{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1968\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Bnames%5D%5B%5D=Kamoinge+Inc.","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1968\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Bnames%5D%5B%5D=Kamoinge+Inc.\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":1,"first_page?":true,"last_page?":true}},"data":[{"id":"virmu_repositories_2_resources_16003","type":"collection","attributes":{"title":"Beuford Smith Archives (SC-32), 1964/2003","creator":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_16003#creator","type":"document_value","attributes":{"value":"Smith, Beuford, 1941-","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_16003#abstract_or_scope","type":"document_value","attributes":{"value":"The collection helps document the formation of the Kamoinge Workshop in the early 1960s, including a notebook with minutes from their earliest meetings. Photographs from the collection show the early members of Kamoinge, and in particular focuses on the life of Louis H. Draper (1935-2002).","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_16003#breadcrumbs","type":"document_value","attributes":{"value":{"id":"virmu_repositories_2_resources_16003","ead_ssi":"virmu_repositories_2_resources_16003","_root_":"virmu_repositories_2_resources_16003","_nest_parent_":"virmu_repositories_2_resources_16003","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_16003.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/252","title_filing_ssi":"Smith, Beuford (SC-32)","title_ssm":["Beuford Smith Archives (SC-32)"],"title_tesim":["Beuford Smith Archives (SC-32)"],"unitdate_ssm":["1964-2003"],"unitdate_inclusive_ssm":["1964-2003"],"normalized_date_ssm":["1964/2003"],"normalized_title_ssm":["Beuford Smith Archives (SC-32), 1964/2003"],"text":["Beuford Smith Archives (SC-32), 1964/2003","SC-32","/repositories/2/resources/16003","Photography, Artistic","African American photographers","Black photographers","The collection is open for research. The digital collection can be accessed through the VMFA Collections Search website.","The collection is organized into two series, and items are generally arranged chronologically within each series. Items with no date are placed at the end at each series.","Series 1\n        Kamoinge Workshop, 1964-1999, undated\n      \n      \n        Series 2\n        Louis Draper, 1966-2003","Working Together: Louis Draper and the Kamoinge Workshop, 2020","Soul of a Nation: Art in the Age of Black Power, 2017","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","The Black Photographers Annual, V. 1-4, 1973-1980","International Artist File: Beuford Smith","International Artist File: Kamoinge","Born 1941, Cincinnati, OH","After moving to New York as a young man, seeing Roy DeCarava's \"Sweet Flypaper of Life\" convinced self-taught Beuford Smith to pursue photography. When he met DeCarava in 1965, he was so nervous to approach the famous photographer that he accidently set off his flash in DeCarava's face. Despite this startling encounter, DeCarava asked to see Smith's work and then introduced him to the Kamoinge Workshop members. Smith still has a copy of that photograph. During a pivotal meeting on June 6, 1965, DeCarava resigned as chairman. After showing photos at two previous meetings, Smith was voted into the workshop.","Smith's work was included in the \"Negro Woman\" exhibition and, along with Lou Draper, he worked closely with \"Camera\" editor Allan Porter to publish the workshop's \"Harlem\" portfolio in 1966. During that period Smith worked at various offset printing companies, including Harlem Stationery \u0026 Printing Co. It was there that he printed sample copies of his book \"Photographic Images\". His friend, John Dahl printed one hundred copies of the book for him. This book sparked the idea of producing a Kamoinge Workshop book, but it was abandoned because of missed deadlines for photograph submissions.","Smith worked with Jimmie Mannas at his Jymie Production Co., printing silk screen Black art posters in Bedford-Stuyvesant in Brooklyn.","Smith began working as a freelance photographer in 1970. He worked for Burley Photo Agency, Black Star, AT\u0026T, and others, before founding Cesaire Photo Agency (named for his son) in 1977. His first published photo appeared in the \"Amsterdam News\" in 1965, for which he received five dollars but no credit. In the early 1970s and '80s, his photographs were published in \"Black Creation\", \"Ten-8\", and elsewhere.","Smith was the founder and chief photo editor of the \"Black Photographers Annual\". He oversaw the printing quality control of each issue, and was called \"Mr. Densitometer\" by Sidney Rapoport, who owned the company that printed the \"Annual\".","In recent years, his photographs have been published in \"Timeless\", \"Soul of a Nation\", \"The Sweet Breath of Life\", \"Contact Sheet\", \"Harpers\", \"PDN\", \"Collecting African American Art\", and MoMA publications. They have appeared in