{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1959\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=2","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1959\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=1","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1959\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=3","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1959\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=459"},"meta":{"pages":{"current_page":2,"next_page":3,"prev_page":1,"total_pages":459,"limit_value":10,"offset_value":10,"total_count":4584,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_521_c2809","type":"File","attributes":{"title":"3\" Reel - Unknown Content","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_521_c2809#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_521_c2809","ref_ssm":["vifgm_repositories_2_resources_521_c2809"],"id":"vifgm_repositories_2_resources_521_c2809","ead_ssi":"vifgm_repositories_2_resources_521","_root_":"vifgm_repositories_2_resources_521","_nest_parent_":"vifgm_repositories_2_resources_521","parent_ssi":"vifgm_repositories_2_resources_521","parent_ssim":["vifgm_repositories_2_resources_521"],"parent_ids_ssim":["vifgm_repositories_2_resources_521"],"parent_unittitles_ssm":["Robert and Wilva Breen papers"],"parent_unittitles_tesim":["Robert and Wilva Breen papers"],"text":["Robert and Wilva Breen papers","3\" Reel - Unknown Content","Box 193"],"title_filing_ssi":"3\" Reel - Unknown Content","title_ssm":["3\" Reel - Unknown Content"],"title_tesim":["3\" Reel - Unknown Content"],"unitdate_other_ssim":["December 24, 1959"],"normalized_date_ssm":["1959"],"normalized_title_ssm":["3\" Reel - Unknown Content"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["Robert and Wilva Breen papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2809,"parent_access_restrict_tesm":["Box 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.","Box 89, Folder 8 and 9 are restricted due to personally identifiable information.","There are no other access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"date_range_isim":[1959],"containers_ssim":["Box 193"],"_nest_path_":"/components#2808","timestamp":"2026-05-21T05:25:00.697Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_521","ead_ssi":"vifgm_repositories_2_resources_521","_root_":"vifgm_repositories_2_resources_521","_nest_parent_":"vifgm_repositories_2_resources_521","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_521.xml","title_ssm":["Robert and Wilva Breen papers"],"title_tesim":["Robert and Wilva Breen papers"],"unitdate_ssm":["1834, 1933-2000s"],"unitdate_inclusive_ssm":["1834, 1933-2000s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0004","/repositories/2/resources/521"],"text":["C0004","/repositories/2/resources/521","Robert and Wilva Breen papers","Helsingør (Denmark)","Broadway (New York, N.Y.)","Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs","Box 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.","Box 89, Folder 8 and 9 are restricted due to personally identifiable information.","There are no other access restrictions.","Selections from the Robert and Wilva Breen papers are also available digitally on ","In 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room.","The collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center.","Strom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com.   (accessed December 12, 2018).","Oliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com.   (accessed December 12, 2018).","Riedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com.   (accessed December 12, 2018).","ANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA.   (accessed December 12, 2018).","Robert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990."," The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad."," Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946."," Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States."," Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company."," ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region.","Part of the Robert and Wilva Breen papers was donated to The Ohio State University.","The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access.","Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018.","Special Collections Research Center also holds the  , the  , the  , and many other "," The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the "," The UCLA Library Special Collections, Charles E. Young Research Library holds the ","The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper.","R2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1","George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971","English"],"unitid_tesim":["C0004","/repositories/2/resources/521"],"normalized_title_ssm":["Robert and Wilva Breen papers"],"collection_title_tesim":["Robert and Wilva Breen papers"],"collection_ssim":["Robert and Wilva Breen papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"geogname_ssim":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"creator_ssm":["Breen, Robert","Breen, Wilva"],"creator_ssim":["Breen, Robert","Breen, Wilva"],"creator_persname_ssim":["Breen, Robert","Breen, Wilva"],"creators_ssim":["Breen, Robert","Breen, Wilva"],"places_ssim":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["This collection was donated by the trustees of the Robert and Wilva Breen papers in 1988, and Wilva Breen and The Ohio State University in 1989. There were multiple accessions of materials throughout the 1990s. Additional materials were donated by Diana Lawrence and Mike Timoney in 2011."],"access_subjects_ssim":["Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs"],"access_subjects_ssm":["Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["80.5 Linear Feet 207 boxes, 1 map case"],"extent_tesim":["80.5 Linear Feet 207 boxes, 1 map case"],"genreform_ssim":["Theatrical posters","Photographs"],"date_range_isim":[1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eBox 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.\u003c/p\u003e\n","\u003cp\u003eBox 89, Folder 8 and 9 are restricted due to personally identifiable information.\u003c/p\u003e\n","\u003cp\u003eThere are no other access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Box 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.","Box 89, Folder 8 and 9 are restricted due to personally identifiable information.","There are no other access restrictions."],"altformavail_html_tesm":["\u003cp\u003eSelections from the Robert and Wilva Breen papers are also available digitally on \u003cextptr href=\"http://mars.gmu.edu/handle/1920/4609\" title=\"Mason Archival Respository Service (MARS).\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003eIn 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Selections from the Robert and Wilva Breen papers are also available digitally on ","In 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room."],"arrangement_html_tesm":["\u003cp\u003eThe collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center."],"bibliography_html_tesm":["\u003cp\u003eStrom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com. \u003cbibref\u003e\u003cextptr href=\"https://www.nytimes.com/1990/04/02/obituaries/robert-breen-80-arts-executive-and-theatrical-producer-is-dead.html\" title=\"https://www.nytimes.com/1990/04/02/obituaries/robert-breen-80-arts-executive-and-theatrical-producer-is-dead.html\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e\n","\u003cp\u003eOliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com. \u003cbibref\u003e\u003cextptr href=\"http://articles.latimes.com/1990-04-05/news/mn-617_1_robert-breen\" title=\"http://articles.latimes.com/1990-04-05/news/mn-617_1_robert-breen\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e\n","\u003cp\u003eRiedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com. \u003cbibref\u003e\u003cextptr href=\"https://nypost.com/2017/03/28/this-theaters-chaotic-history-includes-a-titanic-survivor-the-tonight-show-and-porn/\" title=\"https://nypost.com/2017/03/28/this-theaters-chaotic-history-includes-a-titanic-survivor-the-tonight-show-and-porn/\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e\n","\u003cp\u003eANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA. \u003cbibref\u003e\u003cextptr href=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" title=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Strom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com.   (accessed December 12, 2018).","Oliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com.   (accessed December 12, 2018).","Riedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com.   (accessed December 12, 2018).","ANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA.   (accessed December 12, 2018)."],"bioghist_html_tesm":["\u003cp\u003eRobert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990.\u003c/p\u003e\n","\u003cp\u003e The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad.\u003c/p\u003e\n","\u003cp\u003e Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946.\u003c/p\u003e\n","\u003cp\u003e Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States.\u003c/p\u003e\n","\u003cp\u003e Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company.\u003c/p\u003e\n","\u003cp\u003e ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Note"],"bioghist_tesim":["Robert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990."," The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad."," Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946."," Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States."," Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company."," ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region."],"custodhist_html_tesm":["\u003cp\u003ePart of the Robert and Wilva Breen papers was donated to The Ohio State University.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Part of the Robert and Wilva Breen papers was donated to The Ohio State University."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eRobert and Wilva Breen papers, C0004, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Robert and Wilva Breen papers, C0004, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0145\" title=\"Porgy and Bess poster collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0002\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0043\" title=\"Robert C. Schnitzer papers\" show=\"new\"\u003e\u003c/extptr\u003e, and many other \u003cextptr href=\"https://scrc.gmu.edu/collections-subject.php#THEATRE\" title=\"performing arts collections.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the \u003cextptr href=\"https://library.osu.edu/collections/spec.tri.rb\" title=\"Robert Breen and Wilva papers.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e The UCLA Library Special Collections, Charles E. Young Research Library holds the \u003cextptr href=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" title=\"ANTA West records.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center also holds the  , the  , the  , and many other "," The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the "," The UCLA Library Special Collections, Charles E. Young Research Library holds the "],"scopecontent_html_tesm":["\u003cp\u003eThe Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper.\u003c/abstract\u003e"],"abstract_tesim":["The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ddb931edc4f44bf997d326b2923a7505\"\u003eR2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1\u003c/physloc\u003e"],"physloc_tesim":["R2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1"],"names_coll_ssim":["American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Porterfield, Robert, 1905-1971"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)"],"persname_ssim":["Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3014,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:25:00.697Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_521_c2809"}},{"id":"vifgm_arenastage_c01_c05_c01_c86","type":"File","attributes":{"title":"40th anniversary book research (probably) Zelda Fichandler, \"A Permanent Theatre\" essay,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_arenastage_c01_c05_c01_c86#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_arenastage_c01_c05_c01_c86#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_arenastage_c01_c05_c01_c86","ref_ssm":["vifgm_arenastage_c01_c05_c01_c86"],"id":"vifgm_arenastage_c01_c05_c01_c86","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage_c01_c05_c01","parent_ssi":"vifgm_arenastage_c01_c05_c01","parent_ssim":["vifgm_arenastage","vifgm_arenastage_c01","vifgm_arenastage_c01_c05","vifgm_arenastage_c01_c05_c01"],"parent_ids_ssim":["vifgm_arenastage","vifgm_arenastage_c01","vifgm_arenastage_c01_c05","vifgm_arenastage_c01_c05_c01"],"parent_unittitles_ssm":["Arena Stage records","Series 1: Administrative records,","Subseries 1.5: Communications and Events,","Sub-subseries 1.5.1: Events,"],"parent_unittitles_tesim":["Arena Stage records","Series 1: Administrative records,","Subseries 1.5: Communications and Events,","Sub-subseries 1.5.1: Events,"],"text":["Arena Stage records","Series 1: Administrative records,","Subseries 1.5: Communications and Events,","Sub-subseries 1.5.1: Events,","40th anniversary book research (probably) Zelda Fichandler, \"A Permanent Theatre\" essay,","Box 109","Folder 10",""],"title_filing_ssi":"40th anniversary book research (probably) Zelda Fichandler, \"A Permanent Theatre\" essay, \n","title_ssm":["40th anniversary book research (probably) Zelda Fichandler, \"A Permanent Theatre\" essay,"],"title_tesim":["40th anniversary book research (probably) Zelda Fichandler, \"A Permanent Theatre\" essay,"],"unitdate_other_ssim":["1959\n"],"normalized_date_ssm":["1959"],"normalized_title_ssm":["40th anniversary book research (probably) Zelda Fichandler, \"A Permanent Theatre\" essay,"],"component_level_isim":[4],"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2342,"parent_access_restrict_tesm":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1959],"containers_ssim":["Box 109","Folder 10"],"scopecontent_html_tesm":["\u003cp/\u003e"],"scopecontent_tesim":[""],"_nest_path_":"/components#0/components#4/components#0/components#85","timestamp":"2026-05-21T06:25:23.142Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_arenastage","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage","ead_source_url_ssi":"data/gmu/arenastage.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/arenastage.html","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949-2010"],"unitdate_inclusive_ssm":["1949-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017"],"text":["C0017","Arena Stage records","Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings.","Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.","Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth 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subseries contains production photos collected in books.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","","","","","","","","","","","","","","","","","","","","","","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Model sits on top of map case\n","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event\n","Reel 2 of 3\n","Reel 3 of 3\n","Partially Unraveling\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Vinegar\n","Unraveling - Vinegar\n","","","","","","","","","Both the title (besides Reel 1) and the date have been blacked out\n","Title has been blacked out\n","","","","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","","","","","","","","","Tape 3\n","Tape 4\n","Tape 5\n","Tape 6\n","Reel #168\n","Reel #169\n","Reel #170\n","3 copies\n","2 copies\n","2 copies\n","","","","","","","","","","","","","","","","","","","There are no restrictions.","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)","English\n            "],"unitid_tesim":["C0017"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage"],"creator_ssim":["Arena Stage"],"creator_corpname_ssim":["Arena Stage"],"creators_ssim":["Arena Stage"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Arena Stage in 2000-2011."],"access_subjects_ssim":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["739 boxes"],"extent_tesim":["739 boxes"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\" href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\" href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  \u003c/p\u003e","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational 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subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth 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1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\nContains letters from Sigourney 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3: Casting information contains notes on casting for productions arranged alphabetically by 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subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena 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2: Communications and Marketing includes records produced by the Communications and Marketing departments. 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3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized 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subseries contains research on various playwrights, both living and dead, whose work has been performed at 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subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. 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subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the 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subseries contains documents collected from throughout the runs of various 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subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. 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subseries contains production photos collected in 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series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at 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subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\n\u003c/p\u003e","\u003cp\u003eReel 2 of 3\n\u003c/p\u003e","\u003cp\u003eReel 3 of 3\n\u003c/p\u003e","\u003cp\u003ePartially 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- Vinegar\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\n\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eTape 3\n\u003c/p\u003e","\u003cp\u003eTape 4\n\u003c/p\u003e","\u003cp\u003eTape 5\n\u003c/p\u003e","\u003cp\u003eTape 6\n\u003c/p\u003e","\u003cp\u003eReel #168\n\u003c/p\u003e","\u003cp\u003eReel #169\n\u003c/p\u003e","\u003cp\u003eReel #170\n\u003c/p\u003e","\u003cp\u003e3 copies\n\u003c/p\u003e","\u003cp\u003e2 copies\n\u003c/p\u003e","\u003cp\u003e2 copies\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","","","","","","","","","","","","","","Contains a letter from Annette Bening.\n","","","","","Contains headshots and a letter from Olympia Dukakis.\n","","","","","","","","Contains a letter from Rosemary Harris.\n","","","","","Contains letters, headshots, and a CV from John Lithgow.\n","","","","","","","","","","","","","","","","\nContains letters from Sigourney Weaver.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. 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Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1959],"containers_ssim":["box 109","folder 10"],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#0/components#4/components#0/components#85","timestamp":"2026-05-21T05:06:20.076Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"text":["C0017","/repositories/2/resources/416","Arena Stage records","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_corpname_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access note"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e\n","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e\n","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e","\u003cp\u003eThis subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\u003c/p\u003e","\u003cp\u003eContains letters from Sigourney Weaver.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eThis subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e","\u003cp\u003eSub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.\u003c/p\u003e","\u003cp\u003eCaucasian Chalk Circle is available in digital format.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eThis subseries includes information about and architectural plans for Arena's various buildings over the years.\u003c/p\u003e","\u003cp\u003eThis series is comprised of records related to the artistic development and performance of Arena's plays.\u003c/p\u003e","\u003cp\u003eThis subseries documents literary, historical and background research done by Arena's literary department for various plays.\u003c/p\u003e","\u003cp\u003eThis subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.\u003c/p\u003e","\u003cp\u003eThis subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents collected from throughout the runs of various productions.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eThis subseries contains production photos collected in books.\u003c/p\u003e","\u003cp\u003eThis subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e","\u003cp\u003eThis subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eThis series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.\u003c/p\u003e","\u003cp\u003eThis subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.\u003c/p\u003e","\u003cp\u003eThis subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.\u003c/p\u003e","\u003cp\u003eModel sits on top of map case\u003c/p\u003e","\u003cp\u003eThis subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\u003c/p\u003e","\u003cp\u003eReel 2 of 3\u003c/p\u003e","\u003cp\u003eReel 3 of 3\u003c/p\u003e","\u003cp\u003ePartially Unraveling\u003c/p\u003e","\u003cp\u003eVinegar\u003c/p\u003e","\u003cp\u003eUnraveling - Vinegar\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003eTape 3\u003c/p\u003e","\u003cp\u003eTape 4\u003c/p\u003e","\u003cp\u003eTape 5\u003c/p\u003e","\u003cp\u003eTape 6\u003c/p\u003e","\u003cp\u003eReel #168\u003c/p\u003e","\u003cp\u003eReel #169\u003c/p\u003e","\u003cp\u003eReel #170\u003c/p\u003e","\u003cp\u003e3 copies \nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2 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note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e"],"physloc_tesim":["\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:06:20.076Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c01_c05_c01_c86"}},{"id":"vifgm_repositories_2_resources_381_c02_c08","type":"File","attributes":{"title":"50th Anniversary Documents","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_381_c02_c08#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_381_c02_c08","ref_ssm":["vifgm_repositories_2_resources_381_c02_c08"],"id":"vifgm_repositories_2_resources_381_c02_c08","ead_ssi":"vifgm_repositories_2_resources_381","_root_":"vifgm_repositories_2_resources_381","_nest_parent_":"vifgm_repositories_2_resources_381_c02","parent_ssi":"vifgm_repositories_2_resources_381_c02","parent_ssim":["vifgm_repositories_2_resources_381","vifgm_repositories_2_resources_381_c02"],"parent_ids_ssim":["vifgm_repositories_2_resources_381","vifgm_repositories_2_resources_381_c02"],"parent_unittitles_ssm":["Civic Association of Hollin Hills records","Series 2: 40th and 50th Anniversaries and Histories"],"parent_unittitles_tesim":["Civic Association of Hollin Hills records","Series 2: 40th and 50th Anniversaries and Histories"],"text":["Civic Association of Hollin Hills records","Series 2: 40th and 50th Anniversaries and Histories","50th Anniversary Documents","box 30","folder 2"],"title_filing_ssi":"50th Anniversary Documents","title_ssm":["50th Anniversary Documents"],"title_tesim":["50th Anniversary Documents"],"unitdate_other_ssim":["1949-1999"],"normalized_date_ssm":["1949/1999"],"normalized_title_ssm":["50th Anniversary Documents"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Civic Association of Hollin Hills records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":129,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"containers_ssim":["box 30","folder 2"],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#1/components#7","timestamp":"2026-05-21T05:27:03.377Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_381","ead_ssi":"vifgm_repositories_2_resources_381","_root_":"vifgm_repositories_2_resources_381","_nest_parent_":"vifgm_repositories_2_resources_381","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_381.xml","title_ssm":["Civic Association of Hollin Hills records"],"title_tesim":["Civic Association of Hollin Hills records"],"unitdate_ssm":["1950-2013"],"unitdate_inclusive_ssm":["1950-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0231","/repositories/2/resources/381"],"text":["C0231","/repositories/2/resources/381","Civic Association of Hollin Hills records","Hollin Hills (Va.)","Regional planning -- Virginia","Housing","Architecture -- Designs and plans","There are no access restrictions.","This collection organized into ten series.","Missing Title Series 1: Newsletters, 1950-2013 (boxes 1-28) Series 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31) Series 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36) Series 4: Community Organization, 1951-2006 (boxes 36-50, 65) Series 5: Design Review, 1956-2010 (boxes 50-58) Series 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60) Series 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64) Series 8: Directories, 1950-2012 (boxes 66-68) Series 9: Audio and Visual Material, 1970-1999 (boxes 68-71) Series 10: Oversize, 1959-2009 (boxes 72-73)","Hollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961","Processed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015.","Special Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities.","The collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).","Series one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.","Series two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.","Series three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.","Series four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.","Series five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.","Series six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.","Series seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.","Series eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","Series nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.","Series ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.","The material in this series contains copies of the monthly community newsletters and bulletins.","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.","The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.","This series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.","This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.","This series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.","This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.","This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","This series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.","Treasury, directories, letters, data, bylaws, leases, other data","Floppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)","This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.","Blueprints, 1999-2005 ","Blueprints, 1950-1999","Blueprints, 2000-2003","Blueprints, 2004-2009","Pool Blueprints, 1954-1988","Blueprints-Neighborhood, Paul Springs Drainage, 1968-1987","Design Review Blueprints Beechwood-Kimbro, 1992-2007","Design Review Blueprints Martha's, 1997-2005","Design Review Blueprints Paul Spring-Rippon, 1996-2007","Design Review Blueprints Rebecca-White Oaks, 2000-2009","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia.","R47, C4, S4 - S7\nR47, C5, S1 - S7\nOS, R4, C2 S4\nMap Case 15.3-15.5","George Mason University. Libraries. Special Collections Research Center","Civic Association of Hollin Hills","English"],"unitid_tesim":["C0231","/repositories/2/resources/381"],"normalized_title_ssm":["Civic Association of Hollin Hills records"],"collection_title_tesim":["Civic Association of Hollin Hills records"],"collection_ssim":["Civic Association of Hollin Hills records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Hollin Hills (Va.)"],"geogname_ssim":["Hollin Hills (Va.)"],"creator_ssm":["Civic Association of Hollin Hills"],"creator_ssim":["Civic Association of Hollin Hills"],"creator_corpname_ssim":["Civic Association of Hollin Hills"],"creators_ssim":["Civic Association of Hollin Hills"],"places_ssim":["Hollin Hills (Va.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Hollin Hills Civic Association."],"access_subjects_ssim":["Regional planning -- Virginia","Housing","Architecture -- Designs and plans"],"access_subjects_ssm":["Regional planning -- Virginia","Housing","Architecture -- Designs and plans"],"has_online_content_ssim":["false"],"extent_ssm":["36.5 Linear Feet (73 boxes)"],"extent_tesim":["36.5 Linear Feet (73 boxes)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection organized into ten series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Newsletters, 1950-2013 (boxes 1-28)\u003c/item\u003e\n      \u003citem\u003eSeries 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Community Organization, 1951-2006 (boxes 36-50, 65)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Design Review, 1956-2010 (boxes 50-58)\u003c/item\u003e\n      \u003citem\u003eSeries 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60)\u003c/item\u003e\n      \u003citem\u003eSeries 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Directories, 1950-2012 (boxes 66-68)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Audio and Visual Material, 1970-1999 (boxes 68-71)\u003c/item\u003e\n      \u003citem\u003eSeries 10: Oversize, 1959-2009 (boxes 72-73)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection organized into ten series.","Missing Title Series 1: Newsletters, 1950-2013 (boxes 1-28) Series 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31) Series 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36) Series 4: Community Organization, 1951-2006 (boxes 36-50, 65) Series 5: Design Review, 1956-2010 (boxes 50-58) Series 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60) Series 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64) Series 8: Directories, 1950-2012 (boxes 66-68) Series 9: Audio and Visual Material, 1970-1999 (boxes 68-71) Series 10: Oversize, 1959-2009 (boxes 72-73)"],"bioghist_html_tesm":["\u003cp\u003eHollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Hollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961"],"prefercite_html_tesm":["\u003cp\u003eCivic Association of Hollin Hills records, Collection C0231, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Civic Association of Hollin Hills records, Collection C0231, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).\u003c/p\u003e\n","\u003cp\u003eSeries one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.\u003c/p\u003e\n","\u003cp\u003eSeries two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.\u003c/p\u003e\n","\u003cp\u003eSeries three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.\u003c/p\u003e\n","\u003cp\u003eSeries four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.\u003c/p\u003e\n","\u003cp\u003eSeries five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.\u003c/p\u003e\n","\u003cp\u003eSeries six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.\u003c/p\u003e\n","\u003cp\u003eSeries seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.\u003c/p\u003e\n","\u003cp\u003eSeries eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.\u003c/p\u003e\n","\u003cp\u003eSeries nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.\u003c/p\u003e\n","\u003cp\u003eSeries ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).","Series one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.","Series two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.","Series three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.","Series four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.","Series five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.","Series six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.","Series seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.","Series eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","Series nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.","Series ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.","The material in this series contains copies of the monthly community newsletters and bulletins.","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","Bound copy of newsletters","The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.","The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.","This series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.","This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.","This series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.","This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.","This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","This series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.","Treasury, directories, letters, data, bylaws, leases, other data","Floppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)","This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.","Blueprints, 1999-2005 ","Blueprints, 1950-1999","Blueprints, 2000-2003","Blueprints, 2004-2009","Pool Blueprints, 1954-1988","Blueprints-Neighborhood, Paul Springs Drainage, 1968-1987","Design Review Blueprints Beechwood-Kimbro, 1992-2007","Design Review Blueprints Martha's, 1997-2005","Design Review Blueprints Paul Spring-Rippon, 1996-2007","Design Review Blueprints Rebecca-White Oaks, 2000-2009"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f11857ba58224a8b7c3c698cf2f251d5\" label=\"Abstract\"\u003eThe collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_906970ce956a95a6f5dd00741ceed53f\"\u003eR47, C4, S4 - S7\nR47, C5, S1 - S7\nOS, R4, C2 S4\nMap Case 15.3-15.5\u003c/physloc\u003e"],"physloc_tesim":["R47, C4, S4 - S7\nR47, C5, S1 - S7\nOS, R4, C2 S4\nMap Case 15.3-15.5"],"names_coll_ssim":["Civic Association of Hollin Hills"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Civic Association of Hollin Hills"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Civic Association of Hollin Hills"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":396,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:27:03.377Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_381_c02_c08"}},{"id":"vifgm_hollinhills_c02_c08","type":"File","attributes":{"title":"50th Anniversary Documents,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_hollinhills_c02_c08#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_hollinhills_c02_c08#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_hollinhills_c02_c08","ref_ssm":["vifgm_hollinhills_c02_c08"],"id":"vifgm_hollinhills_c02_c08","ead_ssi":"vifgm_hollinhills","_root_":"vifgm_hollinhills","_nest_parent_":"vifgm_hollinhills_c02","parent_ssi":"vifgm_hollinhills_c02","parent_ssim":["vifgm_hollinhills","vifgm_hollinhills_c02"],"parent_ids_ssim":["vifgm_hollinhills","vifgm_hollinhills_c02"],"parent_unittitles_ssm":["Civic Association of Hollin Hills records","Series 2: 40th and 50th Anniversaries and Histories,"],"parent_unittitles_tesim":["Civic Association of Hollin Hills records","Series 2: 40th and 50th Anniversaries and Histories,"],"text":["Civic Association of Hollin Hills records","Series 2: 40th and 50th Anniversaries and Histories,","50th Anniversary Documents,","Box 30","Folder 2",""],"title_filing_ssi":"50th Anniversary Documents, \n","title_ssm":["50th Anniversary Documents,"],"title_tesim":["50th Anniversary Documents,"],"unitdate_other_ssim":["1949-1999\n"],"normalized_date_ssm":["1949/1999"],"normalized_title_ssm":["50th Anniversary Documents,"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Civic Association of Hollin Hills records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":129,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"containers_ssim":["Box 30","Folder 2"],"scopecontent_html_tesm":["\u003cp/\u003e"],"scopecontent_tesim":[""],"_nest_path_":"/components#1/components#7","timestamp":"2026-05-21T06:35:19.913Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_hollinhills","ead_ssi":"vifgm_hollinhills","_root_":"vifgm_hollinhills","_nest_parent_":"vifgm_hollinhills","ead_source_url_ssi":"data/gmu/hollinhills.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/hollinhills.html","title_ssm":["Civic Association of Hollin Hills records"],"title_tesim":["Civic Association of Hollin Hills records"],"unitdate_ssm":["1950-2013"],"unitdate_inclusive_ssm":["1950-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0231"],"text":["C0231","Civic Association of Hollin Hills records","Architecture--United States--Designs and plans.","Housing--Virginia--Fairfax County.","Planning--Virginia, Northern.","There are no access restrictions.","This collection organized into ten series.","Series 1: Newsletters, 1950-2013 (boxes 1-28) Series 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31) Series 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36) Series 4: Community Organization, 1951-2006 (boxes 36-50, 65) Series 5: Design Review, 1956-2010 (boxes 50-58) Series 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60) Series 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64) Series 8: Directories, 1950-2012 (boxes 66-68) Series 9: Audio and Visual Material, 1970-1999 (boxes 68-71) Series 10: Oversize, 1959-2009 (boxes 72-73)","Hollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961","Processed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015.","Special Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities.","The collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).","Series one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.","Series two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.","Series three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.","Series four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.","Series five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.","Series six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.","Series seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.","Series eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","Series nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.","Series ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.","The material in this series contains copies of the monthly community newsletters and bulletins.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.","","","","","","","","","","","","","","","","","","","The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.","","","","","","","","","","","","","","","","","","","This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","","","","","","","","","","","","","","","This series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.","","","Treasury, directories, letters, data, bylaws, leases, other data\n","Floppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)\n","","This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.","Blueprints, 1999-2005\n","Blueprints, 1950-1999","Blueprints, 2000-2003","Blueprints, 2004-2009","Pool Blueprints, 1954-1988","Blueprints-Neighborhood, Paul Springs Drainage, 1968-1987","Design Review Blueprints Beechwood-Kimbro, 1992-2007","Design Review Blueprints Martha's, 1997-2005","Design Review Blueprints Paul Spring-Rippon, 1996-2007","Design Review Blueprints Rebecca-White Oaks, 2000-2009","There are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries.","The collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia.","George Mason University.  Libraries. Special Collections and Archives.","Civic Association of Hollin Hills.","English\n\t\t"],"unitid_tesim":["C0231"],"normalized_title_ssm":["Civic Association of Hollin Hills records"],"collection_title_tesim":["Civic Association of Hollin Hills records"],"collection_ssim":["Civic Association of Hollin Hills records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Civic Association of Hollin Hills."],"creator_ssim":["Civic Association of Hollin Hills."],"creator_corpname_ssim":["Civic Association of Hollin Hills."],"creators_ssim":["Civic Association of Hollin Hills."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the Hollin Hills Civic Association."],"access_subjects_ssim":["Architecture--United States--Designs and plans.","Housing--Virginia--Fairfax County.","Planning--Virginia, Northern."],"access_subjects_ssm":["Architecture--United States--Designs and plans.","Housing--Virginia--Fairfax County.","Planning--Virginia, Northern."],"has_online_content_ssim":["false"],"extent_ssm":["36.5 linear feet (73 boxes)"],"extent_tesim":["36.5 linear feet (73 boxes)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection organized into ten series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Newsletters, 1950-2013 (boxes 1-28)\u003c/item\u003e\n        \u003citem\u003eSeries 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Community Organization, 1951-2006 (boxes 36-50, 65)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Design Review, 1956-2010 (boxes 50-58)\u003c/item\u003e\n        \u003citem\u003eSeries 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60)\u003c/item\u003e\n        \u003citem\u003eSeries 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64)\u003c/item\u003e\n        \u003citem\u003eSeries 8: Directories, 1950-2012 (boxes 66-68)\u003c/item\u003e\n        \u003citem\u003eSeries 9: Audio and Visual Material, 1970-1999 (boxes 68-71)\u003c/item\u003e\n        \u003citem\u003eSeries 10: Oversize, 1959-2009 (boxes 72-73)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection organized into ten series.","Series 1: Newsletters, 1950-2013 (boxes 1-28) Series 2: 40th and 50th Anniversaries and Histories, 1985-1999 (boxes 29-31) Series 3: Pool and Tennis Courts, 1952-2003 (boxes 31-36) Series 4: Community Organization, 1951-2006 (boxes 36-50, 65) Series 5: Design Review, 1956-2010 (boxes 50-58) Series 6: News Clippings and Miscellaneous Records, 1951-2012 (boxes 1, 58-60) Series 7: House and Garden Tours and Other Events, 1953-2012 (boxes 60-64) Series 8: Directories, 1950-2012 (boxes 66-68) Series 9: Audio and Visual Material, 1970-1999 (boxes 68-71) Series 10: Oversize, 1959-2009 (boxes 72-73)"],"bioghist_html_tesm":["\u003cp\u003eHollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Hollin Hills is a neighborhood in Virginia. Planning for the neighborhood began in 1946 when the land was purchased by developer Robert Davenport and his associate Charles Goodman. Davenport and Goodman wanted to catch the attention of post-war homebuyers, and therefore wanted the neighborhood to be unique, a decision met with both acclaim and opposition. Families began moving into the neighborhood in 1949, and by 1957 the \"Old Hollin Hills\" houses were completed, as well as construction of the pool and tennis courts. The Hollin Hills Community Association was formed in 1950, and renamed the Civic Association of Hollin Hills in 1961"],"prefercite_html_tesm":["\u003cp\u003eCivic Association of Hollin Hills records, C0231, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Civic Association of Hollin Hills records, C0231, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Madelyn Ekvall between October 2014 and January 2015. EAD markup completed by Madelyn Ekvall in January 2015."