{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Series\u0026page=4","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Series\u0026page=3","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Series\u0026page=5","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Series\u0026page=336"},"meta":{"pages":{"current_page":4,"next_page":5,"prev_page":3,"total_pages":336,"limit_value":10,"offset_value":30,"total_count":3358,"first_page?":false,"last_page?":false}},"data":[{"id":"viw_repositories_2_resources_8862_c05","type":"Series","attributes":{"title":"Accession 2025.093: Poet Correspondence","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8862_c05#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series consists of correspondence from various poet laureates to representatives of the Phi Beta Kappa, Alpha Chapter regarding annual anniversary gatherings ranging from the 1940s to 1960s. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. 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Auden, Mark van Dorn, Robert Penn Warren, Stephen Spender, John Ciardi, Randall Jarrell, May Sarton, William Carlos Williams, X. J. Kennedy, Daniel Hoffman, Richard Eberhart, Reed Whittmore, W. D. Snodgrass, George Starbuck, and Francis Ferguson.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This series consists of correspondence from various poet laureates to representatives of the Phi Beta Kappa, Alpha Chapter regarding annual anniversary gatherings ranging from the 1940s to 1960s. Prominent poets include Archibald MacLeish, John Hollander, Richard Wilbur, Theodore Roethke, Adrienne Rich, Richard Latimore, W. H. Auden, Mark van Dorn, Robert Penn Warren, Stephen Spender, John Ciardi, Randall Jarrell, May Sarton, William Carlos Williams, X. J. Kennedy, Daniel Hoffman, Richard Eberhart, Reed Whittmore, W. D. 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Alphabetical within box, A-Z.","Cards include each member's date of initiation, major, occupation, and address. Alphabetical within box, A-Z.","Cards include each member's date of initiation, major, occupation, and address. 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Virginia Alpha (College of William and Mary)","English"],"unitid_tesim":["UA 7.002","/repositories/2/resources/8862"],"normalized_title_ssm":["Phi Beta Kappa, Alpha Chapter Records"],"collection_title_tesim":["Phi Beta Kappa, Alpha Chapter Records"],"collection_ssim":["Phi Beta Kappa, Alpha Chapter Records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Phi Beta Kappa"],"creator_ssim":["Phi Beta Kappa"],"creator_corpname_ssim":["Phi Beta Kappa"],"creators_ssim":["Phi Beta Kappa"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 1982. 029 was transferred on May 10, 1982.  A photostatic copy of a fragment of a manuscript relating to Phi Beta Kappa, found beneath the floor of the Carter-Saunders House in Williamsburg on March 1, 1938, (Mss. Acc. 1938-185) was received on April 9, 1938. The portion of the collection that was formerly part of the University Archives Publications Collection was collected from various sources. 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Please consult a staff member for assistance."],"bioghist_html_tesm":["\u003cp\u003ePhi Beta Kappa was founded by five students at the College of William and Mary in 1776.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["Phi Beta Kappa was founded by five students at the College of William and Mary in 1776."],"custodhist_html_tesm":["\u003cp\u003eA portion of this collection was previously part of the University Archives Publications Collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["A portion of this collection was previously part of the University Archives Publications Collection."],"phystech_html_tesm":["\u003cp\u003eDue to the fragile nature of the early portions of the records in this collection, researchers must use microfilm or any other reproductions available in place of the original documents.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics or Technical Requirements:"],"phystech_tesim":["Due to the fragile nature of the early portions of the records in this collection, researchers must use microfilm or any other reproductions available in place of the original documents."],"prefercite_html_tesm":["\u003cp\u003ePhi Beta Kappa, Alpha Chapter Records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Phi Beta Kappa, Alpha Chapter Records, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eA portion of this collection was rehoused and arranged by Kelsey Kavanaugh, SCRC staff, from July-December 2010. 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Jenkins (2010.511.02)."],"scopecontent_html_tesm":["\u003cp\u003eThe records of the Alpha Chapter of Phi Beta Kappa at the College of William and Mary include minutes, business records, addresses and speeches, poems, correspondence, publications, membership cards, and other records.\u003c/p\u003e","\u003cp\u003eThis series includes committee files, minutes of meetings, bylaws, correspondence, and other administrative material from the Phi Beta Kappa, Alpha Chapter of the College of William and Mary.\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003eRestricted\u003c/p\u003e","\u003cp\u003ePhotocopies\u003c/p\u003e","\u003cp\u003ePhi Beta Kappa registration cards for conference. Alphabetical within box.\u003c/p\u003e","\u003cp\u003eCards include each member's date of initiation, major, occupation, and address. 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Alphabetical within box.","Cards include each member's date of initiation, major, occupation, and address. Alphabetical within box, A-Z.","Cards include each member's date of initiation, major, occupation, and address. Alphabetical within box, A-Z.","Cards include each member's date of initiation, major, occupation, and address. Alphabetical within box, A-Z.","Cards include each member's date of initiation, major, occupation, and address. Alphabetical within box, A-Z.","Cards include each member's date of initiation, major, occupation, and address. 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Prominent poets include Archibald MacLeish, John Hollander, Richard Wilbur, Theodore Roethke, Adrienne Rich, Richard Latimore, W. H. Auden, Mark van Dorn, Robert Penn Warren, Stephen Spender, John Ciardi, Randall Jarrell, May Sarton, William Carlos Williams, X. J. Kennedy, Daniel Hoffman, Richard Eberhart, Reed Whittmore, W. D. Snodgrass, George Starbuck, and Francis Ferguson."],"separatedmaterial_html_tesm":["\u003cp\u003eArtifacts transferred to the UA Artifact Collection include: Phi Beta Kappa Key of J. Meriwether Hurt (2010.511.01), Phi Beta Kappa Key of M. Del. Jenkins (2010.511.02).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Artifacts transferred to the UA Artifact Collection include: Phi Beta Kappa Key of J. Meriwether Hurt (2010.511.01), Phi Beta Kappa Key of M. Del. Jenkins (2010.511.02)."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Phi Beta Kappa. Virginia Alpha (College of William and Mary)"],"names_ssim":["Special Collections Research Center","Phi Beta Kappa","Phi Beta Kappa. Virginia Alpha (College of William and Mary)"],"corpname_ssim":["Special Collections Research Center","Phi Beta Kappa","Phi Beta Kappa. 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The tapes are from multiple musical performances at William \u0026 Mary."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":67,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:20:04.359Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_10008_c01"}},{"id":"viw_repositories_2_resources_10076_c01","type":"Series","attributes":{"title":"Accession 2026.043 Artifacts, general papers and photographs","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_10076_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_10076_c01","ref_ssm":["viw_repositories_2_resources_10076_c01"],"id":"viw_repositories_2_resources_10076_c01","ead_ssi":"viw_repositories_2_resources_10076","_root_":"viw_repositories_2_resources_10076","_nest_parent_":"viw_repositories_2_resources_10076","parent_ssi":"viw_repositories_2_resources_10076","parent_ssim":["viw_repositories_2_resources_10076"],"parent_ids_ssim":["viw_repositories_2_resources_10076"],"parent_unittitles_ssm":["Marsh family collection"],"parent_unittitles_tesim":["Marsh family collection"],"text":["Marsh family collection","Accession 2026.043 Artifacts, general papers and photographs"],"title_filing_ssi":"Accession 2026.043 Artifacts, general papers and photographs","title_ssm":["Accession 2026.043 Artifacts, general papers and photographs"],"title_tesim":["Accession 2026.043 Artifacts, general papers and photographs"],"unitdate_inclusive_ssm":["Circa 1938-1972"],"normalized_date_ssm":["1938/1972"],"normalized_title_ssm":["Accession 2026.043 Artifacts, general papers and photographs"],"component_level_isim":[1],"repository_ssim":["College of William and Mary"],"collection_ssim":["Marsh family collection"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["Collection is open to all researchers. 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The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged by accession.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged by accession."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. 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We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eMarsh family collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Marsh family collection, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eCollection contains materials belonging to William \u0026amp; Mary alumni, William Marsh, Class of 1938 and Linda Marsh, Class of 1972. 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Peace March dated April 24, 1971."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":14,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T22:54:28.174Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_10076_c01"}},{"id":"viw_repositories_2_resources_8128_c10","type":"Series","attributes":{"title":"Accession 2026.063 photographs","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8128_c10#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8128_c10","ref_ssm":["viw_repositories_2_resources_8128_c10"],"id":"viw_repositories_2_resources_8128_c10","ead_ssi":"viw_repositories_2_resources_8128","_root_":"viw_repositories_2_resources_8128","_nest_parent_":"viw_repositories_2_resources_8128","parent_ssi":"viw_repositories_2_resources_8128","parent_ssim":["viw_repositories_2_resources_8128"],"parent_ids_ssim":["viw_repositories_2_resources_8128"],"parent_unittitles_ssm":["Theta Delta Chi (Epsilon Charge) Records"],"parent_unittitles_tesim":["Theta Delta Chi (Epsilon Charge) Records"],"text":["Theta Delta Chi (Epsilon Charge) Records","Accession 2026.063 photographs"],"title_filing_ssi":"Accession 2026.063 photographs","title_ssm":["Accession 2026.063 photographs"],"title_tesim":["Accession 2026.063 photographs"],"unitdate_inclusive_ssm":["1956-1966"],"normalized_date_ssm":["1956/1966"],"normalized_title_ssm":["Accession 2026.063 photographs"],"component_level_isim":[1],"repository_ssim":["College of William and Mary"],"collection_ssim":["Theta Delta Chi (Epsilon Charge) Records"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":19,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966],"_nest_path_":"/components#9","timestamp":"2026-05-21T02:59:01.361Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8128","ead_ssi":"viw_repositories_2_resources_8128","_root_":"viw_repositories_2_resources_8128","_nest_parent_":"viw_repositories_2_resources_8128","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8128.xml","title_filing_ssi":"Theta Delta Chi (Epsilon Charge) Records","title_ssm":["Theta Delta Chi (Epsilon Charge) Records"],"title_tesim":["Theta Delta Chi (Epsilon Charge) Records"],"unitdate_ssm":["1853-2007"],"unitdate_inclusive_ssm":["1853-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 7.022","/repositories/2/resources/8128"],"text":["UA 7.022","/repositories/2/resources/8128","Theta Delta Chi (Epsilon Charge) Records","College of William and Mary--Students","College of William and Mary--Students--Social life and customs","College of William and Mary--History--19th century","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Chartered in 1853, the Epsilon Charge of Theta Delta Chi was the first social fraternity at William \u0026 Mary.  Its charter was revoked in July 2012.","This collection contains correspondence, fliers, a minute book, ledger, copies of the publications \"The Shield\" and \"Epsilon Hokum,\" news clippings, artifacts, and a poem.","One dance card from the final German Dance of the year at the College of William and Mary in 1916. The front of the card is embossed with a blue Theta Delta Chi crest. Included in the dance card are a list of patronesses, order of dances, \"fratres in Collegio\", and visiting alumni. The card was printed by E.A. Wright of Philadelphia. There is a black piece of string that is attached to the side of the card and is in good condition. The card is approximately 4.5in. x 2.25in. and is in good condition.","One aluminum button from the fraternity Theta Delta Chi to students who rushed the fraternity at the College of William and Mary during the Fall 2007 semester. The button is white with \"Rush\" in black, the Greek letter for Theta in white with a black background; the Greek letter for Delta in blue with a white background; and the Greek letter for Chi in white with a blue background. The reverse of the pin is in fair shape with several scratches. The button is approximately 2.25in. Gift of Jeff Frew. Located in Dec Obj S2, SS1. UA 2009.463","One blue nylon hat with the Greek letters Theta, Delta, and Chi that once belonged to Charles Kendrick, class of 1982, while a member of the fraternity and student at the College of William and Mary. The hat itself is dark blue, while the stiched letters are of a light blue color. It is in poor condition with a lot of wear and dirt around the brim of the hat. It is approximately 7in. x 11 1/2in. (UA 2010.640)","One sticker decal depicting the coat of arms for the fraternity Theta Delta Chi that was once owned by Charles Kendrick, class of 1982, while a member of the fraternity at the College of William and Mary. The decal features a man standing with a rod next to a black cat on top of a knight's helmet, which is sitting on top of the coat of arms. Underneath the seal is features the fraternity's moto, Our Hearts are United, written in Latin. It is approximately 2.375in. x 3.75in and is in fair condition. Located in Dec Obj S2, SS4. UA 2010.641","One set of 14 black and gold sticker decals with the Greek letters for the fraternity Theta Delta Chi that once belonged to Charles Kendrick, class of 1982, while a member of the fraternity at the College of William and Mary. The sheet the decals are on is approximately 2in. x 4.5in. while the individual decals are approximately 0.9375in. x 0.5in. The decals are in fair condition. Located in Dec Obj S2, SS4. UA 2010.642","2- cream, black, and gold decals with the Greek letters for the fraternity Theta Delta Chi that were once owned by Charles Kendrick, class of 1982, while a member of the fraternity at the College of William and Mary. The are approximately 4.5in x 1.8125in. and are in fair condition. Located in Dec Obj S2, SS4. UA2010.643 a and b","One silver plate that was used for an achievement award given out by the Theta Delta Chi fraternity at their 135th Annual Convention in New Orleans, Louisiana. The plate is inscribed \"Thomas L. Jordan, Epsilon '24, Theta Delta Chi Achievement Award, 135th Annual Convention, New Orleans, August 14, 1982.\" The award was given to Charles L. Kendrick, III, class of 1982 and 1995.","One drinking glass with a gold rim that was given out at the Theta Delta Chi fraternity's Sweetheart Dance in 1981. The glass also is engraved with Theta Delta Chi's seal and \"Sweetheart Dance 1981.\" The glass once belonged to Charles L. Kendrick, III, class of 1982, while a student at the College. It is in fair condition and is approximately 3.5in. in diameter. Located in Dec Obj S2, SS4. UA 2011.015","Long sleeved white shirt with black lettering \"Theta Delta Chi Harry Buffalo\" with a drawing of a viking (UA 1994.019)","This gold pin belonged to Charles Wilkinson. It is shaped like a shield and has a blue enameled center, on which are two stars, the Greek letters for Theta Delta Chi, and two crossed arrows. The back is engraved with \"C. Wilkinson,\" an open book flanked by two daggers, and \"W\u0026M Coll. 1853.\" 1853 was the founding year of the Epsilon Charge of Theta Delta Chi. Pin is 0.5in. (width) x 0.75in (height). Gift of Miss Fanny C. Wilkinson of Bremo Bluff, VA (daughter).","One light blue button, 2.25in. in diameter. In black letters, it reads \"Picnic with the Daves,\" \"Epsilon Association,\" and \"139th Convention Philadelphia.\" The Epsilon Association is a fraternity alumni association. Gift of Charles Kendrick. Located in Dec Obj S2, SS1, Box 19. UA 1994.029","One Visa Classic credit card issued by the 1st Tennessee Bank and promoted through the fraternity as an \"affinity\" card. The card is labelled with \"Theta Delta Chi Fraternity\" and has a black, white, and blue logo shaped like a flag. These cards were set up to give a certain percentage of the profits to the fraternity. This card belonged to Charles L. Kendrick. Located in Dec Obj S2, SS4, Box 10. UA1994.031","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Theta Delta Chi. Epsilon Charge (College of William and Mary)","College of William and Mary--Fraternities and Sororities","English"],"unitid_tesim":["UA 7.022","/repositories/2/resources/8128"],"normalized_title_ssm":["Theta Delta Chi (Epsilon Charge) Records"],"collection_title_tesim":["Theta Delta Chi (Epsilon Charge) Records"],"collection_ssim":["Theta Delta Chi (Epsilon Charge) Records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Theta Delta Chi. Epsilon Charge (College of William and Mary)"],"creator_ssim":["Theta Delta Chi. Epsilon Charge (College of William and Mary)"],"creator_corpname_ssim":["Theta Delta Chi. Epsilon Charge (College of William and Mary)"],"creators_ssim":["Theta Delta Chi. Epsilon Charge (College of William and Mary)"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Accession 1980.015 was a gift of Theta Delta Chi, Epsilon Charge through Charles A. Taylor on June 7, 1942 (original accession 1942-90)","Mott Dulany Ball's poem was removed from the College Papers Collection and added here in September 2009.","Items from the Student Organizations Collection were removed and added here in September 2009.","Clippings were removed from the University Archives Subject File Collection and added here in September 2009."],"access_subjects_ssim":["College of William and Mary--Students","College of William and Mary--Students--Social life and customs","College of William and Mary--History--19th century"],"access_subjects_ssm":["College of William and Mary--Students","College of William and Mary--Students--Social life and customs","College of William and Mary--History--19th century"],"has_online_content_ssim":["false"],"extent_ssm":["2.0 Linear Feet"],"extent_tesim":["2.0 Linear Feet"],"date_range_isim":[1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eChartered in 1853, the Epsilon Charge of Theta Delta Chi was the first social fraternity at William \u0026amp; Mary.  Its charter was revoked in July 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Chartered in 1853, the Epsilon Charge of Theta Delta Chi was the first social fraternity at William \u0026 Mary.  Its charter was revoked in July 2012."],"prefercite_html_tesm":["\u003cp\u003eTheta Delta Chi (Epsilon Chargepter) Records, Special Collections Research Center, William \u0026amp; Mary Libraries\u003c/p\u003e"],"prefercite_tesim":["Theta Delta Chi (Epsilon Chargepter) Records, Special Collections Research Center, William \u0026 Mary Libraries"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains correspondence, fliers, a minute book, ledger, copies of the publications \"The Shield\" and \"Epsilon Hokum,\" news clippings, artifacts, and a poem.\u003c/p\u003e","\u003cp\u003eOne dance card from the final German Dance of the year at the College of William and Mary in 1916. The front of the card is embossed with a blue Theta Delta Chi crest. Included in the dance card are a list of patronesses, order of dances, \"fratres in Collegio\", and visiting alumni. The card was printed by E.A. Wright of Philadelphia. There is a black piece of string that is attached to the side of the card and is in good condition. The card is approximately 4.5in. x 2.25in. and is in good condition.\u003c/p\u003e","\u003cp\u003eOne aluminum button from the fraternity Theta Delta Chi to students who rushed the fraternity at the College of William and Mary during the Fall 2007 semester. The button is white with \"Rush\" in black, the Greek letter for Theta in white with a black background; the Greek letter for Delta in blue with a white background; and the Greek letter for Chi in white with a blue background. The reverse of the pin is in fair shape with several scratches. The button is approximately 2.25in. Gift of Jeff Frew. Located in Dec Obj S2, SS1. UA 2009.463\u003c/p\u003e","\u003cp\u003eOne blue nylon hat with the Greek letters Theta, Delta, and Chi that once belonged to Charles Kendrick, class of 1982, while a member of the fraternity and student at the College of William and Mary. The hat itself is dark blue, while the stiched letters are of a light blue color. It is in poor condition with a lot of wear and dirt around the brim of the hat. It is approximately 7in. x 11 1/2in. (UA 2010.640)\u003c/p\u003e","\u003cp\u003eOne sticker decal depicting the coat of arms for the fraternity Theta Delta Chi that was once owned by Charles Kendrick, class of 1982, while a member of the fraternity at the College of William and Mary. The decal features a man standing with a rod next to a black cat on top of a knight's helmet, which is sitting on top of the coat of arms. Underneath the seal is features the fraternity's moto, Our Hearts are United, written in Latin. It is approximately 2.375in. x 3.75in and is in fair condition. Located in Dec Obj S2, SS4. UA 2010.641\u003c/p\u003e","\u003cp\u003eOne set of 14 black and gold sticker decals with the Greek letters for the fraternity Theta Delta Chi that once belonged to Charles Kendrick, class of 1982, while a member of the fraternity at the College of William and Mary. The sheet the decals are on is approximately 2in. x 4.5in. while the individual decals are approximately 0.9375in. x 0.5in. The decals are in fair condition. Located in Dec Obj S2, SS4. UA 2010.642\u003c/p\u003e","\u003cp\u003e2- cream, black, and gold decals with the Greek letters for the fraternity Theta Delta Chi that were once owned by Charles Kendrick, class of 1982, while a member of the fraternity at the College of William and Mary. The are approximately 4.5in x 1.8125in. and are in fair condition. Located in Dec Obj S2, SS4. UA2010.643 a and b\u003c/p\u003e","\u003cp\u003eOne silver plate that was used for an achievement award given out by the Theta Delta Chi fraternity at their 135th Annual Convention in New Orleans, Louisiana. The plate is inscribed \"Thomas L. Jordan, Epsilon '24, Theta Delta Chi Achievement Award, 135th Annual Convention, New Orleans, August 14, 1982.\" The award was given to Charles L. Kendrick, III, class of 1982 and 1995.\u003c/p\u003e","\u003cp\u003eOne drinking glass with a gold rim that was given out at the Theta Delta Chi fraternity's Sweetheart Dance in 1981. The glass also is engraved with Theta Delta Chi's seal and \"Sweetheart Dance 1981.\" The glass once belonged to Charles L. Kendrick, III, class of 1982, while a student at the College. It is in fair condition and is approximately 3.5in. in diameter. Located in Dec Obj S2, SS4. UA 2011.015\u003c/p\u003e","\u003cp\u003eLong sleeved white shirt with black lettering \"Theta Delta Chi Harry Buffalo\" with a drawing of a viking (UA 1994.019)\u003c/p\u003e","\u003cp\u003eThis gold pin belonged to Charles Wilkinson. It is shaped like a shield and has a blue enameled center, on which are two stars, the Greek letters for Theta Delta Chi, and two crossed arrows. The back is engraved with \"C. Wilkinson,\" an open book flanked by two daggers, and \"W\u0026amp;M Coll. 1853.\" 1853 was the founding year of the Epsilon Charge of Theta Delta Chi. Pin is 0.5in. (width) x 0.75in (height). Gift of Miss Fanny C. Wilkinson of Bremo Bluff, VA (daughter).\u003c/p\u003e","\u003cp\u003eOne light blue button, 2.25in. in diameter. In black letters, it reads \"Picnic with the Daves,\" \"Epsilon Association,\" and \"139th Convention Philadelphia.\" The Epsilon Association is a fraternity alumni association. Gift of Charles Kendrick. Located in Dec Obj S2, SS1, Box 19. UA 1994.029\u003c/p\u003e","\u003cp\u003eOne Visa Classic credit card issued by the 1st Tennessee Bank and promoted through the fraternity as an \"affinity\" card. The card is labelled with \"Theta Delta Chi Fraternity\" and has a black, white, and blue logo shaped like a flag. These cards were set up to give a certain percentage of the profits to the fraternity. This card belonged to Charles L. Kendrick. Located in Dec Obj S2, SS4, Box 10. UA1994.031\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains correspondence, fliers, a minute book, ledger, copies of the publications \"The Shield\" and \"Epsilon Hokum,\" news clippings, artifacts, and a poem.","One dance card from the final German Dance of the year at the College of William and Mary in 1916. The front of the card is embossed with a blue Theta Delta Chi crest. Included in the dance card are a list of patronesses, order of dances, \"fratres in Collegio\", and visiting alumni. The card was printed by E.A. Wright of Philadelphia. There is a black piece of string that is attached to the side of the card and is in good condition. The card is approximately 4.5in. x 2.25in. and is in good condition.","One aluminum button from the fraternity Theta Delta Chi to students who rushed the fraternity at the College of William and Mary during the Fall 2007 semester. The button is white with \"Rush\" in black, the Greek letter for Theta in white with a black background; the Greek letter for Delta in blue with a white background; and the Greek letter for Chi in white with a blue background. The reverse of the pin is in fair shape with several scratches. The button is approximately 2.25in. Gift of Jeff Frew. Located in Dec Obj S2, SS1. UA 2009.463","One blue nylon hat with the Greek letters Theta, Delta, and Chi that once belonged to Charles Kendrick, class of 1982, while a member of the fraternity and student at the College of William and Mary. The hat itself is dark blue, while the stiched letters are of a light blue color. It is in poor condition with a lot of wear and dirt around the brim of the hat. It is approximately 7in. x 11 1/2in. (UA 2010.640)","One sticker decal depicting the coat of arms for the fraternity Theta Delta Chi that was once owned by Charles Kendrick, class of 1982, while a member of the fraternity at the College of William and Mary. The decal features a man standing with a rod next to a black cat on top of a knight's helmet, which is sitting on top of the coat of arms. Underneath the seal is features the fraternity's moto, Our Hearts are United, written in Latin. It is approximately 2.375in. x 3.75in and is in fair condition. Located in Dec Obj S2, SS4. UA 2010.641","One set of 14 black and gold sticker decals with the Greek letters for the fraternity Theta Delta Chi that once belonged to Charles Kendrick, class of 1982, while a member of the fraternity at the College of William and Mary. The sheet the decals are on is approximately 2in. x 4.5in. while the individual decals are approximately 0.9375in. x 0.5in. The decals are in fair condition. Located in Dec Obj S2, SS4. UA 2010.642","2- cream, black, and gold decals with the Greek letters for the fraternity Theta Delta Chi that were once owned by Charles Kendrick, class of 1982, while a member of the fraternity at the College of William and Mary. The are approximately 4.5in x 1.8125in. and are in fair condition. Located in Dec Obj S2, SS4. UA2010.643 a and b","One silver plate that was used for an achievement award given out by the Theta Delta Chi fraternity at their 135th Annual Convention in New Orleans, Louisiana. The plate is inscribed \"Thomas L. Jordan, Epsilon '24, Theta Delta Chi Achievement Award, 135th Annual Convention, New Orleans, August 14, 1982.\" The award was given to Charles L. Kendrick, III, class of 1982 and 1995.","One drinking glass with a gold rim that was given out at the Theta Delta Chi fraternity's Sweetheart Dance in 1981. The glass also is engraved with Theta Delta Chi's seal and \"Sweetheart Dance 1981.\" The glass once belonged to Charles L. Kendrick, III, class of 1982, while a student at the College. It is in fair condition and is approximately 3.5in. in diameter. Located in Dec Obj S2, SS4. UA 2011.015","Long sleeved white shirt with black lettering \"Theta Delta Chi Harry Buffalo\" with a drawing of a viking (UA 1994.019)","This gold pin belonged to Charles Wilkinson. It is shaped like a shield and has a blue enameled center, on which are two stars, the Greek letters for Theta Delta Chi, and two crossed arrows. The back is engraved with \"C. Wilkinson,\" an open book flanked by two daggers, and \"W\u0026M Coll. 1853.\" 1853 was the founding year of the Epsilon Charge of Theta Delta Chi. Pin is 0.5in. (width) x 0.75in (height). Gift of Miss Fanny C. Wilkinson of Bremo Bluff, VA (daughter).","One light blue button, 2.25in. in diameter. In black letters, it reads \"Picnic with the Daves,\" \"Epsilon Association,\" and \"139th Convention Philadelphia.\" The Epsilon Association is a fraternity alumni association. Gift of Charles Kendrick. Located in Dec Obj S2, SS1, Box 19. UA 1994.029","One Visa Classic credit card issued by the 1st Tennessee Bank and promoted through the fraternity as an \"affinity\" card. The card is labelled with \"Theta Delta Chi Fraternity\" and has a black, white, and blue logo shaped like a flag. These cards were set up to give a certain percentage of the profits to the fraternity. This card belonged to Charles L. Kendrick. Located in Dec Obj S2, SS4, Box 10. UA1994.031"],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary--Fraternities and Sororities"],"names_ssim":["Special Collections Research Center","Theta Delta Chi. Epsilon Charge (College of William and Mary)","College of William and Mary--Fraternities and Sororities"],"corpname_ssim":["Special Collections Research Center","Theta Delta Chi. Epsilon Charge (College of William and Mary)","College of William and Mary--Fraternities and Sororities"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":34,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:59:01.361Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8128_c10"}},{"id":"viu_repositories_4_resources_782_c01","type":"Series","attributes":{"title":"Accession RG 204-79","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_782_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series consists of an accession of records (RG 204-79) from the office of the Virginia Law Weekly that contains the Virginia Law Weekly Constitution (1960); a prospectus written by the first editor, Edgar Jones in August 1948; 318 photographs; contact sheets and negatives; and letters from Virginia Law Weekly alums.