{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1953\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=George+Mason+University","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1953\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=2","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1953\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=7"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":7,"limit_value":10,"offset_value":0,"total_count":62,"first_page?":true,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_113_c01_c11","type":"Sub-Series","attributes":{"title":"Subseries 1.11: Paris, 1895/1996","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_113_c01_c11#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis subseries includes playbills from the city of Paris. Theatres include the Cabaret Lido Paris, Theatre De La Renaissance, and the Theatre National de L'Opera.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_113_c01_c11#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_113_c01_c11","ref_ssm":["vifgm_repositories_2_resources_113_c01_c11"],"id":"vifgm_repositories_2_resources_113_c01_c11","ead_ssi":"vifgm_repositories_2_resources_113","_root_":"vifgm_repositories_2_resources_113","_nest_parent_":"vifgm_repositories_2_resources_113_c01","parent_ssi":"vifgm_repositories_2_resources_113_c01","parent_ssim":["Charles Rodrigues playbill collection, 1879/2009","Series 1: Outside New York City, 1879/2009"],"parent_ids_ssim":["vifgm_repositories_2_resources_113","vifgm_repositories_2_resources_113_c01"],"title_filing_ssi":"Subseries 1.11: Paris","title_ssm":["Subseries 1.11: Paris"],"title_tesim":["Subseries 1.11: Paris"],"normalized_title_ssm":["Subseries 1.11: Paris, 1895/1996"],"text":["Subseries 1.11: Paris, 1895/1996","Charles Rodrigues playbill collection, 1879/2009","Series 1: Outside New York City, 1879/2009","(2 folders)","This subseries includes playbills from the city of Paris. Theatres include the Cabaret Lido Paris, Theatre De La Renaissance, and the Theatre National de L'Opera."],"parent_unittitles_ssm":["Charles Rodrigues playbill collection, 1879/2009","Series 1: Outside New York City, 1879/2009"],"parent_unittitles_tesim":["Charles Rodrigues playbill collection, 1879/2009","Series 1: Outside New York City, 1879/2009"],"normalized_date_ssm":["1895/1996"],"unitdate_inclusive_ssm":["1895-1996"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":90,"repository_ssim":["George Mason University"],"collection_ssim":["Charles Rodrigues playbill collection, 1879/2009"],"physdesc_tesim":["(2 folders)"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996],"scopecontent_html_tesm":["\u003cp\u003eThis subseries includes playbills from the city of Paris. Theatres include the Cabaret Lido Paris, Theatre De La Renaissance, and the Theatre National de L'Opera.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This subseries includes playbills from the city of Paris. Theatres include the Cabaret Lido Paris, Theatre De La Renaissance, and the Theatre National de L'Opera."],"_nest_path_":"/components#0/components#10","timestamp":"2026-08-14T22:34:14.575Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_113","ead_ssi":"vifgm_repositories_2_resources_113","_root_":"vifgm_repositories_2_resources_113","_nest_parent_":"vifgm_repositories_2_resources_113","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_113.xml","title_filing_ssi":"Charles Rodrigues playbill collection","title_ssm":["Charles Rodrigues playbill collection"],"title_tesim":["Charles Rodrigues playbill collection"],"unitdate_ssm":["1879-2009"],"unitdate_inclusive_ssm":["1879-2009"],"normalized_date_ssm":["1879/2009"],"normalized_title_ssm":["Charles Rodrigues playbill collection, 1879/2009"],"text":["Charles Rodrigues playbill collection, 1879/2009","C0184","/repositories/2/resources/113","Broadway (New York, N.Y.)","Theater -- New York (State) -- New York","Theater -- United States","Performing arts","Musical Theater","Theater","Theater programs","Musical Theater -- New York (State) -- New York","There are no access restrictions.","Arranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.","Series\n      Series 1: Outside New York City, 1879-2009 (boxes 1-5, 37)\n      Series 2: New York City, 1885-2009 (boxes 6-34, 37-38)\n      Series 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)","Charles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage.","Processed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Menjivar in April 2022.","The Special Collections Research Center holds many other collections on theatre and the performing arts.","The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","The collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs.","The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)","The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","George Mason University. Libraries. 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Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Phil Rodrigues, brother of Charles Rodrigues, October 21, 2010."],"access_subjects_ssim":["Theater -- New York (State) -- New York","Theater -- United States","Performing arts","Musical Theater","Theater","Theater programs","Musical Theater -- New York (State) -- New York"],"access_subjects_ssm":["Theater -- New York (State) -- New York","Theater -- United States","Performing arts","Musical Theater","Theater","Theater programs","Musical Theater -- New York (State) -- New York"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 38 boxes"],"extent_tesim":["18 Linear Feet 38 boxes"],"date_range_isim":[1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Outside New York City, 1879-2009 (boxes 1-5, 37)\u003c/item\u003e\n      \u003citem\u003eSeries 2: New York City, 1885-2009 (boxes 6-34, 37-38)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.","Series\n      Series 1: Outside New York City, 1879-2009 (boxes 1-5, 37)\n      Series 2: New York City, 1885-2009 (boxes 6-34, 37-38)\n      Series 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)"],"bioghist_html_tesm":["\u003cp\u003eCharles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Charles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage."],"prefercite_html_tesm":["\u003cp\u003eCharles Rodrigues playbill collection, C0184, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Charles Rodrigues playbill collection, C0184, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Menjivar in April 2022.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Menjivar in April 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections on theatre and the performing arts.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections on theatre and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.\u003c/p\u003e","\u003cp\u003eThe collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","The collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d46ac9a9e4e3a7b9dc6e8e0b7d7a8d53\" label=\"Abstract\"\u003eThe Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Rodrigues, Charles"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Rodrigues, Charles"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":563,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:14.575Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_113_c01_c11"}},{"id":"vifgm_repositories_2_resources_113_c01_c13","type":"Sub-Series","attributes":{"title":"Subseries 1.13: Toronto, 1951/1958","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_113_c01_c13#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis subseries includes playbills from the city of Toronto. Playbills are from the Melody Fair and the Royal Alexandra Theatre.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_113_c01_c13#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_113_c01_c13","ref_ssm":["vifgm_repositories_2_resources_113_c01_c13"],"id":"vifgm_repositories_2_resources_113_c01_c13","ead_ssi":"vifgm_repositories_2_resources_113","_root_":"vifgm_repositories_2_resources_113","_nest_parent_":"vifgm_repositories_2_resources_113_c01","parent_ssi":"vifgm_repositories_2_resources_113_c01","parent_ssim":["Charles Rodrigues playbill collection, 1879/2009","Series 1: Outside New York City, 1879/2009"],"parent_ids_ssim":["vifgm_repositories_2_resources_113","vifgm_repositories_2_resources_113_c01"],"title_filing_ssi":"Subseries 1.13: Toronto","title_ssm":["Subseries 1.13: Toronto"],"title_tesim":["Subseries 1.13: Toronto"],"normalized_title_ssm":["Subseries 1.13: Toronto, 1951/1958"],"text":["Subseries 1.13: Toronto, 1951/1958","Charles Rodrigues playbill collection, 1879/2009","Series 1: Outside New York City, 1879/2009","(.5 boxes)","This subseries includes playbills from the city of Toronto. Playbills are from the Melody Fair and the Royal Alexandra Theatre."],"parent_unittitles_ssm":["Charles Rodrigues playbill collection, 1879/2009","Series 1: Outside New York City, 1879/2009"],"parent_unittitles_tesim":["Charles Rodrigues playbill collection, 1879/2009","Series 1: Outside New York City, 1879/2009"],"normalized_date_ssm":["1951/1958"],"unitdate_inclusive_ssm":["1951-1958"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":106,"repository_ssim":["George Mason University"],"collection_ssim":["Charles Rodrigues playbill collection, 1879/2009"],"physdesc_tesim":["(.5 boxes)"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1951,1952,1953,1954,1955,1956,1957,1958],"scopecontent_html_tesm":["\u003cp\u003eThis subseries includes playbills from the city of Toronto. Playbills are from the Melody Fair and the Royal Alexandra Theatre.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This subseries includes playbills from the city of Toronto. Playbills are from the Melody Fair and the Royal Alexandra Theatre."],"_nest_path_":"/components#0/components#12","timestamp":"2026-08-14T22:34:14.575Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_113","ead_ssi":"vifgm_repositories_2_resources_113","_root_":"vifgm_repositories_2_resources_113","_nest_parent_":"vifgm_repositories_2_resources_113","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_113.xml","title_filing_ssi":"Charles Rodrigues playbill collection","title_ssm":["Charles Rodrigues playbill collection"],"title_tesim":["Charles Rodrigues playbill collection"],"unitdate_ssm":["1879-2009"],"unitdate_inclusive_ssm":["1879-2009"],"normalized_date_ssm":["1879/2009"],"normalized_title_ssm":["Charles Rodrigues playbill collection, 1879/2009"],"text":["Charles Rodrigues playbill collection, 1879/2009","C0184","/repositories/2/resources/113","Broadway (New York, N.Y.)","Theater -- New York (State) -- New York","Theater -- United States","Performing arts","Musical Theater","Theater","Theater programs","Musical Theater -- New York (State) -- New York","There are no access restrictions.","Arranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.","Series\n      Series 1: Outside New York City, 1879-2009 (boxes 1-5, 37)\n      Series 2: New York City, 1885-2009 (boxes 6-34, 37-38)\n      Series 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)","Charles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage.","Processed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Menjivar in April 2022.","The Special Collections Research Center holds many other collections on theatre and the performing arts.","The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","The collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs.","The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)","The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","George Mason University. Libraries. Special Collections Research Center","Rodrigues, Charles","English"],"collection_title_tesim":["Charles Rodrigues playbill collection, 1879/2009"],"collection_ssim":["Charles Rodrigues playbill collection, 1879/2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0184","/repositories/2/resources/113"],"unitid_tesim":["C0184","/repositories/2/resources/113"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Broadway (New York, N.Y.)"],"geogname_ssim":["Broadway (New York, N.Y.)"],"places_ssim":["Broadway (New York, N.Y.)"],"creator_ssm":["Rodrigues, Charles"],"creator_ssim":["Rodrigues, Charles"],"creator_persname_ssim":["Rodrigues, Charles"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Rodrigues, Charles","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Phil Rodrigues, brother of Charles Rodrigues, October 21, 2010."],"access_subjects_ssim":["Theater -- New York (State) -- New York","Theater -- United States","Performing arts","Musical Theater","Theater","Theater programs","Musical Theater -- New York (State) -- New York"],"access_subjects_ssm":["Theater -- New York (State) -- New York","Theater -- United States","Performing arts","Musical Theater","Theater","Theater programs","Musical Theater -- New York (State) -- New York"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 38 boxes"],"extent_tesim":["18 Linear Feet 38 boxes"],"date_range_isim":[1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Outside New York City, 1879-2009 (boxes 1-5, 37)\u003c/item\u003e\n      \u003citem\u003eSeries 2: New York City, 1885-2009 (boxes 6-34, 37-38)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.","Series\n      Series 1: Outside New York City, 1879-2009 (boxes 1-5, 37)\n      Series 2: New York City, 1885-2009 (boxes 6-34, 37-38)\n      Series 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)"],"bioghist_html_tesm":["\u003cp\u003eCharles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Charles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage."],"prefercite_html_tesm":["\u003cp\u003eCharles Rodrigues playbill collection, C0184, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Charles Rodrigues playbill collection, C0184, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Menjivar in April 2022.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Menjivar in April 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections on theatre and the performing arts.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections on theatre and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.\u003c/p\u003e","\u003cp\u003eThe collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","The collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d46ac9a9e4e3a7b9dc6e8e0b7d7a8d53\" label=\"Abstract\"\u003eThe Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Rodrigues, Charles"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Rodrigues, Charles"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":563,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:14.575Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_113_c01_c13"}},{"id":"vifgm_repositories_2_resources_416_c01_c01","type":"Sub-Series","attributes":{"title":"Subseries 1.1 Correspondence, 1950/2007","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c01_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_416_c01_c01","ref_ssm":["vifgm_repositories_2_resources_416_c01_c01"],"id":"vifgm_repositories_2_resources_416_c01_c01","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416_c01","parent_ssi":"vifgm_repositories_2_resources_416_c01","parent_ssim":["Arena Stage records, 1949/2010","Series 1: Administrative records, 1949/2007"],"parent_ids_ssim":["vifgm_repositories_2_resources_416","vifgm_repositories_2_resources_416_c01"],"title_filing_ssi":"Subseries 1.1 Correspondence","title_ssm":["Subseries 1.1 Correspondence"],"title_tesim":["Subseries 1.1 Correspondence"],"normalized_title_ssm":["Subseries 1.1 Correspondence, 1950/2007"],"text":["Subseries 1.1 Correspondence, 1950/2007","Arena Stage records, 1949/2010","Series 1: Administrative records, 1949/2007","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name."],"parent_unittitles_ssm":["Arena Stage records, 1949/2010","Series 1: Administrative records, 1949/2007"],"parent_unittitles_tesim":["Arena Stage records, 1949/2010","Series 1: Administrative records, 1949/2007"],"normalized_date_ssm":["1950/2007"],"unitdate_other_ssim":["1950-2007"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":2,"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records, 1949/2010"],"has_online_content_ssim":["false"],"child_component_count_isi":274,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"scopecontent_html_tesm":["\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name."],"_nest_path_":"/components#0/components#0","timestamp":"2026-09-04T00:01:18.787Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_filing_ssi":"Arena Stage records","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","/repositories/2/resources/416","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","There are no access restrictions.","to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"accruals_html_tesm":["\u003cp\u003eto this collection are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e\n            ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-09-04T00:01:18.787Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c01_c01"}},{"id":"vifgm_repositories_2_resources_177_c01_c01","type":"Sub-Series","attributes":{"title":"Subseries 1.1: General Position and Party Information, 1945/2008","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_177_c01_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSubseries 1.1 is for general position and party information posters. Many posters that are just \"vote communist\" or describe the party platform. There are also many posters for each election that tell party members how to vote.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_177_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_177_c01_c01","ref_ssm":["vifgm_repositories_2_resources_177_c01_c01"],"id":"vifgm_repositories_2_resources_177_c01_c01","ead_ssi":"vifgm_repositories_2_resources_177","_root_":"vifgm_repositories_2_resources_177","_nest_parent_":"vifgm_repositories_2_resources_177_c01","parent_ssi":"vifgm_repositories_2_resources_177_c01","parent_ssim":["French Communist Party poster collection, 1945/2008","Series 1: Political Posters, 1945/2008"],"parent_ids_ssim":["vifgm_repositories_2_resources_177","vifgm_repositories_2_resources_177_c01"],"title_filing_ssi":"Subseries 1.1: General Position and Party Information","title_ssm":["Subseries 1.1: General Position and Party Information"],"title_tesim":["Subseries 1.1: General Position and Party Information"],"normalized_title_ssm":["Subseries 1.1: General Position and Party Information, 1945/2008"],"text":["Subseries 1.1: General Position and Party Information, 1945/2008","French Communist Party poster collection, 1945/2008","Series 1: Political Posters, 1945/2008","(Box 1-4, Shelf 1-3,6, MC)","Subseries 1.1 is for general position and party information posters. Many posters that are just \"vote communist\" or describe the party platform. There are also many posters for each election that tell party members how to vote."],"parent_unittitles_ssm":["French Communist Party poster collection, 1945/2008","Series 1: Political Posters, 1945/2008"],"parent_unittitles_tesim":["French Communist Party poster collection, 1945/2008","Series 1: Political Posters, 1945/2008"],"normalized_date_ssm":["1945/2008"],"unitdate_other_ssim":["1945?