{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1971\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1971\u0026f%5Blevel%5D%5B%5D=File\u0026page=2\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1971\u0026f%5Blevel%5D%5B%5D=File\u0026page=4436\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":4436,"limit_value":10,"offset_value":0,"total_count":44351,"first_page?":true,"last_page?":false}},"data":[{"id":"viblbv_repositories_2_resources_3405_c02_c1077","type":"File","attributes":{"title":"#1046 - Roanoke Life Saving and First Aid Crew, Roanoke, Virginia, Smithey \u0026 Boynton","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3405_c02_c1077#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3405_c02_c1077","ref_ssm":["viblbv_repositories_2_resources_3405_c02_c1077"],"id":"viblbv_repositories_2_resources_3405_c02_c1077","ead_ssi":"viblbv_repositories_2_resources_3405","_root_":"viblbv_repositories_2_resources_3405","_nest_parent_":"viblbv_repositories_2_resources_3405_c02","parent_ssi":"viblbv_repositories_2_resources_3405_c02","parent_ssim":["viblbv_repositories_2_resources_3405","viblbv_repositories_2_resources_3405_c02"],"parent_ids_ssim":["viblbv_repositories_2_resources_3405","viblbv_repositories_2_resources_3405_c02"],"parent_unittitles_ssm":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records","Series II: Project Files and Drawings"],"parent_unittitles_tesim":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records","Series II: Project Files and Drawings"],"text":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records","Series II: Project Files and Drawings","#1046 - Roanoke Life Saving and First Aid Crew, Roanoke, Virginia, Smithey \u0026 Boynton","box 382"],"title_filing_ssi":"#1046 - Roanoke Life Saving and First Aid Crew, Roanoke, Virginia, Smithey \u0026 Boynton","title_ssm":["#1046 - Roanoke Life Saving and First Aid Crew, Roanoke, Virginia, Smithey \u0026 Boynton"],"title_tesim":["#1046 - Roanoke Life Saving and First Aid Crew, Roanoke, Virginia, Smithey \u0026 Boynton"],"unitdate_other_ssim":["1954, 1971"],"normalized_date_ssm":["1954/1971"],"normalized_title_ssm":["#1046 - Roanoke Life Saving and First Aid Crew, Roanoke, Virginia, Smithey \u0026 Boynton"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1089,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"containers_ssim":["box 382"],"_nest_path_":"/components#1/components#1076","timestamp":"2026-05-21T02:27:21.236Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3405","ead_ssi":"viblbv_repositories_2_resources_3405","_root_":"viblbv_repositories_2_resources_3405","_nest_parent_":"viblbv_repositories_2_resources_3405","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3405.xml","title_filing_ssi":"Smithey \u0026 Boynton, Architects \u0026 Engineers Records","title_ssm":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"title_tesim":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"unitdate_ssm":["1922-1985"],"unitdate_inclusive_ssm":["1922-1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1992.027"],"text":["Ms.1992.027","Smithey \u0026 Boynton, Architects \u0026 Engineers Records","Covington (Va.)","Buchanan County (Va.)","Franklin County (Va.)","Christiansburg (Va.)","Wythe County (Va.)","Pulaski County (Va.)","Blacksburg (Va.)","Roanoke (Va.)","Carroll County (Va.)","Virginia, Southwest","Salem (Va.)","Radford (Va.)","Russell County (Va.)","Tazewell County (Va.)","Bedford County (Va.)","Local/Regional History and Appalachian South","Montgomery County (Va.)","Architects -- Virginia","Architectural drawing -- 20th century","The collection is open for research.","Some of this collection has been digitized and is available online.","The collection is arranged into three series: ","Series I: Biographical Information and Organization Records, 1923-1972, is arranged by owner and material type into the following subseries: Subseries A: Smithey \u0026 Tardy; Subseries B: Smithey \u0026 Boynton; and Subseries C: Sample Floor Plans. The Series contains documentation and administrative files on Smithey \u0026 Tardy and Smithey \u0026 Boynton. Materials include professional histories of partners and employees, biographical and personnel information, organization charts, legal and tax files, forms and contracts for clients, and some sample plans for school and residential designs.","Series II: Project Files and Drawings, 1923-1985, is arranged by project number, with unnumbered projects at the end. The materials are for designs or renovations by Smithey \u0026 Boynton with some files from previous or additional architects and engineers. The project files contain a variety of items that vary with each project. Materials may include blueprints, drawings, maps, contracts, correspondence and memos, and other documentation created by the firm or clients. Project files are listed with the project number, project/client name, and location; some also have dates and the name of the architectural or engineering firm.","Series III: Johnson Associates International, February 1968, contains materials on a single project completed by the firm, Farmland Dairies Inc. Processing Plant (Wallington, NJ). Files on this project date from February 1968.","Smithey \u0026 Boynton, Architects \u0026 Engineers, was an architecture firm in Roanoke, Virginia, established in 1935 by Louis Phillipe Smithey and Henry B. Boynton. The firm closed during World War II for a few years while Boynton and Smithey served in the U.S. Army. After Smithey's death in the 1970s, Boynton partnered with Kenneth L. Motley, who began his career as a draftsman with the firm. In 1992, a year following Boynton's death, Motley acquired Smithey \u0026 Boynton and renamed the firm Motley + Associates.","Smithey \u0026 Boynton designed several structures over the years, including the Christ Episcopal Church, the South Roanoke Fire Station, the Shenandoah Life Building, McClanaham Street Office Building, and the American Theater Building, all in Roanoke. The firm also designed Lane Stadium at Virginia Tech and the Lyric Theatre in Blacksburg. The firm became best known for building public schools, even using the same basic layout for numerous schools. Smithey \u0026 Boynton had nearly 150 school design commissions during the period of 1945 thru 1953 in at least 19 counties and 10 cities.","\nHenry B. Boynton was born in West Chicago, Illinois, in 1899 and grew up in Amelia County, Virginia. He graduated from Virginia Polytechnic Institute with a B.S. in Agricultural Engineering in 1921 and a B.S. in Civil Engineering in 1923. Boyton then spent a year at the University of Illinois in Urbana taking architecture classes. He became a registered architect in Virginia in 1930 and later registered in West Virginia, North Carolina, and Pennsylvania.","From 1924 to 1928, Boynton worked as a draftsman at Carneal \u0026 Johnston, Architects \u0026 Engineers, in Richmond, Virginia. In 1929, he joined Louis Phillipe Smithey, Architect \u0026 Engineer, in Roanoke, Virginia, as an associate. In 1935, Boynton and Smithey partnered to form Smithey \u0026 Boynton, Architects \u0026 Engineers, in Roanoke. Boynton became senior partner of the firm when Smithey retired in 1963.","Boynton was affiliated with the Virginia Chapter (later the Virginia Society \u0026 Blue Ridge Chapter) of the American Institute of Architects from 1938 until his death. He served on the board of directors in 1952, 1953, and 1956; as vice-president in 1954; and as president in 1955. He was a member of the State Registration Board for Architects, Professional Engineers, and Land Surveyors, as a Governor's appointee, from 1962 to 1972, serving as President of the Board in 1967. He received a distinguished service award in 1980 and the Noland Award in 1989, both from the Virginia Society \u0026 Blue Ridge Chapter of the AIA.","Boynton served in the Army Corps of Engineers during World War II, rising to the rank of Colonel. He was a member of the Virginia Tech Alumni Board of Directors from 1969 to 1979 and Chair of its Annual Fund Committee from 1973 to 1979. He also served on the Board of the VPI Educational Foundation, Inc., from 1978 to 1982. In 1976, Boynton received the Virginia Tech Alumni Distinguished Service.","Boynton died on September 13, 1991, at the age of 92, at his home in Roanoke.","The son of William Rosser Smithey and Mannie Jane Elizabeth Greene, Louis Philippe Smithey was born in Mecklenburg County, Virginia, on June 7, 1890. He earned his bachelor and master's degrees at Randolph-Macon College in 1909 and 1910, respectively, and was an alumnus member of Phi Beta Kappa there. He was an instructor and special student at Virginia Polytechnic Institute from 1910 to 1914 and a special student at Massachusetts Institute of Technology from 1914 to 1915.","Smithey was a registered architect in Virginia and West Virginia. A fellow of the American Institute of Architects (AIA), he served as president of the Virginia chapter of AIA in 1940. ","Smithey worked as a draftsman and contracting engineer for Virginia Bridge \u0026 Iron Company in Roanoke from 1916 to 1918. After serving in the army in World War I, he was contracting engineer for Virginia Bridge \u0026 Iron Company again in 1919 and 1920. He practiced as Louis P. Smithey from 1920 to 1922, with Matthews H. Tardy as Smithey \u0026 Tardy from 1922 to 1927, and again as Louis P. Smithey from 1927 to 1935. ","The Smithey \u0026 Boynton partnership formed in 1935 with Henry B. Boynton. Prior to World War II, the firm served as consulting architects for the Roanoke City School Board and Roanoke County School Board for approximately eight years and handled school buildings in Franklin County, Montgomery County, Alleghany County, Pulaski County, and the City of Waynesboro.","While the company was closed during World War II, Smithey served in the U.S. Army as Lt. Colonel from 1942 thru 1945. ","Following the war, Smithey \u0026 Boynton were commissioned as architects or consulting architects on public school work in Virginia valued at approximately $31 million, distributed in 25 School Divisions of the state. Smithey retired from professional practice in 1963. ","On June 11, 1938, Smithey married Dorothy Terrill, and they had daughter Nancy Terrill Smithey on March 10, 1940. He and his family lived in Roanoke. Smithey died on August 19, 1966.","The guide to the Smithey \u0026 Boynton, Architects \u0026 Engineers Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Some processing, arrangement, and description of the Smithey \u0026 Boynton, Architects \u0026 Engineers Records was completed between 1992 and 2009. The majority of the arrangement and description was completed between 2010 and 2019.","See the  Henry B. Boynton Papers, Ms1992-002 , also at Virginia Tech Special Collections and University Archives.","The collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026 Boynton, mostly between 1935 and 1957. Materials consist of project files, specifications, framed drawings and photographs, and architectural drawings. Records include designs by Smithey before he collaborated with Boynton, as well as designs by other firms of projects later redesigned by Smithey \u0026 Boynton. A small group of materials also relate to the firm of Johnson Associates International from 1968."," Please note: The list of projects/project files below does NOT include the rolled drawings currently being processed. Contact Special Collections for the current inventory of available drawings and how to access them.","Several oversize and/or framed photographs and drawings have been separated to the Art Collection, and several publications have been separated to the Rare Books Collection.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026 Boynton, mostly between 1935 and 1957.","Please note: This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.","Special Collections and University Archives, Virginia Tech","Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)","Boynton, Henry B., 1899-1991","The materials in the collection are in English."],"unitid_tesim":["Ms.1992.027"],"normalized_title_ssm":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"collection_title_tesim":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"collection_ssim":["Smithey \u0026 Boynton, Architects \u0026 Engineers Records"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Covington (Va.)","Buchanan County (Va.)","Franklin County (Va.)","Christiansburg (Va.)","Wythe County (Va.)","Pulaski County (Va.)","Blacksburg (Va.)","Roanoke (Va.)","Carroll County (Va.)","Virginia, Southwest","Salem (Va.)","Radford (Va.)","Russell County (Va.)","Tazewell County (Va.)","Bedford County (Va.)"],"geogname_ssim":["Covington (Va.)","Buchanan County (Va.)","Franklin County (Va.)","Christiansburg (Va.)","Wythe County (Va.)","Pulaski County (Va.)","Blacksburg (Va.)","Roanoke (Va.)","Carroll County (Va.)","Virginia, Southwest","Salem (Va.)","Radford (Va.)","Russell County (Va.)","Tazewell County (Va.)","Bedford County (Va.)"],"creator_ssm":["Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)"],"creator_ssim":["Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)"],"creator_corpname_ssim":["Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)"],"creators_ssim":["Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)"],"places_ssim":["Covington (Va.)","Buchanan County (Va.)","Franklin County (Va.)","Christiansburg (Va.)","Wythe County (Va.)","Pulaski County (Va.)","Blacksburg (Va.)","Roanoke (Va.)","Carroll County (Va.)","Virginia, Southwest","Salem (Va.)","Radford (Va.)","Russell County (Va.)","Tazewell County (Va.)","Bedford County (Va.)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Smithey \u0026 Boynton, Architects \u0026 Engineers Records were donated to Special Collections and University Archives in 1992 and 1994."],"access_subjects_ssim":["Local/Regional History and Appalachian South","Montgomery County (Va.)","Architects -- Virginia","Architectural drawing -- 20th century"],"access_subjects_ssm":["Local/Regional History and Appalachian South","Montgomery County (Va.)","Architects -- Virginia","Architectural drawing -- 20th century"],"has_online_content_ssim":["false"],"extent_ssm":["ca. 313 Cubic Feet 993 boxes, 5 oversize folders"],"extent_tesim":["ca. 313 Cubic Feet 993 boxes, 5 oversize folders"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/262\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series: \u003c/p\u003e\n","\u003cp\u003eSeries I: Biographical Information and Organization Records, 1923-1972, is arranged by owner and material type into the following subseries: Subseries A: Smithey \u0026amp; Tardy; Subseries B: Smithey \u0026amp; Boynton; and Subseries C: Sample Floor Plans. The Series contains documentation and administrative files on Smithey \u0026amp; Tardy and Smithey \u0026amp; Boynton. Materials include professional histories of partners and employees, biographical and personnel information, organization charts, legal and tax files, forms and contracts for clients, and some sample plans for school and residential designs.\u003c/p\u003e\n","\u003cp\u003eSeries II: Project Files and Drawings, 1923-1985, is arranged by project number, with unnumbered projects at the end. The materials are for designs or renovations by Smithey \u0026amp; Boynton with some files from previous or additional architects and engineers. The project files contain a variety of items that vary with each project. Materials may include blueprints, drawings, maps, contracts, correspondence and memos, and other documentation created by the firm or clients. Project files are listed with the project number, project/client name, and location; some also have dates and the name of the architectural or engineering firm.\u003c/p\u003e\n","\u003cp\u003eSeries III: Johnson Associates International, February 1968, contains materials on a single project completed by the firm, Farmland Dairies Inc. Processing Plant (Wallington, NJ). Files on this project date from February 1968.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into three series: ","Series I: Biographical Information and Organization Records, 1923-1972, is arranged by owner and material type into the following subseries: Subseries A: Smithey \u0026 Tardy; Subseries B: Smithey \u0026 Boynton; and Subseries C: Sample Floor Plans. The Series contains documentation and administrative files on Smithey \u0026 Tardy and Smithey \u0026 Boynton. Materials include professional histories of partners and employees, biographical and personnel information, organization charts, legal and tax files, forms and contracts for clients, and some sample plans for school and residential designs.","Series II: Project Files and Drawings, 1923-1985, is arranged by project number, with unnumbered projects at the end. The materials are for designs or renovations by Smithey \u0026 Boynton with some files from previous or additional architects and engineers. The project files contain a variety of items that vary with each project. Materials may include blueprints, drawings, maps, contracts, correspondence and memos, and other documentation created by the firm or clients. Project files are listed with the project number, project/client name, and location; some also have dates and the name of the architectural or engineering firm.","Series III: Johnson Associates International, February 1968, contains materials on a single project completed by the firm, Farmland Dairies Inc. Processing Plant (Wallington, NJ). Files on this project date from February 1968."],"bioghist_html_tesm":["\u003cp\u003eSmithey \u0026amp; Boynton, Architects \u0026amp; Engineers, was an architecture firm in Roanoke, Virginia, established in 1935 by Louis Phillipe Smithey and Henry B. Boynton. The firm closed during World War II for a few years while Boynton and Smithey served in the U.S. Army. After Smithey's death in the 1970s, Boynton partnered with Kenneth L. Motley, who began his career as a draftsman with the firm. In 1992, a year following Boynton's death, Motley acquired Smithey \u0026amp; Boynton and renamed the firm Motley + Associates.\u003c/p\u003e\n","\u003cp\u003eSmithey \u0026amp; Boynton designed several structures over the years, including the Christ Episcopal Church, the South Roanoke Fire Station, the Shenandoah Life Building, McClanaham Street Office Building, and the American Theater Building, all in Roanoke. The firm also designed Lane Stadium at Virginia Tech and the Lyric Theatre in Blacksburg. The firm became best known for building public schools, even using the same basic layout for numerous schools. Smithey \u0026amp; Boynton had nearly 150 school design commissions during the period of 1945 thru 1953 in at least 19 counties and 10 cities.\u003c/p\u003e","\u003cp\u003e\nHenry B. Boynton was born in West Chicago, Illinois, in 1899 and grew up in Amelia County, Virginia. He graduated from Virginia Polytechnic Institute with a B.S. in Agricultural Engineering in 1921 and a B.S. in Civil Engineering in 1923. Boyton then spent a year at the University of Illinois in Urbana taking architecture classes. He became a registered architect in Virginia in 1930 and later registered in West Virginia, North Carolina, and Pennsylvania.\u003c/p\u003e\n","\u003cp\u003eFrom 1924 to 1928, Boynton worked as a draftsman at Carneal \u0026amp; Johnston, Architects \u0026amp; Engineers, in Richmond, Virginia. In 1929, he joined Louis Phillipe Smithey, Architect \u0026amp; Engineer, in Roanoke, Virginia, as an associate. In 1935, Boynton and Smithey partnered to form Smithey \u0026amp; Boynton, Architects \u0026amp; Engineers, in Roanoke. Boynton became senior partner of the firm when Smithey retired in 1963.\u003c/p\u003e\n","\u003cp\u003eBoynton was affiliated with the Virginia Chapter (later the Virginia Society \u0026amp; Blue Ridge Chapter) of the American Institute of Architects from 1938 until his death. He served on the board of directors in 1952, 1953, and 1956; as vice-president in 1954; and as president in 1955. He was a member of the State Registration Board for Architects, Professional Engineers, and Land Surveyors, as a Governor's appointee, from 1962 to 1972, serving as President of the Board in 1967. He received a distinguished service award in 1980 and the Noland Award in 1989, both from the Virginia Society \u0026amp; Blue Ridge Chapter of the AIA.\u003c/p\u003e\n","\u003cp\u003eBoynton served in the Army Corps of Engineers during World War II, rising to the rank of Colonel. He was a member of the Virginia Tech Alumni Board of Directors from 1969 to 1979 and Chair of its Annual Fund Committee from 1973 to 1979. He also served on the Board of the VPI Educational Foundation, Inc., from 1978 to 1982. In 1976, Boynton received the Virginia Tech Alumni Distinguished Service.\u003c/p\u003e\n","\u003cp\u003eBoynton died on September 13, 1991, at the age of 92, at his home in Roanoke.\u003c/p\u003e","\u003cp\u003eThe son of William Rosser Smithey and Mannie Jane Elizabeth Greene, Louis Philippe Smithey was born in Mecklenburg County, Virginia, on June 7, 1890. He earned his bachelor and master's degrees at Randolph-Macon College in 1909 and 1910, respectively, and was an alumnus member of Phi Beta Kappa there. He was an instructor and special student at Virginia Polytechnic Institute from 1910 to 1914 and a special student at Massachusetts Institute of Technology from 1914 to 1915.\u003c/p\u003e\n","\u003cp\u003eSmithey was a registered architect in Virginia and West Virginia. A fellow of the American Institute of Architects (AIA), he served as president of the Virginia chapter of AIA in 1940. \u003c/p\u003e\n","\u003cp\u003eSmithey worked as a draftsman and contracting engineer for Virginia Bridge \u0026amp; Iron Company in Roanoke from 1916 to 1918. After serving in the army in World War I, he was contracting engineer for Virginia Bridge \u0026amp; Iron Company again in 1919 and 1920. He practiced as Louis P. Smithey from 1920 to 1922, with Matthews H. Tardy as Smithey \u0026amp; Tardy from 1922 to 1927, and again as Louis P. Smithey from 1927 to 1935. \u003c/p\u003e\n","\u003cp\u003eThe Smithey \u0026amp; Boynton partnership formed in 1935 with Henry B. Boynton. Prior to World War II, the firm served as consulting architects for the Roanoke City School Board and Roanoke County School Board for approximately eight years and handled school buildings in Franklin County, Montgomery County, Alleghany County, Pulaski County, and the City of Waynesboro.\u003c/p\u003e\n","\u003cp\u003eWhile the company was closed during World War II, Smithey served in the U.S. Army as Lt. Colonel from 1942 thru 1945. \u003c/p\u003e\n","\u003cp\u003eFollowing the war, Smithey \u0026amp; Boynton were commissioned as architects or consulting architects on public school work in Virginia valued at approximately $31 million, distributed in 25 School Divisions of the state. Smithey retired from professional practice in 1963. \u003c/p\u003e\n","\u003cp\u003eOn June 11, 1938, Smithey married Dorothy Terrill, and they had daughter Nancy Terrill Smithey on March 10, 1940. He and his family lived in Roanoke. Smithey died on August 19, 1966.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Biographical Note - Henry B. Boyton","Biographical Note - Louis Phillipe Smithey"],"bioghist_tesim":["Smithey \u0026 Boynton, Architects \u0026 Engineers, was an architecture firm in Roanoke, Virginia, established in 1935 by Louis Phillipe Smithey and Henry B. Boynton. The firm closed during World War II for a few years while Boynton and Smithey served in the U.S. Army. After Smithey's death in the 1970s, Boynton partnered with Kenneth L. Motley, who began his career as a draftsman with the firm. In 1992, a year following Boynton's death, Motley acquired Smithey \u0026 Boynton and renamed the firm Motley + Associates.","Smithey \u0026 Boynton designed several structures over the years, including the Christ Episcopal Church, the South Roanoke Fire Station, the Shenandoah Life Building, McClanaham Street Office Building, and the American Theater Building, all in Roanoke. The firm also designed Lane Stadium at Virginia Tech and the Lyric Theatre in Blacksburg. The firm became best known for building public schools, even using the same basic layout for numerous schools. Smithey \u0026 Boynton had nearly 150 school design commissions during the period of 1945 thru 1953 in at least 19 counties and 10 cities.","\nHenry B. Boynton was born in West Chicago, Illinois, in 1899 and grew up in Amelia County, Virginia. He graduated from Virginia Polytechnic Institute with a B.S. in Agricultural Engineering in 1921 and a B.S. in Civil Engineering in 1923. Boyton then spent a year at the University of Illinois in Urbana taking architecture classes. He became a registered architect in Virginia in 1930 and later registered in West Virginia, North Carolina, and Pennsylvania.","From 1924 to 1928, Boynton worked as a draftsman at Carneal \u0026 Johnston, Architects \u0026 Engineers, in Richmond, Virginia. In 1929, he joined Louis Phillipe Smithey, Architect \u0026 Engineer, in Roanoke, Virginia, as an associate. In 1935, Boynton and Smithey partnered to form Smithey \u0026 Boynton, Architects \u0026 Engineers, in Roanoke. Boynton became senior partner of the firm when Smithey retired in 1963.","Boynton was affiliated with the Virginia Chapter (later the Virginia Society \u0026 Blue Ridge Chapter) of the American Institute of Architects from 1938 until his death. He served on the board of directors in 1952, 1953, and 1956; as vice-president in 1954; and as president in 1955. He was a member of the State Registration Board for Architects, Professional Engineers, and Land Surveyors, as a Governor's appointee, from 1962 to 1972, serving as President of the Board in 1967. He received a distinguished service award in 1980 and the Noland Award in 1989, both from the Virginia Society \u0026 Blue Ridge Chapter of the AIA.","Boynton served in the Army Corps of Engineers during World War II, rising to the rank of Colonel. He was a member of the Virginia Tech Alumni Board of Directors from 1969 to 1979 and Chair of its Annual Fund Committee from 1973 to 1979. He also served on the Board of the VPI Educational Foundation, Inc., from 1978 to 1982. In 1976, Boynton received the Virginia Tech Alumni Distinguished Service.","Boynton died on September 13, 1991, at the age of 92, at his home in Roanoke.","The son of William Rosser Smithey and Mannie Jane Elizabeth Greene, Louis Philippe Smithey was born in Mecklenburg County, Virginia, on June 7, 1890. He earned his bachelor and master's degrees at Randolph-Macon College in 1909 and 1910, respectively, and was an alumnus member of Phi Beta Kappa there. He was an instructor and special student at Virginia Polytechnic Institute from 1910 to 1914 and a special student at Massachusetts Institute of Technology from 1914 to 1915.","Smithey was a registered architect in Virginia and West Virginia. A fellow of the American Institute of Architects (AIA), he served as president of the Virginia chapter of AIA in 1940. ","Smithey worked as a draftsman and contracting engineer for Virginia Bridge \u0026 Iron Company in Roanoke from 1916 to 1918. After serving in the army in World War I, he was contracting engineer for Virginia Bridge \u0026 Iron Company again in 1919 and 1920. He practiced as Louis P. Smithey from 1920 to 1922, with Matthews H. Tardy as Smithey \u0026 Tardy from 1922 to 1927, and again as Louis P. Smithey from 1927 to 1935. ","The Smithey \u0026 Boynton partnership formed in 1935 with Henry B. Boynton. Prior to World War II, the firm served as consulting architects for the Roanoke City School Board and Roanoke County School Board for approximately eight years and handled school buildings in Franklin County, Montgomery County, Alleghany County, Pulaski County, and the City of Waynesboro.","While the company was closed during World War II, Smithey served in the U.S. Army as Lt. Colonel from 1942 thru 1945. ","Following the war, Smithey \u0026 Boynton were commissioned as architects or consulting architects on public school work in Virginia valued at approximately $31 million, distributed in 25 School Divisions of the state. Smithey retired from professional practice in 1963. ","On June 11, 1938, Smithey married Dorothy Terrill, and they had daughter Nancy Terrill Smithey on March 10, 1940. He and his family lived in Roanoke. Smithey died on August 19, 1966."],"odd_html_tesm":["\u003cp\u003eThe guide to the Smithey \u0026amp; Boynton, Architects \u0026amp; Engineers Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Smithey \u0026 Boynton, Architects \u0026 Engineers Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Smithey \u0026amp; Boynton, Architects \u0026amp; Engineers Records, Ms1992-027, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Smithey \u0026 Boynton, Architects \u0026 Engineers Records, Ms1992-027, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eSome processing, arrangement, and description of the Smithey \u0026amp; Boynton, Architects \u0026amp; Engineers Records was completed between 1992 and 2009. The majority of the arrangement and description was completed between 2010 and 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Some processing, arrangement, and description of the Smithey \u0026 Boynton, Architects \u0026 Engineers Records was completed between 1992 and 2009. The majority of the arrangement and description was completed between 2010 and 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the \u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/1883.oai_ead.xml\" target=\"_blank\"\u003eHenry B. Boynton Papers, Ms1992-002\u003c/a\u003e, also at Virginia Tech Special Collections and University Archives.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See the  Henry B. Boynton Papers, Ms1992-002 , also at Virginia Tech Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026amp; Boynton, mostly between 1935 and 1957. Materials consist of project files, specifications, framed drawings and photographs, and architectural drawings. Records include designs by Smithey before he collaborated with Boynton, as well as designs by other firms of projects later redesigned by Smithey \u0026amp; Boynton. A small group of materials also relate to the firm of Johnson Associates International from 1968.\u003c/p\u003e\n","\u003cp\u003e Please note: The list of projects/project files below does NOT include the rolled drawings currently being processed. Contact Special Collections for the current inventory of available drawings and how to access them.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026 Boynton, mostly between 1935 and 1957. Materials consist of project files, specifications, framed drawings and photographs, and architectural drawings. Records include designs by Smithey before he collaborated with Boynton, as well as designs by other firms of projects later redesigned by Smithey \u0026 Boynton. A small group of materials also relate to the firm of Johnson Associates International from 1968."," Please note: The list of projects/project files below does NOT include the rolled drawings currently being processed. Contact Special Collections for the current inventory of available drawings and how to access them."],"separatedmaterial_html_tesm":["\u003cp\u003eSeveral oversize and/or framed photographs and drawings have been separated to the Art Collection, and several publications have been separated to the Rare Books Collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Several oversize and/or framed photographs and drawings have been separated to the Art Collection, and several publications have been separated to the Rare Books Collection."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8c42bfbc1e1061bf3fafd7635d331ea3\" label=\"Abstract\"\u003eThe collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026amp; Boynton, mostly between 1935 and 1957.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains project files and drawings related to more than 1,500 residences, churches, businesses, schools, and community buildings, predominantly in the Roanoke and Southwest Virginia area, designed by Smithey \u0026 Boynton, mostly between 1935 and 1957."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a6eb7e09f425a2b99a2853c5a31e3301\"\u003e\n  \u003cemph render=\"bold\"\u003ePlease note: This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.\u003c/emph\u003e\n\u003c/physloc\u003e"],"physloc_tesim":["Please note: This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information."],"names_coll_ssim":["Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)","Boynton, Henry B., 1899-1991"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)","Boynton, Henry B., 1899-1991"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Smithey \u0026 Boynton, Architects and Engineers (1935-1992) (Roanoke, Va.)"],"persname_ssim":["Boynton, Henry B., 1899-1991"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1817,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:27:21.236Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3405_c02_c1077"}},{"id":"vilxw_repositories_5_resources_616_c02_c116","type":"File","attributes":{"title":"107 Lee Avenue, Episcopal Rectory, J. Randolph Kean","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_616_c02_c116#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_616_c02_c116","ref_ssm":["vilxw_repositories_5_resources_616_c02_c116"],"id":"vilxw_repositories_5_resources_616_c02_c116","ead_ssi":"vilxw_repositories_5_resources_616","_root_":"vilxw_repositories_5_resources_616","_nest_parent_":"vilxw_repositories_5_resources_616_c02","parent_ssi":"vilxw_repositories_5_resources_616_c02","parent_ssim":["vilxw_repositories_5_resources_616","vilxw_repositories_5_resources_616_c02"],"parent_ids_ssim":["vilxw_repositories_5_resources_616","vilxw_repositories_5_resources_616_c02"],"parent_unittitles_ssm":["Student Architectural papers collection","Original papers"],"parent_unittitles_tesim":["Student Architectural papers collection","Original papers"],"text":["Student Architectural papers collection","Original papers","107 Lee Avenue, Episcopal Rectory, J. Randolph Kean","Box 3","folder 26"],"title_filing_ssi":"107 Lee Avenue, Episcopal Rectory, J. Randolph Kean","title_ssm":["107 Lee Avenue, Episcopal Rectory, J. Randolph Kean"],"title_tesim":["107 Lee Avenue, Episcopal Rectory, J. Randolph Kean"],"unitdate_bulk_ssim":["1953 January , 1984"],"normalized_title_ssm":["107 Lee Avenue, Episcopal Rectory, J. Randolph Kean"],"component_level_isim":[2],"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["Student Architectural papers collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":665,"parent_access_restrict_tesm":["This collection is open for research use."],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"containers_ssim":["Box 3","folder 26"],"_nest_path_":"/components#1/components#115","timestamp":"2026-05-20T22:14:48.388Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_616","ead_ssi":"vilxw_repositories_5_resources_616","_root_":"vilxw_repositories_5_resources_616","_nest_parent_":"vilxw_repositories_5_resources_616","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_616.xml","title_filing_ssi":"Student Architectural papers collection","title_ssm":["Student Architectural papers collection"],"title_tesim":["Student Architectural papers collection"],"unitdate_ssm":["1960 January 6 - 2011 December 13"],"unitdate_inclusive_ssm":["1960 January 6 - 2011 December 13"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["WLU.RG.38","/repositories/5/resources/616"],"text":["WLU.RG.38","/repositories/5/resources/616","Student Architectural papers collection","Lexington (Va.)","Virginia -- Rockbridge County","Architecture","This collection is open for research use.","These student architecture papers were done for Art classes at Washington and Lee, mostly taught by Prof. Pam Simpson. The papers include homes and buildings in Lexington and other places in Rockbridge County, Virginia.  Included in the papers are deed tracings, social and architectural history, maps and photographs. Prof. Simpson and Royster Lyle published the book, The Architecture of Historic Lexington in 1977.  