the \"Miles Davis: Birth of the Cool\" video and a Tyler Green podcast. Smith has taught photography at Cooper Union, New Muse, Brooklyn Museum, PAL, and Hunter College. In 2017, he was the first recipient of A Culture of Legacy Award from the Griffin Museum of Photography. He also received a NYFA in 1990 and 2000, an Aaron Siskind Fellowship, and a Light Work Fellowship in 1999, among other awards.","He has had solo shows at the Studio Museum in Harlem, Benin Art Gallery, Wilmer Jennings Gallery, and Keith DeLellis Gallery, and a group show at MoMA. His work was also included in the \"Soul of a Nation\" exhibition at the Tate Modern, the Brooklyn Museum, the Crystal Bridges Museum of American Art, The Broad museum in Los Angeles, the de Young Museum, and the Museum of Fine Arts, Houston.","His photographs are in the collections of VMFA, the Schomburg Center, MoMA, the Whitney Museum of American Art, Museum of Fine Arts, Houston, and others.","Smith is the guest curator of a group exhibition at the Wilmer Jennings Gallery in 2020 and will have a career retrospective there later in the year. Beuford Smith is president emeritus of Kamoinge.","The biography above, written by Sharayah Cochran and edited by Beuford Smith, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"","The collection was donated to the VMFA in August 2019 by Beuford Smith.","The collection's inclusive dates are 1964-2003, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of photographic prints, notes, exhibition records, and writings.","The collection is subject to all copyright laws. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection helps document the formation of the Kamoinge Workshop in the early 1960s, including a notebook with minutes from their earliest meetings. Photographs from the collection show the early members of Kamoinge, and in particular focuses on the life of Louis H. Draper (1935-2002).","Virginia Museum of Fine Arts Archives","Kamoinge Inc.","Kamoinge Inc.‏","Smith, Beuford, 1941-","Draper, Louis H., 1935-2002","Francis, James \"Ray\"","Sawyer, Frank","Cowans, Adger W., 1936-","Randall, Herbert, 1936-","Walker, Shawn, 1940-","Wilson, Calvin, 1924-","Barboza, Anthony, 1944-","Martin, Steve","Robinson, Herb","Stewart, Frank, 1949-","Fennar, Albert, 1938-","Dawson, C. Daniel","Parks, Toni","Reed, Eli, 1946-","English"],"collection_title_tesim":["Beuford Smith Archives (SC-32), 1964/2003"],"collection_ssim":["Beuford Smith Archives (SC-32), 1964/2003"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["SC-32","/repositories/2/resources/16003"],"unitid_tesim":["SC-32","/repositories/2/resources/16003"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Smith, Beuford, 1941-","Smith, Beuford, 1941-"],"creator_ssim":["Smith, Beuford, 1941-","Smith, Beuford, 1941-"],"creator_persname_ssim":["Smith, Beuford, 1941-","Draper, Louis H., 1935-2002","Francis, James \"Ray\"","Sawyer, Frank","Cowans, Adger W., 1936-","Randall, Herbert, 1936-","Walker, Shawn, 1940-","Wilson, Calvin, 1924-","Barboza, Anthony, 1944-","Martin, Steve","Robinson, Herb","Stewart, Frank, 1949-","Fennar, Albert, 1938-","Dawson, C. Daniel","Parks, Toni","Reed, Eli, 1946-"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives","Kamoinge Inc.","Kamoinge Inc.‏"],"creators_ssim":["Smith, Beuford, 1941-","Draper, Louis H., 1935-2002","Francis, James \"Ray\"","Sawyer, Frank","Cowans, Adger W., 1936-","Randall, Herbert, 1936-","Walker, Shawn, 1940-","Wilson, Calvin, 1924-","Barboza, Anthony, 1944-","Martin, Steve","Robinson, Herb","Stewart, Frank, 1949-","Fennar, Albert, 1938-","Dawson, C. Daniel","Parks, Toni","Reed, Eli, 1946-","Virginia Museum of Fine Arts Archives","Kamoinge Inc.","Kamoinge Inc.‏"],"access_terms_ssm":["The collection is subject to all copyright laws. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Artistic","African American photographers","Black photographers"],"access_subjects_ssm":["Photography, Artistic","African American photographers","Black photographers"],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet 1 box; 54 items"],"extent_tesim":["0.25 Linear Feet 1 box; 54 items"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. The digital collection can be accessed through the VMFA Collections Search website.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. The digital collection can be accessed through the VMFA Collections Search website."