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Riegel Papers, 1900/1992","WLU.Coll.0387","/repositories/5/resources/231","Propaganda","Journalism","This collection is open to research use.","Oscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University.","Riegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. 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Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  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His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], O.W. Riegel Collection, WLU Coll. 0387, Special Collections and Archives, James G. 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Background Information on Published Papers, 1980/2008"],"parent_ids_ssim":["viblbv_repositories_2_resources_3294","viblbv_repositories_2_resources_3294_c04"],"title_filing_ssi":"Zallen \"Redrawing the Boundaries of Molecular Biology: The Case of Photosynthesis\"","title_ssm":["Zallen \"Redrawing the Boundaries of Molecular Biology: The Case of Photosynthesis\""],"title_tesim":["Zallen \"Redrawing the Boundaries of Molecular Biology: The Case of Photosynthesis\""],"normalized_title_ssm":["Zallen \"Redrawing the Boundaries of Molecular Biology: The Case of Photosynthesis\", 1952/1993"],"text":["Zallen \"Redrawing the Boundaries of Molecular Biology: The Case of Photosynthesis\", 1952/1993","Doris Zallen Papers, 1952/2016","Series IV. Background Information on Published Papers, 1980/2008","box 9","folder 1"],"parent_unittitles_ssm":["Doris Zallen Papers, 1952/2016","Series IV. 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Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"_nest_path_":"/components#3/components#16","timestamp":"2026-08-14T22:31:39.599Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3294","ead_ssi":"viblbv_repositories_2_resources_3294","_root_":"viblbv_repositories_2_resources_3294","_nest_parent_":"viblbv_repositories_2_resources_3294","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3294.xml","title_filing_ssi":"Zallen, Doris, Papers","title_ssm":["Doris Zallen Papers"],"title_tesim":["Doris Zallen Papers"],"unitdate_ssm":["1952-2016"],"unitdate_inclusive_ssm":["1952-2016"],"normalized_date_ssm":["1952/2016"],"normalized_title_ssm":["Doris Zallen Papers, 1952/2016"],"text":["Doris Zallen Papers, 1952/2016","Ms.2018.032","Faculty and staff","Science and Technology","University History","University Archives","The collection is open for research.","The Doris Zallen Papers are organized into the following series:\n\nSeries I. Recombinant DNA Advisory Committee (NIH) Service, 1990-1999\nSeries II. Professional papers, 1960-2016\nSeries III. Book Reviews, 1982-2010\nSeries IV. Background Information on Published Papers, 1980-2008\nSeries V. Ethics Advisory Board, 1979\nSeries VI. Liverpool School, 1952-2012","Doris Zallen received her bachelor's degree from Brooklyn College and completed her graduate and doctoral work at Harvard Univeristy. Zallen focused her research on the social, ethical, and policy issues of genetic technologies. She came to Virginia Tech in 1983 and retired as professor of Science and Technology Studies and Humanities in 2015. Zallen published three books and created the Choices and Challenges Forum series at Virginia Tech. In 1991 Zallen interviewed David Weatherall who sparked Zallen's research on the prevention of Rh disease and the role the Liverpool School played in that medical advance.","The guide to the Doris Zallen Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your- work/public-domain/cc0/).","The processing, arrangement, and description of the Doris Zallen Papers was completed in October 2018. Additional processing, arrangement, and description of an addition was completed in May 2019 and January 2020.","See also the following collections:","Choices and Challenges Forum Records, RG 15/27/1, Special Collections and University Archives, Virginia Tech.\nPhilip M. Sheppard Papers, Mss.Ms.Coll.65, American Philosophical Society.\nD36/A-J - Sir Cyril Astley Clarke Papers - 1926-2000\n, Special Collections \u0026 Archives, University of Liverpool.","The Doris Zallen Papers, Ms2018-032, contain content from Doris Zallen's professional work with genetic research, discussions, and testing from 1960 to 2016.","The records are divided into six series including: I. Recombinant DNA Advisory Committee Service, 1990-1999; II. Professional Papers, 1960-2016; III. Book Reviews, 1962-2010; IV. Background information on Published Papers, 1980-2008; V. Ethics and Advisory Board, 1979; and VI. Liverpool School, 1952-2012.","In the first series, Recombinant DNA Advisory Committee Service, 1990-1999, each folder relates to the Recombinant Advisory Committee. They include meeting notes, correspondence within the organization, and notes from conferences.","The second series, Professional Papers, 1960-2016, outlines Doris Zallen's academia starting with her education at Brooklyn College, Harvard University, and the University of Rochester. This series includes manuscripts from her teaching and research careers at Nazareth College of Rochester and Virginia Tech. Zallen's professional papers include research, summaries of sabbaticals and other leaves, consulting, teaching awards, and student and faculty correspondence.","Series III, Book Reviews, 1962-2010, includes book reviews from other scholars about Zallen's research: \"Science and Morality\", \"Does it Run In the Family?,\" and \"To Test or Not to Test?\" This series also includes a poster from a discusion led by Zallen about genetic testing and images from \"Does it Run In the Family?\"","The fourth series, Background information on Published Papers, 1980-2008, contains published and unpublished articles by Doris Zallen and other scholars about genes from 1980 to 2008.","The fifth series, Ethics and Advisory Board, 1979, consists of the report, conclusions, and appendix from the Human in Vitro Fertilization and Embryo Transfer study.","The last series, Liverpool School, 1952-2012, consists of background information, publications, interviews, and pictures from Zallen's research of the prevention of Rh disease.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Doris Zallen Papers, Ms2018-032, contains meeting notes from the Recombinant DNA Advisory Committee, Doris Zallen's professional papers, book reviews, and background on Zallen's published papers from 1960 to 2016. Doris Zallen attended Brooklyn College and Harvard University before becaming a professor of Science and Technolgy Studies and Humanities in the College of Liberal Arts and Human Science at Virginia Tech. This collection follows Zallen's acadamic work from the undergraduate to graduate level, post-doctoral appointments, and her genetic research and teaching. Included in this collection is Zallens research on the Liverpool School which providedresearches the medical advance of the prevention of Rh disease.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Liberal Arts \u0026 Human Sciences","Virginia Polytechnic Institute and State University (1970-)","The materials in the collection are in English."],"collection_title_tesim":["Doris Zallen Papers, 1952/2016"],"collection_ssim":["Doris Zallen Papers, 1952/2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2018.032"],"unitid_tesim":["Ms.2018.032"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. 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Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Doris Zallen Papers were donated to Special Collections and University Archives in July 2018. Additions were donated in March 2019 and December 2019."],"access_subjects_ssim":["Faculty and staff","Science and Technology","University History","University Archives"],"access_subjects_ssm":["Faculty and staff","Science and Technology","University History","University Archives"],"has_online_content_ssim":["false"],"extent_ssm":["10 Cubic Feet 13 boxes"],"extent_tesim":["10 Cubic Feet 13 boxes"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Doris Zallen Papers are organized into the following series:\n\u003clist\u003e\n\u003citem\u003eSeries I. Recombinant DNA Advisory Committee (NIH) Service, 1990-1999\u003c/item\u003e\n\u003citem\u003eSeries II. Professional papers, 1960-2016\u003c/item\u003e\n\u003citem\u003eSeries III. Book Reviews, 1982-2010\u003c/item\u003e\n\u003citem\u003eSeries IV. Background Information on Published Papers, 1980-2008\u003c/item\u003e\n\u003citem\u003eSeries V. Ethics Advisory Board, 1979\u003c/item\u003e\n\u003citem\u003eSeries VI. Liverpool School, 1952-2012\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Doris Zallen Papers are organized into the following series:\n\nSeries I. Recombinant DNA Advisory Committee (NIH) Service, 1990-1999\nSeries II. Professional papers, 1960-2016\nSeries III. Book Reviews, 1982-2010\nSeries IV. Background Information on Published Papers, 1980-2008\nSeries V. Ethics Advisory Board, 1979\nSeries VI. Liverpool School, 1952-2012"],"bioghist_html_tesm":["\u003cp\u003eDoris Zallen received her bachelor's degree from Brooklyn College and completed her graduate and doctoral work at Harvard Univeristy. Zallen focused her research on the social, ethical, and policy issues of genetic technologies. She came to Virginia Tech in 1983 and retired as professor of Science and Technology Studies and Humanities in 2015. Zallen published three books and created the Choices and Challenges Forum series at Virginia Tech. In 1991 Zallen interviewed David Weatherall who sparked Zallen's research on the prevention of Rh disease and the role the Liverpool School played in that medical advance.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Doris Zallen received her bachelor's degree from Brooklyn College and completed her graduate and doctoral work at Harvard Univeristy. Zallen focused her research on the social, ethical, and policy issues of genetic technologies. She came to Virginia Tech in 1983 and retired as professor of Science and Technology Studies and Humanities in 2015. Zallen published three books and created the Choices and Challenges Forum series at Virginia Tech. In 1991 Zallen interviewed David Weatherall who sparked Zallen's research on the prevention of Rh disease and the role the Liverpool School played in that medical advance."],"odd_html_tesm":["\u003cp\u003eThe guide to the Doris Zallen Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Doris Zallen Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your- work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Doris Zallen Papers, Ms2018-032, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Doris Zallen Papers, Ms2018-032, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Doris Zallen Papers was completed in October 2018. Additional processing, arrangement, and description of an addition was completed in May 2019 and January 2020.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Doris Zallen Papers was completed in October 2018. Additional processing, arrangement, and description of an addition was completed in May 2019 and January 2020."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also the following collections:\u003c/p\u003e","\u003cp\u003e\u003clist\u003e\n\u003citem\u003e\u003ca show=\"new\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_3289.xml\"\u003eChoices and Challenges Forum Records, RG 15/27/1\u003c/a\u003e, Special Collections and University Archives, Virginia Tech.\u003c/item\u003e\n\u003citem\u003e\u003ca show=\"new\" href=\"https://search.amphilsoc.org/collections/view?docId=ead/Mss.Ms.Coll.65-ead.xml\"\u003ePhilip M. Sheppard Papers, Mss.Ms.Coll.65\u003c/a\u003e, American Philosophical Society.\u003c/item\u003e\n\u003citem\u003e\u003ca show=\"new\" href=\"https://sca-archives.liverpool.ac.uk/Record/22803\"\u003eD36/A-J - Sir Cyril Astley Clarke Papers - 1926-2000\n\u003c/a\u003e, Special Collections \u0026amp; Archives, University of Liverpool.\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also the following collections:","Choices and Challenges Forum Records, RG 15/27/1, Special Collections and University Archives, Virginia Tech.\nPhilip M. Sheppard Papers, Mss.Ms.Coll.65, American Philosophical Society.\nD36/A-J - Sir Cyril Astley Clarke Papers - 1926-2000\n, Special Collections \u0026 Archives, University of Liverpool."],"scopecontent_html_tesm":["\u003cp\u003eThe Doris Zallen Papers, Ms2018-032, contain content from Doris Zallen's professional work with genetic research, discussions, and testing from 1960 to 2016. \u003c/p\u003e","\u003cp\u003eThe records are divided into six series including: I. Recombinant DNA Advisory Committee Service, 1990-1999; II. Professional Papers, 1960-2016; III. Book Reviews, 1962-2010; IV. Background information on Published Papers, 1980-2008; V. Ethics and Advisory Board, 1979; and VI. Liverpool School, 1952-2012.\u003c/p\u003e","\u003cp\u003eIn the first series, Recombinant DNA Advisory Committee Service, 1990-1999, each folder relates to the Recombinant Advisory Committee. They include meeting notes, correspondence within the organization, and notes from conferences. \u003c/p\u003e","\u003cp\u003eThe second series, Professional Papers, 1960-2016, outlines Doris Zallen's academia starting with her education at Brooklyn College, Harvard University, and the University of Rochester. This series includes manuscripts from her teaching and research careers at Nazareth College of Rochester and Virginia Tech. Zallen's professional papers include research, summaries of sabbaticals and other leaves, consulting, teaching awards, and student and faculty correspondence.\u003c/p\u003e","\u003cp\u003eSeries III, Book Reviews, 1962-2010, includes book reviews from other scholars about Zallen's research: \"Science and Morality\", \"Does it Run In the Family?,\" and \"To Test or Not to Test?\" This series also includes a poster from a discusion led by Zallen about genetic testing and images from \"Does it Run In the Family?\"\u003c/p\u003e","\u003cp\u003eThe fourth series, Background information on Published Papers, 1980-2008, contains published and unpublished articles by Doris Zallen and other scholars about genes from 1980 to 2008.\u003c/p\u003e","\u003cp\u003eThe fifth series, Ethics and Advisory Board, 1979, consists of the report, conclusions, and appendix from the Human in Vitro Fertilization and Embryo Transfer study.\u003c/p\u003e","\u003cp\u003eThe last series, Liverpool School, 1952-2012, consists of background information, publications, interviews, and pictures from Zallen's research of the prevention of Rh disease.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Doris Zallen Papers, Ms2018-032, contain content from Doris Zallen's professional work with genetic research, discussions, and testing from 1960 to 2016.","The records are divided into six series including: I. Recombinant DNA Advisory Committee Service, 1990-1999; II. Professional Papers, 1960-2016; III. Book Reviews, 1962-2010; IV. Background information on Published Papers, 1980-2008; V. Ethics and Advisory Board, 1979; and VI. Liverpool School, 1952-2012.","In the first series, Recombinant DNA Advisory Committee Service, 1990-1999, each folder relates to the Recombinant Advisory Committee. They include meeting notes, correspondence within the organization, and notes from conferences.","The second series, Professional Papers, 1960-2016, outlines Doris Zallen's academia starting with her education at Brooklyn College, Harvard University, and the University of Rochester. This series includes manuscripts from her teaching and research careers at Nazareth College of Rochester and Virginia Tech. Zallen's professional papers include research, summaries of sabbaticals and other leaves, consulting, teaching awards, and student and faculty correspondence.","Series III, Book Reviews, 1962-2010, includes book reviews from other scholars about Zallen's research: \"Science and Morality\", \"Does it Run In the Family?,\" and \"To Test or Not to Test?