-2008"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":2,"repository_ssim":["George Mason University"],"collection_ssim":["French Communist Party poster collection, 1945/2008"],"physdesc_tesim":["(Box 1-4, Shelf 1-3,6, MC)"],"has_online_content_ssim":["false"],"child_component_count_isi":44,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"scopecontent_html_tesm":["\u003cp\u003eSubseries 1.1 is for general position and party information posters. Many posters that are just \"vote communist\" or describe the party platform. There are also many posters for each election that tell party members how to vote.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Subseries 1.1 is for general position and party information posters. Many posters that are just \"vote communist\" or describe the party platform. There are also many posters for each election that tell party members how to vote."],"_nest_path_":"/components#0/components#0","timestamp":"2026-08-14T22:34:24.402Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_177","ead_ssi":"vifgm_repositories_2_resources_177","_root_":"vifgm_repositories_2_resources_177","_nest_parent_":"vifgm_repositories_2_resources_177","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_177.xml","title_filing_ssi":"French Communist Party poster collection","title_ssm":["French Communist Party poster collection"],"title_tesim":["French Communist Party poster collection"],"unitdate_ssm":["circa 1945-2008"],"unitdate_inclusive_ssm":["circa 1945-2008"],"normalized_date_ssm":["1945/2008"],"normalized_title_ssm":["French Communist Party poster collection, 1945/2008"],"text":["French Communist Party poster collection, 1945/2008","C0168","/repositories/2/resources/177","France -- Politics and government -- 20th century","Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters","There are no access restrictions.","This collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.","Missing Title\n      Series 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC)\n      Series 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)","The French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday.","Processed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010.","The Special Collections Research Center also holds the  that include many documents on communist parties in the United States and internationally.","Substantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.","Series 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups.","Series 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Substantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements.","Map Case 10.3, 25.1-25.5","George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET","English"],"collection_title_tesim":["French Communist Party poster collection, 1945/2008"],"collection_ssim":["French Communist Party poster collection, 1945/2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0168","/repositories/2/resources/177"],"unitid_tesim":["C0168","/repositories/2/resources/177"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["France -- Politics and government -- 20th century"],"geogname_ssim":["France -- Politics and government -- 20th century"],"places_ssim":["France -- Politics and government -- 20th century"],"creator_ssm":["Parti communiste français"],"creator_ssim":["Parti communiste français"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters"],"access_subjects_ssm":["Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters"],"has_online_content_ssim":["false"],"extent_ssm":["1218 posters"],"extent_tesim":["1218 posters"],"genreform_ssim":["Posters","Political posters"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.","Missing Title\n      Series 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC)\n      Series 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)"],"bioghist_html_tesm":["\u003cp\u003eThe French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday."],"prefercite_html_tesm":["\u003cp\u003eFrench Communist Party poster collection, C0168, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["French Communist Party poster collection, C0168, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Francis J. McNamara papers\" href=\"https://aspace.gmu.edu/resources/c0024\"\u003e\u003c/extptr\u003e that include many documents on communist parties in the United States and internationally.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  that include many documents on communist parties in the United States and internationally."],"scopecontent_html_tesm":["\u003cp\u003eSubstantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.\u003c/p\u003e","\u003cp\u003eSeries 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups. \u003c/p\u003e","\u003cp\u003eSeries 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Substantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.","Series 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups.","Series 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_dd4c030cc8b3e2ce4e8ba5cc668cd75b\" label=\"Abstract\"\u003eSubstantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements.\u003c/abstract\u003e\n    "],"abstract_tesim":["Substantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_42e069deeb9ae22cbc4b9fd54458e227\"\u003eMap Case 10.3, 25.1-25.5\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 10.3, 25.1-25.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"names_coll_ssim":["Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":92,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:24.402Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_177_c01_c01"}},{"id":"vifgm_repositories_2_resources_505_c01_c01","type":"Sub-Series","attributes":{"title":"Subseries 1.1: Lutheran church exteriors, 1904/2010","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_505_c01_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSeries 1: Lutheran churches, 1904-2010 (Boxes 1-7) includes postcards of Lutheran churches from the United States and Canada. It is divided into two subseries. Sub-series 1: Lutheran church exteriors and Sub-series 2: Lutheran church interiors.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_505_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_505_c01_c01","ref_ssm":["vifgm_repositories_2_resources_505_c01_c01"],"id":"vifgm_repositories_2_resources_505_c01_c01","ead_ssi":"vifgm_repositories_2_resources_505","_root_":"vifgm_repositories_2_resources_505","_nest_parent_":"vifgm_repositories_2_resources_505_c01","parent_ssi":"vifgm_repositories_2_resources_505_c01","parent_ssim":["Phil Teigen North American churches postcard collection, 1904/2010","Series 1: Lutheran churches, 1904/2010"],"parent_ids_ssim":["vifgm_repositories_2_resources_505","vifgm_repositories_2_resources_505_c01"],"title_filing_ssi":"Subseries 1.1: Lutheran church exteriors","title_ssm":["Subseries 1.1: Lutheran church exteriors"],"title_tesim":["Subseries 1.1: Lutheran church exteriors"],"normalized_title_ssm":["Subseries 1.1: Lutheran church exteriors, 1904/2010"],"text":["Subseries 1.1: Lutheran church exteriors, 1904/2010","Phil Teigen North American churches postcard collection, 1904/2010","Series 1: Lutheran churches, 1904/2010","box 1-7","Series 1: Lutheran churches, 1904-2010 (Boxes 1-7) includes postcards of Lutheran churches from the United States and Canada. It is divided into two subseries. Sub-series 1: Lutheran church exteriors and Sub-series 2: Lutheran church interiors."],"parent_unittitles_ssm":["Phil Teigen North American churches postcard collection, 1904/2010","Series 1: Lutheran churches, 1904/2010"],"parent_unittitles_tesim":["Phil Teigen North American churches postcard collection, 1904/2010","Series 1: Lutheran churches, 1904/2010"],"normalized_date_ssm":["1904/2010"],"unitdate_inclusive_ssm":["1904-2010"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":2,"repository_ssim":["George Mason University"],"collection_ssim":["Phil Teigen North American churches postcard collection, 1904/2010"],"containers_ssim":["box 1-7"],"has_online_content_ssim":["false"],"child_component_count_isi":7,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"scopecontent_html_tesm":["\u003cp\u003eSeries 1: Lutheran churches, 1904-2010 (Boxes 1-7) includes postcards of Lutheran churches from the United States and Canada. It is divided into two subseries. Sub-series 1: Lutheran church exteriors and Sub-series 2: Lutheran church interiors.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Series 1: Lutheran churches, 1904-2010 (Boxes 1-7) includes postcards of Lutheran churches from the United States and Canada. It is divided into two subseries. Sub-series 1: Lutheran church exteriors and Sub-series 2: Lutheran church interiors."],"_nest_path_":"/components#0/components#0","timestamp":"2026-08-14T22:34:53.150Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_505","ead_ssi":"vifgm_repositories_2_resources_505","_root_":"vifgm_repositories_2_resources_505","_nest_parent_":"vifgm_repositories_2_resources_505","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_505.xml","title_filing_ssi":"Phil Teigen North American churches postcard collection","title_ssm":["Phil Teigen North American churches postcard collection"],"title_tesim":["Phil Teigen North American churches postcard collection"],"unitdate_ssm":["1904-2010"],"unitdate_inclusive_ssm":["1904-2010"],"normalized_date_ssm":["1904/2010"],"normalized_title_ssm":["Phil Teigen North American churches postcard collection, 1904/2010"],"text":["Phil Teigen North American churches postcard collection, 1904/2010","C0317","/repositories/2/resources/505","Catholic church buildings","Church buildings","Lutheran church buildings","Anglican church buildings","Postcards","Correspondence","There are no access restrictions.","The collection is organized into five series by denomination and then chronologially.","Series 1: Lutheran churches\n      Series 2: Roman Catholic churches\n      Series 3: Episcopal churches\n      Series 4: Other denominations\n      Series 5: Additional postcards","\"MS 0960 - Philip Teigen Papers.\" 2024. DC History Center. 2024. https://dchistory.catalogaccess.com/archives/109847.","Williams, Peter W. Houses of God: Region, Religion, and Architecture in the United States. Urbana/Chicago: University of Illinois Press, 1997.","Philip M. Teigen (b. 1941) is a trained historian of science and medicine, having received his Ph.D. from the University of Wisconsin-Madison in 1976, and spent his professional life working as a historian at McGill University in Montréal, Canada and the National Library of Medicine in Bethesda, Maryland. Additionally, he completed many projects surrounding the history of religious congregations, primarily Lutheran, in both Washington, D.C. and throughout North America, including identifying and researching the history of thirty-three Lutheran congregations in the District and photographing forty-fifty buildings that represent current or past Lutheran congregations.","Immigrants from Europe and Asia brought a wide variety of Christian beliefs to North America. As Peter Williams notes, \"The pluralism of America's religious experience is a given from the beginnings, first for the colonial settlements in aggregate, then later in virtually every town, city, and state\" (\"Houses of God\", xii). He goes on to describe how these many religious groups impacted the built environment as they came \"in succeeding waves of immigration, each bringing with them and/or adapting for their own purposes a wide variety of types of houses of worship and other sacred sites and structures\" (\"Houses of God,\" xii). This diversity of religious architecture is reflected in material commemorative culture, including through postcards.","Processing completed by Elizabeth Beckman in October 2018. EAD markup completed by Elizabeth Beckman in October 2018. Additional processing completed and finding aid updated by Meghan Glasbrenner from April-May 2025.","The Special Collections Research Center holds other postcard collections, including the Gustav Klemp World War I collection, Randolph Lytton historic Washington, D.C. postcards and photographs collection, and Lavinia Scott papers.","The DC History Center holds the Philip Teigen papers, which includes Teigen's decade-long research on the Lutheran churches of Washington, D.C., along with original photographs of local Lutheran churches.","This collection contains postcards from churches of many denominations across the United States and Canada. The postcards date from 1904-2010, although many are undated. The processor included undated in the date range for a series or box if it seemed likely that some of the postcards in the group date from outside the given range. More than half of the postcards depict Lutheran churches; there are also many postcards of Roman Catholic churches and Episcopal churches, as well as other Christian denominations. Many of the postcards contained mailed correspondence on the back from a mix of senders and recipients, but the number and location of these has not been noted in the finding aid. The postcards are organized by denomination and alphabetically by state (sometimes city), as well as whether they depict church interiors or exteriors. The collections contains five series.","Series 1: Lutheran churches, 1904-2010 (Boxes 1-7) includes postcards of Lutheran churches from the United States and Canada. It is divided into two subseries. Sub-series 1: Lutheran church exteriors and Sub-series 2: Lutheran church interiors.","Series 2: Roman Catholic churches, 1907-1995 (Boxes 8-10) includes postcards of Roman Catholic churches across the United States and Canada.","Series 3: Episcopal churches, 1908-1983, undated (Boxes 10-11) includes postcards of Episcopal churches across the United States and Canada.","Series 4: Other denominations, 1908-2000 (Boxes 11-12) is the smallest series, and includes postcards of a variety of churches, including Methodist, Presbyterian, Baptist, Orthodox, and other denominations, as well as non-denominational.","Series 5: Additional postcards, circa 1910s-2000s (Box 13) includes additional postcards donated in 2019. Dates for postcards in this series were determined based on stamps where possible and were otherwise estimated based on style and design. It is divided into four subseries. Sub-series 1: Additional Lutheran churches (circa 1910s-2000s) includes postcards depicting both exterior and interior images of Lutheran churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end. One postcard depicts a church in Ontario, Canada which has been placed at the end of the state arrangement before the oversized. Sub-series 2: Additional Roman Catholic churches (circa 1950s-2000s) includes postcards depicting both exterior and interior images of Roman Catholic churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end. Sub-series 3: Additional Episcopal churches (circa 1950s-1980s) includes postcards depicting both exterior and interior images of Episcopal churches. Postcards are arranged alphabetically by state. Sub-series 4: Additional other denominations (circa 1950s-1990s) includes postcards depicting both exterior and interior images of churches for a variety of other denominations and uses. Postcards are arranged alphabetically by use or denomination and then alphabetically by state.","The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains postcards of churches of many Christian denominations from the United States and Canada.","R 54, C 3, S 3-4\n\nR 54, C 4, S 3","George Mason University. Libraries. Special Collections Research Center","Teigen, Philip M.","English\n      Swedish"],"collection_title_tesim":["Phil Teigen North American churches postcard collection, 1904/2010"],"collection_ssim":["Phil Teigen North American churches postcard collection, 1904/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0317","/repositories/2/resources/505"],"unitid_tesim":["C0317","/repositories/2/resources/505"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Teigen, Philip M."],"creator_ssim":["Teigen, Philip M."],"creator_persname_ssim":["Teigen, Philip M."],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Teigen, Philip M.","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Phil Teigen in September 2018.","Additional materials donated by Phil Teigen in July 2019."],"access_subjects_ssim":["Catholic church buildings","Church buildings","Lutheran church buildings","Anglican church buildings","Postcards","Correspondence"],"access_subjects_ssm":["Catholic church buildings","Church buildings","Lutheran church buildings","Anglican church buildings","Postcards","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["4.5 Linear Feet 13 boxes"],"extent_tesim":["4.5 Linear Feet 13 boxes"],"genreform_ssim":["Postcards","Correspondence"],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into five series by denomination and then chronologially.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eSeries 1: Lutheran churches\u003c/item\u003e\n      \u003citem\u003eSeries 2: Roman Catholic churches\u003c/item\u003e\n      \u003citem\u003eSeries 3: Episcopal churches\u003c/item\u003e\n      \u003citem\u003eSeries 4: Other denominations\u003c/item\u003e\n      \u003citem\u003eSeries 5: Additional postcards\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into five series by denomination and then chronologially.","Series 1: Lutheran churches\n      Series 2: Roman Catholic churches\n      Series 3: Episcopal churches\n      Series 4: Other denominations\n      Series 5: Additional postcards"],"bibliography_html_tesm":["\u003cp\u003e\"MS 0960 - Philip Teigen Papers.\" 2024. DC History Center. 2024. https://dchistory.catalogaccess.com/archives/109847.\u003c/p\u003e","\u003cp\u003eWilliams, Peter W. \u003ctitle\u003eHouses of God: Region, Religion, and Architecture in the United States\u003c/title\u003e. Urbana/Chicago: University of Illinois Press, 1997.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"MS 0960 - Philip Teigen Papers.\" 2024. DC History Center. 