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds other collections on other Virginia neighborhoods, including documents on the development of the Reston area, as well as collections on United States and international planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).\u003c/p\u003e","\u003cp\u003eSeries one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.\u003c/p\u003e","\u003cp\u003eSeries two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.\u003c/p\u003e","\u003cp\u003eSeries three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.\u003c/p\u003e","\u003cp\u003eSeries four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.\u003c/p\u003e","\u003cp\u003eSeries five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.\u003c/p\u003e","\u003cp\u003eSeries six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.\u003c/p\u003e","\u003cp\u003eSeries seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.\u003c/p\u003e","\u003cp\u003eSeries eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.\u003c/p\u003e","\u003cp\u003eSeries nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.\u003c/p\u003e","\u003cp\u003eSeries ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.\u003c/p\u003e","\u003cp\u003eThe material in this series contains copies of the monthly community newsletters and 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copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eBound copy of newsletters\n\u003c/p\u003e","\u003cp\u003eThe material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThe material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the 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series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. 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It also contains magazine and newspaper articles about the neighborhood.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eTreasury, directories, letters, data, bylaws, leases, other data\n\u003c/p\u003e","\u003cp\u003eFloppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.\u003c/p\u003e","\u003cp\u003eBlueprints, 1999-2005\n\u003c/p\u003e","\u003cp\u003eBlueprints, 1950-1999\u003c/p\u003e","\u003cp\u003eBlueprints, 2000-2003\u003c/p\u003e","\u003cp\u003eBlueprints, 2004-2009\u003c/p\u003e","\u003cp\u003ePool Blueprints, 1954-1988\u003c/p\u003e","\u003cp\u003eBlueprints-Neighborhood, Paul Springs Drainage, 1968-1987\u003c/p\u003e","\u003cp\u003eDesign Review Blueprints Beechwood-Kimbro, 1992-2007\u003c/p\u003e","\u003cp\u003eDesign Review Blueprints Martha's, 1997-2005\u003c/p\u003e","\u003cp\u003eDesign Review Blueprints Paul Spring-Rippon, 1996-2007\u003c/p\u003e","\u003cp\u003eDesign Review Blueprints Rebecca-White Oaks, 2000-2009\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["The collection consists of publications, newsletters, photos, audiovisual materials, and organization records (such as minutes). Also includes records of the design review committee with blueprints, plats, awards (framed and metal plaques), real estate ads, house and garden tour booklets, neighborhood phone directories, community histories in pamphlet and hard bound formats, and a bound set of newsletters 1951-1991 (ten volumes).","Series one is titled Newsletters and is dated from 1950 to 2013. The material in this series contains copies of the monthly community newsletters and bulletins, as well as ten volumes of bound newsletters.","Series two is titled 40th and 50th Anniversaries and Histories and is dated from 1985 to 1999. The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets. The series also contains surveys of the citizens at forty years concerning items such as hobbies, professions, and opinions, and a 50th anniversary book and material related to its publication.","Series three is titled Pool and Tennis Courts and is dated from 1952 to 2003. The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities by teams or by membership, and newsletters to the community regarding membership.","Series four is titled Community Organization and is dated from 1951 to 2006. This series contains awards, assessments and reassessments, and legal files, as well as documents pertaining to finances and taxes, history, community involvement such as the newcomer reception, property and parkland, and community and traffic safety. It also contains reports and records from the community board meetings.","Series five is titled Design Review and is dated from 1956 to 2010. This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals and analyses regarding construction done to specific neighborhood homes. It also contains magazine and newspaper articles about the neighborhood houses.","Series six is titled News Clippings and Miscellaneous Records and is dated from 1951 to 2012. This series consists of newspaper and magazine clippings regarding the architecture, people, and events such as the anniversaries or house and garden tours of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout and surrounding area. The series also holds miscellaneous records such as telephone numbers, manuals for neighborhood residents, and a babysitting record book, as well as real estate advertisements found in newspapers and post cards.","Series seven is titled House and Garden Tours and Other Events and is dated from 1953 to 2012. This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also contains records of publications and questionnaires about Hollin Hills resident artists, records of Fourth of July picnics, and invitations and documents from community balls and galas.","Series eight is titled Directories and is dated from 1950 to 2012. This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","Series nine is titled Audio and Visual Material and is dated from 1970 to 1999. This series is composed of photographs and photographic slides, cassettes, floppy disks with community information such as directories and bylaws, and VHS tapes of celebrations, flooding, residents, interviews, and other events in the community.","Series ten is titled Oversize and is dated from 1959-2009. This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction and layout, and design review and construction on individual homes.","The material in this series contains copies of the monthly community newsletters and bulletins.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","Bound copy of newsletters\n","The material in this series relates to the community at ten, forty, and fifty years after its establishment, such as historical pamphlets, citizen surveys, and a fiftieth anniversary book.","","","","","","","","","","","","","","","","","","","The material in this series includes financial and legal documents concerning the pool and tennis courts, as well as documents on construction, the use of the facilities, and newsletters to the community.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains awards, assessments, and legal files, as well as documents pertaining to finances, history, community involvement, property, and safety. It also contains records from the community board meetings.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series has miscellaneous documents, guidelines and code information, correspondence, and small blueprints, as well as proposals regarding construction done to specific homes. It also contains magazine and newspaper articles about the neighborhood.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series consists of newspaper and magazine clippings regarding the architecture, people, and events of Hollin Hills. It also contains architecture plans and small maps of the neighborhood layout. The series also holds miscellaneous records as well as real estate advertisements.","","","","","","","","","","","","","","","","","","","This series contains photographs, brochures, publicity information, scripts, and other documents concerning the house and garden tours put on by Hollin Hills residents. It also documents about Hollin Hills resident artists, Fourth of July picnics, and community balls and galas.","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series contains directories with lists of Hollin Hill residents' addresses and telephone numbers, as well as miscellaneous publications regarding the community.","","","","","","","","","","","","","","","This series is composed of photographs and photographic slides, cassettes, floppy disks with community information, and VHS tapes of celebrations, flooding, and other events in the community.","","","Treasury, directories, letters, data, bylaws, leases, other data\n","Floppy disks, cassettes (meetings, interviews), VHS tapes (anniversaries, garden tours), microreel (minutes)\n","","This series is composed of a ledger, an addendum, and a 50th anniversary book layout. It also contains blueprints regarding neighborhood layout, pool construction, and design review and construction on individual homes.","Blueprints, 1999-2005\n","Blueprints, 1950-1999","Blueprints, 2000-2003","Blueprints, 2004-2009","Pool Blueprints, 1954-1988","Blueprints-Neighborhood, Paul Springs Drainage, 1968-1987","Design Review Blueprints Beechwood-Kimbro, 1992-2007","Design Review Blueprints Martha's, 1997-2005","Design Review Blueprints Paul Spring-Rippon, 1996-2007","Design Review Blueprints Rebecca-White Oaks, 2000-2009"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Civic Association of Hollin Hills records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref8\" label=\"Abstract\"\u003eThe collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of publications, newsletters, photos, audiovisual materials, blueprints, and organization records (such as minutes) relating to the Hollin Hills community in Virginia."],"names_ssim":["George Mason University.  Libraries. Special Collections and Archives.","Civic Association of Hollin Hills."],"corpname_ssim":["George Mason University.  Libraries. Special Collections and Archives.","Civic Association of Hollin Hills."],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":396,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:35:19.913Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_hollinhills_c02_c08"}},{"id":"vifgm_sundgaard_c08_c01","type":"File","attributes":{"title":"5\" and 7\" Reel-to-reel audio tapes,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_sundgaard_c08_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970); Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_sundgaard_c08_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_sundgaard_c08_c01","ref_ssm":["vifgm_sundgaard_c08_c01"],"id":"vifgm_sundgaard_c08_c01","ead_ssi":"vifgm_sundgaard","_root_":"vifgm_sundgaard","_nest_parent_":"vifgm_sundgaard_c08","parent_ssi":"vifgm_sundgaard_c08","parent_ssim":["vifgm_sundgaard","vifgm_sundgaard_c08"],"parent_ids_ssim":["vifgm_sundgaard","vifgm_sundgaard_c08"],"parent_unittitles_ssm":["Arnold Sundgaard papers","Series 8: Audio Recordings"],"parent_unittitles_tesim":["Arnold Sundgaard papers","Series 8: Audio Recordings"],"text":["Arnold Sundgaard papers","Series 8: Audio Recordings","5\" and 7\" Reel-to-reel audio tapes,","Box 38","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970); Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\"."],"title_filing_ssi":"5\" and 7\" Reel-to-reel audio tapes, ","title_ssm":["5\" and 7\" Reel-to-reel audio tapes,"],"title_tesim":["5\" and 7\" Reel-to-reel audio tapes,"],"unitdate_other_ssim":["1955-1977"],"normalized_date_ssm":["1955/1977"],"normalized_title_ssm":["5\" and 7\" Reel-to-reel audio tapes,"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Arnold Sundgaard papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":524,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"containers_ssim":["Box 38"],"scopecontent_html_tesm":["\u003cp\u003e\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970); Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".\u003c/p\u003e"],"scopecontent_tesim":["\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970); Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\"."],"_nest_path_":"/components#7/components#0","timestamp":"2026-05-21T06:07:50.641Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_sundgaard","ead_ssi":"vifgm_sundgaard","_root_":"vifgm_sundgaard","_nest_parent_":"vifgm_sundgaard","ead_source_url_ssi":"data/gmu/sundgaard.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/sundgaard.html","title_ssm":["Arnold Sundgaard papers"],"title_tesim":["Arnold Sundgaard papers"],"unitdate_ssm":["1925-1988"],"unitdate_other_ssim":["1925-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0226"],"text":["C0226","Arnold Sundgaard papers","New Deal, 1933-1939.","Performing arts.","Playwriting. ","Theater--United States.","There are no access restrictions.","There are digital documents from this and other GMU FTP collections in the  . ","This collection is organized into 8 series based on material type.","Series 1: Correspondence, 1933-1988 (boxes 1-5) Series 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46) Series 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43) Series 4: Photographs, 1933-1982 (boxes 8, 42, 44) Series 5: Playscripts, 1932-1978 (boxes 8-21, 42) Series 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder) Series 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44) Series 8: Audio Recordings, 1955-1980s (boxes 38-41)","Arnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.","Sundgaard died in Dallas, Texas, on October 22, 2006.","Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.","Series 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. ","Series 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. ","Series 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","Series 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Includes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.","Includes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".","Correspondence regarding the royalties from Everywhere I Roam.","Note commenting on Sundgaard's first play at Yale.","Correspondence regarding music and Seven Joys of Buddy Biloxi.","Correspondence regarding plays, rights, and membership in the Guild.","Corresondence with Stephen Murray who appeared in Dublin.","In memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.","Correspondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.","Series 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Original draft to Arnold Sundgaard from Louis Bellson.","Cumberland Fair: A Jamboree; Down in the Valley; Gallantry.","Kittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.","Sunday Excursion; The Lowland Sea; The Lonesome Dove.","Shepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?","Sheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".","Includes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".","Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Press releases, newspaper and magazine clippings.","Includes newspaper clippings, program, broadside.","Includes newspaper and clippings, promotional letters and mailings.","Includes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.","Mostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.","Includes mostly newspaper clippings, some programs, one photograph.","Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.","Four 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.","Series 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Includes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.","Includes: black and white photographs; program; newspaper clipping.","Outline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.","Outline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.","Sundgaard's first play written in Madison, Wisconsin.","Scripts for a school opera from 1945, and a film version in 1974.","Performed by the Columbia Opera Workshop March 8 to April 7, 1951.","Performed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.","Scripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.","Written for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.","A comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.","Includes: two playscripts, postcard.","Written for first year class in playwriting at Yale during the Fall of 1932.","Yale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.","Free adaptation in collaboration with Albert Marre for Joan Dehner).","Adaptation of Sardou play.","Series 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Two posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.","America Hurrah; Abssence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.","The American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.","The Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.","Brigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.","Cabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.","The Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.","Comedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.","The Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.","The D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.","Eastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.","A Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.","Mexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.","The Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.","Habimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hatful of Rain; Helen; Hello Solly!","Henry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.","I am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.","I was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.","Jamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.","The King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.","The Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.","A Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.","Madam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.","Martha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.","Miss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.","Forests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.","Rhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.","Two issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.","Nobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.","The National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company; New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.","Not Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.","Oakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.","Oxford University Players - The Alchemist King Lear; Operation Sidewinder.","Philemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.","Pilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.","The Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.","The Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.","Ceremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.","Sandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.","Show Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.","The Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.","Tamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Theives Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.","Ti-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;","Under Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.","Very Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.","Waiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.","The Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.","Promised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.","Series 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Short story published by Norske Tidende of Brooklyn.","Article in Living magazine.","John Brown for Erich Hawkins; Forty-Second Street.","Written for the Federal Writers' Project New Orleans.","Text for film written with and for Anton Refregier.","Correspondence, ephemera on Hermann, Missouri.","Report written for Dr. Edna Levine of New York University and deafness research. Includes photographs.","\"Postwar Relaxation, a Story\" article by Sundgaard.","Articles \"The Realtors\" and \"The Lesson of the Potato\".","Speech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.","Unpublished, music by Alec Wilder.","Scenario for a film commissioned by Jed Harris.","Scenario for a film commissioned by Jed Harris.","Cassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.","Article published in International Musician \"Opera in America\".","Issue of The New Yorker containing a review for \"Everywhere I Roam\".","Three issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".","During 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.","\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.","About Unesco; \"Footsteps of Greatness...along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.","\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.","The New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).","Two issues of Manuscript; The New Talent; The Lance.","Story; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.","Voices: A Journal of Poetry; Everybody's Digest.","Indian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!","Tury; The Invader.","The Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.","I am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.","The Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.","Tramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.","Series 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970); Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.","Contains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.","An Axe, an Apple, and a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas.","There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. ","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006","English\n\t\t"],"unitid_tesim":["C0226"],"normalized_title_ssm":["Arnold Sundgaard papers"],"collection_title_tesim":["Arnold Sundgaard papers"],"collection_ssim":["Arnold Sundgaard papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Sundgaard, Arnold, 1909-2006"],"creator_ssim":["Sundgaard, Arnold, 1909-2006"],"creator_persname_ssim":["Sundgaard, Arnold, 1909-2006"],"creators_ssim":["Sundgaard, Arnold, 1909-2006"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"acqinfo_ssim":["Donated by Arnold Sundgaard to Special Collections and Archives on October 19, 1978."],"access_subjects_ssim":["New Deal, 1933-1939.","Performing arts.","Playwriting. ","Theater--United States."],"access_subjects_ssm":["New Deal, 1933-1939.","Performing arts.","Playwriting. ","Theater--United States."],"has_online_content_ssim":["true"],"extent_ssm":["19.0 linear feet (46 boxes)"],"extent_tesim":["19.0 linear feet (46 boxes)"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThere are digital documents from this and other GMU FTP collections in the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\"\u003e\u003c/extptr\u003e. \u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are digital documents from this and other GMU FTP collections in the  . "],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into 8 series based on material type.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1933-1988 (boxes 1-5)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Photographs, 1933-1982 (boxes 8, 42, 44)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Playscripts, 1932-1978 (boxes 8-21, 42)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder)\u003c/item\u003e\n        \u003citem\u003eSeries 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44)\u003c/item\u003e\n        \u003citem\u003eSeries 8: Audio Recordings, 1955-1980s (boxes 38-41)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into 8 series based on material type.","Series 1: Correspondence, 1933-1988 (boxes 1-5) Series 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46) Series 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43) Series 4: Photographs, 1933-1982 (boxes 8, 42, 44) Series 5: Playscripts, 1932-1978 (boxes 8-21, 42) Series 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder) Series 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44) Series 8: Audio Recordings, 1955-1980s (boxes 38-41)"],"bioghist_html_tesm":["\u003cp\u003eArnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.\u003c/p\u003e","\u003cp\u003eSundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.\u003c/p\u003e","\u003cp\u003eAfter working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.\u003c/p\u003e","\u003cp\u003eSundgaard died in Dallas, Texas, on October 22, 2006.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Arnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.","Sundgaard died in Dallas, Texas, on October 22, 2006."],"prefercite_html_tesm":["\u003cp\u003eArnold Sundgaard papers, C0226, Special Collections and Archives, George Mason University.\u003c/p\u003e"],"prefercite_tesim":["Arnold Sundgaard papers, C0226, Special Collections and Archives, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in October 2012 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.\u003c/p\u003e","\u003cp\u003eSeries 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e","\u003cp\u003eSeries 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e","\u003cp\u003eSeries 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. \u003c/p\u003e","\u003cp\u003eSeries 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.\u003c/p\u003e","\u003cp\u003eSeries 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. \u003c/p\u003e","\u003cp\u003eSeries 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e","\u003cp\u003eSeries 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eSeries 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e","\u003cp\u003eIncludes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.\u003c/p\u003e","\u003cp\u003eIncludes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".\u003c/p\u003e","\u003cp\u003eCorrespondence regarding the royalties from Everywhere I Roam.\u003c/p\u003e","\u003cp\u003eNote commenting on Sundgaard's first play at Yale.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding music and Seven Joys of Buddy Biloxi.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding plays, rights, and membership in the Guild.\u003c/p\u003e","\u003cp\u003eCorresondence with Stephen Murray who appeared in Dublin.\u003c/p\u003e","\u003cp\u003eIn memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.\u003c/p\u003e","\u003cp\u003eSeries 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e","\u003cp\u003eOriginal draft to Arnold Sundgaard from Louis Bellson.\u003c/p\u003e","\u003cp\u003eCumberland Fair: A Jamboree; Down in the Valley; Gallantry.\u003c/p\u003e","\u003cp\u003eKittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.\u003c/p\u003e","\u003cp\u003eSunday Excursion; The Lowland Sea; The Lonesome Dove.\u003c/p\u003e","\u003cp\u003eShepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?\u003c/p\u003e","\u003cp\u003eSheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".\u003c/p\u003e","\u003cp\u003eIncludes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".\u003c/p\u003e","\u003cp\u003eSeries 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.\u003c/p\u003e","\u003cp\u003ePress releases, newspaper and magazine clippings.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings, program, broadside.\u003c/p\u003e","\u003cp\u003eIncludes newspaper and clippings, promotional letters and mailings.\u003c/p\u003e","\u003cp\u003eIncludes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.\u003c/p\u003e","\u003cp\u003eMostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.\u003c/p\u003e","\u003cp\u003eIncludes mostly newspaper clippings, some programs, one photograph.\u003c/p\u003e","\u003cp\u003eSeries 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.\u003c/p\u003e","\u003cp\u003eFour 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.\u003c/p\u003e","\u003cp\u003eSeries 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.\u003c/p\u003e","\u003cp\u003eIncludes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.\u003c/p\u003e","\u003cp\u003eIncludes: black and white photographs; program; newspaper clipping.\u003c/p\u003e","\u003cp\u003eOutline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.\u003c/p\u003e","\u003cp\u003eOutline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.\u003c/p\u003e","\u003cp\u003eSundgaard's first play written in Madison, Wisconsin.\u003c/p\u003e","\u003cp\u003eScripts for a school opera from 1945, and a film version in 1974.\u003c/p\u003e","\u003cp\u003ePerformed by the Columbia Opera Workshop March 8 to April 7, 1951.\u003c/p\u003e","\u003cp\u003ePerformed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.\u003c/p\u003e","\u003cp\u003eScripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.\u003c/p\u003e","\u003cp\u003eWritten for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.\u003c/p\u003e","\u003cp\u003eA comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.\u003c/p\u003e","\u003cp\u003eIncludes: two playscripts, postcard.\u003c/p\u003e","\u003cp\u003eWritten for first year class in playwriting at Yale during the Fall of 1932.\u003c/p\u003e","\u003cp\u003eYale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.\u003c/p\u003e","\u003cp\u003eFree adaptation in collaboration with Albert Marre for Joan Dehner).\u003c/p\u003e","\u003cp\u003eAdaptation of Sardou play.\u003c/p\u003e","\u003cp\u003eSeries 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e","\u003cp\u003eTwo posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.\u003c/p\u003e","\u003cp\u003eAmerica Hurrah; Abssence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.\u003c/p\u003e","\u003cp\u003eThe American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.\u003c/p\u003e","\u003cp\u003eThe Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.\u003c/p\u003e","\u003cp\u003eBrigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.\u003c/p\u003e","\u003cp\u003eCabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.\u003c/p\u003e","\u003cp\u003eThe Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.\u003c/p\u003e","\u003cp\u003eComedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.\u003c/p\u003e","\u003cp\u003eThe Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.\u003c/p\u003e","\u003cp\u003eThe D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.\u003c/p\u003e","\u003cp\u003eEastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.\u003c/p\u003e","\u003cp\u003eA Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.\u003c/p\u003e","\u003cp\u003eMexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.\u003c/p\u003e","\u003cp\u003eThe Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.\u003c/p\u003e","\u003cp\u003eHabimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hatful of Rain; Helen; Hello Solly!\u003c/p\u003e","\u003cp\u003eHenry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.\u003c/p\u003e","\u003cp\u003eI am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.\u003c/p\u003e","\u003cp\u003eI was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.\u003c/p\u003e","\u003cp\u003eJamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.\u003c/p\u003e","\u003cp\u003eThe King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.\u003c/p\u003e","\u003cp\u003eThe Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.\u003c/p\u003e","\u003cp\u003eA Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.\u003c/p\u003e","\u003cp\u003eMadam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.\u003c/p\u003e","\u003cp\u003eMartha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.\u003c/p\u003e","\u003cp\u003eMiss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.\u003c/p\u003e","\u003cp\u003eForests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.\u003c/p\u003e","\u003cp\u003eRhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.\u003c/p\u003e","\u003cp\u003eTwo issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.\u003c/p\u003e","\u003cp\u003eNobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.\u003c/p\u003e","\u003cp\u003eThe National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company; New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.\u003c/p\u003e","\u003cp\u003eNot Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.\u003c/p\u003e","\u003cp\u003eOakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.\u003c/p\u003e","\u003cp\u003eOxford University Players - The Alchemist King Lear; Operation Sidewinder.\u003c/p\u003e","\u003cp\u003ePhilemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.\u003c/p\u003e","\u003cp\u003ePilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.\u003c/p\u003e","\u003cp\u003eThe Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.\u003c/p\u003e","\u003cp\u003eThe Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.\u003c/p\u003e","\u003cp\u003eCeremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.\u003c/p\u003e","\u003cp\u003eSandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.\u003c/p\u003e","\u003cp\u003eShow Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.\u003c/p\u003e","\u003cp\u003eThe Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.\u003c/p\u003e","\u003cp\u003eTamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Theives Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.\u003c/p\u003e","\u003cp\u003eTi-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;\u003c/p\u003e","\u003cp\u003eUnder Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.\u003c/p\u003e","\u003cp\u003eVery Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.\u003c/p\u003e","\u003cp\u003eWaiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.\u003c/p\u003e","\u003cp\u003eThe Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.\u003c/p\u003e","\u003cp\u003ePromised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eSeries 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eShort story published by Norske Tidende of Brooklyn.\u003c/p\u003e","\u003cp\u003eArticle in Living magazine.\u003c/p\u003e","\u003cp\u003eJohn Brown for Erich Hawkins; Forty-Second Street.\u003c/p\u003e","\u003cp\u003eWritten for the Federal Writers' Project New Orleans.\u003c/p\u003e","\u003cp\u003eText for film written with and for Anton Refregier.\u003c/p\u003e","\u003cp\u003eCorrespondence, ephemera on Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eReport written for Dr. Edna Levine of New York University and deafness research. Includes photographs.\u003c/p\u003e","\u003cp\u003e\"Postwar Relaxation, a Story\" article by Sundgaard.\u003c/p\u003e","\u003cp\u003eArticles \"The Realtors\" and \"The Lesson of the Potato\".\u003c/p\u003e","\u003cp\u003eSpeech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.\u003c/p\u003e","\u003cp\u003eUnpublished, music by Alec Wilder.\u003c/p\u003e","\u003cp\u003eScenario for a film commissioned by Jed Harris.\u003c/p\u003e","\u003cp\u003eScenario for a film commissioned by Jed Harris.\u003c/p\u003e","\u003cp\u003eCassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.\u003c/p\u003e","\u003cp\u003eArticle published in International Musician \"Opera in America\".\u003c/p\u003e","\u003cp\u003eIssue of The New Yorker containing a review for \"Everywhere I Roam\".\u003c/p\u003e","\u003cp\u003eThree issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".\u003c/p\u003e","\u003cp\u003eDuring 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.\u003c/p\u003e","\u003cp\u003e\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.\u003c/p\u003e","\u003cp\u003eAbout Unesco; \"Footsteps of Greatness...along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.\u003c/p\u003e","\u003cp\u003e\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.\u003c/p\u003e","\u003cp\u003eThe New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).\u003c/p\u003e","\u003cp\u003eTwo issues of Manuscript; The New Talent; The Lance.\u003c/p\u003e","\u003cp\u003eStory; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.\u003c/p\u003e","\u003cp\u003eVoices: A Journal of Poetry; Everybody's Digest.\u003c/p\u003e","\u003cp\u003eIndian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!\u003c/p\u003e","\u003cp\u003eTury; The Invader.\u003c/p\u003e","\u003cp\u003eThe Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.\u003c/p\u003e","\u003cp\u003eI am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.\u003c/p\u003e","\u003cp\u003eThe Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.\u003c/p\u003e","\u003cp\u003eTramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.\u003c/p\u003e","\u003cp\u003eSeries 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e","\u003cp\u003e\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970); Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".\u003c/p\u003e","\u003cp\u003eMontparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.\u003c/p\u003e","\u003cp\u003eContains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.