{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1956\u0026page=14\u0026view=compact","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1956\u0026page=13\u0026view=compact","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1956\u0026page=15\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1956\u0026page=4324\u0026view=compact"},"meta":{"pages":{"current_page":14,"next_page":15,"prev_page":13,"total_pages":4324,"limit_value":10,"offset_value":130,"total_count":43240,"first_page?":false,"last_page?":false}},"data":[{"id":"viw_repositories_2_resources_8143_c01_c9794","type":"File","attributes":{"title":"1934 Reunion","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8143_c01_c9794#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8143_c01_c9794","ref_ssm":["viw_repositories_2_resources_8143_c01_c9794"],"id":"viw_repositories_2_resources_8143_c01_c9794","ead_ssi":"viw_repositories_2_resources_8143","_root_":"viw_repositories_2_resources_8143","_nest_parent_":"viw_repositories_2_resources_8143_c01","parent_ssi":"viw_repositories_2_resources_8143_c01","parent_ssim":["viw_repositories_2_resources_8143","viw_repositories_2_resources_8143_c01"],"parent_ids_ssim":["viw_repositories_2_resources_8143","viw_repositories_2_resources_8143_c01"],"parent_unittitles_ssm":["Thomas L. 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After graduation, Mr. Williams enlisted in the Navy shortly after the attack on  Pearl Harbor during World War II and was stationed at Camp Peary, where he started the base's photography laboratory. While at Camp Peary, he shot many photographs for Colonial Williamsburg, who hired him shortly after World War II to start their photography section. After nine years at Colonial Williamsburg, Mr. Williams became the photographer for William \u0026 Mary, a position he held for 35 years. While at William and Mary, Mr. Williams photographed various events at the College, including Charter Day and Commencement ceremonies, the inauguration of Davis Y. Paschall as president of William \u0026 Mary, and the celebrations during Homecoming Weekend.","Thomas L. Williams Papers","University Archives Photograph Collection","The collection includes photographs, negatives, slides, film, postcards, ephemera, correspondence and artifacts belonging to Thomas L. Williams, photographer for William \u0026 Mary for 35 years.  He was also a photographer for Camp Peary and Colonial Williamsburg prior to working for William \u0026 Mary.","Addition includes photographs, correspondence, negatives, and newspaper articles from Thomas L. Williams. Photographs includes scenes of Colonial Williamsburg and the campus of William \u0026 Mary.","Files include photographs of Williamsburg, Virginia, William \u0026 Mary, as well as personal family photographs taken by Thomas L. Williams from the 1940s-1960s. Other papers include clippings documenting events in Williamsburg and correspondence. ","Included in the folder of people of note visiting Williamsburg are those labeled as follows: ","Menderez, Sec. of Defense of Turkey Visited 7/13/58 ","President Dwight D. Eisenhower with Virginia Governor Thomas Stanley ","Vera Vague of Rob Hope Show WWII ","Jack Niklaus 9/67 ","President Lyndon B. Johnson ","King of Belgium 5/31/59 ","President Richard Nixon with W\u0026M President Paschal ","President Dwight Eisenhower ","Grand Opening Day with Queen Elizabeth 1957 ","President Gerald Ford ","President Rockefeller ","Debbie Reynolds ","King Hussein of Jordan Visits Jamestown ","Governor Mills Godwin ","King of Morocco Visits ","Lord Mayor of London at Colonial Williamsburg ","King Baudouin of Belgium May 1959 ","Prince Phillip with Governor Stanley ","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Williams, Thomas L.","English"],"unitid_tesim":["MS 00254","/repositories/2/resources/8143"],"normalized_title_ssm":["Thomas L. Williams collection"],"collection_title_tesim":["Thomas L. Williams collection"],"collection_ssim":["Thomas L. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eBorn in 1912 in Shire Oaks, Pennsylvania, Thomas L. Williams studied photography at the Art Institute of Pittsburgh. After graduation, Mr. Williams enlisted in the Navy shortly after the attack on  Pearl Harbor during World War II and was stationed at Camp Peary, where he started the base's photography laboratory. While at Camp Peary, he shot many photographs for Colonial Williamsburg, who hired him shortly after World War II to start their photography section. After nine years at Colonial Williamsburg, Mr. Williams became the photographer for William \u0026amp; Mary, a position he held for 35 years. While at William and Mary, Mr. Williams photographed various events at the College, including Charter Day and Commencement ceremonies, the inauguration of Davis Y. Paschall as president of William \u0026amp; Mary, and the celebrations during Homecoming Weekend.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Born in 1912 in Shire Oaks, Pennsylvania, Thomas L. Williams studied photography at the Art Institute of Pittsburgh. After graduation, Mr. Williams enlisted in the Navy shortly after the attack on  Pearl Harbor during World War II and was stationed at Camp Peary, where he started the base's photography laboratory. While at Camp Peary, he shot many photographs for Colonial Williamsburg, who hired him shortly after World War II to start their photography section. After nine years at Colonial Williamsburg, Mr. Williams became the photographer for William \u0026 Mary, a position he held for 35 years. While at William and Mary, Mr. Williams photographed various events at the College, including Charter Day and Commencement ceremonies, the inauguration of Davis Y. Paschall as president of William \u0026 Mary, and the celebrations during Homecoming Weekend."],"prefercite_html_tesm":["\u003cp\u003eThomas L. Williams collection, Special Collections Research Center, William \u0026amp; Mary Libraries\u003c/p\u003e"],"prefercite_tesim":["Thomas L. Williams collection, Special Collections Research Center, William \u0026 Mary Libraries"],"relatedmaterial_html_tesm":["\u003cp\u003eThomas L. Williams Papers\u003c/p\u003e\n","\u003cp\u003eUniversity Archives Photograph Collection\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Thomas L. Williams Papers","University Archives Photograph Collection"],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes photographs, negatives, slides, film, postcards, ephemera, correspondence and artifacts belonging to Thomas L. Williams, photographer for William \u0026amp; Mary for 35 years.  He was also a photographer for Camp Peary and Colonial Williamsburg prior to working for William \u0026amp; Mary.\u003c/p\u003e","\u003cp\u003eAddition includes photographs, correspondence, negatives, and newspaper articles from Thomas L. Williams. Photographs includes scenes of Colonial Williamsburg and the campus of William \u0026amp; Mary.\u003c/p\u003e","\u003cp\u003eFiles include photographs of Williamsburg, Virginia, William \u0026amp; Mary, as well as personal family photographs taken by Thomas L. Williams from the 1940s-1960s. Other papers include clippings documenting events in Williamsburg and correspondence. \u003c/p\u003e\n","\u003cp\u003eIncluded in the folder of people of note visiting Williamsburg are those labeled as follows: \u003c/p\u003e\n","\u003cp\u003eMenderez, Sec. of Defense of Turkey Visited 7/13/58 \u003c/p\u003e\n","\u003cp\u003ePresident Dwight D. Eisenhower with Virginia Governor Thomas Stanley \u003c/p\u003e\n","\u003cp\u003eVera Vague of Rob Hope Show WWII \u003c/p\u003e\n","\u003cp\u003eJack Niklaus 9/67 \u003c/p\u003e\n","\u003cp\u003ePresident Lyndon B. Johnson \u003c/p\u003e\n","\u003cp\u003eKing of Belgium 5/31/59 \u003c/p\u003e\n","\u003cp\u003ePresident Richard Nixon with W\u0026amp;M President Paschal \u003c/p\u003e\n","\u003cp\u003ePresident Dwight Eisenhower \u003c/p\u003e\n","\u003cp\u003eGrand Opening Day with Queen Elizabeth 1957 \u003c/p\u003e\n","\u003cp\u003ePresident Gerald Ford \u003c/p\u003e\n","\u003cp\u003ePresident Rockefeller \u003c/p\u003e\n","\u003cp\u003eDebbie Reynolds \u003c/p\u003e\n","\u003cp\u003eKing Hussein of Jordan Visits Jamestown \u003c/p\u003e\n","\u003cp\u003eGovernor Mills Godwin \u003c/p\u003e\n","\u003cp\u003eKing of Morocco Visits \u003c/p\u003e\n","\u003cp\u003eLord Mayor of London at Colonial Williamsburg \u003c/p\u003e\n","\u003cp\u003eKing Baudouin of Belgium May 1959 \u003c/p\u003e\n","\u003cp\u003ePrince Phillip with Governor Stanley \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection includes photographs, negatives, slides, film, postcards, ephemera, correspondence and artifacts belonging to Thomas L. Williams, photographer for William \u0026 Mary for 35 years.  He was also a photographer for Camp Peary and Colonial Williamsburg prior to working for William \u0026 Mary.","Addition includes photographs, correspondence, negatives, and newspaper articles from Thomas L. Williams. Photographs includes scenes of Colonial Williamsburg and the campus of William \u0026 Mary.","Files include photographs of Williamsburg, Virginia, William \u0026 Mary, as well as personal family photographs taken by Thomas L. Williams from the 1940s-1960s. Other papers include clippings documenting events in Williamsburg and correspondence. ","Included in the folder of people of note visiting Williamsburg are those labeled as follows: ","Menderez, Sec. of Defense of Turkey Visited 7/13/58 ","President Dwight D. Eisenhower with Virginia Governor Thomas Stanley ","Vera Vague of Rob Hope Show WWII ","Jack Niklaus 9/67 ","President Lyndon B. Johnson ","King of Belgium 5/31/59 ","President Richard Nixon with W\u0026M President Paschal ","President Dwight Eisenhower ","Grand Opening Day with Queen Elizabeth 1957 ","President Gerald Ford ","President Rockefeller ","Debbie Reynolds ","King Hussein of Jordan Visits Jamestown ","Governor Mills Godwin ","King of Morocco Visits ","Lord Mayor of London at Colonial Williamsburg ","King Baudouin of Belgium May 1959 ","Prince Phillip with Governor Stanley "],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Williams, Thomas L."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Williams, Thomas L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10461,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T12:07:10.432Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8143_c01_c9794"}},{"id":"virmu_repositories_2_resources_13_c04_c28","type":"File","attributes":{"title":"1939 World's Fair: exhibition catalogue for Carl Milles (1940), newspaper clippings, 1939 World's Fair book and the New York World's Fair 1939/40 photo essay","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_13_c04_c28#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_13_c04_c28","ref_ssm":["virmu_repositories_2_resources_13_c04_c28"],"id":"virmu_repositories_2_resources_13_c04_c28","ead_ssi":"virmu_repositories_2_resources_13","_root_":"virmu_repositories_2_resources_13","_nest_parent_":"virmu_repositories_2_resources_13_c04","parent_ssi":"virmu_repositories_2_resources_13_c04","parent_ssim":["virmu_repositories_2_resources_13","virmu_repositories_2_resources_13_c04"],"parent_ids_ssim":["virmu_repositories_2_resources_13","virmu_repositories_2_resources_13_c04"],"parent_unittitles_ssm":["Leslie Cheek, Jr. Personal Papers (SC-02)","Series 4: Personal Files"],"parent_unittitles_tesim":["Leslie Cheek, Jr. Personal Papers (SC-02)","Series 4: Personal Files"],"text":["Leslie Cheek, Jr. Personal Papers (SC-02)","Series 4: Personal Files","1939 World's Fair: exhibition catalogue for Carl Milles (1940), newspaper clippings, 1939 World's Fair book and the New York World's Fair 1939/40 photo essay","box SC-02 Box 9","folder Folder 367"],"title_filing_ssi":"1939 World's Fair: exhibition catalogue for Carl Milles (1940), newspaper clippings, 1939 World's Fair book and the New York World's Fair 1939/40 photo essay","title_ssm":["1939 World's Fair: exhibition catalogue for Carl Milles (1940), newspaper clippings, 1939 World's Fair book and the New York World's Fair 1939/40 photo essay"],"title_tesim":["1939 World's Fair: exhibition catalogue for Carl Milles (1940), newspaper clippings, 1939 World's Fair book and the New York World's Fair 1939/40 photo essay"],"unitdate_other_ssim":["1939-1977"],"normalized_date_ssm":["1939/1977"],"normalized_title_ssm":["1939 World's Fair: exhibition catalogue for Carl Milles (1940), newspaper clippings, 1939 World's Fair book and the New York World's Fair 1939/40 photo essay"],"component_level_isim":[2],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Leslie Cheek, Jr. Personal Papers (SC-02)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":374,"parent_access_restrict_tesm":["The collection is open for research. A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"parent_access_terms_tesm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"containers_ssim":["box SC-02 Box 9","folder Folder 367"],"_nest_path_":"/components#3/components#27","timestamp":"2026-05-21T03:35:59.708Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_13","ead_ssi":"virmu_repositories_2_resources_13","_root_":"virmu_repositories_2_resources_13","_nest_parent_":"virmu_repositories_2_resources_13","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_13.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/13","title_filing_ssi":"Cheek, Leslie Jr. (SC-02)","title_ssm":["Leslie Cheek, Jr. Personal Papers (SC-02)"],"title_tesim":["Leslie Cheek, Jr. Personal Papers (SC-02)"],"unitdate_ssm":["1931-1993"],"unitdate_inclusive_ssm":["1931-1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-02","/repositories/2/resources/13"],"text":["SC-02","/repositories/2/resources/13","Leslie Cheek, Jr. Personal Papers (SC-02)","The collection is open for research. A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.","The collection is organized into six series, folders are arranged in the original order maintained by Cheek, and retain their original folder titles when provided.","Series 1 Skylark Farm, 1966-1992 Series 2 \"Living by Design\" and \"Cheek and the Arts,\" 1945-1989 Series 3 \"Designing for the Arts,\" 1984-1991 Series 4 Personal Files, 1934-1992 Series 5 Awards and Degrees, 1931-1993 Series 6 Trips, 1952-1980","Ten Talents in the American Theatre, 1957","Living by Design: Leslie Cheek and the Arts, 1985","Designing for the Arts: Environments by Leslie Cheek, 1990","Southern Civility: Recollections of my Early Life, 2003","Drawings for the Stage by Leslie Cheek, Jr., 1987","VMFA Directors: Leslie Cheek Jr. (4 folders)","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067) ","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)","Archives of American Art, Washington, DC: Architectural Forum, 1945-47; Time Lab, 1946-47; House Beautiful, 1947; Forum Exhibits, 1946-48; Exhibition Houses, Architectural Forum, 1947; Architectural League; Beauty at the Bar, Architectural League, 1948; Life in USA Houses Speech, Architectural League, 1946; Baltimore Museum Files: Correspondence, Photographs, Exhibition Info and Brochures; Architectural Consultant Files, 1968 to 1992; Above It All (Yale Thesis); Camouflage Info, Fort Belvoir, early 40's; For Us the Living (microfilm, original at MOMA); Oral History Interview","College of William and Mary, Williamsburg, VA: Photographs of Stage Sets; Articles; Festival Theatre; Publicity for Theatre Development; Publicity for Frobenius; Cheek Award; O'Keefe Affair; Muscarelle Museum; Competition Show; Publicity for Stage Design Exhibitions; WandM Coat-of-Arms; Tom Sawyer Exhibition; Publicity for Frank Lloyd Wright Show; Washington Speech; 19th Century Party; Faraway Farm Information; Drawings of Stage Sets related to WandM (Phi Beta Hall; Taliaferro Hall, Parties)","Museum of Modern Art, New York City, NY: For Us the Living Exhibition","Queens Museum, New York City, NY: Drawings of the 1939 New York World's Fair (Virginia Room)","Virginia Historical Society, Richmond, VA: Four Camouflage Training Displays (Ft. Belvoir – early 40's); Rotunda Club History","Leslie Cheek, Jr. was the second and longest-tenured Director of the Virginia Museum of Fine Arts. During his 20 year Directorship (1948-1968), he transformed the museum from a regional gem to a museum that operated on the international stage. ","Born in Nashville, Cheek was the son of Mabel Wood and Leslie Cheek, Sr., who became rich by investing in the family formula for Maxwell House Coffee. Cheek studied art at Harvard University before taking up architecture at Yale University and Columbia. After graduation, he headed to William and Mary College where he founded and headed up the Department of Fine Arts from 1937-1939. In 1939, he married Richmonder Mary Tyler Freeman, daughter of Pulitzer Prize winning author Douglas Southall Freeman. From 1939-1942, Cheek served in his first Directorship at the Baltimore Museum of Fine Art. He left the museum in 1942 to join the Army Corps of Engineers in WWII. ","After the war, he was hired as the Associate Editor of Architectural Forum Magazine and lived in New York City for three years. In 1948, he came to the VMFA as Director, spending 20 years building the collections, endowments, and reputation of the museum. He was  known for the Artmobile, a mobile art program which brought the museum's collections all over the state of Virginia, and the Virginia Museum Theatre which opened in 1955 and successfully integrated the performing and visual arts. ","After retiring in 1968, Cheek stayed active in the arts, and two books were published about his life and career, \"Living by Design\" and \"Designing for the Arts.\" In 1967, the Cheeks purchased a mountaintop home named Skylark Farm in the Blue Ridge Mountains, which they donated to Washington and Lee University in 1977. ","Source:  The Dictionary of Art Historians","Source: Virginia Commonwealth University's  Guide to the Mary Tyler Freeman Cheek McClenahan Papers","This collection is comprised of materials donated by Leslie Cheek, Jr.'s family members. The bulk of this collection was donated to the VMFA Library by Leslie's widow Mary Tyler Freeman Cheek McClenahan in 1993. The remainder of the material was donated by Leslie's children in 2005.","Processing and description were performed by Jennie Runnels in the mid-1990s. Original folder titles were retained. Publications were removed and added to the VMFA Library's holdings. Framed items were disassembled and the materials stored in flat files, with the exception of the few framed items which used archival mats.","The collection's inclusive dates are 1931-1993, with the bulk of the material dating from the 1960s-1980s. The collection is comprised of correspondence, plans, photographs, financial records, interviews, book drafts, exhibition records, travel itineraries, and other ephemeral material.","This series is comprised of correspondence, plans, and photographs related to Skylark Farm, a house and tree farm located in the Blue Ridge Mountains of Virginia, owned, designed and furnished by the Cheeks between 1967 and 1977 when it was donated to Washington and Lee University. The Cheeks were also involved in the transformation of the house into a conference center for the University in the 1990s.","This series is comprised of correspondence, interviews, and exhibition details related to the 1985 publication of \"Living by Design: Leslie Cheek and the Arts,\" which was written by Parke Rouse, Jr. and researched by K. Richmond Temple. The photobiography was released at the same time that a corresponding exhibition entitled \"Cheek and the Arts\" opened at the Muscarelle Museum of Art in December 1985.","This series is comprised of correspondence, drafts, and financial details related to the 1990 publication of \"Designing for the Arts: Environments by Leslie Cheek,\" which was written by K. Richmond Temple. It was designed as a photo essay, and served as volume two to the previously published \"Living by Design\" in 1985.","This series is mainly comprised of correspondence related to a myriad of activities and projects that Cheek took on throughout his career and during his retirement. There is a considerable amount of material created during his tenure as Director of the VMFA. This series also contains oversized materials, including many drawings done by Cheek while in school in the 1930s and after, as well as photographs, mounted clippings, and some bound volumes and drawings.","This series is comprised of correspondence about and the actual awards and degrees conferred upon Cheek throughout his life.","This series is comprised of correspondence, itineraries, and programs detailing the Cheeks' personal travels around the world.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","This collection documents a portion of the life of Leslie Cheek, Jr., the Virginia Museum of Fine Arts' second and longest-tenured Director (1948-1968). One series includes material from his early career and activities before the VMFA, as well as his tenure at the museum, and through his  retirement. Two series document the publication of two photobiographies about Cheek, \"Living by Design\" and \"Designing for the Arts.\" Another series is comprised of materials about Skylark Farm, the house and tree farm located in the Blue Ridge Mountains, owned, designed and furnished by the Cheeks between 1967 and 1977 when it was donated to Washington and Lee University. Other series document the Cheeks' personal world travels in the 1950s-1980s, some of Cheek's awards, and finally, a number of framed architectural drawings done by Cheek as a student in the 1930s.","Virginia Museum of Fine Arts Archives","Yale University","Joseph and Margaret Muscarelle Museum of Art‏","Virginia Museum of Fine Arts","Skylark Farm","Washington and Lee University","Cheek, Leslie, 1908-","McClenahan, Mary Tyler Freeman Cheek, 1917-","Temple, K. Richmond","Rouse, Parke, 1915-1997","English \n.    "],"unitid_tesim":["SC-02","/repositories/2/resources/13"],"normalized_title_ssm":["Leslie Cheek, Jr. Personal Papers (SC-02)"],"collection_title_tesim":["Leslie Cheek, Jr. Personal Papers (SC-02)"],"collection_ssim":["Leslie Cheek, Jr. Personal Papers (SC-02)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Cheek, Leslie, 1908-","McClenahan, Mary Tyler Freeman Cheek, 1917-","Temple, K. Richmond","Rouse, Parke, 1915-1997","Yale University","Joseph and Margaret Muscarelle Museum of Art‏","Virginia Museum of Fine Arts","Skylark Farm","Washington and Lee University"],"creator_ssim":["Cheek, Leslie, 1908-","McClenahan, Mary Tyler Freeman Cheek, 1917-","Temple, K. Richmond","Rouse, Parke, 1915-1997","Yale University","Joseph and Margaret Muscarelle Museum of Art‏","Virginia Museum of Fine Arts","Skylark Farm","Washington and Lee University"],"creator_persname_ssim":["Cheek, Leslie, 1908-","McClenahan, Mary Tyler Freeman Cheek, 1917-","Temple, K. Richmond","Rouse, Parke, 1915-1997"],"creator_corpname_ssim":["Yale University","Joseph and Margaret Muscarelle Museum of Art‏","Virginia Museum of Fine Arts","Skylark Farm","Washington and Lee University"],"creators_ssim":["Cheek, Leslie, 1908-","McClenahan, Mary Tyler Freeman Cheek, 1917-","Temple, K. Richmond","Rouse, Parke, 1915-1997","Yale University","Joseph and Margaret Muscarelle Museum of Art‏","Virginia Museum of Fine Arts","Skylark Farm","Washington and Lee University"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"has_online_content_ssim":["false"],"extent_ssm":["19.4 Linear Feet 16 boxes; 596 folders and 48 oversized items"],"extent_tesim":["19.4 Linear Feet 16 boxes; 596 folders and 48 oversized items"],"date_range_isim":[1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The collection is open for research. A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into six series, folders are arranged in the original order maintained by Cheek, and retain their original folder titles when provided.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eSkylark Farm, 1966-1992\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003e\"Living by Design\" and \"Cheek and the Arts,\" 1945-1989\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003e\"Designing for the Arts,\" 1984-1991\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePersonal Files, 1934-1992\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eAwards and Degrees, 1931-1993\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003eTrips, 1952-1980\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into six series, folders are arranged in the original order maintained by Cheek, and retain their original folder titles when provided.","Series 1 Skylark Farm, 1966-1992 Series 2 \"Living by Design\" and \"Cheek and the Arts,\" 1945-1989 Series 3 \"Designing for the Arts,\" 1984-1991 Series 4 Personal Files, 1934-1992 Series 5 Awards and Degrees, 1931-1993 Series 6 Trips, 1952-1980"],"bibliography_html_tesm":["\u003cbibref\u003eTen Talents in the American Theatre, 1957\u003c/bibref\u003e","\u003cbibref\u003eLiving by Design: Leslie Cheek and the Arts, 1985\u003c/bibref\u003e","\u003cbibref\u003eDesigning for the Arts: Environments by Leslie Cheek, 1990\u003c/bibref\u003e","\u003cbibref\u003eSouthern Civility: Recollections of my Early Life, 2003\u003c/bibref\u003e","\u003cbibref\u003eDrawings for the Stage by Leslie Cheek, Jr., 1987\u003c/bibref\u003e","\u003cbibref\u003eVMFA Directors: Leslie Cheek Jr. (4 folders)\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067) \u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)\u003c/bibref\u003e","\u003cbibref\u003eArchives of American Art, Washington, DC: Architectural Forum, 1945-47; Time Lab, 1946-47; House Beautiful, 1947; Forum Exhibits, 1946-48; Exhibition Houses, Architectural Forum, 1947; Architectural League; Beauty at the Bar, Architectural League, 1948; Life in USA Houses Speech, Architectural League, 1946; Baltimore Museum Files: Correspondence, Photographs, Exhibition Info and Brochures; Architectural Consultant Files, 1968 to 1992; Above It All (Yale Thesis); Camouflage Info, Fort Belvoir, early 40's; For Us the Living (microfilm, original at MOMA); Oral History Interview\u003c/bibref\u003e","\u003cbibref\u003eCollege of William and Mary, Williamsburg, VA: Photographs of Stage Sets; Articles; Festival Theatre; Publicity for Theatre Development; Publicity for Frobenius; Cheek Award; O'Keefe Affair; Muscarelle Museum; Competition Show; Publicity for Stage Design Exhibitions; WandM Coat-of-Arms; Tom Sawyer Exhibition; Publicity for Frank Lloyd Wright Show; Washington Speech; 19th Century Party; Faraway Farm Information; Drawings of Stage Sets related to WandM (Phi Beta Hall; Taliaferro Hall, Parties)\u003c/bibref\u003e","\u003cbibref\u003eMuseum of Modern Art, New York City, NY: For Us the Living Exhibition\u003c/bibref\u003e","\u003cbibref\u003eQueens Museum, New York City, NY: Drawings of the 1939 New York World's Fair (Virginia Room)\u003c/bibref\u003e","\u003cbibref\u003eVirginia Historical Society, Richmond, VA: Four Camouflage Training Displays (Ft. Belvoir – early 40's); Rotunda Club History\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Books","Related Materials - VMFA Library: Exhibition File","Related Materials - VMFA Library: Subject File","Related Materials - Library of Virginia","Related Materials - Other Institutions"],"bibliography_tesim":["Ten Talents in the American Theatre, 1957","Living by Design: Leslie Cheek and the Arts, 1985","Designing for the Arts: Environments by Leslie Cheek, 1990","Southern Civility: Recollections of my Early Life, 2003","Drawings for the Stage by Leslie Cheek, Jr., 1987","VMFA Directors: Leslie Cheek Jr. (4 folders)","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067) ","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)","Archives of American Art, Washington, DC: Architectural Forum, 1945-47; Time Lab, 1946-47; House Beautiful, 1947; Forum Exhibits, 1946-48; Exhibition Houses, Architectural Forum, 1947; Architectural League; Beauty at the Bar, Architectural League, 1948; Life in USA Houses Speech, Architectural League, 1946; Baltimore Museum Files: Correspondence, Photographs, Exhibition Info and Brochures; Architectural Consultant Files, 1968 to 1992; Above It All (Yale Thesis); Camouflage Info, Fort Belvoir, early 40's; For Us the Living (microfilm, original at MOMA); Oral History Interview","College of William and Mary, Williamsburg, VA: Photographs of Stage Sets; Articles; Festival Theatre; Publicity for Theatre Development; Publicity for Frobenius; Cheek Award; O'Keefe Affair; Muscarelle Museum; Competition Show; Publicity for Stage Design Exhibitions; WandM Coat-of-Arms; Tom Sawyer Exhibition; Publicity for Frank Lloyd Wright Show; Washington Speech; 19th Century Party; Faraway Farm Information; Drawings of Stage Sets related to WandM (Phi Beta Hall; Taliaferro Hall, Parties)","Museum of Modern Art, New York City, NY: For Us the Living Exhibition","Queens Museum, New York City, NY: Drawings of the 1939 New York World's Fair (Virginia Room)","Virginia Historical Society, Richmond, VA: Four Camouflage Training Displays (Ft. Belvoir – early 40's); Rotunda Club History"],"bioghist_html_tesm":["\u003cp\u003eLeslie Cheek, Jr. was the second and longest-tenured Director of the Virginia Museum of Fine Arts. During his 20 year Directorship (1948-1968), he transformed the museum from a regional gem to a museum that operated on the international stage. \u003c/p\u003e\n","\u003cp\u003eBorn in Nashville, Cheek was the son of Mabel Wood and Leslie Cheek, Sr., who became rich by investing in the family formula for Maxwell House Coffee. Cheek studied art at Harvard University before taking up architecture at Yale University and Columbia. After graduation, he headed to William and Mary College where he founded and headed up the Department of Fine Arts from 1937-1939. In 1939, he married Richmonder Mary Tyler Freeman, daughter of Pulitzer Prize winning author Douglas Southall Freeman. From 1939-1942, Cheek served in his first Directorship at the Baltimore Museum of Fine Art. He left the museum in 1942 to join the Army Corps of Engineers in WWII. \u003c/p\u003e\n","\u003cp\u003eAfter the war, he was hired as the Associate Editor of Architectural Forum Magazine and lived in New York City for three years. In 1948, he came to the VMFA as Director, spending 20 years building the collections, endowments, and reputation of the museum. He was  known for the Artmobile, a mobile art program which brought the museum's collections all over the state of Virginia, and the Virginia Museum Theatre which opened in 1955 and successfully integrated the performing and visual arts. \u003c/p\u003e\n","\u003cp\u003eAfter retiring in 1968, Cheek stayed active in the arts, and two books were published about his life and career, \"Living by Design\" and \"Designing for the Arts.\" In 1967, the Cheeks purchased a mountaintop home named Skylark Farm in the Blue Ridge Mountains, which they donated to Washington and Lee University in 1977. \u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"http://arthistorians.info/cheekl\"\u003eThe Dictionary of Art Historians\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003eSource: Virginia Commonwealth University's \u003ca href=\"http://search.vaheritage.org/vivaxtf/view?docId=vcu-cab/vircu00021.xml/\"\u003eGuide to the Mary Tyler Freeman Cheek McClenahan Papers\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Leslie Cheek, Jr. was the second and longest-tenured Director of the Virginia Museum of Fine Arts. During his 20 year Directorship (1948-1968), he transformed the museum from a regional gem to a museum that operated on the international stage. ","Born in Nashville, Cheek was the son of Mabel Wood and Leslie Cheek, Sr., who became rich by investing in the family formula for Maxwell House Coffee. Cheek studied art at Harvard University before taking up architecture at Yale University and Columbia. After graduation, he headed to William and Mary College where he founded and headed up the Department of Fine Arts from 1937-1939. In 1939, he married Richmonder Mary Tyler Freeman, daughter of Pulitzer Prize winning author Douglas Southall Freeman. From 1939-1942, Cheek served in his first Directorship at the Baltimore Museum of Fine Art. He left the museum in 1942 to join the Army Corps of Engineers in WWII. ","After the war, he was hired as the Associate Editor of Architectural Forum Magazine and lived in New York City for three years. In 1948, he came to the VMFA as Director, spending 20 years building the collections, endowments, and reputation of the museum. He was  known for the Artmobile, a mobile art program which brought the museum's collections all over the state of Virginia, and the Virginia Museum Theatre which opened in 1955 and successfully integrated the performing and visual arts. ","After retiring in 1968, Cheek stayed active in the arts, and two books were published about his life and career, \"Living by Design\" and \"Designing for the Arts.\" In 1967, the Cheeks purchased a mountaintop home named Skylark Farm in the Blue Ridge Mountains, which they donated to Washington and Lee University in 1977. ","Source:  The Dictionary of Art Historians","Source: Virginia Commonwealth University's  Guide to the Mary Tyler Freeman Cheek McClenahan Papers"],"custodhist_html_tesm":["\u003cp\u003eThis collection is comprised of materials donated by Leslie Cheek, Jr.'s family members. The bulk of this collection was donated to the VMFA Library by Leslie's widow Mary Tyler Freeman Cheek McClenahan in 1993. The remainder of the material was donated by Leslie's children in 2005.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["This collection is comprised of materials donated by Leslie Cheek, Jr.'s family members. The bulk of this collection was donated to the VMFA Library by Leslie's widow Mary Tyler Freeman Cheek McClenahan in 1993. The remainder of the material was donated by Leslie's children in 2005."],"prefercite_html_tesm":["\u003cp\u003eLeslie Cheek, Jr. Personal Papers (SC-02). Gift of Mary Tyler Cheek McClenahan, Leslie Cheek III, Richard W. Cheek, and Elizabeth C. Morgan. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Leslie Cheek, Jr. Personal Papers (SC-02). Gift of Mary Tyler Cheek McClenahan, Leslie Cheek III, Richard W. Cheek, and Elizabeth C. Morgan. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessing and description were performed by Jennie Runnels in the mid-1990s. Original folder titles were retained. Publications were removed and added to the VMFA Library's holdings. Framed items were disassembled and the materials stored in flat files, with the exception of the few framed items which used archival mats.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Note"],"processinfo_tesim":["Processing and description were performed by Jennie Runnels in the mid-1990s. Original folder titles were retained. Publications were removed and added to the VMFA Library's holdings. Framed items were disassembled and the materials stored in flat files, with the exception of the few framed items which used archival mats."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1931-1993, with the bulk of the material dating from the 1960s-1980s. The collection is comprised of correspondence, plans, photographs, financial records, interviews, book drafts, exhibition records, travel itineraries, and other ephemeral material.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, plans, and photographs related to Skylark Farm, a house and tree farm located in the Blue Ridge Mountains of Virginia, owned, designed and furnished by the Cheeks between 1967 and 1977 when it was donated to Washington and Lee University. The Cheeks were also involved in the transformation of the house into a conference center for the University in the 1990s.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, interviews, and exhibition details related to the 1985 publication of \"Living by Design: Leslie Cheek and the Arts,\" which was written by Parke Rouse, Jr. and researched by K. Richmond Temple. The photobiography was released at the same time that a corresponding exhibition entitled \"Cheek and the Arts\" opened at the Muscarelle Museum of Art in December 1985.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, drafts, and financial details related to the 1990 publication of \"Designing for the Arts: Environments by Leslie Cheek,\" which was written by K. Richmond Temple. It was designed as a photo essay, and served as volume two to the previously published \"Living by Design\" in 1985.\u003c/p\u003e","\u003cp\u003eThis series is mainly comprised of correspondence related to a myriad of activities and projects that Cheek took on throughout his career and during his retirement. There is a considerable amount of material created during his tenure as Director of the VMFA. This series also contains oversized materials, including many drawings done by Cheek while in school in the 1930s and after, as well as photographs, mounted clippings, and some bound volumes and drawings.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence about and the actual awards and degrees conferred upon Cheek throughout his life.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, itineraries, and programs detailing the Cheeks' personal travels around the world.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Note","Series Description","Series Description","Series Description","Series Description","Series Description","Series Description"],"scopecontent_tesim":["The collection's inclusive dates are 1931-1993, with the bulk of the material dating from the 1960s-1980s. The collection is comprised of correspondence, plans, photographs, financial records, interviews, book drafts, exhibition records, travel itineraries, and other ephemeral material.","This series is comprised of correspondence, plans, and photographs related to Skylark Farm, a house and tree farm located in the Blue Ridge Mountains of Virginia, owned, designed and furnished by the Cheeks between 1967 and 1977 when it was donated to Washington and Lee University. The Cheeks were also involved in the transformation of the house into a conference center for the University in the 1990s.","This series is comprised of correspondence, interviews, and exhibition details related to the 1985 publication of \"Living by Design: Leslie Cheek and the Arts,\" which was written by Parke Rouse, Jr. and researched by K. Richmond Temple. The photobiography was released at the same time that a corresponding exhibition entitled \"Cheek and the Arts\" opened at the Muscarelle Museum of Art in December 1985.","This series is comprised of correspondence, drafts, and financial details related to the 1990 publication of \"Designing for the Arts: Environments by Leslie Cheek,\" which was written by K. Richmond Temple. It was designed as a photo essay, and served as volume two to the previously published \"Living by Design\" in 1985.","This series is mainly comprised of correspondence related to a myriad of activities and projects that Cheek took on throughout his career and during his retirement. There is a considerable amount of material created during his tenure as Director of the VMFA. This series also contains oversized materials, including many drawings done by Cheek while in school in the 1930s and after, as well as photographs, mounted clippings, and some bound volumes and drawings.","This series is comprised of correspondence about and the actual awards and degrees conferred upon Cheek throughout his life.","This series is comprised of correspondence, itineraries, and programs detailing the Cheeks' personal travels around the world."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Publication"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1c02dc40e094a70e20450781f6a750e4\"\u003eThis collection documents a portion of the life of Leslie Cheek, Jr., the Virginia Museum of Fine Arts' second and longest-tenured Director (1948-1968). One series includes material from his early career and activities before the VMFA, as well as his tenure at the museum, and through his  retirement. Two series document the publication of two photobiographies about Cheek, \"Living by Design\" and \"Designing for the Arts.\" Another series is comprised of materials about Skylark Farm, the house and tree farm located in the Blue Ridge Mountains, owned, designed and furnished by the Cheeks between 1967 and 1977 when it was donated to Washington and Lee University. Other series document the Cheeks' personal world travels in the 1950s-1980s, some of Cheek's awards, and finally, a number of framed architectural drawings done by Cheek as a student in the 1930s.\u003c/abstract\u003e"],"abstract_tesim":["This collection documents a portion of the life of Leslie Cheek, Jr., the Virginia Museum of Fine Arts' second and longest-tenured Director (1948-1968). One series includes material from his early career and activities before the VMFA, as well as his tenure at the museum, and through his  retirement. Two series document the publication of two photobiographies about Cheek, \"Living by Design\" and \"Designing for the Arts.\" Another series is comprised of materials about Skylark Farm, the house and tree farm located in the Blue Ridge Mountains, owned, designed and furnished by the Cheeks between 1967 and 1977 when it was donated to Washington and Lee University. Other series document the Cheeks' personal world travels in the 1950s-1980s, some of Cheek's awards, and finally, a number of framed architectural drawings done by Cheek as a student in the 1930s."],"names_ssim":["Virginia Museum of Fine Arts Archives","Yale University","Joseph and Margaret Muscarelle Museum of Art‏","Virginia Museum of Fine Arts","Skylark Farm","Washington and Lee University","Cheek, Leslie, 1908-","McClenahan, Mary Tyler Freeman Cheek, 1917-","Temple, K. Richmond","Rouse, Parke, 1915-1997"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Yale University","Joseph and Margaret Muscarelle Museum of Art‏","Virginia Museum of Fine Arts","Skylark Farm","Washington and Lee University"],"persname_ssim":["Cheek, Leslie, 1908-","McClenahan, Mary Tyler Freeman Cheek, 1917-","Temple, K. Richmond","Rouse, Parke, 1915-1997"],"language_ssim":["English \n.    "],"total_component_count_is":648,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:35:59.708Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_13_c04_c28"}},{"id":"viblbv_repositories_2_resources_3018_c03_c02","type":"Subseries","attributes":{"title":"1940s-1950s theatre playbills","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3018_c03_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3018_c03_c02","ref_ssm":["viblbv_repositories_2_resources_3018_c03_c02"],"id":"viblbv_repositories_2_resources_3018_c03_c02","ead_ssi":"viblbv_repositories_2_resources_3018","_root_":"viblbv_repositories_2_resources_3018","_nest_parent_":"viblbv_repositories_2_resources_3018_c03","parent_ssi":"viblbv_repositories_2_resources_3018_c03","parent_ssim":["viblbv_repositories_2_resources_3018","viblbv_repositories_2_resources_3018_c03"],"parent_ids_ssim":["viblbv_repositories_2_resources_3018","viblbv_repositories_2_resources_3018_c03"],"parent_unittitles_ssm":["John Barnes Performing Arts Collection","Series III: National Theatre (Washington, DC)"],"parent_unittitles_tesim":["John Barnes Performing Arts Collection","Series III: National Theatre (Washington, DC)"],"text":["John Barnes Performing Arts Collection","Series III: National Theatre (Washington, DC)","1940s-1950s theatre playbills"],"title_filing_ssi":"1940s-1950s theatre playbills","title_ssm":["1940s-1950s theatre playbills"],"title_tesim":["1940s-1950s theatre playbills"],"unitdate_inclusive_ssm":["1943-1961"],"normalized_date_ssm":["1943/1961"],"normalized_title_ssm":["1940s-1950s theatre playbills"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["John Barnes Performing Arts Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":33,"parent_access_restrict_tesm":["Collection is open for research."],"parent_access_terms_tesm":["Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech."],"date_range_isim":[1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961],"_nest_path_":"/components#2/components#1","timestamp":"2026-05-21T02:27:21.236Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3018","ead_ssi":"viblbv_repositories_2_resources_3018","_root_":"viblbv_repositories_2_resources_3018","_nest_parent_":"viblbv_repositories_2_resources_3018","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3018.xml","title_filing_ssi":"Barnes, John Performing Arts Collection,  1890s-1980s","title_ssm":["John Barnes Performing Arts Collection"],"title_tesim":["John Barnes Performing Arts Collection"],"unitdate_ssm":["1890-1983","1940-1969"],"unitdate_bulk_ssim":["1940-1969"],"unitdate_inclusive_ssm":["1890-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2016.005"],"text":["Ms.2016.005","John Barnes Performing Arts Collection","Charlottesville (Va.)","Local/Regional History and Appalachian South","Community theater","Theater programs","Concert programs","Collection is open for research.","The collection is arranged in ten series. For the most part, the series reflect the arrangement in which the collection was found in 2009. Please note: Many series overlap, i.e. there are theatre materials in series other than Series V.","Series I: Scrapbooks  includes scrapbooks on a variety of theatre topics from the 1900s through the 1970s including articles on burlesque, Allied Entertainment, the Kansas City Theatre, Gloria Swanson, Charles Dickens, George Bernard Shaw, William Shakespeare, Christopher Marlowe, Ben Johnson, and the theatre industry in general. There are also scrapbooks containing theatrical programs from the 1920s to the 1970s.","Series II: Clippings  consists of numerous magazine and journal articles from 1839 through 1966 about the theatre and entertainment industries that have been clipped and individually bound. Source publications for the clippings include:  Popular Electricity ,  Munsey's Magazine ,  Atlantic Monthly ,  The Library Magazine ,  Harper's New Monthly Magazine ,  The Nineteenth Century , and more.","Series III: National Theatre (Washington, DC)  includes performing arts programs from the National Theatre in Washington, DC. The series includes programs from the 1940s through the 1970s and opera programs from the mid-1940s. The majority of the series is theatrical programs which are grouped  by time period and program design. There are two subseries: 1940s-1950s playbills, 1960s-1970s playbills. ","Series IV: John F. Kennedy Center for the Performing Arts  includes theatre, opera, ballet, kabuki, and concert programs. About half of the series is theatre programs covering the 1960s and 1970s. Programs for the other genres are all from the 1970s. The series has two subseries: theatre playbills and ballet programs.","Series V: Theatre  includes a broad variety of theatrical programs from around the world including programs from Israel, Italy, Poland, France, and the United States. It also includes newsletters, advertising and subscription materials, and souvenir programs. There are seven subseries: George Bernard Shaw playbills, Chicago theatre playbills, Broadway playbills (further divided by era), Arena Stage playbills, The Virginia Players playbills, The Washington Theater Club playbills, and Souvenir programs. The remaining playbills are organized by venue. Items in this series are from the 1900s through the 1970s.","Series VI: Opera  includes opera programs from the 1920s to the 1970s in English, French, and Italian. The programs are organized by opera company. Companies represented in the collection include: the English National Opera, Opera National de Belgique, the Dallas Civic Opera Company, The Oratorio Society of Charlottesville-Albemarle, the Virginia Opera Association, the Washington Grand Opera Association, and more.","Series VII: Ballet and Dance  includes ballet and dance programs from the 1930s to 1980 in English, French, Polish, and Russian. The programs are organized by dance company. Companies represented in the collection include: Alvin Ailey City Center Dance Theater, Ballet Russe de Monte Carlo, Bat-Dor Dance Company of Israel, Charlottesville Civic Ballet Company, The Bolshoi Ballet, Fairfax Ballet Company, National Ballet of Canada, New York City Ballet, State Order of Lenin Academic Opera and Ballet Theatre, The National Ballet (United States of America), and more.","Series VIII: Music  includes concert programs for ensemble performances, individual performers, music festivals, and music variety shows. The programs are from the 1920s through the early 1980s. There are programs from the University of Virginia, Virginia Tech, the National Symphony Orchestra, the Civic Musical Association of Richmond, The Community Concert Association (Charlottesville, Virginia), and more. There are three subseries: University of Virginia programs, Virginia Tech Union programs, and Large musical ensemble programs.","Series IX: Motion Pictures and Television  includes film materials from the 1920s through the 1970s with the majority of the items from the early days of film in the 1920s and 1930s. The series includes promotional handouts, film festival notes, motion picture brochures, catalogs, and programs, and a subseries of materials from the British Film Institute in the 1950s and 1960s. This series includes items in English, German, and Hungarian.","Series X: Other Genres  includes items about the entertainment industry in general, museum and library event programs, circus programs, cabaret programs, figure skating programs, and a dressage (horse dancing) program. Items in this series are from the 1930s through the 1970s and are in English, Russian, and French.","John Hancock Barnes was born October 18, 1905 in Missouri and died on November 7, 1979 in Charlottesville, Virginia. He was married to Margaret Seymour. Barnes held both a Bachelor of Philosophy and a Master of Education. He was the head of the English department at Fluvanna County High School in Palmyra, Virginia from 1945 to 1949. He was an English teacher at Lane High School in Charlottesville, VA from 1949 until the school shut down under the Stanley Plan in September 1958 to protest the U.S. Supreme Court ruling regarding racial integration in  Brown v. Board of Education of Topeka . When the school reopened in February 1959, Barnes was the guidance director. He remained in that position until at least 1963. He passed away in 1979.","The processing, arrangement, and description of the John Barnes Performing Arts Collection commenced in January 2016 and was completed in May 2016.","The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s. Many of the programs were paired with clippings of newspaper critics' reviews of the performances. The reviews have been digitized and are available upon request. See the Arrangement note for additional information on the  contents of the collection.","The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:","The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection: Anna Bolena Italian-English Libretto, 1973 The Bookman's Journal and Print Collector, Vol. V, no. 1-3, 1921? Player's Magazine, November 1924-May and June 1931, February-May 1959 Philharmonic, July 1901 Saint Joan feature book, 1957 Tiefland Libretto, 1908 A Witch of Salem Libretto, 1926","Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech.","The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s.","Special Collections and University Archives, Virginia Tech","Barnes, John H. (John Hancock), 1905-1979","Materials in this collection are in English, French, German, Hebrew, Hungarian, Italian, Polish,  and Russian."],"unitid_tesim":["Ms.2016.005"],"normalized_title_ssm":["John Barnes Performing Arts Collection"],"collection_title_tesim":["John Barnes Performing Arts Collection"],"collection_ssim":["John Barnes Performing Arts Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Charlottesville (Va.)"],"geogname_ssim":["Charlottesville (Va.)"],"creator_ssm":["Barnes, John H. (John Hancock), 1905-1979"],"creator_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"creator_persname_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"creators_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"places_ssim":["Charlottesville (Va.)"],"access_terms_ssm":["Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The John Barnes Performing Arts Collection was given to Special Collections prior to 2009."],"access_subjects_ssim":["Local/Regional History and Appalachian South","Community theater","Theater programs","Concert programs"],"access_subjects_ssm":["Local/Regional History and Appalachian South","Community theater","Theater programs","Concert programs"],"has_online_content_ssim":["false"],"extent_ssm":["11.9 Cubic Feet 9 boxes, 1 oversize folder"],"extent_tesim":["11.9 Cubic Feet 9 boxes, 1 oversize folder"],"genreform_ssim":["Theater programs","Concert programs"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in ten series. For the most part, the series reflect the arrangement in which the collection was found in 2009. Please note: Many series overlap, i.e. there are theatre materials in series other than Series V.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries I: Scrapbooks\u003c/b\u003e includes scrapbooks on a variety of theatre topics from the 1900s through the 1970s including articles on burlesque, Allied Entertainment, the Kansas City Theatre, Gloria Swanson, Charles Dickens, George Bernard Shaw, William Shakespeare, Christopher Marlowe, Ben Johnson, and the theatre industry in general. There are also scrapbooks containing theatrical programs from the 1920s to the 1970s.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries II: Clippings\u003c/b\u003e consists of numerous magazine and journal articles from 1839 through 1966 about the theatre and entertainment industries that have been clipped and individually bound. Source publications for the clippings include: \u003ci\u003ePopular Electricity\u003c/i\u003e, \u003ci\u003eMunsey's Magazine\u003c/i\u003e, \u003ci\u003eAtlantic Monthly\u003c/i\u003e, \u003ci\u003eThe Library Magazine\u003c/i\u003e, \u003ci\u003eHarper's New Monthly Magazine\u003c/i\u003e, \u003ci\u003eThe Nineteenth Century\u003c/i\u003e, and more.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries III: National Theatre (Washington, DC)\u003c/b\u003e includes performing arts programs from the National Theatre in Washington, DC. The series includes programs from the 1940s through the 1970s and opera programs from the mid-1940s. The majority of the series is theatrical programs which are grouped  by time period and program design. There are two subseries: 1940s-1950s playbills, 1960s-1970s playbills. \u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IV: John F. Kennedy Center for the Performing Arts\u003c/b\u003e includes theatre, opera, ballet, kabuki, and concert programs. About half of the series is theatre programs covering the 1960s and 1970s. Programs for the other genres are all from the 1970s. The series has two subseries: theatre playbills and ballet programs.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries V: Theatre\u003c/b\u003e includes a broad variety of theatrical programs from around the world including programs from Israel, Italy, Poland, France, and the United States. It also includes newsletters, advertising and subscription materials, and souvenir programs. There are seven subseries: George Bernard Shaw playbills, Chicago theatre playbills, Broadway playbills (further divided by era), Arena Stage playbills, The Virginia Players playbills, The Washington Theater Club playbills, and Souvenir programs. The remaining playbills are organized by venue. Items in this series are from the 1900s through the 1970s.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VI: Opera\u003c/b\u003e includes opera programs from the 1920s to the 1970s in English, French, and Italian. The programs are organized by opera company. Companies represented in the collection include: the English National Opera, Opera National de Belgique, the Dallas Civic Opera Company, The Oratorio Society of Charlottesville-Albemarle, the Virginia Opera Association, the Washington Grand Opera Association, and more.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VII: Ballet and Dance\u003c/b\u003e includes ballet and dance programs from the 1930s to 1980 in English, French, Polish, and Russian. The programs are organized by dance company. Companies represented in the collection include: Alvin Ailey City Center Dance Theater, Ballet Russe de Monte Carlo, Bat-Dor Dance Company of Israel, Charlottesville Civic Ballet Company, The Bolshoi Ballet, Fairfax Ballet Company, National Ballet of Canada, New York City Ballet, State Order of Lenin Academic Opera and Ballet Theatre, The National Ballet (United States of America), and more.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VIII: Music\u003c/b\u003e includes concert programs for ensemble performances, individual performers, music festivals, and music variety shows. The programs are from the 1920s through the early 1980s. There are programs from the University of Virginia, Virginia Tech, the National Symphony Orchestra, the Civic Musical Association of Richmond, The Community Concert Association (Charlottesville, Virginia), and more. There are three subseries: University of Virginia programs, Virginia Tech Union programs, and Large musical ensemble programs.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IX: Motion Pictures and Television\u003c/b\u003e includes film materials from the 1920s through the 1970s with the majority of the items from the early days of film in the 1920s and 1930s. The series includes promotional handouts, film festival notes, motion picture brochures, catalogs, and programs, and a subseries of materials from the British Film Institute in the 1950s and 1960s. This series includes items in English, German, and Hungarian.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries X: Other Genres\u003c/b\u003e includes items about the entertainment industry in general, museum and library event programs, circus programs, cabaret programs, figure skating programs, and a dressage (horse dancing) program. Items in this series are from the 1930s through the 1970s and are in English, Russian, and French.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in ten series. For the most part, the series reflect the arrangement in which the collection was found in 2009. Please note: Many series overlap, i.e. there are theatre materials in series other than Series V.","Series I: Scrapbooks  includes scrapbooks on a variety of theatre topics from the 1900s through the 1970s including articles on burlesque, Allied Entertainment, the Kansas City Theatre, Gloria Swanson, Charles Dickens, George Bernard Shaw, William Shakespeare, Christopher Marlowe, Ben Johnson, and the theatre industry in general. There are also scrapbooks containing theatrical programs from the 1920s to the 1970s.","Series II: Clippings  consists of numerous magazine and journal articles from 1839 through 1966 about the theatre and entertainment industries that have been clipped and individually bound. Source publications for the clippings include:  Popular Electricity ,  Munsey's Magazine ,  Atlantic Monthly ,  The Library Magazine ,  Harper's New Monthly Magazine ,  The Nineteenth Century , and more.","Series III: National Theatre (Washington, DC)  includes performing arts programs from the National Theatre in Washington, DC. The series includes programs from the 1940s through the 1970s and opera programs from the mid-1940s. The majority of the series is theatrical programs which are grouped  by time period and program design. There are two subseries: 1940s-1950s playbills, 1960s-1970s playbills. ","Series IV: John F. Kennedy Center for the Performing Arts  includes theatre, opera, ballet, kabuki, and concert programs. About half of the series is theatre programs covering the 1960s and 1970s. Programs for the other genres are all from the 1970s. The series has two subseries: theatre playbills and ballet programs.","Series V: Theatre  includes a broad variety of theatrical programs from around the world including programs from Israel, Italy, Poland, France, and the United States. It also includes newsletters, advertising and subscription materials, and souvenir programs. There are seven subseries: George Bernard Shaw playbills, Chicago theatre playbills, Broadway playbills (further divided by era), Arena Stage playbills, The Virginia Players playbills, The Washington Theater Club playbills, and Souvenir programs. The remaining playbills are organized by venue. Items in this series are from the 1900s through the 1970s.","Series VI: Opera  includes opera programs from the 1920s to the 1970s in English, French, and Italian. The programs are organized by opera company. Companies represented in the collection include: the English National Opera, Opera National de Belgique, the Dallas Civic Opera Company, The Oratorio Society of Charlottesville-Albemarle, the Virginia Opera Association, the Washington Grand Opera Association, and more.","Series VII: Ballet and Dance  includes ballet and dance programs from the 1930s to 1980 in English, French, Polish, and Russian. The programs are organized by dance company. Companies represented in the collection include: Alvin Ailey City Center Dance Theater, Ballet Russe de Monte Carlo, Bat-Dor Dance Company of Israel, Charlottesville Civic Ballet Company, The Bolshoi Ballet, Fairfax Ballet Company, National Ballet of Canada, New York City Ballet, State Order of Lenin Academic Opera and Ballet Theatre, The National Ballet (United States of America), and more.","Series VIII: Music  includes concert programs for ensemble performances, individual performers, music festivals, and music variety shows. The programs are from the 1920s through the early 1980s. There are programs from the University of Virginia, Virginia Tech, the National Symphony Orchestra, the Civic Musical Association of Richmond, The Community Concert Association (Charlottesville, Virginia), and more. There are three subseries: University of Virginia programs, Virginia Tech Union programs, and Large musical ensemble programs.","Series IX: Motion Pictures and Television  includes film materials from the 1920s through the 1970s with the majority of the items from the early days of film in the 1920s and 1930s. The series includes promotional handouts, film festival notes, motion picture brochures, catalogs, and programs, and a subseries of materials from the British Film Institute in the 1950s and 1960s. This series includes items in English, German, and Hungarian.","Series X: Other Genres  includes items about the entertainment industry in general, museum and library event programs, circus programs, cabaret programs, figure skating programs, and a dressage (horse dancing) program. Items in this series are from the 1930s through the 1970s and are in English, Russian, and French."],"bioghist_html_tesm":["\u003cp\u003eJohn Hancock Barnes was born October 18, 1905 in Missouri and died on November 7, 1979 in Charlottesville, Virginia. He was married to Margaret Seymour. Barnes held both a Bachelor of Philosophy and a Master of Education. He was the head of the English department at Fluvanna County High School in Palmyra, Virginia from 1945 to 1949. He was an English teacher at Lane High School in Charlottesville, VA from 1949 until the school shut down under the Stanley Plan in September 1958 to protest the U.S. Supreme Court ruling regarding racial integration in \u003ci\u003eBrown v. Board of Education of Topeka\u003c/i\u003e. When the school reopened in February 1959, Barnes was the guidance director. He remained in that position until at least 1963. He passed away in 1979.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["John Hancock Barnes was born October 18, 1905 in Missouri and died on November 7, 1979 in Charlottesville, Virginia. He was married to Margaret Seymour. Barnes held both a Bachelor of Philosophy and a Master of Education. He was the head of the English department at Fluvanna County High School in Palmyra, Virginia from 1945 to 1949. He was an English teacher at Lane High School in Charlottesville, VA from 1949 until the school shut down under the Stanley Plan in September 1958 to protest the U.S. Supreme Court ruling regarding racial integration in  Brown v. Board of Education of Topeka . When the school reopened in February 1959, Barnes was the guidance director. He remained in that position until at least 1963. He passed away in 1979."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: John Barnes Performing Arts Collection, Ms2016-005, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: John Barnes Performing Arts Collection, Ms2016-005, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the John Barnes Performing Arts Collection commenced in January 2016 and was completed in May 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the John Barnes Performing Arts Collection commenced in January 2016 and was completed in May 2016."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s. Many of the programs were paired with clippings of newspaper critics' reviews of the performances. The reviews have been digitized and are available upon request. See the Arrangement note for additional information on the  contents of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s. Many of the programs were paired with clippings of newspaper critics' reviews of the performances. The reviews have been digitized and are available upon request. See the Arrangement note for additional information on the  contents of the collection."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eThe following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:\u003c/head\u003e\n      \u003citem\u003eAnna Bolena Italian-English Libretto, 1973\u003c/item\u003e\n      \u003citem\u003eThe Bookman's Journal and Print Collector, Vol. V, no. 1-3, 1921?\u003c/item\u003e\n      \u003citem\u003ePlayer's Magazine, November 1924-May and June 1931, February-May 1959\u003c/item\u003e\n      \u003citem\u003ePhilharmonic, July 1901\u003c/item\u003e\n      \u003citem\u003eSaint Joan feature book, 1957\u003c/item\u003e\n      \u003citem\u003eTiefland Libretto, 1908\u003c/item\u003e\n      \u003citem\u003eA Witch of Salem Libretto, 1926\u003c/item\u003e\n    \u003c/list\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:","The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection: Anna Bolena Italian-English Libretto, 1973 The Bookman's Journal and Print Collector, Vol. V, no. 1-3, 1921? Player's Magazine, November 1924-May and June 1931, February-May 1959 Philharmonic, July 1901 Saint Joan feature book, 1957 Tiefland Libretto, 1908 A Witch of Salem Libretto, 1926"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_68b34aec577b16124acbb1215f539ab7\"\u003eThe collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Barnes, John H. (John Hancock), 1905-1979"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"language_ssim":["Materials in this collection are in English, French, German, Hebrew, Hungarian, Italian, Polish,  and Russian."],"total_component_count_is":314,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:27:21.236Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3018_c03_c02"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c13_c01","type":"File","attributes":{"title":"\"1946-1954: Cold Wars and the Dream Deferred\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c13_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c13_c01","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c13_c01"],"id":"viw_repositories_2_resources_9853_c01_c01_c13_c01","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01_c13","parent_ssi":"viw_repositories_2_resources_9853_c01_c01_c13","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c13"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c13"],"parent_unittitles_ssm":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1946-1954: Realistic Comics; EC; Pal, Lantz, Kelley; 1955-1974, Integration; Modern; Fritz \u0026 Friends"],"parent_unittitles_tesim":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1946-1954: Realistic Comics; EC; Pal, Lantz, Kelley; 1955-1974, Integration; Modern; Fritz \u0026 Friends"],"text":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1946-1954: Realistic Comics; EC; Pal, Lantz, Kelley; 1955-1974, Integration; Modern; Fritz \u0026 Friends","\"1946-1954: Cold Wars and the Dream Deferred\"","Box 13","folder 45"],"title_filing_ssi":"\"1946-1954: Cold Wars and the Dream Deferred\"","title_ssm":["\"1946-1954: Cold Wars and the Dream Deferred\""],"title_tesim":["\"1946-1954: Cold Wars and the Dream Deferred\""],"unitdate_inclusive_ssm":["1950-2008"],"normalized_date_ssm":["1950/2008"],"normalized_title_ssm":["\"1946-1954: Cold Wars and the Dream Deferred\""],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":60,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"containers_ssim":["Box 13","folder 45"],"_nest_path_":"/components#0/components#0/components#12/components#0","timestamp":"2026-05-21T07:21:03Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:21:03Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c13_c01"}},{"id":"wvmturhc_repositories_2_resources_882_c02_c01","type":"File","attributes":{"title":"1946 Fund Files -- Godfrey P. Schmidt correspondence; Memo, John L. Lewis to J. Roche, 1959/03/18 concerning Schmidt","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_882_c02_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_882_c02_c01","ref_ssm":["wvmturhc_repositories_2_resources_882_c02_c01"],"id":"wvmturhc_repositories_2_resources_882_c02_c01","ead_ssi":"wvmturhc_repositories_2_resources_882","_root_":"wvmturhc_repositories_2_resources_882","_nest_parent_":"wvmturhc_repositories_2_resources_882_c02","parent_ssi":"wvmturhc_repositories_2_resources_882_c02","parent_ssim":["wvmturhc_repositories_2_resources_882","wvmturhc_repositories_2_resources_882_c02"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_882","wvmturhc_repositories_2_resources_882_c02"],"parent_unittitles_ssm":["United Mine Workers of America, Health and Retirement Funds, Records","Series 2. Office of the Director (Boxes S2/Box 1-S2/Box 62)"],"parent_unittitles_tesim":["United Mine Workers of America, Health and Retirement Funds, Records","Series 2. Office of the Director (Boxes S2/Box 1-S2/Box 62)"],"text":["United Mine Workers of America, Health and Retirement Funds, Records","Series 2. Office of the Director (Boxes S2/Box 1-S2/Box 62)","1946 Fund Files -- Godfrey P. Schmidt correspondence; Memo, John L. Lewis to J. Roche, 1959/03/18 concerning Schmidt","Box S2/Box 1","Folder 1"],"title_filing_ssi":"1946 Fund Files -- Godfrey P. Schmidt correspondence; Memo, John L. Lewis to J. Roche, 1959/03/18 concerning Schmidt ","title_ssm":["1946 Fund Files -- Godfrey P. Schmidt correspondence; Memo, John L. Lewis to J. Roche, 1959/03/18 concerning Schmidt"],"title_tesim":["1946 Fund Files -- Godfrey P. Schmidt correspondence; Memo, John L. Lewis to J. Roche, 1959/03/18 concerning Schmidt"],"unitdate_inclusive_ssm":["1947-1949; 1959"],"normalized_date_ssm":["1947/1959"],"normalized_title_ssm":["1946 Fund Files -- Godfrey P. Schmidt correspondence; Memo, John L. Lewis to J. Roche, 1959/03/18 concerning Schmidt"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["United Mine Workers of America, Health and Retirement Funds, Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":69,"parent_access_restrict_tesm":["Requires \"Agreement for Use\" form designed specifically for this collection, since special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959],"containers_ssim":["Box S2/Box 1","Folder 1"],"_nest_path_":"/components#1/components#0","timestamp":"2026-05-21T01:29:32.266Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_882","ead_ssi":"wvmturhc_repositories_2_resources_882","_root_":"wvmturhc_repositories_2_resources_882","_nest_parent_":"wvmturhc_repositories_2_resources_882","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_882.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/212424","title_ssm":["United Mine Workers of America, Health and Retirement Funds, Records"],"title_tesim":["United Mine Workers of America, Health and Retirement Funds, Records"],"unitdate_ssm":["1915-1989"],"unitdate_inclusive_ssm":["1915-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2769","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival 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Key","/repositories/2/resources/882","United Mine Workers of America, Health and Retirement Funds, Records","Kentucky","Virginia","Blankenship vs. Boyle.","Coal miners","Coal mining - Medical care.","Dental care","Dentists","Drugs and druggists.","Federal Coal Mine Health and Safety Act 1969.","Health services.","Hospitals and hospital records.","Hospitals and sanitariums.","Medicine. SEE ALSO Folk medicine.","Lungs -- Dust diseases","Physicians - letters and papers.","Silicosis","United Mine Workers of America Health and Retirement Funds - copayment system.","Vocational rehabilitation","Requires \"Agreement for Use\" form designed specifically for this collection, since special access restriction applies.","In 1946, the United Mine Workers of America (UMWA) President John L. Lewis demanded a pension and medical care program for American coal miners.  The collective bargaining agreement of the same year between the Union and U.S. Secretary of the Interior Julius A. Krug established two trust funds, one for welfare and retirement payments and another for medical care benefits.  Krug signed the agreement on behalf of the industry because the U.S government had seized the country's coal mines during the miners' 1946 strike.","The original names for the pension and medical care plan was the Welfare and Retirement Fund.  Coal companies paid money to the Fund according to a royalty per ton of coal mined.  The royalty rose gradually from five cents per ton in 1946 to eighty-two cents per ton in 1974.  The first welfare and medical checks reached beneficiaries in 1947, but a dispute between the union and the coal industry held up the first pension check to a retired miner until 1948.","From 1946 until 1971, there was a close relationship between the UMWA and the Fund.  There were three members of the Fund Board of Trustees, one each for the union and the industry and one \"neutral\" trustee.  John L Lewis held the Union's trusteeship from 1946 until his death in 1969, while his close associate and director of the Fund, Josephine Roche, was the neutral trustee from 1950 to 1971.  UMWA President W.A. \"Tony\" Boyle served as the Union's trustee from 1969 to 1971.  Collective bargaining agreements between the Union and the coal industry established the royalty payments to the Fund.  But the collaboration between Lewis and Roche, and later Boyle and Roche, placed policy-making decisions in the Union's hands and indirectly led to the abuses and mismanagement of the Funds that were made public in the late 1960s.","The 1946 Kruger-Lewis agreement called for an investigation of coal miners' health and medical treatment, sanitation, and housing in the coal fields.  This study took place in 1946-47 under the direction of Rear Admiral Joel T. Boone, Navy Medical Corps.  Boone's report, \"Medical Survey of the Bituminous Coal Industry,\" revealed inadequate health facilities, lack of qualified physicians, and poor housing and sanitation in many parts of the coal fields.  Accordingly, in 1948 Warren F. Draper became the Fund's executive medical officer in charge of ten Area Medical Offices covering mining districts.  These offices arranged for the delivery of medical care to eligible coal miners by doctors in the coal fields.","The host of difficulties with the Fund's health care program from 1948 to 1951 led to a decision to build and staff ten hospitals in Kentucky, West Virginia, and Virginia.  These Miners Memorial Hospitals opened their doors in 1955 and 1956, offering modern facilities and equipment and well-trained medical staff to the Fund's beneficiaries.  Due to the gradual decline of the coal industry during the 1950s and 1960s and to the corresponding decrease in the number of beneficiaries for medical care programs, the Fund decided in 1963 to transfer the hospitals to the Appalachian Regional Hospitals, Inc., a non-profit corporation established by the Board of National Missions of the United Presbyterian Church.","The problem which led to the transfer of the hospitals also affected the other parts of the Fund's programs.  The Board of Trustees changed eligibility requirements for pensions in 1953 and 1960, responding to declining payments form the royalty on coal tonnage.  These changes reduced the number of retired miners who qualified for pensions.  A revision in the health care program in 1962 denied benefits to miners whose employers were delinquent in making payments to the Fund.  These changes in the Fund's programs, coupled with the Board of Trustees' investment decisions for Fund financial reserves, stirred much resentment among coal miners.  Their criticism of the Fund escalated in step with their dissatisfaction with the UMWA leadership in the late 1960s.","Friction between rank and file coal miners, the UMWA, and the Fund produced the 1969  Blankenship vs. Boyle  class action lawsuit.  On behalf of 17,000 miners who had been denied benefits by the Fund, this suit alleged that Fund finances had been mismanaged and that pension eligibility requirements were arbitrary and capricious.  The presiding judge's decision in 1971 found in favor of the plaintiffs and began a series of important changes for the Fund, including the removal of trustees and the director, diverting Fund monies to new bank accounts and investments, and implementing new pension application procedures. As a result of the eligibility portion of the judge's decision, thousands of miners previously denied pensions began to receive them.","The United Mine Workers of America (UMWA) archives consists of the records of the first industry-wide pension and medical care plans for coal miners and their families in the United States.  The archives comprise approximately 156 linear feet of records from the years 1946-1974, and include minutes, resolutions, correspondence, memos, reports, transcribed speeches, lawsuit documents, construction plans, contracts, statistical reports, newspaper clippings, photographs, microfilmed reading files, sound recordings, and movie film.","Letters, memos, and reports in the archives document the relationship between the UMWA and the Health and Retirement Funds.  There are correspondence files for John L. Lewis, Josephine Roche, W.A. (Tony) Boyle, and\nother members of the Funds' Board of Trustees, 1946-1974. There are also newspaper clippings, letters, and lawsuit documents concerning the 1969 UMWA election, the  Blankenship vs. Boyle  class action lawsuit, and the U.S. Senate investigation of the Funds.  ","The archives also include extensive records on the creation and implementation of hospitalization and medical care policies.  There are letters, memos, reports, minutes, and agenda of professional health care meetings, speeches and addresses concerning the administration of health care delivery in the coal fields, the hiring and retention of physicians and other medical personnel, and the provision of various types of medical care, from routine examinations to vocational rehabilitation for the victims of mining accidents.  ","The archives include a variety of documents on the building, dedication, and administration of the Miners Memorial Hospitals in Virginia, West Virginia, and Kentucky.  There are volumes of minutes, resolutions, and exhibits from meetings of the Miners Memorial Hospital Associations of Virginia, West Virginia, and Kentucky, from 1951-1964.  There are also construction plans, contracts, photographs, sound recordings, and movie film of groundbreaking and dedication ceremonies, as well as extensive documentation on the implementation of medical care programs through the hospitals. Additional letters, memos, reports, contracts, and printed material concern the transfer of the Miners Memorial Hospitals from the Funds to the Appalachian Regional Hospitals, incorporated in 1963.","The archives' medical care records also include material on the dispute between the Funds' medical professionals and the American Medical Association (AMA) concerning the issue of free choice of physicians  There are letters,\ntranscribed hearings of local medical associations, sound recordings of Kentucky legislative hearings, and printed material revealing the policies of both the Funds and the AMA and the cases of individual physicians employed or retained by the Funds whom the AMA barred from membership.  ","There is voluminous correspondence among the Funds' trustees, officers, administrators, and beneficiaries concerning the eligibility requirements for pensions, funeral expense payments, disability payments, widow's\nmaintenance payments, and hospitalization and health care.  These letters, appearing in large groups throughout the archives, reveal the changes in the Funds eligibility and benefit requirements and the attitudes of coal miners and their dependents to the establishment of the pension and medical care programs and the revision of these programs from the late 1940s to the early 1970s.","There are also multiple addenda to the main collection and a set of ledgers, certificates, and other material. These addenda contain wage agreements, correspondence between area medical offices and others, court papers, correspondence regarding the retention of medical services at various facilities, annual reports, and other material.","This series consists of correspondence, benefit and trust plans, contracts, and court orders and opinions. Files with titles beginning with \"R - \" are restricted; please contact a curator for further information.","This series consists of correspondence, lawsuit documents, memos, policy guidelines and formulations, collective bargaining agreements, and newspaper clippings. The title for each file begins with the subseries title; these include 1946 Fund Files, Actuary and Insurance Company Data, Bank Correspondence, Board of Trustees Correspondence, Administrative Files, UMWA Correspondence, Legal Counsel General Correspondence, Contracts, Conventions, 1969 UMWA Election, Investigation of Fund, Blankenship, Medical Hospital and Health Services Correspondence, Miscellaneous, and Directors' Correspondence and Miscellaneous Files. Files with titles beginning with \"R - \" are restricted; please contact a curator for further information.","This series consists of correspondence, reports, memos, speeches and addresses, microfilm of reading files, and statistical data. The title for each file begins with the subseries title; these include Hospitals and Medical Care Agencies, Subject Files, Health Care Delivery, Reading Files, and Regional Office Files. Files with titles beginning with \"R - \" are restricted; please contact a curator for further information.","This series consists of reports, memos, contracts, construction plans, budgets, operations manuals, bylaws, minutes, resolutions, hospital utilization statistics, press releases, personnel statistics, and correspondence. The title for each file begins with the subseries title; these include Subject Files, Construction/Administration, Clinical Operations, Hospital Weekly Admission Notices, Legal and Contracts, Henry C. Daniel's Files, and Harlan Memorial Hospital. Files with titles beginning with \"R - \" are restricted; please contact a curator for further information.","This series consists of printed and typescript statisctical reports and statistical summaries. The title for each file begins with the subseries title; these include Medical Care Statistics, Statistical Report, Hospital Statistics-Most Frequently Used, Hospital Statistics-Case Rates, Hospital Statistics-Utilization, Physicians, Coal Mine Inspection, Mortality, Vocational Rehabilitation, Summary Statistics, MMHA-Surgery, MMHA-Miscellaneous, Special Centers, Statistical Abstract, Regional Medical Budgets, and Summary of Retainers. Files with titles beginning with \"R - \" are restricted; please contact a curator for further information.","This series consists of news releases, photographs, biographical data, and correspondence. Files with titles beginning with \"R - \" are restricted; please contact a curator for further information.","This series consists of correspondence, notes, memos, news releases, financial records, and newspaper clippings.  Files with titles beginning with \"R - \" are restricted; please contact a curator for further information.","This series consists of 1,350 photographs separately arranged by subject. These photographs show Funds staff, hospitals, hospital staff, beneficiaries, and coal mining scenes. Files with titles beginning with \"R - \" are restricted; please contact a curator for further information.","s1 - Dr. Reed\ns2 - Dr. Reed\ns3, s4 - J.L. Lewis\ns7, s8 - J.L. Lewis\ns9, s10, s11 - J.L. Lewis\ns12 - Miss Roche","s1 - (Opener)\ns2 - Presentation","(1) Westchester Fire Dept. Gallup and Damon, used 1958/08/26\n(2) Public Utilities - John Wingate, used 1956/09/01\n(3) Dairy - Frank Blair, used 1956/06/03","This series includes individual payroll tax assessment record ledgers from Ponfeigh Smokeless Coal Company and Pine Hill Smokeless Coal Company, financial secretary's ledgers from UMWA Local Union No. 935, Cassandra, PA, assorted mine payroll sheets, rolled certificates from the Commonwealth of PA Department of Mines for Simon J. Callahan, and other material.","Items with titles beginning with \"R - \" are restricted; please contact a curator for further information.","Annual Reports, 1952-1979 \n\"A Chronology of the U.M.W.A. Welfare and Retirement Fund, Covering the Period between 1945 and April 26, 1951\" \n\"Rehabilitation of the Disabled\" (UMWA Welfare and Retirement Fund, n.d.) \n\"Pensions for Coal Miners\" (UMWA Welfare and Retirement Fund, n.d.) \nList of Principal Medical Staff Publications \nCopies of 38 Medical Staff Publications (see list in inventory folder)","Copy of \"A Medical Survey of the Bituminous Coal Industry, Report of the Coal Mines Administration, Department of the Interior, Washington, DC,\" 1947, prepared by Admiral Joel T. Boone, Director, Medical Survey Group. (\"The Boone Report\") Also included is a folder of assorted documents including blank samples of Fund forms and paperwork and a copy of \"Analysis of Proposed Personnel Budget for the Fiscal Year Ending June 30, 1957.\"","\"Bibliography - UMWA Health and Retirement Funds,\" prepared by Marilyn Abbott. Covers materials both about the Funds and by Funds' staff.","This series consists of correspondence and reports from regional medical offices of the UMWA, other medical studies and reports, and other material.","This series includes interoffice correspondence between regional offices regarding supply vendors, reports, articles by Dr. Warren Draper, assorted reports, assorted photographs (including several of Josephine Roche receiving an honorary degree at the University of Colorado), and other material.","This series includes interoffice and outside correspondence regarding the retention of medical and health services and negotiations with outside hospitals regarding retainer fees, excerpts of works on common medical issues, newsletters from various medical organizations, audit reports, and other material.","This series includes interoffice health-related correspondence, reports written by Koplin regarding the Health and Retirement Fund, insurance, and more, assorted notes, clippings, reports, and other material.","This series consists of wage agreements, depositions, other court papers, and other material.","The following material has been separated from Series 14. ADD of 1982/02/27, Area Medical Offices and Other Material:","Printed material sent to WVU Medical Center Library: \nHarry E. Handley and Carolina R. Randolph, \"Eight Years of Public Health Work, Jones Conty Mississippi, 1937-1944,\" NY, Commonwealth Fund, 1946. \nLeslie A. Falk, \"Medical Sociology: The Contribution of Dr. Henry E. Siquist,\" Repritn from journal of the History of Medicine and Allied Sciences, 1958 Vol. 13, No. 2. \n\"25 Anniversary Report from the Hospital Research and Education Trust\" (1970)","Printed material sent to WVU Evansdale Library: \n\"USDA Testimony Proposing Long Range Agricultural Policy and Programs,\" before Congressional Committees on Agriculture, April 21, October 6-8, 1947.","Printed material discarded: \n\"Appalachia\" Vol. 7, No. 4 (1974)","The following material has been separated to the Map Collection: \nPopulation distribution map, Benefit Trust Beneficiaries, 1950.","The following audiotape reels were separated and added to the Oral History Collection: ","Reel #1. John L. Lewis: Testimony before Kennedy Committee [7 in. tape, 7.5 IPS], 1957/06/21  \nReel #2. John L. Lewis: Testimony before Labor Committee [7 in. tape, 7.5 IPS], 1957/06/21  \nReel #3. John L. Lewis: Testimony before Labor Committee [7 in. tape, 7.5 IPS], 1957/06/21  \nReel #4. John L. Lewis: Testimony before Labor Committee [7 in. tape, 7.5 IPS], 1957/06/21  \nReel #1. John L. Lewis: Testimony, Borden Committee [7 in. tape, 7.5 IPS], 1957/07/09  \nReel #2. John L. Lewis: Testimony, Borden Committee [7 in. tape, 7.5 IPS], 1957/07/09  \nReel #3. John L. Lewis: Testimony, Borden Committee [7 in. tape, 7.5 IPS], 1957/07/09  \nReel #4. John L. Lewis: Testimony, Borden Committee [7 in. tape, 7.5 IPS], 1957/07/09  \nReel #5. John L. Lewis: Testimony, Borden Committee [7 in. tape, 7.5 IPS], 1957/07/09  \nReel #6. John L. Lewis: Testimony, Borden Committee [7 in. tape, 7.5 IPS], 1957/07/09  \nJohn L. Lewis, Rep. Perkins: House Joint Subcommittee on Labor Management Reform Legislation-John L. Lewis, Rep. Perkins (continues--overlapped on Tape #2) [7 in. tape, 7.5 IPS], 1959/05/13  \nReel #3. House Joint Subcommittee/John L. Lewis: House Joint Subcommittee on Labor Management Reform Legislation; John L. Lewis (Continued-overlaps Tape #2) Questions and answers (Continued--overlaps on Tape #4) [7 in. tape, 7.5 IPS], 1959/05/13  \nReel #4. House Joint Subcommittee, John L. Lewis: House Joint Subcommittee on Labor Management Reform Legislation; John L. Lewis Questions and answers (overlaps Tape #3) (This tape continues and is overlapped on Tape #5) [7 in. tape, 7.5 IPS], 1959/05/13  \nReel #5. House Joint Subcommittee, John L. Lewis: House Joint Subcommittee on Labor Management Reform Legislation; John L. Lewis Questions and answers (Continued overlaps on Tape #6) (This continues and is overlapped on Tape #6) [7 in. tape, 7.5 IPS], 1959/05/13  \nReel #6. House Joint Subcommittee, John L. Lewis: House Joint Subcommittee on Labor Management Reform Legislation; John L. Lewis Questions and answers (Continued overlaps on Tape #5) (This tape continues and is overlapped on Tape #7) [7 in. tape, 7.5 IPS], 1959/05/13  \nReel #7. House Joint Subcommittee, John L. Lewis: House Joint Subcommittee on Labor Management Reform Legislation; John L. Lewis (Questions and Answers Continued Overlaps on Tape #6) [7 in. tape, 7.5 IPS], ca. 1959/05/13  \nReel #1. John L. Lewis Testimonial Dinner: Testimonial Dinner for John L. Lewis; Applause for Waiters with 40 cakes. John Owens - Toast-master, Tony Boyle, John Owens, Tom Kennedy. (This tape overlapped on Tape #2) [7 in. tape, 7.5 IPS], 1960/01/14  \nReel #2. John L. Lewis Testimonial Dinner: Testimonial Dinner for John L. Lewis. Tom Kennedy. (This tape overlaps Tape #1) John Owens, John L. Lewis (This tape starts on Tape #3 also) [7 in. tape, 7.5 IPS], 1960/01/14  \nReel #3. John L. Lewis Testimonial Dinner: Testimonial Dinner for John L. Lewis. John L. Lewis (Starts on Tape #2 also) (This tape overlaps on Tape #4) [7 in. tape, 7.5 IPS], 1960/01/14  \nJohn L. Lewis - Assorted Speeches -- Reel #1. Dedication Program: Dedication Program [7 in. tape, 7.5 IPS], 1957/06/02  \nJohn L. Lewis - Assorted Speeches -- Reel #1. J.L. Lewis, National Coal Policy Conference. Copy Four.: National Coal Policy Conference; Mr. John L. Lewis (complete on this tape); Mr. Love thanks above; Rt. Rev. Mons. John J. McClafferty; Adjournment [7 in. tape, 7.5 IPS], 1957/04/27  \nJohn L. Lewis - Assorted Speeches -- Reel #1. Union Songs: R-1 - 3 3/4 [7 in. tape, 7.5 IPS], undated  \nJohn L. Lewis - Assorted Speeches -- Reel #2. Union Songs: R.2 - 3 3/4 Union Songs [7 in. tape, 7.5 IPS], undated  \nJohn L. Lewis - Assorted Speeches -- Reel #1. Program, Dedication Ceremony for 10 UMWF Hospitals: Program, Reel 1 [7 in. tape, 7.5 IPS], undated  \nJohn L. Lewis - Assorted Speeches -- Reel #2. Program, All Lewis: Program, All Lewis [7 in. tape, 7.5 IPS], undated  \nJohn L. Lewis - Assorted Speeches -- Reel #1. J.L. Lewis Dinner Speech: J.L.L. Dinner Speech, Netherland Hilton Hotel, Cincinnati, Ohio. This tape duplicated from tape furnished by United Mine Workers. No overlap. This tape ends at applause. Picks up on tape #2 with same applause. [7 in. tape, 7.5 IPS], 1960/10/06  \nJohn L. Lewis - Assorted Speeches -- Reel #2. John L. Lewis Dinner Speech: John L. Lewis Dinner Speech, Netherland Hilton Hotel, Cincinnati, Ohio. This tape duplicated from tape furnished by United Mine Workers. No overlap. Continued applause from Tape #1. [7 in. tape, 7.5 IPS], 1960/10/06  \nReel #1. J.L. Lewis Dinner Speech \"Autonomy:\" J.L. Lewis Dinner Speech \"Autonomy.