This book and these papers are an invaluable resource for researchers.","Paxton house","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","Building earlier Carnegie Library and McCormick Library, and later Williams School, and then Huntley Hall.","The building was later the Ruscio Center for Global Learning with additions.","The other student authors are Amy Bohutinsky, Sarah Feinberg, Sarah Saalfield, Catherine Ruth Fetton, and Ginger Baker.","The other student authors are Tofer Harrison, Alex McManimen, Ashley Marano, Patrick Mickler, and Travis Winfrey.","This record group contains papers and projects created by students as part of their coursework, such as honors theses and capstone papers.","203-205 1/2 Huffman's Nationwide, Buck's Barbershop, Tom's Taxi; 207-211 McCoy house; 215 Tomlinson house; 217 State Farm Insurance; 221 Andre Studio; 223 Flower Center.","Includes Denmark west of Lexington, Decatur north of Lexington, Cornwall east of Lexington, and Springfield south of Lexington.","Motels included are the Black and White log cabins in Fairfield, Lee-Way, Buffalo Creek, and Stevesville Drive-In.","Houses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road).","Includes information of Pres. George H. Denny, Prof. David C. Humphreys, Theodore Carl Link, William Henry Reid, the W\u0026L Power plant, and W\u0026L Reid Hall.","Earlier this building was the Carnegie Library, then McCormick Library, later Williams School, and then Huntley Hall.","Includes Cedar Hill, Paxton house at Glen Maury, and the Dickinson house named Savernake.","Includes 707 South Main Street, 116 North Main and Jefferson Streets, South Main, and 107 North Main Streets.","Houses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road).","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Students","Sheridan, John, 1847 - 1929","English"],"unitid_tesim":["WLU.RG.38","/repositories/5/resources/616"],"normalized_title_ssm":["Student Architectural papers collection"],"collection_title_tesim":["Student Architectural papers collection"],"collection_ssim":["Student Architectural papers collection"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"geogname_ssm":["Lexington (Va.)","Virginia -- Rockbridge County"],"geogname_ssim":["Lexington (Va.)","Virginia -- Rockbridge County"],"creator_ssm":["Washington and Lee University--Students"],"creator_ssim":["Washington and Lee University--Students"],"creator_corpname_ssim":["Washington and Lee University--Students"],"creators_ssim":["Washington and Lee University--Students"],"places_ssim":["Lexington (Va.)","Virginia -- Rockbridge County"],"acqinfo_ssim":["Gift of W\u0026L Prof. Pam Simpson."],"access_subjects_ssim":["Architecture"],"access_subjects_ssm":["Architecture"],"has_online_content_ssim":["false"],"extent_ssm":["18.50 Linear Feet"],"extent_tesim":["18.50 Linear Feet"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eThese student architecture papers were done for Art classes at Washington and Lee, mostly taught by Prof. Pam Simpson. The papers include homes and buildings in Lexington and other places in Rockbridge County, Virginia.  Included in the papers are deed tracings, social and architectural history, maps and photographs. Prof. Simpson and Royster Lyle published the book, The Architecture of Historic Lexington in 1977.  This book and these papers are an invaluable resource for researchers.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["These student architecture papers were done for Art classes at Washington and Lee, mostly taught by Prof. Pam Simpson. The papers include homes and buildings in Lexington and other places in Rockbridge County, Virginia.  Included in the papers are deed tracings, social and architectural history, maps and photographs. Prof. Simpson and Royster Lyle published the book, The Architecture of Historic Lexington in 1977.  This book and these papers are an invaluable resource for researchers."],"odd_html_tesm":["\u003cp\u003ePaxton house\u003c/p\u003e","\u003cp\u003eThe Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,\u003c/p\u003e","\u003cp\u003eThe Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,\u003c/p\u003e","\u003cp\u003eBuilding earlier Carnegie Library and McCormick Library, and later Williams School, and then Huntley Hall.\u003c/p\u003e","\u003cp\u003eThe building was later the Ruscio Center for Global Learning with additions.\u003c/p\u003e","\u003cp\u003eThe other student authors are Amy Bohutinsky, Sarah Feinberg, Sarah Saalfield, Catherine Ruth Fetton, and Ginger Baker.\u003c/p\u003e","\u003cp\u003eThe other student authors are Tofer Harrison, Alex McManimen, Ashley Marano, Patrick Mickler, and Travis Winfrey.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General"],"odd_tesim":["Paxton house","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","Building earlier Carnegie Library and McCormick Library, and later Williams School, and then Huntley Hall.","The building was later the Ruscio Center for Global Learning with additions.","The other student authors are Amy Bohutinsky, Sarah Feinberg, Sarah Saalfield, Catherine Ruth Fetton, and Ginger Baker.","The other student authors are Tofer Harrison, Alex McManimen, Ashley Marano, Patrick Mickler, and Travis Winfrey."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Student Architectural Papers Collection (RG 38), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Student Architectural Papers Collection (RG 38), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA"],"scopecontent_html_tesm":["\u003cp\u003eThis record group contains papers and projects created by students as part of their coursework, such as honors theses and capstone papers.\u003c/p\u003e","\u003cp\u003e203-205 1/2 Huffman's Nationwide, Buck's Barbershop, Tom's Taxi; 207-211 McCoy house; 215 Tomlinson house; 217 State Farm Insurance; 221 Andre Studio; 223 Flower Center.\u003c/p\u003e","\u003cp\u003eIncludes Denmark west of Lexington, Decatur north of Lexington, Cornwall east of Lexington, and Springfield south of Lexington.\u003c/p\u003e","\u003cp\u003eMotels included are the Black and White log cabins in Fairfield, Lee-Way, Buffalo Creek, and Stevesville Drive-In.\u003c/p\u003e","\u003cp\u003eHouses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road).\u003c/p\u003e","\u003cp\u003eIncludes information of Pres. George H. Denny, Prof. David C. 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George H. Denny, Prof. David C. Humphreys, Theodore Carl Link, William Henry Reid, the W\u0026L Power plant, and W\u0026L Reid Hall.","Earlier this building was the Carnegie Library, then McCormick Library, later Williams School, and then Huntley Hall.","Includes Cedar Hill, Paxton house at Glen Maury, and the Dickinson house named Savernake.","Includes 707 South Main Street, 116 North Main and Jefferson Streets, South Main, and 107 North Main Streets.","Houses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road)."],"userestrict_heading_ssm":["Conditions Governing Use"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Students","Sheridan, John, 1847 - 1929"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Students"],"persname_ssim":["Sheridan, John, 1847 - 1929"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1048,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T22:14:48.388Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_616_c02_c116"}},{"id":"vilxw_repositories_5_resources_616_c01_c123","type":"File","attributes":{"title":"107 Lee Avenue, Episcopal Rectory, two papers by J. Randolph Kean","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_616_c01_c123#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_616_c01_c123","ref_ssm":["vilxw_repositories_5_resources_616_c01_c123"],"id":"vilxw_repositories_5_resources_616_c01_c123","ead_ssi":"vilxw_repositories_5_resources_616","_root_":"vilxw_repositories_5_resources_616","_nest_parent_":"vilxw_repositories_5_resources_616_c01","parent_ssi":"vilxw_repositories_5_resources_616_c01","parent_ssim":["vilxw_repositories_5_resources_616","vilxw_repositories_5_resources_616_c01"],"parent_ids_ssim":["vilxw_repositories_5_resources_616","vilxw_repositories_5_resources_616_c01"],"parent_unittitles_ssm":["Student Architectural papers collection","User Access Copies"],"parent_unittitles_tesim":["Student Architectural papers collection","User Access Copies"],"text":["Student Architectural papers collection","User Access Copies","107 Lee Avenue, Episcopal Rectory, two papers by J. Randolph Kean","Box 4","folder 31"],"title_filing_ssi":"107 Lee Avenue, Episcopal Rectory, two papers by J. Randolph Kean","title_ssm":["107 Lee Avenue, Episcopal Rectory, two papers by J. Randolph Kean"],"title_tesim":["107 Lee Avenue, Episcopal Rectory, two papers by J. Randolph Kean"],"unitdate_inclusive_ssm":["1953 January and 1984"],"normalized_date_ssm":["1953/1984"],"normalized_title_ssm":["107 Lee Avenue, Episcopal Rectory, two papers by J. Randolph Kean"],"component_level_isim":[2],"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["Student Architectural papers collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":124,"parent_access_restrict_tesm":["This collection is open for research use."],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"containers_ssim":["Box 4","folder 31"],"_nest_path_":"/components#0/components#122","timestamp":"2026-05-20T22:14:48.388Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_616","ead_ssi":"vilxw_repositories_5_resources_616","_root_":"vilxw_repositories_5_resources_616","_nest_parent_":"vilxw_repositories_5_resources_616","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_616.xml","title_filing_ssi":"Student Architectural papers collection","title_ssm":["Student Architectural papers collection"],"title_tesim":["Student Architectural papers collection"],"unitdate_ssm":["1960 January 6 - 2011 December 13"],"unitdate_inclusive_ssm":["1960 January 6 - 2011 December 13"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["WLU.RG.38","/repositories/5/resources/616"],"text":["WLU.RG.38","/repositories/5/resources/616","Student Architectural papers collection","Lexington (Va.)","Virginia -- Rockbridge County","Architecture","This collection is open for research use.","These student architecture papers were done for Art classes at Washington and Lee, mostly taught by Prof. Pam Simpson. The papers include homes and buildings in Lexington and other places in Rockbridge County, Virginia.  Included in the papers are deed tracings, social and architectural history, maps and photographs. Prof. Simpson and Royster Lyle published the book, The Architecture of Historic Lexington in 1977.  This book and these papers are an invaluable resource for researchers.","Paxton house","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","Building earlier Carnegie Library and McCormick Library, and later Williams School, and then Huntley Hall.","The building was later the Ruscio Center for Global Learning with additions.","The other student authors are Amy Bohutinsky, Sarah Feinberg, Sarah Saalfield, Catherine Ruth Fetton, and Ginger Baker.","The other student authors are Tofer Harrison, Alex McManimen, Ashley Marano, Patrick Mickler, and Travis Winfrey.","This record group contains papers and projects created by students as part of their coursework, such as honors theses and capstone papers.","203-205 1/2 Huffman's Nationwide, Buck's Barbershop, Tom's Taxi; 207-211 McCoy house; 215 Tomlinson house; 217 State Farm Insurance; 221 Andre Studio; 223 Flower Center.","Includes Denmark west of Lexington, Decatur north of Lexington, Cornwall east of Lexington, and Springfield south of Lexington.","Motels included are the Black and White log cabins in Fairfield, Lee-Way, Buffalo Creek, and Stevesville Drive-In.","Houses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road).","Includes information of Pres. George H. Denny, Prof. David C. Humphreys, Theodore Carl Link, William Henry Reid, the W\u0026L Power plant, and W\u0026L Reid Hall.","Earlier this building was the Carnegie Library, then McCormick Library, later Williams School, and then Huntley Hall.","Includes Cedar Hill, Paxton house at Glen Maury, and the Dickinson house named Savernake.","Includes 707 South Main Street, 116 North Main and Jefferson Streets, South Main, and 107 North Main Streets.","Houses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road).","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Students","Sheridan, John, 1847 - 1929","English"],"unitid_tesim":["WLU.RG.38","/repositories/5/resources/616"],"normalized_title_ssm":["Student Architectural papers collection"],"collection_title_tesim":["Student Architectural papers collection"],"collection_ssim":["Student Architectural papers collection"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"geogname_ssm":["Lexington (Va.)","Virginia -- Rockbridge County"],"geogname_ssim":["Lexington (Va.)","Virginia -- Rockbridge County"],"creator_ssm":["Washington and Lee University--Students"],"creator_ssim":["Washington and Lee University--Students"],"creator_corpname_ssim":["Washington and Lee University--Students"],"creators_ssim":["Washington and Lee University--Students"],"places_ssim":["Lexington (Va.)","Virginia -- Rockbridge County"],"acqinfo_ssim":["Gift of W\u0026L Prof. Pam Simpson."],"access_subjects_ssim":["Architecture"],"access_subjects_ssm":["Architecture"],"has_online_content_ssim":["false"],"extent_ssm":["18.50 Linear Feet"],"extent_tesim":["18.50 Linear Feet"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eThese student architecture papers were done for Art classes at Washington and Lee, mostly taught by Prof. Pam Simpson. The papers include homes and buildings in Lexington and other places in Rockbridge County, Virginia.  Included in the papers are deed tracings, social and architectural history, maps and photographs. Prof. Simpson and Royster Lyle published the book, The Architecture of Historic Lexington in 1977.  This book and these papers are an invaluable resource for researchers.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["These student architecture papers were done for Art classes at Washington and Lee, mostly taught by Prof. Pam Simpson. The papers include homes and buildings in Lexington and other places in Rockbridge County, Virginia.  Included in the papers are deed tracings, social and architectural history, maps and photographs. Prof. Simpson and Royster Lyle published the book, The Architecture of Historic Lexington in 1977.  This book and these papers are an invaluable resource for researchers."],"odd_html_tesm":["\u003cp\u003ePaxton house\u003c/p\u003e","\u003cp\u003eThe Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,\u003c/p\u003e","\u003cp\u003eThe Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,\u003c/p\u003e","\u003cp\u003eBuilding earlier Carnegie Library and McCormick Library, and later Williams School, and then Huntley Hall.\u003c/p\u003e","\u003cp\u003eThe building was later the Ruscio Center for Global Learning with additions.\u003c/p\u003e","\u003cp\u003eThe other student authors are Amy Bohutinsky, Sarah Feinberg, Sarah Saalfield, Catherine Ruth Fetton, and Ginger Baker.\u003c/p\u003e","\u003cp\u003eThe other student authors are Tofer Harrison, Alex McManimen, Ashley Marano, Patrick Mickler, and Travis Winfrey.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General"],"odd_tesim":["Paxton house","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","The Spring Meadows house is located two and a half miles southwest of Lexington, fourth a mile of Route 251,","Building earlier Carnegie Library and McCormick Library, and later Williams School, and then Huntley Hall.","The building was later the Ruscio Center for Global Learning with additions.","The other student authors are Amy Bohutinsky, Sarah Feinberg, Sarah Saalfield, Catherine Ruth Fetton, and Ginger Baker.","The other student authors are Tofer Harrison, Alex McManimen, Ashley Marano, Patrick Mickler, and Travis Winfrey."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Student Architectural Papers Collection (RG 38), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Student Architectural Papers Collection (RG 38), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA"],"scopecontent_html_tesm":["\u003cp\u003eThis record group contains papers and projects created by students as part of their coursework, such as honors theses and capstone papers.\u003c/p\u003e","\u003cp\u003e203-205 1/2 Huffman's Nationwide, Buck's Barbershop, Tom's Taxi; 207-211 McCoy house; 215 Tomlinson house; 217 State Farm Insurance; 221 Andre Studio; 223 Flower Center.\u003c/p\u003e","\u003cp\u003eIncludes Denmark west of Lexington, Decatur north of Lexington, Cornwall east of Lexington, and Springfield south of Lexington.\u003c/p\u003e","\u003cp\u003eMotels included are the Black and White log cabins in Fairfield, Lee-Way, Buffalo Creek, and Stevesville Drive-In.\u003c/p\u003e","\u003cp\u003eHouses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road).\u003c/p\u003e","\u003cp\u003eIncludes information of Pres. George H. Denny, Prof. David C. Humphreys, Theodore Carl Link, William Henry Reid, the W\u0026amp;L Power plant, and W\u0026amp;L Reid Hall.\u003c/p\u003e","\u003cp\u003eEarlier this building was the Carnegie Library, then McCormick Library, later Williams School, and then Huntley Hall.\u003c/p\u003e","\u003cp\u003eIncludes Cedar Hill, Paxton house at Glen Maury, and the Dickinson house named Savernake.\u003c/p\u003e","\u003cp\u003eIncludes 707 South Main Street, 116 North Main and Jefferson Streets, South Main, and 107 North Main Streets.\u003c/p\u003e","\u003cp\u003eHouses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This record group contains papers and projects created by students as part of their coursework, such as honors theses and capstone papers.","203-205 1/2 Huffman's Nationwide, Buck's Barbershop, Tom's Taxi; 207-211 McCoy house; 215 Tomlinson house; 217 State Farm Insurance; 221 Andre Studio; 223 Flower Center.","Includes Denmark west of Lexington, Decatur north of Lexington, Cornwall east of Lexington, and Springfield south of Lexington.","Motels included are the Black and White log cabins in Fairfield, Lee-Way, Buffalo Creek, and Stevesville Drive-In.","Houses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road).","Includes information of Pres. George H. Denny, Prof. David C. Humphreys, Theodore Carl Link, William Henry Reid, the W\u0026L Power plant, and W\u0026L Reid Hall.","Earlier this building was the Carnegie Library, then McCormick Library, later Williams School, and then Huntley Hall.","Includes Cedar Hill, Paxton house at Glen Maury, and the Dickinson house named Savernake.","Includes 707 South Main Street, 116 North Main and Jefferson Streets, South Main, and 107 North Main Streets.","Houses include Old Monmouth Presbyterian Church, Liberty Hall Academy, James Davis house (501 Lime Kiln Road), Keith Shillington house (on road off of Frank Parsons Way), and Matt Paxton, Jr. house (815 Ross Road)."],"userestrict_heading_ssm":["Conditions Governing Use"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Students","Sheridan, John, 1847 - 1929"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University--Students"],"persname_ssim":["Sheridan, John, 1847 - 1929"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1048,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T22:14:48.388Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_616_c01_c123"}},{"id":"viu_repositories_3_resources_1675_c09_c04_c70","type":"File","attributes":{"title":"10 Items - Newspaper Clippings, Miscellaneous - 6271-ai","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1675_c09_c04_c70#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1675_c09_c04_c70","ref_ssm":["viu_repositories_3_resources_1675_c09_c04_c70"],"id":"viu_repositories_3_resources_1675_c09_c04_c70","ead_ssi":"viu_repositories_3_resources_1675","_root_":"viu_repositories_3_resources_1675","_nest_parent_":"viu_repositories_3_resources_1675_c09_c04","parent_ssi":"viu_repositories_3_resources_1675_c09_c04","parent_ssim":["viu_repositories_3_resources_1675","viu_repositories_3_resources_1675_c09","viu_repositories_3_resources_1675_c09_c04"],"parent_ids_ssim":["viu_repositories_3_resources_1675","viu_repositories_3_resources_1675_c09","viu_repositories_3_resources_1675_c09_c04"],"parent_unittitles_ssm":["William Faulkner Collection","Series IX: Papers of Faulkner Scholars and Collectors","Subseries D: Massey, Linton R."],"parent_unittitles_tesim":["William Faulkner Collection","Series IX: Papers of Faulkner Scholars and Collectors","Subseries D: Massey, Linton R."],"text":["William Faulkner Collection","Series IX: Papers of Faulkner Scholars and Collectors","Subseries D: Massey, Linton R.","10 Items - Newspaper Clippings, Miscellaneous - 6271-ai","box 178","folder 3"],"title_filing_ssi":"10 Items - Newspaper Clippings, Miscellaneous - 6271-ai","title_ssm":["10 Items - Newspaper Clippings, Miscellaneous - 6271-ai"],"title_tesim":["10 Items - Newspaper Clippings, Miscellaneous - 6271-ai"],"unitdate_inclusive_ssm":["1959-1972"],"normalized_date_ssm":["1959/1972"],"normalized_title_ssm":["10 Items - Newspaper Clippings, Miscellaneous - 6271-ai"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["William Faulkner Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3009,"parent_access_restrict_tesm":["This collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","We are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026."],"parent_access_terms_tesm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. "],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972],"containers_ssim":["box 178","folder 3"],"_nest_path_":"/components#8/components#3/components#69","timestamp":"2026-06-06T07:07:28.695Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1675","ead_ssi":"viu_repositories_3_resources_1675","_root_":"viu_repositories_3_resources_1675","_nest_parent_":"viu_repositories_3_resources_1675","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1675.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/196837","title_filing_ssi":"Faulkner, William, Collection","title_ssm":["William Faulkner Collection"],"title_tesim":["William Faulkner Collection"],"unitdate_ssm":["1824-2006"],"unitdate_inclusive_ssm":["1824-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16807","Archival Resource Key","/repositories/3/resources/1675"],"text":["MSS 16807","Archival Resource Key","/repositories/3/resources/1675","William Faulkner Collection","Faulkner, William, 1897-1962","American literature--Southern States","American fiction--20th Century","This collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","We are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026.","Material pertaining to individual student records is restricted in accordance with the Family Education Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","The William Faulkner Collection, MSS 16807, also known as \"The William Faulkner Papers,\" centers on the life and work of William Faulkner, a renowned American author and a foundational voice in Southern Gothic Literature.  William Faulkner was born on September 15, 1897, in New Albany, Mississippi, to Murry Falkner and Maud Butler Falkner. Faulkner was primarily raised in Oxford, Mississippi. He left high school shortly after the eleventh grade in 1915 to work at his grandfather's bank. William Faulkner would go on to briefly join the Canadian Royal Air Force from 1918-1919 before coming back to Oxford, Mississippi and holding various jobs throughout Mississippi and New York until he published his first book,  Soldier's Pay , in 1926. He married Lida Estelle Oldham in 1929, and together they had one daughter to survive past infancy, Jill Faulkner, in 1933. Faulkner grew in popularity as an author after the publication of  The Sound and the Fury  in 1929. Though a Mississippi native, William Faulkner moved to Charlottesville, VA, in 1957 to be closer to Jill, her husband, Paul Summers, and their children. It was during this time that Faulkner began work as the University of Virginia's first ever writer-in-residence. Faulkner continued to teach at the University of Virginia in several different positions until his death on July 6, 1962.  ","Source: Materials within the collection.   ","This material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This material contains offensive and harmful language and imagery, including references to outdated terminology for Black individuals, references or imagery involving racism, and references or imagery involving sexual assault, domestic violence, or crimes based on gender or sexual orientation.","This collection was reprocessed during 2024-2026 by archivists Elizabeth Nosari and Kaylin Preslar. The collection was originally described in 180 different catalog records and housed in non-consecutive boxes.\nArchivists worked to bring these disparate parts together to create a single William Faulkner Collection (MSS 16807) and finding aid to improve access and discoverability.","The William Faulkner collection has historically been represented by numerous different manuscript numbers (collection identifiers). MSS 16807 is a new manuscript number which serves to identify the collection as a whole. Original manuscript numbers have been retained in this guide and are noted in the title of each item.","In this example, the original manuscript number is 6074, and \"Series IA, Item 9b\" refers to the item's original location within MSS 6074, prior to reprocessing.","Absalom, Absalom! - Typescript (17 Leaves) - 6074, Series IA, Item 9b, 1936","While original order has been prioritized in the arrangement of Series IV, specific folders related to William Faulkner have been pulled from the rest of Albert Erskine's materials within MSS 10280-d and 10280-e for Subseries A. For ease of researcher use, these materials were pulled so that all of William Faulkner's publication records would be together, and so that the remaining materials within 10280-d and 10280-e relating to other authors would not be included within the William Faulkner collection.","Series III of the William Faulkner Collection contains the personal papers, files, belongings, and related realia of William Faulkner. Materials in the collection range in date from 1824 to 2003 and are divided into eight subseries: William Faulkner's working papers related to his literary works, drawings made by Faulkner, his childhood ephemera and student records, military and flight records, family papers, honors and awards, belongings and related realia, and reminiscences or accounts of William Faulkner.  ","Many of William Faulkner's student and family records differ in the spelling of his last name due to changes made over time by family members and by Faulkner himself. For this reason, Faulkner's student and childhood records will often refer to him as \"William Falkner.\" William Faulkner's family papers are also listed as \"Faulkner/Falkner Family Papers\" for this reason.  ","The Faulkner/Falkner Family Papers are divided into smaller sub-subseries based on the order in which they would fall within Faulkner's family tree and arranged chronologically within each. The first sub-subseries is comprised of Faulkner's extended family, grandparents, parents, and siblings, including John Wesley Thompson, William Clark Falkner, John Wesley Thompson Falkner, Alabama Falkner McLean, Murry Falkner, Maud Butler Falkner, Murry Falkner II, John Wesley Thompson Falkner/Faulkner III, and Dean Swift Falkner. The second sub-subseries within the Faulkner/Falkner Family subseries includes papers belonging to William Faulkner's wife, Estelle Oldham Faulkner, and the Oldham family. The third sub-subseries includes papers belonging to Estelle's son from her first marriage to Cornell Franklin and William Faulkner's stepson, Malcolm Argyle Franklin. Included with Malcolm Argyle Franklin's papers is a small amount of material once belonging to William F. Fielden, which was originally acquired with and has been kept with Franklin's papers. Next, within the subseries are the papers once belonging to William and Estelle Faulkner's daughter Jill Faulkner Summers and the Summers family.","Series IV of the William Faulkner Collection contains William Faulkner's publication records.  Materials in the collection range in date from 1924 to 1986 and are divided into three subseries based on record provenance. The first subseries is comprised of records relating to the original publication of Faulkner's works from Random House, Inc., and Albert Erskine. The second subseries is made up of records from Noel Polk, a Faulkner scholar and editor who worked on posthumous editions and publications of Faulkner's writings. The third and last subseries, Subseries C, contains all publishing-related records not from Random House, Albert Erskine, or Noel Polk. Prominent individuals whose publishing-related correspondence and records are featured in this subseries include William Faulkner's literary agents Harold Ober and Morton Goldman.  ","Series V of the William Faulkner collection contains William Faulkner's business and legal records. Materials within the series range in date from 1922 to 2006 and are divided into four subseries, the first of which includes William Faulkner's contracts and agreements, including a copy of Faulkner's will and legal agreements pertaining to his work and property carried out by his daughter, Jill Faulkner Summers, after his death in 1962. The second subseries includes all papers from William Faulkner's literary agent, Harold Ober, with the exception of Ober's papers relating to William Faulkner's publishing records, which are included in Series IV. Subseries C contains records relating to William Faulkner's cultural diplomacy work and travel. These records include papers gifted to the University of Virginia by Hal Howland, an employee of the United States Foreign Service/State Department.  Subseries C additionally contains records and correspondence relating to William Faulkner's work with the People to People diplomatic program, given as part of a gift from Joseph Blotner, scholar and biographer of William Faulkner.  The final subseries in Series V contains records pertaining to the William Faulkner Foundation. Whenever possible, the original order of each of the previous MSS numbers within Series V has been prioritized in the arrangement of the series.","Series VI of the William Faulkner collection contains photographs and portraits of and pertaining to William Faulkner. The photographs and portraits in this series range in date from 1898 to 2005 and cover a wide range of accession numbers, one of these being Faulkner's original deposit, MSS 6074. Materials within Series VI have been arranged in order of their original accession number to emphasize their provenance and chronologically therein.","Series VII of the William Faulkner collection includes press and publicity materials related to William Faulkner. Materials within the series range in date from 1922 to 2005 and are divided into three subseries. The first subseries consists of news clippings and press coverage articles about William Faulkner, many of which were gifted by Linton Massey and Jill Faulkner Summers. The second subseries contains William Faulkner's publicity films and audio recordings of Faulkner reading his works. The final subseries includes ephemera relating to William Faulkner's publicity films. Within each of these three subseries, materials are arranged chronologically.","Series VIII of the William Faulkner collection contains materials from Faulkner's time working at the University of Virginia, where he was the university's Writer-in-Residence from 1957 to 1958, Consultant on American Literature to the Alderman Library, now Shannon Library, from around 1958 to 1961, and Balch Lecturer in American Literature from 1961 to 1962. The series is divided into three subseries: Audio Recordings from Talks and Lectures, Ephemera Related to Faulkner's Tenure, and Exhibitions about Faulkner at the Library. Materials are then arranged chronologically within each subseries.","Series IX of the William Faulkner collection contains the materials of scholars of William Faulkner and collectors of Faulkner's archival and manuscript materials. Original Faulkner materials collected by some of these individuals, such as Joseph Blotner and Linton R. Massey, have been arranged and integrated into other series of the collection, but materials related specifically to their collecting work and scholarship are included in this series. Materials within this series are organized into subseries based on the corresponding scholar/collector names, which have been arranged in alphabetical order by last name.","Series X of the William Faulkner collection includes typescripts and ephemera from adaptations of William Faulkner works for theatre, film, and television. Materials within Series X are arranged in chronological order.","This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. ","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission.","Because of the assembled nature of these photographs, copyright status varies across the series. Reproduction rights for photographs marked \"for reference use only\" are not owned by the University of Virginia. Copyright is assumed to be held by the original creator of individual items in the series; the University of Virginia is not authorized to grant permission to publish or reproduce these items. Researchers are responsible for securing permission to publish or reproduce photographs from the rights holders.","Albert and Shirley Small Special Collections Library","Faulkner, William, 1897-1962","Materials primarily in English, with some publications in French and German."],"unitid_tesim":["MSS 16807","Archival Resource Key","/repositories/3/resources/1675"],"normalized_title_ssm":["William Faulkner Collection"],"collection_title_tesim":["William Faulkner Collection"],"collection_ssim":["William Faulkner Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Faulkner, William, 1897-1962"],"creator_ssim":["Faulkner, William, 1897-1962"],"creator_persname_ssim":["Faulkner, William, 1897-1962"],"creators_ssim":["Faulkner, William, 1897-1962"],"access_terms_ssm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. "],"access_subjects_ssim":["Faulkner, William, 1897-1962","American literature--Southern States","American fiction--20th Century"],"access_subjects_ssm":["Faulkner, William, 1897-1962","American literature--Southern States","American fiction--20th Century"],"has_online_content_ssim":["false"],"extent_ssm":["115 Cubic Feet"],"extent_tesim":["115 Cubic Feet"],"genreform_ssim":["American literature--Southern States","American fiction--20th Century"],"date_range_isim":[1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.\u003c/p\u003e\n","\u003cp\u003eWe are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026.\u003c/p\u003e","\u003cp\u003eMaterial pertaining to individual student records is restricted in accordance with the Family Education Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use with the following exceptions: Material pertaining to individual student records may be restricted in accordance with the Family Educational Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records.","We are currently organizing and describing this collection—which spans 180 different catalog records—to create a single William Faulkner Collection (MSS 16807) and finding aid that will improve access and discoverability. Due to the very large size and complexity of this collection, we are enacting partial, rolling closures while processing to facilitate and expedite this work. We expect to complete the project in late 2026.","Material pertaining to individual student records is restricted in accordance with the Family Education Rights and Privacy Act (FERPA). Please contact the Archives with specific questions regarding access to such records."],"bioghist_html_tesm":["\u003cp\u003eThe William Faulkner Collection, MSS 16807, also known as \"The William Faulkner Papers,\" centers on the life and work of William Faulkner, a renowned American author and a foundational voice in Southern Gothic Literature.  William Faulkner was born on September 15, 1897, in New Albany, Mississippi, to Murry Falkner and Maud Butler Falkner. Faulkner was primarily raised in Oxford, Mississippi. He left high school shortly after the eleventh grade in 1915 to work at his grandfather's bank. William Faulkner would go on to briefly join the Canadian Royal Air Force from 1918-1919 before coming back to Oxford, Mississippi and holding various jobs throughout Mississippi and New York until he published his first book, \u003cemph render=\"italic\"\u003e\u003ctitle\u003eSoldier's Pay\u003c/title\u003e\u003c/emph\u003e, in 1926. He married Lida Estelle Oldham in 1929, and together they had one daughter to survive past infancy, Jill Faulkner, in 1933. Faulkner grew in popularity as an author after the publication of \u003ctitle\u003e\u003cemph render=\"italic\"\u003eThe Sound and the Fury\u003c/emph\u003e\u003c/title\u003e in 1929. Though a Mississippi native, William Faulkner moved to Charlottesville, VA, in 1957 to be closer to Jill, her husband, Paul Summers, and their children. It was during this time that Faulkner began work as the University of Virginia's first ever writer-in-residence. Faulkner continued to teach at the University of Virginia in several different positions until his death on July 6, 1962.  \u003c/p\u003e\n","\u003cp\u003eSource: Materials within the collection.   \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The William Faulkner Collection, MSS 16807, also known as \"The William Faulkner Papers,\" centers on the life and work of William Faulkner, a renowned American author and a foundational voice in Southern Gothic Literature.  