\u003c/p\u003e","\u003cp\u003eAn Axe, an Apple, and a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.","Series 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. ","Series 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. ","Series 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","Series 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Includes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.","Includes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".","Correspondence regarding the royalties from Everywhere I Roam.","Note commenting on Sundgaard's first play at Yale.","Correspondence regarding music and Seven Joys of Buddy Biloxi.","Correspondence regarding plays, rights, and membership in the Guild.","Corresondence with Stephen Murray who appeared in Dublin.","In memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.","Correspondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.","Series 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Original draft to Arnold Sundgaard from Louis Bellson.","Cumberland Fair: A Jamboree; Down in the Valley; Gallantry.","Kittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.","Sunday Excursion; The Lowland Sea; The Lonesome Dove.","Shepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?","Sheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".","Includes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".","Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Press releases, newspaper and magazine clippings.","Includes newspaper clippings, program, broadside.","Includes newspaper and clippings, promotional letters and mailings.","Includes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.","Mostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.","Includes mostly newspaper clippings, some programs, one photograph.","Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.","Four 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.","Series 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Includes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.","Includes: black and white photographs; program; newspaper clipping.","Outline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.","Outline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.","Sundgaard's first play written in Madison, Wisconsin.","Scripts for a school opera from 1945, and a film version in 1974.","Performed by the Columbia Opera Workshop March 8 to April 7, 1951.","Performed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.","Scripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.","Written for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.","A comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.","Includes: two playscripts, postcard.","Written for first year class in playwriting at Yale during the Fall of 1932.","Yale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.","Free adaptation in collaboration with Albert Marre for Joan Dehner).","Adaptation of Sardou play.","Series 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Two posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.","America Hurrah; Abssence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.","The American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.","The Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.","Brigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.","Cabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.","The Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.","Comedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.","The Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.","The D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.","Eastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.","A Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.","Mexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.","The Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.","Habimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hatful of Rain; Helen; Hello Solly!","Henry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.","I am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.","I was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.","Jamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.","The King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.","The Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.","A Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.","Madam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.","Martha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.","Miss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.","Forests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.","Rhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.","Two issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.","Nobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.","The National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company; New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.","Not Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.","Oakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.","Oxford University Players - The Alchemist King Lear; Operation Sidewinder.","Philemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.","Pilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.","The Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.","The Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.","Ceremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.","Sandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.","Show Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.","The Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.","Tamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Theives Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.","Ti-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;","Under Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.","Very Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.","Waiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.","The Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.","Promised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.","Series 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Short story published by Norske Tidende of Brooklyn.","Article in Living magazine.","John Brown for Erich Hawkins; Forty-Second Street.","Written for the Federal Writers' Project New Orleans.","Text for film written with and for Anton Refregier.","Correspondence, ephemera on Hermann, Missouri.","Report written for Dr. Edna Levine of New York University and deafness research. Includes photographs.","\"Postwar Relaxation, a Story\" article by Sundgaard.","Articles \"The Realtors\" and \"The Lesson of the Potato\".","Speech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.","Unpublished, music by Alec Wilder.","Scenario for a film commissioned by Jed Harris.","Scenario for a film commissioned by Jed Harris.","Cassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.","Article published in International Musician \"Opera in America\".","Issue of The New Yorker containing a review for \"Everywhere I Roam\".","Three issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".","During 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.","\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.","About Unesco; \"Footsteps of Greatness...along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.","\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.","The New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).","Two issues of Manuscript; The New Talent; The Lance.","Story; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.","Voices: A Journal of Poetry; Everybody's Digest.","Indian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!","Tury; The Invader.","The Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.","I am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.","The Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.","Tramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.","Series 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970); Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.","Contains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.","An Axe, an Apple, and a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. \u003c/abstract\u003e"],"abstract_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. "],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Sundgaard, Arnold, 1909-2006"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":527,"online_item_count_is":3,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:07:50.641Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_sundgaard_c08_c01"}},{"id":"vifgm_sundgaard_c08_c02","type":"File","attributes":{"title":"5\" and 7\" Reel-to-reel audio tapes,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_sundgaard_c08_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eMontparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_sundgaard_c08_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_sundgaard_c08_c02","ref_ssm":["vifgm_sundgaard_c08_c02"],"id":"vifgm_sundgaard_c08_c02","ead_ssi":"vifgm_sundgaard","_root_":"vifgm_sundgaard","_nest_parent_":"vifgm_sundgaard_c08","parent_ssi":"vifgm_sundgaard_c08","parent_ssim":["vifgm_sundgaard","vifgm_sundgaard_c08"],"parent_ids_ssim":["vifgm_sundgaard","vifgm_sundgaard_c08"],"parent_unittitles_ssm":["Arnold Sundgaard papers","Series 8: Audio Recordings"],"parent_unittitles_tesim":["Arnold Sundgaard papers","Series 8: Audio Recordings"],"text":["Arnold Sundgaard papers","Series 8: Audio Recordings","5\" and 7\" Reel-to-reel audio tapes,","Box 39","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo."],"title_filing_ssi":"5\" and 7\" Reel-to-reel audio tapes, ","title_ssm":["5\" and 7\" Reel-to-reel audio tapes,"],"title_tesim":["5\" and 7\" Reel-to-reel audio tapes,"],"unitdate_other_ssim":["1958-1973"],"normalized_date_ssm":["1958/1973"],"normalized_title_ssm":["5\" and 7\" Reel-to-reel audio tapes,"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Arnold Sundgaard papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":525,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"date_range_isim":[1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973],"containers_ssim":["Box 39"],"scopecontent_html_tesm":["\u003cp\u003eMontparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.\u003c/p\u003e"],"scopecontent_tesim":["Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo."],"_nest_path_":"/components#7/components#1","timestamp":"2026-05-21T06:07:50.641Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_sundgaard","ead_ssi":"vifgm_sundgaard","_root_":"vifgm_sundgaard","_nest_parent_":"vifgm_sundgaard","ead_source_url_ssi":"data/gmu/sundgaard.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/sundgaard.html","title_ssm":["Arnold Sundgaard papers"],"title_tesim":["Arnold Sundgaard papers"],"unitdate_ssm":["1925-1988"],"unitdate_other_ssim":["1925-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0226"],"text":["C0226","Arnold Sundgaard papers","New Deal, 1933-1939.","Performing arts.","Playwriting. ","Theater--United States.","There are no access restrictions.","There are digital documents from this and other GMU FTP collections in the  . ","This collection is organized into 8 series based on material type.","Series 1: Correspondence, 1933-1988 (boxes 1-5) Series 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46) Series 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43) Series 4: Photographs, 1933-1982 (boxes 8, 42, 44) Series 5: Playscripts, 1932-1978 (boxes 8-21, 42) Series 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder) Series 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44) Series 8: Audio Recordings, 1955-1980s (boxes 38-41)","Arnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.","Sundgaard died in Dallas, Texas, on October 22, 2006.","Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.","Series 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. ","Series 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. ","Series 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","Series 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Includes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.","Includes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".","Correspondence regarding the royalties from Everywhere I Roam.","Note commenting on Sundgaard's first play at Yale.","Correspondence regarding music and Seven Joys of Buddy Biloxi.","Correspondence regarding plays, rights, and membership in the Guild.","Corresondence with Stephen Murray who appeared in Dublin.","In memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.","Correspondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.","Series 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Original draft to Arnold Sundgaard from Louis Bellson.","Cumberland Fair: A Jamboree; Down in the Valley; Gallantry.","Kittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.","Sunday Excursion; The Lowland Sea; The Lonesome Dove.","Shepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?","Sheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".","Includes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".","Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Press releases, newspaper and magazine clippings.","Includes newspaper clippings, program, broadside.","Includes newspaper and clippings, promotional letters and mailings.","Includes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.","Mostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.","Includes mostly newspaper clippings, some programs, one photograph.","Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.","Four 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.","Series 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Includes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.","Includes: black and white photographs; program; newspaper clipping.","Outline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.","Outline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.","Sundgaard's first play written in Madison, Wisconsin.","Scripts for a school opera from 1945, and a film version in 1974.","Performed by the Columbia Opera Workshop March 8 to April 7, 1951.","Performed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.","Scripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.","Written for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.","A comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.","Includes: two playscripts, postcard.","Written for first year class in playwriting at Yale during the Fall of 1932.","Yale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.","Free adaptation in collaboration with Albert Marre for Joan Dehner).","Adaptation of Sardou play.","Series 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Two posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.","America Hurrah; Abssence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.","The American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.","The Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.","Brigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.","Cabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.","The Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.","Comedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.","The Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.","The D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.","Eastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.","A Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.","Mexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.","The Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.","Habimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hatful of Rain; Helen; Hello Solly!","Henry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.","I am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.","I was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.","Jamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.","The King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.","The Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.","A Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.","Madam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.","Martha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.","Miss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.","Forests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.","Rhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.","Two issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.","Nobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.","The National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company; New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.","Not Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.","Oakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.","Oxford University Players - The Alchemist King Lear; Operation Sidewinder.","Philemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.","Pilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.","The Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.","The Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.","Ceremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.","Sandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.","Show Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.","The Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.","Tamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Theives Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.","Ti-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;","Under Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.","Very Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.","Waiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.","The Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.","Promised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.","Series 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Short story published by Norske Tidende of Brooklyn.","Article in Living magazine.","John Brown for Erich Hawkins; Forty-Second Street.","Written for the Federal Writers' Project New Orleans.","Text for film written with and for Anton Refregier.","Correspondence, ephemera on Hermann, Missouri.","Report written for Dr. Edna Levine of New York University and deafness research. Includes photographs.","\"Postwar Relaxation, a Story\" article by Sundgaard.","Articles \"The Realtors\" and \"The Lesson of the Potato\".","Speech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.","Unpublished, music by Alec Wilder.","Scenario for a film commissioned by Jed Harris.","Scenario for a film commissioned by Jed Harris.","Cassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.","Article published in International Musician \"Opera in America\".","Issue of The New Yorker containing a review for \"Everywhere I Roam\".","Three issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".","During 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.","\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.","About Unesco; \"Footsteps of Greatness...along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.","\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.","The New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).","Two issues of Manuscript; The New Talent; The Lance.","Story; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.","Voices: A Journal of Poetry; Everybody's Digest.","Indian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!","Tury; The Invader.","The Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.","I am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.","The Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.","Tramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.","Series 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970); Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.","Contains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.","An Axe, an Apple, and a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas.","There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. ","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006","English\n\t\t"],"unitid_tesim":["C0226"],"normalized_title_ssm":["Arnold Sundgaard papers"],"collection_title_tesim":["Arnold Sundgaard papers"],"collection_ssim":["Arnold Sundgaard papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Sundgaard, Arnold, 1909-2006"],"creator_ssim":["Sundgaard, Arnold, 1909-2006"],"creator_persname_ssim":["Sundgaard, Arnold, 1909-2006"],"creators_ssim":["Sundgaard, Arnold, 1909-2006"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"acqinfo_ssim":["Donated by Arnold Sundgaard to Special Collections and Archives on October 19, 1978."],"access_subjects_ssim":["New Deal, 1933-1939.","Performing arts.","Playwriting. ","Theater--United States."],"access_subjects_ssm":["New Deal, 1933-1939.","Performing arts.","Playwriting. ","Theater--United States."],"has_online_content_ssim":["true"],"extent_ssm":["19.0 linear feet (46 boxes)"],"extent_tesim":["19.0 linear feet (46 boxes)"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThere are digital documents from this and other GMU FTP collections in the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\"\u003e\u003c/extptr\u003e. \u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are digital documents from this and other GMU FTP collections in the  . "],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into 8 series based on material type.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Correspondence, 1933-1988 (boxes 1-5)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Photographs, 1933-1982 (boxes 8, 42, 44)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Playscripts, 1932-1978 (boxes 8-21, 42)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder)\u003c/item\u003e\n        \u003citem\u003eSeries 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44)\u003c/item\u003e\n        \u003citem\u003eSeries 8: Audio Recordings, 1955-1980s (boxes 38-41)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into 8 series based on material type.","Series 1: Correspondence, 1933-1988 (boxes 1-5) Series 2: Musical Scores, 1947-1982 (boxes 5-6, 44-46) Series 3: Newspaper Clippings, 1935-1976 (boxes 6-8, 43) Series 4: Photographs, 1933-1982 (boxes 8, 42, 44) Series 5: Playscripts, 1932-1978 (boxes 8-21, 42) Series 6: Programs and Posters, 1925-1988 (boxes 22-29, oversize folder) Series 7: Writings, Reviews, Publications, 1933-1988 (boxes 29-37, 43, 44) Series 8: Audio Recordings, 1955-1980s (boxes 38-41)"],"bioghist_html_tesm":["\u003cp\u003eArnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.\u003c/p\u003e","\u003cp\u003eSundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.\u003c/p\u003e","\u003cp\u003eAfter working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.\u003c/p\u003e","\u003cp\u003eSundgaard died in Dallas, Texas, on October 22, 2006.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Arnold Olaf Sundgaard was born in St. Paul, Minnesota, on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin.","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage. The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays such as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.","Sundgaard died in Dallas, Texas, on October 22, 2006."],"prefercite_html_tesm":["\u003cp\u003eArnold Sundgaard papers, C0226, Special Collections and Archives, George Mason University.\u003c/p\u003e"],"prefercite_tesim":["Arnold Sundgaard papers, C0226, Special Collections and Archives, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in October 2012 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.\u003c/p\u003e","\u003cp\u003eSeries 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e","\u003cp\u003eSeries 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e","\u003cp\u003eSeries 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. \u003c/p\u003e","\u003cp\u003eSeries 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.\u003c/p\u003e","\u003cp\u003eSeries 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. \u003c/p\u003e","\u003cp\u003eSeries 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e","\u003cp\u003eSeries 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eSeries 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e","\u003cp\u003eIncludes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.\u003c/p\u003e","\u003cp\u003eIncludes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".\u003c/p\u003e","\u003cp\u003eCorrespondence regarding the royalties from Everywhere I Roam.\u003c/p\u003e","\u003cp\u003eNote commenting on Sundgaard's first play at Yale.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding music and Seven Joys of Buddy Biloxi.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding plays, rights, and membership in the Guild.\u003c/p\u003e","\u003cp\u003eCorresondence with Stephen Murray who appeared in Dublin.\u003c/p\u003e","\u003cp\u003eIn memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.\u003c/p\u003e","\u003cp\u003eSeries 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e","\u003cp\u003eOriginal draft to Arnold Sundgaard from Louis Bellson.\u003c/p\u003e","\u003cp\u003eCumberland Fair: A Jamboree; Down in the Valley; Gallantry.\u003c/p\u003e","\u003cp\u003eKittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.\u003c/p\u003e","\u003cp\u003eSunday Excursion; The Lowland Sea; The Lonesome Dove.\u003c/p\u003e","\u003cp\u003eShepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?\u003c/p\u003e","\u003cp\u003eSheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".\u003c/p\u003e","\u003cp\u003eIncludes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".\u003c/p\u003e","\u003cp\u003eSeries 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.\u003c/p\u003e","\u003cp\u003ePress releases, newspaper and magazine clippings.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings, program, broadside.\u003c/p\u003e","\u003cp\u003eIncludes newspaper and clippings, promotional letters and mailings.\u003c/p\u003e","\u003cp\u003eIncludes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.\u003c/p\u003e","\u003cp\u003eMostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.\u003c/p\u003e","\u003cp\u003eIncludes mostly newspaper clippings, some programs, one photograph.\u003c/p\u003e","\u003cp\u003eSeries 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.\u003c/p\u003e","\u003cp\u003eFour 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.\u003c/p\u003e","\u003cp\u003eSeries 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.\u003c/p\u003e","\u003cp\u003eIncludes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.\u003c/p\u003e","\u003cp\u003eIncludes: black and white photographs; program; newspaper clipping.\u003c/p\u003e","\u003cp\u003eOutline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.\u003c/p\u003e","\u003cp\u003eOutline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.\u003c/p\u003e","\u003cp\u003eSundgaard's first play written in Madison, Wisconsin.\u003c/p\u003e","\u003cp\u003eScripts for a school opera from 1945, and a film version in 1974.\u003c/p\u003e","\u003cp\u003ePerformed by the Columbia Opera Workshop March 8 to April 7, 1951.\u003c/p\u003e","\u003cp\u003ePerformed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.\u003c/p\u003e","\u003cp\u003eScripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.\u003c/p\u003e","\u003cp\u003eWritten for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.\u003c/p\u003e","\u003cp\u003eA comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.\u003c/p\u003e","\u003cp\u003eIncludes: two playscripts, postcard.\u003c/p\u003e","\u003cp\u003eWritten for first year class in playwriting at Yale during the Fall of 1932.\u003c/p\u003e","\u003cp\u003eYale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.\u003c/p\u003e","\u003cp\u003eFree adaptation in collaboration with Albert Marre for Joan Dehner).\u003c/p\u003e","\u003cp\u003eAdaptation of Sardou play.\u003c/p\u003e","\u003cp\u003eSeries 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e","\u003cp\u003eTwo posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.\u003c/p\u003e","\u003cp\u003eAmerica Hurrah; Abssence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.\u003c/p\u003e","\u003cp\u003eThe American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.\u003c/p\u003e","\u003cp\u003eThe Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.\u003c/p\u003e","\u003cp\u003eBrigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.\u003c/p\u003e","\u003cp\u003eCabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.\u003c/p\u003e","\u003cp\u003eThe Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.\u003c/p\u003e","\u003cp\u003eComedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.\u003c/p\u003e","\u003cp\u003eThe Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.\u003c/p\u003e","\u003cp\u003eThe D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.\u003c/p\u003e","\u003cp\u003eEastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.\u003c/p\u003e","\u003cp\u003eA Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.\u003c/p\u003e","\u003cp\u003eMexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.\u003c/p\u003e","\u003cp\u003eThe Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.\u003c/p\u003e","\u003cp\u003eHabimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hatful of Rain; Helen; Hello Solly!\u003c/p\u003e","\u003cp\u003eHenry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.\u003c/p\u003e","\u003cp\u003eI am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.\u003c/p\u003e","\u003cp\u003eI was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.\u003c/p\u003e","\u003cp\u003eJamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.\u003c/p\u003e","\u003cp\u003eThe King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.\u003c/p\u003e","\u003cp\u003eThe Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.\u003c/p\u003e","\u003cp\u003eA Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.\u003c/p\u003e","\u003cp\u003eMadam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.\u003c/p\u003e","\u003cp\u003eMartha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.\u003c/p\u003e","\u003cp\u003eMiss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.\u003c/p\u003e","\u003cp\u003eForests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.\u003c/p\u003e","\u003cp\u003eRhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.\u003c/p\u003e","\u003cp\u003eTwo issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.\u003c/p\u003e","\u003cp\u003eNobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.\u003c/p\u003e","\u003cp\u003eThe National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company; New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.\u003c/p\u003e","\u003cp\u003eNot Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.\u003c/p\u003e","\u003cp\u003eOakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.\u003c/p\u003e","\u003cp\u003eOxford University Players - The Alchemist King Lear; Operation Sidewinder.\u003c/p\u003e","\u003cp\u003ePhilemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.\u003c/p\u003e","\u003cp\u003ePilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.\u003c/p\u003e","\u003cp\u003eThe Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.\u003c/p\u003e","\u003cp\u003eThe Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.\u003c/p\u003e","\u003cp\u003eCeremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.\u003c/p\u003e","\u003cp\u003eSandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.\u003c/p\u003e","\u003cp\u003eShow Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.\u003c/p\u003e","\u003cp\u003eThe Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.\u003c/p\u003e","\u003cp\u003eTamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Theives Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.\u003c/p\u003e","\u003cp\u003eTi-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;\u003c/p\u003e","\u003cp\u003eUnder Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.\u003c/p\u003e","\u003cp\u003eVery Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.\u003c/p\u003e","\u003cp\u003eWaiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.\u003c/p\u003e","\u003cp\u003eThe Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.\u003c/p\u003e","\u003cp\u003ePromised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eSeries 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eShort story published by Norske Tidende of Brooklyn.\u003c/p\u003e","\u003cp\u003eArticle in Living magazine.\u003c/p\u003e","\u003cp\u003eJohn Brown for Erich Hawkins; Forty-Second Street.\u003c/p\u003e","\u003cp\u003eWritten for the Federal Writers' Project New Orleans.\u003c/p\u003e","\u003cp\u003eText for film written with and for Anton Refregier.\u003c/p\u003e","\u003cp\u003eCorrespondence, ephemera on Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eReport written for Dr. Edna Levine of New York University and deafness research. Includes photographs.\u003c/p\u003e","\u003cp\u003e\"Postwar Relaxation, a Story\" article by Sundgaard.\u003c/p\u003e","\u003cp\u003eArticles \"The Realtors\" and \"The Lesson of the Potato\".\u003c/p\u003e","\u003cp\u003eSpeech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.\u003c/p\u003e","\u003cp\u003eUnpublished, music by Alec Wilder.\u003c/p\u003e","\u003cp\u003eScenario for a film commissioned by Jed Harris.\u003c/p\u003e","\u003cp\u003eScenario for a film commissioned by Jed Harris.\u003c/p\u003e","\u003cp\u003eCassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.\u003c/p\u003e","\u003cp\u003eArticle published in International Musician \"Opera in America\".\u003c/p\u003e","\u003cp\u003eIssue of The New Yorker containing a review for \"Everywhere I Roam\".\u003c/p\u003e","\u003cp\u003eThree issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".\u003c/p\u003e","\u003cp\u003eDuring 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.\u003c/p\u003e","\u003cp\u003e\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.\u003c/p\u003e","\u003cp\u003eAbout Unesco; \"Footsteps of Greatness...along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.\u003c/p\u003e","\u003cp\u003e\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.\u003c/p\u003e","\u003cp\u003eThe New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).\u003c/p\u003e","\u003cp\u003eTwo issues of Manuscript; The New Talent; The Lance.\u003c/p\u003e","\u003cp\u003eStory; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.\u003c/p\u003e","\u003cp\u003eVoices: A Journal of Poetry; Everybody's Digest.\u003c/p\u003e","\u003cp\u003eIndian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!\u003c/p\u003e","\u003cp\u003eTury; The Invader.\u003c/p\u003e","\u003cp\u003eThe Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.\u003c/p\u003e","\u003cp\u003eI am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.\u003c/p\u003e","\u003cp\u003eThe Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.\u003c/p\u003e","\u003cp\u003eTramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.\u003c/p\u003e","\u003cp\u003eSeries 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e","\u003cp\u003e\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970); Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".\u003c/p\u003e","\u003cp\u003eMontparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.\u003c/p\u003e","\u003cp\u003eContains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.\u003c/p\u003e","\u003cp\u003eAn Axe, an Apple, and a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.","Series 1, Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2, Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3, Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. ","Series 4, Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5, Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. ","Series 6, Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7, Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8, Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","Series 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Includes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.","Includes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".","Correspondence regarding the royalties from Everywhere I Roam.","Note commenting on Sundgaard's first play at Yale.","Correspondence regarding music and Seven Joys of Buddy Biloxi.","Correspondence regarding plays, rights, and membership in the Guild.","Corresondence with Stephen Murray who appeared in Dublin.","In memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.","Correspondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.","Series 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Original draft to Arnold Sundgaard from Louis Bellson.","Cumberland Fair: A Jamboree; Down in the Valley; Gallantry.","Kittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.","Sunday Excursion; The Lowland Sea; The Lonesome Dove.","Shepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?","Sheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".","Includes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".","Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Press releases, newspaper and magazine clippings.","Includes newspaper clippings, program, broadside.","Includes newspaper and clippings, promotional letters and mailings.","Includes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.","Mostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.","Includes mostly newspaper clippings, some programs, one photograph.","Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.","Four 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.","Series 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Includes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.","Includes: black and white photographs; program; newspaper clipping.","Outline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.","Outline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.","Sundgaard's first play written in Madison, Wisconsin.","Scripts for a school opera from 1945, and a film version in 1974.","Performed by the Columbia Opera Workshop March 8 to April 7, 1951.","Performed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.","Scripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.","Written for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.","A comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.","Includes: two playscripts, postcard.","Written for first year class in playwriting at Yale during the Fall of 1932.","Yale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.","Free adaptation in collaboration with Albert Marre for Joan Dehner).","Adaptation of Sardou play.","Series 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Two posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.","America Hurrah; Abssence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.","The American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.","The Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.","Brigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.","Cabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.","The Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.","Comedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.","The Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.","The D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.","Eastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.","A Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.","Mexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.","The Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.","Habimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hatful of Rain; Helen; Hello Solly!","Henry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.","I am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.","I was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.","Jamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.","The King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.","The Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.","A Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.","Madam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.","Martha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.","Miss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.","Forests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.","Rhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.","Two issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.","Nobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.","The National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company; New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.","Not Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.","Oakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.","Oxford University Players - The Alchemist King Lear; Operation Sidewinder.","Philemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.","Pilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.","The Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.","The Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.","Ceremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.","Sandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.","Show Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.","The Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.","Tamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Theives Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.","Ti-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;","Under Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.","Very Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.","Waiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.","The Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.","Promised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.","Series 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Short story published by Norske Tidende of Brooklyn.","Article in Living magazine.","John Brown for Erich Hawkins; Forty-Second Street.","Written for the Federal Writers' Project New Orleans.","Text for film written with and for Anton Refregier.","Correspondence, ephemera on Hermann, Missouri.","Report written for Dr. Edna Levine of New York University and deafness research. Includes photographs.","\"Postwar Relaxation, a Story\" article by Sundgaard.","Articles \"The Realtors\" and \"The Lesson of the Potato\".","Speech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.","Unpublished, music by Alec Wilder.","Scenario for a film commissioned by Jed Harris.","Scenario for a film commissioned by Jed Harris.","Cassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.","Article published in International Musician \"Opera in America\".","Issue of The New Yorker containing a review for \"Everywhere I Roam\".","Three issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".","During 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.","\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.","About Unesco; \"Footsteps of Greatness...along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.","\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.","The New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).","Two issues of Manuscript; The New Talent; The Lance.","Story; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.","Voices: A Journal of Poetry; Everybody's Digest.","Indian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!","Tury; The Invader.","The Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.","I am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.","The Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.","Tramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.","Series 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970); Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.","Contains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.","An Axe, an Apple, and a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Arnold Sundgaard papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. \u003c/abstract\u003e"],"abstract_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. "],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Sundgaard, Arnold, 1909-2006"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":527,"online_item_count_is":3,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:07:50.641Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_sundgaard_c08_c02"}},{"id":"vifgm_repositories_2_resources_344_c08_c01","type":"File","attributes":{"title":"5\" and 7\" Reel-to-reel audio tapes","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_344_c08_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970); Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_344_c08_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_344_c08_c01","ref_ssm":["vifgm_repositories_2_resources_344_c08_c01"],"id":"vifgm_repositories_2_resources_344_c08_c01","ead_ssi":"vifgm_repositories_2_resources_344","_root_":"vifgm_repositories_2_resources_344","_nest_parent_":"vifgm_repositories_2_resources_344_c08","parent_ssi":"vifgm_repositories_2_resources_344_c08","parent_ssim":["vifgm_repositories_2_resources_344","vifgm_repositories_2_resources_344_c08"],"parent_ids_ssim":["vifgm_repositories_2_resources_344","vifgm_repositories_2_resources_344_c08"],"parent_unittitles_ssm":["Arnold Sundgaard papers","Series 8: Audio Recordings"],"parent_unittitles_tesim":["Arnold Sundgaard papers","Series 8: Audio Recordings"],"text":["Arnold Sundgaard papers","Series 8: Audio Recordings","5\" and 7\" Reel-to-reel audio tapes","box 38","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970);  Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\"."],"title_filing_ssi":"5\" and 7\" Reel-to-reel audio tapes","title_ssm":["5\" and 7\" Reel-to-reel audio tapes"],"title_tesim":["5\" and 7\" Reel-to-reel audio tapes"],"unitdate_other_ssim":["1955-1977"],"normalized_date_ssm":["1955/1977"],"normalized_title_ssm":["5\" and 7\" Reel-to-reel audio tapes"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Arnold Sundgaard papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":524,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"containers_ssim":["box 38"],"scopecontent_html_tesm":["\u003cp\u003e\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970);  Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970);  Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\"."],"_nest_path_":"/components#7/components#0","timestamp":"2026-05-21T05:08:29.094Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_344","ead_ssi":"vifgm_repositories_2_resources_344","_root_":"vifgm_repositories_2_resources_344","_nest_parent_":"vifgm_repositories_2_resources_344","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_344.xml","title_ssm":["Arnold Sundgaard papers"],"title_tesim":["Arnold Sundgaard papers"],"unitdate_ssm":["1925-1988"],"unitdate_inclusive_ssm":["1925-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0226","/repositories/2/resources/344"],"text":["C0226","/repositories/2/resources/344","Arnold Sundgaard papers","Children's theater","New Deal, 1933-1939","Performing arts","Playwriting","Theater -- United States","Collection is open to research.","There are also additional documents from this and related collections in the  .","This collection is organized into 8 series based on material type.","Series Series 1: Correspondence, 1933-1988 (Boxes 1-5) Series 2: Musical Scores, 1947-1982 (Boxes 5-6, 44-46) Series 3: Newspaper Clippings, 1935-1976 (Boxes 6-8, 43) Series 4: Photographs, 1933-1982 (Boxes 8, 42, 44) Series 5: Playscripts, 1932-1978 (Boxes 8-21, 42) Series 6: Programs and Posters, 1925-1988 (Boxes 22-29, oversize folder) Series 7: Writings, Reviews, Publications, 1933-1988 (Boxes 29-37, 43, 44) Series 8: Audio Recordings, 1955-1980s (Boxes 38-41)","Arnold Olaf Sundgaard was born in St. Paul, Minnesota on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin. ","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage.  