2024. https://dchistory.catalogaccess.com/archives/109847.","Williams, Peter W. Houses of God: Region, Religion, and Architecture in the United States. Urbana/Chicago: University of Illinois Press, 1997."],"bioghist_html_tesm":["\u003cp\u003ePhilip M. Teigen (b. 1941) is a trained historian of science and medicine, having received his Ph.D. from the University of Wisconsin-Madison in 1976, and spent his professional life working as a historian at McGill University in Montréal, Canada and the National Library of Medicine in Bethesda, Maryland. Additionally, he completed many projects surrounding the history of religious congregations, primarily Lutheran, in both Washington, D.C. and throughout North America, including identifying and researching the history of thirty-three Lutheran congregations in the District and photographing forty-fifty buildings that represent current or past Lutheran congregations.\u003c/p\u003e","\u003cp\u003eImmigrants from Europe and Asia brought a wide variety of Christian beliefs to North America. As Peter Williams notes, \"The pluralism of America's religious experience is a given from the beginnings, first for the colonial settlements in aggregate, then later in virtually every town, city, and state\" (\"Houses of God\", xii). He goes on to describe how these many religious groups impacted the built environment as they came \"in succeeding waves of immigration, each bringing with them and/or adapting for their own purposes a wide variety of types of houses of worship and other sacred sites and structures\" (\"Houses of God,\" xii). This diversity of religious architecture is reflected in material commemorative culture, including through postcards.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Philip M. Teigen (b. 1941) is a trained historian of science and medicine, having received his Ph.D. from the University of Wisconsin-Madison in 1976, and spent his professional life working as a historian at McGill University in Montréal, Canada and the National Library of Medicine in Bethesda, Maryland. Additionally, he completed many projects surrounding the history of religious congregations, primarily Lutheran, in both Washington, D.C. and throughout North America, including identifying and researching the history of thirty-three Lutheran congregations in the District and photographing forty-fifty buildings that represent current or past Lutheran congregations.","Immigrants from Europe and Asia brought a wide variety of Christian beliefs to North America. As Peter Williams notes, \"The pluralism of America's religious experience is a given from the beginnings, first for the colonial settlements in aggregate, then later in virtually every town, city, and state\" (\"Houses of God\", xii). He goes on to describe how these many religious groups impacted the built environment as they came \"in succeeding waves of immigration, each bringing with them and/or adapting for their own purposes a wide variety of types of houses of worship and other sacred sites and structures\" (\"Houses of God,\" xii). This diversity of religious architecture is reflected in material commemorative culture, including through postcards."],"prefercite_html_tesm":["\u003cp\u003ePhil Teigen North American churches postcard collection, C0317, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Phil Teigen North American churches postcard collection, C0317, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Elizabeth Beckman in October 2018. EAD markup completed by Elizabeth Beckman in October 2018. Additional processing completed and finding aid updated by Meghan Glasbrenner from April-May 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Elizabeth Beckman in October 2018. EAD markup completed by Elizabeth Beckman in October 2018. Additional processing completed and finding aid updated by Meghan Glasbrenner from April-May 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other postcard collections, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0250\"\u003eGustav Klemp World War I collection\u003c/a\u003e, \u003ca href=\"https://aspace.gmu.edu/resources/c0511\"\u003eRandolph Lytton historic Washington, D.C. postcards and photographs collection\u003c/a\u003e, and \u003ca href=\"https://aspace.gmu.edu/resources/c0506\"\u003eLavinia Scott papers\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eThe DC History Center holds the \u003ca href=\"https://dchistory.catalogaccess.com/archives/109847\"\u003ePhilip Teigen papers\u003c/a\u003e, which includes Teigen's decade-long research on the Lutheran churches of Washington, D.C., along with original photographs of local Lutheran churches.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other postcard collections, including the Gustav Klemp World War I collection, Randolph Lytton historic Washington, D.C. postcards and photographs collection, and Lavinia Scott papers.","The DC History Center holds the Philip Teigen papers, which includes Teigen's decade-long research on the Lutheran churches of Washington, D.C., along with original photographs of local Lutheran churches."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains postcards from churches of many denominations across the United States and Canada. The postcards date from 1904-2010, although many are undated. The processor included undated in the date range for a series or box if it seemed likely that some of the postcards in the group date from outside the given range. More than half of the postcards depict Lutheran churches; there are also many postcards of Roman Catholic churches and Episcopal churches, as well as other Christian denominations. Many of the postcards contained mailed correspondence on the back from a mix of senders and recipients, but the number and location of these has not been noted in the finding aid. The postcards are organized by denomination and alphabetically by state (sometimes city), as well as whether they depict church interiors or exteriors. The collections contains five series.\u003c/p\u003e","\u003cp\u003eSeries 1: Lutheran churches, 1904-2010 (Boxes 1-7) includes postcards of Lutheran churches from the United States and Canada. It is divided into two subseries. Sub-series 1: Lutheran church exteriors and Sub-series 2: Lutheran church interiors.\u003c/p\u003e","\u003cp\u003eSeries 2: Roman Catholic churches, 1907-1995 (Boxes 8-10) includes postcards of Roman Catholic churches across the United States and Canada.\u003c/p\u003e","\u003cp\u003eSeries 3: Episcopal churches, 1908-1983, undated (Boxes 10-11) includes postcards of Episcopal churches across the United States and Canada.\u003c/p\u003e","\u003cp\u003eSeries 4: Other denominations, 1908-2000 (Boxes 11-12) is the smallest series, and includes postcards of a variety of churches, including Methodist, Presbyterian, Baptist, Orthodox, and other denominations, as well as non-denominational.\u003c/p\u003e","\u003cp\u003eSeries 5: Additional postcards, circa 1910s-2000s (Box 13) includes additional postcards donated in 2019. Dates for postcards in this series were determined based on stamps where possible and were otherwise estimated based on style and design. It is divided into four subseries. Sub-series 1: Additional Lutheran churches (circa 1910s-2000s) includes postcards depicting both exterior and interior images of Lutheran churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end. One postcard depicts a church in Ontario, Canada which has been placed at the end of the state arrangement before the oversized. Sub-series 2: Additional Roman Catholic churches (circa 1950s-2000s) includes postcards depicting both exterior and interior images of Roman Catholic churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end. Sub-series 3: Additional Episcopal churches (circa 1950s-1980s) includes postcards depicting both exterior and interior images of Episcopal churches. Postcards are arranged alphabetically by state. Sub-series 4: Additional other denominations (circa 1950s-1990s) includes postcards depicting both exterior and interior images of churches for a variety of other denominations and uses. Postcards are arranged alphabetically by use or denomination and then alphabetically by state.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains postcards from churches of many denominations across the United States and Canada. The postcards date from 1904-2010, although many are undated. The processor included undated in the date range for a series or box if it seemed likely that some of the postcards in the group date from outside the given range. More than half of the postcards depict Lutheran churches; there are also many postcards of Roman Catholic churches and Episcopal churches, as well as other Christian denominations. Many of the postcards contained mailed correspondence on the back from a mix of senders and recipients, but the number and location of these has not been noted in the finding aid. The postcards are organized by denomination and alphabetically by state (sometimes city), as well as whether they depict church interiors or exteriors. The collections contains five series.","Series 1: Lutheran churches, 1904-2010 (Boxes 1-7) includes postcards of Lutheran churches from the United States and Canada. It is divided into two subseries. Sub-series 1: Lutheran church exteriors and Sub-series 2: Lutheran church interiors.","Series 2: Roman Catholic churches, 1907-1995 (Boxes 8-10) includes postcards of Roman Catholic churches across the United States and Canada.","Series 3: Episcopal churches, 1908-1983, undated (Boxes 10-11) includes postcards of Episcopal churches across the United States and Canada.","Series 4: Other denominations, 1908-2000 (Boxes 11-12) is the smallest series, and includes postcards of a variety of churches, including Methodist, Presbyterian, Baptist, Orthodox, and other denominations, as well as non-denominational.","Series 5: Additional postcards, circa 1910s-2000s (Box 13) includes additional postcards donated in 2019. Dates for postcards in this series were determined based on stamps where possible and were otherwise estimated based on style and design. It is divided into four subseries. Sub-series 1: Additional Lutheran churches (circa 1910s-2000s) includes postcards depicting both exterior and interior images of Lutheran churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end. One postcard depicts a church in Ontario, Canada which has been placed at the end of the state arrangement before the oversized. Sub-series 2: Additional Roman Catholic churches (circa 1950s-2000s) includes postcards depicting both exterior and interior images of Roman Catholic churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end. Sub-series 3: Additional Episcopal churches (circa 1950s-1980s) includes postcards depicting both exterior and interior images of Episcopal churches. Postcards are arranged alphabetically by state. Sub-series 4: Additional other denominations (circa 1950s-1990s) includes postcards depicting both exterior and interior images of churches for a variety of other denominations and uses. Postcards are arranged alphabetically by use or denomination and then alphabetically by state."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref8\"\u003eThis collection contains postcards of churches of many Christian denominations from the United States and Canada.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains postcards of churches of many Christian denominations from the United States and Canada."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_25039d10bd6b223a8c06bf9333b89608\"\u003eR 54, C 3, S 3-4\n\nR 54, C 4, S 3\u003c/physloc\u003e\n    "],"physloc_tesim":["R 54, C 3, S 3-4\n\nR 54, C 4, S 3"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Teigen, Philip M."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Teigen, Philip M."],"language_ssim":["English\n      Swedish"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":80,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:53.150Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_505_c01_c01"}},{"id":"vifgm_repositories_2_resources_52_c01_c01","type":"Sub-Series","attributes":{"title":"Subseries 1.1: Senators, 1930/1976","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_52_c01_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSubseries 1.1 contains photographs of Senators. The majority of Senators pictured are members of the Republican Party. This subseries is arranged alphabetically by name and then chronologically within each name.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_52_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_52_c01_c01","ref_ssm":["vifgm_repositories_2_resources_52_c01_c01"],"id":"vifgm_repositories_2_resources_52_c01_c01","ead_ssi":"vifgm_repositories_2_resources_52","_root_":"vifgm_repositories_2_resources_52","_nest_parent_":"vifgm_repositories_2_resources_52_c01","parent_ssi":"vifgm_repositories_2_resources_52_c01","parent_ssim":["Arthur E. Scott photograph collection","Series 1: People, 1910/1976"],"parent_ids_ssim":["vifgm_repositories_2_resources_52","vifgm_repositories_2_resources_52_c01"],"title_filing_ssi":"Subseries 1.1: Senators","title_ssm":["Subseries 1.1: Senators"],"title_tesim":["Subseries 1.1: Senators"],"normalized_title_ssm":["Subseries 1.1: Senators, 1930/1976"],"text":["Subseries 1.1: Senators, 1930/1976","Arthur E. Scott photograph collection","Series 1: People, 1910/1976","Subseries 1.1 contains photographs of Senators. The majority of Senators pictured are members of the Republican Party. This subseries is arranged alphabetically by name and then chronologically within each name."],"parent_unittitles_ssm":["Arthur E. Scott photograph collection","Series 1: People, 1910/1976"],"parent_unittitles_tesim":["Arthur E. Scott photograph collection","Series 1: People, 1910/1976"],"normalized_date_ssm":["1930/1976"],"unitdate_other_ssim":["1930-1976"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":2,"repository_ssim":["George Mason University"],"collection_ssim":["Arthur E. Scott photograph collection"],"has_online_content_ssim":["false"],"child_component_count_isi":294,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["Copyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact the Special Collections Research Center.","Materials created prior to 1928 are in the Public Domain. These materials have no known restrictions."],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976],"scopecontent_html_tesm":["\u003cp\u003eSubseries 1.1 contains photographs of Senators. The majority of Senators pictured are members of the Republican Party. This subseries is arranged alphabetically by name and then chronologically within each name.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Subseries 1.1 contains photographs of Senators. The majority of Senators pictured are members of the Republican Party. This subseries is arranged alphabetically by name and then chronologically within each name."],"_nest_path_":"/components#0/components#0","timestamp":"2026-08-14T22:34:54.802Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_52","ead_ssi":"vifgm_repositories_2_resources_52","_root_":"vifgm_repositories_2_resources_52","_nest_parent_":"vifgm_repositories_2_resources_52","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_52.xml","title_filing_ssi":"Arthur E. Scott photograph collection","title_ssm":["Arthur E. Scott photograph collection"],"title_tesim":["Arthur E. Scott photograph collection"],"unitdate_ssm":["1910-1976"],"unitdate_inclusive_ssm":["1910-1976"],"normalized_title_ssm":["Arthur E. Scott photograph collection"],"text":["Arthur E. Scott photograph collection","C0096","/repositories/2/resources/52","Panama Canal (Panama)","Potomac River","Supreme Court Building (Washington, D.C.)","United States Capitol Complex (Washington, D.C.)","Washington (D.C.)","Actors -- United States","Aerial photographs","Astronauts","Campaign speeches","Committees","Congresses and conventions","Funeral rites and ceremonies","Legislators -- United States","Legislators' spouses","Lincoln Memorial (Washington, D.C.)","National Statuary Hall (United States Capitol, Washington, D.C.)","Photography -- Negatives","Political campaigns -- United States","Political conventions","Portraits","Presidents -- United States","Presidents -- United States -- Inauguration","Slides (Photography)","Speeches, addresses, etc.","Tomb of the Unknowns (Va.)","Vice-Presidents -- United States","Washington Monument (Washington, D.C.)","Photographic prints","Collection is open to research.","Selected images from the Scott collection are available online through the .","Arranged into six series.","Series\n      Series 1: People, 1910-1976 (Boxes 1-7, 12-22, 26-27, 29-42)\n      Series 2: Places, 1927-1976 (Boxes 7-9, 22-23, 27, 31, 43, Oversize)\n      Series 3: Events, 1921-1976 (Boxes 9-11, 23-25, 27, 30, 33, 35-36, 38-42)\n      Series 4: Art, Publications, Reference Materials, 1918-1976 (Boxes 11, 25, 27, 35, 38)\n      Series 5: Scrapbooks, 1918-1946 (Volumes 1-14 and unnumbered)\n      Series 6: Realia, 1950s-1960s (Box 28)","Arthur E. \"Scotty\" Scott, was born March 14, 1917, in Montpelier, Vermont. In 1925 his family moved to Washington, D.C., where Scott spent most of his life. Scott began his press career at the age of 13, as a copyboy for the Washington Times-Herald. From 1934-1955, Scott served as a news photographer for International News Photos (INP) and Wide World Photos. Scott first covered the United States Congress in 1935 as a photographer for the Washington Times From 1955-1974, Scott worked as a photographer for the Republican Senatorial Committee (1965-1964) and the Republication Policy Committee (1964-1974). In 1975, the year the Senate Historical Office was created, Scott became the Senate's first photo-historian. As photo-historian, Scott was tasked with building a collection of graphic representations of the Senate's history. Scott died on December 2, 1976.","Processed by Special Collections  Research Center staff. Additional processing completed by Stacey Kniatt and Shira Loev in 2010-2011. EAD markup completed by Stacey Kniatt and Shira Loev in 2010-2011. Finding aid updated by Amanda Menjivar in March 2023.","Staff rehoused the collection into suitable archival enclosures, organized the collection by media and series, and created an EAD finding aid and MARC record.","This collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant.","The Special Collections Research Center holds many other photograph collections. The  contains many similar subjects, as does the .","The Senate Historical Office holds the .","This collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s. There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs. The collection also contains photographs from the 1910s and 1920s that were taken by other photographers. The