William Faulkner was born on September 15, 1897, in New Albany, Mississippi, to Murry Falkner and Maud Butler Falkner. Faulkner was primarily raised in Oxford, Mississippi. He left high school shortly after the eleventh grade in 1915 to work at his grandfather's bank. William Faulkner would go on to briefly join the Canadian Royal Air Force from 1918-1919 before coming back to Oxford, Mississippi and holding various jobs throughout Mississippi and New York until he published his first book,  Soldier's Pay , in 1926. He married Lida Estelle Oldham in 1929, and together they had one daughter to survive past infancy, Jill Faulkner, in 1933. Faulkner grew in popularity as an author after the publication of  The Sound and the Fury  in 1929. Though a Mississippi native, William Faulkner moved to Charlottesville, VA, in 1957 to be closer to Jill, her husband, Paul Summers, and their children. It was during this time that Faulkner began work as the University of Virginia's first ever writer-in-residence. Faulkner continued to teach at the University of Virginia in several different positions until his death on July 6, 1962.  ","Source: Materials within the collection.   "],"odd_html_tesm":["\u003cp\u003eThis material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThis material contains offensive and harmful language and imagery, including references to outdated terminology for Black individuals, references or imagery involving racism, and references or imagery involving sexual assault, domestic violence, or crimes based on gender or sexual orientation.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Content Warning"],"odd_tesim":["This material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","This material contains offensive and harmful language and imagery, including references to outdated terminology for Black individuals, references or imagery involving racism, and references or imagery involving sexual assault, domestic violence, or crimes based on gender or sexual orientation."],"prefercite_html_tesm":["\u003cp\u003eMSS 16807 William Faulkner collection, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16807 William Faulkner collection, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThis collection was reprocessed during 2024-2026 by archivists Elizabeth Nosari and Kaylin Preslar. The collection was originally described in 180 different catalog records and housed in non-consecutive boxes.\nArchivists worked to bring these disparate parts together to create a single William Faulkner Collection (MSS 16807) and finding aid to improve access and discoverability.\u003c/p\u003e","\u003cp\u003eThe William Faulkner collection has historically been represented by numerous different manuscript numbers (collection identifiers). MSS 16807 is a new manuscript number which serves to identify the collection as a whole. Original manuscript numbers have been retained in this guide and are noted in the title of each item.\u003c/p\u003e","\u003cp\u003eIn this example, the original manuscript number is 6074, and \"Series IA, Item 9b\" refers to the item's original location within MSS 6074, prior to reprocessing.\u003c/p\u003e","\u003cp\u003eAbsalom, Absalom! - Typescript (17 Leaves) - 6074, Series IA, Item 9b, 1936\u003c/p\u003e","\u003cp\u003eWhile original order has been prioritized in the arrangement of Series IV, specific folders related to William Faulkner have been pulled from the rest of Albert Erskine's materials within MSS 10280-d and 10280-e for Subseries A. For ease of researcher use, these materials were pulled so that all of William Faulkner's publication records would be together, and so that the remaining materials within 10280-d and 10280-e relating to other authors would not be included within the William Faulkner collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["This collection was reprocessed during 2024-2026 by archivists Elizabeth Nosari and Kaylin Preslar. The collection was originally described in 180 different catalog records and housed in non-consecutive boxes.\nArchivists worked to bring these disparate parts together to create a single William Faulkner Collection (MSS 16807) and finding aid to improve access and discoverability.","The William Faulkner collection has historically been represented by numerous different manuscript numbers (collection identifiers). MSS 16807 is a new manuscript number which serves to identify the collection as a whole. Original manuscript numbers have been retained in this guide and are noted in the title of each item.","In this example, the original manuscript number is 6074, and \"Series IA, Item 9b\" refers to the item's original location within MSS 6074, prior to reprocessing.","Absalom, Absalom! - Typescript (17 Leaves) - 6074, Series IA, Item 9b, 1936","While original order has been prioritized in the arrangement of Series IV, specific folders related to William Faulkner have been pulled from the rest of Albert Erskine's materials within MSS 10280-d and 10280-e for Subseries A. For ease of researcher use, these materials were pulled so that all of William Faulkner's publication records would be together, and so that the remaining materials within 10280-d and 10280-e relating to other authors would not be included within the William Faulkner collection."],"scopecontent_html_tesm":["\u003cp\u003eSeries III of the William Faulkner Collection contains the personal papers, files, belongings, and related realia of William Faulkner. Materials in the collection range in date from 1824 to 2003 and are divided into eight subseries: William Faulkner's working papers related to his literary works, drawings made by Faulkner, his childhood ephemera and student records, military and flight records, family papers, honors and awards, belongings and related realia, and reminiscences or accounts of William Faulkner.  \u003c/p\u003e\n","\u003cp\u003eMany of William Faulkner's student and family records differ in the spelling of his last name due to changes made over time by family members and by Faulkner himself. For this reason, Faulkner's student and childhood records will often refer to him as \"William Falkner.\" William Faulkner's family papers are also listed as \"Faulkner/Falkner Family Papers\" for this reason.  \u003c/p\u003e","\u003cp\u003eThe Faulkner/Falkner Family Papers are divided into smaller sub-subseries based on the order in which they would fall within Faulkner's family tree and arranged chronologically within each. The first sub-subseries is comprised of Faulkner's extended family, grandparents, parents, and siblings, including John Wesley Thompson, William Clark Falkner, John Wesley Thompson Falkner, Alabama Falkner McLean, Murry Falkner, Maud Butler Falkner, Murry Falkner II, John Wesley Thompson Falkner/Faulkner III, and Dean Swift Falkner. The second sub-subseries within the Faulkner/Falkner Family subseries includes papers belonging to William Faulkner's wife, Estelle Oldham Faulkner, and the Oldham family. The third sub-subseries includes papers belonging to Estelle's son from her first marriage to Cornell Franklin and William Faulkner's stepson, Malcolm Argyle Franklin. Included with Malcolm Argyle Franklin's papers is a small amount of material once belonging to William F. Fielden, which was originally acquired with and has been kept with Franklin's papers. Next, within the subseries are the papers once belonging to William and Estelle Faulkner's daughter Jill Faulkner Summers and the Summers family.\u003c/p\u003e","\u003cp\u003eSeries IV of the William Faulkner Collection contains William Faulkner's publication records.  Materials in the collection range in date from 1924 to 1986 and are divided into three subseries based on record provenance. The first subseries is comprised of records relating to the original publication of Faulkner's works from Random House, Inc., and Albert Erskine. The second subseries is made up of records from Noel Polk, a Faulkner scholar and editor who worked on posthumous editions and publications of Faulkner's writings. The third and last subseries, Subseries C, contains all publishing-related records not from Random House, Albert Erskine, or Noel Polk. Prominent individuals whose publishing-related correspondence and records are featured in this subseries include William Faulkner's literary agents Harold Ober and Morton Goldman.  \u003c/p\u003e","\u003cp\u003eSeries V of the William Faulkner collection contains William Faulkner's business and legal records. Materials within the series range in date from 1922 to 2006 and are divided into four subseries, the first of which includes William Faulkner's contracts and agreements, including a copy of Faulkner's will and legal agreements pertaining to his work and property carried out by his daughter, Jill Faulkner Summers, after his death in 1962. The second subseries includes all papers from William Faulkner's literary agent, Harold Ober, with the exception of Ober's papers relating to William Faulkner's publishing records, which are included in Series IV. Subseries C contains records relating to William Faulkner's cultural diplomacy work and travel. These records include papers gifted to the University of Virginia by Hal Howland, an employee of the United States Foreign Service/State Department.  Subseries C additionally contains records and correspondence relating to William Faulkner's work with the People to People diplomatic program, given as part of a gift from Joseph Blotner, scholar and biographer of William Faulkner.  The final subseries in Series V contains records pertaining to the William Faulkner Foundation. Whenever possible, the original order of each of the previous MSS numbers within Series V has been prioritized in the arrangement of the series.\u003c/p\u003e","\u003cp\u003eSeries VI of the William Faulkner collection contains photographs and portraits of and pertaining to William Faulkner. The photographs and portraits in this series range in date from 1898 to 2005 and cover a wide range of accession numbers, one of these being Faulkner's original deposit, MSS 6074. Materials within Series VI have been arranged in order of their original accession number to emphasize their provenance and chronologically therein.\u003c/p\u003e","\u003cp\u003eSeries VII of the William Faulkner collection includes press and publicity materials related to William Faulkner. Materials within the series range in date from 1922 to 2005 and are divided into three subseries. The first subseries consists of news clippings and press coverage articles about William Faulkner, many of which were gifted by Linton Massey and Jill Faulkner Summers. The second subseries contains William Faulkner's publicity films and audio recordings of Faulkner reading his works. The final subseries includes ephemera relating to William Faulkner's publicity films. Within each of these three subseries, materials are arranged chronologically.\u003c/p\u003e","\u003cp\u003eSeries VIII of the William Faulkner collection contains materials from Faulkner's time working at the University of Virginia, where he was the university's Writer-in-Residence from 1957 to 1958, Consultant on American Literature to the Alderman Library, now Shannon Library, from around 1958 to 1961, and Balch Lecturer in American Literature from 1961 to 1962. The series is divided into three subseries: Audio Recordings from Talks and Lectures, Ephemera Related to Faulkner's Tenure, and Exhibitions about Faulkner at the Library. Materials are then arranged chronologically within each subseries.\u003c/p\u003e","\u003cp\u003eSeries IX of the William Faulkner collection contains the materials of scholars of William Faulkner and collectors of Faulkner's archival and manuscript materials. Original Faulkner materials collected by some of these individuals, such as Joseph Blotner and Linton R. Massey, have been arranged and integrated into other series of the collection, but materials related specifically to their collecting work and scholarship are included in this series. Materials within this series are organized into subseries based on the corresponding scholar/collector names, which have been arranged in alphabetical order by last name.\u003c/p\u003e","\u003cp\u003eSeries X of the William Faulkner collection includes typescripts and ephemera from adaptations of William Faulkner works for theatre, film, and television. Materials within Series X are arranged in chronological order.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Series III of the William Faulkner Collection contains the personal papers, files, belongings, and related realia of William Faulkner. Materials in the collection range in date from 1824 to 2003 and are divided into eight subseries: William Faulkner's working papers related to his literary works, drawings made by Faulkner, his childhood ephemera and student records, military and flight records, family papers, honors and awards, belongings and related realia, and reminiscences or accounts of William Faulkner.  ","Many of William Faulkner's student and family records differ in the spelling of his last name due to changes made over time by family members and by Faulkner himself. For this reason, Faulkner's student and childhood records will often refer to him as \"William Falkner.\" William Faulkner's family papers are also listed as \"Faulkner/Falkner Family Papers\" for this reason.  ","The Faulkner/Falkner Family Papers are divided into smaller sub-subseries based on the order in which they would fall within Faulkner's family tree and arranged chronologically within each. The first sub-subseries is comprised of Faulkner's extended family, grandparents, parents, and siblings, including John Wesley Thompson, William Clark Falkner, John Wesley Thompson Falkner, Alabama Falkner McLean, Murry Falkner, Maud Butler Falkner, Murry Falkner II, John Wesley Thompson Falkner/Faulkner III, and Dean Swift Falkner. The second sub-subseries within the Faulkner/Falkner Family subseries includes papers belonging to William Faulkner's wife, Estelle Oldham Faulkner, and the Oldham family. The third sub-subseries includes papers belonging to Estelle's son from her first marriage to Cornell Franklin and William Faulkner's stepson, Malcolm Argyle Franklin. Included with Malcolm Argyle Franklin's papers is a small amount of material once belonging to William F. Fielden, which was originally acquired with and has been kept with Franklin's papers. Next, within the subseries are the papers once belonging to William and Estelle Faulkner's daughter Jill Faulkner Summers and the Summers family.","Series IV of the William Faulkner Collection contains William Faulkner's publication records.  Materials in the collection range in date from 1924 to 1986 and are divided into three subseries based on record provenance. The first subseries is comprised of records relating to the original publication of Faulkner's works from Random House, Inc., and Albert Erskine. The second subseries is made up of records from Noel Polk, a Faulkner scholar and editor who worked on posthumous editions and publications of Faulkner's writings. The third and last subseries, Subseries C, contains all publishing-related records not from Random House, Albert Erskine, or Noel Polk. Prominent individuals whose publishing-related correspondence and records are featured in this subseries include William Faulkner's literary agents Harold Ober and Morton Goldman.  ","Series V of the William Faulkner collection contains William Faulkner's business and legal records. Materials within the series range in date from 1922 to 2006 and are divided into four subseries, the first of which includes William Faulkner's contracts and agreements, including a copy of Faulkner's will and legal agreements pertaining to his work and property carried out by his daughter, Jill Faulkner Summers, after his death in 1962. The second subseries includes all papers from William Faulkner's literary agent, Harold Ober, with the exception of Ober's papers relating to William Faulkner's publishing records, which are included in Series IV. Subseries C contains records relating to William Faulkner's cultural diplomacy work and travel. These records include papers gifted to the University of Virginia by Hal Howland, an employee of the United States Foreign Service/State Department.  Subseries C additionally contains records and correspondence relating to William Faulkner's work with the People to People diplomatic program, given as part of a gift from Joseph Blotner, scholar and biographer of William Faulkner.  The final subseries in Series V contains records pertaining to the William Faulkner Foundation. Whenever possible, the original order of each of the previous MSS numbers within Series V has been prioritized in the arrangement of the series.","Series VI of the William Faulkner collection contains photographs and portraits of and pertaining to William Faulkner. The photographs and portraits in this series range in date from 1898 to 2005 and cover a wide range of accession numbers, one of these being Faulkner's original deposit, MSS 6074. Materials within Series VI have been arranged in order of their original accession number to emphasize their provenance and chronologically therein.","Series VII of the William Faulkner collection includes press and publicity materials related to William Faulkner. Materials within the series range in date from 1922 to 2005 and are divided into three subseries. The first subseries consists of news clippings and press coverage articles about William Faulkner, many of which were gifted by Linton Massey and Jill Faulkner Summers. The second subseries contains William Faulkner's publicity films and audio recordings of Faulkner reading his works. The final subseries includes ephemera relating to William Faulkner's publicity films. Within each of these three subseries, materials are arranged chronologically.","Series VIII of the William Faulkner collection contains materials from Faulkner's time working at the University of Virginia, where he was the university's Writer-in-Residence from 1957 to 1958, Consultant on American Literature to the Alderman Library, now Shannon Library, from around 1958 to 1961, and Balch Lecturer in American Literature from 1961 to 1962. The series is divided into three subseries: Audio Recordings from Talks and Lectures, Ephemera Related to Faulkner's Tenure, and Exhibitions about Faulkner at the Library. Materials are then arranged chronologically within each subseries.","Series IX of the William Faulkner collection contains the materials of scholars of William Faulkner and collectors of Faulkner's archival and manuscript materials. Original Faulkner materials collected by some of these individuals, such as Joseph Blotner and Linton R. Massey, have been arranged and integrated into other series of the collection, but materials related specifically to their collecting work and scholarship are included in this series. Materials within this series are organized into subseries based on the corresponding scholar/collector names, which have been arranged in alphabetical order by last name.","Series X of the William Faulkner collection includes typescripts and ephemera from adaptations of William Faulkner works for theatre, film, and television. Materials within Series X are arranged in chronological order."],"userestrict_html_tesm":["\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  \u003c/p\u003e\n","\u003cp\u003ePermissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing\u003c/p\u003e\n","\u003cp\u003ePlease note that W.W. Norton holds copyright to all of Faulkner's published works.\u003c/p\u003e\n","\u003cp\u003eIf you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000\u003c/p\u003e\n","\u003cp\u003eFor permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026amp; Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com\u003c/p\u003e\n","\u003cp\u003eFor permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156\u003c/p\u003e\n","\u003cp\u003ePhotocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. \u003c/p\u003e","\u003cp\u003ePhotocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission.\u003c/p\u003e","\u003cp\u003eBecause of the assembled nature of these photographs, copyright status varies across the series. Reproduction rights for photographs marked \"for reference use only\" are not owned by the University of Virginia. Copyright is assumed to be held by the original creator of individual items in the series; the University of Virginia is not authorized to grant permission to publish or reproduce these items. Researchers are responsible for securing permission to publish or reproduce photographs from the rights holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.  ","Permissions and Publishing Page:\nhttps://www.library.virginia.edu/special-collections/services/publishing","Please note that W.W. Norton holds copyright to all of Faulkner's published works.","If you would like to publish images in print or online of original manuscript materials from our collection that pertain to these published works, including holograph drafts and typescripts, please contact: \nPenguin Random House LLC\nRandom House Publishing Group\n1745 Broadway\nNew York, NY 10019\nAttention: Permissions Department\nPhone: 212-782-9000","For permission to quote from or publish images in print or online of any of Faulkner's unpublished works or correspondence, please contact:\nW.W. Norton \u0026 Company, Inc.\nAttention: Permissions Department\n500 5th Avenue\nNew York, NY 10110\nPhone: 212-354-5500\nEmail: permissions@wwnorton.com","For permission to use copyrighted Faulkner materials in any way than listed above, please contact:\nFaulkner Literary Rights, LLC\nP.O. Box 1408\nCharlottesville, VA 22902\nPhone: 434-296-2156","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission. ","Photocopies of correspondence between Andrew Brown and T.F. Hickerson regarding \"William Faulkner: Man of Legends\" came from original copies housed at the University of North Carolina at Chapel Hill and are not to be quoted in print without their permission.","Because of the assembled nature of these photographs, copyright status varies across the series. Reproduction rights for photographs marked \"for reference use only\" are not owned by the University of Virginia. Copyright is assumed to be held by the original creator of individual items in the series; the University of Virginia is not authorized to grant permission to publish or reproduce these items. Researchers are responsible for securing permission to publish or reproduce photographs from the rights holders."],"names_ssim":["Albert and Shirley Small Special Collections Library","Faulkner, William, 1897-1962"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Faulkner, William, 1897-1962"],"language_ssim":["Materials primarily in English, with some publications in French and German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3366,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-06T07:07:28.695Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1675_c09_c04_c70"}},{"id":"viblbv_repositories_2_resources_1974_c04_c31","type":"File","attributes":{"title":"10th Battalion, Heavy Artillery","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c31#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1974_c04_c31","ref_ssm":["viblbv_repositories_2_resources_1974_c04_c31"],"id":"viblbv_repositories_2_resources_1974_c04_c31","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974_c04","parent_ssi":"viblbv_repositories_2_resources_1974_c04","parent_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_ids_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_unittitles_ssm":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"parent_unittitles_tesim":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"text":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records","10th Battalion, Heavy Artillery","box 40","folder 36"],"title_filing_ssi":"10th Battalion, Heavy Artillery","title_ssm":["10th Battalion, Heavy Artillery"],"title_tesim":["10th Battalion, Heavy Artillery"],"unitdate_inclusive_ssm":["n.d., 1969, 1974"],"normalized_date_ssm":["1969/1974"],"normalized_title_ssm":["10th Battalion, Heavy Artillery"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["James I. Robertson Jr. Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":377,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1969,1970,1971,1972,1973,1974],"containers_ssim":["box 40","folder 36"],"_nest_path_":"/components#3/components#30","timestamp":"2026-05-21T02:15:46.743Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1974","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1974.xml","title_filing_ssi":"Robertson, James I., Papers","title_ssm":["James I. Robertson Jr. Papers"],"title_tesim":["James I. Robertson Jr. Papers"],"unitdate_ssm":["1849-2011"],"unitdate_inclusive_ssm":["1849-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1994.021"],"text":["Ms.1994.021","James I. Robertson Jr. Papers","Virginia","Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History","Collection is open to research.","Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. ","American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. ","The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.","The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","Introduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865","with corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House","with corrections by Richard Harwell","with corrections by Richard Harwell","with corrections by Beth Brown","with corrections by Richard Harwell","with corrections by Ed Raus","with corrections by Robert Krick and Ed Raus","with corrections by Richard Harwell","with corrections by Dennis Frye","with corrections by Richard Harwell","with corrections by author","with corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown","with corrections by Beth Brown and Chris Calkins","with author's final corrections; 4 folders","with publisher's final corrections; 2 folders","with publisher's comments","with corrections by author","with corrections by Ludwell Johnson (chapters 1-5 only)","with corrections by Charles Roland","with corrections by Gary Gallagher","with publisher's comments; 2 folders","incorporating publisher's revisions","with publisher's comments; 2 folders","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by unidentified person","with corrections by unidentified person","limited edition signed print by Brian Kraus","The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr.","The materials in the collection are in English."],"unitid_tesim":["Ms.1994.021"],"normalized_title_ssm":["James I. Robertson Jr. Papers"],"collection_title_tesim":["James I. Robertson Jr. Papers"],"collection_ssim":["James I. Robertson Jr. Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Virginia"],"geogname_ssim":["Virginia"],"creator_ssm":["Robertson, James I., Jr."],"creator_ssim":["Robertson, James I., Jr."],"creator_persname_ssim":["Robertson, James I., Jr."],"creators_ssim":["Robertson, James I., Jr."],"places_ssim":["Virginia"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Robertson Papers were donated by James I. and Elizabeth Robertson in several accessions from 1992 until 2016."],"access_subjects_ssim":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"access_subjects_ssm":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"has_online_content_ssim":["false"],"extent_ssm":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"extent_tesim":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries I: Writings, 1981-2004\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for \u003ctitle render=\"italic\"\u003eJackson \u0026amp; Lee\u003c/title\u003e, for example, contains only a typescript draft of a single chapter. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries II: General Materials, 1862-1996\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries III: Virginia County Records, 1852-2005\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries IV: Virginia Unit Records, 1849-2011\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries V: Oversize Materials, [1982?]-2000, n.d.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. "],"bioghist_html_tesm":["\u003cp\u003eAmerican Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. \u003c/p\u003e\n","\u003cp\u003eRobertson has authored many award-winning scholarly books on Civil War-related topics, including \u003ctitle render=\"italic\"\u003eSoldiers Blue and Gray\u003c/title\u003e (1988) (nominated for the Pulitzer Prize in History), \u003ctitle render=\"italic\"\u003eCivil War Virginia: Battleground for a Nation\u003c/title\u003e (1991), \u003ctitle render=\"italic\"\u003eGeneral A. P. Hill: The Story of a Confederate Warrior\u003c/title\u003e; and \u003ctitle render=\"italic\"\u003eStonewall Jackson: The Man, the Soldier, the Legend\u003c/title\u003e (1997). He has also written two books for younger readers: \u003ctitle render=\"italic\"\u003eCivil War! America Becomes One Nation\u003c/title\u003e (1992) and \u003ctitle render=\"italic\"\u003eStanding Like a Stone Wall: the Life of General Thomas J. Jackson\u003c/title\u003e (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. "],"odd_html_tesm":["\u003cp\u003eThe guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eAccession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.\u003c/p\u003e","\u003cp\u003eIntroduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865\u003c/p\u003e","\u003cp\u003ewith corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Beth Brown\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Ed Raus\u003c/p\u003e","\u003cp\u003ewith corrections by Robert Krick and Ed Raus\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Dennis Frye\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown\u003c/p\u003e","\u003cp\u003ewith corrections by Beth Brown and Chris Calkins\u003c/p\u003e","\u003cp\u003ewith author's final corrections; 4 folders\u003c/p\u003e","\u003cp\u003ewith publisher's final corrections; 2 folders\u003c/p\u003e","\u003cp\u003ewith publisher's comments\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by Ludwell Johnson (chapters 1-5 only)\u003c/p\u003e","\u003cp\u003ewith corrections by Charles Roland\u003c/p\u003e","\u003cp\u003ewith corrections by Gary Gallagher\u003c/p\u003e","\u003cp\u003ewith publisher's comments; 2 folders\u003c/p\u003e","\u003cp\u003eincorporating publisher's revisions\u003c/p\u003e","\u003cp\u003ewith publisher's comments; 2 folders\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by unidentified person\u003c/p\u003e","\u003cp\u003ewith corrections by unidentified person\u003c/p\u003e","\u003cp\u003elimited edition signed print by Brian Kraus\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","Introduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865","with corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House","with corrections by Richard Harwell","with corrections by Richard Harwell","with corrections by Beth Brown","with corrections by Richard Harwell","with corrections by Ed Raus","with corrections by Robert Krick and Ed Raus","with corrections by Richard Harwell","with corrections by Dennis Frye","with corrections by Richard Harwell","with corrections by author","with corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown","with corrections by Beth Brown and Chris Calkins","with author's final corrections; 4 folders","with publisher's final corrections; 2 folders","with publisher's comments","with corrections by author","with corrections by Ludwell Johnson (chapters 1-5 only)","with corrections by Charles Roland","with corrections by Gary Gallagher","with publisher's comments; 2 folders","incorporating publisher's revisions","with publisher's comments; 2 folders","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by unidentified person","with corrections by unidentified person","limited edition signed print by Brian Kraus"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:\u003c/p\u003e\n","\u003cp\u003eBarringer, Paul B. \u003ctitle render=\"italic\"\u003eNarrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968\u003c/title\u003e ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eEchoes of 1861-1961\u003c/title\u003e ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eThe Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table\u003c/title\u003e ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eWilshin, Francis. \u003ctitle render=\"italic\"\u003eManassas (Bull Run) National Battlefield Park, Virginia\u003c/title\u003e (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_591a58887f476736372340a2230c0d66\" label=\"Abstract\"\u003eThis collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park."],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Robertson, James I., Jr."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":516,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:15:46.743Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c31"}},{"id":"viblbv_repositories_2_resources_1974_c04_c96","type":"File","attributes":{"title":"10th Virginia Infantry","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c96#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1974_c04_c96","ref_ssm":["viblbv_repositories_2_resources_1974_c04_c96"],"id":"viblbv_repositories_2_resources_1974_c04_c96","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974_c04","parent_ssi":"viblbv_repositories_2_resources_1974_c04","parent_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_ids_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_unittitles_ssm":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"parent_unittitles_tesim":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"text":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records","10th Virginia Infantry","box 41","folder 31"],"title_filing_ssi":"10th Virginia Infantry","title_ssm":["10th Virginia Infantry"],"title_tesim":["10th Virginia Infantry"],"unitdate_inclusive_ssm":["n.d., 1968, 1970, 1979-1980"],"normalized_date_ssm":["1968/1980"],"normalized_title_ssm":["10th Virginia Infantry"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["James I. Robertson Jr. Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":442,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"containers_ssim":["box 41","folder 31"],"_nest_path_":"/components#3/components#95","timestamp":"2026-05-21T02:15:46.743Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1974","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1974.xml","title_filing_ssi":"Robertson, James I., Papers","title_ssm":["James I. Robertson Jr. Papers"],"title_tesim":["James I. Robertson Jr. Papers"],"unitdate_ssm":["1849-2011"],"unitdate_inclusive_ssm":["1849-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1994.021"],"text":["Ms.1994.021","James I. Robertson Jr. Papers","Virginia","Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History","Collection is open to research.","Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. ","American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. ","The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.","The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","Introduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865","with corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House","with corrections by Richard Harwell","with corrections by Richard Harwell","with corrections by Beth Brown","with corrections by Richard Harwell","with corrections by Ed Raus","with corrections by Robert Krick and Ed Raus","with corrections by Richard Harwell","with corrections by Dennis Frye","with corrections by Richard Harwell","with corrections by author","with corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown","with corrections by Beth Brown and Chris Calkins","with author's final corrections; 4 folders","with publisher's final corrections; 2 folders","with publisher's comments","with corrections by author","with corrections by Ludwell Johnson (chapters 1-5 only)","with corrections by Charles Roland","with corrections by Gary Gallagher","with publisher's comments; 2 folders","incorporating publisher's revisions","with publisher's comments; 2 folders","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by unidentified person","with corrections by unidentified person","limited edition signed print by Brian Kraus","The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr.","The materials in the collection are in English."],"unitid_tesim":["Ms.1994.021"],"normalized_title_ssm":["James I. Robertson Jr. Papers"],"collection_title_tesim":["James I. Robertson Jr. Papers"],"collection_ssim":["James I. Robertson Jr. Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Virginia"],"geogname_ssim":["Virginia"],"creator_ssm":["Robertson, James I., Jr."],"creator_ssim":["Robertson, James I., Jr."],"creator_persname_ssim":["Robertson, James I., Jr."],"creators_ssim":["Robertson, James I., Jr."],"places_ssim":["Virginia"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Robertson Papers were donated by James I. and Elizabeth Robertson in several accessions from 1992 until 2016."],"access_subjects_ssim":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"access_subjects_ssm":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"has_online_content_ssim":["false"],"extent_ssm":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"extent_tesim":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries I: Writings, 1981-2004\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for \u003ctitle render=\"italic\"\u003eJackson \u0026amp; Lee\u003c/title\u003e, for example, contains only a typescript draft of a single chapter. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries II: General Materials, 1862-1996\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries III: Virginia County Records, 1852-2005\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries IV: Virginia Unit Records, 1849-2011\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries V: Oversize Materials, [1982?]-2000, n.d.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. "],"bioghist_html_tesm":["\u003cp\u003eAmerican Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. \u003c/p\u003e\n","\u003cp\u003eRobertson has authored many award-winning scholarly books on Civil War-related topics, including \u003ctitle render=\"italic\"\u003eSoldiers Blue and Gray\u003c/title\u003e (1988) (nominated for the Pulitzer Prize in History), \u003ctitle render=\"italic\"\u003eCivil War Virginia: Battleground for a Nation\u003c/title\u003e (1991), \u003ctitle render=\"italic\"\u003eGeneral A. P. Hill: The Story of a Confederate Warrior\u003c/title\u003e; and \u003ctitle render=\"italic\"\u003eStonewall Jackson: The Man, the Soldier, the Legend\u003c/title\u003e (1997). He has also written two books for younger readers: \u003ctitle render=\"italic\"\u003eCivil War! America Becomes One Nation\u003c/title\u003e (1992) and \u003ctitle render=\"italic\"\u003eStanding Like a Stone Wall: the Life of General Thomas J. Jackson\u003c/title\u003e (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. "],"odd_html_tesm":["\u003cp\u003eThe guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eAccession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.\u003c/p\u003e","\u003cp\u003eIntroduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865\u003c/p\u003e","\u003cp\u003ewith corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Beth Brown\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Ed Raus\u003c/p\u003e","\u003cp\u003ewith corrections by Robert Krick and Ed Raus\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Dennis Frye\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown\u003c/p\u003e","\u003cp\u003ewith corrections by Beth Brown and Chris Calkins\u003c/p\u003e","\u003cp\u003ewith author's final corrections; 4 folders\u003c/p\u003e","\u003cp\u003ewith publisher's final corrections; 2 folders\u003c/p\u003e","\u003cp\u003ewith publisher's comments\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by Ludwell Johnson (chapters 1-5 only)\u003c/p\u003e","\u003cp\u003ewith corrections by Charles Roland\u003c/p\u003e","\u003cp\u003ewith corrections by Gary Gallagher\u003c/p\u003e","\u003cp\u003ewith publisher's comments; 2 folders\u003c/p\u003e","\u003cp\u003eincorporating publisher's revisions\u003c/p\u003e","\u003cp\u003ewith publisher's comments; 2 folders\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by unidentified person\u003c/p\u003e","\u003cp\u003ewith corrections by unidentified person\u003c/p\u003e","\u003cp\u003elimited edition signed print by Brian Kraus\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","Introduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865","with corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House","with corrections by Richard Harwell","with corrections by Richard Harwell","with corrections by Beth Brown","with corrections by Richard Harwell","with corrections by Ed Raus","with corrections by Robert Krick and Ed Raus","with corrections by Richard Harwell","with corrections by Dennis Frye","with corrections by Richard Harwell","with corrections by author","with corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown","with corrections by Beth Brown and Chris Calkins","with author's final corrections; 4 folders","with publisher's final corrections; 2 folders","with publisher's comments","with corrections by author","with corrections by Ludwell Johnson (chapters 1-5 only)","with corrections by Charles Roland","with corrections by Gary Gallagher","with publisher's comments; 2 folders","incorporating publisher's revisions","with publisher's comments; 2 folders","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by unidentified person","with corrections by unidentified person","limited edition signed print by Brian Kraus"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:\u003c/p\u003e\n","\u003cp\u003eBarringer, Paul B. \u003ctitle render=\"italic\"\u003eNarrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968\u003c/title\u003e ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eEchoes of 1861-1961\u003c/title\u003e ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eThe Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table\u003c/title\u003e ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eWilshin, Francis. \u003ctitle render=\"italic\"\u003eManassas (Bull Run) National Battlefield Park, Virginia\u003c/title\u003e (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_591a58887f476736372340a2230c0d66\" label=\"Abstract\"\u003eThis collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park."],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Robertson, James I., Jr."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":516,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:15:46.743Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c96"}},{"id":"vifgm_repositories_2_resources_622_c01_c60","type":"File","attributes":{"title":"110 In the Shade - 70 Girls 70","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_622_c01_c60#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e110 in the Shade, circa 2002-2003; 1776, March 1969; 1776, December 1997; 1776, April 1989; 1776, 2003; The 1940s Radio Hour, circa 2004-2006; The 1940s Radio Hour, November-December 1978; Alfred Hitchcock's The 39 Steps, March 2010; Alfred Hitchcock's The 39 Steps, May 2008; Forty-Second Street: A Musical Comedy, June 1980; 70, Girls, 70, June 1991.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_622_c01_c60#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_622_c01_c60","ref_ssm":["vifgm_repositories_2_resources_622_c01_c60"],"id":"vifgm_repositories_2_resources_622_c01_c60","ead_ssi":"vifgm_repositories_2_resources_622","_root_":"vifgm_repositories_2_resources_622","_nest_parent_":"vifgm_repositories_2_resources_622_c01","parent_ssi":"vifgm_repositories_2_resources_622_c01","parent_ssim":["vifgm_repositories_2_resources_622","vifgm_repositories_2_resources_622_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_622","vifgm_repositories_2_resources_622_c01"],"parent_unittitles_ssm":["Martin Cohen theater collection","Series 1: Playbills"],"parent_unittitles_tesim":["Martin Cohen theater collection","Series 1: Playbills"],"text":["Martin Cohen theater collection","Series 1: Playbills","110 In the Shade - 70 Girls 70","box 12","folder 4","110 in the Shade, circa 2002-2003; 1776, March 1969; 1776, December 1997; 1776, April 1989; 1776, 2003; The 1940s Radio Hour, circa 2004-2006; The 1940s Radio Hour, November-December 1978; Alfred Hitchcock's The 39 Steps, March 2010; Alfred Hitchcock's The 39 Steps, May 2008; Forty-Second Street: A Musical Comedy, June 1980; 70, Girls, 70, June 1991."],"title_filing_ssi":"110 In the Shade - 70 Girls 70","title_ssm":["110 In the Shade - 70 Girls 70"],"title_tesim":["110 In the Shade - 70 Girls 70"],"unitdate_inclusive_ssm":["1969-2010"],"normalized_date_ssm":["1969/2010"],"normalized_title_ssm":["110 In the Shade - 70 Girls 70"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Martin Cohen theater collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":61,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"containers_ssim":["box 12","folder 4"],"scopecontent_html_tesm":["\u003cp\u003e110 in the Shade, circa 2002-2003; 1776, March 1969; 1776, December 1997; 1776, April 1989; 1776, 2003; The 1940s Radio Hour, circa 2004-2006; The 1940s Radio Hour, November-December 1978; Alfred Hitchcock's The 39 Steps, March 2010; Alfred Hitchcock's The 39 Steps, May 2008; Forty-Second Street: A Musical Comedy, June 1980; 70, Girls, 70, June 1991.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["110 in the Shade, circa 2002-2003; 1776, March 1969; 1776, December 1997; 1776, April 1989; 1776, 2003; The 1940s Radio Hour, circa 2004-2006; The 1940s Radio Hour, November-December 1978; Alfred Hitchcock's The 39 Steps, March 2010; Alfred Hitchcock's The 39 Steps, May 2008; Forty-Second Street: A Musical Comedy, June 1980; 70, Girls, 70, June 1991."],"_nest_path_":"/components#0/components#59","timestamp":"2026-06-05T07:17:54.608Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_622","ead_ssi":"vifgm_repositories_2_resources_622","_root_":"vifgm_repositories_2_resources_622","_nest_parent_":"vifgm_repositories_2_resources_622","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_622.xml","title_filing_ssi":"Martin Cohen theater collection","title_ssm":["Martin Cohen theater collection"],"title_tesim":["Martin Cohen theater collection"],"unitdate_ssm":["1816; 1907-2017"],"unitdate_other_ssim":["1816; 1907-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0335","/repositories/2/resources/622"],"text":["C0335","/repositories/2/resources/622","Martin Cohen theater collection","Film posters","Musical Theater","Plays","Theater","Filmmaking (Motion pictures)","There are no access restrictions.","Arranged into five series based on format.","Series Series 1: Playbills, 1936-2017 (Boxes 1-12) Series 2: Sheet Music, 1912-1969 (Boxes 12-13) Series 3: Personal Papers, 1915-1996 (Boxes 13-14) Series 4: Posters, 1816-2013 (Map Case 32.5, Tubes 1-17, Box 16) Series 5: Artifacts, 1915-1955 (Boxes 15, 17-18, Map Case 32.4)","\"Martin B. Cohen.\" Albany Times Union, March 28, 2019. https://www.legacy.com/us/obituaries/timesunion-albany/name/martin-cohen-obituary?id=5036932.","Martin B. Cohen was born in Albany, New York, the son of David and Betty Cohen. He began his career as a teacher at Giffen Elementary School and Hackett Middle School in Albany, New York. He later obtained a master's degree from Cornell University and a Ph.D. from George Washington University. Following his graduate education, Cohen became a professor of American history at George Mason University. He taught at George Mason University for 35 years. Cohen enjoyed travel and theather and was engaged as a lecturer and collector of the arts. Cohen passed away at the age of 81 on March 24, 2019. He is interred in the Beth Emeth Cemetery in Loudonville, New York.","Processing completed by Kelsey Kim in March 2022. Arrangement decisions were made in conjunction with Elizabeth Beckman. The collection was surveyed and arranged by format, including alphabetizing of the playbills based upon their extent. EAD markup by Elizabeth Beckman in March 2022. ","Additional processing and finding aid updates completed by Amanda Menjivar in May 2022. Inventory updated by Amanda Menjivar with assistance from Madeline Puppos in August 2023.","The George Mason University Special Collections Research Center holdings include other collections pertaining to theatre and film, including the  , the  , the  , and the  .","This collection contains primarily collectible material from various stage performances and motion picture filmmaking. Stage performance includes playbills and programs from the performances Cohen attended, often including ticket stubs from the performance, and other programs related to different venues in the Washington, D.C. area. There are numerous film posters of various sizes used to advertise upcoming films, and pressbooks to accompany film marketing. There are pages and books of sheet music from a variety of films and musicals. There are some personal papers as well, including a term paper written by Cohen, theater magazines, comic books, photographs, and a record album scrapbook. Among the artifacts included in this collection are a number of projectors and cameras for film, animation films cells, and toys.","The Abbey, October 1990; Abracadabra, 1960; Accent on Youth, May 2009; Adding Machine: A Musical, 2009; The Adding Machine, 1991; The Adventures of Sherlock Holmes, January 2016; Advise and Consent, 1961; Agatha Sings!, 2001; Ah, Wilderness!, September/October 2007; Jil Aigrot, March 2009; Alfie!, November 1964; Alice in Wonderland: An Adult Musical Comedy, 2004; All the King's Men, October 1987; Allegro, 2004; The Tale of the Allergist's Wife, August 2001; Wolf Trap Tenth Anniversary Season, 1980 season; The Andersonville Trial, July/August 2001; The Andersonville Trial, 1959-1960.","Angels in America, circa 1999-2000; Andrew Lloyd Webber, Music of the Night, 1993; Animal Crackers, 1999; Animal Crackers, circa 1981-1982; Annie, March 1977; Annie 2: Miss Hannigan's Revenge, January 1990; Annie Get Your Gun, August 1966; Annie Get Your Gun, June 1948; Annie Get Your Gun, July 1960; Annie Get Your Gun (Rewrite), January 1999; The Second Annual Great American Musicals in Concert Benefit, 2008-2009.","Anything Goes, October 1988; Anything Goes, August 1958; Anything Goes, circa 1959; Applause, 1979; The Apple Tree, May-June 1994; Arcadia, April/May 1999; Are You Now or Have You Ever Been, circa 1974-1975; Louis Armstrong, August 1964; Around the World in 80 Days, 1965; ART, 1997; As You Like It, February-April 1997; As You Like It, 2007; As You Like It, June 2007; Aspects of Love, circa 1990s; Assassins, August-October 1992; Assassins, June 2004.","August Wilson's 20th Century, April 2008; Auntie Mame, November 1957; Auntie Mame; November 1957; Awake and Sing!, January-March 2006; Awake and Sing!, April-June 1971; The Andersonville Trial, May-June 1967; Back to Methuselah, February 1958; Proms 91, August 1991; Bad Seed, August 1957; The Ballad of the Sad Café, circa 1963-1965.","Barrymore, 1997; Barnum; June 1981; Baskerville: A Sherlock Holmes Mystery, 2014-2015; Baskerville, 2012; The Barretts of Wimpole Street, 1948-1949; Beau Jest, August 1993; The Beauty Queen of Leenane, June 1998; the Beaux' Stratagem, November-December 2006; Bedroom Farce, 1979; Bee-luther-hatchee, September 2001.","Belafonte in Person, August 1968; Bells are Ringing, n.d.; Bells are Ringing, July 1998; Bells are Ringing, August 1959; Benchley Despite Himself, February-March 2003; Benchley Despite Himself, February-March 2003; A Tale of the Christ, 1959; Ben-Hur, November 1959; Benefactors, December 1985; Berlin Cabaret, UFA Revue, May 1992; Bermuda Avenue Triangle, June 1997; The Best Man, January 1962; Betty Buckley, February 2000; Betty the Yeti, November 1996; Betty the Yeti, November 1996; Betty the Yeti, November 1996; Beyond the Fringe, February 1992; Beyond the Rising Moon, 1987; Beyond Therapy, May 1997; Big River: The Adventures of Huckleberry Finn, circa 1995-1996.","The Big Show of 1936, June 1972; Birthday Suite, May 1994; Black and Blue, May 1989; In Conversation, November 2009; Blithe Spirit, March 2015; Blithe Spirit, August 1962; Blithe Spirit, 1996; Blithe Spirit, May 2009; Blood Brothers, 1988; Blue Denim, 1958; Blue Denim, 1958; Blue Denim, 1959; Boccaccio, November-December 1974; Boomtown, November 1994; Edwin Booth, November 1958; Born Yesterday, circa 1948-1949; Bounce, October-November 2003; Breakfast with Les \u0026 Bess, 1981.","Breaking Legs, November 1992; Brigadoon, 1980; Brigadoon, 1957; Brigadoon, 1963; Brighton Beach Memoirs, July 1985; Broadway Bound, November 1986; Broadway: Three Generations, October 2008; A Broadway Christmas, 2015; Broadway Up Close and Personal: A Tribute to Frank Loesser, 2010; Brother Russia, 2012; Bubbling Brown Sugar, circa 1976-1977; Down at the Old Bull \u0026 Bush, April-June 1997; Bus Stop, August 1958; Bus Stop, 1958; By George!, April 1990; By Jeeves, June-August 1997; Bye Bye Birdie, July 1962; Bye Bye Birdie, December 1991.","Cabaret, 1988; Cabaret, April 1968; Cabaret, 1995; Show of Shows: Sid Caesar, August 1984; Cafe Crown, March 1989; Call Me Ethel, circa 2009; Camelot, 1961; Camelot, circa November 2003-January 2004; Camelot, 1981; Camille, August-September 1998; John Campbell \u0026 Chris Whitley, October 1992; Camp Logan, n.d.; Camping with Henry \u0026 Tom, October-November 1997; Can-Can, August 1958; Can-Can, August 1958; Candide, March-May 1996; Candide, October 1971.","The Canterbury Tales, April 2006; Cantorial: A Ghost Story, October-November 2012; Cantorial, March 1989; The Caretaker, June 1991; Carmelina, March 1979; Carnival, October 1962; Carnival!, February 2007; Carousel, Setepmber 1957; Carousel, 2016-2017; Carousel, 1957; Carousel, 1959; Carousel, September 1957; Carousel, 1959; Cat on a Hot Tin Roof, August 1958.","Cats, September 1987; Catskills, 1993; Charley's Aunt, July 1959;  Charlie and Algernon, July 1980; Chicago, January 1997; Chicago, October 1989; Children of the Shadows, circa early 1960s; Child's Play, May 1970; The Children's Hour, June /July 1936; The Children's Hour, September 1995; A Chorus of Disapproval, December 1988-February 1989; A Chorus Line, October 1977; A Christmas Carol, 1996; Radio City Christmas Spectacular, 1993; Cinerama Holiday, circa 1950s; City of Angels, August 1990.","Cleo Laine, July 1983; The Cleveland Orchestra, February 1966; Cloud Nine, March 1997; Clown Around Town, 2000/2001; The Cocoanuts, 1988; The Cocoanuts, December 1996; The Comedie Francaise, March 1966; The Comedians, January 2005; The Comedians, February 2005; The Comedy of Errors, November 2005-January 2006; The Comedy of Errors, circa 1990; Communicating Doors, circa November 1999; Company, October 1995; Company, July 1970; Company, October-November 1993; Company, June 2002.","The Complete History of America, June 1995; Barbara Cook, March 1985;  Barbara Cook, September 2007;  Barbara Cook: A Broadway Evening,  1984; An Evening of Song with Barbara Cook, December 1993; Copenhagen, 2000; Coriolanus, April 2007; The Count of Monte Cristo, May 1985; The Countess, July/August 2000; Country Current, October 1992; The Country Wife, March-May, 2000; Crazy for You, 1991.","The Creation of the World and Other Business, October 1972; Crimes of the Heart, March 1982; Crossing Delancey, circa 1997; Crossing Delancey, April-May 2009; The Crucible, 2007; The Crummles' Christmas Carol, December 2002; Crystal, November 1997; Curtains, July 2007; Cyrano, April-June 2011; Damn Yankees, July 1995; Damn Yankees, December 2005-February 2006; Dancing at Lughnasa, August 1991; Danny \u0026 Sylvia: A Musical Love Story, September-October 2001; Danny \u0026 Sylvia, A Musical Love Story, 2002; Danzalta, March-April 1994.","The Dark at the Top of the Stairs, June 1958; The Dark at the Top of the Stairs, June 1958; Dear Liar, circa 1959; Dear Liar, 1959; Dear World, July-August, 2003; Death of a Salesman, 1976; Deathtrap, July 1979; Desert Song, 1959; Desert Song, 1959; Design for Living, 2009; Detective Story, July, 1949; Diamond Orchid, January 1965; Diary of Anne Frank, June-July 1959; The Diary of Anne Frank, 1959; The Diary of Anne Frank, December 1997; Dick Hyman, June 1997; Die Walküre, October 2002; Dirty Blonde, May 2000, Dirty Blonde, August-October, 2009; Disney Fantasia, February 2016.","Do Re Mi, March 1961; The Dock Brief, July 1962; Doctor Faustus, circa 1998-1999; Melvyn Douglas in Inherit the Wind, January 1957; Dr. Cook's Garden, September-October 2008; The Drowsy Chaperone, 2011; The Drowsy Chaperone, September 2006; Dracula, June 1978; Drat the Cat, September 1965; Dream of a Common Language, March-April 1994; Dream of a Common Language, circa 1990s; Drums in the Night, August 1961; Duel of Angels, May 1960; Duke Ellington's Sophisticated Ladies, April 1989; Dylan, February 1964.","Eastern Standard, March 1989; The Education of H*Y*M*A*N K*A*P*L*A*N, circa 1980s; Edwin Booth, November 1958; Either Or, September 2006; El Virgen, September 2005; The Elephant Man, February 1980; Eleanor: An American Love Story, March-June 1999; Elmer Gantry, 1995; The Enchanted, March 1973; Enter Laughing: The Musical, Spring/Summer 2009; Enter Laughing: The Musical, Winter 2009; Enter Laughing: The Musical, circa 1950s or 1960s; Enter Laughing: The Musical, circa 1950s or 1960s; Ethel, 1985; The Ethel Merman Show, circa 1960; The Ethel Merman Show, June 1963; An Evening to Remember, June 6, 1994; Evita, September/October 1981.","The City of Fairfax Band, April 30, 1989; Fairfax Symphony Orchestra, October 1990; Fairy Tales of New York, July 1962; The Fall of the House of Usher, September-October 2007; Fallen Angels, June-July 1958; Fallen Angels, June-July 1958; Fallen Angels, June-July 1958; Falling Waters, September 2003; Fanny's First Play, March-April 2006; The Fantasticks, 1996; Faulkner's Bicycle, November 1995; Feis Eireann, January 1967; Fiddler on the Roof, 1989; Fiddler on the Roof, August 1968; Chico Marx, August 1956; Chico Marx, August 1956; Fiorello!, February 2013; The 5th Annual First Light Festival, March 2005; The 7th Annual First Light Festival, March 2007; First You Dream: The Music of Kander \u0026 Ebb, September 2009; The Firstborn, May 1958; Eddie Fisher and Buddy Hackett, June 1967; The Fishkin Touch, June 1998; The Fix, March 1998.","A Flag is Born, March-April 2004; A Flag is Born, March-April 2004; The Flick, 2016; Flight, June 1986; Flower Drum Song, July 1961; Flower Drum Song, July 1961; Floyd Collins, June 2016; The Flying Karamazov Brothers, November 1991; The Flying Karamazo Brothers' Room Service, August-October 1997; Dan Fogelberg with his band, May 2003; Follies, April-June 2003; Follies, December 1971; Follies, circa 1998-2000; Follies, June 2011; Forbidden Broadway, 1989; Forbidden Broadway, 2002; Forbidden Broadway, 2001: A Spoof Odyssey, July 2001; Forbidden Broadway: Special Victims Unit, October 2008; Forbidden Broadway, October 2000.","Forbidden Hollywood, April 2004; Return to the Forbidden Planet, circa 1991; The Foreigner, September-October 2009; Forever Ivor, 1994; Fortune's Fool, 2002; Forty Carats, 1971; Four on a Garden, November 1970; The Four Seasons Dinner Theater, 1979/1980; A Fox on the Fairway, 2010; Frankie and Johnny in the Claire de Lune, September 1988; Frost Nixon, July 2007; Fosse, December 2000; A Funny Thing Happened on the Way to the Forum, October-November 2001; A Funny Thing Happened on the Way to the Forum, July 1996; A Funny Thing Happened on the Way to the Forum, crica 1960s; A Funny Thing Happened on the Way to the Forum, December 1962.","Galileo, August 1980; The Game's Afoot, circa 2010s; The Game of Love \u0026 Chance, 2009; The Gang's All Here, November 1959; The Gathering, July/August 1999; The Gazebo, 1960; The Gazebo, 1960; George Gershwin Alone, 2004; George and Ira Gershwin Celebrating the Inauguration..., May 1989; Gentlemen Prefer Blondes, July 1950; George - Don't Do That!, September/October 1999; George M!, circa 1970s-1980s; The Ghost Sonata, 1964; Gideon, 1961; The Gin Game, May 1979; The Gin Game, George Mason University (n.d).; Girl Crazy, 1960; Girl Crazy, 1960; The Golden Land, 2012; The Golden Land, December 1985; Goodbye Charlie, 1960; Goodbye Charlie, 1960; Goodnight Desdemona, May 1998.","Grand Hotel, December 1990; A Grand Night for Singing, October 1993; The Grand Tour, Spring 2009; Grandma Sylvia's Funeral, October 1995; The Grapes of Wrath, 1989; Grease, 1974; Great Expectations: The Musical, August-September 1998; Tammy Grimes, November 2010; Grimm Tales, March-April 1999; Gross Indecency: The Three Trials of Oscar Wilde, April-May 2009; Guys and Dolls, May 1993; Guys and Dolls, December 1999 - February 2000; Guys and Dolls, 1960; Gypsy, 1961; Gypsy, June 2003; Gypsy, August 1974; Gypsy, August 1962; Gypsy, August 1962.","Hadrian VII, March 1970; Sheldon Harnick, April 20, 2009; Hair, May 1971; Halcyon Days, September-October 1992; Hamlet, 1967; Hamlet, 1964; Marvin Hamlisch, November 2009; Happy Hunting, August 1957; The Happy Time, April-June 2008; Harvey, November-December 2015; Hay Fever, 1985; Heartbreak House, November 2003; Heartbreak House, February-March 1999; Heartbreak House, September 2006; Hedda Gabler, 1971.","The Heidi Chronicles, May 1989; Hello, Dolly! August-September, 1994; Hello, Jerry!, May 2003; Hello, Muddah, Hello, Fadduh!, circa 1990s; Hello, Muddah, Hello, Faddah!, 1996; Hellzapoppin, July-August 2007; Henceforward, circa 1989; Jerry Herman, September 20, 2007; The Music of Jerry Herman, May 10, 1992; High Button Shoes, August 1948; High Spirits, 1984; The Highest Yellow, 2004; Jerome Hines, February 19, 1958.","The History Boys, 2008; The History Boys, September 2006; The History of Invulnerability, June-July 2012; H.M.S. Pinafore, July-August 1995; H.M.S. Pinafore, January 1988; A Hole in the Head, July 1962; A Hole in the Head, July 1962; Holiday for Lovers, August 1958; Holiday for Lovers, August 1958; The Hollow, February 1999; Hollywood Pinafore, September-October 2000; Bob Hope Show, September 1958 (tickets); Hostile Witness, January 1966; House, 2002; How the Other Half Loves, March 1971; How to Succeed in Business Without Really Trying!, February 1995; How to Succeed in Business...Without Really Trying!, May 1992; The Huggett Family, August 1972; Hurly Burly, 1984.","The Iceman Cometh, October 1960; I Could Stop on a Dime and Get Ten Cents Change (A Ballroom Drama), March-April 1995; I Do! I Do!, October 1966; If/Then, November 2013; I Hate Hamlet, July-August 1992; Iolanthe or The Peer and the Peri, Spring 2004; I'm Not Rappaport, April 1987; The Immigrant, October-November 1992; The Importance of Being Earnest, November-December 2004; Indian Ink, 1999; Indiscretions (Les Parents Terribles), July 1995; Inherit the Wind, August 1957; Inherit the Wind, September-November 2000; Inherit the Wind, August 1957.","An Inspector Calls, October 1994; An Inspector Calls, circa 1940s; Into the Woods, 1994; Into the Woods, July 2002; Into the Woods, October 1988; The Invention of Love, March 2001; Irene, February 1973; Irma La Douce, July 1963; Irma la Douce, July 1963; The Irving Berlin Centennial, 1987; Isle of Children, March 1962; Isn't It Romantic, 1985; Eugene Istomin, October 31, 1958; It's a Bird...It's a Plane...It's Superman, March 2013; Ivanov, April 1966.","Jacques Brel,  circa 1983-1987; Janus, June 1957; Jazz Folk 1959; July 1959; J.B., November 16, 1959; Jeeves Takes Charge, 1982; Jerome Robbins Broadway, March 1989; Jesus Christ Superstar, August 1990; The Jockey Club Stakes, November 1972; Jolson the Musical, Autumn 1996; Jumpers, June 2004; June Moon, December 1983; June Moon newspaper article, 1983.","Kafka's Dick, December 2007; Kapelye, April 1994; Karen Akers, March 13, 1992; Danny Kaye with the Earl Brown Singers, July 1968; Danny Kaye, Guest Conductor with the Boston Symphony Orchestra, July 13, 1961; An Evening with Danny Kaye, July-August 2014; An Evening with Danny Kaye, August 2014; The King and I, August 1958; The King and I, August 1958; King John, January-March 1999; King Lear, circa 1961-1962; The King Stag, December 2000; Kismet, July 1959; Kismet, September 1965; Kismet, October 1965; Kismet, September 1965; Kiss Me Kate, July 1958; Kiss Me, Kate, July 2001; Kiss of the Spider Woman, August 1993; Alexandria Kleztet: Klezmer Quarter, November 16, 2004; The Klezmer Conservatory Band, April 13, 1989; Alison Krauss and Union Station, June 1996.","La Bohème, November 27, 1961; La Cage aux folles, August 1984; Lady Be Good, circa 1950s (probably 1953); The Lady from the Sea, September-October 2000; Lady in the Dark, April-May 1998; Lady Windermere's Fan, June-July 2005; The Last Living Newspaper, January-February 1993; Last of the Red Hot Lovers, circa 1960s; The Late Edwina Black, October-December 1996; Laughing Matters, May 1989; Laughter on the 23rd Floor, May 1994; Laughing Stock, September 2015; Leading Ladies, October 2005; The Left Hand of Justice, September 4, 2004; Legends, August 1986 , November 27, 1961; La Cage aux folles, August 1984; Lady Be Good, circa 1950s (probably 1953); The Lady from the Sea, September-October 2000; Lady in the Dark, April-May 1998; Lady Windermere's Fan, June-July 2005; The Last Living Newspaper, January-February 1993; Last of the Red Hot Lovers, circa 1960s; The Late Edwina Black, October-December 1996; Laughing Matters, May 1989; Laughter on the 23rd Floor, May 1994; Laughing Stock, September 2015; Leading Ladies, October 2005; The Left Hand of Justice, September 4, 2004; Legends, August 1986.","Les Misérables, February 1987; Les Misérables, December 2008-February 2009; Let My People Come, 1974; Let Us Be Gay, October-November 1949; Lettice and Lovage, October 1987; Life with Father, May 1990; Life with Father, November 2008-January 2009; Life with Father, June 1947; Life with Father, June 1947; Light Up the Sky, December 1987-January 1988; Li'l Abner, circa 1950s-1960s; The Lion King, August 2000; A Little Hotel on the Side, January 1992; A Little Hotel on the Side, January 1992.","A Little Night Music, April 1974;  A Little Night Music, August 2002; A Little Night Music, August 1998; A Little Night Music, August-October 2017; A Little Night Music, circa 1974-1975; A Little Night Music, June 2010; A Little Night Music, March-April 2008; Live Wire, 1998; The Living, September-October 1994; The Loman Family Picnic, July-August 1996; Look Homeward, Angel, March 1958; London Assurance, November 1974; George London, December 1960; Lord Arthur Savile's Crime, February-March 2010; Love's Labor's Lost, June-July 2006; Lovers, June 1969.","Macbeth, circa 1961-1972; Macbeth, June-September 1961; Macbeth, September-November 1995; Machinal, June-July 2004; Mack \u0026 Mabel, September 1974; Madigan's Lock, June-July 1970; Mahalia: A Gospel Musical, January-March 2010; Major Barbara, July 2001; A Majority of One, circa November 1959; A Majority of One, November 1959; Mame, May-July 2006; Mame, July 1968; A Man for All Seasons, June 1962; Man of la Mancha, March 1967; Man of la Mancha, August-September 1996.","The Man Who Came to Dinner, November-December 1989; Marching Down Broadway, October 19, 1991; The Marriage, May 1958; Marriage-Go-Round, July 1961; In-Person, Dean Martin \u0026 Jerry Lewis with Polly Bergen at the Palace Theatre, n.d. (no program); Martine, August 1961; The Matchmaker, November-December 1995; The Madwoman of Chaillot, July 1958; The Matchmaker, 1962; The Matchmaker, 1962; Mating Cries, September 1998; An Evening with Donna McKechnie: My Musical Comedy Life, April 20, 2002; Me and My Girl, August 1988; Me, Third, May 28, 1986; Me, Third, May 28, 1986; The Memorandum, September 1999; Merrily We Roll Along, January-April 1990; Merrily We Roll Along, October circa 2010s; Merrily We Roll Along, September-October 2007; Merrily We Roll Along, July 2002; Merry Widow, August 1959; Merry Widow, August 1959; The Merry Wives of Windsor, March-May 1998.","Metropolis, March 1989; Sam Levene, July 1958; Sam Levene, July 1958; James Mason, July-August 1958; James Mason, July-August 1958; Milk \u0026 Honey, 1968; Milk \u0026 Honey, circa 1994; Mildred Miller, March 6, 1962; The Miracle Worker, March 22, 1962; Misalliance, November 1994-January 1995; The Misanthrope, February 1975; The Miser, October-November 1996; Mississippi Pinocchio, March 2002; Miss Saigon, September 1989; A Month in the Country, April-June 1995; Moon Over Buffalo, January-February 2004; Moonlights \u0026 Magnolias, April-May 2011; Morning's at Seven, July 2002; Most Happy Fella, circa 1940s-1950s; Most Happy Fella, circa 1940s-1950s.","Mostly Sondheim, June 2002; Mourning Becomes Electra, April-June 1997; Agathie Christie's The Mousetrap, 2011; Mrs. Klein, October 1996; Mrs. Warren's Profession, July-August 1996; Much Ado About Nothing, July-August 1997; Much Ado About Nothing, February-April 1992; Music Is, November 1976; The Music Man, August-September 1978; The Music Man, October 10, 1961; The Music Man, October 10, 1961; The Musical of Musicals, May 2004; My Fair Lady, March 1962; My Fair Lady, March 1962; My Fair Lady, circa 1960s; My Fair Lady, August 1981.","My Name is Alice, 1987; My One and Only, March 1985; The Mystery of Edwin Drood, December 23, 1985; Nancy Drew, Girl Detective, circa 1992; Napoleon, February 1982; Nathan the Wise, October 2001; National Repertory Theatre, December 1965; National Symphony Orchestra, July 19, 1970; Nights at the Movies: The Golden Age of Film Music, September 12, 2008; Marvin Hamlisch and the National Symphony Orchestra, October 2000-June 2001; National Symphony Orchestra, August 25, 1989; Naughty Marietta, August-September 1961; Naughty Marietta, December 31, 1979.","The Nerd, September-October 1996; Never the Sinner, August 1997;  Never the Sinner, March-April 2013; Never Too Late, June 1969; New Girl in Town, March 13-14 circa 1958; New Girl in Town, March 13-14 circa 1958; The New Music Hall of Israel, January 1970; New York City Ballet, July 1991; The New York City Opera, June 1988; The New York Pops, March 1989; The Night Hank William Died, May 1989; The Night of January 16th,  February-March 1949; The Night of the Iguana, June 1962; Nina, July 1959; Nina, July 1959; Nine, May 1983.","Nixon's Nixon, March-April 1999; Ninotchka, February 1982; No Time for Sergeants, December 13, 1957; No Time for Sergeants, December 13, 1957; No Way to Treat a Lady, January 1997; Noel and Gertie, November-December 2003; Noël and Gertie, October-November 1987; Noises Off, November 1983; Noises Off!, January 1990; Nude with Violin, circa 1957-1958; Nude with Violin, September 2010; The Odd Couple, March 1965; Odyssey: A Musical Play, January 1975; Of Thee I Sing, September-November 1992; Of Thee I Sing, June 1987.","Oh! Calcutta!, July 1970; Oh Captain!, April 1958; Oh Captain!, March 1958; Oh Captain!, 1958; Oh Captain!, February 1958; Oh Coward!, October 1998; The Old Neighborhood, December 1997; Old Times, March 1972; Romeo and Juliet, March 1962; Old Wicked Songs, November 1997; Oliver!, October-November 1997; Oliver!, June 1964; On the Town, April 1989; On the Twentieth Century, circa 1991; On Your Toes, December 1982; Once in a Lifetime, October 1983; Once More, With Feeling, September 1959.","One Night with Fanny Brice, November 2010; One-Third of a Nation, May 1991; Onward Victoria, September 14, 1987; Opus, September 2007; Othello, July 1961; Othello, 1981; Othello, November 1957; Other Desert Cities, 2013; Our Town, August 1959; Over \u0026 Over, January-February 1999; Over My Dead Body, February 1989; Pacific Overtures, December 1975; Pacific Overtures, 2004; Page-to-Stage, September 2004; Page-to-Stage, September 2004; Page-to-Stage, September 2004; The Pajama Game, August 1958; The Pajama Game, March-April 1989; The Pajama Game, circa 1990s; The Pajama Game, August 1958; Pal Joey, July 1959; Pal Joey, July 1959; Pangs of the Messiah, June-July 2007.","A Party with Betty Comden and Adolph Green, October 1992; A Party to Murder, October-November 2016; Passion, July 2002; Passion, May 1994; Passion, April 1996; Patience, May 1997; A Patriot for Me, September 1969; The Perfect Party, January 1987; Perfect Crime, circa 1990s; The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, circa 1998; Pericles, Prince of Tyre, March 1990; Perseus Bayou, circa 2000; Perseus Bayou, April 26, 2003; Perseus Bayou, March-April 2001; The Pirates of Penzance, July-September 2001; The Phantom of the Opera, 1989; The Phantom of the Opera, September 1991.","The Piano Lesson, April-May 2005; Philadelphia Here I Come!, December 1966; The Philadelphia Orchestra, circa 1971-1972; Philip Glass Ensemble, 1985; Photo Finish, April 1963; The Physicists, September 1964; Piaf, October 2004; Pickwick, September 1965; Pins and Needles, 1989; Pippin, October 1972; The Pirates of Penzance, November 1964; Plain and Fancy, March 15-16, 1957; Bad Seed, August 1957; The Play's the Thing, April-May 2006; The Play's the Thing, July 1995.","The Pleasure of His Company, October 1959; 2008-2009 Pops Series, September 2008-May 2009; The Premier Performance, October 6, 1990; Present Laughter, January 1997; Preservation Hall Jazz Band, November 19, 2000; The Price, January-February 1994; The Price, March-April 2008; The Prime of Miss Jean Brodie, 2006; Princess Ida, circa 2002; The Prisoner of Second Avenue, October 1971; Private Lives, July 2002; Private Lives, June 2014; Privates on Parade, September 2002; The Producers, July 2001; The Producers, August 2004; Promises, Promises, November 1968; Proof, July 2001; Proposals, October 1997; The Playhouse, January-February 1949; Pygmalion, February 1991.","Radio Theatre Live! May 9-10, 2001; Radio Theatre Live!, June 13-14, 2001; Radio Theatre Live!, July 18-19, 2001; Radio Theatre Live!, May 8-9, 2002; Radio Theatre Live!, July 10-11, 2002; Rags, August 1986; Ragtime, May 2009; Ragtime: The Musical, June 1998; The Real Thing, May 2000; Red Buttons in the Teahouse of the August Moon, July 1960; Red Herring, April 2009; The Reduced Shakespeare Company, March 1996; The Rehearsal, circa November 1963; Relatively Speaking, circa 1993; Burgess Meredith, August 1958; Rent, 1996;The Revengers' Comedies, March-June 1994; Rhinoceros, July 1962.","The Rhythm Club, September-October 2000; Richard III, circa 1990; The Rink, August 1996; The Rise and Fall of Annie Hall, April-May 2009; Risë Stevens, December 15, 1959; The Rivalry (no program), January 1958; The Rivals, August-October 2003; Robert Frost: Fire and Ice, circa 1990s; Rock'n'Roll, April 2009; Rocket to