song, George Selections from Porgy and Bess, Gershwin Hosanna, Lockwood Carol of the Drum, Czech Carol","Two copies. Side 1 A Canticle of Christmas, Giannini (Eugene Galusha, soloist, and Sue Sager and Carolyn Washer, Accompanists) Side 2 The Holly and the Ivy, Traditional carol The Twelve Days of Christmas, Old English Song Choral Fantasy on Old Carols, Holst The Angels and The Shepherds, Kodaly (The William and Mary Chorus) The March of the Wise Men, Gaul Silent Night, Holy Night, Gruber (Sue Sanger, Accompanist)","Two copies. Side 1 Rejoice, Beloved Christians, Buxtehude Misericordias Domini For Double Choir, Durante Come, Soothing Death, Bach Side 2 Holy Radiant Light, Gretchaninoff Brazilian Psalm, Berger Prelude, Schuman Bim-Bam, A Folk Song Every Night When the Sun Goes In, Appalachian Folk Song (Phyllis Atwood, Soloist) Oh, Dear! What Can the Matter Be? Kubik The William and Mary Hymn and Alma Mater","This phonographic record has been digitized. At least 72 hours advanced notice required for access.","Two copies. Side 1 Jesu, Joy of Man's Desiring, Bach Lord Most Holy, Davis Gloria, Poulenc Side 2 Jehovah, Hear Our Prayer, Nelson What Child is This, English tune Der Abend, Brahms Naechtens, Brahms Zum Schluss, Brahms Selections from Showboat, Kern Tee Roo (in mountain style), American Folk-Song Sketch Lullaby, Brahms","Two copies. Side 1 Psalm 100, Schuetz Agnus Dei, Pergolesi Sicut Cervus, Palestrina Exultate Deo, Pelestrina In the Beginning, Copland, Dorothy Tudor, Soloist Side 2 Fragments from the Mass: Diemer Kyrie, Gloria, Credo, Sanctus, Agnus Dei Ave Maria, Kodaly Peace Come to Me, Murray, The William and Mary Chorus, (Jane Anne Bruer, accompanist) Go, Down Death, Scott (Bongos played by Michaelle Hatcher) Dry Bones, arr. Gearhart Lorena, Webster Seeing Nellie Home, Fletcher Aura Lee, Poulton De Animal a-Comin', Negro Spiritual Stonewall Jackson's Way, Confederate Tune","Two copies. This album is a recording of the Parents Day concert. Side 1 Cantate Domino, Lodivico da Viadana Ave Maria, Tomas Luis da Victoria Exaltabo Te, Domine G.P. da Palestrina No Man Liveth to Himself, Heinrich Schuetz The Heart Replies, Harry Robert Wilson Sea Charm, Frederick Piket Valse, Ernst Toch Side 2 Cantate Domino, Hans Leo Hassler Peace Comes to Me, Lyn Murray Jack and Jill, J. Michael Diack Horos Tou Zalongu, Greek folk song Catulli Carmina, Carl Orff A Jubilant Song, Norman Dello Joio The William and Mary Hymn and Alma Mater, arr. by Carl. A. Fehr","2 copies. Sue Sager Accompanist Side 1Messe de Minuit Midnight Mass for Christmas based on French Carols: Charpentier Kyrie Gloria Credo Sanctus Agnus Dei Side 2 Carol of the New Prince, Sitton Balulalow, Chapman Kolyada, Anonymous, Russian Fantasia on O Little Town of Bethlehem, McCollin Lo, How a Rose E'er Blooming, Praetorius A New Christmas Morning, Hallelujah, MacGimsey The Holy Infant's Lullaby, Dello Joio A Christmas Carol Sequence, Arr. Fehr","Northrop High School concert, including concert choir, advanced girls' choir, swing choir, and madrigal singers.","Northrop High School Advanced Treble Choir and Charisma Choir. Dedication on back of album reads: To Pappy, With affection \u0026 fond memories. Bill 9-27-'79.\"","Side 1 The William and Mary Fight Song, arr. Varner The William and Mary Alma Mater Side 2 The William and Mary Victor March, arr. Varner The William and Mary Hymn","Side 1 no. 8P-0944 Side 2 8P-0944","The following reel-to-reel audiotapes were reformatted to digital audio. The quality of these audio recordings varies. In some cases, the audio was copied from the phonograph album to reel-to-reel audiotapes by the donor then digitized by the repository. In these cases the recording digitized directly from the phonograph album generally provides a superior audio source. 1971 Christmas Concert, A Festival of Music, Reels 1-2 1971 William and Mary Choir, Tour Choir, 1971 1972 Tour Choir (2 CDs) 1972 April 17, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 5-6, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 6, 1972 (2 CDs) 1972 William and Mary Chior, Choir Banquet, May 9, 1972, Reels 1-3 (3 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles, Christmas Concert, 1972 (2 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles,Christmas Concert, 1972 1973 April 28, 1973 (2 CDs) 1973 May 8, 1973, Reels 1-3 1973 Spring 1973 (2 CDs) 1973 Unknown, 1973, Reel 1 1973 William and Mary Choir and Chorus with College-Community Symphony Orchestra, Christmas Concert, Reels 1-2 1974 April 19, 1974 (2 CDs) 1974 William and Mary Choir and Chorus, May 1, 1974, Reel 1 1974 William and Mary Choir and Chorus, May 3, 1974, Reels 1-2 1974 Fehr-Well Fest, Rehearsal, May 4, 1974 (2 CDs) 1974 Fehr-Well Fest, May 4, 1974 (3 CDs) 1974 Fehr-Well Fest, May 6, 1974 (2 CDs) 1976 Unknown, 1976 1983 June 11, 1983 (2 CDs)","Box also includes CDs of digitized reels","Digitized on CD","Digitized on CDs","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","The contents of this series are the digitized reel-to-reel audiotapes of sub-series 2 in both Data Disc and Compact Disc form.","1953 Spring Concert, Girls Chorus (2 CDs) 1953 May 18, 1953 1953 The Common Glory Choir, August 24, 1953 (3 CDs) First half of box are Data Disks, second half of box are Compact Disks starting from Sub-Series 2 Reel to Reel","First full box of Compact Disks","(3 CDs)","(4 