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_782_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_4_resources_782_c01","ref_ssm":["viu_repositories_4_resources_782_c01"],"id":"viu_repositories_4_resources_782_c01","ead_ssi":"viu_repositories_4_resources_782","_root_":"viu_repositories_4_resources_782","_nest_parent_":"viu_repositories_4_resources_782","parent_ssi":"viu_repositories_4_resources_782","parent_ssim":["viu_repositories_4_resources_782"],"parent_ids_ssim":["viu_repositories_4_resources_782"],"parent_unittitles_ssm":["Virginia Law Weekly records"],"parent_unittitles_tesim":["Virginia Law Weekly records"],"text":["Virginia Law Weekly records","Accession RG 204-79","box 204-79/80 1","box 204-79 1","box 204-79 1.2","box 204-79 1.3","box 204-79 2.1","box 204-79 2.2","box 204-79 2.3","box 204-79 2.4","box 204-79 2.5","box 204-79 3","box 204-79 4","box 204-79 5","box 204-79 6","This series consists of an accession of records (RG 204-79) from the office of the Virginia Law Weekly that contains the Virginia Law Weekly Constitution (1960); a prospectus written by the first editor, Edgar Jones in August 1948; 318 photographs; contact sheets and negatives; and letters from Virginia Law Weekly alums."],"title_filing_ssi":"Accession RG 204-79","title_ssm":["Accession RG 204-79"],"title_tesim":["Accession RG 204-79"],"unitdate_inclusive_ssm":["1948-1979"],"normalized_date_ssm":["1948/1979"],"normalized_title_ssm":["Accession RG 204-79"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Virginia Law Weekly records"],"has_online_content_ssim":["true"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["There are no restrictions on access to the materials in this collection."],"parent_access_terms_tesm":["The Virginia Law Weekly, an independent student organization, published the materials in this collection. It owns the copyright to any content that is not yet in the public domain or was licensed from another party. Individuals who wish to re-publish copyright-protected content will need to seek permission from the party or parties that own it."],"digital_objects_ssm":["{\"label\":\"Digital Images of Photographic Materials from the Virginia Law Weekly RG-204-79 Container 1\",\"href\":\"virginia.edu.viul.4b8ea2a2-9f9f-11f0-9f8a-4ea842a5d5db\"}","{\"label\":\"Digital Images of Photographic Materials from the Virginia Law Weekly RG-204-79 Container 2\",\"href\":\"virginia.edu.viul.f3fbfc5c-a2e0-11f0-9aea-4ea842a5d5db\"}","{\"label\":\"Digital Images of Photographic Materials from the Virginia Law Weekly RG-204-79 Container 3\",\"href\":\"virginia.edu.viul.a279b78e-a2ef-11f0-9d99-4ea842a5d5db\"}","{\"label\":\"Digital Images of Photographic Materials from the Virginia Law Weekly RG-204-79 Container 4\",\"href\":\"virginia.edu.viul.784de8b2-a070-11f0-a0e7-4ea842a5d5db\"}","{\"label\":\"Digital Images of Photographic Materials from the Virginia Law Weekly RG-204-79 Container 5\",\"href\":\"virginia.edu.viul.58367f66-a2ce-11f0-97a7-4ea842a5d5db\"}"],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"acqinfo_ssim":["In 1979, Virginia Dunmire, the Virginia Law Weekly editor (1978-1979), and Dennis Fogland transferred these records from the office of the Virginia Law Weekly to the University of Virginia Law Library."],"containers_ssim":["box 204-79/80 1","box 204-79 1","box 204-79 1.2","box 204-79 1.3","box 204-79 2.1","box 204-79 2.2","box 204-79 2.3","box 204-79 2.4","box 204-79 2.5","box 204-79 3","box 204-79 4","box 204-79 5","box 204-79 6"],"scopecontent_html_tesm":["\u003cp\u003eThis series consists of an accession of records (RG 204-79) from the office of the Virginia Law Weekly that contains the Virginia Law Weekly Constitution (1960); a prospectus written by the first editor, Edgar Jones in August 1948; 318 photographs; contact sheets and negatives; and letters from Virginia Law Weekly alums.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This series consists of an accession of records (RG 204-79) from the office of the Virginia Law Weekly that contains the Virginia Law Weekly Constitution (1960); a prospectus written by the first editor, Edgar Jones in August 1948; 318 photographs; contact sheets and negatives; and letters from Virginia Law Weekly alums."],"_nest_path_":"/components#0","timestamp":"2026-05-24T23:23:38.778Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_4_resources_782","ead_ssi":"viu_repositories_4_resources_782","_root_":"viu_repositories_4_resources_782","_nest_parent_":"viu_repositories_4_resources_782","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_782.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/169304","title_ssm":["Virginia Law Weekly records"],"title_tesim":["Virginia Law Weekly records"],"unitdate_ssm":["1948-2009"],"unitdate_inclusive_ssm":["1948-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG.32.204","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/782"],"text":["RG.32.204","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/782","Virginia Law Weekly records","There are no restrictions on access to the materials in this collection.","Each series in this collection represents an accession of material to the collection. The accessions are arranged in chronological order by the date they arrived at the University of Virginia Law Library.","In 1948, students at the University of Virginia School of Law founded the Virginia Law Weekly, a periodical and independent student organization. Since its founding, the organization has published weekly editions during the academic year featuring news articles, opinion columns, humor articles, photographs, advertisements, and other materials. This content documents life at the School of Law, as well as student perspectives of the law and the broader world around them.","This collection does not contain copies of the Virginia Law Weekly publication. Researchers can find issues of the Virginia Law Weekly in the following collection at the University of Virginia's Law Library: Virginia Law Weekly, RG-32-511.","This collection consists of the Virginia Law Weekly's organizational records including founding documents, correspondence, and digital media. It also contains photographic prints, negatives, and contact sheets used in the production of the Virginia Law Weekly.","The University of Virginia Law Library made digital copies of many of the photographic items in this collection.","This series consists of an accession of records (RG 204-79) from the office of the Virginia Law Weekly that contains the Virginia Law Weekly Constitution (1960); a prospectus written by the first editor, Edgar Jones in August 1948; 318 photographs; contact sheets and negatives; and letters from Virginia Law Weekly alums.","This series consists of an accession of records (RG 204-80) from the office of the Virginia Law Weekly that contains photographic negatives that were on file in the office of the Virginia Law Weekly.","This series consists of an accession of records (RG 204-83) from the office of the Virginia Law Weekly that contains photographs and negatives. It also contains digital copies of photographic materials from accession RG 204-83.","This series consists of an accession of records (RG 204-96) from the office of the Virginia Law Weekly that contains photographs and negatives. It also includes digital copies of photographic materials from accession RG 204-96.","This series consists of an accession of records (RG 204-09-01 and RG 204-09-02) from the office of the Virginia Law Weekly that contains photographs, and old cartoon, an addressgraph file cabinet, some documents and floppy discs.","The Virginia Law Weekly, an independent student organization, published the materials in this collection. It owns the copyright to any content that is not yet in the public domain or was licensed from another party. Individuals who wish to re-publish copyright-protected content will need to seek permission from the party or parties that own it.","Arthur J. Morris Law Library Special Collections","English"],"unitid_tesim":["RG.32.204","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/782"],"normalized_title_ssm":["Virginia Law Weekly records"],"collection_title_tesim":["Virginia Law Weekly records"],"collection_ssim":["Virginia Law Weekly records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["The Virginia Law Weekly, an independent student organization, published the materials in this collection. It owns the copyright to any content that is not yet in the public domain or was licensed from another party. Individuals who wish to re-publish copyright-protected content will need to seek permission from the party or parties that own it."],"acqinfo_ssim":["At various times in its history, the Virginia Law Weekly donated the materials in this collection to the University of Virginia's Law Library."],"has_online_content_ssim":["true"],"extent_ssm":["20 Linear Feet","767.72 Gigabytes"],"extent_tesim":["20 Linear Feet","767.72 Gigabytes"],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on access to the materials in this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on access to the materials in this collection."],"arrangement_html_tesm":["\u003cp\u003eEach series in this collection represents an accession of material to the collection. The accessions are arranged in chronological order by the date they arrived at the University of Virginia Law Library.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Each series in this collection represents an accession of material to the collection. The accessions are arranged in chronological order by the date they arrived at the University of Virginia Law Library."],"bioghist_html_tesm":["\u003cp\u003eIn 1948, students at the University of Virginia School of Law founded the Virginia Law Weekly, a periodical and independent student organization. Since its founding, the organization has published weekly editions during the academic year featuring news articles, opinion columns, humor articles, photographs, advertisements, and other materials. This content documents life at the School of Law, as well as student perspectives of the law and the broader world around them.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["In 1948, students at the University of Virginia School of Law founded the Virginia Law Weekly, a periodical and independent student organization. Since its founding, the organization has published weekly editions during the academic year featuring news articles, opinion columns, humor articles, photographs, advertisements, and other materials. This content documents life at the School of Law, as well as student perspectives of the law and the broader world around them."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection does not contain copies of the Virginia Law Weekly publication. Researchers can find issues of the Virginia Law Weekly in the following collection at the University of Virginia's Law Library: Virginia Law Weekly, RG-32-511.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection does not contain copies of the Virginia Law Weekly publication. Researchers can find issues of the Virginia Law Weekly in the following collection at the University of Virginia's Law Library: Virginia Law Weekly, RG-32-511."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of the Virginia Law Weekly's organizational records including founding documents, correspondence, and digital media. 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It also contains photographic prints, negatives, and contact sheets used in the production of the Virginia Law Weekly.","The University of Virginia Law Library made digital copies of many of the photographic items in this collection.","This series consists of an accession of records (RG 204-79) from the office of the Virginia Law Weekly that contains the Virginia Law Weekly Constitution (1960); a prospectus written by the first editor, Edgar Jones in August 1948; 318 photographs; contact sheets and negatives; and letters from Virginia Law Weekly alums.","This series consists of an accession of records (RG 204-80) from the office of the Virginia Law Weekly that contains photographic negatives that were on file in the office of the Virginia Law Weekly.","This series consists of an accession of records (RG 204-83) from the office of the Virginia Law Weekly that contains photographs and negatives. It also contains digital copies of photographic materials from accession RG 204-83.","This series consists of an accession of records (RG 204-96) from the office of the Virginia Law Weekly that contains photographs and negatives. It also includes digital copies of photographic materials from accession RG 204-96.","This series consists of an accession of records (RG 204-09-01 and RG 204-09-02) from the office of the Virginia Law Weekly that contains photographs, and old cartoon, an addressgraph file cabinet, some documents and floppy discs."],"userestrict_html_tesm":["\u003cp\u003eThe Virginia Law Weekly, an independent student organization, published the materials in this collection. It owns the copyright to any content that is not yet in the public domain or was licensed from another party. Individuals who wish to re-publish copyright-protected content will need to seek permission from the party or parties that own it.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Virginia Law Weekly, an independent student organization, published the materials in this collection. It owns the copyright to any content that is not yet in the public domain or was licensed from another party. Individuals who wish to re-publish copyright-protected content will need to seek permission from the party or parties that own it."],"names_ssim":["Arthur J. Morris Law Library Special Collections"],"corpname_ssim":["Arthur J. Morris Law Library Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":8,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:23:38.778Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_4_resources_782_c01"}},{"id":"vihart_repositories_4_resources_466_c03","type":"Series","attributes":{"title":"Account Books","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_466_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSeries 3: Account Books, 1916-1974, contains: Interline Freight Balances; Car Services Balances; Amounts Due From and To Foreign Companies on Interline Freight Accounts; Operating Expenses and REvenues and other information including shops, engine house, bridges, agents, conductors, donations, etc.; Per Diem Reclaim Records, 1952-1973; Income Statements, 1968-1971; Records of Vouchers Released, 1955-1967; Freight Car Hires, 1943-1975, summarizing car hire, passenger and freight car mileage; and Miscellaneous accounts, 1934-1951, containing detailed information of topics organized chronologically and categorically under the following headings: Operating Revenues, Freight Revenues, Rent from Locomotives, Miscellaneous Income, Maintenance, Transportation Improvements, and Statements for Depreciation for railway structures. Balance in Interline Freight Accounts, 1932-1935, lists date, items, folio number, and debits with yearly balances, organized alphabetically by account name. Car Services Balance Books, 1944-1971, record balance and payment information for interline car service accounts. Record of Amounts Due From and To Foreign Companies on Interline Freight Accounts Journals, 1930-1944, comprise both operating expenses and revenues as well as other information.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_466_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_466_c03","ref_ssm":["vihart_repositories_4_resources_466_c03"],"id":"vihart_repositories_4_resources_466_c03","ead_ssi":"vihart_repositories_4_resources_466","_root_":"vihart_repositories_4_resources_466","_nest_parent_":"vihart_repositories_4_resources_466","parent_ssi":"vihart_repositories_4_resources_466","parent_ssim":["vihart_repositories_4_resources_466"],"parent_ids_ssim":["vihart_repositories_4_resources_466"],"parent_unittitles_ssm":["Chesapeake Western Railway Company Records"],"parent_unittitles_tesim":["Chesapeake Western Railway Company Records"],"text":["Chesapeake Western Railway Company Records","Account Books","Series 3: Account Books, 1916-1974, contains: Interline Freight Balances; Car Services Balances; Amounts Due From and To Foreign Companies on Interline Freight Accounts; Operating Expenses and REvenues and other information including shops, engine house, bridges, agents, conductors, donations, etc.; Per Diem Reclaim Records, 1952-1973; Income Statements, 1968-1971; Records of Vouchers Released, 1955-1967; Freight Car Hires, 1943-1975, summarizing car hire, passenger and freight car mileage; and Miscellaneous accounts, 1934-1951, containing detailed information of topics organized chronologically and categorically under the following headings:  Operating Revenues, Freight Revenues, Rent from Locomotives, Miscellaneous Income, Maintenance, Transportation Improvements, and Statements for Depreciation for railway structures.  Balance in Interline Freight Accounts, 1932-1935, lists date, items, folio number, and debits with yearly balances, organized alphabetically by account name.  Car Services Balance Books, 1944-1971, record balance and payment information for interline car service accounts.  Record of Amounts Due From and To Foreign Companies on Interline Freight Accounts Journals, 1930-1944, comprise both operating expenses and revenues as well as other information."],"title_filing_ssi":"Account Books","title_ssm":["Account Books"],"title_tesim":["Account Books"],"unitdate_inclusive_ssm":["1916-1974"],"normalized_date_ssm":["1916/1974"],"normalized_title_ssm":["Account Books"],"component_level_isim":[1],"repository_ssim":["James Madison University"],"collection_ssim":["Chesapeake Western Railway Company Records"],"has_online_content_ssim":["false"],"child_component_count_isi":79,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":337,"parent_access_restrict_tesm":["Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. Privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974],"scopecontent_html_tesm":["\u003cp\u003eSeries 3: Account Books, 1916-1974, contains: Interline Freight Balances; Car Services Balances; Amounts Due From and To Foreign Companies on Interline Freight Accounts; Operating Expenses and REvenues and other information including shops, engine house, bridges, agents, conductors, donations, etc.; Per Diem Reclaim Records, 1952-1973; Income Statements, 1968-1971; Records of Vouchers Released, 1955-1967; Freight Car Hires, 1943-1975, summarizing car hire, passenger and freight car mileage; and Miscellaneous accounts, 1934-1951, containing detailed information of topics organized chronologically and categorically under the following headings:  Operating Revenues, Freight Revenues, Rent from Locomotives, Miscellaneous Income, Maintenance, Transportation Improvements, and Statements for Depreciation for railway structures.  Balance in Interline Freight Accounts, 1932-1935, lists date, items, folio number, and debits with yearly balances, organized alphabetically by account name.  Car Services Balance Books, 1944-1971, record balance and payment information for interline car service accounts.  Record of Amounts Due From and To Foreign Companies on Interline Freight Accounts Journals, 1930-1944, comprise both operating expenses and revenues as well as other information.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Series 3: Account Books, 1916-1974, contains: Interline Freight Balances; Car Services Balances; Amounts Due From and To Foreign Companies on Interline Freight Accounts; Operating Expenses and REvenues and other information including shops, engine house, bridges, agents, conductors, donations, etc.; Per Diem Reclaim Records, 1952-1973; Income Statements, 1968-1971; Records of Vouchers Released, 1955-1967; Freight Car Hires, 1943-1975, summarizing car hire, passenger and freight car mileage; and Miscellaneous accounts, 1934-1951, containing detailed information of topics organized chronologically and categorically under the following headings:  Operating Revenues, Freight Revenues, Rent from Locomotives, Miscellaneous Income, Maintenance, Transportation Improvements, and Statements for Depreciation for railway structures.  Balance in Interline Freight Accounts, 1932-1935, lists date, items, folio number, and debits with yearly balances, organized alphabetically by account name.  Car Services Balance Books, 1944-1971, record balance and payment information for interline car service accounts.  Record of Amounts Due From and To Foreign Companies on Interline Freight Accounts Journals, 1930-1944, comprise both operating expenses and revenues as well as other information."],"_nest_path_":"/components#2","timestamp":"2026-05-21T00:24:20.538Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_466","ead_ssi":"vihart_repositories_4_resources_466","_root_":"vihart_repositories_4_resources_466","_nest_parent_":"vihart_repositories_4_resources_466","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_466.xml","title_ssm":["Chesapeake Western Railway Company Records"],"title_tesim":["Chesapeake Western Railway Company Records"],"unitdate_ssm":["1916-1982"],"unitdate_inclusive_ssm":["1916-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0154","/repositories/4/resources/466"],"text":["SC 0154","/repositories/4/resources/466","Chesapeake Western Railway Company Records","Elkton (Va.) -- History","Harrisonburg (Va.) -- History","Bridgewater (Va.) -- History","Mt. Solon (Va.) -- History","Stokesville (Va.) -- History","Rockingham County (Va.) -- Industries -- Sources","Augusta County (Va.) -- Industries -- Sources","Virginia -- Economic conditions -- History -- Sources","Virginia -- Industries -- History","Shenandoah River Valley (Va. and W. Va.) -- Transportation -- History -- Sources","Railroads -- Southern States -- History","Coal -- Transportation -- Southern States -- Sources","Bark -- Transportation -- Southern States -- Sources","Timber -- Transportation -- Southern States -- Sources","Poultry -- Feeding and feeds -- Transportation -- Southern States -- Sources","Railroads -- Shenandoah River Valley (Va. and W. Va.) -- History","Railroads -- Virginia -- History","Letters (correspondence)","Account books","Reports","Blueprints (reprographic copies)","Personnel records","Publications (documents)","Business records","Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged in seven series with the largest first; then arranged further chronologically:","Personnel Records, 1929-1982 Reports, 1953-1981 Account Books, 1916-1974 Correspondence, 1976-1979 Miscellaneous Documents, 1928-1976 Publications, 1963-1977 Blueprints and Schematics, 1951-1979","Cooper, Mason Y.   Norfolk and Western's Shenandoah Line . Forest, Virginia:  Norfolk and Western Historical Society, Inc., 1998.","Cooper, Mason Y.   Norfolk and Western's Shenandoah Line .  Forest, Virginia:  Norfolk and Western Historical Society, Inc., 1998.","Hawkins, Leighman.  \"The Shortline Railroads of Virginia.\"   Virginia and the Virginia County , January 1951.","Murray, Michael S.  \"Rails Through Rockingham County:  The Chesapeake Western Story.\"   Railpace Newsmagazine , January 1985.","\"Norfolk and Western to buy Chesapeake Western.\"   Daily News-Record , July 29, 1954.","Price, Charles Grattan Jr.  The Crooked and the Weedy: A History of Virginia's Chesapeake Western Railway . Harrisonburg, Virginia: Don Mills, Inc., 1992.","Thompson, Tommy. \"Shortline.\"  Daily News-Record , April 3, 1971.","The origins of the Chesapeake Western Railway Company date back at least to 1871, when the Washington, Cincinnati \u0026 St. Louis Railroad was chartered in Virginia as a narrow-gauge railroad to run from Washington, D.C., through Elkton, Harrisonburg, and Bridgewater, Virginia to Cincinnati, Ohio. Virginians bought stock in the coporation, including many people in Rockingham County; rights of way were purchased and railbed grading began.  Like similar ventures of the time, the goals of the company never bore fruit, and work halted in 1874.","In 1892, a group of promoters including Jedediah Hotchkiss incorporated to build a railway to carry coal from West Virginia mines to Gloucester Point, Virginia. Initially called the Chesapeake, Shendun, and Western Railroad, the name was quickly changed to Chesapeake \u0026 Western Railroad. Using part of the old WC\u0026StL right-of-way, and with $150,000 from the city of Harrisonburg to ensure that the railroad would pass through it, a 26-mile single-track, standard-gauge line was completed from Elkton to Bridgewater and began operating on March 23, 1896. In the next few years, substantial C\u0026W stock was purchased by New York investor Thomas Stokes, who hoped to develop the coal mines in western Rockingham County but became mired in financial difficulties. His brother, W.E.D Stokes, purchased control of the C\u0026W and also organized a new railroad, the Tidewater and West Virginia, in 1900. The Tidewater changed its name in 1901 to the Chesapeake Western Railway, leased the CW line for 99 years, and in 1902 completed 13 miles of rail from Bridgewater to the new town of Stokesville in North River Gap. Trains carried passengers as well as freight between Elkton and Stokesville. Plans were drawn up to continue the line into West Virginia but were not implemented.","For just over a decade, Stokesville boomed as timber, tanbark, and to a much more limited extent, coal, in the area were exploited. Stokes operated the CW with offices in Harrisonburg until his death in 1926. His estate continued to operate the railway until 1938. In 1928, the line from Mount Solon to North River Gap was abandoned for financial reasons. In 1933, the nine miles from Bridgewater to Mount Solon were also dropped.  When the Stokes' heirs put the CW up for sale in 1938, Don W. Thomas, a former Norfolk \u0026 Western Railroad employee who had been the general manager of the CW since 1926, fought a bid from Japanese scrap metal buyers and bought the line. In 1943, Thomas also bought the Baltimore \u0026 Ohio's Valley Road of Virginia line which rean between Harrisonburg and Lexington. The line south of Staunton was taken up and sold for scrap, but the road between Harrisonburg and Staunton was improved and became an important link in the CW system because of the connection with the Chesapeake \u0026 Ohio Railroad at Staunton. The CW linked with the Norfolk \u0026 Western at Elkton.","In 1954, the Norfolk \u0026 Western Railroad purchased CW, but the name was retained and was operated as a separate corporation. By about 1980, however, little or no rolling stock carried the CW logo any longer. Norfolk \u0026 Western and the Southern Railway Company merged as Norfolk Southern Corporation on June 1, 1982. Not long after that merger, a five-alarm fire burned the CW office located at Chesapeake Drive in Harrisonburg on July 28, 1982, and company offices and operations were eventually absorbed by the NS. Five miles of track east of Bridgewater were removed in 1988. The CW under the control of NS serves as the Harrisonburg area's poultry feed supplier passing through the campus of James Madison University daily. ","Records represent the day to day business operation of the Chesapeake Western Railway Company through 1982. After a fire that year, records were left in the CW building on Chesapeake Drive in Harrisonburg, Virginia, and remained in that facility until 1997.","Due to the unwieldy nature of virtually off the bound ledgers, pages were removed from their covers and parceled into folders as both an aid to researchers and as a practical means to consolidate space.  The condition of some boards was also questionable with evidence of mold and pest damage. In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017.  This collection was previously cataloged as SC 4010.","The Chesapeake Western Railway Company Records, 1916-1982, consist of 24.36 cubic feet of business records pertaining to the employees, assets, and business transactions of the company. The collection is topically arranged in seven series with the largest series first; then further arranged chronologically . Series consist of Personnel Records, Reports, Account Books, Correspondence, Blueprints and Schematics, Publications, and Miscellaneous Documents.","Series 1: Personnel Records, 1929-1982, includes payrolls and time sheets with names of employees, occupations, hours, rates, payments, and dates of employment. Also included in this series are Railroad Retirement Board forms primarily from 1930 to 1973, containing employee biographical and genealogical information.","Series 2: Reports, 1953-1981, primarily is comprised of Dispatcher and Conductor reports, with information about specific trains, routes, departure times, distances and engine numbers. Dispatchers' Record of Movement of Trains, 1973-1979, and Time Return and Delay Reports, 1975-1981, list information such as:  engineers' names, train departure times, type of service, etc. Conductor Car Records and tonnage Reports include engine number, weight of trains, cargo, as well as identification of conductors and engineers on each train.  Entries for Shipping logs, 1970-1977; Traffic Analyses and other shipping records, 1973-1981, are followed by Per Diem/Mileage and Transfer Books, 1953-1970, which appear to be freight and transfer records written in abbreviated code and organized alphabetically by company name.","Series 3: Account Books, 1916-1974, contains: Interline Freight Balances; Car Services Balances; Amounts Due From and To Foreign Companies on Interline Freight Accounts; Operating Expenses and REvenues and other information including shops, engine house, bridges, agents, conductors, donations, etc.; Per Diem Reclaim Records, 1952-1973; Income Statements, 1968-1971; Records of Vouchers Released, 1955-1967; Freight Car Hires, 1943-1975, summarizing car hire, passenger and freight car mileage; and Miscellaneous accounts, 1934-1951, containing detailed information of topics organized chronologically and categorically under the following headings:  Operating Revenues, Freight Revenues, Rent from Locomotives, Miscellaneous Income, Maintenance, Transportation Improvements, and Statements for Depreciation for railway structures.  Balance in Interline Freight Accounts, 1932-1935, lists date, items, folio number, and debits with yearly balances, organized alphabetically by account name.  Car Services Balance Books, 1944-1971, record balance and payment information for interline car service accounts.  Record of Amounts Due From and To Foreign Companies on Interline Freight Accounts Journals, 1930-1944, comprise both operating expenses and revenues as well as other information.","Label on front cover of bound volume reads: Returns to Valuation Orders 7, 8, and 16, Chesapeake \u0026 Western Railroad Co., Chesapeake Western Railway, Cheswick and Harmar Railroad Co., Clarendon \u0026 Pittsford Railroad Co., Connellsville \u0026 Monongahela Railway Co.","Series 4: Correspondence, 1976-1979, is comprised of a variety of topics which include land leases, shipments, track upgrades, expense reports, and business agreements in chronological order.","Series 5: Miscellaneous Documents, 1928-1982, is comprised of eclectic pieces--many relating to previous series that would be lost among more substantial predecessors.  