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into two series, and items are generally arranged chronologically within each series. Items with no date are placed at the end at each series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eKamoinge Workshop, 1964-1999, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eLouis Draper, 1966-2003\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into two series, and items are generally arranged chronologically within each series. Items with no date are placed at the end at each series.","Series 1\n        Kamoinge Workshop, 1964-1999, undated\n      \n      \n        Series 2\n        Louis Draper, 1966-2003"],"bibliography_html_tesm":["\u003cbibref\u003eWorking Together: Louis Draper and the Kamoinge Workshop, 2020\u003c/bibref\u003e\n    ","\u003cbibref\u003eSoul of a Nation: Art in the Age of Black Power, 2017\u003c/bibref\u003e\n    ","\u003cbibref\u003eTimeless, 2015\u003c/bibref\u003e\n    ","\u003cbibref\u003eThe Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004\u003c/bibref\u003e\n    ","\u003cbibref\u003eThe Black Photographers Annual, V. 1-4, 1973-1980\u003c/bibref\u003e\n  ","\u003cbibref\u003eInternational Artist File: Beuford Smith\u003c/bibref\u003e\n    ","\u003cbibref\u003eInternational Artist File: Kamoinge\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Related Materials - VMFA Library: Books","Related Materials - VMFA Library: Artist Files"],"bibliography_tesim":["Working Together: Louis Draper and the Kamoinge Workshop, 2020","Soul of a Nation: Art in the Age of Black Power, 2017","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","The Black Photographers Annual, V. 1-4, 1973-1980","International Artist File: Beuford Smith","International Artist File: Kamoinge"],"bioghist_html_tesm":["\u003cp\u003eBorn 1941, Cincinnati, OH\u003c/p\u003e","\u003cp\u003eAfter moving to New York as a young man, seeing Roy DeCarava's \"Sweet Flypaper of Life\" convinced self-taught Beuford Smith to pursue photography. When he met DeCarava in 1965, he was so nervous to approach the famous photographer that he accidently set off his flash in DeCarava's face. Despite this startling encounter, DeCarava asked to see Smith's work and then introduced him to the Kamoinge Workshop members. Smith still has a copy of that photograph. During a pivotal meeting on June 6, 1965, DeCarava resigned as chairman. After showing photos at two previous meetings, Smith was voted into the workshop.\u003c/p\u003e","\u003cp\u003eSmith's work was included in the \"Negro Woman\" exhibition and, along with Lou Draper, he worked closely with \"Camera\" editor Allan Porter to publish the workshop's \"Harlem\" portfolio in 1966. During that period Smith worked at various offset printing companies, including Harlem Stationery \u0026amp; Printing Co. It was there that he printed sample copies of his book \"Photographic Images\". His friend, John Dahl printed one hundred copies of the book for him. This book sparked the idea of producing a Kamoinge Workshop book, but it was abandoned because of missed deadlines for photograph submissions.\u003c/p\u003e","\u003cp\u003eSmith worked with Jimmie Mannas at his Jymie Production Co., printing silk screen Black art posters in Bedford-Stuyvesant in Brooklyn.\u003c/p\u003e","\u003cp\u003eSmith began working as a freelance photographer in 1970. He worked for Burley Photo Agency, Black Star, AT\u0026amp;T, and others, before founding Cesaire Photo Agency (named for his son) in 1977. His first published photo appeared in the \"Amsterdam News\" in 1965, for which he received five dollars but no credit. In the early 1970s and '80s, his photographs were published in \"Black Creation\", \"Ten-8\", and elsewhere.\u003c/p\u003e","\u003cp\u003eSmith was the founder and chief photo editor of the \"Black Photographers Annual\". He oversaw the printing quality control of each issue, and was called \"Mr. Densitometer\" by Sidney Rapoport, who owned the company that printed the \"Annual\".\u003c/p\u003e","\u003cp\u003eIn recent years, his photographs have been published in \"Timeless\", \"Soul of a Nation\", \"The Sweet Breath of Life\", \"Contact Sheet\", \"Harpers\", \"PDN\", \"Collecting African American Art\", and MoMA publications. They have appeared in the \"Miles Davis: Birth of the Cool\" video and a Tyler Green podcast. Smith has taught photography at Cooper Union, New Muse, Brooklyn Museum, PAL, and Hunter College. In 2017, he was the first recipient of A Culture of Legacy Award from the Griffin Museum of Photography. He also received a NYFA in 1990 and 2000, an Aaron Siskind Fellowship, and a Light Work Fellowship in 1999, among other awards.\u003c/p\u003e","\u003cp\u003eHe has had solo shows at the Studio Museum in Harlem, Benin Art Gallery, Wilmer Jennings Gallery, and Keith DeLellis Gallery, and a group show at MoMA. His work was also included in the \"Soul of a Nation\" exhibition at the Tate Modern, the Brooklyn Museum, the Crystal Bridges Museum of American Art, The Broad museum in Los Angeles, the de Young Museum, and the Museum of Fine Arts, Houston.\u003c/p\u003e","\u003cp\u003eHis photographs are in the collections of VMFA, the Schomburg Center, MoMA, the Whitney Museum of American Art, Museum of Fine Arts, Houston, and others.\u003c/p\u003e","\u003cp\u003eSmith is the guest curator of a group exhibition at the Wilmer Jennings Gallery in 2020 and will have a career retrospective there later in the year. Beuford Smith is president emeritus of Kamoinge.