The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays suchs as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.","Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in July 2022.","The Special Collections Research center also holds the Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers related to the Federal Theatre Project.","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.  ","Series 1: Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2: Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3: Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. ","Series 4: Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5: Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. ","Series 6: Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7: Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8: Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","Series 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Includes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.","Includes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".","Correspondence regarding the royalties from Everywhere I Roam.","Note commenting on Sundgaard's first play at Yale.","Correspondence regarding music and Seven Joys of Buddy Biloxi.","Correspondence regarding plays, rights, and membership in the Guild.","Correspondence with Stephen Murray who appeared in Dublin.","In memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.","Correspondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.","Series 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Original draft to Arnold Sundgaard from Louis Bellson.","Cumberland Fair: A Jamboree; Down in the Valley; Gallantry.","Kittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.","Sunday Excursion; The Lowland Sea; The Lonesome Dove.","Shepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?","Sheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".","Includes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".","Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Press releases, newspaper and magazine clippings.","Includes newspaper clippings, program, broadside.","Includes newspaper and clippings, promotional letters and mailings.","Includes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.","Mostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.","Includes mostly newspaper clippings, some programs, one photograph.","Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.","Four 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.","Series 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Includes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.","Includes: black and white photographs; program; newspaper clipping.","Outline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.","Outline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.","Sundgaard's first play written in Madison, Wisconsin.","Scripts for a school opera from 1945, and a film version in 1974.","Performed by the Columbia Opera Workshop March 8 to April 7, 1951.","Performed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.","Scripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.","Written for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.","A comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.","Includes: two playscripts, postcard.","Written for first year class in playwriting at Yale during the Fall of 1932.","Yale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.","Free adaptation in collaboration with Albert Marre for Joan Dehner).","Adaptation of Sardou play.","Series 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Two posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.","America Hurrah; Absence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.","The American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.","The Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.","Brigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.","Cabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.","The Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.","Comedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.","The Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.","The D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.","Eastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.","A Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.","Mexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.","The Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.","Habimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hateful of Rain; Helen; Hello Solly!","Henry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.","I am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.","I was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.","Jamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.","The King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.","The Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.","A Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.","Madam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.","Martha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.","Miss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.","Forests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.","Rhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.","Two issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.","Nobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.","The National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company;  New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.","Not Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.","Oakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.","Oxford University Players - The Alchemist King Lear; Operation Sidewinder.","Philemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.","Pilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.","The Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.","The Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.","Ceremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.","Sandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.","Show Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.","The Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.","Tamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Thieves Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.","Ti-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;","Under Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.","Very Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.","Waiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.","The Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.","Promised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.","Series 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Short story published by Norske Tidende of Brooklyn.","Article in Living magazine.","John Brown for Erich Hawkins; Forty-Second Street.","Written for the Federal Writers' Project New Orleans.","Text for film written with and for Anton Refregier.","Correspondence, ephemera on Hermann, Missouri.","Report written for Dr. Edna Levine of New York University and deafness research. Includes photographs.","\"Postwar Relaxation, a Story\" article by Sundgaard.","Articles \"The Realtors\" and \"The Lesson of the Potato\".","Speech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.","Unpublished, music by Alec Wilder.","Scenario for a film commissioned by Jed Harris.","Scenario for a film commissioned by Jed Harris.","Cassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.","Article published in International Musician \"Opera in America\".","Issue of The New Yorker containing a review for \"Everywhere I Roam\".","Three issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".","During 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.","\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.","About Unesco; \"Footsteps of Greatness…along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.","\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.","The New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).","Two issues of Manuscript; The New Talent; The Lance.","Story; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.","Voices: A Journal of Poetry; Everybody's Digest.","Indian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!","Tury; The Invader.","The Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.","I am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.","The Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.","Tramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.","Series 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970);  Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.","Contains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.","An Axe, an Apple, and  a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings.","Map Case 22.4","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006","English"],"unitid_tesim":["C0226","/repositories/2/resources/344"],"normalized_title_ssm":["Arnold Sundgaard papers"],"collection_title_tesim":["Arnold Sundgaard papers"],"collection_ssim":["Arnold Sundgaard papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Sundgaard, Arnold, 1909-2006"],"creator_ssim":["Sundgaard, Arnold, 1909-2006"],"creator_persname_ssim":["Sundgaard, Arnold, 1909-2006"],"creators_ssim":["Sundgaard, Arnold, 1909-2006"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arnold Sundgaard to Special Collections and Archives on October 19, 1978."],"access_subjects_ssim":["Children's theater","New Deal, 1933-1939","Performing arts","Playwriting","Theater -- United States"],"access_subjects_ssm":["Children's theater","New Deal, 1933-1939","Performing arts","Playwriting","Theater -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["19 Linear Feet 46 boxes"],"extent_tesim":["19 Linear Feet 46 boxes"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eThere are also additional documents from this and related collections in the \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are also additional documents from this and related collections in the  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into 8 series based on material type.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence, 1933-1988 (Boxes 1-5)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Musical Scores, 1947-1982 (Boxes 5-6, 44-46)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Newspaper Clippings, 1935-1976 (Boxes 6-8, 43)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Photographs, 1933-1982 (Boxes 8, 42, 44)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Playscripts, 1932-1978 (Boxes 8-21, 42)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Programs and Posters, 1925-1988 (Boxes 22-29, oversize folder)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Writings, Reviews, Publications, 1933-1988 (Boxes 29-37, 43, 44)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Audio Recordings, 1955-1980s (Boxes 38-41)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into 8 series based on material type.","Series Series 1: Correspondence, 1933-1988 (Boxes 1-5) Series 2: Musical Scores, 1947-1982 (Boxes 5-6, 44-46) Series 3: Newspaper Clippings, 1935-1976 (Boxes 6-8, 43) Series 4: Photographs, 1933-1982 (Boxes 8, 42, 44) Series 5: Playscripts, 1932-1978 (Boxes 8-21, 42) Series 6: Programs and Posters, 1925-1988 (Boxes 22-29, oversize folder) Series 7: Writings, Reviews, Publications, 1933-1988 (Boxes 29-37, 43, 44) Series 8: Audio Recordings, 1955-1980s (Boxes 38-41)"],"bioghist_html_tesm":["\u003cp\u003eArnold Olaf Sundgaard was born in St. Paul, Minnesota on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin. \u003c/p\u003e\n","\u003cp\u003eSundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage.  The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.\u003c/p\u003e\n","\u003cp\u003eAfter working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays suchs as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Arnold Olaf Sundgaard was born in St. Paul, Minnesota on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin. ","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage.  The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays suchs as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur."],"prefercite_html_tesm":["\u003cp\u003eArnold Sundgaard papers, C0226, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arnold Sundgaard papers, C0226, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in October 2012 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in July 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in July 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research center also holds the Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers related to the Federal Theatre Project.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research center also holds the Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers related to the Federal Theatre Project."],"scopecontent_html_tesm":["\u003cp\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.  \u003c/p\u003e\n","\u003cp\u003eSeries 1: Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. \u003c/p\u003e\n","\u003cp\u003eSeries 4: Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. \u003c/p\u003e\n","\u003cp\u003eSeries 6: Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e\n","\u003cp\u003eSeries 7: Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e\n","\u003cp\u003eSeries 8: Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e","\u003cp\u003eIncludes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.\u003c/p\u003e","\u003cp\u003eIncludes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".\u003c/p\u003e","\u003cp\u003eCorrespondence regarding the royalties from Everywhere I Roam.\u003c/p\u003e","\u003cp\u003eNote commenting on Sundgaard's first play at Yale.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding music and Seven Joys of Buddy Biloxi.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding plays, rights, and membership in the Guild.\u003c/p\u003e","\u003cp\u003eCorrespondence with Stephen Murray who appeared in Dublin.\u003c/p\u003e","\u003cp\u003eIn memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.\u003c/p\u003e","\u003cp\u003eSeries 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e","\u003cp\u003eOriginal draft to Arnold Sundgaard from Louis Bellson.\u003c/p\u003e","\u003cp\u003eCumberland Fair: A Jamboree; Down in the Valley; Gallantry.\u003c/p\u003e","\u003cp\u003eKittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.\u003c/p\u003e","\u003cp\u003eSunday Excursion; The Lowland Sea; The Lonesome Dove.\u003c/p\u003e","\u003cp\u003eShepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?\u003c/p\u003e","\u003cp\u003eSheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".\u003c/p\u003e","\u003cp\u003eIncludes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".\u003c/p\u003e","\u003cp\u003eSeries 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.\u003c/p\u003e","\u003cp\u003ePress releases, newspaper and magazine clippings.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings, program, broadside.\u003c/p\u003e","\u003cp\u003eIncludes newspaper and clippings, promotional letters and mailings.\u003c/p\u003e","\u003cp\u003eIncludes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.\u003c/p\u003e","\u003cp\u003eMostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.\u003c/p\u003e","\u003cp\u003eIncludes mostly newspaper clippings, some programs, one photograph.\u003c/p\u003e","\u003cp\u003eSeries 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.\u003c/p\u003e","\u003cp\u003eFour 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.\u003c/p\u003e","\u003cp\u003eSeries 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.\u003c/p\u003e","\u003cp\u003eIncludes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.\u003c/p\u003e","\u003cp\u003eIncludes: black and white photographs; program; newspaper clipping.\u003c/p\u003e","\u003cp\u003eOutline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.\u003c/p\u003e","\u003cp\u003eOutline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.\u003c/p\u003e","\u003cp\u003eSundgaard's first play written in Madison, Wisconsin.\u003c/p\u003e","\u003cp\u003eScripts for a school opera from 1945, and a film version in 1974.\u003c/p\u003e","\u003cp\u003ePerformed by the Columbia Opera Workshop March 8 to April 7, 1951.\u003c/p\u003e","\u003cp\u003ePerformed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.\u003c/p\u003e","\u003cp\u003eScripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.\u003c/p\u003e","\u003cp\u003eWritten for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.\u003c/p\u003e","\u003cp\u003eA comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.\u003c/p\u003e","\u003cp\u003eIncludes: two playscripts, postcard.\u003c/p\u003e","\u003cp\u003eWritten for first year class in playwriting at Yale during the Fall of 1932.\u003c/p\u003e","\u003cp\u003eYale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.\u003c/p\u003e","\u003cp\u003eFree adaptation in collaboration with Albert Marre for Joan Dehner).\u003c/p\u003e","\u003cp\u003eAdaptation of Sardou play.\u003c/p\u003e","\u003cp\u003eSeries 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e","\u003cp\u003eTwo posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.\u003c/p\u003e","\u003cp\u003eAmerica Hurrah; Absence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.\u003c/p\u003e","\u003cp\u003eThe American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.\u003c/p\u003e","\u003cp\u003eThe Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.\u003c/p\u003e","\u003cp\u003eBrigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.\u003c/p\u003e","\u003cp\u003eCabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.\u003c/p\u003e","\u003cp\u003eThe Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.\u003c/p\u003e","\u003cp\u003eComedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.\u003c/p\u003e","\u003cp\u003eThe Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.\u003c/p\u003e","\u003cp\u003eThe D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.\u003c/p\u003e","\u003cp\u003eEastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.\u003c/p\u003e","\u003cp\u003eA Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.\u003c/p\u003e","\u003cp\u003eMexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.\u003c/p\u003e","\u003cp\u003eThe Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.\u003c/p\u003e","\u003cp\u003eHabimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hateful of Rain; Helen; Hello Solly!\u003c/p\u003e","\u003cp\u003eHenry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.\u003c/p\u003e","\u003cp\u003eI am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.\u003c/p\u003e","\u003cp\u003eI was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.\u003c/p\u003e","\u003cp\u003eJamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.\u003c/p\u003e","\u003cp\u003eThe King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.\u003c/p\u003e","\u003cp\u003eThe Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.\u003c/p\u003e","\u003cp\u003eA Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.\u003c/p\u003e","\u003cp\u003eMadam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.\u003c/p\u003e","\u003cp\u003eMartha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.\u003c/p\u003e","\u003cp\u003eMiss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.\u003c/p\u003e","\u003cp\u003eForests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.\u003c/p\u003e","\u003cp\u003eRhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.\u003c/p\u003e","\u003cp\u003eTwo issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.\u003c/p\u003e","\u003cp\u003eNobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.\u003c/p\u003e","\u003cp\u003eThe National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company;  New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.\u003c/p\u003e","\u003cp\u003eNot Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.\u003c/p\u003e","\u003cp\u003eOakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.\u003c/p\u003e","\u003cp\u003eOxford University Players - The Alchemist King Lear; Operation Sidewinder.\u003c/p\u003e","\u003cp\u003ePhilemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.\u003c/p\u003e","\u003cp\u003ePilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.\u003c/p\u003e","\u003cp\u003eThe Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.\u003c/p\u003e","\u003cp\u003eThe Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.\u003c/p\u003e","\u003cp\u003eCeremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.\u003c/p\u003e","\u003cp\u003eSandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.\u003c/p\u003e","\u003cp\u003eShow Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.\u003c/p\u003e","\u003cp\u003eThe Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.\u003c/p\u003e","\u003cp\u003eTamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Thieves Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.\u003c/p\u003e","\u003cp\u003eTi-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;\u003c/p\u003e","\u003cp\u003eUnder Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.\u003c/p\u003e","\u003cp\u003eVery Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.\u003c/p\u003e","\u003cp\u003eWaiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.\u003c/p\u003e","\u003cp\u003eThe Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.\u003c/p\u003e","\u003cp\u003ePromised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eSeries 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eShort story published by Norske Tidende of Brooklyn.\u003c/p\u003e","\u003cp\u003eArticle in Living magazine.\u003c/p\u003e","\u003cp\u003eJohn Brown for Erich Hawkins; Forty-Second Street.\u003c/p\u003e","\u003cp\u003eWritten for the Federal Writers' Project New Orleans.\u003c/p\u003e","\u003cp\u003eText for film written with and for Anton Refregier.\u003c/p\u003e","\u003cp\u003eCorrespondence, ephemera on Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eReport written for Dr. Edna Levine of New York University and deafness research. Includes photographs.\u003c/p\u003e","\u003cp\u003e\"Postwar Relaxation, a Story\" article by Sundgaard.\u003c/p\u003e","\u003cp\u003eArticles \"The Realtors\" and \"The Lesson of the Potato\".\u003c/p\u003e","\u003cp\u003eSpeech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.\u003c/p\u003e","\u003cp\u003eUnpublished, music by Alec Wilder.\u003c/p\u003e","\u003cp\u003eScenario for a film commissioned by Jed Harris.\u003c/p\u003e","\u003cp\u003eScenario for a film commissioned by Jed Harris.\u003c/p\u003e","\u003cp\u003eCassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.\u003c/p\u003e","\u003cp\u003eArticle published in International Musician \"Opera in America\".\u003c/p\u003e","\u003cp\u003eIssue of The New Yorker containing a review for \"Everywhere I Roam\".\u003c/p\u003e","\u003cp\u003eThree issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".\u003c/p\u003e","\u003cp\u003eDuring 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.\u003c/p\u003e","\u003cp\u003e\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.\u003c/p\u003e","\u003cp\u003eAbout Unesco; \"Footsteps of Greatness…along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.\u003c/p\u003e","\u003cp\u003e\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.\u003c/p\u003e","\u003cp\u003eThe New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).\u003c/p\u003e","\u003cp\u003eTwo issues of Manuscript; The New Talent; The Lance.\u003c/p\u003e","\u003cp\u003eStory; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.\u003c/p\u003e","\u003cp\u003eVoices: A Journal of Poetry; Everybody's Digest.\u003c/p\u003e","\u003cp\u003eIndian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!\u003c/p\u003e","\u003cp\u003eTury; The Invader.\u003c/p\u003e","\u003cp\u003eThe Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.\u003c/p\u003e","\u003cp\u003eI am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.\u003c/p\u003e","\u003cp\u003eThe Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.\u003c/p\u003e","\u003cp\u003eTramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.\u003c/p\u003e","\u003cp\u003eSeries 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e","\u003cp\u003e\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970);  Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".\u003c/p\u003e","\u003cp\u003eMontparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.\u003c/p\u003e","\u003cp\u003eContains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.\u003c/p\u003e","\u003cp\u003eAn Axe, an Apple, and  a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.  ","Series 1: Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2: Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3: Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. ","Series 4: Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5: Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. ","Series 6: Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7: Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8: Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","Series 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Includes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.","Includes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".","Correspondence regarding the royalties from Everywhere I Roam.","Note commenting on Sundgaard's first play at Yale.","Correspondence regarding music and Seven Joys of Buddy Biloxi.","Correspondence regarding plays, rights, and membership in the Guild.","Correspondence with Stephen Murray who appeared in Dublin.","In memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.","Correspondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.","Series 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Original draft to Arnold Sundgaard from Louis Bellson.","Cumberland Fair: A Jamboree; Down in the Valley; Gallantry.","Kittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.","Sunday Excursion; The Lowland Sea; The Lonesome Dove.","Shepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?","Sheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".","Includes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".","Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Press releases, newspaper and magazine clippings.","Includes newspaper clippings, program, broadside.","Includes newspaper and clippings, promotional letters and mailings.","Includes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.","Mostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.","Includes mostly newspaper clippings, some programs, one photograph.","Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.","Four 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.","Series 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Includes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.","Includes: black and white photographs; program; newspaper clipping.","Outline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.","Outline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.","Sundgaard's first play written in Madison, Wisconsin.","Scripts for a school opera from 1945, and a film version in 1974.","Performed by the Columbia Opera Workshop March 8 to April 7, 1951.","Performed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.","Scripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.","Written for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.","A comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.","Includes: two playscripts, postcard.","Written for first year class in playwriting at Yale during the Fall of 1932.","Yale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.","Free adaptation in collaboration with Albert Marre for Joan Dehner).","Adaptation of Sardou play.","Series 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Two posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.","America Hurrah; Absence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.","The American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.","The Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.","Brigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.","Cabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.","The Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.","Comedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.","The Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.","The D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.","Eastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.","A Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.","Mexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.","The Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.","Habimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hateful of Rain; Helen; Hello Solly!","Henry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.","I am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.","I was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.","Jamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.","The King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.","The Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.","A Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.","Madam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.","Martha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.","Miss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.","Forests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.","Rhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.","Two issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.","Nobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.","The National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company;  New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.","Not Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.","Oakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.","Oxford University Players - The Alchemist King Lear; Operation Sidewinder.","Philemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.","Pilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.","The Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.","The Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.","Ceremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.","Sandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.","Show Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.","The Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.","Tamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Thieves Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.","Ti-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;","Under Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.","Very Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.","Waiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.","The Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.","Promised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.","Series 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Short story published by Norske Tidende of Brooklyn.","Article in Living magazine.","John Brown for Erich Hawkins; Forty-Second Street.","Written for the Federal Writers' Project New Orleans.","Text for film written with and for Anton Refregier.","Correspondence, ephemera on Hermann, Missouri.","Report written for Dr. Edna Levine of New York University and deafness research. Includes photographs.","\"Postwar Relaxation, a Story\" article by Sundgaard.","Articles \"The Realtors\" and \"The Lesson of the Potato\".","Speech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.","Unpublished, music by Alec Wilder.","Scenario for a film commissioned by Jed Harris.","Scenario for a film commissioned by Jed Harris.","Cassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.","Article published in International Musician \"Opera in America\".","Issue of The New Yorker containing a review for \"Everywhere I Roam\".","Three issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".","During 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.","\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.","About Unesco; \"Footsteps of Greatness…along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.","\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.","The New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).","Two issues of Manuscript; The New Talent; The Lance.","Story; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.","Voices: A Journal of Poetry; Everybody's Digest.","Indian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!","Tury; The Invader.","The Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.","I am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.","The Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.","Tramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.","Series 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970);  Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.","Contains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.","An Axe, an Apple, and  a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_81b1393c5a8bb601d6b50fdcc01513d0\" label=\"Abstract\"\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings.\u003c/abstract\u003e"],"abstract_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_4e8da7bbdb61d3efe004415f7a003934\"\u003eMap Case 22.4\u003c/physloc\u003e"],"physloc_tesim":["Map Case 22.4"],"names_coll_ssim":["Federal Theatre Project (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Sundgaard, Arnold, 1909-2006"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":527,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:08:29.094Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_344_c08_c01"}},{"id":"vifgm_repositories_2_resources_344_c08_c02","type":"File","attributes":{"title":"5\" and 7\" Reel-to-reel audio tapes","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_344_c08_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eMontparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_344_c08_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_344_c08_c02","ref_ssm":["vifgm_repositories_2_resources_344_c08_c02"],"id":"vifgm_repositories_2_resources_344_c08_c02","ead_ssi":"vifgm_repositories_2_resources_344","_root_":"vifgm_repositories_2_resources_344","_nest_parent_":"vifgm_repositories_2_resources_344_c08","parent_ssi":"vifgm_repositories_2_resources_344_c08","parent_ssim":["vifgm_repositories_2_resources_344","vifgm_repositories_2_resources_344_c08"],"parent_ids_ssim":["vifgm_repositories_2_resources_344","vifgm_repositories_2_resources_344_c08"],"parent_unittitles_ssm":["Arnold Sundgaard papers","Series 8: Audio Recordings"],"parent_unittitles_tesim":["Arnold Sundgaard papers","Series 8: Audio Recordings"],"text":["Arnold Sundgaard papers","Series 8: Audio Recordings","5\" and 7\" Reel-to-reel audio tapes","box 39","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo."],"title_filing_ssi":"5\" and 7\" Reel-to-reel audio tapes","title_ssm":["5\" and 7\" Reel-to-reel audio tapes"],"title_tesim":["5\" and 7\" Reel-to-reel audio tapes"],"unitdate_other_ssim":["1958-1973"],"normalized_date_ssm":["1958/1973"],"normalized_title_ssm":["5\" and 7\" Reel-to-reel audio tapes"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Arnold Sundgaard papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":525,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973],"containers_ssim":["box 39"],"scopecontent_html_tesm":["\u003cp\u003eMontparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo."],"_nest_path_":"/components#7/components#1","timestamp":"2026-05-21T05:08:29.094Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_344","ead_ssi":"vifgm_repositories_2_resources_344","_root_":"vifgm_repositories_2_resources_344","_nest_parent_":"vifgm_repositories_2_resources_344","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_344.xml","title_ssm":["Arnold Sundgaard papers"],"title_tesim":["Arnold Sundgaard papers"],"unitdate_ssm":["1925-1988"],"unitdate_inclusive_ssm":["1925-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0226","/repositories/2/resources/344"],"text":["C0226","/repositories/2/resources/344","Arnold Sundgaard papers","Children's theater","New Deal, 1933-1939","Performing arts","Playwriting","Theater -- United States","Collection is open to research.","There are also additional documents from this and related collections in the  .","This collection is organized into 8 series based on material type.","Series Series 1: Correspondence, 1933-1988 (Boxes 1-5) Series 2: Musical Scores, 1947-1982 (Boxes 5-6, 44-46) Series 3: Newspaper Clippings, 1935-1976 (Boxes 6-8, 43) Series 4: Photographs, 1933-1982 (Boxes 8, 42, 44) Series 5: Playscripts, 1932-1978 (Boxes 8-21, 42) Series 6: Programs and Posters, 1925-1988 (Boxes 22-29, oversize folder) Series 7: Writings, Reviews, Publications, 1933-1988 (Boxes 29-37, 43, 44) Series 8: Audio Recordings, 1955-1980s (Boxes 38-41)","Arnold Olaf Sundgaard was born in St. Paul, Minnesota on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin. ","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage.  The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays suchs as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.","Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in July 2022.","The Special Collections Research center also holds the Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers related to the Federal Theatre Project.","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.  ","Series 1: Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2: Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3: Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. ","Series 4: Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5: Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. ","Series 6: Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7: Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8: Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","Series 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Includes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.","Includes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".","Correspondence regarding the royalties from Everywhere I Roam.","Note commenting on Sundgaard's first play at Yale.","Correspondence regarding music and Seven Joys of Buddy Biloxi.","Correspondence regarding plays, rights, and membership in the Guild.","Correspondence with Stephen Murray who appeared in Dublin.","In memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.","Correspondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.","Series 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Original draft to Arnold Sundgaard from Louis Bellson.","Cumberland Fair: A Jamboree; Down in the Valley; Gallantry.","Kittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.","Sunday Excursion; The Lowland Sea; The Lonesome Dove.","Shepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?","Sheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".","Includes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".","Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Press releases, newspaper and magazine clippings.","Includes newspaper clippings, program, broadside.","Includes newspaper and clippings, promotional letters and mailings.","Includes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.","Mostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.","Includes mostly newspaper clippings, some programs, one photograph.","Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.","Four 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.","Series 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Includes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.","Includes: black and white photographs; program; newspaper clipping.","Outline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.","Outline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.","Sundgaard's first play written in Madison, Wisconsin.","Scripts for a school opera from 1945, and a film version in 1974.","Performed by the Columbia Opera Workshop March 8 to April 7, 1951.","Performed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.","Scripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.","Written for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.","A comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.","Includes: two playscripts, postcard.","Written for first year class in playwriting at Yale during the Fall of 1932.","Yale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.","Free adaptation in collaboration with Albert Marre for Joan Dehner).","Adaptation of Sardou play.","Series 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Two posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.","America Hurrah; Absence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.","The American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.","The Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.","Brigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.","Cabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.","The Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.","Comedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.","The Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.","The D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.","Eastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.","A Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.","Mexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.","The Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.","Habimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hateful of Rain; Helen; Hello Solly!","Henry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.","I am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.","I was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.","Jamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.","The King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.","The Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.","A Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.","Madam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.","Martha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.","Miss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.","Forests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.","Rhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.","Two issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.","Nobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.","The National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company;  New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.","Not Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.","Oakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.","Oxford University Players - The Alchemist King Lear; Operation Sidewinder.","Philemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.","Pilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.","The Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.","The Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.","Ceremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.","Sandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.","Show Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.","The Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.","Tamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Thieves Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.","Ti-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;","Under Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.","Very Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.","Waiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.","The Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.","Promised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.","Series 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Short story published by Norske Tidende of Brooklyn.","Article in Living magazine.","John Brown for Erich Hawkins; Forty-Second Street.","Written for the Federal Writers' Project New Orleans.","Text for film written with and for Anton Refregier.","Correspondence, ephemera on Hermann, Missouri.","Report written for Dr. Edna Levine of New York University and deafness research. Includes photographs.","\"Postwar Relaxation, a Story\" article by Sundgaard.","Articles \"The Realtors\" and \"The Lesson of the Potato\".","Speech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.","Unpublished, music by Alec Wilder.","Scenario for a film commissioned by Jed Harris.","Scenario for a film commissioned by Jed Harris.","Cassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.","Article published in International Musician \"Opera in America\".","Issue of The New Yorker containing a review for \"Everywhere I Roam\".","Three issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".","During 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.","\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.","About Unesco; \"Footsteps of Greatness…along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.","\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.","The New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).","Two issues of Manuscript; The New Talent; The Lance.","Story; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.","Voices: A Journal of Poetry; Everybody's Digest.","Indian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!","Tury; The Invader.","The Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.","I am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.","The Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.","Tramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.","Series 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970);  Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.","Contains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.","An Axe, an Apple, and  a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings.","Map Case 22.4","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006","English"],"unitid_tesim":["C0226","/repositories/2/resources/344"],"normalized_title_ssm":["Arnold Sundgaard papers"],"collection_title_tesim":["Arnold Sundgaard papers"],"collection_ssim":["Arnold Sundgaard papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Sundgaard, Arnold, 1909-2006"],"creator_ssim":["Sundgaard, Arnold, 1909-2006"],"creator_persname_ssim":["Sundgaard, Arnold, 1909-2006"],"creators_ssim":["Sundgaard, Arnold, 1909-2006"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arnold Sundgaard to Special Collections and Archives on October 19, 1978."],"access_subjects_ssim":["Children's theater","New Deal, 1933-1939","Performing arts","Playwriting","Theater -- United States"],"access_subjects_ssm":["Children's theater","New Deal, 1933-1939","Performing arts","Playwriting","Theater -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["19 Linear Feet 46 boxes"],"extent_tesim":["19 Linear Feet 46 boxes"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eThere are also additional documents from this and related collections in the \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are also additional documents from this and related collections in the  ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into 8 series based on material type.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence, 1933-1988 (Boxes 1-5)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Musical Scores, 1947-1982 (Boxes 5-6, 44-46)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Newspaper Clippings, 1935-1976 (Boxes 6-8, 43)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Photographs, 1933-1982 (Boxes 8, 42, 44)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Playscripts, 1932-1978 (Boxes 8-21, 42)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Programs and Posters, 1925-1988 (Boxes 22-29, oversize folder)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Writings, Reviews, Publications, 1933-1988 (Boxes 29-37, 43, 44)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Audio Recordings, 1955-1980s (Boxes 38-41)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into 8 series based on material type.","Series Series 1: Correspondence, 1933-1988 (Boxes 1-5) Series 2: Musical Scores, 1947-1982 (Boxes 5-6, 44-46) Series 3: Newspaper Clippings, 1935-1976 (Boxes 6-8, 43) Series 4: Photographs, 1933-1982 (Boxes 8, 42, 44) Series 5: Playscripts, 1932-1978 (Boxes 8-21, 42) Series 6: Programs and Posters, 1925-1988 (Boxes 22-29, oversize folder) Series 7: Writings, Reviews, Publications, 1933-1988 (Boxes 29-37, 43, 44) Series 8: Audio Recordings, 1955-1980s (Boxes 38-41)"],"bioghist_html_tesm":["\u003cp\u003eArnold Olaf Sundgaard was born in St. Paul, Minnesota on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin. \u003c/p\u003e\n","\u003cp\u003eSundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage.  The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.\u003c/p\u003e\n","\u003cp\u003eAfter working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays suchs as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Arnold Olaf Sundgaard was born in St. Paul, Minnesota on October 31, 1909. He studied English at the University of Wisconsin and then drama at Yale University. Sundgaard taught at many colleges including the University of Texas, Columbia University in New York, Bennington College, and at Trinity College in Dublin. ","Sundgaard worked for the Chicago Federal Theatre Project and is best known in this context as the writer of the Living Newspaper production Spirochete. He worked with the FTP from 1936 to 1938 as an author and play reader, after which he was let go since he was starting to make a living as a writer. The main theme of Spirochete is the history and spread of syphilis from the 15th century in Europe to the 1930s in America. The play was politically minded and current in relation to the Marriage Test Law of 1937. This Law would require a blood test for syphilis prior to marriage.  The play opened in Chicago on April 29, 1938, and had showings in Seattle, Philadelphia, Cincinnati, and Portland, Oregon during February of 1939. Even though the play was met with protest in some areas due to its controversial subject matter, it was the second most performed Living Newspaper play after One-Third of a Nation.","After working with the FTP Sundgaard went on to be a successful writer and librettist. As an author he wrote articles, lyrics, plays, and children's books. To his credit are articles for The New Yorker, and the Atlantic; libretti for Down in the Valley by Kurt Weill, and The Greenfield Christmas Tree; plays suchs as Giants in the Earth (co-written with Douglas Moore), Everywhere I Roam, the Broadway produced Of Love Remembered, Promised Valley, Forests of the Night, The Great Campaign, and Young Abe Lincoln; children's books include An Axe, an Apple, and a Buckskin Jacket, The Lamb and the Butterfly, and Jethro's Difficult Dinosaur."],"prefercite_html_tesm":["\u003cp\u003eArnold Sundgaard papers, C0226, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arnold Sundgaard papers, C0226, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in October 2012 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in July 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter. Finding aid updated by Amanda Brent in July 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research center also holds the Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers related to the Federal Theatre Project.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research center also holds the Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers related to the Federal Theatre Project."],"scopecontent_html_tesm":["\u003cp\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.  \u003c/p\u003e\n","\u003cp\u003eSeries 1: Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. \u003c/p\u003e\n","\u003cp\u003eSeries 4: Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. \u003c/p\u003e\n","\u003cp\u003eSeries 6: Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e\n","\u003cp\u003eSeries 7: Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e\n","\u003cp\u003eSeries 8: Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.\u003c/p\u003e","\u003cp\u003eIncludes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.\u003c/p\u003e","\u003cp\u003eIncludes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".\u003c/p\u003e","\u003cp\u003eCorrespondence regarding the royalties from Everywhere I Roam.\u003c/p\u003e","\u003cp\u003eNote commenting on Sundgaard's first play at Yale.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding music and Seven Joys of Buddy Biloxi.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding plays, rights, and membership in the Guild.\u003c/p\u003e","\u003cp\u003eCorrespondence with Stephen Murray who appeared in Dublin.\u003c/p\u003e","\u003cp\u003eIn memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.\u003c/p\u003e","\u003cp\u003eSeries 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.\u003c/p\u003e","\u003cp\u003eOriginal draft to Arnold Sundgaard from Louis Bellson.\u003c/p\u003e","\u003cp\u003eCumberland Fair: A Jamboree; Down in the Valley; Gallantry.\u003c/p\u003e","\u003cp\u003eKittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.\u003c/p\u003e","\u003cp\u003eSunday Excursion; The Lowland Sea; The Lonesome Dove.\u003c/p\u003e","\u003cp\u003eShepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?\u003c/p\u003e","\u003cp\u003eSheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".\u003c/p\u003e","\u003cp\u003eIncludes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".\u003c/p\u003e","\u003cp\u003eSeries 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.\u003c/p\u003e","\u003cp\u003ePress releases, newspaper and magazine clippings.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings, program, broadside.\u003c/p\u003e","\u003cp\u003eIncludes newspaper and clippings, promotional letters and mailings.\u003c/p\u003e","\u003cp\u003eIncludes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.\u003c/p\u003e","\u003cp\u003eMostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.\u003c/p\u003e","\u003cp\u003eIncludes mostly newspaper clippings, some programs, one photograph.\u003c/p\u003e","\u003cp\u003eSeries 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.\u003c/p\u003e","\u003cp\u003eFour 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.\u003c/p\u003e","\u003cp\u003eSeries 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.\u003c/p\u003e","\u003cp\u003eIncludes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.\u003c/p\u003e","\u003cp\u003eIncludes: black and white photographs; program; newspaper clipping.\u003c/p\u003e","\u003cp\u003eOutline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.\u003c/p\u003e","\u003cp\u003eOutline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.\u003c/p\u003e","\u003cp\u003eSundgaard's first play written in Madison, Wisconsin.\u003c/p\u003e","\u003cp\u003eScripts for a school opera from 1945, and a film version in 1974.\u003c/p\u003e","\u003cp\u003ePerformed by the Columbia Opera Workshop March 8 to April 7, 1951.\u003c/p\u003e","\u003cp\u003ePerformed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.\u003c/p\u003e","\u003cp\u003eScripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.\u003c/p\u003e","\u003cp\u003eWritten for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.\u003c/p\u003e","\u003cp\u003eA comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.\u003c/p\u003e","\u003cp\u003eIncludes: two playscripts, postcard.\u003c/p\u003e","\u003cp\u003eWritten for first year class in playwriting at Yale during the Fall of 1932.\u003c/p\u003e","\u003cp\u003eYale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.\u003c/p\u003e","\u003cp\u003eFree adaptation in collaboration with Albert Marre for Joan Dehner).\u003c/p\u003e","\u003cp\u003eAdaptation of Sardou play.\u003c/p\u003e","\u003cp\u003eSeries 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.\u003c/p\u003e","\u003cp\u003eTwo posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.\u003c/p\u003e","\u003cp\u003eAmerica Hurrah; Absence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.\u003c/p\u003e","\u003cp\u003eThe American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.\u003c/p\u003e","\u003cp\u003eThe Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.\u003c/p\u003e","\u003cp\u003eBrigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.\u003c/p\u003e","\u003cp\u003eCabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.\u003c/p\u003e","\u003cp\u003eThe Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.\u003c/p\u003e","\u003cp\u003eComedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.\u003c/p\u003e","\u003cp\u003eThe Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.\u003c/p\u003e","\u003cp\u003eThe D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.\u003c/p\u003e","\u003cp\u003eEastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.\u003c/p\u003e","\u003cp\u003eA Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.\u003c/p\u003e","\u003cp\u003eMexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.\u003c/p\u003e","\u003cp\u003eThe Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.\u003c/p\u003e","\u003cp\u003eHabimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hateful of Rain; Helen; Hello Solly!\u003c/p\u003e","\u003cp\u003eHenry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.\u003c/p\u003e","\u003cp\u003eI am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.\u003c/p\u003e","\u003cp\u003eI was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.\u003c/p\u003e","\u003cp\u003eJamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.\u003c/p\u003e","\u003cp\u003eThe King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.\u003c/p\u003e","\u003cp\u003eThe Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.\u003c/p\u003e","\u003cp\u003eA Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.\u003c/p\u003e","\u003cp\u003eMadam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.\u003c/p\u003e","\u003cp\u003eMartha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.\u003c/p\u003e","\u003cp\u003eMiss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.\u003c/p\u003e","\u003cp\u003eForests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.\u003c/p\u003e","\u003cp\u003eRhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.\u003c/p\u003e","\u003cp\u003eTwo issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.\u003c/p\u003e","\u003cp\u003eNobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.\u003c/p\u003e","\u003cp\u003eThe National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company;  New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.\u003c/p\u003e","\u003cp\u003eNot Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.\u003c/p\u003e","\u003cp\u003eOakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.\u003c/p\u003e","\u003cp\u003eOxford University Players - The Alchemist King Lear; Operation Sidewinder.\u003c/p\u003e","\u003cp\u003ePhilemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.\u003c/p\u003e","\u003cp\u003ePilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.\u003c/p\u003e","\u003cp\u003eThe Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.\u003c/p\u003e","\u003cp\u003eThe Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.\u003c/p\u003e","\u003cp\u003eCeremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.\u003c/p\u003e","\u003cp\u003eSandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.\u003c/p\u003e","\u003cp\u003eShow Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.\u003c/p\u003e","\u003cp\u003eThe Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.\u003c/p\u003e","\u003cp\u003eTamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Thieves Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.\u003c/p\u003e","\u003cp\u003eTi-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;\u003c/p\u003e","\u003cp\u003eUnder Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.\u003c/p\u003e","\u003cp\u003eVery Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.\u003c/p\u003e","\u003cp\u003eWaiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.\u003c/p\u003e","\u003cp\u003eThe Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.\u003c/p\u003e","\u003cp\u003ePromised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.\u003c/p\u003e","\u003cp\u003eSeries 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eShort story published by Norske Tidende of Brooklyn.\u003c/p\u003e","\u003cp\u003eArticle in Living magazine.\u003c/p\u003e","\u003cp\u003eJohn Brown for Erich Hawkins; Forty-Second Street.\u003c/p\u003e","\u003cp\u003eWritten for the Federal Writers' Project New Orleans.\u003c/p\u003e","\u003cp\u003eText for film written with and for Anton Refregier.\u003c/p\u003e","\u003cp\u003eCorrespondence, ephemera on Hermann, Missouri.\u003c/p\u003e","\u003cp\u003eReport written for Dr. Edna Levine of New York University and deafness research. Includes photographs.\u003c/p\u003e","\u003cp\u003e\"Postwar Relaxation, a Story\" article by Sundgaard.\u003c/p\u003e","\u003cp\u003eArticles \"The Realtors\" and \"The Lesson of the Potato\".\u003c/p\u003e","\u003cp\u003eSpeech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.\u003c/p\u003e","\u003cp\u003eUnpublished, music by Alec Wilder.\u003c/p\u003e","\u003cp\u003eScenario for a film commissioned by Jed Harris.\u003c/p\u003e","\u003cp\u003eScenario for a film commissioned by Jed Harris.\u003c/p\u003e","\u003cp\u003eCassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.\u003c/p\u003e","\u003cp\u003eArticle published in International Musician \"Opera in America\".\u003c/p\u003e","\u003cp\u003eIssue of The New Yorker containing a review for \"Everywhere I Roam\".\u003c/p\u003e","\u003cp\u003eThree issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".\u003c/p\u003e","\u003cp\u003eDuring 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.\u003c/p\u003e","\u003cp\u003e\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.\u003c/p\u003e","\u003cp\u003eAbout Unesco; \"Footsteps of Greatness…along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.\u003c/p\u003e","\u003cp\u003e\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.\u003c/p\u003e","\u003cp\u003eThe New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).\u003c/p\u003e","\u003cp\u003eTwo issues of Manuscript; The New Talent; The Lance.\u003c/p\u003e","\u003cp\u003eStory; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.\u003c/p\u003e","\u003cp\u003eVoices: A Journal of Poetry; Everybody's Digest.\u003c/p\u003e","\u003cp\u003eIndian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!\u003c/p\u003e","\u003cp\u003eTury; The Invader.\u003c/p\u003e","\u003cp\u003eThe Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.\u003c/p\u003e","\u003cp\u003eI am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.\u003c/p\u003e","\u003cp\u003eThe Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.\u003c/p\u003e","\u003cp\u003eTramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.\u003c/p\u003e","\u003cp\u003eSeries 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.\u003c/p\u003e","\u003cp\u003e\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970);  Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".\u003c/p\u003e","\u003cp\u003eMontparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.\u003c/p\u003e","\u003cp\u003eContains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.\u003c/p\u003e","\u003cp\u003eAn Axe, an Apple, and  a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings. Series are primarily arranged alphabetically by material type and then alphabetically by folder title. Series eight, Audio Recordings, is arranged by size of material.  ","Series 1: Correspondence, is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the correspondence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Series 2: Musical Scores, is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Series 3: Newspaper Clippings, is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes. ","Series 4: Photographs, is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints; there are some slides, and some oversize material.","Series 5: Playscripts, is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced. ","Series 6: Programs and Posters, is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Series 7: Writings, Reviews, Publications, is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Series 8: Audio Recordings, is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","Series 1: Correspondence (1933-1988) is arranged alphabetically by play title, organization or person. Plays written about include Akron by Moonlight, Down in the Valley, The Beautiful and Anxious Maidens, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The First Crocus, The Great Campaign, The Kilgo Run, Knock on Wood, and Nobody's Earnest. Persons and organizations included in the corresponence are: The Atlantic Monthly, George P. Baker, Yale, The Barter Theatre, Louis Bellson, Bing Crosby, Lehman Engel, Archibald MacLeish, The New Yorker magazine, Gregory Peck, E. B. White, Alec Wilder, and Thornton Wilder among others.","Includes: Theodore Apstein, Giants in the Earth (1951) to Kilgo Run (1968); letters to Mildred Kayden in London and Spain. Apstein, Kayden and Sundgaard collaborated on a play together - Cortes, correspondence continued with Apstein until 1977.","Includes: permission to reprint the article \"Jazz: Hot and Cold\"; \"Autumn of a Virgin\"; rejection of \"The Drifter\".","Correspondence regarding the royalties from Everywhere I Roam.","Note commenting on Sundgaard's first play at Yale.","Correspondence regarding music and Seven Joys of Buddy Biloxi.","Correspondence regarding plays, rights, and membership in the Guild.","Correspondence with Stephen Murray who appeared in Dublin.","In memoriam for Bob Porterfield of Barter Theatre and Stanley Young (playwright); Jerome Hill, film editor of Louis W. and Maud Hill Family Foundation.","Correspondence regarding Man of La Mancha and Cuckoo's Nest and Montparnasse.","Series 2: Musical Scores (1947-1982) is arranged alphabetically by title and comprises sheet music and lyrics written by Arnold Sundgaard. Some of the music is published under title of play and some are handwritten music for individual songs. Plays included are: Buddy, Knock on Wood, Of Love Remembered, Promised Valley, Cumberland Fair: A Jamboree, Down in the Valley, Gallantry, Sunday Excursion, The Lowland Sea, The Lonesome Dove. About one-third of the material is in oversize boxes.","Original draft to Arnold Sundgaard from Louis Bellson.","Cumberland Fair: A Jamboree; Down in the Valley; Gallantry.","Kittiwake Island; The Lowland Sea; The Greenfield Christmas Tree.","Sunday Excursion; The Lowland Sea; The Lonesome Dove.","Shepherds, Rise; Gepäck träger Blues (The Baggage Room Blues); An Axe, an Apple and a Buckskin Jacket; Long John; There's Doubt in my Mind (but hope in my heart); Where do you go?","Sheet music for \"The Earth Turns Around Without Me Now\", \"Where do we come from? What are we? Where do we go from here?\", \"The Ocracoke School song\", \"That Thing I'm Looking For\", \"I'm Free at Last\", \"I Know my Star is There Somewhere\", \"Hurry Home\", \"Here Comes Tomorrow\", \"The Greenfield Christmas Tree\", \"The Lowland Sea\", \"Cumberland Fair\".","Includes the songs: \"No Country Boys Allowed in Chicago\", \"Laurel, Mississippi (Ora's)\", \"Here Tiz\", \"You Can Keep Countin' on me\", \"Isabella\", \"Jazz\", \"The Pie Mau\", \"On That Judgement Day\", \"Ora's Song\", \"Dig Down Deep\", \"Buddy's Blues\", \"Blues Singer\", \"By Surprise\", \"How do you Buy Back a Dream\", \"Opening Act part II\".","Series 3: Newspaper Clippings (1935-1976) is arranged alphabetically by title and includes primarily newspaper and magazine clippings relating to play productions and writings authored by Sundgaard, as well as scrapbooks, programs, ephemera, and some photographs. Two scrapbooks, one about Of Love Remembered, the other about Federal Theatre Project productions, Spirochete and Everywhere I Roam, are housed in oversize boxes.","Press releases, newspaper and magazine clippings.","Includes newspaper clippings, program, broadside.","Includes newspaper and clippings, promotional letters and mailings.","Includes photographs, newspaper clippings, telegrams, and programs about Of Love Remembered, actress Ingrid Thulin, and Forests of the Night premiere in Dublin.","Mostly newspaper clippings and programs from Federal Theatre Project productions of Spirochete and Everywhere I Roam. Also contains newspaper article and sign relating to Sundgaard's later career.","Includes mostly newspaper clippings, some programs, one photograph.","Series 4: Photographs (1933-1982) is arranged alphabetically by title and includes photographs of play productions, actors, and Arnold Sundgaard. Photographs of play productions include the plays: Brigham, Down in the Valley, Equinox, Everywhere I Roam, Forests of the Night, Giants in the Earth, The Great Campaign, The First Crocus, Kilgo Run, Knock on Wood, Of Love Remembered, The Promised Valley, Spirochete, This Fallow Ground, and The Truth About Windmills. Images are mostly prints, there are some slides, and some oversize material.","Four 16\" x 20\" oversize black and white prints with thick board backing. Images depict Theatre, Inc. productions of Playboy of the Western World, Henry IV part I, and Oedipus.","Series 5: Playscripts (1932-1978) is arranged alphabetically by title and includes primarily playscripts but also radio and television scripts, libretti, outlines, drafts, production notes, scores, programs, costume designs, and some correspondence. Multiple drafts of produced plays are here, as is unfinished scripts and scripts for plays not produced.","Includes: cassette tape; First you have a dream song lyrics; two \"Brigham!\" metal pins.","Includes: black and white photographs; program; newspaper clipping.","Outline for a musical comedy and research material consisting of copies of articles, postcards, and a paper written by Edmund G. Love.","Outline for a musical comedy by Sundgaard; playscript written by Frances Goodrich and Albert Hackett.","Sundgaard's first play written in Madison, Wisconsin.","Scripts for a school opera from 1945, and a film version in 1974.","Performed by the Columbia Opera Workshop March 8 to April 7, 1951.","Performed at the University of Virginia, based on characters witnessed at Hotel Delano, Chicago while working for the Federal Theatre.","Scripts for Village Incident - India; Jack Be Normal; Four Flags of the Confederacy; Beethoven's Fifth.","Written for Williamstown Bicentennial 1953, directed by David Bryant at Williams College Adams Memorial Theatre.","A comic opera written for post-dinner entertainment at Applegreen Old Westbury, Long Island.","Includes: two playscripts, postcard.","Written for first year class in playwriting at Yale during the Fall of 1932.","Yale workshop 47, first play by Sundgaard to be produced at Yale in 1935, directed by Alexander Dean.","Free adaptation in collaboration with Albert Marre for Joan Dehner).","Adaptation of Sardou play.","Series 6: Programs and Posters (1925-1988) is arranged alphabetically by title and includes programs and posters for productions written by Sundgaard as well as programs collected by Sundgaard.","Two posters from the Williamstown Theatre production of Nobdy's Earnest. One has a yellow background with green text and highlights Nobody's Earnest and The Good Woman of Setzuan, the other has a white background, red and blue lettering and features a drawn map at the top.","America Hurrah; Absence of a Cello; A Chorus Line; The Actors Studio - Strange Interlude; The Advocate; The Affair; Agatha Sue I Love You; Ain't Misbehavin'; Aldwych Theatre - The Persecution and Assassination of Marat; All American; All the Way Home; Abe Lincoln in Illinois; Absurd Person Singular; ACT (American Conservatory Theatre); After the Rain; The Alchemist; Jack Ruby, All-American Boy; Alvin Ailey: City Center Dance Theater.","The American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial; American Buffalo; American Repertory Theatre; American Shakespeare Festival Theatre; Anne Meacham; Annie Get Your Gun; APA-Phoenix; APA-Repertory Company; Ashes; The Azuma Kabuki Dancers and Musicians; The American Dream; The American Mime Theatre; Amharclann na Mainistreach; Anastasia; Anniversary Waltz; Applause; Apple of His Eye; The Apple Tree; At the Drop of a Fan; Auntie Mame.","The Bad Seed; Baker Street; The Ballad of the Sad Café; Ballet Ballads; The Ballet Russe de Monte Carlo; Barefoot in Athens; The Beggars Opera; Berkshire Festival; Berkshire Music Center; Big Fish, Little Fish; Black Comedy; Boesman and Lena; Claudia; Breakfast in Bedlam; Bad Habits; Bajour; The Beauty Part; Becket; The Bed Before Yesterday; Barefoot in Athens; The Best Man; Billy Budd; The Blacks; The Blood Knot; Borstal Boy; The Boy Friend.","Brigadoon; Follow the Girls; Buck Clayton; Bullfight; Bye Bye Birdie; Brigadoon; Brooklyn Academy of Music; The Browning Version; Bus stop; By George; Beggar on Horseback; Bravo.","Cabaret; Camelot; Camp Meeting; The Caretaker; Call Me Mister; Camino Real; Can-Can; Carib Song; Carousel; Carnegie Hall; Carry Nation; Cat on a Hot Tin Roof; Catch Me if You Can; The Caucasian Chalk Circle; The Chalk Garden; The Cherry Orchard; The Changing Room; Chapter Two.","The Children's Hour; Chips with Everything; Chicago; Chicago Stagebill - High Button Shoes; City Center Joffrey Ballet; The City Center - How to Succeed in Business Without Really Trying; The City Center - Marcel Marceau; Coco; Colored Girls Who Have Considered Suicide with the Rainbow is Enuf; The Chinese and Dr. Fish; The Chinese Prime Minister; A Chorus Line; Circle in the Square; City Center Joffrey Ballet; A Clearing in the Woods; The Climate of Eden; The Cocktail Party; Colette; Come Live With Me; Come Share My House.","Comedie Francaise; Company; Compulsion; The Confidential Clerk; Conversations at Midnight; The Creation of the World and Other Business; Cyrano; Comedians; Comedy; Command Performance; Conduct Unbecoming; Courtin' Time; The Crucible; The Country Girl; Cyrano de Bergerac; The Condemned of Altona.","The Dark at the Top of the Stairs; Damn Yankees; Dances of Bali; Danny Kaye; Dear Judas; The Deputy; Desire Under the Elms; Dial 'M' For Murder; Diary of a Scoundrel; Dames at Sea; The Dark is Light Enough; Dark of the Moon; The Deadly Game; The Deep Blue Sea; The Desperate Hours; The Diary of Anne Frank; The Deputy; Dickins and Jones; Dirty Linen and New-found-land; Doctor Faustus Lights the Lights; A Doll's House; Do Not Pass Go; The D'Oyly Carte Opera Company of London.","The D'Oyly Carte Opera Company of London; Dracula; The Dybbuk; Dutchman; Duel of Angels; Dylan.","Eastward in Eden; Edward, My Son; Elizabeth I; The Enemy is Dead; Emergency Broadway Theatre Directory; An Enemy of the People; Enter Laughing; The Entertainer; Entertaining Mr. Sloane; Equus; Erlanger.","A Far Country; Fiddler on the Roof; Fair Harvard; Family Business; The Farmers Hotel; Frank Merriwell or Honor Challenged; The Fighting Cock; First One Asleep, Whistle; Faust.","Mexicana; Funny Girl; The Four Winds; Follies; Find Your Way Home; Flora and the Red Menace; The Foo Hsing Theatre; A Funny Thing Happened on the Way to the Forum; The Fourposter; Finian's Rainbow; Fiorello!; Flahooley; The Flowering Peach; Fortune and Men's Eyes; Forty Carats.","The Gambler; Gentlemen Prefer Blondes; Gideon; The Gin Game; The Glass Menagerie; The Golden Apple; Golden Boy; Georgy; Good Evening; The Great White Hope; Guys and Dolls; Gantry; Garden District; Gemini; Generation; The Gingerbread Lady; Gloria and Esperanza; The Grand Street Follies; Grease; The Green Pastures; Gypsy.","Habimah; Hair; Half a Sixpence; Hamlet (at Arena Stage); Harkness Ballet; Hello Dolly!; Hadrian VII; Hail Scrawdyke!; Half in Earnest; Happy Ending and Day of Absence; Harvey; A Hateful of Rain; Helen; Hello Solly!","Henry V; High Spirits; Hispania (at SUNY Stony Brook); The Homecoming; Hope's the Thing; The House of Blue Leaves; The House of Bernarda Alba; How to Succeed in Business without Really Trying; Here's Where I Belong; High Button Shoes; The Hollow Crown; Home; The Hostage; Hostile Witness; Hotel Paradiso; Awake and Sing; House of Flowers.","I am a Camera; The Immoralist; Impossible on Saturday; The Incomparable Max; Indians; Inherit the Wind; The Innocents; Inquest; The Iceman Cometh; I Love My Wife; Inadmissible Evidence; Inner City; Institute for Advanced Studies in the Theatre Arts (Phedre); In the Summer House; Inside U.S.A.; In the Bar of a Tokyo Hotel.","I was Dancing; The Irish Players; Iphigenia in Aulis; Invitation to a March; Ivanov; The Investigation; In the Matter of J. Robert Oppenheimer.","Jamaica; Joe Egg; John Loves Mary; Jose Greco and his Company; Jacques Brel is alive and well and living in Paris; Jimmy; The Jockey Club Stakes; The John Drew Theater; John Murray Anderson's Almanac.","The King and I; Kiss Me Kate; King Lear; The Knack; Knickerbocker Holiday; The Killing of Sister George; King of Hearts; Kennedy's Children; The Lady's Not for Burning; The King and I.","The Lady of the Camellias; The Lady from the Sea; Landscape of the Body; La Grosse Valise; La Plume de ma Tante; The Last Analysis; The Latent Heterosexual; Leave it to Jane; Lenny; Leonard Sillman's New Faces of 1952; Leonard Sillman's New Faces of 1968; The Little Foxes; Little Murders; The Lark; The Last of Mrs. Lincoln; Last of the Red Hot Lovers; Leave it to Jane; The Lion in Winter.","A Little Night Music; London Assurance; On Borrowed Time; Look Homeward, Angel; Lovers and Other Strangers; Lute Song; Luther; Lincoln Center: American Ballet Theatre; Look Back in Anger; Loot; The Love of Four Colonels; Lord Pengo; The Little Foxes.","Madam, Will You Walk; Mademoiselle Colombe; Maggie Flynn; The Magic Show; Malcolm; Mame; The Man in the Glass Booth; Man of La Mancha; Marcel Marceau; Macbeth; The Madwoman of Chaillot; Maggie; The Magic and the Loss; Make a Wish; Mamba's Daughters; APA at the Phoenix fundraising pamphlet; A Man for all Seasons; Marathon '33.","Martha Graham; Medea; The Member of the Wedding; Mark Twain Tonight; Antony and Cleopatra; The Matchmaker; Me and Juliet; Metropolitan Opera; A Midsummer Night's Dream; The Mighty Gents; Middle of the Night; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; Mineola; The Miracle Worker.","Miss Lonelyhearts; Molly; Moonchildren; Morning, Noon and Night; The Mother of us all; Much Ado About Nothing; Mixed Doubles; My Fair Lady; My 3 Angels; Misalliance; Mister Johnson; Monique; A Month in the Country; The Moon is Blue; The Most Happy Fella; Mother Courage and her Children; Mrs. McThing; The Music Man; My Fair Lady.","Forests of the Night (Dublin); Trouble in Tahiti / Down in the Valley; The Great Campaign; The Greenfield Christmas Tree; Kittiwake Island; Kilgo Run; Cumberland Fair; Giants in the Earth; The Great Campaign; Little Orchestra Society; Lemonade Opera; The Lowland Sea; The Playboy of the Western World; Pygmalion; On Hemlock Brook; The Neighborhood Playhouse School of the Theatre presents its 25th anniversary program; National Theatre Conference; The Old Vic Theatre Company; Habimah; The Great Western Union; The Annual Spring Musicale at George School; Of Love Remembered.","Rhapsody; The First Crocus; Everywhere I Roam; Kittiwake Island; Promised Valley; The Sixteenth Annual Dance Concert of the Steffi Nossen School; Spring Opera Night; This Fallow Ground; The Ramapo Lyric Festival; Town Hall - The Little Orchestra Society, Inc.; Virginia Overture Hi Song Daisy Lee; The Waldorf School Spring Festival; Forests of the Night performed at the Weathervane Community Playhouse; Cumberland Fair; Children's Theatre at the 92nd St. YM and YWHA; Central High School Vocal Music Department - Festival of Contemporary Music; University of Denver - Sunday Excursion and Down in the Valley; Canterbury Choral Society - Down in the Valley; Roslyn High School - Americana; Fifth annual conference on American Opera by the Columbia University Student Council; Beatrice and Benedict; Of Love Remembered; Southern Theatre; Spirochete; C.W. Post College - The First Intercollegiate Playwriting Festival; Gallantry.","Two issues of Opera News; Occidental College Music Department - A Festival of Twentieth Century Music; Dublin University Players - Vacant Lot; Beatrice and Benedict; The Orchestra of America; Stadium Concerts Review; Nobody's Earnest.","Nobody's Earnest; Close-Up: A collection of photographs by L. Arnold Weissberger publication; Promised Valley; Forests of the Night; An Evening of Contemporary American Opera; Giants in the Earth.","The National Council of the Metropolitan Opera Association Regional Auditions Finals; The Neighborhood Playhouse School of the Theatre; The New Dance Group; New York City Ballet; The New York City Center Light Opera Company;  New York City Center of Music and Drama; New York City Opera Company; New York City Theatre Company; No Time for Sergeants; The Natural Look; Nature of the Crime; New Faces of 1962; The New Music Hall of Israel; New York State Theater - Annie Get Your Gun; Next Time I'll Sing to You; Nikolais Dance Theatre; No, No, Nanette; No Place to be Somebody; No Time for Sergeants.","Not Now, Darling; No Time for Sergeants; Narrow Road to the Deep North; New York State Theater - Kind Lear.","Oakdale musical theatre; The Odd Couple; Of Love Remembered; Oh What a Lovely War; Old Times; Oliver!; On a Clear Day You Can See Forever; Ondine; On Stage; Orpheus Descending; The Observer film exhibition program; Oh Men! Oh Women!; Oklahoma; Old Acquaintance; Ondine; One Flew Over the Cuckoo's Nest; Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' so Sad; On the Town; On Whitman Avenue; Otherwise Engaged.","Oxford University Players - The Alchemist King Lear; Operation Sidewinder.","Philemon; Paint Your Wagon; Pal Joey; Park; Peg; Lord Pengo; A Penny for a Song; Philadelphia, Here I Come!; Photo Finish; The Physicists; Pacific Overtures; A Passage to India; The Passion of Josef D.; A Patriot for Me; The Paul Taylor Dance Company; Peter Pan.","Pilobolus dance theatre; The Pirates of Penzance; Players; The Playroom; Plaza Suite; Picnic; The Pinter Plays - The Dumbwaiter and the Collection; Paint Your Wagon; Plain and Fancy; The Playhouse Company; The Plumstead Playhouse - Our Town; The Ponder Heart; Poor Richard; Porgy and Bess; Portrait of a Queen; The Prescott Proposals; King Lear at Brandeis University; The Price.","The Prime of Miss Jean Brodie; The Prescott Proposals; Private Lives; Promenade; Purlie; Pygmalion; Purple Dust; The Prime of Miss Jean Brodie; The Potting Shed; The Private Ear and the Public Eye; The Promise; Promises, Promises.","The Rainmaker; The Rape of Lucretia; The Rat Race; The Red Mill; The Rehearsal; The Reluctant Debutante; Repertory Theater of Lincoln Center; The Right Honourable Gentleman; The Robber Bridegroom; Rabelais; A Raisin in the Sun; The Real Inspector Hound After Magritte; Red Roses for Me; The Remarkable Mr. Pennypacker; Rhinoceros; Ring Round the Moon; The Repertory Theatre of