collection contains prints and film negatives in various sizes, as well as glass plate negatives. Boxes 1 through 11, 29, 30, and 43 contain photographic prints; boxes 12 through 25 contain 4 x 5 inch negatives; boxes 26 and 27 contain 4 x 5 inch glass plate negatives; and boxes 31 through 42 contain slides, 35mm negatives, and negatives of various other sizes. The majority of the photographs are in black and white unless otherwise noted.","Series 1 contains photographs of people, including Senators, Representatives, Vice Presidents, Presidents, Supreme Court Justices, and other politicians. It also contains photographs of celebrities, politicians' families, and others. This series contains individual as well as group shots. This series includes photographs of many Republican Party Senators, including George D. Aiken, Gordon Allott, Clifford P. Case, Norris Cotton, Everett M. Dirksen, Robert J. Dole, Hiram Fong, Barry M. Goldwater, Roman L. Hruska, Mike Mansfield, Charles H. Percy, Hugh Scott, Margaret Chase Smith, John G. Tower, and many others. Presidents and Vice Presidents pictured include Calvin Coolidge, Dwight D. Eisenhower, John N. Garner, Herbert C. Hoover, Gerald R. Ford, Lyndon B. Johnson, and Richard M. Nixon. The series also includes photographs of astronauts John Glenn, Virgil \"Gus\" Grissom, and Alan B. Shepard.","Series 2 contains photographs of building interiors and exteriors, monuments, landmarks, and parks. The majority of the series consists of photographs of the Washington, D.C. area. This series includes photographs of Arlington National Cemetery, the U.S. Capitol Building, the U.S. Supreme Court Building, the Potomac River, the Washington Monument, and the Lincoln Memorial. It also includes aerial shots of Washington, D.C. and the Panama Canal Zone, Panama.","Series 3 contains photographs of events such as dinners, meetings, fundraisers, campaigns, conventions, and inaugurations. The events pictured in the series include the 1960 and 1964 Republican National Conventions; Richard M. Nixon campaign events in California and Hawaii (1960); and inaugurations and oaths of office for politicians such as Gerald R. Ford, Dwight D. Eisenhower, Richard M. Nixon, Nelson A. Rockefeller, and Warren G. Harding. It also contains photographs of natural disasters, such as floods, and photographs of politicians and celebrities receiving Buddy Poppies from the Veterans of Foreign Wars.","Series 4 contains photographs of published newspapers, as well as photographs of art works. It also contains reference publications and correspondence which relate to the photographs in the collection. Photographs of published newspapers include New York Times and New York Herald articles on the Battle of Gettysburg and the deaths of Abraham Lincoln and Theodore Roosevelt. The art works pictured included the George Gordon Meade Memorial, Samuel Gompers Memorial, and a monument to Casimir Pulaski. The series also includes \"Virginia Political Greats\", a report written by Scott in May 1976, as well as correspondence and captions regarding photographs taken by Scott.","Series 5 consists of scrapbooks compiled by Arthur Scott. These scrapbooks document events from 1918 through 1946. Most items contained within the scrapbooks are newspaper clippings, many of which depict photographs taken by Scott. The scrapbooks document events including the presidencies of Franklin D. Roosevelt and Harry S. Truman, as well as the run-up to World War II and homefront activities during the war years. The scrapbooks also contain press passes, expense reports, and schedules relating to Scott's photojournalism activities.","Series 6 consists of photographic supplies used by Scott. Photographic supplies include slide cases, as well as film canisters labeled \"1952\", \"1964 GOP Convention San Francisco\", \"Gene Autry by Barry Goldwater\", and \"Stereo Photos South America Vacation 1966\".","Copyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact the Special Collections Research Center.","Materials created prior to 1928 are in the Public Domain. These materials have no known restrictions.","This collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s. There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs. The collection also contains glass negatives from the 1910s and 1920s that were taken by other photographers.","R 32, C 1, S 1 - S 5 \n\n\nR 32, C 2, S 1\n\n\nOS R 6, C 2, S 3 - S 7\n\n\nMap Case 11.5","George Mason University. Libraries. Special Collections Research Center","Washington National Cathedral (Washington, D.C.)","United States. Supreme Court","Boy Scouts of America","Arlington National Cemetery (Arlington, Va.)","United States. Congress. Senate","United States. Congress. House","Scott, Arthur E., 1917-1976","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Eisenhower, Dwight D. (Dwight David), 1890-1969","Woodring, Harry Hines, 1887-1967","Wiley, Alexander, 1884-1967","Nixon, Richard M. (Richard Milhous), 1913-1994","Vandenberg, Arthur H. (Arthur Hendrick), 1884-1951","Valeo, Francis R. (Francis Ralph), 1916-2006","Tydings, Millard E. (Millard Evelyn), 1890-1961","Scott, William Lloyd, 1915-1997","Tower, John G. (John Goodwin), 1925-1991","Thurmond, Strom, 1902-2003","Smith, Margaret Chase, 1897-1995","Shepard, Alan B. (Alan Bartlett), 1923-1998","Scott, Hugh, 1900-1994","Schoeppel, Andrew Frank, 1894-1962","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Pittman, Key, 1872-1940","Percy, Charles H., 1919-2011","Pepper, Claude, 1900-1989","Fannin, Paul J. (Paul Jones), 1907-2002","Elizabeth, Queen of Great Britain, II, 1926-2022","Dominick, Peter H. (Peter Hoyt), 1915-1981","Dole, Robert J., 1923-2021","Dirksen, Everett McKinley","Dern, George Henry, 1872-1936","Curtis, Carl T. (Carl Thomas), 1905-2000","Cotton, Norris, 1900-1989","Cooper, John Sherman, 1901-1991","Coolidge, Calvin, 1872-1933","Cochran, Steve, 1917-1965","Aiken, George D. (George David), 1892-1984","Allott, Gordon, 1907-1989","Ashurst, Henry Fountain, 1874-1962","Barkley, Alben William, 1877-1956","Beall, J. Glenn, Jr. (John Glenn), 1927-2006","Bennett, Wallace F. (Wallace Foster), 1898-1993","Bible, Alan, 1909-1988","Boggs, J. Caleb (James Caleb), 1909-1993","Borah, William Edgar, 1865-1940","Bridges, Styles, 1898-1961","Bush, Prescott Sheldon, 1895-1972","Case, Clifford P. (Clifford Philip), 1904-1982","Fong, Hiram, 1906-2004","Ford, Gerald R., 1913-2006","Garner, John Nance, 1868-1967","Glenn, John, 1921-2016","Goldwater, Barry M. (Barry Morris), 1909-1998","Griffin, Robert P. (Robert Paul), 1923-2015","Grissom, Virgil I.","Hansen, Clifford P. (Clifford Peter), 1912-2009","Harrison, Pat, 1881-1941","Hickenlooper, Bourke B. (Bourke Blakemore), 1896-1971","Holt, Rush Dew, 1905-1955","Hoover, Herbert Charles, 1903-1969","Hruska, Roman L. (Roman Lee), 1904-1999","Javits, Jacob K. (Jacob Koppel), 1904-1986","Jordan, Len B. (Len Beck), 1899-1983","Keating, Kenneth B. (Kenneth Barnard), 1900-1975","Kuchel, Thomas H.","Mansfield, Mike, 1903-2001","Marshall, George C. (George Catlett), 1880-1959","McNary, Charles Linza, 1874-1944","Morton, Thruston B. (Thruston Ballard), 1907-1982","English"],"collection_title_tesim":["Arthur E. Scott photograph collection"],"collection_ssim":["Arthur E. Scott photograph collection"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0096","/repositories/2/resources/52"],"unitid_tesim":["C0096","/repositories/2/resources/52"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Panama Canal (Panama)","Potomac River","Supreme Court Building (Washington, D.C.)","United States Capitol Complex (Washington, D.C.)","Washington (D.C.)"],"geogname_ssim":["Panama Canal (Panama)","Potomac River","Supreme Court Building (Washington, D.C.)","United States Capitol Complex (Washington, D.C.)","Washington (D.C.)"],"places_ssim":["Panama Canal (Panama)","Potomac River","Supreme Court Building (Washington, D.C.)","United States Capitol Complex (Washington, D.C.)","Washington (D.C.)"],"creator_ssm":["Scott, Arthur E., 1917-1976"],"creator_ssim":["Scott, Arthur E., 1917-1976"],"creator_persname_ssim":["Scott, Arthur E., 1917-1976","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Eisenhower, Dwight D. (Dwight David), 1890-1969","Woodring, Harry Hines, 1887-1967","Wiley, Alexander, 1884-1967","Nixon, Richard M. (Richard Milhous), 1913-1994","Vandenberg, Arthur H. (Arthur Hendrick), 1884-1951","Valeo, Francis R. (Francis Ralph), 1916-2006","Tydings, Millard E. (Millard Evelyn), 1890-1961","Scott, William Lloyd, 1915-1997","Tower, John G. (John Goodwin), 1925-1991","Thurmond, Strom, 1902-2003","Smith, Margaret Chase, 1897-1995","Shepard, Alan B. (Alan Bartlett), 1923-1998","Scott, Hugh, 1900-1994","Schoeppel, Andrew Frank, 1894-1962","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Pittman, Key, 1872-1940","Percy, Charles H., 1919-2011","Pepper, Claude, 1900-1989","Fannin, Paul J. (Paul Jones), 1907-2002","Elizabeth, Queen of Great Britain, II, 1926-2022","Dominick, Peter H. (Peter Hoyt), 1915-1981","Dole, Robert J., 1923-2021","Dirksen, Everett McKinley","Dern, George Henry, 1872-1936","Curtis, Carl T. (Carl Thomas), 1905-2000","Cotton, Norris, 1900-1989","Cooper, John Sherman, 1901-1991","Coolidge, Calvin, 1872-1933","Cochran, Steve, 1917-1965","Aiken, George D. (George David), 1892-1984","Allott, Gordon, 1907-1989","Ashurst, Henry Fountain, 1874-1962","Barkley, Alben William, 1877-1956","Beall, J. Glenn, Jr. (John Glenn), 1927-2006","Bennett, Wallace F. (Wallace Foster), 1898-1993","Bible, Alan, 1909-1988","Boggs, J. Caleb (James Caleb), 1909-1993","Borah, William Edgar, 1865-1940","Bridges, Styles, 1898-1961","Bush, Prescott Sheldon, 1895-1972","Case, Clifford P. (Clifford Philip), 1904-1982","Fong, Hiram, 1906-2004","Ford, Gerald R., 1913-2006","Garner, John Nance, 1868-1967","Glenn, John, 1921-2016","Goldwater, Barry M. (Barry Morris), 1909-1998","Griffin, Robert P. (Robert Paul), 1923-2015","Grissom, Virgil I.","Hansen, Clifford P. (Clifford Peter), 1912-2009","Harrison, Pat, 1881-1941","Hickenlooper, Bourke B. (Bourke Blakemore), 1896-1971","Holt, Rush Dew, 1905-1955","Hoover, Herbert Charles, 1903-1969","Hruska, Roman L. (Roman Lee), 1904-1999","Javits, Jacob K. (Jacob Koppel), 1904-1986","Jordan, Len B. (Len Beck), 1899-1983","Keating, Kenneth B. (Kenneth Barnard), 1900-1975","Kuchel, Thomas H.","Mansfield, Mike, 1903-2001","Marshall, George C. (George Catlett), 1880-1959","McNary, Charles Linza, 1874-1944","Morton, Thruston B. (Thruston Ballard), 1907-1982"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Washington National Cathedral (Washington, D.C.)","United States. Supreme Court","Boy Scouts of America","Arlington National Cemetery (Arlington, Va.)","United States. Congress. Senate","United States. Congress. House"],"creators_ssim":["Scott, Arthur E., 1917-1976","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Eisenhower, Dwight D. (Dwight David), 1890-1969","Woodring, Harry Hines, 1887-1967","Wiley, Alexander, 1884-1967","Nixon, Richard M. (Richard Milhous), 1913-1994","Vandenberg, Arthur H. (Arthur Hendrick), 1884-1951","Valeo, Francis R. (Francis Ralph), 1916-2006","Tydings, Millard E. (Millard Evelyn), 1890-1961","Scott, William Lloyd, 1915-1997","Tower, John G. (John Goodwin), 1925-1991","Thurmond, Strom, 1902-2003","Smith, Margaret Chase, 1897-1995","Shepard, Alan B. (Alan Bartlett), 1923-1998","Scott, Hugh, 1900-1994","Schoeppel, Andrew Frank, 1894-1962","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Pittman, Key, 1872-1940","Percy, Charles H., 1919-2011","Pepper, Claude, 1900-1989","Fannin, Paul J. (Paul Jones), 1907-2002","Elizabeth, Queen of Great Britain, II, 1926-2022","Dominick, Peter H. (Peter Hoyt), 1915-1981","Dole, Robert J., 1923-2021","Dirksen, Everett McKinley","Dern, George Henry, 1872-1936","Curtis, Carl T. (Carl Thomas), 1905-2000","Cotton, Norris, 1900-1989","Cooper, John Sherman, 1901-1991","Coolidge, Calvin, 1872-1933","Cochran, Steve, 1917-1965","Aiken, George D. (George David), 1892-1984","Allott, Gordon, 1907-1989","Ashurst, Henry Fountain, 1874-1962","Barkley, Alben William, 1877-1956","Beall, J. Glenn, Jr. (John Glenn), 1927-2006","Bennett, Wallace F. (Wallace Foster), 1898-1993","Bible, Alan, 1909-1988","Boggs, J. Caleb (James Caleb), 1909-1993","Borah, William Edgar, 1865-1940","Bridges, Styles, 1898-1961","Bush, Prescott Sheldon, 1895-1972","Case, Clifford P. (Clifford Philip), 1904-1982","Fong, Hiram, 1906-2004","Ford, Gerald R., 1913-2006","Garner, John Nance, 1868-1967","Glenn, John, 1921-2016","Goldwater, Barry M. (Barry Morris), 1909-1998","Griffin, Robert P. (Robert Paul), 1923-2015","Grissom, Virgil I.","Hansen, Clifford P. (Clifford Peter), 1912-2009","Harrison, Pat, 1881-1941","Hickenlooper, Bourke B. (Bourke Blakemore), 1896-1971","Holt, Rush Dew, 1905-1955","Hoover, Herbert Charles, 1903-1969","Hruska, Roman L. (Roman Lee), 1904-1999","Javits, Jacob K. (Jacob Koppel), 1904-1986","Jordan, Len B. (Len Beck), 1899-1983","Keating, Kenneth B. (Kenneth Barnard), 1900-1975","Kuchel, Thomas H.","Mansfield, Mike, 1903-2001","Marshall, George C. (George Catlett), 1880-1959","McNary, Charles Linza, 1874-1944","Morton, Thruston B. (Thruston Ballard), 1907-1982","George Mason University. Libraries. Special Collections Research Center","Washington National Cathedral (Washington, D.C.)","United States. Supreme Court","Boy Scouts of America","Arlington National Cemetery (Arlington, Va.)","United States. Congress. Senate","United States. Congress. House"],"access_terms_ssm":["Copyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact the Special Collections Research Center.","Materials created prior to 1928 are in the Public Domain. These materials have no known restrictions."],"acqinfo_ssim":["Collection donated by Grace L. Scott in 1981. Scrapbooks donated by Barbara Thaler in 2006."],"access_subjects_ssim":["Actors -- United States","Aerial photographs","Astronauts","Campaign speeches","Committees","Congresses and conventions","Funeral rites and ceremonies","Legislators -- United States","Legislators' spouses","Lincoln Memorial (Washington, D.C.)","National Statuary Hall (United States Capitol, Washington, D.C.)","Photography -- Negatives","Political campaigns -- United States","Political conventions","Portraits","Presidents -- United States","Presidents -- United States -- Inauguration","Slides (Photography)","Speeches, addresses, etc.","Tomb of the Unknowns (Va.)","Vice-Presidents -- United States","Washington Monument (Washington, D.C.)","Photographic prints"],"access_subjects_ssm":["Actors -- United States","Aerial photographs","Astronauts","Campaign speeches","Committees","Congresses and conventions","Funeral rites and ceremonies","Legislators -- United States","Legislators' spouses","Lincoln Memorial (Washington, D.C.)","National Statuary Hall (United States Capitol, Washington, D.C.)","Photography -- Negatives","Political campaigns -- United States","Political conventions","Portraits","Presidents -- United States","Presidents -- United States -- Inauguration","Slides (Photography)","Speeches, addresses, etc.","Tomb of the Unknowns (Va.)","Vice-Presidents -- United States","Washington Monument (Washington, D.C.)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["32 Linear Feet 43 boxes; 27 scrapbooks"],"extent_tesim":["32 Linear Feet 43 boxes; 27 scrapbooks"],"genreform_ssim":["Photographic prints"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eSelected images from the Scott collection are available online through the \u003cextptr show=\"new\" title=\"Arthur E. Scott Photograph Collection\" href=\"http://images.gmu.edu/luna/servlet/s/5gh8ep\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Selected images from the Scott collection are available online through the ."],"arrangement_html_tesm":["\u003cp\u003eArranged into six series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: People, 1910-1976 (Boxes 1-7, 12-22, 26-27, 29-42)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Places, 1927-1976 (Boxes 7-9, 22-23, 27, 31, 43, Oversize)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Events, 1921-1976 (Boxes 9-11, 23-25, 27, 30, 33, 35-36, 38-42)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Art, Publications, Reference Materials, 1918-1976 (Boxes 11, 25, 27, 35, 38)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Scrapbooks, 1918-1946 (Volumes 1-14 and unnumbered)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Realia, 1950s-1960s (Box 28)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into six series.","Series\n      Series 1: People, 1910-1976 (Boxes 1-7, 12-22, 26-27, 29-42)\n      Series 2: Places, 1927-1976 (Boxes 7-9, 22-23, 27, 31, 43, Oversize)\n      Series 3: Events, 1921-1976 (Boxes 9-11, 23-25, 27, 30, 33, 35-36, 38-42)\n      Series 4: Art, Publications, Reference Materials, 1918-1976 (Boxes 11, 25, 27, 35, 38)\n      Series 5: Scrapbooks, 1918-1946 (Volumes 1-14 and unnumbered)\n      Series 6: Realia, 1950s-1960s (Box 28)"],"bioghist_html_tesm":["\u003cp\u003eArthur E. \"Scotty\" Scott, was born March 14, 1917, in Montpelier, Vermont. In 1925 his family moved to Washington, D.C., where Scott spent most of his life. Scott began his press career at the age of 13, as a copyboy for the Washington Times-Herald. From 1934-1955, Scott served as a news photographer for International News Photos (INP) and Wide World Photos. Scott first covered the United States Congress in 1935 as a photographer for the Washington Times From 1955-1974, Scott worked as a photographer for the Republican Senatorial Committee (1965-1964) and the Republication Policy Committee (1964-1974). In 1975, the year the Senate Historical Office was created, Scott became the Senate's first photo-historian. As photo-historian, Scott was tasked with building a collection of graphic representations of the Senate's history. Scott died on December 2, 1976.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Arthur E. \"Scotty\" Scott, was born March 14, 1917, in Montpelier, Vermont. In 1925 his family moved to Washington, D.C., where Scott spent most of his life. Scott began his press career at the age of 13, as a copyboy for the Washington Times-Herald. From 1934-1955, Scott served as a news photographer for International News Photos (INP) and Wide World Photos. Scott first covered the United States Congress in 1935 as a photographer for the Washington Times From 1955-1974, Scott worked as a photographer for the Republican Senatorial Committee (1965-1964) and the Republication Policy Committee (1964-1974). In 1975, the year the Senate Historical Office was created, Scott became the Senate's first photo-historian. As photo-historian, Scott was tasked with building a collection of graphic representations of the Senate's history. Scott died on December 2, 1976."],"prefercite_html_tesm":["\u003cp\u003eArthur E. Scott photograph collection, C0096, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arthur E. Scott photograph collection, C0096, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections  Research Center staff. Additional processing completed by Stacey Kniatt and Shira Loev in 2010-2011. EAD markup completed by Stacey Kniatt and Shira Loev in 2010-2011. Finding aid updated by Amanda Menjivar in March 2023.