\" This series also includes a poster from a discusion led by Zallen about genetic testing and images from \"Does it Run In the Family?\"","The fourth series, Background information on Published Papers, 1980-2008, contains published and unpublished articles by Doris Zallen and other scholars about genes from 1980 to 2008.","The fifth series, Ethics and Advisory Board, 1979, consists of the report, conclusions, and appendix from the Human in Vitro Fertilization and Embryo Transfer study.","The last series, Liverpool School, 1952-2012, consists of background information, publications, interviews, and pictures from Zallen's research of the prevention of Rh disease."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45f780eb9474c90671b364abacec9cdc\" label=\"Abstract\"\u003eThe Doris Zallen Papers, Ms2018-032, contains meeting notes from the Recombinant DNA Advisory Committee, Doris Zallen's professional papers, book reviews, and background on Zallen's published papers from 1960 to 2016. Doris Zallen attended Brooklyn College and Harvard University before becaming a professor of Science and Technolgy Studies and Humanities in the College of Liberal Arts and Human Science at Virginia Tech. This collection follows Zallen's acadamic work from the undergraduate to graduate level, post-doctoral appointments, and her genetic research and teaching. Included in this collection is Zallens research on the Liverpool School which providedresearches the medical advance of the prevention of Rh disease.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Doris Zallen Papers, Ms2018-032, contains meeting notes from the Recombinant DNA Advisory Committee, Doris Zallen's professional papers, book reviews, and background on Zallen's published papers from 1960 to 2016. Doris Zallen attended Brooklyn College and Harvard University before becaming a professor of Science and Technolgy Studies and Humanities in the College of Liberal Arts and Human Science at Virginia Tech. This collection follows Zallen's acadamic work from the undergraduate to graduate level, post-doctoral appointments, and her genetic research and teaching. Included in this collection is Zallens research on the Liverpool School which providedresearches the medical advance of the prevention of Rh disease."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Liberal Arts \u0026 Human Sciences","Virginia Polytechnic Institute and State University (1970-)"],"names_coll_ssim":["Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Liberal Arts \u0026 Human Sciences","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Liberal Arts \u0026 Human Sciences","Virginia Polytechnic Institute and State University (1970-)"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":281,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:31:39.599Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3294_c04_c17"}},{"id":"vilxw_repositories_5_resources_231_c05_c222","type":"File","attributes":{"title":"Zas-Zilahly, 1929/1991","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_231_c05_c222#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_231_c05_c222","ref_ssm":["vilxw_repositories_5_resources_231_c05_c222"],"id":"vilxw_repositories_5_resources_231_c05_c222","ead_ssi":"vilxw_repositories_5_resources_231","_root_":"vilxw_repositories_5_resources_231","_nest_parent_":"vilxw_repositories_5_resources_231_c05","parent_ssi":"vilxw_repositories_5_resources_231_c05","parent_ssim":["O.W. Riegel Papers, 1900/1992","Personal Correspondence, 1926/1991"],"parent_ids_ssim":["vilxw_repositories_5_resources_231","vilxw_repositories_5_resources_231_c05"],"title_filing_ssi":"Zas-Zilahly","title_ssm":["Zas-Zilahly"],"title_tesim":["Zas-Zilahly"],"normalized_title_ssm":["Zas-Zilahly, 1929/1991"],"text":["Zas-Zilahly, 1929/1991","O.W. Riegel Papers, 1900/1992","Personal Correspondence, 1926/1991","folder 222","English."],"parent_unittitles_ssm":["O.W. Riegel Papers, 1900/1992","Personal Correspondence, 1926/1991"],"parent_unittitles_tesim":["O.W. Riegel Papers, 1900/1992","Personal Correspondence, 1926/1991"],"normalized_date_ssm":["1929/1991"],"unitdate_inclusive_ssm":["1929-1991"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":1503,"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["O.W. Riegel Papers, 1900/1992"],"containers_ssim":["folder 222"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["This collection is open to research use."],"parent_access_terms_tesm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"language_ssim":["English."],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"_nest_path_":"/components#4/components#221","timestamp":"2026-08-14T22:38:07.513Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_231","ead_ssi":"vilxw_repositories_5_resources_231","_root_":"vilxw_repositories_5_resources_231","_nest_parent_":"vilxw_repositories_5_resources_231","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_231.xml","title_ssm":["O.W. Riegel Papers"],"title_tesim":["O.W. Riegel Papers"],"unitdate_ssm":["1900-1992"],"unitdate_inclusive_ssm":["1900-1992"],"normalized_date_ssm":["1900/1992"],"normalized_title_ssm":["O.W. Riegel Papers, 1900/1992"],"text":["O.W. Riegel Papers, 1900/1992","WLU.Coll.0387","/repositories/5/resources/231","Propaganda","Journalism","This collection is open to research use.","Oscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University.","Riegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA.","Highlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George","English\n."],"collection_title_tesim":["O.W. Riegel Papers, 1900/1992"],"collection_ssim":["O.W. Riegel Papers, 1900/1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0387","/repositories/5/resources/231"],"unitid_tesim":["WLU.Coll.0387","/repositories/5/resources/231"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Riegel, O. W. 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(John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George","Washington and Lee University, University Library Special Collections and Archives"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Propaganda","Journalism"],"access_subjects_ssm":["Propaganda","Journalism"],"has_online_content_ssim":["false"],"extent_ssm":["75 Linear Feet"],"extent_tesim":["75 Linear Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to research use."],"bioghist_html_tesm":["\u003cp\u003eOscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University. \u003c/p\u003e","\u003cp\u003eRiegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Oscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University.","Riegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], O.W. Riegel Collection, WLU Coll. 0387, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA.\u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], O.W. Riegel Collection, WLU Coll. 0387, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eHighlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Highlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\""],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"persname_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George"],"names_coll_ssim":["Riegel, Hunt"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2584,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:38:07.513Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_231_c05_c222"}},{"id":"viblbv_repositories_2_resources_1459_c05_c02_c205","type":"File","attributes":{"title":"Zelair Corporation, 1955","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1459_c05_c02_c205#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1459_c05_c02_c205","ref_ssm":["viblbv_repositories_2_resources_1459_c05_c02_c205"],"id":"viblbv_repositories_2_resources_1459_c05_c02_c205","ead_ssi":"viblbv_repositories_2_resources_1459","_root_":"viblbv_repositories_2_resources_1459","_nest_parent_":"viblbv_repositories_2_resources_1459_c05_c02","parent_ssi":"viblbv_repositories_2_resources_1459_c05_c02","parent_ssim":["John T. Parsons Papers, 1910/2000","Series V. Division 5: Aircraft Division, 1923/1992","Subseries B. General, 1923/1978"],"parent_ids_ssim":["viblbv_repositories_2_resources_1459","viblbv_repositories_2_resources_1459_c05","viblbv_repositories_2_resources_1459_c05_c02"],"title_filing_ssi":"Zelair Corporation","title_ssm":["Zelair Corporation"],"title_tesim":["Zelair Corporation"],"normalized_title_ssm":["Zelair Corporation, 1955"],"text":["Zelair Corporation, 1955","John T. Parsons Papers, 1910/2000","Series V. Division 5: Aircraft Division, 1923/1992","Subseries B. General, 1923/1978","box 34","folder 56"],"parent_unittitles_ssm":["John T. Parsons Papers, 1910/2000","Series V. Division 5: Aircraft Division, 1923/1992","Subseries B. General, 1923/1978"],"parent_unittitles_tesim":["John T. Parsons Papers, 1910/2000","Series V. Division 5: Aircraft Division, 1923/1992","Subseries B. General, 1923/1978"],"normalized_date_ssm":["1955"],"unitdate_other_ssim":["1955"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":2387,"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["John T. Parsons Papers, 1910/2000"],"containers_ssim":["box 34","folder 56"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research, except box 190 marked \"Personal\" in Division 10, which needs to be reviewed before access. Please contact Special Collections and University Archives for more information."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1955],"_nest_path_":"/components#4/components#1/components#204","timestamp":"2026-08-14T22:29:28.240Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1459","ead_ssi":"viblbv_repositories_2_resources_1459","_root_":"viblbv_repositories_2_resources_1459","_nest_parent_":"viblbv_repositories_2_resources_1459","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1459.xml","title_filing_ssi":"Parsons, John T., Papers","title_ssm":["John T. Parsons Papers"],"title_tesim":["John T. Parsons Papers"],"unitdate_ssm":["1910-2000"],"unitdate_inclusive_ssm":["1910-2000"],"normalized_date_ssm":["1910/2000"],"normalized_title_ssm":["John T. Parsons Papers, 1910/2000"],"text":["John T. Parsons Papers, 1910/2000","Ms.1987.016","Archives of American Aerospace Exploration (AAAE)","Science and Technology","Aeronautics","Machine-tools -- Numerical control","John T. Parsons Company","Businesspeople","Inventors","The collection is open for research, except box 190 marked \"Personal\" in Division 10, which needs to be reviewed before access. Please contact Special Collections and University Archives for more information.","Some of this collection has been digitized for a digital exhibit, The Products of John T. Parsons.","The collection is divided into the ten series and some with subseries. These series and subseries have been imposed by archivists but are based on Parson's original order and description. Materials have been kept in original order where possible. Arrangement is chronological, then alphabetical where applicable.","Series I. Division 1: Corporate Office, 1940-1992, n.d.\n\nSubseries A. Corporate Office General, 1943-1992, n.d.\nSubseries B. ParCor Financial Records, 1945-1969, n.d.\nSubseries C. Personnel, 1942-1972, n.d.\nSubseries D. Labor, 1952-1972\nSubseries E. Board of Directors Minutes, 1956-1968\nSubseries F. Corporate History, 1916-1960, n.d.\nSubseries G. Operations Control Systems, 1954-1968\nSubseries H. Corporate Office Master Files, 1948-1967, n.d.\nSubseries I. Corporate Office New Construction, 1942-1968, n.d.\t\nSubseries J. Patents and Legal Documents, 1940-1960\t\nSubseries K. MIT, 1951-1956, 1991-1992\n\nSeries II. Division 2: Automotive Division, 1937-1971, n.d.","Series III. Division 3: Appliance Division, 1924-1962, n.d.\n\nSubseries A. General Correspondence, 1924-1951, n.d.\nSubseries B. Products, 1941-1962, n.d.\n\nSeries IV. Division 4: Ordnance Division, 1933-1967, n.d.","Series V. Division 5: Aircraft Division, 1923, 1941-1992, n.d.\n\nSubseries A. Foreign Activities, 1953-1968, n.d.\nSubseries B. General, 1923, 1942-1978, n.d.\nSubseries C. Helicopter Rotor Blades, 1943-1971, n.d.\nSubseries D. Numerical Control, 1941-1992, n.d.\nSubseries E. Special Products, 1943-1982, n.d.\nSubseries F. North America Rockwell, 1955-1956, 1964-1976, n.d.\n\nSeries VI. Division 6: Subsidiaries Division, 1957-1977, n.d.","Series VII. Division 7: Minor Products Division, 1943-1966, n.d.","Series VIII. Division 8: John T. Parsons Company, 1944-2000, n.d.\n\nSubseries A. Financial/Legal, 1944-1994, n.d.\nSubseries B. Correspondence, 1948-1998, n.d.\nSubseries C. Controllable Pitch Propeller, 1946-1980, 1993, n.d.\nSubseries D. Computer Bilt, 1949-1989, n.d.\nSubseries E. Wind Energy Systems, 1964-1990, n.d.\nSubseries F. ParJon Master Files, 1968-1984\nSubseries G. Consulting, 1956-2000, n.d.\nSubseries H. Punch Presses, 1959-1984, n.d.\nSubseries I. HITCO and Whittaker, 1960-1982\nSubseries J. Ariel Files, 1989-1990\nSubseries K. Marathon Files, 1974-1977, 1980-1990, n.d.\nSubseries L. Nimble Keyboard, 1962-1989, n.d.\nSubseries M. Michigan Reports, 1970-1991, n.d.\nSubseries N. Pallet Manufacturing, 1969-1991, n.d.\nSubseries O. Motor Coach, 1968-1973, n.d.\nSubseries P. Newspaper Articles, 1981-1991, n.d.\nSubseries Q. Digitron, 1948-1993, n.d.\nSubseries R. General, 1965-1996, n.d.\n\nSeries IX.  Division 9: Personal, 1910-1997, n.d.\n\nSubseries A. Industrial Brochures, 1951-1994, n.d.\nSubseries B. Trade Journals and Magazines, 1958-1990, n.d.\nSubseries C. Civic Ombudsman, 1967-1978, n.d.\nSubseries D. Environment, 1966-1985\nSubseries E. Filed Clippings, 1963-1991\nSubseries F. Community Involvement, 1927-1990, n.d.\nSubseries G. Parsons Reading Files, 1961-1969, n.d.\nSubseries H. Financial Reports of Other Companies, 1950-1985\nSubseries I. Traverse City, 1943-1995, n.d.\nSubseries J. John T. Parsons Personal Records, 1931-1996, n.d.\nSubseries K. Correspondence, 1930-1997, n.d.\nSubseries L. Swedish Affairs, 1916, 1938-1983, 1996\nSubseries M. Music, 1950, 1964, 1971-1982\nSubseries N. General, 1910-1994, n.d.\nSubseries O. Society of Manufacturing Engineers, 1972-1996\nSubseries P. Ferris and State Jobs, 1961-1990, n.d.\n\nSeries X.  