\" This tape duplicated from tape furnished by United Mine Workers. No overlap. This tape ends with applause; picks up on Tape #2 with same applause. [7 in. tape, 7.5 IPS], 1960/10/10  \nReel #2. John L. Lewis Dinner Speech, \"Autonomy:\" John L. Lewis Dinner Speech \"Autonomy.\" This tape duplicated from tape furnished by UMW. No overlap. This tape continues with applause from Tape #1. [7 in. tape, 7.5 IPS], 1960/10/10  \nReel #1. Senate Subcommittee on Labor/Mine Safety: Senate Subcommittee on Labor/Coal Mine Safety. Acting Chairman Senator Clark - opening statement. Mr. Marling J. Anthony (with Sen. Clark and Sen. Randolph. Only questions and answers recorded) Mr. Charles Ferguson (continued and overlapped on #2) [7 in. tape, 7.5 IPS], 1959/07/21  \nUnited Mine Workers of America, Health and Retirement Funds, Records A\u0026M.2769 - Page 178- Reel #2. Senate Subcommittee on Labor/Mine Safety: Senate Subcommittee on Labor/Coal Mine Safety. Mr. Charles Ferguson (cont.-overlaps #1) Introduction by Sen. Randolph; Sen. Clark; also comment by Sen. Cooper; Mr. John L. Lewis starts, overlaps #3. [7 in. tape, 7.5 IPS], 1959/07/21  \nReel #3. Senate Subcommittee on Labor/Mine Safety: Senate Subcommittee on Labor/Coal Mine Safety. Mr. John L. Lewis, starts on tape #2 and overlapped on #4. [7 in. tape, 7.5 IPS], 1959/07/21  \nReel #4. Senate Subcommittee on Labor/Mine Safety: Senate Subcommittee on Labor/Mine Safety. Mr. John L. Lewis (cont. and overlaps on #3) 8 min. in, Sen. Cooper. Note: Sen. Cooper didn't have mic - was too far from closest mic to be picked up. [7 in. tape, 7.5 IPS], 1959/07/21  \nReel #1. Coal Policy Conference: (1) Coal Policy Conference - Mr. Lewis retires; (2) \"Instant Poverty\" Closing of Renton, PA mine. [7 in. tape, 7.5 IPS], ca. 1960  \nReel #1. Hospital Dedication Program: Hospital Dedication Program. [7 in. tape, 7.5 IPS], 1956/02/06  \nReel #2. Hospital Dedication Program: All Lewis [7 in. tape, 7.5 IPS], 1956/02/06  \nReel #3. Hospital Dedication Program: Program. [7 in. tape, 7.5 IPS], 1956/02/06  \nReel #1. Ground Breaking Ceremony: Ground Breaking ceremonies at Man, West Virginia. Approximately 55 minutes. WLOG Logan, W.Va. [7 in. tape, 3.25 IPS], 1953/10/31  \nReel #1. Speaker Weintraub, G. Davis, G. Archer, J. Brown: Speaker Weintraub - opening; Ghines (?) Davis, Atty.; Dr. George Archer; John Y. Brown [7 in. tape, 7.5 IPS], undated  \nReel #1. Kentucky Hearing, Master-complete: Medical Bill Hearing - Frankfort. Archer, Draper, Brown, Barnes, Cart, Ezelle, Brown, Sparks, Afton. [7 in. tape, 3.75 IPS], ca. March 14  \nReel #1. Beckley Radio Program \"Anything Goes:\" UMW. \"Anything Goes\" radio program, Beckley, West Virginia. (Complaints Beckley Hospital cheese sandwich dispute) [7 in. tape, unknown IPS], Spring 1959  \nReel #3. Untitled: Dr. Barnes. I.E. Cart, C\u0026O Railroad employees health association. Sam Ezelle, AFL-CIO (Kentucky State Federation of Labor. Atty. Brown) [7 in. tape, unknown IPS], undated  \nReel #1. Pennsylvania Medical Society Interview: Three reporters interview Pennsylvania Medical Society leaders in Atlantic City after P.M.S. declared its agreement with the Fund \"null, void, terminated, and ended.\" [7 in. tape, 7.5 IPS], undated  \nReel #1. Pikesville Ground Breaking: Pikesville Ground Breaking [7 in. tape, unknown IPS], 1952/10/07  \nReel #2. Pikesville Ground Breaking: Pikesville Ground Breaking. 57 min. long. [7 in. tape, unknown IPS], 1952/10/07  \nReel #1. Henry J. Kaiser: Henry J. Kaiser [7 in. tape, 7.5 IPS], undated  \nReel #2. Henry J. Kaiser: Henry J. Kaiser [7 in. tape, 7.5 IPS], undated  \nReel #1. Draper Interview: Dr. Draper interview of Tris Coffin Show; C\u0026O news summary [5 in. tape, 7.5 IPS], 1954/05/26  \nReel #1. John L. Lewis Testimony Highlights: Tris Coffin - John L. Lewis Testimony Highlights. [5 in. tape, 7.5 IPS], 1955/12/14  \nReel #3. Program - Hospital Dedication Program: Program - Hospital Dedication. George Higgins speaks. (10 Hospitals not specified) [5 in. tape, 7.5 IPS], undated  \nReel #3. Program - Hospital Dedication Program: Program - Hospital Dedication. George Higgins speaks. (same as previous) [5 in. tape, 7.5 IPS], undated  \nReel #25. Kentucky Legislature Hearings on UMWF Free Choice of Physician: Tom Hamlin, football [5 in. tape, 7.5 IPS], undated  \nReel #1. No.5 Hymntime. C. Rhea Bill Head, Medical Bill: No.5 Hymntime. Claude Rhea, Bill Head. #5 Medicaid Bill [5 in. tape, unknown IPS], ca. May 17  \nReel #1. Dr. Clyde Sparks, Brown, Speaker, Davis: Dr. Clyde Sparks, Brown, Speaker, Davis. [5 in. tape, 7.5 IPS], undated  \nReel #2. Dr. Draper: Dr. Draper [5 in. tape, unknown IPS], undated  \nReel #1. L73 - UK AG 3: L73 - UK - AG 3. Kentucky Legislature Hearings on UMWF Free Choice of Physicians [5 in. tape, unknown IPS], undated","The following material has been separated from this series:","\nPrinted material sent to WVU Medical Center Library:","Harry E. Handley and Carolina R. Randolph, \"Eight Years of Public Health Work, Jones Conty Mississippi, 1937-1944,\" NY, Commonwealth Fund, 1946.","Leslie A. Falk, \"Medical Sociology: The Contribution of Dr. Henry E. Siquist,\" Repritn from journal of the History of Medicine and Allied Sciences, 1958 Vol. 13, No. 2.","\"25 Anniversary Report from the Hospital Research and Education Trust\" (1970)","\nPrinted material sent to WVU Evansdale Library:","\"USDA Testimony Proposing Long Range Agricultural Policy and Programs,\" before Congressional Committees on Agriculture, April 21, October 6-8, 1947.","\nPrinted material discarded:","\"Appalachia\" Vol. 7, No. 4 (1974)","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","United Mine Workers of America. Health and Retirement Funds","American Medical Association","Appalachian Regional Hospitals, Inc.","Disabled Miner's Association of West Virginia 2769","Miners Memorial Hospital Association","United Mine Workers of America","United States. Congress. Senate","Abbott, Marilyn","Boone, Joel Thompson, 1889-1974","Barger, Joe Douglas.","Boyle, William Anthony, 1904-1985","Burke, William, L. P.","Collisson, Captain N.H.","Dawson, Charles I.","Draper, W. F. (Warren Fales), 1883-1970","Horn, Ezra Van.","Huge, Harry.","Kaiser, Henry J., 1882-1967","Kerr, Lorin E., 1909-","Lewis, John L. (John Llewellyn), 1880-1969","Mitch, Val J.","Murray, Thomas E.","Newdrop, John M.D.","Owen, Charles A.","Painter, Dr. John H.","Roche, Josephine A. (Josephine Aspinwall), 1886-1976","Schmidt, Godfrey P.  (Godfrey Peter), 1903-1998","Van Horn, Ezra.","Ward, Harold.","Woods, Philip, Dr., D.D.S.","Yablonski, Joseph A., 1910-1969","Bridges, Styles, 1898-1961","English \n.    "],"unitid_tesim":["A\u0026M 2769","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/882"],"normalized_title_ssm":["United Mine Workers of America, Health and Retirement Funds, Records"],"collection_title_tesim":["United Mine Workers of America, Health and Retirement Funds, Records"],"collection_ssim":["United Mine Workers of America, Health and Retirement Funds, Records"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Kentucky","Virginia"],"geogname_ssim":["Kentucky","Virginia"],"creator_ssm":["United Mine Workers of America. Health and Retirement Funds"],"creator_ssim":["United Mine Workers of America. Health and Retirement Funds"],"creator_corpname_ssim":["United Mine Workers of America. Health and Retirement Funds"],"creators_ssim":["United Mine Workers of America. Health and Retirement Funds"],"places_ssim":["Kentucky","Virginia"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Blankenship vs. Boyle.","Coal miners","Coal mining - Medical care.","Dental care","Dentists","Drugs and druggists.","Federal Coal Mine Health and Safety Act 1969.","Health services.","Hospitals and hospital records.","Hospitals and sanitariums.","Medicine. SEE ALSO Folk medicine.","Lungs -- Dust diseases","Physicians - letters and papers.","Silicosis","United Mine Workers of America Health and Retirement Funds - copayment system.","Vocational rehabilitation"],"access_subjects_ssm":["Blankenship vs. Boyle.","Coal miners","Coal mining - Medical care.","Dental care","Dentists","Drugs and druggists.","Federal Coal Mine Health and Safety Act 1969.","Health services.","Hospitals and hospital records.","Hospitals and sanitariums.","Medicine. SEE ALSO Folk medicine.","Lungs -- Dust diseases","Physicians - letters and papers.","Silicosis","United Mine Workers of America Health and Retirement Funds - copayment system.","Vocational rehabilitation"],"has_online_content_ssim":["false"],"extent_ssm":["183.71 Linear Feet 183 ft. 8.5 in. (2 document cases, 2.5 in. each); (314 document cases, 5 in. each); (39 records cartons, 15 in. each); (1 oversize box, 3 in.); (1 oversize box, 6 in.) (6 ledgers, 3 in. each); (2 document rolls, 5.5 in.); (3 motion pictures, 4 in.)"],"extent_tesim":["183.71 Linear Feet 183 ft. 8.5 in. (2 document cases, 2.5 in. each); (314 document cases, 5 in. each); (39 records cartons, 15 in. each); (1 oversize box, 3 in.); (1 oversize box, 6 in.) (6 ledgers, 3 in. each); (2 document rolls, 5.5 in.); (3 motion pictures, 4 in.)"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eRequires \"Agreement for Use\" form designed specifically for this collection, since special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Requires \"Agreement for Use\" form designed specifically for this collection, since special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eIn 1946, the United Mine Workers of America (UMWA) President John L. Lewis demanded a pension and medical care program for American coal miners.  The collective bargaining agreement of the same year between the Union and U.S. Secretary of the Interior Julius A. Krug established two trust funds, one for welfare and retirement payments and another for medical care benefits.  Krug signed the agreement on behalf of the industry because the U.S government had seized the country's coal mines during the miners' 1946 strike.\u003c/p\u003e\n","\u003cp\u003eThe original names for the pension and medical care plan was the Welfare and Retirement Fund.  Coal companies paid money to the Fund according to a royalty per ton of coal mined.  The royalty rose gradually from five cents per ton in 1946 to eighty-two cents per ton in 1974.  The first welfare and medical checks reached beneficiaries in 1947, but a dispute between the union and the coal industry held up the first pension check to a retired miner until 1948.\u003c/p\u003e\n","\u003cp\u003eFrom 1946 until 1971, there was a close relationship between the UMWA and the Fund.  There were three members of the Fund Board of Trustees, one each for the union and the industry and one \"neutral\" trustee.  John L Lewis held the Union's trusteeship from 1946 until his death in 1969, while his close associate and director of the Fund, Josephine Roche, was the neutral trustee from 1950 to 1971.  UMWA President W.A. \"Tony\" Boyle served as the Union's trustee from 1969 to 1971.  Collective bargaining agreements between the Union and the coal industry established the royalty payments to the Fund.  But the collaboration between Lewis and Roche, and later Boyle and Roche, placed policy-making decisions in the Union's hands and indirectly led to the abuses and mismanagement of the Funds that were made public in the late 1960s.\u003c/p\u003e\n","\u003cp\u003eThe 1946 Kruger-Lewis agreement called for an investigation of coal miners' health and medical treatment, sanitation, and housing in the coal fields.  This study took place in 1946-47 under the direction of Rear Admiral Joel T. Boone, Navy Medical Corps.  Boone's report, \"Medical Survey of the Bituminous Coal Industry,\" revealed inadequate health facilities, lack of qualified physicians, and poor housing and sanitation in many parts of the coal fields.  Accordingly, in 1948 Warren F. Draper became the Fund's executive medical officer in charge of ten Area Medical Offices covering mining districts.  These offices arranged for the delivery of medical care to eligible coal miners by doctors in the coal fields.\u003c/p\u003e\n","\u003cp\u003eThe host of difficulties with the Fund's health care program from 1948 to 1951 led to a decision to build and staff ten hospitals in Kentucky, West Virginia, and Virginia.  These Miners Memorial Hospitals opened their doors in 1955 and 1956, offering modern facilities and equipment and well-trained medical staff to the Fund's beneficiaries.  Due to the gradual decline of the coal industry during the 1950s and 1960s and to the corresponding decrease in the number of beneficiaries for medical care programs, the Fund decided in 1963 to transfer the hospitals to the Appalachian Regional Hospitals, Inc., a non-profit corporation established by the Board of National Missions of the United Presbyterian Church.\u003c/p\u003e\n","\u003cp\u003eThe problem which led to the transfer of the hospitals also affected the other parts of the Fund's programs.  The Board of Trustees changed eligibility requirements for pensions in 1953 and 1960, responding to declining payments form the royalty on coal tonnage.  These changes reduced the number of retired miners who qualified for pensions.  A revision in the health care program in 1962 denied benefits to miners whose employers were delinquent in making payments to the Fund.  These changes in the Fund's programs, coupled with the Board of Trustees' investment decisions for Fund financial reserves, stirred much resentment among coal miners.  Their criticism of the Fund escalated in step with their dissatisfaction with the UMWA leadership in the late 1960s.\u003c/p\u003e\n","\u003cp\u003eFriction between rank and file coal miners, the UMWA, and the Fund produced the 1969 \u003ctitle\u003eBlankenship vs. Boyle\u003c/title\u003e class action lawsuit.  On behalf of 17,000 miners who had been denied benefits by the Fund, this suit alleged that Fund finances had been mismanaged and that pension eligibility requirements were arbitrary and capricious.  The presiding judge's decision in 1971 found in favor of the plaintiffs and began a series of important changes for the Fund, including the removal of trustees and the director, diverting Fund monies to new bank accounts and investments, and implementing new pension application procedures. As a result of the eligibility portion of the judge's decision, thousands of miners previously denied pensions began to receive them.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["In 1946, the United Mine Workers of America (UMWA) President John L. Lewis demanded a pension and medical care program for American coal miners.  The collective bargaining agreement of the same year between the Union and U.S. Secretary of the Interior Julius A. Krug established two trust funds, one for welfare and retirement payments and another for medical care benefits.  Krug signed the agreement on behalf of the industry because the U.S government had seized the country's coal mines during the miners' 1946 strike.","The original names for the pension and medical care plan was the Welfare and Retirement Fund.  Coal companies paid money to the Fund according to a royalty per ton of coal mined.  The royalty rose gradually from five cents per ton in 1946 to eighty-two cents per ton in 1974.  The first welfare and medical checks reached beneficiaries in 1947, but a dispute between the union and the coal industry held up the first pension check to a retired miner until 1948.","From 1946 until 1971, there was a close relationship between the UMWA and the Fund.  There were three members of the Fund Board of Trustees, one each for the union and the industry and one \"neutral\" trustee.  John L Lewis held the Union's trusteeship from 1946 until his death in 1969, while his close associate and director of the Fund, Josephine Roche, was the neutral trustee from 1950 to 1971.  UMWA President W.A. \"Tony\" Boyle served as the Union's trustee from 1969 to 1971.  Collective bargaining agreements between the Union and the coal industry established the royalty payments to the Fund.  But the collaboration between Lewis and Roche, and later Boyle and Roche, placed policy-making decisions in the Union's hands and indirectly led to the abuses and mismanagement of the Funds that were made public in the late 1960s.","The 1946 Kruger-Lewis agreement called for an investigation of coal miners' health and medical treatment, sanitation, and housing in the coal fields.  This study took place in 1946-47 under the direction of Rear Admiral Joel T. Boone, Navy Medical Corps.  Boone's report, \"Medical Survey of the Bituminous Coal Industry,\" revealed inadequate health facilities, lack of qualified physicians, and poor housing and sanitation in many parts of the coal fields.  Accordingly, in 1948 Warren F. Draper became the Fund's executive medical officer in charge of ten Area Medical Offices covering mining districts.  These offices arranged for the delivery of medical care to eligible coal miners by doctors in the coal fields.","The host of difficulties with the Fund's health care program from 1948 to 1951 led to a decision to build and staff ten hospitals in Kentucky, West Virginia, and Virginia.  These Miners Memorial Hospitals opened their doors in 1955 and 1956, offering modern facilities and equipment and well-trained medical staff to the Fund's beneficiaries.  Due to the gradual decline of the coal industry during the 1950s and 1960s and to the corresponding decrease in the number of beneficiaries for medical care programs, the Fund decided in 1963 to transfer the hospitals to the Appalachian Regional Hospitals, Inc., a non-profit corporation established by the Board of National Missions of the United Presbyterian Church.","The problem which led to the transfer of the hospitals also affected the other parts of the Fund's programs.  The Board of Trustees changed eligibility requirements for pensions in 1953 and 1960, responding to declining payments form the royalty on coal tonnage.  These changes reduced the number of retired miners who qualified for pensions.  A revision in the health care program in 1962 denied benefits to miners whose employers were delinquent in making payments to the Fund.  These changes in the Fund's programs, coupled with the Board of Trustees' investment decisions for Fund financial reserves, stirred much resentment among coal miners.  Their criticism of the Fund escalated in step with their dissatisfaction with the UMWA leadership in the late 1960s.","Friction between rank and file coal miners, the UMWA, and the Fund produced the 1969  Blankenship vs. Boyle  class action lawsuit.  On behalf of 17,000 miners who had been denied benefits by the Fund, this suit alleged that Fund finances had been mismanaged and that pension eligibility requirements were arbitrary and capricious.  The presiding judge's decision in 1971 found in favor of the plaintiffs and began a series of important changes for the Fund, including the removal of trustees and the director, diverting Fund monies to new bank accounts and investments, and implementing new pension application procedures. As a result of the eligibility portion of the judge's decision, thousands of miners previously denied pensions began to receive them."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], United Mine Workers of America, Health and Retirement Funds, Records, A\u0026amp;M 2769, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], United Mine Workers of America, Health and Retirement Funds, Records, A\u0026M 2769, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe United Mine Workers of America (UMWA) archives consists of the records of the first industry-wide pension and medical care plans for coal miners and their families in the United States.  The archives comprise approximately 156 linear feet of records from the years 1946-1974, and include minutes, resolutions, correspondence, memos, reports, transcribed speeches, lawsuit documents, construction plans, contracts, statistical reports, newspaper clippings, photographs, microfilmed reading files, sound recordings, and movie film.\u003c/p\u003e\n","\u003cp\u003eLetters, memos, and reports in the archives document the relationship between the UMWA and the Health and Retirement Funds.  There are correspondence files for John L. Lewis, Josephine Roche, W.A. (Tony) Boyle, and\nother members of the Funds' Board of Trustees, 1946-1974. There are also newspaper clippings, letters, and lawsuit documents concerning the 1969 UMWA election, the \u003ctitle\u003eBlankenship vs. Boyle\u003c/title\u003e class action lawsuit, and the U.S. Senate investigation of the Funds.  \u003c/p\u003e\n","\u003cp\u003eThe archives also include extensive records on the creation and implementation of hospitalization and medical care policies.  There are letters, memos, reports, minutes, and agenda of professional health care meetings, speeches and addresses concerning the administration of health care delivery in the coal fields, the hiring and retention of physicians and other medical personnel, and the provision of various types of medical care, from routine examinations to vocational rehabilitation for the victims of mining accidents.  \u003c/p\u003e\n","\u003cp\u003eThe archives include a variety of documents on the building, dedication, and administration of the Miners Memorial Hospitals in Virginia, West Virginia, and Kentucky.  There are volumes of minutes, resolutions, and exhibits from meetings of the Miners Memorial Hospital Associations of Virginia, West Virginia, and Kentucky, from 1951-1964.  There are also construction plans, contracts, photographs, sound recordings, and movie film of groundbreaking and dedication ceremonies, as well as extensive documentation on the implementation of medical care programs through the hospitals. Additional letters, memos, reports, contracts, and printed material concern the transfer of the Miners Memorial Hospitals from the Funds to the Appalachian Regional Hospitals, incorporated in 1963.\u003c/p\u003e\n","\u003cp\u003eThe archives' medical care records also include material on the dispute between the Funds' medical professionals and the American Medical Association (AMA) concerning the issue of free choice of physicians  There are letters,\ntranscribed hearings of local medical associations, sound recordings of Kentucky legislative hearings, and printed material revealing the policies of both the Funds and the AMA and the cases of individual physicians employed or retained by the Funds whom the AMA barred from membership.  \u003c/p\u003e\n","\u003cp\u003eThere is voluminous correspondence among the Funds' trustees, officers, administrators, and beneficiaries concerning the eligibility requirements for pensions, funeral expense payments, disability payments, widow's\nmaintenance payments, and hospitalization and health care.  These letters, appearing in large groups throughout the archives, reveal the changes in the Funds eligibility and benefit requirements and the attitudes of coal miners and their dependents to the establishment of the pension and medical care programs and the revision of these programs from the late 1940s to the early 1970s.\u003c/p\u003e\n","\u003cp\u003eThere are also multiple addenda to the main collection and a set of ledgers, certificates, and other material. These addenda contain wage agreements, correspondence between area medical offices and others, court papers, correspondence regarding the retention of medical services at various facilities, annual reports, and other material.\u003c/p\u003e","\u003cp\u003eThis series consists of correspondence, benefit and trust plans, contracts, and court orders and opinions. Files with titles beginning with \"R - \" are restricted; please contact a curator for further information.\u003c/p\u003e","\u003cp\u003eThis series consists of correspondence, lawsuit documents, memos, policy guidelines and formulations, collective bargaining agreements, and newspaper clippings. The title for each file begins with the subseries title; these include 1946 Fund Files, Actuary and Insurance Company Data, Bank Correspondence, Board of Trustees Correspondence, Administrative Files, UMWA Correspondence, Legal Counsel General Correspondence, Contracts, Conventions, 1969 UMWA Election, Investigation of Fund, Blankenship, Medical Hospital and Health Services Correspondence, Miscellaneous, and Directors' Correspondence and Miscellaneous Files. Files with titles beginning with \"R - \" are restricted; please contact a curator for further information.\u003c/p\u003e","\u003cp\u003eThis series consists of correspondence, reports, memos, speeches and addresses, microfilm of reading files, and statistical data. The title for each file begins with the subseries title; these include Hospitals and Medical Care Agencies, Subject Files, Health Care Delivery, Reading Files, and Regional Office Files. Files with titles beginning with \"R - \" are restricted; please contact a curator for further information.\u003c/p\u003e","\u003cp\u003eThis series consists of reports, memos, contracts, construction plans, budgets, operations manuals, bylaws, minutes, resolutions, hospital utilization statistics, press releases, personnel statistics, and correspondence. The title for each file begins with the subseries title; these include Subject Files, Construction/Administration, Clinical Operations, Hospital Weekly Admission Notices, Legal and Contracts, Henry C. Daniel's Files, and Harlan Memorial Hospital. Files with titles beginning with \"R - \" are restricted; please contact a curator for further information.\u003c/p\u003e","\u003cp\u003eThis series consists of printed and typescript statisctical reports and statistical summaries. The title for each file begins with the subseries title; these include Medical Care Statistics, Statistical Report, Hospital Statistics-Most Frequently Used, Hospital Statistics-Case Rates, Hospital Statistics-Utilization, Physicians, Coal Mine Inspection, Mortality, Vocational Rehabilitation, Summary Statistics, MMHA-Surgery, MMHA-Miscellaneous, Special Centers, Statistical Abstract, Regional Medical Budgets, and Summary of Retainers. Files with titles beginning with \"R - \" are restricted; please contact a curator for further information.\u003c/p\u003e","\u003cp\u003eThis series consists of news releases, photographs, biographical data, and correspondence. Files with titles beginning with \"R - \" are restricted; please contact a curator for further information.\u003c/p\u003e","\u003cp\u003eThis series consists of correspondence, notes, memos, news releases, financial records, and newspaper clippings.  Files with titles beginning with \"R - \" are restricted; please contact a curator for further information.\u003c/p\u003e","\u003cp\u003eThis series consists of 1,350 photographs separately arranged by subject. These photographs show Funds staff, hospitals, hospital staff, beneficiaries, and coal mining scenes. Files with titles beginning with \"R - \" are restricted; please contact a curator for further information.\u003c/p\u003e","\u003cp\u003es1 - Dr. Reed\ns2 - Dr. Reed\ns3, s4 - J.L. Lewis\ns7, s8 - J.L. Lewis\ns9, s10, s11 - J.L. Lewis\ns12 - Miss Roche\u003c/p\u003e","\u003cp\u003es1 - (Opener)\ns2 - Presentation\u003c/p\u003e","\u003cp\u003e(1) Westchester Fire Dept. Gallup and Damon, used 1958/08/26\n(2) Public Utilities - John Wingate, used 1956/09/01\n(3) Dairy - Frank Blair, used 1956/06/03\u003c/p\u003e","\u003cp\u003eThis series includes individual payroll tax assessment record ledgers from Ponfeigh Smokeless Coal Company and Pine Hill Smokeless Coal Company, financial secretary's ledgers from UMWA Local Union No. 935, Cassandra, PA, assorted mine payroll sheets, rolled certificates from the Commonwealth of PA Department of Mines for Simon J. Callahan, and other material.\u003c/p\u003e\n","\u003cp\u003eItems with titles beginning with \"R - \" are restricted; please contact a curator for further information.\u003c/p\u003e","\u003cp\u003eAnnual Reports, 1952-1979\u003clb\u003e\u003c/lb\u003e\n\"A Chronology of the U.M.W.A. Welfare and Retirement Fund, Covering the Period between 1945 and April 26, 1951\"\u003clb\u003e\u003c/lb\u003e\n\"Rehabilitation of the Disabled\" (UMWA Welfare and Retirement Fund, n.d.)\u003clb\u003e\u003c/lb\u003e\n\"Pensions for Coal Miners\" (UMWA Welfare and Retirement Fund, n.d.)\u003clb\u003e\u003c/lb\u003e\nList of Principal Medical Staff Publications\u003clb\u003e\u003c/lb\u003e\nCopies of 38 Medical Staff Publications (see list in inventory folder)\u003c/p\u003e","\u003cp\u003eCopy of \"A Medical Survey of the Bituminous Coal Industry, Report of the Coal Mines Administration, Department of the Interior, Washington, DC,\" 1947, prepared by Admiral Joel T. Boone, Director, Medical Survey Group. (\"The Boone Report\") Also included is a folder of assorted documents including blank samples of Fund forms and paperwork and a copy of \"Analysis of Proposed Personnel Budget for the Fiscal Year Ending June 30, 1957.\"\u003c/p\u003e","\u003cp\u003e\"Bibliography - UMWA Health and Retirement Funds,\" prepared by Marilyn Abbott. Covers materials both about the Funds and by Funds' staff.\u003c/p\u003e","\u003cp\u003eThis series consists of correspondence and reports from regional medical offices of the UMWA, other medical studies and reports, and other material.\u003c/p\u003e","\u003cp\u003eThis series includes interoffice correspondence between regional offices regarding supply vendors, reports, articles by Dr. Warren Draper, assorted reports, assorted photographs (including several of Josephine Roche receiving an honorary degree at the University of Colorado), and other material.\u003c/p\u003e","\u003cp\u003eThis series includes interoffice and outside correspondence regarding the retention of medical and health services and negotiations with outside hospitals regarding retainer fees, excerpts of works on common medical issues, newsletters from various medical organizations, audit reports, and other material.\u003c/p\u003e","\u003cp\u003eThis series includes interoffice health-related correspondence, reports written by Koplin regarding the Health and Retirement Fund, insurance, and more, assorted notes, clippings, reports, and other material.\u003c/p\u003e","\u003cp\u003eThis series consists of wage agreements, depositions, other court papers, and other material.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The United Mine Workers of America (UMWA) archives consists of the records of the first industry-wide pension and medical care plans for coal miners and their families in the United States.  The archives comprise approximately 156 linear feet of records from the years 1946-1974, and include minutes, resolutions, correspondence, memos, reports, transcribed speeches, lawsuit documents, construction plans, contracts, statistical reports, newspaper clippings, photographs, microfilmed reading files, sound recordings, and movie film.","Letters, memos, and reports in the archives document the relationship between the UMWA and the Health and Retirement Funds.  There are correspondence files for John L. Lewis, Josephine Roche, W.A. (Tony) Boyle, and\nother members of the Funds' Board of Trustees, 1946-1974. There are also newspaper clippings, letters, and lawsuit documents concerning the 1969 UMWA election, the  Blankenship vs. Boyle  class action lawsuit, and the U.S. Senate investigation of the Funds.  ","The archives also include extensive records on the creation and implementation of hospitalization and medical care policies.  There are letters, memos, reports, minutes, and agenda of professional health care meetings, speeches and addresses concerning the administration of health care delivery in the coal fields, the hiring and retention of physicians and other medical personnel, and the provision of various types of medical care, from routine examinations to vocational rehabilitation for the victims of mining accidents.  ","The archives include a variety of documents on the building, dedication, and administration of the Miners Memorial Hospitals in Virginia, West Virginia, and Kentucky.  There are volumes of minutes, resolutions, and exhibits from meetings of the Miners Memorial Hospital Associations of Virginia, West Virginia, and Kentucky, from 1951-1964.  There are also construction plans, contracts, photographs, sound recordings, and movie film of groundbreaking and dedication ceremonies, as well as extensive documentation on the implementation of medical care programs through the hospitals. Additional letters, memos, reports, contracts, and printed material concern the transfer of the Miners Memorial Hospitals from the Funds to the Appalachian Regional Hospitals, incorporated in 1963.","The archives' medical care records also include material on the dispute between the Funds' medical professionals and the American Medical Association (AMA) concerning the issue of free choice of physicians  There are letters,\ntranscribed hearings of local medical associations, sound recordings of Kentucky legislative hearings, and printed material revealing the policies of both the Funds and the AMA and the cases of individual physicians employed or retained by the Funds whom the AMA barred from membership.  ","There is voluminous correspondence among the Funds' trustees, officers, administrators, and beneficiaries concerning the eligibility requirements for pensions, funeral expense payments, disability payments, widow's\nmaintenance payments, and hospitalization and health care.  These letters, appearing in large groups throughout the archives, reveal the changes in the Funds eligibility and benefit requirements and the attitudes of coal miners and their dependents to the establishment of the pension and medical care programs and the revision of these programs from the late 1940s to the early 1970s.","There are also multiple addenda to the main collection and a set of ledgers, certificates, and other material. These addenda contain wage agreements, correspondence between area medical offices and others, court papers, correspondence regarding the retention of medical services at various facilities, annual reports, and other material.","This series consists of correspondence, benefit and trust plans, contracts, and court orders and opinions. Files with titles beginning with \"R - \" are restricted; please contact a curator for further information.","This series consists of correspondence, lawsuit documents, memos, policy guidelines and formulations, collective bargaining agreements, and newspaper clippings. The title for each file begins with the subseries title; these include 1946 Fund Files, Actuary and Insurance Company Data, Bank Correspondence, Board of Trustees Correspondence, Administrative Files, UMWA Correspondence, Legal Counsel General Correspondence, Contracts, Conventions, 1969 UMWA Election, Investigation of Fund, Blankenship, Medical Hospital and Health Services Correspondence, Miscellaneous, and Directors' Correspondence and Miscellaneous Files. Files with titles beginning with \"R - \" are restricted; please contact a curator for further information.","This series consists of correspondence, reports, memos, speeches and addresses, microfilm of reading files, and statistical data. The title for each file begins with the subseries title; these include Hospitals and Medical Care Agencies, Subject Files, Health Care Delivery, Reading Files, and Regional Office Files. Files with titles beginning with \"R - \" are restricted; please contact a curator for further information.","This series consists of reports, memos, contracts, construction plans, budgets, operations manuals, bylaws, minutes, resolutions, hospital utilization statistics, press releases, personnel statistics, and correspondence. The title for each file begins with the subseries title; these include Subject Files, Construction/Administration, Clinical Operations, Hospital Weekly Admission Notices, Legal and Contracts, Henry C. Daniel's Files, and Harlan Memorial Hospital. Files with titles beginning with \"R - \" are restricted; please contact a curator for further information.","This series consists of printed and typescript statisctical reports and statistical summaries. The title for each file begins with the subseries title; these include Medical Care Statistics, Statistical Report, Hospital Statistics-Most Frequently Used, Hospital Statistics-Case Rates, Hospital Statistics-Utilization, Physicians, Coal Mine Inspection, Mortality, Vocational Rehabilitation, Summary Statistics, MMHA-Surgery, MMHA-Miscellaneous, Special Centers, Statistical Abstract, Regional Medical Budgets, and Summary of Retainers. Files with titles beginning with \"R - \" are restricted; please contact a curator for further information.","This series consists of news releases, photographs, biographical data, and correspondence. Files with titles beginning with \"R - \" are restricted; please contact a curator for further information.","This series consists of correspondence, notes, memos, news releases, financial records, and newspaper clippings.  Files with titles beginning with \"R - \" are restricted; please contact a curator for further information.","This series consists of 1,350 photographs separately arranged by subject. These photographs show Funds staff, hospitals, hospital staff, beneficiaries, and coal mining scenes. Files with titles beginning with \"R - \" are restricted; please contact a curator for further information.","s1 - Dr. Reed\ns2 - Dr. Reed\ns3, s4 - J.L. Lewis\ns7, s8 - J.L. Lewis\ns9, s10, s11 - J.L. Lewis\ns12 - Miss Roche","s1 - (Opener)\ns2 - Presentation","(1) Westchester Fire Dept. Gallup and Damon, used 1958/08/26\n(2) Public Utilities - John Wingate, used 1956/09/01\n(3) Dairy - Frank Blair, used 1956/06/03","This series includes individual payroll tax assessment record ledgers from Ponfeigh Smokeless Coal Company and Pine Hill Smokeless Coal Company, financial secretary's ledgers from UMWA Local Union No. 935, Cassandra, PA, assorted mine payroll sheets, rolled certificates from the Commonwealth of PA Department of Mines for Simon J. Callahan, and other material.","Items with titles beginning with \"R - \" are restricted; please contact a curator for further information.","Annual Reports, 1952-1979 \n\"A Chronology of the U.M.W.A. Welfare and Retirement Fund, Covering the Period between 1945 and April 26, 1951\" \n\"Rehabilitation of the Disabled\" (UMWA Welfare and Retirement Fund, n.d.) \n\"Pensions for Coal Miners\" (UMWA Welfare and Retirement Fund, n.d.) \nList of Principal Medical Staff Publications \nCopies of 38 Medical Staff Publications (see list in inventory folder)","Copy of \"A Medical Survey of the Bituminous Coal Industry, Report of the Coal Mines Administration, Department of the Interior, Washington, DC,\" 1947, prepared by Admiral Joel T. Boone, Director, Medical Survey Group. (\"The Boone Report\") Also included is a folder of assorted documents including blank samples of Fund forms and paperwork and a copy of \"Analysis of Proposed Personnel Budget for the Fiscal Year Ending June 30, 1957.\"","\"Bibliography - UMWA Health and Retirement Funds,\" prepared by Marilyn Abbott. Covers materials both about the Funds and by Funds' staff.","This series consists of correspondence and reports from regional medical offices of the UMWA, other medical studies and reports, and other material.","This series includes interoffice correspondence between regional offices regarding supply vendors, reports, articles by Dr. Warren Draper, assorted reports, assorted photographs (including several of Josephine Roche receiving an honorary degree at the University of Colorado), and other material.","This series includes interoffice and outside correspondence regarding the retention of medical and health services and negotiations with outside hospitals regarding retainer fees, excerpts of works on common medical issues, newsletters from various medical organizations, audit reports, and other material.","This series includes interoffice health-related correspondence, reports written by Koplin regarding the Health and Retirement Fund, insurance, and more, assorted notes, clippings, reports, and other material.","This series consists of wage agreements, depositions, other court papers, and other material."],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials","Separated Materials"],"separatedmaterial_tesim":["The following material has been separated from Series 14. ADD of 1982/02/27, Area Medical Offices and Other Material:","Printed material sent to WVU Medical Center Library: \nHarry E. Handley and Carolina R. Randolph, \"Eight Years of Public Health Work, Jones Conty Mississippi, 1937-1944,\" NY, Commonwealth Fund, 1946. \nLeslie A. Falk, \"Medical Sociology: The Contribution of Dr. Henry E. Siquist,\" Repritn from journal of the History of Medicine and Allied Sciences, 1958 Vol. 13, No. 2. \n\"25 Anniversary Report from the Hospital Research and Education Trust\" (1970)","Printed material sent to WVU Evansdale Library: \n\"USDA Testimony Proposing Long Range Agricultural Policy and Programs,\" before Congressional Committees on Agriculture, April 21, October 6-8, 1947.","Printed material discarded: \n\"Appalachia\" Vol. 7, No. 4 (1974)","The following material has been separated to the Map Collection: \nPopulation distribution map, Benefit Trust Beneficiaries, 1950.","The following audiotape reels were separated and added to the Oral History Collection: ","Reel #1. John L. Lewis: Testimony before Kennedy Committee [7 in. tape, 7.5 IPS], 1957/06/21  \nReel #2. John L. Lewis: Testimony before Labor Committee [7 in. tape, 7.5 IPS], 1957/06/21  \nReel #3. John L. Lewis: Testimony before Labor Committee [7 in. tape, 7.5 IPS], 1957/06/21  \nReel #4. John L. Lewis: Testimony before Labor Committee [7 in. tape, 7.5 IPS], 1957/06/21  \nReel #1. John L. Lewis: Testimony, Borden Committee [7 in. tape, 7.5 IPS], 1957/07/09  \nReel #2. John L. Lewis: Testimony, Borden Committee [7 in. tape, 7.5 IPS], 1957/07/09  \nReel #3. John L. Lewis: Testimony, Borden Committee [7 in. tape, 7.5 IPS], 1957/07/09  \nReel #4. John L. Lewis: Testimony, Borden Committee [7 in. tape, 7.5 IPS], 1957/07/09  \nReel #5. John L. Lewis: Testimony, Borden Committee [7 in. tape, 7.5 IPS], 1957/07/09  \nReel #6. John L. Lewis: Testimony, Borden Committee [7 in. tape, 7.5 IPS], 1957/07/09  \nJohn L. Lewis, Rep. Perkins: House Joint Subcommittee on Labor Management Reform Legislation-John L. Lewis, Rep. Perkins (continues--overlapped on Tape #2) [7 in. tape, 7.5 IPS], 1959/05/13  \nReel #3. House Joint Subcommittee/John L. Lewis: House Joint Subcommittee on Labor Management Reform Legislation; John L. Lewis (Continued-overlaps Tape #2) Questions and answers (Continued--overlaps on Tape #4) [7 in. tape, 7.5 IPS], 1959/05/13  \nReel #4. House Joint Subcommittee, John L. Lewis: House Joint Subcommittee on Labor Management Reform Legislation; John L. Lewis Questions and answers (overlaps Tape #3) (This tape continues and is overlapped on Tape #5) [7 in. tape, 7.5 IPS], 1959/05/13  \nReel #5. House Joint Subcommittee, John L. Lewis: House Joint Subcommittee on Labor Management Reform Legislation; John L. Lewis Questions and answers (Continued overlaps on Tape #6) (This continues and is overlapped on Tape #6) [7 in. tape, 7.5 IPS], 1959/05/13  \nReel #6. House Joint Subcommittee, John L. Lewis: House Joint Subcommittee on Labor Management Reform Legislation; John L. Lewis Questions and answers (Continued overlaps on Tape #5) (This tape continues and is overlapped on Tape #7) [7 in. tape, 7.5 IPS], 1959/05/13  \nReel #7. House Joint Subcommittee, John L. Lewis: House Joint Subcommittee on Labor Management Reform Legislation; John L. Lewis (Questions and Answers Continued Overlaps on Tape #6) [7 in. tape, 7.5 IPS], ca. 1959/05/13  \nReel #1. John L. Lewis Testimonial Dinner: Testimonial Dinner for John L. Lewis; Applause for Waiters with 40 cakes. John Owens - Toast-master, Tony Boyle, John Owens, Tom Kennedy. (This tape overlapped on Tape #2) [7 in. tape, 7.5 IPS], 1960/01/14  \nReel #2. John L. Lewis Testimonial Dinner: Testimonial Dinner for John L. Lewis. Tom Kennedy. (This tape overlaps Tape #1) John Owens, John L. Lewis (This tape starts on Tape #3 also) [7 in. tape, 7.5 IPS], 1960/01/14  \nReel #3. John L. Lewis Testimonial Dinner: Testimonial Dinner for John L. Lewis. John L. Lewis (Starts on Tape #2 also) (This tape overlaps on Tape #4) [7 in. tape, 7.5 IPS], 1960/01/14  \nJohn L. Lewis - Assorted Speeches -- Reel #1. Dedication Program: Dedication Program [7 in. tape, 7.5 IPS], 1957/06/02  \nJohn L. Lewis - Assorted Speeches -- Reel #1. J.L. Lewis, National Coal Policy Conference. Copy Four.: National Coal Policy Conference; Mr. John L. Lewis (complete on this tape); Mr. Love thanks above; Rt. Rev. Mons. John J. McClafferty; Adjournment [7 in. tape, 7.5 IPS], 1957/04/27  \nJohn L. Lewis - Assorted Speeches -- Reel #1. Union Songs: R-1 - 3 3/4 [7 in. tape, 7.5 IPS], undated  \nJohn L. Lewis - Assorted Speeches -- Reel #2. Union Songs: R.2 - 3 3/4 Union Songs [7 in. tape, 7.5 IPS], undated  \nJohn L. Lewis - Assorted Speeches -- Reel #1. Program, Dedication Ceremony for 10 UMWF Hospitals: Program, Reel 1 [7 in. tape, 7.5 IPS], undated  \nJohn L. Lewis - Assorted Speeches -- Reel #2. Program, All Lewis: Program, All Lewis [7 in. tape, 7.5 IPS], undated  \nJohn L. Lewis - Assorted Speeches -- Reel #1. J.L. Lewis Dinner Speech: J.L.L. Dinner Speech, Netherland Hilton Hotel, Cincinnati, Ohio. This tape duplicated from tape furnished by United Mine Workers. No overlap. This tape ends at applause. Picks up on tape #2 with same applause. [7 in. tape, 7.5 IPS], 1960/10/06  \nJohn L. Lewis - Assorted Speeches -- Reel #2. John L. Lewis Dinner Speech: John L. Lewis Dinner Speech, Netherland Hilton Hotel, Cincinnati, Ohio. This tape duplicated from tape furnished by United Mine Workers. No overlap. Continued applause from Tape #1. [7 in. tape, 7.5 IPS], 1960/10/06  \nReel #1. J.L. Lewis Dinner Speech \"Autonomy:\" J.L. Lewis Dinner Speech \"Autonomy.