\u003c/p\u003e","\u003cp\u003eStaff rehoused the collection into suitable archival enclosures, organized the collection by media and series, and created an EAD finding aid and MARC record. \u003c/p\u003e","\u003cp\u003eThis collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections  Research Center staff. Additional processing completed by Stacey Kniatt and Shira Loev in 2010-2011. EAD markup completed by Stacey Kniatt and Shira Loev in 2010-2011. Finding aid updated by Amanda Menjivar in March 2023.","Staff rehoused the collection into suitable archival enclosures, organized the collection by media and series, and created an EAD finding aid and MARC record.","This collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other photograph collections. The \u003cextptr show=\"new\" title=\"Charles Baptie photograph collection\" href=\"https://aspace.gmu.edu/resources/c0032\"\u003e\u003c/extptr\u003e contains many similar subjects, as does the \u003cextptr show=\"new\" title=\"Oliver F. Atkins photograph collection\" href=\"https://aspace.gmu.edu/resources/c0036\"\u003e\u003c/extptr\u003e. \u003c/p\u003e","\u003cp\u003eThe Senate Historical Office holds the \u003cextptr show=\"new\" title=\"Arthur E. Scott Collection\" href=\"http://www.senate.gov/pagelayout/history/h_multi_sections_and_teasers/Photo_Exhibit_Scott.htm\"\u003e\u003c/extptr\u003e. \u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other photograph collections. The  contains many similar subjects, as does the .","The Senate Historical Office holds the ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s. There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs. The collection also contains photographs from the 1910s and 1920s that were taken by other photographers. The collection contains prints and film negatives in various sizes, as well as glass plate negatives. Boxes 1 through 11, 29, 30, and 43 contain photographic prints; boxes 12 through 25 contain 4 x 5 inch negatives; boxes 26 and 27 contain 4 x 5 inch glass plate negatives; and boxes 31 through 42 contain slides, 35mm negatives, and negatives of various other sizes. The majority of the photographs are in black and white unless otherwise noted. \u003c/p\u003e","\u003cp\u003eSeries 1 contains photographs of people, including Senators, Representatives, Vice Presidents, Presidents, Supreme Court Justices, and other politicians. It also contains photographs of celebrities, politicians' families, and others. This series contains individual as well as group shots. This series includes photographs of many Republican Party Senators, including George D. Aiken, Gordon Allott, Clifford P. Case, Norris Cotton, Everett M. Dirksen, Robert J. Dole, Hiram Fong, Barry M. Goldwater, Roman L. Hruska, Mike Mansfield, Charles H. Percy, Hugh Scott, Margaret Chase Smith, John G. Tower, and many others. Presidents and Vice Presidents pictured include Calvin Coolidge, Dwight D. Eisenhower, John N. Garner, Herbert C. Hoover, Gerald R. Ford, Lyndon B. Johnson, and Richard M. Nixon. The series also includes photographs of astronauts John Glenn, Virgil \"Gus\" Grissom, and Alan B. Shepard. \u003c/p\u003e","\u003cp\u003eSeries 2 contains photographs of building interiors and exteriors, monuments, landmarks, and parks. The majority of the series consists of photographs of the Washington, D.C. area. This series includes photographs of Arlington National Cemetery, the U.S. Capitol Building, the U.S. Supreme Court Building, the Potomac River, the Washington Monument, and the Lincoln Memorial. It also includes aerial shots of Washington, D.C. and the Panama Canal Zone, Panama. \u003c/p\u003e","\u003cp\u003eSeries 3 contains photographs of events such as dinners, meetings, fundraisers, campaigns, conventions, and inaugurations. The events pictured in the series include the 1960 and 1964 Republican National Conventions; Richard M. Nixon campaign events in California and Hawaii (1960); and inaugurations and oaths of office for politicians such as Gerald R. Ford, Dwight D. Eisenhower, Richard M. Nixon, Nelson A. Rockefeller, and Warren G. Harding. It also contains photographs of natural disasters, such as floods, and photographs of politicians and celebrities receiving Buddy Poppies from the Veterans of Foreign Wars. \u003c/p\u003e","\u003cp\u003eSeries 4 contains photographs of published newspapers, as well as photographs of art works. It also contains reference publications and correspondence which relate to the photographs in the collection. Photographs of published newspapers include New York Times and New York Herald articles on the Battle of Gettysburg and the deaths of Abraham Lincoln and Theodore Roosevelt. The art works pictured included the George Gordon Meade Memorial, Samuel Gompers Memorial, and a monument to Casimir Pulaski. The series also includes \"Virginia Political Greats\", a report written by Scott in May 1976, as well as correspondence and captions regarding photographs taken by Scott. \u003c/p\u003e","\u003cp\u003eSeries 5 consists of scrapbooks compiled by Arthur Scott. These scrapbooks document events from 1918 through 1946. Most items contained within the scrapbooks are newspaper clippings, many of which depict photographs taken by Scott. The scrapbooks document events including the presidencies of Franklin D. Roosevelt and Harry S. Truman, as well as the run-up to World War II and homefront activities during the war years. The scrapbooks also contain press passes, expense reports, and schedules relating to Scott's photojournalism activities. \u003c/p\u003e","\u003cp\u003eSeries 6 consists of photographic supplies used by Scott. Photographic supplies include slide cases, as well as film canisters labeled \"1952\", \"1964 GOP Convention San Francisco\", \"Gene Autry by Barry Goldwater\", and \"Stereo Photos South America Vacation 1966\". \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s. There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs. The collection also contains photographs from the 1910s and 1920s that were taken by other photographers. The collection contains prints and film negatives in various sizes, as well as glass plate negatives. Boxes 1 through 11, 29, 30, and 43 contain photographic prints; boxes 12 through 25 contain 4 x 5 inch negatives; boxes 26 and 27 contain 4 x 5 inch glass plate negatives; and boxes 31 through 42 contain slides, 35mm negatives, and negatives of various other sizes. The majority of the photographs are in black and white unless otherwise noted.","Series 1 contains photographs of people, including Senators, Representatives, Vice Presidents, Presidents, Supreme Court Justices, and other politicians. It also contains photographs of celebrities, politicians' families, and others. This series contains individual as well as group shots. This series includes photographs of many Republican Party Senators, including George D. Aiken, Gordon Allott, Clifford P. Case, Norris Cotton, Everett M. Dirksen, Robert J. Dole, Hiram Fong, Barry M. Goldwater, Roman L. Hruska, Mike Mansfield, Charles H. Percy, Hugh Scott, Margaret Chase Smith, John G. Tower, and many others. Presidents and Vice Presidents pictured include Calvin Coolidge, Dwight D. Eisenhower, John N. Garner, Herbert C. Hoover, Gerald R. Ford, Lyndon B. Johnson, and Richard M. Nixon. The series also includes photographs of astronauts John Glenn, Virgil \"Gus\" Grissom, and Alan B. Shepard.","Series 2 contains photographs of building interiors and exteriors, monuments, landmarks, and parks. The majority of the series consists of photographs of the Washington, D.C. area. This series includes photographs of Arlington National Cemetery, the U.S. Capitol Building, the U.S. Supreme Court Building, the Potomac River, the Washington Monument, and the Lincoln Memorial. It also includes aerial shots of Washington, D.C. and the Panama Canal Zone, Panama.","Series 3 contains photographs of events such as dinners, meetings, fundraisers, campaigns, conventions, and inaugurations. The events pictured in the series include the 1960 and 1964 Republican National Conventions; Richard M. Nixon campaign events in California and Hawaii (1960); and inaugurations and oaths of office for politicians such as Gerald R. Ford, Dwight D. Eisenhower, Richard M. Nixon, Nelson A. Rockefeller, and Warren G. Harding. It also contains photographs of natural disasters, such as floods, and photographs of politicians and celebrities receiving Buddy Poppies from the Veterans of Foreign Wars.","Series 4 contains photographs of published newspapers, as well as photographs of art works. It also contains reference publications and correspondence which relate to the photographs in the collection. Photographs of published newspapers include New York Times and New York Herald articles on the Battle of Gettysburg and the deaths of Abraham Lincoln and Theodore Roosevelt. The art works pictured included the George Gordon Meade Memorial, Samuel Gompers Memorial, and a monument to Casimir Pulaski. The series also includes \"Virginia Political Greats\", a report written by Scott in May 1976, as well as correspondence and captions regarding photographs taken by Scott.","Series 5 consists of scrapbooks compiled by Arthur Scott. These scrapbooks document events from 1918 through 1946. Most items contained within the scrapbooks are newspaper clippings, many of which depict photographs taken by Scott. The scrapbooks document events including the presidencies of Franklin D. Roosevelt and Harry S. Truman, as well as the run-up to World War II and homefront activities during the war years. The scrapbooks also contain press passes, expense reports, and schedules relating to Scott's photojournalism activities.","Series 6 consists of photographic supplies used by Scott. Photographic supplies include slide cases, as well as film canisters labeled \"1952\", \"1964 GOP Convention San Francisco\", \"Gene Autry by Barry Goldwater\", and \"Stereo Photos South America Vacation 1966\"."],"userestrict_html_tesm":["\u003cp\u003eCopyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact the Special Collections Research Center.\u003c/p\u003e","\u003cp\u003eMaterials created prior to 1928 are in the Public Domain. These materials have no known restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact the Special Collections Research Center.","Materials created prior to 1928 are in the Public Domain. These materials have no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_dde473ebedda2d712c9f5f297abf733b\" label=\"Abstract\"\u003eThis collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s. There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs. The collection also contains glass negatives from the 1910s and 1920s that were taken by other photographers.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s. There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs. The collection also contains glass negatives from the 1910s and 1920s that were taken by other photographers."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b8196d3f5852893db38a87a1dd92c1f5\"\u003e\nR 32, C 1, S 1 - S 5 \n\n\nR 32, C 2, S 1\n\n\nOS R 6, C 2, S 3 - S 7\n\n\nMap Case 11.5\n\u003c/physloc\u003e\n    "],"physloc_tesim":["R 32, C 1, S 1 - S 5 \n\n\nR 32, C 2, S 1\n\n\nOS R 6, C 2, S 3 - S 7\n\n\nMap Case 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Washington National Cathedral (Washington, D.C.)","United States. Supreme Court","Boy Scouts of America","Arlington National Cemetery (Arlington, Va.)","United States. Congress. Senate","United States. Congress. House"],"names_coll_ssim":["Washington National Cathedral (Washington, D.C.)","United States. Supreme Court","Boy Scouts of America","Arlington National Cemetery (Arlington, Va.)","United States. Congress. Senate","United States. Congress. House","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Eisenhower, Dwight D. (Dwight David), 1890-1969","Woodring, Harry Hines, 1887-1967","Wiley, Alexander, 1884-1967","Nixon, Richard M. (Richard Milhous), 1913-1994","Vandenberg, Arthur H. (Arthur Hendrick), 1884-1951","Valeo, Francis R. (Francis Ralph), 1916-2006","Tydings, Millard E. (Millard Evelyn), 1890-1961","Scott, William Lloyd, 1915-1997","Tower, John G. (John Goodwin), 1925-1991","Thurmond, Strom, 1902-2003","Smith, Margaret Chase, 1897-1995","Shepard, Alan B. (Alan Bartlett), 1923-1998","Scott, Hugh, 1900-1994","Schoeppel, Andrew Frank, 1894-1962","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Pittman, Key, 1872-1940","Percy, Charles H., 1919-2011","Pepper, Claude, 1900-1989","Fannin, Paul J. (Paul Jones), 1907-2002","Elizabeth, Queen of Great Britain, II, 1926-2022","Dominick, Peter H. (Peter Hoyt), 1915-1981","Dole, Robert J., 1923-2021","Dirksen, Everett McKinley","Dern, George Henry, 1872-1936","Curtis, Carl T. (Carl Thomas), 1905-2000","Cotton, Norris, 1900-1989","Cooper, John Sherman, 1901-1991","Coolidge, Calvin, 1872-1933","Cochran, Steve, 1917-1965","Aiken, George D. (George David), 1892-1984","Allott, Gordon, 1907-1989","Ashurst, Henry Fountain, 1874-1962","Barkley, Alben William, 1877-1956","Beall, J. Glenn, Jr. (John Glenn), 1927-2006","Bennett, Wallace F. (Wallace Foster), 1898-1993","Bible, Alan, 1909-1988","Boggs, J. Caleb (James Caleb), 1909-1993","Borah, William Edgar, 1865-1940","Bridges, Styles, 1898-1961","Bush, Prescott Sheldon, 1895-1972","Case, Clifford P. (Clifford Philip), 1904-1982","Fong, Hiram, 1906-2004","Ford, Gerald R., 1913-2006","Garner, John Nance, 1868-1967","Glenn, John, 1921-2016","Goldwater, Barry M. (Barry Morris), 1909-1998","Griffin, Robert P. (Robert Paul), 1923-2015","Grissom, Virgil I.","Hansen, Clifford P. (Clifford Peter), 1912-2009","Harrison, Pat, 1881-1941","Hickenlooper, Bourke B. (Bourke Blakemore), 1896-1971","Holt, Rush Dew, 1905-1955","Hoover, Herbert Charles, 1903-1969","Hruska, Roman L. (Roman Lee), 1904-1999","Javits, Jacob K. (Jacob Koppel), 1904-1986","Jordan, Len B. (Len Beck), 1899-1983","Keating, Kenneth B. (Kenneth Barnard), 1900-1975","Kuchel, Thomas H.","Mansfield, Mike, 1903-2001","Marshall, George C. (George Catlett), 1880-1959","McNary, Charles Linza, 1874-1944","Morton, Thruston B. (Thruston Ballard), 1907-1982"],"persname_ssim":["Scott, Arthur E., 1917-1976","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Eisenhower, Dwight D. (Dwight David), 1890-1969","Woodring, Harry Hines, 1887-1967","Wiley, Alexander, 1884-1967","Nixon, Richard M. (Richard Milhous), 1913-1994","Vandenberg, Arthur H. (Arthur Hendrick), 1884-1951","Valeo, Francis R. (Francis Ralph), 1916-2006","Tydings, Millard E. (Millard Evelyn), 1890-1961","Scott, William Lloyd, 1915-1997","Tower, John G. (John Goodwin), 1925-1991","Thurmond, Strom, 1902-2003","Smith, Margaret Chase, 1897-1995","Shepard, Alan B. (Alan Bartlett), 1923-1998","Scott, Hugh, 1900-1994","Schoeppel, Andrew Frank, 1894-1962","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Pittman, Key, 1872-1940","Percy, Charles H., 1919-2011","Pepper, Claude, 1900-1989","Fannin, Paul J. (Paul Jones), 1907-2002","Elizabeth, Queen of Great Britain, II, 1926-2022","Dominick, Peter H. (Peter Hoyt), 1915-1981","Dole, Robert J., 1923-2021","Dirksen, Everett McKinley","Dern, George Henry, 1872-1936","Curtis, Carl T. (Carl Thomas), 1905-2000","Cotton, Norris, 1900-1989","Cooper, John Sherman, 1901-1991","Coolidge, Calvin, 1872-1933","Cochran, Steve, 1917-1965","Aiken, George D. (George David), 1892-1984","Allott, Gordon, 1907-1989","Ashurst, Henry Fountain, 1874-1962","Barkley, Alben William, 1877-1956","Beall, J. Glenn, Jr. (John Glenn), 1927-2006","Bennett, Wallace F. (Wallace Foster), 1898-1993","Bible, Alan, 1909-1988","Boggs, J. Caleb (James Caleb), 1909-1993","Borah, William Edgar, 1865-1940","Bridges, Styles, 1898-1961","Bush, Prescott Sheldon, 1895-1972","Case, Clifford P. (Clifford Philip), 1904-1982","Fong, Hiram, 1906-2004","Ford, Gerald R., 1913-2006","Garner, John Nance, 1868-1967","Glenn, John, 1921-2016","Goldwater, Barry M. (Barry Morris), 1909-1998","Griffin, Robert P. (Robert Paul), 1923-2015","Grissom, Virgil I.","Hansen, Clifford P. (Clifford Peter), 1912-2009","Harrison, Pat, 1881-1941","Hickenlooper, Bourke B. (Bourke Blakemore), 1896-1971","Holt, Rush Dew, 1905-1955","Hoover, Herbert Charles, 1903-1969","Hruska, Roman L. (Roman Lee), 1904-1999","Javits, Jacob K. (Jacob Koppel), 1904-1986","Jordan, Len B. (Len Beck), 1899-1983","Keating, Kenneth B. (Kenneth Barnard), 1900-1975","Kuchel, Thomas H.","Mansfield, Mike, 1903-2001","Marshall, George C. (George Catlett), 1880-1959","McNary, Charles Linza, 1874-1944","Morton, Thruston B. (Thruston Ballard), 1907-1982"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Washington National Cathedral (Washington, D.C.)","United States. Supreme Court","Boy Scouts of America","Arlington National Cemetery (Arlington, Va.)","United States. Congress. Senate","United States. Congress. House","Scott, Arthur E., 1917-1976","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Eisenhower, Dwight D. (Dwight David), 1890-1969","Woodring, Harry Hines, 1887-1967","Wiley, Alexander, 1884-1967","Nixon, Richard M. (Richard Milhous), 1913-1994","Vandenberg, Arthur H. (Arthur Hendrick), 1884-1951","Valeo, Francis R. (Francis Ralph), 1916-2006","Tydings, Millard E. (Millard Evelyn), 1890-1961","Scott, William Lloyd, 1915-1997","Tower, John G. (John Goodwin), 1925-1991","Thurmond, Strom, 1902-2003","Smith, Margaret Chase, 1897-1995","Shepard, Alan B. (Alan Bartlett), 1923-1998","Scott, Hugh, 1900-1994","Schoeppel, Andrew Frank, 1894-1962","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Pittman, Key, 1872-1940","Percy, Charles H., 1919-2011","Pepper, Claude, 1900-1989","Fannin, Paul J. (Paul Jones), 1907-2002","Elizabeth, Queen of Great Britain, II, 1926-2022","Dominick, Peter H. (Peter Hoyt), 1915-1981","Dole, Robert J., 1923-2021","Dirksen, Everett McKinley","Dern, George Henry, 1872-1936","Curtis, Carl T. (Carl Thomas), 1905-2000","Cotton, Norris, 1900-1989","Cooper, John Sherman, 1901-1991","Coolidge, Calvin, 1872-1933","Cochran, Steve, 1917-1965","Aiken, George D. (George David), 1892-1984","Allott, Gordon, 1907-1989","Ashurst, Henry Fountain, 1874-1962","Barkley, Alben William, 1877-1956","Beall, J. Glenn, Jr. (John Glenn), 