Division 10: Posters, Drawings, and Artifacts, 1947-1948, 1958-1978, 1984, 1990-1992, n.d.","John T. Parsons (1913-2007) was a manufacturer and inventor of numerical control, which is the application of computer technology to manufacturing processes.","Parsons produced bombs and land mines for U.S. government during World War II. He conceived a machine tool for automatically producing aircraft structural shapes from punch card/tape input (1946); executed a contract to produce the world's first numerical control milling machine (1949) and monitored design and completion of the machine (1950-1952). Parsons also originated an aircraft operation that became the world's largest designer, producer, and overhauler of helicopter rotor blades and built the first all-composite airplane for the Office of Naval Research. He created many other processes involving computer applications to manufacturing and received approximately fifty U.S. patents in the fields of numerical control, marine propellers, foundry systems, and data acquisition manufacturing methods.","Parsons served as president and owner of the Parsons Corporation of Traverse City, Michigan, Detroit, Michigan, and Stockton, California (1954-1968). He was then president and owner of the John T. Parsons Company, Traverse City, Michigan (1968-1986).","Among his numerous awards, Parsons was the first recipient of the Numerical Control Society's Joseph Marie Jacquard Award as the Father of Numerical Control (1968), a recipient of the Society of Manufacturing Engineers Engineering Citation as the person whose brilliant conceptualization of numerical control marked the beginning of the second industrial revolution (1975), recipient of the National Medal of Technology (1985), and recipient of the National Tooling and Machining Association's Distinguished Service Award (1987).","He died in Traverse City, Michigan at the age of 93.","The guide to the John T. Parsons Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the John T. Parsons Papers was completed in September 2023, as part of the project, \"Piercing the Veil: Creating Access to the Archives of American Aerospace Exploration at Virginia Tech,\" funded by the National Historical Publications and Records Commission (NHPRC).","The John T. Papers include correspondence, memoranda, financial records, engineering drawings and specifications, files about civic affairs in Traverse City, Michigan, reading files and other materials.","The following publications have been separated to the Rare Book Collection:","Spur, Günter. Produktionstechnisches Zentrum Berlin : Institut für Werkzeugmaschinen und Fertigungstechnik der TU Berlin (IWF) : Fraunhofer-Institut für Produktionsanlagen und Konstruktionstechnik (IPK). Berlin:  Fraunhofer-Institut für Produktionsanlagen und Konstruktionstechnik, Berlin, 1989. (Includes inscription in German to John T. Parsons.)","Transactions of the North American Manufacturing Research Institution of SME 1990. Dearborn, Mich.:  Society of Manufacturing Engineers, North American Manufacturing Research Institute of SME, 1990. (Inscribed \"John T. Parsons\".)","Interlochen Center for the Arts. Alumni directory 1995. Produced for Interlochen Center for the Arts by Publishing Concepts Incorporated, The Clancy Way. (John T. Parsons's wife Elizabeth is listed as an alumni.)","Design, control and analysis of manufacturing systems : proceedings of the 27th CIRP International Seminar on Manufacturing Systems, May 21-23, 1995, Ann Arbor, Michigan, USA. (Inscribed \"]John T. Parsons] was keynote speaker\".)","Metalworking : yesterday and tomorrow : the 100th anniversary issue of American machinist / by the editors of American machinist. New York : American machinist, [1978]. (Includes profile on John T. Parsons.) (Call number: TS205 .M469 Spec Large Copy 2)","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","John T. Parsons (1913-2007) was a manufacturer and inventor of numerical control, which is the application of computer technology to manufacturing processes. The John T. Papers include correspondence, memoranda, financial records, engineering drawings and specifications, files about civic affairs in Traverse City, Michigan, reading files and other materials.","Please note: This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and Universtiy Archives for more information.","Special Collections and University Archives, Virginia Tech","Parsons, John T., 1913-2007","The materials in the collection are in English."],"collection_title_tesim":["John T. Parsons Papers, 1910/2000"],"collection_ssim":["John T. Parsons Papers, 1910/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1987.016"],"unitid_tesim":["Ms.1987.016"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Parsons, John T., 1913-2007"],"creator_ssim":["Parsons, John T., 1913-2007"],"creator_persname_ssim":["Parsons, John T., 1913-2007"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Parsons, John T., 1913-2007","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was acquired by Special Collections and University Archives in 1988 and 1999."],"access_subjects_ssim":["Archives of American Aerospace Exploration (AAAE)","Science and Technology","Aeronautics","Machine-tools -- Numerical control","John T. Parsons Company","Businesspeople","Inventors"],"access_subjects_ssm":["Archives of American Aerospace Exploration (AAAE)","Science and Technology","Aeronautics","Machine-tools -- Numerical control","John T. Parsons Company","Businesspeople","Inventors"],"has_online_content_ssim":["false"],"extent_ssm":["ca. 258 Cubic Feet 204 boxes, 8 oversize folders, one artifact."],"extent_tesim":["ca. 258 Cubic Feet 204 boxes, 8 oversize folders, one artifact."],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research, except box 190 marked \"Personal\" in Division 10, which needs to be reviewed before access. Please contact Special Collections and University Archives for more information.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research, except box 190 marked \"Personal\" in Division 10, which needs to be reviewed before access. Please contact Special Collections and University Archives for more information."],"altformavail_html_tesm":["\u003cp\u003eSome of this collection has been digitized for a digital exhibit, \u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/exhibits/show/the-products-of-john-t--parson\"\u003eThe Products of John T. Parsons\u003c/a\u003e.\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized for a digital exhibit, The Products of John T. Parsons."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into the ten series and some with subseries. These series and subseries have been imposed by archivists but are based on Parson's original order and description. Materials have been kept in original order where possible. Arrangement is chronological, then alphabetical where applicable.\u003c/p\u003e","\u003cp\u003eSeries I. Division 1: Corporate Office, 1940-1992, n.d.\n\u003clist\u003e\u003citem\u003e\nSubseries A. Corporate Office General, 1943-1992, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries B. ParCor Financial Records, 1945-1969, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries C. Personnel, 1942-1972, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries D. Labor, 1952-1972\u003c/item\u003e\u003citem\u003e\nSubseries E. Board of Directors Minutes, 1956-1968\u003c/item\u003e\u003citem\u003e\nSubseries F. Corporate History, 1916-1960, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries G. Operations Control Systems, 1954-1968\u003c/item\u003e\u003citem\u003e\nSubseries H. Corporate Office Master Files, 1948-1967, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries I. Corporate Office New Construction, 1942-1968, n.d.\t\u003c/item\u003e\u003citem\u003e\nSubseries J. Patents and Legal Documents, 1940-1960\t\u003c/item\u003e\u003citem\u003e\nSubseries K. MIT, 1951-1956, 1991-1992\n\u003c/item\u003e\u003c/list\u003e\nSeries II. Division 2: Automotive Division, 1937-1971, n.d.\u003c/p\u003e","\u003cp\u003eSeries III. Division 3: Appliance Division, 1924-1962, n.d.\n\u003clist\u003e\u003citem\u003e\nSubseries A. General Correspondence, 1924-1951, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries B. Products, 1941-1962, n.d.\n\u003c/item\u003e\u003c/list\u003e\nSeries IV. Division 4: Ordnance Division, 1933-1967, n.d.\u003c/p\u003e","\u003cp\u003eSeries V. Division 5: Aircraft Division, 1923, 1941-1992, n.d.\n\u003clist\u003e\u003citem\u003e\nSubseries A. Foreign Activities, 1953-1968, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries B. General, 1923, 1942-1978, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries C. Helicopter Rotor Blades, 1943-1971, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries D. Numerical Control, 1941-1992, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries E. Special Products, 1943-1982, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries F. North America Rockwell, 1955-1956, 1964-1976, n.d.\n\u003c/item\u003e\u003c/list\u003e\nSeries VI. Division 6: Subsidiaries Division, 1957-1977, n.d.\u003c/p\u003e","\u003cp\u003eSeries VII. Division 7: Minor Products Division, 1943-1966, n.d.\u003c/p\u003e","\u003cp\u003eSeries VIII. Division 8: John T. Parsons Company, 1944-2000, n.d.\n\u003clist\u003e\u003citem\u003e\nSubseries A. Financial/Legal, 1944-1994, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries B. Correspondence, 1948-1998, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries C. Controllable Pitch Propeller, 1946-1980, 1993, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries D. Computer Bilt, 1949-1989, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries E. Wind Energy Systems, 1964-1990, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries F. ParJon Master Files, 1968-1984\u003c/item\u003e\u003citem\u003e\nSubseries G. Consulting, 1956-2000, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries H. Punch Presses, 1959-1984, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries I. HITCO and Whittaker, 1960-1982\u003c/item\u003e\u003citem\u003e\nSubseries J. Ariel Files, 1989-1990\u003c/item\u003e\u003citem\u003e\nSubseries K. Marathon Files, 1974-1977, 1980-1990, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries L. Nimble Keyboard, 1962-1989, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries M. Michigan Reports, 1970-1991, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries N. Pallet Manufacturing, 1969-1991, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries O. Motor Coach, 1968-1973, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries P. Newspaper Articles, 1981-1991, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries Q. Digitron, 1948-1993, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries R. General, 1965-1996, n.d.\n\u003c/item\u003e\u003c/list\u003e\nSeries IX.  Division 9: Personal, 1910-1997, n.d.\n\u003clist\u003e\u003citem\u003e\nSubseries A. Industrial Brochures, 1951-1994, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries B. Trade Journals and Magazines, 1958-1990, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries C. Civic Ombudsman, 1967-1978, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries D. Environment, 1966-1985\u003c/item\u003e\u003citem\u003e\nSubseries E. Filed Clippings, 1963-1991\u003c/item\u003e\u003citem\u003e\nSubseries F. Community Involvement, 1927-1990, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries G. Parsons Reading Files, 1961-1969, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries H. Financial Reports of Other Companies, 1950-1985\u003c/item\u003e\u003citem\u003e\nSubseries I. Traverse City, 1943-1995, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries J. John T. Parsons Personal Records, 1931-1996, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries K. Correspondence, 1930-1997, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries L. Swedish Affairs, 1916, 1938-1983, 1996\u003c/item\u003e\u003citem\u003e\nSubseries M. Music, 1950, 1964, 1971-1982\u003c/item\u003e\u003citem\u003e\nSubseries N. General, 1910-1994, n.d.\u003c/item\u003e\u003citem\u003e\nSubseries O. Society of Manufacturing Engineers, 1972-1996\u003c/item\u003e\u003citem\u003e\nSubseries P. Ferris and State Jobs, 1961-1990, n.d.\n\u003c/item\u003e\u003c/list\u003e\nSeries X.  Division 10: Posters, Drawings, and Artifacts, 1947-1948, 1958-1978, 1984, 1990-1992, n.d.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into the ten series and some with subseries. These series and subseries have been imposed by archivists but are based on Parson's original order and description. Materials have been kept in original order where possible. Arrangement is chronological, then alphabetical where applicable.","Series I. Division 1: Corporate Office, 1940-1992, n.d.\n\nSubseries A. Corporate Office General, 1943-1992, n.d.\nSubseries B. ParCor Financial Records, 1945-1969, n.d.\nSubseries C. Personnel, 1942-1972, n.d.\nSubseries D. Labor, 1952-1972\nSubseries E. Board of Directors Minutes, 1956-1968\nSubseries F. Corporate History, 1916-1960, n.d.\nSubseries G. Operations Control Systems, 1954-1968\nSubseries H. Corporate Office Master Files, 1948-1967, n.d.\nSubseries I. Corporate Office New Construction, 1942-1968, n.d.\t\nSubseries J. Patents and Legal Documents, 1940-1960\t\nSubseries K. MIT, 1951-1956, 1991-1992\n\nSeries II. Division 2: Automotive Division, 1937-1971, n.d.","Series III. Division 3: Appliance Division, 1924-1962, n.d.\n\nSubseries A. General Correspondence, 1924-1951, n.d.\nSubseries B. Products, 1941-1962, n.d.\n\nSeries IV. Division 4: Ordnance Division, 1933-1967, n.d.","Series V. Division 5: Aircraft Division, 1923, 1941-1992, n.d.\n\nSubseries A. Foreign Activities, 1953-1968, n.d.\nSubseries B. General, 1923, 1942-1978, n.d.\nSubseries C. Helicopter Rotor Blades, 1943-1971, n.d.\nSubseries D. Numerical Control, 1941-1992, n.d.\nSubseries E. Special Products, 1943-1982, n.d.\nSubseries F. North America Rockwell, 1955-1956, 1964-1976, n.d.\n\nSeries VI. Division 6: Subsidiaries Division, 1957-1977, n.d.","Series VII. Division 7: Minor Products Division, 1943-1966, n.d.","Series VIII. Division 8: John T. Parsons Company, 1944-2000, n.d.\n\nSubseries A. Financial/Legal, 1944-1994, n.d.\nSubseries B. Correspondence, 1948-1998, n.d.\nSubseries C. Controllable Pitch Propeller, 1946-1980, 1993, n.d.\nSubseries D. Computer Bilt, 1949-1989, n.d.\nSubseries E. Wind Energy Systems, 1964-1990, n.d.\nSubseries F. ParJon Master Files, 1968-1984\nSubseries G. Consulting, 1956-2000, n.d.\nSubseries H. Punch Presses, 1959-1984, n.d.\nSubseries I. HITCO and Whittaker, 1960-1982\nSubseries J. Ariel Files, 1989-1990\nSubseries K. Marathon Files, 1974-1977, 1980-1990, n.d.\nSubseries L. Nimble Keyboard, 1962-1989, n.d.\nSubseries M. Michigan Reports, 1970-1991, n.d.\nSubseries N. Pallet Manufacturing, 1969-1991, n.d.\nSubseries O. Motor Coach, 1968-1973, n.d.\nSubseries P. Newspaper Articles, 1981-1991, n.d.\nSubseries Q. Digitron, 1948-1993, n.d.\nSubseries R. General, 1965-1996, n.d.\n\nSeries IX.  Division 9: Personal, 1910-1997, n.d.\n\nSubseries A. Industrial Brochures, 1951-1994, n.d.\nSubseries B. Trade Journals and Magazines, 1958-1990, n.d.\nSubseries C. Civic Ombudsman, 1967-1978, n.d.\nSubseries D. Environment, 1966-1985\nSubseries E. Filed Clippings, 1963-1991\nSubseries F. Community Involvement, 1927-1990, n.d.\nSubseries G. Parsons Reading Files, 1961-1969, n.d.\nSubseries H. Financial Reports of Other Companies, 1950-1985\nSubseries I. Traverse City, 1943-1995, n.d.\nSubseries J. John T. Parsons Personal Records, 1931-1996, n.d.\nSubseries K. Correspondence, 1930-1997, n.d.\nSubseries L. Swedish Affairs, 1916, 1938-1983, 1996\nSubseries M. Music, 1950, 1964, 1971-1982\nSubseries N. General, 1910-1994, n.d.\nSubseries O. Society of Manufacturing Engineers, 1972-1996\nSubseries P. Ferris and State Jobs, 1961-1990, n.d.\n\nSeries X.  