\" This tape duplicated from tape furnished by United Mine Workers. No overlap. This tape ends with applause; picks up on Tape #2 with same applause. [7 in. tape, 7.5 IPS], 1960/10/10  \nReel #2. John L. Lewis Dinner Speech, \"Autonomy:\" John L. Lewis Dinner Speech \"Autonomy.\" This tape duplicated from tape furnished by UMW. No overlap. This tape continues with applause from Tape #1. [7 in. tape, 7.5 IPS], 1960/10/10  \nReel #1. Senate Subcommittee on Labor/Mine Safety: Senate Subcommittee on Labor/Coal Mine Safety. Acting Chairman Senator Clark - opening statement. Mr. Marling J. Anthony (with Sen. Clark and Sen. Randolph. Only questions and answers recorded) Mr. Charles Ferguson (continued and overlapped on #2) [7 in. tape, 7.5 IPS], 1959/07/21  \nUnited Mine Workers of America, Health and Retirement Funds, Records A\u0026M.2769 - Page 178- Reel #2. Senate Subcommittee on Labor/Mine Safety: Senate Subcommittee on Labor/Coal Mine Safety. Mr. Charles Ferguson (cont.-overlaps #1) Introduction by Sen. Randolph; Sen. Clark; also comment by Sen. Cooper; Mr. John L. Lewis starts, overlaps #3. [7 in. tape, 7.5 IPS], 1959/07/21  \nReel #3. Senate Subcommittee on Labor/Mine Safety: Senate Subcommittee on Labor/Coal Mine Safety. Mr. John L. Lewis, starts on tape #2 and overlapped on #4. [7 in. tape, 7.5 IPS], 1959/07/21  \nReel #4. Senate Subcommittee on Labor/Mine Safety: Senate Subcommittee on Labor/Mine Safety. Mr. John L. Lewis (cont. and overlaps on #3) 8 min. in, Sen. Cooper. Note: Sen. Cooper didn't have mic - was too far from closest mic to be picked up. [7 in. tape, 7.5 IPS], 1959/07/21  \nReel #1. Coal Policy Conference: (1) Coal Policy Conference - Mr. Lewis retires; (2) \"Instant Poverty\" Closing of Renton, PA mine. [7 in. tape, 7.5 IPS], ca. 1960  \nReel #1. Hospital Dedication Program: Hospital Dedication Program. [7 in. tape, 7.5 IPS], 1956/02/06  \nReel #2. Hospital Dedication Program: All Lewis [7 in. tape, 7.5 IPS], 1956/02/06  \nReel #3. Hospital Dedication Program: Program. [7 in. tape, 7.5 IPS], 1956/02/06  \nReel #1. Ground Breaking Ceremony: Ground Breaking ceremonies at Man, West Virginia. Approximately 55 minutes. WLOG Logan, W.Va. [7 in. tape, 3.25 IPS], 1953/10/31  \nReel #1. Speaker Weintraub, G. Davis, G. Archer, J. Brown: Speaker Weintraub - opening; Ghines (?) Davis, Atty.; Dr. George Archer; John Y. Brown [7 in. tape, 7.5 IPS], undated  \nReel #1. Kentucky Hearing, Master-complete: Medical Bill Hearing - Frankfort. Archer, Draper, Brown, Barnes, Cart, Ezelle, Brown, Sparks, Afton. [7 in. tape, 3.75 IPS], ca. March 14  \nReel #1. Beckley Radio Program \"Anything Goes:\" UMW. \"Anything Goes\" radio program, Beckley, West Virginia. (Complaints Beckley Hospital cheese sandwich dispute) [7 in. tape, unknown IPS], Spring 1959  \nReel #3. Untitled: Dr. Barnes. I.E. Cart, C\u0026O Railroad employees health association. Sam Ezelle, AFL-CIO (Kentucky State Federation of Labor. Atty. Brown) [7 in. tape, unknown IPS], undated  \nReel #1. Pennsylvania Medical Society Interview: Three reporters interview Pennsylvania Medical Society leaders in Atlantic City after P.M.S. declared its agreement with the Fund \"null, void, terminated, and ended.\" [7 in. tape, 7.5 IPS], undated  \nReel #1. Pikesville Ground Breaking: Pikesville Ground Breaking [7 in. tape, unknown IPS], 1952/10/07  \nReel #2. Pikesville Ground Breaking: Pikesville Ground Breaking. 57 min. long. [7 in. tape, unknown IPS], 1952/10/07  \nReel #1. Henry J. Kaiser: Henry J. Kaiser [7 in. tape, 7.5 IPS], undated  \nReel #2. Henry J. Kaiser: Henry J. Kaiser [7 in. tape, 7.5 IPS], undated  \nReel #1. Draper Interview: Dr. Draper interview of Tris Coffin Show; C\u0026O news summary [5 in. tape, 7.5 IPS], 1954/05/26  \nReel #1. John L. Lewis Testimony Highlights: Tris Coffin - John L. Lewis Testimony Highlights. [5 in. tape, 7.5 IPS], 1955/12/14  \nReel #3. Program - Hospital Dedication Program: Program - Hospital Dedication. George Higgins speaks. (10 Hospitals not specified) [5 in. tape, 7.5 IPS], undated  \nReel #3. Program - Hospital Dedication Program: Program - Hospital Dedication. George Higgins speaks. (same as previous) [5 in. tape, 7.5 IPS], undated  \nReel #25. Kentucky Legislature Hearings on UMWF Free Choice of Physician: Tom Hamlin, football [5 in. tape, 7.5 IPS], undated  \nReel #1. No.5 Hymntime. C. Rhea Bill Head, Medical Bill: No.5 Hymntime. Claude Rhea, Bill Head. #5 Medicaid Bill [5 in. tape, unknown IPS], ca. May 17  \nReel #1. Dr. Clyde Sparks, Brown, Speaker, Davis: Dr. Clyde Sparks, Brown, Speaker, Davis. [5 in. tape, 7.5 IPS], undated  \nReel #2. Dr. Draper: Dr. Draper [5 in. tape, unknown IPS], undated  \nReel #1. L73 - UK AG 3: L73 - UK - AG 3. Kentucky Legislature Hearings on UMWF Free Choice of Physicians [5 in. tape, unknown IPS], undated","The following material has been separated from this series:","\nPrinted material sent to WVU Medical Center Library:","Harry E. Handley and Carolina R. Randolph, \"Eight Years of Public Health Work, Jones Conty Mississippi, 1937-1944,\" NY, Commonwealth Fund, 1946.","Leslie A. Falk, \"Medical Sociology: The Contribution of Dr. Henry E. Siquist,\" Repritn from journal of the History of Medicine and Allied Sciences, 1958 Vol. 13, No. 2.","\"25 Anniversary Report from the Hospital Research and Education Trust\" (1970)","\nPrinted material sent to WVU Evansdale Library:","\"USDA Testimony Proposing Long Range Agricultural Policy and Programs,\" before Congressional Committees on Agriculture, April 21, October 6-8, 1947.","\nPrinted material discarded:","\"Appalachia\" Vol. 7, No. 4 (1974)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_66e9c478a0a538e82e9f6a4a0e1dda4c\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["American Medical Association","Appalachian Regional Hospitals, Inc.","Disabled Miner's Association of West Virginia 2769","Miners Memorial Hospital Association","United Mine Workers of America. Health and Retirement Funds","United Mine Workers of America","United States. Congress. Senate","Abbott, Marilyn","Boone, Joel Thompson, 1889-1974","Barger, Joe Douglas.","Boone, Joel Thompson, 1889-1974","Boyle, William Anthony, 1904-1985","Burke, William, L. P.","Collisson, Captain N.H.","Dawson, Charles I.","Draper, W. F. (Warren Fales), 1883-1970","Horn, Ezra Van.","Huge, Harry.","Kaiser, Henry J., 1882-1967","Kerr, Lorin E., 1909-","Lewis, John L. (John Llewellyn), 1880-1969","Mitch, Val J.","Murray, Thomas E.","Newdrop, John M.D.","Owen, Charles A.","Painter, Dr. John H.","Roche, Josephine A. (Josephine Aspinwall), 1886-1976","Schmidt, Godfrey P.  (Godfrey Peter), 1903-1998","Van Horn, Ezra.","Ward, Harold.","Woods, Philip, Dr., D.D.S.","Yablonski, Joseph A., 1910-1969","Bridges, Styles, 1898-1961"],"names_ssim":["West Virginia and Regional History Center","United Mine Workers of America. 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(Godfrey Peter), 1903-1998","Van Horn, Ezra.","Ward, Harold.","Woods, Philip, Dr., D.D.S.","Yablonski, Joseph A., 1910-1969","Bridges, Styles, 1898-1961"],"corpname_ssim":["West Virginia and Regional History Center","United Mine Workers of America. Health and Retirement Funds","American Medical Association","Appalachian Regional Hospitals, Inc.","Disabled Miner's Association of West Virginia 2769","Miners Memorial Hospital Association","United Mine Workers of America","United States. Congress. Senate"],"persname_ssim":["Abbott, Marilyn","Boone, Joel Thompson, 1889-1974","Barger, Joe Douglas.","Boyle, William Anthony, 1904-1985","Burke, William, L. P.","Collisson, Captain N.H.","Dawson, Charles I.","Draper, W. F. (Warren Fales), 1883-1970","Horn, Ezra Van.","Huge, Harry.","Kaiser, Henry J., 1882-1967","Kerr, Lorin E., 1909-","Lewis, John L. (John Llewellyn), 1880-1969","Mitch, Val J.","Murray, Thomas E.","Newdrop, John M.D.","Owen, Charles A.","Painter, Dr. John H.","Roche, Josephine A. (Josephine Aspinwall), 1886-1976","Schmidt, Godfrey P.  (Godfrey Peter), 1903-1998","Van Horn, Ezra.","Ward, Harold.","Woods, Philip, Dr., D.D.S.","Yablonski, Joseph A., 1910-1969","Bridges, Styles, 1898-1961"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3183,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:29:32.266Z","separatedmaterial_html_tesm":["\u003cp\u003eThe following material has been separated from Series 14. ADD of 1982/02/27, Area Medical Offices and Other Material:\u003c/p\u003e\n","\u003cp\u003ePrinted material sent to WVU Medical Center Library:\u003clb\u003e\u003c/lb\u003e\nHarry E. Handley and Carolina R. Randolph, \"Eight Years of Public Health Work, Jones Conty Mississippi, 1937-1944,\" NY, Commonwealth Fund, 1946.\u003clb\u003e\u003c/lb\u003e\nLeslie A. Falk, \"Medical Sociology: The Contribution of Dr. Henry E. Siquist,\" Repritn from journal of the History of Medicine and Allied Sciences, 1958 Vol. 13, No. 2.\u003clb\u003e\u003c/lb\u003e\n\"25 Anniversary Report from the Hospital Research and Education Trust\" (1970)\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003ePrinted material sent to WVU Evansdale Library:\u003clb\u003e\u003c/lb\u003e\n\"USDA Testimony Proposing Long Range Agricultural Policy and Programs,\" before Congressional Committees on Agriculture, April 21, October 6-8, 1947.\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003ePrinted material discarded:\u003clb\u003e\u003c/lb\u003e\n\"Appalachia\" Vol. 7, No. 4 (1974)\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eThe following material has been separated to the Map Collection:\u003clb\u003e\u003c/lb\u003e\nPopulation distribution map, Benefit Trust Beneficiaries, 1950.\u003c/p\u003e","\u003cp\u003eThe following audiotape reels were separated and added to the Oral History Collection: \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eReel #1. John L. Lewis: Testimony before Kennedy Committee [7 in. tape, 7.5 IPS], 1957/06/21 \u003clb\u003e\u003c/lb\u003e\nReel #2. John L. Lewis: Testimony before Labor Committee [7 in. tape, 7.5 IPS], 1957/06/21 \u003clb\u003e\u003c/lb\u003e\nReel #3. John L. Lewis: Testimony before Labor Committee [7 in. tape, 7.5 IPS], 1957/06/21 \u003clb\u003e\u003c/lb\u003e\nReel #4. John L. Lewis: Testimony before Labor Committee [7 in. tape, 7.5 IPS], 1957/06/21 \u003clb\u003e\u003c/lb\u003e\nReel #1. John L. Lewis: Testimony, Borden Committee [7 in. tape, 7.5 IPS], 1957/07/09 \u003clb\u003e\u003c/lb\u003e\nReel #2. John L. Lewis: Testimony, Borden Committee [7 in. tape, 7.5 IPS], 1957/07/09 \u003clb\u003e\u003c/lb\u003e\nReel #3. John L. Lewis: Testimony, Borden Committee [7 in. tape, 7.5 IPS], 1957/07/09 \u003clb\u003e\u003c/lb\u003e\nReel #4. John L. Lewis: Testimony, Borden Committee [7 in. tape, 7.5 IPS], 1957/07/09 \u003clb\u003e\u003c/lb\u003e\nReel #5. John L. Lewis: Testimony, Borden Committee [7 in. tape, 7.5 IPS], 1957/07/09 \u003clb\u003e\u003c/lb\u003e\nReel #6. John L. Lewis: Testimony, Borden Committee [7 in. tape, 7.5 IPS], 1957/07/09 \u003clb\u003e\u003c/lb\u003e\nJohn L. Lewis, Rep. Perkins: House Joint Subcommittee on Labor Management Reform Legislation-John L. Lewis, Rep. Perkins (continues--overlapped on Tape #2) [7 in. tape, 7.5 IPS], 1959/05/13 \u003clb\u003e\u003c/lb\u003e\nReel #3. House Joint Subcommittee/John L. Lewis: House Joint Subcommittee on Labor Management Reform Legislation; John L. Lewis (Continued-overlaps Tape #2) Questions and answers (Continued--overlaps on Tape #4) [7 in. tape, 7.5 IPS], 1959/05/13 \u003clb\u003e\u003c/lb\u003e\nReel #4. House Joint Subcommittee, John L. Lewis: House Joint Subcommittee on Labor Management Reform Legislation; John L. Lewis Questions and answers (overlaps Tape #3) (This tape continues and is overlapped on Tape #5) [7 in. tape, 7.5 IPS], 1959/05/13 \u003clb\u003e\u003c/lb\u003e\nReel #5. House Joint Subcommittee, John L. Lewis: House Joint Subcommittee on Labor Management Reform Legislation; John L. Lewis Questions and answers (Continued overlaps on Tape #6) (This continues and is overlapped on Tape #6) [7 in. tape, 7.5 IPS], 1959/05/13 \u003clb\u003e\u003c/lb\u003e\nReel #6. House Joint Subcommittee, John L. Lewis: House Joint Subcommittee on Labor Management Reform Legislation; John L. Lewis Questions and answers (Continued overlaps on Tape #5) (This tape continues and is overlapped on Tape #7) [7 in. tape, 7.5 IPS], 1959/05/13 \u003clb\u003e\u003c/lb\u003e\nReel #7. House Joint Subcommittee, John L. Lewis: House Joint Subcommittee on Labor Management Reform Legislation; John L. Lewis (Questions and Answers Continued Overlaps on Tape #6) [7 in. tape, 7.5 IPS], ca. 1959/05/13 \u003clb\u003e\u003c/lb\u003e\nReel #1. John L. Lewis Testimonial Dinner: Testimonial Dinner for John L. Lewis; Applause for Waiters with 40 cakes. John Owens - Toast-master, Tony Boyle, John Owens, Tom Kennedy. (This tape overlapped on Tape #2) [7 in. tape, 7.5 IPS], 1960/01/14 \u003clb\u003e\u003c/lb\u003e\nReel #2. John L. Lewis Testimonial Dinner: Testimonial Dinner for John L. Lewis. Tom Kennedy. (This tape overlaps Tape #1) John Owens, John L. Lewis (This tape starts on Tape #3 also) [7 in. tape, 7.5 IPS], 1960/01/14 \u003clb\u003e\u003c/lb\u003e\nReel #3. John L. Lewis Testimonial Dinner: Testimonial Dinner for John L. Lewis. John L. Lewis (Starts on Tape #2 also) (This tape overlaps on Tape #4) [7 in. tape, 7.5 IPS], 1960/01/14 \u003clb\u003e\u003c/lb\u003e\nJohn L. Lewis - Assorted Speeches -- Reel #1. Dedication Program: Dedication Program [7 in. tape, 7.5 IPS], 1957/06/02 \u003clb\u003e\u003c/lb\u003e\nJohn L. Lewis - Assorted Speeches -- Reel #1. J.L. Lewis, National Coal Policy Conference. Copy Four.: National Coal Policy Conference; Mr. John L. Lewis (complete on this tape); Mr. Love thanks above; Rt. Rev. Mons. John J. McClafferty; Adjournment [7 in. tape, 7.5 IPS], 1957/04/27 \u003clb\u003e\u003c/lb\u003e\nJohn L. Lewis - Assorted Speeches -- Reel #1. Union Songs: R-1 - 3 3/4 [7 in. tape, 7.5 IPS], undated \u003clb\u003e\u003c/lb\u003e\nJohn L. Lewis - Assorted Speeches -- Reel #2. Union Songs: R.2 - 3 3/4 Union Songs [7 in. tape, 7.5 IPS], undated \u003clb\u003e\u003c/lb\u003e\nJohn L. Lewis - Assorted Speeches -- Reel #1. Program, Dedication Ceremony for 10 UMWF Hospitals: Program, Reel 1 [7 in. tape, 7.5 IPS], undated \u003clb\u003e\u003c/lb\u003e\nJohn L. Lewis - Assorted Speeches -- Reel #2. Program, All Lewis: Program, All Lewis [7 in. tape, 7.5 IPS], undated \u003clb\u003e\u003c/lb\u003e\nJohn L. Lewis - Assorted Speeches -- Reel #1. J.L. Lewis Dinner Speech: J.L.L. Dinner Speech, Netherland Hilton Hotel, Cincinnati, Ohio. This tape duplicated from tape furnished by United Mine Workers. No overlap. This tape ends at applause. Picks up on tape #2 with same applause. [7 in. tape, 7.5 IPS], 1960/10/06 \u003clb\u003e\u003c/lb\u003e\nJohn L. Lewis - Assorted Speeches -- Reel #2. John L. Lewis Dinner Speech: John L. Lewis Dinner Speech, Netherland Hilton Hotel, Cincinnati, Ohio. This tape duplicated from tape furnished by United Mine Workers. No overlap. Continued applause from Tape #1. [7 in. tape, 7.5 IPS], 1960/10/06 \u003clb\u003e\u003c/lb\u003e\nReel #1. J.L. Lewis Dinner Speech \"Autonomy:\" J.L. Lewis Dinner Speech \"Autonomy.\" This tape duplicated from tape furnished by United Mine Workers. No overlap. This tape ends with applause; picks up on Tape #2 with same applause. [7 in. tape, 7.5 IPS], 1960/10/10 \u003clb\u003e\u003c/lb\u003e\nReel #2. John L. Lewis Dinner Speech, \"Autonomy:\" John L. Lewis Dinner Speech \"Autonomy.\" This tape duplicated from tape furnished by UMW. No overlap. This tape continues with applause from Tape #1. [7 in. tape, 7.5 IPS], 1960/10/10 \u003clb\u003e\u003c/lb\u003e\nReel #1. Senate Subcommittee on Labor/Mine Safety: Senate Subcommittee on Labor/Coal Mine Safety. Acting Chairman Senator Clark - opening statement. Mr. Marling J. Anthony (with Sen. Clark and Sen. Randolph. Only questions and answers recorded) Mr. Charles Ferguson (continued and overlapped on #2) [7 in. tape, 7.5 IPS], 1959/07/21 \u003clb\u003e\u003c/lb\u003e\nUnited Mine Workers of America, Health and Retirement Funds, Records A\u0026amp;M.2769 - Page 178- Reel #2. Senate Subcommittee on Labor/Mine Safety: Senate Subcommittee on Labor/Coal Mine Safety. Mr. Charles Ferguson (cont.-overlaps #1) Introduction by Sen. Randolph; Sen. Clark; also comment by Sen. Cooper; Mr. John L. Lewis starts, overlaps #3. [7 in. tape, 7.5 IPS], 1959/07/21 \u003clb\u003e\u003c/lb\u003e\nReel #3. Senate Subcommittee on Labor/Mine Safety: Senate Subcommittee on Labor/Coal Mine Safety. Mr. John L. Lewis, starts on tape #2 and overlapped on #4. [7 in. tape, 7.5 IPS], 1959/07/21 \u003clb\u003e\u003c/lb\u003e\nReel #4. Senate Subcommittee on Labor/Mine Safety: Senate Subcommittee on Labor/Mine Safety. Mr. John L. Lewis (cont. and overlaps on #3) 8 min. in, Sen. Cooper. Note: Sen. Cooper didn't have mic - was too far from closest mic to be picked up. [7 in. tape, 7.5 IPS], 1959/07/21 \u003clb\u003e\u003c/lb\u003e\nReel #1. Coal Policy Conference: (1) Coal Policy Conference - Mr. Lewis retires; (2) \"Instant Poverty\" Closing of Renton, PA mine. [7 in. tape, 7.5 IPS], ca. 1960 \u003clb\u003e\u003c/lb\u003e\nReel #1. Hospital Dedication Program: Hospital Dedication Program. [7 in. tape, 7.5 IPS], 1956/02/06 \u003clb\u003e\u003c/lb\u003e\nReel #2. Hospital Dedication Program: All Lewis [7 in. tape, 7.5 IPS], 1956/02/06 \u003clb\u003e\u003c/lb\u003e\nReel #3. Hospital Dedication Program: Program. [7 in. tape, 7.5 IPS], 1956/02/06 \u003clb\u003e\u003c/lb\u003e\nReel #1. Ground Breaking Ceremony: Ground Breaking ceremonies at Man, West Virginia. Approximately 55 minutes. WLOG Logan, W.Va. [7 in. tape, 3.25 IPS], 1953/10/31 \u003clb\u003e\u003c/lb\u003e\nReel #1. Speaker Weintraub, G. Davis, G. Archer, J. Brown: Speaker Weintraub - opening; Ghines (?) Davis, Atty.; Dr. George Archer; John Y. Brown [7 in. tape, 7.5 IPS], undated \u003clb\u003e\u003c/lb\u003e\nReel #1. Kentucky Hearing, Master-complete: Medical Bill Hearing - Frankfort. Archer, Draper, Brown, Barnes, Cart, Ezelle, Brown, Sparks, Afton. [7 in. tape, 3.75 IPS], ca. March 14 \u003clb\u003e\u003c/lb\u003e\nReel #1. Beckley Radio Program \"Anything Goes:\" UMW. \"Anything Goes\" radio program, Beckley, West Virginia. (Complaints Beckley Hospital cheese sandwich dispute) [7 in. tape, unknown IPS], Spring 1959 \u003clb\u003e\u003c/lb\u003e\nReel #3. Untitled: Dr. Barnes. I.E. Cart, C\u0026amp;O Railroad employees health association. Sam Ezelle, AFL-CIO (Kentucky State Federation of Labor. Atty. Brown) [7 in. tape, unknown IPS], undated \u003clb\u003e\u003c/lb\u003e\nReel #1. Pennsylvania Medical Society Interview: Three reporters interview Pennsylvania Medical Society leaders in Atlantic City after P.M.S. declared its agreement with the Fund \"null, void, terminated, and ended.\" [7 in. tape, 7.5 IPS], undated \u003clb\u003e\u003c/lb\u003e\nReel #1. Pikesville Ground Breaking: Pikesville Ground Breaking [7 in. tape, unknown IPS], 1952/10/07 \u003clb\u003e\u003c/lb\u003e\nReel #2. Pikesville Ground Breaking: Pikesville Ground Breaking. 57 min. long. [7 in. tape, unknown IPS], 1952/10/07 \u003clb\u003e\u003c/lb\u003e\nReel #1. Henry J. Kaiser: Henry J. Kaiser [7 in. tape, 7.5 IPS], undated \u003clb\u003e\u003c/lb\u003e\nReel #2. Henry J. Kaiser: Henry J. Kaiser [7 in. tape, 7.5 IPS], undated \u003clb\u003e\u003c/lb\u003e\nReel #1. Draper Interview: Dr. Draper interview of Tris Coffin Show; C\u0026amp;O news summary [5 in. tape, 7.5 IPS], 1954/05/26 \u003clb\u003e\u003c/lb\u003e\nReel #1. John L. Lewis Testimony Highlights: Tris Coffin - John L. Lewis Testimony Highlights. [5 in. tape, 7.5 IPS], 1955/12/14 \u003clb\u003e\u003c/lb\u003e\nReel #3. Program - Hospital Dedication Program: Program - Hospital Dedication. George Higgins speaks. (10 Hospitals not specified) [5 in. tape, 7.5 IPS], undated \u003clb\u003e\u003c/lb\u003e\nReel #3. Program - Hospital Dedication Program: Program - Hospital Dedication. George Higgins speaks. (same as previous) [5 in. tape, 7.5 IPS], undated \u003clb\u003e\u003c/lb\u003e\nReel #25. Kentucky Legislature Hearings on UMWF Free Choice of Physician: Tom Hamlin, football [5 in. tape, 7.5 IPS], undated \u003clb\u003e\u003c/lb\u003e\nReel #1. No.5 Hymntime. C. Rhea Bill Head, Medical Bill: No.5 Hymntime. Claude Rhea, Bill Head. #5 Medicaid Bill [5 in. tape, unknown IPS], ca. May 17 \u003clb\u003e\u003c/lb\u003e\nReel #1. Dr. Clyde Sparks, Brown, Speaker, Davis: Dr. Clyde Sparks, Brown, Speaker, Davis. [5 in. tape, 7.5 IPS], undated \u003clb\u003e\u003c/lb\u003e\nReel #2. Dr. Draper: Dr. Draper [5 in. tape, unknown IPS], undated \u003clb\u003e\u003c/lb\u003e\nReel #1. L73 - UK AG 3: L73 - UK - AG 3. Kentucky Legislature Hearings on UMWF Free Choice of Physicians [5 in. tape, unknown IPS], undated\u003c/p\u003e","\u003cp\u003eThe following material has been separated from this series:\u003c/p\u003e\n","\u003cp\u003e\nPrinted material sent to WVU Medical Center Library:\u003c/p\u003e\n","\u003cp\u003eHarry E. Handley and Carolina R. Randolph, \"Eight Years of Public Health Work, Jones Conty Mississippi, 1937-1944,\" NY, Commonwealth Fund, 1946.\u003c/p\u003e\n","\u003cp\u003eLeslie A. Falk, \"Medical Sociology: The Contribution of Dr. Henry E. 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Buck, Author, Literary Manuscripts","Series 6. Other Works"],"parent_unittitles_tesim":["Pearl S. Buck, Author, Literary Manuscripts","Series 6. Other Works"],"text":["Pearl S. Buck, Author, Literary Manuscripts","Series 6. Other Works","1949 Introduction to The Good Earth; Typescript with attached clippings and handwritten notations, 12 pp., many handwritten corrections; also includes 2014 computer printout of published introduction from 1962 edition","Box 63","Folder 254.1"],"title_filing_ssi":"1949 Introduction to  The Good Earth ; Typescript with attached clippings and handwritten notations, 12 pp., many handwritten corrections; also includes 2014 computer printout of published introduction from 1962 edition","title_ssm":["1949 Introduction to The Good Earth; Typescript with attached clippings and handwritten notations, 12 pp., many handwritten corrections; also includes 2014 computer printout of published introduction from 1962 edition"],"title_tesim":["1949 Introduction to The Good Earth; Typescript with attached clippings and handwritten notations, 12 pp., many handwritten corrections; also includes 2014 computer printout of published introduction from 1962 edition"],"unitdate_inclusive_ssm":["1949, 2014"],"normalized_date_ssm":["1949/2014"],"normalized_title_ssm":["1949 Introduction to The Good Earth; Typescript with attached clippings and handwritten notations, 12 pp., many handwritten corrections; also includes 2014 computer printout of published introduction from 1962 edition"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Pearl S. Buck, Author, Literary Manuscripts"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":597,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"containers_ssim":["Box 63","Folder 254.1"],"_nest_path_":"/components#5/components#239","timestamp":"2026-05-21T01:24:29.099Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5375","ead_ssi":"wvmturhc_repositories_2_resources_5375","_root_":"wvmturhc_repositories_2_resources_5375","_nest_parent_":"wvmturhc_repositories_2_resources_5375","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5375.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198663","title_ssm":["Pearl S. Buck, Author, Literary Manuscripts"],"title_tesim":["Pearl S. Buck, Author, Literary Manuscripts"],"unitdate_ssm":["circa 1923-2014","circa 1923-1973"],"unitdate_bulk_ssim":["circa 1923-1973"],"unitdate_inclusive_ssm":["circa 1923-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4052","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5375"],"text":["A\u0026M 4052","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5375","Pearl S. Buck, Author, Literary Manuscripts","China -- Fiction","China -- Foreign Relations -- United States","China -- In literature","China","Hillsboro (W. Va.)","United States -- Foreign Relations -- China","United States -- Relations -- China","West Virginia - Writers.","Amerasians","Authors, American -- West Virginia","Children with mental disabilities","Human rights advocacy","Intercountry adoption","Interracial adoption","Literature and society -- China","Literature and society -- United States","Novelists, American -- 20th century -- Correspondence","Novelists, American -- West Virginia","Women novelists, American   -- 20th century","Women social reformers -- United States","No special access restriction applies.","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Pearl Sydenstricker Buck was born in Hillsboro, West Virginia, in 1892 to Caroline Stulting Sydenstricker and Absalom Sydenstricker, Southern Presbyterian missionaries who returned to China shortly after their daughter's birth. Pearl was raised and educated in Chinkiang (Zhenjiang), China, but studied in the United States at Randolph Macon Women's College in Lynchburg, Virginia, when she was seventeen. She returned to China after her graduation in 1914, and in 1917 Pearl married agricultural economist and missionary John Lossing Buck. The Bucks lived in Nanhsuchou (Nanxuzhou) in rural Anhwei (Anhui) Province and later in Nanking (Nanjing), China, until 1934. They had one biological daughter, Carol, who had severe intellectual and physical disabilities, and adopted another daughter, Janice."," Pearl began writing about Chinese peasant life and culture and the interactions between East and West in the 1920s, and her first novel, East Wind, West Wind, was published in 1930. She published the bestselling and Pulitzer Prize-winning novel The Good Earth in 1931, and went on to write more than seventy novels, plays, and short stories and to author numerous articles and essays. Other early books include Sons (1932), A House Divided (1935), The First Wife and Other Stories (1933), All Men are Brothers (1933, translation), The Mother (1934), The Exile (1936), Fighting Angel (1936), and This Proud Heart (1938). In 1938, Pearl Buck became the first woman to receive the Nobel Prize in Literature."," By 1935, Pearl had divorced her first husband and married her publisher and editor, Richard J. Walsh. They settled at Green Hills Farm in Bucks County, Pennsylvania, to be close to Carol, and the couple adopted six more children. Pearl was a prolific writer, and most of her fiction remained set in China and the Far East. Other novels include Dragon Seed (1942), Pavilion of Women (1946), God's Men (1951), Come, My Beloved (1953), Imperial Woman (1956), Letter from Peking (1957), and The Living Reed (1963). Due to personal and political circumstances, Pearl never returned to China after she left in 1934."," Pearl campaigned tirelessly for issues related to Chinese human rights, interracial understanding, and orphaned and disabled children for the rest of her life. In 1949, she founded Welcome House, the first interracial adoption agency in the United States. In 1964, she established the Pearl S. Buck Foundation to provide medical care and education for Amerasian children. Pearl also championed civil rights and women's rights in the United States."," Richard Walsh died in 1960, and in the early 1960s Pearl began a loving relationship with lifelong friend William Ernest Hocking that lasted until Hocking's death in 1966. By 1969, Pearl had moved to Danby, Vermont. Pearl S. Buck died in Vermont in 1973 and is buried at Green Hills Farm in Pennsylvania."," After her death, ownership of Pearl Buck's literary manuscripts was disputed, and eventually awarded to the Pearl S. Buck Birthplace Foundation, which were temporarily stored in the Pfeiffer Library at West Virginia Wesleyan College in Buckhannon, WV until the partnership between these two institutions and the WVRHC was formed in 2014, which led to the transfer of the collection to WVU.","727","Literary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China."," The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck."," Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more."," Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects."," For additional material, see A\u0026M 727, Pearl S. Buck, Author, Papers.","Overview of Record Series:"," The collection includes eight series:"," Series 1. Novels; ca. 1930-1973. \n Series 2. Non-fiction; ca. 1936-1972. \n Series 3. Children's Books; ca. 1940-1967. \n Series 4. Translation; ca. 1933. \n Series 5. Collections of Short Stories; ca. 1934-1973. \n Series 6. Other Works; ca. 1923-1967, 2014. \n Series 7. Miscellaneous; ca. 1960-2014. \n Series 8. Oversized; ca. 1930-1995."," Series 1-5 include the bulk of Buck's published books in draft form. The cataloging information for these series was drawn from Mary Lee Welliver's thesis,  Pearl S. Buck's Manuscripts: The Harvest of Half a Century  (see series 7, box 71, folder 284). Some of the drafts are deemed \"original\" -- for more information on how this conclusion was reached, please see pages 17-18 of the thesis. Series 6 includes drafts of works that were not cataloged in Welliver's thesis."," Since many of Buck's drafts are undated, date ranges given in the series descriptions are based in part on dates of publication. Also, page counts have not been verified."," Manuscripts from the collection were originally housed in 273 large numbered envelopes. The original envelope numbers have been retained as folder numbers, and the original envelopes have been moved to boxes 83-86."," Regarding terminology in this finding aid:"," \"Galley\" indicates a preliminary version of a publication meant for review and copyediting, printed on oversize paper."," \"Paged galleys\" indicates galleys where pagination has been added, and the number of pages reflects that pagination."," \"Unpaged galleys\" lack page numbers, and are counted by the number of leaves referred to as \"galley pp.\"."," \"Holograph\" indicates an entirely handwritten work (as opposed to typescript)."," \"Manuscript\" is used in the general sense to include holographs, typescripts, and galleys."," \"PSB\" stands for Pearl S. Buck.","Includes holographs, typescripts, typescript carbons, mixed manuscripts, and galleys for more than thirty of Buck's published novels. Many address the topic of Chinese peasant life. Some works are represented by multiple drafts, and some include corrections and revisions by the author."," Highlights include: \n paged galleys of Buck's first novel,  East Wind, West Wind ; \n a typescript of  Sons ; \n original holograph and typescripts of  The Patriot ; \n typescripts of  The Angry Wife , her only novel set in West Virginia and one of many written under the pseudonym John Sedges; and \n multiple drafts of  Imperial Woman ."," Additional drafts, outlines, and synopses for novels and novellas can also be found in Series 6, Other Works. Galleys and galley proofs can be found in Series 8, Oversized.","Includes typescripts, typescript carbons, mixed manuscripts, and holographs for eighteen of Buck's non-fiction works. Topics include Asia, the role of women in American society, racism, children's welfare, and adoption."," Highlights include:"," multiple drafts and leather-bound presentations of Buck's manuscripts for the biographies of her parents --  The Exile  and  The Fighting Angel  -- two novels that helped earn her the 1938 Nobel Prize in Literature;"," a mixed manuscript of the book titled  Of Men and Women ;"," typescripts of  How it Happens ;"," multiple drafts of  The Joy of Children ; and"," multiple drafts of her autobiographies,  My Several Worlds  and  A Bridge for Passing ."," Additional non-fiction works can be found in Series 6, Other Works. Galleys of non-fiction works can be found in Series 8, Oversized.","Includes typescript carbons, galleys, typescripts, mixed manuscripts, and holographs for eleven children's books, including  The Big Fight ,  The Big Wave , and  Matthew, Mark, Luke and John . Galleys can be found in Series 8, Oversized.","Includes two typescript drafts of  All Men Are Brothers , Buck's translation of one of China's most famous novels,  Shui Hu Chuan  (also known as  Water Margin  or  Shui Hu Zhuan ). A brochure advertising this book can be found in Series 6, Other Works, box 70, folder 279.7.","Includes typescripts, typescript carbons, holographs, and mixed manuscripts of short stories from nine of Buck's anthologies. Some of the anthologies were published posthumously. Some entries include the periodical in which the various short stories appeared; please note that this is not indicative of a systematic search. Additional short stories can be found in Series 6, Other Works. A magazine clipping has been moved to Series 8, Oversized.","Includes holographs, typescripts, typescript carbons, clippings, and mixed manuscripts of published and unpublished short stories, articles, dramas/plays, novels, novellas, non-fiction works, reviews, speeches, introductions, forewords, letters, press releases, radio broadcasts, and interviews, among other material. The majority of this series is Buck's own work."," Subjects include China and its people; writing; women; international relations and war; America and its people; India; Japan; mentally handicapped children (the contemporary term, retarded, is used in the contents list); mixed race children; the Vineland Training School; the Welcome House; adoption; and many more. Two published short stories have been moved to Series 8, Oversized."," Highlights include:"," a January 1923 issue of the journal  The Atlantic Monthly , containing Buck's first published article, \"In China, Too\" (box 70, folder 282);"," a typescript introduction to  The Good Earth , 1949 (box 63, folder 254.1);"," a holograph introduction to a series of shortwave radio broadcasts, written by Buck in Chinese characters (with romanizations in typescript) (box 50, folder 196.1);"," a holograph of an untitled radio broadcast, written by Buck in Chinese characters (with romanizations in typescript) (box 51, folder 202); and"," typescripts and typescript carbons of the autobiographical short story \"My Chinese Nurse\" (box 33, folders 134.1-134.3).","Includes exhibit materials, typescripts, clippings, correspondence, ephemera, printed material, photographs, and other material. Subjects include the appraisal and cataloging of collection materials by Frances and Kenneth Swope, Mary Lee Welliver, and Robert Shafer; the Pearl S. Buck Birthplace Foundation and preservation of Buck's birthplace in Hillsboro, WV; celebratory centennial events in 1992; Pearl S. Buck; and her works. The majority of the contents of this series was created by people other than Buck, though it includes a few facsimiles and printed versions of Buck's work."," Highlights include:"," typescripts written about Buck by Lucille S. Zinn, bibliographer for the Pearl S. Buck Birthplace Foundation (box 72, folder 302.1-302.2), who went on to publish \"The Works of Pearl S. Buck: A Bibliography\" (box 73, folder 305.1);"," records regarding the Pearl S. Buck commemorative stamp (various folders in boxes 73-76); and"," a cassette tape of an interview with Pearl S. Buck conducted by Arnold Gingrich, October 12, 1970 (box 76, folder 365)."," Biographical material on Buck can be found in box 73, folder 320; box 74, folders 323 and 338; box 75, folder 349; and others."," Although now substantially superseded by the current cataloging record in terms of both completeness and detail, the Mary Lee Welliver collection guide, within her graduate thesis, has been retained in this collection for future reference (see box 71, folder 284). Within her guide, Welliver cataloged the drafts of published books within the collection (series 1-5). Within these series, she lists the works alphabetically, and the drafts of each work in rough chronological order. (A version of our contents list in this cataloging record, found below, arranged in the same order as the contents list in Welliver's thesis, is available in box 71, folder 284.) Regarding the chronological order in her guide, Welliver notes that, \"In a few cases, the order has been very difficult to ascertain without a more critical study of the manuscripts. This study is left to future researchers and an 'educated guess' has been made as to chronology in such cases\" (Welliver thesis, p. 21)."," Welliver also created data sheets for each work she cataloged, which are available in box 71, folders 293.1-293.4, and box 72, folders 294.1- 294.2. These data sheets include information not recorded in either the contents list found in this cataloging record, or in the Welliver thesis, such as type and size of paper and notations from original envelopes or folders."," Boxes 83-86 include the original container envelopes for most of the collection; the notations on these envelopes regarding specifics about their contents, such as page numbers, may be of interest to future researchers. Not all of this information is present in the contents list.","Includes galleys and galley proofs from Series 1, Novels; Series 2, Non-fiction; and Series 3, Children's Books. Also includes a magazine clipping from Series 5, Collections of Short Stories; published short stories from Series 6, Other Works; and various clippings regarding the Pearl S. Buck Birthplace Foundation, her home, and other topics. Noteworthy are the paged galleys of Buck's first novel,  East Wind, West Wind  (box 77b, folder 1 and 2).","Signed letter to Rare Signatures, A\u0026M 435:","  Signed letter from Pearl Buck to Otto Whittaker, with signed enclosure, dated 1967.","Book to Book Collection:","  Crouch, Archie R. Scholars' Guide to China Mission Resources in the Libraries and Archives of the United States. Princeton, NJ: Princeton University Press, 1983.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Literary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China. The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck. Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more. Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects. For additional material, see A\u0026M 727, Pearl S. Buck, Author. Papers (1930-1976, undated).","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Pearl S. Buck Birthplace Foundation","West Virginia Wesleyan College","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Walsh, Richard J. (Richard John), 1886-1960","English \n.    "],"unitid_tesim":["A\u0026M 4052","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5375"],"normalized_title_ssm":["Pearl S. Buck, Author, Literary Manuscripts"],"collection_title_tesim":["Pearl S. Buck, Author, Literary Manuscripts"],"collection_ssim":["Pearl S. Buck, Author, Literary Manuscripts"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["China -- Fiction","China -- Foreign Relations -- United States","China -- In literature","China","Hillsboro (W. Va.)","United States -- Foreign Relations -- China","United States -- Relations -- China","West Virginia - Writers."],"geogname_ssim":["China -- Fiction","China -- Foreign Relations -- United States","China -- In literature","China","Hillsboro (W. Va.)","United States -- Foreign Relations -- China","United States -- Relations -- China","West Virginia - Writers."],"places_ssim":["China -- Fiction","China -- Foreign Relations -- United States","China -- In literature","China","Hillsboro (W. Va.)","United States -- Foreign Relations -- China","United States -- Relations -- China","West Virginia - Writers."],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Amerasians","Authors, American -- West Virginia","Children with mental disabilities","Human rights advocacy","Intercountry adoption","Interracial adoption","Literature and society -- China","Literature and society -- United States","Novelists, American -- 20th century -- Correspondence","Novelists, American -- West Virginia","Women novelists, American   -- 20th century","Women social reformers -- United States"],"access_subjects_ssm":["Amerasians","Authors, American -- West Virginia","Children with mental disabilities","Human rights advocacy","Intercountry adoption","Interracial adoption","Literature and society -- China","Literature and society -- United States","Novelists, American -- 20th century -- Correspondence","Novelists, American -- West Virginia","Women novelists, American   -- 20th century","Women social reformers -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["36.7 Linear Feet 36 ft. 8 in. (74 document cases, 5 in. each; 2 document cases, 2.5 in. each; 1 flat storage box, 5 in.; 2 flat storage boxes, 1.5 in. each; 3 record cartons, 15 in. each; 7 large flat storage boxes, 1.5 in. each)"],"extent_tesim":["36.7 Linear Feet 36 ft. 8 in. (74 document cases, 5 in. each; 2 document cases, 2.5 in. each; 1 flat storage box, 5 in.; 2 flat storage boxes, 1.5 in. each; 3 record cartons, 15 in. each; 7 large flat storage boxes, 1.5 in. each)"],"date_range_isim":[1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"bioghist_html_tesm":["\u003cp\u003ePearl Sydenstricker Buck was born in Hillsboro, West Virginia, in 1892 to Caroline Stulting Sydenstricker and Absalom Sydenstricker, Southern Presbyterian missionaries who returned to China shortly after their daughter's birth. Pearl was raised and educated in Chinkiang (Zhenjiang), China, but studied in the United States at Randolph Macon Women's College in Lynchburg, Virginia, when she was seventeen. She returned to China after her graduation in 1914, and in 1917 Pearl married agricultural economist and missionary John Lossing Buck. The Bucks lived in Nanhsuchou (Nanxuzhou) in rural Anhwei (Anhui) Province and later in Nanking (Nanjing), China, until 1934. They had one biological daughter, Carol, who had severe intellectual and physical disabilities, and adopted another daughter, Janice.\u003c/p\u003e\n","\u003cp\u003e Pearl began writing about Chinese peasant life and culture and the interactions between East and West in the 1920s, and her first novel, East Wind, West Wind, was published in 1930. She published the bestselling and Pulitzer Prize-winning novel The Good Earth in 1931, and went on to write more than seventy novels, plays, and short stories and to author numerous articles and essays. Other early books include Sons (1932), A House Divided (1935), The First Wife and Other Stories (1933), All Men are Brothers (1933, translation), The Mother (1934), The Exile (1936), Fighting Angel (1936), and This Proud Heart (1938). In 1938, Pearl Buck became the first woman to receive the Nobel Prize in Literature.\u003c/p\u003e\n","\u003cp\u003e By 1935, Pearl had divorced her first husband and married her publisher and editor, Richard J. Walsh. They settled at Green Hills Farm in Bucks County, Pennsylvania, to be close to Carol, and the couple adopted six more children. Pearl was a prolific writer, and most of her fiction remained set in China and the Far East. Other novels include Dragon Seed (1942), Pavilion of Women (1946), God's Men (1951), Come, My Beloved (1953), Imperial Woman (1956), Letter from Peking (1957), and The Living Reed (1963). Due to personal and political circumstances, Pearl never returned to China after she left in 1934.