CDs)","Scope and Contents Reel 1 of 4 Track 1: America the Beautiful / arr. Fehr Track 2: Jubilate Deo / Gabrieli Track 3: Benedictus / Liszt Track 4: Komm, Jesu, Komm (Motet for double choir) / Bach Track 5: Evensong at 12:30 / Haydn Track 6: Eloquence / Haydn Reel 2 of 4 Track 1: Eloquence / Haydn Track 2: Evensong / Haydn Track 3: God's Trombones: Poems by James Weldon Johnson based upon American Negro Folk Sermons. I. Opening: A Prayer, II. The Creation, III. Go Down Death, IV. The Judgement Day, V. Closing: A Prayer / arr. Roy Ringwald (with narration) Track 4: Tee Roo / Kubik Reel 3 of 4 Track 1: Didn't My Lord Deliver Daniel--Spiritual / Gottlieb Track 2: The Silver Moon is Shining / Italian Folk Tune Track 3: Tee Roo / Kubik Track 4: Regina Coeli from \"Cavalleria Rusticana\" / Mascagni (soloist) Track 5: Chorus and Finale from \"Die Meistersinger von Nurnberg\" / Wagner Reel 4 of 4 Track 1: Coronation Scene from \"Boris Godounov\" / Moussorgsky (soloist) Track 2: Alleluia Encore Track 3: Dis Train--Spiritual / Jester Hairston Track 4: I Got Rhythm / Gershwin Track 5: Flurry, William and Mary Hymn, Alma Mater / arr. Fehr","(2 CDs)","(4 CDs)","(3 CDs)","(4 CDs)","(4 CDs)","(4 CDs)","(1 CD)","(2 CDs)","(2 CDs)","Reels 1-2 (2 CDs)","Reels 1-3 (3 CDs)","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Announcement Track 3: Chichester Psalms: Movement I / Bernstein Track 4: Chichester Psalms: Movement II / Bernstein Track 5: Chichester Psalms: Movement III / Bernstein Track 6: Stabat Mater / Dohnanyi Track 7: Roll Jordan Roll / Spiritual CD 2 of 4 Track 1: Stabat Mater / Dohnanyi Track 2: Stabat Mater / Dohnanyi Track 3: Barbara Allen / English Folk Song Track 4: Roll Jordan Roll / Spiritual Track 5: Announcement Track 6: Seeing Nellie Home (Gentlemen's Choir) CD 3 of 4 Track 1: Announcement Track 2: St. Louis Blues Track 3: Misa Criolla / Ramirez Track 4: The Fantasticks / Schmidt CD 4 of 4 Track 1: Annoucement Track 2: Fehr Remarks Track 3: The Choral Fantasia / Beethoven Track 4: Elegisher Gesang - Elegy / Beethoven Track 5: Fehr Remarks Track 6: Acknowledgment of Seniors Track 7: Hallelujah from \"The Mount of Olives\" / Beethoven Track 8: Flurry/Hymn/Alma Mater / arr. Fehr","CD 1 of 3 Track 1: America, the Beautiful / Fehr Track 2: Dixit Maria / Hassler Track 3: O Saviour Rend the Skies in Twain / Brahms Track 4: Chichester Psalms: Movement I / Bernstein Track 5: Chichester Psalms: Movement II / Bernstein CD 2 of 3 Track 1: Misa Criolla: Kyrie/Gloria/Credo / Ramirez Track 2: Misa Criolla: Sanctus / Ramirez Track 3: Misa Criolla: Agnus Dei / Ramirez Track 4: Barbara Allen / English Folk Song Track 5: Roll Jordan Roll / Spiritual Track 6: Seeing Nellie Home (Gentlemen's Choir) Track 7: St. Louis Blues CD 3 of 3 Track 1: The Choral Fantasia / Beethoven Track 2: Elegisher Gesang - Elegy / Beethoven Track 3: Hallelujah from the \"Mount of Olives\" / Beethoven","CD 1 of 3 Track 1: Pinkham Track 2: Pinkham Track 3: Pinkham Track 4: Pfautsch Track 5: Martinu Track 6: Kodaly Track 7: Mechem Track 8: Mechem Track 9: Mechem Track 10: Mechem CD 2 of 3 Track 1: Traditional French Track 2: Old English Song Track 3: French Carol Track 4: MacGimsey Track 5: Traditional English Track 6: Setting of Old Russian Chant Track 7: English Carol Track 8: Walton CD 3 of 3 Track 1: Jolley/Fehr","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Now Thank We All Our God Track 3: Sweet Little Jesus Boy Track 4: Oh! Lemuel Track 5: Clap Yo' Hands Track 6: The Patriotic Sequence","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham Track 7: Schicksalslied / Brahms Track 8: Schicksalslied / Brahms CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Sweet Little Jesus Boy/Clap Yo' Hands/Oh! Lemuel Track 3: The Patriotic Sequence Track 4: Flurry/Hymn/Alma Mater","CD 1 od 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Lord Have Mercy Track 6: Unidentified Track 7: Unidentified Track 8: Schicksalslied / Brahms Track 9: Schicksalslied / Brahms CD 2 of 2 Track 1: Nursery Rhymes / Hunter (Womens Chorus) Track 2: Nursery Rhymes / Hunter (Womens Chorus) Track 3: Selections from the Music Man (Womens Chorus) Track 4: March and Chorus from \"Carmen\" / Bizet Track 5: Bridal Chorus from \"Lohengrin\" / Wagner Track 6: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 7: (Introduction of next song) Track 8: San Sereni / Puerto Rican Singing Game Track 9: (Introduction of next song) Track 10: Song of the Russian Plains / Knipper Track 11: (Introduction of next song) Track 12: Clap Yo' Hands","(2 CDs)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Unidentified Piece Track 6: Unidentified Piece Track 7: Unidentified Piece CD 2 of 2 Track 1: Schicksalslied / Brahms Track 2: Schicksalslied / Brahms Track 3: Nursery Rhymes / Hunter (Women's Chorus) Track 4: Nursery Rhymes / Hunter (Women's Chorus) Track 5: Selections from the Music Man / Willson (Women's Chorus)","Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\"/ Pinkham Track 7: Schicksalslied / Brahms Track 8: San Sereni / Puerto Ricaon Singing Game Track 9: He's Got The Whole World In His Hands / Spiritual Track 10: Song of the Russian Plains / Knipper Track 11: March and Chorus from \"Carmen\" / Bizet","(1 of 3 CDs) CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner","(2 of 3 CDs 1 duplicate) CD 2 of 3 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 