1927-2006","Bennett, Wallace F. (Wallace Foster), 1898-1993","Bible, Alan, 1909-1988","Boggs, J. Caleb (James Caleb), 1909-1993","Borah, William Edgar, 1865-1940","Bridges, Styles, 1898-1961","Bush, Prescott Sheldon, 1895-1972","Case, Clifford P. (Clifford Philip), 1904-1982","Fong, Hiram, 1906-2004","Ford, Gerald R., 1913-2006","Garner, John Nance, 1868-1967","Glenn, John, 1921-2016","Goldwater, Barry M. (Barry Morris), 1909-1998","Griffin, Robert P. (Robert Paul), 1923-2015","Grissom, Virgil I.","Hansen, Clifford P. (Clifford Peter), 1912-2009","Harrison, Pat, 1881-1941","Hickenlooper, Bourke B. (Bourke Blakemore), 1896-1971","Holt, Rush Dew, 1905-1955","Hoover, Herbert Charles, 1903-1969","Hruska, Roman L. (Roman Lee), 1904-1999","Javits, Jacob K. (Jacob Koppel), 1904-1986","Jordan, Len B. (Len Beck), 1899-1983","Keating, Kenneth B. (Kenneth Barnard), 1900-1975","Kuchel, Thomas H.","Mansfield, Mike, 1903-2001","Marshall, George C. (George Catlett), 1880-1959","McNary, Charles Linza, 1874-1944","Morton, Thruston B. (Thruston Ballard), 1907-1982"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1168,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:54.802Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_52_c01_c01"}},{"id":"vifgm_repositories_2_resources_17_c01_c01","type":"Sub-Series","attributes":{"title":"Subseries 1.1: VNA Board of Directors Meetings, 1937/1997","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_17_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_17_c01_c01","ref_ssm":["vifgm_repositories_2_resources_17_c01_c01"],"id":"vifgm_repositories_2_resources_17_c01_c01","ead_ssi":"vifgm_repositories_2_resources_17","_root_":"vifgm_repositories_2_resources_17","_nest_parent_":"vifgm_repositories_2_resources_17_c01","parent_ssi":"vifgm_repositories_2_resources_17_c01","parent_ssim":["Visiting Nurse Association of Northern Virginia records","Series 1: Meeting Minutes, 1937/1997"],"parent_ids_ssim":["vifgm_repositories_2_resources_17","vifgm_repositories_2_resources_17_c01"],"title_filing_ssi":"Subseries 1.1: VNA Board of Directors Meetings","title_ssm":["Subseries 1.1: VNA Board of Directors Meetings"],"title_tesim":["Subseries 1.1: VNA Board of Directors Meetings"],"normalized_title_ssm":["Subseries 1.1: VNA Board of Directors Meetings, 1937/1997"],"text":["Subseries 1.1: VNA Board of Directors Meetings, 1937/1997","Visiting Nurse Association of Northern Virginia records","Series 1: Meeting Minutes, 1937/1997"],"parent_unittitles_ssm":["Visiting Nurse Association of Northern Virginia records","Series 1: Meeting Minutes, 1937/1997"],"parent_unittitles_tesim":["Visiting Nurse Association of Northern Virginia records","Series 1: Meeting Minutes, 1937/1997"],"normalized_date_ssm":["1937/1997"],"unitdate_other_ssim":["1937-1997"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":2,"repository_ssim":["George Mason University"],"collection_ssim":["Visiting Nurse Association of Northern Virginia records"],"has_online_content_ssim":["false"],"child_component_count_isi":91,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#0/components#0","timestamp":"2026-08-14T22:34:24.402Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_17","ead_ssi":"vifgm_repositories_2_resources_17","_root_":"vifgm_repositories_2_resources_17","_nest_parent_":"vifgm_repositories_2_resources_17","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_17.xml","title_filing_ssi":"Visiting Nurse Association of Northern Virginia records","title_ssm":["Visiting Nurse Association of Northern Virginia records"],"title_tesim":["Visiting Nurse Association of Northern Virginia records"],"unitdate_ssm":["1938-1997"],"unitdate_inclusive_ssm":["1938-1997"],"normalized_title_ssm":["Visiting Nurse Association of Northern Virginia records"],"text":["Visiting Nurse Association of Northern Virginia records","C0054","/repositories/2/resources/17","Nursing services","Medical care","Nurses","Correspondence","Photographs","There are no access restrictions.","This collection is organized into 5 series by document type and subject; the first series (meeting minutes) is divided into 2 sub-series by committee type. Series 3 is arranged alphabetically by subject.","Series\n      Series 1: Meeting Minutes, 1937-1997 (Box 1-16)\n      Series 2: Correspondence, 1930s-1997 (Box 17-18)\n      Series 3: Subject Files, 1930s-1997 (Box 19-30)\n      Series 4: Photographs, 1955-ca.1979 (Box 31)\n      Series 5: Oversize Materials, 1959-1997 (Box 32-33)","The Visiting Nurse Association of Northern Virginia was founded under the not-for-profit company Visiting Nurse Home Care, Inc. in 1937 to provide medical care across the Northern Virginia region. Under a team of physicians, registered nurses, home health aides, volunteers, and social workers, the services offered by the Association and the VNA Community Hospice include skilled nursing care, home health aide service, rehabilitation therapy, social work, and a volunteer program. Its area of expertise encompasses such diverse health-care provision as preventative care for diabetes and health education, mental health treatment, home infusion therapy, AIDS treatment, and assistance and counseling for the terminally ill and their families.","Processed in 2011 by Leah Donnelly. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Additional EAD markup completed by Leah Donnelly in March 2011.","The Special Collections Research Center also holds other collections that contain material on health care in Virginia.","This collection contains nearly sixty years of records of the Visiting Nurse Association of Northern Virginia. Materials include meeting minutes, financial statements, correspondence, reports, and memoranda.","The meeting minutes in Series 1 are sub-divided into two sub-series according to group: VNA Board of Directors (1.1) and Other Committees (1.2). The first sub-series covers the agendas, activities, and administrative decisions of the Board of Directors from meeting held between 1937 and 1997 as well as the minutes for the Executive Committee and joint committee meetings with the Board and Board Retreats. The second sub-series contains the meeting minutes from the numerous VNA committees including the VNA Community Hospice, Finance Committee, Mid-Management Committee, and the Professional Advisory Committee.","The correspondence in Series 2 covers the years 1937 to 1997 with the bulk of the materials falling in the 1970s-1980s. The correspondence documents communications between the VNA and the Board of Directors, outside hospitals, legal counsel, and citizens who used the VNA services.","Series 3 is arranged by subject and contains files that contain information related to events that were important in the administration of the VNA. Prominent subjects include by-laws, contracts, informational pamphlets, materials related to the VNA's National League of Nursing (NLN) accreditation, and the merger of the VNA with INOVA. The materials cover the date range of 1937 to 1997.","Series 4 contains photographs from the VNA. The images include nurses making house calls in a number of different settings, including rural homes and elder care centers. The photographs show nurses in their uniforms working with patients in a variety of tasks: conducting clinical tests, providing, physical therapy, and conducting speech and occupational therapy. Other images are from award ceremonies, banquets, and receptions. There are a number of undated images, but the bulk of photographs are from 1955 through the 1970s.","The oversize materials in Series 5 date from 1959 to 1997. Objects include award plaques, organizational membership certificates, and the pages of a large scrapbook, which covers the years 1959 through 1964 and contains a large amount of news clippings about the VNA.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains nearly fifty years of records of the Visiting Nurse Association of Northern Virginia. Materials include meeting minutes, financial statements, correspondence, reports, and memoranda.","OS R3, C5, S3\n\nOS R4, C4, S1","George Mason University. Libraries. Special Collections Research Center","Visiting Nurse Association of Northern Virginia","Inova Health System (Va.)","English"],"collection_title_tesim":["Visiting Nurse Association of Northern Virginia records"],"collection_ssim":["Visiting Nurse Association of Northern Virginia records"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0054","/repositories/2/resources/17"],"unitid_tesim":["C0054","/repositories/2/resources/17"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Visiting Nurse Association of Northern Virginia"],"creator_ssim":["Visiting Nurse Association of Northern Virginia"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Visiting Nurse Association of Northern Virginia","Inova Health System (Va.)"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","Visiting Nurse Association of Northern Virginia","Inova Health System (Va.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Emilie Deady in 1998."],"access_subjects_ssim":["Nursing services","Medical care","Nurses","Correspondence","Photographs"],"access_subjects_ssm":["Nursing services","Medical care","Nurses","Correspondence","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["16.5 Linear Feet 33 boxes"],"extent_tesim":["16.5 Linear Feet 33 boxes"],"genreform_ssim":["Correspondence","Photographs"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into 5 series by document type and subject; the first series (meeting minutes) is divided into 2 sub-series by committee type. Series 3 is arranged alphabetically by subject.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Meeting Minutes, 1937-1997 (Box 1-16)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Correspondence, 1930s-1997 (Box 17-18)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Subject Files, 1930s-1997 (Box 19-30)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Photographs, 1955-ca.1979 (Box 31)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Oversize Materials, 1959-1997 (Box 32-33)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into 5 series by document type and subject; the first series (meeting minutes) is divided into 2 sub-series by committee type. Series 3 is arranged alphabetically by subject.","Series\n      Series 1: Meeting Minutes, 1937-1997 (Box 1-16)\n      Series 2: Correspondence, 1930s-1997 (Box 17-18)\n      Series 3: Subject Files, 1930s-1997 (Box 19-30)\n      Series 4: Photographs, 1955-ca.1979 (Box 31)\n      Series 5: Oversize Materials, 1959-1997 (Box 32-33)"],"bioghist_html_tesm":["\u003cp\u003eThe Visiting Nurse Association of Northern Virginia was founded under the not-for-profit company Visiting Nurse Home Care, Inc. in 1937 to provide medical care across the Northern Virginia region. Under a team of physicians, registered nurses, home health aides, volunteers, and social workers, the services offered by the Association and the VNA Community Hospice include skilled nursing care, home health aide service, rehabilitation therapy, social work, and a volunteer program. Its area of expertise encompasses such diverse health-care provision as preventative care for diabetes and health education, mental health treatment, home infusion therapy, AIDS treatment, and assistance and counseling for the terminally ill and their families.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Visiting Nurse Association of Northern Virginia was founded under the not-for-profit company Visiting Nurse Home Care, Inc. in 1937 to provide medical care across the Northern Virginia region. Under a team of physicians, registered nurses, home health aides, volunteers, and social workers, the services offered by the Association and the VNA Community Hospice include skilled nursing care, home health aide service, rehabilitation therapy, social work, and a volunteer program. Its area of expertise encompasses such diverse health-care provision as preventative care for diabetes and health education, mental health treatment, home infusion therapy, AIDS treatment, and assistance and counseling for the terminally ill and their families."],"prefercite_html_tesm":["\u003cp\u003eVisiting Nurse Association of Northern Virginia records, C0054, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Visiting Nurse Association of Northern Virginia records, C0054, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in 2011 by Leah Donnelly. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Additional EAD markup completed by Leah Donnelly in March 2011.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in 2011 by Leah Donnelly. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Additional EAD markup completed by Leah Donnelly in March 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds other collections that contain material on health care in Virginia.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds other collections that contain material on health care in Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains nearly sixty years of records of the Visiting Nurse Association of Northern Virginia. Materials include meeting minutes, financial statements, correspondence, reports, and memoranda. \u003c/p\u003e","\u003cp\u003eThe meeting minutes in Series 1 are sub-divided into two sub-series according to group: VNA Board of Directors (1.1) and Other Committees (1.2). The first sub-series covers the agendas, activities, and administrative decisions of the Board of Directors from meeting held between 1937 and 1997 as well as the minutes for the Executive Committee and joint committee meetings with the Board and Board Retreats. The second sub-series contains the meeting minutes from the numerous VNA committees including the VNA Community Hospice, Finance Committee, Mid-Management Committee, and the Professional Advisory Committee.\u003c/p\u003e","\u003cp\u003eThe correspondence in Series 2 covers the years 1937 to 1997 with the bulk of the materials falling in the 1970s-1980s. The correspondence documents communications between the VNA and the Board of Directors, outside hospitals, legal counsel, and citizens who used the VNA services.\u003c/p\u003e","\u003cp\u003eSeries 3 is arranged by subject and contains files that contain information related to events that were important in the administration of the VNA. Prominent subjects include by-laws, contracts, informational pamphlets, materials related to the VNA's National League of Nursing (NLN) accreditation, and the merger of the VNA with INOVA. The materials cover the date range of 1937 to 1997.\u003c/p\u003e","\u003cp\u003eSeries 4 contains photographs from the VNA. The images include nurses making house calls in a number of different settings, including rural homes and elder care centers. The photographs show nurses in their uniforms working with patients in a variety of tasks: conducting clinical tests, providing, physical therapy, and conducting speech and occupational therapy. Other images are from award ceremonies, banquets, and receptions. There are a number of undated images, but the bulk of photographs are from 1955 through the 1970s.\u003c/p\u003e","\u003cp\u003eThe oversize materials in Series 5 date from 1959 to 1997. Objects include award plaques, organizational membership certificates, and the pages of a large scrapbook, which covers the years 1959 through 1964 and contains a large amount of news clippings about the VNA.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains nearly sixty years of records of the Visiting Nurse Association of Northern Virginia. Materials include meeting minutes, financial statements, correspondence, reports, and memoranda.","The meeting minutes in Series 1 are sub-divided into two sub-series according to group: VNA Board of Directors (1.1) and Other Committees (1.2). The first sub-series covers the agendas, activities, and administrative decisions of the Board of Directors from meeting held between 1937 and 1997 as well as the minutes for the Executive Committee and joint committee meetings with the Board and Board Retreats. The second sub-series contains the meeting minutes from the numerous VNA committees including the VNA Community Hospice, Finance Committee, Mid-Management Committee, and the Professional Advisory Committee.","The correspondence in Series 2 covers the years 1937 to 1997 with the bulk of the materials falling in the 1970s-1980s. The correspondence documents communications between the VNA and the Board of Directors, outside hospitals, legal counsel, and citizens who used the VNA services.","Series 3 is arranged by subject and contains files that contain information related to events that were important in the administration of the VNA. Prominent subjects include by-laws, contracts, informational pamphlets, materials related to the VNA's National League of Nursing (NLN) accreditation, and the merger of the VNA with INOVA. The materials cover the date range of 1937 to 1997.","Series 4 contains photographs from the VNA. The images include nurses making house calls in a number of different settings, including rural homes and elder care centers. The photographs show nurses in their uniforms working with patients in a variety of tasks: conducting clinical tests, providing, physical therapy, and conducting speech and occupational therapy. Other images are from award ceremonies, banquets, and receptions. There are a number of undated images, but the bulk of photographs are from 1955 through the 1970s.","The oversize materials in Series 5 date from 1959 to 1997. Objects include award plaques, organizational membership certificates, and the pages of a large scrapbook, which covers the years 1959 through 1964 and contains a large amount of news clippings about the VNA."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_9279e29ba73e8a07e5fce1a7fb112267\" label=\"Abstract\"\u003eThis collection contains nearly fifty years of records of the Visiting Nurse Association of Northern Virginia. Materials include meeting minutes, financial statements, correspondence, reports, and memoranda.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains nearly fifty years of records of the Visiting Nurse Association of Northern Virginia. Materials include meeting minutes, financial statements, correspondence, reports, and memoranda."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e502d02b187402517a6f4001f2784e73\"\u003eOS R3, C5, S3\n\nOS R4, C4, S1\u003c/physloc\u003e\n    "],"physloc_tesim":["OS R3, C5, S3\n\nOS R4, C4, S1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Visiting Nurse Association of Northern Virginia","Inova Health System (Va.)"],"names_coll_ssim":["Inova Health System (Va.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Visiting Nurse Association of Northern Virginia","Inova Health System (Va.