Division 10: Posters, Drawings, and Artifacts, 1947-1948, 1958-1978, 1984, 1990-1992, n.d."],"bioghist_html_tesm":["\u003cp\u003eJohn T. Parsons (1913-2007) was a manufacturer and inventor of numerical control, which is the application of computer technology to manufacturing processes. \u003c/p\u003e","\u003cp\u003eParsons produced bombs and land mines for U.S. government during World War II. He conceived a machine tool for automatically producing aircraft structural shapes from punch card/tape input (1946); executed a contract to produce the world's first numerical control milling machine (1949) and monitored design and completion of the machine (1950-1952). Parsons also originated an aircraft operation that became the world's largest designer, producer, and overhauler of helicopter rotor blades and built the first all-composite airplane for the Office of Naval Research. He created many other processes involving computer applications to manufacturing and received approximately fifty U.S. patents in the fields of numerical control, marine propellers, foundry systems, and data acquisition manufacturing methods. \u003c/p\u003e","\u003cp\u003eParsons served as president and owner of the Parsons Corporation of Traverse City, Michigan, Detroit, Michigan, and Stockton, California (1954-1968). He was then president and owner of the John T. Parsons Company, Traverse City, Michigan (1968-1986). \u003c/p\u003e","\u003cp\u003eAmong his numerous awards, Parsons was the first recipient of the Numerical Control Society's Joseph Marie Jacquard Award as the Father of Numerical Control (1968), a recipient of the Society of Manufacturing Engineers Engineering Citation as the person whose brilliant conceptualization of numerical control marked the beginning of the second industrial revolution (1975), recipient of the National Medal of Technology (1985), and recipient of the National Tooling and Machining Association's Distinguished Service Award (1987). \u003c/p\u003e","\u003cp\u003eHe died in Traverse City, Michigan at the age of 93.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["John T. Parsons (1913-2007) was a manufacturer and inventor of numerical control, which is the application of computer technology to manufacturing processes.","Parsons produced bombs and land mines for U.S. government during World War II. He conceived a machine tool for automatically producing aircraft structural shapes from punch card/tape input (1946); executed a contract to produce the world's first numerical control milling machine (1949) and monitored design and completion of the machine (1950-1952). Parsons also originated an aircraft operation that became the world's largest designer, producer, and overhauler of helicopter rotor blades and built the first all-composite airplane for the Office of Naval Research. He created many other processes involving computer applications to manufacturing and received approximately fifty U.S. patents in the fields of numerical control, marine propellers, foundry systems, and data acquisition manufacturing methods.","Parsons served as president and owner of the Parsons Corporation of Traverse City, Michigan, Detroit, Michigan, and Stockton, California (1954-1968). He was then president and owner of the John T. Parsons Company, Traverse City, Michigan (1968-1986).","Among his numerous awards, Parsons was the first recipient of the Numerical Control Society's Joseph Marie Jacquard Award as the Father of Numerical Control (1968), a recipient of the Society of Manufacturing Engineers Engineering Citation as the person whose brilliant conceptualization of numerical control marked the beginning of the second industrial revolution (1975), recipient of the National Medal of Technology (1985), and recipient of the National Tooling and Machining Association's Distinguished Service Award (1987).","He died in Traverse City, Michigan at the age of 93."],"odd_html_tesm":["\u003cp\u003eThe guide to the John T. Parsons Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the John T. Parsons Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], John T. Parsons Papers, Ms1987-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], John T. Parsons Papers, Ms1987-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the John T. Parsons Papers was completed in September 2023, as part of the project, \"Piercing the Veil: Creating Access to the Archives of American Aerospace Exploration at Virginia Tech,\" funded by the \u003ca target=\"_blank\" href=\"https://www.archives.gov/nhprc\"\u003eNational Historical Publications and Records Commission (NHPRC)\u003c/a\u003e.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the John T. Parsons Papers was completed in September 2023, as part of the project, \"Piercing the Veil: Creating Access to the Archives of American Aerospace Exploration at Virginia Tech,\" funded by the National Historical Publications and Records Commission (NHPRC)."],"scopecontent_html_tesm":["\u003cp\u003eThe John T. Papers include correspondence, memoranda, financial records, engineering drawings and specifications, files about civic affairs in Traverse City, Michigan, reading files and other materials.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The John T. Papers include correspondence, memoranda, financial records, engineering drawings and specifications, files about civic affairs in Traverse City, Michigan, reading files and other materials."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following publications have been separated to the Rare Book Collection:\u003c/p\u003e","\u003cp\u003eSpur, Günter. \u003ctitle render=\"italic\"\u003eProduktionstechnisches Zentrum Berlin : Institut für Werkzeugmaschinen und Fertigungstechnik der TU Berlin (IWF) : Fraunhofer-Institut für Produktionsanlagen und Konstruktionstechnik (IPK)\u003c/title\u003e. Berlin:  Fraunhofer-Institut für Produktionsanlagen und Konstruktionstechnik, Berlin, 1989. (Includes inscription in German to John T. Parsons.)\u003c/p\u003e","\u003cp\u003e\u003ctitle render=\"italic\"\u003eTransactions of the North American Manufacturing Research Institution of SME 1990.\u003c/title\u003e Dearborn, Mich.:  Society of Manufacturing Engineers, North American Manufacturing Research Institute of SME, 1990. (Inscribed \"John T. Parsons\".)\u003c/p\u003e","\u003cp\u003eInterlochen Center for the Arts. \u003ctitle render=\"italic\"\u003eAlumni directory 1995.\u003c/title\u003e Produced for Interlochen Center for the Arts by Publishing Concepts Incorporated, The Clancy Way. (John T. Parsons's wife Elizabeth is listed as an alumni.)\u003c/p\u003e","\u003cp\u003e\u003ctitle render=\"italic\"\u003eDesign, control and analysis of manufacturing systems : proceedings of the 27th CIRP International Seminar on Manufacturing Systems, May 21-23, 1995, Ann Arbor, Michigan, USA.\u003c/title\u003e (Inscribed \"]John T. Parsons] was keynote speaker\".)\u003c/p\u003e","\u003cp\u003e\u003ctitle render=\"italic\"\u003e Metalworking : yesterday and tomorrow : the 100th anniversary issue of American machinist / by the editors of American machinist.\u003c/title\u003e New York : American machinist, [1978]. (Includes profile on John T. Parsons.) (Call number: TS205 .M469 Spec Large Copy 2)\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following publications have been separated to the Rare Book Collection:","Spur, Günter. Produktionstechnisches Zentrum Berlin : Institut für Werkzeugmaschinen und Fertigungstechnik der TU Berlin (IWF) : Fraunhofer-Institut für Produktionsanlagen und Konstruktionstechnik (IPK). Berlin:  Fraunhofer-Institut für Produktionsanlagen und Konstruktionstechnik, Berlin, 1989. (Includes inscription in German to John T. Parsons.)","Transactions of the North American Manufacturing Research Institution of SME 1990. Dearborn, Mich.:  Society of Manufacturing Engineers, North American Manufacturing Research Institute of SME, 1990. (Inscribed \"John T. Parsons\".)","Interlochen Center for the Arts. Alumni directory 1995. Produced for Interlochen Center for the Arts by Publishing Concepts Incorporated, The Clancy Way. (John T. Parsons's wife Elizabeth is listed as an alumni.)","Design, control and analysis of manufacturing systems : proceedings of the 27th CIRP International Seminar on Manufacturing Systems, May 21-23, 1995, Ann Arbor, Michigan, USA. (Inscribed \"]John T. Parsons] was keynote speaker\".)","Metalworking : yesterday and tomorrow : the 100th anniversary issue of American machinist / by the editors of American machinist. New York : American machinist, [1978]. (Includes profile on John T. Parsons.) (Call number: TS205 .M469 Spec Large Copy 2)"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9cf888f6d300eb29a4387b120cb9e3d4\" label=\"Abstract\"\u003eJohn T. Parsons (1913-2007) was a manufacturer and inventor of numerical control, which is the application of computer technology to manufacturing processes. The John T. Papers include correspondence, memoranda, financial records, engineering drawings and specifications, files about civic affairs in Traverse City, Michigan, reading files and other materials.\u003c/abstract\u003e\n    "],"abstract_tesim":["John T. Parsons (1913-2007) was a manufacturer and inventor of numerical control, which is the application of computer technology to manufacturing processes. The John T. Papers include correspondence, memoranda, financial records, engineering drawings and specifications, files about civic affairs in Traverse City, Michigan, reading files and other materials."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_99912e8d0360aebe60f12758e0b420e4\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and Universtiy Archives for more information.\u003c/physloc\u003e\n    "],"physloc_tesim":["Please note: This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and Universtiy Archives for more information."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Parsons, John T., 1913-2007"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Parsons, John T., 1913-2007"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":11294,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:29:28.240Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1459_c05_c02_c205"}},{"id":"vifgm_vifgm00092","type":"collection","attributes":{"title":"Zelda Fichandler papers, 1950/2000","creator":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00092#creator","type":"document_value","attributes":{"value":"Zelda Fichandler","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00092#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains the working and personal papers of Zelda Fichandler. Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda. ","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00092#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_vifgm00092","ead_ssi":"vifgm_vifgm00092","_root_":"vifgm_vifgm00092","_nest_parent_":"vifgm_vifgm00092","ead_source_url_ssi":"data/gmu/vifgm00092.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Zelda Fichandler papers"],"title_tesim":["Zelda Fichandler papers"],"unitdate_ssm":["1950-2000"],"unitdate_inclusive_ssm":["1950-2000"],"normalized_date_ssm":["1950/2000"],"normalized_title_ssm":["Zelda Fichandler papers, 1950/2000"],"text":["Zelda Fichandler papers, 1950/2000","C0010","Theater--Washington (D.C.)","Collection is open to research.","Organized by folder.","Zelda Fichandler was the Founding Director of Arena Stage in Washington, D.C. and its primary artistic force from 1950-1990. Her history-making example, force of personality, and eloquence as a speaker and writer have made her a leading national figure in the performing arts and Arena Stage a model for scores of cultural institutions established around the country. Zelda's personal vision for theatre has had a transforming effect on the entire field, switching the axis from Broadway to the rest of the nation in the production of new work. She is considered a parent of the regional theatre in America.","Zelda embraced a vast sweep of dramatic literature which reverberated through the commercial and non-commercial theatre world and into film and television. She directed many of Arena's productions including Mrs. Klein, Uncle Vanya, The Three Sisters, Death of a Salesman, An Enemy of the People, Six Characters in Search of an Author, and A Doll House; and the American premieres of new Eastern European works, Duck Hunting, The Ascent of Mt. Fuji, and Screenplay. Arena Stage was the first American theatre company, sponsored by the State Department, to tour the then-Soviet Union. Her Inherit the Wind played in Moscow and St. Petersburg in 1973, the company performed her After the Fall at the 1980 Hong Kong Arts Festival, and in 1987, her production of The Crucible appeared at the Israel Festival in Jerusalem.\nAs a producer, Zelda nurtured all of Arena's plays, making a home for important European playwrights like Brecht, Frisch, Ionesco, Mrozek, and Orkeny, alongside significant American revivals of works by Albee, Miller, Williams, O'Neill, Thornton Wilder, Kaufman and Hart and classics by Shakespeare, Shaw, Moliere, Ibsen, and others. Broadway, too, has felt the impact of Zelda's work, especially with the development of new plays. The Great White Hope, Indians, Moonchildren, Pueblo, A History of the American Film, The Madness of God, Raisin, and K2 all started at Arena Stage. She left the artistic leadership of Arena in 1991 to her close associate, Douglas C. Wager.\nZelda also made Arena the theatre of the \"second chance,\" where plays like Summer of the 17th Doll, Saturday, Sunday, Monday, and The Comedians found life after commercial failure in New York.","Zelda's concern for the development of young actors led her, in 1984, to take on, in addition, the role of Chair of the Graduate Acting Program and Master Teacher of Acting and Directing at New York University's Tisch School of the Arts, a position which she continues to fill. Graduates of this premier program now occupy leading positions in film, television, and the stage, winning top awards in the various media. From 1991 through 1994, she also served as the Artistic Director of The Acting Company, a young company of actors that tours a classical repertory throughout America. The link between professional theatre and training is important to Zelda as a means \"to attract young people to the benefits of company work and to train them to perform in the broadest repertory.\" The idea of \"company\" has animated her work since the beginning, and her goal now is to establish in New York an acting company composed primarily of graduates from the Graduate Acting Program. Many agents, casting directors, and stage directors consider the Program at Tisch to be the most innovative and creative in the country.","Zelda has received the National Medal of the Arts, awarded in 1997 by President Clinton, the Common Wealth Award for distinguished service to the dramatic arts, The Brandeis University Creative Arts award, The Acting Company's John Houseman Award for commitment to the development of young American actors, the Margo Jones Award for the production of new plays, Washingtonian of the Year Award, the Ortho 21st Century Women Trailblazer Award, and the Society for Stage Directors and Choreographers George Abbott Award. The New York commercial theatre world awarded Zelda and Arena Stage the Antoinette Perry or 'Tony' Award in 1976, the first to be given to a company outside New York. In 1999 she was inducted into the Theatre Hall of Fame, making her the first artistic leader outside of New York to receive this honor.","Processed by Special Collections and Archives staff.","Special Collections and Archives holds the Arena Stage records.","This collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.","The bulk of collection contains Zelda's research of plays including; playbills and programs, reviews, articles, correspondence regarding plays and their past productions and audience response letters.