the Moon, September 2001; Romanoff and Juliet, November 1957; Romanoff and Juliet, 1957; Romeo \u0026 Juliet, April-May 1997; Room Service, June 1983; Rosencrantz and Guildenstern are Dead, May 2007; Rosencrantz and Guildenstern are Dead, September 1967.","The Rothschilds, August 1990; Rough Crossing, September 2003; The Rover, December 1981-February 1982; The Royal Family, October-November 1999; The Royal Family, December 1975-July 1976; The Royal Family, December 1975; The Washington Opera, December 1987; Ruddigore, May 1995; Rumors, November 1989; Rushmore, March-April 1993.","Sabrina Fair, August 1975; Salome, January-February 2015; Saltimbanco, 1993; Saturday Night, May 2004; Saturday, Sunday, Monday, November-January 1977; Say, Darling!, June 1959; Say, Darling!, June 1959; Scaramouche, September-October 2003; Scaramouche, September 1, 2003; The Scarlet Pimpernel, July 2000; The School for Scandal, May-June circa 2008; The School for Wives, February 1996; The School for Wives, February 1992; The Scottish Play, 2003; The Secret Garden, January 1993; The Secret of Sherlock Holmes, September 1988.","Separate Tables, September 1957; Separate Tables, September 1957; A Servant to Two Masters, April 2001; The Shadow of a Gunman, November 1958; Shakespeare in Hollywood, 2012; Shakespeare in Hollywood, September-October 2003; Shakespeare in Hollywood, circa 2002; Shakespeare in Washington, January 6, 2007; She Loves Me, November-December 2006; She Loves Me, October 1993; She Stoops to Conquer, February-March 1988; Shear Madness, November 1990; Shear Madness, February 1993; Sherlock Holmes, October 1974; Sherlock Holmes and the Case of the Purloined Patience, July-August 1997; Sherlock's Last Case, July 1987.","Shirley MacLaine, August 1982; Shmulnik's Waltz, 1996; Shmulnik's Waltz, February-March 1994; Sholom Aleichem: Laughter Through Tears, December 2008-January 2009; Show Girl, August 1961; Showboat, circa 1950s-1960s; Showboat, October 1994; Herb Shriner Entertains in An Evening of Unforgettable Humor and Music, 1959; Sideman, July 1999; Side Show, May-June 2000; Silk Stockings, circa 1950s-1960s; Sing Down the Moon, March-April 2000; Signature Sings Broadway in Ballston, June 23-25 2005; Singin' in the Rain, July 1986; The Sins of Sor Juana, November 1999; The Sisters Rosensweig, October 1993; The Sleeping Beauty (The National Ballet of Canada, September 1972); Sleuth, circa 1950s.","Sly Fox, June 2004; Social Security, July 1995; Solid Gold Cadillac, July 1956; Something's Afoot, November 8, 1973; A Sondheim Summer!, June 28-29 1994; The Sound of Music, 1964; South Pacific, August 1977; South Pacific, October 1958; South Pacific, August 1960; South Pacific, December 2002-February 2003; Souvenir, June 2007; Monty Python's Spamalot, June 2006; Spiele '36 or The Fourth Medal, September 1991; Stacy Keach: Solitary Confinement, February 1992; Standup Shakespeare, March-April 1994; State Fair, August-September 1995; State of the Union, October 2006.","Steel Magnolias, March 1989; Steel Pier, May 2000; The Stephen Schwartz Project, April-May 2008; \"You're Gonna Love Tomorrow\": A Stephen Sondheim Evening, 1996; A Stoop on Orchard Street, circa 2000s; She Stoops to Conquer, March 2002; Stop the World--I Want to Get Off, 1964; Stop the World--I Want to Get Off, 1964; Stones in His Pockets, circa 2000s; Strange Interlude, April 1963; A Streetcar Named Desire, August-September 1960; The Student Prince, circa 1970s; The Subject Was Roses, March 1966; Sugar, January 1972; Sunday in the Park with George, October 20, 1989; Sunrise at Campobello, June 1958; Sunset, 1994; The Sunshine Boys, December 1997; The Sunshine Boys, November 1972.","Swansong, circa 2006; Sweet Bird of Youth, October 1959; Sweet Smell of Success, April-May 2008; Sweet Ike, September 1996; Sweeney Todd, March 9, 2004; Sweeney Todd, September-October 1999; Sweeney Todd: The Demon Barber of Fleet Street, August 1979; Sylvia, July 1995; Sylvia's Real Good Advice, June-July 1993; Talley's Folly, 1982; The Taming of the Shrew and The Cherry Orchard, 1959; The Cherry Orchard, November 1959; The Taming of the Shrew, September-November 2007; The Tap Dance, March 1986; Tartuffe, July 1972; Tea and Sympathy, May 2, 1956.","The Tempest, September-October 1997; The Tenth Man, September-October 2010; The Tenth Man, December 1959; Terre des Femmes, n.d.; Tevya, July 1960; Tevya, 1960; A Texas Trilogy, May 1976; That Championship Season, circa 1950s; Theatre in the Dance, November 13, 1958; Things That Break, March 1997; Those Were The Days, December 1990; A Thousand Clowns, June 1996; The Three Musketeers, circa 2006-2007; Three Nights in Tehran, November 1996; The Three Sisters, 1963; Tigertigertiger, September 1997; Time for Elizabeth, July 1959; Groucho Marx, July 1959; The Time of Your Life, February 1972.","Time Remembered, October 1957; Time Remembered, circa 1957; The Titans, September 1, 2003; Tobacco Road, August 1959; Tobacco Road, June 1936; Too Jewish?, October 1995; Too True to Be Good, March 2000; A Touch of the Poet, October 1958; A Touch of the Poet, circa 1958; A Touch of the Poet, October-November 1997; Toys in the Attic, 1961; Toys in the Attic, August 1961; Travesties, 1996; Treasure Island, circa 2005-2006; Trevor, February 2017; A Tribute to Cy Coleman, October 7, 2008; The Triumph of Love, circa 1997; Tru, October 1991; A Tuna Christmas, December 1989; Twelve Angry Men, October 2006; Twentieth Century, August-October 2003; Theater J, May 1997; Two for the Seesaw, June 1958; Two Keys, February 1974; Twelve Angry Men, July 1960; Twelve Angry Men, July 1960.","Uncle Vanya, August 2011; Under Milk Wood, October 8, 1962; Utopia Limited, circa 2000; Vaudeville: Humor on the 20th Century Stage, November-December 1999; Verdict, July 1985; A View from the Bridge, November 1-2, 1957; The Visit, October 1958; The Visit, May-June 2008; Visit to a Small Planet, June 1958; Visiting Mr. Green, June 1998; Voice of the Prairie, April-May 1993; Volpone, April-June 1996; Waiting for Lefty, July-August 1976.","Waiting in the Wings, May 2000; Waiting in the Wings, 2010; The Wanhope Building, February 1947; War of the Worlds - The Radio Play, October 29, 2003; The Warm Peninsula, May 4, 1959; The Way of the World, October-November 1992; The Way of the World, September-November 2008; The Music of Andrew Lloyd Webber, December 1990; Welcome to my Rash/Psyche in Love/Third, August 31, 2003; West Side Story, January 1980; West Side Story, August 1995; The West Side Waltz, April 1982; What the Butler Saw, 2002; What the Butler Saw, April-May 1995.","When She Danced, August 1991; Whistle Down the Wind, December 1996; The White Devil, 1991; Who's Afraid of Virginia Woolf?, October 1996-March 1997' Widdershins, February-March 2011; The Will Rogers Follies: A Life in Revue, January 1994; Will Success Spoil Rock Hunter?, July-August 1957; Windjammer, June 14,1958; Windom Plays Thurber, December 1944; Wish You Were Here, circa 1950s-1960s; Wish You Were Here, circa 1950s-1960s; The Witches of Eastwick, June-July 2007; Witness for the Prosecution, August 1957; The Woman in Black, October 1996; Woman in Mind, January 2001.","The Women, January-February 1999; A Wonderful Life, Fall 1991, The Wonderful One-Hoss Shay, March-April 1996; Wonderful Town, March 2004; Wonderful Town, August 1957; Working, October 1997; The World According to Me!, June 1989; The World Goes 'Round: The Kander \u0026 Ebb Musical, June 1993; Write Me a Murder, November 1961; Write Me a Murder, August 1983; You Can't Take It With You, March 1983; You Can't Take It With You, April-June 1998; You Never Can Tell, June 1998; Zero Hour, August-September 2009; Ziegfield: Another Night at the Follies, circa 1990-1991; Zorba, October 1993.","110 in the Shade, circa 2002-2003; 1776, March 1969; 1776, December 1997; 1776, April 1989; 1776, 2003; The 1940s Radio Hour, circa 2004-2006; The 1940s Radio Hour, November-December 1978; Alfred Hitchcock's The 39 Steps, March 2010; Alfred Hitchcock's The 39 Steps, May 2008; Forty-Second Street: A Musical Comedy, June 1980; 70, Girls, 70, June 1991.","Clyde Beatty-Cole Bros. Circus, 1995; The Kennedy Center Eisenhower Theater Official Re-Opening, October 2008; Radio City Music Hall, Rockefeller Center, October 1958; Radio City Musical Hall, May 1978; Rockefeller Center, circa 1970s; Radio City Musical Hall, circa 1980s-1990s; Royal National Theatre: Making a Production at the National, circa 1990-1991; Saratoga Performing Arts Center, circa 1968; Steel Pier, 1957; Williamstown Sumer Theatre, 1962.","Almost Like Being In Love, 1952; Moonlight Bay, 1912; The Desert Song, 1927; Man of la Mancha, 1965; All the Time from Oh Captain!, 1958; Michelle, 1965; Havah Nagilah, 1961; Oklahoma, 1943; Hello, Dolly!, 1963; A Man and a Woman, 1966; Sunrise, Sunset, 1964; I Will Wait for You, 1967; My Man, 1920-1921; Raindrops Keep Fallin' On My Head, 1970; Somewhere, My Love; 1965-1966; Mame, 1966; Deep Purple, 1962; Mack the Knife, 1955; Surprise, 1958; You Don't Know Him, 1958; Clair de lune, 1927; The Carousel Waltz, 1945; More, 1963; Cabaret, 1966; Bali Ha'I, 1949; Some Enchanted Evening, 1949; Tonight, 1957; Who Can I Turn To (When Nobody Needs Me), 1964; As Long As He Needs Me, 1960; (I Wonder Why?) You're Just in Love, 1950; Star Dust, 1929; I Got Rhythm, 1930; I Got Rhythm, 1930; Of Thee I Sing, 1931; Someone to Watch Over Me, 1926; Someone to Watch Over Me, 1926; Bidin' My Time, 1930.","Larry Adler Harmonica Favorites, 1943; Melodic Masterpieces for Hohner Harmonicas, 1962; The King and I (Vocal Selections), circa 1951; Zero Mostel in Fiddler on the Roof (Vocal Selections), 1964; Gypsy (Book), 1960; Gypsy: A Musical Fable (Vocal Selections), circa 1959; Rodgers and Hammerstein's Carousel, circa 1956.","Content warning: Depiction of yellowface.","Czech poster for  Charlie Chan in London.","Content warning: Depiction of brown face.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","French poster available in this collection.","Content warning: Racist imagery.","Content warning: Depiction of yellowface.","\"Magia Negra\" Translates to \"Black Magic\" in English.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","English language poster available in the collection.","Content warning: Depiction of yellowface.","Adventures of Don Juan; Alexander the Great; Ali Baba and the Forty Thieves; Alias Boston Blackie; The Alphabet Murders; The Bachelor Party; The Bandit of Sherwood Forest; Barabbas; The Belles of St. Trinian's; Ben-Hur (2); The Big Fisherman; Blonde For a Day; Blondie in Society; Caesar and Cleopatra; Camelot; Captain from Castile; The Chance of a Lifetime; Christopher Columbus; Cleopatra (1963); Cleopatra (1934); Charge of the Lancers; Murder Over New York; Charlie Chan - The Feathered Serpent; Charlie Chan- Sky Dragon; Charlie Chan at Monte Carlo; Charlie Chan - The Red Dragon; Charlie Chan - Sky Dragon; Charlie Chan - The Feathered Serpent; Charlie Chan - The Feathered Serpent; Charlie Chan - The Feathered Serpent; A Close Call For Boston Blackie; The Colossus of Rhodes (6); The Corsican Brothers; Counter-Espionage; Counterspy Meets Scotland Yard; Cromwell; Danger Zone; Wilson; Désirée; Dick Tracy; Dick Tracy Meets \"Gruesome;\" Dick Tracy Returns; Doctor At Large; The Egyptian; Ellery Queen and the Murder Ring; Enemy Agents Meet Ellery Queen; The Falcon in Mexico; The Falcon in San Francisco;\nThe Fall of the Roman Empire (2); The Fall of the Roman Empire (4); Gone With the Wind; Henry Aldrich's Little Secret; Henry Aldrich Plays Cupid; In Old Mexico; Innocents in Paris; Ivanhoe; The Good Humor Man; Joe Palooka in the Squared Circle; Killer Leopard; Kim (9); King Richard and the Crusaders; Knights of the Round Table; Land of the Pharaohs; The Lavender Hill Mob; Lawrence of Arabia; The Leech Woman; Life Begins for Andy Hardy; The Little Hut; Lorna Doone; Lost in Alaska; Maisie; Me and the Colonel; Michael Shayne Private Detective; Modesty Blaise; Mr. Moto Takes a Chance; Murder Ahoy; Murder Most Foul; Nancy Drew-Trouble Shooter; North By Northwest; Northwest Passage; On Moonlight Bay; Outcast of Black Mesa; Passport to Suez; Pinnochio; Prince of Foxes; Private Lives; Quo Vadis (7); Rear Window; The Robe (2); Roman Holiday (2); The Saint's Girl Friday; Salome; Samson and Delilah (2); The Shadow Returns (3); Behind the Mask (2); Sherlock Holmes and the Secret Weapon; Unlabeled Sherlock Holmes film; Sign of the Pagan (2); Silver City Bonanza; Sleeping Beauty; Snow White and the Seven Dwarves; Solomon and Sheba; Something Wild; Song of the Thin Man; South Pacific; Sunrise at Campobello (7); Tarzan and the Mermaids; Tarzan and the Amazons; Tarzan's Magic Fountain; Tarzan's Secret Treasure; The Ten Commandments; Tom Brown's Schooldays; Tom Jones; Too Many Winners; Trail of the Rustlers; The Trojan Horse (4); Ulysses (5); Valley of the Head Hunters; The Vikings; Crime Doctor's Strange Case; Waterloo; The Whistler; Young Bess; The 300 Spartans (2).","Brownie Target Six-20 and Brownie Target Six-16.","Can be used with the glass lantern slides in Box 18.","Slides feature Mickey Mouse and other early Disney characters, as well as images from fairy tales.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Martin Cohen theater collection contains material pertaining to musical theater, stage performances, and motion picture film. It primarily includes playbills, sheet music, and film posters, as well as as comic books, animation film cells, memorabilia, and toys.","R 72, C 2, S 7-C 3, S 4\n\nMC 16.3, 16.4, 16.5, 32.4, 32.5, 34.5\n\nRSR 7.1, 8.1, 8.4","George Mason University. Libraries. Special Collections Research Center","Cohen, Martin B.","English"],"unitid_tesim":["C0335","/repositories/2/resources/622"],"normalized_title_ssm":["Martin Cohen theater collection"],"collection_title_tesim":["Martin Cohen theater collection"],"collection_ssim":["Martin Cohen theater collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Cohen, Martin B."],"creator_ssim":["Cohen, Martin B."],"creator_persname_ssim":["Cohen, Martin B."],"creators_ssim":["Cohen, Martin B."],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Randolph Lytton in 2019."],"access_subjects_ssim":["Film posters","Musical Theater","Plays","Theater","Filmmaking (Motion pictures)"],"access_subjects_ssm":["Film posters","Musical Theater","Plays","Theater","Filmmaking (Motion pictures)"],"has_online_content_ssim":["false"],"extent_ssm":["15 Linear Feet 18 boxes, 6 map cases, 2 triangle boxes"],"extent_tesim":["15 Linear Feet 18 boxes, 6 map cases, 2 triangle boxes"],"date_range_isim":[1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into five series based on format.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Playbills, 1936-2017 (Boxes 1-12)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Sheet Music, 1912-1969 (Boxes 12-13)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Personal Papers, 1915-1996 (Boxes 13-14)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Posters, 1816-2013 (Map Case 32.5, Tubes 1-17, Box 16)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Artifacts, 1915-1955 (Boxes 15, 17-18, Map Case 32.4)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into five series based on format.","Series Series 1: Playbills, 1936-2017 (Boxes 1-12) Series 2: Sheet Music, 1912-1969 (Boxes 12-13) Series 3: Personal Papers, 1915-1996 (Boxes 13-14) Series 4: Posters, 1816-2013 (Map Case 32.5, Tubes 1-17, Box 16) Series 5: Artifacts, 1915-1955 (Boxes 15, 17-18, Map Case 32.4)"],"bibliography_html_tesm":["\u003cp\u003e\"Martin B. Cohen.\" Albany Times Union, March 28, 2019. https://www.legacy.com/us/obituaries/timesunion-albany/name/martin-cohen-obituary?id=5036932.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Martin B. Cohen.\" Albany Times Union, March 28, 2019. https://www.legacy.com/us/obituaries/timesunion-albany/name/martin-cohen-obituary?id=5036932."],"bioghist_html_tesm":["\u003cp\u003eMartin B. Cohen was born in Albany, New York, the son of David and Betty Cohen. He began his career as a teacher at Giffen Elementary School and Hackett Middle School in Albany, New York. He later obtained a master's degree from Cornell University and a Ph.D. from George Washington University. Following his graduate education, Cohen became a professor of American history at George Mason University. He taught at George Mason University for 35 years. Cohen enjoyed travel and theather and was engaged as a lecturer and collector of the arts. Cohen passed away at the age of 81 on March 24, 2019. He is interred in the Beth Emeth Cemetery in Loudonville, New York.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Martin B. Cohen was born in Albany, New York, the son of David and Betty Cohen. He began his career as a teacher at Giffen Elementary School and Hackett Middle School in Albany, New York. He later obtained a master's degree from Cornell University and a Ph.D. from George Washington University. Following his graduate education, Cohen became a professor of American history at George Mason University. He taught at George Mason University for 35 years. Cohen enjoyed travel and theather and was engaged as a lecturer and collector of the arts. Cohen passed away at the age of 81 on March 24, 2019. He is interred in the Beth Emeth Cemetery in Loudonville, New York."],"prefercite_html_tesm":["\u003cp\u003eMartin Cohen theater collection, C0335, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Martin Cohen theater collection, C0335, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Kelsey Kim in March 2022. Arrangement decisions were made in conjunction with Elizabeth Beckman. The collection was surveyed and arranged by format, including alphabetizing of the playbills based upon their extent. EAD markup by Elizabeth Beckman in March 2022. \u003c/p\u003e","\u003cp\u003eAdditional processing and finding aid updates completed by Amanda Menjivar in May 2022. Inventory updated by Amanda Menjivar with assistance from Madeline Puppos in August 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Kelsey Kim in March 2022. Arrangement decisions were made in conjunction with Elizabeth Beckman. The collection was surveyed and arranged by format, including alphabetizing of the playbills based upon their extent. EAD markup by Elizabeth Beckman in March 2022. ","Additional processing and finding aid updates completed by Amanda Menjivar in May 2022. Inventory updated by Amanda Menjivar with assistance from Madeline Puppos in August 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe George Mason University Special Collections Research Center holdings include other collections pertaining to theatre and film, including the \u003cextptr show=\"new\" title=\"Motion picture press kit collection\" href=\"https://aspace.gmu.edu/resources/c0107\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"Robert Prosky papers\" href=\"https://aspace.gmu.edu/resources/c0022\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"Cynthia Garn film production collection\" href=\"https://aspace.gmu.edu/resources/c0009\"\u003e\u003c/extptr\u003e, and the \u003cextptr show=\"new\" title=\"Charles Rodrigues playbill collection\" href=\"https://aspace.gmu.edu/resources/c0184\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The George Mason University Special Collections Research Center holdings include other collections pertaining to theatre and film, including the  , the  , the  , and the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains primarily collectible material from various stage performances and motion picture filmmaking. Stage performance includes playbills and programs from the performances Cohen attended, often including ticket stubs from the performance, and other programs related to different venues in the Washington, D.C. area. There are numerous film posters of various sizes used to advertise upcoming films, and pressbooks to accompany film marketing. There are pages and books of sheet music from a variety of films and musicals. There are some personal papers as well, including a term paper written by Cohen, theater magazines, comic books, photographs, and a record album scrapbook. Among the artifacts included in this collection are a number of projectors and cameras for film, animation films cells, and toys.\u003c/p\u003e","\u003cp\u003eThe Abbey, October 1990; Abracadabra, 1960; Accent on Youth, May 2009; Adding Machine: A Musical, 2009; The Adding Machine, 1991; The Adventures of Sherlock Holmes, January 2016; Advise and Consent, 1961; Agatha Sings!, 2001; Ah, Wilderness!, September/October 2007; Jil Aigrot, March 2009; Alfie!, November 1964; Alice in Wonderland: An Adult Musical Comedy, 2004; All the King's Men, October 1987; Allegro, 2004; The Tale of the Allergist's Wife, August 2001; Wolf Trap Tenth Anniversary Season, 1980 season; The Andersonville Trial, July/August 2001; The Andersonville Trial, 1959-1960.\u003c/p\u003e","\u003cp\u003eAngels in America, circa 1999-2000; Andrew Lloyd Webber, Music of the Night, 1993; Animal Crackers, 1999; Animal Crackers, circa 1981-1982; Annie, March 1977; Annie 2: Miss Hannigan's Revenge, January 1990; Annie Get Your Gun, August 1966; Annie Get Your Gun, June 1948; Annie Get Your Gun, July 1960; Annie Get Your Gun (Rewrite), January 1999; The Second Annual Great American Musicals in Concert Benefit, 2008-2009.\u003c/p\u003e","\u003cp\u003eAnything Goes, October 1988; Anything Goes, August 1958; Anything Goes, circa 1959; Applause, 1979; The Apple Tree, May-June 1994; Arcadia, April/May 1999; Are You Now or Have You Ever Been, circa 1974-1975; Louis Armstrong, August 1964; Around the World in 80 Days, 1965; ART, 1997; As You Like It, February-April 1997; As You Like It, 2007; As You Like It, June 2007; Aspects of Love, circa 1990s; Assassins, August-October 1992; Assassins, June 2004.\u003c/p\u003e","\u003cp\u003eAugust Wilson's 20th Century, April 2008; Auntie Mame, November 1957; Auntie Mame; November 1957; Awake and Sing!, January-March 2006; Awake and Sing!, April-June 1971; The Andersonville Trial, May-June 1967; Back to Methuselah, February 1958; Proms 91, August 1991; Bad Seed, August 1957; The Ballad of the Sad Café, circa 1963-1965.\u003c/p\u003e","\u003cp\u003eBarrymore, 1997; Barnum; June 1981; Baskerville: A Sherlock Holmes Mystery, 2014-2015; Baskerville, 2012; The Barretts of Wimpole Street, 1948-1949; Beau Jest, August 1993; The Beauty Queen of Leenane, June 1998; the Beaux' Stratagem, November-December 2006; Bedroom Farce, 1979; Bee-luther-hatchee, September 2001.\u003c/p\u003e","\u003cp\u003eBelafonte in Person, August 1968; Bells are Ringing, n.d.; Bells are Ringing, July 1998; Bells are Ringing, August 1959; Benchley Despite Himself, February-March 2003; Benchley Despite Himself, February-March 2003; A Tale of the Christ, 1959; Ben-Hur, November 1959; Benefactors, December 1985; Berlin Cabaret, UFA Revue, May 1992; Bermuda Avenue Triangle, June 1997; The Best Man, January 1962; Betty Buckley, February 2000; Betty the Yeti, November 1996; Betty the Yeti, November 1996; Betty the Yeti, November 1996; Beyond the Fringe, February 1992; Beyond the Rising Moon, 1987; Beyond Therapy, May 1997; Big River: The Adventures of Huckleberry Finn, circa 1995-1996.\u003c/p\u003e","\u003cp\u003eThe Big Show of 1936, June 1972; Birthday Suite, May 1994; Black and Blue, May 1989; In Conversation, November 2009; Blithe Spirit, March 2015; Blithe Spirit, August 1962; Blithe Spirit, 1996; Blithe Spirit, May 2009; Blood Brothers, 1988; Blue Denim, 1958; Blue Denim, 1958; Blue Denim, 1959; Boccaccio, November-December 1974; Boomtown, November 1994; Edwin Booth, November 1958; Born Yesterday, circa 1948-1949; Bounce, October-November 2003; Breakfast with Les \u0026amp; Bess, 1981.\u003c/p\u003e","\u003cp\u003eBreaking Legs, November 1992; Brigadoon, 1980; Brigadoon, 1957; Brigadoon, 1963; Brighton Beach Memoirs, July 1985; Broadway Bound, November 1986; Broadway: Three Generations, October 2008; A Broadway Christmas, 2015; Broadway Up Close and Personal: A Tribute to Frank Loesser, 2010; Brother Russia, 2012; Bubbling Brown Sugar, circa 1976-1977; Down at the Old Bull \u0026amp; Bush, April-June 1997; Bus Stop, August 1958; Bus Stop, 1958; By George!, April 1990; By Jeeves, June-August 1997; Bye Bye Birdie, July 1962; Bye Bye Birdie, December 1991.\u003c/p\u003e","\u003cp\u003eCabaret, 1988; Cabaret, April 1968; Cabaret, 1995; Show of Shows: Sid Caesar, August 1984; Cafe Crown, March 1989; Call Me Ethel, circa 2009; Camelot, 1961; Camelot, circa November 2003-January 2004; Camelot, 1981; Camille, August-September 1998; John Campbell \u0026amp; Chris Whitley, October 1992; Camp Logan, n.d.; Camping with Henry \u0026amp; Tom, October-November 1997; Can-Can, August 1958; Can-Can, August 1958; Candide, March-May 1996; Candide, October 1971.\u003c/p\u003e","\u003cp\u003eThe Canterbury Tales, April 2006; Cantorial: A Ghost Story, October-November 2012; Cantorial, March 1989; The Caretaker, June 1991; Carmelina, March 1979; Carnival, October 1962; Carnival!, February 2007; Carousel, Setepmber 1957; Carousel, 2016-2017; Carousel, 1957; Carousel, 1959; Carousel, September 1957; Carousel, 1959; Cat on a Hot Tin Roof, August 1958.\u003c/p\u003e","\u003cp\u003eCats, September 1987; Catskills, 1993; Charley's Aunt, July 1959;  Charlie and Algernon, July 1980; Chicago, January 1997; Chicago, October 1989; Children of the Shadows, circa early 1960s; Child's Play, May 1970; The Children's Hour, June /July 1936; The Children's Hour, September 1995; A Chorus of Disapproval, December 1988-February 1989; A Chorus Line, October 1977; A Christmas Carol, 1996; Radio City Christmas Spectacular, 1993; Cinerama Holiday, circa 1950s; City of Angels, August 1990.\u003c/p\u003e","\u003cp\u003eCleo Laine, July 1983; The Cleveland Orchestra, February 1966; Cloud Nine, March 1997; Clown Around Town, 2000/2001; The Cocoanuts, 1988; The Cocoanuts, December 1996; The Comedie Francaise, March 1966; The Comedians, January 2005; The Comedians, February 2005; The Comedy of Errors, November 2005-January 2006; The Comedy of Errors, circa 1990; Communicating Doors, circa November 1999; Company, October 1995; Company, July 1970; Company, October-November 1993; Company, June 2002.\u003c/p\u003e","\u003cp\u003eThe Complete History of America, June 1995; Barbara Cook, March 1985;  Barbara Cook, September 2007;  Barbara Cook: A Broadway Evening,  1984; An Evening of Song with Barbara Cook, December 1993; Copenhagen, 2000; Coriolanus, April 2007; The Count of Monte Cristo, May 1985; The Countess, July/August 2000; Country Current, October 1992; The Country Wife, March-May, 2000; Crazy for You, 1991.\u003c/p\u003e","\u003cp\u003eThe Creation of the World and Other Business, October 1972; Crimes of the Heart, March 1982; Crossing Delancey, circa 1997; Crossing Delancey, April-May 2009; The Crucible, 2007; The Crummles' Christmas Carol, December 2002; Crystal, November 1997; Curtains, July 2007; Cyrano, April-June 2011; Damn Yankees, July 1995; Damn Yankees, December 2005-February 2006; Dancing at Lughnasa, August 1991; Danny \u0026amp; Sylvia: A Musical Love Story, September-October 2001; Danny \u0026amp; Sylvia, A Musical Love Story, 2002; Danzalta, March-April 1994.\u003c/p\u003e","\u003cp\u003eThe Dark at the Top of the Stairs, June 1958; The Dark at the Top of the Stairs, June 1958; Dear Liar, circa 1959; Dear Liar, 1959; Dear World, July-August, 2003; Death of a Salesman, 1976; Deathtrap, July 1979; Desert Song, 1959; Desert Song, 1959; Design for Living, 2009; Detective Story, July, 1949; Diamond Orchid, January 1965; Diary of Anne Frank, June-July 1959; The Diary of Anne Frank, 1959; The Diary of Anne Frank, December 1997; Dick Hyman, June 1997; Die Walküre, October 2002; Dirty Blonde, May 2000, Dirty Blonde, August-October, 2009; Disney Fantasia, February 2016.\u003c/p\u003e","\u003cp\u003eDo Re Mi, March 1961; The Dock Brief, July 1962; Doctor Faustus, circa 1998-1999; Melvyn Douglas in Inherit the Wind, January 1957; Dr. Cook's Garden, September-October 2008; The Drowsy Chaperone, 2011; The Drowsy Chaperone, September 2006; Dracula, June 1978; Drat the Cat, September 1965; Dream of a Common Language, March-April 1994; Dream of a Common Language, circa 1990s; Drums in the Night, August 1961; Duel of Angels, May 1960; Duke Ellington's Sophisticated Ladies, April 1989; Dylan, February 1964.\u003c/p\u003e","\u003cp\u003eEastern Standard, March 1989; The Education of H*Y*M*A*N K*A*P*L*A*N, circa 1980s; Edwin Booth, November 1958; Either Or, September 2006; El Virgen, September 2005; The Elephant Man, February 1980; Eleanor: An American Love Story, March-June 1999; Elmer Gantry, 1995; The Enchanted, March 1973; Enter Laughing: The Musical, Spring/Summer 2009; Enter Laughing: The Musical, Winter 2009; Enter Laughing: The Musical, circa 1950s or 1960s; Enter Laughing: The Musical, circa 1950s or 1960s; Ethel, 1985; The Ethel Merman Show, circa 1960; The Ethel Merman Show, June 1963; An Evening to Remember, June 6, 1994; Evita, September/October 1981.\u003c/p\u003e","\u003cp\u003eThe City of Fairfax Band, April 30, 1989; Fairfax Symphony Orchestra, October 1990; Fairy Tales of New York, July 1962; The Fall of the House of Usher, September-October 2007; Fallen Angels, June-July 1958; Fallen Angels, June-July 1958; Fallen Angels, June-July 1958; Falling Waters, September 2003; Fanny's First Play, March-April 2006; The Fantasticks, 1996; Faulkner's Bicycle, November 1995; Feis Eireann, January 1967; Fiddler on the Roof, 1989; Fiddler on the Roof, August 1968; Chico Marx, August 1956; Chico Marx, August 1956; Fiorello!, February 2013; The 5th Annual First Light Festival, March 2005; The 7th Annual First Light Festival, March 2007; First You Dream: The Music of Kander \u0026amp; Ebb, September 2009; The Firstborn, May 1958; Eddie Fisher and Buddy Hackett, June 1967; The Fishkin Touch, June 1998; The Fix, March 1998.\u003c/p\u003e","\u003cp\u003eA Flag is Born, March-April 2004; A Flag is Born, March-April 2004; The Flick, 2016; Flight, June 1986; Flower Drum Song, July 1961; Flower Drum Song, July 1961; Floyd Collins, June 2016; The Flying Karamazov Brothers, November 1991; The Flying Karamazo Brothers' Room Service, August-October 1997; Dan Fogelberg with his band, May 2003; Follies, April-June 2003; Follies, December 1971; Follies, circa 1998-2000; Follies, June 2011; Forbidden Broadway, 1989; Forbidden Broadway, 2002; Forbidden Broadway, 2001: A Spoof Odyssey, July 2001; Forbidden Broadway: Special Victims Unit, October 2008; Forbidden Broadway, October 2000.\u003c/p\u003e","\u003cp\u003eForbidden Hollywood, April 2004; Return to the Forbidden Planet, circa 1991; The Foreigner, September-October 2009; Forever Ivor, 1994; Fortune's Fool, 2002; Forty Carats, 1971; Four on a Garden, November 1970; The Four Seasons Dinner Theater, 1979/1980; A Fox on the Fairway, 2010; Frankie and Johnny in the Claire de Lune, September 1988; Frost Nixon, July 2007; Fosse, December 2000; A Funny Thing Happened on the Way to the Forum, October-November 2001; A Funny Thing Happened on the Way to the Forum, July 1996; A Funny Thing Happened on the Way to the Forum, crica 1960s; A Funny Thing Happened on the Way to the Forum, December 1962.\u003c/p\u003e","\u003cp\u003eGalileo, August 1980; The Game's Afoot, circa 2010s; The Game of Love \u0026amp; Chance, 2009; The Gang's All Here, November 1959; The Gathering, July/August 1999; The Gazebo, 1960; The Gazebo, 1960; George Gershwin Alone, 2004; George and Ira Gershwin Celebrating the Inauguration..., May 1989; Gentlemen Prefer Blondes, July 1950; George - Don't Do That!, September/October 1999; George M!, circa 1970s-1980s; The Ghost Sonata, 1964; Gideon, 1961; The Gin Game, May 1979; The Gin Game, George Mason University (n.d).; Girl Crazy, 1960; Girl Crazy, 1960; The Golden Land, 2012; The Golden Land, December 1985; Goodbye Charlie, 1960; Goodbye Charlie, 1960; Goodnight Desdemona, May 1998.\u003c/p\u003e","\u003cp\u003eGrand Hotel, December 1990; A Grand Night for Singing, October 1993; The Grand Tour, Spring 2009; Grandma Sylvia's Funeral, October 1995; The Grapes of Wrath, 1989; Grease, 1974; Great Expectations: The Musical, August-September 1998; Tammy Grimes, November 2010; Grimm Tales, March-April 1999; Gross Indecency: The Three Trials of Oscar Wilde, April-May 2009; Guys and Dolls, May 1993; Guys and Dolls, December 1999 - February 2000; Guys and Dolls, 1960; Gypsy, 1961; Gypsy, June 2003; Gypsy, August 1974; Gypsy, August 1962; Gypsy, August 1962.\u003c/p\u003e","\u003cp\u003eHadrian VII, March 1970; Sheldon Harnick, April 20, 2009; Hair, May 1971; Halcyon Days, September-October 1992; Hamlet, 1967; Hamlet, 1964; Marvin Hamlisch, November 2009; Happy Hunting, August 1957; The Happy Time, April-June 2008; Harvey, November-December 2015; Hay Fever, 1985; Heartbreak House, November 2003; Heartbreak House, February-March 1999; Heartbreak House, September 2006; Hedda Gabler, 1971.\u003c/p\u003e","\u003cp\u003eThe Heidi Chronicles, May 1989; Hello, Dolly! August-September, 1994; Hello, Jerry!, May 2003; Hello, Muddah, Hello, Fadduh!, circa 1990s; Hello, Muddah, Hello, Faddah!, 1996; Hellzapoppin, July-August 2007; Henceforward, circa 1989; Jerry Herman, September 20, 2007; The Music of Jerry Herman, May 10, 1992; High Button Shoes, August 1948; High Spirits, 1984; The Highest Yellow, 2004; Jerome Hines, February 19, 1958.\u003c/p\u003e","\u003cp\u003eThe History Boys, 2008; The History Boys, September 2006; The History of Invulnerability, June-July 2012; H.M.S. Pinafore, July-August 1995; H.M.S. Pinafore, January 1988; A Hole in the Head, July 1962; A Hole in the Head, July 1962; Holiday for Lovers, August 1958; Holiday for Lovers, August 1958; The Hollow, February 1999; Hollywood Pinafore, September-October 2000; Bob Hope Show, September 1958 (tickets); Hostile Witness, January 1966; House, 2002; How the Other Half Loves, March 1971; How to Succeed in Business Without Really Trying!, February 1995; How to Succeed in Business...Without Really Trying!, May 1992; The Huggett Family, August 1972; Hurly Burly, 1984.\u003c/p\u003e","\u003cp\u003eThe Iceman Cometh, October 1960; I Could Stop on a Dime and Get Ten Cents Change (A Ballroom Drama), March-April 1995; I Do! I Do!, October 1966; If/Then, November 2013; I Hate Hamlet, July-August 1992; Iolanthe or The Peer and the Peri, Spring 2004; I'm Not Rappaport, April 1987; The Immigrant, October-November 1992; The Importance of Being Earnest, November-December 2004; Indian Ink, 1999; Indiscretions (Les Parents Terribles), July 1995; Inherit the Wind, August 1957; Inherit the Wind, September-November 2000; Inherit the Wind, August 1957.\u003c/p\u003e","\u003cp\u003eAn Inspector Calls, October 1994; An Inspector Calls, circa 1940s; Into the Woods, 1994; Into the Woods, July 2002; Into the Woods, October 1988; The Invention of Love, March 2001; Irene, February 1973; Irma La Douce, July 1963; Irma la Douce, July 1963; The Irving Berlin Centennial, 1987; Isle of Children, March 1962; Isn't It Romantic, 1985; Eugene Istomin, October 31, 1958; It's a Bird...It's a Plane...It's Superman, March 2013; Ivanov, April 1966.\u003c/p\u003e","\u003cp\u003eJacques Brel,  circa 1983-1987; Janus, June 1957; Jazz Folk 1959; July 1959; J.B., November 16, 1959; Jeeves Takes Charge, 1982; Jerome Robbins Broadway, March 1989; Jesus Christ Superstar, August 1990; The Jockey Club Stakes, November 1972; Jolson the Musical, Autumn 1996; Jumpers, June 2004; June Moon, December 1983; June Moon newspaper article, 1983.\u003c/p\u003e","\u003cp\u003eKafka's Dick, December 2007; Kapelye, April 1994; Karen Akers, March 13, 1992; Danny Kaye with the Earl Brown Singers, July 1968; Danny Kaye, Guest Conductor with the Boston Symphony Orchestra, July 13, 1961; An Evening with Danny Kaye, July-August 2014; An Evening with Danny Kaye, August 2014; The King and I, August 1958; The King and I, August 1958; King John, January-March 1999; King Lear, circa 1961-1962; The King Stag, December 2000; Kismet, July 1959; Kismet, September 1965; Kismet, October 1965; Kismet, September 1965; Kiss Me Kate, July 1958; Kiss Me, Kate, July 2001; Kiss of the Spider Woman, August 1993; Alexandria Kleztet: Klezmer Quarter, November 16, 2004; The Klezmer Conservatory Band, April 13, 1989; Alison Krauss and Union Station, June 1996.\u003c/p\u003e","\u003cp\u003eLa Bohème, November 27, 1961; La Cage aux folles, August 1984; Lady Be Good, circa 1950s (probably 1953); The Lady from the Sea, September-October 2000; Lady in the Dark, April-May 1998; Lady Windermere's Fan, June-July 2005; The Last Living Newspaper, January-February 1993; Last of the Red Hot Lovers, circa 1960s; The Late Edwina Black, October-December 1996; Laughing Matters, May 1989; Laughter on the 23rd Floor, May 1994; Laughing Stock, September 2015; Leading Ladies, October 2005; The Left Hand of Justice, September 4, 2004; Legends, August 1986 , November 27, 1961; La Cage aux folles, August 1984; Lady Be Good, circa 1950s (probably 1953); The Lady from the Sea, September-October 2000; Lady in the Dark, April-May 1998; Lady Windermere's Fan, June-July 2005; The Last Living Newspaper, January-February 1993; Last of the Red Hot Lovers, circa 1960s; The Late Edwina Black, October-December 1996; Laughing Matters, May 1989; Laughter on the 23rd Floor, May 1994; Laughing Stock, September 2015; Leading Ladies, October 2005; The Left Hand of Justice, September 4, 2004; Legends, August 1986.