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":313,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:24.402Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_17_c01_c01"}},{"id":"vifgm_repositories_2_resources_113_c01_c02","type":"Sub-Series","attributes":{"title":"Subseries 1.2: Boston and surrounding area, 1892/1989","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_113_c01_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePlaybills in this subseries are from the Boston Museum, Carousel Theatre, Charles Playhouse, Colonial Theatre, Copley Theatre, Music Hall, the New Globe Theatre, North Shore Music Theatre, Plymouth Theatre, Saxon Theatre, Shubert Theatre, South Shore Music Circus, Sumner Theatre, and the Wilbur Theatre in Boston. There is also one playbill from the Court Square Theatre in Springfield, MA, one from The Dettors Theatre in Concord, MA, two from the Provincetown Playhouse On-the-wharf in Provincetown, MA, and a review of a play from Tilton, NH.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_113_c01_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_113_c01_c02","ref_ssm":["vifgm_repositories_2_resources_113_c01_c02"],"id":"vifgm_repositories_2_resources_113_c01_c02","ead_ssi":"vifgm_repositories_2_resources_113","_root_":"vifgm_repositories_2_resources_113","_nest_parent_":"vifgm_repositories_2_resources_113_c01","parent_ssi":"vifgm_repositories_2_resources_113_c01","parent_ssim":["Charles Rodrigues playbill collection, 1879/2009","Series 1: Outside New York City, 1879/2009"],"parent_ids_ssim":["vifgm_repositories_2_resources_113","vifgm_repositories_2_resources_113_c01"],"title_filing_ssi":"Subseries 1.2: Boston and surrounding area","title_ssm":["Subseries 1.2: Boston and surrounding area"],"title_tesim":["Subseries 1.2: Boston and surrounding area"],"normalized_title_ssm":["Subseries 1.2: Boston and surrounding area, 1892/1989"],"text":["Subseries 1.2: Boston and surrounding area, 1892/1989","Charles Rodrigues playbill collection, 1879/2009","Series 1: Outside New York City, 1879/2009","(.5 box)","Playbills in this subseries are from the Boston Museum, Carousel Theatre, Charles Playhouse, Colonial Theatre, Copley Theatre, Music Hall, the New Globe Theatre, North Shore Music Theatre, Plymouth Theatre, Saxon Theatre, Shubert Theatre, South Shore Music Circus, Sumner Theatre, and the Wilbur Theatre in Boston. There is also one playbill from the Court Square Theatre in Springfield, MA, one from The Dettors Theatre in Concord, MA, two from the Provincetown Playhouse On-the-wharf in Provincetown, MA, and a review of a play from Tilton, NH."],"parent_unittitles_ssm":["Charles Rodrigues playbill collection, 1879/2009","Series 1: Outside New York City, 1879/2009"],"parent_unittitles_tesim":["Charles Rodrigues playbill collection, 1879/2009","Series 1: Outside New York City, 1879/2009"],"normalized_date_ssm":["1892/1989"],"unitdate_inclusive_ssm":["1892-1989"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":4,"repository_ssim":["George Mason University"],"collection_ssim":["Charles Rodrigues playbill collection, 1879/2009"],"physdesc_tesim":["(.5 box)"],"has_online_content_ssim":["false"],"child_component_count_isi":16,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"scopecontent_html_tesm":["\u003cp\u003ePlaybills in this subseries are from the Boston Museum, Carousel Theatre, Charles Playhouse, Colonial Theatre, Copley Theatre, Music Hall, the New Globe Theatre, North Shore Music Theatre, Plymouth Theatre, Saxon Theatre, Shubert Theatre, South Shore Music Circus, Sumner Theatre, and the Wilbur Theatre in Boston. There is also one playbill from the Court Square Theatre in Springfield, MA, one from The Dettors Theatre in Concord, MA, two from the Provincetown Playhouse On-the-wharf in Provincetown, MA, and a review of a play from Tilton, NH.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Playbills in this subseries are from the Boston Museum, Carousel Theatre, Charles Playhouse, Colonial Theatre, Copley Theatre, Music Hall, the New Globe Theatre, North Shore Music Theatre, Plymouth Theatre, Saxon Theatre, Shubert Theatre, South Shore Music Circus, Sumner Theatre, and the Wilbur Theatre in Boston. There is also one playbill from the Court Square Theatre in Springfield, MA, one from The Dettors Theatre in Concord, MA, two from the Provincetown Playhouse On-the-wharf in Provincetown, MA, and a review of a play from Tilton, NH."],"_nest_path_":"/components#0/components#1","timestamp":"2026-08-14T22:34:14.575Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_113","ead_ssi":"vifgm_repositories_2_resources_113","_root_":"vifgm_repositories_2_resources_113","_nest_parent_":"vifgm_repositories_2_resources_113","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_113.xml","title_filing_ssi":"Charles Rodrigues playbill collection","title_ssm":["Charles Rodrigues playbill collection"],"title_tesim":["Charles Rodrigues playbill collection"],"unitdate_ssm":["1879-2009"],"unitdate_inclusive_ssm":["1879-2009"],"normalized_date_ssm":["1879/2009"],"normalized_title_ssm":["Charles Rodrigues playbill collection, 1879/2009"],"text":["Charles Rodrigues playbill collection, 1879/2009","C0184","/repositories/2/resources/113","Broadway (New York, N.Y.)","Theater -- New York (State) -- New York","Theater -- United States","Performing arts","Musical Theater","Theater","Theater programs","Musical Theater -- New York (State) -- New York","There are no access restrictions.","Arranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.","Series\n      Series 1: Outside New York City, 1879-2009 (boxes 1-5, 37)\n      Series 2: New York City, 1885-2009 (boxes 6-34, 37-38)\n      Series 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)","Charles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage.","Processed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Menjivar in April 2022.","The Special Collections Research Center holds many other collections on theatre and the performing arts.","The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","The collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs.","The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)","The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","George Mason University. Libraries. Special Collections Research Center","Rodrigues, Charles","English"],"collection_title_tesim":["Charles Rodrigues playbill collection, 1879/2009"],"collection_ssim":["Charles Rodrigues playbill collection, 1879/2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0184","/repositories/2/resources/113"],"unitid_tesim":["C0184","/repositories/2/resources/113"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Broadway (New York, N.Y.)"],"geogname_ssim":["Broadway (New York, N.Y.)"],"places_ssim":["Broadway (New York, N.Y.)"],"creator_ssm":["Rodrigues, Charles"],"creator_ssim":["Rodrigues, Charles"],"creator_persname_ssim":["Rodrigues, Charles"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Rodrigues, Charles","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Phil Rodrigues, brother of Charles Rodrigues, October 21, 2010."],"access_subjects_ssim":["Theater -- New York (State) -- New York","Theater -- United States","Performing arts","Musical Theater","Theater","Theater programs","Musical Theater -- New York (State) -- New York"],"access_subjects_ssm":["Theater -- New York (State) -- New York","Theater -- United States","Performing arts","Musical Theater","Theater","Theater programs","Musical Theater -- New York (State) -- New York"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 38 boxes"],"extent_tesim":["18 Linear Feet 38 boxes"],"date_range_isim":[1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Outside New York City, 1879-2009 (boxes 1-5, 37)\u003c/item\u003e\n      \u003citem\u003eSeries 2: New York City, 1885-2009 (boxes 6-34, 37-38)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.","Series\n      Series 1: Outside New York City, 1879-2009 (boxes 1-5, 37)\n      Series 2: New York City, 1885-2009 (boxes 6-34, 37-38)\n      Series 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)"],"bioghist_html_tesm":["\u003cp\u003eCharles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Charles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage."],"prefercite_html_tesm":["\u003cp\u003eCharles Rodrigues playbill collection, C0184, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Charles Rodrigues playbill collection, C0184, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Menjivar in April 2022.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Menjivar in April 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections on theatre and the performing arts.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections on theatre and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.\u003c/p\u003e","\u003cp\u003eThe collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","The collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d46ac9a9e4e3a7b9dc6e8e0b7d7a8d53\" label=\"Abstract\"\u003eThe Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Rodrigues, Charles"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Rodrigues, Charles"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":563,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:14.575Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_113_c01_c02"}},{"id":"vifgm_repositories_2_resources_505_c01_c02","type":"Sub-Series","attributes":{"title":"Subseries 1.2: Lutheran church interiors, 1906/2000","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_505_c01_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSeries 1: Lutheran churches, 1904-2010 (Boxes 1-7) includes postcards of Lutheran churches from the United States and Canada. It is divided into two subseries. Sub-series 1: Lutheran church exteriors and Sub-series 2: Lutheran church interiors.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_505_c01_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_505_c01_c02","ref_ssm":["vifgm_repositories_2_resources_505_c01_c02"],"id":"vifgm_repositories_2_resources_505_c01_c02","ead_ssi":"vifgm_repositories_2_resources_505","_root_":"vifgm_repositories_2_resources_505","_nest_parent_":"vifgm_repositories_2_resources_505_c01","parent_ssi":"vifgm_repositories_2_resources_505_c01","parent_ssim":["Phil Teigen North American churches postcard collection, 1904/2010","Series 1: Lutheran churches, 1904/2010"],"parent_ids_ssim":["vifgm_repositories_2_resources_505","vifgm_repositories_2_resources_505_c01"],"title_filing_ssi":"Subseries 1.2: Lutheran church interiors","title_ssm":["Subseries 1.2: Lutheran church interiors"],"title_tesim":["Subseries 1.2: Lutheran church interiors"],"normalized_title_ssm":["Subseries 1.2: Lutheran church interiors, 1906/2000"],"text":["Subseries 1.2: Lutheran church interiors, 1906/2000","Phil Teigen North American churches postcard collection, 1904/2010","Series 1: Lutheran churches, 1904/2010","Box 7","Series 1: Lutheran churches, 1904-2010 (Boxes 1-7) includes postcards of Lutheran churches from the United States and Canada. It is divided into two subseries. Sub-series 1: Lutheran church exteriors and Sub-series 2: Lutheran church interiors."],"parent_unittitles_ssm":["Phil Teigen North American churches postcard collection, 1904/2010","Series 1: Lutheran churches, 1904/2010"],"parent_unittitles_tesim":["Phil Teigen North American churches postcard collection, 1904/2010","Series 1: Lutheran churches, 1904/2010"],"normalized_date_ssm":["1906/2000"],"unitdate_inclusive_ssm":["1906-2000"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":10,"repository_ssim":["George Mason University"],"collection_ssim":["Phil Teigen North American churches postcard collection, 1904/2010"],"containers_ssim":["Box 7"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"scopecontent_html_tesm":["\u003cp\u003eSeries 1: Lutheran churches, 1904-2010 (Boxes 1-7) includes postcards of Lutheran churches from the United States and Canada. It is divided into two subseries. Sub-series 1: Lutheran church exteriors and Sub-series 2: Lutheran church interiors.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Series 1: Lutheran churches, 1904-2010 (Boxes 1-7) includes postcards of Lutheran churches from the United States and Canada. It is divided into two subseries. Sub-series 1: Lutheran church exteriors and Sub-series 2: Lutheran church interiors."],"_nest_path_":"/components#0/components#1","timestamp":"2026-08-14T22:34:53.150Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_505","ead_ssi":"vifgm_repositories_2_resources_505","_root_":"vifgm_repositories_2_resources_505","_nest_parent_":"vifgm_repositories_2_resources_505","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_505.xml","title_filing_ssi":"Phil Teigen North American churches postcard collection","title_ssm":["Phil Teigen North American churches postcard collection"],"title_tesim":["Phil Teigen North American churches postcard collection"],"unitdate_ssm":["1904-2010"],"unitdate_inclusive_ssm":["1904-2010"],"normalized_date_ssm":["1904/2010"],"normalized_title_ssm":["Phil Teigen North American churches postcard collection, 1904/2010"],"text":["Phil Teigen North American churches postcard collection, 1904/2010","C0317","/repositories/2/resources/505","Catholic church buildings","Church buildings","Lutheran church buildings","Anglican church buildings","Postcards","Correspondence","There are no access restrictions.","The collection is organized into five series by denomination and then chronologially.","Series 1: Lutheran churches\n      Series 2: Roman Catholic churches\n      Series 3: Episcopal churches\n      Series 4: Other denominations\n      Series 5: Additional postcards","\"MS 0960 - Philip Teigen Papers.\" 2024. DC History Center. 2024. https://dchistory.catalogaccess.com/archives/109847.","Williams, Peter W. Houses of God: Region, Religion, and Architecture in the United States. Urbana/Chicago: University of Illinois Press, 1997.","Philip M. Teigen (b. 1941) is a trained historian of science and medicine, having received his Ph.D. from the University of Wisconsin-Madison in 1976, and spent his professional life working as a historian at McGill University in Montréal, Canada and the National Library of Medicine in Bethesda, Maryland. Additionally, he completed many projects surrounding the history of religious congregations, primarily Lutheran, in both Washington, D.C. and throughout North America, including identifying and researching the history of thirty-three Lutheran congregations in the District and photographing forty-fifty buildings that represent current or past Lutheran congregations.","Immigrants from Europe and Asia brought a wide variety of Christian beliefs to North America. As Peter Williams notes, \"The pluralism of America's religious experience is a given from the beginnings, first for the colonial settlements in aggregate, then later in virtually every town, city, and state\" (\"Houses of God\", xii). He goes on to describe how these many religious groups impacted the built environment as they came \"in succeeding waves of immigration, each bringing with them and/or adapting for their own purposes a wide variety of types of houses of worship and other sacred sites and structures\" (\"Houses of God,\" xii). This diversity of religious architecture is reflected in material commemorative culture, including through postcards.","Processing completed by Elizabeth Beckman in October 2018. EAD markup completed by Elizabeth Beckman in October 2018. Additional processing completed and finding aid updated by Meghan Glasbrenner from April-May 2025.","The Special Collections Research Center holds other postcard collections, including the Gustav Klemp World War I collection, Randolph Lytton historic Washington, D.C. postcards and photographs collection, and Lavinia Scott papers.","The DC History Center holds the Philip Teigen papers, which includes Teigen's decade-long research on the Lutheran churches of Washington, D.C., along with original photographs of local Lutheran churches.","This collection contains postcards from churches of many denominations across the United States and Canada. The postcards date from 1904-2010, although many are undated. The processor included undated in the date range for a series or box if it seemed likely that some of the postcards in the group date from outside the given range. More than half of the postcards depict Lutheran churches; there are also many postcards of Roman Catholic churches and Episcopal churches, as well as other Christian denominations. Many of the postcards contained mailed correspondence on the back from a mix of senders and recipients, but the number and location of these has not been noted in the finding aid. The postcards are organized by denomination and alphabetically by state (sometimes city), as well as whether they depict church interiors or exteriors. The collections contains five series.","Series 1: Lutheran churches, 1904-2010 (Boxes 1-7) includes postcards of Lutheran churches from the United States and Canada. It is divided into two subseries. Sub-series 1: Lutheran church exteriors and Sub-series 2: Lutheran church interiors.","Series 2: Roman Catholic churches, 1907-1995 (Boxes 8-10) includes postcards of Roman Catholic churches across the United States and Canada.","Series 3: Episcopal churches, 1908-1983, undated (Boxes 10-11) includes postcards of Episcopal churches across the United States and Canada.","Series 4: Other denominations, 1908-2000 (Boxes 11-12) is the smallest series, and includes postcards of a variety of churches, including Methodist, Presbyterian, Baptist, Orthodox, and other denominations, as well as non-denominational.","Series 5: Additional postcards, circa 1910s-2000s (Box 13) includes additional postcards donated in 2019. Dates for postcards in this series were determined based on stamps where possible and were otherwise estimated based on style and design. It is divided into four subseries. Sub-series 1: Additional Lutheran churches (circa 1910s-2000s) includes postcards depicting both exterior and interior images of Lutheran churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end. One postcard depicts a church in Ontario, Canada which has been placed at the end of the state arrangement before the oversized. Sub-series 2: Additional Roman Catholic churches (circa 1950s-2000s) includes postcards depicting both exterior and interior images of Roman Catholic churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end. Sub-series 3: Additional Episcopal churches (circa 1950s-1980s) includes postcards depicting both exterior and interior images of Episcopal churches. Postcards are arranged alphabetically by state. Sub-series 4: Additional other denominations (circa 1950s-1990s) includes postcards depicting both exterior and interior images of churches for a variety of other denominations and uses. Postcards are arranged alphabetically by use or denomination and then alphabetically by state.","The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains postcards of churches of many Christian denominations from the United States and Canada.","R 54, C 3, S 3-4\n\nR 54, C 4, S 3","George Mason University. Libraries. Special Collections Research Center","Teigen, Philip M.","English\n      Swedish"],"collection_title_tesim":["Phil Teigen North American churches postcard collection, 1904/2010"],"collection_ssim":["Phil Teigen North American churches postcard collection, 1904/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0317","/repositories/2/resources/505"],"unitid_tesim":["C0317","/repositories/2/resources/505"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Teigen, Philip M."],"creator_ssim":["Teigen, Philip M."],"creator_persname_ssim":["Teigen, Philip M."],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Teigen, Philip M.","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Phil Teigen in September 2018.","Additional materials donated by Phil Teigen in July 2019."],"access_subjects_ssim":["Catholic church buildings","Church buildings","Lutheran church buildings","Anglican church buildings","Postcards","Correspondence"],"access_subjects_ssm":["Catholic church buildings","Church buildings","Lutheran church buildings","Anglican church buildings","Postcards","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["4.5 Linear Feet 13 boxes"],"extent_tesim":["4.5 Linear Feet 13 boxes"],"genreform_ssim":["Postcards","Correspondence"],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into five series by denomination and then chronologially.