\nItems of note include many papers regarding the original production of The Great White Hope, and information regarding Arena Stages tour of Russia in 1973.","There are no restrictions.","This collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.","George Mason University. Special Collections and Archives.","Arena Stage (Organization : Washington, D.C.)","Zelda Fichandler","English"],"collection_title_tesim":["Zelda Fichandler papers, 1950/2000"],"collection_ssim":["Zelda Fichandler papers, 1950/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0010"],"unitid_tesim":["C0010"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Zelda Fichandler"],"creator_ssim":["Zelda Fichandler"],"creator_persname_ssim":["Zelda Fichandler"],"creator_corpname_ssim":["George Mason University. Special Collections and Archives.","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Zelda Fichandler","George Mason University. Special Collections and Archives.","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Arena Stage in 2000."],"access_subjects_ssim":["Theater--Washington (D.C.)"],"access_subjects_ssm":["Theater--Washington (D.C.)"],"has_online_content_ssim":["false"],"extent_ssm":["104.5 linear ft.; 209 boxes"],"extent_tesim":["104.5 linear ft.; 209 boxes"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eOrganized by folder.\n\u003c/p\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized by folder."],"bioghist_html_tesm":["\u003cp\u003eZelda Fichandler was the Founding Director of Arena Stage in Washington, D.C. and its primary artistic force from 1950-1990. Her history-making example, force of personality, and eloquence as a speaker and writer have made her a leading national figure in the performing arts and Arena Stage a model for scores of cultural institutions established around the country. Zelda's personal vision for theatre has had a transforming effect on the entire field, switching the axis from Broadway to the rest of the nation in the production of new work. She is considered a parent of the regional theatre in America.\n\u003c/p\u003e\n      ","\u003cp\u003e\nZelda embraced a vast sweep of dramatic literature which reverberated through the commercial and non-commercial theatre world and into film and television. She directed many of Arena's productions including Mrs. Klein, Uncle Vanya, The Three Sisters, Death of a Salesman, An Enemy of the People, Six Characters in Search of an Author, and A Doll House; and the American premieres of new Eastern European works, Duck Hunting, The Ascent of Mt. Fuji, and Screenplay. Arena Stage was the first American theatre company, sponsored by the State Department, to tour the then-Soviet Union. Her Inherit the Wind played in Moscow and St. Petersburg in 1973, the company performed her After the Fall at the 1980 Hong Kong Arts Festival, and in 1987, her production of The Crucible appeared at the Israel Festival in Jerusalem.\nAs a producer, Zelda nurtured all of Arena's plays, making a home for important European playwrights like Brecht, Frisch, Ionesco, Mrozek, and Orkeny, alongside significant American revivals of works by Albee, Miller, Williams, O'Neill, Thornton Wilder, Kaufman and Hart and classics by Shakespeare, Shaw, Moliere, Ibsen, and others. Broadway, too, has felt the impact of Zelda's work, especially with the development of new plays. The Great White Hope, Indians, Moonchildren, Pueblo, A History of the American Film, The Madness of God, Raisin, and K2 all started at Arena Stage. She left the artistic leadership of Arena in 1991 to her close associate, Douglas C. Wager.\nZelda also made Arena the theatre of the \"second chance,\" where plays like Summer of the 17th Doll, Saturday, Sunday, Monday, and The Comedians found life after commercial failure in New York.\n\u003c/p\u003e\n      ","\u003cp\u003e\nZelda's concern for the development of young actors led her, in 1984, to take on, in addition, the role of Chair of the Graduate Acting Program and Master Teacher of Acting and Directing at New York University's Tisch School of the Arts, a position which she continues to fill. Graduates of this premier program now occupy leading positions in film, television, and the stage, winning top awards in the various media. From 1991 through 1994, she also served as the Artistic Director of The Acting Company, a young company of actors that tours a classical repertory throughout America. The link between professional theatre and training is important to Zelda as a means \"to attract young people to the benefits of company work and to train them to perform in the broadest repertory.\" The idea of \"company\" has animated her work since the beginning, and her goal now is to establish in New York an acting company composed primarily of graduates from the Graduate Acting Program. Many agents, casting directors, and stage directors consider the Program at Tisch to be the most innovative and creative in the country.\n\u003c/p\u003e\n      ","\u003cp\u003e\nZelda has received the National Medal of the Arts, awarded in 1997 by President Clinton, the Common Wealth Award for distinguished service to the dramatic arts, The Brandeis University Creative Arts award, The Acting Company's John Houseman Award for commitment to the development of young American actors, the Margo Jones Award for the production of new plays, Washingtonian of the Year Award, the Ortho 21st Century Women Trailblazer Award, and the Society for Stage Directors and Choreographers George Abbott Award. The New York commercial theatre world awarded Zelda and Arena Stage the Antoinette Perry or 'Tony' Award in 1976, the first to be given to a company outside New York. In 1999 she was inducted into the Theatre Hall of Fame, making her the first artistic leader outside of New York to receive this honor.\n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Zelda Fichandler was the Founding Director of Arena Stage in Washington, D.C. and its primary artistic force from 1950-1990. Her history-making example, force of personality, and eloquence as a speaker and writer have made her a leading national figure in the performing arts and Arena Stage a model for scores of cultural institutions established around the country. Zelda's personal vision for theatre has had a transforming effect on the entire field, switching the axis from Broadway to the rest of the nation in the production of new work. She is considered a parent of the regional theatre in America.","Zelda embraced a vast sweep of dramatic literature which reverberated through the commercial and non-commercial theatre world and into film and television. She directed many of Arena's productions including Mrs. Klein, Uncle Vanya, The Three Sisters, Death of a Salesman, An Enemy of the People, Six Characters in Search of an Author, and A Doll House; and the American premieres of new Eastern European works, Duck Hunting, The Ascent of Mt. Fuji, and Screenplay. Arena Stage was the first American theatre company, sponsored by the State Department, to tour the then-Soviet Union. Her Inherit the Wind played in Moscow and St. Petersburg in 1973, the company performed her After the Fall at the 1980 Hong Kong Arts Festival, and in 1987, her production of The Crucible appeared at the Israel Festival in Jerusalem.\nAs a producer, Zelda nurtured all of Arena's plays, making a home for important European playwrights like Brecht, Frisch, Ionesco, Mrozek, and Orkeny, alongside significant American revivals of works by Albee, Miller, Williams, O'Neill, Thornton Wilder, Kaufman and Hart and classics by Shakespeare, Shaw, Moliere, Ibsen, and others. Broadway, too, has felt the impact of Zelda's work, especially with the development of new plays. The Great White Hope, Indians, Moonchildren, Pueblo, A History of the American Film, The Madness of God, Raisin, and K2 all started at Arena Stage. She left the artistic leadership of Arena in 1991 to her close associate, Douglas C. Wager.\nZelda also made Arena the theatre of the \"second chance,\" where plays like Summer of the 17th Doll, Saturday, Sunday, Monday, and The Comedians found life after commercial failure in New York.","Zelda's concern for the development of young actors led her, in 1984, to take on, in addition, the role of Chair of the Graduate Acting Program and Master Teacher of Acting and Directing at New York University's Tisch School of the Arts, a position which she continues to fill. Graduates of this premier program now occupy leading positions in film, television, and the stage, winning top awards in the various media. From 1991 through 1994, she also served as the Artistic Director of The Acting Company, a young company of actors that tours a classical repertory throughout America. The link between professional theatre and training is important to Zelda as a means \"to attract young people to the benefits of company work and to train them to perform in the broadest repertory.\" The idea of \"company\" has animated her work since the beginning, and her goal now is to establish in New York an acting company composed primarily of graduates from the Graduate Acting Program. Many agents, casting directors, and stage directors consider the Program at Tisch to be the most innovative and creative in the country.","Zelda has received the National Medal of the Arts, awarded in 1997 by President Clinton, the Common Wealth Award for distinguished service to the dramatic arts, The Brandeis University Creative Arts award, The Acting Company's John Houseman Award for commitment to the development of young American actors, the Margo Jones Award for the production of new plays, Washingtonian of the Year Award, the Ortho 21st Century Women Trailblazer Award, and the Society for Stage Directors and Choreographers George Abbott Award. The New York commercial theatre world awarded Zelda and Arena Stage the Antoinette Perry or 'Tony' Award in 1976, the first to be given to a company outside New York. In 1999 she was inducted into the Theatre Hall of Fame, making her the first artistic leader outside of New York to receive this honor."],"prefercite_html_tesm":["\u003cp\u003eZelda Fichandler papers, Collection #C0017, Special Collections and Archives, George Mason University.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Zelda Fichandler papers, Collection #C0017, Special Collections and Archives, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff.\n\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections and Archives staff."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds the Arena Stage records.\n\u003c/p\u003e\n      "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds the Arena Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.\n\u003c/p\u003e\n      ","\u003cp\u003e\nThe bulk of collection contains Zelda's research of plays including; playbills and programs, reviews, articles, correspondence regarding plays and their past productions and audience response letters.\nItems of note include many papers regarding the original production of The Great White Hope, and information regarding Arena Stages tour of Russia in 1973.\n\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.","The bulk of collection contains Zelda's research of plays including; playbills and programs, reviews, articles, correspondence regarding plays and their past productions and audience response letters.\nItems of note include many papers regarding the original production of The Great White Hope, and information regarding Arena Stages tour of Russia in 1973."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda."],"corpname_ssim":["George Mason University. Special Collections and Archives.","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Zelda Fichandler"],"names_ssim":["George Mason University. Special Collections and Archives.","Arena Stage (Organization : Washington, D.C.)","Zelda Fichandler"],"language_ssim":["English"],"total_component_count_is":2919,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:44.668Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_vifgm00092","ead_ssi":"vifgm_vifgm00092","_root_":"vifgm_vifgm00092","_nest_parent_":"vifgm_vifgm00092","ead_source_url_ssi":"data/gmu/vifgm00092.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Zelda Fichandler papers"],"title_tesim":["Zelda Fichandler papers"],"unitdate_ssm":["1950-2000"],"unitdate_inclusive_ssm":["1950-2000"],"normalized_date_ssm":["1950/2000"],"normalized_title_ssm":["Zelda Fichandler papers, 1950/2000"],"text":["Zelda Fichandler papers, 1950/2000","C0010","Theater--Washington (D.C.)","Collection is open to research.","Organized by folder.","Zelda Fichandler was the Founding Director of Arena Stage in Washington, D.C. and its primary artistic force from 1950-1990. Her history-making example, force of personality, and eloquence as a speaker and writer have made her a leading national figure in the performing arts and Arena Stage a model for scores of cultural institutions established around the country. Zelda's personal vision for theatre has had a transforming effect on the entire field, switching the axis from Broadway to the rest of the nation in the production of new work. She is considered a parent of the regional theatre in America.","Zelda embraced a vast sweep of dramatic literature which reverberated through the commercial and non-commercial theatre world and into film and television. She directed many of Arena's productions including Mrs. Klein, Uncle Vanya, The Three Sisters, Death of a Salesman, An Enemy of the People, Six Characters in Search of an Author, and A Doll House; and the American premieres of new Eastern European works, Duck Hunting, The Ascent of Mt. Fuji, and Screenplay. Arena Stage was the first American theatre company, sponsored by the State Department, to tour the then-Soviet Union. Her Inherit the Wind played in Moscow and St. Petersburg in 1973, the company performed her After the Fall at the 1980 Hong Kong Arts Festival, and in 1987, her production of The Crucible appeared at the Israel Festival in Jerusalem.\nAs a producer, Zelda nurtured all of Arena's plays, making a home for important European playwrights like Brecht, Frisch, Ionesco, Mrozek, and Orkeny, alongside significant American revivals of works by Albee, Miller, Williams, O'Neill, Thornton Wilder, Kaufman and Hart and classics by Shakespeare, Shaw, Moliere, Ibsen, and others. Broadway, too, has felt the impact of Zelda's work, especially with the development of new plays. The Great White Hope, Indians, Moonchildren, Pueblo, A History of the American Film, The Madness of God, Raisin, and K2 all started at Arena Stage. She left the artistic leadership of Arena in 1991 to her close associate, Douglas C. Wager.\nZelda also made Arena the theatre of the \"second chance,\" where plays like Summer of the 17th Doll, Saturday, Sunday, Monday, and The Comedians found life after commercial failure in New York.","Zelda's concern for the development of young actors led her, in 1984, to take on, in addition, the role of Chair of the Graduate Acting Program and Master Teacher of Acting and Directing at New York University's Tisch School of the Arts, a position which she continues to fill. Graduates of this premier program now occupy leading positions in film, television, and the stage, winning top awards in the various media. From 1991 through 1994, she also served as the Artistic Director of The Acting Company, a young company of actors that tours a classical repertory throughout America. The link between professional theatre and training is important to Zelda as a means \"to attract young people to the benefits of company work and to train them to perform in the broadest repertory.