Lincoln Center - Yerma.","Ceremonial Tribute to Robert Emmet Sherwood (at ANTA Theatre); Romulus; Rosa; The Rose Tattoo; Ross; The Royal Family; Ruth Draper; The Rockland Foundation; Rooms; The Rose Tattoo; The Rothschilds; The Royal Hunt of the Sun; The Runner Stumbles; The Remarkable Mr. Pennypacker.","Sandhog; Saint Joan; Say Darling; A Scent of Flowers; The School for Scandal; Serjeant Musgrave's Dance; Seventeen; The Seven Year Itch; 1776; Shakespeare in Harlem; She Loves Me; Shenandoah; Shelter; The Saint of Bleecker Street; Salvation; The School for Wives; Seascape; Second Threshold; The Secret Affairs of Mildred Wild; Shadow of a Star; The Shadow Box; Sheep on the Runway; Sherlock Holmes; Shakespeare Festival.","Show Boat; Shoestring Revue; The Sign in Sidney Brustein's Window; Side by Side by Sondheim; Skyscraper; Sleuth; The Soldier; South Pacific; Stars in Your Eyes; The Sleepers' Den; Silk Stockings; Sing Me No Lullaby; Slapstick Tragedy; Slow Dance on the Killing Ground; Soldiers; Spofford; Staircase.","The Star Spangled Girl; Sticks and Bones; Story Theatre; Stop the World I Want to Get Off; The Sudden and Accidental Re-Education of Horse Johnson; The Subject was Roses; Sugar; The Sunshine Boys; Sweet Bird of Youth; A Streetcar Named Desire; Street Scene; Sunday Breakfast; Sunrise at Campobello; The Square Root of Wonderful; Sweet Charity; Summertree.","Tamburlaine the Great; The Taming of the Shrew; A Taste of Honey; Tea and Sympathy; The Teahouse of the August Moon; That Championship Season; Thieves Carnival; Third Person; The Threepenny Opera; Tchin-Tchin; Telemachus Clay; A Temporary Island; The Tenth Man; A Texas Trilogy; Theater 1969; 3 for Tonight.","Ti-Coo; Tiger at the Gates; The Time of the Cuckoo; Top Banana; Touchstone; Traveler without Luggage; Travesties; Treemonisha; The Trial of Lee Harvey Oswald; Two by Two; The Actors Studio Theatre productions 1963-1964; Those That Play the Clowns; Tiger Tiger Burning Bright; Tiny Alice; Town Hall; A Tree Grows in Brooklyn; Time Limit!; The Trip to Bountiful; Two on the Aisle; Two Gentlemen of Verona;","Under Milk Wood; Ulysses; The Unknown Soldier and His Wife; U.S.A.","Very Good Eddie; Vivat! Vivat Regina!; The Visit; Visit to a Small Planet; Via Galactica; A View from the Bridge.","Waiting for Godot; Wait a Minim!; The Way of the World; West Side Story; Who am I?; Who to Love; Who's Afraid of Virginia Woolf?; Wait Until Dark; Walking Happy; Where's Charley?; The Whole World Over; Will Success Spoil Rock Hunter?; Wilson in the Promise Land; The Winslow Boy; Witness for the Prosecution; The World of Gunter Grass; The Secret Life of Walter Mitty.","The Zulu and the Zayda; The Young and Fair; Zorba; Your Own Thing; You Know I Can't Hear You When the Water's Running; You're a Good Man Charlie Brown; Ziegfeld Follies of 1931.","Promised Valley; The Great Campaign; Theatre Arts magazine (June 1947); Utah Centennial; Utah Symphony Orchestra.","Series 7: Writings, Reviews, Publications (1933-1988) is arranged alphabetically by title and includes writings by Sundgaard that are not scripts. The writings include drafts, outlines, articles, essays, and short stories. Both unpublished and published material is included. There are some books. Also present is research material created by Sundgaard for different projects. One project was a syphilis related research project for a possible book that Sundgaard undertook with O.C. Wenger. Another project represented is research of deafness conducted by Sundgaard in Hermann, Missouri.","Short story published by Norske Tidende of Brooklyn.","Article in Living magazine.","John Brown for Erich Hawkins; Forty-Second Street.","Written for the Federal Writers' Project New Orleans.","Text for film written with and for Anton Refregier.","Correspondence, ephemera on Hermann, Missouri.","Report written for Dr. Edna Levine of New York University and deafness research. Includes photographs.","\"Postwar Relaxation, a Story\" article by Sundgaard.","Articles \"The Realtors\" and \"The Lesson of the Potato\".","Speech written for Lyndon B. Johnson in 1948, at the request of Buck Hood, editor of Austin \"Item\". It was recorded and broadcast over cotton fields from a helicopter.","Unpublished, music by Alec Wilder.","Scenario for a film commissioned by Jed Harris.","Scenario for a film commissioned by Jed Harris.","Cassette recording of interview with Rudolph Friml, aged 93, made in Hollywood July 24, 1973. He talked of Otto Harbach and his career in the theatre.","Article published in International Musician \"Opera in America\".","Issue of The New Yorker containing a review for \"Everywhere I Roam\".","Three issues of The New Yorker containing the articles \"Reruns of the Mind\", \"Money\", and \"Ken\".","During 1939 Sundgaard was working with the Writer's Project in Louisiana and Harper's had asked him to do a book about O.C. Wenger, USPHS chief who was campaigner against syphilis. Because of disagreements with Wenger about what form the book should take i.e., fiction vs. documentary, it was never written.","\"Jazz Hot and Cold\" in Modern American Reader; \"Equinox\" in The Best One Act Plays of 1941; \"Mid-Passage\" in The Best One Act Plays of 1943; \"The Picnic\" in the Best One Act Plays of 1944; \"Virginia Overture\" in American Scenes.","About Unesco; \"Footsteps of Greatness…along the Lincoln Heritage Trail\" in Vista; \"Writing with Kurt Weill\" in The Dramatists Guild Quarterly; New Masses.","\"Gallantry\" review in Time and The New Yorker; Sundgaard featured in a survey in the Saturday Review; \"Jazz Hot and Cold\" in The Atlantic; \"The Librettist - Secret Service Man\" in International Musician.","The New Talent; Story; Accent; Icarus; Medallion (includes art work by Will Eisner).","Two issues of Manuscript; The New Talent; The Lance.","Story; three issues of Voices: A Journal of Poetry; Scope; author's copy of The New Talent.","Voices: A Journal of Poetry; Everybody's Digest.","Indian Johnny; Autumn of a Virgin; Will You Please Let Me Tell the Story!","Tury; The Invader.","The Gun; The Apple Tree; Elgin Tubbs; Beckley and his Uncle Hamp; Journey to Duluth.","I am Strong as a Horse; The Drifter; The Two of us in Texas; Hot Air, Fiddlesticks and Baloney.","The Skerry Island Country Store; The Blessing of Dreams; Swimming to Damascus; A Child is Born.","Tramp, Tramp, Tramp; Rasmus and the Flying Viking; The White City; The Singer; Change at Jamaica; A Lost Identity.","Series 8: Audio Recordings (1955-1980s) is arranged by size and consists of four boxes that include audio cassette tapes, reel-to-reel audio recordings, and vinyl records. The material includes recordings from productions or songs that Sundgaard wrote, and records featuring Sundgaard's children's books.","\"Noa Noa\" and other songs from musical of Gauguin based on Agee film script, lyrics by Sundgaard, music by D.K. Lee; Chet Baker interview; Maurice Jarre playing piano for Montparnasse music; Montparnasse first version; Montparnasse second version; Michel Legrand singing possible songs for Montparnasse (April 1970);  Michel Legrand Montparnasse song ideas; University of North Dakota - Giants in the Earth act I; Giants in the Earth act II; Giants in the Earth act III; The Truth About Windmills - orchestra reading of score; The Truth About Windmills - tape made from performances at Avon, New York October 1973; Kittiwake Island; unlabeled, unboxed 7\".","Montparnasse - music by Maurice Jarre, lyrics by Arnold Sundgaard; Gallantry at Columbia University Open Workshop; Buddy Biloxi re-recorded at CBS (1973) jazz musical; Forests of the Night at Gate Theatre in Dublin (1965); Nobody's Earnest demo.","Contains 11 cassette tapes and two 3\" reel to reel tapes. Tapes contain recordings of the Brigham soundtrack, The Sun and the Moon, Chet Baker, Alec Wilder suite no. 2, Kittiwake Island, eulogy to Robert Porterfield and the Tony awards, Truth About Windmills, Eddie Sauter and O Wonderous Earth, Montparnasse, various songs written by Sundgaard.","An Axe, an Apple, and  a Buckskin Jacket: A Christmas Story; Columbia University Bicentennial Album; Songs of the South; Bing Crosby tells and sings How Lovely is Christmas; Young Abe Lincoln; Brigham; Down in the Valley; How Lovely is Christmas."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_81b1393c5a8bb601d6b50fdcc01513d0\" label=\"Abstract\"\u003eThe Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings.\u003c/abstract\u003e"],"abstract_tesim":["The Arnold Sundgaard papers includes materials created and collected by Arnold Sundgaard. The collection is divided into eight series: Correspondence; Musical Scores; Newspaper Clippings; Photographs; Playscripts; Programs and Posters; Writings, Reviews, Publications; and Audio Recordings."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_4e8da7bbdb61d3efe004415f7a003934\"\u003eMap Case 22.4\u003c/physloc\u003e"],"physloc_tesim":["Map Case 22.4"],"names_coll_ssim":["Federal Theatre Project (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Sundgaard, Arnold, 1909-2006"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Sundgaard, Arnold, 1909-2006"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":527,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:08:29.094Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_344_c08_c02"}},{"id":"vifgm_repositories_2_resources_113_c01_c12_c06","type":"File","attributes":{"title":"70, Girls, 70 - Copper and Brass","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_113_c01_c12_c06#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003cspan\u003e70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; A Call on Kuprin; A Cook for Mr. General; A Man's a Man; A Matter of Position; A Severed Head; A Thurber Carnival; A View from the Bridge; Advise and Consent; All American; Alice; Anyone Can Whistle; Ari; Artur Rubinstein; The Aspern Papers; The Beauty Part; Big Fish, Little Fish; Brain Child; Butterflies Are Free; Bye Bye Birdie; Chicago; Christine; Copper and Brass\u003c/span\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_113_c01_c12_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_113_c01_c12_c06","ref_ssm":["vifgm_repositories_2_resources_113_c01_c12_c06"],"id":"vifgm_repositories_2_resources_113_c01_c12_c06","ead_ssi":"vifgm_repositories_2_resources_113","_root_":"vifgm_repositories_2_resources_113","_nest_parent_":"vifgm_repositories_2_resources_113_c01_c12","parent_ssi":"vifgm_repositories_2_resources_113_c01_c12","parent_ssim":["vifgm_repositories_2_resources_113","vifgm_repositories_2_resources_113_c01","vifgm_repositories_2_resources_113_c01_c12"],"parent_ids_ssim":["vifgm_repositories_2_resources_113","vifgm_repositories_2_resources_113_c01","vifgm_repositories_2_resources_113_c01_c12"],"parent_unittitles_ssm":["Charles Rodrigues playbill collection","Series 1: Outside New York City","Subseries 1.12: Philadelphia"],"parent_unittitles_tesim":["Charles Rodrigues playbill collection","Series 1: Outside New York City","Subseries 1.12: Philadelphia"],"text":["Charles Rodrigues playbill collection","Series 1: Outside New York City","Subseries 1.12: Philadelphia","70, Girls, 70 - Copper and Brass","box 4","folder 6","70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; A Call on Kuprin; A Cook for Mr. General; A Man's a Man; A Matter of Position; A Severed Head; A Thurber Carnival; A View from the Bridge; Advise and Consent; All American; Alice; Anyone Can Whistle; Ari; Artur Rubinstein; The Aspern Papers; The Beauty Part; Big Fish, Little Fish; Brain Child; Butterflies Are Free; Bye Bye Birdie; Chicago; Christine; Copper and Brass"],"title_filing_ssi":"70, Girls, 70 - Copper and Brass","title_ssm":["70, Girls, 70 - Copper and Brass"],"title_tesim":["70, Girls, 70 - Copper and Brass"],"unitdate_inclusive_ssm":["1957-1978"],"normalized_date_ssm":["1957/1978"],"normalized_title_ssm":["70, Girls, 70 - Copper and Brass"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Charles Rodrigues playbill collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":99,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["Materials created before 1925 are in the Public Domain. No known restrictions.","The copyright and related rights status of materials created or published after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"containers_ssim":["box 4","folder 6"],"scopecontent_html_tesm":["\u003cp\u003e\n  \u003ctitle\u003e70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; A Call on Kuprin; A Cook for Mr. General; A Man's a Man; A Matter of Position; A Severed Head; A Thurber Carnival; A View from the Bridge; Advise and Consent; All American; Alice; Anyone Can Whistle; Ari; Artur Rubinstein; The Aspern Papers; The Beauty Part; Big Fish, Little Fish; Brain Child; Butterflies Are Free; Bye Bye Birdie; Chicago; Christine; Copper and Brass\u003c/title\u003e\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; A Call on Kuprin; A Cook for Mr. General; A Man's a Man; A Matter of Position; A Severed Head; A Thurber Carnival; A View from the Bridge; Advise and Consent; All American; Alice; Anyone Can Whistle; Ari; Artur Rubinstein; The Aspern Papers; The Beauty Part; Big Fish, Little Fish; Brain Child; Butterflies Are Free; Bye Bye Birdie; Chicago; Christine; Copper and Brass"],"_nest_path_":"/components#0/components#11/components#5","timestamp":"2026-05-21T05:14:16.259Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_113","ead_ssi":"vifgm_repositories_2_resources_113","_root_":"vifgm_repositories_2_resources_113","_nest_parent_":"vifgm_repositories_2_resources_113","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_113.xml","title_ssm":["Charles Rodrigues playbill collection"],"title_tesim":["Charles Rodrigues playbill collection"],"unitdate_ssm":["1879-2009"],"unitdate_inclusive_ssm":["1879-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0184","/repositories/2/resources/113"],"text":["C0184","/repositories/2/resources/113","Charles Rodrigues playbill collection","Theater -- New York (State) -- New York","Theater -- United States","There are no access restrictions.","Arranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.","Series Series 1: Outside New York City, 1879-2009 (boxes 1-5, 37) Series 2: New York City, 1885-2009 (boxes 6-34, 37-38) Series 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)","Charles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage.","Processed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Brent in April 2022.","The Special Collections Research Center holds many other collections on theatre and the performing arts.","The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","The collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs. ","Includes playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.","Playbills in this subseries are from the Boston Museum, Carousel Theatre, Charles Playhouse, Colonial Theatre, Copley Theatre, Music Hall, the New Globe Theatre, North Shore Music Theatre, Plymouth Theatre, Saxon Theatre, Shubert Theatre, South Shore Music Circus, Sumner Theatre, and the Wilbur Theatre in Boston. There is also one playbill from the Court Square Theatre in Springfield, MA, one from The Dettors Theatre in Concord, MA, two from the Provincetown Playhouse On-the-wharf in Provincetown, MA, and a review of a play from Tilton, NH.","Springfield, MA","A Majority of One; A Thousand Clowns; A Very Special Baby; Anastasia; Around the World in 80 Days","Indians  review from the Tiltonian publication of the Tilton School in Tilton, NH.","First Love; Follies ; Benefit performance of  Follies  for the American Cancer Society Massachusetts division;  Giants, Sons of Giants; Grand Hotel; Guys and Dolls; Hamlet; Hot September","Mame; Married Alive!; Mid-Summer; Mr. President","The Odd Couple; On a Clear Day You Can See Forever; On the Twentieth Century; Pacific Overtures; Photo Finish; Pretty Belle; The Roar of the Greasepaint-The Smell of the Crowd; Romanoff and Juliet; Sherry!; Toys in the Attic; Wildcat; Woman of the Year","Provincetown, MA","Many of the playbills in this subseries are Performing Arts magazines and from theaters in San Franciso and Los Angeles. Theatres include the Ambassador Cocoanut grove, American Conservatory Theatre, Aquarius Theatre, Curran Theatre, Dorothy Chandler Pavilion, Huntington Hartford Theatre, Las Palmas Theatre, Little Fox Theatre, the Music Center, the Orpheum Theatre, Shubert Theatre, and the War Memorial Opera House.","Camelot; Evita; Gigi; Give 'em Hell, Harry!","Hair; Kismet; Lorelei; The Music Man; Odyssey; Oklahoma!","Pacific Overtures ; San Francisco Opera  L'elisir d'amore; Shine It On","Sunset Boulevard; Tom Jones; The Wiz","This subseries includes playbills from the Blackstone Theatre, Columbia Theatre, the Goodman Theatre, and the Happy Medium Theatre in Chicago.","Includes playbills from the Westport Country Playhouse, Goodspeed Opera House, the Hartman Theatre, The Holmes School in Darien, Stamford Center for the Arts, the Shubert Theatre, the Long Wharf Theatre, the Ivoryton Playhouse, Yale Repertory Theatre, and Westbury Music Fair in Connecticut.","A Song for Cyrano; Ain't Misbehavin'; Annie; Bells are Ringing; The Chalk Garden; Cry for Us All; Daarlin' Juno","Dear Charles; The Devil's Disciple; El Capitan; How Now Dow Jones; Illya Darling; The King and I","Kiss Me, Kate; The Marquise; The Play's the Thing","Spider's Web; Stardust; The Three Musketeers; Two by Two; The Vagabond King; Zorba","Playbill from the Parker Playhouse in Ft. Lauderdale, Florida","This subseries includes playbills from the Abbey Theatre, Adelphi Theatre, Apollo Theatre, Comedy Theatre, Daly's Theatre, Duke of York's Theatre, Her Majesty's A Stoll Moss Theatre, Lyric Theatre, National Theatre, New London Theatre, The New Lyric Opera House, New Theatre, Palace Theatre, Palladium, Phoenix Theatre, Piccadilly Theatre, Prince Edward Theatre, Prince of Wales Theatre, Queen's Hall, The Queen's Theatre, Roundabout Theatre, Royal Court Theatre, Royal Lyceum Theatre, Royal Opera House Covent Garden, Royal Shakespeare Theatre, Savoy Theatre, Shaftesbury Theatre, Strand Theatre, St. James Theatre, Theatre Royal Drury Lane, Theatre Royal Haymarket, Victoria Palace Theatre, Wyndham's Theatre in London, the West Yorkshire Playhouse in Leeds, and the Alexandrian Theatre in Liverpool.","A Madhouse in Goa; Aspects of Love; Bloomsbury; Don Carlos","Playbill and souvenir program","Souvenir programs","Follies  (includes photograph of theatre;  Front \u0026 Center  (magazine of Roundabout Theatre Company);  The Four Musketeers!","Golden Boy; Hadrian VII; Halfway Up the Tree; The Hotel in Amsterdam; Lady Be Good; Madame Tussaud's; The Mousetrap","Gone with the Wind; Hamlet; Here and Now; High Society; Les Miserables; Martin Guerre","Operettas  by Jacques Offenbach; Sadler's Wells opera at the London Coliseum;  Travesties","Miss Saigon; Murder Among Friends; Not Now, Darling; The Odd Couple; Oliver!; Over My Dead Body; Phantom of the Opera; The Quare Fellow; The Secret of Sherlock Holmes; Shirley Valentine; Show Boat; Single Spies","Steel Magnolias; Sunset Boulevard; Sweet Charity","This subseries includes playbills from Long Island theatres, SUNY, and the Tappan Zee theatre in Nyack, as well as playbills from Westchester New York. Playbills from Westchester theatres are separated and included after the Long Island, SUNY, and Nyack playbills. Playbills from High School and community productions are included alphabetically by city at the end of this subseries.","A Song for Cyrano; Anita Baker; Assassins; Chicago; Come Back, Little Sheba; Damn Yankees; Follies","Ain't Misbehavin'; At This Performance; Camelot ; Emelin Theatre 2008-2009; Emelin's Broadway Holiday Cabaret;  Friends In Deed; Funny Girl ; Johnny Carson; Liza Minnelli;  Pure Heaven; 'S Wonderful, 's Gershwin ; Steve Martin;  Sweet Hearts ; The Vienna Boys' Choir","Ann Hampton Callaway (ticket);  Call me Madam; Carousel ; The Festival Orchestra opening performance;  Fiorello!; Glad, Too; Godspell; Grow up! A Musical; How to Succeed in Business Without Really Trying; Incongruities; The Madwoman of Chaillot; New Plays 90; New Plays 91; New Plays 92 ; Second annual M.H.S. student film festival;  Studio night chamber music; Tosca; Who's out there that's for me?; Winter birds ; also includes a letter from Helen S. Murray to Charles Rodrigues","Anything Goes; Bye Bye Birdie; Brigadoon; Carnival; Cats; Cinderella '72; Fiddler on the Roof; Footlight Follies; Guys and Dolls; The King and I; Kiss Me, Kate; Li'l Abner; Mame; The Night Thoreau Spent in Jail; Once Upon a Mattress; Paint Your Wagon; Peter Pan; South Pacific; Wonderful Town","The Absence of a Cello ;  Aida  at the Verdi Opera Festival; AFS 1983 variety show; AFS 1984 variety show;  The Boy Friend; Brigadoon; My One and Only; The Old Woman Broods ; Valentine's Day benefit February 14, 1987","A Connecticut Yankee in King Arthur's Court; Fando and Lis","This subseries includes playbills and a concert program from the state of New Jersey. Theatres include the Surflight Theatre, Paper Mill Playhouse, The Whole Theatre Company, and the Broad Street Theatre.","Animal Crackers; Children of Eden ; Fleetwood Mac, concert program;  Follies; Phantom of the Opera; The Trojan Women; Where's Charley?","This subseries includes playbills from the state of Ohio. Theatres include B.F. Keith's Hippodrome, the Cincinnati Music Theatre, and The Cincinnati Playhouse in the park.","This subseries includes playbills from the city of Paris. Theatres include the Cabaret Lido Paris, Theatre De La Renaissance, and the Theatre National de L'Opera.","This subseries includes playbills from the city of Philadelphia. One playbill from Pittsburgh's Nixon Theatre is included at the end of the Philadelphia pre-1934 playbills. Theatres include The Academy of Music, Broad Street Theatre, The Erlanger Theatre, Forrest Theatre, The Goldman Theatre, The Little Theatre, The New Locust Theatre, Playhouse, Shubert Theatre, Society Hill Playhouse, Valley Forge Music Fair, Walnut Theatre, and The University of Pennsylvania.","Pittsburgh","70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; A Call on Kuprin; A Cook for Mr. General; A Man's a Man; A Matter of Position; A Severed Head; A Thurber Carnival; A View from the Bridge; Advise and Consent; All American; Alice; Anyone Can Whistle; Ari; Artur Rubinstein; The Aspern Papers; The Beauty Part; Big Fish, Little Fish; Brain Child; Butterflies Are Free; Bye Bye Birdie; Chicago; Christine; Copper and Brass","Daughter of Silence; Dear Me, the Sky is Falling; Destry Rides Again; The Disenchanted; Do Re Mi; Donnybrook; Elizabeth the Queen; Enrico; The Fantasticks; The Fighting Cock; First impressions; Five finger exercise; Four on a garden; The fun couple; Funny girl; Gideon; The girl who came to supper; Goodbye Charlie; Greenwillow; Gypsy; H.M.S. Pinafore; Here's love; High spirits","The Highest Tree; Hot Spot; How Now, Dow Jones; I Can Get It for You Wholesale; I Remember Mama; In the Counting House; J.B.; Julia, Jake, and Uncle Joe; Little Me; Lolita, My Love; Lord Pengo; Love and Kisses; Lovely Ladies, Kind Gentlemen; Luther; Mame; The Marriage-Go-Round; Mary Stuart; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; The Miracle Worker; My Fair Lady","National Repertory Theatre;  No, No, Nanette; Nowhere to Go But Up; Old World; Period of Adjustment ; The Philadelphia Orchestra (1962-1963 season);  The Pleasure of His Company; The Prince of Grand Street; Ready When You Are C.B.!; Romulus; Say, darling; The school for scandal; She loves me; Spartacus; Something About a Soldier; Stop the World - I Want to Get Off; The Subject Was Roses; Sugar; Sugar Babies; Sweet Bird of Youth; Take Her, She's Mine; Take Me Along; There Was a Little Girl; Threepenny Opera; Tovarich","The Umbrella; The Visit; The Wall; Wildcat; Who's Afraid of Virginia Wolf?; The World of Carl Sandburg; Zorba","Four one-act plays:  Present Day Courtship, The Still Alarm, People in the Wind, In the Zone; The Sandbox, The Lesson, Daughters; Medea; She Stoops to Conquer ; The Stringart Quartet artists-in-residence; The University of Pennsylvania Glee club and Pennsyngers","This subseries includes playbills from the city of Toronto. Playbills are from the Melody Fair and the Royal Alexandra Theatre.","This subseries includes playbills from the city of Washington D.C. Playbills are from the Kennedy Center, National Theatre, Signature Theatre, and the Morris A. Mechanic Theatre in Baltimore.","The Alvin Alley City Center Dance Theatre; Applause; Carnival!","Lost in the Stars; Natural Affection; Over and Over; Rex; Sondheim Celebration; Spotlight; Sugar; The Visit","This series contains playbills and souvenir programs from a variety of theatres and venues including those found on Broadway, off-Broadway, off-off Broadway and in Brooklyn. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.","Angel Face; Animal Crackers; Apple Blossoms; The Apple Cart","Ballyhoo; Ballyhoo of '32; The Bandwagon","Playbills from the Broadhurst and Shubert theatres","Montauk Theatre in Brooklyn","The Blackbirds of 1928; Blossom Time; Blue Eyes; Broadway; The Broadway Whirl","Cherry Blossoms; China Rose; The Chocolate Dandies","Daddies; The Dancing Girl; Dearest Enemy; Death Takes a Holiday; The Desert Song; Design for Living; Desire Under the Elms","Two incomplete playbills","General Post; Gentlemen Prefer Blondes; George White's Scandals; Getting Married; Getting Together","The Girl Behind the Gun; Girl Crazy; The Girl Friend; The Girl from Home","Good Gracious Annabelle; Girls; Good Boy; Good News; The Grab Bag; Grand Hotel; The Great Adventure; The Great Divide; The Great Gatsby","The Greenwich Village Follies; The Greenwich Village Follies of 1920","Helen of Troy, New York; Hello Daddy; Here's Howe; Hit the Deck; Hitchy-Koo 1920","Lassie; The Lassoo; The Laugh Parade; The Last Waltz; Liliom; The Lie","Little Nelly Kelly; The Little Show; Lollipop; Love Birds","Melody; Men in White; The Merry Widow; Midnight Revue; Miss Springtime","Odds and Ends of 1917; Of Thee I Sing; Oh, Boy!; Oh, Kay!, Oh Look, Oh, please!","Three playbills, two of which are for vaudeville performances at the Orpheum Theatre in Brooklyn","Padlocks of 1927; Paris; The Parisian Model","Pietro; Pitter Patter; Poor Little Ritz Girl; Poppy; Porgy","R.U.R.; Rainbow; The Ramblers; The Red Mill","Redemption; Revels; The Rise of Rosie O'Reilly; Rosalie; Rose Bernd; Rose-Marie; The Royal Family; The Royal Vagabond; Running Wild","Simple Simon; Singin' the Blues; Six Characters in Search of an Author; Smiles; Some Time; The Song and Dance Man; Song of the Flame; Spring is Here; Strange Interlude; Street Scene; Strike Me Pink; Strike Up the Band; The Student Prince in Heidelberg; Sweet; Sweet Little Devil; Swifty","Three Wise Fools; Three's a Crowd; Tickle Me; Tip-Toes","6 Rms Riv Vu; The 25th Annual Putnam County Spelling Bee; 42nd Street; 70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; 1776","Souvenir program","A Bell for Adano; A Bistro Car; A Broadway Musical; A Case of Libel; A Catered Affair; A Celebration of Richard Rodgers; A Chorus Line; A Class Act; A Day in Hollywood / A Night in the Ukraine; A Day in the Life of Just About Everyone; A Delicate Balance; A Doll's Life","A Far Country; A FunnyTthing Happened on the Way to the Forum; A Hand Is on the Gate; A Hatful of Rain; A Kurt Weill Cabaret; A Joyful Noise","A Life; A Little Family Business; A Little Night Music","Souvenir program","A Majority of One; A Meeting by the River; A Moon for the Misbegotten; A Night at the Palace; A Party with Betty Comden and Adolph Green; A Patriot for Me; A Passage to India; A Place Without Doors; A Raisin in the Sun; A Salute to ASCAP; A Shot in the Dark; A Streetcar Named Desire; A Tale of Two Cities; A Taste of Honey; A Thurber Carnival; A Time for Singing; A Tree Grows in Brooklyn","Abelard \u0026 Heloise; Accidental Death of an Anarchist; The Act; The Actors Studio Theatre productions 1963-1964; ACT (American Conservatory Theatre); The Adventures of Tom Sawyer; Advise and Consent; After the Rain; Ah, Wilderness; Ain't Broadway Grand","Alan Gilbert \u0026 The New York Philharmonic; All Over; All the Way home; All's Well That Ends Well; Alfie!; Allegro; Amadeus; Ambassador","America Kicks Up Its Heels; American Ballet Theatre; The American Dance Machine; The American Way; Amour","Souvenir program","And Miss Reardon Drinks a Little; And the World Goes Around; The Andersonville Trial; Angel; Angel Street; Angels in America; Anna Karenina; Annie","Souvenir program","Souvenir program","Souvenir program","As Is; The Astrakhan Coat; Assassins; At the Drop of Another Hat; Auntie Mame; Autumn's Here!","Baby Want a Kiss; Bajour; Baker street; The Ballad of the Sad Cafe; Ballroom; Barbara Back to Broadway; Barefoot in Athens; Barefoot in the Park; Barnum","Souvenir programs for: Barefoot in the Park; Barnum; Beauty and the Beast; Beggar on Horseback; The Beggar's Opera; Belafonte at the Palace; Ben Franklin in Paris","Bayanihan; Beekman Place; Beg, Borrow or Steal; Beggar's Holiday; Bell's are Ringing; Ben Franklin in Paris; Bernadine; Best Foot Forward; The Best Little Whorehouse Goes Public; The Best Little Whorehouse in Texas; The Best Man; Beyond the Fringe","Big Deal; Billion Dollar Baby; Billy; The Birthday Party; Bklyn; Black and Blue; Black Broadway; Black Chiffon; Black Comedy","Black Comedy White Lies; Blast; Blithe Spirit; Blood Brothers; Blood Red Roses; Bloomer Girl; Blue Denim; Blues for Mister Charlie; The Body Beautiful; Born Yesterday","Borstal Boy; The Boy Friend; The Boy from Oz; Boys and Girls Together; The Boys from Syracuse; The Boys in the Band; The Boys of Winter","Boris Aronson (exhibit catalogue); Breakfast at Tiffany's; Breaking Legs; Brief Lives; Brigadoon; Brighton Beach Memoirs; Bring Back Birdie; Broadway Cabaret Festival; Broadway Cares","Broadway on Broadway; Broadway's Stars in the Alley; Bubbling Brown Sugar; The Buddy Holly Story; Butterflies are Free; By George; By Jupiter; Bye Bye Birdie","Souvenir program","Two souvenir programs","Souvenir program","Souvenir program","Can Can; Candida; Candide; Canterbury Tales (playbills and souvenir program)","Cantorial; Carmelina; Carousel (playbill and souvenir program); Carnival!; Carrie; Catch Me If You Can; Cats","Celebration; Century of Change; Charles Aznavour; Checking Out; Chess (playbill and souvenir program); Chicago (playbills and souvenir program)","Childs Play; The Chinese Prime Minister; Chips With Everything; Chita Rivera: The Dancer's Life; Chitty Chitty Bang Bang; City Center Joffrey ballet; City of Angels","Closer Than Ever; Cloud 7; Coco (playbills and souvenir program); The Color Purple (playbill and souvenir program); Come Blow Your Horn; Come on Strong; Come Summer; The Comedie Francaise","Company (playbills and souvenir programs)","Souvenir program","Conduct Unbecoming; The Contrast; Copper and Brass; Counsellor-at-Law; The Country Girl","Crazy For You; The Cradle Will Rock; The Creation of the World and Other Business; Critic's Choice; Cry For Us All","Cuba and His Teddy Bear; Curtains (playbills and souvenir program); Cyrano","The D'oyly Carte Opera Company; Dame Edna; Dames at Sea; Damn Yankees; Dance a Little Closer; Dance of Death; Dance of the Vampires; Dancin'; Daphne in Cottage D","The Dark at the Top of the Stairs; The Day Before Spring; The Day the Money Stopped; Dear Janet Rosenberg Dear Mr. Kooning; Dear Ruth; Dear Me, the Sky is Falling; Dear World (playbills and souvenir program)","Death of a Salesman; The Deputy (playbills and souvenir program); The Desperate Hours; Destry Rides Again; Deuce; The Devils; The Disenchanted","Diamonds; Different Times; Dinner at Eight; Dirty Rotten Scoundrels; Division Street","Do Black Patent Leather Shoes Really Reflect Up?; Do Re Mi; Do I Hear a Waltz?; Doctor Jazz; Does a Tiger Wear a Necktie?; Don Carlo and Les Troyens; Don't Drink the Water; The Doughgirls","Dr. Cook's Garden; Dracula; Drat the Cat; Dreamgirls; Drink to Me Only; The Drowsy Chaperone (playbill and souvenir program); Du Barry Was a Lady; Dude: The Highway Life; Duel of Angels; Dylan","Easter Bonnet Competition; Eating Raoul; El Bravo!; Elba; End of the World","The Effect of Gamma Rays on Man-in-the-Moon Marigolds; Elizabeth 1; Emperor Henry IV; Enter Laughing; Entertaining Mr. Sloane; Equus; The Ethel Merman Show; Everything in the Garden; Evita","Face Value; Fade Out-Fade In; Fair Game; Fallen Angels; The Family Reunion; Fanny (playbills and souvenir programs); Father's Day; Fences; Fiesta in Madrid","Fiddler on the Roof (playbills and souvenir program); Fifth of July; The Fig Leaves are Falling","Three souvenir programs including one for the film version","Finian's Rainbow; Fiorello!; Fire!; The First; The Firstborn (playbill and souvenir program); First Impressions; Fit to be Tied; Five Finger Exercise","Five Guys named Moe; The Flip Side; Flora the Red Menace; Flower Drum Song; Folies Bergere; Fortune and Men's Eyes; Forty Carats; Four on a Garden","Follies (playbills and souvenir program); Follow the Girls; Fosse; Foxy","Frank Merriwell or Honor Challenged; Frankenstein; Fred Ebb; The Frogs (playbills and souvenir program); From A to Z; The Front Page; The Full Monty","Playbills and souvenir programs","The Gang's All Here; Gantry; The Gazebo; Geese; Generation; George M.; Georgy","Gideon; Gigi (playbills and souvenir program); Gilbert \u0026 Sullivan Company; Gilbert Becaud on Broadway; The Gingerbread Lady; The Girl Against the Boys; The Girl Who Came to Supper; The Glass Menagerie; The Glorious Ones","God's Favorite; Golden Bat; Golden Boy; Golden Rainbow; Goldilocks; The Good Times Are Killing Me; The Goodbye Girl; Goodbye My Fancy; Goodtime Charlie; Grand Hotel (playbills and souvenir program); The Grand Tour","Souvenir programs for: Godspell; Golden Boy; Golden Rainbow; The Goodbye Girl","The Grass Harp; The Great God b=Brown; The Great Waltz; The Great White Hope (souvenir program); Greenwillow; Grey Gardens; Guys and Dolls; Gypsy (souvenir program)","Playbills and souvenir program","H.M.S. Pinafore; Hadrian VII; Hail Scrawdyke!; Hair; Hairspray; Half a Sixpence; Halfway Up the Tree","Half a Sixpence (souvenir program); Halfway Up the Tree; Hallelujah, Baby! (playbill and souvenir programs); Hamlet; Handful of Fire; Happiest Millionaire","Happy Birthday; Happy Birthday, Wanda June; The Happy Time (playbill and souvenir program); Happy Town; Happy Hunting (playbills and souvenir program); Harvey","Hats Off to Ice; Hay Fever; Heathen!; Hello, Dolly!","Playbills and souvenir programs","Hello, Solly!; Henry V; Henry, Sweet Henry (playbills and souvenir program); Here's Love","Hold On to Your Hats; Holiday for Lovers; Hooray for What!","The High Rollers Social \u0026 Pleasure Club; The History Boys; Home; Home Sweet Home; The Homecoming; The Hostage; Hot Spot; The House of Blue Leaves; How Now Dow Jones","How the Other Half Lives; How to Be a Jewish Mother; How to Succeed in Business Without Really Trying; How's the World Treating You; Hughie; Hurry, Harry","I Am a Camera; I Can Get It for You Wholesale; I Do! I Do! (playbills and souvenir program); I Had a Ball; I Hate Hamlet; I Know My Love; I Like It Here; I Never Sang for My Father","I Remember Mama; I'm Not Rappaport; Icetime; Illya Darling (souvenir program)","Illya Darling; The Impossible Years; In Bed We Cry; Inadmissible Evidence; Inbal; The Incomparable Max","Indians; Inherit the Wind; Inquest; International Soiree; Into the Woods (playbills and souvenir program); The Investigation; Invitation to a March","The Irregular Verb to Love; Is He Dead?; It Ain't Nothing but the Blues; It's a Bird, It's a Plane, It's Superman; Ivanov","JB; Jacobowsky and the Colonel; Jacques Brel is Alive and Well and Living in Paris; Jake's Women; Jamaica; James Joyce's The Dead; Jane; Janus; Jelly's Last Jam; Jennie; Jerome Robbins' ballets: U.S.A.; Jerome Robbins' on Broadway (playbills and souvenir program); Jesus Christ Superstar","Jimmy; Joan of Lorraine; The Jocky Club Stakes; Joe Egg; Johnny Johnson; Johnny No-Trump; Joseph and the Amazing Technicolor Dreamcoat; Joy; Journey's End; Jubilee; Judgment at Nuremberg, Judy Garland: At Home at the Palace","Kids Care; The Killing of Sister George; The King and I (playbills and souvenir program); King of Hearts; Kismet; Kiss of the Spiderwoman (playbill and souvenir program); The Knack; Kurt Weill: Making Music Theatre","La Bohème; La Cage aux Folles; La Grosse Valise; La Plume de Ma Tante","La Strada; Lady in the Dark; The Lake; Larry Kert 1930-1991; The Last Analysis; The Last of Mrs. Lincoln","Last of the Red Hot Lovers; The Last Sweet Days of Isaac; Laughs and Other Events; Legally Blonde; Legs Diamond; Les Ballets de Paris; Les Blancs; Lestat (playbill and souvenir program); Let's Face It","The Life; Life with Father; The Light in the Piazza; The Lion in Winter; Little Me (playbills and souvenir program)","Playbills and souvenir program","The Little Mermaid (playbills and souvenir program); Little Murders; Little Women (playbills and souvenir program); Lolita; Look After Lulu; Look Back in Anger; Look Homeward Angel","Playbills and souvenir programs.  Liza with a Z  tour program includes signature from Liza on last page.","Look to the Lillies; Loot; Lord Pergo; Lorelei (playbills and souvenir program); Lost in the Stars; Louisiana Purchase; Love Life; Love! Valour! Compassion!; Lovely Ladies, Kind Gentlemen; LoveMusik; The Loves of Cass McGuire","Alan Jay Lerner; Betty Comden and Adolph Green; Carolyn Leigh; Dorothy Fields; E.Y. 