4: Valse / Toch Track 5: Go Down Death / Scott Track 6: A Jubilant Song / Dello Joio Track 7: Long Time Ago Track 8: Dem Bones / Spiritual Track 9: Song of the Russian Plains Track 10: Clap Yo' Hands / Gershwin Track 11: Flurry/Hymn/Alma Mater","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner Track 7: In the Beginning / Copland CD 2 of 3 Track 1: Te Deum for Double Choir Track 2: Horos Tou Zalongu / Greek Folk Dance Track 3: Koom Bah Yah / African Spiritual Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Valse / Toch Track 6: Go Down Death CD 3 of 3 Track 1: A Jubilant Song / Dello Joio Track 2: Long Time Ago / Hairston, Jester (Added song; not in program) Track 3: Dem Bones / Spiritual (Added song; not in program) Track 4: Song of the Russian Plains / Knipper (Added song; not in program) Track 5: Clap Yo' Hands / Gershwin (Added song; not in program) Track 6: Flurry/Hymn/Alma Mater (Added song; not in program)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer Track 5: How Excellent Thy Name, Hallelujah from Saul / Handel Track 6: Te Deum for Double Choir / Verdi Track 7: Open Thy Heart / Bizet Track 8: Jack and Jill, Diack Track 9: Preludes to Eternity / Liszt CD 2 of 2 (Disk labeled Reel 2 of 2 contains duplicate of 1 of 2)","CD 1 of 4 Track 1: America, the Beautiful Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer CD 2 of 4 Track 1: How Excellent Thy Name, Hallelujah from Saul / Handel Track 2: Te Deum for Double Choir / Verdi Track 3: Open Thy Heart / Bizet Track 4: Jack and Jill, Diack Track 5: Preludes to Eternity / Liszt CD 3 of 4 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Valse / Toch Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Mary's Boy Child / Spiritual Track 6: Dem Bones / Spiritual CD 4 of 4 Track 1: Jubilant Song / Dello Joio Track 2: Flurry/Hymn/Alma Mater","Reels 1-3 (3 CDs)","(2 CDs)","(2 CDs)","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei CD 2 of 4 Track 1: Gloria / Poulenc Track 2: Der Abend/Naechtens/Zum Schluss / Brahms CD 3 of 4 Track 1: Sea Charm / Piket Track 2: Shenandoah / Traditional Chantey Track 3: Buffalo Gals / American Folk Song Track 4: It Is Good to Be Merry / Berger CD 4 of 4 Track 1: Jesus, Jesus Rest Your Head / American Carol Track 2: Sourwood Mountain / American Mountain Song Track 3: Someone's in the Kitchen with Dinah / American Folk Song Track 4: Chester / Billings Track 5: Alleluia / Old German Melody","Reels 1-3","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei (?) Track 6: Gloria: Gloria/Laudamus Te/Domine Deus/Domine fili unigenit / Poulenc Track 7: Gloria: Dominus Deus, Agnus Dei / Poulenc Track 8: Gloria: Qui sedes ad dexteram Patris / Poulenc CD 2 is not in the box.","CD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Awake the Trumpet's Lofty Sound from Samson / Handel Track 6: We Hurry with Tired, Unfaltering Footsteps / Bach Track 7: Laetatus Sum from the Latin Bible, Psalm 121 / Porpora Track 8: Gloria: Gloria/Laudamus Te / Poulenc Track 9: Gloria: Domine Deus / Poulenc Track 10: Gloria: Domine fili Unigenite/Dominus Deus/Agnus Dei / Poulenc Track 11: Gloria: Qui sedes ad dexteram Patris / Poulenc","Reels 1-2 (2CDs)","Reels 1-2 (2 CDs)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz Track 5: Schicksalslied / Brahms Track 6: To Saint Cecilia / Dello Joio CD 2 of 2 Track 1: Tell Me Where is Fancy Bred / Phillips Track 2: Go 'Way From My Window / Niles Track 3: Nightfall in Skye / Roberton Track 4: Great Day / arr. Martin Track 5: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart, Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 6: Sourwood Mountain / American Folksong Track 7: Bye Bye Blues / Fred Hamm, Dave Bennett, Bert Lown, and Chauncey Gray Track 8: A Mighty Fortress is Our God / Martin Luther Track 9: Lullabye / Brahms Track 10: William and Mary Hymn and Alma Mater / arr. Fehr","CD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Scheutz Track 5: Cantante Domino / Hassler Track 6: My Spirit, Be Joyful from Cantata No 146 / Bach Track 7: Ave Maria / Poulenc Track 8: Pueri Hebraeorum for Double Chorus / Thompson Track 9: Schicksalslied / Brahms CD 2 of 3 Track 1: To Saint Cecilia / Dello Joio Track 2: Come Ye Sons of Art / Purcell CD 3 of 3 Track 1: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart / Foster, arr. Fehr Track 2: Songs of the Old South (continued): Long Live the Merry Heart (continued), Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 3: Pappy talking about Choir / Fehr Track 4: The Lord Bless You and Keep You; A Mighty Fortress is Our God / John Rutter; Martin Luther Track 5: Lullaby/ Brahms Track 6: William and Mary Hymn and Alma Mater / arr. Fehr","CD 1 of 2 Track 1: Pappy Talking / Fehr Track 2: Gloria Patri / Greatorex Track 3: Sicut Cervus / Palestrina Track 4: Madame Jeanette / Murray Track 5: Alleluia / Thompson CD 2 of 2 Track 1: Pappy Talking / Fehr Track 2: Alleluia / Thompson Track 3: A Mighty Fortress is Our God / arr. Mueller Track 4: Hallelujah from \"The Mount of Olives\" / Beethoven Track 5: William and Mary Hymn and Alma Mater / arr. Fehr Track 6: The Eyes of Texas / Sinclair","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Pappy talking about program line-up Track 3: Jauchzet dem Herrn / Pachabel Track 4: Misericordias Domini / Durante Track 5: Song of Praise / Scheutz Track 6: Cantante