\u003c/p\u003e","\u003cp\u003e\u003ci\u003eThe biography above, written by Sharayah Cochran and edited by Beuford Smith, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"\u003c/i\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Born 1941, Cincinnati, OH","After moving to New York as a young man, seeing Roy DeCarava's \"Sweet Flypaper of Life\" convinced self-taught Beuford Smith to pursue photography. When he met DeCarava in 1965, he was so nervous to approach the famous photographer that he accidently set off his flash in DeCarava's face. Despite this startling encounter, DeCarava asked to see Smith's work and then introduced him to the Kamoinge Workshop members. Smith still has a copy of that photograph. During a pivotal meeting on June 6, 1965, DeCarava resigned as chairman. After showing photos at two previous meetings, Smith was voted into the workshop.","Smith's work was included in the \"Negro Woman\" exhibition and, along with Lou Draper, he worked closely with \"Camera\" editor Allan Porter to publish the workshop's \"Harlem\" portfolio in 1966. During that period Smith worked at various offset printing companies, including Harlem Stationery \u0026 Printing Co. It was there that he printed sample copies of his book \"Photographic Images\". His friend, John Dahl printed one hundred copies of the book for him. This book sparked the idea of producing a Kamoinge Workshop book, but it was abandoned because of missed deadlines for photograph submissions.","Smith worked with Jimmie Mannas at his Jymie Production Co., printing silk screen Black art posters in Bedford-Stuyvesant in Brooklyn.","Smith began working as a freelance photographer in 1970. He worked for Burley Photo Agency, Black Star, AT\u0026T, and others, before founding Cesaire Photo Agency (named for his son) in 1977. His first published photo appeared in the \"Amsterdam News\" in 1965, for which he received five dollars but no credit. In the early 1970s and '80s, his photographs were published in \"Black Creation\", \"Ten-8\", and elsewhere.","Smith was the founder and chief photo editor of the \"Black Photographers Annual\". He oversaw the printing quality control of each issue, and was called \"Mr. Densitometer\" by Sidney Rapoport, who owned the company that printed the \"Annual\".","In recent years, his photographs have been published in \"Timeless\", \"Soul of a Nation\", \"The Sweet Breath of Life\", \"Contact Sheet\", \"Harpers\", \"PDN\", \"Collecting African American Art\", and MoMA publications. They have appeared in the \"Miles Davis: Birth of the Cool\" video and a Tyler Green podcast. Smith has taught photography at Cooper Union, New Muse, Brooklyn Museum, PAL, and Hunter College. In 2017, he was the first recipient of A Culture of Legacy Award from the Griffin Museum of Photography. He also received a NYFA in 1990 and 2000, an Aaron Siskind Fellowship, and a Light Work Fellowship in 1999, among other awards.","He has had solo shows at the Studio Museum in Harlem, Benin Art Gallery, Wilmer Jennings Gallery, and Keith DeLellis Gallery, and a group show at MoMA. His work was also included in the \"Soul of a Nation\" exhibition at the Tate Modern, the Brooklyn Museum, the Crystal Bridges Museum of American Art, The Broad museum in Los Angeles, the de Young Museum, and the Museum of Fine Arts, Houston.","His photographs are in the collections of VMFA, the Schomburg Center, MoMA, the Whitney Museum of American Art, Museum of Fine Arts, Houston, and others.","Smith is the guest curator of a group exhibition at the Wilmer Jennings Gallery in 2020 and will have a career retrospective there later in the year. Beuford Smith is president emeritus of Kamoinge.","The biography above, written by Sharayah Cochran and edited by Beuford Smith, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\""],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA in August 2019 by Beuford Smith.\u003c/p\u003e  "],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The collection was donated to the VMFA in August 2019 by Beuford Smith."],"prefercite_html_tesm":["\u003cp\u003eBeuford Smith Archives (SC-32). Gift of the Beuford Smith Collection. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Beuford Smith Archives (SC-32). Gift of the Beuford Smith Collection. VMFA Archives, Richmond, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1964-2003, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of photographic prints, notes, exhibition records, and writings.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1964-2003, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of photographic prints, notes, exhibition records, and writings."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eTransmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8a8b6a240d827bb371b986a77c686337\"\u003eThe collection helps document the formation of the Kamoinge Workshop in the early 1960s, including a notebook with minutes from their earliest meetings. Photographs from the collection show the early members of Kamoinge, and in particular focuses on the life of Louis H. Draper (1935-2002).