'Yip' Harburg; Fred Ebb and John Kander; Life is a Cabaret: A tribute to Fred Ebb; Hal David; Harold Rome; Jerry Herman; Johnny Mercer; Sammy Cahn; Shelden Harnick; Stephen Schwartz; Stephen Sondheim","Macbeth; Mack \u0026 Mabel (playbill and souvenir program); Madam Butterfly; Maggie Flynn; Make Mine Manhattan; Man of La Mancha","Souvenir programs","Mame (playbills and souvenir programs); The Mambo Kings; Mamma Mia; The Man in the Glass Booth (souvenir program)","The Man Who Came to Dinner; The Man Who Had All the Luck; The Man With a Load of Mischief; Marcel Marceau; Mark Twain Tonight!; Marlene Dietrich; The Marriage-Go-Round","Martin Short: Fame Becomes Me (playbill and souvenir program); Mary, Mary; Mary Poppins (playbills and souvenir program)","Me and My Girl (playbills and souvenir program); Meet Me in St. Louis; The Megilla of Itzik Manger; The Member of the Wedding; Merlin; Merrily We Roll Along; Metro; The Metropolitan Opera: Met in the Parks (June 2007)","Milk \u0026 Honey; Milliken Breakfast Show; Minnelli on Minnelli; Minnie's Boys; Minor Miracle; The Miracle Worker; Miss Liberty; Mister Roberts; Molly; Monty Python's Spamalot; More Stately Mansions; Morning's at Seven","Mister Johnson; Monty Python's Spamalot (souvenir program); More Stately Mansions (souvenir program); Morning, Noon, and Night; The Most Happy Fella; Mourning Become Electra; Movin' Out; Mr. Wonderful; Mr. President; Mrs. Dally","Murder at Minsing Manor: A Nancy Boys Mystery; Music! Music!; Music in My Heart; Music in the Air; The Music Man (playbill and souvenir program); The Musical Theatre of Harold Prince; Musicals in Mufti; My Fair Lady (playbills and souvenir program); My One and Only (playbill and souvenir program)","My Fair Lady; My Favorite Year; My Funny Valentine; My Sister Eileen; My Wife and I","National Ballet; Natural Affection; Nature's Way; The Nerd; The Nervous Set; Never Too Late; The New Musical of Israel; New York City Ballet; New York City Opera","New York City Ballet (playbills and Nutcracker souvenir program); New York City Opera; New York Philharmonic; The New Yorkers; The Next President; Next to Normal","Two souvenir programs","Nick \u0026 Nora; The Night Circus; The Night of the Iguana; Night Watch; Nine (playbills and souvenir program); No, No, Nanette; No Place to Be Somebody; The Ninety Day Mistress","No Strings; Nobody Loves an Albatross; Noises Off","O Mistress Mine; The Odd Couple; Of Thee I Sing; Oh! Calcutta!; Oh, Captain!; Oh, Kay!; Oh What a Lovely War; Oil City Symphony; Oklahoma! (playbills and souvenir program)","Old Times; Old Vic; Oliver! (playbills and souvenir program); On a Clear Day You Can See Forever (playbills and souvenir programs); On Golden Pond; On the Town; On the Twentieth Century","On the Waterfront; On Your Toes; Once More, With Feeling; Once on This Island (playbill and souvenir program); Once Upon a Mattress; One More River; One Night Stand; One Touch of Venus; The Only Game in Town; Orpheus Descending; Over Twenty-One","Our Country's Good; Our Town; Out Cry; Out of This World; The Owl and the Pussycat","P.S. I Love You; Pacific Overtures; The Pajama Game; Pal Joey; Pamela's First Musical; Panama Hattie; Paris Is Out!; Park; Passion; The Passion","Paul Sills' Story Theatre; Paul Taylor Dance Company; The Penny Wars; Perfectly Frank; Period of Adjustment; The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade; The Petrified Forest; Phantom of the Opera (playbill and souvenir program); Philadelphia, Here I Come!; The Philanthropist","Photo Finish; Pickwick (playbill and souvenir program); Pippin (playbill and souvenir program); The Pirate Queen (playbill and souvenir program); The Pirates of Penzance; Plain and Fancy","Platinum; Play It Again, Sam; Plaza Suite; The Pleasure of His Company; Ponti; Poor Bitos; Poor Richard; Porgy and Bess; Portofino; Pousse-Café; The Power and the Glory; The Prime of Miss Jean Brodie","The Prisoner of Second Avenue; The Private Ear and the Public Eye; Private Lives; The Producers; Program I; Program II; Program III; Promenade; Promises, Promises (playbill and souvenir program); Pump Boys and Dinettes","Playbills and souvenir program","Radio City Music Hall (playbills and a souvenir program); Radio City Music Hall Christmas Spectacular; Rags; Ragtime","Souvenir program","Red Gloves; The Red Mill; The Red Shoes; Red White and Maddox; Redhead; Rendezvous with Marlene","Rex (playbills and souvenir program); Ring Bells! Sing Songs! (playbills and souvenir programs); The Rink (playbills and souvenir program)","The Rise and Fall of the City of Mahagony (souvenir programs); The Ritz; The Roar of the Greasepaint - The Smell of the Crowd (playbills and souvenir program); The Robber Bridegroom; Rockabye Hamlet; The Rocky Horror Picture Show; Room Service; The Rose Tattoo","Rosencrantz and Guildenstern Are Dead; The Rothschilds (playbills and souvenir program); The Royal Ballet (souvenir programs)","The Royal Family; The Royal Hunt of the Sun; Rugatino; Rumple; Ruthless!","Sabrina Fair; Sadie Thompson; Salvation; Saratoga; Say, Darling; The School for Scandal (playbills and souvenir program); The School for Wives; Scratch; Scrooge (souvenir program); The Secret Affairs of Mildred Wild","The Secret Garden; Seesaw (playbills and souvenir program); The Selling of the President; Send Me No Flowers; Set to Music; Seven Days of Mourning; She Loves Me!; Sheep on the Runway; Shelter","Shenandoah (playbills and souvenir programs); Sherry!; Shinbone Alley; Shogun: The Musical; Show Boat (playbill and souvenir program)","Show Boat; The Show Is On; The Sign in Sidney Brustein's Window; Silent Night, Lonely Night; Silk Stockings; Silverlake; Sing Happy (playbills and souvenir program); Sister Mary Ignatius Explains It All for You; The Actor's Nightmare","Skyscraper (playbill and souvenir program); Sleight of Hand; Sleuth; Slow Dance on the Killing Ground; Smile; Smokey Joe's Cafe: The Songs of Leiber and Stoller; Social Security; Soldiers; Solitaire, Double Solitaire; Something Different; Something for the Boys","Sondheim: A Celebration at Carnegie Hall; Sondheim: A Musical Tribute; Song \u0026 Dance (playbills and souvenir program); Song of Norway (playbill and souvenir programs); Song of the Grasshopper; Soon; The Sound of Music","South Pacific (playbills and souvenir program); Splendora; Spofford; The Star Spangled Girl; Star and Garter; Stardust","Starmites; Stars of the Bolshoi Ballet; Stars of the New York Stage 1870-1970 (exhibit catalogue); State Fair; Steel Pier; Sticks and Bones; Stop the World- I Want to Get Off; Strange Interlude; Street Songs","The Subject Was Roses; Subways Are for Sleeping; Sugar (playbills and souvenir program); Summer of the 17th Doll; Sunday in the Park with George (playbills and souvenir program); Sunset","The Sunshine Boys; The Supporting Cast; The Survival of St. Joan: A Medieval Rock Opera; Sweeney Todd: The Demon Barber of Fleet Street (playbills and souvenir program); Sweet Bird of Youth","Playbills and souvenir programs","Take Me Along; Taking Steps; Tango Argentino; Tchaikovsky at Carnegie Hall; Tchin-Tchin (playbills and souvenir programs); The Teahouse of the August Moon; Ten Little Indians; Tenderloin; The Tenth Man; That Championship Season; That's Entertainment; There Was a Little Girl; They're Playing Our Song; Thoroughly Modern Millie","There's a Girl in My Soup; Three Men on a Horse; The Threepenny Opera; Time Remembered; Tiny Alice; Titanic","Tomorrow, the World; Tonight at 8:30; Tony Award programs; Too True to Be Good; Tovarich; Toys in the Attic; Traveller Without Luggage; The Trial of Lee Harvey Oswald; Tricks; Trixie True: Teen Detective","The Tumbler; The Tunnel of Love; Twelfth Night; Twigs; Two by Two (playbill and souvenir program); Two Gentlemen of Verona (playbills and souvenir program); The Two Mrs. Carrolls","Playbills and souvenir program for The Unsinkable Molly Brown","The Utter Glory of Morrissey Hall; Veronica's Room; Very Dry and on the rocks; Very Good Eddie (playbills and souvenir program); Via Galactica; Victor Victoria","Vienna Boys Choir (souvenir program); Vintage '60; The Visit; Vivat! Vivat Regina!; The Voice of the Turtle; Voices","Wait a Minim!; Wait Until Dark; Walking Happy; Wall to Wall Richard Rodgers; Waltz of the Toreadors; War and Peace; Warp One: My Battlefield, My Body; We Have Always Lived in the Castle; The Wedding Singer (playbills and souvenir program); Welcome to the Club; West Side Story","West Side Story (playbills and souvenir programs); What Did We Do Wrong?; What Makes Sammy Run? (playbill and souvenir program); When Pigs Fly; Where's Charley? (playbill and souvenir program)","The White House; Who Was That Lady I Saw You With?; Who's Afraid of Virginia Woolf?; The Who's Tommy; Whodunnit; Whoop Dee Doo!; Whoop Up; Whores, Wars \u0026 Tin Pan Alley","Wicked (playbills and souvenir program); Wiener Blut (playbill and souvenir program); Wild and Wonderful; The Will Rodgers Follies; Winesburg, Ohio; Wings; Wish You Were Here; Wise Child","Woman of the Year (playbills and souvenir program); The Woman in White; Wonderful Tennessee; Wonderhouse; Working; The World of Suzie Wong; Write Me a Murder","The Yearling; You Can't Take It With You; You Know I Can't Hear You When the Water's Running; Young Frankenstein (playbills and souvenir program)","Ziegfeld Follies; Zombie Prom; Zoot Suit; Zorba (playbills and souvenir programs); The Zulu and the Zayda","This series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs.","Appalachian Autumn; The Day Before Sunday; Dear Friends; Do Not Go Gentle Into That Good Night; The Experiment; My Father and My Mother; The People Next Door; Sadbird; Saturday Adoption; Secrets; Shadow Game","Actors Equity Association \"Equity\" magazine; Blithe Spirit; Camelot; Chinese Theatre Hollywood; Crossed Swords","Far from the Madding Crowd; Goodbye, Mr. Chips; Helen Hayes: Portrait of an American Actress; Indiana Jones and the Temple of Doom; Latin Quarter; The Lion in Winter","Ben Hur; El Cid; How the West Was Won; It's a Mad Mad, Mad, Mad World; Judgment at Nuremburg; Lawrence of Arabia; The Longest Day; Mutiny on the Bounty; The Wonderful World of the Brothers Grimm; West Side Story","Return of the Jedi; Romeo \u0026 Juliet; Ringling Brothers and Barnum \u0026 Bailey Circus; Song of Norway; The Sound of Music","Materials created before 1925 are in the Public Domain. No known restrictions.","The copyright and related rights status of materials created or published after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","George Mason University. Libraries. Special Collections Research Center","Rodrigues, Charles","English"],"unitid_tesim":["C0184","/repositories/2/resources/113"],"normalized_title_ssm":["Charles Rodrigues playbill collection"],"collection_title_tesim":["Charles Rodrigues playbill collection"],"collection_ssim":["Charles Rodrigues playbill collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Rodrigues, Charles"],"creator_ssim":["Rodrigues, Charles"],"creator_persname_ssim":["Rodrigues, Charles"],"creators_ssim":["Rodrigues, Charles"],"access_terms_ssm":["Materials created before 1925 are in the Public Domain. No known restrictions.","The copyright and related rights status of materials created or published after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Phil Rodrigues, brother of Charles Rodrigues, October 21, 2010."],"access_subjects_ssim":["Theater -- New York (State) -- New York","Theater -- United States"],"access_subjects_ssm":["Theater -- New York (State) -- New York","Theater -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 38 boxes"],"extent_tesim":["18 Linear Feet 38 boxes"],"date_range_isim":[1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Outside New York City, 1879-2009 (boxes 1-5, 37)\u003c/item\u003e\n      \u003citem\u003eSeries 2: New York City, 1885-2009 (boxes 6-34, 37-38)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.","Series Series 1: Outside New York City, 1879-2009 (boxes 1-5, 37) Series 2: New York City, 1885-2009 (boxes 6-34, 37-38) Series 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)"],"bioghist_html_tesm":["\u003cp\u003eCharles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Charles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage."],"prefercite_html_tesm":["\u003cp\u003eCharles Rodrigues playbill collection, C0184, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Charles Rodrigues playbill collection, C0184, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Brent in April 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Brent in April 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections on theatre and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections on theatre and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.\u003c/p\u003e\n","\u003cp\u003eThe collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs. \u003c/p\u003e","\u003cp\u003eIncludes playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.\u003c/p\u003e","\u003cp\u003ePlaybills in this subseries are from the Boston Museum, Carousel Theatre, Charles Playhouse, Colonial Theatre, Copley Theatre, Music Hall, the New Globe Theatre, North Shore Music Theatre, Plymouth Theatre, Saxon Theatre, Shubert Theatre, South Shore Music Circus, Sumner Theatre, and the Wilbur Theatre in Boston. There is also one playbill from the Court Square Theatre in Springfield, MA, one from The Dettors Theatre in Concord, MA, two from the Provincetown Playhouse On-the-wharf in Provincetown, MA, and a review of a play from Tilton, NH.\u003c/p\u003e","\u003cp\u003eSpringfield, MA\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Majority of One; A Thousand Clowns; A Very Special Baby; Anastasia; Around the World in 80 Days\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIndians\u003c/title\u003e review from the Tiltonian publication of the Tilton School in Tilton, NH.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFirst Love; Follies\u003c/title\u003e; Benefit performance of \u003ctitle\u003eFollies\u003c/title\u003e for the American Cancer Society Massachusetts division; \u003ctitle\u003eGiants, Sons of Giants; Grand Hotel; Guys and Dolls; Hamlet; Hot September\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMame; Married Alive!; Mid-Summer; Mr. President\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Odd Couple; On a Clear Day You Can See Forever; On the Twentieth Century; Pacific Overtures; Photo Finish; Pretty Belle; The Roar of the Greasepaint-The Smell of the Crowd; Romanoff and Juliet; Sherry!; Toys in the Attic; Wildcat; Woman of the Year\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eProvincetown, MA\u003c/p\u003e","\u003cp\u003eMany of the playbills in this subseries are Performing Arts magazines and from theaters in San Franciso and Los Angeles. Theatres include the Ambassador Cocoanut grove, American Conservatory Theatre, Aquarius Theatre, Curran Theatre, Dorothy Chandler Pavilion, Huntington Hartford Theatre, Las Palmas Theatre, Little Fox Theatre, the Music Center, the Orpheum Theatre, Shubert Theatre, and the War Memorial Opera House.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eCamelot; Evita; Gigi; Give 'em Hell, Harry!\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHair; Kismet; Lorelei; The Music Man; Odyssey; Oklahoma!\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePacific Overtures\u003c/title\u003e; San Francisco Opera \u003ctitle\u003eL'elisir d'amore; Shine It On\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSunset Boulevard; Tom Jones; The Wiz\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the Blackstone Theatre, Columbia Theatre, the Goodman Theatre, and the Happy Medium Theatre in Chicago.\u003c/p\u003e","\u003cp\u003eIncludes playbills from the Westport Country Playhouse, Goodspeed Opera House, the Hartman Theatre, The Holmes School in Darien, Stamford Center for the Arts, the Shubert Theatre, the Long Wharf Theatre, the Ivoryton Playhouse, Yale Repertory Theatre, and Westbury Music Fair in Connecticut.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Song for Cyrano; Ain't Misbehavin'; Annie; Bells are Ringing; The Chalk Garden; Cry for Us All; Daarlin' Juno\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eDear Charles; The Devil's Disciple; El Capitan; How Now Dow Jones; Illya Darling; The King and I\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eKiss Me, Kate; The Marquise; The Play's the Thing\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSpider's Web; Stardust; The Three Musketeers; Two by Two; The Vagabond King; Zorba\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePlaybill from the Parker Playhouse in Ft. Lauderdale, Florida\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the Abbey Theatre, Adelphi Theatre, Apollo Theatre, Comedy Theatre, Daly's Theatre, Duke of York's Theatre, Her Majesty's A Stoll Moss Theatre, Lyric Theatre, National Theatre, New London Theatre, The New Lyric Opera House, New Theatre, Palace Theatre, Palladium, Phoenix Theatre, Piccadilly Theatre, Prince Edward Theatre, Prince of Wales Theatre, Queen's Hall, The Queen's Theatre, Roundabout Theatre, Royal Court Theatre, Royal Lyceum Theatre, Royal Opera House Covent Garden, Royal Shakespeare Theatre, Savoy Theatre, Shaftesbury Theatre, Strand Theatre, St. James Theatre, Theatre Royal Drury Lane, Theatre Royal Haymarket, Victoria Palace Theatre, Wyndham's Theatre in London, the West Yorkshire Playhouse in Leeds, and the Alexandrian Theatre in Liverpool.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Madhouse in Goa; Aspects of Love; Bloomsbury; Don Carlos\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePlaybill and souvenir program\u003c/p\u003e","\u003cp\u003eSouvenir programs\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFollies\u003c/title\u003e (includes photograph of theatre; \u003ctitle\u003eFront \u0026amp; Center\u003c/title\u003e (magazine of Roundabout Theatre Company); \u003ctitle\u003eThe Four Musketeers!\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eGolden Boy; Hadrian VII; Halfway Up the Tree; The Hotel in Amsterdam; Lady Be Good; Madame Tussaud's; The Mousetrap\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eGone with the Wind; Hamlet; Here and Now; High Society; Les Miserables; Martin Guerre\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOperettas\u003c/title\u003e by Jacques Offenbach; Sadler's Wells opera at the London Coliseum; \u003ctitle\u003eTravesties\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMiss Saigon; Murder Among Friends; Not Now, Darling; The Odd Couple; Oliver!; Over My Dead Body; Phantom of the Opera; The Quare Fellow; The Secret of Sherlock Holmes; Shirley Valentine; Show Boat; Single Spies\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSteel Magnolias; Sunset Boulevard; Sweet Charity\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from Long Island theatres, SUNY, and the Tappan Zee theatre in Nyack, as well as playbills from Westchester New York. Playbills from Westchester theatres are separated and included after the Long Island, SUNY, and Nyack playbills. Playbills from High School and community productions are included alphabetically by city at the end of this subseries.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Song for Cyrano; Anita Baker; Assassins; Chicago; Come Back, Little Sheba; Damn Yankees; Follies\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAin't Misbehavin'; At This Performance; Camelot\u003c/title\u003e; Emelin Theatre 2008-2009; Emelin's Broadway Holiday Cabaret; \u003ctitle\u003eFriends In Deed; Funny Girl\u003c/title\u003e; Johnny Carson; Liza Minnelli; \u003ctitle\u003ePure Heaven; 'S Wonderful, 's Gershwin\u003c/title\u003e; Steve Martin; \u003ctitle\u003eSweet Hearts\u003c/title\u003e; The Vienna Boys' Choir\u003c/p\u003e","\u003cp\u003eAnn Hampton Callaway (ticket); \u003ctitle\u003eCall me Madam; Carousel\u003c/title\u003e; The Festival Orchestra opening performance; \u003ctitle\u003eFiorello!; Glad, Too; Godspell; Grow up! A Musical; How to Succeed in Business Without Really Trying; Incongruities; The Madwoman of Chaillot; New Plays 90; New Plays 91; New Plays 92\u003c/title\u003e; Second annual M.H.S. student film festival; \u003ctitle\u003eStudio night chamber music; Tosca; Who's out there that's for me?; Winter birds\u003c/title\u003e; also includes a letter from Helen S. Murray to Charles Rodrigues\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnything Goes; Bye Bye Birdie; Brigadoon; Carnival; Cats; Cinderella '72; Fiddler on the Roof; Footlight Follies; Guys and Dolls; The King and I; Kiss Me, Kate; Li'l Abner; Mame; The Night Thoreau Spent in Jail; Once Upon a Mattress; Paint Your Wagon; Peter Pan; South Pacific; Wonderful Town\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Absence of a Cello\u003c/title\u003e; \u003ctitle\u003eAida\u003c/title\u003e at the Verdi Opera Festival; AFS 1983 variety show; AFS 1984 variety show; \u003ctitle\u003eThe Boy Friend; Brigadoon; My One and Only; The Old Woman Broods\u003c/title\u003e; Valentine's Day benefit February 14, 1987\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Connecticut Yankee in King Arthur's Court; Fando and Lis\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills and a concert program from the state of New Jersey. Theatres include the Surflight Theatre, Paper Mill Playhouse, The Whole Theatre Company, and the Broad Street Theatre.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnimal Crackers; Children of Eden\u003c/title\u003e; Fleetwood Mac, concert program; \u003ctitle\u003eFollies; Phantom of the Opera; The Trojan Women; Where's Charley?\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the state of Ohio. Theatres include B.F. Keith's Hippodrome, the Cincinnati Music Theatre, and The Cincinnati Playhouse in the park.\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the city of Paris. Theatres include the Cabaret Lido Paris, Theatre De La Renaissance, and the Theatre National de L'Opera.\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the city of Philadelphia. One playbill from Pittsburgh's Nixon Theatre is included at the end of the Philadelphia pre-1934 playbills. Theatres include The Academy of Music, Broad Street Theatre, The Erlanger Theatre, Forrest Theatre, The Goldman Theatre, The Little Theatre, The New Locust Theatre, Playhouse, Shubert Theatre, Society Hill Playhouse, Valley Forge Music Fair, Walnut Theatre, and The University of Pennsylvania.\u003c/p\u003e","\u003cp\u003ePittsburgh\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003e70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; A Call on Kuprin; A Cook for Mr. General; A Man's a Man; A Matter of Position; A Severed Head; A Thurber Carnival; A View from the Bridge; Advise and Consent; All American; Alice; Anyone Can Whistle; Ari; Artur Rubinstein; The Aspern Papers; The Beauty Part; Big Fish, Little Fish; Brain Child; Butterflies Are Free; Bye Bye Birdie; Chicago; Christine; Copper and Brass\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eDaughter of Silence; Dear Me, the Sky is Falling; Destry Rides Again; The Disenchanted; Do Re Mi; Donnybrook; Elizabeth the Queen; Enrico; The Fantasticks; The Fighting Cock; First impressions; Five finger exercise; Four on a garden; The fun couple; Funny girl; Gideon; The girl who came to supper; Goodbye Charlie; Greenwillow; Gypsy; H.M.S. Pinafore; Here's love; High spirits\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Highest Tree; Hot Spot; How Now, Dow Jones; I Can Get It for You Wholesale; I Remember Mama; In the Counting House; J.B.; Julia, Jake, and Uncle Joe; Little Me; Lolita, My Love; Lord Pengo; Love and Kisses; Lovely Ladies, Kind Gentlemen; Luther; Mame; The Marriage-Go-Round; Mary Stuart; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; The Miracle Worker; My Fair Lady\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eNational Repertory Theatre; \u003ctitle\u003eNo, No, Nanette; Nowhere to Go But Up; Old World; Period of Adjustment\u003c/title\u003e; The Philadelphia Orchestra (1962-1963 season); \u003ctitle\u003eThe Pleasure of His Company; The Prince of Grand Street; Ready When You Are C.B.!; Romulus; Say, darling; The school for scandal; She loves me; Spartacus; Something About a Soldier; Stop the World - I Want to Get Off; The Subject Was Roses; Sugar; Sugar Babies; Sweet Bird of Youth; Take Her, She's Mine; Take Me Along; There Was a Little Girl; Threepenny Opera; Tovarich\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Umbrella; The Visit; The Wall; Wildcat; Who's Afraid of Virginia Wolf?; The World of Carl Sandburg; Zorba\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eFour one-act plays: \u003ctitle\u003ePresent Day Courtship, The Still Alarm, People in the Wind, In the Zone; The Sandbox, The Lesson, Daughters; Medea; She Stoops to Conquer\u003c/title\u003e; The Stringart Quartet artists-in-residence; The University of Pennsylvania Glee club and Pennsyngers\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the city of Toronto. Playbills are from the Melody Fair and the Royal Alexandra Theatre.\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the city of Washington D.C. Playbills are from the Kennedy Center, National Theatre, Signature Theatre, and the Morris A. Mechanic Theatre in Baltimore.\u003c/p\u003e","\u003cp\u003eThe Alvin Alley City Center Dance Theatre; Applause; Carnival!\u003c/p\u003e","\u003cp\u003eLost in the Stars; Natural Affection; Over and Over; Rex; Sondheim Celebration; Spotlight; Sugar; The Visit\u003c/p\u003e","\u003cp\u003eThis series contains playbills and souvenir programs from a variety of theatres and venues including those found on Broadway, off-Broadway, off-off Broadway and in Brooklyn. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.\u003c/p\u003e","\u003cp\u003eAngel Face; Animal Crackers; Apple Blossoms; The Apple Cart\u003c/p\u003e","\u003cp\u003eBallyhoo; Ballyhoo of '32; The Bandwagon\u003c/p\u003e","\u003cp\u003ePlaybills from the Broadhurst and Shubert theatres\u003c/p\u003e","\u003cp\u003eMontauk Theatre in Brooklyn\u003c/p\u003e","\u003cp\u003eThe Blackbirds of 1928; Blossom Time; Blue Eyes; Broadway; The Broadway Whirl\u003c/p\u003e","\u003cp\u003eCherry Blossoms; China Rose; The Chocolate Dandies\u003c/p\u003e","\u003cp\u003eDaddies; The Dancing Girl; Dearest Enemy; Death Takes a Holiday; The Desert Song; Design for Living; Desire Under the Elms\u003c/p\u003e","\u003cp\u003eTwo incomplete playbills\u003c/p\u003e","\u003cp\u003eGeneral Post; Gentlemen Prefer Blondes; George White's Scandals; Getting Married; Getting Together\u003c/p\u003e","\u003cp\u003eThe Girl Behind the Gun; Girl Crazy; The Girl Friend; The Girl from Home\u003c/p\u003e","\u003cp\u003eGood Gracious Annabelle; Girls; Good Boy; Good News; The Grab Bag; Grand Hotel; The Great Adventure; The Great Divide; The Great Gatsby\u003c/p\u003e","\u003cp\u003eThe Greenwich Village Follies; The Greenwich Village Follies of 1920\u003c/p\u003e","\u003cp\u003eHelen of Troy, New York; Hello Daddy; Here's Howe; Hit the Deck; Hitchy-Koo 1920\u003c/p\u003e","\u003cp\u003eLassie; The Lassoo; The Laugh Parade; The Last Waltz; Liliom; The Lie\u003c/p\u003e","\u003cp\u003eLittle Nelly Kelly; The Little Show; Lollipop; Love Birds\u003c/p\u003e","\u003cp\u003eMelody; Men in White; The Merry Widow; Midnight Revue; Miss Springtime\u003c/p\u003e","\u003cp\u003eOdds and Ends of 1917; Of Thee I Sing; Oh, Boy!; Oh, Kay!, Oh Look, Oh, please!\u003c/p\u003e","\u003cp\u003eThree playbills, two of which are for vaudeville performances at the Orpheum Theatre in Brooklyn\u003c/p\u003e","\u003cp\u003ePadlocks of 1927; Paris; The Parisian Model\u003c/p\u003e","\u003cp\u003ePietro; Pitter Patter; Poor Little Ritz Girl; Poppy; Porgy\u003c/p\u003e","\u003cp\u003eR.U.R.; Rainbow; The Ramblers; The Red Mill\u003c/p\u003e","\u003cp\u003eRedemption; Revels; The Rise of Rosie O'Reilly; Rosalie; Rose Bernd; Rose-Marie; The Royal Family; The Royal Vagabond; Running Wild\u003c/p\u003e","\u003cp\u003eSimple Simon; Singin' the Blues; Six Characters in Search of an Author; Smiles; Some Time; The Song and Dance Man; Song of the Flame; Spring is Here; Strange Interlude; Street Scene; Strike Me Pink; Strike Up the Band; The Student Prince in Heidelberg; Sweet; Sweet Little Devil; Swifty\u003c/p\u003e","\u003cp\u003eThree Wise Fools; Three's a Crowd; Tickle Me; Tip-Toes\u003c/p\u003e","\u003cp\u003e6 Rms Riv Vu; The 25th Annual Putnam County Spelling Bee; 42nd Street; 70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; 1776\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eA Bell for Adano; A Bistro Car; A Broadway Musical; A Case of Libel; A Catered Affair; A Celebration of Richard Rodgers; A Chorus Line; A Class Act; A Day in Hollywood / A Night in the Ukraine; A Day in the Life of Just About Everyone; A Delicate Balance; A Doll's Life\u003c/p\u003e","\u003cp\u003eA Far Country; A FunnyTthing Happened on the Way to the Forum; A Hand Is on the Gate; A Hatful of Rain; A Kurt Weill Cabaret; A Joyful Noise\u003c/p\u003e","\u003cp\u003eA Life; A Little Family Business; A Little Night Music\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eA Majority of One; A Meeting by the River; A Moon for the Misbegotten; A Night at the Palace; A Party with Betty Comden and Adolph Green; A Patriot for Me; A Passage to India; A Place Without Doors; A Raisin in the Sun; A Salute to ASCAP; A Shot in the Dark; A Streetcar Named Desire; A Tale of Two Cities; A Taste of Honey; A Thurber Carnival; A Time for Singing; A Tree Grows in Brooklyn\u003c/p\u003e","\u003cp\u003eAbelard \u0026amp; Heloise; Accidental Death of an Anarchist; The Act; The Actors Studio Theatre productions 1963-1964; ACT (American Conservatory Theatre); The Adventures of Tom Sawyer; Advise and Consent; After the Rain; Ah, Wilderness; Ain't Broadway Grand\u003c/p\u003e","\u003cp\u003eAlan Gilbert \u0026amp; The New York Philharmonic; All Over; All the Way home; All's Well That Ends Well; Alfie!; Allegro; Amadeus; Ambassador\u003c/p\u003e","\u003cp\u003eAmerica Kicks Up Its Heels; American Ballet Theatre; The American Dance Machine; The American Way; Amour\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eAnd Miss Reardon Drinks a Little; And the World Goes Around; The Andersonville Trial; Angel; Angel Street; Angels in America; Anna Karenina; Annie\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eAs Is; The Astrakhan Coat; Assassins; At the Drop of Another Hat; Auntie Mame; Autumn's Here!\u003c/p\u003e","\u003cp\u003eBaby Want a Kiss; Bajour; Baker street; The Ballad of the Sad Cafe; Ballroom; Barbara Back to Broadway; Barefoot in Athens; Barefoot in the Park; Barnum\u003c/p\u003e","\u003cp\u003eSouvenir programs for: Barefoot in the Park; Barnum; Beauty and the Beast; Beggar on Horseback; The Beggar's Opera; Belafonte at the Palace; Ben Franklin in Paris\u003c/p\u003e","\u003cp\u003eBayanihan; Beekman Place; Beg, Borrow or Steal; Beggar's Holiday; Bell's are Ringing; Ben Franklin in Paris; Bernadine; Best Foot Forward; The Best Little Whorehouse Goes Public; The Best Little Whorehouse in Texas; The Best Man; Beyond the Fringe\u003c/p\u003e","\u003cp\u003eBig Deal; Billion Dollar Baby; Billy; The Birthday Party; Bklyn; Black and Blue; Black Broadway; Black Chiffon; Black Comedy\u003c/p\u003e","\u003cp\u003eBlack Comedy White Lies; Blast; Blithe Spirit; Blood Brothers; Blood Red Roses; Bloomer Girl; Blue Denim; Blues for Mister Charlie; The Body Beautiful; Born Yesterday\u003c/p\u003e","\u003cp\u003eBorstal Boy; The Boy Friend; The Boy from Oz; Boys and Girls Together; The Boys from Syracuse; The Boys in the Band; The Boys of Winter\u003c/p\u003e","\u003cp\u003eBoris Aronson (exhibit catalogue); Breakfast at Tiffany's; Breaking Legs; Brief Lives; Brigadoon; Brighton Beach Memoirs; Bring Back Birdie; Broadway Cabaret Festival; Broadway Cares\u003c/p\u003e","\u003cp\u003eBroadway on Broadway; Broadway's Stars in the Alley; Bubbling Brown Sugar; The Buddy Holly Story; Butterflies are Free; By George; By Jupiter; Bye Bye Birdie\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eTwo souvenir programs\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eCan Can; Candida; Candide; Canterbury Tales (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eCantorial; Carmelina; Carousel (playbill and souvenir program); Carnival!; Carrie; Catch Me If You Can; Cats\u003c/p\u003e","\u003cp\u003eCelebration; Century of Change; Charles Aznavour; Checking Out; Chess (playbill and souvenir program); Chicago (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eChilds Play; The Chinese Prime Minister; Chips With Everything; Chita Rivera: The Dancer's Life; Chitty Chitty Bang Bang; City Center Joffrey ballet; City of Angels\u003c/p\u003e","\u003cp\u003eCloser Than Ever; Cloud 7; Coco (playbills and souvenir program); The Color Purple (playbill and souvenir program); Come Blow Your Horn; Come on Strong; Come Summer; The Comedie Francaise\u003c/p\u003e","\u003cp\u003eCompany (playbills and souvenir programs)\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eConduct Unbecoming; The Contrast; Copper and Brass; Counsellor-at-Law; The Country Girl\u003c/p\u003e","\u003cp\u003eCrazy For You; The Cradle Will Rock; The Creation of the World and Other Business; Critic's Choice; Cry For Us All\u003c/p\u003e","\u003cp\u003eCuba and His Teddy Bear; Curtains (playbills and souvenir program); Cyrano\u003c/p\u003e","\u003cp\u003eThe D'oyly Carte Opera Company; Dame Edna; Dames at Sea; Damn Yankees; Dance a Little Closer; Dance of Death; Dance of the Vampires; Dancin'; Daphne in Cottage D\u003c/p\u003e","\u003cp\u003eThe Dark at the Top of the Stairs; The Day Before Spring; The Day the Money Stopped; Dear Janet Rosenberg Dear Mr. Kooning; Dear Ruth; Dear Me, the Sky is Falling; Dear World (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eDeath of a Salesman; The Deputy (playbills and souvenir program); The Desperate Hours; Destry Rides Again; Deuce; The Devils; The Disenchanted\u003c/p\u003e","\u003cp\u003eDiamonds; Different Times; Dinner at Eight; Dirty Rotten Scoundrels; Division Street\u003c/p\u003e","\u003cp\u003eDo Black Patent Leather Shoes Really Reflect Up?; Do Re Mi; Do I Hear a Waltz?; Doctor Jazz; Does a Tiger Wear a Necktie?; Don Carlo and Les Troyens; Don't Drink the Water; The Doughgirls\u003c/p\u003e","\u003cp\u003eDr. Cook's Garden; Dracula; Drat the Cat; Dreamgirls; Drink to Me Only; The Drowsy Chaperone (playbill and souvenir program); Du Barry Was a Lady; Dude: The Highway Life; Duel of Angels; Dylan\u003c/p\u003e","\u003cp\u003eEaster Bonnet Competition; Eating Raoul; El Bravo!; Elba; End of the World\u003c/p\u003e","\u003cp\u003eThe Effect of Gamma Rays on Man-in-the-Moon Marigolds; Elizabeth 1; Emperor Henry IV; Enter Laughing; Entertaining Mr. Sloane; Equus; The Ethel Merman Show; Everything in the Garden; Evita\u003c/p\u003e","\u003cp\u003eFace Value; Fade Out-Fade In; Fair Game; Fallen Angels; The Family Reunion; Fanny (playbills and souvenir programs); Father's Day; Fences; Fiesta in Madrid\u003c/p\u003e","\u003cp\u003eFiddler on the Roof (playbills and souvenir program); Fifth of July; The Fig Leaves are Falling\u003c/p\u003e","\u003cp\u003eThree souvenir programs including one for the film version\u003c/p\u003e","\u003cp\u003eFinian's Rainbow; Fiorello!; Fire!; The First; The Firstborn (playbill and souvenir program); First Impressions; Fit to be Tied; Five Finger Exercise\u003c/p\u003e","\u003cp\u003eFive Guys named Moe; The Flip Side; Flora the Red Menace; Flower Drum Song; Folies Bergere; Fortune and Men's Eyes; Forty Carats; Four on a Garden\u003c/p\u003e","\u003cp\u003eFollies (playbills and souvenir program); Follow the Girls; Fosse; Foxy\u003c/p\u003e","\u003cp\u003eFrank Merriwell or Honor Challenged; Frankenstein; Fred Ebb; The Frogs (playbills and souvenir program); From A to Z; The Front Page; The Full Monty\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir programs\u003c/p\u003e","\u003cp\u003eThe Gang's All Here; Gantry; The Gazebo; Geese; Generation; George M.; Georgy\u003c/p\u003e","\u003cp\u003eGideon; Gigi (playbills and souvenir program); Gilbert \u0026amp; Sullivan Company; Gilbert Becaud on Broadway; The Gingerbread Lady; The Girl Against the Boys; The Girl Who Came to Supper; The Glass Menagerie; The Glorious Ones\u003c/p\u003e","\u003cp\u003eGod's Favorite; Golden Bat; Golden Boy; Golden Rainbow; Goldilocks; The Good Times Are Killing Me; The Goodbye Girl; Goodbye My Fancy; Goodtime Charlie; Grand Hotel (playbills and souvenir program); The Grand Tour\u003c/p\u003e","\u003cp\u003eSouvenir programs for: Godspell; Golden Boy; Golden Rainbow; The Goodbye Girl\u003c/p\u003e","\u003cp\u003eThe Grass Harp; The Great God b=Brown; The Great Waltz; The Great White Hope (souvenir program); Greenwillow; Grey Gardens; Guys and Dolls; Gypsy (souvenir program)\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir program\u003c/p\u003e","\u003cp\u003eH.M.S. Pinafore; Hadrian VII; Hail Scrawdyke!; Hair; Hairspray; Half a Sixpence; Halfway Up the Tree\u003c/p\u003e","\u003cp\u003eHalf a Sixpence (souvenir program); Halfway Up the Tree; Hallelujah, Baby! (playbill and souvenir programs); Hamlet; Handful of Fire; Happiest Millionaire\u003c/p\u003e","\u003cp\u003eHappy Birthday; Happy Birthday, Wanda June; The Happy Time (playbill and souvenir program); Happy Town; Happy Hunting (playbills and souvenir program); Harvey\u003c/p\u003e","\u003cp\u003eHats Off to Ice; Hay Fever; Heathen!; Hello, Dolly!\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir programs\u003c/p\u003e","\u003cp\u003eHello, Solly!; Henry V; Henry, Sweet Henry (playbills and souvenir program); Here's Love\u003c/p\u003e","\u003cp\u003eHold On to Your Hats; Holiday for Lovers; Hooray for What!\u003c/p\u003e","\u003cp\u003eThe High Rollers Social \u0026amp; Pleasure Club; The History Boys; Home; Home Sweet Home; The Homecoming; The Hostage; Hot Spot; The House of Blue Leaves; How Now Dow Jones\u003c/p\u003e","\u003cp\u003eHow the Other Half Lives; How to Be a Jewish Mother; How to Succeed in Business Without Really Trying; How's the World Treating You; Hughie; Hurry, Harry\u003c/p\u003e","\u003cp\u003eI Am a Camera; I Can Get It for You Wholesale; I Do! I Do! (playbills and souvenir program); I Had a Ball; I Hate Hamlet; I Know My Love; I Like It Here; I Never Sang for My Father\u003c/p\u003e","\u003cp\u003eI Remember Mama; I'm Not Rappaport; Icetime; Illya Darling (souvenir program)\u003c/p\u003e","\u003cp\u003eIllya Darling; The Impossible Years; In Bed We Cry; Inadmissible Evidence; Inbal; The Incomparable Max\u003c/p\u003e","\u003cp\u003eIndians; Inherit the Wind; Inquest; International Soiree; Into the Woods (playbills and souvenir program); The Investigation; Invitation to a March\u003c/p\u003e","\u003cp\u003eThe Irregular Verb to Love; Is He Dead?; It Ain't Nothing but the Blues; It's a Bird, It's a Plane, It's Superman; Ivanov\u003c/p\u003e","\u003cp\u003eJB; Jacobowsky and the Colonel; Jacques Brel is Alive and Well and Living in Paris; Jake's Women; Jamaica; James Joyce's The Dead; Jane; Janus; Jelly's Last Jam; Jennie; Jerome Robbins' ballets: U.S.A.; Jerome Robbins' on Broadway (playbills and souvenir program); Jesus Christ Superstar\u003c/p\u003e","\u003cp\u003eJimmy; Joan of Lorraine; The Jocky Club Stakes; Joe Egg; Johnny Johnson; Johnny No-Trump; Joseph and the Amazing Technicolor Dreamcoat; Joy; Journey's End; Jubilee; Judgment at Nuremberg, Judy Garland: At Home at the Palace\u003c/p\u003e","\u003cp\u003eKids Care; The Killing of Sister George; The King and I (playbills and souvenir program); King of Hearts; Kismet; Kiss of the Spiderwoman (playbill and souvenir program); The Knack; Kurt Weill: Making Music Theatre\u003c/p\u003e","\u003cp\u003eLa Bohème; La Cage aux Folles; La Grosse Valise; La Plume de Ma Tante\u003c/p\u003e","\u003cp\u003eLa Strada; Lady in the Dark; The Lake; Larry Kert 1930-1991; The Last Analysis; The Last of Mrs. Lincoln\u003c/p\u003e","\u003cp\u003eLast of the Red Hot Lovers; The Last Sweet Days of Isaac; Laughs and Other Events; Legally Blonde; Legs Diamond; Les Ballets de Paris; Les Blancs; Lestat (playbill and souvenir program); Let's Face It\u003c/p\u003e","\u003cp\u003eThe Life; Life with Father; The Light in the Piazza; The Lion in Winter; Little Me (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir program\u003c/p\u003e","\u003cp\u003eThe Little Mermaid (playbills and souvenir program); Little Murders; Little Women (playbills and souvenir program); Lolita; Look After Lulu; Look Back in Anger; Look Homeward Angel\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir programs. \u003ctitle\u003eLiza with a Z\u003c/title\u003e tour program includes signature from Liza on last page.\u003c/p\u003e","\u003cp\u003eLook to the Lillies; Loot; Lord Pergo; Lorelei (playbills and souvenir program); Lost in the Stars; Louisiana Purchase; Love Life; Love! Valour! Compassion!; Lovely Ladies, Kind Gentlemen; LoveMusik; The Loves of Cass McGuire\u003c/p\u003e","\u003cp\u003eAlan Jay Lerner; Betty Comden and Adolph Green; Carolyn Leigh; Dorothy Fields; E.Y. 'Yip' Harburg; Fred Ebb and John Kander; Life is a Cabaret: A tribute to Fred Ebb; Hal David; Harold Rome; Jerry Herman; Johnny Mercer; Sammy Cahn; Shelden Harnick; Stephen Schwartz; Stephen Sondheim\u003c/p\u003e","\u003cp\u003eMacbeth; Mack \u0026amp; Mabel (playbill and souvenir program); Madam Butterfly; Maggie Flynn; Make Mine Manhattan; Man of La Mancha\u003c/p\u003e","\u003cp\u003eSouvenir programs\u003c/p\u003e","\u003cp\u003eMame (playbills and souvenir programs); The Mambo Kings; Mamma Mia; The Man in the Glass Booth (souvenir program)\u003c/p\u003e","\u003cp\u003eThe Man Who Came to Dinner; The Man Who Had All the Luck; The Man With a Load of Mischief; Marcel Marceau; Mark Twain Tonight!; Marlene Dietrich; The Marriage-Go-Round\u003c/p\u003e","\u003cp\u003eMartin Short: Fame Becomes Me (playbill and souvenir program); Mary, Mary; Mary Poppins (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eMe and My Girl (playbills and souvenir program); Meet Me in St. Louis; The Megilla of Itzik Manger; The Member of the Wedding; Merlin; Merrily We Roll Along; Metro; The Metropolitan Opera: Met in the Parks (June 2007)\u003c/p\u003e","\u003cp\u003eMilk \u0026amp; Honey; Milliken Breakfast Show; Minnelli on Minnelli; Minnie's Boys; Minor Miracle; The Miracle Worker; Miss Liberty; Mister Roberts; Molly; Monty Python's Spamalot; More Stately Mansions; Morning's at Seven\u003c/p\u003e","\u003cp\u003eMister Johnson; Monty Python's Spamalot (souvenir program); More Stately Mansions (souvenir program); Morning, Noon, and Night; The Most Happy Fella; Mourning Become Electra; Movin' Out; Mr. Wonderful; Mr. President; Mrs. Dally\u003c/p\u003e","\u003cp\u003eMurder at Minsing Manor: A Nancy Boys Mystery; Music! Music!; Music in My Heart; Music in the Air; The Music Man (playbill and souvenir program); The Musical Theatre of Harold Prince; Musicals in Mufti; My Fair Lady (playbills and souvenir program); My One and Only (playbill and souvenir program)\u003c/p\u003e","\u003cp\u003eMy Fair Lady; My Favorite Year; My Funny Valentine; My Sister Eileen; My Wife and I\u003c/p\u003e","\u003cp\u003eNational Ballet; Natural Affection; Nature's Way; The Nerd; The Nervous Set; Never Too Late; The New Musical of Israel; New York City Ballet; New York City Opera\u003c/p\u003e","\u003cp\u003eNew York City Ballet (playbills and Nutcracker souvenir program); New York City Opera; New York Philharmonic; The New Yorkers; The Next President; Next to Normal\u003c/p\u003e","\u003cp\u003eTwo souvenir programs\u003c/p\u003e","\u003cp\u003eNick \u0026amp; Nora; The Night Circus; The Night of the Iguana; Night Watch; Nine (playbills and souvenir program); No, No, Nanette; No Place to Be Somebody; The Ninety Day Mistress\u003c/p\u003e","\u003cp\u003eNo Strings; Nobody Loves an Albatross; Noises Off\u003c/p\u003e","\u003cp\u003eO Mistress Mine; The Odd Couple; Of Thee I Sing; Oh! Calcutta!; Oh, Captain!; Oh, Kay!; Oh What a Lovely War; Oil City Symphony; Oklahoma! (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eOld Times; Old Vic; Oliver! (playbills and souvenir program); On a Clear Day You Can See Forever (playbills and souvenir programs); On Golden Pond; On the Town; On the Twentieth Century\u003c/p\u003e","\u003cp\u003eOn the Waterfront; On Your Toes; Once More, With Feeling; Once on This Island (playbill and souvenir program); Once Upon a Mattress; One More River; One Night Stand; One Touch of Venus; The Only Game in Town; Orpheus Descending; Over Twenty-One\u003c/p\u003e","\u003cp\u003eOur Country's Good; Our Town; Out Cry; Out of This World; The Owl and the Pussycat\u003c/p\u003e","\u003cp\u003eP.S. I Love You; Pacific Overtures; The Pajama Game; Pal Joey; Pamela's First Musical; Panama Hattie; Paris Is Out!; Park; Passion; The Passion\u003c/p\u003e","\u003cp\u003ePaul Sills' Story Theatre; Paul Taylor Dance Company; The Penny Wars; Perfectly Frank; Period of Adjustment; The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade; The Petrified Forest; Phantom of the Opera (playbill and souvenir program); Philadelphia, Here I Come!; The Philanthropist\u003c/p\u003e","\u003cp\u003ePhoto Finish; Pickwick (playbill and souvenir program); Pippin (playbill and souvenir program); The Pirate Queen (playbill and souvenir program); The Pirates of Penzance; Plain and Fancy\u003c/p\u003e","\u003cp\u003ePlatinum; Play It Again, Sam; Plaza Suite; The Pleasure of His Company; Ponti; Poor Bitos; Poor Richard; Porgy and Bess; Portofino; Pousse-Café; The Power and the Glory; The Prime of Miss Jean Brodie\u003c/p\u003e","\u003cp\u003eThe Prisoner of Second Avenue; The Private Ear and the Public Eye; Private Lives; The Producers; Program I; Program II; Program III; Promenade; Promises, Promises (playbill and souvenir program); Pump Boys and Dinettes\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir program\u003c/p\u003e","\u003cp\u003eRadio City Music Hall (playbills and a souvenir program); Radio City Music Hall Christmas Spectacular; Rags; Ragtime\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eRed Gloves; The Red Mill; The Red Shoes; Red White and Maddox; Redhead; Rendezvous with Marlene\u003c/p\u003e","\u003cp\u003eRex (playbills and souvenir program); Ring Bells! Sing Songs! (playbills and souvenir programs); The Rink (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eThe Rise and Fall of the City of Mahagony (souvenir programs); The Ritz; The Roar of the Greasepaint - The Smell of the Crowd (playbills and souvenir program); The Robber Bridegroom; Rockabye Hamlet; The Rocky Horror Picture Show; Room Service; The Rose Tattoo\u003c/p\u003e","\u003cp\u003eRosencrantz and Guildenstern Are Dead; The Rothschilds (playbills and souvenir program); The Royal Ballet (souvenir programs)\u003c/p\u003e","\u003cp\u003eThe Royal Family; The Royal Hunt of the Sun; Rugatino; Rumple; Ruthless!