Domino / Hassler Track 7: My Spirit, Be Joyful from Cantata No 146 / Bach Track 8: Ave Maria / Poulenc Track 9: Pueri Hebraeorum for Double Chorus / Thompson Track 10: Pappy introducing To Saint Cecilia / Fehr Track 11: Intro to Saint Cecilia / Tracey Russell Track 12: To Saint Cecilia / Dello Joio CD 2 of 4 Track 1: Member of Chorus introducing two pieces Track 2: Medley of the musical Oliver Track 3: Hey Look Me over from the musical Wildcat Track 4: Songs of the Old South / Foster Track 5: Songs of the Old South, continued / Foster Track 6: Encore: Go'way from my window / Niles Track 7: Encore: Great Day / arr. Martin CD 3 of 4 Track 1: Pappy introducing Tracey Russell Track 2: Unidentified Piano Pieces / Russell Track 3: Pappy introducing the Alumni Choir Track 4: Sicut Cervuz (Alumni Choir) / Palestrina Track 5: Madame Jeanette (Alumni Choir) / Murray Track 6: Alleluia (Alumni Choir) / Thompson Track 7: A Mighty Fortress is Our God / arr. Mueller Track 8: Hallelujah from \"The Mount of Olives\" / Beethoven Track 9: Dr. Donald Truesdell, Chair of Music speaking Track 10: Agamemnon \"Aggie\" Vissos, class of 1975, chair of reunion committee CD 4 of 4 Track 1: Dennis Cogle, class of 1949, introducing Wilford Kale Track 2: Agamemnon \"Aggie Vassos, class of 1975 Track 3: For Alice Fehr We Made the Tray for You (1974 Choir) Track 4: Alice Fehr accepting the tray Track 5: Agamemnon \"Aggie\" Vassos, class of 1975 Track 6: Forsake Me Not / Ieryle Track 7: Keith Savage, class of 1975, introducing Pappy Track 8: Pappy acknowledging those involved with organizing Fehr Fest Track 9: Flurry/Hymn/Alma Mater / arr. Fehr Track 10: Agamemnon \"Aggie\" Vassos, class of 1975 Track 11: Agamemnon \"Aggie\" Vassos, class of 1975","CD 1 of 4 Track 1: Old One Hundred (Doxology) Track 2: Grace / Shelburne Track 3: Head table introductions Track 4: Tribute to Dr. Fehr by Al Haak Track 5: William and Mary President Address / Thomas A. Graves, Jr. Track 6: Pappy Fehr presenting senior awards Track 7: Unidentified female senior speaking Track 8: Next year's Choir President Address / Ann Spielman Track 9: Introduction to choir awards / Fehr CD 2 of 4 Track 1: Fehr presenting awards to choir members Track 2: Keith Savage tribute to Alice Fehr Track 3: Musical tribute to Alice Fehr based on \"America, the Beautiful\"/ arr. Fehr and choir members Track 4: Alice Fehr thanking the choir Track 5: Fehr acknowledging Kathy Moriarity, accompianist and choir officers Track 6: Keith Savage introducing officers by name and remembering 1973-1974 year Track 7: Jane Koenig's special gag awards CD 3 of 4 Track 1: Jane Koenig's special gag awards, continued Track 2: Keith Savage organizing parody of a concert Track 3: Choir singing parody/changing words of \"America the Beautiful\", \"To Saint Cecilia\" \"Happy Birthday\" for someone, \"Songs of the Old South\" medley, encores: \"Bye Bye Blues\" \"Go Away from my Window\" \"A Mighty Fortress is our Fehr\"/ soloists, Jane Koenig and Kevin Walters CD 4 of 4 Track 1: continuation of \"A Mighty Fortress is Our Fehr\" Track 2: Poem about Pappy / Anne Woolley Track 3: Gift Presentation (possibly of quilt held in SCRC) / Keith Savage Track 4: Remarks from Pappy (not mic'ed; difficult to hear) Track 5: Lord Bless You and Keep You","(Choir Alumni Dennis and Jean Cogle's Daughter) CD 1 of 1 Track 1: Prenuptial Music Track 2: Prelude No 1 (We Pray Now to the Holy Spirit) / Buxtehude Track 3: Unknown Track 4: Unknown Track 5: Rhosymedre / Hymn Track 6: Unknown Track 7: Jesu, Joy of Man's Desiring / Bach Track 8: Bell Track 9: Trumpet Voluntary / Purcell Track 10: Water Music Medley / Handel Track 11: Wedding March / Wagner Various other pieces","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Ave Maria / Victoria Track 3: Hallelujah from \"The Mount of Olives\" / Beethoven Track 4: Now Thank Wel","This series contains audio cassette tapes of concerts by the William and Mary Choir from 1972-1973.","One audio cassette tape of the Christmas Concert featuring the William and Mary Choir, with director Carl A. Fehr.","One audio cassette tape of the Spring Tour of the William and Mary Choir, with director Carl A. Fehr.","The artifact series includes Dr. Fehr's performance attire, items used to plan stage performances, and humorous props to reinforce Dr. Fehr's disciplinary rules. This series also includes the surviving large plastic bus banner used to identify the Choir on its annual spring tour.","Tin Tray with Image of William and Mary Choir College Year 1954-1955. Tray measures 4.69 in. (height) x 6.625 in. (width) x 0.375 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6777 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.01.","Tin Tray with Image of William and Mary Choir College Year Unknown. Tray measures 4.69 in. (height) x 6.63 in. (width) x 0.38 in. (depth). In good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6778 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.02.","Black metal trivet with saying, \"WHEN YOU ARE AS GREAT AS I AM IT IS DIFFICULT TO BE HUMBLE.\" Trivet measures 4.88 in. (height) x 4.88 in. (width) x 0.38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6779 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.03.","Tooled leather rectangle with handle used to protect paper. 