\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection helps document the formation of the Kamoinge Workshop in the early 1960s, including a notebook with minutes from their earliest meetings. Photographs from the collection show the early members of Kamoinge, and in particular focuses on the life of Louis H. Draper (1935-2002)."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Kamoinge Inc.","Kamoinge Inc.‏"],"names_coll_ssim":["Kamoinge Inc.","Smith, Beuford, 1941-","Smith, Beuford, 1941-","Draper, Louis H., 1935-2002"],"persname_ssim":["Smith, Beuford, 1941-","Draper, Louis H., 1935-2002","Francis, James \"Ray\"","Sawyer, Frank","Cowans, Adger W., 1936-","Randall, Herbert, 1936-","Walker, Shawn, 1940-","Wilson, Calvin, 1924-","Barboza, Anthony, 1944-","Martin, Steve","Robinson, Herb","Stewart, Frank, 1949-","Fennar, Albert, 1938-","Dawson, C. Daniel","Parks, Toni","Reed, Eli, 1946-"],"names_ssim":["Virginia Museum of Fine Arts Archives","Kamoinge Inc.","Kamoinge Inc.‏","Smith, Beuford, 1941-","Draper, Louis H., 1935-2002","Francis, James \"Ray\"","Sawyer, Frank","Cowans, Adger W., 1936-","Randall, Herbert, 1936-","Walker, Shawn, 1940-","Wilson, Calvin, 1924-","Barboza, Anthony, 1944-","Martin, Steve","Robinson, Herb","Stewart, Frank, 1949-","Fennar, Albert, 1938-","Dawson, C. Daniel","Parks, Toni","Reed, Eli, 1946-"],"language_ssim":["English"],"total_component_count_is":56,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-31T00:00:43.028Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_16003","ead_ssi":"virmu_repositories_2_resources_16003","_root_":"virmu_repositories_2_resources_16003","_nest_parent_":"virmu_repositories_2_resources_16003","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_16003.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/252","title_filing_ssi":"Smith, Beuford (SC-32)","title_ssm":["Beuford Smith Archives (SC-32)"],"title_tesim":["Beuford Smith Archives (SC-32)"],"unitdate_ssm":["1964-2003"],"unitdate_inclusive_ssm":["1964-2003"],"normalized_date_ssm":["1964/2003"],"normalized_title_ssm":["Beuford Smith Archives (SC-32), 1964/2003"],"text":["Beuford Smith Archives (SC-32), 1964/2003","SC-32","/repositories/2/resources/16003","Photography, Artistic","African American photographers","Black photographers","The collection is open for research. The digital collection can be accessed through the VMFA Collections Search website.","The collection is organized into two series, and items are generally arranged chronologically within each series. Items with no date are placed at the end at each series.","Series 1\n        Kamoinge Workshop, 1964-1999, undated\n      \n      \n        Series 2\n        Louis Draper, 1966-2003","Working Together: Louis Draper and the Kamoinge Workshop, 2020","Soul of a Nation: Art in the Age of Black Power, 2017","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","The Black Photographers Annual, V. 1-4, 1973-1980","International Artist File: Beuford Smith","International Artist File: Kamoinge","Born 1941, Cincinnati, OH","After moving to New York as a young man, seeing Roy DeCarava's \"Sweet Flypaper of Life\" convinced self-taught Beuford Smith to pursue photography. When he met DeCarava in 1965, he was so nervous to approach the famous photographer that he accidently set off his flash in DeCarava's face. Despite this startling encounter, DeCarava asked to see Smith's work and then introduced him to the Kamoinge Workshop members. Smith still has a copy of that photograph. During a pivotal meeting on June 6, 1965, DeCarava resigned as chairman. After showing photos at two previous meetings, Smith was voted into the workshop.","Smith's work was included in the \"Negro Woman\" exhibition and, along with Lou Draper, he worked closely with \"Camera\" editor Allan Porter to publish the workshop's \"Harlem\" portfolio in 1966. During that period Smith worked at various offset printing companies, including Harlem Stationery \u0026 Printing Co. It was there that he printed sample copies of his book \"Photographic Images\". His friend, John Dahl printed one hundred copies of the book for him. This book sparked the idea of producing a Kamoinge Workshop book, but it was abandoned because of missed deadlines for photograph submissions.","Smith worked with Jimmie Mannas at his Jymie Production Co., printing silk screen Black art posters in Bedford-Stuyvesant in Brooklyn.","Smith began working as a freelance photographer in 1970. He worked for Burley Photo Agency, Black Star, AT\u0026T, and others, before founding Cesaire Photo Agency (named for his son) in 1977. His first published photo appeared in the \"Amsterdam News\" in 1965, for which he received five dollars but no credit. In the early 1970s and '80s, his photographs were published in \"Black Creation\", \"Ten-8\", and elsewhere.","Smith was the founder and chief photo editor of the \"Black Photographers Annual\". He oversaw the printing quality control of each issue, and was called \"Mr. Densitometer\" by Sidney Rapoport, who owned the company that printed the \"Annual\".","In recent years, his photographs