Headings under Miscellaneous include:  Financial notes and documents, many handwritten, 1935-1938 and undated; a conductor's balance sheet from September 1935; Operating expenses, undated; Per Diem Reclaim Mileage Records and Record of Amounts Due From and To Foreign Companies on Interline Freight Accounts, September 1935; Reports of Interline Passenger Traffic, August 1935 [one of which contains a note in the \"Remarks\" column stating \"CCC\" perhaps indicating a one way trip to Bridgewater Station for members of the Civilian Conservation Corps.]; Documents and invoices for parts and repair, indemnity releases, etc., 1955-1976; Forms from printing companies, 1928-1968; Records of purchase for forms from local printers; Receipt books, Carload Traffic Received, Automobile Expenses Records, Forecast Statement, N\u0026W strike letter, 3.5 acre lease letter to Virginia Electric and Power Company, 1975-1980; Staunton Textile Corporation and Celanese Corporation, 1934-1955; Miscellaneous Correspondence, freight bills, account information, etc. and Exxon records, 1974-1976.","Series 6: Publications, 1963-1977, include copies of  Bullinger's Postal and Shipper's Guide for the US and Canada , 1963, which lists shipping rates, distances, etc. and  Standard Transportation Commodity Code Tariff No. 1-E , November 15, 1977.","Series 7: Blueprints and Schematics, 1951-1979, contains the oversize materials:  a blueprint of the railway line from 1951 and diagrams of electircal gates and signal wiring, 1961-1979.","The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. Privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Chespeake Western Railway Company Records, 1916-1982, are comprised of 24.36 cubic feet of records pertaining to the administrative and business activities of a small Shenandoah Valley railroad through the period of America's Great Depression and up to the CW's eventual acquisition by the Norfolk Southern Railway Corporation.","James Madison University Libraries Special Collections","Chesapeake Western Railway","Chesapeake Beach Railway Museum","Norfolk Southern Corporation","Geier, Clarence R., 1944-","Hyser, Raymond M., 1955-","Stokes, W. E. D. (William Earl Dodge), 1852-1926","English"],"unitid_tesim":["SC 0154","/repositories/4/resources/466"],"normalized_title_ssm":["Chesapeake Western Railway Company Records"],"collection_title_tesim":["Chesapeake Western Railway Company Records"],"collection_ssim":["Chesapeake Western Railway Company Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Elkton (Va.) -- History","Harrisonburg (Va.) -- History","Bridgewater (Va.) -- History","Mt. Solon (Va.) -- History","Stokesville (Va.) -- History","Rockingham County (Va.) -- Industries -- Sources","Augusta County (Va.) -- Industries -- Sources","Virginia -- Economic conditions -- History -- Sources","Virginia -- Industries -- History","Shenandoah River Valley (Va. and W. Va.) -- Transportation -- History -- Sources"],"geogname_ssim":["Elkton (Va.) -- History","Harrisonburg (Va.) -- History","Bridgewater (Va.) -- History","Mt. Solon (Va.) -- History","Stokesville (Va.) -- History","Rockingham County (Va.) -- Industries -- Sources","Augusta County (Va.) -- Industries -- Sources","Virginia -- Economic conditions -- History -- Sources","Virginia -- Industries -- History","Shenandoah River Valley (Va. and W. Va.) -- Transportation -- History -- Sources"],"creator_ssm":["Chesapeake Western Railway","Chesapeake Beach Railway Museum","Geier, Clarence R., 1944-","Hyser, Raymond M., 1955-"],"creator_ssim":["Chesapeake Western Railway","Chesapeake Beach Railway Museum","Geier, Clarence R., 1944-","Hyser, Raymond M., 1955-"],"creator_persname_ssim":["Geier, Clarence R., 1944-","Hyser, Raymond M., 1955-"],"creator_corpname_ssim":["Chesapeake Western Railway","Chesapeake Beach Railway Museum"],"creators_ssim":["Geier, Clarence R., 1944-","Hyser, Raymond M., 1955-","Chesapeake Western Railway","Chesapeake Beach Railway Museum"],"places_ssim":["Elkton (Va.) -- History","Harrisonburg (Va.) -- History","Bridgewater (Va.) -- History","Mt. Solon (Va.) -- History","Stokesville (Va.) -- History","Rockingham County (Va.) -- Industries -- Sources","Augusta County (Va.) -- Industries -- Sources","Virginia -- Economic conditions -- History -- Sources","Virginia -- Industries -- History","Shenandoah River Valley (Va. and W. Va.) -- Transportation -- History -- Sources"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. Privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["D.A. Brown, II Superintendent, VA Division of Norfolk Southern in Roanoke gave permission in April 1997 for JMU professors Raymond Hiser and Clarence Geier from the History and Anthropology Departments respectively to salvage records from the CW building on Chesapeake Drive in Harrisonburg, Virginia which suffered a five-alarm fire at the site on July 28, 1982. After the fire, operating records remained in the building in disarray on the floor and suffered damage by fire or water or both. Following their initial cleaning and inventory by students in History and Anthropology, the materials were transferred to Carrier Library in February 1998. In September 2018, the Chesapeake Beach Railway Museum in Chesapeake Beach, Maryland, donated one bound book: \"Returns to Valuation Orders 7, 8, and 16.\""],"access_subjects_ssim":["Railroads -- Southern States -- History","Coal -- Transportation -- Southern States -- Sources","Bark -- Transportation -- Southern States -- Sources","Timber -- Transportation -- Southern States -- Sources","Poultry -- Feeding and feeds -- Transportation -- Southern States -- Sources","Railroads -- Shenandoah River Valley (Va. and W. Va.) -- History","Railroads -- Virginia -- History","Letters (correspondence)","Account books","Reports","Blueprints (reprographic copies)","Personnel records","Publications (documents)","Business records"],"access_subjects_ssm":["Railroads -- Southern States -- History","Coal -- Transportation -- Southern States -- Sources","Bark -- Transportation -- Southern States -- Sources","Timber -- Transportation -- Southern States -- Sources","Poultry -- Feeding and feeds -- Transportation -- Southern States -- Sources","Railroads -- Shenandoah River Valley (Va. and W. Va.) -- History","Railroads -- Virginia -- History","Letters (correspondence)","Account books","Reports","Blueprints (reprographic copies)","Personnel records","Publications (documents)","Business records"],"has_online_content_ssim":["false"],"extent_ssm":["24.36 cubic feet 35 boxes, 1 rolled storage container"],"extent_tesim":["24.36 cubic feet 35 boxes, 1 rolled storage container"],"genreform_ssim":["Letters (correspondence)","Account books","Reports","Blueprints (reprographic copies)","Personnel records","Publications (documents)","Business records"],"date_range_isim":[1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in seven series with the largest first; then arranged further chronologically:\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003ePersonnel Records, 1929-1982\u003c/item\u003e\n      \u003citem\u003eReports, 1953-1981\u003c/item\u003e\n      \u003citem\u003eAccount Books, 1916-1974\u003c/item\u003e\n      \u003citem\u003eCorrespondence, 1976-1979\u003c/item\u003e\n      \u003citem\u003eMiscellaneous Documents, 1928-1976\u003c/item\u003e\n      \u003citem\u003ePublications, 1963-1977\u003c/item\u003e\n      \u003citem\u003eBlueprints and Schematics, 1951-1979\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in seven series with the largest first; then arranged further chronologically:","Personnel Records, 1929-1982 Reports, 1953-1981 Account Books, 1916-1974 Correspondence, 1976-1979 Miscellaneous Documents, 1928-1976 Publications, 1963-1977 Blueprints and Schematics, 1951-1979"],"bibliography_html_tesm":["\u003cbibref\u003eCooper, Mason Y.  \u003cemph render=\"italic\"\u003eNorfolk and Western's Shenandoah Line\u003c/emph\u003e. Forest, Virginia:  Norfolk and Western Historical Society, Inc., 1998.\u003c/bibref\u003e","\u003cbibref\u003eCooper, Mason Y.  \u003cemph render=\"italic\"\u003eNorfolk and Western's Shenandoah Line\u003c/emph\u003e.  Forest, Virginia:  Norfolk and Western Historical Society, Inc., 1998.\u003c/bibref\u003e","\u003cbibref\u003eHawkins, Leighman.  \"The Shortline Railroads of Virginia.\"  \u003cemph render=\"italic\"\u003eVirginia and the Virginia County\u003c/emph\u003e, January 1951.\u003c/bibref\u003e","\u003cbibref\u003eMurray, Michael S.  \"Rails Through Rockingham County:  The Chesapeake Western Story.\"  \u003cemph render=\"italic\"\u003eRailpace Newsmagazine\u003c/emph\u003e, January 1985.\u003c/bibref\u003e","\u003cbibref\u003e\"Norfolk and Western to buy Chesapeake Western.\"  \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e, July 29, 1954.\u003c/bibref\u003e","\u003cbibref\u003ePrice, Charles Grattan Jr. \u003cemph render=\"italic\"\u003eThe Crooked and the Weedy: A History of Virginia's Chesapeake Western Railway\u003c/emph\u003e. Harrisonburg, Virginia: Don Mills, Inc., 1992.\u003c/bibref\u003e","\u003cbibref\u003eThompson, Tommy. \"Shortline.\" \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e, April 3, 1971.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Cooper, Mason Y.   Norfolk and Western's Shenandoah Line . Forest, Virginia:  Norfolk and Western Historical Society, Inc., 1998.","Cooper, Mason Y.   Norfolk and Western's Shenandoah Line .  Forest, Virginia:  Norfolk and Western Historical Society, Inc., 1998.","Hawkins, Leighman.  \"The Shortline Railroads of Virginia.\"   Virginia and the Virginia County , January 1951.","Murray, Michael S.  \"Rails Through Rockingham County:  The Chesapeake Western Story.\"   Railpace Newsmagazine , January 1985.","\"Norfolk and Western to buy Chesapeake Western.\"   Daily News-Record , July 29, 1954.","Price, Charles Grattan Jr.  The Crooked and the Weedy: A History of Virginia's Chesapeake Western Railway . Harrisonburg, Virginia: Don Mills, Inc., 1992.","Thompson, Tommy. \"Shortline.\"  Daily News-Record , April 3, 1971."],"bioghist_html_tesm":["\u003cp\u003eThe origins of the Chesapeake Western Railway Company date back at least to 1871, when the Washington, Cincinnati \u0026amp; St. Louis Railroad was chartered in Virginia as a narrow-gauge railroad to run from Washington, D.C., through Elkton, Harrisonburg, and Bridgewater, Virginia to Cincinnati, Ohio. Virginians bought stock in the coporation, including many people in Rockingham County; rights of way were purchased and railbed grading began.  Like similar ventures of the time, the goals of the company never bore fruit, and work halted in 1874.\u003c/p\u003e\n","\u003cp\u003eIn 1892, a group of promoters including Jedediah Hotchkiss incorporated to build a railway to carry coal from West Virginia mines to Gloucester Point, Virginia. Initially called the Chesapeake, Shendun, and Western Railroad, the name was quickly changed to Chesapeake \u0026amp; Western Railroad. Using part of the old WC\u0026amp;StL right-of-way, and with $150,000 from the city of Harrisonburg to ensure that the railroad would pass through it, a 26-mile single-track, standard-gauge line was completed from Elkton to Bridgewater and began operating on March 23, 1896. In the next few years, substantial C\u0026amp;W stock was purchased by New York investor Thomas Stokes, who hoped to develop the coal mines in western Rockingham County but became mired in financial difficulties. His brother, W.E.D Stokes, purchased control of the C\u0026amp;W and also organized a new railroad, the Tidewater and West Virginia, in 1900. The Tidewater changed its name in 1901 to the Chesapeake Western Railway, leased the CW line for 99 years, and in 1902 completed 13 miles of rail from Bridgewater to the new town of Stokesville in North River Gap. Trains carried passengers as well as freight between Elkton and Stokesville. Plans were drawn up to continue the line into West Virginia but were not implemented.\u003c/p\u003e\n","\u003cp\u003eFor just over a decade, Stokesville boomed as timber, tanbark, and to a much more limited extent, coal, in the area were exploited. Stokes operated the CW with offices in Harrisonburg until his death in 1926. His estate continued to operate the railway until 1938. In 1928, the line from Mount Solon to North River Gap was abandoned for financial reasons. In 1933, the nine miles from Bridgewater to Mount Solon were also dropped.  When the Stokes' heirs put the CW up for sale in 1938, Don W. Thomas, a former Norfolk \u0026amp; Western Railroad employee who had been the general manager of the CW since 1926, fought a bid from Japanese scrap metal buyers and bought the line. In 1943, Thomas also bought the Baltimore \u0026amp; Ohio's Valley Road of Virginia line which rean between Harrisonburg and Lexington. The line south of Staunton was taken up and sold for scrap, but the road between Harrisonburg and Staunton was improved and became an important link in the CW system because of the connection with the Chesapeake \u0026amp; Ohio Railroad at Staunton. The CW linked with the Norfolk \u0026amp; Western at Elkton.\u003c/p\u003e\n","\u003cp\u003eIn 1954, the Norfolk \u0026amp; Western Railroad purchased CW, but the name was retained and was operated as a separate corporation. By about 1980, however, little or no rolling stock carried the CW logo any longer. Norfolk \u0026amp; Western and the Southern Railway Company merged as Norfolk Southern Corporation on June 1, 1982. Not long after that merger, a five-alarm fire burned the CW office located at Chesapeake Drive in Harrisonburg on July 28, 1982, and company offices and operations were eventually absorbed by the NS. Five miles of track east of Bridgewater were removed in 1988. The CW under the control of NS serves as the Harrisonburg area's poultry feed supplier passing through the campus of James Madison University daily. \u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["The origins of the Chesapeake Western Railway Company date back at least to 1871, when the Washington, Cincinnati \u0026 St. Louis Railroad was chartered in Virginia as a narrow-gauge railroad to run from Washington, D.C., through Elkton, Harrisonburg, and Bridgewater, Virginia to Cincinnati, Ohio. Virginians bought stock in the coporation, including many people in Rockingham County; rights of way were purchased and railbed grading began.  Like similar ventures of the time, the goals of the company never bore fruit, and work halted in 1874.","In 1892, a group of promoters including Jedediah Hotchkiss incorporated to build a railway to carry coal from West Virginia mines to Gloucester Point, Virginia. Initially called the Chesapeake, Shendun, and Western Railroad, the name was quickly changed to Chesapeake \u0026 Western Railroad. Using part of the old WC\u0026StL right-of-way, and with $150,000 from the city of Harrisonburg to ensure that the railroad would pass through it, a 26-mile single-track, standard-gauge line was completed from Elkton to Bridgewater and began operating on March 23, 1896. In the next few years, substantial C\u0026W stock was purchased by New York investor Thomas Stokes, who hoped to develop the coal mines in western Rockingham County but became mired in financial difficulties. His brother, W.E.D Stokes, purchased control of the C\u0026W and also organized a new railroad, the Tidewater and West Virginia, in 1900. The Tidewater changed its name in 1901 to the Chesapeake Western Railway, leased the CW line for 99 years, and in 1902 completed 13 miles of rail from Bridgewater to the new town of Stokesville in North River Gap. Trains carried passengers as well as freight between Elkton and Stokesville. Plans were drawn up to continue the line into West Virginia but were not implemented.","For just over a decade, Stokesville boomed as timber, tanbark, and to a much more limited extent, coal, in the area were exploited. Stokes operated the CW with offices in Harrisonburg until his death in 1926. His estate continued to operate the railway until 1938. In 1928, the line from Mount Solon to North River Gap was abandoned for financial reasons. In 1933, the nine miles from Bridgewater to Mount Solon were also dropped.  When the Stokes' heirs put the CW up for sale in 1938, Don W. Thomas, a former Norfolk \u0026 Western Railroad employee who had been the general manager of the CW since 1926, fought a bid from Japanese scrap metal buyers and bought the line. In 1943, Thomas also bought the Baltimore \u0026 Ohio's Valley Road of Virginia line which rean between Harrisonburg and Lexington. The line south of Staunton was taken up and sold for scrap, but the road between Harrisonburg and Staunton was improved and became an important link in the CW system because of the connection with the Chesapeake \u0026 Ohio Railroad at Staunton. The CW linked with the Norfolk \u0026 Western at Elkton.","In 1954, the Norfolk \u0026 Western Railroad purchased CW, but the name was retained and was operated as a separate corporation. By about 1980, however, little or no rolling stock carried the CW logo any longer. Norfolk \u0026 Western and the Southern Railway Company merged as Norfolk Southern Corporation on June 1, 1982. Not long after that merger, a five-alarm fire burned the CW office located at Chesapeake Drive in Harrisonburg on July 28, 1982, and company offices and operations were eventually absorbed by the NS. Five miles of track east of Bridgewater were removed in 1988. The CW under the control of NS serves as the Harrisonburg area's poultry feed supplier passing through the campus of James Madison University daily. "],"custodhist_html_tesm":["\u003cp\u003eRecords represent the day to day business operation of the Chesapeake Western Railway Company through 1982. After a fire that year, records were left in the CW building on Chesapeake Drive in Harrisonburg, Virginia, and remained in that facility until 1997.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Records represent the day to day business operation of the Chesapeake Western Railway Company through 1982. After a fire that year, records were left in the CW building on Chesapeake Drive in Harrisonburg, Virginia, and remained in that facility until 1997."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Chesapeake Western Railway Company Records, 1916-1982, SC 0154, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Chesapeake Western Railway Company Records, 1916-1982, SC 0154, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"processinfo_html_tesm":["\u003cp\u003eDue to the unwieldy nature of virtually off the bound ledgers, pages were removed from their covers and parceled into folders as both an aid to researchers and as a practical means to consolidate space.  The condition of some boards was also questionable with evidence of mold and pest damage. In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017. \u003cemph render=\"bold\"\u003eThis collection was previously cataloged as SC 4010.\u003c/emph\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Due to the unwieldy nature of virtually off the bound ledgers, pages were removed from their covers and parceled into folders as both an aid to researchers and as a practical means to consolidate space.  The condition of some boards was also questionable with evidence of mold and pest damage. In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017.  This collection was previously cataloged as SC 4010."],"scopecontent_html_tesm":["\u003cp\u003eThe Chesapeake Western Railway Company Records, 1916-1982, consist of 24.36 cubic feet of business records pertaining to the employees, assets, and business transactions of the company. The collection is topically arranged in seven series with the largest series first; then further arranged chronologically . Series consist of Personnel Records, Reports, Account Books, Correspondence, Blueprints and Schematics, Publications, and Miscellaneous Documents.\u003c/p\u003e","\u003cp\u003eSeries 1: Personnel Records, 1929-1982, includes payrolls and time sheets with names of employees, occupations, hours, rates, payments, and dates of employment. Also included in this series are Railroad Retirement Board forms primarily from 1930 to 1973, containing employee biographical and genealogical information.\u003c/p\u003e","\u003cp\u003eSeries 2: Reports, 1953-1981, primarily is comprised of Dispatcher and Conductor reports, with information about specific trains, routes, departure times, distances and engine numbers. Dispatchers' Record of Movement of Trains, 1973-1979, and Time Return and Delay Reports, 1975-1981, list information such as:  engineers' names, train departure times, type of service, etc. Conductor Car Records and tonnage Reports include engine number, weight of trains, cargo, as well as identification of conductors and engineers on each train.  Entries for Shipping logs, 1970-1977; Traffic Analyses and other shipping records, 1973-1981, are followed by Per Diem/Mileage and Transfer Books, 1953-1970, which appear to be freight and transfer records written in abbreviated code and organized alphabetically by company name.\u003c/p\u003e","\u003cp\u003eSeries 3: Account Books, 1916-1974, contains: Interline Freight Balances; Car Services Balances; Amounts Due From and To Foreign Companies on Interline Freight Accounts; Operating Expenses and REvenues and other information including shops, engine house, bridges, agents, conductors, donations, etc.; Per Diem Reclaim Records, 1952-1973; Income Statements, 1968-1971; Records of Vouchers Released, 1955-1967; Freight Car Hires, 1943-1975, summarizing car hire, passenger and freight car mileage; and Miscellaneous accounts, 1934-1951, containing detailed information of topics organized chronologically and categorically under the following headings:  Operating Revenues, Freight Revenues, Rent from Locomotives, Miscellaneous Income, Maintenance, Transportation Improvements, and Statements for Depreciation for railway structures.  Balance in Interline Freight Accounts, 1932-1935, lists date, items, folio number, and debits with yearly balances, organized alphabetically by account name.  Car Services Balance Books, 1944-1971, record balance and payment information for interline car service accounts.  Record of Amounts Due From and To Foreign Companies on Interline Freight Accounts Journals, 1930-1944, comprise both operating expenses and revenues as well as other information.\u003c/p\u003e","\u003cp\u003eLabel on front cover of bound volume reads: Returns to Valuation Orders 7, 8, and 16, Chesapeake \u0026amp; Western Railroad Co., Chesapeake Western Railway, Cheswick and Harmar Railroad Co., Clarendon \u0026amp; Pittsford Railroad Co., Connellsville \u0026amp; Monongahela Railway Co.\u003c/p\u003e","\u003cp\u003eSeries 4: Correspondence, 1976-1979, is comprised of a variety of topics which include land leases, shipments, track upgrades, expense reports, and business agreements in chronological order.\u003c/p\u003e","\u003cp\u003eSeries 5: Miscellaneous Documents, 1928-1982, is comprised of eclectic pieces--many relating to previous series that would be lost among more substantial predecessors.  Headings under Miscellaneous include:  Financial notes and documents, many handwritten, 1935-1938 and undated; a conductor's balance sheet from September 1935; Operating expenses, undated; Per Diem Reclaim Mileage Records and Record of Amounts Due From and To Foreign Companies on Interline Freight Accounts, September 1935; Reports of Interline Passenger Traffic, August 1935 [one of which contains a note in the \"Remarks\" column stating \"CCC\" perhaps indicating a one way trip to Bridgewater Station for members of the Civilian Conservation Corps.]; Documents and invoices for parts and repair, indemnity releases, etc., 1955-1976; Forms from printing companies, 1928-1968; Records of purchase for forms from local printers; Receipt books, Carload Traffic Received, Automobile Expenses Records, Forecast Statement, N\u0026amp;W strike letter, 3.5 acre lease letter to Virginia Electric and Power Company, 1975-1980; Staunton Textile Corporation and Celanese Corporation, 1934-1955; Miscellaneous Correspondence, freight bills, account information, etc. and Exxon records, 1974-1976.\u003c/p\u003e","\u003cp\u003eSeries 6: Publications, 1963-1977, include copies of \u003cemph render=\"italic\"\u003eBullinger's Postal and Shipper's Guide for the US and Canada\u003c/emph\u003e, 1963, which lists shipping rates, distances, etc. and \u003cemph render=\"italic\"\u003eStandard Transportation Commodity Code Tariff No. 1-E\u003c/emph\u003e, November 15, 1977.\u003c/p\u003e","\u003cp\u003eSeries 7: Blueprints and Schematics, 1951-1979, contains the oversize materials:  a blueprint of the railway line from 1951 and diagrams of electircal gates and signal wiring, 1961-1979.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Chesapeake Western Railway Company Records, 1916-1982, consist of 24.36 cubic feet of business records pertaining to the employees, assets, and business transactions of the company. The collection is topically arranged in seven series with the largest series first; then further arranged chronologically . Series consist of Personnel Records, Reports, Account Books, Correspondence, Blueprints and Schematics, Publications, and Miscellaneous Documents.","Series 1: Personnel Records, 1929-1982, includes payrolls and time sheets with names of employees, occupations, hours, rates, payments, and dates of employment. Also included in this series are Railroad Retirement Board forms primarily from 1930 to 1973, containing employee biographical and genealogical information.","Series 2: Reports, 1953-1981, primarily is comprised of Dispatcher and Conductor reports, with information about specific trains, routes, departure times, distances and engine numbers. Dispatchers' Record of Movement of Trains, 1973-1979, and Time Return and Delay Reports, 1975-1981, list information such as:  engineers' names, train departure times, type of service, etc. Conductor Car Records and tonnage Reports include engine number, weight of trains, cargo, as well as identification of conductors and engineers on each train.  Entries for Shipping logs, 1970-1977; Traffic Analyses and other shipping records, 1973-1981, are followed by Per Diem/Mileage and Transfer Books, 1953-1970, which appear to be freight and transfer records written in abbreviated code and organized alphabetically by company name.","Series 3: Account Books, 1916-1974, contains: Interline Freight Balances; Car Services Balances; Amounts Due From and To Foreign Companies on Interline Freight Accounts; Operating Expenses and REvenues and other information including shops, engine house, bridges, agents, conductors, donations, etc.; Per Diem Reclaim Records, 1952-1973; Income Statements, 1968-1971; Records of Vouchers Released, 1955-1967; Freight Car Hires, 1943-1975, summarizing car hire, passenger and freight car mileage; and Miscellaneous accounts, 1934-1951, containing detailed information of topics organized chronologically and categorically under the following headings:  Operating Revenues, Freight Revenues, Rent from Locomotives, Miscellaneous Income, Maintenance, Transportation Improvements, and Statements for Depreciation for railway structures.  Balance in Interline Freight Accounts, 1932-1935, lists date, items, folio number, and debits with yearly balances, organized alphabetically by account name.  Car Services Balance Books, 1944-1971, record balance and payment information for interline car service accounts.  Record of Amounts Due From and To Foreign Companies on Interline Freight Accounts Journals, 1930-1944, comprise both operating expenses and revenues as well as other information.","Label on front cover of bound volume reads: Returns to Valuation Orders 7, 8, and 16, Chesapeake \u0026 Western Railroad Co., Chesapeake Western Railway, Cheswick and Harmar Railroad Co., Clarendon \u0026 Pittsford Railroad Co., Connellsville \u0026 Monongahela Railway Co.","Series 4: Correspondence, 1976-1979, is comprised of a variety of topics which include land leases, shipments, track upgrades, expense reports, and business agreements in chronological order.","Series 5: Miscellaneous Documents, 1928-1982, is comprised of eclectic pieces--many relating to previous series that would be lost among more substantial predecessors.  Headings under Miscellaneous include:  Financial notes and documents, many handwritten, 1935-1938 and undated; a conductor's balance sheet from September 1935; Operating expenses, undated; Per Diem Reclaim Mileage Records and Record of Amounts Due From and To Foreign Companies on Interline Freight Accounts, September 1935; Reports of Interline Passenger Traffic, August 1935 [one of which contains a note in the \"Remarks\" column stating \"CCC\" perhaps indicating a one way trip to Bridgewater Station for members of the Civilian Conservation Corps.]; Documents and invoices for parts and repair, indemnity releases, etc., 1955-1976; Forms from printing companies, 1928-1968; Records of purchase for forms from local printers; Receipt books, Carload Traffic Received, Automobile Expenses Records, Forecast Statement, N\u0026W strike letter, 3.5 acre lease letter to Virginia Electric and Power Company, 1975-1980; Staunton Textile Corporation and Celanese Corporation, 1934-1955; Miscellaneous Correspondence, freight bills, account information, etc. and Exxon records, 1974-1976.","Series 6: Publications, 1963-1977, include copies of  Bullinger's Postal and Shipper's Guide for the US and Canada , 1963, which lists shipping rates, distances, etc. and  Standard Transportation Commodity Code Tariff No. 1-E , November 15, 1977.","Series 7: Blueprints and Schematics, 1951-1979, contains the oversize materials:  a blueprint of the railway line from 1951 and diagrams of electircal gates and signal wiring, 1961-1979."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collection Library. Privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. Privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_57e226aed1de81b0112cfbe25b7f1b76\"\u003eThe Chespeake Western Railway Company Records, 1916-1982, are comprised of 24.36 cubic feet of records pertaining to the administrative and business activities of a small Shenandoah Valley railroad through the period of America's Great Depression and up to the CW's eventual acquisition by the Norfolk Southern Railway Corporation.\u003c/abstract\u003e"],"abstract_tesim":["The Chespeake Western Railway Company Records, 1916-1982, are comprised of 24.36 cubic feet of records pertaining to the administrative and business activities of a small Shenandoah Valley railroad through the period of America's Great Depression and up to the CW's eventual acquisition by the Norfolk Southern Railway Corporation."],"names_coll_ssim":["Norfolk Southern Corporation","Chesapeake Western Railway","Chesapeake Beach Railway Museum","Stokes, W. E. D. (William Earl Dodge), 1852-1926","Geier, Clarence R., 1944-","Hyser, Raymond M., 1955-"],"names_ssim":["James Madison University Libraries Special Collections","Chesapeake Western Railway","Chesapeake Beach Railway Museum","Norfolk Southern Corporation","Geier, Clarence R., 1944-","Hyser, Raymond M., 1955-","Stokes, W. E. D. (William Earl Dodge), 1852-1926"],"corpname_ssim":["James Madison University Libraries Special Collections","Chesapeake Western Railway","Chesapeake Beach Railway Museum","Norfolk Southern Corporation"],"persname_ssim":["Geier, Clarence R., 1944-","Hyser, Raymond M., 1955-","Stokes, W. E. D. (William Earl Dodge), 1852-1926"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":461,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:24:20.538Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_466_c03"}},{"id":"wvmturhc_repositories_2_resources_3133_c22","type":"Series","attributes":{"title":"Addenda of 2017/08/07","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3133_c22#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eIncludes two 33 1/3 rpm recordings from United China Relief which include talks by Pearl S. Buck and Wendell Willkie among others (1941?), and a cachet for a first day cover (1982).\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3133_c22#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_3133_c22","ref_ssm":["wvmturhc_repositories_2_resources_3133_c22"],"id":"wvmturhc_repositories_2_resources_3133_c22","ead_ssi":"wvmturhc_repositories_2_resources_3133","_root_":"wvmturhc_repositories_2_resources_3133","_nest_parent_":"wvmturhc_repositories_2_resources_3133","parent_ssi":"wvmturhc_repositories_2_resources_3133","parent_ssim":["wvmturhc_repositories_2_resources_3133"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_3133"],"parent_unittitles_ssm":["Pearl S. Buck, Author, Papers"],"parent_unittitles_tesim":["Pearl S. Buck, Author, Papers"],"text":["Pearl S. Buck, Author, Papers","Addenda of 2017/08/07","Box 28","Folder 10","Includes two 33 1/3 rpm recordings from United China Relief which include talks by Pearl S. Buck and Wendell Willkie among others (1941?), and a cachet for a first day cover (1982)."],"title_filing_ssi":"Addenda of 2017/08/07","title_ssm":["Addenda of 2017/08/07"],"title_tesim":["Addenda of 2017/08/07"],"unitdate_inclusive_ssm":["1941-1982"],"normalized_date_ssm":["1941/1982"],"normalized_title_ssm":["Addenda of 2017/08/07"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Pearl S. Buck, Author, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":385,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"containers_ssim":["Box 28","Folder 10"],"scopecontent_html_tesm":["\u003cp\u003eIncludes two 33 1/3 rpm recordings from United China Relief which include talks by Pearl S. Buck and Wendell Willkie among others (1941?), and a cachet for a first day cover (1982).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Includes two 33 1/3 rpm recordings from United China Relief which include talks by Pearl S. Buck and Wendell Willkie among others (1941?), and a cachet for a first day cover (1982)."],"_nest_path_":"/components#21","timestamp":"2026-05-21T01:34:44.690Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3133","ead_ssi":"wvmturhc_repositories_2_resources_3133","_root_":"wvmturhc_repositories_2_resources_3133","_nest_parent_":"wvmturhc_repositories_2_resources_3133","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3133.