12.75 in. (length) x 9.125 in (width) x 1 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6827 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.28","Wooden shield-shaped plaque with brass plate and brass lyre. Plate reads: PRESENTED TO CARL A. FEHR 1945-1970 FOR OUTSTANDING WORK IN CHORAL MUSIC AT WILLIAM AND MARY Nu Sigma (Greek letters) CHAPTER Phi Mu Alpha (Greek letters) SINFONIA. Label on back: MARK'S TROPHY CENTER Hampton, Va. 11.75 in. (length) x 9.75 in. (width) x 2.5 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6828 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.29","Walnut plaque with rounded cut-out corners with black plate and brass letters. Plate reads: AMERICAN CHORAL DIRECTORS ASSOCIATION in MEMORY AND APPRECIATION CARL FEHR Charter Member presented at the 1996 SOUTHERN DIVISION CONVENTION MARCH 1,1996 NORFOLK, VIRGINIA. Sticker on back: GENUINE WALNUT Barhill MADE IN THE U.S.A. 10.125 in. (length) x 8 in. (width) x .875 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6829 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.30","Large neon orange comb with jagged teeth embossed with \"Rat Fink Comb\". used in rehearsal antics. Comb measures 1.75 in. (height) x 8 in. (width) x 0.13 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6780 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.04.","Clear Handled Hairbrush, undated. Used in rehearsal antics. Hairbrush measures 1.13 in. (height) x 8.13 in. (width) x 1.25 in. (depth). In good condition with stained bristles. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6781 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.05.","Metal proofs of medals given to students. In good condition. Images available. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6782 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.06.","Wig with short, curly light brown hair. Hair length approximately 2 to 4 inches. Nylon mesh cap with black tag printed with: MADE IN HONG KONG. Worn by Pappy during rehearsals to demonstrate short hair rule for men and remind members of the importance of neatness. Wig measures 4.5 in. (height) x 7.5 in. (width) x 12 in. (length). Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/3843/6231. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 4. UA2003.001.07.","Hand puppet of Pappy in gown with glasses, tie, and jacket. Undated. Used for entertainment. Puppet measures 11.75 in. (height) x 7 in. (width) x 2.5 in. (depth). In good condition with some soil and stains. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6791 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.08.","Figure made of bent pipe cleaners with pom pom feet and felt hands and shoes. Head has long, fine orange hair and body has a sign that says, \"Keep America Beautiful, Get a Haircut!!!\" Used for decorative purposes. Doll measures 10 in. (height) x 4.5 in. (width) x 3 in. (depth). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6792 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.09.","Empty wine bottle with white, purple and grey label imprinted with, \"SLY FOX BRAND 100% PURE AMERICAN Grape Wine 14% ALCOHOL BY VOLUME BOTTLED BY VIRGINIA WINE CELLARS NORTH GARDEN, VA.\" Embossed in glass bottle, \"4/5 QUART\" Used for refreshment purposes. Bottle measures 11.25 in. (height) x 3 in. (width) x 9.88 in. (circumference). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6793. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.10.","Wooden paddle with Greek letters Phi, Mu, Alpha carved into wood. Signatures (front) : \"Howard L. Church, Ed Doe, Peter J. Wilhousky, Raymond, Burrows, Theodore Passaris, Arthur Kronenberger '49, Robert A. Brighton, REDER, Ernest E. Harris, Walter O. Dahlin, Robert D. Nesbitt, Charles C. Taylor, Ralph Whitworth, Howard Armstrong, George Boma, Robby Lowry, Herbert T. Norris.\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6794 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11. (back)Signatures on back: \"Harry R. Wilson, Joe Wilson, Al Pustir, Charles Raustond, Karl D. Kostoff,John C. Snowden, James Dillard, George E. Yokum, Harold B. Leelty, Frederick E. Bieler, Dan Grant, Julian (?), Howard (?) '49, George Wilcox, '49, Howard Edgar '49, Curt Drake '49, Leonard (?) '49, Bruno Laskko '49, Clarence Gander '49, Clyde (?) '49, Stephen F(?) '49, Ronald Hodges, Kenneth Schultz '49, Robert Hawkins '49, Wm Del. Wait '49,Robert H. Emery '49, James B. (?)\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6795 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11.","93 Cardboard cutouts stapled onto a small wooden cube. 48 Male Figures (Black), 48 Female Figures (Black, White and Red. Used for stage arrangement. Figures measure 4 in. (height) x 1 in. (width). Heights vary slightly. In good condition some figures have been bent and repaired with Scotch tape. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6798. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.14.","Cardboard people cutouts on wood platform. Used for stage arrangement. In good condition with some soiled and bent figures. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6797. Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6, 7, 8. UA2003.001.13.","Walnut director's baton with silver band engraved, \"CARL A. FEHR 4-25-70.\" Used for musical direction. Baton measures 20 in. (length). In good condition with some tarnish. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6796 Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.12.","13.125 in. length of quarter-round moulding, painted black used for holding accompanist's sheet music. Stick measures .5 in. (height) x 20.375 in. (width) x .5 in. (depth). In good condition with some gouges and chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6806 . Gift of Thomas terry, Class of 1974. Located in the Carl Fehr Papers UA Series 16, Box 6. UA2003.001.17.","Cut to a point on one end and to a wedge on another. Stamped in red ink with a property label: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185. Used for propping grand piano's wing (lid) in order to keep it lower and improve accompanist's sight. Known as \"the short stick.\" Prop measures 13.125 in. (height) x .75 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6807. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.18","Blocks for simulating risers in order to aid in stage layout. 68 small, unfinished cube-shaped blocks used as bases for cardboard figures. 26 Brown and 12 Black blocks for simulating or propping up model risers. Produced for Dr. Fehr by Tom Madsen. Blocks measure68 UNFINISHED 1 x 1 x .375 AND .625 (length) x .625 (width) x.75 (depth); 15 BROWN 3.125 in. (length) x 1.5 in. (width) x .5 (depth); 5 BROWN 3.75 (length) x 1.375 (width)x 1 (depth); 6 BROWN 3.125 (length) x 1.5 (width) x 1.5 (depth); 6 BLACK 3.375 in. (length) 1 in. (width) x .5 in. (depth); 4 BLACK 3 in. (lenght) x 1 in. (width) x 1 in. (depth); 2 BLACK 3.125 in. (length) x 1.5 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6799. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Series 15, Box 7.UA2003.001.15.","Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced for Dr. Fehr by Tom Madsen. Used for stage arrangement. Blocks measure 6 BLACK 2.375 in (length) x 4.375 in. (width) x 1.5 (depth); 4 GRAY 4.5 in. (length) x 3 in. (width) x 1.5 in. (depth). Blocks in good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6800 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.16.","14 Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced fo Dr. Fehr by Tom Madsen. Used in stage arrangements. Blocks measure 8 BROWN 3.25 in. (length) x 4.375 in. (width) x 1.5 in. (depth); 6 WHITE 3.25 in (lenth) x 4.375 in. (width) x 1.5 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6801 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.27.","5 Four of the shirts are size 32 and one is a size 30. The names Lynn Irvin (Lynne Ellen Irvin, BS '75) and Kandice Kahl (Kandice E. Kahl, BS '73) are legible on the inside collar of two of the shirts; the other names are illegible. Ruffled Collar and cuffs, pearlized buttons. Full length sleeves. Used as costume. Shirts measure 24 in. (length) x 15 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6811 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA 6.017), Box 9. UA2003.001.20.","Scope and Contents Men's dress shirt, 15.5\" Collar 34\" Sleeve. Shirt buttoned up with two buttons in back. Removable-style collar (not attached). Stamp on front of shirt reading \"10 55 4907 32 I 152 34 ALL COTTON WPL 8489\" and a union stamp. Used as costume. Shirt measures 18 in. x 32 in. (width). In fair condition with some soil and stains. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6809 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6810 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 9. UA2003.001.19.","William and Mary Choir vinyl banner. One of two banners put on Greyhound buses for Choir tours. \"THE WILLIAM AND MARY CHOIR\" in hand-painted red, while \"WILLIAMSBURG, VA\" followed in black. Banner was duct-taped to bus. 22 in. (width) x 216 in. (height). Back of banner features star pattern. In fair condition, with paint chips missing from several letters, visible wrinkling, and minor patched tears. A hole was cut from the bottom of the banner to fit over the rear wheel of the bus, which measures 32 in. (width) and 4.5 in (height). Gift of Thomas Terry, Class of 1974. Located in the Carl A. Fehr Papers (UA6.017) Series 15, Box 10. UA 2003.001.38","\"Manufactured by the Capital Flag Company, Austin, Texas\" imprinted on the binding. Red, white, blue state flag of Texas. Two grommets for hanging. Texas was Pappy's home state. 35 1/2 in. (width) x 22 1/2 in. (height). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6830 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017) Series 15, Box 11. UA2003.001.32","Black morning jacket. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6835 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12. UA2003.001.34","Two items: Dark blue tuxedo jacket with satin lapels (UA2003.001.33a) and dark blue tuxedo trousers with satin leg stripes (UA2003.001.33b). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6833 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6832 . Image of trousers http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6834 . Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12.","Carl A. \"Pappy\" Fehr's Mortarboard cap. Part of his academic Regalia. Black and green velvet. Size 7. Used for academic regalia. Mortarboard measures 9.5 in. (length) x 9.5 in.(width). In fair condition, somewhat bent at the edges. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6815 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.24.","Cotrell \u0026 Leonard brand. \"CAF\" embroidered in collar. Black polyester and velvet. Used for academic regalia. In fair condition however it is frayed and faded with seams coming apart in some places. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6816 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Box 13. UA2003.001.25.","Bowtie used for Academic Regalia. Bowtie measures 12.75 in. (length) x 3.25 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6817 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.26.","Off-white tuxedo shirt; Arrow brand, \"New Nassau\" style. 15 1/2 x 33 collar. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6836. Gift of Thomas Terry, Class of 1974. Located in Carol Fehr Papers (UA6.017), Series 15, Box 14. UA2003.001.35","Black tuxedo trousers with satin leg stripes. \"Genuine Tropical 'North Cool'\" Includes identification numbers, three sets: C16679 X5784  2835. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6837 . http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6838 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.36","Striped charcoal gray and black morning trousers. Image avalible at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6839, http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6840 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.37","Scope and Contents Exotica-brand men's tuxedo shirt, 15 1/2\" Collar 33\" Sleeves. Wing Collar. Stains on right and left shoulders. Used as costume. Shirt measures 32.5 in. (length) x 17 in. (width). In fair condition with some soil and stains.  Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6812 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.21.","One black cardboard cutout replica of a grand piano that was used by Carl A. \"Pappy\" Fehr, director of the William and Mary Choir, to help design how the choir would appear on stage. The piano was painted black and there are three legs, with each leg glued to to the main body of the piano. Piano measures 4in. x 6 3/4 in. The piano is in fair condition with some chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6802 It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.479.01.","One paper drawing depicting Carl A. \"Pappy\" Fehr, with a baton in his right hand, directing the William and Mary Choirs. The figure is attached to a wooden block and held together by a staple. Dr. Fehr is featured in a black tuxedo. The figure was used by Dr. Fehr to help design how the choir would appear on stage during performances. Figure measures 3/4in. x 2 3/4 in. Stand is 3/4in. x .5in The figure is in good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6803. http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6804 . It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.480.01.","One wooden ink stamp that was used by the Women's Glee Club at the College of William and Mary. The stamp once belonged to Carl A. \"Pappy\" Fehr, director of the William and Mary Choirs.The top half of the stamp features a black handle made of wood with the word \"Front\" written in white. The bottom half of the stamp is made of wood with a metal nameplate attached to the wood. There is a yellow piece of paper with \"WOMEN'S GLEE CLUB\" written in black that is placed in the nameplate. Stamp measures 2 3/4in. x 2 5/8 in. The stamp is in fair condition with some rust and a bent top border for the nameplate. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6808 . It was donated by Thomas Terry, Class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.481.01.","One vial containing some soil that was taken from the ground in Austin, Texas by Carl A. \"Pappy\" Fehr while the William and Mary Choir was at a performance there. There is a piece of tape wrapped around the vial with \"Sacred Soil from Austin, Texas\" written across it in red and black ink.. Vial measures 3 in. (length) x 1 in. (width). The vial is in good condition but the label is starting to fade. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6805. Gift of Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.482.1.","Rubber stamp with wooden handle and stamped sample as lable. Stamp reads: THE WILLIAM AND MARY CHORUS WILLIAMSBURG, VIRGINIA (treble clef) . Handle imprinted with RAY BROWN WILLIAMSBURG, VA. Used for office purposes. Stamp measures 3.125 in (length) x 2 in. (width) x 1.125 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6823 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.1.","Small rubber stamp with wooden round wooden handle. Rubber reads in script: Library of Carl A. Fehr. Used for office purposes. Stamp measures 3 (length) x1.5 in. (width) x.75 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6825 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.6.","Rubber stamp with wooden handle and stamped label. Rubber stamp reads: \" W \u0026M Alumni CHOIR REUNION JUNE 10-12, 1983.\" Measures 2.5 in. (length) x 2.125 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6822 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.5.","Rubber stamp with wooden handle and stamped label. Rubber stamp reads: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185 with large eighth note. Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.25 (length) x1.875 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6826.Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.2.","Rubber stamp with wooden handle and stamped lable. Stamp reads: VIA AIR MAIL. Handle imprinted with SOSSCO AT RICHMOND, VA. Measures 2.875 (length) x1.875 (width) x.625 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6824 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.9.","Rubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA 23185 Handle reads: SOSSCO AT RICHMOND, VA. Measures 3in. (length) x3in.(width)x1in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6818. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.3.","Rubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.125in.(length)x2.5in.(width)x1in.(depth). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6821 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.4.","Small rubber stamp with wooden handle. Rubber reads: CARL A. FEHR. Measures 1.5in.(length)x1in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6820 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.7.","Small rubber stamp with wooden handle. Rubber reads: \"FEHR\" Measures 1.5in.(length)x.5in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6819 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.8.","Scope and Contents Cotton patchwork quilt with 72 signature panels, each with an embroidered signature of a student in the 1973-1974 Choir. Each student embroidered their own signature or obtained help if less skilled in needlework. Signature blocks use 5 different fabric patterns: orange floral, light blue floral, medium blue floral, yellow solid, and green solid. Center green block embroidered in light yellow \"College of William \u0026 Mary\" in a circle around an embroidered gold eighth note with \"the choir\" embroidered in green over top. Lower right corner green panel has \"to Pappy from the Choir 1973-74\" embroidered in light green, gold, and light yellow. Backed with a pink and purple floral cream cotton cloth. Ann Spielman Woolley (Class of 1974) organized the project and created quilt, using a sewing machine on top of a box because she did not have a sewing table. Quilt measures 53.125\" (width) x 65\" (height)  x .75\" (depth). Excellent condition. Gift of Mark and Ann Woolley. UA 2008.008.01","Watercolor of the choir standing on the yard-side (East side) steps of the Wren building. The glass covering the painting reads \"Carl A. Fehr\" and was taken from Dr. Fehr's office window. Painting covered in wax paper to make image clearer (according to Tom Terry). Green matting and light-colored wooden frame. Window measures 25.5 in (length) x 15.5 in (width). In fair condition with some bubbling of the wax paper. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6813. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA2003.001.22.","Portrait of Carl A. \"Pappy\" Fehr in blue mononchrome (medium uncertain) on canvas. Silver-painted, wooden frame. Ann Chancellor created the portrait, with Fehr in concert as the choir director. Portrait was presented to Fehr on April 1, 1970 to commemorate his 25th anniversary of leading the choir. Back of frame signed in pencil, \"To Pappy Fehr from T. Thorne 1970.\" See page 8 of Fehr's 25th Anniversary scrapbook for more about the portrait presentation. Portrait measures 36 in. (length) x 28.5 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6814 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers. UA 2003.001.23","Choir and Chorus postcards presented by Carl Fehr in 1992. Wooden frame. Collection titled and inscribed on top: \"The William and Mary Choir and Chorus 1954-1974. 'The Choir was our image maker in song that inspired so many on campus, throughout Virginia, and states beyond - all under the direction of the beloved Dr. Carl A. (Pappy) Fehr.' President Davis Y. Pascall.\" Hand written on back: Karen McCluney 11/92 S Dan Olson Nov. 92. According to Tom Terry '74, \"Pappy had these postcards made from the official choir pictures, and he used them for promotional things, They were in the letters that he would send to the freshmen, welcoming them to the College, He used them for publicity when we would go on tour, sending them to, say, churches ahead of our arrival for promotional purposes. His wife worked for a company here in Williamsburg that made poostcards. ...Maybe Miller Photography, I'm not sure of the company name. Pappy had boxes and boxes of these. I have boxes and boxes of these. He went through them after he retired; went through and gave a wad of them to the Alumni Association. At the Alumni House they made one of these to put on their wall, and then they made one also for Pappy, So there shoud be one of these also in the Alumni House.\" 37.125 in. (height) x 25.25 in. (width) x .75 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6831 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Oversize. UA 2003.001.31","The series contains scrapbooks compiled by choral members documenting their annual activities and special events (1945-1983), as well as a leather-bound compilation of choral member testimonials to Dr. Fehr on his retirement from William and Mary inscribed \"To Pappy from his Children.\"","W \u0026 M Choir Scrapbook primarily newspaper articles about The Choir and The Common Glory."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. 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