have been published in \"Timeless\", \"Soul of a Nation\", \"The Sweet Breath of Life\", \"Contact Sheet\", \"Harpers\", \"PDN\", \"Collecting African American Art\", and MoMA publications. They have appeared in the \"Miles Davis: Birth of the Cool\" video and a Tyler Green podcast. Smith has taught photography at Cooper Union, New Muse, Brooklyn Museum, PAL, and Hunter College. In 2017, he was the first recipient of A Culture of Legacy Award from the Griffin Museum of Photography. He also received a NYFA in 1990 and 2000, an Aaron Siskind Fellowship, and a Light Work Fellowship in 1999, among other awards.","He has had solo shows at the Studio Museum in Harlem, Benin Art Gallery, Wilmer Jennings Gallery, and Keith DeLellis Gallery, and a group show at MoMA. His work was also included in the \"Soul of a Nation\" exhibition at the Tate Modern, the Brooklyn Museum, the Crystal Bridges Museum of American Art, The Broad museum in Los Angeles, the de Young Museum, and the Museum of Fine Arts, Houston.","His photographs are in the collections of VMFA, the Schomburg Center, MoMA, the Whitney Museum of American Art, Museum of Fine Arts, Houston, and others.","Smith is the guest curator of a group exhibition at the Wilmer Jennings Gallery in 2020 and will have a career retrospective there later in the year. Beuford Smith is president emeritus of Kamoinge.","The biography above, written by Sharayah Cochran and edited by Beuford Smith, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"","The collection was donated to the VMFA in August 2019 by Beuford Smith.","The collection's inclusive dates are 1964-2003, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of photographic prints, notes, exhibition records, and writings.","The collection is subject to all copyright laws. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection helps document the formation of the Kamoinge Workshop in the early 1960s, including a notebook with minutes from their earliest meetings. Photographs from the collection show the early members of Kamoinge, and in particular focuses on the life of Louis H. 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Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Artistic","African American photographers","Black photographers"],"access_subjects_ssm":["Photography, Artistic","African American photographers","Black photographers"],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet 1 box; 54 items"],"extent_tesim":["0.25 Linear Feet 1 box; 54 items"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. The digital collection can be accessed through the VMFA Collections Search website.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. The digital collection can be accessed through the VMFA Collections Search website."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into two series, and items are generally arranged chronologically within each series. Items with no date are placed at the end at each series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eKamoinge Workshop, 1964-1999, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eLouis Draper, 1966-2003\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into two series, and items are generally arranged chronologically within each series. Items with no date are placed at the end at each series.","Series 1\n        Kamoinge Workshop, 1964-1999, undated\n      \n      \n        Series 2\n        Louis Draper, 1966-2003"],"bibliography_html_tesm":["\u003cbibref\u003eWorking Together: Louis Draper and the Kamoinge Workshop, 2020\u003c/bibref\u003e\n    ","\u003cbibref\u003eSoul of a Nation: Art in the Age of Black Power, 2017\u003c/bibref\u003e\n    ","\u003cbibref\u003eTimeless, 2015\u003c/bibref\u003e\n    ","\u003cbibref\u003eThe Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004\u003c/bibref\u003e\n    ","\u003cbibref\u003eThe Black Photographers Annual, V. 1-4, 1973-1980\u003c/bibref\u003e\n  ","\u003cbibref\u003eInternational Artist File: Beuford Smith\u003c/bibref\u003e\n    ","\u003cbibref\u003eInternational Artist File: Kamoinge\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Related Materials - VMFA Library: Books","Related Materials - VMFA Library: Artist Files"],"bibliography_tesim":["Working Together: Louis Draper and the Kamoinge Workshop, 2020","Soul of a Nation: Art in the Age of Black Power, 2017","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","The Black Photographers Annual, V. 1-4, 1973-1980","International Artist File: Beuford Smith","International Artist File: Kamoinge"],"bioghist_html_tesm":["\u003cp\u003eBorn 1941, Cincinnati, OH\u003c/p\u003e","\u003cp\u003eAfter moving to New York as a young man, seeing Roy DeCarava's \"Sweet Flypaper of Life\" convinced self-taught Beuford Smith to pursue photography. When he met DeCarava in 1965, he was so nervous to approach the famous photographer that he accidently set off his flash in DeCarava's face. Despite this startling encounter, DeCarava asked to see Smith's work and then introduced him to the Kamoinge Workshop members. Smith still has a copy of that photograph. During a pivotal meeting on June 6, 1965, DeCarava resigned as chairman. After showing photos at two previous meetings, Smith was voted into the workshop.