\u003c/p\u003e","\u003cp\u003eLes Misérables, February 1987; Les Misérables, December 2008-February 2009; Let My People Come, 1974; Let Us Be Gay, October-November 1949; Lettice and Lovage, October 1987; Life with Father, May 1990; Life with Father, November 2008-January 2009; Life with Father, June 1947; Life with Father, June 1947; Light Up the Sky, December 1987-January 1988; Li'l Abner, circa 1950s-1960s; The Lion King, August 2000; A Little Hotel on the Side, January 1992; A Little Hotel on the Side, January 1992.\u003c/p\u003e","\u003cp\u003eA Little Night Music, April 1974;  A Little Night Music, August 2002; A Little Night Music, August 1998; A Little Night Music, August-October 2017; A Little Night Music, circa 1974-1975; A Little Night Music, June 2010; A Little Night Music, March-April 2008; Live Wire, 1998; The Living, September-October 1994; The Loman Family Picnic, July-August 1996; Look Homeward, Angel, March 1958; London Assurance, November 1974; George London, December 1960; Lord Arthur Savile's Crime, February-March 2010; Love's Labor's Lost, June-July 2006; Lovers, June 1969.\u003c/p\u003e","\u003cp\u003eMacbeth, circa 1961-1972; Macbeth, June-September 1961; Macbeth, September-November 1995; Machinal, June-July 2004; Mack \u0026amp; Mabel, September 1974; Madigan's Lock, June-July 1970; Mahalia: A Gospel Musical, January-March 2010; Major Barbara, July 2001; A Majority of One, circa November 1959; A Majority of One, November 1959; Mame, May-July 2006; Mame, July 1968; A Man for All Seasons, June 1962; Man of la Mancha, March 1967; Man of la Mancha, August-September 1996.\u003c/p\u003e","\u003cp\u003eThe Man Who Came to Dinner, November-December 1989; Marching Down Broadway, October 19, 1991; The Marriage, May 1958; Marriage-Go-Round, July 1961; In-Person, Dean Martin \u0026amp; Jerry Lewis with Polly Bergen at the Palace Theatre, n.d. (no program); Martine, August 1961; The Matchmaker, November-December 1995; The Madwoman of Chaillot, July 1958; The Matchmaker, 1962; The Matchmaker, 1962; Mating Cries, September 1998; An Evening with Donna McKechnie: My Musical Comedy Life, April 20, 2002; Me and My Girl, August 1988; Me, Third, May 28, 1986; Me, Third, May 28, 1986; The Memorandum, September 1999; Merrily We Roll Along, January-April 1990; Merrily We Roll Along, October circa 2010s; Merrily We Roll Along, September-October 2007; Merrily We Roll Along, July 2002; Merry Widow, August 1959; Merry Widow, August 1959; The Merry Wives of Windsor, March-May 1998.\u003c/p\u003e","\u003cp\u003eMetropolis, March 1989; Sam Levene, July 1958; Sam Levene, July 1958; James Mason, July-August 1958; James Mason, July-August 1958; Milk \u0026amp; Honey, 1968; Milk \u0026amp; Honey, circa 1994; Mildred Miller, March 6, 1962; The Miracle Worker, March 22, 1962; Misalliance, November 1994-January 1995; The Misanthrope, February 1975; The Miser, October-November 1996; Mississippi Pinocchio, March 2002; Miss Saigon, September 1989; A Month in the Country, April-June 1995; Moon Over Buffalo, January-February 2004; Moonlights \u0026amp; Magnolias, April-May 2011; Morning's at Seven, July 2002; Most Happy Fella, circa 1940s-1950s; Most Happy Fella, circa 1940s-1950s.\u003c/p\u003e","\u003cp\u003eMostly Sondheim, June 2002; Mourning Becomes Electra, April-June 1997; Agathie Christie's The Mousetrap, 2011; Mrs. Klein, October 1996; Mrs. Warren's Profession, July-August 1996; Much Ado About Nothing, July-August 1997; Much Ado About Nothing, February-April 1992; Music Is, November 1976; The Music Man, August-September 1978; The Music Man, October 10, 1961; The Music Man, October 10, 1961; The Musical of Musicals, May 2004; My Fair Lady, March 1962; My Fair Lady, March 1962; My Fair Lady, circa 1960s; My Fair Lady, August 1981.\u003c/p\u003e","\u003cp\u003eMy Name is Alice, 1987; My One and Only, March 1985; The Mystery of Edwin Drood, December 23, 1985; Nancy Drew, Girl Detective, circa 1992; Napoleon, February 1982; Nathan the Wise, October 2001; National Repertory Theatre, December 1965; National Symphony Orchestra, July 19, 1970; Nights at the Movies: The Golden Age of Film Music, September 12, 2008; Marvin Hamlisch and the National Symphony Orchestra, October 2000-June 2001; National Symphony Orchestra, August 25, 1989; Naughty Marietta, August-September 1961; Naughty Marietta, December 31, 1979.\u003c/p\u003e","\u003cp\u003eThe Nerd, September-October 1996; Never the Sinner, August 1997;  Never the Sinner, March-April 2013; Never Too Late, June 1969; New Girl in Town, March 13-14 circa 1958; New Girl in Town, March 13-14 circa 1958; The New Music Hall of Israel, January 1970; New York City Ballet, July 1991; The New York City Opera, June 1988; The New York Pops, March 1989; The Night Hank William Died, May 1989; The Night of January 16th,  February-March 1949; The Night of the Iguana, June 1962; Nina, July 1959; Nina, July 1959; Nine, May 1983.\u003c/p\u003e","\u003cp\u003eNixon's Nixon, March-April 1999; Ninotchka, February 1982; No Time for Sergeants, December 13, 1957; No Time for Sergeants, December 13, 1957; No Way to Treat a Lady, January 1997; Noel and Gertie, November-December 2003; Noël and Gertie, October-November 1987; Noises Off, November 1983; Noises Off!, January 1990; Nude with Violin, circa 1957-1958; Nude with Violin, September 2010; The Odd Couple, March 1965; Odyssey: A Musical Play, January 1975; Of Thee I Sing, September-November 1992; Of Thee I Sing, June 1987.\u003c/p\u003e","\u003cp\u003eOh! Calcutta!, July 1970; Oh Captain!, April 1958; Oh Captain!, March 1958; Oh Captain!, 1958; Oh Captain!, February 1958; Oh Coward!, October 1998; The Old Neighborhood, December 1997; Old Times, March 1972; Romeo and Juliet, March 1962; Old Wicked Songs, November 1997; Oliver!, October-November 1997; Oliver!, June 1964; On the Town, April 1989; On the Twentieth Century, circa 1991; On Your Toes, December 1982; Once in a Lifetime, October 1983; Once More, With Feeling, September 1959.\u003c/p\u003e","\u003cp\u003eOne Night with Fanny Brice, November 2010; One-Third of a Nation, May 1991; Onward Victoria, September 14, 1987; Opus, September 2007; Othello, July 1961; Othello, 1981; Othello, November 1957; Other Desert Cities, 2013; Our Town, August 1959; Over \u0026amp; Over, January-February 1999; Over My Dead Body, February 1989; Pacific Overtures, December 1975; Pacific Overtures, 2004; Page-to-Stage, September 2004; Page-to-Stage, September 2004; Page-to-Stage, September 2004; The Pajama Game, August 1958; The Pajama Game, March-April 1989; The Pajama Game, circa 1990s; The Pajama Game, August 1958; Pal Joey, July 1959; Pal Joey, July 1959; Pangs of the Messiah, June-July 2007.\u003c/p\u003e","\u003cp\u003eA Party with Betty Comden and Adolph Green, October 1992; A Party to Murder, October-November 2016; Passion, July 2002; Passion, May 1994; Passion, April 1996; Patience, May 1997; A Patriot for Me, September 1969; The Perfect Party, January 1987; Perfect Crime, circa 1990s; The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, circa 1998; Pericles, Prince of Tyre, March 1990; Perseus Bayou, circa 2000; Perseus Bayou, April 26, 2003; Perseus Bayou, March-April 2001; The Pirates of Penzance, July-September 2001; The Phantom of the Opera, 1989; The Phantom of the Opera, September 1991.\u003c/p\u003e","\u003cp\u003eThe Piano Lesson, April-May 2005; Philadelphia Here I Come!, December 1966; The Philadelphia Orchestra, circa 1971-1972; Philip Glass Ensemble, 1985; Photo Finish, April 1963; The Physicists, September 1964; Piaf, October 2004; Pickwick, September 1965; Pins and Needles, 1989; Pippin, October 1972; The Pirates of Penzance, November 1964; Plain and Fancy, March 15-16, 1957; Bad Seed, August 1957; The Play's the Thing, April-May 2006; The Play's the Thing, July 1995.\u003c/p\u003e","\u003cp\u003eThe Pleasure of His Company, October 1959; 2008-2009 Pops Series, September 2008-May 2009; The Premier Performance, October 6, 1990; Present Laughter, January 1997; Preservation Hall Jazz Band, November 19, 2000; The Price, January-February 1994; The Price, March-April 2008; The Prime of Miss Jean Brodie, 2006; Princess Ida, circa 2002; The Prisoner of Second Avenue, October 1971; Private Lives, July 2002; Private Lives, June 2014; Privates on Parade, September 2002; The Producers, July 2001; The Producers, August 2004; Promises, Promises, November 1968; Proof, July 2001; Proposals, October 1997; The Playhouse, January-February 1949; Pygmalion, February 1991.\u003c/p\u003e","\u003cp\u003eRadio Theatre Live! May 9-10, 2001; Radio Theatre Live!, June 13-14, 2001; Radio Theatre Live!, July 18-19, 2001; Radio Theatre Live!, May 8-9, 2002; Radio Theatre Live!, July 10-11, 2002; Rags, August 1986; Ragtime, May 2009; Ragtime: The Musical, June 1998; The Real Thing, May 2000; Red Buttons in the Teahouse of the August Moon, July 1960; Red Herring, April 2009; The Reduced Shakespeare Company, March 1996; The Rehearsal, circa November 1963; Relatively Speaking, circa 1993; Burgess Meredith, August 1958; Rent, 1996;The Revengers' Comedies, March-June 1994; Rhinoceros, July 1962.\u003c/p\u003e","\u003cp\u003eThe Rhythm Club, September-October 2000; Richard III, circa 1990; The Rink, August 1996; The Rise and Fall of Annie Hall, April-May 2009; Risë Stevens, December 15, 1959; The Rivalry (no program), January 1958; The Rivals, August-October 2003; Robert Frost: Fire and Ice, circa 1990s; Rock'n'Roll, April 2009; Rocket to the Moon, September 2001; Romanoff and Juliet, November 1957; Romanoff and Juliet, 1957; Romeo \u0026amp; Juliet, April-May 1997; Room Service, June 1983; Rosencrantz and Guildenstern are Dead, May 2007; Rosencrantz and Guildenstern are Dead, September 1967.\u003c/p\u003e","\u003cp\u003eThe Rothschilds, August 1990; Rough Crossing, September 2003; The Rover, December 1981-February 1982; The Royal Family, October-November 1999; The Royal Family, December 1975-July 1976; The Royal Family, December 1975; The Washington Opera, December 1987; Ruddigore, May 1995; Rumors, November 1989; Rushmore, March-April 1993.\u003c/p\u003e","\u003cp\u003eSabrina Fair, August 1975; Salome, January-February 2015; Saltimbanco, 1993; Saturday Night, May 2004; Saturday, Sunday, Monday, November-January 1977; Say, Darling!, June 1959; Say, Darling!, June 1959; Scaramouche, September-October 2003; Scaramouche, September 1, 2003; The Scarlet Pimpernel, July 2000; The School for Scandal, May-June circa 2008; The School for Wives, February 1996; The School for Wives, February 1992; The Scottish Play, 2003; The Secret Garden, January 1993; The Secret of Sherlock Holmes, September 1988.\u003c/p\u003e","\u003cp\u003eSeparate Tables, September 1957; Separate Tables, September 1957; A Servant to Two Masters, April 2001; The Shadow of a Gunman, November 1958; Shakespeare in Hollywood, 2012; Shakespeare in Hollywood, September-October 2003; Shakespeare in Hollywood, circa 2002; Shakespeare in Washington, January 6, 2007; She Loves Me, November-December 2006; She Loves Me, October 1993; She Stoops to Conquer, February-March 1988; Shear Madness, November 1990; Shear Madness, February 1993; Sherlock Holmes, October 1974; Sherlock Holmes and the Case of the Purloined Patience, July-August 1997; Sherlock's Last Case, July 1987.\u003c/p\u003e","\u003cp\u003eShirley MacLaine, August 1982; Shmulnik's Waltz, 1996; Shmulnik's Waltz, February-March 1994; Sholom Aleichem: Laughter Through Tears, December 2008-January 2009; Show Girl, August 1961; Showboat, circa 1950s-1960s; Showboat, October 1994; Herb Shriner Entertains in An Evening of Unforgettable Humor and Music, 1959; Sideman, July 1999; Side Show, May-June 2000; Silk Stockings, circa 1950s-1960s; Sing Down the Moon, March-April 2000; Signature Sings Broadway in Ballston, June 23-25 2005; Singin' in the Rain, July 1986; The Sins of Sor Juana, November 1999; The Sisters Rosensweig, October 1993; The Sleeping Beauty (The National Ballet of Canada, September 1972); Sleuth, circa 1950s.\u003c/p\u003e","\u003cp\u003eSly Fox, June 2004; Social Security, July 1995; Solid Gold Cadillac, July 1956; Something's Afoot, November 8, 1973; A Sondheim Summer!, June 28-29 1994; The Sound of Music, 1964; South Pacific, August 1977; South Pacific, October 1958; South Pacific, August 1960; South Pacific, December 2002-February 2003; Souvenir, June 2007; Monty Python's Spamalot, June 2006; Spiele '36 or The Fourth Medal, September 1991; Stacy Keach: Solitary Confinement, February 1992; Standup Shakespeare, March-April 1994; State Fair, August-September 1995; State of the Union, October 2006.\u003c/p\u003e","\u003cp\u003eSteel Magnolias, March 1989; Steel Pier, May 2000; The Stephen Schwartz Project, April-May 2008; \"You're Gonna Love Tomorrow\": A Stephen Sondheim Evening, 1996; A Stoop on Orchard Street, circa 2000s; She Stoops to Conquer, March 2002; Stop the World--I Want to Get Off, 1964; Stop the World--I Want to Get Off, 1964; Stones in His Pockets, circa 2000s; Strange Interlude, April 1963; A Streetcar Named Desire, August-September 1960; The Student Prince, circa 1970s; The Subject Was Roses, March 1966; Sugar, January 1972; Sunday in the Park with George, October 20, 1989; Sunrise at Campobello, June 1958; Sunset, 1994; The Sunshine Boys, December 1997; The Sunshine Boys, November 1972.\u003c/p\u003e","\u003cp\u003eSwansong, circa 2006; Sweet Bird of Youth, October 1959; Sweet Smell of Success, April-May 2008; Sweet Ike, September 1996; Sweeney Todd, March 9, 2004; Sweeney Todd, September-October 1999; Sweeney Todd: The Demon Barber of Fleet Street, August 1979; Sylvia, July 1995; Sylvia's Real Good Advice, June-July 1993; Talley's Folly, 1982; The Taming of the Shrew and The Cherry Orchard, 1959; The Cherry Orchard, November 1959; The Taming of the Shrew, September-November 2007; The Tap Dance, March 1986; Tartuffe, July 1972; Tea and Sympathy, May 2, 1956.\u003c/p\u003e","\u003cp\u003eThe Tempest, September-October 1997; The Tenth Man, September-October 2010; The Tenth Man, December 1959; Terre des Femmes, n.d.; Tevya, July 1960; Tevya, 1960; A Texas Trilogy, May 1976; That Championship Season, circa 1950s; Theatre in the Dance, November 13, 1958; Things That Break, March 1997; Those Were The Days, December 1990; A Thousand Clowns, June 1996; The Three Musketeers, circa 2006-2007; Three Nights in Tehran, November 1996; The Three Sisters, 1963; Tigertigertiger, September 1997; Time for Elizabeth, July 1959; Groucho Marx, July 1959; The Time of Your Life, February 1972.\u003c/p\u003e","\u003cp\u003eTime Remembered, October 1957; Time Remembered, circa 1957; The Titans, September 1, 2003; Tobacco Road, August 1959; Tobacco Road, June 1936; Too Jewish?, October 1995; Too True to Be Good, March 2000; A Touch of the Poet, October 1958; A Touch of the Poet, circa 1958; A Touch of the Poet, October-November 1997; Toys in the Attic, 1961; Toys in the Attic, August 1961; Travesties, 1996; Treasure Island, circa 2005-2006; Trevor, February 2017; A Tribute to Cy Coleman, October 7, 2008; The Triumph of Love, circa 1997; Tru, October 1991; A Tuna Christmas, December 1989; Twelve Angry Men, October 2006; Twentieth Century, August-October 2003; Theater J, May 1997; Two for the Seesaw, June 1958; Two Keys, February 1974; Twelve Angry Men, July 1960; Twelve Angry Men, July 1960.\u003c/p\u003e","\u003cp\u003eUncle Vanya, August 2011; Under Milk Wood, October 8, 1962; Utopia Limited, circa 2000; Vaudeville: Humor on the 20th Century Stage, November-December 1999; Verdict, July 1985; A View from the Bridge, November 1-2, 1957; The Visit, October 1958; The Visit, May-June 2008; Visit to a Small Planet, June 1958; Visiting Mr. Green, June 1998; Voice of the Prairie, April-May 1993; Volpone, April-June 1996; Waiting for Lefty, July-August 1976.\u003c/p\u003e","\u003cp\u003eWaiting in the Wings, May 2000; Waiting in the Wings, 2010; The Wanhope Building, February 1947; War of the Worlds - The Radio Play, October 29, 2003; The Warm Peninsula, May 4, 1959; The Way of the World, October-November 1992; The Way of the World, September-November 2008; The Music of Andrew Lloyd Webber, December 1990; Welcome to my Rash/Psyche in Love/Third, August 31, 2003; West Side Story, January 1980; West Side Story, August 1995; The West Side Waltz, April 1982; What the Butler Saw, 2002; What the Butler Saw, April-May 1995.\u003c/p\u003e","\u003cp\u003eWhen She Danced, August 1991; Whistle Down the Wind, December 1996; The White Devil, 1991; Who's Afraid of Virginia Woolf?, October 1996-March 1997' Widdershins, February-March 2011; The Will Rogers Follies: A Life in Revue, January 1994; Will Success Spoil Rock Hunter?, July-August 1957; Windjammer, June 14,1958; Windom Plays Thurber, December 1944; Wish You Were Here, circa 1950s-1960s; Wish You Were Here, circa 1950s-1960s; The Witches of Eastwick, June-July 2007; Witness for the Prosecution, August 1957; The Woman in Black, October 1996; Woman in Mind, January 2001.\u003c/p\u003e","\u003cp\u003eThe Women, January-February 1999; A Wonderful Life, Fall 1991, The Wonderful One-Hoss Shay, March-April 1996; Wonderful Town, March 2004; Wonderful Town, August 1957; Working, October 1997; The World According to Me!, June 1989; The World Goes 'Round: The Kander \u0026amp; Ebb Musical, June 1993; Write Me a Murder, November 1961; Write Me a Murder, August 1983; You Can't Take It With You, March 1983; You Can't Take It With You, April-June 1998; You Never Can Tell, June 1998; Zero Hour, August-September 2009; Ziegfield: Another Night at the Follies, circa 1990-1991; Zorba, October 1993.\u003c/p\u003e","\u003cp\u003e110 in the Shade, circa 2002-2003; 1776, March 1969; 1776, December 1997; 1776, April 1989; 1776, 2003; The 1940s Radio Hour, circa 2004-2006; The 1940s Radio Hour, November-December 1978; Alfred Hitchcock's The 39 Steps, March 2010; Alfred Hitchcock's The 39 Steps, May 2008; Forty-Second Street: A Musical Comedy, June 1980; 70, Girls, 70, June 1991.\u003c/p\u003e","\u003cp\u003eClyde Beatty-Cole Bros. Circus, 1995; The Kennedy Center Eisenhower Theater Official Re-Opening, October 2008; Radio City Music Hall, Rockefeller Center, October 1958; Radio City Musical Hall, May 1978; Rockefeller Center, circa 1970s; Radio City Musical Hall, circa 1980s-1990s; Royal National Theatre: Making a Production at the National, circa 1990-1991; Saratoga Performing Arts Center, circa 1968; Steel Pier, 1957; Williamstown Sumer Theatre, 1962.\u003c/p\u003e","\u003cp\u003eAlmost Like Being In Love, 1952; Moonlight Bay, 1912; The Desert Song, 1927; Man of la Mancha, 1965; All the Time from Oh Captain!, 1958; Michelle, 1965; Havah Nagilah, 1961; Oklahoma, 1943; Hello, Dolly!, 1963; A Man and a Woman, 1966; Sunrise, Sunset, 1964; I Will Wait for You, 1967; My Man, 1920-1921; Raindrops Keep Fallin' On My Head, 1970; Somewhere, My Love; 1965-1966; Mame, 1966; Deep Purple, 1962; Mack the Knife, 1955; Surprise, 1958; You Don't Know Him, 1958; Clair de lune, 1927; The Carousel Waltz, 1945; More, 1963; Cabaret, 1966; Bali Ha'I, 1949; Some Enchanted Evening, 1949; Tonight, 1957; Who Can I Turn To (When Nobody Needs Me), 1964; As Long As He Needs Me, 1960; (I Wonder Why?) You're Just in Love, 1950; Star Dust, 1929; I Got Rhythm, 1930; I Got Rhythm, 1930; Of Thee I Sing, 1931; Someone to Watch Over Me, 1926; Someone to Watch Over Me, 1926; Bidin' My Time, 1930.\u003c/p\u003e","\u003cp\u003eLarry Adler Harmonica Favorites, 1943; Melodic Masterpieces for Hohner Harmonicas, 1962; The King and I (Vocal Selections), circa 1951; Zero Mostel in Fiddler on the Roof (Vocal Selections), 1964; Gypsy (Book), 1960; Gypsy: A Musical Fable (Vocal Selections), circa 1959; Rodgers and Hammerstein's Carousel, circa 1956.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e\n","\u003cp\u003eCzech poster for \u003citalic\u003eCharlie Chan in London.\u003c/italic\u003e\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of brown face.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e\n","\u003cp\u003eFrench poster available in this collection.\u003c/p\u003e","\u003cp\u003eContent warning: Racist imagery.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e\n","\u003cp\u003e\"Magia Negra\" Translates to \"Black Magic\" in English.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e\n","\u003cp\u003eEnglish language poster available in the collection.\u003c/p\u003e","\u003cp\u003eContent warning: Depiction of yellowface.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAdventures of Don Juan; Alexander the Great; Ali Baba and the Forty Thieves; Alias Boston Blackie; The Alphabet Murders; The Bachelor Party; The Bandit of Sherwood Forest; Barabbas; The Belles of St. Trinian's; Ben-Hur (2); The Big Fisherman; Blonde For a Day; Blondie in Society; Caesar and Cleopatra; Camelot; Captain from Castile; The Chance of a Lifetime; Christopher Columbus; Cleopatra (1963); Cleopatra (1934); Charge of the Lancers; Murder Over New York; Charlie Chan - The Feathered Serpent; Charlie Chan- Sky Dragon; Charlie Chan at Monte Carlo; Charlie Chan - The Red Dragon; Charlie Chan - Sky Dragon; Charlie Chan - The Feathered Serpent; Charlie Chan - The Feathered Serpent; Charlie Chan - The Feathered Serpent; A Close Call For Boston Blackie; The Colossus of Rhodes (6); The Corsican Brothers; Counter-Espionage; Counterspy Meets Scotland Yard; Cromwell; Danger Zone; Wilson; Désirée; Dick Tracy; Dick Tracy Meets \"Gruesome;\" Dick Tracy Returns; Doctor At Large; The Egyptian; Ellery Queen and the Murder Ring; Enemy Agents Meet Ellery Queen; The Falcon in Mexico; The Falcon in San Francisco;\nThe Fall of the Roman Empire (2); The Fall of the Roman Empire (4); Gone With the Wind; Henry Aldrich's Little Secret; Henry Aldrich Plays Cupid; In Old Mexico; Innocents in Paris; Ivanhoe; The Good Humor Man; Joe Palooka in the Squared Circle; Killer Leopard; Kim (9); King Richard and the Crusaders; Knights of the Round Table; Land of the Pharaohs; The Lavender Hill Mob; Lawrence of Arabia; The Leech Woman; Life Begins for Andy Hardy; The Little Hut; Lorna Doone; Lost in Alaska; Maisie; Me and the Colonel; Michael Shayne Private Detective; Modesty Blaise; Mr. Moto Takes a Chance; Murder Ahoy; Murder Most Foul; Nancy Drew-Trouble Shooter; North By Northwest; Northwest Passage; On Moonlight Bay; Outcast of Black Mesa; Passport to Suez; Pinnochio; Prince of Foxes; Private Lives; Quo Vadis (7); Rear Window; The Robe (2); Roman Holiday (2); The Saint's Girl Friday; Salome; Samson and Delilah (2); The Shadow Returns (3); Behind the Mask (2); Sherlock Holmes and the Secret Weapon; Unlabeled Sherlock Holmes film; Sign of the Pagan (2); Silver City Bonanza; Sleeping Beauty; Snow White and the Seven Dwarves; Solomon and Sheba; Something Wild; Song of the Thin Man; South Pacific; Sunrise at Campobello (7); Tarzan and the Mermaids; Tarzan and the Amazons; Tarzan's Magic Fountain; Tarzan's Secret Treasure; The Ten Commandments; Tom Brown's Schooldays; Tom Jones; Too Many Winners; Trail of the Rustlers; The Trojan Horse (4); Ulysses (5); Valley of the Head Hunters; The Vikings; Crime Doctor's Strange Case; Waterloo; The Whistler; Young Bess; The 300 Spartans (2).\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eBrownie Target Six-20 and Brownie Target Six-16.\u003c/p\u003e","\u003cp\u003eCan be used with the glass lantern slides in Box 18.\u003c/p\u003e","\u003cp\u003eSlides feature Mickey Mouse and other early Disney characters, as well as images from fairy tales.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains primarily collectible material from various stage performances and motion picture filmmaking. Stage performance includes playbills and programs from the performances Cohen attended, often including ticket stubs from the performance, and other programs related to different venues in the Washington, D.C. area. There are numerous film posters of various sizes used to advertise upcoming films, and pressbooks to accompany film marketing. There are pages and books of sheet music from a variety of films and musicals. There are some personal papers as well, including a term paper written by Cohen, theater magazines, comic books, photographs, and a record album scrapbook. Among the artifacts included in this collection are a number of projectors and cameras for film, animation films cells, and toys.","The Abbey, October 1990; Abracadabra, 1960; Accent on Youth, May 2009; Adding Machine: A Musical, 2009; The Adding Machine, 1991; The Adventures of Sherlock Holmes, January 2016; Advise and Consent, 1961; Agatha Sings!, 2001; Ah, Wilderness!, September/October 2007; Jil Aigrot, March 2009; Alfie!, November 1964; Alice in Wonderland: An Adult Musical Comedy, 2004; All the King's Men, October 1987; Allegro, 2004; The Tale of the Allergist's Wife, August 2001; Wolf Trap Tenth Anniversary Season, 1980 season; The Andersonville Trial, July/August 2001; The Andersonville Trial, 1959-1960.","Angels in America, circa 1999-2000; Andrew Lloyd Webber, Music of the Night, 1993; Animal Crackers, 1999; Animal Crackers, circa 1981-1982; Annie, March 1977; Annie 2: Miss Hannigan's Revenge, January 1990; Annie Get Your Gun, August 1966; Annie Get Your Gun, June 1948; Annie Get Your Gun, July 1960; Annie Get Your Gun (Rewrite), January 1999; The Second Annual Great American Musicals in Concert Benefit, 2008-2009.","Anything Goes, October 1988; Anything Goes, August 1958; Anything Goes, circa 1959; Applause, 1979; The Apple Tree, May-June 1994; Arcadia, April/May 1999; Are You Now or Have You Ever Been, circa 1974-1975; Louis Armstrong, August 1964; Around the World in 80 Days, 1965; ART, 1997; As You Like It, February-April 1997; As You Like It, 2007; As You Like It, June 2007; Aspects of Love, circa 1990s; Assassins, August-October 1992; Assassins, June 2004.","August Wilson's 20th Century, April 2008; Auntie Mame, November 1957; Auntie Mame; November 1957; Awake and Sing!, January-March 2006; Awake and Sing!, April-June 1971; The Andersonville Trial, May-June 1967; Back to Methuselah, February 1958; Proms 91, August 1991; Bad Seed, August 1957; The Ballad of the Sad Café, circa 1963-1965.","Barrymore, 1997; Barnum; June 1981; Baskerville: A Sherlock Holmes Mystery, 2014-2015; Baskerville, 2012; The Barretts of Wimpole Street, 1948-1949; Beau Jest, August 1993; The Beauty Queen of Leenane, June 1998; the Beaux' Stratagem, November-December 2006; Bedroom Farce, 1979; Bee-luther-hatchee, September 2001.","Belafonte in Person, August 1968; Bells are Ringing, n.d.; Bells are Ringing, July 1998; Bells are Ringing, August 1959; Benchley Despite Himself, February-March 2003; Benchley Despite Himself, February-March 2003; A Tale of the Christ, 1959; Ben-Hur, November 1959; Benefactors, December 1985; Berlin Cabaret, UFA Revue, May 1992; Bermuda Avenue Triangle, June 1997; The Best Man, January 1962; Betty Buckley, February 2000; Betty the Yeti, November 1996; Betty the Yeti, November 1996; Betty the Yeti, November 1996; Beyond the Fringe, February 1992; Beyond the Rising Moon, 1987; Beyond Therapy, May 1997; Big River: The Adventures of Huckleberry Finn, circa 1995-1996.","The Big Show of 1936, June 1972; Birthday Suite, May 1994; Black and Blue, May 1989; In Conversation, November 2009; Blithe Spirit, March 2015; Blithe Spirit, August 1962; Blithe Spirit, 1996; Blithe Spirit, May 2009; Blood Brothers, 1988; Blue Denim, 1958; Blue Denim, 1958; Blue Denim, 1959; Boccaccio, November-December 1974; Boomtown, November 1994; Edwin Booth, November 1958; Born Yesterday, circa 1948-1949; Bounce, October-November 2003; Breakfast with Les \u0026 Bess, 1981.","Breaking Legs, November 1992; Brigadoon, 1980; Brigadoon, 1957; Brigadoon, 1963; Brighton Beach Memoirs, July 1985; Broadway Bound, November 1986; Broadway: Three Generations, October 2008; A Broadway Christmas, 2015; Broadway Up Close and Personal: A Tribute to Frank Loesser, 2010; Brother Russia, 2012; Bubbling Brown Sugar, circa 1976-1977; Down at the Old Bull \u0026 Bush, April-June 1997; Bus Stop, August 1958; Bus Stop, 1958; By George!, April 1990; By Jeeves, June-August 1997; Bye Bye Birdie, July 1962; Bye Bye Birdie, December 1991.","Cabaret, 1988; Cabaret, April 1968; Cabaret, 1995; Show of Shows: Sid Caesar, August 1984; Cafe Crown, March 1989; Call Me Ethel, circa 2009; Camelot, 1961; Camelot, circa November 2003-January 2004; Camelot, 1981; Camille, August-September 1998; John Campbell \u0026 Chris Whitley, October 1992; Camp Logan, n.d.; Camping with Henry \u0026 Tom, October-November 1997; Can-Can, August 1958; Can-Can, August 1958; Candide, March-May 1996; Candide, October 1971.","The Canterbury Tales, April 2006; Cantorial: A Ghost Story, October-November 2012; Cantorial, March 1989; The Caretaker, June 1991; Carmelina, March 1979; Carnival, October 1962; Carnival!, February 2007; Carousel, Setepmber 1957; Carousel, 2016-2017; Carousel, 1957; Carousel, 1959; Carousel, September 1957; Carousel, 1959; Cat on a Hot Tin Roof, August 1958.","Cats, September 1987; Catskills, 1993; Charley's Aunt, July 1959;  Charlie and Algernon, July 1980; Chicago, January 1997; Chicago, October 1989; Children of the Shadows, circa early 1960s; Child's Play, May 1970; The Children's Hour, June /July 1936; The Children's Hour, September 1995; A Chorus of Disapproval, December 1988-February 1989; A Chorus Line, October 1977; A Christmas Carol, 1996; Radio City Christmas Spectacular, 1993; Cinerama Holiday, circa 1950s; City of Angels, August 1990.","Cleo Laine, July 1983; The Cleveland Orchestra, February 1966; Cloud Nine, March 1997; Clown Around Town, 2000/2001; The Cocoanuts, 1988; The Cocoanuts, December 1996; The Comedie Francaise, March 1966; The Comedians, January 2005; The Comedians, February 2005; The Comedy of Errors, November 2005-January 2006; The Comedy of Errors, circa 1990; Communicating Doors, circa November 1999; Company, October 1995; Company, July 1970; Company, October-November 1993; Company, June 2002.","The Complete History of America, June 1995; Barbara Cook, March 1985;  Barbara Cook, September 2007;  Barbara Cook: A Broadway Evening,  1984; An Evening of Song with Barbara Cook, December 1993; Copenhagen, 2000; Coriolanus, April 2007; The Count of Monte Cristo, May 1985; The Countess, July/August 2000; Country Current, October 1992; The Country Wife, March-May, 2000; Crazy for You, 1991.","The Creation of the World and Other Business, October 1972; Crimes of the Heart, March 1982; Crossing Delancey, circa 1997; Crossing Delancey, April-May 2009; The Crucible, 2007; The Crummles' Christmas Carol, December 2002; Crystal, November 1997; Curtains, July 2007; Cyrano, April-June 2011; Damn Yankees, July 1995; Damn Yankees, December 2005-February 2006; Dancing at Lughnasa, August 1991; Danny \u0026 Sylvia: A Musical Love Story, September-October 2001; Danny \u0026 Sylvia, A Musical Love Story, 2002; Danzalta, March-April 1994.","The Dark at the Top of the Stairs, June 1958; The Dark at the Top of the Stairs, June 1958; Dear Liar, circa 1959; Dear Liar, 1959; Dear World, July-August, 2003; Death of a Salesman, 1976; Deathtrap, July 1979; Desert Song, 1959; Desert Song, 1959; Design for Living, 2009; Detective Story, July, 1949; Diamond Orchid, January 1965; Diary of Anne Frank, June-July 1959; The Diary of Anne Frank, 1959; The Diary of Anne Frank, December 1997; Dick Hyman, June 1997; Die Walküre, October 2002; Dirty Blonde, May 2000, Dirty Blonde, August-October, 2009; Disney Fantasia, February 2016.","Do Re Mi, March 1961; The Dock Brief, July 1962; Doctor Faustus, circa 1998-1999; Melvyn Douglas in Inherit the Wind, January 1957; Dr. Cook's Garden, September-October 2008; The Drowsy Chaperone, 2011; The Drowsy Chaperone, September 2006; Dracula, June 1978; Drat the Cat, September 1965; Dream of a Common Language, March-April 1994; Dream of a Common Language, circa 1990s; Drums in the Night, August 1961; Duel of Angels, May 1960; Duke Ellington's Sophisticated Ladies, April 1989; Dylan, February 1964.","Eastern Standard, March 1989; The Education of H*Y*M*A*N K*A*P*L*A*N, circa 1980s; Edwin Booth, November 1958; Either Or, September 2006; El Virgen, September 2005; The Elephant Man, February 1980; Eleanor: An American Love Story, March-June 1999; Elmer Gantry, 1995; The Enchanted, March 1973; Enter Laughing: The Musical, Spring/Summer 2009; Enter Laughing: The Musical, Winter 2009; Enter Laughing: The Musical, circa 1950s or 1960s; Enter Laughing: The Musical, circa 1950s or 1960s; Ethel, 1985; The Ethel Merman Show, circa 1960; The Ethel Merman Show, June 1963; An Evening to Remember, June 6, 1994; Evita, September/October 1981.","The City of Fairfax Band, April 30, 1989; Fairfax Symphony Orchestra, October 1990; Fairy Tales of New York, July 1962; The Fall of the House of Usher, September-October 2007; Fallen Angels, June-July 1958; Fallen Angels, June-July 1958; Fallen Angels, June-July 1958; Falling Waters, September 2003; Fanny's First Play, March-April 2006; The Fantasticks, 1996; Faulkner's Bicycle, November 1995; Feis Eireann, January 1967; Fiddler on the Roof, 1989; Fiddler on the Roof, August 1968; Chico Marx, August 1956; Chico Marx, August 1956; Fiorello!, February 2013; The 5th Annual First Light Festival, March 2005; The 7th Annual First Light Festival, March 2007; First You Dream: The Music of Kander \u0026 Ebb, September 2009; The Firstborn, May 1958; Eddie Fisher and Buddy Hackett, June 1967; The Fishkin Touch, June 1998; The Fix, March 1998.","A Flag is Born, March-April 2004; A Flag is Born, March-April 2004; The Flick, 2016; Flight, June 1986; Flower Drum Song, July 1961; Flower Drum Song, July 1961; Floyd Collins, June 2016; The Flying Karamazov Brothers, November 1991; The Flying Karamazo Brothers' Room Service, August-October 1997; Dan Fogelberg with his band, May 2003; Follies, April-June 2003; Follies, December 1971; Follies, circa 1998-2000; Follies, June 2011; Forbidden Broadway, 1989; Forbidden Broadway, 2002; Forbidden Broadway, 2001: A Spoof Odyssey, July 2001; Forbidden Broadway: Special Victims Unit, October 2008; Forbidden Broadway, October 2000.","Forbidden Hollywood, April 2004; Return to the Forbidden Planet, circa 1991; The Foreigner, September-October 2009; Forever Ivor, 1994; Fortune's Fool, 2002; Forty Carats, 1971; Four on a Garden, November 1970; The Four Seasons Dinner Theater, 1979/1980; A Fox on the Fairway, 2010; Frankie and Johnny in the Claire de Lune, September 1988; Frost Nixon, July 2007; Fosse, December 2000; A Funny Thing Happened on the Way to the Forum, October-November 2001; A Funny Thing Happened on the Way to the Forum, July 1996; A Funny Thing Happened on the Way to the Forum, crica 1960s; A Funny Thing Happened on the Way to the Forum, December 1962.","Galileo, August 1980; The Game's Afoot, circa 2010s; The Game of Love \u0026 Chance, 2009; The Gang's All Here, November 1959; The Gathering, July/August 1999; The Gazebo, 1960; The Gazebo, 1960; George Gershwin Alone, 2004; George and Ira Gershwin Celebrating the Inauguration..., May 1989; Gentlemen Prefer Blondes, July 1950; George - Don't Do That!, September/October 1999; George M!, circa 1970s-1980s; The Ghost Sonata, 1964; Gideon, 1961; The Gin Game, May 1979; The Gin Game, George Mason University (n.d).; Girl Crazy, 1960; Girl Crazy, 1960; The Golden Land, 2012; The Golden Land, December 1985; Goodbye Charlie, 1960; Goodbye Charlie, 1960; Goodnight Desdemona, May 1998.","Grand Hotel, December 1990; A Grand Night for Singing, October 1993; The Grand Tour, Spring 2009; Grandma Sylvia's Funeral, October 1995; The Grapes of Wrath, 1989; Grease, 1974; Great Expectations: The Musical, August-September 1998; Tammy Grimes, November 2010; Grimm Tales, March-April 1999; Gross Indecency: The Three Trials of Oscar Wilde, April-May 2009; Guys and Dolls, May 1993; Guys and Dolls, December 1999 - February 2000; Guys and Dolls, 1960; Gypsy, 1961; Gypsy, June 2003; Gypsy, August 1974; Gypsy, August 1962; Gypsy, August 1962.","Hadrian VII, March 1970; Sheldon Harnick, April 20, 2009; Hair, May 1971; Halcyon Days, September-October 1992; Hamlet, 1967; Hamlet, 1964; Marvin Hamlisch, November 2009; Happy Hunting, August 1957; The Happy Time, April-June 2008; Harvey, November-December 2015; Hay Fever, 1985; Heartbreak House, November 2003; Heartbreak House, February-March 1999; Heartbreak House, September 2006; Hedda Gabler, 1971.","The Heidi Chronicles, May 1989; Hello, Dolly! August-September, 1994; Hello, Jerry!, May 2003; Hello, Muddah, Hello, Fadduh!, circa 1990s; Hello, Muddah, Hello, Faddah!, 1996; Hellzapoppin, July-August 2007; Henceforward, circa 1989; Jerry Herman, September 20, 2007; The Music of Jerry Herman, May 10, 1992; High Button Shoes, August 1948; High Spirits, 1984; The Highest Yellow, 2004; Jerome Hines, February 19, 1958.","The History Boys, 2008; The History Boys, September 2006; The History of Invulnerability, June-July 2012; H.M.S. Pinafore, July-August 1995; H.M.S. Pinafore, January 1988; A Hole in the Head, July 1962; A Hole in the Head, July 1962; Holiday for Lovers, August 1958; Holiday for Lovers, August 1958; The Hollow, February 1999; Hollywood Pinafore, September-October 2000; Bob Hope Show, September 1958 (tickets); Hostile Witness, January 1966; House, 