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/209189","title_ssm":["Pearl S. Buck, Author, Papers"],"title_tesim":["Pearl S. Buck, Author, Papers"],"unitdate_ssm":["1921-2018 and undated","1933-1966 and undated"],"unitdate_bulk_ssim":["1933-1966 and undated"],"unitdate_inclusive_ssm":["1921-2018 and undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 0727","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3133"],"text":["A\u0026M 0727","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3133","Pearl S. Buck, Author, Papers","China -- Fiction","China -- In literature","United States -- Relations -- China","West Virginia - Writers.","Amerasians","Authors, American -- West Virginia","Human rights advocacy","Intercountry adoption","Interracial adoption","Literature and society -- China","Literature and society -- United States","Novelists, American -- 20th century -- Correspondence","Novelists, American -- West Virginia","Women novelists, American   -- 20th century","Women social reformers -- United States","No special access restriction applies.","Pearl Sydenstricker Buck was born in Hillsboro, West Virginia, in 1892 to Caroline Stulting Sydenstricker and Absalom Sydenstricker, Southern Presbyterian missionaries who returned to China shortly after their daughter's birth. Pearl was raised and educated in Chinkiang (Zhenjiang), China, but studied in the United States at Randolph Macon Women's College in Lynchburg, Virginia, when she was seventeen. She returned to China after her graduation in 1914, and in 1917 Pearl married agricultural economist and missionary John Lossing Buck. The Bucks lived in Nanhsuchou (Nanxuzhou) in rural Anhwei (Anhui) Province and later in Nanking (Nanjing), China, until 1934. They had one biological daughter, Carol, who had severe intellectual and physical disabilities, and adopted another daughter, Janice.","Pearl began writing about Chinese peasant life and culture and the interactions between East and West in the 1920s, and her first novel,  East Wind, West Wind,  was published in 1930. She published the bestselling and Pulitzer Prize-winning novel  The Good Earth  in 1931, and went on to write more than seventy novels, plays, and short stories and to author numerous articles and essays. Other early books include  Sons  (1932),  A House Divided  (1935),  The First Wife and Other Stories  (1933),  All Men are Brothers  (1933, translation),  The Mother  (1934),  The Exile  (1936),  Fighting Angel  (1936), and  This Proud Heart  (1938). In 1938 Pearl Buck was the first woman to receive the Nobel Prize in Literature.","By 1935, Pearl had divorced her husband and married her publisher and editor, Richard J. Walsh. They settled at Green Hills Farm in Bucks County, Pennsylvania, to be close to Carol, and the Walshes adopted six more children. Pearl was a prolific writer, and most of her fiction remained set in China and the Far East. Other novels include  Dragon Seed  (1942),  Pavilion of Women  (1946),  God's Men  (1951),  Come, My Beloved  (1953),  Imperial Woman  (1956),  Letter from Peking  (1957), and  The Living Reed  (1963). However, due to personal and political circumstances, Pearl never returned to China after she left in 1934.","Pearl campaigned tirelessly for issues related to Chinese human rights, interracial understanding, and orphaned and disabled children for the rest of her life. In 1949 she founded Welcome House, the first interracial adoption agency in the United States. In 1964 she established the Pearl S. Buck Foundation to provide medical care and education for Amerasian children. Pearl also championed civil rights and women's rights in the United States.","Richard Walsh died in 1960, and in the early 1960s Pearl began a loving relationship with lifelong friend William Ernest Hocking that lasted until Hocking's death in 1966. By 1969, Pearl had moved to Danby, Vermont. Pearl S. Buck died in Vermont in 1973 and is buried at Green Hills Farm in Pennsylvania.","4052","Papers of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938 for her novels about peasant life in China.  Though she was born in Hillsboro, West Virginia, Buck was the daughter of Presbyterian missionaries and she was raised in and lived the first part of her adult life in China. ","Dating chiefly from 1933 to 1966, the collection contains typescript and handwritten drafts of articles, reviews, novels, plays, short stories, and speeches; reference materials; and correspondence that document Pearl Buck's literary, political, and humanitarian activities from 1933 to 1976. ","Prominent topics include Buck's writing, including novels, short stories, articles, and speeches, and publication of her work; Chinese history, politics, and culture; American culture; interracial and international adoption; children with disabilities; and Buck's work for human rights. ","Prominent correspondents include Richard Walsh, William E. Hocking, and various authors and politicians. Papers also include materials related to the Pearl S. Buck Birthplace and to other Chinese and American writers. ","Addenda include photos, correspondence, publications, drafts of Buck's work, ephemera, recordings, artifacts, and other material. ","For additional Pearl Buck material, see A\u0026M 4052, Pearl S. Buck, Author, Literary Manuscripts. ","There are twelve series in this collection, plus addenda. Most of the material in series 1-6 was written by Buck. ","Series 1. Articles; circa 1937-1944; box 1 - box 2, folder 39. \nSeries 2. Book Reviews; undated; box 2, folder 40-51.  \nSeries 3. Fiction; circa 1930-1960; box 2, folder 52 - box 5, folder 7. \nSeries 4. Biographical Writings; undated; box 5, folder 8 - box 6, folder 1. \nSeries 5. Book Manuscripts; undated; box 6, folder 2 - box 7B. \nSeries 6. Speeches; circa 1930-1969; box 8, folders 1-27. \nSeries 7. Reference Materials; circa 1937-1950s; box 8, folders 28-32. \nSeries 8. Miscellaneous Materials; circa 1900-1967, undated; box 9. \nSeries 9. Writings by Other Authors; 1930-1931, undated; box 10. \nSeries 10. James Comstock Collection; 1939-1970, undated; box 11. \nSeries 11. Addenda--Correspondence; 1933-1966, undated; boxes 12-14. \nSeries 12. Oversized; ca. 1930s-1970s, undated; box 28, folders 1-9. \nAddendum of 2006/05/22; 1948; box 34. \nAddendum of 2015/04/24; 1939-1988, undated; box 14, folder 14. \nAddendum of 2015/05/08; 1921-1945; boxes 15-24. \nAddendum of 2015/11/09; circa 1943; box 14, folder 15-19. \nAddendum of 2016/06/08; circa 2002; box 25. \nAddendum of 2017/04/10; circa 1937-1983; box 26, folders 1-3. \nAddendum of 2017/06/22; circa 1940-1983, undated; box 27, folders 1-17. \nAddendum of 2017/07/17; 2017; box 25. \nAddendum of 2017/07/28; 1983; box 25, folder 3. \nAddendum of 2017/08/07; circa 1941, 1982; box 28, folder 10. \nAddendum of 2017/08/22; 2010; box 26, folder 4. \nAddendum of 2018/02/27; 2015; box 26, folder 5. \nAddendum of 2018/05/23; undated; box 35, folder 4. \nAddendum of 2018/06/01; 1943-1962; box 35, folder 6. \nAddendum of 2018/08/16; 1932; box 35, folder 2. \nAddendum of 2018/08/17; 1942; box 35, folder 3. \nAddendum of 2019/02/18; 1973; box 29. \nAddendum of 2019/03/19; 2015-2018; boxes 30-31. \nAddendum of 2019/07/23; 2015-2018; boxes 32-33. \nAddendum of 2019/10/01; undated; box 34.  \nAddendum of 2020/08/17; 1946-1983; box 35, folder 5. \nAddendum of 2021/03/07; September 2015; box 32, folder 1. \nAddendum of 2021/04/28; circa 1971-1972; box 35, folder 1.  \nAddendum of 2023/07/30; 1938-1940 and undated; box 32, folder 2.","This series includes typescript drafts of articles written by Buck, probably between 1937 and 1944, though most are undated. Articles are arranged alphabetically by title, and some have handwritten annotations. Many articles pertain to China, but other topics include novels and fiction writing, religion, disabled children, and the United States.","This series contains reviews written by Buck, including one for the novel  Sayonara  by James Michener and several reviews written for  Bookshelf  magazine. Reviews are organized in alphabetical order by title and are largely undated.","This series includes typescript and handwritten drafts of short stories, plays, and scripts by Pearl Buck. These writings are organized by genre and then in alphabetical order by title. Most items are undated, but appear to have been written in the 1930s, 1940s, and 1950s.","This series contains stories and articles that relate to the life of Pearl Buck. These pieces, some of which were written by Buck, appear to be based on the author's life.","This series contains drafts of full-length novels. These include  Come My Beloved, God's Men, The Goddess Abides, Letter from Peking, The Real Thing,  and  Stay As You Are  as well as three untitled books. They are also undated and organized chiefly according to title.","This series contains drafts of talks given by Buck on various topics ranging from \"American Unity\" to Chinese culture, politics, and children. Most are undated but appear to date from the 1930s and 1940s.","This series contains miscellaneous articles and outlines that appear to have been part of Buck's research on various topics.","This series chiefly contains secondary information about Pearl Buck as well as material written by Buck. Secondary information includes photos, pamphlets, news clippings, and lectures about Buck. Other materials include publications, pamphlets, outlines, and manuscripts authored by Buck.","This series includes manuscripts of articles and fiction written by Lin Yutang, Cornelia Spencer, and Grace Yaukey, among others. Grace Sydenstricker Yaukey was the sister of Pearl Buck. Using the pen name Cornelia Spencer, Yaukey also wrote books about Chinese history and culture.","This series contains materials collected by James (Jim) Comstock that pertain to Pearl Buck. Items include drawings, photographs, articles, and clippings, and chiefly relate to the Pearl S. Buck Birthplace in Hillsboro, West Virginia.","This series is arranged in the following subseries: outgoing letters, incoming letters, and letters written to Pearl Buck by American philosopher William E. Hocking.","  Outgoing letters from 1933 to 1962 primarily contains signed typescript letters written by Pearl Buck to various editors, publishers, and authors. Letters from the 1930s and 1940s chiefly relate to Buck's research and writing and the publication of her work. A 1937 letter to David Lloyd contains Buck's thoughts on  This Proud Heart . Letters from the 1950s and 1960s, including one sent to James Michener, chiefly pertain to Welcome House, international adoption, and issues related to current events in China.","  Incoming letters from 1933 to 1964 primarily consist of typescript letters written to either Pearl Buck directly or to her publisher and husband, Richard Walsh. Letters from the 1930s and 1940s are typically from magazines such as  Good Housekeeping ,  Redbook , and larger publishers inquiring about manuscripts, sending acceptances or rejection notices, and looking for serial publications. Letters from the 1950s and 1960s relate to Buck's humanitarian work, particularly her work with Welcome House and legislation related to interracial and international adoption. Correspondents range from Pennsylvania state politicians and national politicians to authors, and include Edward Barrett, Chester Bowles, Estes Kefauver, George Leader, John McCloy, James Michener, Edmund Muskie, Richard Neuberger, Adlai Stevenson, and Sophie Tucker.","  William Ernest Hocking Correspondence contains handwritten and typescript letters written by Hocking to Pearl Buck in 1942 and the 1960s. Three letters from 1942 related to relations between China and the United States. The rest of the letters are from 1961 to 1966, when Hocking and Buck had a close personal relationship. Topics include Hocking's personal news and activities; Hocking and Buck's relationship; Buck's writing and other literature; international politics, including relations with China and Vietnam; Gabriel Marcel; and John J. McCloy.","This series includes a diagram, map, articles, clippings, a textile artwork, and a galley of one of Pearl Buck's books. Subjects include Oak Ridge National Laboratory, Pearl Buck, and her literary works, among others.","Pearl S. Buck manuscript, typescript for short story titled \"Francesca,\" with handwritten corrections and edits.","Includes photos and postcard of or regarding Pearl S. Buck as well as a signed letter.","Contains 31 bound volumes of  Asia  magazine, with each of the magazines numbered volumes bound in two parts: volumes 21-22, 28-31, 33 part II, 34-40 part I, 43-44, and 45 part II.","Includes a typescript outline, draft, and revision of the novella  China Stage","Includes miscellaneous items related to the former residence of Pearl Buck, the Zhenjiang Pearl S. Buck Research Center, and the 110th anniversary of Buck's birth.","Includes a photo of Pearl Buck with actress Luise Rainer (ca. 1937), a sheet of Pearl Buck postage stamps (1983), a typescript of an untitled article beginning with \"...the similarities between Orient and Occident...\" (ca. 1960), and two typescript copies of the three act play  The White Bird  (ca. 1958).","Includes correspondence (1940-1983, undated), a typescript draft of what may be a speech (ca. 1947), and 14 typescript articles that Buck wrote for foreign newspapers (ca. 1945-1946).","Contains a deck of playing cards with an image of Pearl Buck on the back (2017).","Contains a Pearl Buck First Day Cover Envelope (1983).","Includes two 33 1/3 rpm recordings from United China Relief which include talks by Pearl S. Buck and Wendell Willkie among others (1941?), and a cachet for a first day cover (1982).","A House Divided  by Pearl S. Buck, audio book recorded onto 12 CDs (boxed set), narrated by Adam Verner, published by Oasis Audio.","Bepari, Rasheeda Begum.  Aristocratic Women in Pearl S. Buck's Novels: In Relevance with East Wind: West Wind and Pavilion of Women . LAP LAMBERT Academic Publishing, 2015. (book, 44 pages)","Greeting card with an illustration of the Pearl S. Buck birthplace.","Three popular publications with writings by or about Buck, including her works the report \"The Innocent\" (1953) and the article \"China's Gifts to Tomorrow\" (1943) and the article \"Pearl Buck's Children Come Home for a Day\" (1962).","John Day Pamphlet No. 18, \"Is There a Case for Foreign Missions?\" authored by Pearl S. Buck.","NBC Press Photograph of Jen Ying Yen reading the Declaration of Independence in Mandarin on Pearl Buck's \"America Speaks to China\" series.","The Good Earth  collectible plate from 1973. It is in the original box. Included is a certificate explaining that the image on the plate was sketched by Pearl S. Buck and that this is one of a limited edition of plates. It was produced by Creative Worlds, Treviso, Italy.","Includes books and a bar of soap.","Eight volume set of  The Living Reed  (2015) by Pearl S. Buck, in braille, the cover of which includes the name of Bucheon Pearl S. Buck Memorial Hall, in Korea","1. book in Chinese, titled  Earth Pearl  (2015) containing art and poetry regarding the life and work of Pearl S. Buck, published by Jiangsu University Press \n2. large format book of photographs made to commemorate the opening of the Pearl S. Buck Cultural Park, produced (?) by the Zhenjiang Pearl S. Buck Research Association in 2018 \n3. bar of soap, bearing an image of Buck and \"Bucheon Pearl S. Buck Memorial Hall\" in English and Korean, undated","Includes volume one of the braille version of  The Living Reed  (2015) by Pearl S. Buck (box 32; see entire eight volume set in Addenda of 2019/03/19, 2015-2018, box 30). Also includes bilingual (Korean and English) materials from the 2018 Bucheon Pearl S. Buck International Symposium (box 33), including a poster, program, a fuller program, two copies of the conference proceedings, and a canvas bag.","Pearl Buck figurine.","Includes 6 typed letters signed by Pearl Buck; 2 photographs of Pearl Buck in later life; a Pearl Buck envelope, first day of issue; 2 notecards with the autographs of Buck and Betty Friedan; a United Nations 20th Anniversary envelope, first day of issue, signed by Friedan; and a copy of the book jacket for Friedan's  The Feminine Mystique , which contains quotes about the book by Buck.","Contains two copies of the playbill for the New York City Ballet, David H. Koch Theater at Lincoln Center, September, 2015, which includes the program for the dance play \"Pearl,\" based on the life of Pearl S. Buck and conceived by Daniel Ezralow, Arabella Ezralow, Liu Bin, and Angela Xiaolei Tang.","Papers regarding the Coffman family of Greenbrier County, West Virginia; includes genealogical information tracing Pearl Buck's Sydenstricker and Coffman genealogy. Compiled by Marjorie Brookover (nee Coffman).","Includes the following:","-handwritten review by Buck of a book on Japan, William Henry Chamberlain's  Japan Over Asia , published in 1938. This review appeared in  Asia , Vol. 38, No. 2 (February 1938), page 115, \n-handwritten draft of an unpublished short story titled  Mother without Child  (ca. 1940), concerning a woman without children who consoles another woman who has lost her son in the war, and  \n-three typescript drafts of an article titled  Letter to a Girl , written to a teenage girl concerning sex and the role of women in society","Original signed letter from Buck to Mrs. Charles Wilde (1962) moved to A\u0026M 435, Rare Signatures.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Papers of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938 for her novels about peasant life in China. Dating chiefly from 1933 to 1966, the collection contains typescript and handwritten drafts of articles, reviews, novels, plays, short stories, and speeches; reference materials; and correspondence that document Pearl Buck's literary, political, and humanitarian activities from 1933 to 1976. Prominent topics include Buck's writing, including novels, short stories, articles, and speeches, and publication of her work; Chinese history, politics, and culture; American culture; interracial and international adoption; children with disabilities; and Buck's work for human rights. Prominent correspondents include Richard Walsh, William E. Hocking, and various authors and politicians. Papers also include materials related to the Pearl S. Buck Birthplace and to other Chinese and American writers. Addenda include photos, correspondence, publications, drafts of Buck's work, ephemera, recordings, and other material.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","New York City Ballet","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Bepari, Rasheeda Begum","Hocking, William Ernest, 1873-1966","English \n.    "],"unitid_tesim":["A\u0026M 0727","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3133"],"normalized_title_ssm":["Pearl S. Buck, Author, Papers"],"collection_title_tesim":["Pearl S. Buck, Author, Papers"],"collection_ssim":["Pearl S. Buck, Author, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["China -- Fiction","China -- In literature","United States -- Relations -- China","West Virginia - Writers."],"geogname_ssim":["China -- Fiction","China -- In literature","United States -- Relations -- China","West Virginia - Writers."],"creator_ssm":["Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Bepari, Rasheeda Begum","New York City Ballet"],"creator_ssim":["Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Bepari, Rasheeda Begum","New York City Ballet"],"creator_persname_ssim":["Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Bepari, Rasheeda Begum"],"creator_corpname_ssim":["New York City Ballet"],"creators_ssim":["Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Bepari, Rasheeda Begum","New York City Ballet"],"places_ssim":["China -- Fiction","China -- In literature","United States -- Relations -- China","West Virginia - Writers."],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Purchase from Apfelbaum, Charles, 1987/01/16\n---\nADD of 2006/05/22:  Purchase, Wolf's Head Books, 2006 May 22.\n---\nADD of 2018/05/23: Gift of Haden, Priscilla, 2018 May 23.\n---\nADD of 2018/06/01: Purchase, internet vendors, 2018 June.\n---\nADD of 2018/08/16: Purchase, Gregory, Jim, 2018 August.\n---\nADD of 2018/08/17: Purchase, Good, Kimberly, 2018 August.\n---\nADD of 2019/10/01: Purchase, Metcalf, Skip, 2019 October.\n---\nADD of 2020/08/17: Purchase, Lord Durham Rare Books, 2020 August.\n---\nADD of 2021/04/28: Gift of Musgrave, Grace, 2021 April 28."],"access_subjects_ssim":["Amerasians","Authors, American -- West Virginia","Human rights advocacy","Intercountry adoption","Interracial adoption","Literature and society -- China","Literature and society -- United States","Novelists, American -- 20th century -- Correspondence","Novelists, American -- West Virginia","Women novelists, American   -- 20th century","Women social reformers -- United States"],"access_subjects_ssm":["Amerasians","Authors, American -- West Virginia","Human rights advocacy","Intercountry adoption","Interracial adoption","Literature and society -- China","Literature and society -- United States","Novelists, American -- 20th century -- Correspondence","Novelists, American -- West Virginia","Women novelists, American   -- 20th century","Women social reformers -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["13.33 Linear Feet 13 ft. 4 in. (23 document cases, 5 in. each); (9 document cases, 2.5 in. each); (1 large flat storage box, 3.5 in.); (1 record carton, 15 in.); (1 large flat storage box, 3 in.); (1 large flat storage box, 1 in.)"],"extent_tesim":["13.33 Linear Feet 13 ft. 4 in. (23 document cases, 5 in. each); (9 document cases, 2.5 in. each); (1 large flat storage box, 3.5 in.); (1 record carton, 15 in.); (1 large flat storage box, 3 in.); (1 large flat storage box, 1 in.)"],"date_range_isim":[1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003ePearl Sydenstricker Buck was born in Hillsboro, West Virginia, in 1892 to Caroline Stulting Sydenstricker and Absalom Sydenstricker, Southern Presbyterian missionaries who returned to China shortly after their daughter's birth. Pearl was raised and educated in Chinkiang (Zhenjiang), China, but studied in the United States at Randolph Macon Women's College in Lynchburg, Virginia, when she was seventeen. She returned to China after her graduation in 1914, and in 1917 Pearl married agricultural economist and missionary John Lossing Buck. The Bucks lived in Nanhsuchou (Nanxuzhou) in rural Anhwei (Anhui) Province and later in Nanking (Nanjing), China, until 1934. They had one biological daughter, Carol, who had severe intellectual and physical disabilities, and adopted another daughter, Janice.\u003c/p\u003e\n","\u003cp\u003ePearl began writing about Chinese peasant life and culture and the interactions between East and West in the 1920s, and her first novel, \u003cemph render=\"italic\"\u003eEast Wind, West Wind,\u003c/emph\u003e was published in 1930. She published the bestselling and Pulitzer Prize-winning novel \u003cemph render=\"italic\"\u003eThe Good Earth\u003c/emph\u003e in 1931, and went on to write more than seventy novels, plays, and short stories and to author numerous articles and essays. Other early books include \u003cemph render=\"italic\"\u003eSons\u003c/emph\u003e (1932), \u003cemph render=\"italic\"\u003eA House Divided\u003c/emph\u003e (1935), \u003cemph render=\"italic\"\u003eThe First Wife and Other Stories\u003c/emph\u003e (1933), \u003cemph render=\"italic\"\u003eAll Men are Brothers\u003c/emph\u003e (1933, translation), \u003cemph render=\"italic\"\u003eThe Mother\u003c/emph\u003e (1934), \u003cemph render=\"italic\"\u003eThe Exile\u003c/emph\u003e (1936), \u003cemph render=\"italic\"\u003eFighting Angel\u003c/emph\u003e (1936), and \u003cemph render=\"italic\"\u003eThis Proud Heart\u003c/emph\u003e (1938). In 1938 Pearl Buck was the first woman to receive the Nobel Prize in Literature.\u003c/p\u003e\n","\u003cp\u003eBy 1935, Pearl had divorced her husband and married her publisher and editor, Richard J. Walsh. They settled at Green Hills Farm in Bucks County, Pennsylvania, to be close to Carol, and the Walshes adopted six more children. Pearl was a prolific writer, and most of her fiction remained set in China and the Far East. Other novels include \u003cemph render=\"italic\"\u003eDragon Seed\u003c/emph\u003e (1942), \u003cemph render=\"italic\"\u003ePavilion of Women\u003c/emph\u003e (1946), \u003cemph render=\"italic\"\u003eGod's Men\u003c/emph\u003e (1951), \u003cemph render=\"italic\"\u003eCome, My Beloved\u003c/emph\u003e (1953), \u003cemph render=\"italic\"\u003eImperial Woman\u003c/emph\u003e (1956), \u003cemph render=\"italic\"\u003eLetter from Peking\u003c/emph\u003e (1957), and \u003cemph render=\"italic\"\u003eThe Living Reed\u003c/emph\u003e (1963). However, due to personal and political circumstances, Pearl never returned to China after she left in 1934.\u003c/p\u003e\n","\u003cp\u003ePearl campaigned tirelessly for issues related to Chinese human rights, interracial understanding, and orphaned and disabled children for the rest of her life. In 1949 she founded Welcome House, the first interracial adoption agency in the United States. In 1964 she established the Pearl S. Buck Foundation to provide medical care and education for Amerasian children. Pearl also championed civil rights and women's rights in the United States.\u003c/p\u003e\n","\u003cp\u003eRichard Walsh died in 1960, and in the early 1960s Pearl began a loving relationship with lifelong friend William Ernest Hocking that lasted until Hocking's death in 1966. By 1969, Pearl had moved to Danby, Vermont. Pearl S. Buck died in Vermont in 1973 and is buried at Green Hills Farm in Pennsylvania.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Pearl Sydenstricker Buck was born in Hillsboro, West Virginia, in 1892 to Caroline Stulting Sydenstricker and Absalom Sydenstricker, Southern Presbyterian missionaries who returned to China shortly after their daughter's birth. Pearl was raised and educated in Chinkiang (Zhenjiang), China, but studied in the United States at Randolph Macon Women's College in Lynchburg, Virginia, when she was seventeen. She returned to China after her graduation in 1914, and in 1917 Pearl married agricultural economist and missionary John Lossing Buck. The Bucks lived in Nanhsuchou (Nanxuzhou) in rural Anhwei (Anhui) Province and later in Nanking (Nanjing), China, until 1934. They had one biological daughter, Carol, who had severe intellectual and physical disabilities, and adopted another daughter, Janice.","Pearl began writing about Chinese peasant life and culture and the interactions between East and West in the 1920s, and her first novel,  East Wind, West Wind,  was published in 1930. She published the bestselling and Pulitzer Prize-winning novel  The Good Earth  in 1931, and went on to write more than seventy novels, plays, and short stories and to author numerous articles and essays. Other early books include  Sons  (1932),  A House Divided  (1935),  The First Wife and Other Stories  (1933),  All Men are Brothers  (1933, translation),  The Mother  (1934),  The Exile  (1936),  Fighting Angel  (1936), and  This Proud Heart  (1938). In 1938 Pearl Buck was the first woman to receive the Nobel Prize in Literature.","By 1935, Pearl had divorced her husband and married her publisher and editor, Richard J. Walsh. They settled at Green Hills Farm in Bucks County, Pennsylvania, to be close to Carol, and the Walshes adopted six more children. Pearl was a prolific writer, and most of her fiction remained set in China and the Far East. Other novels include  Dragon Seed  (1942),  Pavilion of Women  (1946),  God's Men  (1951),  Come, My Beloved  (1953),  Imperial Woman  (1956),  Letter from Peking  (1957), and  The Living Reed  (1963). However, due to personal and political circumstances, Pearl never returned to China after she left in 1934.","Pearl campaigned tirelessly for issues related to Chinese human rights, interracial understanding, and orphaned and disabled children for the rest of her life. In 1949 she founded Welcome House, the first interracial adoption agency in the United States. In 1964 she established the Pearl S. Buck Foundation to provide medical care and education for Amerasian children. Pearl also championed civil rights and women's rights in the United States.","Richard Walsh died in 1960, and in the early 1960s Pearl began a loving relationship with lifelong friend William Ernest Hocking that lasted until Hocking's death in 1966. By 1969, Pearl had moved to Danby, Vermont. Pearl S. Buck died in Vermont in 1973 and is buried at Green Hills Farm in Pennsylvania."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Pearl S. Buck, Author, Papers, A\u0026amp;M 0727, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Pearl S. Buck, Author, Papers, A\u0026M 0727, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e4052\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["4052"],"scopecontent_html_tesm":["\u003cp\u003ePapers of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938 for her novels about peasant life in China.  Though she was born in Hillsboro, West Virginia, Buck was the daughter of Presbyterian missionaries and she was raised in and lived the first part of her adult life in China. \u003c/p\u003e\n","\u003cp\u003eDating chiefly from 1933 to 1966, the collection contains typescript and handwritten drafts of articles, reviews, novels, plays, short stories, and speeches; reference materials; and correspondence that document Pearl Buck's literary, political, and humanitarian activities from 1933 to 1976. \u003c/p\u003e\n","\u003cp\u003eProminent topics include Buck's writing, including novels, short stories, articles, and speeches, and publication of her work; Chinese history, politics, and culture; American culture; interracial and international adoption; children with disabilities; and Buck's work for human rights. \u003c/p\u003e\n","\u003cp\u003eProminent correspondents include Richard Walsh, William E. Hocking, and various authors and politicians. Papers also include materials related to the Pearl S. Buck Birthplace and to other Chinese and American writers. \u003c/p\u003e\n","\u003cp\u003eAddenda include photos, correspondence, publications, drafts of Buck's work, ephemera, recordings, artifacts, and other material. \u003c/p\u003e\n","\u003cp\u003eFor additional Pearl Buck material, see A\u0026amp;M 4052, Pearl S. Buck, Author, Literary Manuscripts. \u003c/p\u003e\n","\u003cp\u003eThere are twelve series in this collection, plus addenda. Most of the material in series 1-6 was written by Buck. \u003c/p\u003e\n","\u003cp\u003eSeries 1. Articles; circa 1937-1944; box 1 - box 2, folder 39.\u003clb\u003e\u003c/lb\u003e\nSeries 2. Book Reviews; undated; box 2, folder 40-51. \u003clb\u003e\u003c/lb\u003e\nSeries 3. Fiction; circa 1930-1960; box 2, folder 52 - box 5, folder 7.\u003clb\u003e\u003c/lb\u003e\nSeries 4. Biographical Writings; undated; box 5, folder 8 - box 6, folder 1.\u003clb\u003e\u003c/lb\u003e\nSeries 5. Book Manuscripts; undated; box 6, folder 2 - box 7B.\u003clb\u003e\u003c/lb\u003e\nSeries 6. Speeches; circa 1930-1969; box 8, folders 1-27.\u003clb\u003e\u003c/lb\u003e\nSeries 7. Reference Materials; circa 1937-1950s; box 8, folders 28-32.\u003clb\u003e\u003c/lb\u003e\nSeries 8. Miscellaneous Materials; circa 1900-1967, undated; box 9.\u003clb\u003e\u003c/lb\u003e\nSeries 9. Writings by Other Authors; 1930-1931, undated; box 10.\u003clb\u003e\u003c/lb\u003e\nSeries 10. James Comstock Collection; 1939-1970, undated; box 11.\u003clb\u003e\u003c/lb\u003e\nSeries 11. Addenda--Correspondence; 1933-1966, undated; boxes 12-14.\u003clb\u003e\u003c/lb\u003e\nSeries 12. Oversized; ca. 1930s-1970s, undated; box 28, folders 1-9.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2006/05/22; 1948; box 34.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2015/04/24; 1939-1988, undated; box 14, folder 14.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2015/05/08; 1921-1945; boxes 15-24.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2015/11/09; circa 1943; box 14, folder 15-19.