\" The idea of \"company\" has animated her work since the beginning, and her goal now is to establish in New York an acting company composed primarily of graduates from the Graduate Acting Program. Many agents, casting directors, and stage directors consider the Program at Tisch to be the most innovative and creative in the country.","Zelda has received the National Medal of the Arts, awarded in 1997 by President Clinton, the Common Wealth Award for distinguished service to the dramatic arts, The Brandeis University Creative Arts award, The Acting Company's John Houseman Award for commitment to the development of young American actors, the Margo Jones Award for the production of new plays, Washingtonian of the Year Award, the Ortho 21st Century Women Trailblazer Award, and the Society for Stage Directors and Choreographers George Abbott Award. The New York commercial theatre world awarded Zelda and Arena Stage the Antoinette Perry or 'Tony' Award in 1976, the first to be given to a company outside New York. In 1999 she was inducted into the Theatre Hall of Fame, making her the first artistic leader outside of New York to receive this honor.","Processed by Special Collections and Archives staff.","Special Collections and Archives holds the Arena Stage records.","This collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.","The bulk of collection contains Zelda's research of plays including; playbills and programs, reviews, articles, correspondence regarding plays and their past productions and audience response letters.\nItems of note include many papers regarding the original production of The Great White Hope, and information regarding Arena Stages tour of Russia in 1973.","There are no restrictions.","This collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.","George Mason University. Special Collections and Archives.","Arena Stage (Organization : Washington, D.C.)","Zelda Fichandler","English"],"collection_title_tesim":["Zelda Fichandler papers, 1950/2000"],"collection_ssim":["Zelda Fichandler papers, 1950/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0010"],"unitid_tesim":["C0010"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Zelda Fichandler"],"creator_ssim":["Zelda Fichandler"],"creator_persname_ssim":["Zelda Fichandler"],"creator_corpname_ssim":["George Mason University. Special Collections and Archives.","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Zelda Fichandler","George Mason University. Special Collections and Archives.","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Arena Stage in 2000."],"access_subjects_ssim":["Theater--Washington (D.C.)"],"access_subjects_ssm":["Theater--Washington (D.C.)"],"has_online_content_ssim":["false"],"extent_ssm":["104.5 linear ft.; 209 boxes"],"extent_tesim":["104.5 linear ft.; 209 boxes"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eOrganized by folder.\n\u003c/p\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized by folder."],"bioghist_html_tesm":["\u003cp\u003eZelda Fichandler was the Founding Director of Arena Stage in Washington, D.C. and its primary artistic force from 1950-1990. Her history-making example, force of personality, and eloquence as a speaker and writer have made her a leading national figure in the performing arts and Arena Stage a model for scores of cultural institutions established around the country. Zelda's personal vision for theatre has had a transforming effect on the entire field, switching the axis from Broadway to the rest of the nation in the production of new work. She is considered a parent of the regional theatre in America.\n\u003c/p\u003e\n      ","\u003cp\u003e\nZelda embraced a vast sweep of dramatic literature which reverberated through the commercial and non-commercial theatre world and into film and television. She directed many of Arena's productions including Mrs. Klein, Uncle Vanya, The Three Sisters, Death of a Salesman, An Enemy of the People, Six Characters in Search of an Author, and A Doll House; and the American premieres of new Eastern European works, Duck Hunting, The Ascent of Mt. Fuji, and Screenplay. Arena Stage was the first American theatre company, sponsored by the State Department, to tour the then-Soviet Union. Her Inherit the Wind played in Moscow and St. Petersburg in 1973, the company performed her After the Fall at the 1980 Hong Kong Arts Festival, and in 1987, her production of The Crucible appeared at the Israel Festival in Jerusalem.\nAs a producer, Zelda nurtured all of Arena's plays, making a home for important European playwrights like Brecht, Frisch, Ionesco, Mrozek, and Orkeny, alongside significant American revivals of works by Albee, Miller, Williams, O'Neill, Thornton Wilder, Kaufman and Hart and classics by Shakespeare, Shaw, Moliere, Ibsen, and others. Broadway, too, has felt the impact of Zelda's work, especially with the development of new plays. The Great White Hope, Indians, Moonchildren, Pueblo, A History of the American Film, The Madness of God, Raisin, and K2 all started at Arena Stage. She left the artistic leadership of Arena in 1991 to her close associate, Douglas C. Wager.\nZelda also made Arena the theatre of the \"second chance,\" where plays like Summer of the 17th Doll, Saturday, Sunday, Monday, and The Comedians found life after commercial failure in New York.\n\u003c/p\u003e\n      ","\u003cp\u003e\nZelda's concern for the development of young actors led her, in 1984, to take on, in addition, the role of Chair of the Graduate Acting Program and Master Teacher of Acting and Directing at New York University's Tisch School of the Arts, a position which she continues to fill. Graduates of this premier program now occupy leading positions in film, television, and the stage, winning top awards in the various media. From 1991 through 1994, she also served as the Artistic Director of The Acting Company, a young company of actors that tours a classical repertory throughout America. The link between professional theatre and training is important to Zelda as a means \"to attract young people to the benefits of company work and to train them to perform in the broadest repertory.\" The idea of \"company\" has animated her work since the beginning, and her goal now is to establish in New York an acting company composed primarily of graduates from the Graduate Acting Program. Many agents, casting directors, and stage directors consider the Program at Tisch to be the most innovative and creative in the country.\n\u003c/p\u003e\n      ","\u003cp\u003e\nZelda has received the National Medal of the Arts, awarded in 1997 by President Clinton, the Common Wealth Award for distinguished service to the dramatic arts, The Brandeis University Creative Arts award, The Acting Company's John Houseman Award for commitment to the development of young American actors, the Margo Jones Award for the production of new plays, Washingtonian of the Year Award, the Ortho 21st Century Women Trailblazer Award, and the Society for Stage Directors and Choreographers George Abbott Award. The New York commercial theatre world awarded Zelda and Arena Stage the Antoinette Perry or 'Tony' Award in 1976, the first to be given to a company outside New York. In 1999 she was inducted into the Theatre Hall of Fame, making her the first artistic leader outside of New York to receive this honor.\n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Zelda Fichandler was the Founding Director of Arena Stage in Washington, D.C. and its primary artistic force from 1950-1990. Her history-making example, force of personality, and eloquence as a speaker and writer have made her a leading national figure in the performing arts and Arena Stage a model for scores of cultural institutions established around the country. Zelda's personal vision for theatre has had a transforming effect on the entire field, switching the axis from Broadway to the rest of the nation in the production of new work. She is considered a parent of the regional theatre in America.","Zelda embraced a vast sweep of dramatic literature which reverberated through the commercial and non-commercial theatre world and into film and television. She directed many of Arena's productions including Mrs. Klein, Uncle Vanya, The Three Sisters, Death of a Salesman, An Enemy of the People, Six Characters in Search of an Author, and A Doll House; and the American premieres of new Eastern European works, Duck Hunting, The Ascent of Mt. Fuji, and Screenplay. Arena Stage was the first American theatre company, sponsored by the State Department, to tour the then-Soviet Union. Her Inherit the Wind played in Moscow and St. Petersburg in 1973, the company performed her After the Fall at the 1980 Hong Kong Arts Festival, and in 1987, her production of The Crucible appeared at the Israel Festival in Jerusalem.\nAs a producer, Zelda nurtured all of Arena's plays, making a home for important European playwrights like Brecht, Frisch, Ionesco, Mrozek, and Orkeny, alongside significant American revivals of works by Albee, Miller, Williams, O'Neill, Thornton Wilder, Kaufman and Hart and classics by Shakespeare, Shaw, Moliere, Ibsen, and others. Broadway, too, has felt the impact of Zelda's work, especially with the development of new plays. The Great White Hope, Indians, Moonchildren, Pueblo, A History of the American Film, The Madness of God, Raisin, and K2 all started at Arena Stage. She left the artistic leadership of Arena in 1991 to her close associate, Douglas C. Wager.\nZelda also made Arena the theatre of the \"second chance,\" where plays like Summer of the 17th Doll, Saturday, Sunday, Monday, and The Comedians found life after commercial failure in New York.","Zelda's concern for the development of young actors led her, in 1984, to take on, in addition, the role of Chair of the Graduate Acting Program and Master Teacher of Acting and Directing at New York University's Tisch School of the Arts, a position which she continues to fill. Graduates of this premier program now occupy leading positions in film, television, and the stage, winning top awards in the various media. From 1991 through 1994, she also served as the Artistic Director of The Acting Company, a young company of actors that tours a classical repertory throughout America. The link between professional theatre and training is important to Zelda as a means \"to attract young people to the benefits of company work and to train them to perform in the broadest repertory.\" The idea of \"company\" has animated her work since the beginning, and her goal now is to establish in New York an acting company composed primarily of graduates from the Graduate Acting Program. Many agents, casting directors, and stage directors consider the Program at Tisch to be the most innovative and creative in the country.","Zelda has received the National Medal of the Arts, awarded in 1997 by President Clinton, the Common Wealth Award for distinguished service to the dramatic arts, The Brandeis University Creative Arts award, The Acting Company's John Houseman Award for commitment to the development of young American actors, the Margo Jones Award for the production of new plays, Washingtonian of the Year Award, the Ortho 21st Century Women Trailblazer Award, and the Society for Stage Directors and Choreographers George Abbott Award. The New York commercial theatre world awarded Zelda and Arena Stage the Antoinette Perry or 'Tony' Award in 1976, the first to be given to a company outside New York. In 1999 she was inducted into the Theatre Hall of Fame, making her the first artistic leader outside of New York to receive this honor."],"prefercite_html_tesm":["\u003cp\u003eZelda Fichandler papers, Collection #C0017, Special Collections and Archives, George Mason University.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Zelda Fichandler papers, Collection #C0017, Special Collections and Archives, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff.\n\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections and Archives staff."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds the Arena Stage records.\n\u003c/p\u003e\n      "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds the Arena Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.\n\u003c/p\u003e\n      ","\u003cp\u003e\nThe bulk of collection contains Zelda's research of plays including; playbills and programs, reviews, articles, correspondence regarding plays and their past productions and audience response letters.\nItems of note include many papers regarding the original production of The Great White Hope, and information regarding Arena Stages tour of Russia in 1973.\n\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.","The bulk of collection contains Zelda's research of plays including; playbills and programs, reviews, articles, correspondence regarding plays and their past productions and audience response letters.\nItems of note include many papers regarding the original production of The Great White Hope, and information regarding Arena Stages tour of Russia in 1973."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThis collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda.\n\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains the working and personal papers of Zelda Fichandler.  Items include correspondence regarding productions, staff, finances, playwrights and actors as well as personal matters and speeches and remarks given by Zelda."],"corpname_ssim":["George Mason University. Special Collections and Archives.","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Zelda Fichandler"],"names_ssim":["George Mason University. Special Collections and Archives.","Arena Stage (Organization : Washington, D.C.)","Zelda Fichandler"],"language_ssim":["English"],"total_component_count_is":2919,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:44.668Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_vifgm00092"}},{"id":"vino_repositories_5_resources_233","type":"collection","attributes":{"title":"Zelda J. Miller Papers, 1936/1958","creator":{"id":"https://arvasarchive.org/catalog/vino_repositories_5_resources_233#creator","type":"document_value","attributes":{"value":"Miller, Zelda J. (-1998)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vino_repositories_5_resources_233#abstract_or_scope","type":"document_value","attributes":{"value":"Zelda J. Miller was a teacher at Robert E. Lee School in Norfolk, Virginia during the 1950s and 1960s. The material consists entirely of historical, civic, and tourist information about the Hampton Roads area.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vino_repositories_5_resources_233#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vino_repositories_5_resources_233","ead_ssi":"vino_repositories_5_resources_233","_root_":"vino_repositories_5_resources_233","_nest_parent_":"vino_repositories_5_resources_233","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_233.