\u003c/p\u003e\n","\u003cp\u003e Pearl campaigned tirelessly for issues related to Chinese human rights, interracial understanding, and orphaned and disabled children for the rest of her life. In 1949, she founded Welcome House, the first interracial adoption agency in the United States. In 1964, she established the Pearl S. Buck Foundation to provide medical care and education for Amerasian children. Pearl also championed civil rights and women's rights in the United States.\u003c/p\u003e\n","\u003cp\u003e Richard Walsh died in 1960, and in the early 1960s Pearl began a loving relationship with lifelong friend William Ernest Hocking that lasted until Hocking's death in 1966. By 1969, Pearl had moved to Danby, Vermont. Pearl S. Buck died in Vermont in 1973 and is buried at Green Hills Farm in Pennsylvania.\u003c/p\u003e\n","\u003cp\u003e After her death, ownership of Pearl Buck's literary manuscripts was disputed, and eventually awarded to the Pearl S. Buck Birthplace Foundation, which were temporarily stored in the Pfeiffer Library at West Virginia Wesleyan College in Buckhannon, WV until the partnership between these two institutions and the WVRHC was formed in 2014, which led to the transfer of the collection to WVU.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Pearl Sydenstricker Buck was born in Hillsboro, West Virginia, in 1892 to Caroline Stulting Sydenstricker and Absalom Sydenstricker, Southern Presbyterian missionaries who returned to China shortly after their daughter's birth. Pearl was raised and educated in Chinkiang (Zhenjiang), China, but studied in the United States at Randolph Macon Women's College in Lynchburg, Virginia, when she was seventeen. She returned to China after her graduation in 1914, and in 1917 Pearl married agricultural economist and missionary John Lossing Buck. The Bucks lived in Nanhsuchou (Nanxuzhou) in rural Anhwei (Anhui) Province and later in Nanking (Nanjing), China, until 1934. They had one biological daughter, Carol, who had severe intellectual and physical disabilities, and adopted another daughter, Janice."," Pearl began writing about Chinese peasant life and culture and the interactions between East and West in the 1920s, and her first novel, East Wind, West Wind, was published in 1930. She published the bestselling and Pulitzer Prize-winning novel The Good Earth in 1931, and went on to write more than seventy novels, plays, and short stories and to author numerous articles and essays. Other early books include Sons (1932), A House Divided (1935), The First Wife and Other Stories (1933), All Men are Brothers (1933, translation), The Mother (1934), The Exile (1936), Fighting Angel (1936), and This Proud Heart (1938). In 1938, Pearl Buck became the first woman to receive the Nobel Prize in Literature."," By 1935, Pearl had divorced her first husband and married her publisher and editor, Richard J. Walsh. They settled at Green Hills Farm in Bucks County, Pennsylvania, to be close to Carol, and the couple adopted six more children. Pearl was a prolific writer, and most of her fiction remained set in China and the Far East. Other novels include Dragon Seed (1942), Pavilion of Women (1946), God's Men (1951), Come, My Beloved (1953), Imperial Woman (1956), Letter from Peking (1957), and The Living Reed (1963). Due to personal and political circumstances, Pearl never returned to China after she left in 1934."," Pearl campaigned tirelessly for issues related to Chinese human rights, interracial understanding, and orphaned and disabled children for the rest of her life. In 1949, she founded Welcome House, the first interracial adoption agency in the United States. In 1964, she established the Pearl S. Buck Foundation to provide medical care and education for Amerasian children. Pearl also championed civil rights and women's rights in the United States."," Richard Walsh died in 1960, and in the early 1960s Pearl began a loving relationship with lifelong friend William Ernest Hocking that lasted until Hocking's death in 1966. By 1969, Pearl had moved to Danby, Vermont. Pearl S. Buck died in Vermont in 1973 and is buried at Green Hills Farm in Pennsylvania."," After her death, ownership of Pearl Buck's literary manuscripts was disputed, and eventually awarded to the Pearl S. Buck Birthplace Foundation, which were temporarily stored in the Pfeiffer Library at West Virginia Wesleyan College in Buckhannon, WV until the partnership between these two institutions and the WVRHC was formed in 2014, which led to the transfer of the collection to WVU."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Pearl S. Buck, Author, Literary Manuscripts, A\u0026amp;M 4052, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Pearl S. Buck, Author, Literary Manuscripts, A\u0026M 4052, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e727\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["727"],"scopecontent_html_tesm":["\u003cp\u003eLiterary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China.\u003c/p\u003e\n","\u003cp\u003e The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck.\u003c/p\u003e\n","\u003cp\u003e Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more.\u003c/p\u003e\n","\u003cp\u003e Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects.\u003c/p\u003e\n","\u003cp\u003e For additional material, see A\u0026amp;M 727, Pearl S. Buck, Author, Papers.\u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eOverview of Record Series:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e The collection includes eight series:\u003c/p\u003e\n","\u003cp\u003e Series 1. Novels; ca. 1930-1973.\u003clb\u003e\u003c/lb\u003e\n Series 2. Non-fiction; ca. 1936-1972.\u003clb\u003e\u003c/lb\u003e\n Series 3. Children's Books; ca. 1940-1967.\u003clb\u003e\u003c/lb\u003e\n Series 4. Translation; ca. 1933.\u003clb\u003e\u003c/lb\u003e\n Series 5. Collections of Short Stories; ca. 1934-1973.\u003clb\u003e\u003c/lb\u003e\n Series 6. Other Works; ca. 1923-1967, 2014.\u003clb\u003e\u003c/lb\u003e\n Series 7. Miscellaneous; ca. 1960-2014.\u003clb\u003e\u003c/lb\u003e\n Series 8. Oversized; ca. 1930-1995.\u003c/p\u003e\n","\u003cp\u003e Series 1-5 include the bulk of Buck's published books in draft form. The cataloging information for these series was drawn from Mary Lee Welliver's thesis, \u003cemph render=\"italic\"\u003ePearl S. Buck's Manuscripts: The Harvest of Half a Century\u003c/emph\u003e (see series 7, box 71, folder 284). Some of the drafts are deemed \"original\" -- for more information on how this conclusion was reached, please see pages 17-18 of the thesis. Series 6 includes drafts of works that were not cataloged in Welliver's thesis.\u003c/p\u003e\n","\u003cp\u003e Since many of Buck's drafts are undated, date ranges given in the series descriptions are based in part on dates of publication. Also, page counts have not been verified.\u003c/p\u003e\n","\u003cp\u003e Manuscripts from the collection were originally housed in 273 large numbered envelopes. The original envelope numbers have been retained as folder numbers, and the original envelopes have been moved to boxes 83-86.\u003c/p\u003e\n","\u003cp\u003e Regarding terminology in this finding aid:\u003c/p\u003e\n","\u003cp\u003e \"Galley\" indicates a preliminary version of a publication meant for review and copyediting, printed on oversize paper.\u003c/p\u003e\n","\u003cp\u003e \"Paged galleys\" indicates galleys where pagination has been added, and the number of pages reflects that pagination.\u003c/p\u003e\n","\u003cp\u003e \"Unpaged galleys\" lack page numbers, and are counted by the number of leaves referred to as \"galley pp.\".\u003c/p\u003e\n","\u003cp\u003e \"Holograph\" indicates an entirely handwritten work (as opposed to typescript).\u003c/p\u003e\n","\u003cp\u003e \"Manuscript\" is used in the general sense to include holographs, typescripts, and galleys.\u003c/p\u003e\n","\u003cp\u003e \"PSB\" stands for Pearl S. Buck.\u003c/p\u003e","\u003cp\u003eIncludes holographs, typescripts, typescript carbons, mixed manuscripts, and galleys for more than thirty of Buck's published novels. Many address the topic of Chinese peasant life. Some works are represented by multiple drafts, and some include corrections and revisions by the author.\u003c/p\u003e\n","\u003cp\u003e Highlights include:\u003clb\u003e\u003c/lb\u003e\n paged galleys of Buck's first novel, \u003cemph render=\"italic\"\u003eEast Wind, West Wind\u003c/emph\u003e;\u003clb\u003e\u003c/lb\u003e\n a typescript of \u003cemph render=\"italic\"\u003eSons\u003c/emph\u003e;\u003clb\u003e\u003c/lb\u003e\n original holograph and typescripts of \u003cemph render=\"italic\"\u003eThe Patriot\u003c/emph\u003e;\u003clb\u003e\u003c/lb\u003e\n typescripts of \u003cemph render=\"italic\"\u003eThe Angry Wife\u003c/emph\u003e, her only novel set in West Virginia and one of many written under the pseudonym John Sedges; and\u003clb\u003e\u003c/lb\u003e\n multiple drafts of \u003cemph render=\"italic\"\u003eImperial Woman\u003c/emph\u003e.\u003c/p\u003e\n","\u003cp\u003e Additional drafts, outlines, and synopses for novels and novellas can also be found in Series 6, Other Works. Galleys and galley proofs can be found in Series 8, Oversized.\u003c/p\u003e","\u003cp\u003eIncludes typescripts, typescript carbons, mixed manuscripts, and holographs for eighteen of Buck's non-fiction works. Topics include Asia, the role of women in American society, racism, children's welfare, and adoption.\u003c/p\u003e\n","\u003cp\u003e Highlights include:\u003c/p\u003e\n","\u003cp\u003e multiple drafts and leather-bound presentations of Buck's manuscripts for the biographies of her parents -- \u003cemph render=\"italic\"\u003eThe Exile\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eThe Fighting Angel\u003c/emph\u003e -- two novels that helped earn her the 1938 Nobel Prize in Literature;\u003c/p\u003e\n","\u003cp\u003e a mixed manuscript of the book titled \u003cemph render=\"italic\"\u003eOf Men and Women\u003c/emph\u003e;\u003c/p\u003e\n","\u003cp\u003e typescripts of \u003cemph render=\"italic\"\u003eHow it Happens\u003c/emph\u003e;\u003c/p\u003e\n","\u003cp\u003e multiple drafts of \u003cemph render=\"italic\"\u003eThe Joy of Children\u003c/emph\u003e; and\u003c/p\u003e\n","\u003cp\u003e multiple drafts of her autobiographies, \u003cemph render=\"italic\"\u003eMy Several Worlds\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eA Bridge for Passing\u003c/emph\u003e.\u003c/p\u003e\n","\u003cp\u003e Additional non-fiction works can be found in Series 6, Other Works. Galleys of non-fiction works can be found in Series 8, Oversized.\u003c/p\u003e","\u003cp\u003eIncludes typescript carbons, galleys, typescripts, mixed manuscripts, and holographs for eleven children's books, including \u003cemph render=\"italic\"\u003eThe Big Fight\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThe Big Wave\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eMatthew, Mark, Luke and John\u003c/emph\u003e. Galleys can be found in Series 8, Oversized.\u003c/p\u003e","\u003cp\u003eIncludes two typescript drafts of \u003cemph render=\"italic\"\u003eAll Men Are Brothers\u003c/emph\u003e, Buck's translation of one of China's most famous novels, \u003cemph render=\"italic\"\u003eShui Hu Chuan\u003c/emph\u003e (also known as \u003cemph render=\"italic\"\u003eWater Margin\u003c/emph\u003e or \u003cemph render=\"italic\"\u003eShui Hu Zhuan\u003c/emph\u003e). A brochure advertising this book can be found in Series 6, Other Works, box 70, folder 279.7.\u003c/p\u003e","\u003cp\u003eIncludes typescripts, typescript carbons, holographs, and mixed manuscripts of short stories from nine of Buck's anthologies. Some of the anthologies were published posthumously. Some entries include the periodical in which the various short stories appeared; please note that this is not indicative of a systematic search. Additional short stories can be found in Series 6, Other Works. A magazine clipping has been moved to Series 8, Oversized.\u003c/p\u003e","\u003cp\u003eIncludes holographs, typescripts, typescript carbons, clippings, and mixed manuscripts of published and unpublished short stories, articles, dramas/plays, novels, novellas, non-fiction works, reviews, speeches, introductions, forewords, letters, press releases, radio broadcasts, and interviews, among other material. The majority of this series is Buck's own work.\u003c/p\u003e\n","\u003cp\u003e Subjects include China and its people; writing; women; international relations and war; America and its people; India; Japan; mentally handicapped children (the contemporary term, retarded, is used in the contents list); mixed race children; the Vineland Training School; the Welcome House; adoption; and many more. Two published short stories have been moved to Series 8, Oversized.\u003c/p\u003e\n","\u003cp\u003e Highlights include:\u003c/p\u003e\n","\u003cp\u003e a January 1923 issue of the journal \u003cemph render=\"italic\"\u003eThe Atlantic Monthly\u003c/emph\u003e, containing Buck's first published article, \"In China, Too\" (box 70, folder 282);\u003c/p\u003e\n","\u003cp\u003e a typescript introduction to \u003cemph render=\"italic\"\u003eThe Good Earth\u003c/emph\u003e, 1949 (box 63, folder 254.1);\u003c/p\u003e\n","\u003cp\u003e a holograph introduction to a series of shortwave radio broadcasts, written by Buck in Chinese characters (with romanizations in typescript) (box 50, folder 196.1);\u003c/p\u003e\n","\u003cp\u003e a holograph of an untitled radio broadcast, written by Buck in Chinese characters (with romanizations in typescript) (box 51, folder 202); and\u003c/p\u003e\n","\u003cp\u003e typescripts and typescript carbons of the autobiographical short story \"My Chinese Nurse\" (box 33, folders 134.1-134.3).\u003c/p\u003e","\u003cp\u003eIncludes exhibit materials, typescripts, clippings, correspondence, ephemera, printed material, photographs, and other material. Subjects include the appraisal and cataloging of collection materials by Frances and Kenneth Swope, Mary Lee Welliver, and Robert Shafer; the Pearl S. Buck Birthplace Foundation and preservation of Buck's birthplace in Hillsboro, WV; celebratory centennial events in 1992; Pearl S. Buck; and her works. The majority of the contents of this series was created by people other than Buck, though it includes a few facsimiles and printed versions of Buck's work.\u003c/p\u003e\n","\u003cp\u003e Highlights include:\u003c/p\u003e\n","\u003cp\u003e typescripts written about Buck by Lucille S. Zinn, bibliographer for the Pearl S. Buck Birthplace Foundation (box 72, folder 302.1-302.2), who went on to publish \"The Works of Pearl S. Buck: A Bibliography\" (box 73, folder 305.1);\u003c/p\u003e\n","\u003cp\u003e records regarding the Pearl S. Buck commemorative stamp (various folders in boxes 73-76); and\u003c/p\u003e\n","\u003cp\u003e a cassette tape of an interview with Pearl S. Buck conducted by Arnold Gingrich, October 12, 1970 (box 76, folder 365).\u003c/p\u003e\n","\u003cp\u003e Biographical material on Buck can be found in box 73, folder 320; box 74, folders 323 and 338; box 75, folder 349; and others.\u003c/p\u003e\n","\u003cp\u003e Although now substantially superseded by the current cataloging record in terms of both completeness and detail, the Mary Lee Welliver collection guide, within her graduate thesis, has been retained in this collection for future reference (see box 71, folder 284). Within her guide, Welliver cataloged the drafts of published books within the collection (series 1-5). Within these series, she lists the works alphabetically, and the drafts of each work in rough chronological order. (A version of our contents list in this cataloging record, found below, arranged in the same order as the contents list in Welliver's thesis, is available in box 71, folder 284.) Regarding the chronological order in her guide, Welliver notes that, \"In a few cases, the order has been very difficult to ascertain without a more critical study of the manuscripts. This study is left to future researchers and an 'educated guess' has been made as to chronology in such cases\" (Welliver thesis, p. 21).\u003c/p\u003e\n","\u003cp\u003e Welliver also created data sheets for each work she cataloged, which are available in box 71, folders 293.1-293.4, and box 72, folders 294.1- 294.2. These data sheets include information not recorded in either the contents list found in this cataloging record, or in the Welliver thesis, such as type and size of paper and notations from original envelopes or folders.\u003c/p\u003e\n","\u003cp\u003e Boxes 83-86 include the original container envelopes for most of the collection; the notations on these envelopes regarding specifics about their contents, such as page numbers, may be of interest to future researchers. Not all of this information is present in the contents list.\u003c/p\u003e","\u003cp\u003eIncludes galleys and galley proofs from Series 1, Novels; Series 2, Non-fiction; and Series 3, Children's Books. Also includes a magazine clipping from Series 5, Collections of Short Stories; published short stories from Series 6, Other Works; and various clippings regarding the Pearl S. Buck Birthplace Foundation, her home, and other topics. Noteworthy are the paged galleys of Buck's first novel, \u003cemph render=\"italic\"\u003eEast Wind, West Wind\u003c/emph\u003e (box 77b, folder 1 and 2).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Literary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China."," The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck."," Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more."," Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects."," For additional material, see A\u0026M 727, Pearl S. Buck, Author, Papers.","Overview of Record Series:"," The collection includes eight series:"," Series 1. Novels; ca. 1930-1973. \n Series 2. Non-fiction; ca. 1936-1972. \n Series 3. Children's Books; ca. 1940-1967. \n Series 4. Translation; ca. 1933. \n Series 5. Collections of Short Stories; ca. 1934-1973. \n Series 6. Other Works; ca. 1923-1967, 2014. \n Series 7. Miscellaneous; ca. 1960-2014. \n Series 8. Oversized; ca. 1930-1995."," Series 1-5 include the bulk of Buck's published books in draft form. The cataloging information for these series was drawn from Mary Lee Welliver's thesis,  Pearl S. Buck's Manuscripts: The Harvest of Half a Century  (see series 7, box 71, folder 284). Some of the drafts are deemed \"original\" -- for more information on how this conclusion was reached, please see pages 17-18 of the thesis. Series 6 includes drafts of works that were not cataloged in Welliver's thesis."," Since many of Buck's drafts are undated, date ranges given in the series descriptions are based in part on dates of publication. Also, page counts have not been verified."," Manuscripts from the collection were originally housed in 273 large numbered envelopes. The original envelope numbers have been retained as folder numbers, and the original envelopes have been moved to boxes 83-86."," Regarding terminology in this finding aid:"," \"Galley\" indicates a preliminary version of a publication meant for review and copyediting, printed on oversize paper."," \"Paged galleys\" indicates galleys where pagination has been added, and the number of pages reflects that pagination."," \"Unpaged galleys\" lack page numbers, and are counted by the number of leaves referred to as \"galley pp.\"."," \"Holograph\" indicates an entirely handwritten work (as opposed to typescript)."," \"Manuscript\" is used in the general sense to include holographs, typescripts, and galleys."," \"PSB\" stands for Pearl S. Buck.","Includes holographs, typescripts, typescript carbons, mixed manuscripts, and galleys for more than thirty of Buck's published novels. Many address the topic of Chinese peasant life. Some works are represented by multiple drafts, and some include corrections and revisions by the author."," Highlights include: \n paged galleys of Buck's first novel,  East Wind, West Wind ; \n a typescript of  Sons ; \n original holograph and typescripts of  The Patriot ; \n typescripts of  The Angry Wife , her only novel set in West Virginia and one of many written under the pseudonym John Sedges; and \n multiple drafts of  Imperial Woman ."," Additional drafts, outlines, and synopses for novels and novellas can also be found in Series 6, Other Works. Galleys and galley proofs can be found in Series 8, Oversized.","Includes typescripts, typescript carbons, mixed manuscripts, and holographs for eighteen of Buck's non-fiction works. Topics include Asia, the role of women in American society, racism, children's welfare, and adoption."," Highlights include:"," multiple drafts and leather-bound presentations of Buck's manuscripts for the biographies of her parents --  The Exile  and  The Fighting Angel  -- two novels that helped earn her the 1938 Nobel Prize in Literature;"," a mixed manuscript of the book titled  Of Men and Women ;"," typescripts of  How it Happens ;"," multiple drafts of  The Joy of Children ; and"," multiple drafts of her autobiographies,  My Several Worlds  and  A Bridge for Passing ."," Additional non-fiction works can be found in Series 6, Other Works. Galleys of non-fiction works can be found in Series 8, Oversized.","Includes typescript carbons, galleys, typescripts, mixed manuscripts, and holographs for eleven children's books, including  The Big Fight ,  The Big Wave , and  Matthew, Mark, Luke and John . Galleys can be found in Series 8, Oversized.","Includes two typescript drafts of  All Men Are Brothers , Buck's translation of one of China's most famous novels,  Shui Hu Chuan  (also known as  Water Margin  or  Shui Hu Zhuan ). A brochure advertising this book can be found in Series 6, Other Works, box 70, folder 279.7.","Includes typescripts, typescript carbons, holographs, and mixed manuscripts of short stories from nine of Buck's anthologies. Some of the anthologies were published posthumously. Some entries include the periodical in which the various short stories appeared; please note that this is not indicative of a systematic search. Additional short stories can be found in Series 6, Other Works. A magazine clipping has been moved to Series 8, Oversized.","Includes holographs, typescripts, typescript carbons, clippings, and mixed manuscripts of published and unpublished short stories, articles, dramas/plays, novels, novellas, non-fiction works, reviews, speeches, introductions, forewords, letters, press releases, radio broadcasts, and interviews, among other material. The majority of this series is Buck's own work."," Subjects include China and its people; writing; women; international relations and war; America and its people; India; Japan; mentally handicapped children (the contemporary term, retarded, is used in the contents list); mixed race children; the Vineland Training School; the Welcome House; adoption; and many more. Two published short stories have been moved to Series 8, Oversized."," Highlights include:"," a January 1923 issue of the journal  The Atlantic Monthly , containing Buck's first published article, \"In China, Too\" (box 70, folder 282);"," a typescript introduction to  The Good Earth , 1949 (box 63, folder 254.1);"," a holograph introduction to a series of shortwave radio broadcasts, written by Buck in Chinese characters (with romanizations in typescript) (box 50, folder 196.1);"," a holograph of an untitled radio broadcast, written by Buck in Chinese characters (with romanizations in typescript) (box 51, folder 202); and"," typescripts and typescript carbons of the autobiographical short story \"My Chinese Nurse\" (box 33, folders 134.1-134.3).","Includes exhibit materials, typescripts, clippings, correspondence, ephemera, printed material, photographs, and other material. Subjects include the appraisal and cataloging of collection materials by Frances and Kenneth Swope, Mary Lee Welliver, and Robert Shafer; the Pearl S. Buck Birthplace Foundation and preservation of Buck's birthplace in Hillsboro, WV; celebratory centennial events in 1992; Pearl S. Buck; and her works. The majority of the contents of this series was created by people other than Buck, though it includes a few facsimiles and printed versions of Buck's work."," Highlights include:"," typescripts written about Buck by Lucille S. Zinn, bibliographer for the Pearl S. Buck Birthplace Foundation (box 72, folder 302.1-302.2), who went on to publish \"The Works of Pearl S. Buck: A Bibliography\" (box 73, folder 305.1);"," records regarding the Pearl S. Buck commemorative stamp (various folders in boxes 73-76); and"," a cassette tape of an interview with Pearl S. Buck conducted by Arnold Gingrich, October 12, 1970 (box 76, folder 365)."," Biographical material on Buck can be found in box 73, folder 320; box 74, folders 323 and 338; box 75, folder 349; and others."," Although now substantially superseded by the current cataloging record in terms of both completeness and detail, the Mary Lee Welliver collection guide, within her graduate thesis, has been retained in this collection for future reference (see box 71, folder 284). Within her guide, Welliver cataloged the drafts of published books within the collection (series 1-5). Within these series, she lists the works alphabetically, and the drafts of each work in rough chronological order. (A version of our contents list in this cataloging record, found below, arranged in the same order as the contents list in Welliver's thesis, is available in box 71, folder 284.) Regarding the chronological order in her guide, Welliver notes that, \"In a few cases, the order has been very difficult to ascertain without a more critical study of the manuscripts. This study is left to future researchers and an 'educated guess' has been made as to chronology in such cases\" (Welliver thesis, p. 21)."," Welliver also created data sheets for each work she cataloged, which are available in box 71, folders 293.1-293.4, and box 72, folders 294.1- 294.2. These data sheets include information not recorded in either the contents list found in this cataloging record, or in the Welliver thesis, such as type and size of paper and notations from original envelopes or folders."," Boxes 83-86 include the original container envelopes for most of the collection; the notations on these envelopes regarding specifics about their contents, such as page numbers, may be of interest to future researchers. Not all of this information is present in the contents list.","Includes galleys and galley proofs from Series 1, Novels; Series 2, Non-fiction; and Series 3, Children's Books. Also includes a magazine clipping from Series 5, Collections of Short Stories; published short stories from Series 6, Other Works; and various clippings regarding the Pearl S. Buck Birthplace Foundation, her home, and other topics. Noteworthy are the paged galleys of Buck's first novel,  East Wind, West Wind  (box 77b, folder 1 and 2)."],"separatedmaterial_html_tesm":["\u003cp\u003eSigned letter to Rare Signatures, A\u0026amp;M 435:\u003c/p\u003e\n","\u003cp\u003e  Signed letter from Pearl Buck to Otto Whittaker, with signed enclosure, dated 1967.\u003c/p\u003e\n","\u003cp\u003eBook to Book Collection:\u003c/p\u003e\n","\u003cp\u003e  Crouch, Archie R. Scholars' Guide to China Mission Resources in the Libraries and Archives of the United States. Princeton, NJ: Princeton University Press, 1983.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Signed letter to Rare Signatures, A\u0026M 435:","  Signed letter from Pearl Buck to Otto Whittaker, with signed enclosure, dated 1967.","Book to Book Collection:","  Crouch, Archie R. Scholars' Guide to China Mission Resources in the Libraries and Archives of the United States. Princeton, NJ: Princeton University Press, 1983."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f211b751a051bc9538415405c40b491b\"\u003eLiterary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China. The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck. Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more. Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects. For additional material, see A\u0026amp;M 727, Pearl S. Buck, Author. Papers (1930-1976, undated).\u003c/abstract\u003e"],"abstract_tesim":["Literary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China. The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck. Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more. Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects. For additional material, see A\u0026M 727, Pearl S. Buck, Author. Papers (1930-1976, undated)."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_467f19ef8fc1a4b71aa23048ffda005d\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Pearl S. Buck Birthplace Foundation","West Virginia Wesleyan College","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Walsh, Richard J. (Richard John), 1886-1960"],"names_ssim":["West Virginia and Regional History Center","Pearl S. Buck Birthplace Foundation","West Virginia Wesleyan College","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Walsh, Richard J. (Richard John), 1886-1960"],"corpname_ssim":["West Virginia and Regional History Center","Pearl S. Buck Birthplace Foundation","West Virginia Wesleyan College"],"persname_ssim":["Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Walsh, Richard J. (Richard John), 1886-1960"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":923,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:24:29.099Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5375_c06_c240"}},{"id":"viu_repositories_8_resources_183_c173","type":"File","attributes":{"title":"1950-1960: Correspondence: representative letters, many of these deal with the name change c. 1953 from School of Nursing to Cabaniss Memorial Department of Nursing","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_8_resources_183_c173#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_8_resources_183_c173","ref_ssm":["viu_repositories_8_resources_183_c173"],"id":"viu_repositories_8_resources_183_c173","ead_ssi":"viu_repositories_8_resources_183","_root_":"viu_repositories_8_resources_183","_nest_parent_":"viu_repositories_8_resources_183","parent_ssi":"viu_repositories_8_resources_183","parent_ssim":["viu_repositories_8_resources_183"],"parent_ids_ssim":["viu_repositories_8_resources_183"],"parent_unittitles_ssm":["University of Virginia School of Nursing Alumni Association Collection"],"parent_unittitles_tesim":["University of Virginia School of Nursing Alumni Association Collection"],"text":["University of Virginia School of Nursing Alumni Association Collection","1950-1960: Correspondence: representative letters, many of these deal with the name change c. 1953 from School of Nursing to Cabaniss Memorial Department of Nursing","box 15","folder 05"],"title_filing_ssi":"1950-1960: Correspondence: representative letters, many of these deal with the name change c. 1953 from School of Nursing to Cabaniss Memorial Department of Nursing","title_ssm":["1950-1960: Correspondence: representative letters, many of these deal with the name change c. 1953 from School of Nursing to Cabaniss Memorial Department of Nursing"],"title_tesim":["1950-1960: Correspondence: representative letters, many of these deal with the name change c. 1953 from School of Nursing to Cabaniss Memorial Department of Nursing"],"unitdate_inclusive_ssm":["1950-1960"],"normalized_date_ssm":["1950/1960"],"normalized_title_ssm":["1950-1960: Correspondence: representative letters, many of these deal with the name change c. 1953 from School of Nursing to Cabaniss Memorial Department of Nursing"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["University of Virginia School of Nursing Alumni Association Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":173,"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"containers_ssim":["box 15","folder 05"],"_nest_path_":"/components#172","timestamp":"2026-05-20T23:50:22.235Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_8_resources_183","ead_ssi":"viu_repositories_8_resources_183","_root_":"viu_repositories_8_resources_183","_nest_parent_":"viu_repositories_8_resources_183","ead_source_url_ssi":"data/oai/UVA/repositories_8_resources_183.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/164","title_ssm":["University of Virginia School of Nursing Alumni Association Collection"],"title_tesim":["University of Virginia School of Nursing Alumni Association Collection"],"unitdate_ssm":["1916-2007"],"unitdate_inclusive_ssm":["1916-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016Org02","Archival Resource Key","/repositories/8/resources/183"],"text":["2016Org02","Archival Resource Key","/repositories/8/resources/183","University of Virginia School of Nursing Alumni Association Collection","The papers are organized in two levels of description, series and chronology. Series description includes Board of Directors papers, Committee Series, Leadership Series, Financial Series, Fundraising Series, the Bice Lectureship series, Events Series, and the Scholarship/Awards Series. Box 11 begins chronological organization in this collection and contains obituaries of various members of the Alumni Association, publications from various SON alumnae, significant, various written histories and representative documents, Reports on the School of Nursing, individual folders for the graduating classes, class newsletters, cards, telegrams, letters, photos, financial records. Oversized Box F5 contains an 11x14 ledger recording cash receipts of Alumni Association membership dues from 1937 to 1947. In the back of this ledger are expense accounts. Scope and Content","The University of Virginia School of Nursing Alumni Association was organized in 1916 with 31 charter members.  \"All graduates of the diploma, and undergraduate, graduate and certificate programs are members of the University of Virginia School of Nursing Alumni Association\" (By-Laws, revised 1992). The organization has grown in membership and in service to the School of Nursing and the community. In 1951, in recognition of the School of Nursing's Golden Anniversary, the Alumnae sponsored several activities. In 1969 an executive secretary was employed by the association.  In 1975, after the death of Zula Mae Barber Bice (acting dean of School of Nursing 1961-1962), the Alumni Association helped establish the annual lectureship in Bice's honor. Under the leadership of Jeanette Lancaster, Dean of School of Nursing, 1989, the School of Nursing and the Alumni Association developed a vigorous partnership and created an Advisory Board in 1991 consisting of alumni, faculty, business and professional leaders who provide advice and support to the School of Nursing."," The aims of the Alumni Association, as stated by their by-laws (revised 1992), are to serve as a resource for nursing alumni, work closely with and assist the University of Virginia School of Nursing Administration through financial and organizational support, provide monetary support and provide opportunity for learning the Science of Nursing through sponsored programs. The leadership of this association consists of elected officers including a President, President-Elect, Vice-President, Secretary, Treasurer and two members at large, a Board of Directors which consists of five elected officers and two members at large, the employees of the association which consists of the Executive Director and Secretary and various committees. The organization is funded solely by the generous donations of the members and membership dues.","This collection consists of 17 boxes. The main characteristics of this collection are extensive correspondence, organizational papers including Board of Directors and various committee minutes and financial reports. Another strong characteristic of this collection are papers and photographs representing the social events within the Alumni Association and those sponsored by the Alumni Association involving the School of Nursing. Awards and Scholarships sponsored and presented by the Alumni Association are also represented in this collection.","The Eleanor Crowder Bjoring Center for Nursing Historical Inquiry","English"],"unitid_tesim":["2016Org02","Archival Resource Key","/repositories/8/resources/183"],"normalized_title_ssm":["University of Virginia School of Nursing Alumni Association Collection"],"collection_title_tesim":["University of Virginia School of Nursing Alumni Association Collection"],"collection_ssim":["University of Virginia School of Nursing Alumni Association Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"has_online_content_ssim":["false"],"extent_ssm":["7.4 Linear Feet"],"extent_tesim":["7.4 Linear Feet"],"date_range_isim":[1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eThe papers are organized in two levels of description, series and chronology. Series description includes Board of Directors papers, Committee Series, Leadership Series, Financial Series, Fundraising Series, the Bice Lectureship series, Events Series, and the Scholarship/Awards Series. Box 11 begins chronological organization in this collection and contains obituaries of various members of the Alumni Association, publications from various SON alumnae, significant, various written histories and representative documents, Reports on the School of Nursing, individual folders for the graduating classes, class newsletters, cards, telegrams, letters, photos, financial records. Oversized Box F5 contains an 11x14 ledger recording cash receipts of Alumni Association membership dues from 1937 to 1947. In the back of this ledger are expense accounts. Scope and Content\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The papers are organized in two levels of description, series and chronology. Series description includes Board of Directors papers, Committee Series, Leadership Series, Financial Series, Fundraising Series, the Bice Lectureship series, Events Series, and the Scholarship/Awards Series. Box 11 begins chronological organization in this collection and contains obituaries of various members of the Alumni Association, publications from various SON alumnae, significant, various written histories and representative documents, Reports on the School of Nursing, individual folders for the graduating classes, class newsletters, cards, telegrams, letters, photos, financial records. Oversized Box F5 contains an 11x14 ledger recording cash receipts of Alumni Association membership dues from 1937 to 1947. In the back of this ledger are expense accounts. Scope and Content"],"bioghist_html_tesm":["\u003cp\u003eThe University of Virginia School of Nursing Alumni Association was organized in 1916 with 31 charter members.  \"All graduates of the diploma, and undergraduate, graduate and certificate programs are members of the University of Virginia School of Nursing Alumni Association\" (By-Laws, revised 1992). The organization has grown in membership and in service to the School of Nursing and the community. In 1951, in recognition of the School of Nursing's Golden Anniversary, the Alumnae sponsored several activities. In 1969 an executive secretary was employed by the association.  In 1975, after the death of Zula Mae Barber Bice (acting dean of School of Nursing 1961-1962), the Alumni Association helped establish the annual lectureship in Bice's honor. Under the leadership of Jeanette Lancaster, Dean of School of Nursing, 1989, the School of Nursing and the Alumni Association developed a vigorous partnership and created an Advisory Board in 1991 consisting of alumni, faculty, business and professional leaders who provide advice and support to the School of Nursing.\u003c/p\u003e\n","\u003cp\u003e The aims of the Alumni Association, as stated by their by-laws (revised 1992), are to serve as a resource for nursing alumni, work closely with and assist the University of Virginia School of Nursing Administration through financial and organizational support, provide monetary support and provide opportunity for learning the Science of Nursing through sponsored programs. The leadership of this association consists of elected officers including a President, President-Elect, Vice-President, Secretary, Treasurer and two members at large, a Board of Directors which consists of five elected officers and two members at large, the employees of the association which consists of the Executive Director and Secretary and various committees. The organization is funded solely by the generous donations of the members and membership dues.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The University of Virginia School of Nursing Alumni Association was organized in 1916 with 31 charter members.  \"All graduates of the diploma, and undergraduate, graduate and certificate programs are members of the University of Virginia School of Nursing Alumni Association\" (By-Laws, revised 1992). The organization has grown in membership and in service to the School of Nursing and the community. In 1951, in recognition of the School of Nursing's Golden Anniversary, the Alumnae sponsored several activities. In 1969 an executive secretary was employed by the association.  In 1975, after the death of Zula Mae Barber Bice (acting dean of School of Nursing 1961-1962), the Alumni Association helped establish the annual lectureship in Bice's honor. Under the leadership of Jeanette Lancaster, Dean of School of Nursing, 1989, the School of Nursing and the Alumni Association developed a vigorous partnership and created an Advisory Board in 1991 consisting of alumni, faculty, business and professional leaders who provide advice and support to the School of Nursing."," The aims of the Alumni Association, as stated by their by-laws (revised 1992), are to serve as a resource for nursing alumni, work closely with and assist the University of Virginia School of Nursing Administration through financial and organizational support, provide monetary support and provide opportunity for learning the Science of Nursing through sponsored programs. The leadership of this association consists of elected officers including a President, President-Elect, Vice-President, Secretary, Treasurer and two members at large, a Board of Directors which consists of five elected officers and two members at large, the employees of the association which consists of the Executive Director and Secretary and various committees. The organization is funded solely by the generous donations of the members and membership dues."],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia School of Nursing, Eleanor Crowder Bjoring Center for Nursing Historical Inquiry, Papers of the University of Virginia School of Nursing Alumni Association.\u003c/p\u003e"],"prefercite_tesim":["University of Virginia School of Nursing, Eleanor Crowder Bjoring Center for Nursing Historical Inquiry, Papers of the University of Virginia School of Nursing Alumni Association."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of 17 boxes. The main characteristics of this collection are extensive correspondence, organizational papers including Board of Directors and various committee minutes and financial reports. Another strong characteristic of this collection are papers and photographs representing the social events within the Alumni Association and those sponsored by the Alumni Association involving the School of Nursing. Awards and Scholarships sponsored and presented by the Alumni Association are also represented in this collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of 17 boxes. The main characteristics of this collection are extensive correspondence, organizational papers including Board of Directors and various committee minutes and financial reports. Another strong characteristic of this collection are papers and photographs representing the social events within the Alumni Association and those sponsored by the Alumni Association involving the School of Nursing. Awards and Scholarships sponsored and presented by the Alumni Association are also represented in this collection."],"names_ssim":["The Eleanor Crowder Bjoring Center for Nursing Historical Inquiry"],"corpname_ssim":["The Eleanor Crowder Bjoring Center for Nursing Historical Inquiry"],"language_ssim":["English"],"total_component_count_is":224,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:50:22.235Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_8_resources_183_c173"}},{"id":"viblbv_repositories_2_resources_1412_c01_c931","type":"File","attributes":{"title":"1950 - 1962","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1412_c01_c931#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1412_c01_c931","ref_ssm":["viblbv_repositories_2_resources_1412_c01_c931"],"id":"viblbv_repositories_2_resources_1412_c01_c931","ead_ssi":"viblbv_repositories_2_resources_1412","_root_":"viblbv_repositories_2_resources_1412","_nest_parent_":"viblbv_repositories_2_resources_1412_c01","parent_ssi":"viblbv_repositories_2_resources_1412_c01","parent_ssim":["viblbv_repositories_2_resources_1412","viblbv_repositories_2_resources_1412_c01"],"parent_ids_ssim":["viblbv_repositories_2_resources_1412","viblbv_repositories_2_resources_1412_c01"],"parent_unittitles_ssm":["Marshall W. Fishwick Collection","Series I: Papers"],"parent_unittitles_tesim":["Marshall W. Fishwick Collection","Series I: Papers"],"text":["Marshall W. Fishwick Collection","Series I: Papers","1950 - 1962","box 63","folder 2"],"title_filing_ssi":"1950 - 1962","title_ssm":["1950 - 1962"],"title_tesim":["1950 - 1962"],"unitdate_bulk_ssim":["1950-1962"],"normalized_title_ssm":["1950 - 1962"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Marshall W. Fishwick Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":932,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Publication of personal materials from the collection requires permission from the donor until 2033. The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) for assistance in determining the use of these materials."