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2016/06/08; circa 2002; box 25.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2017/04/10; circa 1937-1983; box 26, folders 1-3.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2017/06/22; circa 1940-1983, undated; box 27, folders 1-17.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2017/07/17; 2017; box 25.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2017/07/28; 1983; box 25, folder 3.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2017/08/07; circa 1941, 1982; box 28, folder 10.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2017/08/22; 2010; box 26, folder 4.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2018/02/27; 2015; box 26, folder 5.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2018/05/23; undated; box 35, folder 4.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2018/06/01; 1943-1962; box 35, folder 6.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2018/08/16; 1932; box 35, folder 2.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2018/08/17; 1942; box 35, folder 3.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2019/02/18; 1973; box 29.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2019/03/19; 2015-2018; boxes 30-31.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2019/07/23; 2015-2018; boxes 32-33.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2019/10/01; undated; box 34.\u003clb\u003e\u003c/lb\u003e \nAddendum of 2020/08/17; 1946-1983; box 35, folder 5.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2021/03/07; September 2015; box 32, folder 1.\u003clb\u003e\u003c/lb\u003e\nAddendum of 2021/04/28; circa 1971-1972; box 35, folder 1. \u003clb\u003e\u003c/lb\u003e\nAddendum of 2023/07/30; 1938-1940 and undated; box 32, folder 2.\u003c/p\u003e","\u003cp\u003eThis series includes typescript drafts of articles written by Buck, probably between 1937 and 1944, though most are undated. Articles are arranged alphabetically by title, and some have handwritten annotations. Many articles pertain to China, but other topics include novels and fiction writing, religion, disabled children, and the United States.\u003c/p\u003e","\u003cp\u003eThis series contains reviews written by Buck, including one for the novel \u003cemph render=\"italic\"\u003eSayonara\u003c/emph\u003e by James Michener and several reviews written for \u003cemph render=\"italic\"\u003eBookshelf\u003c/emph\u003e magazine. Reviews are organized in alphabetical order by title and are largely undated.\u003c/p\u003e","\u003cp\u003eThis series includes typescript and handwritten drafts of short stories, plays, and scripts by Pearl Buck. These writings are organized by genre and then in alphabetical order by title. Most items are undated, but appear to have been written in the 1930s, 1940s, and 1950s.\u003c/p\u003e","\u003cp\u003eThis series contains stories and articles that relate to the life of Pearl Buck. These pieces, some of which were written by Buck, appear to be based on the author's life.\u003c/p\u003e","\u003cp\u003eThis series contains drafts of full-length novels. These include \u003cemph render=\"italic\"\u003eCome My Beloved, God's Men, The Goddess Abides, Letter from Peking, The Real Thing,\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eStay As You Are\u003c/emph\u003e as well as three untitled books. They are also undated and organized chiefly according to title.\u003c/p\u003e","\u003cp\u003eThis series contains drafts of talks given by Buck on various topics ranging from \"American Unity\" to Chinese culture, politics, and children. Most are undated but appear to date from the 1930s and 1940s.\u003c/p\u003e","\u003cp\u003eThis series contains miscellaneous articles and outlines that appear to have been part of Buck's research on various topics.\u003c/p\u003e","\u003cp\u003eThis series chiefly contains secondary information about Pearl Buck as well as material written by Buck. Secondary information includes photos, pamphlets, news clippings, and lectures about Buck. Other materials include publications, pamphlets, outlines, and manuscripts authored by Buck.\u003c/p\u003e","\u003cp\u003eThis series includes manuscripts of articles and fiction written by Lin Yutang, Cornelia Spencer, and Grace Yaukey, among others. Grace Sydenstricker Yaukey was the sister of Pearl Buck. Using the pen name Cornelia Spencer, Yaukey also wrote books about Chinese history and culture.\u003c/p\u003e","\u003cp\u003eThis series contains materials collected by James (Jim) Comstock that pertain to Pearl Buck. Items include drawings, photographs, articles, and clippings, and chiefly relate to the Pearl S. Buck Birthplace in Hillsboro, West Virginia.\u003c/p\u003e","\u003cp\u003eThis series is arranged in the following subseries: outgoing letters, incoming letters, and letters written to Pearl Buck by American philosopher William E. Hocking.\u003c/p\u003e\n","\u003cp\u003e  Outgoing letters from 1933 to 1962 primarily contains signed typescript letters written by Pearl Buck to various editors, publishers, and authors. Letters from the 1930s and 1940s chiefly relate to Buck's research and writing and the publication of her work. A 1937 letter to David Lloyd contains Buck's thoughts on \u003cemph render=\"italic\"\u003eThis Proud Heart\u003c/emph\u003e. Letters from the 1950s and 1960s, including one sent to James Michener, chiefly pertain to Welcome House, international adoption, and issues related to current events in China.\u003c/p\u003e\n","\u003cp\u003e  Incoming letters from 1933 to 1964 primarily consist of typescript letters written to either Pearl Buck directly or to her publisher and husband, Richard Walsh. Letters from the 1930s and 1940s are typically from magazines such as \u003cemph render=\"italic\"\u003eGood Housekeeping\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRedbook\u003c/emph\u003e, and larger publishers inquiring about manuscripts, sending acceptances or rejection notices, and looking for serial publications. Letters from the 1950s and 1960s relate to Buck's humanitarian work, particularly her work with Welcome House and legislation related to interracial and international adoption. Correspondents range from Pennsylvania state politicians and national politicians to authors, and include Edward Barrett, Chester Bowles, Estes Kefauver, George Leader, John McCloy, James Michener, Edmund Muskie, Richard Neuberger, Adlai Stevenson, and Sophie Tucker.\u003c/p\u003e\n","\u003cp\u003e  William Ernest Hocking Correspondence contains handwritten and typescript letters written by Hocking to Pearl Buck in 1942 and the 1960s. Three letters from 1942 related to relations between China and the United States. The rest of the letters are from 1961 to 1966, when Hocking and Buck had a close personal relationship. Topics include Hocking's personal news and activities; Hocking and Buck's relationship; Buck's writing and other literature; international politics, including relations with China and Vietnam; Gabriel Marcel; and John J. McCloy.\u003c/p\u003e","\u003cp\u003eThis series includes a diagram, map, articles, clippings, a textile artwork, and a galley of one of Pearl Buck's books. Subjects include Oak Ridge National Laboratory, Pearl Buck, and her literary works, among others.\u003c/p\u003e","\u003cp\u003ePearl S. Buck manuscript, typescript for short story titled \"Francesca,\" with handwritten corrections and edits.\u003c/p\u003e","\u003cp\u003eIncludes photos and postcard of or regarding Pearl S. Buck as well as a signed letter.\u003c/p\u003e","\u003cp\u003eContains 31 bound volumes of \u003cemph render=\"italic\"\u003eAsia\u003c/emph\u003e magazine, with each of the magazines numbered volumes bound in two parts: volumes 21-22, 28-31, 33 part II, 34-40 part I, 43-44, and 45 part II.\u003c/p\u003e","\u003cp\u003eIncludes a typescript outline, draft, and revision of the novella \u003cemph render=\"italic\"\u003eChina Stage\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eIncludes miscellaneous items related to the former residence of Pearl Buck, the Zhenjiang Pearl S. Buck Research Center, and the 110th anniversary of Buck's birth.\u003c/p\u003e","\u003cp\u003eIncludes a photo of Pearl Buck with actress Luise Rainer (ca. 1937), a sheet of Pearl Buck postage stamps (1983), a typescript of an untitled article beginning with \"...the similarities between Orient and Occident...\" (ca. 1960), and two typescript copies of the three act play \u003cemph render=\"italic\"\u003eThe White Bird\u003c/emph\u003e (ca. 1958).\u003c/p\u003e","\u003cp\u003eIncludes correspondence (1940-1983, undated), a typescript draft of what may be a speech (ca. 1947), and 14 typescript articles that Buck wrote for foreign newspapers (ca. 1945-1946).\u003c/p\u003e","\u003cp\u003eContains a deck of playing cards with an image of Pearl Buck on the back (2017).\u003c/p\u003e","\u003cp\u003eContains a Pearl Buck First Day Cover Envelope (1983).\u003c/p\u003e","\u003cp\u003eIncludes two 33 1/3 rpm recordings from United China Relief which include talks by Pearl S. Buck and Wendell Willkie among others (1941?), and a cachet for a first day cover (1982).\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eA House Divided\u003c/emph\u003e by Pearl S. Buck, audio book recorded onto 12 CDs (boxed set), narrated by Adam Verner, published by Oasis Audio.\u003c/p\u003e","\u003cp\u003eBepari, Rasheeda Begum. \u003cemph render=\"italic\"\u003eAristocratic Women in Pearl S. Buck's Novels: In Relevance with East Wind: West Wind and Pavilion of Women\u003c/emph\u003e. LAP LAMBERT Academic Publishing, 2015. (book, 44 pages)\u003c/p\u003e","\u003cp\u003eGreeting card with an illustration of the Pearl S. Buck birthplace.\u003c/p\u003e","\u003cp\u003eThree popular publications with writings by or about Buck, including her works the report \"The Innocent\" (1953) and the article \"China's Gifts to Tomorrow\" (1943) and the article \"Pearl Buck's Children Come Home for a Day\" (1962).\u003c/p\u003e","\u003cp\u003eJohn Day Pamphlet No. 18, \"Is There a Case for Foreign Missions?\" authored by Pearl S. Buck.\u003c/p\u003e","\u003cp\u003eNBC Press Photograph of Jen Ying Yen reading the Declaration of Independence in Mandarin on Pearl Buck's \"America Speaks to China\" series.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Good Earth\u003c/title\u003e collectible plate from 1973. It is in the original box. Included is a certificate explaining that the image on the plate was sketched by Pearl S. Buck and that this is one of a limited edition of plates. It was produced by Creative Worlds, Treviso, Italy.\u003c/p\u003e","\u003cp\u003eIncludes books and a bar of soap.\u003c/p\u003e","\u003cp\u003eEight volume set of \u003ctitle\u003eThe Living Reed\u003c/title\u003e (2015) by Pearl S. Buck, in braille, the cover of which includes the name of Bucheon Pearl S. Buck Memorial Hall, in Korea\u003c/p\u003e","\u003cp\u003e1. book in Chinese, titled \u003ctitle\u003eEarth Pearl\u003c/title\u003e (2015) containing art and poetry regarding the life and work of Pearl S. Buck, published by Jiangsu University Press\u003clb\u003e\u003c/lb\u003e\n2. large format book of photographs made to commemorate the opening of the Pearl S. Buck Cultural Park, produced (?) by the Zhenjiang Pearl S. Buck Research Association in 2018\u003clb\u003e\u003c/lb\u003e\n3. bar of soap, bearing an image of Buck and \"Bucheon Pearl S. Buck Memorial Hall\" in English and Korean, undated\u003c/p\u003e","\u003cp\u003eIncludes volume one of the braille version of \u003ctitle\u003eThe Living Reed\u003c/title\u003e (2015) by Pearl S. Buck (box 32; see entire eight volume set in Addenda of 2019/03/19, 2015-2018, box 30). Also includes bilingual (Korean and English) materials from the 2018 Bucheon Pearl S. Buck International Symposium (box 33), including a poster, program, a fuller program, two copies of the conference proceedings, and a canvas bag.\u003c/p\u003e","\u003cp\u003ePearl Buck figurine.\u003c/p\u003e","\u003cp\u003eIncludes 6 typed letters signed by Pearl Buck; 2 photographs of Pearl Buck in later life; a Pearl Buck envelope, first day of issue; 2 notecards with the autographs of Buck and Betty Friedan; a United Nations 20th Anniversary envelope, first day of issue, signed by Friedan; and a copy of the book jacket for Friedan's \u003ctitle\u003e\u003cpart\u003eThe Feminine Mystique\u003c/part\u003e\u003c/title\u003e, which contains quotes about the book by Buck.\u003c/p\u003e","\u003cp\u003eContains two copies of the playbill for the New York City Ballet, David H. Koch Theater at Lincoln Center, September, 2015, which includes the program for the dance play \"Pearl,\" based on the life of Pearl S. Buck and conceived by Daniel Ezralow, Arabella Ezralow, Liu Bin, and Angela Xiaolei Tang.\u003c/p\u003e","\u003cp\u003ePapers regarding the Coffman family of Greenbrier County, West Virginia; includes genealogical information tracing Pearl Buck's Sydenstricker and Coffman genealogy. Compiled by Marjorie Brookover (nee Coffman).\u003c/p\u003e","\u003cp\u003eIncludes the following:\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003e-handwritten review by Buck of a book on Japan, William Henry Chamberlain's \u003ctitle\u003e\u003cpart\u003eJapan Over Asia\u003c/part\u003e\u003c/title\u003e, published in 1938. This review appeared in \u003ctitle\u003e\u003cpart\u003eAsia\u003c/part\u003e\u003c/title\u003e, Vol. 38, No. 2 (February 1938), page 115,\u003clb\u003e\u003c/lb\u003e\n-handwritten draft of an unpublished short story titled \u003ctitle render=\"doublequote\"\u003e\u003cpart\u003eMother without Child\u003c/part\u003e\u003c/title\u003e (ca. 1940), concerning a woman without children who consoles another woman who has lost her son in the war, and \u003clb\u003e\u003c/lb\u003e\n-three typescript drafts of an article titled \u003ctitle render=\"doublequote\"\u003e\u003cpart\u003eLetter to a Girl\u003c/part\u003e\u003c/title\u003e, written to a teenage girl concerning sex and the role of women in society\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938 for her novels about peasant life in China.  Though she was born in Hillsboro, West Virginia, Buck was the daughter of Presbyterian missionaries and she was raised in and lived the first part of her adult life in China. ","Dating chiefly from 1933 to 1966, the collection contains typescript and handwritten drafts of articles, reviews, novels, plays, short stories, and speeches; reference materials; and correspondence that document Pearl Buck's literary, political, and humanitarian activities from 1933 to 1976. ","Prominent topics include Buck's writing, including novels, short stories, articles, and speeches, and publication of her work; Chinese history, politics, and culture; American culture; interracial and international adoption; children with disabilities; and Buck's work for human rights. ","Prominent correspondents include Richard Walsh, William E. Hocking, and various authors and politicians. Papers also include materials related to the Pearl S. Buck Birthplace and to other Chinese and American writers. ","Addenda include photos, correspondence, publications, drafts of Buck's work, ephemera, recordings, artifacts, and other material. ","For additional Pearl Buck material, see A\u0026M 4052, Pearl S. Buck, Author, Literary Manuscripts. ","There are twelve series in this collection, plus addenda. Most of the material in series 1-6 was written by Buck. ","Series 1. Articles; circa 1937-1944; box 1 - box 2, folder 39. \nSeries 2. Book Reviews; undated; box 2, folder 40-51.  \nSeries 3. Fiction; circa 1930-1960; box 2, folder 52 - box 5, folder 7. \nSeries 4. Biographical Writings; undated; box 5, folder 8 - box 6, folder 1. \nSeries 5. Book Manuscripts; undated; box 6, folder 2 - box 7B. \nSeries 6. Speeches; circa 1930-1969; box 8, folders 1-27. \nSeries 7. Reference Materials; circa 1937-1950s; box 8, folders 28-32. \nSeries 8. Miscellaneous Materials; circa 1900-1967, undated; box 9. \nSeries 9. Writings by Other Authors; 1930-1931, undated; box 10. \nSeries 10. James Comstock Collection; 1939-1970, undated; box 11. \nSeries 11. Addenda--Correspondence; 1933-1966, undated; boxes 12-14. \nSeries 12. Oversized; ca. 1930s-1970s, undated; box 28, folders 1-9. \nAddendum of 2006/05/22; 1948; box 34. \nAddendum of 2015/04/24; 1939-1988, undated; box 14, folder 14. \nAddendum of 2015/05/08; 1921-1945; boxes 15-24. \nAddendum of 2015/11/09; circa 1943; box 14, folder 15-19. \nAddendum of 2016/06/08; circa 2002; box 25. \nAddendum of 2017/04/10; circa 1937-1983; box 26, folders 1-3. \nAddendum of 2017/06/22; circa 1940-1983, undated; box 27, folders 1-17. \nAddendum of 2017/07/17; 2017; box 25. \nAddendum of 2017/07/28; 1983; box 25, folder 3. \nAddendum of 2017/08/07; circa 1941, 1982; box 28, folder 10. \nAddendum of 2017/08/22; 2010; box 26, folder 4. \nAddendum of 2018/02/27; 2015; box 26, folder 5. \nAddendum of 2018/05/23; undated; box 35, folder 4. \nAddendum of 2018/06/01; 1943-1962; box 35, folder 6. \nAddendum of 2018/08/16; 1932; box 35, folder 2. \nAddendum of 2018/08/17; 1942; box 35, folder 3. \nAddendum of 2019/02/18; 1973; box 29. \nAddendum of 2019/03/19; 2015-2018; boxes 30-31. \nAddendum of 2019/07/23; 2015-2018; boxes 32-33. \nAddendum of 2019/10/01; undated; box 34.  \nAddendum of 2020/08/17; 1946-1983; box 35, folder 5. \nAddendum of 2021/03/07; September 2015; box 32, folder 1. \nAddendum of 2021/04/28; circa 1971-1972; box 35, folder 1.  \nAddendum of 2023/07/30; 1938-1940 and undated; box 32, folder 2.","This series includes typescript drafts of articles written by Buck, probably between 1937 and 1944, though most are undated. Articles are arranged alphabetically by title, and some have handwritten annotations. Many articles pertain to China, but other topics include novels and fiction writing, religion, disabled children, and the United States.","This series contains reviews written by Buck, including one for the novel  Sayonara  by James Michener and several reviews written for  Bookshelf  magazine. Reviews are organized in alphabetical order by title and are largely undated.","This series includes typescript and handwritten drafts of short stories, plays, and scripts by Pearl Buck. These writings are organized by genre and then in alphabetical order by title. Most items are undated, but appear to have been written in the 1930s, 1940s, and 1950s.","This series contains stories and articles that relate to the life of Pearl Buck. These pieces, some of which were written by Buck, appear to be based on the author's life.","This series contains drafts of full-length novels. These include  Come My Beloved, God's Men, The Goddess Abides, Letter from Peking, The Real Thing,  and  Stay As You Are  as well as three untitled books. They are also undated and organized chiefly according to title.","This series contains drafts of talks given by Buck on various topics ranging from \"American Unity\" to Chinese culture, politics, and children. Most are undated but appear to date from the 1930s and 1940s.","This series contains miscellaneous articles and outlines that appear to have been part of Buck's research on various topics.","This series chiefly contains secondary information about Pearl Buck as well as material written by Buck. Secondary information includes photos, pamphlets, news clippings, and lectures about Buck. Other materials include publications, pamphlets, outlines, and manuscripts authored by Buck.","This series includes manuscripts of articles and fiction written by Lin Yutang, Cornelia Spencer, and Grace Yaukey, among others. Grace Sydenstricker Yaukey was the sister of Pearl Buck. Using the pen name Cornelia Spencer, Yaukey also wrote books about Chinese history and culture.","This series contains materials collected by James (Jim) Comstock that pertain to Pearl Buck. Items include drawings, photographs, articles, and clippings, and chiefly relate to the Pearl S. Buck Birthplace in Hillsboro, West Virginia.","This series is arranged in the following subseries: outgoing letters, incoming letters, and letters written to Pearl Buck by American philosopher William E. Hocking.","  Outgoing letters from 1933 to 1962 primarily contains signed typescript letters written by Pearl Buck to various editors, publishers, and authors. Letters from the 1930s and 1940s chiefly relate to Buck's research and writing and the publication of her work. A 1937 letter to David Lloyd contains Buck's thoughts on  This Proud Heart . Letters from the 1950s and 1960s, including one sent to James Michener, chiefly pertain to Welcome House, international adoption, and issues related to current events in China.","  Incoming letters from 1933 to 1964 primarily consist of typescript letters written to either Pearl Buck directly or to her publisher and husband, Richard Walsh. Letters from the 1930s and 1940s are typically from magazines such as  Good Housekeeping ,  Redbook , and larger publishers inquiring about manuscripts, sending acceptances or rejection notices, and looking for serial publications. Letters from the 1950s and 1960s relate to Buck's humanitarian work, particularly her work with Welcome House and legislation related to interracial and international adoption. Correspondents range from Pennsylvania state politicians and national politicians to authors, and include Edward Barrett, Chester Bowles, Estes Kefauver, George Leader, John McCloy, James Michener, Edmund Muskie, Richard Neuberger, Adlai Stevenson, and Sophie Tucker.","  William Ernest Hocking Correspondence contains handwritten and typescript letters written by Hocking to Pearl Buck in 1942 and the 1960s. Three letters from 1942 related to relations between China and the United States. The rest of the letters are from 1961 to 1966, when Hocking and Buck had a close personal relationship. Topics include Hocking's personal news and activities; Hocking and Buck's relationship; Buck's writing and other literature; international politics, including relations with China and Vietnam; Gabriel Marcel; and John J. McCloy.","This series includes a diagram, map, articles, clippings, a textile artwork, and a galley of one of Pearl Buck's books. Subjects include Oak Ridge National Laboratory, Pearl Buck, and her literary works, among others.","Pearl S. Buck manuscript, typescript for short story titled \"Francesca,\" with handwritten corrections and edits.","Includes photos and postcard of or regarding Pearl S. Buck as well as a signed letter.","Contains 31 bound volumes of  Asia  magazine, with each of the magazines numbered volumes bound in two parts: volumes 21-22, 28-31, 33 part II, 34-40 part I, 43-44, and 45 part II.","Includes a typescript outline, draft, and revision of the novella  China Stage","Includes miscellaneous items related to the former residence of Pearl Buck, the Zhenjiang Pearl S. Buck Research Center, and the 110th anniversary of Buck's birth.","Includes a photo of Pearl Buck with actress Luise Rainer (ca. 1937), a sheet of Pearl Buck postage stamps (1983), a typescript of an untitled article beginning with \"...the similarities between Orient and Occident...\" (ca. 1960), and two typescript copies of the three act play  The White Bird  (ca. 1958).","Includes correspondence (1940-1983, undated), a typescript draft of what may be a speech (ca. 1947), and 14 typescript articles that Buck wrote for foreign newspapers (ca. 1945-1946).","Contains a deck of playing cards with an image of Pearl Buck on the back (2017).","Contains a Pearl Buck First Day Cover Envelope (1983).","Includes two 33 1/3 rpm recordings from United China Relief which include talks by Pearl S. Buck and Wendell Willkie among others (1941?), and a cachet for a first day cover (1982).","A House Divided  by Pearl S. Buck, audio book recorded onto 12 CDs (boxed set), narrated by Adam Verner, published by Oasis Audio.","Bepari, Rasheeda Begum.  Aristocratic Women in Pearl S. Buck's Novels: In Relevance with East Wind: West Wind and Pavilion of Women . LAP LAMBERT Academic Publishing, 2015. (book, 44 pages)","Greeting card with an illustration of the Pearl S. Buck birthplace.","Three popular publications with writings by or about Buck, including her works the report \"The Innocent\" (1953) and the article \"China's Gifts to Tomorrow\" (1943) and the article \"Pearl Buck's Children Come Home for a Day\" (1962).","John Day Pamphlet No. 18, \"Is There a Case for Foreign Missions?\" authored by Pearl S. Buck.","NBC Press Photograph of Jen Ying Yen reading the Declaration of Independence in Mandarin on Pearl Buck's \"America Speaks to China\" series.","The Good Earth  collectible plate from 1973. It is in the original box. Included is a certificate explaining that the image on the plate was sketched by Pearl S. Buck and that this is one of a limited edition of plates. It was produced by Creative Worlds, Treviso, Italy.","Includes books and a bar of soap.","Eight volume set of  The Living Reed  (2015) by Pearl S. Buck, in braille, the cover of which includes the name of Bucheon Pearl S. Buck Memorial Hall, in Korea","1. book in Chinese, titled  Earth Pearl  (2015) containing art and poetry regarding the life and work of Pearl S. Buck, published by Jiangsu University Press \n2. large format book of photographs made to commemorate the opening of the Pearl S. Buck Cultural Park, produced (?) by the Zhenjiang Pearl S. Buck Research Association in 2018 \n3. bar of soap, bearing an image of Buck and \"Bucheon Pearl S. Buck Memorial Hall\" in English and Korean, undated","Includes volume one of the braille version of  The Living Reed  (2015) by Pearl S. Buck (box 32; see entire eight volume set in Addenda of 2019/03/19, 2015-2018, box 30). Also includes bilingual (Korean and English) materials from the 2018 Bucheon Pearl S. Buck International Symposium (box 33), including a poster, program, a fuller program, two copies of the conference proceedings, and a canvas bag.","Pearl Buck figurine.","Includes 6 typed letters signed by Pearl Buck; 2 photographs of Pearl Buck in later life; a Pearl Buck envelope, first day of issue; 2 notecards with the autographs of Buck and Betty Friedan; a United Nations 20th Anniversary envelope, first day of issue, signed by Friedan; and a copy of the book jacket for Friedan's  The Feminine Mystique , which contains quotes about the book by Buck.","Contains two copies of the playbill for the New York City Ballet, David H. Koch Theater at Lincoln Center, September, 2015, which includes the program for the dance play \"Pearl,\" based on the life of Pearl S. Buck and conceived by Daniel Ezralow, Arabella Ezralow, Liu Bin, and Angela Xiaolei Tang.","Papers regarding the Coffman family of Greenbrier County, West Virginia; includes genealogical information tracing Pearl Buck's Sydenstricker and Coffman genealogy. Compiled by Marjorie Brookover (nee Coffman).","Includes the following:","-handwritten review by Buck of a book on Japan, William Henry Chamberlain's  Japan Over Asia , published in 1938. This review appeared in  Asia , Vol. 38, No. 2 (February 1938), page 115, \n-handwritten draft of an unpublished short story titled  Mother without Child  (ca. 1940), concerning a woman without children who consoles another woman who has lost her son in the war, and  \n-three typescript drafts of an article titled  Letter to a Girl , written to a teenage girl concerning sex and the role of women in society"],"separatedmaterial_html_tesm":["\u003cp\u003eOriginal signed letter from Buck to Mrs. Charles Wilde (1962) moved to A\u0026amp;M 435, Rare Signatures.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Original signed letter from Buck to Mrs. Charles Wilde (1962) moved to A\u0026M 435, Rare Signatures."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_333ae7a4aced96d0a9d85dffabb69677\"\u003ePapers of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938 for her novels about peasant life in China. Dating chiefly from 1933 to 1966, the collection contains typescript and handwritten drafts of articles, reviews, novels, plays, short stories, and speeches; reference materials; and correspondence that document Pearl Buck's literary, political, and humanitarian activities from 1933 to 1976. Prominent topics include Buck's writing, including novels, short stories, articles, and speeches, and publication of her work; Chinese history, politics, and culture; American culture; interracial and international adoption; children with disabilities; and Buck's work for human rights. Prominent correspondents include Richard Walsh, William E. Hocking, and various authors and politicians. Papers also include materials related to the Pearl S. Buck Birthplace and to other Chinese and American writers. Addenda include photos, correspondence, publications, drafts of Buck's work, ephemera, recordings, and other material.\u003c/abstract\u003e"],"abstract_tesim":["Papers of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938 for her novels about peasant life in China. Dating chiefly from 1933 to 1966, the collection contains typescript and handwritten drafts of articles, reviews, novels, plays, short stories, and speeches; reference materials; and correspondence that document Pearl Buck's literary, political, and humanitarian activities from 1933 to 1976. Prominent topics include Buck's writing, including novels, short stories, articles, and speeches, and publication of her work; Chinese history, politics, and culture; American culture; interracial and international adoption; children with disabilities; and Buck's work for human rights. Prominent correspondents include Richard Walsh, William E. Hocking, and various authors and politicians. Papers also include materials related to the Pearl S. Buck Birthplace and to other Chinese and American writers. Addenda include photos, correspondence, publications, drafts of Buck's work, ephemera, recordings, and other material."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b80b18ed2fa6efaf420bb73ebeea23dd\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","New York City Ballet","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Bepari, Rasheeda Begum","Hocking, William Ernest, 1873-1966"],"corpname_ssim":["West Virginia and Regional History Center","New York City Ballet"],"names_coll_ssim":["Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Hocking, William Ernest, 1873-1966"],"persname_ssim":["Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Bepari, Rasheeda Begum","Hocking, William Ernest, 1873-1966"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":401,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:34:44.690Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3133_c22"}},{"id":"wvmturhc_repositories_2_resources_5371_c21","type":"Series","attributes":{"title":"Addendum of 1995/01/30, Series 9. Virginia M. Wood Correspondence","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c21#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5371_c21","ref_ssm":["wvmturhc_repositories_2_resources_5371_c21"],"id":"wvmturhc_repositories_2_resources_5371_c21","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","parent_ssi":"wvmturhc_repositories_2_resources_5371","parent_ssim":["wvmturhc_repositories_2_resources_5371"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5371"],"parent_unittitles_ssm":["James E. Davis, Artist, Papers and Artworks"],"parent_unittitles_tesim":["James E. Davis, Artist, Papers and Artworks"],"text":["James E. Davis, Artist, Papers and Artworks","Addendum of 1995/01/30, Series 9. Virginia M. Wood Correspondence","Box 1995/01/30 8","Box 1995/undated 9","Folder 1-11"],"title_filing_ssi":"Addendum of 1995/01/30, Series 9. Virginia M. Wood Correspondence","title_ssm":["Addendum of 1995/01/30, Series 9. Virginia M. Wood Correspondence"],"title_tesim":["Addendum of 1995/01/30, Series 9. Virginia M. Wood Correspondence"],"unitdate_inclusive_ssm":["1943-1992, undated"],"normalized_date_ssm":["1943/1992"],"normalized_title_ssm":["Addendum of 1995/01/30, Series 9. Virginia M. Wood Correspondence"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"has_online_content_ssim":["false"],"child_component_count_isi":25,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":818,"parent_access_restrict_tesm":["Special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"containers_ssim":["Box 1995/01/30 8","Box 1995/undated 9","Folder 1-11"],"_nest_path_":"/components#20","timestamp":"2026-05-21T01:07:53.439Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5371","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5371.