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/233","title_filing_ssi":"Miller, Zelda J.","title_ssm":["Zelda J. Miller Papers"],"title_tesim":["Zelda J. Miller Papers"],"unitdate_ssm":["1936-1958, undated","Date acquired: 06/30/1999"],"unitdate_inclusive_ssm":["1936-1958, undated"],"unitdate_other_ssim":["Date acquired: 06/30/1999"],"normalized_date_ssm":["1936/1958"],"normalized_title_ssm":["Zelda J. Miller Papers, 1936/1958"],"text":["Zelda J. Miller Papers, 1936/1958","MG 73","/repositories/5/resources/233","Norfolk (Va.)--History--20th century","Virginia--History","Teachers--Virginia--Norfolk","Open to researchers without restrictions.","Zelda J. Miller was a teacher at several schools in Norfolk, Virginia during the 1950s and 1960s including the Robert E. Lee School. Miller passed away on September 11, 1998 at the age of 94.","Note written by Special Collections Staff","The collection consists of Zelda J. Miller's elementary-level teaching materials on the subjects of Hampton Roads and Virginia history, some hand-written. Also included are tourism materials, civic-minded publications and information regarding Hampton Roads ports and commerce. Of particular note is information on Norfolk's historic mace.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","Zelda J. Miller was a teacher at Robert E. Lee School in Norfolk, Virginia during the 1950s and 1960s. The material consists entirely of historical, civic, and tourist information about the Hampton Roads area.","ODU Community Collections","Miller, Zelda J. (-1998)","English"],"collection_title_tesim":["Zelda J. Miller Papers, 1936/1958"],"collection_ssim":["Zelda J. Miller Papers, 1936/1958"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 73","/repositories/5/resources/233"],"unitid_tesim":["MG 73","/repositories/5/resources/233"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"geogname_ssm":["Norfolk (Va.)--History--20th century","Virginia--History"],"geogname_ssim":["Norfolk (Va.)--History--20th century","Virginia--History"],"places_ssim":["Norfolk (Va.)--History--20th century","Virginia--History"],"creator_ssm":["Miller, Zelda J. (-1998)"],"creator_ssim":["Miller, Zelda J. (-1998)"],"creator_persname_ssim":["Miller, Zelda J. (-1998)"],"creator_corpname_ssim":["ODU Community Collections"],"creators_ssim":["Miller, Zelda J. (-1998)","ODU Community Collections"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Peter Stewart","Gift. 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Miller passed away on September 11, 1998 at the age of 94.\u003c/p\u003e","\u003cp\u003eNote written by Special Collections Staff\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Zelda J. Miller was a teacher at several schools in Norfolk, Virginia during the 1950s and 1960s including the Robert E. Lee School. Miller passed away on September 11, 1998 at the age of 94.","Note written by Special Collections Staff"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Zelda J. Miller Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Zelda J. Miller Papers, Special Collections and University Archives, Old Dominion University Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of Zelda J. Miller's elementary-level teaching materials on the subjects of Hampton Roads and Virginia history, some hand-written. Also included are tourism materials, civic-minded publications and information regarding Hampton Roads ports and commerce. Of particular note is information on Norfolk's historic mace.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of Zelda J. Miller's elementary-level teaching materials on the subjects of Hampton Roads and Virginia history, some hand-written. Also included are tourism materials, civic-minded publications and information regarding Hampton Roads ports and commerce. Of particular note is information on Norfolk's historic mace."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fce2dfe173914c8c35d0f7257db8ef64\" label=\"Abstract\"\u003eZelda J. Miller was a teacher at Robert E. Lee School in Norfolk, Virginia during the 1950s and 1960s. 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Miller Papers, 1936/1958"],"text":["Zelda J. Miller Papers, 1936/1958","MG 73","/repositories/5/resources/233","Norfolk (Va.)--History--20th century","Virginia--History","Teachers--Virginia--Norfolk","Open to researchers without restrictions.","Zelda J. Miller was a teacher at several schools in Norfolk, Virginia during the 1950s and 1960s including the Robert E. Lee School. Miller passed away on September 11, 1998 at the age of 94.","Note written by Special Collections Staff","The collection consists of Zelda J. Miller's elementary-level teaching materials on the subjects of Hampton Roads and Virginia history, some hand-written. Also included are tourism materials, civic-minded publications and information regarding Hampton Roads ports and commerce. Of particular note is information on Norfolk's historic mace.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","Zelda J. Miller was a teacher at Robert E. Lee School in Norfolk, Virginia during the 1950s and 1960s. The material consists entirely of historical, civic, and tourist information about the Hampton Roads area.","ODU Community Collections","Miller, Zelda J. (-1998)","English"],"collection_title_tesim":["Zelda J. Miller Papers, 1936/1958"],"collection_ssim":["Zelda J. 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Miller's elementary-level teaching materials on the subjects of Hampton Roads and Virginia history, some hand-written. Also included are tourism materials, civic-minded publications and information regarding Hampton Roads ports and commerce. Of particular note is information on Norfolk's historic mace.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of Zelda J. Miller's elementary-level teaching materials on the subjects of Hampton Roads and Virginia history, some hand-written. Also included are tourism materials, civic-minded publications and information regarding Hampton Roads ports and commerce. 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The material consists entirely of historical, civic, and tourist information about the Hampton Roads area.\u003c/abstract\u003e\n    "],"abstract_tesim":["Zelda J. Miller was a teacher at Robert E. Lee School in Norfolk, Virginia during the 1950s and 1960s. The material consists entirely of historical, civic, and tourist information about the Hampton Roads area."],"corpname_ssim":["ODU Community Collections"],"persname_ssim":["Miller, Zelda J. (-1998)"],"names_ssim":["ODU Community Collections","Miller, Zelda J. 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She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm. Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects. Materials range in date from 1940-1995 (bulk 1969-1991).","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1855#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1855","ead_ssi":"viblbv_repositories_2_resources_1855","_root_":"viblbv_repositories_2_resources_1855","_nest_parent_":"viblbv_repositories_2_resources_1855","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1855.xml","title_filing_ssi":"Wilson, Zelma, Architectural Collection","title_ssm":["Zelma Wilson Architectural Collection"],"title_tesim":["Zelma Wilson Architectural Collection"],"unitdate_ssm":["1940-1995","1969-1991"],"unitdate_inclusive_ssm":["1940-1995"],"unitdate_bulk_ssim":["1969-1991"],"normalized_date_ssm":["1940/1995, bulk 1969/1991"],"normalized_title_ssm":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991"],"text":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991","Ms.1991.046","Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)","The collection is open for research.","Zelma Wilson (1918-1996) was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson was the only woman in her graduating class at USC that year.  Her husband, a screenwriter, was blacklisted in 1952 after co-producing a film about New Mexico zinc miners.  As a result the couple moved to Europe.  While in Paris, Zelma pursued her post graduate studies at L'Ecole de Beaux Arts and her husband wrote \"The Bridge on the River Kwai\" and co-wrote \"Lawrence of Arabia.\"","After working for the Los Angeles Planning Department, she obtained valuable experience in the offices of Richard Neutra, Victor Gruen Associates, R. M. Schindler, and Raphael Soriano.  By 1957 Wilson was licensed and in 1967 she became principle of her own firm, Zelma Wilson and Associates, AIA, which she maintained continuously for over 20 years.  She became a Fellow of the AIA in 1983 and guest lectured at Cal Poly San Luis Obispo for 10 years.  As her practice grew Wilson acquired two partners and changed the firm name to Wilson and Conrad, Architects, AIA (1979-1984).  The name shifted again as staffing and partnerships changed to The Ojai Group (1985-1986[?]) and finally Zelma Wilson, FAIA (1987[?]-1995).","Her projects started with houses and grew to institutional work, churches, and private schools.  Wilson served on the California State Governors Emergency Task Force on Earthquake Preparedness from 1979 until 1985. Her projects include Vandenberg AFB Child Development Center, Ojai City Hall and the Simi Valley Community Center. Asked once by a prospective male employer if she cried on the job, Wilson answered, \"I don't, but I've made a few contractors cry.\"","The guide to the Zelma Wilson Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Zelma Wilson Architectural Collection was completed in August 2011. Preliminary processing was undertaken January 2006.","Zelma Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm initially Zelma Wilson and Associates and its many iterations (Wilson and Conrad Architects, The Ojai Group, and  Zelma Wilson, FAIA). In the collection you will find biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991) and are divided into three categories:  Professional Papers, Office Records, and Project Records.   Review the contents list below for details on individual categories.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Wilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm.  Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991).","Special Collections and University Archives, Virginia Tech","Wilson, Zelma, 1918-1996","The materials in the collection are in English."],"collection_title_tesim":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991"],"collection_ssim":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1991.046"],"unitid_tesim":["Ms.1991.046"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Wilson, Zelma, 1918-1996"],"creator_ssim":["Wilson, Zelma, 1918-1996"],"creator_persname_ssim":["Wilson, Zelma, 1918-1996"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Wilson, Zelma, 1918-1996","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Zelma Wilson Architectural Collection was donated to Special Collections in 1991 with the bulk of the collection arriving in 1996."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["115.5 Cubic Feet 24 record cartons; 177 rolled drawings; 5 map-case drawers"],"extent_tesim":["115.5 Cubic Feet 24 record cartons; 177 rolled drawings; 5 map-case drawers"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eZelma Wilson (1918-1996) was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson was the only woman in her graduating class at USC that year.  Her husband, a screenwriter, was blacklisted in 1952 after co-producing a film about New Mexico zinc miners.  As a result the couple moved to Europe.  While in Paris, Zelma pursued her post graduate studies at L'Ecole de Beaux Arts and her husband wrote \"The Bridge on the River Kwai\" and co-wrote \"Lawrence of Arabia.\"\u003c/p\u003e","\u003cp\u003eAfter working for the Los Angeles Planning Department, she obtained valuable experience in the offices of Richard Neutra, Victor Gruen Associates, R. M. Schindler, and Raphael Soriano.  By 1957 Wilson was licensed and in 1967 she became principle of her own firm, Zelma Wilson and Associates, AIA, which she maintained continuously for over 20 years.  She became a Fellow of the AIA in 1983 and guest lectured at Cal Poly San Luis Obispo for 10 years.  As her practice grew Wilson acquired two partners and changed the firm name to Wilson and Conrad, Architects, AIA (1979-1984).  The name shifted again as staffing and partnerships changed to The Ojai Group (1985-1986[?]) and finally Zelma Wilson, FAIA (1987[?]-1995). \u003c/p\u003e","\u003cp\u003eHer projects started with houses and grew to institutional work, churches, and private schools.  Wilson served on the California State Governors Emergency Task Force on Earthquake Preparedness from 1979 until 1985. Her projects include Vandenberg AFB Child Development Center, Ojai City Hall and the Simi Valley Community Center. Asked once by a prospective male employer if she cried on the job, Wilson answered, \"I don't, but I've made a few contractors cry.\" \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Zelma Wilson (1918-1996) was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson was the only woman in her graduating class at USC that year.  Her husband, a screenwriter, was blacklisted in 1952 after co-producing a film about New Mexico zinc miners.  As a result the couple moved to Europe.  While in Paris, Zelma pursued her post graduate studies at L'Ecole de Beaux Arts and her husband wrote \"The Bridge on the River Kwai\" and co-wrote \"Lawrence of Arabia.\"","After working for the Los Angeles Planning Department, she obtained valuable experience in the offices of Richard Neutra, Victor Gruen Associates, R. M. Schindler, and Raphael Soriano.  By 1957 Wilson was licensed and in 1967 she became principle of her own firm, Zelma Wilson and Associates, AIA, which she maintained continuously for over 20 years.  She became a Fellow of the AIA in 1983 and guest lectured at Cal Poly San Luis Obispo for 10 years.  As her practice grew Wilson acquired two partners and changed the firm name to Wilson and Conrad, Architects, AIA (1979-1984).  The name shifted again as staffing and partnerships changed to The Ojai Group (1985-1986[?]) and finally Zelma Wilson, FAIA (1987[?]-1995).","Her projects started with houses and grew to institutional work, churches, and private schools.  Wilson served on the California State Governors Emergency Task Force on Earthquake Preparedness from 1979 until 1985. Her projects include Vandenberg AFB Child Development Center, Ojai City Hall and the Simi Valley Community Center. Asked once by a prospective male employer if she cried on the job, Wilson answered, \"I don't, but I've made a few contractors cry.\""],"odd_html_tesm":["\u003cp\u003eThe guide to the Zelma Wilson Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Zelma Wilson Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Zelma Wilson Architectural Collection, Ms1991-046, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Zelma Wilson Architectural Collection, Ms1991-046, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Zelma Wilson Architectural Collection was completed in August 2011. Preliminary processing was undertaken January 2006.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Zelma Wilson Architectural Collection was completed in August 2011. Preliminary processing was undertaken January 2006."],"scopecontent_html_tesm":["\u003cp\u003eZelma Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm initially Zelma Wilson and Associates and its many iterations (Wilson and Conrad Architects, The Ojai Group, and  Zelma Wilson, FAIA). In the collection you will find biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991) and are divided into three categories:  Professional Papers, Office Records, and Project Records.   