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eSeries 1: Lutheran churches\u003c/item\u003e\n      \u003citem\u003eSeries 2: Roman Catholic churches\u003c/item\u003e\n      \u003citem\u003eSeries 3: Episcopal churches\u003c/item\u003e\n      \u003citem\u003eSeries 4: Other denominations\u003c/item\u003e\n      \u003citem\u003eSeries 5: Additional postcards\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into five series by denomination and then chronologially.","Series 1: Lutheran churches\n      Series 2: Roman Catholic churches\n      Series 3: Episcopal churches\n      Series 4: Other denominations\n      Series 5: Additional postcards"],"bibliography_html_tesm":["\u003cp\u003e\"MS 0960 - Philip Teigen Papers.\" 2024. DC History Center. 2024. https://dchistory.catalogaccess.com/archives/109847.\u003c/p\u003e","\u003cp\u003eWilliams, Peter W. \u003ctitle\u003eHouses of God: Region, Religion, and Architecture in the United States\u003c/title\u003e. Urbana/Chicago: University of Illinois Press, 1997.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"MS 0960 - Philip Teigen Papers.\" 2024. DC History Center. 2024. https://dchistory.catalogaccess.com/archives/109847.","Williams, Peter W. Houses of God: Region, Religion, and Architecture in the United States. Urbana/Chicago: University of Illinois Press, 1997."],"bioghist_html_tesm":["\u003cp\u003ePhilip M. Teigen (b. 1941) is a trained historian of science and medicine, having received his Ph.D. from the University of Wisconsin-Madison in 1976, and spent his professional life working as a historian at McGill University in Montréal, Canada and the National Library of Medicine in Bethesda, Maryland. Additionally, he completed many projects surrounding the history of religious congregations, primarily Lutheran, in both Washington, D.C. and throughout North America, including identifying and researching the history of thirty-three Lutheran congregations in the District and photographing forty-fifty buildings that represent current or past Lutheran congregations.\u003c/p\u003e","\u003cp\u003eImmigrants from Europe and Asia brought a wide variety of Christian beliefs to North America. As Peter Williams notes, \"The pluralism of America's religious experience is a given from the beginnings, first for the colonial settlements in aggregate, then later in virtually every town, city, and state\" (\"Houses of God\", xii). He goes on to describe how these many religious groups impacted the built environment as they came \"in succeeding waves of immigration, each bringing with them and/or adapting for their own purposes a wide variety of types of houses of worship and other sacred sites and structures\" (\"Houses of God,\" xii). This diversity of religious architecture is reflected in material commemorative culture, including through postcards.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Philip M. Teigen (b. 1941) is a trained historian of science and medicine, having received his Ph.D. from the University of Wisconsin-Madison in 1976, and spent his professional life working as a historian at McGill University in Montréal, Canada and the National Library of Medicine in Bethesda, Maryland. Additionally, he completed many projects surrounding the history of religious congregations, primarily Lutheran, in both Washington, D.C. and throughout North America, including identifying and researching the history of thirty-three Lutheran congregations in the District and photographing forty-fifty buildings that represent current or past Lutheran congregations.","Immigrants from Europe and Asia brought a wide variety of Christian beliefs to North America. As Peter Williams notes, \"The pluralism of America's religious experience is a given from the beginnings, first for the colonial settlements in aggregate, then later in virtually every town, city, and state\" (\"Houses of God\", xii). He goes on to describe how these many religious groups impacted the built environment as they came \"in succeeding waves of immigration, each bringing with them and/or adapting for their own purposes a wide variety of types of houses of worship and other sacred sites and structures\" (\"Houses of God,\" xii). This diversity of religious architecture is reflected in material commemorative culture, including through postcards."],"prefercite_html_tesm":["\u003cp\u003ePhil Teigen North American churches postcard collection, C0317, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Phil Teigen North American churches postcard collection, C0317, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Elizabeth Beckman in October 2018. EAD markup completed by Elizabeth Beckman in October 2018. Additional processing completed and finding aid updated by Meghan Glasbrenner from April-May 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Elizabeth Beckman in October 2018. EAD markup completed by Elizabeth Beckman in October 2018. Additional processing completed and finding aid updated by Meghan Glasbrenner from April-May 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other postcard collections, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0250\"\u003eGustav Klemp World War I collection\u003c/a\u003e, \u003ca href=\"https://aspace.gmu.edu/resources/c0511\"\u003eRandolph Lytton historic Washington, D.C. postcards and photographs collection\u003c/a\u003e, and \u003ca href=\"https://aspace.gmu.edu/resources/c0506\"\u003eLavinia Scott papers\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eThe DC History Center holds the \u003ca href=\"https://dchistory.catalogaccess.com/archives/109847\"\u003ePhilip Teigen papers\u003c/a\u003e, which includes Teigen's decade-long research on the Lutheran churches of Washington, D.C., along with original photographs of local Lutheran churches.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other postcard collections, including the Gustav Klemp World War I collection, Randolph Lytton historic Washington, D.C. postcards and photographs collection, and Lavinia Scott papers.","The DC History Center holds the Philip Teigen papers, which includes Teigen's decade-long research on the Lutheran churches of Washington, D.C., along with original photographs of local Lutheran churches."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains postcards from churches of many denominations across the United States and Canada. The postcards date from 1904-2010, although many are undated. The processor included undated in the date range for a series or box if it seemed likely that some of the postcards in the group date from outside the given range. More than half of the postcards depict Lutheran churches; there are also many postcards of Roman Catholic churches and Episcopal churches, as well as other Christian denominations. Many of the postcards contained mailed correspondence on the back from a mix of senders and recipients, but the number and location of these has not been noted in the finding aid. The postcards are organized by denomination and alphabetically by state (sometimes city), as well as whether they depict church interiors or exteriors. The collections contains five series.\u003c/p\u003e","\u003cp\u003eSeries 1: Lutheran churches, 1904-2010 (Boxes 1-7) includes postcards of Lutheran churches from the United States and Canada. It is divided into two subseries. Sub-series 1: Lutheran church exteriors and Sub-series 2: Lutheran church interiors.\u003c/p\u003e","\u003cp\u003eSeries 2: Roman Catholic churches, 1907-1995 (Boxes 8-10) includes postcards of Roman Catholic churches across the United States and Canada.\u003c/p\u003e","\u003cp\u003eSeries 3: Episcopal churches, 1908-1983, undated (Boxes 10-11) includes postcards of Episcopal churches across the United States and Canada.\u003c/p\u003e","\u003cp\u003eSeries 4: Other denominations, 1908-2000 (Boxes 11-12) is the smallest series, and includes postcards of a variety of churches, including Methodist, Presbyterian, Baptist, Orthodox, and other denominations, as well as non-denominational.\u003c/p\u003e","\u003cp\u003eSeries 5: Additional postcards, circa 1910s-2000s (Box 13) includes additional postcards donated in 2019. Dates for postcards in this series were determined based on stamps where possible and were otherwise estimated based on style and design. It is divided into four subseries. Sub-series 1: Additional Lutheran churches (circa 1910s-2000s) includes postcards depicting both exterior and interior images of Lutheran churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end. One postcard depicts a church in Ontario, Canada which has been placed at the end of the state arrangement before the oversized. Sub-series 2: Additional Roman Catholic churches (circa 1950s-2000s) includes postcards depicting both exterior and interior images of Roman Catholic churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end. Sub-series 3: Additional Episcopal churches (circa 1950s-1980s) includes postcards depicting both exterior and interior images of Episcopal churches. Postcards are arranged alphabetically by state. Sub-series 4: Additional other denominations (circa 1950s-1990s) includes postcards depicting both exterior and interior images of churches for a variety of other denominations and uses. Postcards are arranged alphabetically by use or denomination and then alphabetically by state.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains postcards from churches of many denominations across the United States and Canada. The postcards date from 1904-2010, although many are undated. The processor included undated in the date range for a series or box if it seemed likely that some of the postcards in the group date from outside the given range. More than half of the postcards depict Lutheran churches; there are also many postcards of Roman Catholic churches and Episcopal churches, as well as other Christian denominations. Many of the postcards contained mailed correspondence on the back from a mix of senders and recipients, but the number and location of these has not been noted in the finding aid. The postcards are organized by denomination and alphabetically by state (sometimes city), as well as whether they depict church interiors or exteriors. The collections contains five series.","Series 1: Lutheran churches, 1904-2010 (Boxes 1-7) includes postcards of Lutheran churches from the United States and Canada. It is divided into two subseries. Sub-series 1: Lutheran church exteriors and Sub-series 2: Lutheran church interiors.","Series 2: Roman Catholic churches, 1907-1995 (Boxes 8-10) includes postcards of Roman Catholic churches across the United States and Canada.","Series 3: Episcopal churches, 1908-1983, undated (Boxes 10-11) includes postcards of Episcopal churches across the United States and Canada.","Series 4: Other denominations, 1908-2000 (Boxes 11-12) is the smallest series, and includes postcards of a variety of churches, including Methodist, Presbyterian, Baptist, Orthodox, and other denominations, as well as non-denominational.","Series 5: Additional postcards, circa 1910s-2000s (Box 13) includes additional postcards donated in 2019. Dates for postcards in this series were determined based on stamps where possible and were otherwise estimated based on style and design. It is divided into four subseries. Sub-series 1: Additional Lutheran churches (circa 1910s-2000s) includes postcards depicting both exterior and interior images of Lutheran churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end. One postcard depicts a church in Ontario, Canada which has been placed at the end of the state arrangement before the oversized. Sub-series 2: Additional Roman Catholic churches (circa 1950s-2000s) includes postcards depicting both exterior and interior images of Roman Catholic churches. Postcards are arranged by size and then alphabetically by state, with oversized items at the end. Sub-series 3: Additional Episcopal churches (circa 1950s-1980s) includes postcards depicting both exterior and interior images of Episcopal churches. Postcards are arranged alphabetically by state. Sub-series 4: Additional other denominations (circa 1950s-1990s) includes postcards depicting both exterior and interior images of churches for a variety of other denominations and uses. Postcards are arranged alphabetically by use or denomination and then alphabetically by state."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref8\"\u003eThis collection contains postcards of churches of many Christian denominations from the United States and Canada.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains postcards of churches of many Christian denominations from the United States and Canada."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_25039d10bd6b223a8c06bf9333b89608\"\u003eR 54, C 3, S 3-4\n\nR 54, C 4, S 3\u003c/physloc\u003e\n    "],"physloc_tesim":["R 54, C 3, S 3-4\n\nR 54, C 4, S 3"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Teigen, Philip M."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Teigen, Philip M."],"language_ssim":["English\n      Swedish"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":80,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:53.150Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_505_c01_c02"}},{"id":"vifgm_repositories_2_resources_416_c01_c02","type":"Sub-Series","attributes":{"title":"Subseries 1.2: Programs, policies, and procedures, 1950/1997","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c01_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c01_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_416_c01_c02","ref_ssm":["vifgm_repositories_2_resources_416_c01_c02"],"id":"vifgm_repositories_2_resources_416_c01_c02","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416_c01","parent_ssi":"vifgm_repositories_2_resources_416_c01","parent_ssim":["Arena Stage records, 1949/2010","Series 1: Administrative records, 1949/2007"],"parent_ids_ssim":["vifgm_repositories_2_resources_416","vifgm_repositories_2_resources_416_c01"],"title_filing_ssi":"Subseries 1.2: Programs, policies, and procedures","title_ssm":["Subseries 1.2: Programs, policies, and procedures"],"title_tesim":["Subseries 1.2: Programs, policies, and procedures"],"normalized_title_ssm":["Subseries 1.2: Programs, policies, and procedures, 1950/1997"],"text":["Subseries 1.2: Programs, policies, and procedures, 1950/1997","Arena Stage records, 1949/2010","Series 1: Administrative records, 1949/2007","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans."],"parent_unittitles_ssm":["Arena Stage records, 1949/2010","Series 1: Administrative records, 1949/2007"],"parent_unittitles_tesim":["Arena Stage records, 1949/2010","Series 1: Administrative records, 1949/2007"],"normalized_date_ssm":["1950/1997"],"unitdate_other_ssim":["1950-1997"],"level_ssm":["Sub-Series"],"level_ssim":["Sub-series"],"component_level_isim":[2],"sort_isi":277,"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records, 1949/2010"],"has_online_content_ssim":["false"],"child_component_count_isi":104,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"scopecontent_html_tesm":["\u003cp\u003eThis subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans."],"_nest_path_":"/components#0/components#1","timestamp":"2026-09-04T00:01:18.787Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_filing_ssi":"Arena Stage records","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","/repositories/2/resources/416","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","There are no access restrictions.","to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"accruals_html_tesm":["\u003cp\u003eto this collection are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e\n            ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-09-04T00:01:18.787Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c01_c02"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"George Mason University","value":"George Mason University","hits":62},"links":{"remove":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1953\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1953\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Alexander Haight family collection, 1764/1976","value":"Alexander Haight family collection, 1764/1976","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Alexander+Haight+family+collection%2C+1764%2F1976\u0026f%5Bdate_range%5D%5B%5D=1953\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Arena Stage records, 1949/2010","value":"Arena Stage records, 1949/2010","hits":11},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Arena+Stage+records%2C+1949%2F2010\u0026f%5Bdate_range%5D%5B%5D=1953\u0026f%5Blevel%5D%5B%5D=Sub-series\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Arthur E. 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