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198659","title_ssm":["James E. Davis, Artist, Papers and Artworks"],"title_tesim":["James E. Davis, Artist, Papers and Artworks"],"unitdate_ssm":["1845-2013"],"unitdate_inclusive_ssm":["1845-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"text":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371","James E. Davis, Artist, Papers and Artworks","Clarksburg (W. Va.)","Art and artists","Special access restriction applies.","James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","English \n.    "],"unitid_tesim":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"normalized_title_ssm":["James E. Davis, Artist, Papers and Artworks"],"collection_title_tesim":["James E. Davis, Artist, Papers and Artworks"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clarksburg (W. Va.)"],"geogname_ssim":["Clarksburg (W. Va.)"],"creator_ssm":["Davis, James E., 1901-1974"],"creator_ssim":["Davis, James E., 1901-1974"],"creator_persname_ssim":["Davis, James E., 1901-1974"],"creators_ssim":["Davis, James E., 1901-1974"],"places_ssim":["Clarksburg (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"extent_tesim":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"date_range_isim":[1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eJames Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)\u003c/p\u003e\n","\u003cp\u003e\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026amp;M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.\u003c/p\u003e\n","\u003cp\u003e\nThis collection has been organized into twelve series:\n \u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eSeries 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.\u003c/emph\u003e This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e\n","\u003cp\u003e\n  \u003cemph render=\"bold\"\u003eSeries 2. Artwork--Abstract, boxes 10A-20, 1941-1968.\u003c/emph\u003e This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.\u003c/emph\u003e This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 4. Artwork--Landscape, boxes 33-58, 1924-1966.\u003c/emph\u003e This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.\u003c/emph\u003e This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 6. Artwork--Still Life, box 73, 1932-1938.\u003c/emph\u003e This series contains still life watercolor paintings by Davis.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 7. Artwork--Asbestos, boxes 74-77, undated.\u003c/emph\u003e This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 8. Exhibit, box 78, undated.\u003c/emph\u003e This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 9. Photographs, box 79-112, 1919-1974, undated.\u003c/emph\u003e This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 10. Publications, box 113, 1923-1974.\u003c/emph\u003e This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 11. Anthology Film Archives, box 114, 2007-2013.\u003c/emph\u003e This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 12. Typescripts, box 115, 1957-1974.\u003c/emph\u003e This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". \u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddenda:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2012/05/29\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.\u003c/p\u003e\n","\u003cp\u003e\n This addendum has been organized into the following series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969\u003c/p\u003e\n","\u003cp\u003e Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973\u003c/p\u003e\n","\u003cp\u003e Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976\u003c/p\u003e\n","\u003cp\u003e Addendum Series 4. Artifact; Box 4, folder 3; 1953\u003c/p\u003e\n","\u003cp\u003e Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated\u003c/p\u003e\n","\u003cp\u003e\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/01/30\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992\u003c/p\u003e\n","\u003cp\u003e See control folder for typescript (3 pages) regarding the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1994/11/28\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/03/09\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.\u003c/p\u003e\n","\u003cp\u003e\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998\u003c/p\u003e\n","\u003cp\u003eSee control folder for typescript (1 page) regarding Cogar and the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMiscellaneous Addenda\u003c/emph\u003e \u003c/p\u003e\n","\u003cp\u003eThis has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2014/09/19\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2014/09/19, Series 12. Painting; unboxed; undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/01/31\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/08/17\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. \u003c/p\u003e\n","\u003cp\u003eThis addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.\u003c/p\u003e","\u003cp\u003eThis series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e","\u003cp\u003eThis series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e","\u003cp\u003eThis series contains still life watercolor paintings by Davis.\u003c/p\u003e","\u003cp\u003eThis series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.\u003c/p\u003e","\u003cp\u003eThis series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e","\u003cp\u003eThis series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e","\u003cp\u003eThis series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e","\u003cp\u003eThis series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e","\u003cp\u003eThis series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\"."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the book collection; forwarded to Curator of Books:\u003c/p\u003e\n","\u003cp\u003e  Curry, Larry. \u003ctitle render=\"italic\"\u003eJohn Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art\u003c/title\u003e. Los Angeles: Los Angeles County Museum of Art, 1970.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd08766c307516c5ce66ef95696bec0\"\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.\u003c/abstract\u003e"],"abstract_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bd400494aeb5d5a2d9a3ac365d700466\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Davis family","Cogar, Carl R. (Bob)","Davis, James E., 1901-1974","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"famname_ssim":["Davis family"],"persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":912,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:07:53.439Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c21"}},{"id":"wvmturhc_repositories_2_resources_5371_c22","type":"Series","attributes":{"title":"Addendum of 1995/03/09, Series 10. Carl R. (Bob) Cogar Correspondence","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c22#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5371_c22","ref_ssm":["wvmturhc_repositories_2_resources_5371_c22"],"id":"wvmturhc_repositories_2_resources_5371_c22","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","parent_ssi":"wvmturhc_repositories_2_resources_5371","parent_ssim":["wvmturhc_repositories_2_resources_5371"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5371"],"parent_unittitles_ssm":["James E. Davis, Artist, Papers and Artworks"],"parent_unittitles_tesim":["James E. Davis, Artist, Papers and Artworks"],"text":["James E. Davis, Artist, Papers and Artworks","Addendum of 1995/03/09, Series 10. Carl R. (Bob) Cogar Correspondence","Box 1995/undated 9","Folder 12-25"],"title_filing_ssi":"Addendum of 1995/03/09, Series 10. Carl R. (Bob) Cogar Correspondence","title_ssm":["Addendum of 1995/03/09, Series 10. Carl R. (Bob) Cogar Correspondence"],"title_tesim":["Addendum of 1995/03/09, Series 10. Carl R. (Bob) Cogar Correspondence"],"unitdate_inclusive_ssm":["1944–1998"],"normalized_date_ssm":["1944/1998"],"normalized_title_ssm":["Addendum of 1995/03/09, Series 10. Carl R. (Bob) Cogar Correspondence"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":844,"parent_access_restrict_tesm":["Special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"containers_ssim":["Box 1995/undated 9","Folder 12-25"],"_nest_path_":"/components#21","timestamp":"2026-05-21T01:07:53.439Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5371","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5371.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198659","title_ssm":["James E. Davis, Artist, Papers and Artworks"],"title_tesim":["James E. Davis, Artist, Papers and Artworks"],"unitdate_ssm":["1845-2013"],"unitdate_inclusive_ssm":["1845-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"text":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371","James E. Davis, Artist, Papers and Artworks","Clarksburg (W. Va.)","Art and artists","Special access restriction applies.","James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","English \n.    "],"unitid_tesim":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"normalized_title_ssm":["James E. Davis, Artist, Papers and Artworks"],"collection_title_tesim":["James E. Davis, Artist, Papers and Artworks"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clarksburg (W. Va.)"],"geogname_ssim":["Clarksburg (W. Va.)"],"creator_ssm":["Davis, James E., 1901-1974"],"creator_ssim":["Davis, James E., 1901-1974"],"creator_persname_ssim":["Davis, James E., 1901-1974"],"creators_ssim":["Davis, James E., 1901-1974"],"places_ssim":["Clarksburg (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"extent_tesim":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"date_range_isim":[1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eJames Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)\u003c/p\u003e\n","\u003cp\u003e\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026amp;M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.\u003c/p\u003e\n","\u003cp\u003e\nThis collection has been organized into twelve series:\n \u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eSeries 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.\u003c/emph\u003e This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e\n","\u003cp\u003e\n  \u003cemph render=\"bold\"\u003eSeries 2. Artwork--Abstract, boxes 10A-20, 1941-1968.\u003c/emph\u003e This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.\u003c/emph\u003e This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 4. Artwork--Landscape, boxes 33-58, 1924-1966.\u003c/emph\u003e This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.\u003c/emph\u003e This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 6. Artwork--Still Life, box 73, 1932-1938.\u003c/emph\u003e This series contains still life watercolor paintings by Davis.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 7. Artwork--Asbestos, boxes 74-77, undated.\u003c/emph\u003e This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 8. Exhibit, box 78, undated.\u003c/emph\u003e This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 9. Photographs, box 79-112, 1919-1974, undated.\u003c/emph\u003e This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 10. Publications, box 113, 1923-1974.\u003c/emph\u003e This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 11. Anthology Film Archives, box 114, 2007-2013.\u003c/emph\u003e This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 12. Typescripts, box 115, 1957-1974.\u003c/emph\u003e This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". \u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddenda:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2012/05/29\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.\u003c/p\u003e\n","\u003cp\u003e\n This addendum has been organized into the following series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969\u003c/p\u003e\n","\u003cp\u003e Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973\u003c/p\u003e\n","\u003cp\u003e Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976\u003c/p\u003e\n","\u003cp\u003e Addendum Series 4. Artifact; Box 4, folder 3; 1953\u003c/p\u003e\n","\u003cp\u003e Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated\u003c/p\u003e\n","\u003cp\u003e\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/01/30\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992\u003c/p\u003e\n","\u003cp\u003e See control folder for typescript (3 pages) regarding the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1994/11/28\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/03/09\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.\u003c/p\u003e\n","\u003cp\u003e\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998\u003c/p\u003e\n","\u003cp\u003eSee control folder for typescript (1 page) regarding Cogar and the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMiscellaneous Addenda\u003c/emph\u003e \u003c/p\u003e\n","\u003cp\u003eThis has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2014/09/19\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2014/09/19, Series 12. Painting; unboxed; undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/01/31\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/08/17\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. \u003c/p\u003e\n","\u003cp\u003eThis addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.\u003c/p\u003e","\u003cp\u003eThis series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e","\u003cp\u003eThis series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e","\u003cp\u003eThis series contains still life watercolor paintings by Davis.\u003c/p\u003e","\u003cp\u003eThis series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.\u003c/p\u003e","\u003cp\u003eThis series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e","\u003cp\u003eThis series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e","\u003cp\u003eThis series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e","\u003cp\u003eThis series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e","\u003cp\u003eThis series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\"."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the book collection; forwarded to Curator of Books:\u003c/p\u003e\n","\u003cp\u003e  Curry, Larry. \u003ctitle render=\"italic\"\u003eJohn Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art\u003c/title\u003e. Los Angeles: Los Angeles County Museum of Art, 1970.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd08766c307516c5ce66ef95696bec0\"\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.\u003c/abstract\u003e"],"abstract_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bd400494aeb5d5a2d9a3ac365d700466\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Davis family","Cogar, Carl R. (Bob)","Davis, James E., 1901-1974","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"famname_ssim":["Davis family"],"persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":912,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:07:53.439Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c22"}},{"id":"wvmturhc_repositories_2_resources_1202_c10","type":"Series","attributes":{"title":"Addendum of 2001/07/24, Correspondence, Clippings, and Other Material","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1202_c10#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series documents the life of William E. \"Ned\" Chilton, III, member of a prominent Charleston family which has managed the Charleston Gazette since the late nineteenth century. The majority of this collection consists of letters received by Chilton that discuss family matters, the business of the Charleston Gazette, social and political issues, and current events of the time.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1202_c10#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1202_c10","ref_ssm":["wvmturhc_repositories_2_resources_1202_c10"],"id":"wvmturhc_repositories_2_resources_1202_c10","ead_ssi":"wvmturhc_repositories_2_resources_1202","_root_":"wvmturhc_repositories_2_resources_1202","_nest_parent_":"wvmturhc_repositories_2_resources_1202","parent_ssi":"wvmturhc_repositories_2_resources_1202","parent_ssim":["wvmturhc_repositories_2_resources_1202"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1202"],"parent_unittitles_ssm":["Charleston Gazette Publishing Company Records and Chilton Family Papers"],"parent_unittitles_tesim":["Charleston Gazette Publishing Company Records and Chilton Family Papers"],"text":["Charleston Gazette Publishing Company Records and Chilton Family Papers","Addendum of 2001/07/24, Correspondence, Clippings, and Other Material","Box 9","Box 10","Box 11","Box 12","Box 13","This series documents the life of William E. \"Ned\" Chilton, III, member of a prominent Charleston family which has managed the Charleston Gazette since the late nineteenth century.  The majority of this collection consists of letters received by Chilton that discuss family matters, the business of the Charleston Gazette, social and political issues, and current events of the time.","All boxes listed with \"ADD\" at the beginning of the box number are part of this addendum."],"title_filing_ssi":"Addendum of 2001/07/24, Correspondence, Clippings, and Other Material","title_ssm":["Addendum of 2001/07/24, Correspondence, Clippings, and Other Material"],"title_tesim":["Addendum of 2001/07/24, Correspondence, Clippings, and Other Material"],"unitdate_inclusive_ssm":["1918–1997"],"normalized_date_ssm":["1918/1997"],"normalized_title_ssm":["Addendum of 2001/07/24, Correspondence, Clippings, and Other Material"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Charleston Gazette Publishing Company Records and Chilton Family Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":11,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":200,"parent_access_restrict_tesm":["The coloring book in box 23 is restricted until it can be cleaned.\n\nResearchers may access audiovisual and digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"containers_ssim":["Box 9","Box 10","Box 11","Box 12","Box 13"],"scopecontent_html_tesm":["\u003cp\u003eThis series documents the life of William E. \"Ned\" Chilton, III, member of a prominent Charleston family which has managed the Charleston Gazette since the late nineteenth century.  The majority of this collection consists of letters received by Chilton that discuss family matters, the business of the Charleston Gazette, social and political issues, and current events of the time.\u003c/p\u003e","\u003cp\u003eAll boxes listed with \"ADD\" at the beginning of the box number are part of this addendum.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This series documents the life of William E. \"Ned\" Chilton, III, member of a prominent Charleston family which has managed the Charleston Gazette since the late nineteenth century.  The majority of this collection consists of letters received by Chilton that discuss family matters, the business of the Charleston Gazette, social and political issues, and current events of the time.","All boxes listed with \"ADD\" at the beginning of the box number are part of this addendum."],"_nest_path_":"/components#9","timestamp":"2026-05-21T01:00:05.012Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1202","ead_ssi":"wvmturhc_repositories_2_resources_1202","_root_":"wvmturhc_repositories_2_resources_1202","_nest_parent_":"wvmturhc_repositories_2_resources_1202","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1202.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195570","title_ssm":["Charleston Gazette Publishing Company Records and Chilton Family Papers"],"title_tesim":["Charleston Gazette Publishing Company Records and Chilton Family Papers"],"unitdate_ssm":["1884-2018"],"unitdate_inclusive_ssm":["1884-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3020","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1202"],"text":["A\u0026M 3020","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1202","Charleston Gazette Publishing Company Records and Chilton Family Papers","Braxton County (W. Va.)","Webster County (W. Va.)","World War, 1939-1945","World War, 1914-1918","Newspaper publishing","Newspaper editors","The coloring book in box 23 is restricted until it can be cleaned. \nResearchers may access audiovisual and digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","The coloring book in box 23 is restricted until it can be cleaned.","Researchers may access audiovisual and digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","The coloring book in box 23 is restricted until it can be cleaned.","The coloring book in box 23 is restricted until it can be cleaned.","Researchers may access audiovisual and digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","William Edwin Chilton, Sr. (1858-1939), US Senator and publisher of the Charleston Gazette, was born in St. Albans, West Virginia.  Educated by private tutors, and later attending Shelton College, St. Albans, he began teaching school at the age of 16.  He later studied law and was admitted to the bar in 1880, settling in Charleston shortly afterwards, and becoming associated with John E. Kenna, US Senator from West Virginia, who served from 1883 to 1893.  He later became a member of Chilton, MacCorkle and Chilton, involved himself with Democratic politics, and attained recognition as an able leader in public affairs.  He was appointed prosecuting attorney in 1883, was admitted to the Supreme Court in 1891, was chairman of the Democratic State Executive Committee in 1892, Secretary of the State from 1893 to 1897, and United State Senator from 1911 to 1917.  He was recognized as an orator and writer of unusual power and force.  After a defeated nomination to the United States Senate in 1924, he retired from his law practice and concerned himself with the editorship of the Charleston Gazette.  He married Mary Louise Tarr in 1892, and had four children:  William Edwin Chilton, Jr., J. Eustace Chilton, Eleanor Chilton, and Elizabeth Chilton Lowery Murray.  Eleanor achieved recognition as a writer, authoring Shadows Waiting and Follow the Furies.","William Edwin Chilton, Jr. (1893-1950) President of the Daily Gazette Company and managing editor of the Charleston Gazette, was born in Charleston, West Virginia.  He graduated from Yale in 1917, and then served during the World War, primarily in convoy flying based in North Sydney, Nova Scotia.  He became managing editor of the Charleston Gazette in 1924.  He married Louise Schoonmaker in 1920, and had two children:  William Edwin (Ned) Chilton, III, and Mary Carroll Chilton Abbott.","Source:  West Virginia Heritage Encyclopedia, ed. Jim Comstock (Richwood, WV: Jim Comstock, 1976), Vol. 5.","\nWilliam Edwin \"Ned\" Chilton (November 26, 1921 - February 7, 1987) was born in Kingston, New York, the son of Louise C. Schoonmaker and William Edwin Chilton, Jr.  He grew up in Charleston, West Virginia, and was educated in the public schools.  After serving in the United States Army and Army Air Corp, he graduated from Yale University in 1950.  Chilton married Elizabeth \"Betty\" Early in 1952.  They have one daughter, Susan Carroll.  He was elected to the West Virginia House of Delegates from Kanawha County in 1952 and was re-elected in 1954, 1956, and 1958.  He was a Delegate to the Democratic National Convention in 1960 and again in 1964, when he served on the party's platform committee.  In 1967, Mr. Chilton served as a member of the Citizen's Advisory Commission on the West Virginia Legislature.   After working in the promotions department, Ned Chilton served as publisher of the Charleston Gazette from 1961 until his death in 1987.  The newspaper gained distinction under his direction through innovative editorial policies including \"right of reply\" and front page corrections. In 1982, he received the Colby College Elijah Parish Lovejoy Award for courage and integrity in journalism, and in 1985 he was named to the newspaper advisory board of United Press International.  He also served as a member of the Pulitzer Prize Awards committee.  Although active in the newspaper business and politics, Mr. Chilton gave his time and support to numerous civic, social and public organizations.  ","Source:  State of West Virginia House Resolution No. 15 \"A House Resolution Commemorating the Passing of William E. \"Ned\" Chilton, III, publisher of the Charleston Gazette and former member of the House of Delegates\" adopted February 16, 1987.","\nElizabeth \"Betty\" Early Chilton was born in Williamson, West Virginia. She married William Edwin \"Ned\" Chilton in 1952. Mrs. Chilton has worked in various roles at the Charleston Gazette Co. and its related entities, working in public relations and later serving as president and an editorial board member of the Gazette, serving as vice president and treasurer of the Daily Gazette Co., and serving as the director of Charleston Newspapers. She attended both Hollins College and Marjorie Webster College and has been an active member in local and regional organizations dedicated to advancing journalism, education, and the humanities broadly. Mrs. Chilton has received awards for her work in the field of journalism and her service to her community, including the President's Distinguished Service Award from West Virginia University. ","Source: \"Charleston Gazette Co. president to receive WVU Distinguished Service Award,\" WVU Today, May 1, 2000. http://wvutoday-archive.wvu.edu/n/2000/05/01/2862.htm.","Scrapbooks, correspondence, business papers, and memorabilia of a prominent Charleston family that were long time owners of the Charleston Gazette.  There are papers of W. E. Chilton, Sr., and for his son and grandson, W. E. Chilton, Jr. and W. E. Chilton, III.  The papers of Chilton senior include some correspondence, but mostly land papers documenting the coal mining district in Webster and Braxton Counties. There are also scrapbooks, and contracts pertaining to the family newspaper business; and volumes on the education of W. E. Chilton, Jr. at Woodberry, VA Forest School, and at Yale. The military service of the Chiltons is documented by the service papers, photographs, and other material for W. E. Chilton, Jr. and W. E. Chilton, III in World War (WWI) I and World War II (WWII) respectively.","The initial acquisition of 1992 includes eight boxes documenting primarily William Edwin Chilton senior (1858-1939), including series for:  general correspondence; rare signatures; subjects; land titles and abstracts; legal records; newspapers and pictures; scrapbooks; and artifacts.  For details see inventory in control folder at the library.","Rare signatures in the initial acquisition of W. E. Chilton, Sr., include:  Louis \"Satchmo\" Armstrong, Newton D. Baker, Alben W. Barkley, \"Count\" Basie, Lester Young, Louis D. Brandeis, Richard E. Byrd, Cab Calloway, Dale Carnegie, Tom Clark, Grover Cleveland, Charles Curtis, Josephus Daniels, John W. Davis, \"Dizzy\" Dean, Jack Dempsey, Thomas E. Dewey, J. DiMaggio, James A. Farley, Bob Feller, Ella Fitzgerald, John N. Garner, Lou Gehrig, Carter Glass, Hank Greenberg, W. C. Handy, Averell Harriman, Herbert Hoover, J. Edgar Hoover, Harold L. Ickes, Helen Keller, Guy Lombardo, Joe Louis, William G. McAdoo, Glenn Miller, Dwight Morrow, C. W. Nimitz, G. W. Norris, Westbrook Pegler, Gifford Pinchot, Drew Pearson, Sam Rayburn, Eddie V. Rickenbacker, Paul Robeson, Edward G. Robinson, Eleanor Roosevelt, Franklin D. Roosevelt, \"Babe\" Ruth, J. D. Salinger, Margaret Sanger, Sam Snead, Felix B. Stump, Fred M. Vinson, \"Fats\" Waller, W. A. White, Jess Willard, Ted Williams, Wendell Willkie, Edith Bolling Wilson, Woodrow Wilson, and Cy Young.","The addendum of 2001 includes five boxes documenting primarily William Edwin Chilton, III (1921-1987), including series for:  biographical information; incoming letters; photographs; ephemera; clippings; subjects; legal records; writings, speeches, and publications; and oversize.  For details see inventory in control folder at the library.","The addendum of 2004 includes one folder containing a book owned by Ned Chilton titled \"Mr. Dooley In Peace and in War\" by Finley Peter Dunne, published in 1899 by Small, Maynard and Company.  The author's name does not appear in this book.  Dunne was a newspaper columnist, and this book features 49 of his writings.","The addendum of 2018 April 4 includes 3 boxes consisting of material related to the Charleston Gazette and W.E. (Ned) Chilton III including publications, artwork, and historic certificates that were presumably collected for display in his home or office. ","The addendum of 2018 July 24 includes 10 boxes consisting of material related to the Chilton family and their activities and involvement with the Charleston Gazette, its employees, notable figures, business contacts, and other related entities. Formats include scrapbooks, clippings and facsimiles of articles, publications, print and digital photographs, correspondence, records of court proceedings, art prints, receipts, financial documents, certificates and other forms of achievement recognition, and additional miscellaneous related items. ","The addendum of 2018 November 29 includes 1 folder featuring a selection of ephemera related to the personal achievements of W.E. (Ned) Chilton III and Elizabeth (Betty) Chilton.","This series includes mostly incoming letters and cards to William Edwin Chilton, Sr. [1858-1939], William Edwin Chilton, Jr. [1893-1950], William Edwin [Ned] Chilton, III [1921-1987], J. Eustace Chilton, and a number of employees of the Charleston Gazette; topics of discussion include personal matters and business affairs of the family, business of the Charleston Gazette, business of the U.S. Senate, Prohibition, the Depression, the election of Franklin D. Roosevelt, and Democratic Party issues and strategies, among other subjects; there are original cartoons by popular comic strip artists drawn for William E. \"Ned\" Chilton, III, [with black ink on heavy card stock.]  As W.E. Chilton, III, was an avid collector of autographs, some files also contain letters soliciting signatures, as well as signed cards and replies.","This series includes signatures of prominent celebrities and historical figures collected by the Chiltons.  (Access to rare signatures requires the permission of a WVC curator.)","This series includes the WWI US Navy Air Corps service papers of Chilton, Jr., and the WWII US Army Air Corp diary of Chilton, III.","This series includes land papers for coal and timber lands in Braxton and Webster counties.","This series includes the wills and other documents of Chilton, Sr. and Chilton, Jr.","This series includes copies of the Yale Daily News for 1914-1915.","This series includes one scrapbook for Chilton, Sr. (1911-56) and five scrapbooks for Chilton, Jr. (1911-1953), among others.","This series includes two Yale fraternity paddles, a WV House of Delegates License Plate, a ceremonial key to the City of Logan, and a glass encapsulated nail of WVU Martin Hall.","This series documents the life of William E. \"Ned\" Chilton, III, member of a prominent Charleston family which has managed the Charleston Gazette since the late nineteenth century.  The majority of this collection consists of letters received by Chilton that discuss family matters, the business of the Charleston Gazette, social and political issues, and current events of the time.","All boxes listed with \"ADD\" at the beginning of the box number are part of this addendum.","This series includes mostly incoming letters to William Edwin \"Ned\" Chilton, III, from 1920-1985.    