2002; How the Other Half Loves, March 1971; How to Succeed in Business Without Really Trying!, February 1995; How to Succeed in Business...Without Really Trying!, May 1992; The Huggett Family, August 1972; Hurly Burly, 1984.","The Iceman Cometh, October 1960; I Could Stop on a Dime and Get Ten Cents Change (A Ballroom Drama), March-April 1995; I Do! I Do!, October 1966; If/Then, November 2013; I Hate Hamlet, July-August 1992; Iolanthe or The Peer and the Peri, Spring 2004; I'm Not Rappaport, April 1987; The Immigrant, October-November 1992; The Importance of Being Earnest, November-December 2004; Indian Ink, 1999; Indiscretions (Les Parents Terribles), July 1995; Inherit the Wind, August 1957; Inherit the Wind, September-November 2000; Inherit the Wind, August 1957.","An Inspector Calls, October 1994; An Inspector Calls, circa 1940s; Into the Woods, 1994; Into the Woods, July 2002; Into the Woods, October 1988; The Invention of Love, March 2001; Irene, February 1973; Irma La Douce, July 1963; Irma la Douce, July 1963; The Irving Berlin Centennial, 1987; Isle of Children, March 1962; Isn't It Romantic, 1985; Eugene Istomin, October 31, 1958; It's a Bird...It's a Plane...It's Superman, March 2013; Ivanov, April 1966.","Jacques Brel,  circa 1983-1987; Janus, June 1957; Jazz Folk 1959; July 1959; J.B., November 16, 1959; Jeeves Takes Charge, 1982; Jerome Robbins Broadway, March 1989; Jesus Christ Superstar, August 1990; The Jockey Club Stakes, November 1972; Jolson the Musical, Autumn 1996; Jumpers, June 2004; June Moon, December 1983; June Moon newspaper article, 1983.","Kafka's Dick, December 2007; Kapelye, April 1994; Karen Akers, March 13, 1992; Danny Kaye with the Earl Brown Singers, July 1968; Danny Kaye, Guest Conductor with the Boston Symphony Orchestra, July 13, 1961; An Evening with Danny Kaye, July-August 2014; An Evening with Danny Kaye, August 2014; The King and I, August 1958; The King and I, August 1958; King John, January-March 1999; King Lear, circa 1961-1962; The King Stag, December 2000; Kismet, July 1959; Kismet, September 1965; Kismet, October 1965; Kismet, September 1965; Kiss Me Kate, July 1958; Kiss Me, Kate, July 2001; Kiss of the Spider Woman, August 1993; Alexandria Kleztet: Klezmer Quarter, November 16, 2004; The Klezmer Conservatory Band, April 13, 1989; Alison Krauss and Union Station, June 1996.","La Bohème, November 27, 1961; La Cage aux folles, August 1984; Lady Be Good, circa 1950s (probably 1953); The Lady from the Sea, September-October 2000; Lady in the Dark, April-May 1998; Lady Windermere's Fan, June-July 2005; The Last Living Newspaper, January-February 1993; Last of the Red Hot Lovers, circa 1960s; The Late Edwina Black, October-December 1996; Laughing Matters, May 1989; Laughter on the 23rd Floor, May 1994; Laughing Stock, September 2015; Leading Ladies, October 2005; The Left Hand of Justice, September 4, 2004; Legends, August 1986 , November 27, 1961; La Cage aux folles, August 1984; Lady Be Good, circa 1950s (probably 1953); The Lady from the Sea, September-October 2000; Lady in the Dark, April-May 1998; Lady Windermere's Fan, June-July 2005; The Last Living Newspaper, January-February 1993; Last of the Red Hot Lovers, circa 1960s; The Late Edwina Black, October-December 1996; Laughing Matters, May 1989; Laughter on the 23rd Floor, May 1994; Laughing Stock, September 2015; Leading Ladies, October 2005; The Left Hand of Justice, September 4, 2004; Legends, August 1986.","Les Misérables, February 1987; Les Misérables, December 2008-February 2009; Let My People Come, 1974; Let Us Be Gay, October-November 1949; Lettice and Lovage, October 1987; Life with Father, May 1990; Life with Father, November 2008-January 2009; Life with Father, June 1947; Life with Father, June 1947; Light Up the Sky, December 1987-January 1988; Li'l Abner, circa 1950s-1960s; The Lion King, August 2000; A Little Hotel on the Side, January 1992; A Little Hotel on the Side, January 1992.","A Little Night Music, April 1974;  A Little Night Music, August 2002; A Little Night Music, August 1998; A Little Night Music, August-October 2017; A Little Night Music, circa 1974-1975; A Little Night Music, June 2010; A Little Night Music, March-April 2008; Live Wire, 1998; The Living, September-October 1994; The Loman Family Picnic, July-August 1996; Look Homeward, Angel, March 1958; London Assurance, November 1974; George London, December 1960; Lord Arthur Savile's Crime, February-March 2010; Love's Labor's Lost, June-July 2006; Lovers, June 1969.","Macbeth, circa 1961-1972; Macbeth, June-September 1961; Macbeth, September-November 1995; Machinal, June-July 2004; Mack \u0026 Mabel, September 1974; Madigan's Lock, June-July 1970; Mahalia: A Gospel Musical, January-March 2010; Major Barbara, July 2001; A Majority of One, circa November 1959; A Majority of One, November 1959; Mame, May-July 2006; Mame, July 1968; A Man for All Seasons, June 1962; Man of la Mancha, March 1967; Man of la Mancha, August-September 1996.","The Man Who Came to Dinner, November-December 1989; Marching Down Broadway, October 19, 1991; The Marriage, May 1958; Marriage-Go-Round, July 1961; In-Person, Dean Martin \u0026 Jerry Lewis with Polly Bergen at the Palace Theatre, n.d. (no program); Martine, August 1961; The Matchmaker, November-December 1995; The Madwoman of Chaillot, July 1958; The Matchmaker, 1962; The Matchmaker, 1962; Mating Cries, September 1998; An Evening with Donna McKechnie: My Musical Comedy Life, April 20, 2002; Me and My Girl, August 1988; Me, Third, May 28, 1986; Me, Third, May 28, 1986; The Memorandum, September 1999; Merrily We Roll Along, January-April 1990; Merrily We Roll Along, October circa 2010s; Merrily We Roll Along, September-October 2007; Merrily We Roll Along, July 2002; Merry Widow, August 1959; Merry Widow, August 1959; The Merry Wives of Windsor, March-May 1998.","Metropolis, March 1989; Sam Levene, July 1958; Sam Levene, July 1958; James Mason, July-August 1958; James Mason, July-August 1958; Milk \u0026 Honey, 1968; Milk \u0026 Honey, circa 1994; Mildred Miller, March 6, 1962; The Miracle Worker, March 22, 1962; Misalliance, November 1994-January 1995; The Misanthrope, February 1975; The Miser, October-November 1996; Mississippi Pinocchio, March 2002; Miss Saigon, September 1989; A Month in the Country, April-June 1995; Moon Over Buffalo, January-February 2004; Moonlights \u0026 Magnolias, April-May 2011; Morning's at Seven, July 2002; Most Happy Fella, circa 1940s-1950s; Most Happy Fella, circa 1940s-1950s.","Mostly Sondheim, June 2002; Mourning Becomes Electra, April-June 1997; Agathie Christie's The Mousetrap, 2011; Mrs. Klein, October 1996; Mrs. Warren's Profession, July-August 1996; Much Ado About Nothing, July-August 1997; Much Ado About Nothing, February-April 1992; Music Is, November 1976; The Music Man, August-September 1978; The Music Man, October 10, 1961; The Music Man, October 10, 1961; The Musical of Musicals, May 2004; My Fair Lady, March 1962; My Fair Lady, March 1962; My Fair Lady, circa 1960s; My Fair Lady, August 1981.","My Name is Alice, 1987; My One and Only, March 1985; The Mystery of Edwin Drood, December 23, 1985; Nancy Drew, Girl Detective, circa 1992; Napoleon, February 1982; Nathan the Wise, October 2001; National Repertory Theatre, December 1965; National Symphony Orchestra, July 19, 1970; Nights at the Movies: The Golden Age of Film Music, September 12, 2008; Marvin Hamlisch and the National Symphony Orchestra, October 2000-June 2001; National Symphony Orchestra, August 25, 1989; Naughty Marietta, August-September 1961; Naughty Marietta, December 31, 1979.","The Nerd, September-October 1996; Never the Sinner, August 1997;  Never the Sinner, March-April 2013; Never Too Late, June 1969; New Girl in Town, March 13-14 circa 1958; New Girl in Town, March 13-14 circa 1958; The New Music Hall of Israel, January 1970; New York City Ballet, July 1991; The New York City Opera, June 1988; The New York Pops, March 1989; The Night Hank William Died, May 1989; The Night of January 16th,  February-March 1949; The Night of the Iguana, June 1962; Nina, July 1959; Nina, July 1959; Nine, May 1983.","Nixon's Nixon, March-April 1999; Ninotchka, February 1982; No Time for Sergeants, December 13, 1957; No Time for Sergeants, December 13, 1957; No Way to Treat a Lady, January 1997; Noel and Gertie, November-December 2003; Noël and Gertie, October-November 1987; Noises Off, November 1983; Noises Off!, January 1990; Nude with Violin, circa 1957-1958; Nude with Violin, September 2010; The Odd Couple, March 1965; Odyssey: A Musical Play, January 1975; Of Thee I Sing, September-November 1992; Of Thee I Sing, June 1987.","Oh! Calcutta!, July 1970; Oh Captain!, April 1958; Oh Captain!, March 1958; Oh Captain!, 1958; Oh Captain!, February 1958; Oh Coward!, October 1998; The Old Neighborhood, December 1997; Old Times, March 1972; Romeo and Juliet, March 1962; Old Wicked Songs, November 1997; Oliver!, October-November 1997; Oliver!, June 1964; On the Town, April 1989; On the Twentieth Century, circa 1991; On Your Toes, December 1982; Once in a Lifetime, October 1983; Once More, With Feeling, September 1959.","One Night with Fanny Brice, November 2010; One-Third of a Nation, May 1991; Onward Victoria, September 14, 1987; Opus, September 2007; Othello, July 1961; Othello, 1981; Othello, November 1957; Other Desert Cities, 2013; Our Town, August 1959; Over \u0026 Over, January-February 1999; Over My Dead Body, February 1989; Pacific Overtures, December 1975; Pacific Overtures, 2004; Page-to-Stage, September 2004; Page-to-Stage, September 2004; Page-to-Stage, September 2004; The Pajama Game, August 1958; The Pajama Game, March-April 1989; The Pajama Game, circa 1990s; The Pajama Game, August 1958; Pal Joey, July 1959; Pal Joey, July 1959; Pangs of the Messiah, June-July 2007.","A Party with Betty Comden and Adolph Green, October 1992; A Party to Murder, October-November 2016; Passion, July 2002; Passion, May 1994; Passion, April 1996; Patience, May 1997; A Patriot for Me, September 1969; The Perfect Party, January 1987; Perfect Crime, circa 1990s; The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, circa 1998; Pericles, Prince of Tyre, March 1990; Perseus Bayou, circa 2000; Perseus Bayou, April 26, 2003; Perseus Bayou, March-April 2001; The Pirates of Penzance, July-September 2001; The Phantom of the Opera, 1989; The Phantom of the Opera, September 1991.","The Piano Lesson, April-May 2005; Philadelphia Here I Come!, December 1966; The Philadelphia Orchestra, circa 1971-1972; Philip Glass Ensemble, 1985; Photo Finish, April 1963; The Physicists, September 1964; Piaf, October 2004; Pickwick, September 1965; Pins and Needles, 1989; Pippin, October 1972; The Pirates of Penzance, November 1964; Plain and Fancy, March 15-16, 1957; Bad Seed, August 1957; The Play's the Thing, April-May 2006; The Play's the Thing, July 1995.","The Pleasure of His Company, October 1959; 2008-2009 Pops Series, September 2008-May 2009; The Premier Performance, October 6, 1990; Present Laughter, January 1997; Preservation Hall Jazz Band, November 19, 2000; The Price, January-February 1994; The Price, March-April 2008; The Prime of Miss Jean Brodie, 2006; Princess Ida, circa 2002; The Prisoner of Second Avenue, October 1971; Private Lives, July 2002; Private Lives, June 2014; Privates on Parade, September 2002; The Producers, July 2001; The Producers, August 2004; Promises, Promises, November 1968; Proof, July 2001; Proposals, October 1997; The Playhouse, January-February 1949; Pygmalion, February 1991.","Radio Theatre Live! May 9-10, 2001; Radio Theatre Live!, June 13-14, 2001; Radio Theatre Live!, July 18-19, 2001; Radio Theatre Live!, May 8-9, 2002; Radio Theatre Live!, July 10-11, 2002; Rags, August 1986; Ragtime, May 2009; Ragtime: The Musical, June 1998; The Real Thing, May 2000; Red Buttons in the Teahouse of the August Moon, July 1960; Red Herring, April 2009; The Reduced Shakespeare Company, March 1996; The Rehearsal, circa November 1963; Relatively Speaking, circa 1993; Burgess Meredith, August 1958; Rent, 1996;The Revengers' Comedies, March-June 1994; Rhinoceros, July 1962.","The Rhythm Club, September-October 2000; Richard III, circa 1990; The Rink, August 1996; The Rise and Fall of Annie Hall, April-May 2009; Risë Stevens, December 15, 1959; The Rivalry (no program), January 1958; The Rivals, August-October 2003; Robert Frost: Fire and Ice, circa 1990s; Rock'n'Roll, April 2009; Rocket to the Moon, September 2001; Romanoff and Juliet, November 1957; Romanoff and Juliet, 1957; Romeo \u0026 Juliet, April-May 1997; Room Service, June 1983; Rosencrantz and Guildenstern are Dead, May 2007; Rosencrantz and Guildenstern are Dead, September 1967.","The Rothschilds, August 1990; Rough Crossing, September 2003; The Rover, December 1981-February 1982; The Royal Family, October-November 1999; The Royal Family, December 1975-July 1976; The Royal Family, December 1975; The Washington Opera, December 1987; Ruddigore, May 1995; Rumors, November 1989; Rushmore, March-April 1993.","Sabrina Fair, August 1975; Salome, January-February 2015; Saltimbanco, 1993; Saturday Night, May 2004; Saturday, Sunday, Monday, November-January 1977; Say, Darling!, June 1959; Say, Darling!, June 1959; Scaramouche, September-October 2003; Scaramouche, September 1, 2003; The Scarlet Pimpernel, July 2000; The School for Scandal, May-June circa 2008; The School for Wives, February 1996; The School for Wives, February 1992; The Scottish Play, 2003; The Secret Garden, January 1993; The Secret of Sherlock Holmes, September 1988.","Separate Tables, September 1957; Separate Tables, September 1957; A Servant to Two Masters, April 2001; The Shadow of a Gunman, November 1958; Shakespeare in Hollywood, 2012; Shakespeare in Hollywood, September-October 2003; Shakespeare in Hollywood, circa 2002; Shakespeare in Washington, January 6, 2007; She Loves Me, November-December 2006; She Loves Me, October 1993; She Stoops to Conquer, February-March 1988; Shear Madness, November 1990; Shear Madness, February 1993; Sherlock Holmes, October 1974; Sherlock Holmes and the Case of the Purloined Patience, July-August 1997; Sherlock's Last Case, July 1987.","Shirley MacLaine, August 1982; Shmulnik's Waltz, 1996; Shmulnik's Waltz, February-March 1994; Sholom Aleichem: Laughter Through Tears, December 2008-January 2009; Show Girl, August 1961; Showboat, circa 1950s-1960s; Showboat, October 1994; Herb Shriner Entertains in An Evening of Unforgettable Humor and Music, 1959; Sideman, July 1999; Side Show, May-June 2000; Silk Stockings, circa 1950s-1960s; Sing Down the Moon, March-April 2000; Signature Sings Broadway in Ballston, June 23-25 2005; Singin' in the Rain, July 1986; The Sins of Sor Juana, November 1999; The Sisters Rosensweig, October 1993; The Sleeping Beauty (The National Ballet of Canada, September 1972); Sleuth, circa 1950s.","Sly Fox, June 2004; Social Security, July 1995; Solid Gold Cadillac, July 1956; Something's Afoot, November 8, 1973; A Sondheim Summer!, June 28-29 1994; The Sound of Music, 1964; South Pacific, August 1977; South Pacific, October 1958; South Pacific, August 1960; South Pacific, December 2002-February 2003; Souvenir, June 2007; Monty Python's Spamalot, June 2006; Spiele '36 or The Fourth Medal, September 1991; Stacy Keach: Solitary Confinement, February 1992; Standup Shakespeare, March-April 1994; State Fair, August-September 1995; State of the Union, October 2006.","Steel Magnolias, March 1989; Steel Pier, May 2000; The Stephen Schwartz Project, April-May 2008; \"You're Gonna Love Tomorrow\": A Stephen Sondheim Evening, 1996; A Stoop on Orchard Street, circa 2000s; She Stoops to Conquer, March 2002; Stop the World--I Want to Get Off, 1964; Stop the World--I Want to Get Off, 1964; Stones in His Pockets, circa 2000s; Strange Interlude, April 1963; A Streetcar Named Desire, August-September 1960; The Student Prince, circa 1970s; The Subject Was Roses, March 1966; Sugar, January 1972; Sunday in the Park with George, October 20, 1989; Sunrise at Campobello, June 1958; Sunset, 1994; The Sunshine Boys, December 1997; The Sunshine Boys, November 1972.","Swansong, circa 2006; Sweet Bird of Youth, October 1959; Sweet Smell of Success, April-May 2008; Sweet Ike, September 1996; Sweeney Todd, March 9, 2004; Sweeney Todd, September-October 1999; Sweeney Todd: The Demon Barber of Fleet Street, August 1979; Sylvia, July 1995; Sylvia's Real Good Advice, June-July 1993; Talley's Folly, 1982; The Taming of the Shrew and The Cherry Orchard, 1959; The Cherry Orchard, November 1959; The Taming of the Shrew, September-November 2007; The Tap Dance, March 1986; Tartuffe, July 1972; Tea and Sympathy, May 2, 1956.","The Tempest, September-October 1997; The Tenth Man, September-October 2010; The Tenth Man, December 1959; Terre des Femmes, n.d.; Tevya, July 1960; Tevya, 1960; A Texas Trilogy, May 1976; That Championship Season, circa 1950s; Theatre in the Dance, November 13, 1958; Things That Break, March 1997; Those Were The Days, December 1990; A Thousand Clowns, June 1996; The Three Musketeers, circa 2006-2007; Three Nights in Tehran, November 1996; The Three Sisters, 1963; Tigertigertiger, September 1997; Time for Elizabeth, July 1959; Groucho Marx, July 1959; The Time of Your Life, February 1972.","Time Remembered, October 1957; Time Remembered, circa 1957; The Titans, September 1, 2003; Tobacco Road, August 1959; Tobacco Road, June 1936; Too Jewish?, October 1995; Too True to Be Good, March 2000; A Touch of the Poet, October 1958; A Touch of the Poet, circa 1958; A Touch of the Poet, October-November 1997; Toys in the Attic, 1961; Toys in the Attic, August 1961; Travesties, 1996; Treasure Island, circa 2005-2006; Trevor, February 2017; A Tribute to Cy Coleman, October 7, 2008; The Triumph of Love, circa 1997; Tru, October 1991; A Tuna Christmas, December 1989; Twelve Angry Men, October 2006; Twentieth Century, August-October 2003; Theater J, May 1997; Two for the Seesaw, June 1958; Two Keys, February 1974; Twelve Angry Men, July 1960; Twelve Angry Men, July 1960.","Uncle Vanya, August 2011; Under Milk Wood, October 8, 1962; Utopia Limited, circa 2000; Vaudeville: Humor on the 20th Century Stage, November-December 1999; Verdict, July 1985; A View from the Bridge, November 1-2, 1957; The Visit, October 1958; The Visit, May-June 2008; Visit to a Small Planet, June 1958; Visiting Mr. Green, June 1998; Voice of the Prairie, April-May 1993; Volpone, April-June 1996; Waiting for Lefty, July-August 1976.","Waiting in the Wings, May 2000; Waiting in the Wings, 2010; The Wanhope Building, February 1947; War of the Worlds - The Radio Play, October 29, 2003; The Warm Peninsula, May 4, 1959; The Way of the World, October-November 1992; The Way of the World, September-November 2008; The Music of Andrew Lloyd Webber, December 1990; Welcome to my Rash/Psyche in Love/Third, August 31, 2003; West Side Story, January 1980; West Side Story, August 1995; The West Side Waltz, April 1982; What the Butler Saw, 2002; What the Butler Saw, April-May 1995.","When She Danced, August 1991; Whistle Down the Wind, December 1996; The White Devil, 1991; Who's Afraid of Virginia Woolf?, October 1996-March 1997' Widdershins, February-March 2011; The Will Rogers Follies: A Life in Revue, January 1994; Will Success Spoil Rock Hunter?, July-August 1957; Windjammer, June 14,1958; Windom Plays Thurber, December 1944; Wish You Were Here, circa 1950s-1960s; Wish You Were Here, circa 1950s-1960s; The Witches of Eastwick, June-July 2007; Witness for the Prosecution, August 1957; The Woman in Black, October 1996; Woman in Mind, January 2001.","The Women, January-February 1999; A Wonderful Life, Fall 1991, The Wonderful One-Hoss Shay, March-April 1996; Wonderful Town, March 2004; Wonderful Town, August 1957; Working, October 1997; The World According to Me!, June 1989; The World Goes 'Round: The Kander \u0026 Ebb Musical, June 1993; Write Me a Murder, November 1961; Write Me a Murder, August 1983; You Can't Take It With You, March 1983; You Can't Take It With You, April-June 1998; You Never Can Tell, June 1998; Zero Hour, August-September 2009; Ziegfield: Another Night at the Follies, circa 1990-1991; Zorba, October 1993.","110 in the Shade, circa 2002-2003; 1776, March 1969; 1776, December 1997; 1776, April 1989; 1776, 2003; The 1940s Radio Hour, circa 2004-2006; The 1940s Radio Hour, November-December 1978; Alfred Hitchcock's The 39 Steps, March 2010; Alfred Hitchcock's The 39 Steps, May 2008; Forty-Second Street: A Musical Comedy, June 1980; 70, Girls, 70, June 1991.","Clyde Beatty-Cole Bros. Circus, 1995; The Kennedy Center Eisenhower Theater Official Re-Opening, October 2008; Radio City Music Hall, Rockefeller Center, October 1958; Radio City Musical Hall, May 1978; Rockefeller Center, circa 1970s; Radio City Musical Hall, circa 1980s-1990s; Royal National Theatre: Making a Production at the National, circa 1990-1991; Saratoga Performing Arts Center, circa 1968; Steel Pier, 1957; Williamstown Sumer Theatre, 1962.","Almost Like Being In Love, 1952; Moonlight Bay, 1912; The Desert Song, 1927; Man of la Mancha, 1965; All the Time from Oh Captain!, 1958; Michelle, 1965; Havah Nagilah, 1961; Oklahoma, 1943; Hello, Dolly!, 1963; A Man and a Woman, 1966; Sunrise, Sunset, 1964; I Will Wait for You, 1967; My Man, 1920-1921; Raindrops Keep Fallin' On My Head, 1970; Somewhere, My Love; 1965-1966; Mame, 1966; Deep Purple, 1962; Mack the Knife, 1955; Surprise, 1958; You Don't Know Him, 1958; Clair de lune, 1927; The Carousel Waltz, 1945; More, 1963; Cabaret, 1966; Bali Ha'I, 1949; Some Enchanted Evening, 1949; Tonight, 1957; Who Can I Turn To (When Nobody Needs Me), 1964; As Long As He Needs Me, 1960; (I Wonder Why?) You're Just in Love, 1950; Star Dust, 1929; I Got Rhythm, 1930; I Got Rhythm, 1930; Of Thee I Sing, 1931; Someone to Watch Over Me, 1926; Someone to Watch Over Me, 1926; Bidin' My Time, 1930.","Larry Adler Harmonica Favorites, 1943; Melodic Masterpieces for Hohner Harmonicas, 1962; The King and I (Vocal Selections), circa 1951; Zero Mostel in Fiddler on the Roof (Vocal Selections), 1964; Gypsy (Book), 1960; Gypsy: A Musical Fable (Vocal Selections), circa 1959; Rodgers and Hammerstein's Carousel, circa 1956.","Content warning: Depiction of yellowface.","Czech poster for  Charlie Chan in London.","Content warning: Depiction of brown face.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","French poster available in this collection.","Content warning: Racist imagery.","Content warning: Depiction of yellowface.","\"Magia Negra\" Translates to \"Black Magic\" in English.","Content warning: Depiction of yellowface.","Content warning: Depiction of yellowface.","English language poster available in the collection.","Content warning: Depiction of yellowface.","Adventures of Don Juan; Alexander the Great; Ali Baba and the Forty Thieves; Alias Boston Blackie; The Alphabet Murders; The Bachelor Party; The Bandit of Sherwood Forest; Barabbas; The Belles of St. Trinian's; Ben-Hur (2); The Big Fisherman; Blonde For a Day; Blondie in Society; Caesar and Cleopatra; Camelot; Captain from Castile; The Chance of a Lifetime; Christopher Columbus; Cleopatra (1963); Cleopatra (1934); Charge of the Lancers; Murder Over New York; Charlie Chan - The Feathered Serpent; Charlie Chan- Sky Dragon; Charlie Chan at Monte Carlo; Charlie Chan - The Red Dragon; Charlie Chan - Sky Dragon; Charlie Chan - The Feathered Serpent; Charlie Chan - The Feathered Serpent; Charlie Chan - The Feathered Serpent; A Close Call For Boston Blackie; The Colossus of Rhodes (6); The Corsican Brothers; Counter-Espionage; Counterspy Meets Scotland Yard; Cromwell; Danger Zone; Wilson; Désirée; Dick Tracy; Dick Tracy Meets \"Gruesome;\" Dick Tracy Returns; Doctor At Large; The Egyptian; Ellery Queen and the Murder Ring; Enemy Agents Meet Ellery Queen; The Falcon in Mexico; The Falcon in San Francisco;\nThe Fall of the Roman Empire (2); The Fall of the Roman Empire (4); Gone With the Wind; Henry Aldrich's Little Secret; Henry Aldrich Plays Cupid; In Old Mexico; Innocents in Paris; Ivanhoe; The Good Humor Man; Joe Palooka in the Squared Circle; Killer Leopard; Kim (9); King Richard and the Crusaders; Knights of the Round Table; Land of the Pharaohs; The Lavender Hill Mob; Lawrence of Arabia; The Leech Woman; Life Begins for Andy Hardy; The Little Hut; Lorna Doone; Lost in Alaska; Maisie; Me and the Colonel; Michael Shayne Private Detective; Modesty Blaise; Mr. Moto Takes a Chance; Murder Ahoy; Murder Most Foul; Nancy Drew-Trouble Shooter; North By Northwest; Northwest Passage; On Moonlight Bay; Outcast of Black Mesa; Passport to Suez; Pinnochio; Prince of Foxes; Private Lives; Quo Vadis (7); Rear Window; The Robe (2); Roman Holiday (2); The Saint's Girl Friday; Salome; Samson and Delilah (2); The Shadow Returns (3); Behind the Mask (2); Sherlock Holmes and the Secret Weapon; Unlabeled Sherlock Holmes film; Sign of the Pagan (2); Silver City Bonanza; Sleeping Beauty; Snow White and the Seven Dwarves; Solomon and Sheba; Something Wild; Song of the Thin Man; South Pacific; Sunrise at Campobello (7); Tarzan and the Mermaids; Tarzan and the Amazons; Tarzan's Magic Fountain; Tarzan's Secret Treasure; The Ten Commandments; Tom Brown's Schooldays; Tom Jones; Too Many Winners; Trail of the Rustlers; The Trojan Horse (4); Ulysses (5); Valley of the Head Hunters; The Vikings; Crime Doctor's Strange Case; Waterloo; The Whistler; Young Bess; The 300 Spartans (2).","Brownie Target Six-20 and Brownie Target Six-16.","Can be used with the glass lantern slides in Box 18.","Slides feature Mickey Mouse and other early Disney characters, as well as images from fairy tales."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_71397d4cf7341382b248a4feea19127f\"\u003eThe Martin Cohen theater collection contains material pertaining to musical theater, stage performances, and motion picture film. It primarily includes playbills, sheet music, and film posters, as well as as comic books, animation film cells, memorabilia, and toys.\u003c/abstract\u003e"],"abstract_tesim":["The Martin Cohen theater collection contains material pertaining to musical theater, stage performances, and motion picture film. It primarily includes playbills, sheet music, and film posters, as well as as comic books, animation film cells, memorabilia, and toys."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_150a304289bf6803cc620f1d42336d0e\"\u003eR 72, C 2, S 7-C 3, S 4\n\nMC 16.3, 16.4, 16.5, 32.4, 32.5, 34.5\n\nRSR 7.1, 8.1, 8.4\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 2, S 7-C 3, S 4\n\nMC 16.3, 16.4, 16.5, 32.4, 32.5, 34.5\n\nRSR 7.1, 8.1, 8.4"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Cohen, Martin B."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Cohen, Martin B."],"persname_ssim":["Cohen, Martin B."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":221,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T07:17:54.608Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_622_c01_c60"}},{"id":"viblbv_repositories_2_resources_3436_c05_c159","type":"File","attributes":{"title":"112 44\" 44 x 40 3.86","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3436_c05_c159#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3436_c05_c159","ref_ssm":["viblbv_repositories_2_resources_3436_c05_c159"],"id":"viblbv_repositories_2_resources_3436_c05_c159","ead_ssi":"viblbv_repositories_2_resources_3436","_root_":"viblbv_repositories_2_resources_3436","_nest_parent_":"viblbv_repositories_2_resources_3436_c05","parent_ssi":"viblbv_repositories_2_resources_3436_c05","parent_ssim":["viblbv_repositories_2_resources_3436","viblbv_repositories_2_resources_3436_c05"],"parent_ids_ssim":["viblbv_repositories_2_resources_3436","viblbv_repositories_2_resources_3436_c05"],"parent_unittitles_ssm":["Fries Textile Plant Records","Series V: Production Materials"],"parent_unittitles_tesim":["Fries Textile Plant Records","Series V: Production Materials"],"text":["Fries Textile Plant Records","Series V: Production Materials","112 44\" 44 x 40 3.86","box 54","folder 115"],"title_filing_ssi":"112 44\" 44 x 40 3.86","title_ssm":["112 44\" 44 x 40 3.86"],"title_tesim":["112 44\" 44 x 40 3.86"],"unitdate_other_ssim":["1970-1971"],"normalized_date_ssm":["1970/1971"],"normalized_title_ssm":["112 44\" 44 x 40 3.86"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Fries Textile Plant Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":4894,"parent_access_restrict_tesm":["The collection is open for research with the exception of Boxes 50, 51, 117, 147, 148, 149, 152, 153, 154, 155, 179, and 185, which contain HIPAA-protected, sensitive, or personally identifiable information. These records are noted in the file-level description. Contact Virginia Tech Special Collections and University Archives for more information."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1970,1971],"containers_ssim":["box 54","folder 115"],"_nest_path_":"/components#4/components#158","timestamp":"2026-05-21T02:21:22.107Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3436","ead_ssi":"viblbv_repositories_2_resources_3436","_root_":"viblbv_repositories_2_resources_3436","_nest_parent_":"viblbv_repositories_2_resources_3436","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3436.xml","title_filing_ssi":"Fries Textile Plant Records","title_ssm":["Fries Textile Plant Records"],"title_tesim":["Fries Textile Plant Records"],"unitdate_ssm":["1900-1988"],"unitdate_inclusive_ssm":["1900-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1989.039"],"text":["Ms.1989.039","Fries Textile Plant Records","Fries (Va.)","Grayson County (Va.)","Company towns","Local/Regional History and Appalachian South","Textile manufacturers","Textile workers","Textiles (visual works)","The collection is open for research with the exception of Boxes 50, 51, 117, 147, 148, 149, 152, 153, 154, 155, 179, and 185, which contain HIPAA-protected, sensitive, or personally identifiable information. These records are noted in the file-level description. Contact Virginia Tech Special Collections and University Archives for more information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 yers due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","Some of this collection has been digitized and is  available online .","An exhibit, \"The Only Game In Town: A Selection from the Fries Textile Plant Records\" is also  available online .","The collection is arranged by type of material into the following series:","Series I. Company Files Series II. Correspondence Series III. Financial Records Series IV. Personnel Records Series V. Production Materials Series VI. Legal Records Series VII. Blueprints Series VIII. Illustrations, ca. 1970s-1980s, n.d.","In 1903, Colonel Francis Henry Fries founded the town of Fries and constructed a textile plant in Grayson County, Virginia. Fries was president of the Washington Mills Company as well as Wachovia Bank, for some time. He used his business and political connections to build a spur to a main branch of the Norfolk and Western Railroad and to construct a dam on the New River to generate power for the mill. The Washington Mills Company owned nearly every building in the town, which flourished in the early twentieth century with a population of over 1,700 in 1910. By 1929, there were four textile mills in Grayson County, and Washington Mills in Fries was the largest, employing as many as 600 people. ","  Employment at Washington Mills peaked after World War II with over 1,200 workers. For decades, the mill had cutting edge equipment and competed nationally with other textile production facilities. By the 1980s, the company faced overseas competition and the need to modernize the plant. In 1988, company leaders chose to close the plant, which at that time employed only a few hundred workers.\n  \n   Sources: Bond, Avery, and Martha Nichols, comps. and eds.  A History of the Town of Fries, Virginia.  Collinsville, VA: Collinsville Printing Company, 1977. \"Historical Background, Town of Fries, Compiled in 1953 for 50th Anniversary of Fries,\" box 34, Fries Textile Plant Records, Special Collections, Virginia Tech. National Register of Historic Places. \"Fries Boarding Houses, VDHR#220-5015,\" September 14, 2007, available at  https://www.dhr.virginia.gov/historic-registers/220-5015/ .","Bond, Avery, and Martha Nichols, comps. and eds.  A History of the Town of Fries, Virginia.  Collinsville, VA: Collinsville Printing Company, 1977. \"Historical Background, Town of Fries, Compiled in 1953 for 50th Anniversary of Fries,\" box 34, Fries Textile Plant Records, Special Collections, Virginia Tech. National Register of Historic Places. \"Fries Boarding Houses, VDHR#220-5015,\" September 14, 2007.","The guide to the Fries Textile Plant Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."," The processing, arrangement, and description of the Fries Textile Plant Records commenced in October 2018 and completed in July 2019 as part of the project, \"They're Closing Down the Textile Mill: Creating Access to the Fries Textile Plant Records,\" funded by the  National Historical Publications and Records Commission (NHPRC) .","This collection includes correspondence, ledgers, production records, employee records, photographs, fabric samples, and other items documenting the history of the town and plant from their creation in the eary 1900s to the close of the mill in 1988. ","  Series I. Company Files and Series II. Correspondence mainly document the day-to-day running of the mill, highlighting relationships with other local and national businesses in fields such as textiles, factory machinery, coal, insurance, and construction. These records also illustrate some aspects of the lives of the mill employees. ","  Series III. Financial Records document the more quantifiable aspect of the business through invoices, pay records, and account balance books, showing the health and trajectory of the company over time. ","  Series IV. Personnel Records convey the activity of the mill by recording the number of each type of employee, how much they worked, and when, as well as some glimpses into the personal lives of the mill workers. ","  Series V. Production Materials more concretely illustrate the output of the mill through fabric samples and reports of production versus cost over time. ","  Series VI. Legal Records show how the mill grew and evolved over time in relation to the community in which it operated. ","  Series VII. Blueprints show how the mill buildings themselves were conceived, built, and changed from 1900-1974, when the last major renovations were completed.\n  \n  Series VIII. Illustrations, ca. 1970s-1980s, n.d., includes photographs from the Fries plant and town of Fries, primarily of employees and events, and one oversize drawing with images of the Washington Mills Plants in Fries, Virginia, and in North Carolina.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Note on box states \"Copyright 1978 - Viacom\"","The Fries Textile Plant Records includes correspondence, production data, personnel ledgers, photographs, legal and financial materials, internal reports, blueprints, and other administrative materials. The collection provides a complete history of the company's operations, from its founding at the turn of the twentieth century until its closure in the 1980s.","Please note:  Material is in off-site storage and requires 2-3 days notice for retrieval. The oversize folder is onsite. Please contact Special Collections and University Archives for further information.","Special Collections and University Archives, Virginia Tech","Fries Textile Plant (Fries, Va.)","The materials in the collection are in English."],"unitid_tesim":["Ms.1989.039"],"normalized_title_ssm":["Fries Textile Plant Records"],"collection_title_tesim":["Fries Textile Plant Records"],"collection_ssim":["Fries Textile Plant Records"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Fries (Va.)","Grayson County (Va.)"],"geogname_ssim":["Fries (Va.)","Grayson County (Va.)"],"creator_ssm":["Fries Textile Plant (Fries, Va.)"],"creator_ssim":["Fries Textile Plant (Fries, Va.)"],"creator_corpname_ssim":["Fries Textile Plant (Fries, Va.)"],"creators_ssim":["Fries Textile Plant (Fries, Va.)"],"places_ssim":["Fries (Va.)","Grayson County (Va.)