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962],"containers_ssim":["box 63","folder 2"],"_nest_path_":"/components#0/components#930","timestamp":"2026-05-21T02:22:03.360Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1412","ead_ssi":"viblbv_repositories_2_resources_1412","_root_":"viblbv_repositories_2_resources_1412","_nest_parent_":"viblbv_repositories_2_resources_1412","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1412.xml","title_filing_ssi":"Fishwick, Marshall W., Collection","title_ssm":["Marshall W. Fishwick Collection"],"title_tesim":["Marshall W. Fishwick Collection"],"unitdate_ssm":["1700-2007","1923-2007"],"unitdate_bulk_ssim":["1923-2007"],"unitdate_inclusive_ssm":["1700-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1985.007"],"text":["Ms.1985.007","Marshall W. Fishwick Collection","Faculty and staff","Popular culture -- United States","University History","World War, 1939-1945","The collection is open for research.","The items in this folder are restricted for 75 years from date of creation.","Series I: Papers are in their original order. Folders were replaced and filed in new boxes in the order in which they were received.   Series II: Audiovisual and Electronic Materials is subdivided by material type.\n\nNote: Boxes 1-13, 70-71, and 75 contain audiovisual and electronic materials from this collection, including VHS and cassette tapes, film, floppy disks, slides, and negatives. A  spreadsheet of these materials by format is available for download  and searching (file will automatically download). \n\n VHS tapes Film reels Audiocassette tapes Computer disks Floppy disks Slides Photographic negatives Artifacts Photographs and albums in this collection are in their original order. Folders were replaced and filed in new boxes in the order in which they were received Series III: Oversize Materials","Marshall William Fishwick was born July 5, 1923, in Roanoke, Virginia.  After receiving his BA from the University of Virginia in 1943, Fishwick served with the American Fleet during World War II. He then went on to receive his MA from the University of Wisconsin in 1946, followed by his PhD from Yale University in 1949. ","In 1949, Fishwick began teaching at Washington and Lee University in Lexington, where he remained until 1962. He served as director of the Wemyss Foundation from 1962 to 1964, chaired Lincoln University's Art and American Studies departments from 1964 to 1970, and taught at Temple University from 1970 to 1976. From 1976 until his retirement in 2003, Fishwick taught at Virginia Tech, where he founded the American Studies and Popular Culture programs. ","Fishwick co-founded the Popular Culture Association with Ray B. Browne and Russel B. Nye in 1970 and began the journal International Popular Culture. He wrote and contributed to more than 40 books, and received eight Fulbright Awards and multiple grants, which allowed him to teach abroad throughout Europe and Asia. He was a member of the Guild of Scholars of the Episcopal Church and historiographer of the Diocese of Southwest Virginia. One of Fishwick's highest accomplishments as a multidisciplinary scholar was starting the academic movement in popular culture studies. ","Fishwick married his third wife and Virginia Tech colleague Ann La Berge in 1995. He had four children with his first wife and two stepdaughters. ","Marshall Fishwick died in Blacksburg, Virginia, on May 22, 2006. ","Source:","Smith, Leanne E. \"Marshall W. Fishwick (1923–2006).\" In  Encyclopedia Virginia . Accessed December 2, 2019.  https://www.encyclopediavirginia.org/Fishwick_Marshall_W_1923-2006","The guide to the Marshall W. Fishwick Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Marshall W. Fishwick Collection began in 2016 and was completed in June 2018. Additional material (boxes 72-75) was processed in March 2022.","This collection contains course and teaching related materials, photographs, manuscripts, audiovisual and electronic material, scrapbooks, and the professional and personal correspondence of Marshall William Fishwick, professor of Humanities and Communication Studies at Virginia Tech, 1976-2003. ","Note: Audiovisual and electronic materials from this collection, including VHS and cassette tapes, film, floppy disks, slides, and negatives are inventoried separately. A  spreadsheet of these materials by format is available  (file will automatically download). ","This series contains the audio and video materials in the collection, primarily resources used by Fishwick as teaching tools or in his research. This includes VHS tapes, audio cassette tapes, films, floppy disks, and an extensive set of slides. A  spreadsheet of these materials by format is available for download  and searching (file will automatically download).","The following books were removed and cataloged for the Special Collections Rare Book Collection:","Brake, Robert J.  Communication in Popular Culture . Bowling Green, OH: Bowling Green Popular Press, 1975. Copy 2.  Brown, Katharine L.  Hills of the Lord: Background of the Episcopal Church in Southwestern Virginia, 1738-1938 . Roanoke: Diocese of Southwestern Virginia, 1979.  Browne, Ray B.  Against Academia . Bowling Green, OH: Bowling Green Popular Press, 1989. Copy 2.  Browne, Ray B., and Christopher D. Geist.  Popular Abstracts . Copy 2.  Browne, Ray B., and Michael T. Marsden.  Pioneers in Popular Culture Studies . Bowling Green, OH: Bowling Green Popular Press, 1999. Copy 2.  Cawelti, John G.  The Six-Gun Mystique . Bowling Green, OH: Bowling Green Popular Press. Copy 2.  Eliot, T. S.  Collected Poems, 1901-1935 . New York: Harcourt, Brace and Company, 1936.  Fishwick, Marshall W.  Around the World in Forty Years . Bowling Green, Ohio: Bowling Green State University Popular Press, c1984.  Fishwick, Marshall W.  Common Culture and the Great Tradition: The Case for Renewal . Westport, Conn.: Greenwood Press, 1982.  Fishwick, Marshall W.  The Face of Jang: A Collection of Poems . New York, Hobson Book Press, 1945.  Fishwick, Marshall W.  Gentlemen of Virginia . New York: Dodd, Mead, 1961.  Fishwick, Marshall W. \"If I were to Live All Over Again—\" Fishwick, Marshall W.  Isle of Shoals . New York, N.Y., Hobson Book Press, 1946.  Fishwick, Marshall W.  Lee After the War . New York, Dodd, Mead [1963]. Fishwick, Marshall W.  Virginia: A New Look at the Old Dominion . New York, Harper [1959]. Fishwick, Marshall W.  The Virginia Tradition . Washington, Public Affairs Press [1956]. Fishwick, Marshall W., ed.  The World of Ronald McDonald . LeBerge, Ann and Marshall Fishwick.  From a Minimalist Kitchen: Simple Cooking for Post-Moderns . Lippy, Charles H.  Being Religious, American Style . Westport, CT: Greenwood Press, 1994.  Thompson, Jonathan R.  Education and Literature in Virginia: An Address Delivered before the Literary Societies of Washington College, Lexington, Virginia, 18 June 1850 . Richmond: H. K. Ellyson's Power Press, 1850. Tompkins, Edmond Pendelton.  Rockbridge County, Virginia: An Informal History . Ed. by Marshall W. Fishwick. Richmond, Whittet \u0026 Shepperson, 1952. Van Auken, Sheldon. \"The Southern Historical Novel in the Early Twentieth Century\" in  The Journal of Southern History , Vol. XIV, No. 2, May 1948. Wolfe, Tom.  The Bonfire of the Vanities . New York: Farrar, Straus, Giroux, 1989, c1987.","The following journals and serials were removed and cataloged for the Special Collections Rare Book Collection:","The Journal of Popular Culture . The Journal of American Culture , vol. 27, no. 2; vol. 29, no. 1; vol. 29, no 2; vol. 29, no. 3.  The Journal of Popular Film , vol. 2, no. 1.  Popular Culture Association/American Culture Association conference programs, 1991-1993, 1997-1998. The Southern Quarterly , Vol. XXI, No. 2.  Studies in Popular Culture , vol. 22, no. 3.","Publication of personal materials from the collection requires permission from the donor until 2033. The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) for assistance in determining the use of these materials.","This collection contains course and teaching related materials, photographs, manuscripts, audiovisual and electronic material, scrapbooks, and the professional and personal correspondence of Marshall William Fishwick, professor of Humanities and Communication Studies at Virginia Tech, 1976-2003.","Please note:  This collection is located in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Fishwick, Marshall William, 1923-2006","The majority of this collection is in English. However, there are a few letters in French. Translations of these letters have been created and are included with the items."],"unitid_tesim":["Ms.1985.007"],"normalized_title_ssm":["Marshall W. Fishwick Collection"],"collection_title_tesim":["Marshall W. Fishwick Collection"],"collection_ssim":["Marshall W. Fishwick Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Fishwick, Marshall William, 1923-2006"],"creator_ssim":["Fishwick, Marshall William, 1923-2006"],"creator_persname_ssim":["Fishwick, Marshall William, 1923-2006"],"creators_ssim":["Fishwick, Marshall William, 1923-2006"],"access_terms_ssm":["Publication of personal materials from the collection requires permission from the donor until 2033. The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) for assistance in determining the use of these materials."],"acqinfo_ssim":["The initial donation from the Marshall W. Fishwick Collection was received by Special Collections and University Archives in 1985. The majority of the collection was donated in 2007."],"access_subjects_ssim":["Faculty and staff","Popular culture -- United States","University History","World War, 1939-1945"],"access_subjects_ssm":["Faculty and staff","Popular culture -- United States","University History","World War, 1939-1945"],"has_online_content_ssim":["false"],"extent_ssm":["103 Cubic Feet 75 boxes, 2 folders"],"extent_tesim":["103 Cubic Feet 75 boxes, 2 folders"],"date_range_isim":[1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e","\u003cp\u003eThe items in this folder are restricted for 75 years from date of creation.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","The items in this folder are restricted for 75 years from date of creation."],"arrangement_html_tesm":["\u003clist\u003e\n\u003citem\u003eSeries I: Papers are in their original order. Folders were replaced and filed in new boxes in the order in which they were received.  \u003c/item\u003e\n\u003citem\u003eSeries II: Audiovisual and Electronic Materials is subdivided by material type.\n\nNote: Boxes 1-13, 70-71, and 75 contain audiovisual and electronic materials from this collection, including VHS and cassette tapes, film, floppy disks, slides, and negatives. A \u003ca href=\"https://docs.google.com/spreadsheets/d/e/2PACX-1vRliBtKWUEi55RzFhxAx96zswldL3LHUM7uImx72NhqUFcLBzvQtvDD-8NuM__LWj5IRS_SJlrAYSQ_/pub?output=xlsx\" target=\"_blank\"\u003espreadsheet of these materials by format is available for download\u003c/a\u003e and searching (file will automatically download). \n\n\u003clist\u003e\n\u003citem\u003eVHS tapes\u003c/item\u003e\n\u003citem\u003eFilm reels\u003c/item\u003e\n\u003citem\u003eAudiocassette tapes\u003c/item\u003e\n\u003citem\u003eComputer disks\u003c/item\u003e\n\u003citem\u003eFloppy disks\u003c/item\u003e\n\u003citem\u003eSlides\u003c/item\u003e\n\u003citem\u003ePhotographic negatives\u003c/item\u003e\n\u003citem\u003eArtifacts\u003c/item\u003e\n\u003citem\u003ePhotographs and albums in this collection are in their original order. Folders were replaced and filed in new boxes in the order in which they were received\u003c/item\u003e\n\u003c/list\u003e\n\u003c/item\u003e\n\u003citem\u003eSeries III: Oversize Materials\u003c/item\u003e\n\u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series I: Papers are in their original order. Folders were replaced and filed in new boxes in the order in which they were received.   Series II: Audiovisual and Electronic Materials is subdivided by material type.\n\nNote: Boxes 1-13, 70-71, and 75 contain audiovisual and electronic materials from this collection, including VHS and cassette tapes, film, floppy disks, slides, and negatives. A  spreadsheet of these materials by format is available for download  and searching (file will automatically download). \n\n VHS tapes Film reels Audiocassette tapes Computer disks Floppy disks Slides Photographic negatives Artifacts Photographs and albums in this collection are in their original order. Folders were replaced and filed in new boxes in the order in which they were received Series III: Oversize Materials"],"bioghist_html_tesm":["\u003cp\u003eMarshall William Fishwick was born July 5, 1923, in Roanoke, Virginia.  After receiving his BA from the University of Virginia in 1943, Fishwick served with the American Fleet during World War II. He then went on to receive his MA from the University of Wisconsin in 1946, followed by his PhD from Yale University in 1949. \u003c/p\u003e\n","\u003cp\u003eIn 1949, Fishwick began teaching at Washington and Lee University in Lexington, where he remained until 1962. He served as director of the Wemyss Foundation from 1962 to 1964, chaired Lincoln University's Art and American Studies departments from 1964 to 1970, and taught at Temple University from 1970 to 1976. From 1976 until his retirement in 2003, Fishwick taught at Virginia Tech, where he founded the American Studies and Popular Culture programs. \u003c/p\u003e\n","\u003cp\u003eFishwick co-founded the Popular Culture Association with Ray B. Browne and Russel B. Nye in 1970 and began the journal International Popular Culture. He wrote and contributed to more than 40 books, and received eight Fulbright Awards and multiple grants, which allowed him to teach abroad throughout Europe and Asia. He was a member of the Guild of Scholars of the Episcopal Church and historiographer of the Diocese of Southwest Virginia. One of Fishwick's highest accomplishments as a multidisciplinary scholar was starting the academic movement in popular culture studies. \u003c/p\u003e\n","\u003cp\u003eFishwick married his third wife and Virginia Tech colleague Ann La Berge in 1995. He had four children with his first wife and two stepdaughters. \u003c/p\u003e\n","\u003cp\u003eMarshall Fishwick died in Blacksburg, Virginia, on May 22, 2006. \u003c/p\u003e\n","\u003cp\u003eSource:\u003c/p\u003e\n","\u003cp\u003eSmith, Leanne E. \"Marshall W. Fishwick (1923–2006).\" In \u003ci\u003eEncyclopedia Virginia\u003c/i\u003e. Accessed December 2, 2019. \u003ca href=\"https://www.encyclopediavirginia.org/Fishwick_Marshall_W_1923-2006\" target=\"_blank\"\u003ehttps://www.encyclopediavirginia.org/Fishwick_Marshall_W_1923-2006\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Marshall William Fishwick was born July 5, 1923, in Roanoke, Virginia.  After receiving his BA from the University of Virginia in 1943, Fishwick served with the American Fleet during World War II. He then went on to receive his MA from the University of Wisconsin in 1946, followed by his PhD from Yale University in 1949. ","In 1949, Fishwick began teaching at Washington and Lee University in Lexington, where he remained until 1962. He served as director of the Wemyss Foundation from 1962 to 1964, chaired Lincoln University's Art and American Studies departments from 1964 to 1970, and taught at Temple University from 1970 to 1976. From 1976 until his retirement in 2003, Fishwick taught at Virginia Tech, where he founded the American Studies and Popular Culture programs. ","Fishwick co-founded the Popular Culture Association with Ray B. Browne and Russel B. Nye in 1970 and began the journal International Popular Culture. He wrote and contributed to more than 40 books, and received eight Fulbright Awards and multiple grants, which allowed him to teach abroad throughout Europe and Asia. He was a member of the Guild of Scholars of the Episcopal Church and historiographer of the Diocese of Southwest Virginia. One of Fishwick's highest accomplishments as a multidisciplinary scholar was starting the academic movement in popular culture studies. ","Fishwick married his third wife and Virginia Tech colleague Ann La Berge in 1995. He had four children with his first wife and two stepdaughters. ","Marshall Fishwick died in Blacksburg, Virginia, on May 22, 2006. ","Source:","Smith, Leanne E. \"Marshall W. Fishwick (1923–2006).\" In  Encyclopedia Virginia . Accessed December 2, 2019.  https://www.encyclopediavirginia.org/Fishwick_Marshall_W_1923-2006"],"odd_html_tesm":["\u003cp\u003eThe guide to the Marshall W. Fishwick Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Marshall W. Fishwick Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Marshall W. Fishwick Collection, Ms1985-007, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Marshall W. Fishwick Collection, Ms1985-007, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Marshall W. Fishwick Collection began in 2016 and was completed in June 2018. Additional material (boxes 72-75) was processed in March 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Marshall W. Fishwick Collection began in 2016 and was completed in June 2018. Additional material (boxes 72-75) was processed in March 2022."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains course and teaching related materials, photographs, manuscripts, audiovisual and electronic material, scrapbooks, and the professional and personal correspondence of Marshall William Fishwick, professor of Humanities and Communication Studies at Virginia Tech, 1976-2003. \u003c/p\u003e\n","\u003cp\u003eNote: Audiovisual and electronic materials from this collection, including VHS and cassette tapes, film, floppy disks, slides, and negatives are inventoried separately. A \u003ca href=\"https://docs.google.com/spreadsheets/d/e/2PACX-1vRliBtKWUEi55RzFhxAx96zswldL3LHUM7uImx72NhqUFcLBzvQtvDD-8NuM__LWj5IRS_SJlrAYSQ_/pub?output=xlsx\" target=\"_blank\"\u003espreadsheet of these materials by format is available\u003c/a\u003e (file will automatically download). \u003c/p\u003e","\u003cp\u003eThis series contains the audio and video materials in the collection, primarily resources used by Fishwick as teaching tools or in his research. This includes VHS tapes, audio cassette tapes, films, floppy disks, and an extensive set of slides. A \u003cextref href=\"https://docs.google.com/spreadsheets/d/e/2PACX-1vRliBtKWUEi55RzFhxAx96zswldL3LHUM7uImx72NhqUFcLBzvQtvDD-8NuM__LWj5IRS_SJlrAYSQ_/pub?output=xlsx\"\u003espreadsheet of these materials by format is available for download\u003c/extref\u003e and searching (file will automatically download).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents"],"scopecontent_tesim":["This collection contains course and teaching related materials, photographs, manuscripts, audiovisual and electronic material, scrapbooks, and the professional and personal correspondence of Marshall William Fishwick, professor of Humanities and Communication Studies at Virginia Tech, 1976-2003. ","Note: Audiovisual and electronic materials from this collection, including VHS and cassette tapes, film, floppy disks, slides, and negatives are inventoried separately. A  spreadsheet of these materials by format is available  (file will automatically download). ","This series contains the audio and video materials in the collection, primarily resources used by Fishwick as teaching tools or in his research. This includes VHS tapes, audio cassette tapes, films, floppy disks, and an extensive set of slides. A  spreadsheet of these materials by format is available for download  and searching (file will automatically download)."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following books were removed and cataloged for the Special Collections Rare Book Collection:\u003c/p\u003e","\u003cp\u003e\u003clist\u003e\u003citem\u003eBrake, Robert J. \u003ctitle render=\"italic\"\u003eCommunication in Popular Culture\u003c/title\u003e. Bowling Green, OH: Bowling Green Popular Press, 1975. Copy 2. \u003c/item\u003e\n\u003citem\u003eBrown, Katharine L. \u003ctitle render=\"italic\"\u003eHills of the Lord: Background of the Episcopal Church in Southwestern Virginia, 1738-1938\u003c/title\u003e. Roanoke: Diocese of Southwestern Virginia, 1979. \u003c/item\u003e \n\u003citem\u003eBrowne, Ray B. \u003ctitle render=\"italic\"\u003eAgainst Academia\u003c/title\u003e. Bowling Green, OH: Bowling Green Popular Press, 1989. Copy 2. \u003c/item\u003e\n\u003citem\u003eBrowne, Ray B., and Christopher D. Geist. \u003ctitle render=\"italic\"\u003ePopular Abstracts\u003c/title\u003e. Copy 2. \u003c/item\u003e\n\u003citem\u003eBrowne, Ray B., and Michael T. Marsden. \u003ctitle render=\"italic\"\u003ePioneers in Popular Culture Studies\u003c/title\u003e. Bowling Green, OH: Bowling Green Popular Press, 1999. Copy 2. \u003c/item\u003e\n\u003citem\u003eCawelti, John G. \u003ctitle render=\"italic\"\u003eThe Six-Gun Mystique\u003c/title\u003e. Bowling Green, OH: Bowling Green Popular Press. Copy 2. \u003c/item\u003e\n\u003citem\u003eEliot, T. S. \u003ctitle render=\"italic\"\u003eCollected Poems, 1901-1935\u003c/title\u003e. New York: Harcourt, Brace and Company, 1936. \u003c/item\u003e \n\u003citem\u003eFishwick, Marshall W. \u003ctitle render=\"italic\"\u003eAround the World in Forty Years\u003c/title\u003e. Bowling Green, Ohio: Bowling Green State University Popular Press, c1984. \u003c/item\u003e \n\u003citem\u003eFishwick, Marshall W. \u003ctitle render=\"italic\"\u003eCommon Culture and the Great Tradition: The Case for Renewal\u003c/title\u003e. Westport, Conn.: Greenwood Press, 1982. \u003c/item\u003e \n\u003citem\u003eFishwick, Marshall W. \u003ctitle render=\"italic\"\u003eThe Face of Jang: A Collection of Poems\u003c/title\u003e. New York, Hobson Book Press, 1945. \u003c/item\u003e \n\u003citem\u003eFishwick, Marshall W. \u003ctitle render=\"italic\"\u003eGentlemen of Virginia\u003c/title\u003e. New York: Dodd, Mead, 1961. \u003c/item\u003e \n\u003citem\u003eFishwick, Marshall W. \"If I were to Live All Over Again—\"\u003c/item\u003e\n\u003citem\u003eFishwick, Marshall W. \u003ctitle render=\"italic\"\u003eIsle of Shoals\u003c/title\u003e. New York, N.Y., Hobson Book Press, 1946. \u003c/item\u003e \n\u003citem\u003eFishwick, Marshall W. \u003ctitle render=\"italic\"\u003eLee After the War\u003c/title\u003e. New York, Dodd, Mead [1963].\u003c/item\u003e \n\u003citem\u003eFishwick, Marshall W. \u003ctitle render=\"italic\"\u003eVirginia: A New Look at the Old Dominion\u003c/title\u003e. New York, Harper [1959].\u003c/item\u003e\n\u003citem\u003eFishwick, Marshall W. \u003ctitle render=\"italic\"\u003eThe Virginia Tradition\u003c/title\u003e. Washington, Public Affairs Press [1956].\u003c/item\u003e\n\u003citem\u003eFishwick, Marshall W., ed. \u003ctitle render=\"italic\"\u003eThe World of Ronald McDonald\u003c/title\u003e.\u003c/item\u003e \n\u003citem\u003eLeBerge, Ann and Marshall Fishwick. \u003ctitle render=\"italic\"\u003eFrom a Minimalist Kitchen: Simple Cooking for Post-Moderns\u003c/title\u003e.\u003c/item\u003e \n\u003citem\u003eLippy, Charles H. \u003ctitle render=\"italic\"\u003eBeing Religious, American Style\u003c/title\u003e. Westport, CT: Greenwood Press, 1994. \u003c/item\u003e\n\u003citem\u003eThompson, Jonathan R. \u003ctitle render=\"italic\"\u003eEducation and Literature in Virginia: An Address Delivered before the Literary Societies of Washington College, Lexington, Virginia, 18 June 1850\u003c/title\u003e. Richmond: H. K. Ellyson's Power Press, 1850.\u003c/item\u003e \n\u003citem\u003eTompkins, Edmond Pendelton. \u003ctitle render=\"italic\"\u003eRockbridge County, Virginia: An Informal History\u003c/title\u003e. Ed. by Marshall W. Fishwick. Richmond, Whittet \u0026amp; Shepperson, 1952.\u003c/item\u003e \n\u003citem\u003eVan Auken, Sheldon. \"The Southern Historical Novel in the Early Twentieth Century\" in \u003ctitle render=\"italic\"\u003eThe Journal of Southern History\u003c/title\u003e, Vol. XIV, No. 2, May 1948.\u003c/item\u003e \n\u003citem\u003eWolfe, Tom. \u003ctitle render=\"italic\"\u003eThe Bonfire of the Vanities\u003c/title\u003e. New York: Farrar, Straus, Giroux, 1989, c1987.\u003c/item\u003e\u003c/list\u003e\u003c/p\u003e","\u003cp\u003eThe following journals and serials were removed and cataloged for the Special Collections Rare Book Collection:\u003c/p\u003e","\u003cp\u003e\u003clist\u003e\u003citem\u003e\u003ctitle render=\"italic\"\u003eThe Journal of Popular Culture\u003c/title\u003e.\u003c/item\u003e\n\u003citem\u003e\u003ctitle render=\"italic\"\u003eThe Journal of American Culture\u003c/title\u003e, vol. 27, no. 2; vol. 29, no. 1; vol. 29, no 2; vol. 29, no. 3. \u003c/item\u003e\n\u003citem\u003e\u003ctitle render=\"italic\"\u003eThe Journal of Popular Film\u003c/title\u003e, vol. 2, no. 1. \u003c/item\u003e\n\u003citem\u003ePopular Culture Association/American Culture Association conference programs, 1991-1993, 1997-1998.\u003c/item\u003e\n\u003citem\u003e\u003ctitle render=\"italic\"\u003eThe Southern Quarterly\u003c/title\u003e, Vol. XXI, No. 2. \u003c/item\u003e\n\u003citem\u003e\u003ctitle render=\"italic\"\u003eStudies in Popular Culture\u003c/title\u003e, vol. 22, no. 3.\u003c/item\u003e\u003c/list\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials (Books)","Separated Materials (Serials/Journals)"],"separatedmaterial_tesim":["The following books were removed and cataloged for the Special Collections Rare Book Collection:","Brake, Robert J.  Communication in Popular Culture . Bowling Green, OH: Bowling Green Popular Press, 1975. Copy 2.  Brown, Katharine L.  Hills of the Lord: Background of the Episcopal Church in Southwestern Virginia, 1738-1938 . Roanoke: Diocese of Southwestern Virginia, 1979.  Browne, Ray B.  Against Academia . Bowling Green, OH: Bowling Green Popular Press, 1989. Copy 2.  Browne, Ray B., and Christopher D. Geist.  Popular Abstracts . Copy 2.  Browne, Ray B., and Michael T. Marsden.  Pioneers in Popular Culture Studies . Bowling Green, OH: Bowling Green Popular Press, 1999. Copy 2.  Cawelti, John G.  The Six-Gun Mystique . Bowling Green, OH: Bowling Green Popular Press. Copy 2.  Eliot, T. S.  Collected Poems, 1901-1935 . New York: Harcourt, Brace and Company, 1936.  Fishwick, Marshall W.  Around the World in Forty Years . Bowling Green, Ohio: Bowling Green State University Popular Press, c1984.  Fishwick, Marshall W.  Common Culture and the Great Tradition: The Case for Renewal . Westport, Conn.: Greenwood Press, 1982.  Fishwick, Marshall W.  The Face of Jang: A Collection of Poems . New York, Hobson Book Press, 1945.  Fishwick, Marshall W.  Gentlemen of Virginia . New York: Dodd, Mead, 1961.  Fishwick, Marshall W. \"If I were to Live All Over Again—\" Fishwick, Marshall W.  Isle of Shoals . New York, N.Y., Hobson Book Press, 1946.  Fishwick, Marshall W.  Lee After the War . New York, Dodd, Mead [1963]. Fishwick, Marshall W.  Virginia: A New Look at the Old Dominion . New York, Harper [1959]. Fishwick, Marshall W.  The Virginia Tradition . Washington, Public Affairs Press [1956]. Fishwick, Marshall W., ed.  The World of Ronald McDonald . LeBerge, Ann and Marshall Fishwick.  From a Minimalist Kitchen: Simple Cooking for Post-Moderns . Lippy, Charles H.  Being Religious, American Style . Westport, CT: Greenwood Press, 1994.  Thompson, Jonathan R.  Education and Literature in Virginia: An Address Delivered before the Literary Societies of Washington College, Lexington, Virginia, 18 June 1850 . Richmond: H. K. Ellyson's Power Press, 1850. Tompkins, Edmond Pendelton.  Rockbridge County, Virginia: An Informal History . Ed. by Marshall W. Fishwick. Richmond, Whittet \u0026 Shepperson, 1952. Van Auken, Sheldon. \"The Southern Historical Novel in the Early Twentieth Century\" in  The Journal of Southern History , Vol. XIV, No. 2, May 1948. Wolfe, Tom.  The Bonfire of the Vanities . New York: Farrar, Straus, Giroux, 1989, c1987.","The following journals and serials were removed and cataloged for the Special Collections Rare Book Collection:","The Journal of Popular Culture . The Journal of American Culture , vol. 27, no. 2; vol. 29, no. 1; vol. 29, no 2; vol. 29, no. 3.  The Journal of Popular Film , vol. 2, no. 1.  Popular Culture Association/American Culture Association conference programs, 1991-1993, 1997-1998. The Southern Quarterly , Vol. XXI, No. 2.  Studies in Popular Culture , vol. 22, no. 3."],"userestrict_html_tesm":["\u003cp\u003ePublication of personal materials from the collection requires permission from the donor until 2033. The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) for assistance in determining the use of these materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Publication of personal materials from the collection requires permission from the donor until 2033. The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) for assistance in determining the use of these materials."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ac3c17666c77af8c28e9ee4b051f013f\" label=\"Abstract\"\u003eThis collection contains course and teaching related materials, photographs, manuscripts, audiovisual and electronic material, scrapbooks, and the professional and personal correspondence of Marshall William Fishwick, professor of Humanities and Communication Studies at Virginia Tech, 1976-2003.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains course and teaching related materials, photographs, manuscripts, audiovisual and electronic material, scrapbooks, and the professional and personal correspondence of Marshall William Fishwick, professor of Humanities and Communication Studies at Virginia Tech, 1976-2003."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d60d32566e363782ab4a9a31b19d2fe7\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e This collection is located in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.\u003c/physloc\u003e"],"physloc_tesim":["Please note:  This collection is located in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information."],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Fishwick, Marshall William, 1923-2006"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Fishwick, Marshall William, 1923-2006"],"language_ssim":["The majority of this collection is in English. However, there are a few letters in French. Translations of these letters have been created and are included with the items."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1302,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:22:03.360Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1412_c01_c931"}},{"id":"viu_repositories_3_resources_1030_c03_c06","type":"Subseries","attributes":{"title":"1950s","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1030_c03_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1030_c03_c06","ref_ssm":["viu_repositories_3_resources_1030_c03_c06"],"id":"viu_repositories_3_resources_1030_c03_c06","ead_ssi":"viu_repositories_3_resources_1030","_root_":"viu_repositories_3_resources_1030","_nest_parent_":"viu_repositories_3_resources_1030_c03","parent_ssi":"viu_repositories_3_resources_1030_c03","parent_ssim":["viu_repositories_3_resources_1030","viu_repositories_3_resources_1030_c03"],"parent_ids_ssim":["viu_repositories_3_resources_1030","viu_repositories_3_resources_1030_c03"],"parent_unittitles_ssm":["Charles M. Robinson and Principals Architectural Records","Architectural drawings"],"parent_unittitles_tesim":["Charles M. Robinson and Principals Architectural Records","Architectural drawings"],"text":["Charles M. Robinson and Principals Architectural Records","Architectural drawings","1950s"],"title_filing_ssi":"1950s","title_ssm":["1950s"],"title_tesim":["1950s"],"unitdate_inclusive_ssm":["1950-1959"],"normalized_date_ssm":["1950/1959"],"normalized_title_ssm":["1950s"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Charles M. Robinson and Principals Architectural Records"],"has_online_content_ssim":["false"],"child_component_count_isi":200,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":934,"parent_access_restrict_tesm":["This collection has been minimally processed and is available for research. Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice."],"parent_access_terms_tesm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. 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Robinson and Principals Architectural Records","Architecture, Modern -- 20th century -- Designs and plans","Architecture, Domestic -- Designs and plans.","Architects and community -- Virginia.","Architects -- Virginia.","Blueprints (reprographic copies)","architectural drawings (visual works)","design drawings","This collection is open for research.","Some of the architectural works are brittle or torn and need to be handled delicately.","Photographic materials need to be handled with proper gloves.","Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Folder 93 (drawings for Commission No. 15400) is a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.","This collection has been minimally processed and is available for research. Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Due the physical condition of this item, it is housed in a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.","The collection is arranged into four main series: ","Series 1 - Charles M. Robinson records, 1978, 2020, undated","Series 2 -  Office records, 1935-1992, undated","Series 3 - Architectural drawings, 1907-2012","Series 4 - Project photograph files, 1855-1999, undated","Series 2 and 4 are further arranged into large files, and Series 3 is arranged first into subseries, then into files.","The files in Series 2, Office records, are arranged accoring to the significance of the documents to the firm's operations.","In Series 3, Architectural drawings, the subseries are named after each decade, beginning with 1900s and ending with the 2010s. The files below these subseries are project titles arranged in general chronological order grouped together by year.","The files in Series 4, Project photograph files, are arranged alphabetically. ","Charles Morrison Robinson  was born on  March 3, 1867 , in  Hamilton, Loudoun County, Virginia . He was the eldest son of  architect  and builder  James T. Robinson  and  Elizabeth Crockett Robinson . His family relocated to  Welland, Ontario , where he completed his early schooling before beginning architectural training under  D.S. Hopkins  in  Grand Rapids, Michigan , and  John K. Peebles  in  Pittsburgh, Pennsylvania . In  1889 , he formed his first partnership—Smith \u0026 Robinson—in  Altoona, Pennsylvania . He married  Annie Custer  in  1891 , and their son,  Charles Custer Robinson , was born two years later.  ","Following years of practice in Pennsylvania, including partnerships with  George T. Smith ,  R.B. Crockett , and  George Winkler ,  Robinson  returned to  Virginia  in  1906 , establishing Charles M. Robinson, Architect in  Richmond . Robinson became a leading designer for a future comprehensive statewide public school system mandated by Virginia's 1902 Constitution.  ","Between  1906  and  1932 , Robinson's practice produced plans for more than 400 public schools and many university buildings, including commissions in  Richmond ,  Norfolk ,  Newport News ,  Portsmouth , and dozens of rural counties. Robinson's standardized plans were paired with styles ranging from Arts \u0026 Crafts to Collegiate Gothic, Spanish Revival, and Art Deco. His schools featured ample light, logical circulation, and adaptable common spaces. ","In  1908  he won the commission to design the campus of the State Normal School at  Harrisonburg , now James Madison University, designing its first seven buildings and subsequent expansions through 1928. He designed foundational campuses for the institutions now known as the University of Mary Washington, Radford University, and Virginia State University, and oversaw more than sixty major projects for the College of William \u0026 Mary between 1921 and 1931, including the Sunken Garden and numerous residence halls, academic buildings, and the George Preston Blow Gymnasium. ","His practice also extended beyond education. In 1918 he designed the tuberculosis sanitariums (sanatoriums) at  Catawba ,  Burkeville , and  Charlottesville  for the Virginia State Board of Health. In Richmond, he designed civic and commercial structures, including the Times-Dispatch Building, Stuart Circle Hospital, Grace Hospital, St. Elizabeth's Hospital, the Sunday School Building at Ginter Park Methodist Church, and (in partnership with his former apprentice Marcellus Wright, Sr.) the ACCA Shriner Mosque—today the Altria Theater. Residentially, his Laburnum Court development introduced an early twentieth-century model of middle-class housing arranged around a landscaped central park.  ","By the 1920s, Robinson had expanded his firm to include his son Charles Custer Robinson,  Benjamin A. Ruffin , and  John Binford Walford , who became partners in Charles M. Robinson, Architects in 1922. Although Robinson retired to his farm in Hampton in  1926 , he remained professionally active, producing drawings at home and visiting construction sites. Robinson died on  August 20, 1932 , at age 66 in a Norfolk hospital, and the firm was formally dissolved the following day.  ","The practice he founded continued through multiple generations of architects, evolving through successive names—J. Binford Walford, Architect (1932–1946); Walford \u0026 Wright (1946–1962); Wright, Jones \u0026 Wilkerson (1962–1991); Wright, Jones, Wilkerson, Rothschild \u0026 Boynton (1991–1994); and finally Boynton, Rothschild, Rowland (1994–2020). The firm remained active for more than a century before being acquired in 2020.","Reference List:","Arlington County Historical Affairs and Landmark Review Board. (2008, September). Historic District Designation Form. Arlington County Register of Historic Places. https://www.arlingtonva.us/files/sharedassets/public/v/1/projects/documents/wraps_localhistoricdistrictdesignation_wilsonschool_2009.pdf","Ledger-Star, Norfolk, VA. (1932, August 22). Charles M. Robinson Prominent Architect, Dies; Burial Today. Newspapers.com by Ancestry. https://www.newspapers.com/article/ledger-star-charles-m-robinson-prominen/166469428/","Loth, C. (1999). The Virginia Landmarks Register. The University Press of Virginia. https://books.google.com/booksid=NJa_64aH1iMC\u0026q=charles+robinson#v=onepage\u0026q=charles%20robinson\u0026f=false","Morgan, S.W. (2019, September 24). Virginia's Unsung Architect. Richmond Magazine. https://richmondmagazine.com/home/latest/charles-robinson-branch-museum/","Moyer, L. (n.d.). Halls of History. University of Mary Washington Magazine. https://magazine.umw.edu/spring2013/features/halls-of-history/","Preservation Durham. (n.d.). Robinson, Charles M. Open Durham from Preservation Durham. https://www.opendurham.org/people/robinson-charles-m","Robinson, D.B. (n.d.). Charles M. Robinson: A Virginia Architectural History. https://www.charlesmrobinson.com/index.html","United States Department of the Interior National Park Service. (1992, October 31). National Register of Historic Places Multiple Property Documentation Form. Internet rchive Wayback Machine. https://web.archive.org/web/20101111233435/http://www.dhr.virginia.gov/registers/Counties/MultipleCounty/127-0845_PublicSchoolsinRichmondMPS_NPS_final.pdf","Winthrop, R.P. (2015, January 27). Architects of Richmond: Charles M. Robinson. Architecture Richmond. https://architecturerichmond.com/architects-of-richmond-charles-m-robinson/","CONTENT WARNING:\nThis material contains offensive or harmful language. This material contains references to outdated terminology for African Americans, as well as for Native Americans. The terms \"Colored\" and Negro\", in commom parlance when the drawings were created, are used throughout the architectural drawings to refer to Black people. The term \"Indian\" is also used to refer to Native Americans. These terms are primarily found in the titles of architectural drawings. Titles remain as they were found for historical context. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Some items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling. 10/20/23","The commission number for this set of drawings is the same as the number for the \"John W. Daniel School, Newport News Schools, VA, 1913\" drawings. However, there is no indication of the projects being related.","The commission number for this set of drawings is the same as the number for the \"Eastville High School, Northampton County, VA, 1913\" drawings. However, there is no indication of the projects being related.","The Charles M. Robinson and Principals Architectural Records consist of materials about Charles M. Robinson, and the office records, architectural and design plans, and project photograph files of the Charles M. Robinson, Architect firm and successor firms. The materials document the business operations of the firms, as well as their role in developing the city of Richmond, VA, and in developing various institutions and organizations across the state of Virginia. The works in this collection also demonstrate the significance of the firm's activities on communities in these areas. It is divided into four series. ","Series 1, Charles M. Robinson Files (1978, 2020, undated; 1 folder), includes copies of documents about Charles M. Robinson, such as a copy of his Architecture License. There is also a copy of a short essay about Robinson's role in the construction of the ACCA Shrine, now known as the Altria Theater. ","Series 2, Office records (circa 1935-1992, undated; 18 folders), includes office records, which are arranged in decreasing order of their significance/functionality to the firm's operations. Most notably are the lists of commissions, index to the architectural drawings, and the commission notes. These records cover the majority of the timeline following Robinson's death. ","Series 3, Architectural drawings (1907-2012, undated; 3 oversized boxes, 93 flat file folders, 4 tubes, 1457 tube boxes), the largest part of this collection, consists of the firm's architectural drawings and design plans, as well as the drawings and plans Robinson created in his role as the official school board architect for several cities and counties in Virginia, and as an architect for the Virginia State Board of Health. They span more than a century beginning in 1907 and ending in 2012 and represent over 1600 projects.   ","Included are drawings, designs, and plans for educational institutions, hospitals, churches, offices, retail stores, private residences, and plots across the state of Virginia. The series also includes topographic maps and site studies. There are original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. ","Primary, secondary, and post-secondary schools in locations across Virginia are very well represented by the plans in this collection. More well-known post-secondary educational institutions include the College of William and Mary, James Madison University, Raford University, University of Mary Washington, George Mason University, and Virginia Commonwealth University. However, the number of primary and secondary schools represented in the collection is even greater. ","Of particular significance are the designs and plans the firm created for educational institutions for students from underrepresented, historically oppressed, and marginalized groups. These include the Virginia School for the Deaf and Blind, the Virginia State University, the nation's first fully-state supported four-year post-secondary learning institution for Black Americans, and the HBCUs Norfolk State University and Virginia Union University. ","The works that Robinson completed as an architect for the Virginia State Board of Health include plans and designs for the Catawba, Blue Ridge, and Piedmont Tuberculosis sanitoriums (rehabilitation center, hospice, etc.). Robinson's work in this role also affected the lives of people from underrepresented groups, as the Piedmont institution was developed specifically for the care of Black residents of Virginia. ","Series 4, Project photograph files (circa 1855-1999, undated; 9 boxes, 15 folders), includes many of the project photograph files from the architectural firm. Although there are some items from Robinson's time with the firm, the large majority are dated and document the projects from after his death on August 20, 1932. The photograph file index introduces the rest of the series, which includes prints, negatives, photo documentation from John Binford Walford and Oscar Pendleton Wright's photograph albums, and undated presentation photos. ","Dates: 1907 – 2012, bulk date 1907-1995  ","This series consists of architectural rolls that contain drawings, designs, and plans of educational institutions, hospitals, churches, offices, retail stores, and private residences across the state of Virginia. The series also includes rolls that hold topographic maps, plot and general layouts, and site studies. The drawings comprise original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. For a detailed inventory of the drawings, please see the Charles M. Robinson architectural records drawing inventory in the External Documents field.","This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Robinson","Robinson, Charles  M. (Morrison), 1867-1932","Charles Morrison Robinson","James T. Robinson","Elizabeth Crockett Robinson","D.S. Hopkins","John K. Peebles","Annie Custer","Charles Custer Robinson","George T. Smith","R.B. Crockett","George Winkler","Benjamin A. 