Review the contents list below for details on individual categories.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Zelma Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm initially Zelma Wilson and Associates and its many iterations (Wilson and Conrad Architects, The Ojai Group, and  Zelma Wilson, FAIA). In the collection you will find biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991) and are divided into three categories:  Professional Papers, Office Records, and Project Records.   Review the contents list below for details on individual categories."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a5530344875689115357e4bee240e5e1\" label=\"Abstract\"\u003eWilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm.  Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991).\u003c/abstract\u003e\n    "],"abstract_tesim":["Wilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm.  Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991)."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Wilson, Zelma, 1918-1996"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Wilson, Zelma, 1918-1996"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":417,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:00.355Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1855","ead_ssi":"viblbv_repositories_2_resources_1855","_root_":"viblbv_repositories_2_resources_1855","_nest_parent_":"viblbv_repositories_2_resources_1855","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1855.xml","title_filing_ssi":"Wilson, Zelma, Architectural Collection","title_ssm":["Zelma Wilson Architectural Collection"],"title_tesim":["Zelma Wilson Architectural Collection"],"unitdate_ssm":["1940-1995","1969-1991"],"unitdate_inclusive_ssm":["1940-1995"],"unitdate_bulk_ssim":["1969-1991"],"normalized_date_ssm":["1940/1995, bulk 1969/1991"],"normalized_title_ssm":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991"],"text":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991","Ms.1991.046","Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)","The collection is open for research.","Zelma Wilson (1918-1996) was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson was the only woman in her graduating class at USC that year.  Her husband, a screenwriter, was blacklisted in 1952 after co-producing a film about New Mexico zinc miners.  As a result the couple moved to Europe.  While in Paris, Zelma pursued her post graduate studies at L'Ecole de Beaux Arts and her husband wrote \"The Bridge on the River Kwai\" and co-wrote \"Lawrence of Arabia.\"","After working for the Los Angeles Planning Department, she obtained valuable experience in the offices of Richard Neutra, Victor Gruen Associates, R. M. Schindler, and Raphael Soriano.  By 1957 Wilson was licensed and in 1967 she became principle of her own firm, Zelma Wilson and Associates, AIA, which she maintained continuously for over 20 years.  She became a Fellow of the AIA in 1983 and guest lectured at Cal Poly San Luis Obispo for 10 years.  As her practice grew Wilson acquired two partners and changed the firm name to Wilson and Conrad, Architects, AIA (1979-1984).  The name shifted again as staffing and partnerships changed to The Ojai Group (1985-1986[?]) and finally Zelma Wilson, FAIA (1987[?]-1995).","Her projects started with houses and grew to institutional work, churches, and private schools.  Wilson served on the California State Governors Emergency Task Force on Earthquake Preparedness from 1979 until 1985. Her projects include Vandenberg AFB Child Development Center, Ojai City Hall and the Simi Valley Community Center. Asked once by a prospective male employer if she cried on the job, Wilson answered, \"I don't, but I've made a few contractors cry.\"","The guide to the Zelma Wilson Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Zelma Wilson Architectural Collection was completed in August 2011. Preliminary processing was undertaken January 2006.","Zelma Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm initially Zelma Wilson and Associates and its many iterations (Wilson and Conrad Architects, The Ojai Group, and  Zelma Wilson, FAIA). In the collection you will find biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991) and are divided into three categories:  Professional Papers, Office Records, and Project Records.   Review the contents list below for details on individual categories.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Wilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm.  Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991).","Special Collections and University Archives, Virginia Tech","Wilson, Zelma, 1918-1996","The materials in the collection are in English."],"collection_title_tesim":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991"],"collection_ssim":["Zelma Wilson Architectural Collection, 1940/1995, bulk 1969/1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1991.046"],"unitid_tesim":["Ms.1991.046"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Wilson, Zelma, 1918-1996"],"creator_ssim":["Wilson, Zelma, 1918-1996"],"creator_persname_ssim":["Wilson, Zelma, 1918-1996"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Wilson, Zelma, 1918-1996","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Zelma Wilson Architectural Collection was donated to Special Collections in 1991 with the bulk of the collection arriving in 1996."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["115.5 Cubic Feet 24 record cartons; 177 rolled drawings; 5 map-case drawers"],"extent_tesim":["115.5 Cubic Feet 24 record cartons; 177 rolled drawings; 5 map-case drawers"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eZelma Wilson (1918-1996) was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson was the only woman in her graduating class at USC that year.  Her husband, a screenwriter, was blacklisted in 1952 after co-producing a film about New Mexico zinc miners.  As a result the couple moved to Europe.  While in Paris, Zelma pursued her post graduate studies at L'Ecole de Beaux Arts and her husband wrote \"The Bridge on the River Kwai\" and co-wrote \"Lawrence of Arabia.\"\u003c/p\u003e","\u003cp\u003eAfter working for the Los Angeles Planning Department, she obtained valuable experience in the offices of Richard Neutra, Victor Gruen Associates, R. M. Schindler, and Raphael Soriano.  By 1957 Wilson was licensed and in 1967 she became principle of her own firm, Zelma Wilson and Associates, AIA, which she maintained continuously for over 20 years.  She became a Fellow of the AIA in 1983 and guest lectured at Cal Poly San Luis Obispo for 10 years.  As her practice grew Wilson acquired two partners and changed the firm name to Wilson and Conrad, Architects, AIA (1979-1984).  The name shifted again as staffing and partnerships changed to The Ojai Group (1985-1986[?]) and finally Zelma Wilson, FAIA (1987[?]-1995). \u003c/p\u003e","\u003cp\u003eHer projects started with houses and grew to institutional work, churches, and private schools.  Wilson served on the California State Governors Emergency Task Force on Earthquake Preparedness from 1979 until 1985. Her projects include Vandenberg AFB Child Development Center, Ojai City Hall and the Simi Valley Community Center. Asked once by a prospective male employer if she cried on the job, Wilson answered, \"I don't, but I've made a few contractors cry.\" \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Zelma Wilson (1918-1996) was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson was the only woman in her graduating class at USC that year.  Her husband, a screenwriter, was blacklisted in 1952 after co-producing a film about New Mexico zinc miners.  As a result the couple moved to Europe.  While in Paris, Zelma pursued her post graduate studies at L'Ecole de Beaux Arts and her husband wrote \"The Bridge on the River Kwai\" and co-wrote \"Lawrence of Arabia.\"","After working for the Los Angeles Planning Department, she obtained valuable experience in the offices of Richard Neutra, Victor Gruen Associates, R. M. Schindler, and Raphael Soriano.  By 1957 Wilson was licensed and in 1967 she became principle of her own firm, Zelma Wilson and Associates, AIA, which she maintained continuously for over 20 years.  She became a Fellow of the AIA in 1983 and guest lectured at Cal Poly San Luis Obispo for 10 years.  As her practice grew Wilson acquired two partners and changed the firm name to Wilson and Conrad, Architects, AIA (1979-1984).  The name shifted again as staffing and partnerships changed to The Ojai Group (1985-1986[?]) and finally Zelma Wilson, FAIA (1987[?]-1995).","Her projects started with houses and grew to institutional work, churches, and private schools.  Wilson served on the California State Governors Emergency Task Force on Earthquake Preparedness from 1979 until 1985. Her projects include Vandenberg AFB Child Development Center, Ojai City Hall and the Simi Valley Community Center. Asked once by a prospective male employer if she cried on the job, Wilson answered, \"I don't, but I've made a few contractors cry.\""],"odd_html_tesm":["\u003cp\u003eThe guide to the Zelma Wilson Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Zelma Wilson Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Zelma Wilson Architectural Collection, Ms1991-046, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Zelma Wilson Architectural Collection, Ms1991-046, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Zelma Wilson Architectural Collection was completed in August 2011. Preliminary processing was undertaken January 2006.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Zelma Wilson Architectural Collection was completed in August 2011. Preliminary processing was undertaken January 2006."],"scopecontent_html_tesm":["\u003cp\u003eZelma Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm initially Zelma Wilson and Associates and its many iterations (Wilson and Conrad Architects, The Ojai Group, and  Zelma Wilson, FAIA). In the collection you will find biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991) and are divided into three categories:  Professional Papers, Office Records, and Project Records.   Review the contents list below for details on individual categories.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Zelma Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm initially Zelma Wilson and Associates and its many iterations (Wilson and Conrad Architects, The Ojai Group, and  Zelma Wilson, FAIA). In the collection you will find biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991) and are divided into three categories:  Professional Papers, Office Records, and Project Records.   Review the contents list below for details on individual categories."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a5530344875689115357e4bee240e5e1\" label=\"Abstract\"\u003eWilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm.  Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991).\u003c/abstract\u003e\n    "],"abstract_tesim":["Wilson (1918-1996) an architect in Ojai, CA was born in New York City but later relocated to Southern California. She studied at the University of California, Berkeley, 1937-1940; later the California Institute of Technology, Pasadena, CA, 1941; and graduated with a B. Arch from University of Southern California in 1947. Wilson's collection encompasses three decades of work that range from her academic through professional career—including her experience of operating her own firm.  Her collection contains biographical material, professional committee and association work, school work, client correspondence, office promotional materials, time logs, drawings, photographs and manuscript material relating to projects.  Materials range in date from 1940-1995 (bulk 1969-1991)."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Wilson, Zelma, 1918-1996"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Wilson, Zelma, 1918-1996"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":417,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:00.355Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1855"}},{"id":"vilxw_repositories_5_resources_231_c05_c223","type":"File","attributes":{"title":"Zilahy, 1929/1991","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_231_c05_c223#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_231_c05_c223","ref_ssm":["vilxw_repositories_5_resources_231_c05_c223"],"id":"vilxw_repositories_5_resources_231_c05_c223","ead_ssi":"vilxw_repositories_5_resources_231","_root_":"vilxw_repositories_5_resources_231","_nest_parent_":"vilxw_repositories_5_resources_231_c05","parent_ssi":"vilxw_repositories_5_resources_231_c05","parent_ssim":["O.W. Riegel Papers, 1900/1992","Personal Correspondence, 1926/1991"],"parent_ids_ssim":["vilxw_repositories_5_resources_231","vilxw_repositories_5_resources_231_c05"],"title_filing_ssi":"Zilahy","title_ssm":["Zilahy"],"title_tesim":["Zilahy"],"normalized_title_ssm":["Zilahy, 1929/1991"],"text":["Zilahy, 1929/1991","O.W. Riegel Papers, 1900/1992","Personal Correspondence, 1926/1991","folder 223","English."],"parent_unittitles_ssm":["O.W. Riegel Papers, 1900/1992","Personal Correspondence, 1926/1991"],"parent_unittitles_tesim":["O.W. Riegel Papers, 1900/1992","Personal Correspondence, 1926/1991"],"normalized_date_ssm":["1929/1991"],"unitdate_inclusive_ssm":["1929-1991"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":1504,"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["O.W. Riegel Papers, 1900/1992"],"containers_ssim":["folder 223"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["This collection is open to research use."],"parent_access_terms_tesm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"language_ssim":["English."],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"_nest_path_":"/components#4/components#222","timestamp":"2026-08-14T22:38:07.513Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_231","ead_ssi":"vilxw_repositories_5_resources_231","_root_":"vilxw_repositories_5_resources_231","_nest_parent_":"vilxw_repositories_5_resources_231","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_231.xml","title_ssm":["O.W. Riegel Papers"],"title_tesim":["O.W. Riegel Papers"],"unitdate_ssm":["1900-1992"],"unitdate_inclusive_ssm":["1900-1992"],"normalized_date_ssm":["1900/1992"],"normalized_title_ssm":["O.W. Riegel Papers, 1900/1992"],"text":["O.W. Riegel Papers, 1900/1992","WLU.Coll.0387","/repositories/5/resources/231","Propaganda","Journalism","This collection is open to research use.","Oscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University.","Riegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA.","Highlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George","English\n."],"collection_title_tesim":["O.W. Riegel Papers, 1900/1992"],"collection_ssim":["O.W. Riegel Papers, 1900/1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0387","/repositories/5/resources/231"],"unitid_tesim":["WLU.Coll.0387","/repositories/5/resources/231"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Riegel, O. W. 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(John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George","Washington and Lee University, University Library Special Collections and Archives"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  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