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Fries Textile Plant Records were deposited with Special Collections and University Archives in 1989. Ownership of the collection was transferred in 2016. Additional blueprints and slides were donated in December 2016 and July 2019."],"access_subjects_ssim":["Company towns","Local/Regional History and Appalachian South","Textile manufacturers","Textile workers","Textiles (visual works)"],"access_subjects_ssm":["Company towns","Local/Regional History and Appalachian South","Textile manufacturers","Textile workers","Textiles (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["ca. 190 Cubic Feet 185 boxes and 1 oversize folder"],"extent_tesim":["ca. 190 Cubic Feet 185 boxes and 1 oversize folder"],"genreform_ssim":["Textiles (visual works)"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research with the exception of Boxes 50, 51, 117, 147, 148, 149, 152, 153, 154, 155, 179, and 185, which contain HIPAA-protected, sensitive, or personally identifiable information. These records are noted in the file-level description. Contact Virginia Tech Special Collections and University Archives for more information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 yers due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research with the exception of Boxes 50, 51, 117, 147, 148, 149, 152, 153, 154, 155, 179, and 185, which contain HIPAA-protected, sensitive, or personally identifiable information. These records are noted in the file-level description. Contact Virginia Tech Special Collections and University Archives for more information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 yers due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information."],"altformavail_html_tesm":["\u003cp\u003eSome of this collection has been digitized and is \u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/Ms1989-039\"\u003eavailable online\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eAn exhibit, \"The Only Game In Town: A Selection from the Fries Textile Plant Records\" is also \u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/exhibits/show/the-only-game-in-town--a-selec\"\u003eavailable online\u003c/a\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is  available online .","An exhibit, \"The Only Game In Town: A Selection from the Fries Textile Plant Records\" is also  available online ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by type of material into the following series:\u003c/p\u003e\n","\u003cp\u003e\u003clist\u003e\n\u003citem\u003eSeries I. Company Files\u003c/item\u003e\n\u003citem\u003eSeries II. Correspondence\u003c/item\u003e\n\u003citem\u003eSeries III. Financial Records\u003c/item\u003e\n\u003citem\u003eSeries IV. Personnel Records\u003c/item\u003e\n\u003citem\u003eSeries V. Production Materials\u003c/item\u003e\n\u003citem\u003eSeries VI. Legal Records\u003c/item\u003e\n\u003citem\u003eSeries VII. Blueprints\u003c/item\u003e\n\u003citem\u003eSeries VIII. Illustrations, ca. 1970s-1980s, n.d.\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by type of material into the following series:","Series I. Company Files Series II. Correspondence Series III. Financial Records Series IV. Personnel Records Series V. Production Materials Series VI. Legal Records Series VII. Blueprints Series VIII. Illustrations, ca. 1970s-1980s, n.d."],"bioghist_html_tesm":["\u003cp\u003eIn 1903, Colonel Francis Henry Fries founded the town of Fries and constructed a textile plant in Grayson County, Virginia. Fries was president of the Washington Mills Company as well as Wachovia Bank, for some time. He used his business and political connections to build a spur to a main branch of the Norfolk and Western Railroad and to construct a dam on the New River to generate power for the mill. The Washington Mills Company owned nearly every building in the town, which flourished in the early twentieth century with a population of over 1,700 in 1910. By 1929, there were four textile mills in Grayson County, and Washington Mills in Fries was the largest, employing as many as 600 people. \u003c/p\u003e\n","\u003cp\u003e  Employment at Washington Mills peaked after World War II with over 1,200 workers. For decades, the mill had cutting edge equipment and competed nationally with other textile production facilities. By the 1980s, the company faced overseas competition and the need to modernize the plant. In 1988, company leaders chose to close the plant, which at that time employed only a few hundred workers.\n  \n  \u003cb\u003eSources:\u003c/b\u003e\n\u003clist\u003e\n\u003citem\u003eBond, Avery, and Martha Nichols, comps. and eds. \u003ctitle render=\"italic\"\u003eA History of the Town of Fries, Virginia.\u003c/title\u003e Collinsville, VA: Collinsville Printing Company, 1977.\u003c/item\u003e\n\u003citem\u003e\"Historical Background, Town of Fries, Compiled in 1953 for 50th Anniversary of Fries,\" box 34, Fries Textile Plant Records, Special Collections, Virginia Tech.\u003c/item\u003e\n\u003citem\u003eNational Register of Historic Places. \"Fries Boarding Houses, VDHR#220-5015,\" September 14, 2007, available at \u003ca href=\"https://www.dhr.virginia.gov/historic-registers/220-5015/\" target=\"new\"\u003ehttps://www.dhr.virginia.gov/historic-registers/220-5015/\u003c/a\u003e.\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eBond, Avery, and Martha Nichols, comps. and eds. \u003ctitle render=\"italic\"\u003eA History of the Town of Fries, Virginia.\u003c/title\u003e Collinsville, VA: Collinsville Printing Company, 1977.\u003c/item\u003e\n      \u003citem\u003e\"Historical Background, Town of Fries, Compiled in 1953 for 50th Anniversary of Fries,\" box 34, Fries Textile Plant Records, Special Collections, Virginia Tech.\u003c/item\u003e\n      \u003citem\u003eNational Register of Historic Places. \"Fries Boarding Houses, VDHR#220-5015,\" September 14, 2007.\u003c/item\u003e\n    \u003c/list\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["In 1903, Colonel Francis Henry Fries founded the town of Fries and constructed a textile plant in Grayson County, Virginia. Fries was president of the Washington Mills Company as well as Wachovia Bank, for some time. He used his business and political connections to build a spur to a main branch of the Norfolk and Western Railroad and to construct a dam on the New River to generate power for the mill. The Washington Mills Company owned nearly every building in the town, which flourished in the early twentieth century with a population of over 1,700 in 1910. By 1929, there were four textile mills in Grayson County, and Washington Mills in Fries was the largest, employing as many as 600 people. ","  Employment at Washington Mills peaked after World War II with over 1,200 workers. For decades, the mill had cutting edge equipment and competed nationally with other textile production facilities. By the 1980s, the company faced overseas competition and the need to modernize the plant. In 1988, company leaders chose to close the plant, which at that time employed only a few hundred workers.\n  \n   Sources: Bond, Avery, and Martha Nichols, comps. and eds.  A History of the Town of Fries, Virginia.  Collinsville, VA: Collinsville Printing Company, 1977. \"Historical Background, Town of Fries, Compiled in 1953 for 50th Anniversary of Fries,\" box 34, Fries Textile Plant Records, Special Collections, Virginia Tech. National Register of Historic Places. \"Fries Boarding Houses, VDHR#220-5015,\" September 14, 2007, available at  https://www.dhr.virginia.gov/historic-registers/220-5015/ .","Bond, Avery, and Martha Nichols, comps. and eds.  A History of the Town of Fries, Virginia.  Collinsville, VA: Collinsville Printing Company, 1977. \"Historical Background, Town of Fries, Compiled in 1953 for 50th Anniversary of Fries,\" box 34, Fries Textile Plant Records, Special Collections, Virginia Tech. National Register of Historic Places. \"Fries Boarding Houses, VDHR#220-5015,\" September 14, 2007."],"odd_html_tesm":["\u003cp\u003eThe guide to the Fries Textile Plant Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Fries Textile Plant Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Fries Textile Plant Records, Ms1989-039, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Fries Textile Plant Records, Ms1989-039, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003e\u003cimg width=\"200\" align=\"left\" src=\"https://digitalsc.lib.vt.edu/files/original/a2eeb5148408709c99f3e268e1177900.jpg\"\u003e The processing, arrangement, and description of the Fries Textile Plant Records commenced in October 2018 and completed in July 2019 as part of the project, \"They're Closing Down the Textile Mill: Creating Access to the Fries Textile Plant Records,\" funded by the \u003ca target=\"_blank\" href=\"https://www.archives.gov/nhprc\"\u003eNational Historical Publications and Records Commission (NHPRC)\u003c/a\u003e.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":[" The processing, arrangement, and description of the Fries Textile Plant Records commenced in October 2018 and completed in July 2019 as part of the project, \"They're Closing Down the Textile Mill: Creating Access to the Fries Textile Plant Records,\" funded by the  National Historical Publications and Records Commission (NHPRC) ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes correspondence, ledgers, production records, employee records, photographs, fabric samples, and other items documenting the history of the town and plant from their creation in the eary 1900s to the close of the mill in 1988. \u003c/p\u003e\n","\u003cp\u003e  Series I. Company Files and Series II. Correspondence mainly document the day-to-day running of the mill, highlighting relationships with other local and national businesses in fields such as textiles, factory machinery, coal, insurance, and construction. These records also illustrate some aspects of the lives of the mill employees. \u003c/p\u003e\n","\u003cp\u003e  Series III. Financial Records document the more quantifiable aspect of the business through invoices, pay records, and account balance books, showing the health and trajectory of the company over time. \u003c/p\u003e\n","\u003cp\u003e  Series IV. Personnel Records convey the activity of the mill by recording the number of each type of employee, how much they worked, and when, as well as some glimpses into the personal lives of the mill workers. \u003c/p\u003e\n","\u003cp\u003e  Series V. Production Materials more concretely illustrate the output of the mill through fabric samples and reports of production versus cost over time. \u003c/p\u003e\n","\u003cp\u003e  Series VI. Legal Records show how the mill grew and evolved over time in relation to the community in which it operated. \u003c/p\u003e\n","\u003cp\u003e  Series VII. Blueprints show how the mill buildings themselves were conceived, built, and changed from 1900-1974, when the last major renovations were completed.\n  \n  Series VIII. Illustrations, ca. 1970s-1980s, n.d., includes photographs from the Fries plant and town of Fries, primarily of employees and events, and one oversize drawing with images of the Washington Mills Plants in Fries, Virginia, and in North Carolina.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection includes correspondence, ledgers, production records, employee records, photographs, fabric samples, and other items documenting the history of the town and plant from their creation in the eary 1900s to the close of the mill in 1988. ","  Series I. Company Files and Series II. Correspondence mainly document the day-to-day running of the mill, highlighting relationships with other local and national businesses in fields such as textiles, factory machinery, coal, insurance, and construction. These records also illustrate some aspects of the lives of the mill employees. ","  Series III. Financial Records document the more quantifiable aspect of the business through invoices, pay records, and account balance books, showing the health and trajectory of the company over time. ","  Series IV. Personnel Records convey the activity of the mill by recording the number of each type of employee, how much they worked, and when, as well as some glimpses into the personal lives of the mill workers. ","  Series V. Production Materials more concretely illustrate the output of the mill through fabric samples and reports of production versus cost over time. ","  Series VI. Legal Records show how the mill grew and evolved over time in relation to the community in which it operated. ","  Series VII. Blueprints show how the mill buildings themselves were conceived, built, and changed from 1900-1974, when the last major renovations were completed.\n  \n  Series VIII. Illustrations, ca. 1970s-1980s, n.d., includes photographs from the Fries plant and town of Fries, primarily of employees and events, and one oversize drawing with images of the Washington Mills Plants in Fries, Virginia, and in North Carolina."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e","\u003cp\u003eNote on box states \"Copyright 1978 - Viacom\"\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use","Conditions Governing Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Note on box states \"Copyright 1978 - Viacom\""],"abstract_html_tesm":["\u003cabstract id=\"aspace_1ce4274aaed374fd7fe7666d5e569f91\"\u003eThe Fries Textile Plant Records includes correspondence, production data, personnel ledgers, photographs, legal and financial materials, internal reports, blueprints, and other administrative materials. The collection provides a complete history of the company's operations, from its founding at the turn of the twentieth century until its closure in the 1980s.\u003c/abstract\u003e"],"abstract_tesim":["The Fries Textile Plant Records includes correspondence, production data, personnel ledgers, photographs, legal and financial materials, internal reports, blueprints, and other administrative materials. The collection provides a complete history of the company's operations, from its founding at the turn of the twentieth century until its closure in the 1980s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_78b3d661802d05ef5c5158a40766d436\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e Material is in off-site storage and requires 2-3 days notice for retrieval. The oversize folder is onsite. Please contact Special Collections and University Archives for further information.\u003c/physloc\u003e"],"physloc_tesim":["Please note:  Material is in off-site storage and requires 2-3 days notice for retrieval. The oversize folder is onsite. Please contact Special Collections and University Archives for further information."],"names_coll_ssim":["Fries Textile Plant (Fries, Va.)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Fries Textile Plant (Fries, Va.)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Fries Textile Plant (Fries, Va.)"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5423,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:21:22.107Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3436_c05_c159"}},{"id":"viw_repositories_2_resources_8143_c01_c481","type":"File","attributes":{"title":"119 Matoaka court","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8143_c01_c481#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8143_c01_c481","ref_ssm":["viw_repositories_2_resources_8143_c01_c481"],"id":"viw_repositories_2_resources_8143_c01_c481","ead_ssi":"viw_repositories_2_resources_8143","_root_":"viw_repositories_2_resources_8143","_nest_parent_":"viw_repositories_2_resources_8143_c01","parent_ssi":"viw_repositories_2_resources_8143_c01","parent_ssim":["viw_repositories_2_resources_8143","viw_repositories_2_resources_8143_c01"],"parent_ids_ssim":["viw_repositories_2_resources_8143","viw_repositories_2_resources_8143_c01"],"parent_unittitles_ssm":["Thomas L. Williams collection","Series 1:  Acetate Negatives"],"parent_unittitles_tesim":["Thomas L. Williams collection","Series 1:  Acetate Negatives"],"text":["Thomas L. Williams collection","Series 1:  Acetate Negatives","119 Matoaka court","Box 4","folder 1"],"title_filing_ssi":"119 Matoaka court","title_ssm":["119 Matoaka court"],"title_tesim":["119 Matoaka court"],"unitdate_inclusive_ssm":["circa 1950-1980"],"normalized_date_ssm":["1950/1980"],"normalized_title_ssm":["119 Matoaka court"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Thomas L. Williams collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":482,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"containers_ssim":["Box 4","folder 1"],"_nest_path_":"/components#0/components#480","timestamp":"2026-05-21T12:07:10.432Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8143","ead_ssi":"viw_repositories_2_resources_8143","_root_":"viw_repositories_2_resources_8143","_nest_parent_":"viw_repositories_2_resources_8143","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8143.xml","title_filing_ssi":"Thomas L. Williams collection","title_ssm":["Thomas L. Williams collection"],"title_tesim":["Thomas L. Williams collection"],"unitdate_ssm":["Circa 1940-1990"],"unitdate_inclusive_ssm":["Circa 1940-1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00254","/repositories/2/resources/8143"],"text":["MS 00254","/repositories/2/resources/8143","Thomas L. Williams collection","Williamsburg (Va.)--Photographs","Jamestown (Va.)--Photographs","Colonial Williamsburg (Williamsburg, Va.)--Maps, Pictorial","Virginia--History--20th century","College of William and Mary--History--20th century","College of William and Mary--Maps, Pictorial","Colonial Williamsburg (Williamsburg, Va.)","Negatives","Photographs","Printed ephemera","Artifacts","Slides (photographs)","Postcards","Correspondence","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Born in 1912 in Shire Oaks, Pennsylvania, Thomas L. Williams studied photography at the Art Institute of Pittsburgh. After graduation, Mr. Williams enlisted in the Navy shortly after the attack on  Pearl Harbor during World War II and was stationed at Camp Peary, where he started the base's photography laboratory. While at Camp Peary, he shot many photographs for Colonial Williamsburg, who hired him shortly after World War II to start their photography section. After nine years at Colonial Williamsburg, Mr. Williams became the photographer for William \u0026 Mary, a position he held for 35 years. While at William and Mary, Mr. Williams photographed various events at the College, including Charter Day and Commencement ceremonies, the inauguration of Davis Y. Paschall as president of William \u0026 Mary, and the celebrations during Homecoming Weekend.","Thomas L. Williams Papers","University Archives Photograph Collection","The collection includes photographs, negatives, slides, film, postcards, ephemera, correspondence and artifacts belonging to Thomas L. Williams, photographer for William \u0026 Mary for 35 years.  He was also a photographer for Camp Peary and Colonial Williamsburg prior to working for William \u0026 Mary.","Addition includes photographs, correspondence, negatives, and newspaper articles from Thomas L. Williams. Photographs includes scenes of Colonial Williamsburg and the campus of William \u0026 Mary.","Files include photographs of Williamsburg, Virginia, William \u0026 Mary, as well as personal family photographs taken by Thomas L. Williams from the 1940s-1960s. Other papers include clippings documenting events in Williamsburg and correspondence. ","Included in the folder of people of note visiting Williamsburg are those labeled as follows: ","Menderez, Sec. of Defense of Turkey Visited 7/13/58 ","President Dwight D. Eisenhower with Virginia Governor Thomas Stanley ","Vera Vague of Rob Hope Show WWII ","Jack Niklaus 9/67 ","President Lyndon B. Johnson ","King of Belgium 5/31/59 ","President Richard Nixon with W\u0026M President Paschal ","President Dwight Eisenhower ","Grand Opening Day with Queen Elizabeth 1957 ","President Gerald Ford ","President Rockefeller ","Debbie Reynolds ","King Hussein of Jordan Visits Jamestown ","Governor Mills Godwin ","King of Morocco Visits ","Lord Mayor of London at Colonial Williamsburg ","King Baudouin of Belgium May 1959 ","Prince Phillip with Governor Stanley ","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Williams, Thomas L.","English"],"unitid_tesim":["MS 00254","/repositories/2/resources/8143"],"normalized_title_ssm":["Thomas L. Williams collection"],"collection_title_tesim":["Thomas L. Williams collection"],"collection_ssim":["Thomas L. Williams collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Williamsburg (Va.)--Photographs","Jamestown (Va.)--Photographs","Colonial Williamsburg (Williamsburg, Va.)--Maps, Pictorial","Virginia--History--20th century"],"geogname_ssim":["Williamsburg (Va.)--Photographs","Jamestown (Va.)--Photographs","Colonial Williamsburg (Williamsburg, Va.)--Maps, Pictorial","Virginia--History--20th century"],"creator_ssm":["Williams, Thomas L."],"creator_ssim":["Williams, Thomas L."],"creator_persname_ssim":["Williams, Thomas L."],"creators_ssim":["Williams, Thomas L."],"places_ssim":["Williamsburg (Va.)--Photographs","Jamestown (Va.)--Photographs","Colonial Williamsburg (Williamsburg, Va.)--Maps, Pictorial","Virginia--History--20th century"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gift of daughter Karen Laufer"],"access_subjects_ssim":["College of William and Mary--History--20th century","College of William and Mary--Maps, Pictorial","Colonial Williamsburg (Williamsburg, Va.)","Negatives","Photographs","Printed ephemera","Artifacts","Slides (photographs)","Postcards","Correspondence"],"access_subjects_ssm":["College of William and Mary--History--20th century","College of William and Mary--Maps, Pictorial","Colonial Williamsburg (Williamsburg, Va.)","Negatives","Photographs","Printed ephemera","Artifacts","Slides (photographs)","Postcards","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["45 Linear Feet 100 boxes"],"extent_tesim":["45 Linear Feet 100 boxes"],"genreform_ssim":["Negatives","Photographs","Printed ephemera","Artifacts","Slides (photographs)","Postcards","Correspondence"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eBorn in 1912 in Shire Oaks, Pennsylvania, Thomas L. Williams studied photography at the Art Institute of Pittsburgh. After graduation, Mr. Williams enlisted in the Navy shortly after the attack on  Pearl Harbor during World War II and was stationed at Camp Peary, where he started the base's photography laboratory. While at Camp Peary, he shot many photographs for Colonial Williamsburg, who hired him shortly after World War II to start their photography section. After nine years at Colonial Williamsburg, Mr. Williams became the photographer for William \u0026amp; Mary, a position he held for 35 years. While at William and Mary, Mr. Williams photographed various events at the College, including Charter Day and Commencement ceremonies, the inauguration of Davis Y. Paschall as president of William \u0026amp; Mary, and the celebrations during Homecoming Weekend.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Born in 1912 in Shire Oaks, Pennsylvania, Thomas L. Williams studied photography at the Art Institute of Pittsburgh. After graduation, Mr. Williams enlisted in the Navy shortly after the attack on  Pearl Harbor during World War II and was stationed at Camp Peary, where he started the base's photography laboratory. While at Camp Peary, he shot many photographs for Colonial Williamsburg, who hired him shortly after World War II to start their photography section. After nine years at Colonial Williamsburg, Mr. Williams became the photographer for William \u0026 Mary, a position he held for 35 years. While at William and Mary, Mr. Williams photographed various events at the College, including Charter Day and Commencement ceremonies, the inauguration of Davis Y. Paschall as president of William \u0026 Mary, and the celebrations during Homecoming Weekend."],"prefercite_html_tesm":["\u003cp\u003eThomas L. Williams collection, Special Collections Research Center, William \u0026amp; Mary Libraries\u003c/p\u003e"],"prefercite_tesim":["Thomas L. Williams collection, Special Collections Research Center, William \u0026 Mary Libraries"],"relatedmaterial_html_tesm":["\u003cp\u003eThomas L. Williams Papers\u003c/p\u003e\n","\u003cp\u003eUniversity Archives Photograph Collection\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Thomas L. Williams Papers","University Archives Photograph Collection"],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes photographs, negatives, slides, film, postcards, ephemera, correspondence and artifacts belonging to Thomas L. Williams, photographer for William \u0026amp; Mary for 35 years.  He was also a photographer for Camp Peary and Colonial Williamsburg prior to working for William \u0026amp; Mary.\u003c/p\u003e","\u003cp\u003eAddition includes photographs, correspondence, negatives, and newspaper articles from Thomas L. Williams. Photographs includes scenes of Colonial Williamsburg and the campus of William \u0026amp; Mary.\u003c/p\u003e","\u003cp\u003eFiles include photographs of Williamsburg, Virginia, William \u0026amp; Mary, as well as personal family photographs taken by Thomas L. Williams from the 1940s-1960s. Other papers include clippings documenting events in Williamsburg and correspondence. \u003c/p\u003e\n","\u003cp\u003eIncluded in the folder of people of note visiting Williamsburg are those labeled as follows: \u003c/p\u003e\n","\u003cp\u003eMenderez, Sec. of Defense of Turkey Visited 7/13/58 \u003c/p\u003e\n","\u003cp\u003ePresident Dwight D. Eisenhower with Virginia Governor Thomas Stanley \u003c/p\u003e\n","\u003cp\u003eVera Vague of Rob Hope Show WWII \u003c/p\u003e\n","\u003cp\u003eJack Niklaus 9/67 \u003c/p\u003e\n","\u003cp\u003ePresident Lyndon B. Johnson \u003c/p\u003e\n","\u003cp\u003eKing of Belgium 5/31/59 \u003c/p\u003e\n","\u003cp\u003ePresident Richard Nixon with W\u0026amp;M President Paschal \u003c/p\u003e\n","\u003cp\u003ePresident Dwight Eisenhower \u003c/p\u003e\n","\u003cp\u003eGrand Opening Day with Queen Elizabeth 1957 \u003c/p\u003e\n","\u003cp\u003ePresident Gerald Ford \u003c/p\u003e\n","\u003cp\u003ePresident Rockefeller \u003c/p\u003e\n","\u003cp\u003eDebbie Reynolds \u003c/p\u003e\n","\u003cp\u003eKing Hussein of Jordan Visits Jamestown \u003c/p\u003e\n","\u003cp\u003eGovernor Mills Godwin \u003c/p\u003e\n","\u003cp\u003eKing of Morocco Visits \u003c/p\u003e\n","\u003cp\u003eLord Mayor of London at Colonial Williamsburg \u003c/p\u003e\n","\u003cp\u003eKing Baudouin of Belgium May 1959 \u003c/p\u003e\n","\u003cp\u003ePrince Phillip with Governor Stanley \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection includes photographs, negatives, slides, film, postcards, ephemera, correspondence and artifacts belonging to Thomas L. Williams, photographer for William \u0026 Mary for 35 years.  He was also a photographer for Camp Peary and Colonial Williamsburg prior to working for William \u0026 Mary.","Addition includes photographs, correspondence, negatives, and newspaper articles from Thomas L. Williams. Photographs includes scenes of Colonial Williamsburg and the campus of William \u0026 Mary.","Files include photographs of Williamsburg, Virginia, William \u0026 Mary, as well as personal family photographs taken by Thomas L. Williams from the 1940s-1960s. Other papers include clippings documenting events in Williamsburg and correspondence. ","Included in the folder of people of note visiting Williamsburg are those labeled as follows: ","Menderez, Sec. of Defense of Turkey Visited 7/13/58 ","President Dwight D. Eisenhower with Virginia Governor Thomas Stanley ","Vera Vague of Rob Hope Show WWII ","Jack Niklaus 9/67 ","President Lyndon B. Johnson ","King of Belgium 5/31/59 ","President Richard Nixon with W\u0026M President Paschal ","President Dwight Eisenhower ","Grand Opening Day with Queen Elizabeth 1957 ","President Gerald Ford ","President Rockefeller ","Debbie Reynolds ","King Hussein of Jordan Visits Jamestown ","Governor Mills Godwin ","King of Morocco Visits ","Lord Mayor of London at Colonial Williamsburg ","King Baudouin of Belgium May 1959 ","Prince Phillip with Governor Stanley "],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Williams, Thomas L."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Williams, Thomas L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10461,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T12:07:10.432Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8143_c01_c481"}},{"id":"viblbv_repositories_2_resources_1974_c04_c97","type":"File","attributes":{"title":"11th Virginia Infantry","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c97#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1974_c04_c97","ref_ssm":["viblbv_repositories_2_resources_1974_c04_c97"],"id":"viblbv_repositories_2_resources_1974_c04_c97","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974_c04","parent_ssi":"viblbv_repositories_2_resources_1974_c04","parent_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_ids_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_unittitles_ssm":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"parent_unittitles_tesim":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"text":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records","11th Virginia Infantry","box 41","folder 32"],"title_filing_ssi":"11th Virginia Infantry","title_ssm":["11th Virginia Infantry"],"title_tesim":["11th Virginia Infantry"],"unitdate_inclusive_ssm":["n.d., 1861-1865, 1979, 1984, 1986, 1999"],"normalized_date_ssm":["1861/1999"],"normalized_title_ssm":["11th Virginia Infantry"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["James I. Robertson Jr. Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":443,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"containers_ssim":["box 41","folder 32"],"_nest_path_":"/components#3/components#96","timestamp":"2026-05-21T02:15:46.743Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1974","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1974.xml","title_filing_ssi":"Robertson, James I., Papers","title_ssm":["James I. Robertson Jr. Papers"],"title_tesim":["James I. Robertson Jr. Papers"],"unitdate_ssm":["1849-2011"],"unitdate_inclusive_ssm":["1849-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1994.021"],"text":["Ms.1994.021","James I. Robertson Jr. Papers","Virginia","Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History","Collection is open to research.","Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. ","American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. ","The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.","The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","Introduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865","with corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House","with corrections by Richard Harwell","with corrections by Richard Harwell","with corrections by Beth Brown","with corrections by Richard Harwell","with corrections by Ed Raus","with corrections by Robert Krick and Ed Raus","with corrections by Richard Harwell","with corrections by Dennis Frye","with corrections by Richard Harwell","with corrections by author","with corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown","with corrections by Beth Brown and Chris Calkins","with author's final corrections; 4 folders","with publisher's final corrections; 2 folders","with publisher's comments","with corrections by author","with corrections by Ludwell Johnson (chapters 1-5 only)","with corrections by Charles Roland","with corrections by Gary Gallagher","with publisher's comments; 2 folders","incorporating publisher's revisions","with publisher's comments; 2 folders","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by unidentified person","with corrections by unidentified person","limited edition signed print by Brian Kraus","The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr.","The materials in the collection are in English."],"unitid_tesim":["Ms.1994.021"],"normalized_title_ssm":["James I. Robertson Jr. Papers"],"collection_title_tesim":["James I. Robertson Jr. Papers"],"collection_ssim":["James I. Robertson Jr. Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Virginia"],"geogname_ssim":["Virginia"],"creator_ssm":["Robertson, James I., Jr."],"creator_ssim":["Robertson, James I., Jr."],"creator_persname_ssim":["Robertson, James I., Jr."],"creators_ssim":["Robertson, James I., Jr."],"places_ssim":["Virginia"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Robertson Papers were donated by James I. and Elizabeth Robertson in several accessions from 1992 until 2016."],"access_subjects_ssim":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"access_subjects_ssm":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"has_online_content_ssim":["false"],"extent_ssm":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"extent_tesim":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries I: Writings, 1981-2004\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for \u003ctitle render=\"italic\"\u003eJackson \u0026amp; Lee\u003c/title\u003e, for example, contains only a typescript draft of a single chapter. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries II: General Materials, 1862-1996\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries III: Virginia County Records, 1852-2005\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries IV: Virginia Unit Records, 1849-2011\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries V: Oversize Materials, [1982?]-2000, n.d.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. "],"bioghist_html_tesm":["\u003cp\u003eAmerican Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. \u003c/p\u003e\n","\u003cp\u003eRobertson has authored many award-winning scholarly books on Civil War-related topics, including \u003ctitle render=\"italic\"\u003eSoldiers Blue and Gray\u003c/title\u003e (1988) (nominated for the Pulitzer Prize in History), \u003ctitle render=\"italic\"\u003eCivil War Virginia: Battleground for a Nation\u003c/title\u003e (1991), \u003ctitle render=\"italic\"\u003eGeneral A. P. Hill: The Story of a Confederate Warrior\u003c/title\u003e; and \u003ctitle render=\"italic\"\u003eStonewall Jackson: The Man, the Soldier, the Legend\u003c/title\u003e (1997). He has also written two books for younger readers: \u003ctitle render=\"italic\"\u003eCivil War! America Becomes One Nation\u003c/title\u003e (1992) and \u003ctitle render=\"italic\"\u003eStanding Like a Stone Wall: the Life of General Thomas J. Jackson\u003c/title\u003e (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. "],"odd_html_tesm":["\u003cp\u003eThe guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eAccession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.\u003c/p\u003e","\u003cp\u003eIntroduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865\u003c/p\u003e","\u003cp\u003ewith corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Beth Brown\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Ed Raus\u003c/p\u003e","\u003cp\u003ewith corrections by Robert Krick and Ed Raus\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Dennis Frye\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown\u003c/p\u003e","\u003cp\u003ewith corrections by Beth Brown and Chris Calkins\u003c/p\u003e","\u003cp\u003ewith author's final corrections; 4 folders\u003c/p\u003e","\u003cp\u003ewith publisher's final corrections; 2 folders\u003c/p\u003e","\u003cp\u003ewith publisher's comments\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by Ludwell Johnson (chapters 1-5 only)\u003c/p\u003e","\u003cp\u003ewith corrections by Charles Roland\u003c/p\u003e","\u003cp\u003ewith corrections by Gary Gallagher\u003c/p\u003e","\u003cp\u003ewith publisher's comments; 2 folders\u003c/p\u003e","\u003cp\u003eincorporating publisher's revisions\u003c/p\u003e","\u003cp\u003ewith publisher's comments; 2 folders\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by unidentified person\u003c/p\u003e","\u003cp\u003ewith corrections by unidentified person\u003c/p\u003e","\u003cp\u003elimited edition signed print by Brian Kraus\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","Introduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865","with corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House","with corrections by Richard Harwell","with corrections by Richard Harwell","with corrections by Beth Brown","with corrections by Richard Harwell","with corrections by Ed Raus","with corrections by Robert Krick and Ed Raus","with corrections by Richard Harwell","with corrections by Dennis Frye","with corrections by Richard Harwell","with corrections by author","with corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown","with corrections by Beth Brown and Chris Calkins","with author's final corrections; 4 folders","with publisher's final corrections; 2 folders","with publisher's comments","with corrections by author","with corrections by Ludwell Johnson (chapters 1-5 only)","with corrections by Charles Roland","with corrections by Gary Gallagher","with publisher's comments; 2 folders","incorporating publisher's revisions","with publisher's comments; 2 folders","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by unidentified person","with corrections by unidentified person","limited edition signed print by Brian Kraus"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:\u003c/p\u003e\n","\u003cp\u003eBarringer, Paul B. \u003ctitle render=\"italic\"\u003eNarrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968\u003c/title\u003e ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eEchoes of 1861-1961\u003c/title\u003e ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eThe Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table\u003c/title\u003e ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eWilshin, Francis. \u003ctitle render=\"italic\"\u003eManassas (Bull Run) National Battlefield Park, Virginia\u003c/title\u003e (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_591a58887f476736372340a2230c0d66\" label=\"Abstract\"\u003eThis collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. 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