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The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"acqinfo_ssim":["Purchased from David Robinson, 2021-03-31"],"access_subjects_ssim":["Architecture, Modern -- 20th century -- Designs and plans","Architecture, Domestic -- Designs and plans.","Architects and community -- Virginia.","Architects -- Virginia.","Blueprints (reprographic copies)","architectural drawings (visual works)","design drawings"],"access_subjects_ssm":["Architecture, Modern -- 20th century -- Designs and plans","Architecture, Domestic -- Designs and plans.","Architects and community -- Virginia.","Architects -- Virginia.","Blueprints (reprographic copies)","architectural drawings (visual works)","design drawings"],"has_online_content_ssim":["false"],"extent_ssm":["278.62 Cubic Feet 1768 rolls of architectural drawings housed in 1458 tube boxes, 4 tube rolls, 93 oversized flat file folders, and 2 oversized flat boxes. 11 legal document boxes, 1 oversized flat box, and 9 oversized flat folders of records"],"extent_tesim":["278.62 Cubic Feet 1768 rolls of architectural drawings housed in 1458 tube boxes, 4 tube rolls, 93 oversized flat file folders, and 2 oversized flat boxes. 11 legal document boxes, 1 oversized flat box, and 9 oversized flat folders of records"],"genreform_ssim":["Blueprints (reprographic copies)","architectural drawings (visual works)","design drawings"],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e\n","\u003cp\u003eSome of the architectural works are brittle or torn and need to be handled delicately.\u003c/p\u003e\n","\u003cp\u003ePhotographic materials need to be handled with proper gloves.\u003c/p\u003e","\u003cp\u003ePlease note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.\u003c/p\u003e\n","\u003cp\u003eFolder 93 (drawings for Commission No. 15400) is a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.\u003c/p\u003e\n","\u003cp\u003eTo view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.\u003c/p\u003e\n","\u003cp\u003eAfter viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.\u003c/p\u003e","\u003cp\u003eThis collection has been minimally processed and is available for research. Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.\u003c/p\u003e","\u003cp\u003eDue the physical condition of this item, it is housed in a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.\u003c/p\u003e\n","\u003cp\u003eTo view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.\u003c/p\u003e\n","\u003cp\u003eAfter viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Physical Access","Conditions Governing Access","Physical Access"],"accessrestrict_tesim":["This collection is open for research.","Some of the architectural works are brittle or torn and need to be handled delicately.","Photographic materials need to be handled with proper gloves.","Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Folder 93 (drawings for Commission No. 15400) is a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.","This collection has been minimally processed and is available for research. Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Due the physical condition of this item, it is housed in a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four main series: \u003c/p\u003e\n","\u003cp\u003eSeries 1 - Charles M. Robinson records, 1978, 2020, undated\u003c/p\u003e\n","\u003cp\u003eSeries 2 -  Office records, 1935-1992, undated\u003c/p\u003e\n","\u003cp\u003eSeries 3 - Architectural drawings, 1907-2012\u003c/p\u003e\n","\u003cp\u003eSeries 4 - Project photograph files, 1855-1999, undated\u003c/p\u003e\n","\u003cp\u003eSeries 2 and 4 are further arranged into large files, and Series 3 is arranged first into subseries, then into files.\u003c/p\u003e\n","\u003cp\u003eThe files in Series 2, Office records, are arranged accoring to the significance of the documents to the firm's operations.\u003c/p\u003e\n","\u003cp\u003eIn Series 3, Architectural drawings, the subseries are named after each decade, beginning with 1900s and ending with the 2010s. The files below these subseries are project titles arranged in general chronological order grouped together by year.\u003c/p\u003e\n","\u003cp\u003eThe files in Series 4, Project photograph files, are arranged alphabetically. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four main series: ","Series 1 - Charles M. Robinson records, 1978, 2020, undated","Series 2 -  Office records, 1935-1992, undated","Series 3 - Architectural drawings, 1907-2012","Series 4 - Project photograph files, 1855-1999, undated","Series 2 and 4 are further arranged into large files, and Series 3 is arranged first into subseries, then into files.","The files in Series 2, Office records, are arranged accoring to the significance of the documents to the firm's operations.","In Series 3, Architectural drawings, the subseries are named after each decade, beginning with 1900s and ending with the 2010s. The files below these subseries are project titles arranged in general chronological order grouped together by year.","The files in Series 4, Project photograph files, are arranged alphabetically. "],"bioghist_html_tesm":["\u003cp\u003e\u003cpersname\u003eCharles Morrison Robinson\u003c/persname\u003e was born on \u003cdate\u003eMarch 3, 1867\u003c/date\u003e, in \u003cgeogname\u003eHamilton, Loudoun County, Virginia\u003c/geogname\u003e. He was the eldest son of \u003coccupation\u003earchitect\u003c/occupation\u003e and builder \u003cpersname\u003eJames T. Robinson\u003c/persname\u003e and \u003cpersname\u003eElizabeth Crockett Robinson\u003c/persname\u003e. His family relocated to \u003cgeogname\u003eWelland, Ontario\u003c/geogname\u003e, where he completed his early schooling before beginning architectural training under \u003cpersname\u003eD.S. Hopkins\u003c/persname\u003e in \u003cgeogname\u003eGrand Rapids, Michigan\u003c/geogname\u003e, and \u003cpersname\u003eJohn K. Peebles\u003c/persname\u003e in \u003cgeogname\u003ePittsburgh, Pennsylvania\u003c/geogname\u003e. In \u003cdate\u003e1889\u003c/date\u003e, he formed his first partnership—Smith \u0026amp; Robinson—in \u003cgeogname\u003eAltoona, Pennsylvania\u003c/geogname\u003e. He married \u003cpersname\u003eAnnie Custer\u003c/persname\u003e in \u003cdate\u003e1891\u003c/date\u003e, and their son, \u003cpersname\u003eCharles Custer Robinson\u003c/persname\u003e, was born two years later.  \u003c/p\u003e\n","\u003cp\u003eFollowing years of practice in Pennsylvania, including partnerships with \u003cpersname\u003eGeorge T. Smith\u003c/persname\u003e, \u003cpersname\u003eR.B. Crockett\u003c/persname\u003e, and \u003cpersname\u003eGeorge Winkler\u003c/persname\u003e, \u003cfamname\u003eRobinson\u003c/famname\u003e returned to \u003cgeogname\u003eVirginia\u003c/geogname\u003e in \u003cdate\u003e1906\u003c/date\u003e, establishing Charles M. Robinson, Architect in \u003cgeogname\u003eRichmond\u003c/geogname\u003e. Robinson became a leading designer for a future comprehensive statewide public school system mandated by Virginia's 1902 Constitution.  \u003c/p\u003e\n","\u003cp\u003eBetween \u003cdate\u003e1906\u003c/date\u003e and \u003cdate\u003e1932\u003c/date\u003e, Robinson's practice produced plans for more than 400 public schools and many university buildings, including commissions in \u003cgeogname\u003eRichmond\u003c/geogname\u003e, \u003cgeogname\u003eNorfolk\u003c/geogname\u003e, \u003cgeogname\u003eNewport News\u003c/geogname\u003e, \u003cgeogname\u003ePortsmouth\u003c/geogname\u003e, and dozens of rural counties. Robinson's standardized plans were paired with styles ranging from Arts \u0026amp; Crafts to Collegiate Gothic, Spanish Revival, and Art Deco. His schools featured ample light, logical circulation, and adaptable common spaces. \u003c/p\u003e\n","\u003cp\u003eIn \u003cdate\u003e1908\u003c/date\u003e he won the commission to design the campus of the State Normal School at \u003cgeogname\u003eHarrisonburg\u003c/geogname\u003e, now James Madison University, designing its first seven buildings and subsequent expansions through 1928. He designed foundational campuses for the institutions now known as the University of Mary Washington, Radford University, and Virginia State University, and oversaw more than sixty major projects for the College of William \u0026amp; Mary between 1921 and 1931, including the Sunken Garden and numerous residence halls, academic buildings, and the George Preston Blow Gymnasium. \u003c/p\u003e\n","\u003cp\u003eHis practice also extended beyond education. In 1918 he designed the tuberculosis sanitariums (sanatoriums) at \u003cgeogname\u003eCatawba\u003c/geogname\u003e, \u003cgeogname\u003eBurkeville\u003c/geogname\u003e, and \u003cgeogname\u003eCharlottesville\u003c/geogname\u003e for the Virginia State Board of Health. In Richmond, he designed civic and commercial structures, including the Times-Dispatch Building, Stuart Circle Hospital, Grace Hospital, St. Elizabeth's Hospital, the Sunday School Building at Ginter Park Methodist Church, and (in partnership with his former apprentice Marcellus Wright, Sr.) the ACCA Shriner Mosque—today the Altria Theater. Residentially, his Laburnum Court development introduced an early twentieth-century model of middle-class housing arranged around a landscaped central park.  \u003c/p\u003e\n","\u003cp\u003eBy the 1920s, Robinson had expanded his firm to include his son Charles Custer Robinson, \u003cpersname\u003eBenjamin A. Ruffin\u003c/persname\u003e, and \u003cpersname\u003eJohn Binford Walford\u003c/persname\u003e, who became partners in Charles M. Robinson, Architects in 1922. Although Robinson retired to his farm in Hampton in \u003cdate\u003e1926\u003c/date\u003e, he remained professionally active, producing drawings at home and visiting construction sites. Robinson died on \u003cdate\u003eAugust 20, 1932\u003c/date\u003e, at age 66 in a Norfolk hospital, and the firm was formally dissolved the following day.  \u003c/p\u003e\n","\u003cp\u003eThe practice he founded continued through multiple generations of architects, evolving through successive names—J. Binford Walford, Architect (1932–1946); Walford \u0026amp; Wright (1946–1962); Wright, Jones \u0026amp; Wilkerson (1962–1991); Wright, Jones, Wilkerson, Rothschild \u0026amp; Boynton (1991–1994); and finally Boynton, Rothschild, Rowland (1994–2020). The firm remained active for more than a century before being acquired in 2020.\u003c/p\u003e\n","\u003cp\u003eReference List:\u003c/p\u003e\n","\u003cp\u003eArlington County Historical Affairs and Landmark Review Board. (2008, September). Historic District Designation Form. Arlington County Register of Historic Places. https://www.arlingtonva.us/files/sharedassets/public/v/1/projects/documents/wraps_localhistoricdistrictdesignation_wilsonschool_2009.pdf\u003c/p\u003e\n","\u003cp\u003eLedger-Star, Norfolk, VA. (1932, August 22). Charles M. Robinson Prominent Architect, Dies; Burial Today. Newspapers.com by Ancestry. https://www.newspapers.com/article/ledger-star-charles-m-robinson-prominen/166469428/\u003c/p\u003e\n","\u003cp\u003eLoth, C. (1999). The Virginia Landmarks Register. The University Press of Virginia. https://books.google.com/booksid=NJa_64aH1iMC\u0026amp;q=charles+robinson#v=onepage\u0026amp;q=charles%20robinson\u0026amp;f=false\u003c/p\u003e\n","\u003cp\u003eMorgan, S.W. (2019, September 24). Virginia's Unsung Architect. Richmond Magazine. https://richmondmagazine.com/home/latest/charles-robinson-branch-museum/\u003c/p\u003e\n","\u003cp\u003eMoyer, L. (n.d.). Halls of History. University of Mary Washington Magazine. https://magazine.umw.edu/spring2013/features/halls-of-history/\u003c/p\u003e\n","\u003cp\u003ePreservation Durham. (n.d.). Robinson, Charles M. Open Durham from Preservation Durham. https://www.opendurham.org/people/robinson-charles-m\u003c/p\u003e\n","\u003cp\u003eRobinson, D.B. (n.d.). Charles M. Robinson: A Virginia Architectural History. https://www.charlesmrobinson.com/index.html\u003c/p\u003e\n","\u003cp\u003eUnited States Department of the Interior National Park Service. (1992, October 31). National Register of Historic Places Multiple Property Documentation Form. Internet rchive Wayback Machine. https://web.archive.org/web/20101111233435/http://www.dhr.virginia.gov/registers/Counties/MultipleCounty/127-0845_PublicSchoolsinRichmondMPS_NPS_final.pdf\u003c/p\u003e\n","\u003cp\u003eWinthrop, R.P. (2015, January 27). Architects of Richmond: Charles M. Robinson. Architecture Richmond. https://architecturerichmond.com/architects-of-richmond-charles-m-robinson/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Charles Morrison Robinson  was born on  March 3, 1867 , in  Hamilton, Loudoun County, Virginia . He was the eldest son of  architect  and builder  James T. Robinson  and  Elizabeth Crockett Robinson . His family relocated to  Welland, Ontario , where he completed his early schooling before beginning architectural training under  D.S. Hopkins  in  Grand Rapids, Michigan , and  John K. Peebles  in  Pittsburgh, Pennsylvania . In  1889 , he formed his first partnership—Smith \u0026 Robinson—in  Altoona, Pennsylvania . He married  Annie Custer  in  1891 , and their son,  Charles Custer Robinson , was born two years later.  ","Following years of practice in Pennsylvania, including partnerships with  George T. Smith ,  R.B. Crockett , and  George Winkler ,  Robinson  returned to  Virginia  in  1906 , establishing Charles M. Robinson, Architect in  Richmond . Robinson became a leading designer for a future comprehensive statewide public school system mandated by Virginia's 1902 Constitution.  ","Between  1906  and  1932 , Robinson's practice produced plans for more than 400 public schools and many university buildings, including commissions in  Richmond ,  Norfolk ,  Newport News ,  Portsmouth , and dozens of rural counties. Robinson's standardized plans were paired with styles ranging from Arts \u0026 Crafts to Collegiate Gothic, Spanish Revival, and Art Deco. His schools featured ample light, logical circulation, and adaptable common spaces. ","In  1908  he won the commission to design the campus of the State Normal School at  Harrisonburg , now James Madison University, designing its first seven buildings and subsequent expansions through 1928. He designed foundational campuses for the institutions now known as the University of Mary Washington, Radford University, and Virginia State University, and oversaw more than sixty major projects for the College of William \u0026 Mary between 1921 and 1931, including the Sunken Garden and numerous residence halls, academic buildings, and the George Preston Blow Gymnasium. ","His practice also extended beyond education. In 1918 he designed the tuberculosis sanitariums (sanatoriums) at  Catawba ,  Burkeville , and  Charlottesville  for the Virginia State Board of Health. In Richmond, he designed civic and commercial structures, including the Times-Dispatch Building, Stuart Circle Hospital, Grace Hospital, St. Elizabeth's Hospital, the Sunday School Building at Ginter Park Methodist Church, and (in partnership with his former apprentice Marcellus Wright, Sr.) the ACCA Shriner Mosque—today the Altria Theater. Residentially, his Laburnum Court development introduced an early twentieth-century model of middle-class housing arranged around a landscaped central park.  ","By the 1920s, Robinson had expanded his firm to include his son Charles Custer Robinson,  Benjamin A. Ruffin , and  John Binford Walford , who became partners in Charles M. Robinson, Architects in 1922. Although Robinson retired to his farm in Hampton in  1926 , he remained professionally active, producing drawings at home and visiting construction sites. Robinson died on  August 20, 1932 , at age 66 in a Norfolk hospital, and the firm was formally dissolved the following day.  ","The practice he founded continued through multiple generations of architects, evolving through successive names—J. Binford Walford, Architect (1932–1946); Walford \u0026 Wright (1946–1962); Wright, Jones \u0026 Wilkerson (1962–1991); Wright, Jones, Wilkerson, Rothschild \u0026 Boynton (1991–1994); and finally Boynton, Rothschild, Rowland (1994–2020). The firm remained active for more than a century before being acquired in 2020.","Reference List:","Arlington County Historical Affairs and Landmark Review Board. (2008, September). Historic District Designation Form. Arlington County Register of Historic Places. https://www.arlingtonva.us/files/sharedassets/public/v/1/projects/documents/wraps_localhistoricdistrictdesignation_wilsonschool_2009.pdf","Ledger-Star, Norfolk, VA. (1932, August 22). Charles M. Robinson Prominent Architect, Dies; Burial Today. Newspapers.com by Ancestry. https://www.newspapers.com/article/ledger-star-charles-m-robinson-prominen/166469428/","Loth, C. (1999). The Virginia Landmarks Register. The University Press of Virginia. https://books.google.com/booksid=NJa_64aH1iMC\u0026q=charles+robinson#v=onepage\u0026q=charles%20robinson\u0026f=false","Morgan, S.W. (2019, September 24). Virginia's Unsung Architect. Richmond Magazine. https://richmondmagazine.com/home/latest/charles-robinson-branch-museum/","Moyer, L. (n.d.). Halls of History. University of Mary Washington Magazine. https://magazine.umw.edu/spring2013/features/halls-of-history/","Preservation Durham. (n.d.). Robinson, Charles M. Open Durham from Preservation Durham. https://www.opendurham.org/people/robinson-charles-m","Robinson, D.B. (n.d.). Charles M. Robinson: A Virginia Architectural History. https://www.charlesmrobinson.com/index.html","United States Department of the Interior National Park Service. (1992, October 31). National Register of Historic Places Multiple Property Documentation Form. Internet rchive Wayback Machine. https://web.archive.org/web/20101111233435/http://www.dhr.virginia.gov/registers/Counties/MultipleCounty/127-0845_PublicSchoolsinRichmondMPS_NPS_final.pdf","Winthrop, R.P. (2015, January 27). Architects of Richmond: Charles M. Robinson. Architecture Richmond. https://architecturerichmond.com/architects-of-richmond-charles-m-robinson/"],"odd_html_tesm":["\u003cp\u003eCONTENT WARNING:\nThis material contains offensive or harmful language. This material contains references to outdated terminology for African Americans, as well as for Native Americans. The terms \"Colored\" and Negro\", in commom parlance when the drawings were created, are used throughout the architectural drawings to refer to Black people. The term \"Indian\" is also used to refer to Native Americans. These terms are primarily found in the titles of architectural drawings. Titles remain as they were found for historical context. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eSome items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling. 10/20/23\u003c/p\u003e","\u003cp\u003eThe commission number for this set of drawings is the same as the number for the \"John W. Daniel School, Newport News Schools, VA, 1913\" drawings. However, there is no indication of the projects being related.\u003c/p\u003e","\u003cp\u003eThe commission number for this set of drawings is the same as the number for the \"Eastville High School, Northampton County, VA, 1913\" drawings. However, there is no indication of the projects being related.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Conservation and Preservation","General","General"],"odd_tesim":["CONTENT WARNING:\nThis material contains offensive or harmful language. This material contains references to outdated terminology for African Americans, as well as for Native Americans. The terms \"Colored\" and Negro\", in commom parlance when the drawings were created, are used throughout the architectural drawings to refer to Black people. The term \"Indian\" is also used to refer to Native Americans. These terms are primarily found in the titles of architectural drawings. Titles remain as they were found for historical context. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Some items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling. 10/20/23","The commission number for this set of drawings is the same as the number for the \"John W. Daniel School, Newport News Schools, VA, 1913\" drawings. However, there is no indication of the projects being related.","The commission number for this set of drawings is the same as the number for the \"Eastville High School, Northampton County, VA, 1913\" drawings. However, there is no indication of the projects being related."],"prefercite_html_tesm":["\u003cp\u003eMSS 16518, Charles M. Robinson and Principals Architectural Records, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16518, Charles M. Robinson and Principals Architectural Records, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles M. Robinson and Principals Architectural Records consist of materials about Charles M. Robinson, and the office records, architectural and design plans, and project photograph files of the Charles M. Robinson, Architect firm and successor firms. The materials document the business operations of the firms, as well as their role in developing the city of Richmond, VA, and in developing various institutions and organizations across the state of Virginia. The works in this collection also demonstrate the significance of the firm's activities on communities in these areas. It is divided into four series. \u003c/p\u003e\n","\u003cp\u003eSeries 1, Charles M. Robinson Files (1978, 2020, undated; 1 folder), includes copies of documents about Charles M. Robinson, such as a copy of his Architecture License. There is also a copy of a short essay about Robinson's role in the construction of the ACCA Shrine, now known as the Altria Theater. \u003c/p\u003e\n","\u003cp\u003eSeries 2, Office records (circa 1935-1992, undated; 18 folders), includes office records, which are arranged in decreasing order of their significance/functionality to the firm's operations. Most notably are the lists of commissions, index to the architectural drawings, and the commission notes. These records cover the majority of the timeline following Robinson's death. \u003c/p\u003e\n","\u003cp\u003eSeries 3, Architectural drawings (1907-2012, undated; 3 oversized boxes, 93 flat file folders, 4 tubes, 1457 tube boxes), the largest part of this collection, consists of the firm's architectural drawings and design plans, as well as the drawings and plans Robinson created in his role as the official school board architect for several cities and counties in Virginia, and as an architect for the Virginia State Board of Health. They span more than a century beginning in 1907 and ending in 2012 and represent over 1600 projects.   \u003c/p\u003e\n","\u003cp\u003eIncluded are drawings, designs, and plans for educational institutions, hospitals, churches, offices, retail stores, private residences, and plots across the state of Virginia. The series also includes topographic maps and site studies. There are original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. \u003c/p\u003e\n","\u003cp\u003ePrimary, secondary, and post-secondary schools in locations across Virginia are very well represented by the plans in this collection. More well-known post-secondary educational institutions include the College of William and Mary, James Madison University, Raford University, University of Mary Washington, George Mason University, and Virginia Commonwealth University. However, the number of primary and secondary schools represented in the collection is even greater. \u003c/p\u003e\n","\u003cp\u003eOf particular significance are the designs and plans the firm created for educational institutions for students from underrepresented, historically oppressed, and marginalized groups. These include the Virginia School for the Deaf and Blind, the Virginia State University, the nation's first fully-state supported four-year post-secondary learning institution for Black Americans, and the HBCUs Norfolk State University and Virginia Union University. \u003c/p\u003e\n","\u003cp\u003eThe works that Robinson completed as an architect for the Virginia State Board of Health include plans and designs for the Catawba, Blue Ridge, and Piedmont Tuberculosis sanitoriums (rehabilitation center, hospice, etc.). Robinson's work in this role also affected the lives of people from underrepresented groups, as the Piedmont institution was developed specifically for the care of Black residents of Virginia. \u003c/p\u003e\n","\u003cp\u003eSeries 4, Project photograph files (circa 1855-1999, undated; 9 boxes, 15 folders), includes many of the project photograph files from the architectural firm. Although there are some items from Robinson's time with the firm, the large majority are dated and document the projects from after his death on August 20, 1932. The photograph file index introduces the rest of the series, which includes prints, negatives, photo documentation from John Binford Walford and Oscar Pendleton Wright's photograph albums, and undated presentation photos. \u003c/p\u003e","\u003cp\u003eDates: 1907 – 2012, bulk date 1907-1995  \u003c/p\u003e\n","\u003cp\u003eThis series consists of architectural rolls that contain drawings, designs, and plans of educational institutions, hospitals, churches, offices, retail stores, and private residences across the state of Virginia. The series also includes rolls that hold topographic maps, plot and general layouts, and site studies. The drawings comprise original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. For a detailed inventory of the drawings, please see the Charles M. Robinson architectural records drawing inventory in the External Documents field.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Charles M. Robinson and Principals Architectural Records consist of materials about Charles M. Robinson, and the office records, architectural and design plans, and project photograph files of the Charles M. Robinson, Architect firm and successor firms. The materials document the business operations of the firms, as well as their role in developing the city of Richmond, VA, and in developing various institutions and organizations across the state of Virginia. The works in this collection also demonstrate the significance of the firm's activities on communities in these areas. It is divided into four series. ","Series 1, Charles M. Robinson Files (1978, 2020, undated; 1 folder), includes copies of documents about Charles M. Robinson, such as a copy of his Architecture License. There is also a copy of a short essay about Robinson's role in the construction of the ACCA Shrine, now known as the Altria Theater. ","Series 2, Office records (circa 1935-1992, undated; 18 folders), includes office records, which are arranged in decreasing order of their significance/functionality to the firm's operations. Most notably are the lists of commissions, index to the architectural drawings, and the commission notes. These records cover the majority of the timeline following Robinson's death. ","Series 3, Architectural drawings (1907-2012, undated; 3 oversized boxes, 93 flat file folders, 4 tubes, 1457 tube boxes), the largest part of this collection, consists of the firm's architectural drawings and design plans, as well as the drawings and plans Robinson created in his role as the official school board architect for several cities and counties in Virginia, and as an architect for the Virginia State Board of Health. They span more than a century beginning in 1907 and ending in 2012 and represent over 1600 projects.   ","Included are drawings, designs, and plans for educational institutions, hospitals, churches, offices, retail stores, private residences, and plots across the state of Virginia. The series also includes topographic maps and site studies. There are original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. ","Primary, secondary, and post-secondary schools in locations across Virginia are very well represented by the plans in this collection. More well-known post-secondary educational institutions include the College of William and Mary, James Madison University, Raford University, University of Mary Washington, George Mason University, and Virginia Commonwealth University. However, the number of primary and secondary schools represented in the collection is even greater. ","Of particular significance are the designs and plans the firm created for educational institutions for students from underrepresented, historically oppressed, and marginalized groups. These include the Virginia School for the Deaf and Blind, the Virginia State University, the nation's first fully-state supported four-year post-secondary learning institution for Black Americans, and the HBCUs Norfolk State University and Virginia Union University. ","The works that Robinson completed as an architect for the Virginia State Board of Health include plans and designs for the Catawba, Blue Ridge, and Piedmont Tuberculosis sanitoriums (rehabilitation center, hospice, etc.). Robinson's work in this role also affected the lives of people from underrepresented groups, as the Piedmont institution was developed specifically for the care of Black residents of Virginia. ","Series 4, Project photograph files (circa 1855-1999, undated; 9 boxes, 15 folders), includes many of the project photograph files from the architectural firm. Although there are some items from Robinson's time with the firm, the large majority are dated and document the projects from after his death on August 20, 1932. The photograph file index introduces the rest of the series, which includes prints, negatives, photo documentation from John Binford Walford and Oscar Pendleton Wright's photograph albums, and undated presentation photos. ","Dates: 1907 – 2012, bulk date 1907-1995  ","This series consists of architectural rolls that contain drawings, designs, and plans of educational institutions, hospitals, churches, offices, retail stores, and private residences across the state of Virginia. The series also includes rolls that hold topographic maps, plot and general layouts, and site studies. The drawings comprise original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. For a detailed inventory of the drawings, please see the Charles M. Robinson architectural records drawing inventory in the External Documents field."],"userestrict_html_tesm":["\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"names_ssim":["Albert and Shirley Small Special Collections Library","Robinson","Robinson, Charles  M. (Morrison), 1867-1932","Charles Morrison Robinson","James T. Robinson","Elizabeth Crockett Robinson","D.S. Hopkins","John K. Peebles","Annie Custer","Charles Custer Robinson","George T. Smith","R.B. Crockett","George Winkler","Benjamin A. Ruffin","John Binford Walford"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"famname_ssim":["Robinson"],"names_coll_ssim":["Robinson, Charles  M. (Morrison), 1867-1932"],"persname_ssim":["Robinson, Charles  M. (Morrison), 1867-1932","Charles Morrison Robinson","James T. Robinson","Elizabeth Crockett Robinson","D.S. Hopkins","John K. Peebles","Annie Custer","Charles Custer Robinson","George T. Smith","R.B. Crockett","George Winkler","Benjamin A. Ruffin","John Binford Walford"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1707,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-28T16:05:34.006Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1030_c03_c06"}},{"id":"vifgm_repositories_2_resources_177_c01_c01_c26","type":"File","attributes":{"title":"1950s-1960s General","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_177_c01_c01_c26#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e26 roughly 60x80cm and 5 60x100cm sized posters; topics include agriculture, workers, scandals, German soldiers in France, general party positions, how to vote, anti-de Gaulle, union and action, miners, women, personal power, halting fascism, and Duclos.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_177_c01_c01_c26#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_177_c01_c01_c26","ref_ssm":["vifgm_repositories_2_resources_177_c01_c01_c26"],"id":"vifgm_repositories_2_resources_177_c01_c01_c26","ead_ssi":"vifgm_repositories_2_resources_177","_root_":"vifgm_repositories_2_resources_177","_nest_parent_":"vifgm_repositories_2_resources_177_c01_c01","parent_ssi":"vifgm_repositories_2_resources_177_c01_c01","parent_ssim":["vifgm_repositories_2_resources_177","vifgm_repositories_2_resources_177_c01","vifgm_repositories_2_resources_177_c01_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_177","vifgm_repositories_2_resources_177_c01","vifgm_repositories_2_resources_177_c01_c01"],"parent_unittitles_ssm":["French Communist Party poster collection","Series 1: Political Posters","Subseries 1.1: General Position and Party Information"],"parent_unittitles_tesim":["French Communist Party poster collection","Series 1: Political Posters","Subseries 1.1: General Position and Party Information"],"text":["French Communist Party poster collection","Series 1: Political Posters","Subseries 1.1: General Position and Party Information","1950s-1960s General","oversize Shelf 1","folder 2","26 roughly 60x80cm and 5 60x100cm sized posters; topics include agriculture, workers, scandals, German soldiers in France, general party positions, how to vote, anti-de Gaulle, union and action, miners, women, personal power, halting fascism, and Duclos."],"title_filing_ssi":"1950s-1960s General","title_ssm":["1950s-1960s General"],"title_tesim":["1950s-1960s General"],"unitdate_other_ssim":["1953-1969"],"normalized_date_ssm":["1953/1969"],"normalized_title_ssm":["1950s-1960s General"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["French Communist Party poster collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":28,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"containers_ssim":["oversize Shelf 1","folder 2"],"scopecontent_html_tesm":["\u003cp\u003e26 roughly 60x80cm and 5 60x100cm sized posters; topics include agriculture, workers, scandals, German soldiers in France, general party positions, how to vote, anti-de Gaulle, union and action, miners, women, personal power, halting fascism, and Duclos.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["26 roughly 60x80cm and 5 60x100cm sized posters; topics include agriculture, workers, scandals, German soldiers in France, general party positions, how to vote, anti-de Gaulle, union and action, miners, women, personal power, halting fascism, and Duclos."],"_nest_path_":"/components#0/components#0/components#25","timestamp":"2026-05-21T04:54:03.973Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_177","ead_ssi":"vifgm_repositories_2_resources_177","_root_":"vifgm_repositories_2_resources_177","_nest_parent_":"vifgm_repositories_2_resources_177","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_177.xml","title_filing_ssi":"French Communist Party poster collection","title_ssm":["French Communist Party poster collection"],"title_tesim":["French Communist Party poster collection"],"unitdate_ssm":["circa 1945-2008"],"unitdate_inclusive_ssm":["circa 1945-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0168","/repositories/2/resources/177"],"text":["C0168","/repositories/2/resources/177","French Communist Party poster collection","France -- Politics and government -- 20th century","Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters","There are no access restrictions.","This collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.","Missing Title Series 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC) Series 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)","The French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday.","Processed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010.","The Special Collections Research Center also holds the   that include many documents on communist parties in the United States and internationally.","Substantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.","Series 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups. ","Series 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events. ","This first series consists of five subseries and contains political posters all arranged by size and chronologically. The first subseries contains general position and party information posters. The second subseries contains posters about the programme commun. The third subseries contains posters for the production francais campaign. The fourth subseries contains posters about peace and disarmament. The fifth subseries contains posters for the Jeune Communistes party.","Subseries 1.1 is for general position and party information posters. Many posters that are just \"vote communist\" or describe the party platform. There are also many posters for each election that tell party members how to vote.","5 42x59cm sized posters; targeted toward workers and farmers asking for their support.","11 30x40cm, 7 roughly 60x20cm, 2 roughly 40x50cm, 7 40x60cm sized posters; assortment of posters for the many processes surrounding the formation of the Fifth Republic, including anti-de Gaulle, No to constitutional monarchy, Gaulle is a fascist, attacks on de Gaulle's ministers, no to a military dictator, no to civil war.","11 40x60cm, 2 30x40cm, and 2 roughly 24x59cm sized posters; topics include secularism in schools and government, party positions on current issues, anti-fascism, promoting Maurice Thorez.","4 30x40cm sized posters; posters call for voters to vote against the referendum.","10 30x40cm sized posters; posters are anti-Gaulle and against the referendum.","6 roughly 38x58cm posters, 4 30x50cm sized posters, and 4 42x59cm posters; school, jobs, lodging, and military topics included.","5 30x40cm and 3 40x60cm sized posters; the posters support Mitterand for president during the 1965 election in France.","7 40x60cm sized posters; posters are asking voters to vote communist.","4 40x60cm and 2 roughly 30x25cm sized posters; supports Duclos in the first tour and asks voters to abstain in the second tour.","6 40x60cm sized posters; posters all have the slogan \"Pour vivre mieux\" and deal with taxes, proportional representation, nationalization, tariffs, rent levels, and giving the young a job.","7 40x60cm sized posters; the posters call for voters to support the communists and vote communist in the municipal election of 1971. The posters attack the UDR and address taxes, lodging, salaries, and scandals. Most posters say \"avec les communistes.\"","16 40x60cm sized posters; the posters follow two color schemes, yellow with blue font and variations of blue, red and purple boxes with red, white, and blue font. Topics include minimum wage, government-assisted housing, old age aid, creating jobs, taxes, hours in a work week and paid vacation, equalize salaries, and changing the retirement age.","1 30x40cm and 10 40x60cm sized posters; workers against capitalism, vote no to the referendum of 1972, welcome Brejnev to France, cooperation and friendship with the USSR, election poster for M. Gros (1974), stop inflation, lower prices, and HLM/government housing are the various topics of these posters.","1 40x60cm, 1 about 20x30cm, 8 about 50x68cm, 3 on average 35x50cm, 1 50x50cm, 3 triangle sized posters; topics include Marchais during the 1981 election, European parliamentary elections 1984, who to vote for in the March 6, 1983 election, 1982 cantonal elections, and Citroen and the elections.","7 roughly 35x50cm sized posters; posters to support the Communists during the 1986 election, four posters say \"je vote communiste.\"","2 50x36cm and 5 40x60cm sized posters; each poster says \"ne pas subir, agir\" (do not suffer, act) and topics include unemployment, workers, and the future.","6 roughly 68x48cm sized posters; posters show a person talking about something that concerns them, like social and political issues.","1 roughly 35x50cm, 5 roughly 48x68cm sized posters; posters are for Andre Lajoinie's campaign for president in the 1988 elections.","4 48x63cm sized posters; each poster has the phrase \"Une idee qui monte\" and addresses socio-political issues.","1 35x50cm and 4 48x68cm sized posters; each poster is about money, specifically salaries, minimum wage or social welfare aid.","2 33x70cm, 11 roughly 35x50cm, and 8 roughly 48x68cm sized posters; topics include housing, health care, electoral districts, employment, social aid, agricultural issues, and the June 18, 1989 election.","6 33x46cm, 5 48x60cm, 7 48x68cm, 3 38x60cm, and 1 38x52cm sized posters; topics include supporting the PCF, minimum wage, social security, education, drugs, uniting the party, anti-Balladur, women in politics, and the May 25, 1997 election.","6 roughly 47x67cm sized posters; topics include voting, supporting the party, minimum wage, youth jobs, and a poster supporting Marie-George Buffet.","2 45x60cm, 1 15x68cm, 1 50x58cm, and 11 34x47cm sized posters for Robert Hue's many campaigns.","1 10x40cm, 3 40x60cm, 2 70x100cm, 4 60x80cm, 1 35x100cm, 7 50x70cm, 6 30x40cm, and 4 40x40cm sized posters; topics include candidates, positions, women, USSR, unemployment, immigration, voting rights, and buying power.","26 roughly 60x80cm and 5 60x100cm sized posters; topics include agriculture, workers, scandals, German soldiers in France, general party positions, how to vote, anti-de Gaulle, union and action, miners, women, personal power, halting fascism, and Duclos.","36 roughly 60x80cm, 2 40x60cm, and 2 30x100cm sized posters; topics include uniting, anti-UDR, financial scandals, the Soviet Union, Pompidou, cantonal elections, racism, personal power, raising fuel prices, petroleum scandal, d'Estaing, women, the Concord, farmers, saving hospitals, European election, and the election of 1978.","19 roughly 70x100cm, 8 40x60cm, 1 30x40cm sized posters; topics include anti-Giscard, the Corsican election, women, elections of 1983, June 1984 elections, March 1985 elections, schools, human rights, hospital care, electoral districts, party positions, banks, and schools.","18 roughly 70x100cm, 2 60x80cm, and 9 40x60cm sized posters; topics include free information, retirement, schools, party positions, and unemployment.","1 60x80cm, 13 70x100cm, and 1 50x70cm sized posters; topics include Balladur, Chirac, Euro vote, growth, party positions, and Marie-George Buffet.","8 70x100cm sized posters in the series entitled Place aux idees nouvelles (place of new ideas). 