\u003c/p\u003e","\u003cp\u003eSmith's work was included in the \"Negro Woman\" exhibition and, along with Lou Draper, he worked closely with \"Camera\" editor Allan Porter to publish the workshop's \"Harlem\" portfolio in 1966. During that period Smith worked at various offset printing companies, including Harlem Stationery \u0026amp; Printing Co. It was there that he printed sample copies of his book \"Photographic Images\". His friend, John Dahl printed one hundred copies of the book for him. This book sparked the idea of producing a Kamoinge Workshop book, but it was abandoned because of missed deadlines for photograph submissions.\u003c/p\u003e","\u003cp\u003eSmith worked with Jimmie Mannas at his Jymie Production Co., printing silk screen Black art posters in Bedford-Stuyvesant in Brooklyn.\u003c/p\u003e","\u003cp\u003eSmith began working as a freelance photographer in 1970. He worked for Burley Photo Agency, Black Star, AT\u0026amp;T, and others, before founding Cesaire Photo Agency (named for his son) in 1977. His first published photo appeared in the \"Amsterdam News\" in 1965, for which he received five dollars but no credit. In the early 1970s and '80s, his photographs were published in \"Black Creation\", \"Ten-8\", and elsewhere.\u003c/p\u003e","\u003cp\u003eSmith was the founder and chief photo editor of the \"Black Photographers Annual\". He oversaw the printing quality control of each issue, and was called \"Mr. Densitometer\" by Sidney Rapoport, who owned the company that printed the \"Annual\".\u003c/p\u003e","\u003cp\u003eIn recent years, his photographs have been published in \"Timeless\", \"Soul of a Nation\", \"The Sweet Breath of Life\", \"Contact Sheet\", \"Harpers\", \"PDN\", \"Collecting African American Art\", and MoMA publications. They have appeared in the \"Miles Davis: Birth of the Cool\" video and a Tyler Green podcast. Smith has taught photography at Cooper Union, New Muse, Brooklyn Museum, PAL, and Hunter College. In 2017, he was the first recipient of A Culture of Legacy Award from the Griffin Museum of Photography. He also received a NYFA in 1990 and 2000, an Aaron Siskind Fellowship, and a Light Work Fellowship in 1999, among other awards.\u003c/p\u003e","\u003cp\u003eHe has had solo shows at the Studio Museum in Harlem, Benin Art Gallery, Wilmer Jennings Gallery, and Keith DeLellis Gallery, and a group show at MoMA. His work was also included in the \"Soul of a Nation\" exhibition at the Tate Modern, the Brooklyn Museum, the Crystal Bridges Museum of American Art, The Broad museum in Los Angeles, the de Young Museum, and the Museum of Fine Arts, Houston.\u003c/p\u003e","\u003cp\u003eHis photographs are in the collections of VMFA, the Schomburg Center, MoMA, the Whitney Museum of American Art, Museum of Fine Arts, Houston, and others.\u003c/p\u003e","\u003cp\u003eSmith is the guest curator of a group exhibition at the Wilmer Jennings Gallery in 2020 and will have a career retrospective there later in the year. Beuford Smith is president emeritus of Kamoinge.\u003c/p\u003e","\u003cp\u003e\u003ci\u003eThe biography above, written by Sharayah Cochran and edited by Beuford Smith, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"\u003c/i\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Born 1941, Cincinnati, OH","After moving to New York as a young man, seeing Roy DeCarava's \"Sweet Flypaper of Life\" convinced self-taught Beuford Smith to pursue photography. When he met DeCarava in 1965, he was so nervous to approach the famous photographer that he accidently set off his flash in DeCarava's face. Despite this startling encounter, DeCarava asked to see Smith's work and then introduced him to the Kamoinge Workshop members. Smith still has a copy of that photograph. During a pivotal meeting on June 6, 1965, DeCarava resigned as chairman. After showing photos at two previous meetings, Smith was voted into the workshop.","Smith's work was included in the \"Negro Woman\" exhibition and, along with Lou Draper, he worked closely with \"Camera\" editor Allan Porter to publish the workshop's \"Harlem\" portfolio in 1966. During that period Smith worked at various offset printing companies, including Harlem Stationery \u0026 Printing Co. It was there that he printed sample copies of his book \"Photographic Images\". His friend, John Dahl printed one hundred copies of the book for him. This book sparked the idea of producing a Kamoinge Workshop book, but it was abandoned because of missed deadlines for photograph submissions.","Smith worked with Jimmie Mannas at his Jymie Production Co., printing silk screen Black art posters in Bedford-Stuyvesant in Brooklyn.","Smith began working as a freelance photographer in 1970. He worked for Burley Photo Agency, Black Star, AT\u0026T, and others, before founding Cesaire Photo