These letters describe business and personal matters of the Chilton family and the Charleston Gazette. Since Chilton corresponded with numerous journalists, syndicated columnists, and elected officials, these incoming letters document his social and political activities and discuss historic and political events. Some early letters belong to his father, W.E. Chilton, Jr. and his grandfather, W. E. Chilton, Sr..","This series includes incoming letters from 1961-1985 covering a range of personal and political topics. Topics include family, travel plans, possible guests for Firing Line, William F. Buckley Pulitzer nomination, Mexico, gun control, Rockefeller campaign spending, the Freedom of Information Act, Rhodesia, libel, 1980 presidential election, cost of legal services, public presentation of legal ethics committees, punishment of nonviolent crimes, drugs, drug policy, L.T. Anderson, and Vietnam. Other letters from Buckley also can also be found within the chronologically sorted letters.","This series contains incoming letters from 1960-1987 that discuss personal and political matters. Topics include banking and equality under the law, FBI, J. Edgar Hoover, civil liberties of Congress, Edvard Munch, National Taxpayer's Union, neo-liberalism, editing problems in Charleston Gazette, Hoover Commission Study, West Virginia economics and politics, Russell Baker, Bob Eckhardt, salaries of legislators, oil crisis, AT\u0026T, Congressional Power, Richard Nixon, Ted Kennedy, Robert C. Byrd, punishment for white collar crime, Ralph Nader, flag burning, UMW pension fund, Associated Press vs. United Press International, prisons, treatment of prisoners, drunk driving, neo-liberalism and homosexuality, nomination of Chilton for Hugh Hefner 1st Amendment Award, Larry Flynt, legalization of drugs, and national security policy.  More letters from Robert and Mary Sherrill can be found within the chronologically sorted letters.","This series contains photos of W.E. \"Ned\" Chilton, pictures of other Chilton family members, and miscellaneous unidentified photos.  This series also contains autographed photos collected by Chilton.","This series includes a variety of artifacts collected by Ned Chilton.","This series includes newspaper and magazine clippings which document Chilton's family, career, and miscellaneous topics.  Other clippings include a series of Charleston Gazette editorials from 1949 and newspaper clippings relating to W.E. Chilton, Sr.'s election to Senate in 1911.","This series includes documents relating to Chilton's Journalism Professorship at WVU, the Southern Newspaper Publishers Association, the WVU Parkersburg Center, Yale University, the \n1982 Elijah Parish Lovejoy Award, as well as certificates, financial papers and receipts, invitations, programs, and tributes.","This series includes documents from a case argued by W.E. Chilton, Sr. and court decisions relating to the wills of W.E. Chilton, Jr. and John D. Schoonmaker.","This series includes miscellaneous writings on political and historical topics by William Edwin \"Ned\" Chilton, III.","This series includes oversize photos, drawings, cartoons, blueprints and certificates.","This addendum includes one folder containing a book owned by Ned Chilton titled  Mr. Dooley: In Peace and in War  by Finley Peter Dunne. It is a third or fourth edition copy, published in 1899 by Small, Maynard and Company. The author's name does not appear in this book. Dunne was a newspaper columnist, and this book features 49 of his writings.","This addendum consists of material related to the Charleston Gazette and W.E. (Ned) Chilton III including publications, artwork, and historic certificates that were presumably collected for display in his home or office.","This sub-series contains a selection of publications collected by Ned and Betty Chilton. Many of these books were gifted to them and contain notes or signatures from the individual who bestowed the gift. Others contain embossed imprints to indicate that Ned Chilton was the owner of the book. Topics include but are not limited to politics, comics, industry, fiction, and West Virginia history. Includes multiple books by William F. Buckley, Jr.","This sub-series contains four displomas/certificates given to W.E. Chilton, Jr. and Sr. to acknowledge Chilton Sr.'s induction into the legislature, Chilton Jr.'s school graduation, and their contributions to political funds.","This sub-series contains eight framed and unframed drawings or prints. Contents include two framed caricatures drawn by Taylor Jones (1976 and 1977), two framed prints from the Rex Morgan, MD (May 24, 1965) and Beetle Bailey (1975) comic strips, two unframed prints from the Blondie (November 28, 1993) and Dick Tracy (April 8, 1935) comic strips, an unlabeled print by comic artist Kendall Vintroux (March 19, 1966), and a framed copy of the Harper's Weekly political cartoon drawn by Thomas Nast, depicting the first representation of the Democratic party as a donkey and originally published on January 15, 1870.","This addendum consists of material related to the Chilton family and their activities and involvement with the Charleston Gazette, its employees, notable figures, business contacts, and other related entities. Formats include scrapbooks, clippings and facsimiles of articles, publications, print and digital photographs, correspondence, records of court proceedings, art prints, receipts, financial documents, certificates and other forms of achievement recognition, and additional miscellaneous related items.","This sub-series consists of scrapbooks featuring clippings from the Charleston Gazette, arranged by the Chilton family into binders organized by publication date.","This box contains five ring-bound scrapbooks and several loose scrapbook pages. These scrapbooks consist of materials related to the Charleston Gazette. The binders are labeled Old Days (contains materials from as early as 1900), Late 1950s, From 1980, Toward 2000, and 2001: A Gazette Odyssey. The unbound pages contain content ranging from the 1940s to 2017, and they appear to have been created around 2017.","This box contains five ring-bound scrapbooks consisting of photographs, clippings, and other materials related to the Charleston Gazette. The binders are labeled From the '60s (materials from ca. 1960-1979), Into 2003 (materials from 2002-2004), 2005, 2009, and 2014. These scrapbooks appear to have been created ca. 2017.","This sub-series consists of miscellaneous articles, clippings, and facsimiles of articles from the Charleston Gazette and other publications. Topics include Ned Chilton and other notable figures, politics, business, and industry in West Virginia, and additional miscellaneous topics.","This box consists of miscellaneous clippings from the Charleston Gazette and other publications. Also included is a printed, bound collection of facsimiles of articles originally published in the Charleston Gazette covering the subject of consumer fraud.","This partial box contains a broad selection of clippings, most originally printed in the Charleston Gazette, but also includes articles from other publications. Topics include Gazette Q and A interviews, politics, finance, articles written to memorialize Ned Chilton, and features highlighting Chilton family activities and achievements.","This partial box contains a collection of clippings from the Gazette and other publications, material related to awards and scholars sponsored by the Gazette, and additional miscellaneous related items.","This partial box contains a variety of clippings, from the Charleston Gazette and other publications, including articles written by or about W.E. (Ned) Chilton III.","This partial box contains Charleston Gazette and Chilton family keepsakes/mementos and related materials. Formats include clippings, facsimiles of articles and family history book pages, publications, and other miscellaneous materials. Topics include published articles based on the Chiltons' trip around the world in 1977, Gazette investigative reports, articles written by or about W.E. (Ned) Chilton III, the Charleston Gazette and Chilton family members featured in other publications, and Ned Chilton memorial articles.","This sub-series contains two framed prints and three commemorative plaques. Also included are two undated, unlabeled photos that appear to be of W. E. Chilton, Jr., a poster, a signed photo mat, several oversize publications, and clippings from the Charleston Gazette, the Sunday Gazette-Mail, and other news publications.","This box contains two framed prints, one from the Steve Roper comic and one from the Judge Parker comic, both from 1965. Also included are two undated, unlabeled photos that appear to be of W. E. Chilton, Jr., a Charleston Gazette poster, a photo mat signed by Lieutenant Colonel Alan Sierichs (retired), several oversize publications including The John Birch Coloring Book published in 1962, and clippings from the Charleston Gazette, the Sunday Gazette-Mail, and other news publications.","This partial box contains three commemorative metal plaques. One award was given in tribute to the Charleston Gazette from the Associated Press Managing Editors Association in 1979. The other two were presented to Elizabeth (Betty) Chilton, and include the West Virginia State College Second Century Award and the Charleston Distance Run Eugene M. Fuller Extra Mile Award, to acknowledge her excellence in leadership, service, and dedication.","This sub-series consists of two folders of photos, 19 .jpg images, and a folder of printed copies of the digital photos, which document Charleston Gazette and Charleston Daily Mail staff and activities. Also includes a 3 and 3/4 speed tape reel recording of political programs from the early 1960s and a CD-R of West Virginia Public Radio program content featuring Jim Haught discussing the Charleston Gazette, Ned Chilton, Don Marsh, and other topics.","This sub-series includes correspondence, court documentation, financial records, and other materials related to the Charleston Gazette and Chilton family business.","This partial box consists of materials related to Gazette business, including but not limited to correspondence, court proceedings, artwork, financial records, and other miscellaneous documents related to the Charleston Gazette and the Chiltons.","This partial box includes court case documentation, correspondence, and other Gazette related materials.","This partial box consists of Gazette business materials, including but not limited to travel documentation, sponsorship documents and correspondence, visiting scholars and journalists, government correspondence regarding the Freedom of Information Act and potential government files about the Gazette, committee and insurance information, and other miscellaneous business correspondence and documentation.","This partial box contains Charleston Gazette and Chilton family keepsakes/mementos and related materials. Formats include correspondence including letters and printed copies of emails, court reports, photographs, financial documents, and other miscellaneous materials. It includes materials the Chiltons retained from their trip around the world in 1977, information about the Charleston Gazette business, and documentation of Chilton family members' activities and achievements.","This addendum consists of a selection of ephemera related to the personal achievements of W.E. (Ned) Chilton III and Elizabeth (Betty) Chilton.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Pearson, Drew.","Chilton, William E. (William Edwin), 1858-1939","Chilton, Betty","Chilton, William E. (William Edwin), 1893-1950","Chilton, William E. (William Edwin), 1921-1987","Roosevelt, Eleanor, 1884-1962","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Salinger, J. D. (Jerome David), 1919-2010","English \n.    "],"unitid_tesim":["A\u0026M 3020","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1202"],"normalized_title_ssm":["Charleston Gazette Publishing Company Records and Chilton Family Papers"],"collection_title_tesim":["Charleston Gazette Publishing Company Records and Chilton Family Papers"],"collection_ssim":["Charleston Gazette Publishing Company Records and Chilton Family Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Braxton County (W. Va.)","Webster County (W. Va.)"],"geogname_ssim":["Braxton County (W. Va.)","Webster County (W. Va.)"],"creator_ssm":["Chilton, William E. (William Edwin), 1858-1939","Chilton, Betty"],"creator_ssim":["Chilton, William E. (William Edwin), 1858-1939","Chilton, Betty"],"creator_persname_ssim":["Chilton, William E. (William Edwin), 1858-1939","Chilton, Betty"],"creators_ssim":["Chilton, William E. (William Edwin), 1858-1939","Chilton, Betty"],"places_ssim":["Braxton County (W. Va.)","Webster County (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Multiple gifts of Chilton, Elizabeth \"Betty\" Early, 1992 April 9, 2001 July 24, 2004 November 16, 2018 April 4, 2018 July 24, and 2018 November 29."],"access_subjects_ssim":["World War, 1939-1945","World War, 1914-1918","Newspaper publishing","Newspaper editors"],"access_subjects_ssm":["World War, 1939-1945","World War, 1914-1918","Newspaper publishing","Newspaper editors"],"has_online_content_ssim":["false"],"extent_ssm":["18.75 Linear Feet 18 ft. 9 in. (5 document cases, 5 in. each); (2 document case, 2 1/2 in.); (8 records cartons, 15 in. each); (3 records carton, 17 in. each); (4 flat storage boxes, 3 in. each); (2 flat storage boxes, 4 in. each); (1 flat storage box, 1 in.); (1 clamshell box, 3 in.)"],"extent_tesim":["18.75 Linear Feet 18 ft. 9 in. (5 document cases, 5 in. each); (2 document case, 2 1/2 in.); (8 records cartons, 15 in. each); (3 records carton, 17 in. each); (4 flat storage boxes, 3 in. each); (2 flat storage boxes, 4 in. each); (1 flat storage box, 1 in.); (1 clamshell box, 3 in.)"],"date_range_isim":[1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe coloring book in box 23 is restricted until it can be cleaned.\u003clb\u003e\u003c/lb\u003e\n\u003clb\u003e\u003c/lb\u003e\nResearchers may access audiovisual and digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eThe coloring book in box 23 is restricted until it can be cleaned.\u003c/p\u003e\n","\u003cp\u003eResearchers may access audiovisual and digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e","\u003cp\u003eThe coloring book in box 23 is restricted until it can be cleaned.\u003c/p\u003e","\u003cp\u003eThe coloring book in box 23 is restricted until it can be cleaned.\u003c/p\u003e","\u003cp\u003eResearchers may access audiovisual and digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The coloring book in box 23 is restricted until it can be cleaned. \nResearchers may access audiovisual and digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","The coloring book in box 23 is restricted until it can be cleaned.","Researchers may access audiovisual and digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","The coloring book in box 23 is restricted until it can be cleaned.","The coloring book in box 23 is restricted until it can be cleaned.","Researchers may access audiovisual and digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"bioghist_html_tesm":["\u003cp\u003eWilliam Edwin Chilton, Sr. (1858-1939), US Senator and publisher of the Charleston Gazette, was born in St. Albans, West Virginia.  Educated by private tutors, and later attending Shelton College, St. Albans, he began teaching school at the age of 16.  He later studied law and was admitted to the bar in 1880, settling in Charleston shortly afterwards, and becoming associated with John E. Kenna, US Senator from West Virginia, who served from 1883 to 1893.  He later became a member of Chilton, MacCorkle and Chilton, involved himself with Democratic politics, and attained recognition as an able leader in public affairs.  He was appointed prosecuting attorney in 1883, was admitted to the Supreme Court in 1891, was chairman of the Democratic State Executive Committee in 1892, Secretary of the State from 1893 to 1897, and United State Senator from 1911 to 1917.  He was recognized as an orator and writer of unusual power and force.  After a defeated nomination to the United States Senate in 1924, he retired from his law practice and concerned himself with the editorship of the Charleston Gazette.  He married Mary Louise Tarr in 1892, and had four children:  William Edwin Chilton, Jr., J. Eustace Chilton, Eleanor Chilton, and Elizabeth Chilton Lowery Murray.  Eleanor achieved recognition as a writer, authoring Shadows Waiting and Follow the Furies.\u003c/p\u003e\n","\u003cp\u003eWilliam Edwin Chilton, Jr. (1893-1950) President of the Daily Gazette Company and managing editor of the Charleston Gazette, was born in Charleston, West Virginia.  He graduated from Yale in 1917, and then served during the World War, primarily in convoy flying based in North Sydney, Nova Scotia.  He became managing editor of the Charleston Gazette in 1924.  He married Louise Schoonmaker in 1920, and had two children:  William Edwin (Ned) Chilton, III, and Mary Carroll Chilton Abbott.\u003c/p\u003e\n","\u003cp\u003eSource:  West Virginia Heritage Encyclopedia, ed. Jim Comstock (Richwood, WV: Jim Comstock, 1976), Vol. 5.\u003c/p\u003e\n","\u003cp\u003e\nWilliam Edwin \"Ned\" Chilton (November 26, 1921 - February 7, 1987) was born in Kingston, New York, the son of Louise C. Schoonmaker and William Edwin Chilton, Jr.  He grew up in Charleston, West Virginia, and was educated in the public schools.  After serving in the United States Army and Army Air Corp, he graduated from Yale University in 1950.  Chilton married Elizabeth \"Betty\" Early in 1952.  They have one daughter, Susan Carroll.  He was elected to the West Virginia House of Delegates from Kanawha County in 1952 and was re-elected in 1954, 1956, and 1958.  He was a Delegate to the Democratic National Convention in 1960 and again in 1964, when he served on the party's platform committee.  In 1967, Mr. Chilton served as a member of the Citizen's Advisory Commission on the West Virginia Legislature.   After working in the promotions department, Ned Chilton served as publisher of the Charleston Gazette from 1961 until his death in 1987.  The newspaper gained distinction under his direction through innovative editorial policies including \"right of reply\" and front page corrections. In 1982, he received the Colby College Elijah Parish Lovejoy Award for courage and integrity in journalism, and in 1985 he was named to the newspaper advisory board of United Press International.  He also served as a member of the Pulitzer Prize Awards committee.  Although active in the newspaper business and politics, Mr. Chilton gave his time and support to numerous civic, social and public organizations.  \u003c/p\u003e\n","\u003cp\u003eSource:  State of West Virginia House Resolution No. 15 \"A House Resolution Commemorating the Passing of William E. \"Ned\" Chilton, III, publisher of the Charleston Gazette and former member of the House of Delegates\" adopted February 16, 1987.\u003c/p\u003e\n","\u003cp\u003e\nElizabeth \"Betty\" Early Chilton was born in Williamson, West Virginia. She married William Edwin \"Ned\" Chilton in 1952. Mrs. Chilton has worked in various roles at the Charleston Gazette Co. and its related entities, working in public relations and later serving as president and an editorial board member of the Gazette, serving as vice president and treasurer of the Daily Gazette Co., and serving as the director of Charleston Newspapers. She attended both Hollins College and Marjorie Webster College and has been an active member in local and regional organizations dedicated to advancing journalism, education, and the humanities broadly. Mrs. Chilton has received awards for her work in the field of journalism and her service to her community, including the President's Distinguished Service Award from West Virginia University. \u003c/p\u003e\n","\u003cp\u003eSource: \"Charleston Gazette Co. president to receive WVU Distinguished Service Award,\" WVU Today, May 1, 2000. http://wvutoday-archive.wvu.edu/n/2000/05/01/2862.htm.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["William Edwin Chilton, Sr. (1858-1939), US Senator and publisher of the Charleston Gazette, was born in St. Albans, West Virginia.  Educated by private tutors, and later attending Shelton College, St. Albans, he began teaching school at the age of 16.  He later studied law and was admitted to the bar in 1880, settling in Charleston shortly afterwards, and becoming associated with John E. Kenna, US Senator from West Virginia, who served from 1883 to 1893.  He later became a member of Chilton, MacCorkle and Chilton, involved himself with Democratic politics, and attained recognition as an able leader in public affairs.  He was appointed prosecuting attorney in 1883, was admitted to the Supreme Court in 1891, was chairman of the Democratic State Executive Committee in 1892, Secretary of the State from 1893 to 1897, and United State Senator from 1911 to 1917.  He was recognized as an orator and writer of unusual power and force.  After a defeated nomination to the United States Senate in 1924, he retired from his law practice and concerned himself with the editorship of the Charleston Gazette.  He married Mary Louise Tarr in 1892, and had four children:  William Edwin Chilton, Jr., J. Eustace Chilton, Eleanor Chilton, and Elizabeth Chilton Lowery Murray.  Eleanor achieved recognition as a writer, authoring Shadows Waiting and Follow the Furies.","William Edwin Chilton, Jr. (1893-1950) President of the Daily Gazette Company and managing editor of the Charleston Gazette, was born in Charleston, West Virginia.  He graduated from Yale in 1917, and then served during the World War, primarily in convoy flying based in North Sydney, Nova Scotia.  He became managing editor of the Charleston Gazette in 1924.  He married Louise Schoonmaker in 1920, and had two children:  William Edwin (Ned) Chilton, III, and Mary Carroll Chilton Abbott.","Source:  West Virginia Heritage Encyclopedia, ed. Jim Comstock (Richwood, WV: Jim Comstock, 1976), Vol. 5.","\nWilliam Edwin \"Ned\" Chilton (November 26, 1921 - February 7, 1987) was born in Kingston, New York, the son of Louise C. Schoonmaker and William Edwin Chilton, Jr.  He grew up in Charleston, West Virginia, and was educated in the public schools.  After serving in the United States Army and Army Air Corp, he graduated from Yale University in 1950.  Chilton married Elizabeth \"Betty\" Early in 1952.  They have one daughter, Susan Carroll.  He was elected to the West Virginia House of Delegates from Kanawha County in 1952 and was re-elected in 1954, 1956, and 1958.  He was a Delegate to the Democratic National Convention in 1960 and again in 1964, when he served on the party's platform committee.  In 1967, Mr. Chilton served as a member of the Citizen's Advisory Commission on the West Virginia Legislature.   After working in the promotions department, Ned Chilton served as publisher of the Charleston Gazette from 1961 until his death in 1987.  The newspaper gained distinction under his direction through innovative editorial policies including \"right of reply\" and front page corrections. In 1982, he received the Colby College Elijah Parish Lovejoy Award for courage and integrity in journalism, and in 1985 he was named to the newspaper advisory board of United Press International.  He also served as a member of the Pulitzer Prize Awards committee.  Although active in the newspaper business and politics, Mr. Chilton gave his time and support to numerous civic, social and public organizations.  ","Source:  State of West Virginia House Resolution No. 15 \"A House Resolution Commemorating the Passing of William E. \"Ned\" Chilton, III, publisher of the Charleston Gazette and former member of the House of Delegates\" adopted February 16, 1987.","\nElizabeth \"Betty\" Early Chilton was born in Williamson, West Virginia. She married William Edwin \"Ned\" Chilton in 1952. Mrs. Chilton has worked in various roles at the Charleston Gazette Co. and its related entities, working in public relations and later serving as president and an editorial board member of the Gazette, serving as vice president and treasurer of the Daily Gazette Co., and serving as the director of Charleston Newspapers. She attended both Hollins College and Marjorie Webster College and has been an active member in local and regional organizations dedicated to advancing journalism, education, and the humanities broadly. Mrs. Chilton has received awards for her work in the field of journalism and her service to her community, including the President's Distinguished Service Award from West Virginia University. ","Source: \"Charleston Gazette Co. president to receive WVU Distinguished Service Award,\" WVU Today, May 1, 2000. http://wvutoday-archive.wvu.edu/n/2000/05/01/2862.htm."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Charleston Gazette Publishing Company Records and Chilton Family Papers, A\u0026amp;M 3020, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Charleston Gazette Publishing Company Records and Chilton Family Papers, A\u0026M 3020, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eScrapbooks, correspondence, business papers, and memorabilia of a prominent Charleston family that were long time owners of the Charleston Gazette.  There are papers of W. E. Chilton, Sr., and for his son and grandson, W. E. Chilton, Jr. and W. E. Chilton, III.  The papers of Chilton senior include some correspondence, but mostly land papers documenting the coal mining district in Webster and Braxton Counties. There are also scrapbooks, and contracts pertaining to the family newspaper business; and volumes on the education of W. E. Chilton, Jr. at Woodberry, VA Forest School, and at Yale. The military service of the Chiltons is documented by the service papers, photographs, and other material for W. E. Chilton, Jr. and W. E. Chilton, III in World War (WWI) I and World War II (WWII) respectively.\u003c/p\u003e\n","\u003cp\u003eThe initial acquisition of 1992 includes eight boxes documenting primarily William Edwin Chilton senior (1858-1939), including series for:  general correspondence; rare signatures; subjects; land titles and abstracts; legal records; newspapers and pictures; scrapbooks; and artifacts.  For details see inventory in control folder at the library.\u003c/p\u003e\n","\u003cp\u003eRare signatures in the initial acquisition of W. E. Chilton, Sr., include:  Louis \"Satchmo\" Armstrong, Newton D. Baker, Alben W. Barkley, \"Count\" Basie, Lester Young, Louis D. Brandeis, Richard E. Byrd, Cab Calloway, Dale Carnegie, Tom Clark, Grover Cleveland, Charles Curtis, Josephus Daniels, John W. Davis, \"Dizzy\" Dean, Jack Dempsey, Thomas E. Dewey, J. DiMaggio, James A. Farley, Bob Feller, Ella Fitzgerald, John N. Garner, Lou Gehrig, Carter Glass, Hank Greenberg, W. C. Handy, Averell Harriman, Herbert Hoover, J. Edgar Hoover, Harold L. Ickes, Helen Keller, Guy Lombardo, Joe Louis, William G. McAdoo, Glenn Miller, Dwight Morrow, C. W. Nimitz, G. W. Norris, Westbrook Pegler, Gifford Pinchot, Drew Pearson, Sam Rayburn, Eddie V. Rickenbacker, Paul Robeson, Edward G. Robinson, Eleanor Roosevelt, Franklin D. Roosevelt, \"Babe\" Ruth, J. D. Salinger, Margaret Sanger, Sam Snead, Felix B. Stump, Fred M. Vinson, \"Fats\" Waller, W. A. White, Jess Willard, Ted Williams, Wendell Willkie, Edith Bolling Wilson, Woodrow Wilson, and Cy Young.\u003c/p\u003e\n","\u003cp\u003eThe addendum of 2001 includes five boxes documenting primarily William Edwin Chilton, III (1921-1987), including series for:  biographical information; incoming letters; photographs; ephemera; clippings; subjects; legal records; writings, speeches, and publications; and oversize.  For details see inventory in control folder at the library.\u003c/p\u003e\n","\u003cp\u003eThe addendum of 2004 includes one folder containing a book owned by Ned Chilton titled \"Mr. Dooley In Peace and in War\" by Finley Peter Dunne, published in 1899 by Small, Maynard and Company.  The author's name does not appear in this book.  Dunne was a newspaper columnist, and this book features 49 of his writings.\u003c/p\u003e\n","\u003cp\u003eThe addendum of 2018 April 4 includes 3 boxes consisting of material related to the Charleston Gazette and W.E. (Ned) Chilton III including publications, artwork, and historic certificates that were presumably collected for display in his home or office. \u003c/p\u003e\n","\u003cp\u003eThe addendum of 2018 July 24 includes 10 boxes consisting of material related to the Chilton family and their activities and involvement with the Charleston Gazette, its employees, notable figures, business contacts, and other related entities. Formats include scrapbooks, clippings and facsimiles of articles, publications, print and digital photographs, correspondence, records of court proceedings, art prints, receipts, financial documents, certificates and other forms of achievement recognition, and additional miscellaneous related items. \u003c/p\u003e\n","\u003cp\u003eThe addendum of 2018 November 29 includes 1 folder featuring a selection of ephemera related to the personal achievements of W.E. (Ned) Chilton III and Elizabeth (Betty) Chilton.\u003c/p\u003e","\u003cp\u003eThis series includes mostly incoming letters and cards to William Edwin Chilton, Sr. [1858-1939], William Edwin Chilton, Jr. [1893-1950], William Edwin [Ned] Chilton, III [1921-1987], J. Eustace Chilton, and a number of employees of the Charleston Gazette; topics of discussion include personal matters and business affairs of the family, business of the Charleston Gazette, business of the U.S. Senate, Prohibition, the Depression, the election of Franklin D. Roosevelt, and Democratic Party issues and strategies, among other subjects; there are original cartoons by popular comic strip artists drawn for William E. \"Ned\" Chilton, III, [with black ink on heavy card stock.]  As W.E. Chilton, III, was an avid collector of autographs, some files also contain letters soliciting signatures, as well as signed cards and replies.\u003c/p\u003e","\u003cp\u003eThis series includes signatures of prominent celebrities and historical figures collected by the Chiltons.  (Access to rare signatures requires the permission of a WVC curator.)\u003c/p\u003e","\u003cp\u003eThis series includes the WWI US Navy Air Corps service papers of Chilton, Jr., and the WWII US Army Air Corp diary of Chilton, III.\u003c/p\u003e","\u003cp\u003eThis series includes land papers for coal and timber lands in Braxton and Webster counties.\u003c/p\u003e","\u003cp\u003eThis series includes the wills and other documents of Chilton, Sr. and Chilton, Jr.\u003c/p\u003e","\u003cp\u003eThis series includes copies of the Yale Daily News for 1914-1915.\u003c/p\u003e","\u003cp\u003eThis series includes one scrapbook for Chilton, Sr. (1911-56) and five scrapbooks for Chilton, Jr. (1911-1953), among others.\u003c/p\u003e","\u003cp\u003eThis series includes two Yale fraternity paddles, a WV House of Delegates License Plate, a ceremonial key to the City of Logan, and a glass encapsulated nail of WVU Martin Hall.\u003c/p\u003e","\u003cp\u003eThis series documents the life of William E. \"Ned\" Chilton, III, member of a prominent Charleston family which has managed the Charleston Gazette since the late nineteenth century.  The majority of this collection consists of letters received by Chilton that discuss family matters, the business of the Charleston Gazette, social and political issues, and current events of the time.\u003c/p\u003e\n","\u003cp\u003eAll boxes listed with \"ADD\" at the beginning of the box number are part of this addendum.\u003c/p\u003e","\u003cp\u003eThis series includes mostly incoming letters to William Edwin \"Ned\" Chilton, III, from 1920-1985.    These letters describe business and personal matters of the Chilton family and the Charleston Gazette. Since Chilton corresponded with numerous journalists, syndicated columnists, and elected officials, these incoming letters document his social and political activities and discuss historic and political events. Some early letters belong to his father, W.E. Chilton, Jr. and his grandfather, W. E. Chilton, Sr..\u003c/p\u003e","\u003cp\u003eThis series includes incoming letters from 1961-1985 covering a range of personal and political topics. Topics include family, travel plans, possible guests for Firing Line, William F. Buckley Pulitzer nomination, Mexico, gun control, Rockefeller campaign spending, the Freedom of Information Act, Rhodesia, libel, 1980 presidential election, cost of legal services, public presentation of legal ethics committees, punishment of nonviolent crimes, drugs, drug policy, L.T. Anderson, and Vietnam. Other letters from Buckley also can also be found within the chronologically sorted letters.