2 70x100cm sized posters from the series entitled une idee qui monte.","4 roughly 60x80cm, 10 70x100cm, and 1 50x70cm sized posters for Robert Hue's campaign.","3 roughly 60x80cm, 8 roughly 70x100cm, and 2 50x70cm sized posters about social security issues, including retirement, social security, and more.","7 roughly 60x80cm sized posters for Mitterand's campaigns.","11 roughly 70x90cm sized posters for Lajoinie's campaigns.","8 roughly 50x70cm, 14 roughly 60x80cm, 2 61x95cm, 1 60x70cm, 14 70x100cm, 1 35x50cm, 2 roughly 40x100cm sized posters that deal with finances, salaries, taxes, and unemployment.","2 roughly 40x60cm, 1 50x70cm, 8 60x80cm, 2 40x100cm and 1 70x100cm sized posters against Giscard's campaign.","1 50x70cm, 11 roughly 60x80cm, and 1 30x40cm sized posters that address rising prices.","1 13x60cm, 1 25x60cm, 2 50x70cm, 6 roughly 60x80cm, and 5 70x100cm sized posters about referendum positions in France.","1 33x100cm, 1 30x40cm, 3 roughly 50x70cm, and 7 roughly 60x80cm sized posters for Marchais's campaign.","4 30x40cm, 19 50x70cm, 1 50x100cm, 26 60x80cm, 9 70x100cm, and 1 100x120cm sized posters calling for support or adherence to the Communist party; also includes phrases like I vote communist and with the communists.","1 30x40cm, 1 50x70cm, 3 60x80cm, and 3 70x100cm sized posters about rent and lodging options.","4 roughly 140x50cm, 8 roughly 160x50cm, 2 185x65cm sized posters of various topics, including who to vote for, protests, publications, and party positions.","3 40x120cm, 2 30x120cm, and 30 80x120cm sized posters; posters tell supporters how to vote, call for support, and address party issues. Specific topics include Marchais, Mitterand, the Olympic games, birth control, union of workers, religion in school, Truman doctrine, Duclos, leaders, and taxes.","Subseries 1.2 contains posters leading up to and calling for support of the union of the left, i.e., the programme commun.","7 roughly 41x59cm, 1 29x42cm, 3 29x53cm, 1 38x48cm, and 1 60x70cm sized posters; these posters call for a union of the left or a programme commun.","21 roughly 60x80cm, 1 95x63cm, 3 48x68cm, 2 58x52cm, and 1 38x58cm sized posters; poster topics support the union of the left, cantonal elections, Mitterand and include phrases like end personal power, union and action, it's possible, and adhere.","1 80x120cm sized poster about the programme commun.","Subseries 1.3 contains posters about \"production francais,\" or the Party's campaign to purchase goods made in France.","10 48x68cm and 1 48x64cm sized posters each calling for the support of French production and limiting imports and outsourcing.","2 roughly 60x80cm, 2 48x67cm, and 5 68x97cm sized posters; topics include creating jobs, keeping money in France, fewer imports, fighting unemployment, and Lajoinie campaign issues.","Subseries 1.4 contains posters that are anti-war or anti-bomb, also posters calling for support of certain countries in conflict or the freedom of certain prisoners.","3 roughly 48x68cm, 4 roughly 30x40cm, and 7 roughly 37x49cm sized posters; general posters for peace and various specific topics, like Hungary, Indochina, Turkey, Cuba, and freeing people from prison.","12 roughly 30x40cm, 12 40x60cm, 2 20x60cm, and 1 29x60cm sized posters; these posters follow the Algerian fight for independence, calling for a cease-fire and independence.","1 30x43cm, 10 roughly 38x58cm, and 1 38x51cm sized posters that deal with ending the Vietnam War.","3 30x40cm and 2 38x60cm sized posters that promote nuclear disarmament.","13 roughly 60x80cm sized posters about the Algerian War.","1 30x80cm, 14 60x80cm, and 1 22x60cm sized posters that deal with the war in Vietnam.","1 22x60cm, 6 roughly 30x75cm, 3 roughly 30x100cm, 25 roughly 60x80cm, and 15 roughly 65x100cm sized posters; topics include helping the poor in Indochina, the Hungarian Revolution, no American bases in France, liberation, peace, Nixon and US aggression, concentration camps in Chili, AIDS, the Kyoto Accords, and disarming. Some posters call for freeing Jacques Duclos, Angela Davis, Mandela, and Vietnamese. Many posters are about conflicts in different areas of the globe, including Cuba, Germany, Indochina, Palestine, Nicaragua, Turkey, the Gulf War, and Rwanda.","3 40x120cm and 10 80x120cm sized posters that call for disarmament and peace in war-torn areas like Indochina, Vietnam, Algeria, and Tunisia. There are also posters against American military forces in France.","Subseries 1.5 contains posters by the Jeune Communists (Young Communists).","3 40x60cm, 1 50x80cm, 1 20x80cm, 4 60x80cm, and 8 65x90cm sized posters; poster topics include schools, voting, anti-globalization, employment, the death penalty, Europe, Palestine, stopping discrimination, and anti-Front National.","This second series consists of six subseries and contains social posters all arranged chronologically. The first subseries contains commemorative and anniversary posters. The second subseries contains posters for the celebration of women, like the Fete des Meres, Journee des Femmes, and May 1st for example. The third subseries contains posters for meetings, programs, television appearances. The fourth subseries contains posters about protests. The fifth subseries contains posters to advertise and celebrate for Congresses, Vente-exposition, and the Fete de l'Humanite. The sixth subseries contains posters to advertise for Communist publications.","Subseries 2.1 is for commemorative and anniversary posters that celebrate the anniversary of important communist events like October 1917, famous communists' birthdays or deaths, and the party's anniversary.","Subseries 2.3 contains posters to advertise for party meetings, programs, television appearances.","2 roughly 39x59cm, 1 48x48cm, 3 34x48cm, and 4 48x67cm sized posters; topics include a meeting with Marchais, a city meeting, invites for a meeting, meeting of Fontenay, meeting with Buffet, and a Grand Bal.","2 40x60cm, 2 roughly 28x40cm, 2 roughly 35x50cm, 1 46x46cm, and 1 35x25cm sized posters; specific television appearances include Marchais, Lajoinie, Marchais's new book promotion, Robert Hue, and a radio show.","5 roughly 35x45cm, 18 roughly 60x80cm, 4 roughly 40x100cm, 15 70x100cm, 1 100x140cm, 2 30x80cm, 1 120x160cm, 3 50x70cm, and 1 17x50cm sized posters; poster topics include large public meetings, large parties, regional debates, television appearances, and student and young worker meetings, as well as meetings with top party leaders to discuss various party issues.","5 40x120cm, 1 76x102cm, and 16 80x120cm sized posters; meetings include those with top leaders of the party, with Marchais, and with women, topics include petrol, the Front Populare, Christmas programs, and referendums.","1 30x40cm, 5 roughly 39x59cm, 1 61x24cm, 2 50x67cm, and 1 45x65cm sized posters to celebrate Thorez's birthday, the revolution of October 1917, the passage of social laws, the anniversary of the party, and the anniversary of the liberation of Paris.","4 roughly 60x100cm, 4 roughly 70x100cm, 15 roughly 60x80cm, 1 40x100cm, 2 50x70cm, and 1 40x56cm sized posters that commemorate social laws, the revolution of October 1917, the French Revolution, the founding of the party, several important Communist figures' birthdays, and the anniversary of World War II events.","21 80x120cm and 4 40x120cm sized posters that commemorate the October Revolution of 1917, the commune of Paris, the births and deaths of famous communists, the anniversary of the party, and other small events.","Subseries 2.2 contains posters celebrating women, like the Fete des Meres, Journee des Femmes, and May 1st for example.","1 20x70cm, 1 40x60cm, 5 roughly 50x70cm, 12 roughly 60x80cm, and 7 65x100cm sized posters that celebrate women, particularly the Fete des Meres, the Journee des Femmes, and May 1st celebrations of the French Communist Party.","1 80x120cm sized poster announcing a meeting for women.","Subseries 2.4 contains posters that advertise for protest marches.","8 roughly 60x80cm, 4 roughly 30x100cm, 2 roughly 45x60cm, 1 35x48cm, and 2 70x100cm sized posters; poster topics include secular schools, the youth against apartheid and Giscard, protests against nuclear weapons and the Front National, and protests for jobs and salaries.","1 40x120cm and 1 80x120cm sized posters; one poster is for a protest in honor of the founder of l'Humanite and the other for the commune of Paris.","Subseries 2.5 contains posters to advertise and celebrate for Congresses, Vente-exposition, and the Fete de l'Humanite. Congresses and Fetes are annual gatherings of party members, similar to a convention or festival. Vente-Expositions are book festivals.","5 40x60cm posters; one poster advertises the 15th Congress and the other four show facsimiles of old posters for the 1985 fete de l'humanite.","6 roughly 39x59cm, 1 32x50cm, 3 28x39cm, 1 35x44cm, 1 64x50cm, 1 68x47cm, and 1 46x61cm sized posters; posters advertise Vente-Expositions for Marxist books, the history of the PCF, art and books, the anniversary of the Paris commune, a Grand Gala du lien, a technology expo, and a night of cinema.","13 roughly 60x80cm, 7 roughly 60x100cm, 1 35x70cm, and 2 roughly 40x80cm sized posters; topics include expositions for Soviet or Marxist books, music celebrations, and Congresses.","9 70x100cm, 1 55x75cm, 1 33x48cm, 1 49x65cm, 1 40x60cm, 1 47x58cm, 2 60x80cm, and 1 34x100cm sized posters advertising for the Fete de l'humanite.","1 40x120cm and 7 80x120cm sized posters; topics include Congresses and Marxist book celebrations.","Subseries 2.6 contains posters to advertise for Communist publications, including book releases by party members and newspapers or journals published by the French Communist Party.","2 30x40cm, 3 roughly 59x39cm, 1 52x38cm, 2 69x48cm, and 1 35x5cm sized posters; the publication advertised include L'Humanite, France Nouvelle, Marchais's L'Espoir au Present, Economie et Politique, Avancees, and Communistes.","6 40x60cm, 12 60x80cm, and 1 70x100cm sized posters; topics include the newspapers L'Humanite, Economie et Politique, and Les Espaces Citoyens; Marchais's books Le Defi Democratique and Espoir au Present; Robert Hue's Communisme: La Mutation; and nights of cinema.","3 40x120cm and 3 80x120cm sized posters; publications include the book for the Fete de l'Humanite, Le Patriote newspaper, and Marchais's L'Espoir au Present and Le Defi Democratique.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Substantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements.","Map Case 10.3, 25.1-25.5","George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET","English"],"unitid_tesim":["C0168","/repositories/2/resources/177"],"normalized_title_ssm":["French Communist Party poster collection"],"collection_title_tesim":["French Communist Party poster collection"],"collection_ssim":["French Communist Party poster collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["France -- Politics and government -- 20th century"],"geogname_ssim":["France -- Politics and government -- 20th century"],"creator_ssm":["Parti communiste français"],"creator_ssim":["Parti communiste français"],"creator_corpname_ssim":["Parti communiste français"],"creators_ssim":["Parti communiste français"],"places_ssim":["France -- Politics and government -- 20th century"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters"],"access_subjects_ssm":["Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters"],"has_online_content_ssim":["false"],"extent_ssm":["1218 posters"],"extent_tesim":["1218 posters"],"genreform_ssim":["Posters","Political posters"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.","Missing Title Series 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC) Series 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)"],"bioghist_html_tesm":["\u003cp\u003eThe French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday."],"prefercite_html_tesm":["\u003cp\u003eFrench Communist Party poster collection, C0168, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["French Communist Party poster collection, C0168, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Francis J. McNamara papers\" href=\"https://aspace.gmu.edu/resources/c0024\"\u003e\u003c/extptr\u003e that include many documents on communist parties in the United States and internationally.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   that include many documents on communist parties in the United States and internationally."],"scopecontent_html_tesm":["\u003cp\u003eSubstantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups. \u003c/p\u003e\n","\u003cp\u003eSeries 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events. \u003c/p\u003e","\u003cp\u003eThis first series consists of five subseries and contains political posters all arranged by size and chronologically. The first subseries contains general position and party information posters. The second subseries contains posters about the programme commun. The third subseries contains posters for the production francais campaign. The fourth subseries contains posters about peace and disarmament. The fifth subseries contains posters for the Jeune Communistes party.\u003c/p\u003e","\u003cp\u003eSubseries 1.1 is for general position and party information posters. Many posters that are just \"vote communist\" or describe the party platform. There are also many posters for each election that tell party members how to vote.\u003c/p\u003e","\u003cp\u003e5 42x59cm sized posters; targeted toward workers and farmers asking for their support.\u003c/p\u003e","\u003cp\u003e11 30x40cm, 7 roughly 60x20cm, 2 roughly 40x50cm, 7 40x60cm sized posters; assortment of posters for the many processes surrounding the formation of the Fifth Republic, including anti-de Gaulle, No to constitutional monarchy, Gaulle is a fascist, attacks on de Gaulle's ministers, no to a military dictator, no to civil war.\u003c/p\u003e","\u003cp\u003e11 40x60cm, 2 30x40cm, and 2 roughly 24x59cm sized posters; topics include secularism in schools and government, party positions on current issues, anti-fascism, promoting Maurice Thorez.\u003c/p\u003e","\u003cp\u003e4 30x40cm sized posters; posters call for voters to vote against the referendum.\u003c/p\u003e","\u003cp\u003e10 30x40cm sized posters; posters are anti-Gaulle and against the referendum.\u003c/p\u003e","\u003cp\u003e6 roughly 38x58cm posters, 4 30x50cm sized posters, and 4 42x59cm posters; school, jobs, lodging, and military topics included.\u003c/p\u003e","\u003cp\u003e5 30x40cm and 3 40x60cm sized posters; the posters support Mitterand for president during the 1965 election in France.\u003c/p\u003e","\u003cp\u003e7 40x60cm sized posters; posters are asking voters to vote communist.\u003c/p\u003e","\u003cp\u003e4 40x60cm and 2 roughly 30x25cm sized posters; supports Duclos in the first tour and asks voters to abstain in the second tour.\u003c/p\u003e","\u003cp\u003e6 40x60cm sized posters; posters all have the slogan \"Pour vivre mieux\" and deal with taxes, proportional representation, nationalization, tariffs, rent levels, and giving the young a job.\u003c/p\u003e","\u003cp\u003e7 40x60cm sized posters; the posters call for voters to support the communists and vote communist in the municipal election of 1971. The posters attack the UDR and address taxes, lodging, salaries, and scandals. Most posters say \"avec les communistes.\"\u003c/p\u003e","\u003cp\u003e16 40x60cm sized posters; the posters follow two color schemes, yellow with blue font and variations of blue, red and purple boxes with red, white, and blue font. Topics include minimum wage, government-assisted housing, old age aid, creating jobs, taxes, hours in a work week and paid vacation, equalize salaries, and changing the retirement age.\u003c/p\u003e","\u003cp\u003e1 30x40cm and 10 40x60cm sized posters; workers against capitalism, vote no to the referendum of 1972, welcome Brejnev to France, cooperation and friendship with the USSR, election poster for M. Gros (1974), stop inflation, lower prices, and HLM/government housing are the various topics of these posters.\u003c/p\u003e","\u003cp\u003e1 40x60cm, 1 about 20x30cm, 8 about 50x68cm, 3 on average 35x50cm, 1 50x50cm, 3 triangle sized posters; topics include Marchais during the 1981 election, European parliamentary elections 1984, who to vote for in the March 6, 1983 election, 1982 cantonal elections, and Citroen and the elections.\u003c/p\u003e","\u003cp\u003e7 roughly 35x50cm sized posters; posters to support the Communists during the 1986 election, four posters say \"je vote communiste.\"\u003c/p\u003e","\u003cp\u003e2 50x36cm and 5 40x60cm sized posters; each poster says \"ne pas subir, agir\" (do not suffer, act) and topics include unemployment, workers, and the future.\u003c/p\u003e","\u003cp\u003e6 roughly 68x48cm sized posters; posters show a person talking about something that concerns them, like social and political issues.\u003c/p\u003e","\u003cp\u003e1 roughly 35x50cm, 5 roughly 48x68cm sized posters; posters are for Andre Lajoinie's campaign for president in the 1988 elections.\u003c/p\u003e","\u003cp\u003e4 48x63cm sized posters; each poster has the phrase \"Une idee qui monte\" and addresses socio-political issues.\u003c/p\u003e","\u003cp\u003e1 35x50cm and 4 48x68cm sized posters; each poster is about money, specifically salaries, minimum wage or social welfare aid.\u003c/p\u003e","\u003cp\u003e2 33x70cm, 11 roughly 35x50cm, and 8 roughly 48x68cm sized posters; topics include housing, health care, electoral districts, employment, social aid, agricultural issues, and the June 18, 1989 election.\u003c/p\u003e","\u003cp\u003e6 33x46cm, 5 48x60cm, 7 48x68cm, 3 38x60cm, and 1 38x52cm sized posters; topics include supporting the PCF, minimum wage, social security, education, drugs, uniting the party, anti-Balladur, women in politics, and the May 25, 1997 election.\u003c/p\u003e","\u003cp\u003e6 roughly 47x67cm sized posters; topics include voting, supporting the party, minimum wage, youth jobs, and a poster supporting Marie-George Buffet.\u003c/p\u003e","\u003cp\u003e2 45x60cm, 1 15x68cm, 1 50x58cm, and 11 34x47cm sized posters for Robert Hue's many campaigns.\u003c/p\u003e","\u003cp\u003e1 10x40cm, 3 40x60cm, 2 70x100cm, 4 60x80cm, 1 35x100cm, 7 50x70cm, 6 30x40cm, and 4 40x40cm sized posters; topics include candidates, positions, women, USSR, unemployment, immigration, voting rights, and buying power.\u003c/p\u003e","\u003cp\u003e26 roughly 60x80cm and 5 60x100cm sized posters; topics include agriculture, workers, scandals, German soldiers in France, general party positions, how to vote, anti-de Gaulle, union and action, miners, women, personal power, halting fascism, and Duclos.\u003c/p\u003e","\u003cp\u003e36 roughly 60x80cm, 2 40x60cm, and 2 30x100cm sized posters; topics include uniting, anti-UDR, financial scandals, the Soviet Union, Pompidou, cantonal elections, racism, personal power, raising fuel prices, petroleum scandal, d'Estaing, women, the Concord, farmers, saving hospitals, European election, and the election of 1978.\u003c/p\u003e","\u003cp\u003e19 roughly 70x100cm, 8 40x60cm, 1 30x40cm sized posters; topics include anti-Giscard, the Corsican election, women, elections of 1983, June 1984 elections, March 1985 elections, schools, human rights, hospital care, electoral districts, party positions, banks, and schools.\u003c/p\u003e","\u003cp\u003e18 roughly 70x100cm, 2 60x80cm, and 9 40x60cm sized posters; topics include free information, retirement, schools, party positions, and unemployment.\u003c/p\u003e","\u003cp\u003e1 60x80cm, 13 70x100cm, and 1 50x70cm sized posters; topics include Balladur, Chirac, Euro vote, growth, party positions, and Marie-George Buffet.\u003c/p\u003e","\u003cp\u003e8 70x100cm sized posters in the series entitled Place aux idees nouvelles (place of new ideas). 2 70x100cm sized posters from the series entitled une idee qui monte.\u003c/p\u003e","\u003cp\u003e4 roughly 60x80cm, 10 70x100cm, and 1 50x70cm sized posters for Robert Hue's campaign.\u003c/p\u003e","\u003cp\u003e3 roughly 60x80cm, 8 roughly 70x100cm, and 2 50x70cm sized posters about social security issues, including retirement, social security, and more.\u003c/p\u003e","\u003cp\u003e7 roughly 60x80cm sized posters for Mitterand's campaigns.\u003c/p\u003e","\u003cp\u003e11 roughly 70x90cm sized posters for Lajoinie's campaigns.\u003c/p\u003e","\u003cp\u003e8 roughly 50x70cm, 14 roughly 60x80cm, 2 61x95cm, 1 60x70cm, 14 70x100cm, 1 35x50cm, 2 roughly 40x100cm sized posters that deal with finances, salaries, taxes, and unemployment.\u003c/p\u003e","\u003cp\u003e2 roughly 40x60cm, 1 50x70cm, 8 60x80cm, 2 40x100cm and 1 70x100cm sized posters against Giscard's campaign.\u003c/p\u003e","\u003cp\u003e1 50x70cm, 11 roughly 60x80cm, and 1 30x40cm sized posters that address rising prices.\u003c/p\u003e","\u003cp\u003e1 13x60cm, 1 25x60cm, 2 50x70cm, 6 roughly 60x80cm, and 5 70x100cm sized posters about referendum positions in France.\u003c/p\u003e","\u003cp\u003e1 33x100cm, 1 30x40cm, 3 roughly 50x70cm, and 7 roughly 60x80cm sized posters for Marchais's campaign.\u003c/p\u003e","\u003cp\u003e4 30x40cm, 19 50x70cm, 1 50x100cm, 26 60x80cm, 9 70x100cm, and 1 100x120cm sized posters calling for support or adherence to the Communist party; also includes phrases like I vote communist and with the communists.\u003c/p\u003e","\u003cp\u003e1 30x40cm, 1 50x70cm, 3 60x80cm, and 3 70x100cm sized posters about rent and lodging options.\u003c/p\u003e","\u003cp\u003e4 roughly 140x50cm, 8 roughly 160x50cm, 2 185x65cm sized posters of various topics, including who to vote for, protests, publications, and party positions.\u003c/p\u003e","\u003cp\u003e3 40x120cm, 2 30x120cm, and 30 80x120cm sized posters; posters tell supporters how to vote, call for support, and address party issues. Specific topics include Marchais, Mitterand, the Olympic games, birth control, union of workers, religion in school, Truman doctrine, Duclos, leaders, and taxes.\u003c/p\u003e","\u003cp\u003eSubseries 1.2 contains posters leading up to and calling for support of the union of the left, i.e., the programme commun.\u003c/p\u003e","\u003cp\u003e7 roughly 41x59cm, 1 29x42cm, 3 29x53cm, 1 38x48cm, and 1 60x70cm sized posters; these posters call for a union of the left or a programme commun.\u003c/p\u003e","\u003cp\u003e21 roughly 60x80cm, 1 95x63cm, 3 48x68cm, 2 58x52cm, and 1 38x58cm sized posters; poster topics support the union of the left, cantonal elections, Mitterand and include phrases like end personal power, union and action, it's possible, and adhere.\u003c/p\u003e","\u003cp\u003e1 80x120cm sized poster about the programme commun.\u003c/p\u003e","\u003cp\u003eSubseries 1.3 contains posters about \"production francais,\" or the Party's campaign to purchase goods made in France.\u003c/p\u003e","\u003cp\u003e10 48x68cm and 1 48x64cm sized posters each calling for the support of French production and limiting imports and outsourcing.\u003c/p\u003e","\u003cp\u003e2 roughly 60x80cm, 2 48x67cm, and 5 68x97cm sized posters; topics include creating jobs, keeping money in France, fewer imports, fighting unemployment, and Lajoinie campaign issues.\u003c/p\u003e","\u003cp\u003eSubseries 1.4 contains posters that are anti-war or anti-bomb, also posters calling for support of certain countries in conflict or the freedom of certain prisoners.\u003c/p\u003e","\u003cp\u003e3 roughly 48x68cm, 4 roughly 30x40cm, and 7 roughly 37x49cm sized posters; general posters for peace and various specific topics, like Hungary, Indochina, Turkey, Cuba, and freeing people from prison.\u003c/p\u003e","\u003cp\u003e12 roughly 30x40cm, 12 40x60cm, 2 20x60cm, and 1 29x60cm sized posters; these posters follow the Algerian fight for independence, calling for a cease-fire and independence.\u003c/p\u003e","\u003cp\u003e1 30x43cm, 10 roughly 38x58cm, and 1 38x51cm sized posters that deal with ending the Vietnam War.\u003c/p\u003e","\u003cp\u003e3 30x40cm and 2 38x60cm sized posters that promote nuclear disarmament.\u003c/p\u003e","\u003cp\u003e13 roughly 60x80cm sized posters about the Algerian War.\u003c/p\u003e","\u003cp\u003e1 30x80cm, 14 60x80cm, and 1 22x60cm sized posters that deal with the war in Vietnam.\u003c/p\u003e","\u003cp\u003e1 22x60cm, 6 roughly 30x75cm, 3 roughly 30x100cm, 25 roughly 60x80cm, and 15 roughly 65x100cm sized posters; topics include helping the poor in Indochina, the Hungarian Revolution, no American bases in France, liberation, peace, Nixon and US aggression, concentration camps in Chili, AIDS, the Kyoto Accords, and disarming. Some posters call for freeing Jacques Duclos, Angela Davis, Mandela, and Vietnamese. Many posters are about conflicts in different areas of the globe, including Cuba, Germany, Indochina, Palestine, Nicaragua, Turkey, the Gulf War, and Rwanda.\u003c/p\u003e","\u003cp\u003e3 40x120cm and 10 80x120cm sized posters that call for disarmament and peace in war-torn areas like Indochina, Vietnam, Algeria, and Tunisia. There are also posters against American military forces in France.\u003c/p\u003e","\u003cp\u003eSubseries 1.5 contains posters by the Jeune Communists (Young Communists).\u003c/p\u003e","\u003cp\u003e3 40x60cm, 1 50x80cm, 1 20x80cm, 4 60x80cm, and 8 65x90cm sized posters; poster topics include schools, voting, anti-globalization, employment, the death penalty, Europe, Palestine, stopping discrimination, and anti-Front National.\u003c/p\u003e","\u003cp\u003eThis second series consists of six subseries and contains social posters all arranged chronologically. The first subseries contains commemorative and anniversary posters. The second subseries contains posters for the celebration of women, like the Fete des Meres, Journee des Femmes, and May 1st for example. The third subseries contains posters for meetings, programs, television appearances. The fourth subseries contains posters about protests. The fifth subseries contains posters to advertise and celebrate for Congresses, Vente-exposition, and the Fete de l'Humanite. The sixth subseries contains posters to advertise for Communist publications.\u003c/p\u003e","\u003cp\u003eSubseries 2.1 is for commemorative and anniversary posters that celebrate the anniversary of important communist events like October 1917, famous communists' birthdays or deaths, and the party's anniversary.\u003c/p\u003e","\u003cp\u003eSubseries 2.3 contains posters to advertise for party meetings, programs, television appearances.\u003c/p\u003e","\u003cp\u003e2 roughly 39x59cm, 1 48x48cm, 3 34x48cm, and 4 48x67cm sized posters; topics include a meeting with Marchais, a city meeting, invites for a meeting, meeting of Fontenay, meeting with Buffet, and a Grand Bal.\u003c/p\u003e","\u003cp\u003e2 40x60cm, 2 roughly 28x40cm, 2 roughly 35x50cm, 1 46x46cm, and 1 35x25cm sized posters; specific television appearances include Marchais, Lajoinie, Marchais's new book promotion, Robert Hue, and a radio show.\u003c/p\u003e","\u003cp\u003e5 roughly 35x45cm, 18 roughly 60x80cm, 4 roughly 40x100cm, 15 70x100cm, 1 100x140cm, 2 30x80cm, 1 120x160cm, 3 50x70cm, and 1 17x50cm sized posters; poster topics include large public meetings, large parties, regional debates, television appearances, and student and young worker meetings, as well as meetings with top party leaders to discuss various party issues.\u003c/p\u003e","\u003cp\u003e5 40x120cm, 1 76x102cm, and 16 80x120cm sized posters; meetings include those with top leaders of the party, with Marchais, and with women, topics include petrol, the Front Populare, Christmas programs, and referendums.\u003c/p\u003e","\u003cp\u003e1 30x40cm, 5 roughly 39x59cm, 1 61x24cm, 2 50x67cm, and 1 45x65cm sized posters to celebrate Thorez's birthday, the revolution of October 1917, the passage of social laws, the anniversary of the party, and the anniversary of the liberation of Paris.\u003c/p\u003e","\u003cp\u003e4 roughly 60x100cm, 4 roughly 70x100cm, 15 roughly 60x80cm, 1 40x100cm, 2 50x70cm, and 1 40x56cm sized posters that commemorate social laws, the revolution of October 1917, the French Revolution, the founding of the party, several important Communist figures' birthdays, and the anniversary of World War II events.\u003c/p\u003e","\u003cp\u003e21 80x120cm and 4 40x120cm sized posters that commemorate the October Revolution of 1917, the commune of Paris, the births and deaths of famous communists, the anniversary of the party, and other small events.\u003c/p\u003e","\u003cp\u003eSubseries 2.2 contains posters celebrating women, like the Fete des Meres, Journee des Femmes, and May 1st for example.\u003c/p\u003e","\u003cp\u003e1 20x70cm, 1 40x60cm, 5 roughly 50x70cm, 12 roughly 60x80cm, and 7 65x100cm sized posters that celebrate women, particularly the Fete des Meres, the Journee des Femmes, and May 1st celebrations of the French Communist Party.\u003c/p\u003e","\u003cp\u003e1 80x120cm sized poster announcing a meeting for women.\u003c/p\u003e","\u003cp\u003eSubseries 2.4 contains posters that advertise for protest marches.\u003c/p\u003e","\u003cp\u003e8 roughly 60x80cm, 4 roughly 30x100cm, 2 roughly 45x60cm, 1 35x48cm, and 2 70x100cm sized posters; poster topics include secular schools, the youth against apartheid and Giscard, protests against nuclear weapons and the Front National, and protests for jobs and salaries.\u003c/p\u003e","\u003cp\u003e1 40x120cm and 1 80x120cm sized posters; one poster is for a protest in honor of the founder of l'Humanite and the other for the commune of Paris.\u003c/p\u003e","\u003cp\u003eSubseries 2.5 contains posters to advertise and celebrate for Congresses, Vente-exposition, and the Fete de l'Humanite. Congresses and Fetes are annual gatherings of party members, similar to a convention or festival. Vente-Expositions are book festivals.\u003c/p\u003e","\u003cp\u003e5 40x60cm posters; one poster advertises the 15th Congress and the other four show facsimiles of old posters for the 1985 fete de l'humanite.\u003c/p\u003e","\u003cp\u003e6 roughly 39x59cm, 1 32x50cm, 3 28x39cm, 1 35x44cm, 1 64x50cm, 1 68x47cm, and 1 46x61cm sized posters; posters advertise Vente-Expositions for Marxist books, the history of the PCF, art and books, the anniversary of the Paris commune, a Grand Gala du lien, a technology expo, and a night of cinema.\u003c/p\u003e","\u003cp\u003e13 roughly 60x80cm, 7 roughly 60x100cm, 1 35x70cm, and 2 roughly 40x80cm sized posters; topics include expositions for Soviet or Marxist books, music celebrations, and Congresses.\u003c/p\u003e","\u003cp\u003e9 70x100cm, 1 55x75cm, 1 33x48cm, 1 49x65cm, 1 40x60cm, 1 47x58cm, 2 60x80cm, and 1 34x100cm sized posters advertising for the Fete de l'humanite.\u003c/p\u003e","\u003cp\u003e1 40x120cm and 7 80x120cm sized posters; topics include Congresses and Marxist book celebrations.\u003c/p\u003e","\u003cp\u003eSubseries 2.6 contains posters to advertise for Communist publications, including book releases by party members and newspapers or journals published by the French Communist Party.\u003c/p\u003e","\u003cp\u003e2 30x40cm, 3 roughly 59x39cm, 1 52x38cm, 2 69x48cm, and 1 35x5cm sized posters; the publication advertised include L'Humanite, France Nouvelle, Marchais's L'Espoir au Present, Economie et Politique, Avancees, and Communistes.\u003c/p\u003e","\u003cp\u003e6 40x60cm, 12 60x80cm, and 1 70x100cm sized posters; topics include the newspapers L'Humanite, Economie et Politique, and Les Espaces Citoyens; Marchais's books Le Defi Democratique and Espoir au Present; Robert Hue's Communisme: La Mutation; and nights of cinema.\u003c/p\u003e","\u003cp\u003e3 40x120cm and 3 80x120cm sized posters; publications include the book for the Fete de l'Humanite, Le Patriote newspaper, and Marchais's L'Espoir au Present and Le Defi Democratique.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Substantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.","Series 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups. ","Series 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events. ","This first series consists of five subseries and contains political posters all arranged by size and chronologically. The first subseries contains general position and party information posters. The second subseries contains posters about the programme commun. The third subseries contains posters for the production francais campaign. The fourth subseries contains posters about peace and disarmament. The fifth subseries contains posters for the Jeune Communistes party.","Subseries 1.1 is for general position and party information posters. Many posters that are just \"vote communist\" or describe the party platform. There are also many posters for each election that tell party members how to vote.","5 42x59cm sized posters; targeted toward workers and farmers asking for their support.","11 30x40cm, 7 roughly 60x20cm, 2 roughly 40x50cm, 7 40x60cm sized posters; assortment of posters for the many processes surrounding the formation of the Fifth Republic, including anti-de Gaulle, No to constitutional monarchy, Gaulle is a fascist, attacks on de Gaulle's ministers, no to a military dictator, no to civil war.","11 40x60cm, 2 30x40cm, and 2 roughly 24x59cm sized posters; topics include secularism in schools and government, party positions on current issues, anti-fascism, promoting Maurice Thorez.","4 30x40cm sized posters; posters call for voters to vote against the referendum.","10 30x40cm sized posters; posters are anti-Gaulle and against the referendum.","6 roughly 38x58cm posters, 4 30x50cm sized posters, and 4 42x59cm posters; school, jobs, lodging, and military topics included.","5 30x40cm and 3 40x60cm sized posters; the posters support Mitterand for president during the 1965 election in France.","7 40x60cm sized posters; posters are asking voters to vote communist.","4 40x60cm and 2 roughly 30x25cm sized posters; supports Duclos in the first tour and asks voters to abstain in the second tour.","6 40x60cm sized posters; posters all have the slogan \"Pour vivre mieux\" and deal with taxes, proportional representation, nationalization, tariffs, rent levels, and giving the young a job.","7 40x60cm sized posters; the posters call for voters to support the communists and vote communist in the municipal election of 1971. The posters attack the UDR and address taxes, lodging, salaries, and scandals. Most posters say \"avec les communistes.\"","16 40x60cm sized posters; the posters follow two color schemes, yellow with blue font and variations of blue, red and purple boxes with red, white, and blue font. Topics include minimum wage, government-assisted housing, old age aid, creating jobs, taxes, hours in a work week and paid vacation, equalize salaries, and changing the retirement age.","1 30x40cm and 10 40x60cm sized posters; workers against capitalism, vote no to the referendum of 1972, welcome Brejnev to France, cooperation and friendship with the USSR, election poster for M. Gros (1974), stop inflation, lower prices, and HLM/government housing are the various topics of these posters.","1 40x60cm, 1 about 20x30cm, 8 about 50x68cm, 3 on average 35x50cm, 1 50x50cm, 3 triangle sized posters; topics include Marchais during the 1981 election, European parliamentary elections 1984, who to vote for in the March 6, 1983 election, 1982 cantonal elections, and Citroen and the elections.","7 roughly 35x50cm sized posters; posters to support the Communists during the 1986 election, four posters say \"je vote communiste.\"","2 50x36cm and 5 40x60cm sized posters; each poster says \"ne pas subir, agir\" (do not suffer, act) and topics include unemployment, workers, and the future.","6 roughly 68x48cm sized posters; posters show a person talking about something that concerns them, like social and political issues.","1 roughly 35x50cm, 5 roughly 48x68cm sized posters; posters are for Andre Lajoinie's campaign for president in the 1988 elections.","4 48x63cm sized posters; each poster has the phrase \"Une idee qui monte\" and addresses socio-political issues.","1 35x50cm and 4 48x68cm sized posters; each poster is about money, specifically salaries, minimum wage or social welfare aid.","2 33x70cm, 11 roughly 35x50cm, and 8 roughly 48x68cm sized posters; topics include housing, health care, electoral districts, employment, social aid, agricultural issues, and the June 18, 1989 election.","6 33x46cm, 5 48x60cm, 7 48x68cm, 3 38x60cm, and 1 38x52cm sized posters; topics include supporting the PCF, minimum wage, social security, education, drugs, uniting the party, anti-Balladur, women in politics, and the May 25, 1997 election.","6 roughly 47x67cm sized posters; topics include voting, supporting the party, minimum wage, youth jobs, and a poster supporting Marie-George Buffet.","2 45x60cm, 1 15x68cm, 1 50x58cm, and 11 34x47cm sized posters for Robert Hue's many campaigns.","1 10x40cm, 3 40x60cm, 2 70x100cm, 4 60x80cm, 1 35x100cm, 7 50x70cm, 6 30x40cm, and 4 40x40cm sized posters; topics include candidates, positions, women, USSR, unemployment, immigration, voting rights, and buying power.","26 roughly 60x80cm and 5 60x100cm sized posters; topics include agriculture, workers, scandals, German soldiers in France, general party positions, how to vote, anti-de Gaulle, union and action, miners, women, personal power, halting fascism, and Duclos.","36 roughly 60x80cm, 2 40x60cm, and 2 30x100cm sized posters; topics include uniting, anti-UDR, financial scandals, the Soviet Union, Pompidou, cantonal elections, racism, personal power, raising fuel prices, petroleum scandal, d'Estaing, women, the Concord, farmers, saving hospitals, European election, and the election of 1978.","19 roughly 70x100cm, 8 40x60cm, 1 30x40cm sized posters; topics include anti-Giscard, the Corsican election, women, elections of 1983, June 1984 elections, March 1985 elections, schools, human rights, hospital care, electoral districts, party positions, banks, and schools.","18 roughly 70x100cm, 2 60x80cm, and 9 40x60cm sized posters; topics include free information, retirement, schools, party positions, and unemployment.","1 60x80cm, 13 70x100cm, and 1 50x70cm sized posters; topics include Balladur, Chirac, Euro vote, growth, party positions, and Marie-George Buffet.","8 70x100cm sized posters in the series entitled Place aux idees nouvelles (place of new ideas). 2 70x100cm sized posters from the series entitled une idee qui monte.","4 roughly 60x80cm, 10 70x100cm, and 1 50x70cm sized posters for Robert Hue's campaign.","3 roughly 60x80cm, 8 roughly 70x100cm, and 2 50x70cm sized posters about social security issues, including retirement, social security, and more.","7 roughly 60x80cm sized posters for Mitterand's campaigns.","11 roughly 70x90cm sized posters for Lajoinie's campaigns.","8 roughly 50x70cm, 14 roughly 60x80cm, 2 61x95cm, 1 60x70cm, 14 70x100cm, 1 35x50cm, 2 roughly 40x100cm sized posters that deal with finances, salaries, taxes, and unemployment.","2 roughly 40x60cm, 1 50x70cm, 8 60x80cm, 2 40x100cm and 1 70x100cm sized posters against Giscard's campaign.","1 50x70cm, 11 roughly 60x80cm, and 1 30x40cm sized posters that address rising prices.","1 13x60cm, 1 25x60cm, 2 50x70cm, 6 roughly 60x80cm, and 5 70x100cm sized posters about referendum positions in France.","1 33x100cm, 1 30x40cm, 3 roughly 50x70cm, and 7 roughly 60x80cm sized posters for Marchais's campaign.","4 30x40cm, 19 50x70cm, 1 50x100cm, 26 60x80cm, 9 70x100cm, and 1 100x120cm sized posters calling for support or adherence to the Communist party; also includes phrases like I vote communist and with the communists.","1 30x40cm, 1 50x70cm, 3 60x80cm, and 3 70x100cm sized posters about rent and lodging options.","4 roughly 140x50cm, 8 roughly 160x50cm, 2 185x65cm sized posters of various topics, including who to vote for, protests, publications, and party positions.","3 40x120cm, 2 30x120cm, and 30 80x120cm sized posters; posters tell supporters how to vote, call for support, and address party issues. Specific topics include Marchais, Mitterand, the Olympic games, birth control, union of workers, religion in school, Truman doctrine, Duclos, leaders, and taxes.","Subseries 1.2 contains posters leading up to and calling for support of the union of the left, i.e., the programme commun.","7 roughly 41x59cm, 1 29x42cm, 3 29x53cm, 1 38x48cm, and 1 60x70cm sized posters; these posters call for a union of the left or a programme commun.","21 roughly 60x80cm, 1 95x63cm, 3 48x68cm, 2 58x52cm, and 1 38x58cm sized posters; poster topics support the union of the left, cantonal elections, Mitterand and include phrases like end personal power, union and action, it's possible, and adhere.","1 80x120cm sized poster about the programme commun.","Subseries 1.3 contains posters about \"production francais,\" or the Party's campaign to purchase goods made in France.","10 48x68cm and 1 48x64cm sized posters each calling for the support of French production and limiting imports and outsourcing.","2 roughly 60x80cm, 2 48x67cm, and 5 68x97cm sized posters; topics include creating jobs, keeping money in France, fewer imports, fighting unemployment, and Lajoinie campaign issues.","Subseries 1.4 contains posters that are anti-war or anti-bomb, also posters calling for support of certain countries in conflict or the freedom of certain prisoners.","3 roughly 48x68cm, 4 roughly 30x40cm, and 7 roughly 37x49cm sized posters; general posters for peace and various specific topics, like Hungary, Indochina, Turkey, Cuba, and freeing people from prison.","12 roughly 30x40cm, 12 40x60cm, 2 20x60cm, and 1 29x60cm sized posters; these posters follow the Algerian fight for independence, calling for a cease-fire and independence.","1 30x43cm, 10 roughly 38x58cm, and 1 38x51cm sized posters that deal with ending the Vietnam War.","3 30x40cm and 2 38x60cm sized posters that promote nuclear disarmament.","13 roughly 60x80cm sized posters about the Algerian War.","1 30x80cm, 14 60x80cm, and 1 22x60cm sized posters that deal with the war in Vietnam.","1 22x60cm, 6 roughly 30x75cm, 3 roughly 30x100cm, 25 roughly 60x80cm, and 15 roughly 65x100cm sized posters; topics include helping the poor in Indochina, the Hungarian Revolution, no American bases in France, liberation, peace, Nixon and US aggression, concentration camps in Chili, AIDS, the Kyoto Accords, and disarming. Some posters call for freeing Jacques Duclos, Angela Davis, Mandela, and Vietnamese. Many posters are about conflicts in different areas of the globe, including Cuba, Germany, Indochina, Palestine, Nicaragua, Turkey, the Gulf War, and Rwanda.","3 40x120cm and 10 80x120cm sized posters that call for disarmament and peace in war-torn areas like Indochina, Vietnam, Algeria, and Tunisia. There are also posters against American military forces in France.","Subseries 1.5 contains posters by the Jeune Communists (Young Communists).","3 40x60cm, 1 50x80cm, 1 20x80cm, 4 60x80cm, and 8 65x90cm sized posters; poster topics include schools, voting, anti-globalization, employment, the death penalty, Europe, Palestine, stopping discrimination, and anti-Front National.","This second series consists of six subseries and contains social posters all arranged chronologically. The first subseries contains commemorative and anniversary posters. The second subseries contains posters for the celebration of women, like the Fete des Meres, Journee des Femmes, and May 1st for example. The third subseries contains posters for meetings, programs, television appearances. The fourth subseries contains posters about protests. The fifth subseries contains posters to advertise and celebrate for Congresses, Vente-exposition, and the Fete de l'Humanite. The sixth subseries contains posters to advertise for Communist publications.","Subseries 2.1 is for commemorative and anniversary posters that celebrate the anniversary of important communist events like October 1917, famous communists' birthdays or deaths, and the party's anniversary.","Subseries 2.3 contains posters to advertise for party meetings, programs, television appearances.","2 roughly 39x59cm, 1 48x48cm, 3 34x48cm, and 4 48x67cm sized posters; topics include a meeting with Marchais, a city meeting, invites for a meeting, meeting of Fontenay, meeting with Buffet, and a Grand Bal.","2 40x60cm, 2 roughly 28x40cm, 2 roughly 35x50cm, 1 46x46cm, and 1 35x25cm sized posters; specific television appearances include Marchais, Lajoinie, Marchais's new book promotion, Robert Hue, and a radio show.","5 roughly 35x45cm, 18 roughly 60x80cm, 4 roughly 40x100cm, 15 70x100cm, 1 100x140cm, 2 30x80cm, 1 120x160cm, 3 50x70cm, and 1 17x50cm sized posters; poster topics include large public meetings, large parties, regional debates, television appearances, and student and young worker meetings, as well as meetings with top party leaders to discuss various party issues.","5 40x120cm, 1 76x102cm, and 16 80x120cm sized posters; meetings include those with top leaders of the party, with Marchais, and with women, topics include petrol, the Front Populare, Christmas programs, and referendums.","1 30x40cm, 5 roughly 39x59cm, 1 61x24cm, 2 50x67cm, and 1 45x65cm sized posters to celebrate Thorez's birthday, the revolution of October 1917, the passage of social laws, the anniversary of the party, and the anniversary of the liberation of Paris.","4 roughly 60x100cm, 4 roughly 70x100cm, 15 roughly 60x80cm, 1 40x100cm, 2 50x70cm, and 1 40x56cm sized posters that commemorate social laws, the revolution of October 1917, the French Revolution, the founding of the party, several important Communist figures' birthdays, and the anniversary of World War II events.","21 80x120cm and 4 40x120cm sized posters that commemorate the October Revolution of 1917, the commune of Paris, the births and deaths of famous communists, the anniversary of the party, and other small events.","Subseries 2.2 contains posters celebrating women, like the Fete des Meres, Journee des Femmes, and May 1st for example.","1 20x70cm, 1 40x60cm, 5 roughly 50x70cm, 12 roughly 60x80cm, and 7 65x100cm sized posters that celebrate women, particularly the Fete des Meres, the Journee des Femmes, and May 1st celebrations of the French Communist Party.","1 80x120cm sized poster announcing a meeting for women.","Subseries 2.4 contains posters that advertise for protest marches.","8 roughly 60x80cm, 4 roughly 30x100cm, 2 roughly 45x60cm, 1 35x48cm, and 2 70x100cm sized posters; poster topics include secular schools, the youth against apartheid and Giscard, protests against nuclear weapons and the Front National, and protests for jobs and salaries.","1 40x120cm and 1 80x120cm sized posters; one poster is for a protest in honor of the founder of l'Humanite and the other for the commune of Paris.","Subseries 2.5 contains posters to advertise and celebrate for Congresses, Vente-exposition, and the Fete de l'Humanite. Congresses and Fetes are annual gatherings of party members, similar to a convention or festival. Vente-Expositions are book festivals.","5 40x60cm posters; one poster advertises the 15th Congress and the other four show facsimiles of old posters for the 1985 fete de l'humanite.","6 roughly 39x59cm, 1 32x50cm, 3 28x39cm, 1 35x44cm, 1 64x50cm, 1 68x47cm, and 1 46x61cm sized posters; posters advertise Vente-Expositions for Marxist books, the history of the PCF, art and books, the anniversary of the Paris commune, a Grand Gala du lien, a technology expo, and a night of cinema.","13 roughly 60x80cm, 7 roughly 60x100cm, 1 35x70cm, and 2 roughly 40x80cm sized posters; topics include expositions for Soviet or Marxist books, music celebrations, and Congresses.","9 70x100cm, 1 55x75cm, 1 33x48cm, 1 49x65cm, 1 40x60cm, 1 47x58cm, 2 60x80cm, and 1 34x100cm sized posters advertising for the Fete de l'humanite.","1 40x120cm and 7 80x120cm sized posters; topics include Congresses and Marxist book celebrations.","Subseries 2.6 contains posters to advertise for Communist publications, including book releases by party members and newspapers or journals published by the French Communist Party.","2 30x40cm, 3 roughly 59x39cm, 1 52x38cm, 2 69x48cm, and 1 35x5cm sized posters; the publication advertised include L'Humanite, France Nouvelle, Marchais's L'Espoir au Present, Economie et Politique, Avancees, and Communistes.","6 40x60cm, 12 60x80cm, and 1 70x100cm sized posters; topics include the newspapers L'Humanite, Economie et Politique, and Les Espaces Citoyens; Marchais's books Le Defi Democratique and Espoir au Present; Robert Hue's Communisme: La Mutation; and nights of cinema.","3 40x120cm and 3 80x120cm sized posters; publications include the book for the Fete de l'Humanite, Le Patriote newspaper, and Marchais's L'Espoir au Present and Le Defi Democratique."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_dd4c030cc8b3e2ce4e8ba5cc668cd75b\" label=\"Abstract\"\u003eSubstantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements.\u003c/abstract\u003e"],"abstract_tesim":["Substantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_42e069deeb9ae22cbc4b9fd54458e227\"\u003eMap Case 10.3, 25.1-25.5\u003c/physloc\u003e"],"physloc_tesim":["Map Case 10.3, 25.1-25.5"],"names_coll_ssim":["Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"names_ssim":["George Mason University. Libraries. 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