Agency (named for his son) in 1977. His first published photo appeared in the \"Amsterdam News\" in 1965, for which he received five dollars but no credit. In the early 1970s and '80s, his photographs were published in \"Black Creation\", \"Ten-8\", and elsewhere.","Smith was the founder and chief photo editor of the \"Black Photographers Annual\". He oversaw the printing quality control of each issue, and was called \"Mr. Densitometer\" by Sidney Rapoport, who owned the company that printed the \"Annual\".","In recent years, his photographs have been published in \"Timeless\", \"Soul of a Nation\", \"The Sweet Breath of Life\", \"Contact Sheet\", \"Harpers\", \"PDN\", \"Collecting African American Art\", and MoMA publications. They have appeared in the \"Miles Davis: Birth of the Cool\" video and a Tyler Green podcast. Smith has taught photography at Cooper Union, New Muse, Brooklyn Museum, PAL, and Hunter College. In 2017, he was the first recipient of A Culture of Legacy Award from the Griffin Museum of Photography. He also received a NYFA in 1990 and 2000, an Aaron Siskind Fellowship, and a Light Work Fellowship in 1999, among other awards.","He has had solo shows at the Studio Museum in Harlem, Benin Art Gallery, Wilmer Jennings Gallery, and Keith DeLellis Gallery, and a group show at MoMA. His work was also included in the \"Soul of a Nation\" exhibition at the Tate Modern, the Brooklyn Museum, the Crystal Bridges Museum of American Art, The Broad museum in Los Angeles, the de Young Museum, and the Museum of Fine Arts, Houston.","His photographs are in the collections of VMFA, the Schomburg Center, MoMA, the Whitney Museum of American Art, Museum of Fine Arts, Houston, and others.","Smith is the guest curator of a group exhibition at the Wilmer Jennings Gallery in 2020 and will have a career retrospective there later in the year. Beuford Smith is president emeritus of Kamoinge.","The biography above, written by Sharayah Cochran and edited by Beuford Smith, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\""],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA in August 2019 by Beuford Smith.\u003c/p\u003e  "],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The collection was donated to the VMFA in August 2019 by Beuford Smith."],"prefercite_html_tesm":["\u003cp\u003eBeuford Smith Archives (SC-32). Gift of the Beuford Smith Collection. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Beuford Smith Archives (SC-32). Gift of the Beuford Smith Collection. VMFA Archives, Richmond, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1964-2003, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of photographic prints, notes, exhibition records, and writings.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1964-2003, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of photographic prints, notes, exhibition records, and writings."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eTransmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8a8b6a240d827bb371b986a77c686337\"\u003eThe collection helps document the formation of the Kamoinge Workshop in the early 1960s, including a notebook with minutes from their earliest meetings. Photographs from the collection show the early members of Kamoinge, and in particular focuses on the life of Louis H. Draper (1935-2002).\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection helps document the formation of the Kamoinge Workshop in the early 1960s, including a notebook with minutes from their earliest meetings. Photographs from the collection show the early members of Kamoinge, and in particular focuses on the life of Louis H. Draper (1935-2002)."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Kamoinge Inc.","Kamoinge Inc.‏"],"names_coll_ssim":["Kamoinge Inc.","Smith, Beuford, 1941-","Smith, Beuford, 1941-","Draper, Louis H., 1935-2002"],"persname_ssim":["Smith, Beuford, 1941-","Draper, Louis H., 1935-2002","Francis, James \"Ray\"","Sawyer, Frank","Cowans, Adger W., 1936-","Randall, Herbert, 1936-","Walker, Shawn, 1940-","Wilson, Calvin, 1924-","Barboza, Anthony, 1944-","Martin, Steve","Robinson, Herb","Stewart, Frank, 1949-","Fennar, Albert, 1938-","Dawson, C. Daniel","Parks, Toni","Reed, Eli, 1946-"],"names_ssim":["Virginia Museum of Fine Arts Archives","Kamoinge Inc.","Kamoinge Inc.‏","Smith, Beuford, 1941-","Draper, Louis H., 1935-2002","Francis, James \"Ray\"","Sawyer, Frank","Cowans, Adger W., 1936-","Randall, Herbert, 1936-","Walker, Shawn, 1940-","Wilson, Calvin, 1924-","Barboza, Anthony, 1944-","Martin, Steve","Robinson, Herb","Stewart, Frank, 1949-","Fennar, Albert, 1938-","Dawson, C. Daniel","Parks, Toni","Reed, Eli, 1946-"],"language_ssim":["English"],"total_component_count_is":56,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-31T00:00:43.028Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_16003"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Virginia Museum of Fine Arts","value":"Virginia Museum of Fine 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