\u003c/p\u003e","\u003cp\u003eSabrina Fair; Sadie Thompson; Salvation; Saratoga; Say, Darling; The School for Scandal (playbills and souvenir program); The School for Wives; Scratch; Scrooge (souvenir program); The Secret Affairs of Mildred Wild\u003c/p\u003e","\u003cp\u003eThe Secret Garden; Seesaw (playbills and souvenir program); The Selling of the President; Send Me No Flowers; Set to Music; Seven Days of Mourning; She Loves Me!; Sheep on the Runway; Shelter\u003c/p\u003e","\u003cp\u003eShenandoah (playbills and souvenir programs); Sherry!; Shinbone Alley; Shogun: The Musical; Show Boat (playbill and souvenir program)\u003c/p\u003e","\u003cp\u003eShow Boat; The Show Is On; The Sign in Sidney Brustein's Window; Silent Night, Lonely Night; Silk Stockings; Silverlake; Sing Happy (playbills and souvenir program); Sister Mary Ignatius Explains It All for You; The Actor's Nightmare\u003c/p\u003e","\u003cp\u003eSkyscraper (playbill and souvenir program); Sleight of Hand; Sleuth; Slow Dance on the Killing Ground; Smile; Smokey Joe's Cafe: The Songs of Leiber and Stoller; Social Security; Soldiers; Solitaire, Double Solitaire; Something Different; Something for the Boys\u003c/p\u003e","\u003cp\u003eSondheim: A Celebration at Carnegie Hall; Sondheim: A Musical Tribute; Song \u0026amp; Dance (playbills and souvenir program); Song of Norway (playbill and souvenir programs); Song of the Grasshopper; Soon; The Sound of Music\u003c/p\u003e","\u003cp\u003eSouth Pacific (playbills and souvenir program); Splendora; Spofford; The Star Spangled Girl; Star and Garter; Stardust\u003c/p\u003e","\u003cp\u003eStarmites; Stars of the Bolshoi Ballet; Stars of the New York Stage 1870-1970 (exhibit catalogue); State Fair; Steel Pier; Sticks and Bones; Stop the World- I Want to Get Off; Strange Interlude; Street Songs\u003c/p\u003e","\u003cp\u003eThe Subject Was Roses; Subways Are for Sleeping; Sugar (playbills and souvenir program); Summer of the 17th Doll; Sunday in the Park with George (playbills and souvenir program); Sunset\u003c/p\u003e","\u003cp\u003eThe Sunshine Boys; The Supporting Cast; The Survival of St. Joan: A Medieval Rock Opera; Sweeney Todd: The Demon Barber of Fleet Street (playbills and souvenir program); Sweet Bird of Youth\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir programs\u003c/p\u003e","\u003cp\u003eTake Me Along; Taking Steps; Tango Argentino; Tchaikovsky at Carnegie Hall; Tchin-Tchin (playbills and souvenir programs); The Teahouse of the August Moon; Ten Little Indians; Tenderloin; The Tenth Man; That Championship Season; That's Entertainment; There Was a Little Girl; They're Playing Our Song; Thoroughly Modern Millie\u003c/p\u003e","\u003cp\u003eThere's a Girl in My Soup; Three Men on a Horse; The Threepenny Opera; Time Remembered; Tiny Alice; Titanic\u003c/p\u003e","\u003cp\u003eTomorrow, the World; Tonight at 8:30; Tony Award programs; Too True to Be Good; Tovarich; Toys in the Attic; Traveller Without Luggage; The Trial of Lee Harvey Oswald; Tricks; Trixie True: Teen Detective\u003c/p\u003e","\u003cp\u003eThe Tumbler; The Tunnel of Love; Twelfth Night; Twigs; Two by Two (playbill and souvenir program); Two Gentlemen of Verona (playbills and souvenir program); The Two Mrs. Carrolls\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir program for The Unsinkable Molly Brown\u003c/p\u003e","\u003cp\u003eThe Utter Glory of Morrissey Hall; Veronica's Room; Very Dry and on the rocks; Very Good Eddie (playbills and souvenir program); Via Galactica; Victor Victoria\u003c/p\u003e","\u003cp\u003eVienna Boys Choir (souvenir program); Vintage '60; The Visit; Vivat! Vivat Regina!; The Voice of the Turtle; Voices\u003c/p\u003e","\u003cp\u003eWait a Minim!; Wait Until Dark; Walking Happy; Wall to Wall Richard Rodgers; Waltz of the Toreadors; War and Peace; Warp One: My Battlefield, My Body; We Have Always Lived in the Castle; The Wedding Singer (playbills and souvenir program); Welcome to the Club; West Side Story\u003c/p\u003e","\u003cp\u003eWest Side Story (playbills and souvenir programs); What Did We Do Wrong?; What Makes Sammy Run? (playbill and souvenir program); When Pigs Fly; Where's Charley? (playbill and souvenir program)\u003c/p\u003e","\u003cp\u003eThe White House; Who Was That Lady I Saw You With?; Who's Afraid of Virginia Woolf?; The Who's Tommy; Whodunnit; Whoop Dee Doo!; Whoop Up; Whores, Wars \u0026amp; Tin Pan Alley\u003c/p\u003e","\u003cp\u003eWicked (playbills and souvenir program); Wiener Blut (playbill and souvenir program); Wild and Wonderful; The Will Rodgers Follies; Winesburg, Ohio; Wings; Wish You Were Here; Wise Child\u003c/p\u003e","\u003cp\u003eWoman of the Year (playbills and souvenir program); The Woman in White; Wonderful Tennessee; Wonderhouse; Working; The World of Suzie Wong; Write Me a Murder\u003c/p\u003e","\u003cp\u003eThe Yearling; You Can't Take It With You; You Know I Can't Hear You When the Water's Running; Young Frankenstein (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eZiegfeld Follies; Zombie Prom; Zoot Suit; Zorba (playbills and souvenir programs); The Zulu and the Zayda\u003c/p\u003e","\u003cp\u003eThis series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs.\u003c/p\u003e","\u003cp\u003eAppalachian Autumn; The Day Before Sunday; Dear Friends; Do Not Go Gentle Into That Good Night; The Experiment; My Father and My Mother; The People Next Door; Sadbird; Saturday Adoption; Secrets; Shadow Game\u003c/p\u003e","\u003cp\u003eActors Equity Association \"Equity\" magazine; Blithe Spirit; Camelot; Chinese Theatre Hollywood; Crossed Swords\u003c/p\u003e","\u003cp\u003eFar from the Madding Crowd; Goodbye, Mr. Chips; Helen Hayes: Portrait of an American Actress; Indiana Jones and the Temple of Doom; Latin Quarter; The Lion in Winter\u003c/p\u003e","\u003cp\u003eBen Hur; El Cid; How the West Was Won; It's a Mad Mad, Mad, Mad World; Judgment at Nuremburg; Lawrence of Arabia; The Longest Day; Mutiny on the Bounty; The Wonderful World of the Brothers Grimm; West Side Story\u003c/p\u003e","\u003cp\u003eReturn of the Jedi; Romeo \u0026amp; Juliet; Ringling Brothers and Barnum \u0026amp; Bailey Circus; Song of Norway; The Sound of Music\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","The collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs. ","Includes playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.","Playbills in this subseries are from the Boston Museum, Carousel Theatre, Charles Playhouse, Colonial Theatre, Copley Theatre, Music Hall, the New Globe Theatre, North Shore Music Theatre, Plymouth Theatre, Saxon Theatre, Shubert Theatre, South Shore Music Circus, Sumner Theatre, and the Wilbur Theatre in Boston. There is also one playbill from the Court Square Theatre in Springfield, MA, one from The Dettors Theatre in Concord, MA, two from the Provincetown Playhouse On-the-wharf in Provincetown, MA, and a review of a play from Tilton, NH.","Springfield, MA","A Majority of One; A Thousand Clowns; A Very Special Baby; Anastasia; Around the World in 80 Days","Indians  review from the Tiltonian publication of the Tilton School in Tilton, NH.","First Love; Follies ; Benefit performance of  Follies  for the American Cancer Society Massachusetts division;  Giants, Sons of Giants; Grand Hotel; Guys and Dolls; Hamlet; Hot September","Mame; Married Alive!; Mid-Summer; Mr. President","The Odd Couple; On a Clear Day You Can See Forever; On the Twentieth Century; Pacific Overtures; Photo Finish; Pretty Belle; The Roar of the Greasepaint-The Smell of the Crowd; Romanoff and Juliet; Sherry!; Toys in the Attic; Wildcat; Woman of the Year","Provincetown, MA","Many of the playbills in this subseries are Performing Arts magazines and from theaters in San Franciso and Los Angeles. Theatres include the Ambassador Cocoanut grove, American Conservatory Theatre, Aquarius Theatre, Curran Theatre, Dorothy Chandler Pavilion, Huntington Hartford Theatre, Las Palmas Theatre, Little Fox Theatre, the Music Center, the Orpheum Theatre, Shubert Theatre, and the War Memorial Opera House.","Camelot; Evita; Gigi; Give 'em Hell, Harry!","Hair; Kismet; Lorelei; The Music Man; Odyssey; Oklahoma!","Pacific Overtures ; San Francisco Opera  L'elisir d'amore; Shine It On","Sunset Boulevard; Tom Jones; The Wiz","This subseries includes playbills from the Blackstone Theatre, Columbia Theatre, the Goodman Theatre, and the Happy Medium Theatre in Chicago.","Includes playbills from the Westport Country Playhouse, Goodspeed Opera House, the Hartman Theatre, The Holmes School in Darien, Stamford Center for the Arts, the Shubert Theatre, the Long Wharf Theatre, the Ivoryton Playhouse, Yale Repertory Theatre, and Westbury Music Fair in Connecticut.","A Song for Cyrano; Ain't Misbehavin'; Annie; Bells are Ringing; The Chalk Garden; Cry for Us All; Daarlin' Juno","Dear Charles; The Devil's Disciple; El Capitan; How Now Dow Jones; Illya Darling; The King and I","Kiss Me, Kate; The Marquise; The Play's the Thing","Spider's Web; Stardust; The Three Musketeers; Two by Two; The Vagabond King; Zorba","Playbill from the Parker Playhouse in Ft. Lauderdale, Florida","This subseries includes playbills from the Abbey Theatre, Adelphi Theatre, Apollo Theatre, Comedy Theatre, Daly's Theatre, Duke of York's Theatre, Her Majesty's A Stoll Moss Theatre, Lyric Theatre, National Theatre, New London Theatre, The New Lyric Opera House, New Theatre, Palace Theatre, Palladium, Phoenix Theatre, Piccadilly Theatre, Prince Edward Theatre, Prince of Wales Theatre, Queen's Hall, The Queen's Theatre, Roundabout Theatre, Royal Court Theatre, Royal Lyceum Theatre, Royal Opera House Covent Garden, Royal Shakespeare Theatre, Savoy Theatre, Shaftesbury Theatre, Strand Theatre, St. James Theatre, Theatre Royal Drury Lane, Theatre Royal Haymarket, Victoria Palace Theatre, Wyndham's Theatre in London, the West Yorkshire Playhouse in Leeds, and the Alexandrian Theatre in Liverpool.","A Madhouse in Goa; Aspects of Love; Bloomsbury; Don Carlos","Playbill and souvenir program","Souvenir programs","Follies  (includes photograph of theatre;  Front \u0026 Center  (magazine of Roundabout Theatre Company);  The Four Musketeers!","Golden Boy; Hadrian VII; Halfway Up the Tree; The Hotel in Amsterdam; Lady Be Good; Madame Tussaud's; The Mousetrap","Gone with the Wind; Hamlet; Here and Now; High Society; Les Miserables; Martin Guerre","Operettas  by Jacques Offenbach; Sadler's Wells opera at the London Coliseum;  Travesties","Miss Saigon; Murder Among Friends; Not Now, Darling; The Odd Couple; Oliver!; Over My Dead Body; Phantom of the Opera; The Quare Fellow; The Secret of Sherlock Holmes; Shirley Valentine; Show Boat; Single Spies","Steel Magnolias; Sunset Boulevard; Sweet Charity","This subseries includes playbills from Long Island theatres, SUNY, and the Tappan Zee theatre in Nyack, as well as playbills from Westchester New York. Playbills from Westchester theatres are separated and included after the Long Island, SUNY, and Nyack playbills. Playbills from High School and community productions are included alphabetically by city at the end of this subseries.","A Song for Cyrano; Anita Baker; Assassins; Chicago; Come Back, Little Sheba; Damn Yankees; Follies","Ain't Misbehavin'; At This Performance; Camelot ; Emelin Theatre 2008-2009; Emelin's Broadway Holiday Cabaret;  Friends In Deed; Funny Girl ; Johnny Carson; Liza Minnelli;  Pure Heaven; 'S Wonderful, 's Gershwin ; Steve Martin;  Sweet Hearts ; The Vienna Boys' Choir","Ann Hampton Callaway (ticket);  Call me Madam; Carousel ; The Festival Orchestra opening performance;  Fiorello!; Glad, Too; Godspell; Grow up! A Musical; How to Succeed in Business Without Really Trying; Incongruities; The Madwoman of Chaillot; New Plays 90; New Plays 91; New Plays 92 ; Second annual M.H.S. student film festival;  Studio night chamber music; Tosca; Who's out there that's for me?; Winter birds ; also includes a letter from Helen S. Murray to Charles Rodrigues","Anything Goes; Bye Bye Birdie; Brigadoon; Carnival; Cats; Cinderella '72; Fiddler on the Roof; Footlight Follies; Guys and Dolls; The King and I; Kiss Me, Kate; Li'l Abner; Mame; The Night Thoreau Spent in Jail; Once Upon a Mattress; Paint Your Wagon; Peter Pan; South Pacific; Wonderful Town","The Absence of a Cello ;  Aida  at the Verdi Opera Festival; AFS 1983 variety show; AFS 1984 variety show;  The Boy Friend; Brigadoon; My One and Only; The Old Woman Broods ; Valentine's Day benefit February 14, 1987","A Connecticut Yankee in King Arthur's Court; Fando and Lis","This subseries includes playbills and a concert program from the state of New Jersey. Theatres include the Surflight Theatre, Paper Mill Playhouse, The Whole Theatre Company, and the Broad Street Theatre.","Animal Crackers; Children of Eden ; Fleetwood Mac, concert program;  Follies; Phantom of the Opera; The Trojan Women; Where's Charley?","This subseries includes playbills from the state of Ohio. Theatres include B.F. Keith's Hippodrome, the Cincinnati Music Theatre, and The Cincinnati Playhouse in the park.","This subseries includes playbills from the city of Paris. Theatres include the Cabaret Lido Paris, Theatre De La Renaissance, and the Theatre National de L'Opera.","This subseries includes playbills from the city of Philadelphia. One playbill from Pittsburgh's Nixon Theatre is included at the end of the Philadelphia pre-1934 playbills. Theatres include The Academy of Music, Broad Street Theatre, The Erlanger Theatre, Forrest Theatre, The Goldman Theatre, The Little Theatre, The New Locust Theatre, Playhouse, Shubert Theatre, Society Hill Playhouse, Valley Forge Music Fair, Walnut Theatre, and The University of Pennsylvania.","Pittsburgh","70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; A Call on Kuprin; A Cook for Mr. General; A Man's a Man; A Matter of Position; A Severed Head; A Thurber Carnival; A View from the Bridge; Advise and Consent; All American; Alice; Anyone Can Whistle; Ari; Artur Rubinstein; The Aspern Papers; The Beauty Part; Big Fish, Little Fish; Brain Child; Butterflies Are Free; Bye Bye Birdie; Chicago; Christine; Copper and Brass","Daughter of Silence; Dear Me, the Sky is Falling; Destry Rides Again; The Disenchanted; Do Re Mi; Donnybrook; Elizabeth the Queen; Enrico; The Fantasticks; The Fighting Cock; First impressions; Five finger exercise; Four on a garden; The fun couple; Funny girl; Gideon; The girl who came to supper; Goodbye Charlie; Greenwillow; Gypsy; H.M.S. Pinafore; Here's love; High spirits","The Highest Tree; Hot Spot; How Now, Dow Jones; I Can Get It for You Wholesale; I Remember Mama; In the Counting House; J.B.; Julia, Jake, and Uncle Joe; Little Me; Lolita, My Love; Lord Pengo; Love and Kisses; Lovely Ladies, Kind Gentlemen; Luther; Mame; The Marriage-Go-Round; Mary Stuart; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; The Miracle Worker; My Fair Lady","National Repertory Theatre;  No, No, Nanette; Nowhere to Go But Up; Old World; Period of Adjustment ; The Philadelphia Orchestra (1962-1963 season);  The Pleasure of His Company; The Prince of Grand Street; Ready When You Are C.B.!; Romulus; Say, darling; The school for scandal; She loves me; Spartacus; Something About a Soldier; Stop the World - I Want to Get Off; The Subject Was Roses; Sugar; Sugar Babies; Sweet Bird of Youth; Take Her, She's Mine; Take Me Along; There Was a Little Girl; Threepenny Opera; Tovarich","The Umbrella; The Visit; The Wall; Wildcat; Who's Afraid of Virginia Wolf?; The World of Carl Sandburg; Zorba","Four one-act plays:  Present Day Courtship, The Still Alarm, People in the Wind, In the Zone; The Sandbox, The Lesson, Daughters; Medea; She Stoops to Conquer ; The Stringart Quartet artists-in-residence; The University of Pennsylvania Glee club and Pennsyngers","This subseries includes playbills from the city of Toronto. Playbills are from the Melody Fair and the Royal Alexandra Theatre.","This subseries includes playbills from the city of Washington D.C. Playbills are from the Kennedy Center, National Theatre, Signature Theatre, and the Morris A. Mechanic Theatre in Baltimore.","The Alvin Alley City Center Dance Theatre; Applause; Carnival!","Lost in the Stars; Natural Affection; Over and Over; Rex; Sondheim Celebration; Spotlight; Sugar; The Visit","This series contains playbills and souvenir programs from a variety of theatres and venues including those found on Broadway, off-Broadway, off-off Broadway and in Brooklyn. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.","Angel Face; Animal Crackers; Apple Blossoms; The Apple Cart","Ballyhoo; Ballyhoo of '32; The Bandwagon","Playbills from the Broadhurst and Shubert theatres","Montauk Theatre in Brooklyn","The Blackbirds of 1928; Blossom Time; Blue Eyes; Broadway; The Broadway Whirl","Cherry Blossoms; China Rose; The Chocolate Dandies","Daddies; The Dancing Girl; Dearest Enemy; Death Takes a Holiday; The Desert Song; Design for Living; Desire Under the Elms","Two incomplete playbills","General Post; Gentlemen Prefer Blondes; George White's Scandals; Getting Married; Getting Together","The Girl Behind the Gun; Girl Crazy; The Girl Friend; The Girl from Home","Good Gracious Annabelle; Girls; Good Boy; Good News; The Grab Bag; Grand Hotel; The Great Adventure; The Great Divide; The Great Gatsby","The Greenwich Village Follies; The Greenwich Village Follies of 1920","Helen of Troy, New York; Hello Daddy; Here's Howe; Hit the Deck; Hitchy-Koo 1920","Lassie; The Lassoo; The Laugh Parade; The Last Waltz; Liliom; The Lie","Little Nelly Kelly; The Little Show; Lollipop; Love Birds","Melody; Men in White; The Merry Widow; Midnight Revue; Miss Springtime","Odds and Ends of 1917; Of Thee I Sing; Oh, Boy!; Oh, Kay!, Oh Look, Oh, please!","Three playbills, two of which are for vaudeville performances at the Orpheum Theatre in Brooklyn","Padlocks of 1927; Paris; The Parisian Model","Pietro; Pitter Patter; Poor Little Ritz Girl; Poppy; Porgy","R.U.R.; Rainbow; The Ramblers; The Red Mill","Redemption; Revels; The Rise of Rosie O'Reilly; Rosalie; Rose Bernd; Rose-Marie; The Royal Family; The Royal Vagabond; Running Wild","Simple Simon; Singin' the Blues; Six Characters in Search of an Author; Smiles; Some Time; The Song and Dance Man; Song of the Flame; Spring is Here; Strange Interlude; Street Scene; Strike Me Pink; Strike Up the Band; The Student Prince in Heidelberg; Sweet; Sweet Little Devil; Swifty","Three Wise Fools; Three's a Crowd; Tickle Me; Tip-Toes","6 Rms Riv Vu; The 25th Annual Putnam County Spelling Bee; 42nd Street; 70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; 1776","Souvenir program","A Bell for Adano; A Bistro Car; A Broadway Musical; A Case of Libel; A Catered Affair; A Celebration of Richard Rodgers; A Chorus Line; A Class Act; A Day in Hollywood / A Night in the Ukraine; A Day in the Life of Just About Everyone; A Delicate Balance; A Doll's Life","A Far Country; A FunnyTthing Happened on the Way to the Forum; A Hand Is on the Gate; A Hatful of Rain; A Kurt Weill Cabaret; A Joyful Noise","A Life; A Little Family Business; A Little Night Music","Souvenir program","A Majority of One; A Meeting by the River; A Moon for the Misbegotten; A Night at the Palace; A Party with Betty Comden and Adolph Green; A Patriot for Me; A Passage to India; A Place Without Doors; A Raisin in the Sun; A Salute to ASCAP; A Shot in the Dark; A Streetcar Named Desire; A Tale of Two Cities; A Taste of Honey; A Thurber Carnival; A Time for Singing; A Tree Grows in Brooklyn","Abelard \u0026 Heloise; Accidental Death of an Anarchist; The Act; The Actors Studio Theatre productions 1963-1964; ACT (American Conservatory Theatre); The Adventures of Tom Sawyer; Advise and Consent; After the Rain; Ah, Wilderness; Ain't Broadway Grand","Alan Gilbert \u0026 The New York Philharmonic; All Over; All the Way home; All's Well That Ends Well; Alfie!; Allegro; Amadeus; Ambassador","America Kicks Up Its Heels; American Ballet Theatre; The American Dance Machine; The American Way; Amour","Souvenir program","And Miss Reardon Drinks a Little; And the World Goes Around; The Andersonville Trial; Angel; Angel Street; Angels in America; Anna Karenina; Annie","Souvenir program","Souvenir program","Souvenir program","As Is; The Astrakhan Coat; Assassins; At the Drop of Another Hat; Auntie Mame; Autumn's Here!","Baby Want a Kiss; Bajour; Baker street; The Ballad of the Sad Cafe; Ballroom; Barbara Back to Broadway; Barefoot in Athens; Barefoot in the Park; Barnum","Souvenir programs for: Barefoot in the Park; Barnum; Beauty and the Beast; Beggar on Horseback; The Beggar's Opera; Belafonte at the Palace; Ben Franklin in Paris","Bayanihan; Beekman Place; Beg, Borrow or Steal; Beggar's Holiday; Bell's are Ringing; Ben Franklin in Paris; Bernadine; Best Foot Forward; The Best Little Whorehouse Goes Public; The Best Little Whorehouse in Texas; The Best Man; Beyond the Fringe","Big Deal; Billion Dollar Baby; Billy; The Birthday Party; Bklyn; Black and Blue; Black Broadway; Black Chiffon; Black Comedy","Black Comedy White Lies; Blast; Blithe Spirit; Blood Brothers; Blood Red Roses; Bloomer Girl; Blue Denim; Blues for Mister Charlie; The Body Beautiful; Born Yesterday","Borstal Boy; The Boy Friend; The Boy from Oz; Boys and Girls Together; The Boys from Syracuse; The Boys in the Band; The Boys of Winter","Boris Aronson (exhibit catalogue); Breakfast at Tiffany's; Breaking Legs; Brief Lives; Brigadoon; Brighton Beach Memoirs; Bring Back Birdie; Broadway Cabaret Festival; Broadway Cares","Broadway on Broadway; Broadway's Stars in the Alley; Bubbling Brown Sugar; The Buddy Holly Story; Butterflies are Free; By George; By Jupiter; Bye Bye Birdie","Souvenir program","Two souvenir programs","Souvenir program","Souvenir program","Can Can; Candida; Candide; Canterbury Tales (playbills and souvenir program)","Cantorial; Carmelina; Carousel (playbill and souvenir program); Carnival!; Carrie; Catch Me If You Can; Cats","Celebration; Century of Change; Charles Aznavour; Checking Out; Chess (playbill and souvenir program); Chicago (playbills and souvenir program)","Childs Play; The Chinese Prime Minister; Chips With Everything; Chita Rivera: The Dancer's Life; Chitty Chitty Bang Bang; City Center Joffrey ballet; City of Angels","Closer Than Ever; Cloud 7; Coco (playbills and souvenir program); The Color Purple (playbill and souvenir program); Come Blow Your Horn; Come on Strong; Come Summer; The Comedie Francaise","Company (playbills and souvenir programs)","Souvenir program","Conduct Unbecoming; The Contrast; Copper and Brass; Counsellor-at-Law; The Country Girl","Crazy For You; The Cradle Will Rock; The Creation of the World and Other Business; Critic's Choice; Cry For Us All","Cuba and His Teddy Bear; Curtains (playbills and souvenir program); Cyrano","The D'oyly Carte Opera Company; Dame Edna; Dames at Sea; Damn Yankees; Dance a Little Closer; Dance of Death; Dance of the Vampires; Dancin'; Daphne in Cottage D","The Dark at the Top of the Stairs; The Day Before Spring; The Day the Money Stopped; Dear Janet Rosenberg Dear Mr. Kooning; Dear Ruth; Dear Me, the Sky is Falling; Dear World (playbills and souvenir program)","Death of a Salesman; The Deputy (playbills and souvenir program); The Desperate Hours; Destry Rides Again; Deuce; The Devils; The Disenchanted","Diamonds; Different Times; Dinner at Eight; Dirty Rotten Scoundrels; Division Street","Do Black Patent Leather Shoes Really Reflect Up?; Do Re Mi; Do I Hear a Waltz?; Doctor Jazz; Does a Tiger Wear a Necktie?; Don Carlo and Les Troyens; Don't Drink the Water; The Doughgirls","Dr. Cook's Garden; Dracula; Drat the Cat; Dreamgirls; Drink to Me Only; The Drowsy Chaperone (playbill and souvenir program); Du Barry Was a Lady; Dude: The Highway Life; Duel of Angels; Dylan","Easter Bonnet Competition; Eating Raoul; El Bravo!; Elba; End of the World","The Effect of Gamma Rays on Man-in-the-Moon Marigolds; Elizabeth 1; Emperor Henry IV; Enter Laughing; Entertaining Mr. Sloane; Equus; The Ethel Merman Show; Everything in the Garden; Evita","Face Value; Fade Out-Fade In; Fair Game; Fallen Angels; The Family Reunion; Fanny (playbills and souvenir programs); Father's Day; Fences; Fiesta in Madrid","Fiddler on the Roof (playbills and souvenir program); Fifth of July; The Fig Leaves are Falling","Three souvenir programs including one for the film version","Finian's Rainbow; Fiorello!; Fire!; The First; The Firstborn (playbill and souvenir program); First Impressions; Fit to be Tied; Five Finger Exercise","Five Guys named Moe; The Flip Side; Flora the Red Menace; Flower Drum Song; Folies Bergere; Fortune and Men's Eyes; Forty Carats; Four on a Garden","Follies (playbills and souvenir program); Follow the Girls; Fosse; Foxy","Frank Merriwell or Honor Challenged; Frankenstein; Fred Ebb; The Frogs (playbills and souvenir program); From A to Z; The Front Page; The Full Monty","Playbills and souvenir programs","The Gang's All Here; Gantry; The Gazebo; Geese; Generation; George M.; Georgy","Gideon; Gigi (playbills and souvenir program); Gilbert \u0026 Sullivan Company; Gilbert Becaud on Broadway; The Gingerbread Lady; The Girl Against the Boys; The Girl Who Came to Supper; The Glass Menagerie; The Glorious Ones","God's Favorite; Golden Bat; Golden Boy; Golden Rainbow; Goldilocks; The Good Times Are Killing Me; The Goodbye Girl; Goodbye My Fancy; Goodtime Charlie; Grand Hotel (playbills and souvenir program); The Grand Tour","Souvenir programs for: Godspell; Golden Boy; Golden Rainbow; The Goodbye Girl","The Grass Harp; The Great God b=Brown; The Great Waltz; The Great White Hope (souvenir program); Greenwillow; Grey Gardens; Guys and Dolls; Gypsy (souvenir program)","Playbills and souvenir program","H.M.S. Pinafore; Hadrian VII; Hail Scrawdyke!; Hair; Hairspray; Half a Sixpence; Halfway Up the Tree","Half a Sixpence (souvenir program); Halfway Up the Tree; Hallelujah, Baby! (playbill and souvenir programs); Hamlet; Handful of Fire; Happiest Millionaire","Happy Birthday; Happy Birthday, Wanda June; The Happy Time (playbill and souvenir program); Happy Town; Happy Hunting (playbills and souvenir program); Harvey","Hats Off to Ice; Hay Fever; Heathen!; Hello, Dolly!","Playbills and souvenir programs","Hello, Solly!; Henry V; Henry, Sweet Henry (playbills and souvenir program); Here's Love","Hold On to Your Hats; Holiday for Lovers; Hooray for What!","The High Rollers Social \u0026 Pleasure Club; The History Boys; Home; Home Sweet Home; The Homecoming; The Hostage; Hot Spot; The House of Blue Leaves; How Now Dow Jones","How the Other Half Lives; How to Be a Jewish Mother; How to Succeed in Business Without Really Trying; How's the World Treating You; Hughie; Hurry, Harry","I Am a Camera; I Can Get It for You Wholesale; I Do! I Do! (playbills and souvenir program); I Had a Ball; I Hate Hamlet; I Know My Love; I Like It Here; I Never Sang for My Father","I Remember Mama; I'm Not Rappaport; Icetime; Illya Darling (souvenir program)","Illya Darling; The Impossible Years; In Bed We Cry; Inadmissible Evidence; Inbal; The Incomparable Max","Indians; Inherit the Wind; Inquest; International Soiree; Into the Woods (playbills and souvenir program); The Investigation; Invitation to a March","The Irregular Verb to Love; Is He Dead?; It Ain't Nothing but the Blues; It's a Bird, It's a Plane, It's Superman; Ivanov","JB; Jacobowsky and the Colonel; Jacques Brel is Alive and Well and Living in Paris; Jake's Women; Jamaica; James Joyce's The Dead; Jane; Janus; Jelly's Last Jam; Jennie; Jerome Robbins' ballets: U.S.A.; Jerome Robbins' on Broadway (playbills and souvenir program); Jesus Christ Superstar","Jimmy; Joan of Lorraine; The Jocky Club Stakes; Joe Egg; Johnny Johnson; Johnny No-Trump; Joseph and the Amazing Technicolor Dreamcoat; Joy; Journey's End; Jubilee; Judgment at Nuremberg, Judy Garland: At Home at the Palace","Kids Care; The Killing of Sister George; The King and I (playbills and souvenir program); King of Hearts; Kismet; Kiss of the Spiderwoman (playbill and souvenir program); The Knack; Kurt Weill: Making Music Theatre","La Bohème; La Cage aux Folles; La Grosse Valise; La Plume de Ma Tante","La Strada; Lady in the Dark; The Lake; Larry Kert 1930-1991; The Last Analysis; The Last of Mrs. Lincoln","Last of the Red Hot Lovers; The Last Sweet Days of Isaac; Laughs and Other Events; Legally Blonde; Legs Diamond; Les Ballets de Paris; Les Blancs; Lestat (playbill and souvenir program); Let's Face It","The Life; Life with Father; The Light in the Piazza; The Lion in Winter; Little Me (playbills and souvenir program)","Playbills and souvenir program","The Little Mermaid (playbills and souvenir program); Little Murders; Little Women (playbills and souvenir program); Lolita; Look After Lulu; Look Back in Anger; Look Homeward Angel","Playbills and souvenir programs.  Liza with a Z  tour program includes signature from Liza on last page.","Look to the Lillies; Loot; Lord Pergo; Lorelei (playbills and souvenir program); Lost in the Stars; Louisiana Purchase; Love Life; Love! Valour! Compassion!; Lovely Ladies, Kind Gentlemen; LoveMusik; The Loves of Cass McGuire","Alan Jay Lerner; Betty Comden and Adolph Green; Carolyn Leigh; Dorothy Fields; E.Y. 'Yip' Harburg; Fred Ebb and John Kander; Life is a Cabaret: A tribute to Fred Ebb; Hal David; Harold Rome; Jerry Herman; Johnny Mercer; Sammy Cahn; Shelden Harnick; Stephen Schwartz; Stephen Sondheim","Macbeth; Mack \u0026 Mabel (playbill and souvenir program); Madam Butterfly; Maggie Flynn; Make Mine Manhattan; Man of La Mancha","Souvenir programs","Mame (playbills and souvenir programs); The Mambo Kings; Mamma Mia; The Man in the Glass Booth (souvenir program)","The Man Who Came to Dinner; The Man Who Had All the Luck; The Man With a Load of Mischief; Marcel Marceau; Mark Twain Tonight!; Marlene Dietrich; The Marriage-Go-Round","Martin Short: Fame Becomes Me (playbill and souvenir program); Mary, Mary; Mary Poppins (playbills and souvenir program)","Me and My Girl (playbills and souvenir program); Meet Me in St. Louis; The Megilla of Itzik Manger; The Member of the Wedding; Merlin; Merrily We Roll Along; Metro; The Metropolitan Opera: Met in the Parks (June 2007)","Milk \u0026 Honey; Milliken Breakfast Show; Minnelli on Minnelli; Minnie's Boys; Minor Miracle; The Miracle Worker; Miss Liberty; Mister Roberts; Molly; Monty Python's Spamalot; More Stately Mansions; Morning's at Seven","Mister Johnson; Monty Python's Spamalot (souvenir program); More Stately Mansions (souvenir program); Morning, Noon, and Night; The Most Happy Fella; Mourning Become Electra; Movin' Out; Mr. Wonderful; Mr. President; Mrs. Dally","Murder at Minsing Manor: A Nancy Boys Mystery; Music! Music!; Music in My Heart; Music in the Air; The Music Man (playbill and souvenir program); The Musical Theatre of Harold Prince; Musicals in Mufti; My Fair Lady (playbills and souvenir program); My One and Only (playbill and souvenir program)","My Fair Lady; My Favorite Year; My Funny Valentine; My Sister Eileen; My Wife and I","National Ballet; Natural Affection; Nature's Way; The Nerd; The Nervous Set; Never Too Late; The New Musical of Israel; New York City Ballet; New York City Opera","New York City Ballet (playbills and Nutcracker souvenir program); New York City Opera; New York Philharmonic; The New Yorkers; The Next President; Next to Normal","Two souvenir programs","Nick \u0026 Nora; The Night Circus; The Night of the Iguana; Night Watch; Nine (playbills and souvenir program); No, No, Nanette; No Place to Be Somebody; The Ninety Day Mistress","No Strings; Nobody Loves an Albatross; Noises Off","O Mistress Mine; The Odd Couple; Of Thee I Sing; Oh! Calcutta!; Oh, Captain!; Oh, Kay!; Oh What a Lovely War; Oil City Symphony; Oklahoma! (playbills and souvenir program)","Old Times; Old Vic; Oliver! (playbills and souvenir program); On a Clear Day You Can See Forever (playbills and souvenir programs); On Golden Pond; On the Town; On the Twentieth Century","On the Waterfront; On Your Toes; Once More, With Feeling; Once on This Island (playbill and souvenir program); Once Upon a Mattress; One More River; One Night Stand; One Touch of Venus; The Only Game in Town; Orpheus Descending; Over Twenty-One","Our Country's Good; Our Town; Out Cry; Out of This World; The Owl and the Pussycat","P.S. I Love You; Pacific Overtures; The Pajama Game; Pal Joey; Pamela's First Musical; Panama Hattie; Paris Is Out!; Park; Passion; The Passion","Paul Sills' Story Theatre; Paul Taylor Dance Company; The Penny Wars; Perfectly Frank; Period of Adjustment; The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade; The Petrified Forest; Phantom of the Opera (playbill and souvenir program); Philadelphia, Here I Come!; The Philanthropist","Photo Finish; Pickwick (playbill and souvenir program); Pippin (playbill and souvenir program); The Pirate Queen (playbill and souvenir program); The Pirates of Penzance; Plain and Fancy","Platinum; Play It Again, Sam; Plaza Suite; The Pleasure of His Company; Ponti; Poor Bitos; Poor Richard; Porgy and Bess; Portofino; Pousse-Café; The Power and the Glory; The Prime of Miss Jean Brodie","The Prisoner of Second Avenue; The Private Ear and the Public Eye; Private Lives; The Producers; Program I; Program II; Program III; Promenade; Promises, Promises (playbill and souvenir program); Pump Boys and Dinettes","Playbills and souvenir program","Radio City Music Hall (playbills and a souvenir program); Radio City Music Hall Christmas Spectacular; Rags; Ragtime","Souvenir program","Red Gloves; The Red Mill; The Red Shoes; Red White and Maddox; Redhead; Rendezvous with Marlene","Rex (playbills and souvenir program); Ring Bells! Sing Songs! (playbills and souvenir programs); The Rink (playbills and souvenir program)","The Rise and Fall of the City of Mahagony (souvenir programs); The Ritz; The Roar of the Greasepaint - The Smell of the Crowd (playbills and souvenir program); The Robber Bridegroom; Rockabye Hamlet; The Rocky Horror Picture Show; Room Service; The Rose Tattoo","Rosencrantz and Guildenstern Are Dead; The Rothschilds (playbills and souvenir program); The Royal Ballet (souvenir programs)","The Royal Family; The Royal Hunt of the Sun; Rugatino; Rumple; Ruthless!","Sabrina Fair; Sadie Thompson; Salvation; Saratoga; Say, Darling; The School for Scandal (playbills and souvenir program); The School for Wives; Scratch; Scrooge (souvenir program); The Secret Affairs of Mildred Wild","The Secret Garden; Seesaw (playbills and souvenir program); The Selling of the President; Send Me No Flowers; Set to Music; Seven Days of Mourning; She Loves Me!; Sheep on the Runway; Shelter","Shenandoah (playbills and souvenir programs); Sherry!; Shinbone Alley; Shogun: The Musical; Show Boat (playbill and souvenir program)","Show Boat; The Show Is On; The Sign in Sidney Brustein's Window; Silent Night, Lonely Night; Silk Stockings; Silverlake; Sing Happy (playbills and souvenir program); Sister Mary Ignatius Explains It All for You; The Actor's Nightmare","Skyscraper (playbill and souvenir program); Sleight of Hand; Sleuth; Slow Dance on the Killing Ground; Smile; Smokey Joe's Cafe: The Songs of Leiber and Stoller; Social Security; Soldiers; Solitaire, Double Solitaire; Something Different; Something for the Boys","Sondheim: A Celebration at Carnegie Hall; Sondheim: A Musical Tribute; Song \u0026 Dance (playbills and souvenir program); Song of Norway (playbill and souvenir programs); Song of the Grasshopper; Soon; The Sound of Music","South Pacific (playbills and souvenir program); Splendora; Spofford; The Star Spangled Girl; Star and Garter; Stardust","Starmites; Stars of the Bolshoi Ballet; Stars of the New York Stage 1870-1970 (exhibit catalogue); State Fair; Steel Pier; Sticks and Bones; Stop the World- I Want to Get Off; Strange Interlude; Street Songs","The Subject Was Roses; Subways Are for Sleeping; Sugar (playbills and souvenir program); Summer of the 17th Doll; Sunday in the Park with George (playbills and souvenir program); Sunset","The Sunshine Boys; The Supporting Cast; The Survival of St. Joan: A Medieval Rock Opera; Sweeney Todd: The Demon Barber of Fleet Street (playbills and souvenir program); Sweet Bird of Youth","Playbills and souvenir programs","Take Me Along; Taking Steps; Tango Argentino; Tchaikovsky at Carnegie Hall; Tchin-Tchin (playbills and souvenir programs); The Teahouse of the August Moon; Ten Little Indians; Tenderloin; The Tenth Man; That Championship Season; That's Entertainment; There Was a Little Girl; They're Playing Our Song; Thoroughly Modern Millie","There's a Girl in My Soup; Three Men on a Horse; The Threepenny Opera; Time Remembered; Tiny Alice; Titanic","Tomorrow, the World; Tonight at 8:30; Tony Award programs; Too True to Be Good; Tovarich; Toys in the Attic; Traveller Without Luggage; The Trial of Lee Harvey Oswald; Tricks; Trixie True: Teen Detective","The Tumbler; The Tunnel of Love; Twelfth Night; Twigs; Two by Two (playbill and souvenir program); Two Gentlemen of Verona (playbills and souvenir program); The Two Mrs. Carrolls","Playbills and souvenir program for The Unsinkable Molly Brown","The Utter Glory of Morrissey Hall; Veronica's Room; Very Dry and on the rocks; Very Good Eddie (playbills and souvenir program); Via Galactica; Victor Victoria","Vienna Boys Choir (souvenir program); Vintage '60; The Visit; Vivat! Vivat Regina!; The Voice of the Turtle; Voices","Wait a Minim!; Wait Until Dark; Walking Happy; Wall to Wall Richard Rodgers; Waltz of the Toreadors; War and Peace; Warp One: My Battlefield, My Body; We Have Always Lived in the Castle; The Wedding Singer (playbills and souvenir program); Welcome to the Club; West Side Story","West Side Story (playbills and souvenir programs); What Did We Do Wrong?; What Makes Sammy Run? (playbill and souvenir program); When Pigs Fly; Where's Charley? (playbill and souvenir program)","The White House; Who Was That Lady I Saw You With?; Who's Afraid of Virginia Woolf?; The Who's Tommy; Whodunnit; Whoop Dee Doo!; Whoop Up; Whores, Wars \u0026 Tin Pan Alley","Wicked (playbills and souvenir program); Wiener Blut (playbill and souvenir program); Wild and Wonderful; The Will Rodgers Follies; Winesburg, Ohio; Wings; Wish You Were Here; Wise Child","Woman of the Year (playbills and souvenir program); The Woman in White; Wonderful Tennessee; Wonderhouse; Working; The World of Suzie Wong; Write Me a Murder","The Yearling; You Can't Take It With You; You Know I Can't Hear You When the Water's Running; Young Frankenstein (playbills and souvenir program)","Ziegfeld Follies; Zombie Prom; Zoot Suit; Zorba (playbills and souvenir programs); The Zulu and the Zayda","This series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs.","Appalachian Autumn; The Day Before Sunday; Dear Friends; Do Not Go Gentle Into That Good Night; The Experiment; My Father and My Mother; The People Next Door; Sadbird; Saturday Adoption; Secrets; Shadow Game","Actors Equity Association \"Equity\" magazine; Blithe Spirit; Camelot; Chinese Theatre Hollywood; Crossed Swords","Far from the Madding Crowd; Goodbye, Mr. Chips; Helen Hayes: Portrait of an American Actress; Indiana Jones and the Temple of Doom; Latin Quarter; The Lion in Winter","Ben Hur; El Cid; How the West Was Won; It's a Mad Mad, Mad, Mad World; Judgment at Nuremburg; Lawrence of Arabia; The Longest Day; Mutiny on the Bounty; The Wonderful World of the Brothers Grimm; West Side Story","Return of the Jedi; Romeo \u0026 Juliet; Ringling Brothers and Barnum \u0026 Bailey Circus; Song of Norway; The Sound of Music"],"userestrict_html_tesm":["\u003cp\u003eMaterials created before 1925 are in the Public Domain. No known restrictions.\u003c/p\u003e\n","\u003cp\u003eThe copyright and related rights status of materials created or published after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials created before 1925 are in the Public Domain. No known restrictions.","The copyright and related rights status of materials created or published after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d46ac9a9e4e3a7b9dc6e8e0b7d7a8d53\" label=\"Abstract\"\u003eThe Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.\u003c/abstract\u003e"],"abstract_tesim":["The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Rodrigues, Charles"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Rodrigues, Charles"],"language_ssim":["English"],"total_component_count_is":563,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:14:16.259Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_113_c01_c12_c06"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"George Mason University","value":"George Mason University","hits":4584},"links":{"remove":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1959\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1959\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"We Were Not Shadows\" by Colonel E.P.J. Ryan, O.B.E typed manuscript","value":"\"We Were Not Shadows\" by Colonel E.P.J. Ryan, O.B.E typed manuscript","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22We+Were+Not+Shadows%22+by+Colonel+E.P.J.+Ryan%2C+O.B.E+typed+manuscript\u0026f%5Bdate_range%5D%5B%5D=1959\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Abraham Anson papers","value":"Abraham Anson papers","hits":66},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Abraham+Anson+papers\u0026f%5Bdate_range%5D%5B%5D=1959\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Adams T. Rice papers","value":"Adams T. 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der Künste der Deutschen Demokratischen Republik","value":"Akademie der Künste der Deutschen Demokratischen Republik","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Akademie+der+K%C3%BCnste+der+Deutschen+Demokratischen+Republik\u0026f%5Bdate_range%5D%5B%5D=1959\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Alexander Haight\n","value":"Alexander Haight\n","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Alexander+Haight%0A\u0026f%5Bdate_range%5D%5B%5D=1959\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Allgemeiner Deutscher Motosport Verband","value":"Allgemeiner Deutscher Motosport Verband","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Allgemeiner+Deutscher+Motosport+Verband\u0026f%5Bdate_range%5D%5B%5D=1959\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"American Political Items Collectors","value":"American Political Items Collectors","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=American+Political+Items+Collectors\u0026f%5Bdate_range%5D%5B%5D=1959\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"American Public Transportation Association","value":"American Public Transportation Association","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=American+Public+Transportation+Association\u0026f%5Bdate_range%5D%5B%5D=1959\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"American Public Transportation Association\n","value":"American Public Transportation Association\n","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=American+Public+Transportation+Association%0A\u0026f%5Bdate_range%5D%5B%5D=1959\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Anson, Abraham","value":"Anson, Abraham","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Anson%2C+Abraham\u0026f%5Bdate_range%5D%5B%5D=1959\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Anson, Abraham, 1912-2005","value":"Anson, Abraham, 1912-2005","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Anson%2C+Abraham%2C+1912-2005\u0026f%5Bdate_range%5D%5B%5D=1959\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Arena Stage","value":"Arena 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