\u003c/p\u003e","\u003cp\u003eThis series contains incoming letters from 1960-1987 that discuss personal and political matters. Topics include banking and equality under the law, FBI, J. Edgar Hoover, civil liberties of Congress, Edvard Munch, National Taxpayer's Union, neo-liberalism, editing problems in Charleston Gazette, Hoover Commission Study, West Virginia economics and politics, Russell Baker, Bob Eckhardt, salaries of legislators, oil crisis, AT\u0026amp;T, Congressional Power, Richard Nixon, Ted Kennedy, Robert C. Byrd, punishment for white collar crime, Ralph Nader, flag burning, UMW pension fund, Associated Press vs. United Press International, prisons, treatment of prisoners, drunk driving, neo-liberalism and homosexuality, nomination of Chilton for Hugh Hefner 1st Amendment Award, Larry Flynt, legalization of drugs, and national security policy.  More letters from Robert and Mary Sherrill can be found within the chronologically sorted letters.\u003c/p\u003e","\u003cp\u003eThis series contains photos of W.E. \"Ned\" Chilton, pictures of other Chilton family members, and miscellaneous unidentified photos.  This series also contains autographed photos collected by Chilton.\u003c/p\u003e","\u003cp\u003eThis series includes a variety of artifacts collected by Ned Chilton.\u003c/p\u003e","\u003cp\u003eThis series includes newspaper and magazine clippings which document Chilton's family, career, and miscellaneous topics.  Other clippings include a series of Charleston Gazette editorials from 1949 and newspaper clippings relating to W.E. Chilton, Sr.'s election to Senate in 1911.\u003c/p\u003e","\u003cp\u003eThis series includes documents relating to Chilton's Journalism Professorship at WVU, the Southern Newspaper Publishers Association, the WVU Parkersburg Center, Yale University, the \n1982 Elijah Parish Lovejoy Award, as well as certificates, financial papers and receipts, invitations, programs, and tributes.\u003c/p\u003e","\u003cp\u003eThis series includes documents from a case argued by W.E. Chilton, Sr. and court decisions relating to the wills of W.E. Chilton, Jr. and John D. Schoonmaker.\u003c/p\u003e","\u003cp\u003eThis series includes miscellaneous writings on political and historical topics by William Edwin \"Ned\" Chilton, III.\u003c/p\u003e","\u003cp\u003eThis series includes oversize photos, drawings, cartoons, blueprints and certificates.\u003c/p\u003e","\u003cp\u003eThis addendum includes one folder containing a book owned by Ned Chilton titled \u003ctitle\u003e\u003cpart\u003eMr. Dooley: In Peace and in War\u003c/part\u003e\u003c/title\u003e by Finley Peter Dunne. It is a third or fourth edition copy, published in 1899 by Small, Maynard and Company. The author's name does not appear in this book. Dunne was a newspaper columnist, and this book features 49 of his writings.\u003c/p\u003e","\u003cp\u003eThis addendum consists of material related to the Charleston Gazette and W.E. (Ned) Chilton III including publications, artwork, and historic certificates that were presumably collected for display in his home or office.\u003c/p\u003e","\u003cp\u003eThis sub-series contains a selection of publications collected by Ned and Betty Chilton. Many of these books were gifted to them and contain notes or signatures from the individual who bestowed the gift. Others contain embossed imprints to indicate that Ned Chilton was the owner of the book. Topics include but are not limited to politics, comics, industry, fiction, and West Virginia history. Includes multiple books by William F. Buckley, Jr.\u003c/p\u003e","\u003cp\u003eThis sub-series contains four displomas/certificates given to W.E. Chilton, Jr. and Sr. to acknowledge Chilton Sr.'s induction into the legislature, Chilton Jr.'s school graduation, and their contributions to political funds.\u003c/p\u003e","\u003cp\u003eThis sub-series contains eight framed and unframed drawings or prints. Contents include two framed caricatures drawn by Taylor Jones (1976 and 1977), two framed prints from the Rex Morgan, MD (May 24, 1965) and Beetle Bailey (1975) comic strips, two unframed prints from the Blondie (November 28, 1993) and Dick Tracy (April 8, 1935) comic strips, an unlabeled print by comic artist Kendall Vintroux (March 19, 1966), and a framed copy of the Harper's Weekly political cartoon drawn by Thomas Nast, depicting the first representation of the Democratic party as a donkey and originally published on January 15, 1870.\u003c/p\u003e","\u003cp\u003eThis addendum consists of material related to the Chilton family and their activities and involvement with the Charleston Gazette, its employees, notable figures, business contacts, and other related entities. Formats include scrapbooks, clippings and facsimiles of articles, publications, print and digital photographs, correspondence, records of court proceedings, art prints, receipts, financial documents, certificates and other forms of achievement recognition, and additional miscellaneous related items.\u003c/p\u003e","\u003cp\u003eThis sub-series consists of scrapbooks featuring clippings from the Charleston Gazette, arranged by the Chilton family into binders organized by publication date.\u003c/p\u003e","\u003cp\u003eThis box contains five ring-bound scrapbooks and several loose scrapbook pages. These scrapbooks consist of materials related to the Charleston Gazette. The binders are labeled Old Days (contains materials from as early as 1900), Late 1950s, From 1980, Toward 2000, and 2001: A Gazette Odyssey. The unbound pages contain content ranging from the 1940s to 2017, and they appear to have been created around 2017.\u003c/p\u003e","\u003cp\u003eThis box contains five ring-bound scrapbooks consisting of photographs, clippings, and other materials related to the Charleston Gazette. The binders are labeled From the '60s (materials from ca. 1960-1979), Into 2003 (materials from 2002-2004), 2005, 2009, and 2014. These scrapbooks appear to have been created ca. 2017.\u003c/p\u003e","\u003cp\u003eThis sub-series consists of miscellaneous articles, clippings, and facsimiles of articles from the Charleston Gazette and other publications. Topics include Ned Chilton and other notable figures, politics, business, and industry in West Virginia, and additional miscellaneous topics.\u003c/p\u003e","\u003cp\u003eThis box consists of miscellaneous clippings from the Charleston Gazette and other publications. Also included is a printed, bound collection of facsimiles of articles originally published in the Charleston Gazette covering the subject of consumer fraud.\u003c/p\u003e","\u003cp\u003eThis partial box contains a broad selection of clippings, most originally printed in the Charleston Gazette, but also includes articles from other publications. Topics include Gazette Q and A interviews, politics, finance, articles written to memorialize Ned Chilton, and features highlighting Chilton family activities and achievements.\u003c/p\u003e","\u003cp\u003eThis partial box contains a collection of clippings from the Gazette and other publications, material related to awards and scholars sponsored by the Gazette, and additional miscellaneous related items.\u003c/p\u003e","\u003cp\u003eThis partial box contains a variety of clippings, from the Charleston Gazette and other publications, including articles written by or about W.E. (Ned) Chilton III.\u003c/p\u003e","\u003cp\u003eThis partial box contains Charleston Gazette and Chilton family keepsakes/mementos and related materials. Formats include clippings, facsimiles of articles and family history book pages, publications, and other miscellaneous materials. Topics include published articles based on the Chiltons' trip around the world in 1977, Gazette investigative reports, articles written by or about W.E. (Ned) Chilton III, the Charleston Gazette and Chilton family members featured in other publications, and Ned Chilton memorial articles.\u003c/p\u003e","\u003cp\u003eThis sub-series contains two framed prints and three commemorative plaques. Also included are two undated, unlabeled photos that appear to be of W. E. Chilton, Jr., a poster, a signed photo mat, several oversize publications, and clippings from the Charleston Gazette, the Sunday Gazette-Mail, and other news publications.\u003c/p\u003e","\u003cp\u003eThis box contains two framed prints, one from the Steve Roper comic and one from the Judge Parker comic, both from 1965. Also included are two undated, unlabeled photos that appear to be of W. E. Chilton, Jr., a Charleston Gazette poster, a photo mat signed by Lieutenant Colonel Alan Sierichs (retired), several oversize publications including The John Birch Coloring Book published in 1962, and clippings from the Charleston Gazette, the Sunday Gazette-Mail, and other news publications.\u003c/p\u003e","\u003cp\u003eThis partial box contains three commemorative metal plaques. One award was given in tribute to the Charleston Gazette from the Associated Press Managing Editors Association in 1979. The other two were presented to Elizabeth (Betty) Chilton, and include the West Virginia State College Second Century Award and the Charleston Distance Run Eugene M. Fuller Extra Mile Award, to acknowledge her excellence in leadership, service, and dedication.\u003c/p\u003e","\u003cp\u003eThis sub-series consists of two folders of photos, 19 .jpg images, and a folder of printed copies of the digital photos, which document Charleston Gazette and Charleston Daily Mail staff and activities. Also includes a 3 and 3/4 speed tape reel recording of political programs from the early 1960s and a CD-R of West Virginia Public Radio program content featuring Jim Haught discussing the Charleston Gazette, Ned Chilton, Don Marsh, and other topics.\u003c/p\u003e","\u003cp\u003eThis sub-series includes correspondence, court documentation, financial records, and other materials related to the Charleston Gazette and Chilton family business.\u003c/p\u003e","\u003cp\u003eThis partial box consists of materials related to Gazette business, including but not limited to correspondence, court proceedings, artwork, financial records, and other miscellaneous documents related to the Charleston Gazette and the Chiltons.\u003c/p\u003e","\u003cp\u003eThis partial box includes court case documentation, correspondence, and other Gazette related materials.\u003c/p\u003e","\u003cp\u003eThis partial box consists of Gazette business materials, including but not limited to travel documentation, sponsorship documents and correspondence, visiting scholars and journalists, government correspondence regarding the Freedom of Information Act and potential government files about the Gazette, committee and insurance information, and other miscellaneous business correspondence and documentation.\u003c/p\u003e","\u003cp\u003eThis partial box contains Charleston Gazette and Chilton family keepsakes/mementos and related materials. Formats include correspondence including letters and printed copies of emails, court reports, photographs, financial documents, and other miscellaneous materials. It includes materials the Chiltons retained from their trip around the world in 1977, information about the Charleston Gazette business, and documentation of Chilton family members' activities and achievements.\u003c/p\u003e","\u003cp\u003eThis addendum consists of a selection of ephemera related to the personal achievements of W.E. (Ned) Chilton III and Elizabeth (Betty) Chilton.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Scrapbooks, correspondence, business papers, and memorabilia of a prominent Charleston family that were long time owners of the Charleston Gazette.  There are papers of W. E. Chilton, Sr., and for his son and grandson, W. E. Chilton, Jr. and W. E. Chilton, III.  The papers of Chilton senior include some correspondence, but mostly land papers documenting the coal mining district in Webster and Braxton Counties. There are also scrapbooks, and contracts pertaining to the family newspaper business; and volumes on the education of W. E. Chilton, Jr. at Woodberry, VA Forest School, and at Yale. The military service of the Chiltons is documented by the service papers, photographs, and other material for W. E. Chilton, Jr. and W. E. Chilton, III in World War (WWI) I and World War II (WWII) respectively.","The initial acquisition of 1992 includes eight boxes documenting primarily William Edwin Chilton senior (1858-1939), including series for:  general correspondence; rare signatures; subjects; land titles and abstracts; legal records; newspapers and pictures; scrapbooks; and artifacts.  For details see inventory in control folder at the library.","Rare signatures in the initial acquisition of W. E. Chilton, Sr., include:  Louis \"Satchmo\" Armstrong, Newton D. Baker, Alben W. Barkley, \"Count\" Basie, Lester Young, Louis D. Brandeis, Richard E. Byrd, Cab Calloway, Dale Carnegie, Tom Clark, Grover Cleveland, Charles Curtis, Josephus Daniels, John W. Davis, \"Dizzy\" Dean, Jack Dempsey, Thomas E. Dewey, J. DiMaggio, James A. Farley, Bob Feller, Ella Fitzgerald, John N. Garner, Lou Gehrig, Carter Glass, Hank Greenberg, W. C. Handy, Averell Harriman, Herbert Hoover, J. Edgar Hoover, Harold L. Ickes, Helen Keller, Guy Lombardo, Joe Louis, William G. McAdoo, Glenn Miller, Dwight Morrow, C. W. Nimitz, G. W. Norris, Westbrook Pegler, Gifford Pinchot, Drew Pearson, Sam Rayburn, Eddie V. Rickenbacker, Paul Robeson, Edward G. Robinson, Eleanor Roosevelt, Franklin D. Roosevelt, \"Babe\" Ruth, J. D. Salinger, Margaret Sanger, Sam Snead, Felix B. Stump, Fred M. Vinson, \"Fats\" Waller, W. A. White, Jess Willard, Ted Williams, Wendell Willkie, Edith Bolling Wilson, Woodrow Wilson, and Cy Young.","The addendum of 2001 includes five boxes documenting primarily William Edwin Chilton, III (1921-1987), including series for:  biographical information; incoming letters; photographs; ephemera; clippings; subjects; legal records; writings, speeches, and publications; and oversize.  For details see inventory in control folder at the library.","The addendum of 2004 includes one folder containing a book owned by Ned Chilton titled \"Mr. Dooley In Peace and in War\" by Finley Peter Dunne, published in 1899 by Small, Maynard and Company.  The author's name does not appear in this book.  Dunne was a newspaper columnist, and this book features 49 of his writings.","The addendum of 2018 April 4 includes 3 boxes consisting of material related to the Charleston Gazette and W.E. (Ned) Chilton III including publications, artwork, and historic certificates that were presumably collected for display in his home or office. ","The addendum of 2018 July 24 includes 10 boxes consisting of material related to the Chilton family and their activities and involvement with the Charleston Gazette, its employees, notable figures, business contacts, and other related entities. Formats include scrapbooks, clippings and facsimiles of articles, publications, print and digital photographs, correspondence, records of court proceedings, art prints, receipts, financial documents, certificates and other forms of achievement recognition, and additional miscellaneous related items. ","The addendum of 2018 November 29 includes 1 folder featuring a selection of ephemera related to the personal achievements of W.E. (Ned) Chilton III and Elizabeth (Betty) Chilton.","This series includes mostly incoming letters and cards to William Edwin Chilton, Sr. [1858-1939], William Edwin Chilton, Jr. [1893-1950], William Edwin [Ned] Chilton, III [1921-1987], J. Eustace Chilton, and a number of employees of the Charleston Gazette; topics of discussion include personal matters and business affairs of the family, business of the Charleston Gazette, business of the U.S. Senate, Prohibition, the Depression, the election of Franklin D. Roosevelt, and Democratic Party issues and strategies, among other subjects; there are original cartoons by popular comic strip artists drawn for William E. \"Ned\" Chilton, III, [with black ink on heavy card stock.]  As W.E. Chilton, III, was an avid collector of autographs, some files also contain letters soliciting signatures, as well as signed cards and replies.","This series includes signatures of prominent celebrities and historical figures collected by the Chiltons.  (Access to rare signatures requires the permission of a WVC curator.)","This series includes the WWI US Navy Air Corps service papers of Chilton, Jr., and the WWII US Army Air Corp diary of Chilton, III.","This series includes land papers for coal and timber lands in Braxton and Webster counties.","This series includes the wills and other documents of Chilton, Sr. and Chilton, Jr.","This series includes copies of the Yale Daily News for 1914-1915.","This series includes one scrapbook for Chilton, Sr. (1911-56) and five scrapbooks for Chilton, Jr. (1911-1953), among others.","This series includes two Yale fraternity paddles, a WV House of Delegates License Plate, a ceremonial key to the City of Logan, and a glass encapsulated nail of WVU Martin Hall.","This series documents the life of William E. \"Ned\" Chilton, III, member of a prominent Charleston family which has managed the Charleston Gazette since the late nineteenth century.  The majority of this collection consists of letters received by Chilton that discuss family matters, the business of the Charleston Gazette, social and political issues, and current events of the time.","All boxes listed with \"ADD\" at the beginning of the box number are part of this addendum.","This series includes mostly incoming letters to William Edwin \"Ned\" Chilton, III, from 1920-1985.    These letters describe business and personal matters of the Chilton family and the Charleston Gazette. Since Chilton corresponded with numerous journalists, syndicated columnists, and elected officials, these incoming letters document his social and political activities and discuss historic and political events. Some early letters belong to his father, W.E. Chilton, Jr. and his grandfather, W. E. Chilton, Sr..","This series includes incoming letters from 1961-1985 covering a range of personal and political topics. Topics include family, travel plans, possible guests for Firing Line, William F. Buckley Pulitzer nomination, Mexico, gun control, Rockefeller campaign spending, the Freedom of Information Act, Rhodesia, libel, 1980 presidential election, cost of legal services, public presentation of legal ethics committees, punishment of nonviolent crimes, drugs, drug policy, L.T. Anderson, and Vietnam. Other letters from Buckley also can also be found within the chronologically sorted letters.","This series contains incoming letters from 1960-1987 that discuss personal and political matters. Topics include banking and equality under the law, FBI, J. Edgar Hoover, civil liberties of Congress, Edvard Munch, National Taxpayer's Union, neo-liberalism, editing problems in Charleston Gazette, Hoover Commission Study, West Virginia economics and politics, Russell Baker, Bob Eckhardt, salaries of legislators, oil crisis, AT\u0026T, Congressional Power, Richard Nixon, Ted Kennedy, Robert C. Byrd, punishment for white collar crime, Ralph Nader, flag burning, UMW pension fund, Associated Press vs. United Press International, prisons, treatment of prisoners, drunk driving, neo-liberalism and homosexuality, nomination of Chilton for Hugh Hefner 1st Amendment Award, Larry Flynt, legalization of drugs, and national security policy.  More letters from Robert and Mary Sherrill can be found within the chronologically sorted letters.","This series contains photos of W.E. \"Ned\" Chilton, pictures of other Chilton family members, and miscellaneous unidentified photos.  This series also contains autographed photos collected by Chilton.","This series includes a variety of artifacts collected by Ned Chilton.","This series includes newspaper and magazine clippings which document Chilton's family, career, and miscellaneous topics.  Other clippings include a series of Charleston Gazette editorials from 1949 and newspaper clippings relating to W.E. Chilton, Sr.'s election to Senate in 1911.","This series includes documents relating to Chilton's Journalism Professorship at WVU, the Southern Newspaper Publishers Association, the WVU Parkersburg Center, Yale University, the \n1982 Elijah Parish Lovejoy Award, as well as certificates, financial papers and receipts, invitations, programs, and tributes.","This series includes documents from a case argued by W.E. Chilton, Sr. and court decisions relating to the wills of W.E. Chilton, Jr. and John D. Schoonmaker.","This series includes miscellaneous writings on political and historical topics by William Edwin \"Ned\" Chilton, III.","This series includes oversize photos, drawings, cartoons, blueprints and certificates.","This addendum includes one folder containing a book owned by Ned Chilton titled  Mr. Dooley: In Peace and in War  by Finley Peter Dunne. It is a third or fourth edition copy, published in 1899 by Small, Maynard and Company. The author's name does not appear in this book. Dunne was a newspaper columnist, and this book features 49 of his writings.","This addendum consists of material related to the Charleston Gazette and W.E. (Ned) Chilton III including publications, artwork, and historic certificates that were presumably collected for display in his home or office.","This sub-series contains a selection of publications collected by Ned and Betty Chilton. Many of these books were gifted to them and contain notes or signatures from the individual who bestowed the gift. Others contain embossed imprints to indicate that Ned Chilton was the owner of the book. Topics include but are not limited to politics, comics, industry, fiction, and West Virginia history. Includes multiple books by William F. Buckley, Jr.","This sub-series contains four displomas/certificates given to W.E. Chilton, Jr. and Sr. to acknowledge Chilton Sr.'s induction into the legislature, Chilton Jr.'s school graduation, and their contributions to political funds.","This sub-series contains eight framed and unframed drawings or prints. Contents include two framed caricatures drawn by Taylor Jones (1976 and 1977), two framed prints from the Rex Morgan, MD (May 24, 1965) and Beetle Bailey (1975) comic strips, two unframed prints from the Blondie (November 28, 1993) and Dick Tracy (April 8, 1935) comic strips, an unlabeled print by comic artist Kendall Vintroux (March 19, 1966), and a framed copy of the Harper's Weekly political cartoon drawn by Thomas Nast, depicting the first representation of the Democratic party as a donkey and originally published on January 15, 1870.","This addendum consists of material related to the Chilton family and their activities and involvement with the Charleston Gazette, its employees, notable figures, business contacts, and other related entities. Formats include scrapbooks, clippings and facsimiles of articles, publications, print and digital photographs, correspondence, records of court proceedings, art prints, receipts, financial documents, certificates and other forms of achievement recognition, and additional miscellaneous related items.","This sub-series consists of scrapbooks featuring clippings from the Charleston Gazette, arranged by the Chilton family into binders organized by publication date.","This box contains five ring-bound scrapbooks and several loose scrapbook pages. These scrapbooks consist of materials related to the Charleston Gazette. The binders are labeled Old Days (contains materials from as early as 1900), Late 1950s, From 1980, Toward 2000, and 2001: A Gazette Odyssey. The unbound pages contain content ranging from the 1940s to 2017, and they appear to have been created around 2017.","This box contains five ring-bound scrapbooks consisting of photographs, clippings, and other materials related to the Charleston Gazette. The binders are labeled From the '60s (materials from ca. 1960-1979), Into 2003 (materials from 2002-2004), 2005, 2009, and 2014. These scrapbooks appear to have been created ca. 2017.","This sub-series consists of miscellaneous articles, clippings, and facsimiles of articles from the Charleston Gazette and other publications. Topics include Ned Chilton and other notable figures, politics, business, and industry in West Virginia, and additional miscellaneous topics.","This box consists of miscellaneous clippings from the Charleston Gazette and other publications. Also included is a printed, bound collection of facsimiles of articles originally published in the Charleston Gazette covering the subject of consumer fraud.","This partial box contains a broad selection of clippings, most originally printed in the Charleston Gazette, but also includes articles from other publications. Topics include Gazette Q and A interviews, politics, finance, articles written to memorialize Ned Chilton, and features highlighting Chilton family activities and achievements.","This partial box contains a collection of clippings from the Gazette and other publications, material related to awards and scholars sponsored by the Gazette, and additional miscellaneous related items.","This partial box contains a variety of clippings, from the Charleston Gazette and other publications, including articles written by or about W.E. (Ned) Chilton III.","This partial box contains Charleston Gazette and Chilton family keepsakes/mementos and related materials. Formats include clippings, facsimiles of articles and family history book pages, publications, and other miscellaneous materials. Topics include published articles based on the Chiltons' trip around the world in 1977, Gazette investigative reports, articles written by or about W.E. (Ned) Chilton III, the Charleston Gazette and Chilton family members featured in other publications, and Ned Chilton memorial articles.","This sub-series contains two framed prints and three commemorative plaques. Also included are two undated, unlabeled photos that appear to be of W. E. Chilton, Jr., a poster, a signed photo mat, several oversize publications, and clippings from the Charleston Gazette, the Sunday Gazette-Mail, and other news publications.","This box contains two framed prints, one from the Steve Roper comic and one from the Judge Parker comic, both from 1965. Also included are two undated, unlabeled photos that appear to be of W. E. Chilton, Jr., a Charleston Gazette poster, a photo mat signed by Lieutenant Colonel Alan Sierichs (retired), several oversize publications including The John Birch Coloring Book published in 1962, and clippings from the Charleston Gazette, the Sunday Gazette-Mail, and other news publications.","This partial box contains three commemorative metal plaques. One award was given in tribute to the Charleston Gazette from the Associated Press Managing Editors Association in 1979. The other two were presented to Elizabeth (Betty) Chilton, and include the West Virginia State College Second Century Award and the Charleston Distance Run Eugene M. Fuller Extra Mile Award, to acknowledge her excellence in leadership, service, and dedication.","This sub-series consists of two folders of photos, 19 .jpg images, and a folder of printed copies of the digital photos, which document Charleston Gazette and Charleston Daily Mail staff and activities. Also includes a 3 and 3/4 speed tape reel recording of political programs from the early 1960s and a CD-R of West Virginia Public Radio program content featuring Jim Haught discussing the Charleston Gazette, Ned Chilton, Don Marsh, and other topics.","This sub-series includes correspondence, court documentation, financial records, and other materials related to the Charleston Gazette and Chilton family business.","This partial box consists of materials related to Gazette business, including but not limited to correspondence, court proceedings, artwork, financial records, and other miscellaneous documents related to the Charleston Gazette and the Chiltons.","This partial box includes court case documentation, correspondence, and other Gazette related materials.","This partial box consists of Gazette business materials, including but not limited to travel documentation, sponsorship documents and correspondence, visiting scholars and journalists, government correspondence regarding the Freedom of Information Act and potential government files about the Gazette, committee and insurance information, and other miscellaneous business correspondence and documentation.","This partial box contains Charleston Gazette and Chilton family keepsakes/mementos and related materials. Formats include correspondence including letters and printed copies of emails, court reports, photographs, financial documents, and other miscellaneous materials. It includes materials the Chiltons retained from their trip around the world in 1977, information about the Charleston Gazette business, and documentation of Chilton family members' activities and achievements.","This addendum consists of a selection of ephemera related to the personal achievements of W.E. (Ned) Chilton III and Elizabeth (Betty) Chilton."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_4833b10941e14ac77c2df571c3b6fe38\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Pearson, Drew.","Chilton, William E. (William Edwin), 1858-1939","Chilton, Betty","Chilton, William E. (William Edwin), 1893-1950","Chilton, William E. (William Edwin), 1921-1987","Roosevelt, Eleanor, 1884-1962","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Salinger, J. D. (Jerome David), 1919-2010"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Pearson, Drew.","Chilton, William E. (William Edwin), 1893-1950","Chilton, William E. (William Edwin), 1858-1939","Chilton, William E. (William Edwin), 1858-1939","Chilton, William E. (William Edwin), 1921-1987","Roosevelt, Eleanor, 1884-1962","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Salinger, J. D. (Jerome David), 1919-2010","Chilton, Betty","Chilton, Betty"],"famname_ssim":["Pearson, Drew."],"persname_ssim":["Chilton, William E. (William Edwin), 1858-1939","Chilton, Betty","Chilton, William E. (William Edwin), 1893-1950","Chilton, William E. (William Edwin), 1921-1987","Roosevelt, Eleanor, 1884-1962","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Salinger, J. D. (Jerome David), 1919-2010"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":461,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:00:05.012Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1202_c10"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":54},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=Alexandria+Library"}},{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":463},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"Edgar Cayce Foundation","value":"Edgar Cayce Foundation","hits":5},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=Edgar+Cayce+Foundation"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":441},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Hampden-Sydney College","value":"Hampden-Sydney College","hits":12},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=Hampden-Sydney+College"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":177},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=James+Madison+University"}},{"attributes":{"label":"Longwood University","value":"Longwood University","hits":29},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=Longwood+University"}},{"attributes":{"label":"Old Dominion University","value":"Old Dominion University","hits":346},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Randolph-Macon College","value":"Randolph-Macon College","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=Randolph-Macon+College"}},{"attributes":{"label":"The George Washington Presidential Library at Mount Vernon","value":"The George Washington Presidential Library at Mount Vernon","hits":54},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=The+George+Washington+Presidential+Library+at+Mount+Vernon"}},{"attributes":{"label":"University of Mary Washington","value":"University of Mary Washington","hits":17},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=University+of+Mary+Washington"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Series"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"Arts in Virginia\" (PB-04)","value":"\"Arts in Virginia\" (PB-04)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Arts+in+Virginia%22+%28PB-04%29\u0026f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"A. 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